WEBVTT - Mini Crush #60

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<v Speaker 1>Hello, everyone, Welcome to movie crush. Hi, it's it's me,

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<v Speaker 1>No the morning to us, I don't know what I'm doing.

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<v Speaker 1>Yours is better minus when a weird hybrid Scottish Irish accent.

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<v Speaker 1>I don't know what it is. Um, you know. No.

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<v Speaker 1>When I read books to my daughter, I do accents

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<v Speaker 1>almost all the time. No straight reads in my house.

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<v Speaker 1>That's fair, that's fun. And uh most of the time

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<v Speaker 1>she's delighted. But about thirty percent of the time she

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<v Speaker 1>yanks it out of my hand and goes, no, Daddy,

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<v Speaker 1>I want mommy to read read read it regular And

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<v Speaker 1>then I make fun of her, and I scream and

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<v Speaker 1>I slammed the door, and I go and pout in

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<v Speaker 1>the closet. And that's how I'm I'm teaching by example.

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<v Speaker 1>Do you have a particular pouting closet that you well,

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<v Speaker 1>I do. I have one for the clothes, one for towels,

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<v Speaker 1>and linen's one for linen closet, and then the powdering

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<v Speaker 1>close for powding. Yes, it's next to the fainting couch,

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<v Speaker 1>very nice, and the powder room yes so no. Uh,

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<v Speaker 1>I saw Mandy Oh Surprise been a been a hot

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<v Speaker 1>topic on the movie crashes. It's very polarizing, very divisive,

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<v Speaker 1>and I have really come out strong for it, and

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<v Speaker 1>there have been plenty people that have come out strong

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<v Speaker 1>again it. So let's see where do you fall. I

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<v Speaker 1>fall in the middle. Um, here's here's my thing. College

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<v Speaker 1>Chuck year old shock would have been so fucking down

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<v Speaker 1>with Mandy. I get it. Yeah. When I when I

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<v Speaker 1>was watching it, I was sort of like, I get it.

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<v Speaker 1>I've seen you know, I get it. Um And I

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<v Speaker 1>liked a lot of it, But ultimately I was like,

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<v Speaker 1>I just don't know at this age if it really

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<v Speaker 1>resonated me with me the same. Yeah, that's fair, that's

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<v Speaker 1>fair for me. It was just a crystallization of a

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<v Speaker 1>lot of things that I did love in college age

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<v Speaker 1>and continue to love, and things like Space Odyssey and

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<v Speaker 1>like Evil Dead and like all of these like you know,

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<v Speaker 1>Dead Alive, all of these gonzo schlocky things combined. But

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<v Speaker 1>I love that stuff. I also thought it was a

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<v Speaker 1>very poetic kind of you know, um meditation on like

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<v Speaker 1>death and like you know, sadness and suffering. That was

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<v Speaker 1>kind of how I felt about And I also thought

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<v Speaker 1>it was beautiful and like it was really like masterfully

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<v Speaker 1>directed and shot and it was like every frame was

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<v Speaker 1>it's crazy. I mean it was batshit crazy. I mean,

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<v Speaker 1>trust me, I loved a lot of things about it.

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<v Speaker 1>And again, this movie would have been so up my

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<v Speaker 1>alley twenty years ago. Um, just didn't quite And maybe

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<v Speaker 1>it's also sometimes the the mood you're in on a

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<v Speaker 1>particular day, especially with a movie like this, can like

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<v Speaker 1>a polarizing film, can affect how you viewed it. But uh,

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<v Speaker 1>it was good, you know, I get it. It's not

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<v Speaker 1>like I don't want to see it again. Um. So

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<v Speaker 1>that says a lot. And it also reminds me as

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<v Speaker 1>much as I've said I would have loved this movie

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<v Speaker 1>twenty years ago. I also kind of remember like when

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<v Speaker 1>natural Born Killers came out, even when because that was

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<v Speaker 1>when I was young, I was like, I don't know, man,

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<v Speaker 1>it's sort of just like a that adrenaline fueled drug

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<v Speaker 1>fueled amped up zero to a hundred, Like, uh, just

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<v Speaker 1>crazy filmmaking. Like I didn't love it back then either,

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<v Speaker 1>fair about it and now I love Natural Born Killers

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<v Speaker 1>when I was younger, but like, looking back, that movie

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<v Speaker 1>is much more nihilistic and kind of like a gross

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<v Speaker 1>kind of way, and like the themes are sort of problematic,

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<v Speaker 1>and it really is kind of as much as Stone

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<v Speaker 1>would be. Like, I was not trying to glorify this.

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<v Speaker 1>I was trying to show how this can all spin

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<v Speaker 1>out of control. I thought it kind of did glorify

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<v Speaker 1>mass murder, whereas this movie, to me is much more

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<v Speaker 1>of a fairy tale. Mandy is much more of like

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<v Speaker 1>a fantasy kind of thing, you know what I mean,

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<v Speaker 1>Like it's almost like a hero's journey, as though he's

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<v Speaker 1>some sort of like psychedelic night And I go using

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<v Speaker 1>that word again, but it totally applies to this movie.

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<v Speaker 1>So maybe, well maybe a little, because it definitely like

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<v Speaker 1>took all of these tropes and like kind of like

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<v Speaker 1>it had these like title cards that were something you'd

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<v Speaker 1>see on a fantasy novel, like a trash kind of

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<v Speaker 1>fantasy dime store novel. And uh, you know, Mandy character

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<v Speaker 1>is always reading. She's doing these readings from these kind

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<v Speaker 1>of schlocky fantasy books. In the movie itself kind of

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<v Speaker 1>becomes that thing. So yes, is a little bit meta. Chuck,

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<v Speaker 1>everyone old just got legit, sassy. I turned, I cocked

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<v Speaker 1>my head and everything. Now I stand by it. I

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<v Speaker 1>I did want to watch it again because I thought

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<v Speaker 1>it was I saw it. I've seen it twice on demand,

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<v Speaker 1>and I saw it in the theater. I'll tell you

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<v Speaker 1>see it in the theater. I think I told you

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<v Speaker 1>about this. It was so cool because they got released

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<v Speaker 1>originally like very limited theater Ryan, but then so many

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<v Speaker 1>people like got into it on on demand. They kind

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<v Speaker 1>of like it became this groundswell in different cities to

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<v Speaker 1>like have a theater release. So the Plaza did it,

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<v Speaker 1>and here in Atlanta and people had already seen it

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<v Speaker 1>clearly kind of a bunch. So it had these applause

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<v Speaker 1>moments where everyone knew what was coming, and it became

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<v Speaker 1>this really cult movie experience. Instant instant culled classic, which

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<v Speaker 1>is another thing I thought was interesting the way they

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<v Speaker 1>handled the promotion of it then that movie. They did

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<v Speaker 1>a good job. Yeah, I want to see many again

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<v Speaker 1>one day. I don't know, it's fair, Chuck. I mean,

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<v Speaker 1>I'm not gonna it's not gonna force it on you,

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<v Speaker 1>but I really do. It was one that was very

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<v Speaker 1>It just hit me for some reason. It hit like

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<v Speaker 1>a lot of uttons for me in a really interesting way. Well,

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<v Speaker 1>I mean, it definitely followed down some of the paths

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<v Speaker 1>that Sam Sam lamy what Sam Ramie. Yeah, that sounds

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<v Speaker 1>like a cut exactly, Sam. More like it laid the

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<v Speaker 1>it followed down the path that Sam Raimi had laid

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<v Speaker 1>many years before for sure, especially with the chainsaw stuff. Um,

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<v Speaker 1>and you know, I get it, the big huge chainsaw.

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<v Speaker 1>It's fun. It's super fun. Yeah. Yeah, alright, I'm in

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<v Speaker 1>the middle and the music is cool. It's like this.

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<v Speaker 1>It's actually the last thing your hand Yo Hansen did

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<v Speaker 1>before he passed away. Who he was this pretty he's

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<v Speaker 1>a he's like he did a lot of interesting kind

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<v Speaker 1>of contemporary classical kind of stuff for orchestra that's very

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<v Speaker 1>drony and kind of ambient. But he's also done like

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<v Speaker 1>he did all the music for that movie Arrival. Um,

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<v Speaker 1>uh what's that guy's name? Yeah, what's that the director's name.

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<v Speaker 1>He's doing the New Dune and uh Villeniel Yeah, um

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<v Speaker 1>but yeah, I think he actually was originally supposed to

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<v Speaker 1>do Blade Runner and then he got replaced by the music. Yeah,

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<v Speaker 1>he got replaced by Zimmer, who did a fantastic job

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<v Speaker 1>because I was Simmer. Yeah. Um, but yeah, he he

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<v Speaker 1>passed away and he did all the music from Mandy.

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<v Speaker 1>So it's all the synth, big synth soundtrack stuff and

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<v Speaker 1>then also big metal guitars where we're done by members

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<v Speaker 1>of a band called Son Oh oh yeah, yeah, I

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<v Speaker 1>know that big doom metal band. Yeah, so, really cool

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<v Speaker 1>hybrid soundtrack. I liked it a lot. All right, Mandy,

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<v Speaker 1>we're fairly split. I'm glad you saw it, though, Chuck,

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<v Speaker 1>I'm glad you saw it. Yes, I'm too. All right.

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<v Speaker 1>Now we're gonna do mystery Haiku theater with me. Oh boy,

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<v Speaker 1>here's my here's my lapp. Yeah, because I didn't have access,

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<v Speaker 1>bring this over. H oh boy. It's gonna be fun. Alright.

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<v Speaker 1>So yeah, I'm gonna keep track, okay, even on my own,

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<v Speaker 1>even though we said this is not a a competition.

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<v Speaker 1>I'm just going to see how I do do do

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<v Speaker 1>twenty trump not trup. This one's fantastic, and make sure

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<v Speaker 1>you read everyone's name. Yes, so this one is Yeah,

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<v Speaker 1>of course this one comes from Eilis ei lease because

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<v Speaker 1>it's got a little look at you with the names. Well,

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<v Speaker 1>it feels okay. I just want to give them their

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<v Speaker 1>due les. At least you're doing a great Chuck Phillips. Okay,

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<v Speaker 1>I almost read the name. I almost read the answer

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<v Speaker 1>because yeah, so here we go. This is a great

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<v Speaker 1>her fridge malfunctions. It's true, this man has no dick

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<v Speaker 1>food mascot explodes. Uh, Ghostbusters ding ding? Yes, yeah, all right,

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<v Speaker 1>Here comes one from Sarah Nagy. It's one g so

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<v Speaker 1>I'm gonna think. I'm thinking it's Nagy. You gotta say,

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<v Speaker 1>old pal Sarah, case Sarah's been around, it's our old

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<v Speaker 1>pal Sarah. Here we go. Oh, this one's great, not

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<v Speaker 1>dead yet. Nights that say ni ni, but a scratch

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<v Speaker 1>that would be Monty Python in the Holy Girl. Yeah,

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<v Speaker 1>good thing you got because in Britnesys said you deserve

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<v Speaker 1>to be spit upon if you don't know this. Yeah,

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<v Speaker 1>strong feelings here. Okay, we got one from from Jeff Clark.

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<v Speaker 1>Is he an old pal? He is? Now he's dead

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<v Speaker 1>to me? Okay, well, fair enough. Let's see if you

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<v Speaker 1>get his riddle correct. Uh, the longest night of my life,

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<v Speaker 1>but in a good way. The longest night of my life,

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<v Speaker 1>but in a good way. That's not that's only half

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<v Speaker 1>a high, kou, Jeff, that's seven five. That's all right, Jeff,

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<v Speaker 1>you're fired. What was the movie as the Shawshank redemption. Okay, Jeff,

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<v Speaker 1>we didn't mean to shame you, and we're gonna I'm

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<v Speaker 1>gonna choose to believe that the rest of the high

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<v Speaker 1>Koo just got cut off, or that you accidentally posted

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<v Speaker 1>it to earlier. Yeah, that's a high poo exactly. All right,

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<v Speaker 1>Here we go. Tim Guarante says, this one travel through time. Dude,

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<v Speaker 1>meet Socrates, Cohn, some babes, past history class, Bill and

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<v Speaker 1>Ted's Excellent Adventures, exclusively the Excellent Adventure. Um, okay, here

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<v Speaker 1>we go. This one's from Lisa Romano, Old Pal, A

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<v Speaker 1>quiet place, Terror mutes the Globe, family values, tested, losses, gains, birth, death,

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<v Speaker 1>Oh ship, I think it's a quiet place. I was like, wait,

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<v Speaker 1>that's too long for high that's my bad. Oh excuse me, Chuck,

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<v Speaker 1>you get that one. Okay, here we go. Here's one

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<v Speaker 1>from the Coops and in Cooper he's a good guy.

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<v Speaker 1>I like Karen. Um, okay, let me not mess this

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<v Speaker 1>up again. Murder Mystery, Black Male, Multiple Endings, The Butler

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<v Speaker 1>did it well? Clue. Yeah, I know that because that's

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<v Speaker 1>one of Coop's favorite movies. Yeah, it's a good you know.

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<v Speaker 1>I say that because I know a lot of people

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<v Speaker 1>really love it, but I haven't seen it. I know

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<v Speaker 1>it's one of my infamous holes. Chuck, I really it's true.

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<v Speaker 1>It's sort of like those redwood trees and in Big Sir,

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<v Speaker 1>you know, it's just like that, all right. This one's

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<v Speaker 1>from Carry V McQuaid, great name. I like McQuaid. Yeah. Oh,

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<v Speaker 1>and this one is is already a guest the movie. Okay, oh, oh,

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<v Speaker 1>I know what it is. I think she doesn't give

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<v Speaker 1>the answer, but I think I know, and I think, well, well,

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<v Speaker 1>so this will be for both of us. Diamond thieves.

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<v Speaker 1>Oh sorry, diamonds thieves London. You apologize atto because of

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<v Speaker 1>the fish called Yeah, yeah, it's got to be. Let's

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<v Speaker 1>see this one. This is good. It was all a dream.

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<v Speaker 1>Chuck is the proprietor. Where is his money? I'll give

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<v Speaker 1>you a clue. Chuck is referring to you. Chuck is

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<v Speaker 1>the proprietor. As then it was your idea, where is

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<v Speaker 1>the money? That's right, where's your money? Chuck? Where's your money?

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<v Speaker 1>Is a movie? Yeah, I don't get it was all

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<v Speaker 1>a dream. Maybe it was all a dream. I haven't

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<v Speaker 1>seen it, all right, what shark Nado? Oh? I don't

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<v Speaker 1>get the was all a dream though, but I don't either. Yeah,

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<v Speaker 1>it's okay, all right, I didn't get it. It's okay.

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<v Speaker 1>That was from Samantha Mathai Mattai m A T T

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<v Speaker 1>h A I. She's an old friend. Old foul um.

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<v Speaker 1>Here we go. This one's from Vanessa Lopez. Absolute absolute

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<v Speaker 1>old pal, very old school sisk, she says. She says,

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<v Speaker 1>I love this idea, very old school sisk. Okay, great,

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<v Speaker 1>Vinny is on the case murder and Alabama. But what

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<v Speaker 1>is a ute? Vinny is on the case. Yeah, that

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<v Speaker 1>that's that's your big clue right there. And ute? What

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<v Speaker 1>does a ute? Well, it's someone from Utah. No, no, no,

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<v Speaker 1>Vinny there murder in Alabama. I don't know my cousin Vinny.

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<v Speaker 1>What is a ute? I didn't. Fred Gwinn he's the

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<v Speaker 1>he's the judge. He goes, what is a ute? I

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<v Speaker 1>never saw that all the way through. You know, it's

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<v Speaker 1>pretty fun. That's one of my weird hole. I know,

0:13:24.600 --> 0:13:26.840
<v Speaker 1>that's a weird one. Here we go. You got this one, buddy.

0:13:27.080 --> 0:13:31.439
<v Speaker 1>This is from Kristen kissed her uh need girl with

0:13:31.559 --> 0:13:36.120
<v Speaker 1>green eyes. Old Jack Burton always says, lo pan is

0:13:36.240 --> 0:13:39.080
<v Speaker 1>bad guy. Yeah, lo Pan is bad guy. If you're

0:13:39.520 --> 0:13:43.400
<v Speaker 1>in Little China, big trouble. Everyone's what it is? Here

0:13:43.440 --> 0:13:46.960
<v Speaker 1>we go, Hugh Jackman singing, Is there anything better? Oh?

0:13:47.000 --> 0:13:52.520
<v Speaker 1>Wait Wolverine? Well, I mean that's that's hard. He's sang

0:13:52.559 --> 0:13:55.480
<v Speaker 1>in two movies. So it's either lame is or it's

0:13:55.520 --> 0:13:59.160
<v Speaker 1>that dumb circus. Excuse me. I love that dumb circus

0:13:59.200 --> 0:14:01.920
<v Speaker 1>movie for that guy. Such bad reviews. It was good, Chuck,

0:14:02.160 --> 0:14:05.079
<v Speaker 1>was it? Yes? The kids love it? P Barnum, what's

0:14:05.120 --> 0:14:08.120
<v Speaker 1>what's it called? The Greatest Showman? The Greatest Showman? Should

0:14:08.760 --> 0:14:11.120
<v Speaker 1>here's the thing, Chuck. I read the reviews to going in.

0:14:11.240 --> 0:14:13.000
<v Speaker 1>I wasn't into it. My kid was into it because

0:14:13.000 --> 0:14:15.040
<v Speaker 1>the kids love it. It's one of these hot soundtracks

0:14:15.040 --> 0:14:17.680
<v Speaker 1>like Glee or something, and I thought it was great.

0:14:17.960 --> 0:14:21.800
<v Speaker 1>You know. P. T. Barnum is a problematic character in general. Uh,

0:14:21.800 --> 0:14:23.680
<v Speaker 1>and there are some themes in the movie that aren't great.

0:14:23.880 --> 0:14:25.920
<v Speaker 1>But it's a fun movie and I thought it was good.

0:14:26.040 --> 0:14:30.480
<v Speaker 1>All Right, one more, two more, we've done six. Yeah,

0:14:30.480 --> 0:14:32.040
<v Speaker 1>we don't have to do twenty. That's too many. Let's

0:14:32.080 --> 0:14:34.200
<v Speaker 1>do like, let's do three or four more. Let's do

0:14:34.280 --> 0:14:41.000
<v Speaker 1>three or four more. Um, okay, let's see. I'm trying.

0:14:41.040 --> 0:14:44.600
<v Speaker 1>Here we go. This is your favorite movie, Chuck, Jaws.

0:14:45.480 --> 0:14:48.240
<v Speaker 1>There's too many clues. It's okay. These aren't meant to trick,

0:14:48.280 --> 0:14:49.880
<v Speaker 1>but I'm still gonna do it. This is just for you,

0:14:50.000 --> 0:14:55.560
<v Speaker 1>Chuck Frodo, sam Elves, Dwarfs, Men, Hobbits, scull Um, Wizard,

0:14:56.160 --> 0:15:00.280
<v Speaker 1>one Ring, They walk a doom. They walk and walk

0:15:00.560 --> 0:15:05.720
<v Speaker 1>and walk for eight hours of screen time. Three movies. Yeah,

0:15:05.800 --> 0:15:08.760
<v Speaker 1>Lord of the Lord of the Flings, Lord of the Flings,

0:15:09.680 --> 0:15:12.040
<v Speaker 1>Lord of the Walking Shoes. That's great. That's all right.

0:15:12.120 --> 0:15:16.320
<v Speaker 1>Three more knol And that was by Lillian Rolf. Um. Okay,

0:15:16.520 --> 0:15:18.760
<v Speaker 1>I think Vanessa's had enough. We can't keep giving her

0:15:19.080 --> 0:15:23.680
<v Speaker 1>all the choice spots. Vanessa's being good. Here's one from

0:15:23.760 --> 0:15:26.040
<v Speaker 1>Jake's stubble Field Jacob that is, I don't know. I

0:15:26.080 --> 0:15:28.680
<v Speaker 1>wouldn't wouldn't presume to call him Jake, but I would

0:15:28.680 --> 0:15:32.760
<v Speaker 1>ask permission if we met. Ah Ha, that's good, Okay,

0:15:33.040 --> 0:15:35.640
<v Speaker 1>here we go. Um. This one refers to a series

0:15:35.680 --> 0:15:39.480
<v Speaker 1>of films Space Toys aren't that great? Cow girls and

0:15:39.520 --> 0:15:45.080
<v Speaker 1>horses are cool. Don't trust purple bears. I have no

0:15:45.120 --> 0:15:48.480
<v Speaker 1>idea that is the toy Story trilogy. There's a fourth

0:15:48.560 --> 0:15:54.120
<v Speaker 1>one coming out. That's what I've heard. Quadrilogy. Is that

0:15:54.160 --> 0:15:57.480
<v Speaker 1>a thing? Sure? Okay, I like it. Here we go

0:15:58.240 --> 0:16:00.720
<v Speaker 1>from That was from Jason Hancock. No, that's not true.

0:16:01.080 --> 0:16:03.520
<v Speaker 1>That was from Oh it was Stubbs. It was the Stubbs.

0:16:03.720 --> 0:16:08.320
<v Speaker 1>Here's from one from William Angus. Is the Happening? Oh,

0:16:08.360 --> 0:16:12.440
<v Speaker 1>it's the happening, but with less Mark Wahlberg and plot

0:16:12.480 --> 0:16:15.680
<v Speaker 1>makes more sense. That's this is tough. You'll never get Yeah,

0:16:15.680 --> 0:16:20.240
<v Speaker 1>I mean you might get it. Uh, I don't know.

0:16:20.400 --> 0:16:25.440
<v Speaker 1>It's a recent h I know. Yeah, compare something that's happened.

0:16:25.480 --> 0:16:28.040
<v Speaker 1>It's bird Bath the movie. Oh I didn't see that

0:16:28.120 --> 0:16:31.560
<v Speaker 1>bird Bath, bird Bath and beyond? Oh bird Bath? What's

0:16:31.560 --> 0:16:40.280
<v Speaker 1>it called? Bird Ah? Here we go from Caroline Gaston. Yeah.

0:16:40.440 --> 0:16:44.400
<v Speaker 1>Rex Manning is here, damn the man Save the Empire.

0:16:44.760 --> 0:16:48.720
<v Speaker 1>Does anyone work? I don't know who Rex Manning is.

0:16:49.600 --> 0:16:52.440
<v Speaker 1>He's like the pop star that everyone loves in this movie.

0:16:52.520 --> 0:16:57.120
<v Speaker 1>Or he's like a famous DJ or something. Live Tyler's

0:16:57.160 --> 0:17:00.480
<v Speaker 1>in it. Oh, Empire record that's the one. Wow. Does

0:17:00.520 --> 0:17:02.520
<v Speaker 1>anyone work? Yeah? I think they're talking about in the

0:17:02.520 --> 0:17:07.480
<v Speaker 1>record store. Right, is an exactly? Um, Okay, here we go.

0:17:07.640 --> 0:17:12.040
<v Speaker 1>Last one. How about that? Yeah? Sound good? Uh, here

0:17:12.040 --> 0:17:15.280
<v Speaker 1>we go. Now we've already done this one. Oh no,

0:17:15.640 --> 0:17:17.479
<v Speaker 1>we've done some of these. I guess we gotta just remember.

0:17:17.720 --> 0:17:19.800
<v Speaker 1>But I do remember that we did that one. Let's see,

0:17:19.800 --> 0:17:22.320
<v Speaker 1>here we go. Have you been deleting these as you go? No? No,

0:17:24.960 --> 0:17:26.640
<v Speaker 1>he didn't tell me to do that. I'm sorry, Chuck,

0:17:26.720 --> 0:17:28.800
<v Speaker 1>I didn't know the I know, I know, I know

0:17:28.880 --> 0:17:32.439
<v Speaker 1>that the the score. Now here we go. Depressed puppeteer

0:17:32.760 --> 0:17:39.000
<v Speaker 1>finds job opportunity in John Malkovich. I have no idea

0:17:39.280 --> 0:17:42.080
<v Speaker 1>being John Malcolm. That one was solid. All right, Yeah,

0:17:42.119 --> 0:17:44.200
<v Speaker 1>that's fun. Here's your lappy toppy back. You were good?

0:17:44.320 --> 0:17:48.199
<v Speaker 1>You were good right now? It's true? Is that what

0:17:48.240 --> 0:17:50.160
<v Speaker 1>it's like being you know, it's kind of like that.

0:17:50.680 --> 0:17:53.800
<v Speaker 1>I do have to mark our mistakes and uh make

0:17:53.920 --> 0:17:57.320
<v Speaker 1>marks in the session for Ramsey, so he knows when

0:17:57.359 --> 0:17:59.639
<v Speaker 1>we have different segments as well. Well. I can't believe

0:17:59.680 --> 0:18:02.639
<v Speaker 1>you totally did not delete these. So now I'm just

0:18:03.720 --> 0:18:06.280
<v Speaker 1>it's okay, Chuck, I went, I did go down. Now

0:18:06.320 --> 0:18:08.720
<v Speaker 1>I skipped a feat. I'm sorry. I'm just leading some

0:18:08.760 --> 0:18:11.160
<v Speaker 1>of these now, I really fucked up, toy Story Trilogy

0:18:12.520 --> 0:18:14.199
<v Speaker 1>Lord of the Rings. All right, I can clean this

0:18:14.280 --> 0:18:25.600
<v Speaker 1>up later. Everyone. Let's move on to the pole truth

0:18:26.680 --> 0:18:29.879
<v Speaker 1>sci fi a dish. I made some movie polls up,

0:18:29.920 --> 0:18:33.800
<v Speaker 1>some sci fi movie polls last night, everybody, and I'm

0:18:33.840 --> 0:18:36.480
<v Speaker 1>kind of curious to see what everyone came up with,

0:18:38.000 --> 0:18:42.160
<v Speaker 1>because some of these were provocative. Intentionally, I was trying

0:18:42.200 --> 0:18:45.040
<v Speaker 1>to poke around and see if I could trigger some

0:18:45.440 --> 0:18:49.240
<v Speaker 1>sci fi outrage. And uh, we'll go ahead and start

0:18:49.240 --> 0:18:53.800
<v Speaker 1>it off with this one biggest badass Sarah Connor and

0:18:53.840 --> 0:19:00.200
<v Speaker 1>T two or Ellen Ripley in Aliens Interesting we at

0:19:00.200 --> 0:19:06.040
<v Speaker 1>a one point one thousand votes. I would say, uh,

0:19:06.040 --> 0:19:10.720
<v Speaker 1>Sarah Connor because she's so grizzled in that one man

0:19:10.720 --> 0:19:13.480
<v Speaker 1>and she's like in the you know, in the psych

0:19:13.560 --> 0:19:16.680
<v Speaker 1>ward and she like swallows the paper clip and she's

0:19:16.880 --> 0:19:18.840
<v Speaker 1>that's the guy with bleach and then I mean she

0:19:19.000 --> 0:19:21.840
<v Speaker 1>is she's doing pull ups and she's all buff and ship.

0:19:22.320 --> 0:19:25.480
<v Speaker 1>I mean, she's pretty gnarly. I'm with you. I I

0:19:25.560 --> 0:19:27.200
<v Speaker 1>would have to. I don't know, man, I might give

0:19:27.200 --> 0:19:30.840
<v Speaker 1>that one a tie. But Ellen Ripley won in decided fashion.

0:19:31.040 --> 0:19:36.440
<v Speaker 1>Really yeah, and I can't. And I mean now they're

0:19:36.440 --> 0:19:39.760
<v Speaker 1>both pretty solid. T two is more of my movie though,

0:19:39.880 --> 0:19:43.080
<v Speaker 1>So yeah, I mean there's a lot of comments saying

0:19:43.119 --> 0:19:47.880
<v Speaker 1>how hard this one was? Um and Amy Crouch maybe

0:19:47.920 --> 0:19:50.119
<v Speaker 1>says it best if you had them go up against

0:19:50.119 --> 0:19:54.560
<v Speaker 1>each other. Sarah Connor is gonna win, maybe so she'll

0:19:54.600 --> 0:19:57.000
<v Speaker 1>inject your ass with bleach. Well, if it's a fist fight.

0:19:57.520 --> 0:20:02.200
<v Speaker 1>I mean, Ellen Ripley was pretty good with a robot.

0:20:02.600 --> 0:20:08.159
<v Speaker 1>Uh mech kind of workless. Yeah, it depends on if

0:20:08.160 --> 0:20:11.199
<v Speaker 1>weapons are involved. That's good though, both great movie badasses

0:20:11.320 --> 0:20:13.840
<v Speaker 1>in the sci fi realm. All right, here we go,

0:20:14.119 --> 0:20:18.800
<v Speaker 1>pull truth spaceship. You'd most like to own? The Millennium

0:20:18.840 --> 0:20:23.639
<v Speaker 1>Falcon or Serenity one point two thousand VOTs? Who do

0:20:23.680 --> 0:20:27.680
<v Speaker 1>you think? One? Oh, I'm sure the Millennium Falcon, yeah,

0:20:27.840 --> 0:20:31.160
<v Speaker 1>big time. Yeah, there's there's firefly fans out there though,

0:20:31.200 --> 0:20:36.000
<v Speaker 1>but the Falcon, and this is most like to own,

0:20:36.200 --> 0:20:38.320
<v Speaker 1>not just like cooler ship or what I like in

0:20:38.359 --> 0:20:43.719
<v Speaker 1>the movie. I don't know. Serenity might be a better ship. Everybody, Well,

0:20:43.760 --> 0:20:47.159
<v Speaker 1>I mean that isn't isn't Millennium Falcon kind of even

0:20:47.359 --> 0:20:48.800
<v Speaker 1>he talks about it like it's sort of a piece

0:20:48.800 --> 0:20:52.080
<v Speaker 1>of junk. Yeah, the rust bucket doesn't call it a

0:20:52.160 --> 0:20:55.240
<v Speaker 1>rust bucket makes the whole thing. I mean that ship

0:20:55.320 --> 0:20:58.440
<v Speaker 1>is a character in and of itself. All right, movie

0:20:58.440 --> 0:21:01.679
<v Speaker 1>crush pull truth sigh if I a Dish two thousand

0:21:01.760 --> 0:21:08.840
<v Speaker 1>one Space Odyssey, genius or boring or how about geniusly boring?

0:21:10.560 --> 0:21:14.320
<v Speaker 1>This was closer than I thought, said genius, said boring

0:21:15.200 --> 0:21:19.080
<v Speaker 1>thousand votes. That's it's a slow film. And I get

0:21:19.080 --> 0:21:23.800
<v Speaker 1>that people might be turned off by that. Casey and

0:21:23.800 --> 0:21:26.000
<v Speaker 1>now are going to crush on that one soon? Is nice?

0:21:26.440 --> 0:21:30.320
<v Speaker 1>Um poul truth sci fi dish kitchy old sci fi

0:21:30.359 --> 0:21:33.600
<v Speaker 1>like Barbara Ella and Logan's run bring it on or

0:21:33.640 --> 0:21:38.680
<v Speaker 1>no thanks? I say bring it on. I say bring

0:21:38.680 --> 0:21:43.480
<v Speaker 1>it on, said bring it on, said no thanks? Get out.

0:21:43.600 --> 0:21:45.160
<v Speaker 1>You gotta be in the right mood for that, you do,

0:21:45.359 --> 0:21:47.640
<v Speaker 1>have I told you that? Like there's this crazy cash

0:21:47.760 --> 0:21:52.680
<v Speaker 1>of old like eighties early eighties trash movies on Amazon

0:21:52.800 --> 0:21:54.520
<v Speaker 1>Prime that have you ever heard of a movie called

0:21:54.560 --> 0:21:58.680
<v Speaker 1>death Stalker? It sounds familiar. It's like basically a t

0:21:58.920 --> 0:22:01.480
<v Speaker 1>n A Cone in the Barbarian rip off. Like it's

0:22:01.520 --> 0:22:03.719
<v Speaker 1>totally and I bet there were a million. I mean,

0:22:03.720 --> 0:22:06.040
<v Speaker 1>there were obviously like a million copycat type movies and

0:22:06.240 --> 0:22:08.119
<v Speaker 1>there was one movie that did well, there would be

0:22:08.160 --> 0:22:11.000
<v Speaker 1>a million type kind of Roger Corminy schlocky rip offs. Right,

0:22:11.040 --> 0:22:13.200
<v Speaker 1>there are dozens of those on Amazon Prime. If you

0:22:13.200 --> 0:22:15.480
<v Speaker 1>guys want to take a blast to the past, I

0:22:15.520 --> 0:22:19.280
<v Speaker 1>recommended highly. Their movie selection is pretty great. It is,

0:22:19.320 --> 0:22:21.159
<v Speaker 1>I will say, like stuff like that, and then like

0:22:21.200 --> 0:22:25.000
<v Speaker 1>really good classics and also good solid light horror from

0:22:25.000 --> 0:22:27.240
<v Speaker 1>the seventies as well, like really really cool stuff on there.

0:22:27.320 --> 0:22:29.719
<v Speaker 1>That's right, a little hard to search though, you kind

0:22:29.720 --> 0:22:31.040
<v Speaker 1>of gotta know what you're looking for, like that. They

0:22:31.119 --> 0:22:33.199
<v Speaker 1>don't have them categorized very well. I don't like the

0:22:33.320 --> 0:22:35.800
<v Speaker 1>Yeah I've been watching lately nol Is. There was a

0:22:35.840 --> 0:22:42.120
<v Speaker 1>BBC show called Classic Albums that um takes one record

0:22:42.320 --> 0:22:45.600
<v Speaker 1>in spends an hour talking about the making of that record.

0:22:45.640 --> 0:22:49.680
<v Speaker 1>Cool including every show has them in the studio at

0:22:49.680 --> 0:22:52.679
<v Speaker 1>the board doing the tracks, which is one of my

0:22:52.720 --> 0:22:55.600
<v Speaker 1>favorite things ever. It's like just to listen to the

0:22:55.600 --> 0:22:58.520
<v Speaker 1>base or the backing vocals, and so we've been I mean,

0:22:58.520 --> 0:23:00.320
<v Speaker 1>it's such a good show and we've been just pouring

0:23:00.320 --> 0:23:01.879
<v Speaker 1>through this. It on BBC America. Do you have to

0:23:01.920 --> 0:23:04.600
<v Speaker 1>have BBC America? Well, no, it's on Amazon Prime. Names

0:23:04.640 --> 0:23:07.920
<v Speaker 1>on Prime. Yeah, just typing classic albums. That's a good record.

0:23:08.040 --> 0:23:11.200
<v Speaker 1>I watched Damn the Torpedoes last night, Tom Petty, we

0:23:11.320 --> 0:23:14.600
<v Speaker 1>watched Rumors the other night with Fleetwood Mac, and watched

0:23:14.880 --> 0:23:18.840
<v Speaker 1>Goodbye Yellow Bick Road the other night. It's really really cool, cool.

0:23:18.880 --> 0:23:22.159
<v Speaker 1>I'll check it out. Highly recommended, all right, many crush

0:23:22.280 --> 0:23:26.119
<v Speaker 1>poll Truth, Sci Fi Dish by the way. Robert Paulson

0:23:26.520 --> 0:23:31.680
<v Speaker 1>on that last one said Logan's run kitchy blasphemy. Um,

0:23:31.720 --> 0:23:35.399
<v Speaker 1>I'll say it live like I said on Facebook. Pipe down, Paulson,

0:23:36.040 --> 0:23:42.960
<v Speaker 1>pipe down, good sir. He's a he's a location scout. Yeah,

0:23:43.080 --> 0:23:45.359
<v Speaker 1>we've been in touch for many, many years. He always

0:23:45.400 --> 0:23:49.159
<v Speaker 1>sends cool emails about stuff he's working on. I should,

0:23:49.240 --> 0:23:51.119
<v Speaker 1>but maybe one day I'll get pulsing on. It'd be

0:23:51.119 --> 0:23:52.879
<v Speaker 1>cool to hear from a location scout. I want to

0:23:52.880 --> 0:23:54.439
<v Speaker 1>know what goes into it. I think people have been

0:23:54.520 --> 0:23:57.840
<v Speaker 1>enjoying these crew member episodes and learning about these jobs.

0:23:57.880 --> 0:24:00.840
<v Speaker 1>It's kind of neat um. All, here we go, sci

0:24:00.880 --> 0:24:08.440
<v Speaker 1>Fi Pole Truth. George Lucas Noel genius filmmaker or great

0:24:08.520 --> 0:24:14.840
<v Speaker 1>ideas filmmaker? What do you think I'm not I'm not

0:24:14.920 --> 0:24:20.760
<v Speaker 1>a fan. All right, Well, you're This was a landslide

0:24:21.600 --> 0:24:26.399
<v Speaker 1>of the people said me, filmmaker great Ideas, is a

0:24:26.400 --> 0:24:30.320
<v Speaker 1>genius filmmaker. I don't think he's a genius filmmaker. Is he?

0:24:30.359 --> 0:24:34.800
<v Speaker 1>Did he do American Graffiti? Yeah? Is that good? Yeah?

0:24:35.000 --> 0:24:40.040
<v Speaker 1>Is it great? No? Okay, it's good because I think

0:24:40.040 --> 0:24:43.240
<v Speaker 1>I've said this before. Um, I don't think Star Wars movies,

0:24:43.480 --> 0:24:46.280
<v Speaker 1>even the classic ones, are that good. Like I think

0:24:46.240 --> 0:24:48.280
<v Speaker 1>they they accomplish what they're supposed to acomplish, and they're

0:24:48.280 --> 0:24:50.560
<v Speaker 1>sort of like these schmaltzy kind of space operas. But

0:24:50.600 --> 0:24:55.159
<v Speaker 1>if you really, you know, just dissect them, they're not

0:24:55.320 --> 0:24:59.480
<v Speaker 1>very good. I know, That's what I'm saying. Like, that's

0:24:59.480 --> 0:25:03.159
<v Speaker 1>why I think it's like great idea, great execution for

0:25:03.200 --> 0:25:05.239
<v Speaker 1>the zite guys, just hit this thing and just like

0:25:06.359 --> 0:25:11.800
<v Speaker 1>really good, but not so much like an amazing film. No,

0:25:12.080 --> 0:25:14.520
<v Speaker 1>he's he is not a great film. What about the

0:25:14.640 --> 0:25:17.280
<v Speaker 1>the thh X one? Have you seen that one? Yeah?

0:25:17.280 --> 0:25:20.720
<v Speaker 1>It's okay, I haven't seen it. He's not a great filmmaker.

0:25:20.920 --> 0:25:24.520
<v Speaker 1>It's just the thing the people have spoken. Holly Fry

0:25:24.560 --> 0:25:27.679
<v Speaker 1>will cut you, We'll cut us all. Yeah, Well, you know,

0:25:27.760 --> 0:25:29.679
<v Speaker 1>what are you gonna do? I don't know. Uh, And

0:25:29.680 --> 0:25:31.879
<v Speaker 1>you'ren't gonna call on Paulson again because this is a

0:25:31.880 --> 0:25:35.119
<v Speaker 1>pretty relevant comment here. Robert says, you gotta want to

0:25:35.160 --> 0:25:38.120
<v Speaker 1>make films to be a genius. When he was young,

0:25:38.160 --> 0:25:41.879
<v Speaker 1>he had the desire. He says, th h X and

0:25:41.880 --> 0:25:45.159
<v Speaker 1>American Graffiti were great, but once it became about money

0:25:45.440 --> 0:25:51.280
<v Speaker 1>black very I agree est in comment, I agree. No,

0:25:51.400 --> 0:25:54.000
<v Speaker 1>I think that's pretty spot on. I feel bad about

0:25:54.000 --> 0:25:56.159
<v Speaker 1>that post. Now you gotta be hungry, right like it

0:25:56.200 --> 0:25:59.560
<v Speaker 1>feels like, I mean, some filmmakers like Villenil for example,

0:25:59.600 --> 0:26:02.440
<v Speaker 1>whose I've getting bookoo bucks for making these big sci

0:26:02.480 --> 0:26:05.439
<v Speaker 1>fi epics that he's doing. Now he still seems hungry.

0:26:05.440 --> 0:26:08.119
<v Speaker 1>He still seems like he's making stuff that he really

0:26:08.200 --> 0:26:10.560
<v Speaker 1>is passionate about and really wants to make. And the

0:26:10.600 --> 0:26:12.399
<v Speaker 1>same with like a Terrence Malick or whatever whatever you

0:26:12.440 --> 0:26:14.200
<v Speaker 1>think about his work, Like he makes a movie when

0:26:14.200 --> 0:26:16.200
<v Speaker 1>he wants to make a damn movie, and it's for

0:26:16.640 --> 0:26:18.840
<v Speaker 1>reasons of the heart, you know what I mean, not

0:26:18.880 --> 0:26:22.240
<v Speaker 1>of the of the wallet. Right. I wonder if George

0:26:22.320 --> 0:26:24.159
<v Speaker 1>Lucas is that driven by the wallet though, I mean,

0:26:24.200 --> 0:26:27.760
<v Speaker 1>he has more money than God even before these his

0:26:28.000 --> 0:26:30.359
<v Speaker 1>second wave. I just think he's sort of an example

0:26:30.400 --> 0:26:32.119
<v Speaker 1>of like one of these, like like a band that

0:26:32.119 --> 0:26:35.600
<v Speaker 1>should have broken up, you know, they they kind of

0:26:35.640 --> 0:26:39.399
<v Speaker 1>became a shallow, hollow representation of their former greatness that

0:26:39.440 --> 0:26:41.520
<v Speaker 1>maybe was an accident in the first place. I would

0:26:41.520 --> 0:26:43.800
<v Speaker 1>say Weezer is a great example of that. They've got

0:26:43.840 --> 0:26:47.480
<v Speaker 1>two records that are incredible, Blue Album in Pinkerton, and

0:26:47.480 --> 0:26:50.600
<v Speaker 1>then from then on they have steadily just become this

0:26:50.720 --> 0:26:53.359
<v Speaker 1>kind of caricature of themselves, you know, and they should

0:26:53.400 --> 0:26:56.399
<v Speaker 1>have just stopped and preserve their legacy instead of trying

0:26:56.480 --> 0:27:00.600
<v Speaker 1>so desperately to like be this thing. It was a

0:27:00.600 --> 0:27:03.200
<v Speaker 1>bit of a hot take. Poul Truth Sci Fi dish

0:27:03.320 --> 0:27:10.639
<v Speaker 1>original Blade Runner narration helped me narration Terrible. Which version

0:27:10.640 --> 0:27:12.439
<v Speaker 1>has the narration? Is it the director's cut or is

0:27:12.440 --> 0:27:14.919
<v Speaker 1>it in the original? No, the director's cut does not

0:27:15.720 --> 0:27:18.680
<v Speaker 1>he That's what I thought. This narration, that's what I thought.

0:27:18.680 --> 0:27:22.480
<v Speaker 1>So this was really really close, actually interesting, said The

0:27:22.560 --> 0:27:27.560
<v Speaker 1>narration helped said Terrible. So the narration is like Harrison

0:27:27.560 --> 0:27:29.520
<v Speaker 1>Ford kind of talking to himself, like is that what

0:27:29.560 --> 0:27:32.840
<v Speaker 1>we're talking about? Yeah, okay, very sort of on the nose,

0:27:32.880 --> 0:27:38.800
<v Speaker 1>a little bit of narration. Um, yeah, here's my deal.

0:27:38.920 --> 0:27:41.159
<v Speaker 1>It's not like it that ruined the movie for me.

0:27:41.560 --> 0:27:44.840
<v Speaker 1>It was okay, but I liked it better without kind

0:27:44.840 --> 0:27:48.520
<v Speaker 1>of smacked of studio handholding, kind of like saying, Ah,

0:27:48.560 --> 0:27:51.240
<v Speaker 1>these dummies want to understand what's going on unless we

0:27:51.240 --> 0:27:55.680
<v Speaker 1>walk them through it. Yeah, step at a time. Um,

0:27:56.119 --> 0:27:58.560
<v Speaker 1>we're gonna stay with Blade Runner. Here with Blade Runners sequel.

0:28:00.040 --> 0:28:07.320
<v Speaker 1>What was loved it or man not bad, loved it percent,

0:28:07.400 --> 0:28:10.639
<v Speaker 1>we're just medium, Like, Yeah, I loved it and Wendy

0:28:10.640 --> 0:28:12.359
<v Speaker 1>White liked it better than the original. I liked it

0:28:12.359 --> 0:28:15.480
<v Speaker 1>better than the original. I want to see it again.

0:28:16.359 --> 0:28:19.320
<v Speaker 1>I've only seen that movie once. Yeah, I definitely gotta

0:28:19.359 --> 0:28:21.359
<v Speaker 1>check it out against pretty cool all right, pull truth

0:28:21.400 --> 0:28:28.680
<v Speaker 1>sci fi scariest antagonist Alien or Predator. That would be

0:28:28.720 --> 0:28:31.960
<v Speaker 1>Alien by a long by a mile. There's not much

0:28:32.160 --> 0:28:36.720
<v Speaker 1>scarier antagonist and film so good period, so good Landslide Winter,

0:28:36.800 --> 0:28:43.400
<v Speaker 1>No said Alien Predator. I was not a fan of Predator. Well,

0:28:43.400 --> 0:28:46.360
<v Speaker 1>it's just not it's not that scary. It's an action movie.

0:28:46.400 --> 0:28:47.719
<v Speaker 1>I don't even think of it as like a like

0:28:47.760 --> 0:28:50.200
<v Speaker 1>a horror kind of suspense movie, much more of an

0:28:50.200 --> 0:28:52.920
<v Speaker 1>action Probably not even fair that I said that. I'm

0:28:52.920 --> 0:28:56.200
<v Speaker 1>the asshole, not at all a wonderful guy, pull truth,

0:28:56.240 --> 0:28:59.480
<v Speaker 1>sci fi, better movies, and I think this is the

0:28:59.520 --> 0:29:04.880
<v Speaker 1>last one. All better movies. Star Wars two thousand fifteen

0:29:04.920 --> 0:29:08.200
<v Speaker 1>on or Star Trek two thousand nine on. So the

0:29:08.240 --> 0:29:11.360
<v Speaker 1>new Star Treks or the new Star Wars. What do

0:29:11.400 --> 0:29:15.239
<v Speaker 1>you think? One? Thanks Star Wars? Oh wait, the new

0:29:15.280 --> 0:29:18.920
<v Speaker 1>Star Wars isn't like the ones, like like the not

0:29:19.120 --> 0:29:23.720
<v Speaker 1>the prequels, but like the Yeah, shit, that's that's tough.

0:29:24.120 --> 0:29:30.240
<v Speaker 1>That's close. It was close. I think Star Wars okay

0:29:31.680 --> 0:29:36.360
<v Speaker 1>is better. Yeah said Star Wars very close to that's

0:29:36.440 --> 0:29:38.360
<v Speaker 1>very close. The Star Treks were fun, for sure. I

0:29:38.400 --> 0:29:40.920
<v Speaker 1>only saw one of those. I think I think there's

0:29:40.960 --> 0:29:44.400
<v Speaker 1>been like three. I saw two. I saw there's been

0:29:44.520 --> 0:29:47.760
<v Speaker 1>three since two thousand nine, but I've only seen I

0:29:47.800 --> 0:29:50.520
<v Speaker 1>think one, because I was never a Star Trek guy.

0:29:50.560 --> 0:29:52.880
<v Speaker 1>But I saw the one and it was good. The

0:29:52.920 --> 0:29:55.520
<v Speaker 1>first one right, And the second one was the one

0:29:55.520 --> 0:29:59.200
<v Speaker 1>with Benedict Cumberbatch as uh cons right, did not see

0:29:59.240 --> 0:30:01.360
<v Speaker 1>that one's right? But didn't see that all right. Now,

0:30:01.360 --> 0:30:03.640
<v Speaker 1>we're gonna finish up with just a few questions here.

0:30:04.080 --> 0:30:07.800
<v Speaker 1>Time is short, so we're gonna do a few comment cards. Um,

0:30:08.000 --> 0:30:12.800
<v Speaker 1>please rank the This is from Michael meg Gray. I agree.

0:30:13.200 --> 0:30:16.440
<v Speaker 1>Please rank the Indiana Jones movies in order from best

0:30:16.480 --> 0:30:19.360
<v Speaker 1>to worst. Well, that's easy. I've got Raiders of the

0:30:19.400 --> 0:30:24.880
<v Speaker 1>Lost Dark clearly the best. You have to me, uh,

0:30:25.440 --> 0:30:28.480
<v Speaker 1>last Crusade as the second best. I'm gonna go with

0:30:28.560 --> 0:30:31.520
<v Speaker 1>Temple of Doom is the third best. And then that

0:30:31.880 --> 0:30:35.320
<v Speaker 1>garbage Crystal Skulls a movie. I couldn't even finish that

0:30:35.360 --> 0:30:37.640
<v Speaker 1>one man. God, it was bad. I couldn't make it through.

0:30:37.680 --> 0:30:40.520
<v Speaker 1>I tried. It was depressing. It was so bad. It

0:30:40.600 --> 0:30:42.680
<v Speaker 1>was like, how do you take this character in this

0:30:42.760 --> 0:30:46.000
<v Speaker 1>franchise and muck it up? So saying you gotta be

0:30:46.120 --> 0:30:51.640
<v Speaker 1>hungry for not money hungry or franchise hungry. And there

0:30:51.720 --> 0:30:53.440
<v Speaker 1>was just no heart in it if it felt like

0:30:53.480 --> 0:30:56.400
<v Speaker 1>it was trying to copy the magic of the other ones.

0:30:56.440 --> 0:30:59.440
<v Speaker 1>And then just like just just fell short. God, and

0:30:59.560 --> 0:31:06.720
<v Speaker 1>you won't put that guy in your movies, Shyla Boof No, Yes,

0:31:07.200 --> 0:31:09.280
<v Speaker 1>but no, you don't put him in your movie. You

0:31:09.280 --> 0:31:13.320
<v Speaker 1>don't put him in Indiana Jones. God, you had a

0:31:13.320 --> 0:31:16.400
<v Speaker 1>real beef with them, everybody. He got the BF beef.

0:31:16.640 --> 0:31:22.760
<v Speaker 1>You just put the buff beef beef. Have a little beef. Yeah,

0:31:23.040 --> 0:31:26.080
<v Speaker 1>that's true. I don't know. He's pretty good in that

0:31:26.120 --> 0:31:28.640
<v Speaker 1>sea video orre he's crawling around stuff. That's pretty good.

0:31:29.640 --> 0:31:31.920
<v Speaker 1>Oh boy, I don't know, man, he was in uh

0:31:32.520 --> 0:31:34.479
<v Speaker 1>he's I think he's not a I don't think he's

0:31:34.520 --> 0:31:36.800
<v Speaker 1>a bad actor. I just like he was such a

0:31:36.960 --> 0:31:38.840
<v Speaker 1>maybe that was the character. He's just such a smarmy

0:31:38.880 --> 0:31:40.200
<v Speaker 1>little brick in then. But he was supposed to be

0:31:40.200 --> 0:31:42.320
<v Speaker 1>a smarmy little prick. But it wasn't cute, right, it

0:31:42.400 --> 0:31:44.520
<v Speaker 1>wasn't cute, and there was no redemption to it at all.

0:31:44.520 --> 0:31:47.360
<v Speaker 1>It was just so much bad c g I swinging

0:31:47.400 --> 0:31:50.080
<v Speaker 1>around on vines, like come on, they would never have

0:31:50.120 --> 0:31:54.160
<v Speaker 1>done that in the originals. There was no magic. And

0:31:54.200 --> 0:31:56.040
<v Speaker 1>this is the thing, like Indiana Jones, the real like

0:31:56.080 --> 0:31:58.360
<v Speaker 1>that was meant to be, Like yeah, it was. He

0:31:58.440 --> 0:32:00.280
<v Speaker 1>was like flying by the seat of his pants ants

0:32:00.760 --> 0:32:02.920
<v Speaker 1>and like you know, always in danger. But he never

0:32:02.960 --> 0:32:06.120
<v Speaker 1>like swung from vines in the jungle like a fucking

0:32:06.120 --> 0:32:08.280
<v Speaker 1>orangutan like that was with that was outside of in

0:32:08.320 --> 0:32:10.480
<v Speaker 1>these powers to do that, you know what I mean? Yeah,

0:32:10.560 --> 0:32:12.200
<v Speaker 1>Or I mean the one time he did swing on

0:32:12.200 --> 0:32:14.960
<v Speaker 1>a vine and raiders, he like you know fell and

0:32:15.000 --> 0:32:17.320
<v Speaker 1>came up short what I'm saying, And it was one vine.

0:32:17.360 --> 0:32:21.120
<v Speaker 1>It wasn't from vine to vine dancing that out. For

0:32:21.240 --> 0:32:27.640
<v Speaker 1>my memory even that was bad stuff. But um, sorry,

0:32:27.720 --> 0:32:31.840
<v Speaker 1>I know you need a minute hair, chuck, collect yourself. Uh,

0:32:31.880 --> 0:32:34.120
<v Speaker 1>this is good. This is a movie going one on one.

0:32:34.160 --> 0:32:36.920
<v Speaker 1>What is our movie going one on one? That's from

0:32:37.000 --> 0:32:43.760
<v Speaker 1>kill Him? Uh, Massacote. So no, I like to sit. Um,

0:32:43.800 --> 0:32:48.360
<v Speaker 1>if I'm in the stadium seating kind of standard about

0:32:48.520 --> 0:32:51.360
<v Speaker 1>midway up further towards the back though. First, if it's

0:32:51.600 --> 0:32:54.280
<v Speaker 1>the giant screen, uh, it's close to the middle of

0:32:54.320 --> 0:32:56.640
<v Speaker 1>I can get as I can get without being next

0:32:56.680 --> 0:32:59.480
<v Speaker 1>to someone, that's right. And if I'm in a smaller

0:32:59.560 --> 0:33:03.600
<v Speaker 1>screen without stadium seating, I've gotten to where I go

0:33:03.680 --> 0:33:06.760
<v Speaker 1>a bit closer. Now, what about you. Well, we went

0:33:06.800 --> 0:33:08.560
<v Speaker 1>and saw me and my kid went and saw Captain

0:33:08.600 --> 0:33:11.840
<v Speaker 1>Marvel and it was the first proper imax I've been

0:33:11.880 --> 0:33:14.080
<v Speaker 1>to in a minute. So I kind of miss cute

0:33:14.080 --> 0:33:15.800
<v Speaker 1>a little bit, Chuck. I sort of booked the seat

0:33:15.840 --> 0:33:17.560
<v Speaker 1>a little too close. It was still great. It didn't

0:33:17.600 --> 0:33:20.120
<v Speaker 1>take away from the experience, but I could almost not

0:33:20.240 --> 0:33:22.440
<v Speaker 1>quite see the bottom of the screen, and I was

0:33:22.480 --> 0:33:24.320
<v Speaker 1>seeing heads a little more than I would have liked.

0:33:24.320 --> 0:33:27.040
<v Speaker 1>So the optimum seating I think for an IMAX would

0:33:27.080 --> 0:33:29.760
<v Speaker 1>be in the upper tier, but not so far back,

0:33:29.760 --> 0:33:32.000
<v Speaker 1>sort of middle of the upper tier right, and I

0:33:32.040 --> 0:33:36.240
<v Speaker 1>was back of the bottom tier. Um, So you know,

0:33:36.280 --> 0:33:38.640
<v Speaker 1>I like middle, So I get this. I'm a sound guy,

0:33:38.720 --> 0:33:42.560
<v Speaker 1>so I like to have the proper central sound position

0:33:42.640 --> 0:33:43.840
<v Speaker 1>so you can get the left and the right and

0:33:43.880 --> 0:33:48.520
<v Speaker 1>the way everything moves around. Um, and I get I

0:33:48.560 --> 0:33:51.480
<v Speaker 1>tend to get a small soda. Sometimes I like to

0:33:51.520 --> 0:33:54.360
<v Speaker 1>get one of those slushies to share with the kid.

0:33:54.520 --> 0:33:57.320
<v Speaker 1>You know, those are fun. I did figure something out recently, Chuck.

0:33:57.440 --> 0:33:59.880
<v Speaker 1>You can get a kid's snack pack at the movies

0:34:00.200 --> 0:34:02.920
<v Speaker 1>and it's like six bucks, and they always overload it

0:34:02.920 --> 0:34:04.800
<v Speaker 1>with way too much popcorn, so it ends up being

0:34:05.480 --> 0:34:07.320
<v Speaker 1>it's enough anyway. It ends up being the same size

0:34:07.320 --> 0:34:10.440
<v Speaker 1>as like the ten dollar media and you get fruit

0:34:10.480 --> 0:34:13.200
<v Speaker 1>snacks and a drink with it. Chuck, that's a movie hack. Everyone.

0:34:14.600 --> 0:34:18.200
<v Speaker 1>I don't get much. I usually sometimes if I have

0:34:18.440 --> 0:34:20.680
<v Speaker 1>had nothing to eat, I will get some popcorn because

0:34:20.680 --> 0:34:24.400
<v Speaker 1>I do like popcorn in a movie. UM, very very rarely.

0:34:24.520 --> 0:34:27.759
<v Speaker 1>While I fully indulge in do the popcorn with like

0:34:27.800 --> 0:34:31.359
<v Speaker 1>the M and m's. But every now and then, um,

0:34:31.400 --> 0:34:35.120
<v Speaker 1>I'm not a big soda guy. Maybe once or twice

0:34:35.160 --> 0:34:37.799
<v Speaker 1>a year I might get a root beer with my popcorn.

0:34:38.000 --> 0:34:40.319
<v Speaker 1>And that's if I'm in just that big Hey, I'm

0:34:40.360 --> 0:34:42.239
<v Speaker 1>going to the movie's mode. I like a cherry coke.

0:34:42.400 --> 0:34:44.879
<v Speaker 1>If I'm gonna actually have a decadent soda, I'm gonna

0:34:44.920 --> 0:34:49.120
<v Speaker 1>have a cherry coke. Mind a root beer from a fountain. Um,

0:34:49.160 --> 0:34:54.640
<v Speaker 1>in a bottle. I prefer the fant orange or orange crush. Yeah,

0:34:54.760 --> 0:34:57.319
<v Speaker 1>when I have like three of those a year, very

0:34:57.440 --> 0:35:00.600
<v Speaker 1>very rare treat. But what I'll generally do everyone is

0:35:00.880 --> 0:35:03.520
<v Speaker 1>sneak in my bottle of water, and that's kind of

0:35:03.560 --> 0:35:06.440
<v Speaker 1>all I need because I have a legendary tiny bladder.

0:35:06.520 --> 0:35:07.920
<v Speaker 1>You ever sneak in booze? I don't want to be

0:35:08.040 --> 0:35:10.920
<v Speaker 1>in nah? Not No, I'm not a big movie drinker. No,

0:35:11.040 --> 0:35:12.960
<v Speaker 1>not even at night drink into a nighttime show. I

0:35:12.960 --> 0:35:14.799
<v Speaker 1>don't go to nighttime shows. And if I do and

0:35:14.800 --> 0:35:16.319
<v Speaker 1>I want a drink, I'll go to one where I

0:35:16.320 --> 0:35:20.480
<v Speaker 1>can get a drink. No, because again, I'll just I'll

0:35:20.480 --> 0:35:23.279
<v Speaker 1>be up being Have you ever been to like the

0:35:23.400 --> 0:35:27.200
<v Speaker 1>Nighthawk in Brooklyn before what is that? It's a really

0:35:27.239 --> 0:35:29.880
<v Speaker 1>really cool indie kind of food movie theater where you

0:35:29.880 --> 0:35:31.480
<v Speaker 1>can get like food and drinks and stuff like that.

0:35:31.680 --> 0:35:35.759
<v Speaker 1>It's like all they do, like all the prints. Um,

0:35:36.600 --> 0:35:40.400
<v Speaker 1>I kind of want to say, well, I don't remember exactly,

0:35:40.440 --> 0:35:42.799
<v Speaker 1>but you can look at other there's only one. Um,

0:35:42.880 --> 0:35:45.759
<v Speaker 1>there might be too, but they but they pretty exclusively

0:35:45.800 --> 0:35:49.080
<v Speaker 1>show like prints of weird old movies. Like I saw

0:35:49.120 --> 0:35:52.120
<v Speaker 1>a Bad Lieutenant there on print and it was like

0:35:52.200 --> 0:35:55.239
<v Speaker 1>a very damaged looking print. So it felt like you

0:35:55.280 --> 0:35:57.560
<v Speaker 1>were watching like a seventies movie. And I forgot that

0:35:57.560 --> 0:35:59.880
<v Speaker 1>movie was like in the nineties, but it looks like

0:36:00.000 --> 0:36:02.640
<v Speaker 1>the seventies because of the way New York looked in

0:36:02.719 --> 0:36:06.120
<v Speaker 1>the time when it was shot. It still is very scummy,

0:36:06.440 --> 0:36:10.520
<v Speaker 1>dirty New York. But yeah, if you're around there, I

0:36:10.520 --> 0:36:12.400
<v Speaker 1>thought it was maybe in Williamsburg. Yeah, it seems like

0:36:12.400 --> 0:36:14.359
<v Speaker 1>a Williamsburg E type thing. To check that out. It's

0:36:14.400 --> 0:36:17.040
<v Speaker 1>pretty cool. By the way, everyone, I'm gonna plug a

0:36:17.080 --> 0:36:21.000
<v Speaker 1>live appearance. I'm I am going to New York to

0:36:21.080 --> 0:36:24.239
<v Speaker 1>do a live show with we know his parenting from

0:36:24.280 --> 0:36:27.480
<v Speaker 1>our network. My buddies Peter and Beth, who have both

0:36:27.480 --> 0:36:31.640
<v Speaker 1>been on this show. Beth Newell did uh Bridget John's Diary.

0:36:32.040 --> 0:36:34.960
<v Speaker 1>Peter McNerney did head Big in The Angry Inch. They

0:36:35.000 --> 0:36:38.120
<v Speaker 1>do a parenting show called We Knows Parenting on our network. Uh.

0:36:38.160 --> 0:36:40.279
<v Speaker 1>Peter is an old friend for my TV show, and

0:36:40.320 --> 0:36:42.640
<v Speaker 1>I've gotten to know Beth since then as well. They're

0:36:42.680 --> 0:36:45.759
<v Speaker 1>both awesome and I am. They asked me to come

0:36:45.800 --> 0:36:49.600
<v Speaker 1>do We Know his Parenting Live April at Little Fields

0:36:49.600 --> 0:36:53.600
<v Speaker 1>in Brooklyn, and I immediately replied, Yeah, sure, I'm all

0:36:53.640 --> 0:36:55.480
<v Speaker 1>over that. So I'd love to see you guys come

0:36:55.520 --> 0:36:58.040
<v Speaker 1>and see me. When is that again? April a Little

0:36:58.040 --> 0:37:01.439
<v Speaker 1>Fields in Brooklyn, We Knows Parenting Live. Um, it will

0:37:01.480 --> 0:37:05.120
<v Speaker 1>be the best opportunity to come, like talk to me

0:37:05.520 --> 0:37:10.880
<v Speaker 1>because it'll be a small venue, intimate, intimate, intimate, intimate.

0:37:11.000 --> 0:37:12.880
<v Speaker 1>They will be passing out to mints, and I'll be

0:37:12.920 --> 0:37:14.879
<v Speaker 1>hanging out before and after I'm talking about Emily's gonna

0:37:14.880 --> 0:37:17.719
<v Speaker 1>go with me, like, uh, but let's talk about kids,

0:37:17.840 --> 0:37:19.759
<v Speaker 1>you know. I am. I've been getting to go to

0:37:19.800 --> 0:37:21.600
<v Speaker 1>New York pretty regularly now for some of the shows

0:37:21.600 --> 0:37:25.239
<v Speaker 1>that I'm working on, and maybe I can make that happen.

0:37:25.320 --> 0:37:27.560
<v Speaker 1>I knows, Hey, see about that it's funny you want

0:37:27.560 --> 0:37:29.279
<v Speaker 1>to just to hang out and looked about booking a

0:37:29.320 --> 0:37:32.759
<v Speaker 1>movie Crush live on the day before and then I

0:37:32.840 --> 0:37:35.320
<v Speaker 1>just said, now no, but we should do that though, No, totally.

0:37:35.360 --> 0:37:37.200
<v Speaker 1>It would be so fun, especially do something like a

0:37:37.400 --> 0:37:38.960
<v Speaker 1>bell house or someone one of the one of the

0:37:38.960 --> 0:37:42.480
<v Speaker 1>smaller venues. Yeah, we should go to Uh yeah, we'll

0:37:42.480 --> 0:37:44.000
<v Speaker 1>get it together. I think we should. That'd be great.

0:37:44.400 --> 0:37:45.880
<v Speaker 1>You and I can do it, piggyback it on a

0:37:46.000 --> 0:37:47.839
<v Speaker 1>on a work trip even. Yeah, maybe what we'll do

0:37:47.960 --> 0:37:51.160
<v Speaker 1>is do like a the first half of the show

0:37:51.239 --> 0:37:54.480
<v Speaker 1>can be like a mini Crushed style, Uh, you and

0:37:54.520 --> 0:37:55.759
<v Speaker 1>I do on our thing, and then maybe it can

0:37:55.800 --> 0:37:58.520
<v Speaker 1>bring someone out and we can both sort of talk

0:37:58.560 --> 0:38:00.400
<v Speaker 1>about a movie. That would be pretty fun, three of us.

0:38:00.400 --> 0:38:03.440
<v Speaker 1>I would love that. All right, let's just do a

0:38:03.520 --> 0:38:09.360
<v Speaker 1>couple of more. Um let me see here. Samantha Bigay,

0:38:09.440 --> 0:38:13.480
<v Speaker 1>our old friend, says, how did the people who choose

0:38:13.560 --> 0:38:19.319
<v Speaker 1>the movie's music gets started in that field? That's a

0:38:19.320 --> 0:38:21.839
<v Speaker 1>good question. I've wondered the same thing because I think

0:38:21.840 --> 0:38:25.520
<v Speaker 1>I would uh very much enjoy doing that. Yeah, spotting

0:38:25.560 --> 0:38:27.719
<v Speaker 1>films or just being like what do you call like

0:38:27.760 --> 0:38:31.560
<v Speaker 1>a music supervisor? Yeah, yeah, yeah, my friend, uh Brett,

0:38:31.600 --> 0:38:33.960
<v Speaker 1>my best pal who was now in the art department.

0:38:34.000 --> 0:38:36.680
<v Speaker 1>He did this, um many many years ago in l

0:38:36.719 --> 0:38:38.759
<v Speaker 1>A when he first moved out there. Wanted to do

0:38:38.840 --> 0:38:41.040
<v Speaker 1>this and what he did and I don't know, I'm

0:38:41.080 --> 0:38:43.719
<v Speaker 1>sure there are many ways to do this, but uh,

0:38:43.800 --> 0:38:47.600
<v Speaker 1>he got a job at a small company called Daisy Music.

0:38:47.680 --> 0:38:51.680
<v Speaker 1>It was these two women who did music supervision, and

0:38:51.719 --> 0:38:55.160
<v Speaker 1>he got a job in their office is like a whatever,

0:38:55.480 --> 0:39:00.279
<v Speaker 1>uh kind of do everything guy and assistant type. Um.

0:39:00.719 --> 0:39:03.000
<v Speaker 1>Helped getting clearances and stuff like that. That's what he

0:39:03.040 --> 0:39:05.560
<v Speaker 1>did there. But it was all in the aim of

0:39:05.920 --> 0:39:09.320
<v Speaker 1>getting his foot in the door in music supervision. Um.

0:39:09.360 --> 0:39:12.560
<v Speaker 1>Like many things in l A, there some departments little

0:39:12.560 --> 0:39:15.239
<v Speaker 1>easier to get into than others. Have a feeling music

0:39:15.280 --> 0:39:19.839
<v Speaker 1>supervision is a lockdown more than other departments as far

0:39:19.880 --> 0:39:23.320
<v Speaker 1>as being kind of tough to get into. But uh, yeah,

0:39:23.560 --> 0:39:25.960
<v Speaker 1>that's how he did it. I imagine that's the best

0:39:26.000 --> 0:39:29.200
<v Speaker 1>way to do it. Just find companies that do that

0:39:29.840 --> 0:39:32.600
<v Speaker 1>and try and get a job on the ground floor,

0:39:32.760 --> 0:39:37.360
<v Speaker 1>you know, or do um maybe if if you have

0:39:37.480 --> 0:39:38.920
<v Speaker 1>the time in the world with all to do an

0:39:38.920 --> 0:39:43.640
<v Speaker 1>indie film for not much money or free volunteer your services,

0:39:44.000 --> 0:39:46.480
<v Speaker 1>and what you're gonna be doing is working with the director.

0:39:46.520 --> 0:39:48.480
<v Speaker 1>You're gonna be called it spotting. That's what they call

0:39:48.480 --> 0:39:50.759
<v Speaker 1>it when you watch a film and you spot it

0:39:50.800 --> 0:39:53.920
<v Speaker 1>as in place music in different spots. And then you're

0:39:53.920 --> 0:39:57.960
<v Speaker 1>gonna be doing a lot of a lot of legal

0:39:58.239 --> 0:40:02.320
<v Speaker 1>in paperwork, you mean emailing and talking with UH bands

0:40:02.440 --> 0:40:04.680
<v Speaker 1>and record labels, and you're gonna be working out deals

0:40:05.320 --> 0:40:08.680
<v Speaker 1>and UH cutting financial deals and then working with legal

0:40:08.760 --> 0:40:11.479
<v Speaker 1>to get that all squared away. So there's that side

0:40:11.480 --> 0:40:13.560
<v Speaker 1>of it. It's not the most fun, but that's all

0:40:13.680 --> 0:40:15.640
<v Speaker 1>part of the If you get to sit there in

0:40:15.719 --> 0:40:17.759
<v Speaker 1>spot that's the fun part. But then you also have

0:40:17.840 --> 0:40:19.680
<v Speaker 1>to make it legit. I've kind of do a decent

0:40:19.680 --> 0:40:22.440
<v Speaker 1>amount of that for some of the series that we

0:40:22.520 --> 0:40:25.680
<v Speaker 1>have worked on here at at House. Stuff works um,

0:40:25.719 --> 0:40:27.720
<v Speaker 1>Like with the Happy Face Show, I found a band

0:40:27.880 --> 0:40:30.040
<v Speaker 1>that was I was able to kind of like get

0:40:30.160 --> 0:40:32.400
<v Speaker 1>use of their back catalog and then also kind of

0:40:32.400 --> 0:40:35.360
<v Speaker 1>collaborate with them on doing some original music and talking

0:40:35.360 --> 0:40:38.040
<v Speaker 1>about the tone and various things like that. And a

0:40:38.080 --> 0:40:39.799
<v Speaker 1>new show that we're working on I'm I have. I

0:40:39.880 --> 0:40:41.880
<v Speaker 1>was tasked with finding like kind of like a motown

0:40:41.920 --> 0:40:46.600
<v Speaker 1>band that was more affordable than licensing motown music, which

0:40:46.640 --> 0:40:49.400
<v Speaker 1>is again it's also like a budgetary thing because you

0:40:49.440 --> 0:40:53.360
<v Speaker 1>watch a movie like uh Captain Marvel when they obviously

0:40:53.440 --> 0:40:56.560
<v Speaker 1>you know, a huge whatever they want line and I'm

0:40:56.560 --> 0:40:59.000
<v Speaker 1>on that budget is for like licensing these songs they've got,

0:40:59.000 --> 0:41:02.719
<v Speaker 1>like Nirvana and like you know, all these huge hit makers. Um.

0:41:02.760 --> 0:41:05.120
<v Speaker 1>But sometimes with these productions that we do, we gotta

0:41:05.200 --> 0:41:07.680
<v Speaker 1>find something that's an approximation of what we're looking for,

0:41:07.719 --> 0:41:10.320
<v Speaker 1>but not the actual thing. And so that's a skill

0:41:10.360 --> 0:41:11.960
<v Speaker 1>as well, and you have to kind of make your

0:41:12.000 --> 0:41:13.880
<v Speaker 1>budget work for you. So yeah, the other neat thing

0:41:13.920 --> 0:41:15.960
<v Speaker 1>that happens sometimes when you don't have a lead of dough, though,

0:41:16.040 --> 0:41:21.720
<v Speaker 1>is you can believe Greta Gerwig very famously and almost

0:41:21.760 --> 0:41:25.160
<v Speaker 1>called it bird Lady Ladybird. Um. I can't remember which

0:41:25.160 --> 0:41:27.239
<v Speaker 1>song or which band, but it was one that she

0:41:27.440 --> 0:41:30.120
<v Speaker 1>loved and was in love with and wrote this very

0:41:30.160 --> 0:41:33.600
<v Speaker 1>famous musician. It's like, listen, I don't have much money.

0:41:33.640 --> 0:41:37.400
<v Speaker 1>I'm doing this little movie, but this song really just

0:41:37.600 --> 0:41:39.480
<v Speaker 1>will put it over the top. And you can do

0:41:39.520 --> 0:41:42.880
<v Speaker 1>that sort of heartfelt plead to an artist and and

0:41:42.920 --> 0:41:44.920
<v Speaker 1>Elton John might be like it's yours for a dollar,

0:41:45.480 --> 0:41:48.000
<v Speaker 1>Like because I believe in this and I believe in you,

0:41:48.360 --> 0:41:50.880
<v Speaker 1>and I believe in this use of this song. So

0:41:50.920 --> 0:41:53.120
<v Speaker 1>that stuff happens. It's kind of cool. It's still like

0:41:53.160 --> 0:41:56.439
<v Speaker 1>a part of the industry that is so heavily negotiated.

0:41:57.000 --> 0:42:00.000
<v Speaker 1>You can get these really great deals as indie filmmaker

0:42:00.080 --> 0:42:02.640
<v Speaker 1>or if if you appeal to someone's good nature. It

0:42:02.680 --> 0:42:06.200
<v Speaker 1>also depends on who owns the rights and like the publisher. Yeah,

0:42:06.239 --> 0:42:08.440
<v Speaker 1>there's two different sides of that coin. There's publishing in

0:42:08.440 --> 0:42:10.600
<v Speaker 1>the other half because the artist might say, like I'll

0:42:10.640 --> 0:42:12.640
<v Speaker 1>take a dollar, but now you gotta go deal with

0:42:12.680 --> 0:42:15.279
<v Speaker 1>fucking you know, and they universal music. They don't care

0:42:15.320 --> 0:42:19.759
<v Speaker 1>about creative, don't care about better project. They just don't know.

0:42:19.960 --> 0:42:23.000
<v Speaker 1>That's true, all right, man, Uh not many questions this week,

0:42:23.040 --> 0:42:26.000
<v Speaker 1>but this was robust enough, So we're gonna shut it

0:42:26.040 --> 0:42:28.640
<v Speaker 1>down for the day and go to our other jobs

0:42:28.760 --> 0:42:31.319
<v Speaker 1>out other stuff. So thanks everyone for listening, and we'll

0:42:31.360 --> 0:42:41.560
<v Speaker 1>see you next one.