1 00:00:12,119 --> 00:00:14,560 Speaker 1: Welcome to pod meets Twirl, the Dancing with the Stars 2 00:00:14,600 --> 00:00:17,599 Speaker 1: recap hosted by two guys who can't dance, don't want 3 00:00:17,600 --> 00:00:20,600 Speaker 1: to dance, and have now seen eight episodes of Dancing 4 00:00:20,600 --> 00:00:23,360 Speaker 1: with the Stars. But since our best friend Danielle Offishal 5 00:00:23,400 --> 00:00:25,880 Speaker 1: has joined the cast for season thirty four, we're going 6 00:00:25,920 --> 00:00:28,680 Speaker 1: all in. We are Wilfred Allen, Ryder Strong aka the 7 00:00:28,720 --> 00:00:32,360 Speaker 1: two dudes standing next to Topanga aka daniel of Fishal's 8 00:00:32,360 --> 00:00:39,000 Speaker 1: backup aka the dan Yettes. I will Hi Rider, So 9 00:00:39,040 --> 00:00:40,720 Speaker 1: I guess we're still twirling. 10 00:00:40,800 --> 00:00:42,760 Speaker 2: Huh, we're still twirling. We're still twirling. 11 00:00:43,920 --> 00:00:46,880 Speaker 3: They're going to be unenthusiastic twirls from this moment. 12 00:00:46,960 --> 00:00:51,000 Speaker 2: Han, I'll be honest with you. Yeah. Yeah, it's a squirrel. 13 00:00:51,240 --> 00:00:55,480 Speaker 1: It's a sad it's a sad day, sad sad situation. 14 00:00:56,160 --> 00:00:59,520 Speaker 2: It is yes, sucks. I really didn't expect this to 15 00:00:59,560 --> 00:00:59,960 Speaker 2: be honest. 16 00:01:00,280 --> 00:01:03,440 Speaker 1: After the last couple of weeks, I was like, oh, well, 17 00:01:03,520 --> 00:01:06,720 Speaker 1: the popular vot's going to keep Danielle in even though 18 00:01:07,080 --> 00:01:08,920 Speaker 1: the judges are being a little harsh on her. 19 00:01:10,040 --> 00:01:14,000 Speaker 2: And then Andy pulled it out. Man, Andy's the guy. 20 00:01:14,440 --> 00:01:17,760 Speaker 3: I thought she was in trouble last night when you 21 00:01:17,800 --> 00:01:20,240 Speaker 3: saw the dance. Yeah, yeah, I thought she was in trouble. 22 00:01:21,240 --> 00:01:23,440 Speaker 2: Yeah, we we'll talk about when we talk about her dance. 23 00:01:23,480 --> 00:01:25,680 Speaker 1: But it was funny because we got to see her 24 00:01:26,080 --> 00:01:27,959 Speaker 1: last week, one of the one of the rare in life, 25 00:01:28,160 --> 00:01:29,480 Speaker 1: real life sightings, we get to. 26 00:01:29,440 --> 00:01:32,360 Speaker 2: See her friend, We got to see her. We'll talk 27 00:01:32,360 --> 00:01:33,600 Speaker 2: about it because it's really funny. 28 00:01:33,640 --> 00:01:38,120 Speaker 1: But when she said she's nervous about contemporary because it 29 00:01:38,280 --> 00:01:41,160 Speaker 1: just isn't her that she actually likes the structure, I 30 00:01:41,240 --> 00:01:41,679 Speaker 1: was like. 31 00:01:41,760 --> 00:01:43,080 Speaker 2: Oh, that that is kind of true. 32 00:01:43,880 --> 00:01:47,400 Speaker 1: I still thought it was good, but I was like, oh, 33 00:01:47,440 --> 00:01:49,320 Speaker 1: but I really thought the popular vote was going to 34 00:01:49,400 --> 00:01:49,720 Speaker 1: keep her in. 35 00:01:49,800 --> 00:01:50,000 Speaker 2: Man. 36 00:01:50,080 --> 00:01:53,360 Speaker 1: I was convinced that she's I love it, It's going 37 00:01:53,440 --> 00:01:55,400 Speaker 1: to happen. And then it was crazy. 38 00:01:55,440 --> 00:01:57,960 Speaker 3: One chance was going to be after the night. I 39 00:01:57,960 --> 00:02:00,360 Speaker 3: thought her one chance was going to be if if 40 00:02:00,360 --> 00:02:01,080 Speaker 3: Elaine went home. 41 00:02:01,520 --> 00:02:04,560 Speaker 1: You really see, I really just thought there was no 42 00:02:04,640 --> 00:02:06,440 Speaker 1: way that Andy would get pushed through. 43 00:02:06,600 --> 00:02:09,200 Speaker 3: No, I think were everybody's all in on Andy. It's 44 00:02:09,200 --> 00:02:12,480 Speaker 3: become a thing, right, So it's you know, it's again. 45 00:02:12,480 --> 00:02:16,440 Speaker 3: I'm back here in Connecticut and my childhood bedroom, and 46 00:02:16,480 --> 00:02:18,120 Speaker 3: you know, I'm here for with my parents and we 47 00:02:18,120 --> 00:02:20,960 Speaker 3: were out somewhere and a woman came up and we 48 00:02:20,960 --> 00:02:23,680 Speaker 3: were talking to her, and as the talk seems to 49 00:02:23,680 --> 00:02:27,519 Speaker 3: get nowadays, it started to focus on Dancy with the Stars, right, 50 00:02:27,880 --> 00:02:30,240 Speaker 3: and it just and it was I think she brought 51 00:02:30,240 --> 00:02:32,280 Speaker 3: it up. I mean, it's just people are talking about 52 00:02:32,320 --> 00:02:36,840 Speaker 3: this show and she instantly jumped into My roommate and 53 00:02:36,840 --> 00:02:39,560 Speaker 3: I fight every week while we watch the show because 54 00:02:39,639 --> 00:02:41,560 Speaker 3: I don't think Andy belongs there, and she thinks he 55 00:02:41,560 --> 00:02:44,160 Speaker 3: should win the whole thing, and I think that's what's 56 00:02:44,200 --> 00:02:44,840 Speaker 3: happening is that. 57 00:02:44,880 --> 00:02:46,480 Speaker 2: I mean they showed it on the show where there's. 58 00:02:46,360 --> 00:02:50,360 Speaker 3: People having birthday parties for him and he's and in 59 00:02:50,400 --> 00:02:55,240 Speaker 3: a way I get it, especially exactly I get it 60 00:02:55,280 --> 00:02:58,519 Speaker 3: now after talking to her, So I'm almost taking him 61 00:02:58,560 --> 00:03:01,760 Speaker 3: out of the equation, right and look kind of like 62 00:03:01,800 --> 00:03:05,079 Speaker 3: I did with Flavor Flav Scores, where it's like, Okay, 63 00:03:05,080 --> 00:03:07,720 Speaker 3: he's there, but it's a different thing happening. So I 64 00:03:08,360 --> 00:03:10,600 Speaker 3: think Andy's in for the long haul. I really do. 65 00:03:10,840 --> 00:03:13,080 Speaker 2: I think you could win. I would not have thought that, 66 00:03:14,040 --> 00:03:15,160 Speaker 2: you know, I really was. 67 00:03:15,200 --> 00:03:17,680 Speaker 1: I was happy he's stuck around after his Halloween dance 68 00:03:17,720 --> 00:03:20,000 Speaker 1: because I just thought it was fun and cool but 69 00:03:20,480 --> 00:03:22,840 Speaker 1: you know, of course, when it comes around seeing somebody 70 00:03:22,960 --> 00:03:25,160 Speaker 1: I love getting kicked off the show, I couldn't help 71 00:03:25,160 --> 00:03:29,520 Speaker 1: but be like, well, that doesn't seem fair, but all's 72 00:03:29,560 --> 00:03:32,760 Speaker 1: fair in love and war and dancing with the stars 73 00:03:32,800 --> 00:03:34,920 Speaker 1: and rumba and Rubbiah my god. 74 00:03:35,920 --> 00:03:39,240 Speaker 3: But again, you know, when you're talking about Danielle in structure, 75 00:03:39,240 --> 00:03:42,000 Speaker 3: I had this weird analogy as I was watching the 76 00:03:42,000 --> 00:03:44,360 Speaker 3: show and as she was talking to us, which was, 77 00:03:44,800 --> 00:03:48,280 Speaker 3: we know Danielle very very well, and she's a very 78 00:03:48,280 --> 00:03:50,760 Speaker 3: structured person. That's not to say she's not creative, but 79 00:03:50,800 --> 00:03:53,960 Speaker 3: she's a very structured person. And the analogy I kept 80 00:03:53,960 --> 00:03:59,040 Speaker 3: having was, if you give Danielle a lego set and instructions, 81 00:03:59,200 --> 00:04:01,280 Speaker 3: she's going to build you you the best lego castle 82 00:04:01,320 --> 00:04:04,240 Speaker 3: you've ever seen. If you give her a pile of legos, 83 00:04:04,400 --> 00:04:06,160 Speaker 3: she's going to look at you strange for a little 84 00:04:06,200 --> 00:04:10,120 Speaker 3: while before she starts building right. So, and it's she 85 00:04:10,440 --> 00:04:13,440 Speaker 3: I think likes the structure of the dances of you 86 00:04:13,480 --> 00:04:15,400 Speaker 3: put your foot here, you do a spin here, you 87 00:04:15,480 --> 00:04:18,000 Speaker 3: do that. It's she can wrap her head around It's 88 00:04:18,000 --> 00:04:20,279 Speaker 3: almost mathematical the way she came at it, more than 89 00:04:21,320 --> 00:04:22,640 Speaker 3: the artsy kind of form. 90 00:04:22,720 --> 00:04:24,679 Speaker 2: So yeah, I think she just had a rough well. 91 00:04:24,800 --> 00:04:27,119 Speaker 1: I actually think I actually think she ended up putting 92 00:04:27,160 --> 00:04:31,119 Speaker 1: a lot of that expressiveness and personality into her Halloween dance. 93 00:04:31,600 --> 00:04:33,760 Speaker 1: And so what ended up happening this week was that 94 00:04:33,800 --> 00:04:36,080 Speaker 1: it kind of felt like a repeat, you know, like 95 00:04:36,120 --> 00:04:37,120 Speaker 1: there was a moment this week. 96 00:04:36,960 --> 00:04:38,640 Speaker 2: Where she's like slamming him in the chest. 97 00:04:39,000 --> 00:04:41,240 Speaker 1: It was almost like a repeat of what had happened 98 00:04:41,279 --> 00:04:43,719 Speaker 1: the week before, where she had been emotional and sort 99 00:04:43,720 --> 00:04:44,640 Speaker 1: of present in a way. 100 00:04:46,120 --> 00:04:48,840 Speaker 3: But the difference is exactly what you were talking about 101 00:04:48,839 --> 00:04:50,720 Speaker 3: if I ever went on the show. The difference is 102 00:04:50,800 --> 00:04:53,919 Speaker 3: during the Halloween episode, it came off differently because she 103 00:04:54,000 --> 00:04:56,920 Speaker 3: was playing a character. She was playing a bride that 104 00:04:57,240 --> 00:05:01,000 Speaker 3: was whereas this week she was Danielle, And I think 105 00:05:01,000 --> 00:05:04,080 Speaker 3: it was it was a much different expressive form for her, 106 00:05:04,120 --> 00:05:05,280 Speaker 3: and I think she's struggled with it a. 107 00:05:05,200 --> 00:05:08,239 Speaker 2: Bit, all right. This week's theme was Rock and Roll 108 00:05:08,279 --> 00:05:11,479 Speaker 2: Hall of Fame Night. What do you think of this name? 109 00:05:12,320 --> 00:05:12,960 Speaker 2: I love this theme. 110 00:05:13,000 --> 00:05:15,120 Speaker 3: I'm also one of these guys where I I think 111 00:05:15,120 --> 00:05:17,159 Speaker 3: I've watched all the Rock and Roll Hall of Fame 112 00:05:17,279 --> 00:05:19,680 Speaker 3: induction ceremonies because I just love the live music I 113 00:05:19,720 --> 00:05:21,480 Speaker 3: really do that. 114 00:05:21,600 --> 00:05:23,719 Speaker 2: Being said, just like this show. 115 00:05:23,760 --> 00:05:25,039 Speaker 3: A lot of times I look at it and I'm like, 116 00:05:25,080 --> 00:05:26,920 Speaker 3: how how are they in the rock and Roll Hall 117 00:05:26,920 --> 00:05:27,200 Speaker 3: of Fame? 118 00:05:27,240 --> 00:05:29,000 Speaker 2: Like really them. 119 00:05:28,920 --> 00:05:31,400 Speaker 3: Over and it's like, you know, the the first two 120 00:05:31,600 --> 00:05:34,359 Speaker 3: there's deducing, are inducting a lot of people, and then 121 00:05:34,400 --> 00:05:36,640 Speaker 3: all of a sudden, it's like, you know, Fleetwood Mac 122 00:05:36,680 --> 00:05:39,800 Speaker 3: gets in ninety seven. It's just so again, so arbitrary, 123 00:05:39,920 --> 00:05:42,120 Speaker 3: who's in, who's not in, why they're in, why they 124 00:05:42,120 --> 00:05:44,160 Speaker 3: aren't in. But just listening to the music and listening 125 00:05:44,200 --> 00:05:47,560 Speaker 3: to artists that I really like singing other artists songs 126 00:05:47,600 --> 00:05:49,279 Speaker 3: because a lot of times the artists have passed away 127 00:05:49,320 --> 00:05:51,200 Speaker 3: or something like that, so that I really enjoy So 128 00:05:51,440 --> 00:05:52,839 Speaker 3: Dug the Knight frankly good music. 129 00:05:53,000 --> 00:05:55,800 Speaker 2: Yeah, I thought the music was cool, and I also like, 130 00:05:56,120 --> 00:05:58,040 Speaker 2: you know, the sort of like rock and roll vibes 131 00:05:58,080 --> 00:05:58,960 Speaker 2: that people were bringing. 132 00:05:59,080 --> 00:06:02,119 Speaker 1: Not everybody did, but when they did, I was like, cool, 133 00:06:02,400 --> 00:06:05,760 Speaker 1: this is like, you know, especially let's I mean, let's 134 00:06:05,800 --> 00:06:09,040 Speaker 1: get right into it. The first one was Dylan and Daniella. 135 00:06:10,760 --> 00:06:13,680 Speaker 1: They performed to I'm Still Standing, which is like such 136 00:06:13,720 --> 00:06:14,320 Speaker 1: a great song. 137 00:06:14,480 --> 00:06:19,279 Speaker 2: Yeah, I was in the video, did you know crazy? 138 00:06:19,480 --> 00:06:19,720 Speaker 3: Yeah? 139 00:06:19,760 --> 00:06:23,719 Speaker 2: That's so crazy. Yeah, but I was also like, he's 140 00:06:24,040 --> 00:06:26,279 Speaker 2: you know, he hasn't changed at all. You watch the. 141 00:06:26,320 --> 00:06:28,479 Speaker 1: Video, You're like he was still standing up to tell 142 00:06:28,520 --> 00:06:30,240 Speaker 1: everybody what he thought about everything. 143 00:06:30,720 --> 00:06:33,360 Speaker 3: And I'll bet you he could do the whole dance 144 00:06:33,640 --> 00:06:36,039 Speaker 3: still exactly the way it looks. I'll bet you's just 145 00:06:36,080 --> 00:06:37,640 Speaker 3: in his head like us doing lines from the show. 146 00:06:37,680 --> 00:06:39,320 Speaker 3: I'll bet you may still do the dance. 147 00:06:39,440 --> 00:06:40,080 Speaker 2: Oh well we should. 148 00:06:40,080 --> 00:06:43,440 Speaker 1: We should mention Flavor came out as the guest judge, 149 00:06:44,080 --> 00:06:46,000 Speaker 1: which I immediately know is going to be a disaster. 150 00:06:46,279 --> 00:06:48,800 Speaker 2: Of course, the paddles. 151 00:06:49,000 --> 00:06:51,240 Speaker 1: What is he gonna I was like, maybe he has 152 00:06:51,320 --> 00:06:54,120 Speaker 1: like some secret ballroom dancing knowledge. 153 00:06:54,160 --> 00:06:55,960 Speaker 2: And I was like, oh no, they just they just. 154 00:06:55,960 --> 00:06:58,760 Speaker 1: Kind of picked somebody, and uh, they don't know what 155 00:06:58,760 --> 00:06:59,200 Speaker 1: they're in for. 156 00:06:59,360 --> 00:07:02,520 Speaker 3: He was original Flavor, Foxtrot Flave. A lot of people 157 00:07:02,520 --> 00:07:03,080 Speaker 3: didn't know that. 158 00:07:03,200 --> 00:07:07,040 Speaker 1: So I thought that was a really bad call because 159 00:07:07,040 --> 00:07:09,400 Speaker 1: it threw a wrench into like the actual judging. I mean, 160 00:07:09,440 --> 00:07:11,160 Speaker 1: I guess it's fine because he was all nines and 161 00:07:11,200 --> 00:07:13,280 Speaker 1: tens all night right, Like he was n right when 162 00:07:13,280 --> 00:07:15,640 Speaker 1: he came out, and like the way he like talked 163 00:07:15,640 --> 00:07:16,640 Speaker 1: to Alfonso and stuff. 164 00:07:16,680 --> 00:07:18,840 Speaker 2: I was like, is does he know where he is? 165 00:07:19,000 --> 00:07:20,720 Speaker 2: Does he know what's going to be happening? And I 166 00:07:20,760 --> 00:07:21,680 Speaker 2: was like, he has no idea. 167 00:07:21,680 --> 00:07:23,760 Speaker 1: It was like literally some publicists was like, you're gonna 168 00:07:23,760 --> 00:07:25,960 Speaker 1: be on the show, and he was like, cool, I'll show. 169 00:07:25,840 --> 00:07:30,120 Speaker 2: Up and just I love taking a competition. It'll work. Yeah. 170 00:07:30,160 --> 00:07:31,840 Speaker 1: So I was like, oh, this is going to be trouble, 171 00:07:31,880 --> 00:07:34,000 Speaker 1: and sure enough, you know it was. It was somewhat, 172 00:07:34,040 --> 00:07:35,520 Speaker 1: but it was all nines and tents. 173 00:07:35,560 --> 00:07:37,560 Speaker 3: So you know, we've talked about this for a while 174 00:07:37,600 --> 00:07:39,800 Speaker 3: and it's one of the fun things about and you know, 175 00:07:40,200 --> 00:07:41,640 Speaker 3: this might have been a swing and a miss for me, 176 00:07:41,720 --> 00:07:43,480 Speaker 3: just because I don't think he really added anything, but 177 00:07:43,560 --> 00:07:46,200 Speaker 3: adding a judge that has no experience whatsoever is kind 178 00:07:46,200 --> 00:07:46,640 Speaker 3: of interesting. 179 00:07:46,720 --> 00:07:48,480 Speaker 1: No, I definitely think it's cool. I think they should 180 00:07:48,480 --> 00:07:51,600 Speaker 1: definitely do it. But let's try and pick somebody who 181 00:07:51,800 --> 00:07:54,200 Speaker 1: you know, can can find their paddles. Yeah, I can 182 00:07:54,240 --> 00:07:56,880 Speaker 1: find their paddles and actually have an opinion that someone. 183 00:07:56,960 --> 00:07:58,920 Speaker 2: You know, he was just like, you know what I'm saying. 184 00:07:59,160 --> 00:07:59,840 Speaker 2: You know what I'm saying. 185 00:08:00,200 --> 00:08:03,440 Speaker 1: No, you're that's all you're saying, dude, Like say more like, 186 00:08:03,880 --> 00:08:06,160 Speaker 1: explain what's happening, but he was, you know, but whatever. 187 00:08:06,200 --> 00:08:08,520 Speaker 1: He was effusive, he was positive, he was supportive. I 188 00:08:08,520 --> 00:08:11,960 Speaker 1: guess that's all right. So Dylan and Daniella did. I'm 189 00:08:12,000 --> 00:08:14,880 Speaker 1: still standing to the jive, which I am realizing is 190 00:08:14,920 --> 00:08:16,440 Speaker 1: probably one of the hardest dances to do. 191 00:08:16,560 --> 00:08:17,320 Speaker 2: Yeah, clearly. 192 00:08:17,680 --> 00:08:19,480 Speaker 1: Like when I first the first couple of jives, I 193 00:08:19,560 --> 00:08:21,640 Speaker 1: was like, eh, but I also just don't don't know 194 00:08:21,680 --> 00:08:23,600 Speaker 1: if I like it. I just like I want I've 195 00:08:23,680 --> 00:08:25,720 Speaker 1: thought back on all the jive dances. I'm like, I 196 00:08:25,760 --> 00:08:27,800 Speaker 1: don't know if I've liked any single one of them 197 00:08:28,000 --> 00:08:30,160 Speaker 1: as much as I like the other forms of ballroom dancing. 198 00:08:30,600 --> 00:08:32,080 Speaker 2: I agree with you one hundred percent. 199 00:08:32,080 --> 00:08:34,840 Speaker 3: And I also I thought I thought he was okay, 200 00:08:35,040 --> 00:08:38,120 Speaker 3: but he's starting to it seems like maybe he's plateaued 201 00:08:38,160 --> 00:08:39,719 Speaker 3: a little bit, and we're kind of getting the same 202 00:08:39,760 --> 00:08:41,520 Speaker 3: thing every week, and he's whipping his shirt open, and 203 00:08:41,880 --> 00:08:44,000 Speaker 3: you know, as somebody who has abs like that, I 204 00:08:44,040 --> 00:08:45,560 Speaker 3: get wanting to show him off to everybody. 205 00:08:45,600 --> 00:08:48,760 Speaker 2: I was like, are they airbrushed on there? He looks 206 00:08:48,800 --> 00:08:51,080 Speaker 2: like a Gi Joe doll, Like it's it's crazy. 207 00:08:51,240 --> 00:08:53,760 Speaker 1: Well, I noticed his kicks, especially in the beginning. We're 208 00:08:53,800 --> 00:08:57,000 Speaker 1: not high enough, and I was like, dude, then he did. 209 00:08:57,080 --> 00:08:59,560 Speaker 1: He did bring them up, but his first like thirty 210 00:08:59,600 --> 00:09:01,800 Speaker 1: seconds of kicks, I was like, what are you doing? 211 00:09:01,880 --> 00:09:04,240 Speaker 2: Man? Like you're not committing. So I think he just 212 00:09:04,360 --> 00:09:06,160 Speaker 2: had a bad actual run. 213 00:09:06,200 --> 00:09:09,319 Speaker 1: I bet you there were better versions in rehearsal because 214 00:09:09,320 --> 00:09:12,200 Speaker 1: I thought he got there. But yeah, I'm you know, 215 00:09:12,240 --> 00:09:14,400 Speaker 1: I'm still kind of rooting for Dylan and Danielle are there. 216 00:09:14,520 --> 00:09:15,400 Speaker 2: I think it's his point. 217 00:09:15,400 --> 00:09:18,720 Speaker 1: They're my favorites because really, I feel like he's come 218 00:09:18,800 --> 00:09:22,240 Speaker 1: from He's he's had the sort of personal journey of 219 00:09:22,280 --> 00:09:26,080 Speaker 1: like a Danielle or Andy, but he's really upped his game. 220 00:09:26,559 --> 00:09:27,880 Speaker 1: I mean, I mean, I guess you could say the 221 00:09:27,880 --> 00:09:30,440 Speaker 1: same thing about Robert Irwin. But for me, the fact 222 00:09:30,480 --> 00:09:34,560 Speaker 1: that Robert's sister won this competition means that he's been 223 00:09:34,800 --> 00:09:37,160 Speaker 1: probably planning this and working on this since he was 224 00:09:37,200 --> 00:09:39,280 Speaker 1: twelve or thirteen, I'm sure, So it feels like a 225 00:09:39,320 --> 00:09:40,080 Speaker 1: different thing to me. 226 00:09:40,640 --> 00:09:42,720 Speaker 2: I get it. He's amazing, but so so I'm still 227 00:09:42,760 --> 00:09:42,960 Speaker 2: kind of. 228 00:09:43,000 --> 00:09:44,760 Speaker 1: Rooting for Dylan because I want to dude, he's the 229 00:09:44,880 --> 00:09:48,040 Speaker 1: everyman super like a dance who is now figuring this 230 00:09:48,120 --> 00:09:50,079 Speaker 1: out and looking great and of course, like I've said 231 00:09:50,120 --> 00:09:51,840 Speaker 1: a million times, Danielle is the best dancer in the 232 00:09:51,840 --> 00:09:52,240 Speaker 1: whole thing. 233 00:09:52,320 --> 00:09:54,600 Speaker 2: So I just I love these two and I love 234 00:09:54,640 --> 00:09:56,640 Speaker 2: their relationship, and. 235 00:09:56,920 --> 00:09:59,719 Speaker 3: Yeah, yeah, no, I agree, But this was it was 236 00:09:59,720 --> 00:10:01,920 Speaker 3: a lit It was like his face was kind of 237 00:10:01,960 --> 00:10:03,679 Speaker 3: like he was trying to remember the dance for the 238 00:10:03,679 --> 00:10:05,520 Speaker 3: first time. I saw in his face a little bit, 239 00:10:05,559 --> 00:10:07,360 Speaker 3: and this one fell a little flat for me. 240 00:10:07,440 --> 00:10:07,600 Speaker 2: Yeah. 241 00:10:07,600 --> 00:10:10,040 Speaker 1: I think the give is just really fast and really hard, 242 00:10:10,120 --> 00:10:12,839 Speaker 1: and I think it's it's a workout too. It's just yeah, 243 00:10:12,880 --> 00:10:14,480 Speaker 1: and yeah, you're right. By the time they ripped open 244 00:10:14,480 --> 00:10:16,040 Speaker 1: a shirt, you're like, oh, panderin. 245 00:10:16,080 --> 00:10:17,960 Speaker 2: We don't, don't we don't have much else to do. 246 00:10:18,400 --> 00:10:18,960 Speaker 2: Shirt guy. 247 00:10:19,200 --> 00:10:21,880 Speaker 3: Yeah, they'd run in and throw another shirt on me. 248 00:10:22,120 --> 00:10:24,319 Speaker 3: That'd be how we would pander for my audience. 249 00:10:24,400 --> 00:10:26,080 Speaker 2: You'd rip it open. It'd be one of those shirts 250 00:10:26,120 --> 00:10:29,040 Speaker 2: with the abs painted as draw on exactly and the 251 00:10:29,320 --> 00:10:31,319 Speaker 2: bow tie. Hell yes, all right. 252 00:10:31,360 --> 00:10:33,839 Speaker 1: So then the judges came in and Flava's judge and 253 00:10:34,000 --> 00:10:34,640 Speaker 1: was just madness. 254 00:10:34,720 --> 00:10:36,079 Speaker 2: I was like, all right, here we go. 255 00:10:36,360 --> 00:10:41,120 Speaker 1: We got eight nine, ten nine, which, besides Flava's I 256 00:10:41,320 --> 00:10:41,800 Speaker 1: seemed fair. 257 00:10:42,040 --> 00:10:43,520 Speaker 2: I feel like it was. It should have been eights 258 00:10:43,520 --> 00:10:44,480 Speaker 2: and nines across the board. 259 00:10:44,520 --> 00:10:46,960 Speaker 3: I was waiting for one of these dancers where flav 260 00:10:47,040 --> 00:10:48,480 Speaker 3: just holds up a paddle that just has the letter 261 00:10:48,640 --> 00:10:49,559 Speaker 3: L on it, where it's just. 262 00:10:49,520 --> 00:10:50,880 Speaker 2: Like whoa, what is love? 263 00:10:52,720 --> 00:10:56,000 Speaker 3: He gave them an h like yeah, so, but I 264 00:10:56,080 --> 00:10:58,440 Speaker 3: other than the ten, and when I saw the ten, 265 00:10:58,480 --> 00:11:00,400 Speaker 3: I was like, okay, just kind of dis re guard 266 00:11:01,800 --> 00:11:02,320 Speaker 3: his score. 267 00:11:03,800 --> 00:11:04,160 Speaker 2: Yeah. 268 00:11:04,440 --> 00:11:07,720 Speaker 1: Next up where Alex and Val and this is where 269 00:11:07,720 --> 00:11:09,880 Speaker 1: I saw. I felt like the rock and roll ness 270 00:11:09,920 --> 00:11:13,319 Speaker 1: coming in. I also realize and there were three of them. 271 00:11:13,320 --> 00:11:18,960 Speaker 1: Tonight passable is now my favorite dance. It is so cool, 272 00:11:18,559 --> 00:11:22,920 Speaker 1: it's it's it's so awesome. Though it's like so so. 273 00:11:23,040 --> 00:11:26,920 Speaker 1: I now realized that it was the Argentinian tango and 274 00:11:27,000 --> 00:11:30,000 Speaker 1: this are so fun. They have so much personality built 275 00:11:30,000 --> 00:11:34,120 Speaker 1: into the dance itself and it just I just love it. 276 00:11:34,200 --> 00:11:37,719 Speaker 1: And this felt this fit perfectly their outfits. I mean, 277 00:11:37,920 --> 00:11:39,720 Speaker 1: living on a prayer. This is like one of my 278 00:11:39,760 --> 00:11:42,000 Speaker 1: wife's go to karaoke songs. 279 00:11:42,080 --> 00:11:43,800 Speaker 2: I am living bon Jovial. 280 00:11:43,880 --> 00:11:45,839 Speaker 1: You know, she's from Staten Island, so I'm living bon 281 00:11:45,920 --> 00:11:47,440 Speaker 1: Jovi all the time. 282 00:11:48,000 --> 00:11:50,920 Speaker 2: But I still love this. I thought this was fantastic. 283 00:11:51,280 --> 00:11:53,880 Speaker 2: This was dance of the night for me. Yeah, she was. 284 00:11:54,440 --> 00:11:59,160 Speaker 3: They both looked phenomenal, Like the leather skirt flipper, I 285 00:11:59,200 --> 00:12:01,240 Speaker 3: mean it was just purf was awesome. 286 00:12:01,320 --> 00:12:01,840 Speaker 2: Yeah, it was. 287 00:12:01,840 --> 00:12:05,000 Speaker 1: They were both incredible. The attitude, the song, the costumes 288 00:12:05,000 --> 00:12:08,439 Speaker 1: that all came together. And now Flave decides to give 289 00:12:08,480 --> 00:12:08,920 Speaker 1: a nine. 290 00:12:09,200 --> 00:12:12,320 Speaker 2: How is this because this should have been This is 291 00:12:12,440 --> 00:12:14,719 Speaker 2: straight up tens everywhere. This was so. 292 00:12:14,760 --> 00:12:18,280 Speaker 1: Good and it's like, okay, yes, and you know these 293 00:12:18,280 --> 00:12:21,240 Speaker 1: guys have always been great, so you know they're they're 294 00:12:21,240 --> 00:12:23,040 Speaker 1: gonna be in the finals, they're gonna be top. 295 00:12:23,120 --> 00:12:23,920 Speaker 2: That mean they're gonna win. 296 00:12:24,080 --> 00:12:26,719 Speaker 1: Maybe I don't know where the popular votes landing on them, 297 00:12:26,960 --> 00:12:27,720 Speaker 1: but man. 298 00:12:27,679 --> 00:12:32,439 Speaker 2: They're just they're just so complistently great. 299 00:12:32,720 --> 00:12:35,199 Speaker 1: Yes. I mean you could see it even in the rehearsals, 300 00:12:35,240 --> 00:12:37,800 Speaker 1: the way she can hold her body like she just 301 00:12:37,840 --> 00:12:38,960 Speaker 1: found the frame perfectly. 302 00:12:39,280 --> 00:12:40,560 Speaker 2: Like immediately she's like, what's up. 303 00:12:40,720 --> 00:12:42,720 Speaker 1: You know, they're talking about what Apossi doble is and 304 00:12:42,760 --> 00:12:44,840 Speaker 1: she just does this thing and you're like, oh, well, 305 00:12:44,880 --> 00:12:47,120 Speaker 1: you can just move your body in ways that you 306 00:12:47,160 --> 00:12:49,000 Speaker 1: need to for this form and it's incredible. 307 00:12:49,000 --> 00:12:52,720 Speaker 3: It's like, we know how tall they are, alex Anvel, 308 00:12:52,880 --> 00:12:53,679 Speaker 3: do we have any idea. 309 00:12:53,679 --> 00:12:54,280 Speaker 2: Are they are? 310 00:12:54,320 --> 00:12:57,720 Speaker 3: They both five six, they both six two. I honestly 311 00:12:57,760 --> 00:13:00,120 Speaker 3: don't know, but that it works whatever it is is, 312 00:13:00,160 --> 00:13:03,920 Speaker 3: whatever size they are, especially for this dance, worn't I know. Well, 313 00:13:04,080 --> 00:13:06,040 Speaker 3: there was a point later on in the show where 314 00:13:06,280 --> 00:13:08,559 Speaker 3: Jordan and dead Yell we're standing next to each other 315 00:13:08,600 --> 00:13:11,040 Speaker 3: and Jordan's even smaller than did yeah, and I was like, 316 00:13:11,120 --> 00:13:13,360 Speaker 3: oh my god, I can't believe that, you know, I 317 00:13:13,400 --> 00:13:16,199 Speaker 3: was like, this is it's yeah, It's crazy. The variety 318 00:13:16,280 --> 00:13:18,760 Speaker 3: of bodies and types and they're all trying to do 319 00:13:18,800 --> 00:13:19,280 Speaker 3: the same thing. 320 00:13:19,320 --> 00:13:22,160 Speaker 2: It's like, what and it does the body types? 321 00:13:22,280 --> 00:13:25,480 Speaker 3: Does certain dances lend themselves to different body styles? I 322 00:13:25,559 --> 00:13:28,800 Speaker 3: really do, absolutely, But yeah, this was just killer. How 323 00:13:28,840 --> 00:13:30,760 Speaker 3: this wasn't the first four tens well because of the 324 00:13:30,760 --> 00:13:32,600 Speaker 3: guest judge, it would have been should. 325 00:13:32,480 --> 00:13:35,040 Speaker 2: Be great four tens. It was perfect, it was on 326 00:13:35,040 --> 00:13:37,160 Speaker 2: on theme, It was just so fun. This could have 327 00:13:37,160 --> 00:13:38,520 Speaker 2: been the dance of the show for me so far. 328 00:13:38,679 --> 00:13:41,400 Speaker 2: I mean, this was just incredible. I know, man, I'm 329 00:13:41,480 --> 00:13:42,080 Speaker 2: I'm kind of wishing. 330 00:13:42,120 --> 00:13:43,800 Speaker 1: I mean, I'm still like, I'm still a fan of 331 00:13:43,800 --> 00:13:46,440 Speaker 1: the more expressive stuff that happened on Dedication night, Like 332 00:13:46,480 --> 00:13:49,160 Speaker 1: I still think about those dances and like they were saying, 333 00:13:49,200 --> 00:13:51,520 Speaker 1: dance was the story stelling. It was just so great. 334 00:13:51,559 --> 00:13:53,719 Speaker 1: But yes, in terms of like what dancing with the 335 00:13:53,760 --> 00:13:56,000 Speaker 1: stars doing a form, this. 336 00:13:56,080 --> 00:13:56,880 Speaker 2: Just nailed it. 337 00:13:56,880 --> 00:13:59,560 Speaker 1: It was a great agreed all right, next up we 338 00:13:59,600 --> 00:14:03,600 Speaker 1: had and Emma, it's hard for me not to look 339 00:14:03,640 --> 00:14:04,120 Speaker 1: back with some. 340 00:14:05,920 --> 00:14:06,800 Speaker 2: Bit of resentment. 341 00:14:06,880 --> 00:14:10,400 Speaker 3: Now, don't look back at anger, Okay, but I agree, 342 00:14:10,480 --> 00:14:11,480 Speaker 3: this was very sweet. 343 00:14:11,880 --> 00:14:12,680 Speaker 2: Yep, this was great. 344 00:14:12,800 --> 00:14:15,160 Speaker 1: It just felt like a different show, especially coming off 345 00:14:15,200 --> 00:14:17,760 Speaker 1: of Alex and Foul. I was like, oh, look, the 346 00:14:17,800 --> 00:14:19,760 Speaker 1: person can dance and it's very sweet, and. 347 00:14:19,840 --> 00:14:21,560 Speaker 2: You know, it's all it's a different show. I mean, 348 00:14:21,600 --> 00:14:24,000 Speaker 2: at one time they're like literally doing the patty cake. 349 00:14:24,040 --> 00:14:26,120 Speaker 3: I mean they're like doing this and it's like, okay, 350 00:14:26,920 --> 00:14:29,040 Speaker 3: it's I get that people like him. I get that 351 00:14:29,040 --> 00:14:31,560 Speaker 3: he's the people's champion. I get that he's kind of 352 00:14:31,960 --> 00:14:35,240 Speaker 3: why the show was created. And so I think as 353 00:14:35,240 --> 00:14:38,400 Speaker 3: we talked with the pro Sharna yesterday where she talks 354 00:14:38,400 --> 00:14:40,160 Speaker 3: about Danielle kind of falling in the middle on how 355 00:14:40,240 --> 00:14:43,160 Speaker 3: any other season Danielle could have gone to the finals, 356 00:14:43,160 --> 00:14:46,960 Speaker 3: if not one, it is you've got these amazing dancers. 357 00:14:47,000 --> 00:14:49,280 Speaker 3: I think there's a bit of a backlash against the 358 00:14:49,280 --> 00:14:52,920 Speaker 3: people that are basically professionally trained TikTok dancers at the 359 00:14:52,960 --> 00:14:55,320 Speaker 3: top and then so that's why people are like, see, 360 00:14:55,320 --> 00:14:57,000 Speaker 3: this is what the show's about, and I think he's 361 00:14:57,080 --> 00:15:00,000 Speaker 3: likable and everything. I mean, obviously they're not judging him 362 00:15:00,040 --> 00:15:04,240 Speaker 3: by dance. No, so no, I mean you're okay with that. 363 00:15:04,360 --> 00:15:06,960 Speaker 1: There's that central moment where his big move is literally 364 00:15:07,000 --> 00:15:08,880 Speaker 1: like taking his arm up and bringing it down. 365 00:15:09,280 --> 00:15:09,560 Speaker 2: Yep. 366 00:15:09,880 --> 00:15:12,320 Speaker 1: It was like twelve seconds of him doing that move 367 00:15:12,320 --> 00:15:16,680 Speaker 1: and they're showing him practicing and I'm like, but that's just. 368 00:15:15,440 --> 00:15:18,200 Speaker 2: That's your acting beat or it's just your arm. You know. 369 00:15:18,320 --> 00:15:20,920 Speaker 1: It still feels like, you know, a guy is standing 370 00:15:20,960 --> 00:15:23,479 Speaker 1: around while she dances around to him, and it's. 371 00:15:24,720 --> 00:15:27,280 Speaker 3: It was really obvious at the end of the show 372 00:15:27,320 --> 00:15:29,840 Speaker 3: when they did those weird team things. It was when 373 00:15:29,920 --> 00:15:32,320 Speaker 3: you saw Andy in the pack, it was just he's 374 00:15:32,400 --> 00:15:34,640 Speaker 3: doing a different thing, and it's it all comes down 375 00:15:34,640 --> 00:15:37,600 Speaker 3: to what you think the show should be or what 376 00:15:37,640 --> 00:15:39,800 Speaker 3: type of show you want to watch. And that's because 377 00:15:40,040 --> 00:15:43,080 Speaker 3: obviously nobody is voting for Andy because of his dancing, 378 00:15:43,160 --> 00:15:44,600 Speaker 3: and that's fine if that's what you want to do. 379 00:15:44,720 --> 00:15:46,600 Speaker 3: If you want to turn it into a popularity contest, 380 00:15:46,840 --> 00:15:48,120 Speaker 3: turn it into a popularity contest. 381 00:15:48,160 --> 00:15:52,400 Speaker 1: That's what particular exactly. It's fifty percent of the judging apparently, so. 382 00:15:52,400 --> 00:15:56,640 Speaker 3: But Danielle's gone and Andy is still there, and that's it. 383 00:15:56,760 --> 00:15:58,200 Speaker 2: To me, it's not fair. 384 00:15:58,360 --> 00:16:00,440 Speaker 3: But it's also I wonder if I didn't have a 385 00:16:00,480 --> 00:16:02,200 Speaker 3: connection with one of the dancers, if I would be 386 00:16:02,200 --> 00:16:03,000 Speaker 3: the guy going, it's. 387 00:16:02,920 --> 00:16:05,360 Speaker 2: Ee, Andy's awesome, and that's exactly how it should be. 388 00:16:05,440 --> 00:16:08,600 Speaker 2: I hope he wins the whole thing. I don't know, Yeah, 389 00:16:08,600 --> 00:16:09,400 Speaker 2: that's a good question. 390 00:16:09,720 --> 00:16:12,360 Speaker 1: It's hard for me to completely separate, but I guess 391 00:16:12,400 --> 00:16:15,280 Speaker 1: I was rooting for Andy earlier, you know, in like 392 00:16:15,320 --> 00:16:17,400 Speaker 1: the last three or four weeks. I was like, well 393 00:16:17,480 --> 00:16:19,000 Speaker 1: does he really you know, but you said it a 394 00:16:19,040 --> 00:16:22,360 Speaker 1: couple weeks ago, you were like, is it fair? And yeah, 395 00:16:22,400 --> 00:16:25,360 Speaker 1: and now I feel it all right. Well, their scores 396 00:16:25,360 --> 00:16:28,040 Speaker 1: were seven to seven, nine from flavor and flav that's 397 00:16:28,080 --> 00:16:30,400 Speaker 1: the lowest he goes, apparently and seven. 398 00:16:31,880 --> 00:16:37,600 Speaker 2: Next up we had Whitney and Mark. Another not as 399 00:16:37,640 --> 00:16:39,040 Speaker 2: good as the first one, not as good. 400 00:16:39,640 --> 00:16:43,240 Speaker 3: But this to me, and I know some people don't 401 00:16:43,320 --> 00:16:46,280 Speaker 3: like this idea, but this dance to me showcase why 402 00:16:46,360 --> 00:16:48,680 Speaker 3: I think every night should be won the same dance 403 00:16:48,720 --> 00:16:52,280 Speaker 3: from everybody. I loved being able to compare this to 404 00:16:52,400 --> 00:16:56,760 Speaker 3: the other hall man, I know that. Yeah, yes, it's like, ooh, 405 00:16:56,840 --> 00:16:58,440 Speaker 3: that one was better than that one, and the moves 406 00:16:58,440 --> 00:16:59,400 Speaker 3: were this and the moves were that. 407 00:16:59,440 --> 00:17:03,280 Speaker 2: Like I could hell now because I had some context. Yeah, yeah, 408 00:17:03,320 --> 00:17:05,919 Speaker 2: you're right, it was. 409 00:17:05,680 --> 00:17:08,359 Speaker 1: It was it was like an easy compare and contrast 410 00:17:08,440 --> 00:17:10,680 Speaker 1: and a sense of like, oh, I know what's happening here. 411 00:17:11,119 --> 00:17:11,800 Speaker 2: Yeah. 412 00:17:12,160 --> 00:17:14,880 Speaker 1: So they ended up with the exact same scores as 413 00:17:14,960 --> 00:17:17,920 Speaker 1: Alex and Val, Right is that true? 414 00:17:17,960 --> 00:17:19,560 Speaker 2: Yeah, that's true? Right, Yeah, three. 415 00:17:19,359 --> 00:17:23,760 Speaker 1: Tens and a nine didn't seem right. It was definitely good, Like, 416 00:17:23,800 --> 00:17:25,600 Speaker 1: I mean, this is definitely the top of the pack. 417 00:17:25,680 --> 00:17:29,040 Speaker 1: You know, you're talking to Alex and Val. It's I mean, 418 00:17:29,119 --> 00:17:30,960 Speaker 1: let's just be honest. It's Alex and Val, Whitney and 419 00:17:31,000 --> 00:17:33,080 Speaker 1: Mark and Robert and Whitney that are just going to 420 00:17:33,160 --> 00:17:35,879 Speaker 1: be the top three. I mean, they're just professional dancers 421 00:17:35,880 --> 00:17:36,320 Speaker 1: at this point. 422 00:17:36,400 --> 00:17:38,600 Speaker 2: Yep. No, I thought this was fun. I just wasn't 423 00:17:38,640 --> 00:17:41,520 Speaker 2: as drawn in as the you know, as the first one. 424 00:17:41,920 --> 00:17:42,399 Speaker 2: The first one. 425 00:17:44,600 --> 00:17:46,439 Speaker 3: It also seemed I know, this sounds weird, but like 426 00:17:46,760 --> 00:17:50,400 Speaker 3: him starting laying down with like the spiderweb of Light 427 00:17:50,480 --> 00:17:52,639 Speaker 3: above it just it seemed a little hokey to me. 428 00:17:53,000 --> 00:17:54,040 Speaker 2: Whereas the first one. 429 00:17:53,880 --> 00:17:57,560 Speaker 3: Seemed it was like sex and rock and roll in this, 430 00:17:57,560 --> 00:17:58,439 Speaker 3: this one just seemed a. 431 00:17:58,440 --> 00:18:00,960 Speaker 2: Little like they were trying a little and the movies 432 00:18:01,040 --> 00:18:02,879 Speaker 2: just weren't as crisp. Yeah. 433 00:18:02,920 --> 00:18:05,199 Speaker 1: Also, I'm not a big like Ozzy Osbourne fan, so 434 00:18:05,280 --> 00:18:06,560 Speaker 1: like the music didn't. 435 00:18:06,600 --> 00:18:08,920 Speaker 2: Hit me aszy. This is not the song I would 436 00:18:08,920 --> 00:18:09,600 Speaker 2: have picked by it now. 437 00:18:10,359 --> 00:18:12,719 Speaker 1: And it's funny how often I've been realizing like when 438 00:18:12,760 --> 00:18:14,480 Speaker 1: you can, when you have a catchy song or a 439 00:18:14,520 --> 00:18:17,439 Speaker 1: song that people know, it really helps, you know, Like 440 00:18:18,040 --> 00:18:21,240 Speaker 1: I think like Living on a Prayer was the perfect. 441 00:18:20,880 --> 00:18:24,800 Speaker 4: Like and this was like, Ozz, how do you not 442 00:18:24,920 --> 00:18:28,960 Speaker 4: do Crazy Train with that intro that Donna Dunne done it, 443 00:18:29,280 --> 00:18:32,479 Speaker 4: done it. I mean it's like you're dancing to that 444 00:18:32,680 --> 00:18:34,119 Speaker 4: to those movies that would have been insane. 445 00:18:34,119 --> 00:18:35,720 Speaker 2: Maybe they couldn't clear the song, but that would have 446 00:18:35,760 --> 00:18:37,720 Speaker 2: been crazy. Yeah, you want to go as like sort 447 00:18:37,720 --> 00:18:39,480 Speaker 2: of iconic as possible with the song. 448 00:18:39,440 --> 00:18:42,080 Speaker 1: Choice, Yeah, yeah, because it's it's like an easy it's 449 00:18:42,119 --> 00:18:57,040 Speaker 1: an easy and you know yeah, all right, next up 450 00:18:57,600 --> 00:19:02,480 Speaker 1: Danielle and Pasha. Yeah, so Danielle got a little more 451 00:19:02,480 --> 00:19:06,399 Speaker 1: personal in her behind the scenes, which I'm glad. I'm glad, 452 00:19:06,600 --> 00:19:09,280 Speaker 1: you know, I think, Yeah, I think she's been you know, 453 00:19:10,040 --> 00:19:14,840 Speaker 1: a little private in a way that I think is natural, 454 00:19:15,480 --> 00:19:19,120 Speaker 1: but has probably hurt her because she has she has 455 00:19:19,160 --> 00:19:22,960 Speaker 1: represented this journey in a way that I think, you know, 456 00:19:23,000 --> 00:19:25,760 Speaker 1: Andy has benefited from showing his weakness and showing his 457 00:19:25,880 --> 00:19:30,119 Speaker 1: inabilities and talking about his insecurities, and Danielle hasn't really 458 00:19:30,480 --> 00:19:33,840 Speaker 1: talked about those. We know she's having them, like everybody does. 459 00:19:34,280 --> 00:19:37,320 Speaker 1: But yeah, so I think I think she's been hurt. 460 00:19:37,520 --> 00:19:39,200 Speaker 1: I think she was hurt by the popular vote a 461 00:19:39,200 --> 00:19:42,280 Speaker 1: little bit by not opening up a little bit more 462 00:19:42,280 --> 00:19:43,199 Speaker 1: in the behind the scenes. 463 00:19:43,320 --> 00:19:46,440 Speaker 2: And yeah, you know, you. 464 00:19:46,359 --> 00:19:47,560 Speaker 3: Know what I want to ask her because I was 465 00:19:47,560 --> 00:19:49,800 Speaker 3: thinking about this last night and I've never asked her this. 466 00:19:49,880 --> 00:19:52,600 Speaker 3: You know, she obviously has been called to be on 467 00:19:52,720 --> 00:19:55,160 Speaker 3: Dance with the Stars many times and she kept turning 468 00:19:55,160 --> 00:19:55,480 Speaker 3: it down. 469 00:19:55,640 --> 00:19:57,199 Speaker 2: Yeah, I turn it down every year too, right, you 470 00:19:57,240 --> 00:20:00,240 Speaker 2: do too, I know that really you're really I'm the 471 00:20:00,320 --> 00:20:01,520 Speaker 2: only one. 472 00:20:01,920 --> 00:20:05,199 Speaker 3: So the friendships aside, because you you'll never have a 473 00:20:05,240 --> 00:20:08,080 Speaker 3: friend as good as Danielle. She's a phenomenal friend to have, 474 00:20:08,760 --> 00:20:12,000 Speaker 3: so putting the friendships aside with the fellow cast members, 475 00:20:12,119 --> 00:20:14,240 Speaker 3: I wonder, if she had to do it over again, 476 00:20:14,760 --> 00:20:17,400 Speaker 3: if she would rather have been on a less stacked 477 00:20:17,440 --> 00:20:19,320 Speaker 3: season than this season. 478 00:20:20,640 --> 00:20:21,520 Speaker 2: I'm curious. 479 00:20:21,680 --> 00:20:23,439 Speaker 3: I know she would never be able to answer properly 480 00:20:23,440 --> 00:20:25,600 Speaker 3: because she can't dissect herself from the friends that she's made, 481 00:20:25,600 --> 00:20:27,560 Speaker 3: the people that love her. But if she could, I 482 00:20:27,600 --> 00:20:28,920 Speaker 3: wonder if she'd be like, yeah, I should have gone 483 00:20:28,920 --> 00:20:29,600 Speaker 3: on two years. 484 00:20:29,480 --> 00:20:32,000 Speaker 2: Ago or whatever. Yeah, I don't know. I mean, I 485 00:20:32,040 --> 00:20:34,160 Speaker 2: don't know. Throughout the other seasons to compare, I. 486 00:20:34,080 --> 00:20:36,840 Speaker 3: Don't either, But apparently this one's everyone's talking about how 487 00:20:36,880 --> 00:20:39,479 Speaker 3: this is just a crazy professional dance season. 488 00:20:39,920 --> 00:20:42,280 Speaker 1: I just think that there's there's there's something about Danielle's 489 00:20:42,280 --> 00:20:47,440 Speaker 1: personality that she is such a leader, she is such 490 00:20:47,480 --> 00:20:52,240 Speaker 1: the person who she's such a great friend. She's so empathetic, 491 00:20:52,240 --> 00:20:53,880 Speaker 1: and she's always like, you know, she's the person who 492 00:20:53,880 --> 00:20:56,000 Speaker 1: reaches out all the time when anything happens, when you know, 493 00:20:56,040 --> 00:20:58,760 Speaker 1: she's always aware of your feelings, aware what you're going through, 494 00:20:58,880 --> 00:21:02,040 Speaker 1: and she's very good about being the person who's got 495 00:21:02,040 --> 00:21:04,800 Speaker 1: this it's got whatever it is under control. She never 496 00:21:04,880 --> 00:21:08,240 Speaker 1: lets on that she is struggling or having a hard time, 497 00:21:08,280 --> 00:21:10,800 Speaker 1: even when she is, and we know this about her, 498 00:21:11,040 --> 00:21:13,359 Speaker 1: but I think that part of her presentation on this 499 00:21:13,400 --> 00:21:15,600 Speaker 1: show has been that she's like, I got this, I'm 500 00:21:15,600 --> 00:21:18,639 Speaker 1: doing great, you know. And I think that that it 501 00:21:18,640 --> 00:21:20,679 Speaker 1: would have been nice for her probably to just be 502 00:21:20,720 --> 00:21:23,920 Speaker 1: a little more vulnerable and admit that, you know, she's 503 00:21:24,000 --> 00:21:26,840 Speaker 1: been dealing with a lot going into the show, and 504 00:21:27,560 --> 00:21:30,359 Speaker 1: her cancer and all the things that have happened, and 505 00:21:30,400 --> 00:21:34,000 Speaker 1: I think unfortunately she came across she like it's almost 506 00:21:34,040 --> 00:21:40,239 Speaker 1: like her own capabilities and her own capacity to you know, 507 00:21:40,960 --> 00:21:43,480 Speaker 1: present well worked against her a little bit. 508 00:21:44,359 --> 00:21:47,960 Speaker 3: Party And I think what all women love to hear 509 00:21:48,119 --> 00:21:49,920 Speaker 3: is two men talking about what it is to be 510 00:21:49,960 --> 00:21:52,760 Speaker 3: a woman. But at the same time, it seems like 511 00:21:52,920 --> 00:21:55,359 Speaker 3: that's kind of the model of the modern day woman. 512 00:21:55,440 --> 00:21:57,879 Speaker 3: I totally be able to do everything. I have to 513 00:21:57,880 --> 00:22:00,280 Speaker 3: be the perfect mom, I have to have the perfect 514 00:22:00,320 --> 00:22:01,840 Speaker 3: at work, I have to do this, I have to 515 00:22:01,880 --> 00:22:04,240 Speaker 3: do that. Yeah, And I think she embodies that where 516 00:22:04,240 --> 00:22:07,640 Speaker 3: it's absolutely in her mind she has to do everything perfectly, 517 00:22:07,840 --> 00:22:10,440 Speaker 3: and it's to be like, hey, I'm I'm struggling here 518 00:22:10,520 --> 00:22:13,600 Speaker 3: with whatever. Well that is almost like a failure for 519 00:22:13,640 --> 00:22:16,840 Speaker 3: a woman nowadays, whereas me with my mental health stuff, 520 00:22:16,840 --> 00:22:18,680 Speaker 3: it wasn't until I reached out to somebody who's like, 521 00:22:18,720 --> 00:22:20,639 Speaker 3: I'm struggling here where my life kind of changed for 522 00:22:20,680 --> 00:22:23,280 Speaker 3: the better. And so but as a man it's maybe 523 00:22:23,320 --> 00:22:24,880 Speaker 3: a little bit easier to do that than for a woman. 524 00:22:24,960 --> 00:22:25,320 Speaker 2: I don't know. 525 00:22:25,560 --> 00:22:27,600 Speaker 1: Yeah, I mean there were there were there were moments 526 00:22:27,600 --> 00:22:30,000 Speaker 1: in this dance, you know, so she had expressed to 527 00:22:30,080 --> 00:22:32,720 Speaker 1: us that contemporary you know, threw her off her game 528 00:22:32,760 --> 00:22:34,639 Speaker 1: a little bit, because it was about this sort of 529 00:22:34,680 --> 00:22:39,760 Speaker 1: expressiveness and freedom that Danielle, you know, like we joke 530 00:22:39,800 --> 00:22:42,280 Speaker 1: all the time that she can't stand theater kid energy, 531 00:22:43,359 --> 00:22:46,199 Speaker 1: you know. She she like her least favorite thing is 532 00:22:46,240 --> 00:22:49,400 Speaker 1: like role playing and like doing voices and like committing 533 00:22:49,600 --> 00:22:49,800 Speaker 1: you know. 534 00:22:50,200 --> 00:22:50,400 Speaker 2: Yep. 535 00:22:50,480 --> 00:22:53,359 Speaker 1: And there's an aspect of contemporary dance that requires that 536 00:22:53,600 --> 00:22:55,960 Speaker 1: right you have to like And I was really proud 537 00:22:56,000 --> 00:22:57,679 Speaker 1: of her watching her in this dance, especially when they 538 00:22:57,680 --> 00:22:59,920 Speaker 1: did the side by sides, I could tell that she 539 00:23:00,359 --> 00:23:02,920 Speaker 1: was giving herself over to it in a way that 540 00:23:03,680 --> 00:23:06,239 Speaker 1: she was not worried about what she looked like. She 541 00:23:06,320 --> 00:23:07,800 Speaker 1: was not worried about her frame. 542 00:23:08,080 --> 00:23:11,480 Speaker 2: She was just like boom in it and and and 543 00:23:11,480 --> 00:23:15,080 Speaker 2: and invest in Holy with her her whole spirit and body. 544 00:23:15,720 --> 00:23:17,080 Speaker 2: And I was really proud of her for that. 545 00:23:17,680 --> 00:23:21,119 Speaker 1: I you know, I don't think it ultimately deserved tens 546 00:23:21,119 --> 00:23:23,680 Speaker 1: across the board, but I do think it, you know, 547 00:23:23,680 --> 00:23:25,600 Speaker 1: knowing her personally, I was like, oh man, this was 548 00:23:25,640 --> 00:23:26,600 Speaker 1: a tough one for her, and she. 549 00:23:26,560 --> 00:23:28,719 Speaker 2: Came a long way. 550 00:23:29,119 --> 00:23:31,000 Speaker 3: I do I do feel I don't think it was 551 00:23:31,000 --> 00:23:32,960 Speaker 3: the weakest dance of the night. And again, if we're 552 00:23:33,040 --> 00:23:34,960 Speaker 3: judging everything fairly, she'd still be there. 553 00:23:35,000 --> 00:23:36,640 Speaker 2: And again fairly is the wrong word. 554 00:23:37,040 --> 00:23:42,320 Speaker 3: If we're judging it by dance, she she'd still be there. Uh, clearly, 555 00:23:42,359 --> 00:23:45,679 Speaker 3: she'd still be there. And when we get to Elaine, 556 00:23:45,720 --> 00:23:49,120 Speaker 3: we'll talk about that too. Where it's but you could 557 00:23:49,240 --> 00:23:51,960 Speaker 3: you could you could feel, I mean, if you knew Danielle, 558 00:23:51,960 --> 00:23:54,080 Speaker 3: you could feel that this was just a rough week 559 00:23:54,160 --> 00:23:57,320 Speaker 3: for her. I mean, it really really was. And this 560 00:23:57,400 --> 00:23:59,520 Speaker 3: is the theater. It's not even just the theater kid energy. 561 00:23:59,560 --> 00:24:00,199 Speaker 2: It's letting go. 562 00:24:00,760 --> 00:24:03,240 Speaker 3: And I think that's that's tough for somebody who has 563 00:24:03,280 --> 00:24:06,159 Speaker 3: to not only fly the plane but make sure that 564 00:24:06,200 --> 00:24:08,680 Speaker 3: everyone all the passengers are comfortable and that they all 565 00:24:08,680 --> 00:24:11,000 Speaker 3: have food, and it's like she needs to do everything, 566 00:24:11,480 --> 00:24:13,120 Speaker 3: and I think that hurt her this. 567 00:24:13,080 --> 00:24:13,720 Speaker 2: Week a little bit. 568 00:24:14,440 --> 00:24:17,040 Speaker 3: Yeah, but I thought, frankly, for the first time, because 569 00:24:17,080 --> 00:24:19,320 Speaker 3: we called out Carrie in and the other judges, I 570 00:24:19,320 --> 00:24:22,280 Speaker 3: thought the judges scoring wise were fair this week, I 571 00:24:22,320 --> 00:24:25,080 Speaker 3: really do well apologize. 572 00:24:24,440 --> 00:24:26,320 Speaker 2: I know, which I didn't know if she needed to. 573 00:24:26,560 --> 00:24:27,120 Speaker 2: I felt a. 574 00:24:27,040 --> 00:24:29,679 Speaker 1: Little performative in the sense of like she clearly has 575 00:24:29,680 --> 00:24:32,320 Speaker 1: been reading social media, or like I owe you an apology, 576 00:24:32,440 --> 00:24:34,879 Speaker 1: was like, I don't think you do. And Danielle even said, like, 577 00:24:34,960 --> 00:24:36,159 Speaker 1: you don't know me an apology, like. 578 00:24:36,320 --> 00:24:37,000 Speaker 2: And she ordered it. 579 00:24:37,080 --> 00:24:38,760 Speaker 3: She said, I owe you an apology. I hope it 580 00:24:38,760 --> 00:24:40,720 Speaker 3: didn't hurt your feelings that I said you were short. 581 00:24:40,840 --> 00:24:42,199 Speaker 3: That's what she's talking about. She's like, I hope that 582 00:24:42,200 --> 00:24:42,920 Speaker 3: didn't hurt your feeling. 583 00:24:42,960 --> 00:24:47,680 Speaker 2: It's like she is short. It's okay, she's a small person. 584 00:24:47,720 --> 00:24:50,600 Speaker 2: That's what she said. Person. Yeah, that's I mean. 585 00:24:50,640 --> 00:24:52,399 Speaker 3: I of all the things I think she had to 586 00:24:52,440 --> 00:24:55,200 Speaker 3: apologize to dan Yelle for calling her out on how 587 00:24:55,240 --> 00:24:57,600 Speaker 3: big she was, wasn't one of them right, So and 588 00:24:57,640 --> 00:24:59,240 Speaker 3: again I don't think she needed to do it on camera. 589 00:24:59,280 --> 00:25:01,200 Speaker 3: I think, you know, maybe later been like maybe it 590 00:25:01,240 --> 00:25:03,000 Speaker 3: was a little harsh on you. I apologize for that. 591 00:25:03,000 --> 00:25:04,520 Speaker 3: That's we don't need to see that she's. 592 00:25:04,400 --> 00:25:07,040 Speaker 2: Doing her job. But all right, it was nine to eight, 593 00:25:07,240 --> 00:25:09,600 Speaker 2: nine to eight. It was fair. 594 00:25:09,880 --> 00:25:13,880 Speaker 1: It was fair mixed up Elayne and Allen. They did 595 00:25:13,880 --> 00:25:17,000 Speaker 1: the Viennese waltz to what the World dance now is Love? 596 00:25:18,359 --> 00:25:20,760 Speaker 1: You know, this felt very out of touch with the 597 00:25:20,760 --> 00:25:23,199 Speaker 1: rest of the night to me in terms of like 598 00:25:23,200 --> 00:25:28,800 Speaker 1: the rock and roll factor kind of just like it's good. 599 00:25:28,960 --> 00:25:31,480 Speaker 1: It was actually one of her better dances. Yeah, but 600 00:25:31,920 --> 00:25:33,679 Speaker 1: it felt like a week three dance to me? 601 00:25:34,080 --> 00:25:34,920 Speaker 2: Do you know what I mean that? 602 00:25:35,000 --> 00:25:38,320 Speaker 3: But Danielle gets called out and again I know we're biased, 603 00:25:38,359 --> 00:25:40,000 Speaker 3: I get it, But daniel gets called out a couple 604 00:25:40,040 --> 00:25:42,679 Speaker 3: of weeks ago on Dedication night. Hey, all your dancers 605 00:25:42,720 --> 00:25:46,000 Speaker 3: are starting to look the same. To me, all of 606 00:25:46,040 --> 00:25:50,120 Speaker 3: Elaine's dances look the same. Yeah, and it's like, how 607 00:25:50,160 --> 00:25:52,200 Speaker 3: did and everyone's like this it was amazing. I'm like, 608 00:25:52,240 --> 00:25:53,960 Speaker 3: wait a second, she's doing the same. 609 00:25:54,080 --> 00:25:56,159 Speaker 1: So yeah, I mean, I think technically it was a 610 00:25:56,200 --> 00:25:58,560 Speaker 1: really good Viennese waltz is the only thing I can think. 611 00:25:58,800 --> 00:26:01,080 Speaker 1: But for me at this in the show, I was like, 612 00:26:01,080 --> 00:26:03,760 Speaker 1: I want to see more something and more. I want 613 00:26:03,800 --> 00:26:07,720 Speaker 1: to see something more expressive, something more of your personality. 614 00:26:07,680 --> 00:26:09,600 Speaker 2: Yeah, you know, granted she's coming back from. 615 00:26:09,520 --> 00:26:11,280 Speaker 1: An injury, so I think they were just like, let's 616 00:26:11,280 --> 00:26:15,320 Speaker 1: play it safe, let's do a good classic ballroom dance, 617 00:26:15,359 --> 00:26:17,960 Speaker 1: and they did which in a weird way. 618 00:26:18,000 --> 00:26:19,280 Speaker 2: I guess maybe Danielle. 619 00:26:18,920 --> 00:26:21,280 Speaker 1: Should have done at this, you know, because she was 620 00:26:21,320 --> 00:26:24,240 Speaker 1: coming off of a very expressive, you know, free week 621 00:26:24,359 --> 00:26:26,960 Speaker 1: last last week. Maybe she should have just done a 622 00:26:27,160 --> 00:26:30,160 Speaker 1: standard you know, shown off for dancing skills. 623 00:26:30,400 --> 00:26:32,399 Speaker 3: You also wonder why, And again I'm not trying to 624 00:26:32,440 --> 00:26:33,879 Speaker 3: call out Pasha in any way, shape or for him. 625 00:26:33,920 --> 00:26:35,800 Speaker 3: He's a great dude and I think was a great 626 00:26:35,800 --> 00:26:38,520 Speaker 3: partner for her. But you wonder if they sit down 627 00:26:38,520 --> 00:26:40,600 Speaker 3: and they have a conversation and Danielle says, I don't 628 00:26:40,640 --> 00:26:42,840 Speaker 3: like theater kid energy. I don't like it that you 629 00:26:42,880 --> 00:26:45,080 Speaker 3: get contemporary out of the way early when everybody gets 630 00:26:45,080 --> 00:26:47,960 Speaker 3: fives and sixes, right, Like if she knows she's going 631 00:26:48,000 --> 00:26:49,679 Speaker 3: to have a problem with that, And again maybe she didn't. 632 00:26:49,960 --> 00:26:52,320 Speaker 1: No, I think we knew, I mean from what we 633 00:26:52,359 --> 00:26:54,320 Speaker 1: know behind the scenes, daniel was very excited about the 634 00:26:54,320 --> 00:26:57,040 Speaker 1: song and getting this song, and I think this is 635 00:26:57,200 --> 00:26:59,639 Speaker 1: an important song for her and the idea of like 636 00:26:59,720 --> 00:27:03,239 Speaker 1: being free in theory was exciting. So I think they 637 00:27:03,280 --> 00:27:04,359 Speaker 1: planned this a while ago. 638 00:27:04,520 --> 00:27:06,440 Speaker 3: And yeah, well you know this is also we were 639 00:27:06,440 --> 00:27:08,760 Speaker 3: there with her. This was her first concert ever at twelve. 640 00:27:08,800 --> 00:27:11,680 Speaker 3: We all went to Aerosmith together, So there's something unaspecial 641 00:27:11,720 --> 00:27:13,840 Speaker 3: about that too, where it was you know, I still 642 00:27:13,840 --> 00:27:14,880 Speaker 3: have that picture hanging on the wall. 643 00:27:14,920 --> 00:27:16,480 Speaker 2: We're all chilling out with Aerosmith. 644 00:27:16,480 --> 00:27:19,640 Speaker 1: It's really cool, all right. Elaine and Allen got nine 645 00:27:19,680 --> 00:27:21,240 Speaker 1: to nine, ten and nine. 646 00:27:21,600 --> 00:27:22,320 Speaker 2: That was not a ten. 647 00:27:22,480 --> 00:27:24,400 Speaker 3: I could see nines across the board that well, it's 648 00:27:24,440 --> 00:27:28,040 Speaker 3: flame its way battles. It's amazing because it didn't look 649 00:27:28,040 --> 00:27:29,639 Speaker 3: like he could hit the ground with his hat in 650 00:27:29,680 --> 00:27:32,440 Speaker 3: three tries, but he found the paddles that time, which 651 00:27:32,520 --> 00:27:32,840 Speaker 3: is great. 652 00:27:33,359 --> 00:27:37,159 Speaker 2: All right. Next we had Jordan and Ezra. It was 653 00:27:37,240 --> 00:27:38,520 Speaker 2: cool to see Ezra. 654 00:27:38,320 --> 00:27:42,960 Speaker 1: Apologizing to Jordan for the whole like harness arnest Gate. 655 00:27:43,040 --> 00:27:45,000 Speaker 2: Is that what he called harness Gate? 656 00:27:46,240 --> 00:27:48,560 Speaker 1: Yeah, I think it was cool because it was you know, 657 00:27:49,119 --> 00:27:53,520 Speaker 1: it was exactly right, like it was weird. And but man, 658 00:27:53,760 --> 00:27:56,400 Speaker 1: I love these two I thought this was just so good. 659 00:27:56,960 --> 00:27:59,720 Speaker 1: She just committed, she got to do some of her 660 00:27:59,760 --> 00:28:04,000 Speaker 1: act robatics. There was so much personality. You could tell 661 00:28:04,000 --> 00:28:06,160 Speaker 1: that she was having fun. 662 00:28:06,359 --> 00:28:09,880 Speaker 2: Did you get with their comments afterwards? Just here the comments. 663 00:28:09,880 --> 00:28:12,800 Speaker 3: She she got up there and she said she's back, 664 00:28:12,880 --> 00:28:16,879 Speaker 3: y'all and better than ever. Like I'm Tina Turner now 665 00:28:16,920 --> 00:28:18,400 Speaker 3: and I'm better than Tina who's dead. 666 00:28:18,800 --> 00:28:20,639 Speaker 2: Yeah. 667 00:28:20,840 --> 00:28:23,199 Speaker 1: I was trying to pass through her afterwards, Like she 668 00:28:23,240 --> 00:28:26,399 Speaker 1: said something about like the spirit came through me and 669 00:28:26,480 --> 00:28:29,080 Speaker 1: I was living her dreams or it was like it 670 00:28:29,160 --> 00:28:31,639 Speaker 1: was like it was like your fulfilling Tina Turner's dreams. 671 00:28:31,680 --> 00:28:33,600 Speaker 2: It was a little it was almost just in it. Yeah, 672 00:28:33,640 --> 00:28:35,800 Speaker 2: I don't know. I don't think she was quite aware. 673 00:28:38,080 --> 00:28:40,920 Speaker 2: She was after so much fun and like this was 674 00:28:40,960 --> 00:28:41,680 Speaker 2: just cool to see. 675 00:28:42,160 --> 00:28:44,880 Speaker 3: I had perfect time to bust out some serious gymnastics. 676 00:28:45,200 --> 00:28:47,760 Speaker 3: I mean, everyone's like, you can't always use gymnastics, but 677 00:28:48,000 --> 00:28:51,320 Speaker 3: sometimes you should. And when she does, it's obviously world class, 678 00:28:51,760 --> 00:28:52,640 Speaker 3: so looks cool. 679 00:28:52,960 --> 00:28:55,200 Speaker 2: Yeah, ten nine, ten nine. 680 00:28:55,320 --> 00:28:59,520 Speaker 1: I thought that was fair me too, All right, next 681 00:28:59,560 --> 00:29:04,800 Speaker 1: Upburt and Whitney. 682 00:29:05,320 --> 00:29:05,680 Speaker 2: Again. 683 00:29:05,840 --> 00:29:09,640 Speaker 3: I could argue with you that Whitney at times is 684 00:29:09,720 --> 00:29:12,800 Speaker 3: as good if not like is the best dancer on 685 00:29:12,840 --> 00:29:13,200 Speaker 3: the floor. 686 00:29:13,520 --> 00:29:16,880 Speaker 2: I think she's incredible to watch dance. 687 00:29:17,080 --> 00:29:20,960 Speaker 1: Yeah, I thought this probably was hurt a little bit 688 00:29:21,000 --> 00:29:24,800 Speaker 1: by going later, because you've already seen the other Pase Doblez. 689 00:29:26,200 --> 00:29:28,040 Speaker 2: But I thought it was fantastic. 690 00:29:28,120 --> 00:29:31,320 Speaker 3: You know, Yeah, it's there the thing we thought was 691 00:29:31,320 --> 00:29:33,200 Speaker 3: gonna happen. We're oh my god, you started at eleven, 692 00:29:33,200 --> 00:29:34,720 Speaker 3: Where do you go from here? Well, he's just stayed 693 00:29:34,760 --> 00:29:35,200 Speaker 3: at eleven. 694 00:29:35,360 --> 00:29:35,560 Speaker 2: I know. 695 00:29:35,600 --> 00:29:38,480 Speaker 3: It's it's really weird. It's like, oh, okay, you're just 696 00:29:38,520 --> 00:29:40,400 Speaker 3: going to kind of win the whole thing. And I 697 00:29:40,440 --> 00:29:42,040 Speaker 3: still think he's the front runner, and I still think 698 00:29:42,080 --> 00:29:42,800 Speaker 3: he's going to take it. 699 00:29:43,040 --> 00:29:46,040 Speaker 1: Yeah, at this point, I feel like he's the perfect 700 00:29:46,040 --> 00:29:51,520 Speaker 1: combination of excellent dancer and personal journey that we've. 701 00:29:51,360 --> 00:29:52,960 Speaker 2: All good looking humble. 702 00:29:53,040 --> 00:29:55,320 Speaker 3: I mean, I saw what watched an interview with him 703 00:29:55,360 --> 00:29:59,600 Speaker 3: afterwards where he was just gushing about Danielle, and it's like, yeah, 704 00:29:59,680 --> 00:30:02,200 Speaker 3: it's you love this guy, you love this guy. 705 00:30:03,560 --> 00:30:05,680 Speaker 1: So then oh, so they got nine to nine, ten, ten, 706 00:30:06,160 --> 00:30:10,960 Speaker 1: and then we went into these group group dances, which 707 00:30:11,040 --> 00:30:14,640 Speaker 1: I thought was really cool, to the extent that I 708 00:30:14,680 --> 00:30:16,920 Speaker 1: was like, I would much rather watch a show about this. 709 00:30:17,280 --> 00:30:19,240 Speaker 1: I would much rather watch a show about a group 710 00:30:19,240 --> 00:30:22,480 Speaker 1: of dancers or performers coming together and having to create 711 00:30:22,480 --> 00:30:24,800 Speaker 1: a dance together. I just thought it was so cool 712 00:30:24,840 --> 00:30:26,560 Speaker 1: because they weren't competing with each other. 713 00:30:26,840 --> 00:30:29,000 Speaker 2: It was like, let's just have fun, you know. 714 00:30:29,000 --> 00:30:30,800 Speaker 1: It was like watching any behind the scenes of like 715 00:30:30,840 --> 00:30:33,360 Speaker 1: people coming together with a scene or comedy or whatever. 716 00:30:33,400 --> 00:30:34,880 Speaker 2: I just love this kind of stuff. 717 00:30:34,920 --> 00:30:38,280 Speaker 1: I love like process and I love watching people figuring 718 00:30:38,280 --> 00:30:39,080 Speaker 1: out what they're gonna do. 719 00:30:39,280 --> 00:30:40,560 Speaker 2: And this was so cool. 720 00:30:40,560 --> 00:30:43,440 Speaker 1: And I think Danielle really shines situations like this because 721 00:30:43,440 --> 00:30:46,280 Speaker 1: she's such a good director. She's so good at incorporating 722 00:30:46,320 --> 00:30:49,280 Speaker 1: other people's ideas, and you could see her helping lead 723 00:30:49,360 --> 00:30:52,120 Speaker 1: this thing as the team captain, and just like. 724 00:30:52,280 --> 00:30:53,760 Speaker 3: She had a moment or two on the dance floor 725 00:30:53,800 --> 00:30:56,320 Speaker 3: that were a little like at one point, she's looking 726 00:30:56,360 --> 00:31:00,440 Speaker 3: over to Jordan and Jordan sits down and he was like, oh, 727 00:31:00,480 --> 00:31:03,240 Speaker 3: that's right, I'm supposed to sit and yeah, so there's 728 00:31:03,280 --> 00:31:05,600 Speaker 3: a moment or two of that. But yeah, she's you know, 729 00:31:05,800 --> 00:31:08,160 Speaker 3: she's a great And I kind of liked the fact 730 00:31:08,200 --> 00:31:11,360 Speaker 3: that Alfonso goes on one team. Yeah, you know, like 731 00:31:11,360 --> 00:31:14,280 Speaker 3: the hosts are in on it and goes on another team. 732 00:31:14,800 --> 00:31:16,840 Speaker 2: It was fun. I thought it was totally fun. 733 00:31:16,880 --> 00:31:19,520 Speaker 3: Man, I was they clearly were better than the other team, Like, 734 00:31:20,040 --> 00:31:22,760 Speaker 3: team clearly were better. Yeah, Team Chicago was better than 735 00:31:23,360 --> 00:31:23,920 Speaker 3: Team Cool. 736 00:31:24,000 --> 00:31:24,960 Speaker 2: Oh yeah, way better. 737 00:31:25,000 --> 00:31:27,240 Speaker 1: I thought Team Cool like they got two tens when 738 00:31:27,240 --> 00:31:29,200 Speaker 1: they probably should have been eights or nine. 739 00:31:29,240 --> 00:31:31,680 Speaker 3: It was a little like what the Andy factor there's 740 00:31:31,880 --> 00:31:33,840 Speaker 3: I mean he's literally in the middle just waving his. 741 00:31:33,920 --> 00:31:36,400 Speaker 2: Arms at times. It's like there's very little the man 742 00:31:36,480 --> 00:31:36,880 Speaker 2: can do. 743 00:31:37,800 --> 00:31:40,120 Speaker 3: So it's this is where it comes down to, all right, 744 00:31:40,120 --> 00:31:43,080 Speaker 3: we're keeping him because he's awesome, we love him, but yeah, 745 00:31:43,200 --> 00:31:47,160 Speaker 3: it's it's you can you can see. So I like 746 00:31:47,200 --> 00:31:49,280 Speaker 3: it better than the other one, which was weird where 747 00:31:49,280 --> 00:31:51,600 Speaker 3: they're just tapping people out the dance whatever. 748 00:31:52,200 --> 00:31:53,880 Speaker 2: In Team Cool and this is. 749 00:31:54,080 --> 00:31:57,680 Speaker 1: There was a moment where where Robert literally like in 750 00:31:57,720 --> 00:32:01,680 Speaker 1: the early part, he literally didn't care at all, like 751 00:32:01,760 --> 00:32:03,920 Speaker 1: he was just phoning it in and I was like, 752 00:32:03,920 --> 00:32:05,320 Speaker 1: what are you doing, dude, You're like one of the 753 00:32:05,360 --> 00:32:07,440 Speaker 1: best dancers. He came back around, but I was like, 754 00:32:07,440 --> 00:32:09,800 Speaker 1: what's happened? And like no one even noticed because there's 755 00:32:09,800 --> 00:32:11,960 Speaker 1: so much going on. But I definitely think Team Cool 756 00:32:12,080 --> 00:32:16,080 Speaker 1: was way worse than Team Chicago, like to a degree 757 00:32:16,120 --> 00:32:19,000 Speaker 1: that was like, guys, you didn't work that hard on this. 758 00:32:19,200 --> 00:32:21,560 Speaker 1: They didn't care in a way that I could feel 759 00:32:21,560 --> 00:32:23,560 Speaker 1: like Team Chicago was having so much fun. They all 760 00:32:23,640 --> 00:32:26,080 Speaker 1: kind of cared about coming together to like make this happen. 761 00:32:27,480 --> 00:32:29,640 Speaker 2: Anyway. I like that whole process. I thought that was 762 00:32:29,680 --> 00:32:30,360 Speaker 2: cool to see. 763 00:32:30,480 --> 00:32:32,520 Speaker 1: I like them having to interact with each other and 764 00:32:32,560 --> 00:32:35,080 Speaker 1: not just be in their like little private rehearsal space, 765 00:32:35,360 --> 00:32:36,920 Speaker 1: and it was cool. And yeah, like I said, I 766 00:32:37,160 --> 00:32:39,680 Speaker 1: would probably watch a show just about a dance troupe 767 00:32:39,960 --> 00:32:56,000 Speaker 1: and their personalities and coming together to work together, all right. 768 00:32:56,360 --> 00:33:00,960 Speaker 2: And then we got to the voting the results. Yeah, 769 00:33:01,040 --> 00:33:02,720 Speaker 2: I didn't quite see this coming. 770 00:33:03,160 --> 00:33:06,200 Speaker 1: I was like, oh, it's time for Andy to go. No, 771 00:33:06,720 --> 00:33:08,040 Speaker 1: it's not time for Andy to go. 772 00:33:08,800 --> 00:33:11,680 Speaker 3: When I heard them say a laye, you're safe, I 773 00:33:11,720 --> 00:33:12,520 Speaker 3: was like, Daniel's going. 774 00:33:12,960 --> 00:33:13,280 Speaker 2: I knew. 775 00:33:13,280 --> 00:33:15,560 Speaker 3: I knew right away because Andy's there to stay. He's 776 00:33:15,560 --> 00:33:17,880 Speaker 3: going to be there for the long haul. Unless there's 777 00:33:17,880 --> 00:33:19,040 Speaker 3: a big backlash against it. 778 00:33:19,400 --> 00:33:19,880 Speaker 2: He's there. 779 00:33:20,000 --> 00:33:22,720 Speaker 3: He'll be in the finals. I still don't think he'll win. 780 00:33:22,920 --> 00:33:24,760 Speaker 3: I still think it'll be Robert, but I think he's 781 00:33:24,800 --> 00:33:25,080 Speaker 3: in it. 782 00:33:25,160 --> 00:33:25,920 Speaker 2: For the long haul. 783 00:33:25,960 --> 00:33:27,959 Speaker 3: At this point, people are now it's a thing, like 784 00:33:27,960 --> 00:33:31,400 Speaker 3: it's become a thing. So the second they said a laye, 785 00:33:31,400 --> 00:33:31,960 Speaker 3: you're safe, I was. 786 00:33:31,960 --> 00:33:34,600 Speaker 2: Like, damn it, Like I just I knew that sucked. 787 00:33:35,760 --> 00:33:40,280 Speaker 1: Yeah, I felt bad too, I really, I was like, oh, oh, 788 00:33:40,360 --> 00:33:41,160 Speaker 1: this just happened. 789 00:33:41,240 --> 00:33:46,240 Speaker 2: Okay. I texted Danielle me too. Didn hear about it 790 00:33:46,240 --> 00:33:48,640 Speaker 2: for a couple hours. I knew she was me too, 791 00:33:49,200 --> 00:33:51,680 Speaker 2: dealing with all the press, and yeah, I must have 792 00:33:51,720 --> 00:33:53,480 Speaker 2: said the word proud like eight times. 793 00:33:53,480 --> 00:33:55,840 Speaker 3: It was the weirdest, most disjointed text to where I 794 00:33:55,840 --> 00:33:57,480 Speaker 3: had to text her again being like I'm sorry, I 795 00:33:57,600 --> 00:33:58,120 Speaker 3: just used the. 796 00:33:58,080 --> 00:33:59,920 Speaker 2: Word proud like thirty two times. 797 00:34:00,120 --> 00:34:01,720 Speaker 1: I thought I felt bad because I was just like 798 00:34:01,760 --> 00:34:04,120 Speaker 1: I want to text, but I feel like everybody's feeling 799 00:34:04,120 --> 00:34:04,360 Speaker 1: this way. 800 00:34:04,400 --> 00:34:06,160 Speaker 2: So she her phone just must have been blowing up 801 00:34:06,200 --> 00:34:09,080 Speaker 2: for of course, like of course six hours of just NonStop, 802 00:34:09,280 --> 00:34:12,200 Speaker 2: so I'm sure it's still blowing up. Yeah it's yeah, 803 00:34:12,239 --> 00:34:13,960 Speaker 2: it's yeah, it sucked. It just sucked. 804 00:34:14,000 --> 00:34:14,640 Speaker 1: You were. 805 00:34:14,640 --> 00:34:16,160 Speaker 3: I feel like we were on this journey with her 806 00:34:16,160 --> 00:34:17,560 Speaker 3: and it's like to see it end. It's like ough, 807 00:34:17,840 --> 00:34:19,600 Speaker 3: and it had to end sometime, whether she won or not. 808 00:34:19,640 --> 00:34:22,439 Speaker 3: It had to end sometime, but it was we're gonna 809 00:34:22,440 --> 00:34:24,400 Speaker 3: stay committed, you and me. 810 00:34:24,920 --> 00:34:25,799 Speaker 2: Hell yeah, I'm gonna. 811 00:34:25,840 --> 00:34:27,719 Speaker 1: We're gonna we're gonna finish the show out. Okay, so 812 00:34:27,920 --> 00:34:30,799 Speaker 1: let's now that Danielle's out of the equation, let's talk 813 00:34:30,800 --> 00:34:33,359 Speaker 1: about what our hopes, our fears, our expectations. 814 00:34:33,440 --> 00:34:34,920 Speaker 2: You think he's gonna be get to that. 815 00:34:34,960 --> 00:34:39,240 Speaker 3: Well, before we get to that, I'd like, because it's 816 00:34:39,280 --> 00:34:45,600 Speaker 3: instantly iconic, I would like you, as Bruno, to talk 817 00:34:45,640 --> 00:34:51,120 Speaker 3: a little bit about Danielle Fischer uh. 818 00:34:51,000 --> 00:34:53,480 Speaker 2: As a person or as ad just as the as 819 00:34:53,520 --> 00:34:53,799 Speaker 2: the end. 820 00:34:53,800 --> 00:34:55,920 Speaker 3: They like saying goodbye to Danielle on the show Brewn, No, 821 00:34:55,960 --> 00:34:57,799 Speaker 3: how do you say goodbye to Danielle on the show? 822 00:34:57,920 --> 00:34:58,320 Speaker 2: Danielle? 823 00:34:58,360 --> 00:35:04,319 Speaker 5: You were a fantastic It was how you say, uh, perfection, 824 00:35:04,960 --> 00:35:08,040 Speaker 5: your little body, you brought it. You brought a little 825 00:35:08,040 --> 00:35:11,160 Speaker 5: body out into the show. And we love you. We 826 00:35:11,239 --> 00:35:11,960 Speaker 5: love you, darling. 827 00:35:12,040 --> 00:35:14,359 Speaker 2: But yes it was not good enough, not good enough. 828 00:35:14,680 --> 00:35:17,920 Speaker 2: Now we we'll see you next time. I don't know 829 00:35:18,200 --> 00:35:18,800 Speaker 2: that's great. 830 00:35:19,600 --> 00:35:25,040 Speaker 3: I just though a so you want to know what? 831 00:35:25,200 --> 00:35:29,520 Speaker 3: How who I mean? I'm still and I'm not team Robert. 832 00:35:29,520 --> 00:35:30,640 Speaker 3: I just think Robert's gonna win. 833 00:35:31,080 --> 00:35:34,640 Speaker 1: Yeah, I'm with you there, I'm I'm kind of I 834 00:35:35,160 --> 00:35:37,880 Speaker 1: guess maybe I'm always rooting for underdogs, but I'm really 835 00:35:38,000 --> 00:35:40,400 Speaker 1: just in it for Jordan and Dylan at this point. 836 00:35:41,080 --> 00:35:44,400 Speaker 2: I like watching the two of them dance. I think 837 00:35:44,920 --> 00:35:47,000 Speaker 2: every time I'm a little like, what are they gonna do? 838 00:35:47,200 --> 00:35:52,440 Speaker 1: Whereas like Alex and Whitney and Robert, I'm like, yeah, 839 00:35:52,480 --> 00:35:54,320 Speaker 1: you're gonna do great and it's gonna be fine. 840 00:35:54,800 --> 00:35:57,640 Speaker 2: I Alex has won me over. Yeah she. 841 00:35:57,880 --> 00:36:02,040 Speaker 3: I mean, I think Whitney is Whitney. I'm not team Whitney. 842 00:36:02,040 --> 00:36:04,880 Speaker 3: I'm sure again, she's a lovely person. I don't know, 843 00:36:05,520 --> 00:36:08,080 Speaker 3: but she to me is the one who's the real 844 00:36:08,280 --> 00:36:09,959 Speaker 3: Like I went to school for dance, I've been dancing 845 00:36:10,000 --> 00:36:10,440 Speaker 3: my whole life. 846 00:36:10,440 --> 00:36:11,800 Speaker 2: Now I'm a professional TikTok dancer. 847 00:36:12,160 --> 00:36:15,280 Speaker 3: Where I think Alex was not that, I don't think, 848 00:36:15,360 --> 00:36:17,160 Speaker 3: but she's won me over. 849 00:36:17,280 --> 00:36:20,120 Speaker 2: I still love Dylan. I think he's awesome. 850 00:36:20,440 --> 00:36:22,319 Speaker 3: I hope he's in the finals, but I don't think 851 00:36:22,400 --> 00:36:25,400 Speaker 3: anybody's going to be beating Robert. They're like they're they're 852 00:36:26,280 --> 00:36:29,759 Speaker 3: I mean, one of the judges was a mirror Ball 853 00:36:29,760 --> 00:36:32,760 Speaker 3: winner with his sister. I know you know, they're Dancing 854 00:36:32,800 --> 00:36:35,160 Speaker 3: with the Stars Royalty, and I think he's going to take. 855 00:36:35,080 --> 00:36:35,520 Speaker 1: The whole thing. 856 00:36:35,560 --> 00:36:38,920 Speaker 2: Frankly, how do you stand on Andy? 857 00:36:39,800 --> 00:36:41,640 Speaker 3: I mean, now that he's in it and Danielle's gone, 858 00:36:41,680 --> 00:36:43,120 Speaker 3: are you now team more team Andy? 859 00:36:43,200 --> 00:36:44,160 Speaker 2: Or do you think he should go. 860 00:36:44,120 --> 00:36:46,760 Speaker 1: Every I feel like this is the accomplishment he's already 861 00:36:46,840 --> 00:36:49,560 Speaker 1: won as far as his storyline. 862 00:36:49,000 --> 00:36:51,359 Speaker 2: You know, like he's gotten so much love. 863 00:36:51,400 --> 00:36:53,360 Speaker 1: People are going to follow him wherever he wants to 864 00:36:53,400 --> 00:36:55,520 Speaker 1: go in his career as an actor, as a comedian, 865 00:36:55,560 --> 00:36:56,360 Speaker 1: as a host. 866 00:36:56,160 --> 00:36:57,239 Speaker 2: Or whatever he wants to do. 867 00:36:57,280 --> 00:37:00,600 Speaker 1: Like the audit people probably already were, but now he's 868 00:37:00,640 --> 00:37:04,160 Speaker 1: only increased his likability, you know. And I think it's 869 00:37:04,200 --> 00:37:06,880 Speaker 1: been a great journey to watch, But do you deserve 870 00:37:07,120 --> 00:37:08,200 Speaker 1: to win this show? 871 00:37:08,400 --> 00:37:09,680 Speaker 2: No? No, no. 872 00:37:10,080 --> 00:37:11,799 Speaker 3: You know the first thing that I would do when 873 00:37:11,880 --> 00:37:14,359 Speaker 3: when whenever he leaves, if I was ABC and Dancing 874 00:37:14,360 --> 00:37:16,480 Speaker 3: with the Stars, I would go to him and I'd say, 875 00:37:16,560 --> 00:37:19,080 Speaker 3: we want you to be a special correspondent. You're going 876 00:37:19,160 --> 00:37:23,600 Speaker 3: to go instead of just doing a package, You're gonna 877 00:37:23,600 --> 00:37:25,560 Speaker 3: have a microphone and you're going to actually interview them 878 00:37:25,560 --> 00:37:27,600 Speaker 3: while they're dancing a little bit and throw out a 879 00:37:27,600 --> 00:37:29,640 Speaker 3: couple of jokes and you're like, now part. 880 00:37:29,480 --> 00:37:29,959 Speaker 2: Of the show. 881 00:37:30,320 --> 00:37:32,800 Speaker 1: I agree, man, I think that would be fantastic because 882 00:37:32,840 --> 00:37:35,000 Speaker 1: he is he is fun to watch, he's fun to 883 00:37:35,120 --> 00:37:35,319 Speaker 1: you know. 884 00:37:35,480 --> 00:37:39,160 Speaker 2: But it's just not it's just not is I don't think. Yeah, 885 00:37:39,320 --> 00:37:41,040 Speaker 2: I don't. I agree, I agree, But you really think 886 00:37:41,040 --> 00:37:44,640 Speaker 2: he's going to be in like the final three? Yeah? 887 00:37:44,719 --> 00:37:46,640 Speaker 3: I think again. I think at this point it's a thing. 888 00:37:46,880 --> 00:37:49,879 Speaker 3: I don't think we're gonna drop off. We're gonna lose 889 00:37:49,960 --> 00:37:53,759 Speaker 3: Dylan and Jordan next or no Elaine, Dylan, Jordan, those 890 00:37:53,800 --> 00:37:55,920 Speaker 3: three are just going to be kicked off in the 891 00:37:55,920 --> 00:37:59,120 Speaker 3: next couple of weeks and you're gonna end up with Alex, 892 00:37:59,200 --> 00:38:01,880 Speaker 3: Whitney and Robie and Robert. 893 00:38:02,160 --> 00:38:03,719 Speaker 2: No, No, I disagree. 894 00:38:03,960 --> 00:38:04,120 Speaker 1: No. 895 00:38:04,320 --> 00:38:07,640 Speaker 3: I think there's a good chance, believe it or not, 896 00:38:07,719 --> 00:38:11,360 Speaker 3: the next person to go home is Whitney. I don't 897 00:38:11,400 --> 00:38:15,520 Speaker 3: think people like Whitney, and I think there's a My 898 00:38:15,640 --> 00:38:17,759 Speaker 3: guess is if we if we were privy to all 899 00:38:17,800 --> 00:38:20,439 Speaker 3: of the votes, that there is a very good chance 900 00:38:20,480 --> 00:38:22,640 Speaker 3: that I think the next one to go is gonna 901 00:38:22,640 --> 00:38:27,399 Speaker 3: be Elaine, and then it's gonna be Whitney, and then 902 00:38:27,440 --> 00:38:30,000 Speaker 3: it's gonna be Jordan. And then it's gonna be Dylan. 903 00:38:30,320 --> 00:38:31,920 Speaker 3: That would be the way, that would be the order. 904 00:38:32,000 --> 00:38:32,759 Speaker 3: I think they're gonna go. 905 00:38:33,640 --> 00:38:37,000 Speaker 1: That's I think that's a good call, assuming Andy keeps 906 00:38:37,000 --> 00:38:40,080 Speaker 1: steamrolling through. It's a popular vote, correct, because if I 907 00:38:40,120 --> 00:38:42,480 Speaker 1: think if he falls off any week, just you know, 908 00:38:42,520 --> 00:38:43,840 Speaker 1: if anybody just gets late. 909 00:38:43,760 --> 00:38:45,840 Speaker 2: Like, there might be backlash, now, do you know what 910 00:38:45,880 --> 00:38:48,000 Speaker 2: I mean? Because of Danielle, because people are like, maybe 911 00:38:48,040 --> 00:38:50,279 Speaker 2: come on, yeah, but maybe I don't know. 912 00:38:50,280 --> 00:38:52,480 Speaker 1: I guess maybe if people were voting for Danielle, a 913 00:38:52,520 --> 00:38:53,640 Speaker 1: lot of that might go to Andy. 914 00:38:53,680 --> 00:38:56,359 Speaker 2: Now if it's about personnel, oh man, yeah, I don't know. 915 00:38:56,560 --> 00:38:58,480 Speaker 2: I don't know. It could also maybe go to Jordan. 916 00:38:58,600 --> 00:39:00,600 Speaker 2: They it seem like Danielle and Jordan we're very close. 917 00:39:00,600 --> 00:39:02,839 Speaker 2: But it also seemed like Danielle and Robert were really close. 918 00:39:02,920 --> 00:39:05,879 Speaker 2: So I don't know. Will this is how they get you? Now? 919 00:39:05,920 --> 00:39:07,160 Speaker 2: We're stuck. We gotta finish it. 920 00:39:07,400 --> 00:39:11,439 Speaker 3: We're so involved, we're so in it, dude, it's horrifying. 921 00:39:11,640 --> 00:39:14,080 Speaker 2: It's the first one's free, man, first one's free. Just 922 00:39:14,120 --> 00:39:14,560 Speaker 2: try it. Now. 923 00:39:14,560 --> 00:39:16,160 Speaker 3: I'm on the street corner going like, come on, man, 924 00:39:16,600 --> 00:39:18,800 Speaker 3: give me a rumba. 925 00:39:18,920 --> 00:39:19,680 Speaker 2: All right, that's it. 926 00:39:19,719 --> 00:39:22,279 Speaker 1: For this episode of pod Meets World. Join us next 927 00:39:22,280 --> 00:39:25,320 Speaker 1: week as we continue watching season thirty four of Dancing 928 00:39:25,320 --> 00:39:27,839 Speaker 1: with the Stars. We may not know a tango from 929 00:39:27,840 --> 00:39:30,240 Speaker 1: a tangle of headphones, but we know what we learned 930 00:39:30,239 --> 00:39:31,759 Speaker 1: way back in Phoene's class. 931 00:39:32,080 --> 00:39:34,640 Speaker 2: Danielle Fischel was the star of the show. 932 00:39:36,600 --> 00:39:40,000 Speaker 1: Podmeats World is an iHeart podcast producer hosted by Danielle Fischle, 933 00:39:40,040 --> 00:39:44,200 Speaker 1: Wilfridell and Ryder Strong Executive producers Jensen Karp and Amy Sugarman, 934 00:39:44,360 --> 00:39:47,520 Speaker 1: Executive in charge of production, Danielle Romo, producer and editor, 935 00:39:47,560 --> 00:39:51,440 Speaker 1: Tarasubasch producer, Maddy Moore engineer and Boy Meets World superman 936 00:39:51,640 --> 00:39:52,320 Speaker 1: Easton Out. 937 00:39:52,440 --> 00:39:55,040 Speaker 2: Our theme song is by Kyle Morton of Typhoon. 938 00:39:55,280 --> 00:39:58,240 Speaker 1: Follow us on Instagram at Podmeats World Show or email 939 00:39:58,360 --> 00:40:04,440 Speaker 1: us at Podmeats World Show at gmail dot com.