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Speaker 1: Big Bank DJ scream and Baby J with the number

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Speaker 1: one podcast industry, Big.

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Speaker 2: Facts, a love from Revose Studios and the Atailor's time

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Speaker 2: for Big Facts. Big Bank, Baby J, d J screamed

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Speaker 2: the legendary Cam Kirk don't pulled up on the show

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Speaker 2: on Big Fast Today, k Kirk, what's up?

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Speaker 3: What's up? Welcome back to Big Facts.

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Speaker 4: Brother sir, I'm blessed man. Thank you all for having me.

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Speaker 3: How many more?

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Speaker 5: How many more millions of dollars have you added to

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Speaker 5: your portfolios?

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Speaker 6: Is the last I've seen that studio.

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Speaker 4: I'm a photographer, man, don't do that.

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Speaker 3: You don't do that. We don't get some of them invoices.

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Speaker 3: Don't do that, right.

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Speaker 6: I tell people the same ship. I'm a podcast.

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Speaker 4: I'm chilling man. I'm chilling man.

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Speaker 3: Everything good in good sperience, everything positive.

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Speaker 4: I'm so blessed man. I can't complain about that. Man.

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Speaker 7: Life has been great this year, just navigating, you know, evolving.

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Speaker 4: I feel blessed man. I'm good.

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Speaker 8: That's one thing, like not to get off topic or whatever,

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Speaker 8: but that's one thing like I can always say about you, Cam,

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Speaker 8: is that no matter what, no matter what time of

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Speaker 8: day or night, no matter where we're at or like

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Speaker 8: whatever's going on, it's like you always have a positive

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Speaker 8: energy flow. Sure, and it's like you're always you're always

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Speaker 8: seemingly like in the right mental space. And you know

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Speaker 8: what I'm saying, that shit rubs off, and that shit

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Speaker 8: is important to have people like you in the world

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Speaker 8: because you make a difference and you like change the

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Speaker 8: vibration for real, Like that shit is I just I

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Speaker 8: want to give it that Like any time over the

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Speaker 8: whole fifteen something years I've known you, like it's always

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Speaker 8: been that I've never seen you have a bad day.

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Speaker 6: And that's like that's deep right there.

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Speaker 4: Yeah. I feel like for me, I just stay grounded.

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Speaker 7: Yeah, I never let the success of what are we doing, right,

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Speaker 7: I don't take it for granted, Like it's a blessing

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Speaker 7: what we do, like to wake up and spend our

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Speaker 7: days doing this, like I could be working a job,

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Speaker 7: doing hard labor and doing whatever. So for me, it's

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Speaker 7: exciting because we're literally creating and have been creating our

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Speaker 7: destiny and in his life for ourselves. So to know

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Speaker 7: where I started, like with the little camera and to

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Speaker 7: see that turn into all of this, like I got nothing,

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Speaker 7: I could be mad about I'm over here playing golf

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Speaker 7: with bank Man, enjoying ourselves like it's joy. So I've

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Speaker 7: always kind of been that way, but I will say, like,

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Speaker 7: if you follow my journey, I definitely took a slight

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Speaker 7: step back from the music side to protect that piece.

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Speaker 6: Dude, how important do you think that was for you?

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Speaker 6: To do that?

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Speaker 4: Life changing?

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Speaker 7: It was life changing because for me as a photographer,

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Speaker 7: I was on the path of just being like a

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Speaker 7: service provider for whoever. Like my destiny was in the

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Speaker 7: hands of whatever artist I was working with at that time.

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Speaker 7: So if they mess around and fucked up their career

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Speaker 7: and that all of a sudden, they could impact what

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Speaker 7: I was doing. So for me, I had to get

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Speaker 7: out of being like dependent on that. Now I love it,

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Speaker 7: I enjoy it. I still work with artists every single day,

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Speaker 7: but if something go left, I'm not just going to

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Speaker 7: go down with them so tied to it. But yeah,

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Speaker 7: I'm not really tied to it like that. So it

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Speaker 7: gave me way more freedom. And then I'm grounded because

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Speaker 7: I'm with my team, like I'm with my world all

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Speaker 7: day and night. It's my like we go over there

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Speaker 7: and then we come back home, like we're in the studio.

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Speaker 4: It's my world.

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Speaker 7: I'm creating it, I'm running it the way that I

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Speaker 7: wish certain other people ran there. And I'm able to

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Speaker 7: kind of be in my own world and then step

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Speaker 7: one foot in music when I want to, and then

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Speaker 7: the other side I'm over here doing my things. So

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Speaker 7: I think that was big for my mental health because

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Speaker 7: I know that music industry can burn you.

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Speaker 4: Out, like it's a lot going on. There's a lot

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Speaker 4: going on at all times.

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Speaker 1: But you think the differences between the music industry when

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Speaker 1: you first started up to now, like what's the biggest difference.

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Speaker 7: The biggest difference, I would say is money. When it

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Speaker 7: first started, we didn't. It wasn't like an example of

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Speaker 7: this making as much money as it's making now, you

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Speaker 7: know what I'm So, it was more passion, it was

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Speaker 7: more love, it was more collaboration.

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Speaker 4: It felt like we were creating freely.

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Speaker 7: Like if you see any of our work with Doug

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Speaker 7: or Metro whoever, was no managers or labels or business

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Speaker 7: in the room. It was just we're just vibing, you know,

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Speaker 7: we creating, and that's what came out of it. And thankfully, Yeah,

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Speaker 7: art was really being created, I think now, which is

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Speaker 7: a blessing that you know, now you know you can

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Speaker 7: make real money off of this, Like our independent artists

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Speaker 7: are looking richard than I've ever seen the rapper look before.

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Speaker 7: So now because there's money, it's way more hands in it,

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Speaker 7: it's way more discussion, it's way more technicals and technical

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Speaker 7: side of it, and it does, in my opinion, hurt

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Speaker 7: the just genuine passion and collaboration that usually came from it.

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Speaker 7: So it's like a gift in the curse, like you know,

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Speaker 7: I think a little bit of that is why the

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Speaker 7: magic is. People feel like the magic is gone from

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Speaker 7: Atlanta because man I said in studio sessions with some

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Speaker 7: of the biggest artists and we were just in there collabing,

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Speaker 7: like it wasn't nothing to it nice that people would

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Speaker 7: never believe that these two individuals in the room together,

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Speaker 7: and I just don't really see that anymore. So I

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Speaker 7: think that's were really changed, Like we all started making

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Speaker 7: real money off of it. So it's a blessing, but

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Speaker 7: it definitely changed the energy.

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Speaker 5: I think, like every engineer, producer, photographer, video for everybody

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Speaker 5: has this moment, right where's the time when to come up?

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Speaker 5: Where you messed up and you had to fix it

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Speaker 5: and you had to own it. You might have messed

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Speaker 5: up somebody shoot or.

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Speaker 4: Whatever.

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Speaker 7: I just messed up this year this year. Still yeah,

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Speaker 7: still always learning new stuff, you know what I mean.

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Speaker 7: You always earn different situations, different experiences. Yeah, I can

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Speaker 7: talk about I just did a shoot with NBA young boy. Yeah,

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Speaker 7: like a couple of months ago, first shoot that he

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Speaker 7: did coming out of his situation, and man, I killed it,

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Speaker 7: like one.

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Speaker 4: Of the best. I felt like.

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Speaker 1: Bag.

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Speaker 4: I felt like like every.

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Speaker 7: Shot Jesus Michael like flew out to Utah kilt it.

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Speaker 7: I'm so excited about it because I'm like, oh, like

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Speaker 7: not that I took too far a step away, but

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Speaker 7: I feel like you got to remind people right now

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Speaker 7: and then what I do. And to get that call

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Speaker 7: from someone outside of Atlanta at this height of his career,

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Speaker 7: I'm like, oh, this is perfect, perfect time. And then

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Speaker 7: some of the photos came out, so some of them

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Speaker 7: are like his flyer for his tour and stuff like that.

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Speaker 4: But uh, like a week after the shoot, I had

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Speaker 4: sent them to the drop box.

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Speaker 7: I sent them like the links to the photos and

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Speaker 7: stuff like that, but I know they were having like

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Speaker 7: a small trouble like viewing it, like most artists maybe

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Speaker 7: don't really know how to da So it was a

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Speaker 7: few times I had to send like a different link.

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Speaker 7: So then I'm actually in the middle of a meeting,

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Speaker 7: I get a text from an iCloud number. It's funny

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Speaker 7: because Offset just talked about it. I got a text

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Speaker 7: from an iCloud number with his name in the front,

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Speaker 7: and its just like, say, bro So I'm like, nobody

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Speaker 7: ever talked to me like that before. But one minute,

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Speaker 7: like one man talks like that. It's the name he's

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Speaker 7: like sending them pictures we just took. So I'm thinking,

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Speaker 7: and it's him, Like I who else would know that we.

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Speaker 4: Something you got?

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Speaker 6: You got a fucking hacker.

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Speaker 4: Bro man. I don't know how they got my number.

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Speaker 7: I just sent the photos not even thinking, just just

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Speaker 7: moving too fast, just you.

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Speaker 4: Know, not even you know.

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Speaker 7: I beat myself up about that ship for a while because,

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Speaker 7: like they it didn't happen right away, so like days

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Speaker 7: later the photo.

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Speaker 4: Should start leaking out.

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Speaker 7: So his fans just that they that crazy. They won't know,

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Speaker 7: they wan't. They like they on it, like they're gonna

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Speaker 7: look you up, find your number. I don't even know

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Speaker 7: how they found my number. I'm like, how they know

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Speaker 7: you're doing the shoot? How they all of these questions

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Speaker 7: I'm having. That's why it's like it's not even registering

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Speaker 7: in my mind that I'm getting hacked. I'm just like, Oh,

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Speaker 7: the only person I know I did this is this

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Speaker 7: is him and his team. They wanted the photos. I'm like,

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Speaker 7: maybe he just wants to send directly to his phone.

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Speaker 7: It's easier for him to do something with it. One

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Speaker 7: of them had came out. I'm like, Okay, they're in

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Speaker 7: the process, they rolling it out, and so I'm I'm

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Speaker 7: constantly making mistakes, and you know, I had to get

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Speaker 7: my lawyers involved. We had to get the page taken down,

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Speaker 7: Like we had to do a lot of fixing, you know,

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Speaker 7: the best you can. You can't really do with so

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Speaker 7: much when the magic is gone like that. But yeah,

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Speaker 7: I'm constantly making mistakes. Man, That's just a part of life.

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Speaker 3: Is there any moment you were greater you missed that

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Speaker 3: you wish you could have been there?

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Speaker 7: The document I regret, Like I give myself credit for

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Speaker 7: having like a vision for who was gonna pop? Like

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Speaker 7: anybody I've been associated with has really almost became a superstar.

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Speaker 4: Like a lot of my I don't have a lot

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Speaker 4: of people.

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Speaker 7: I was like that I believed that I invested in

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Speaker 7: that didn't really turn into something. So from that perspective,

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Speaker 7: I love my judgment from that. But what I didn't

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Speaker 7: know was that the world would look at us at

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Speaker 7: this level of magnitude. So although somebody might look at

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Speaker 7: my collection and be like he took a lot of photos,

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Speaker 7: he did a lot of video. For me, I look

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Speaker 7: back and be like, I should have took photos and

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Speaker 7: video every day, Like I shouldn't have never turned my

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Speaker 7: camera off. I should have been just building a catalog.

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Speaker 7: So as my name started to get more relevant, I

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Speaker 7: did take my foot off the gas a little bit

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Speaker 7: and be like, I'm not doing that type of you know,

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Speaker 7: you'll come around Metro and you don't bring your camera

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Speaker 7: that dude, Yeah, you're like, you know, I'm just part

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Speaker 7: of it. Like you become part of the culture so

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Speaker 7: much that you forget what your role is sometimes, you

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Speaker 7: know what I mean. And I feel like there was

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Speaker 7: like a little spin where I felt like I look.

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Speaker 4: Back and I'm like, damn, like I was.

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Speaker 7: I was around for Dirty Sprite, too, But I ain't

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Speaker 7: my camera every day, Like I'm just in the room

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Speaker 7: getting invited, listening to the music, and they're still looking

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Speaker 7: like what a camera? Can they still they like, I'm thinking,

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Speaker 7: I'm just cool enough to be in the room. And

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Speaker 7: it's like, sometimes you could forget that what you play

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Speaker 7: for that that role you play, you know, And I'm

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Speaker 7: grateful it ain't so big that it's those mistakes aren't

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Speaker 7: issues that affected my legacy or whatever, but definitely they're

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Speaker 7: definitely moments I'm like, damn, I should.

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Speaker 4: Have recorded that. That would have been crazy. Yeah. Sure, nah.

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Speaker 1: I've got to ask you, so how you you just

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Speaker 1: moving into a new space right.

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Speaker 4: Yeah, yeah, we're on the belt line now. You had

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Speaker 4: to get off down. I had to get from Magic Man.

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Speaker 4: We were there for seven and a half years.

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Speaker 7: It is legendary, Like like what we did in that room,

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Speaker 7: we made it legendary, you know what I mean. Like

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Speaker 7: we took literally nothing, we were giving literally nothing and

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Speaker 7: turned it into a cultural house. But when you're trying

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Speaker 7: to build a business at this point, like legit business,

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Speaker 7: it's like everything matters. A community you're in matters. The

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Speaker 7: parking can matter, the safety of your clients. All that

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Speaker 7: stuff can matter, and we got comfortable downtown because it

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Speaker 7: was it was fun. Like you you look out the window,

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Speaker 7: it's magic. It's you're seeing a little baby go there

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Speaker 7: for like they shift, like you're seeing people like you

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Speaker 7: feel like you're really entrenched in culture. But what people

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Speaker 7: don't understand is Magic is only open and really popping,

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Speaker 7: like late at night. So I don't really get no

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Speaker 7: real feedback or like it's not like it's really helping

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Speaker 7: me too much. So my business is stuck and where

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Speaker 7: we're at, like you have Magic on one side, Greyhound

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Speaker 7: bus station on the other side, the jail behind you

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Speaker 7: on this side, and the martyr and my neighbors. So

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Speaker 7: it's like, what type of business am I really getting? Yeah,

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Speaker 7: it's like I'm not getting nothing but an unsafe environment.

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Speaker 7: And as we continue to trying to grow and do

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Speaker 7: bigger business, it did start to get to a point

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Speaker 7: where it's like y'all got to make a move.

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Speaker 1: You're like trying to bring people down just to talk

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Speaker 1: real not clients, just even potential.

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Speaker 7: Corporate customers, customers all are you nervous about everything? Like

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Speaker 7: we've had rappers that were scared to get out the

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Speaker 7: car like I'm doing a shoot with them and they

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Speaker 7: not getting out the car. They're like, bro, I don't

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Speaker 7: know where you got me at. I'm not getting out

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Speaker 7: this car. So stuff like that.

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Speaker 6: Because it'd be like the homeless people.

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Speaker 4: Then you got to come around the side door.

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Speaker 7: It's like the elevated spooky elevated spooky jump in.

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Speaker 4: There, like all types. It's like what we're doing.

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Speaker 7: Like after a while, it was like I was scared

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Speaker 7: to move though, Like you know, it's a scary decision,

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Speaker 7: like to get up and move, and then your business

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Speaker 7: gotta be right when you go to certain different situations

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Speaker 7: and stuff like that. So for a long time, I

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Speaker 7: made it a bigger deal to move, Like I was

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Speaker 7: just scared that we couldn't replicate the energy from downtown

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Speaker 7: to there where people feel like I changed or.

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Speaker 4: Did da da da da.

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Speaker 7: So it took a minute, but we had to do it,

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Speaker 7: and our business has actually been booming way more since

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Speaker 7: we moved.

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Speaker 4: For sure, people walking by, just walking back walking by.

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Speaker 4: I ain't never had that I see you out there walking.

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Speaker 7: We ain't never had the ability to just walk out

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Speaker 7: the door and see people and be like, yeah, come

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Speaker 7: on in or they heard.

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Speaker 4: About it, but they never got a chance to experience it.

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Speaker 4: So and you get to see people that's looking for

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Speaker 4: you too. Sure, what's like you know you was over here,

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Speaker 4: what you're doing? Like, Nah, it's a blessing, It's a blessing.

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Speaker 4: And congratulate everybody.

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Speaker 7: Be on that bell line, like you never know who

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Speaker 7: you literally gonna see out there. Like I go out

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Speaker 7: my door every day, I see somebody.

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Speaker 4: You're in the PM. Look you're in the prim spotlight. Yeah.

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Speaker 7: Yeah, I went from the worst location to the best.

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Speaker 7: Look the sack overnight.

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Speaker 4: Man, I'm in the shoot as you got right now. Man.

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Speaker 7: The community is big, you know, Like even since we've

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Speaker 7: been in business with camp Kirk Studios, we've done over

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Speaker 7: thirty six thousand photo.

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Speaker 4: Shoots at our studio.

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Speaker 7: So everybody flows through there, so it becomes like a

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Speaker 7: big ecosystem. So I don't necessarily got people directly signed

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Speaker 7: to me like that anymore. But it's more like if

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Speaker 7: you hit me by anything, I could point you in

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Speaker 7: ten different directions of like what you need. So the

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Speaker 7: community of photographers in Atlanta and videographers, it's shit strong man.

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Speaker 4: It's a lot of us out here and I'll.

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Speaker 7: Take a lot of responsibility and make sure I give

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Speaker 7: them the game or what to do, because our industry

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Speaker 7: is truly changing. I would honestly say for the words

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Speaker 7: right now, but it's something they got to be up

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Speaker 7: on AI and the way people are consuming content now,

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Speaker 7: so people like a still image is not going to

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Speaker 7: stop that scroll and that's all people are doing now, right,

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Speaker 7: So they want to see a video and something's moving.

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Speaker 7: So when the whole world go to video and your

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Speaker 7: whole career is based off of taking a still photo.

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Speaker 4: What you're gonna do now?

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Speaker 7: Like you know, like you have to learn how to

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Speaker 7: adapt and move or redo.

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Speaker 4: Your art a certain type of way.

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Speaker 7: Like I've been on a couple of commercial sets because

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Speaker 7: now work we do is more like big brands big

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Speaker 7: you know. So I was on the set just recently

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Speaker 7: for two days and it's gotta be a couple hundred thousand,

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Speaker 7: maybe million dollar production. It was not one photographer hired

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Speaker 7: on that set. And that is when I was like,

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Speaker 7: the game's changing.

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Speaker 1: Nobody even taking behind sees, nobody taking no photos, no folko,

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Speaker 1: I was a talent on it.

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Speaker 7: So nobody taking the photo of me, none of that,

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Speaker 7: And I was like Wow. I was like, oh, this

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Speaker 7: this is real, you know what I mean? Like this

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Speaker 7: is changing. And we had a couple other projects we did.

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Speaker 7: We did a project for Sprite and Anthony Edwards and

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Speaker 7: even on that sets a twelve hour set and photography

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Speaker 7: had twenty minutes with them, And like, you know, I'm

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Speaker 7: starting to notice the pattern where it's like these cameras

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Speaker 7: are so good they can pull photos from the video.

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Speaker 8: So basically, so it's like photographers are kind of like

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Speaker 8: cassette tapes.

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Speaker 7: They on the way out the door if they don't

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Speaker 7: if something don't change, unfortunately, that's like you're going to

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Speaker 7: be selling art. Like you know, you still can't put

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Speaker 7: a video on your wall, so you know you might

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Speaker 7: have moved to art. Yeah yeah, but yeah yeah it's

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Speaker 7: on the way there too.

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Speaker 4: Can you see the list? Shit they got you walk play?

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Speaker 3: Oh yeah, I got one of the crew.

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Speaker 4: Now it's on the way. So think about all of that.

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Speaker 7: It's impacting my direct industry. Billboards are moving now, it's

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Speaker 7: videos on billboards.

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Speaker 4: Y'all think that's like for like people attention.

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Speaker 7: For sure, a lot of it's changing. So now like literally,

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Speaker 7: as a photographer, I try to remind him. It's like,

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Speaker 7: you can't follow my blueprint I did ten years ago.

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Speaker 7: It's different likes it's evolving. We have to evolve with it.

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Speaker 7: So it's scary. It's scary times for sure. For sure

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Speaker 7: for a lot of people.

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Speaker 5: Because two part questions for you man, in this era

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Speaker 5: of photography, do you feel like you the goat?

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Speaker 4: I think that's a good question. I don't think.

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Speaker 7: I never ever thought I was the goat from a

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Speaker 7: skill set or like a creativity perspective, I never really

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Speaker 7: looked at it like that.

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Speaker 4: But from a business and.

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Speaker 7: A branding perspective, Hell yeah, Like I always looked at

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Speaker 7: myself as like like the way like a master p

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Speaker 7: would say he understood business of music, you know what

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Speaker 7: I mean, Or like people that like change the game

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Speaker 7: from like a business perspective in that industry, they may

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Speaker 7: not have made your favorite song, but you can't deny

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Speaker 7: what they did from a business perspective. I think I've

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Speaker 7: always been into that party. So I never cared about

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Speaker 7: if you thought my work was the best. It was

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Speaker 7: more like the impact of my work, I know, stands

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Speaker 7: to test the time against anybody, you know what I mean.

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Speaker 7: And I think that's The thing I'm most proud about

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Speaker 7: is like my work and the name proceeds anything else.

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Speaker 7: Like there's people it was so funny. I had got

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Speaker 7: a DM one time. Somebody thought I took like it

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Speaker 7: was like a double Excel cover.

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Speaker 4: In the nineties and it was like the cam Kirk

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Speaker 4: shoot that, and I'm like, how could I have shot that,

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Speaker 4: Like you know, I was just born. It's like, but

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Speaker 4: the name is so like.

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Speaker 7: Like they see something big in culture and they like

381
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Speaker 7: Cam Muskey. It's like that to me, It's like, yeah,

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Speaker 7: it's like the brand is that big where you think

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Speaker 7: you would even think, like that's not far fetch for

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Speaker 7: you to think I did that. And I think moments

385
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Speaker 7: like that like that happens a lot, even with like

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Speaker 7: a lot of early Gucci photos that they don't realize

387
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Speaker 7: I was there for another wave. It's like, but they

388
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Speaker 7: just assumed like he had to do that too, And

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Speaker 7: it's like, so I'm proud of that and now what

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Speaker 7: we're able to do with it and the ecosystem that's

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Speaker 7: building off of it, Like there's literally photographers and directors

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Speaker 7: are going to tell you I changed their life, like

393
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Speaker 7: or what I built is still changing their life.

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Speaker 4: Like the resources, So I'm happy about that.

395
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Speaker 7: I'm happy to when even I'm moving around and I

396
00:17:59,680 --> 00:18:02,919
Speaker 7: see if photographer that's with an artist like they know

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Speaker 7: and it's like a connection there where they're like, oh man,

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Speaker 7: I look up to you and it's like, okay, bet

399
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Speaker 7: I know I inspired that interaction that you got going

400
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Speaker 7: on for you to know that it's possible. So I

401
00:18:13,720 --> 00:18:17,119
Speaker 7: think I'm really excited about that. So from that impact standpoint,

402
00:18:17,800 --> 00:18:19,919
Speaker 7: maybe not with the work, but just the overall brand,

403
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Speaker 7: I definitely think you can't leave me out of that conversation.

404
00:18:24,000 --> 00:18:26,119
Speaker 5: Like, for sure, who's some of the names you feel

405
00:18:26,119 --> 00:18:28,560
Speaker 5: like can be mentioned in your space at your level

406
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Speaker 5: of what you accomplished that you salute some of your company.

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Speaker 7: Man, the greatest photographer in my opinion, speaking from music,

408
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Speaker 7: it is Jonathan.

409
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Speaker 6: Maine, oh for hands down for sure.

410
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Speaker 7: Like his portfolio gives me a headache sometimes looking at

411
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Speaker 7: it because I cannot believe that one man shot this

412
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Speaker 7: much album covers from the nineties to two thousands, Like

413
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Speaker 7: it's like it's wild you know that you shot every

414
00:18:55,400 --> 00:18:58,920
Speaker 7: jay Z album cover, every Little Wayne album cover. Geez

415
00:18:59,040 --> 00:19:01,760
Speaker 7: this like it's like it is it is mind boggling

416
00:19:01,840 --> 00:19:04,200
Speaker 7: to me of what those years of his life had

417
00:19:04,240 --> 00:19:06,800
Speaker 7: to have been and the creativity went into that. So

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00:19:06,880 --> 00:19:11,040
Speaker 7: he's he's a goat, like to me, hands down when

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Speaker 7: I look at like even some of the newer guys,

420
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Speaker 7: like I love Az and I like the way that

421
00:19:17,040 --> 00:19:20,160
Speaker 7: he's approaching business with it, like now he's taking it,

422
00:19:20,560 --> 00:19:22,840
Speaker 7: making his platforms, making networks.

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Speaker 4: He's popping off musicians like I think. I like impacts

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Speaker 4: like that means something to me.

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Speaker 7: I don't care the creativity part, like that's a part

426
00:19:30,600 --> 00:19:33,360
Speaker 7: of it, But what's your work actually doing? Like how

427
00:19:33,440 --> 00:19:36,520
Speaker 7: is it impacting the world? And I look at a

428
00:19:36,480 --> 00:19:38,920
Speaker 7: a and you know that's my dog. I salute him.

429
00:19:39,280 --> 00:19:43,720
Speaker 7: I like Hajji films like Hajiji the video work, Yeah,

430
00:19:43,880 --> 00:19:46,639
Speaker 7: I seen that. So like to know where me and

431
00:19:46,680 --> 00:19:49,560
Speaker 7: Hajji came from, like we were both on the road together.

432
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Speaker 7: He was drums videographer. I was Metro's videographer to to

433
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Speaker 7: see you know, we both have taken it from there. Man,

434
00:19:56,960 --> 00:19:59,359
Speaker 7: I can't do nothing but salute that his creativity is

435
00:19:59,440 --> 00:20:03,240
Speaker 7: just genius, that he's just another level individual and he's

436
00:20:03,240 --> 00:20:05,680
Speaker 7: been able to maintain who he is and be himself

437
00:20:05,720 --> 00:20:06,480
Speaker 7: in these rooms.

438
00:20:06,920 --> 00:20:07,840
Speaker 4: I think that's dope.

439
00:20:08,720 --> 00:20:12,040
Speaker 7: I like, like Cole Bennett, I just think that, you know,

440
00:20:12,119 --> 00:20:14,080
Speaker 7: I can't hate on what he's doing. It's like he's

441
00:20:14,080 --> 00:20:16,600
Speaker 7: building a he built the world, you know, and he's

442
00:20:16,600 --> 00:20:20,120
Speaker 7: doing festivals and taking it to Like I'm into that

443
00:20:20,280 --> 00:20:23,080
Speaker 7: part of what we're doing, like the interactive part.

444
00:20:23,160 --> 00:20:25,240
Speaker 4: Yeah, Like how is it translating to real life?

445
00:20:25,400 --> 00:20:28,680
Speaker 7: I don't care what you posted on the internet on Instagram,

446
00:20:28,720 --> 00:20:32,080
Speaker 7: Like how is your brand translating to like real life?

447
00:20:32,080 --> 00:20:34,359
Speaker 4: How many people can say your work change their life?

448
00:20:34,920 --> 00:20:37,240
Speaker 7: So I'm into individuals like that, but on on a

449
00:20:37,280 --> 00:20:43,760
Speaker 7: local level like Zach Wolf, Motion Family, everybody, all those

450
00:20:43,800 --> 00:20:45,119
Speaker 7: guys and goats.

451
00:20:46,040 --> 00:20:47,640
Speaker 6: Like shoot and do the cameras.

452
00:20:47,840 --> 00:20:50,280
Speaker 4: Yeah, yeah, yeah, y'all have a long history.

453
00:20:50,359 --> 00:20:50,600
Speaker 6: Yeah.

454
00:20:50,640 --> 00:20:53,280
Speaker 7: I think he showed me and about y'all history. Yeah,

455
00:20:53,760 --> 00:20:56,880
Speaker 7: that's amazing, and like I'm into that. On the younger side,

456
00:20:56,880 --> 00:21:00,480
Speaker 7: I like John Cannon what he's doing with aage and

457
00:21:00,560 --> 00:21:03,040
Speaker 7: how it's not easy to maintain a relationship with an

458
00:21:03,119 --> 00:21:06,239
Speaker 7: artist for seven have a long He's been doing that,

459
00:21:07,359 --> 00:21:09,840
Speaker 7: so I always give him encouragement on that, Like, man,

460
00:21:09,880 --> 00:21:12,159
Speaker 7: you're making history just doing that, like you know, been

461
00:21:12,200 --> 00:21:15,240
Speaker 7: able to maintain that relationship. That means a lot, but

462
00:21:15,480 --> 00:21:17,399
Speaker 7: it's a lot of I love photography, so there's a

463
00:21:17,400 --> 00:21:19,320
Speaker 7: lot of people I can name for days, but uh,

464
00:21:19,680 --> 00:21:21,760
Speaker 7: I'm excited about the creators we got out there and

465
00:21:21,840 --> 00:21:24,760
Speaker 7: the legends like you mentioned, Like for sure.

466
00:21:25,520 --> 00:21:27,280
Speaker 5: Can you shoot somebody if you don't really care for

467
00:21:27,320 --> 00:21:29,080
Speaker 5: their music or their attitude.

468
00:21:29,800 --> 00:21:31,840
Speaker 7: I can't do it if I don't care for their attitude,

469
00:21:32,200 --> 00:21:35,159
Speaker 7: not right now. And that's that's a privileged position that

470
00:21:35,200 --> 00:21:37,960
Speaker 7: I'm in to be able to be picky, you know

471
00:21:37,960 --> 00:21:39,560
Speaker 7: what I mean. And that's one of the reasons why

472
00:21:40,200 --> 00:21:43,119
Speaker 7: I did build like the photographers underneath me, Like I

473
00:21:43,200 --> 00:21:45,280
Speaker 7: passed a lot of work like if it ain't if

474
00:21:45,320 --> 00:21:47,560
Speaker 7: it ain't meaning nothing to me, I was like, yo,

475
00:21:47,600 --> 00:21:49,639
Speaker 7: go go knock that out for me right quick, because

476
00:21:49,640 --> 00:21:51,119
Speaker 7: the worst thing I want to do is show up

477
00:21:51,160 --> 00:21:55,200
Speaker 7: on set and resent or regret this moment. I don't

478
00:21:55,200 --> 00:21:57,280
Speaker 7: ever want to get into that. So I've had a

479
00:21:57,280 --> 00:21:59,240
Speaker 7: couple of shoots I turned down like that, ain't that

480
00:21:59,280 --> 00:21:59,960
Speaker 7: ain't really for me?

481
00:22:00,440 --> 00:22:02,440
Speaker 4: Like somebody else can do that. What will make something

482
00:22:02,480 --> 00:22:03,000
Speaker 4: not be for you?

483
00:22:03,200 --> 00:22:09,280
Speaker 7: Just energy energy, like what that person truly stand for?

484
00:22:09,920 --> 00:22:12,320
Speaker 7: Like am I perpetuating something I.

485
00:22:14,560 --> 00:22:15,399
Speaker 4: Don't really get to.

486
00:22:16,400 --> 00:22:19,159
Speaker 7: I don't choose sides, and you know, a lot of

487
00:22:19,200 --> 00:22:21,480
Speaker 7: the other ship that's happening because I felt like the

488
00:22:21,560 --> 00:22:24,800
Speaker 7: end of the day, my job is just take photos,

489
00:22:24,840 --> 00:22:28,800
Speaker 7: not to choose sides. But if you're an outsider and

490
00:22:28,880 --> 00:22:31,440
Speaker 7: you beefing with something in Atlanta, I won't. I won't

491
00:22:31,520 --> 00:22:33,960
Speaker 7: rock with you, like you know, Like I can't I

492
00:22:34,119 --> 00:22:38,000
Speaker 7: choose a side if I don't know you. So it's

493
00:22:38,040 --> 00:22:40,640
Speaker 7: been a couple of people that, like you done said

494
00:22:40,680 --> 00:22:43,160
Speaker 7: something about Metro or something publicly like I can't.

495
00:22:43,800 --> 00:22:46,159
Speaker 4: I can't do that. I can't come make a friend

496
00:22:46,200 --> 00:22:46,640
Speaker 4: with you now.

497
00:22:46,600 --> 00:22:49,639
Speaker 7: We're already we already friends, and y'all fall out. I

498
00:22:49,680 --> 00:22:54,440
Speaker 7: won't choose side, like whatever the case may be. Yeah,

499
00:22:54,480 --> 00:22:56,800
Speaker 7: I'm not about to do that. So there's a few

500
00:22:56,840 --> 00:22:59,120
Speaker 7: people that that came across and I'm like, I can't.

501
00:22:59,200 --> 00:23:00,400
Speaker 4: I'm not about to do that.

502
00:23:00,000 --> 00:23:04,200
Speaker 7: That don't make sense for me, all right, that's yeah,

503
00:23:04,240 --> 00:23:06,720
Speaker 7: I got I gotta do that because these are real,

504
00:23:06,840 --> 00:23:09,320
Speaker 7: Like I build genuine relationships with the music. It's people

505
00:23:09,320 --> 00:23:11,800
Speaker 7: that have changed my life and put me in positions

506
00:23:11,800 --> 00:23:12,920
Speaker 7: I never imagine the being.

507
00:23:13,040 --> 00:23:15,119
Speaker 4: So I have to have a loyalty to that I

508
00:23:15,119 --> 00:23:15,719
Speaker 4: got loyalty to.

509
00:23:15,800 --> 00:23:17,840
Speaker 7: Really, did anybody ever put a dollar in my pocket

510
00:23:18,240 --> 00:23:20,359
Speaker 7: on that come up because they don't have to?

511
00:23:21,240 --> 00:23:25,800
Speaker 4: Sure what shoot that you wish you can do over again?

512
00:23:26,000 --> 00:23:29,199
Speaker 1: Like you know how you can see see the effort

513
00:23:29,280 --> 00:23:30,760
Speaker 1: and be like, damn, I wish I could I would

514
00:23:30,760 --> 00:23:31,840
Speaker 1: have did this in this shit.

515
00:23:33,800 --> 00:23:34,440
Speaker 4: Oh man.

516
00:23:35,400 --> 00:23:38,480
Speaker 7: I just think that I hope that I have the

517
00:23:38,560 --> 00:23:42,560
Speaker 7: opportunity to like redo my catalog with the artists at

518
00:23:42,600 --> 00:23:45,119
Speaker 7: the level that they at now. Like you know, so

519
00:23:45,160 --> 00:23:47,879
Speaker 7: if you go through my work, it's like, yeah, shot

520
00:23:47,760 --> 00:23:49,639
Speaker 7: a Megos, Yeah, I work with Metro, Yeah I work

521
00:23:49,680 --> 00:23:51,119
Speaker 7: with Future, Yeah, work all these guys.

522
00:23:51,160 --> 00:23:55,200
Speaker 4: But my work is their origin stories. It's like their

523
00:23:55,240 --> 00:23:55,639
Speaker 4: come up.

524
00:23:56,240 --> 00:23:59,560
Speaker 7: I ain't necessarily always get to come back now that

525
00:23:59,560 --> 00:24:03,520
Speaker 7: they are mega superstars where the money is in the room.

526
00:24:03,760 --> 00:24:06,439
Speaker 7: We could do every idea we thought about doing, Like

527
00:24:06,480 --> 00:24:09,359
Speaker 7: there's no restrictions to what we could do. So a

528
00:24:09,359 --> 00:24:11,439
Speaker 7: lot of it is like I don't have no regrets

529
00:24:11,480 --> 00:24:13,720
Speaker 7: about what I did. I think I did that the

530
00:24:13,760 --> 00:24:16,560
Speaker 7: best way I could have did it, Mistakes and all,

531
00:24:17,000 --> 00:24:20,000
Speaker 7: but like I hope one day like it come back

532
00:24:20,040 --> 00:24:20,639
Speaker 7: full circle.

533
00:24:20,840 --> 00:24:23,080
Speaker 4: You already got an idea. Yeah, hell y, I know

534
00:24:23,119 --> 00:24:23,720
Speaker 4: what I'm gonna do.

535
00:24:23,840 --> 00:24:27,280
Speaker 7: Like I saw, I know what I do, but it's

536
00:24:27,320 --> 00:24:31,000
Speaker 7: like I hope that that opportunity presents itself organically though,

537
00:24:31,080 --> 00:24:34,760
Speaker 7: Like I'm also not somebody that forces anything, So like

538
00:24:34,800 --> 00:24:37,439
Speaker 7: I wanted to naturally the line where I get to

539
00:24:37,480 --> 00:24:40,280
Speaker 7: work with this person at this time. Like that's how

540
00:24:40,320 --> 00:24:42,080
Speaker 7: it is when I when I worked with Thug right

541
00:24:42,080 --> 00:24:45,960
Speaker 7: before you went to prison, it was a shoot for Giuseppe,

542
00:24:46,000 --> 00:24:49,439
Speaker 7: like the high fashion brand. Like that is dope to

543
00:24:49,480 --> 00:24:52,680
Speaker 7: me because it's like we came from this and then

544
00:24:53,000 --> 00:24:56,320
Speaker 7: you know, when we came back together, this big fashion

545
00:24:56,320 --> 00:24:59,080
Speaker 7: house is paying both of us to do something big together.

546
00:24:59,600 --> 00:25:03,040
Speaker 4: I want to to always kind of come back like that. Yeah,

547
00:25:03,080 --> 00:25:03,480
Speaker 4: for sure.

548
00:25:03,960 --> 00:25:04,280
Speaker 6: M hm.

549
00:25:04,920 --> 00:25:07,840
Speaker 5: So outside of photography, man let us into the life

550
00:25:07,880 --> 00:25:10,000
Speaker 5: of camp Kirk a little bit. What other type of

551
00:25:10,040 --> 00:25:15,000
Speaker 5: stuff for you? And golf obviously, Yeah, I golf. I've

552
00:25:15,040 --> 00:25:18,040
Speaker 5: been getting into golf. Uh, I need to get more

553
00:25:18,080 --> 00:25:20,280
Speaker 5: active with it. I gotta stay consistent with it because

554
00:25:20,280 --> 00:25:21,399
Speaker 5: that's just a sport, you know.

555
00:25:21,480 --> 00:25:24,399
Speaker 7: You know, we gotta be y'all, y'all addicted to that

556
00:25:25,240 --> 00:25:29,560
Speaker 7: day every day, like range sleep the winner y'all play like,

557
00:25:29,720 --> 00:25:31,359
Speaker 7: I don't know if I love it like that, but

558
00:25:31,440 --> 00:25:34,520
Speaker 7: I enjoy the camaraderie. I enjoy being out there. I

559
00:25:34,600 --> 00:25:37,639
Speaker 7: enjoyed the escape, like yeah I did, I did, I

560
00:25:37,680 --> 00:25:41,359
Speaker 7: did invest I invest. I enjoy that part of it, uh,

561
00:25:41,400 --> 00:25:43,520
Speaker 7: And I enjoyed like the challenges that come with it,

562
00:25:43,600 --> 00:25:47,360
Speaker 7: like it really teach you patience and teach you discipline

563
00:25:47,440 --> 00:25:51,320
Speaker 7: and things like that. So I enjoyed that aspect of it.

564
00:25:51,359 --> 00:25:54,320
Speaker 7: But man, my life is simple. Man, I'm I don't

565
00:25:54,359 --> 00:25:57,320
Speaker 7: really consider what I do work. So I spent a

566
00:25:57,320 --> 00:25:59,760
Speaker 7: lot of time in my own world, you know what

567
00:25:59,800 --> 00:26:03,119
Speaker 7: I mean. I mean, so outside of that, like, my

568
00:26:03,200 --> 00:26:04,160
Speaker 7: life is pretty boring.

569
00:26:04,240 --> 00:26:04,400
Speaker 6: Bro.

570
00:26:04,920 --> 00:26:08,879
Speaker 7: I collect art, I'm into like interior design. Yeah, I

571
00:26:08,920 --> 00:26:11,080
Speaker 7: love that part of it, but it's like stuff like that. Man,

572
00:26:11,119 --> 00:26:14,480
Speaker 7: I want to travel some more and actually spread my

573
00:26:14,560 --> 00:26:15,280
Speaker 7: wings more.

574
00:26:15,960 --> 00:26:20,080
Speaker 4: But other than that, like advice, I have a vice.

575
00:26:21,560 --> 00:26:25,119
Speaker 7: Like everybody else on Instagram too much, you know, like

576
00:26:25,280 --> 00:26:29,760
Speaker 7: just scrolling all damn days. Like that's probably one of

577
00:26:29,840 --> 00:26:35,840
Speaker 7: my biggest vices. And I think it sounds funny, but

578
00:26:35,880 --> 00:26:38,920
Speaker 7: I think it could be advice if you're too ambitious,

579
00:26:39,000 --> 00:26:42,359
Speaker 7: like I think sometimes I'm like too ambitious, like I

580
00:26:42,400 --> 00:26:46,560
Speaker 7: think I could do anything, and like that is a

581
00:26:46,600 --> 00:26:49,560
Speaker 7: distraction for me at times because like I always want

582
00:26:49,600 --> 00:26:53,399
Speaker 7: to do something new or change something. So like like

583
00:26:53,440 --> 00:26:56,240
Speaker 7: I get down on myself sometimes because the way my

584
00:26:56,280 --> 00:26:58,719
Speaker 7: studio been running seven and a half years, it's no

585
00:26:58,760 --> 00:27:02,360
Speaker 7: reason I only got one local. Like I look at

586
00:27:02,400 --> 00:27:05,359
Speaker 7: myself like you were tripping. You should have been doubled

587
00:27:05,480 --> 00:27:08,800
Speaker 7: up on that, but ahead.

588
00:27:08,880 --> 00:27:10,840
Speaker 6: Now I was gonna ask you, so do you think that.

589
00:27:12,640 --> 00:27:15,680
Speaker 8: Or let me ask you this, Has your ambition ever

590
00:27:15,760 --> 00:27:17,440
Speaker 8: caused you to spread yourself too thin?

591
00:27:17,760 --> 00:27:18,320
Speaker 3: Yeah?

592
00:27:18,400 --> 00:27:20,960
Speaker 7: I started like four or five different companies, Like you know,

593
00:27:21,119 --> 00:27:23,840
Speaker 7: like you start doing too much, you know what I mean,

594
00:27:23,920 --> 00:27:27,080
Speaker 7: versus taking advantage of the opportunity that's right in front

595
00:27:27,119 --> 00:27:29,119
Speaker 7: of you. So that's something I've been like even with

596
00:27:29,200 --> 00:27:31,880
Speaker 7: my my my employees and my team is like scaling back.

597
00:27:31,960 --> 00:27:35,439
Speaker 7: It's like instead of scaling like horizontally. That's what I

598
00:27:35,440 --> 00:27:37,520
Speaker 7: think I did, is like I got one thing here,

599
00:27:37,640 --> 00:27:39,720
Speaker 7: now I'm building another one here. I'm building another one

600
00:27:39,760 --> 00:27:41,960
Speaker 7: here instead of just like you got one thing here

601
00:27:42,400 --> 00:27:45,320
Speaker 7: on top, like just keep building on top. And I

602
00:27:45,359 --> 00:27:49,600
Speaker 7: feel like that's something that I wish I would have

603
00:27:49,600 --> 00:27:52,000
Speaker 7: did a little differently, but it's still young. But also

604
00:27:52,040 --> 00:27:55,160
Speaker 7: Atlanta is like Atlanta like a comfortable couch. Man, You'll

605
00:27:55,200 --> 00:27:57,200
Speaker 7: get cozy in Atlanta and.

606
00:27:57,080 --> 00:27:59,359
Speaker 4: You'll just be like, man, I got my thing running.

607
00:27:59,640 --> 00:28:03,000
Speaker 7: I'm happy just being this in my world or walking

608
00:28:03,040 --> 00:28:05,000
Speaker 7: down the street and people know who I am, and

609
00:28:05,040 --> 00:28:08,639
Speaker 7: then you you forget how big the world is. So

610
00:28:08,720 --> 00:28:11,720
Speaker 7: even just the United States is like if this ship

611
00:28:11,760 --> 00:28:14,520
Speaker 7: works in Atlanta, it's gonna work in Houston, it's gonna

612
00:28:14,560 --> 00:28:17,720
Speaker 7: work in Memphis, It'll work in other places. So like

613
00:28:17,800 --> 00:28:20,919
Speaker 7: instead of just being so like fixed on what you

614
00:28:20,960 --> 00:28:23,439
Speaker 7: got here, like double it up. So I think, like

615
00:28:23,520 --> 00:28:25,520
Speaker 7: that's gonna be something that people will see for me

616
00:28:25,560 --> 00:28:27,960
Speaker 7: in the next couple of years. It's like I get

617
00:28:27,960 --> 00:28:30,800
Speaker 7: back in that mode of like getting outside of Atlanta

618
00:28:30,840 --> 00:28:32,800
Speaker 7: more and doing more things and.

619
00:28:32,840 --> 00:28:34,560
Speaker 4: Just for everybody who y'all think on top of the

620
00:28:34,560 --> 00:28:35,760
Speaker 4: game right now.

621
00:28:35,920 --> 00:28:37,800
Speaker 3: Like rap music.

622
00:28:40,200 --> 00:28:42,040
Speaker 6: Right now, right now, right.

623
00:28:41,840 --> 00:28:50,280
Speaker 7: Now today, anybody, not just Atlanta, it's anywhere. Man, that's

624
00:28:50,280 --> 00:28:50,800
Speaker 7: a good one.

625
00:28:52,400 --> 00:28:58,320
Speaker 8: I say, I gotta definitely say why be definitely gotta

626
00:28:58,320 --> 00:29:02,000
Speaker 8: say gotta give gun A his props because he's doing

627
00:29:02,160 --> 00:29:05,080
Speaker 8: like a multitude of things and his.

628
00:29:05,120 --> 00:29:11,160
Speaker 6: Music is good. And I like what Cardi is doing.

629
00:29:12,840 --> 00:29:13,760
Speaker 6: I like what Carti's doing.

630
00:29:13,800 --> 00:29:18,200
Speaker 8: She's taking over like car like both carties like Playboy

631
00:29:18,320 --> 00:29:22,040
Speaker 8: and Cardi B Like he's doing some shit that like

632
00:29:22,840 --> 00:29:26,080
Speaker 8: in a whole nother realm, but he still has like

633
00:29:26,160 --> 00:29:29,640
Speaker 8: the hood people, but he got the others like just

634
00:29:29,800 --> 00:29:32,400
Speaker 8: going berserk about him on some next level shit.

635
00:29:32,840 --> 00:29:35,160
Speaker 6: And then I like what Cardi is doing because.

636
00:29:37,840 --> 00:29:42,000
Speaker 8: Despite all the controversy, despite all of the extra curricular

637
00:29:42,000 --> 00:29:45,560
Speaker 8: shit she got going on, she's still making sure that

638
00:29:46,600 --> 00:29:49,560
Speaker 8: whenever she does get back focused on her music, she's

639
00:29:49,560 --> 00:29:54,560
Speaker 8: still incorporating her fans and still like counting in the

640
00:29:54,600 --> 00:29:57,160
Speaker 8: little people. And that's I feel like, what's going to

641
00:29:57,240 --> 00:30:00,440
Speaker 8: solidify her longevity for real. And I really fuck with

642
00:30:00,480 --> 00:30:04,320
Speaker 8: that because she's showing people that, like, outside of everything,

643
00:30:04,440 --> 00:30:07,160
Speaker 8: she's a real person in real life and she cares

644
00:30:07,200 --> 00:30:10,240
Speaker 8: about making sure that the people that fuck with her

645
00:30:10,400 --> 00:30:12,440
Speaker 8: are covered and taking care of type shit.

646
00:30:13,000 --> 00:30:14,520
Speaker 6: I love that for her.

647
00:30:19,480 --> 00:30:19,720
Speaker 4: Glow.

648
00:30:20,400 --> 00:30:23,360
Speaker 5: Yeah crazy, you know what I'm saying.

649
00:30:23,440 --> 00:30:26,720
Speaker 8: Her transformation was insane too, from even from the last

650
00:30:26,760 --> 00:30:29,560
Speaker 8: time she was sitting with us to now like she's

651
00:30:29,560 --> 00:30:32,880
Speaker 8: been she's been out of here for a long time.

652
00:30:33,040 --> 00:30:37,920
Speaker 7: Yeah, I like that list. I definitely I gotta throw

653
00:30:38,000 --> 00:30:42,640
Speaker 7: Lotto in there. I think seeing her growth and what

654
00:30:42,760 --> 00:30:46,360
Speaker 7: she doing is amazing, Like you know, you maybe not

655
00:30:46,440 --> 00:30:50,160
Speaker 7: expect female artists had that many albums and roll outs

656
00:30:50,160 --> 00:30:52,200
Speaker 7: and different things, keep doing this for a long time

657
00:30:52,760 --> 00:30:55,160
Speaker 7: and being able to maintain her do it her own way.

658
00:30:55,400 --> 00:30:57,040
Speaker 4: I think she's and.

659
00:30:57,040 --> 00:31:01,560
Speaker 8: She's another person that takes the creative part of everything

660
00:31:01,600 --> 00:31:05,520
Speaker 8: that she has going on very seriously and she's attention focused.

661
00:31:05,520 --> 00:31:10,640
Speaker 1: Tod Sure, Hey what artist y'all think, like gracefully aged

662
00:31:10,680 --> 00:31:13,880
Speaker 1: the best over all this time from Alma, Like you

663
00:31:13,960 --> 00:31:15,400
Speaker 1: had to pick pick one orther like.

664
00:31:15,400 --> 00:31:18,200
Speaker 5: She you know, that's kind of I ain't gonna say no, Brandon,

665
00:31:18,280 --> 00:31:21,320
Speaker 5: But Pluto is still like og and a legend with

666
00:31:21,440 --> 00:31:23,680
Speaker 5: a young nigga at the same time, he could still

667
00:31:23,720 --> 00:31:25,960
Speaker 5: resonate with the young and not calling you young. I'm

668
00:31:26,000 --> 00:31:28,880
Speaker 5: just saying he can still resonate with the young niggas

669
00:31:29,120 --> 00:31:32,520
Speaker 5: he said Jack, I.

670
00:31:32,560 --> 00:31:37,240
Speaker 8: Say him, I kinda, I kinda, I kind of want

671
00:31:37,240 --> 00:31:40,760
Speaker 8: to like put Tip in there because he I feel

672
00:31:40,800 --> 00:31:45,280
Speaker 8: like he was like the ultimate young nigga and he

673
00:31:45,360 --> 00:31:47,760
Speaker 8: went and did his family thing. Now he's doing the

674
00:31:47,800 --> 00:31:50,360
Speaker 8: comedy shit. And then just this past Sunday, he was

675
00:31:50,400 --> 00:31:52,800
Speaker 8: out at the video shoot helping me direct traffic and shit,

676
00:31:52,960 --> 00:31:56,360
Speaker 8: like you know what I'm saying, He's still He's still.

677
00:31:56,120 --> 00:31:59,680
Speaker 6: There like in the mix, like and that's that's like

678
00:32:00,080 --> 00:32:00,800
Speaker 6: that's something.

679
00:32:00,560 --> 00:32:02,760
Speaker 4: Big real, Yeah, I got I gotta go the.

680
00:32:04,280 --> 00:32:08,000
Speaker 7: Just seeing where I saw him start out as like

681
00:32:08,160 --> 00:32:12,080
Speaker 7: you know, it's unimaginable to see how big he is.

682
00:32:12,120 --> 00:32:14,800
Speaker 7: I just saw today he's wanted the headlines for Coachella,

683
00:32:15,280 --> 00:32:19,400
Speaker 7: and it's just like that is incredible to me, Like

684
00:32:19,800 --> 00:32:20,120
Speaker 7: used to.

685
00:32:22,160 --> 00:32:22,800
Speaker 6: That's insane.

686
00:32:23,360 --> 00:32:25,600
Speaker 4: Used to come on the road with me and Scooter.

687
00:32:26,080 --> 00:32:28,120
Speaker 7: It pushed me to the back seat of the car,

688
00:32:28,200 --> 00:32:31,800
Speaker 7: like you know, like somebody that just was around this mix.

689
00:32:31,920 --> 00:32:35,160
Speaker 7: I got crazy photos of him back then, and to

690
00:32:35,280 --> 00:32:38,200
Speaker 7: see him become not only his own men and then

691
00:32:38,240 --> 00:32:42,320
Speaker 7: his own boss and then take the music serious enough

692
00:32:42,440 --> 00:32:44,640
Speaker 7: to be able to do that, like I was with

693
00:32:44,720 --> 00:32:47,520
Speaker 7: him on his first tour with Travis in Metro, Like

694
00:32:48,000 --> 00:32:50,240
Speaker 7: I remember the Pep talks of like yo, you gotta

695
00:32:51,120 --> 00:32:53,360
Speaker 7: a real show, gotta look like this and your stage

696
00:32:53,440 --> 00:32:56,480
Speaker 7: is on, and I remember the first time he crowds

697
00:32:56,520 --> 00:33:00,920
Speaker 7: her and just felt that that excitement. So for me

698
00:33:01,600 --> 00:33:04,920
Speaker 7: to see the growth, like you know, Like I was

699
00:33:04,960 --> 00:33:09,560
Speaker 7: in barbershops arguing about him, like you know, at twenty thirteen,

700
00:33:09,720 --> 00:33:12,880
Speaker 7: twenty fourteen, when obviously he was wearing the dress and

701
00:33:12,920 --> 00:33:15,840
Speaker 7: everybody was confused at what he was doing. I remember

702
00:33:16,000 --> 00:33:18,360
Speaker 7: being like, nah, he for real, like you know, because

703
00:33:18,400 --> 00:33:19,960
Speaker 7: him and Metro was just so tight. I used to

704
00:33:20,000 --> 00:33:22,280
Speaker 7: have unreleased music. I'll be like, man, he for real,

705
00:33:22,800 --> 00:33:25,280
Speaker 7: And I remember how hard of an argument that was.

706
00:33:26,000 --> 00:33:29,320
Speaker 7: So to see him now be, you know, quite frankly

707
00:33:29,360 --> 00:33:32,960
Speaker 7: one of the biggest artists in the world. It's quite

708
00:33:32,960 --> 00:33:35,800
Speaker 7: incredible to me. I think that's as graceful as it gets.

709
00:33:37,080 --> 00:33:39,440
Speaker 7: And I'm excited for whatever next, you know, for the

710
00:33:39,560 --> 00:33:40,280
Speaker 7: journey for sure.

711
00:33:41,840 --> 00:33:43,320
Speaker 4: Yeah what about Jeezus.

712
00:33:44,760 --> 00:33:48,200
Speaker 8: Okay, yeah, yeah, you can't. You can't leave out snow.

713
00:33:48,920 --> 00:33:50,640
Speaker 8: You can't leave out snow. This nigga just got a

714
00:33:50,680 --> 00:33:51,959
Speaker 8: residency in Vegas.

715
00:33:52,440 --> 00:33:54,720
Speaker 4: That's incredible. Like I'm just saying, like.

716
00:33:56,240 --> 00:33:58,719
Speaker 1: People that y'all know, I feel like they's like, like, uh,

717
00:33:59,000 --> 00:34:03,920
Speaker 1: you said, you said Pluto, you say Tip. I feel

718
00:34:03,960 --> 00:34:05,960
Speaker 1: like all them people still just you know what I'm saying,

719
00:34:06,040 --> 00:34:09,359
Speaker 1: still in the game, Like Jesus seemed like he at

720
00:34:09,400 --> 00:34:11,560
Speaker 1: the game, but still in the game. That makes sense

721
00:34:11,560 --> 00:34:13,759
Speaker 1: what I'm saying. You get what I'm saying. It's like

722
00:34:15,120 --> 00:34:17,480
Speaker 1: basically your time up. But it'll never go nowhere because

723
00:34:17,520 --> 00:34:20,440
Speaker 1: you got a hardcore fan base. Like did y'all ever

724
00:34:20,480 --> 00:34:24,000
Speaker 1: go to one of them shows the orchestra Ship that

725
00:34:24,000 --> 00:34:24,960
Speaker 1: shouldn't change your mind?

726
00:34:25,480 --> 00:34:30,839
Speaker 4: Look crazy? They let you know, boy, it's church service, bro. Yeah,

727
00:34:31,160 --> 00:34:32,680
Speaker 4: he got them anthems show the.

728
00:34:32,719 --> 00:34:35,040
Speaker 6: Church served drop another mixtape.

729
00:34:35,160 --> 00:34:35,400
Speaker 4: It may.

730
00:34:35,600 --> 00:34:37,680
Speaker 1: I don't know about new Ship, no dish, but I'm

731
00:34:37,680 --> 00:34:41,719
Speaker 1: saying that's just that, oh ship. Let you know, it

732
00:34:41,840 --> 00:34:43,680
Speaker 1: takes you right to that moment where you was at

733
00:34:43,840 --> 00:34:46,359
Speaker 1: like it's it's something you know what I'm saying, not

734
00:34:46,440 --> 00:34:48,120
Speaker 1: just I'm just saying, it's just something different.

735
00:34:48,320 --> 00:34:49,640
Speaker 6: It's not a lot of artists that can do that.

736
00:34:49,840 --> 00:34:55,080
Speaker 1: No, and get what he won them niggas promoters best

737
00:34:55,080 --> 00:34:59,160
Speaker 1: friend any nigga, you're getting a return on you were

738
00:34:59,160 --> 00:35:00,919
Speaker 1: getting your return on your money. A lot of ship

739
00:35:01,000 --> 00:35:04,280
Speaker 1: be up in there. Yeah he got a fair price.

740
00:35:05,040 --> 00:35:07,440
Speaker 1: It's still high, but you're getting your money. Man, you

741
00:35:07,480 --> 00:35:10,799
Speaker 1: make your money back. You gonna lose because they won't

742
00:35:10,840 --> 00:35:13,080
Speaker 1: too much or these niggas ain't gonna do that.

743
00:35:14,200 --> 00:35:17,440
Speaker 5: Yeah, this is a question that no one can ever answer.

744
00:35:17,800 --> 00:35:19,719
Speaker 5: It's the last time I'm trying to answer. Ask you

745
00:35:20,840 --> 00:35:23,520
Speaker 5: if jay Z is the guy in New York and

746
00:35:23,600 --> 00:35:26,759
Speaker 5: he's the guy, and it's like by far as uncontested, right,

747
00:35:27,600 --> 00:35:28,640
Speaker 5: who is our guy?

748
00:35:29,880 --> 00:35:32,319
Speaker 1: You know, we always say Pluto, but the nigga had

749
00:35:32,360 --> 00:35:34,960
Speaker 1: I had an argument with a nigga and they said, Bro,

750
00:35:35,040 --> 00:35:36,000
Speaker 1: you gotta think a.

751
00:35:36,000 --> 00:35:39,040
Speaker 4: Lot of these ship conformable about Gucci that won't say

752
00:35:39,040 --> 00:35:39,279
Speaker 4: it do.

753
00:35:43,840 --> 00:35:46,200
Speaker 3: Because that's not I'm just saying, who's our guy?

754
00:35:46,840 --> 00:35:48,799
Speaker 8: I feel like I feel like I feel like if

755
00:35:48,840 --> 00:35:52,480
Speaker 8: we had to give credit to a nigga being our

756
00:35:52,640 --> 00:35:55,399
Speaker 8: Atlanta Lord and Savior, you gotta give it a walk.

757
00:35:55,880 --> 00:35:57,239
Speaker 6: You got to like.

758
00:35:59,440 --> 00:35:59,920
Speaker 4: You know what I mean.

759
00:36:03,440 --> 00:36:06,920
Speaker 1: But because he put more niggas on even even even

760
00:36:06,960 --> 00:36:09,719
Speaker 1: when he was in the position star he won all

761
00:36:09,760 --> 00:36:10,080
Speaker 1: the way.

762
00:36:10,040 --> 00:36:13,120
Speaker 4: Right in his in his career, should have God damn.

763
00:36:16,239 --> 00:36:19,319
Speaker 3: DJs producers for sure.

764
00:36:20,120 --> 00:36:22,000
Speaker 1: Yeah, that's just a different gonna give you a chance,

765
00:36:22,040 --> 00:36:23,799
Speaker 1: and he's gonna make you, make sure you believe in.

766
00:36:23,880 --> 00:36:26,640
Speaker 4: You and you're the harder nobody with you.

767
00:36:26,960 --> 00:36:28,800
Speaker 1: He's gonna call you and rip you up, that you

768
00:36:28,880 --> 00:36:33,719
Speaker 1: the hard Yeah, that you can anybody can kirk and

769
00:36:35,200 --> 00:36:38,400
Speaker 1: throw the biggest like he's just gonna it's a different, bro,

770
00:36:38,640 --> 00:36:42,440
Speaker 1: I got we gotta get that putting his own and

771
00:36:42,600 --> 00:36:43,040
Speaker 1: standing on.

772
00:36:45,120 --> 00:36:48,920
Speaker 7: Yeah, yeah, he's done another person that age gracefully you

773
00:36:49,000 --> 00:36:53,560
Speaker 7: put it. Sure, But I just like going to music part,

774
00:36:53,680 --> 00:36:54,960
Speaker 7: like going to that Jesus concert.

775
00:36:55,040 --> 00:36:55,799
Speaker 4: But it's different, bro.

776
00:36:57,040 --> 00:36:59,719
Speaker 1: Even listening to the did y'all listen to the a

777
00:37:00,239 --> 00:37:07,200
Speaker 1: the uh they dropped it with the orchestra. Man didn't

778
00:37:07,200 --> 00:37:07,640
Speaker 1: listen to it.

779
00:37:07,840 --> 00:37:09,719
Speaker 4: I was just riding and one on one on the

780
00:37:09,760 --> 00:37:11,160
Speaker 4: way up here. So different.

781
00:37:14,239 --> 00:37:16,520
Speaker 8: Yeah, And then he was saying for his for his

782
00:37:16,760 --> 00:37:20,280
Speaker 8: Vegas residency, he's gonna have a hundred piece orchestra.

783
00:37:20,680 --> 00:37:24,800
Speaker 6: Do you do y'all understand what that means? Like, do

784
00:37:24,880 --> 00:37:26,040
Speaker 6: you know how big that is?

785
00:37:26,440 --> 00:37:32,120
Speaker 3: Nigga, like that that's that's every stadium in the fucking.

786
00:37:33,440 --> 00:37:37,160
Speaker 8: Instrument of instruments Like that's that's I can't even imagine

787
00:37:37,160 --> 00:37:38,200
Speaker 8: what that's gonna sound like.

788
00:37:38,400 --> 00:37:42,080
Speaker 4: Like, So how we get that back like that part

789
00:37:42,160 --> 00:37:42,320
Speaker 4: of it?

790
00:37:42,520 --> 00:37:45,120
Speaker 1: Like I know we speak were speaking on like the

791
00:37:45,280 --> 00:37:47,759
Speaker 1: artists that mostly are y'all name you said, you said,

792
00:37:47,880 --> 00:37:52,680
Speaker 1: uh gonna Playboy Cardi and yeah, Cardi B.

793
00:37:53,800 --> 00:37:57,560
Speaker 4: And to me y b is a rock star, you

794
00:37:57,680 --> 00:37:58,200
Speaker 4: know what I'm saying.

795
00:37:58,800 --> 00:38:01,480
Speaker 1: But he the black He ain't got like haw Cardy

796
00:38:01,520 --> 00:38:04,960
Speaker 1: got like just mostly white famine hy b the.

797
00:38:05,040 --> 00:38:07,880
Speaker 4: Why end save she don't give it? Damn what you say?

798
00:38:07,960 --> 00:38:10,480
Speaker 4: He got black people in the random moss peoples in

799
00:38:10,520 --> 00:38:13,640
Speaker 4: their mind. That's a different, like the it's different. So

800
00:38:13,880 --> 00:38:14,360
Speaker 4: I look at it.

801
00:38:14,440 --> 00:38:18,239
Speaker 1: It's like rock star shit, you know what I'm saying,

802
00:38:18,239 --> 00:38:20,520
Speaker 1: Because it's like you got default somebody like people that

803
00:38:20,640 --> 00:38:24,200
Speaker 1: can have the grown men like recite ins here.

804
00:38:24,320 --> 00:38:25,480
Speaker 4: How did that come back?

805
00:38:25,560 --> 00:38:25,600
Speaker 7: Like?

806
00:38:25,640 --> 00:38:27,600
Speaker 4: Who can bring that back? I don't know.

807
00:38:27,719 --> 00:38:31,399
Speaker 8: I think I think just me personally, I really don't

808
00:38:31,520 --> 00:38:33,160
Speaker 8: have an answer for that. But I feel like it's

809
00:38:33,200 --> 00:38:36,680
Speaker 8: going to be difficult because a lot of these new

810
00:38:36,920 --> 00:38:41,920
Speaker 8: up and coming artists didn't have to they skip steps

811
00:38:42,160 --> 00:38:45,239
Speaker 8: that the older artists had to go through, so they

812
00:38:45,280 --> 00:38:48,879
Speaker 8: don't have the same respect for the process that these

813
00:38:48,960 --> 00:38:52,759
Speaker 8: other artists had because they have the Internet. They have

814
00:38:52,920 --> 00:38:55,479
Speaker 8: the Instagrams and the tiktoks and all this other shit

815
00:38:55,800 --> 00:38:58,000
Speaker 8: that will shoot you out overnight. They didn't have to

816
00:38:59,320 --> 00:39:02,120
Speaker 8: hit the pavement and you know, do the guerrilla marketing

817
00:39:02,239 --> 00:39:05,000
Speaker 8: and all the rest of the other ship so it's

818
00:39:05,560 --> 00:39:08,280
Speaker 8: it's not going to register with them what you're gonna

819
00:39:08,320 --> 00:39:11,040
Speaker 8: need to do to be able to create as well

820
00:39:11,080 --> 00:39:12,480
Speaker 8: as maintaining that longevity.

821
00:39:12,719 --> 00:39:14,879
Speaker 1: Yeah, like I feel like that's young, but I feel

822
00:39:14,920 --> 00:39:17,000
Speaker 1: like he's just getting started though, you know what I'm saying.

823
00:39:17,239 --> 00:39:17,799
Speaker 6: Yeah, he.

824
00:39:22,239 --> 00:39:24,879
Speaker 4: But know what I'm saying, ten years in ten years,

825
00:39:25,160 --> 00:39:27,239
Speaker 4: you think about that, like even that part, like he's

826
00:39:27,320 --> 00:39:28,600
Speaker 4: developed the boy doing.

827
00:39:28,480 --> 00:39:31,799
Speaker 1: Two three hours for ship Man and for every word. Yes, yes,

828
00:39:31,920 --> 00:39:32,760
Speaker 1: that's something different.

829
00:39:33,760 --> 00:39:36,239
Speaker 8: He's out of his top right now, like in real life,

830
00:39:36,560 --> 00:39:40,439
Speaker 8: and you can only imagine now that now that he's

831
00:39:40,560 --> 00:39:43,440
Speaker 8: been through all the ship that he's been through, you

832
00:39:43,520 --> 00:39:46,920
Speaker 8: know what I'm saying, hopefully, like he understands that, you know,

833
00:39:47,440 --> 00:39:49,840
Speaker 8: he has to leave that life behind and just completely

834
00:39:49,880 --> 00:39:50,400
Speaker 8: look forward.

835
00:39:50,920 --> 00:39:55,960
Speaker 6: Once he does that, man, he's his whole everything. Like

836
00:39:56,160 --> 00:39:57,000
Speaker 6: in five years.

837
00:39:57,600 --> 00:40:00,360
Speaker 8: I can't wait to see where he he's going to

838
00:40:00,360 --> 00:40:02,680
Speaker 8: be in five years and how much bigger he's going

839
00:40:02,760 --> 00:40:06,719
Speaker 8: to be in how fucking more well rounded and well

840
00:40:06,840 --> 00:40:09,120
Speaker 8: seasoned of an artist he is, and what he's going

841
00:40:09,200 --> 00:40:13,040
Speaker 8: to be talking about. Like that's the fascination in the

842
00:40:13,160 --> 00:40:17,120
Speaker 8: excitement with the people that are out now, like seeing

843
00:40:17,200 --> 00:40:20,040
Speaker 8: their growth and seeing their change and seeing like did

844
00:40:20,080 --> 00:40:22,560
Speaker 8: they understand how big they really and truly are for real?

845
00:40:22,600 --> 00:40:26,200
Speaker 1: Now? Yeah he changed some shit. Yeah, I hate to

846
00:40:26,239 --> 00:40:28,719
Speaker 1: put that pressure on him, but whatever he said, go,

847
00:40:29,360 --> 00:40:33,640
Speaker 1: oh god, I don't give a damn kids from goddamn

848
00:40:33,800 --> 00:40:36,719
Speaker 1: two years old to goddamn twenty he got them. Yeah,

849
00:40:36,760 --> 00:40:39,120
Speaker 1: fucked up and you know, we all fucked with it.

850
00:40:39,200 --> 00:40:41,440
Speaker 1: But I'm just saying, like he got them, folks, It's like,

851
00:40:41,719 --> 00:40:42,960
Speaker 1: I don't know, but it's something else.

852
00:40:43,160 --> 00:40:44,920
Speaker 4: And then the.

853
00:40:44,920 --> 00:40:47,200
Speaker 8: Good thing about him is that like off camera and

854
00:40:47,320 --> 00:40:52,520
Speaker 8: off stage, like he's not he's solid and he's respectable.

855
00:40:53,040 --> 00:40:58,680
Speaker 8: He understands, like appreciating the people that support him.

856
00:40:59,040 --> 00:41:02,200
Speaker 6: You know what I'm saying. Yeah, Like he's like, he's man,

857
00:41:02,239 --> 00:41:02,760
Speaker 6: He's dope.

858
00:41:02,880 --> 00:41:04,279
Speaker 4: How we getting down a bad though?

859
00:41:04,360 --> 00:41:07,279
Speaker 1: You think you think slipping away for sure? I think

860
00:41:07,320 --> 00:41:10,080
Speaker 1: if Atlanta slip away, the whole rap game on slip.

861
00:41:09,920 --> 00:41:13,200
Speaker 7: Away, I think, I think. But I think with Atlanta,

862
00:41:13,400 --> 00:41:16,160
Speaker 7: we got to look at Atlanta. Atlanta is evolving in

863
00:41:16,280 --> 00:41:18,839
Speaker 7: my opinion, like we might have lost a little edge

864
00:41:18,920 --> 00:41:23,800
Speaker 7: in music, but we gained an entertainment Like Cotsannat is

865
00:41:23,920 --> 00:41:25,480
Speaker 7: doing all of that stuff in Atlanta.

866
00:41:25,719 --> 00:41:28,040
Speaker 4: Like you know, Drew Ski, Desi Banks.

867
00:41:28,040 --> 00:41:30,359
Speaker 7: It's like, I just feel like we gotta now take

868
00:41:30,360 --> 00:41:32,320
Speaker 7: a step back and look at all the things that

869
00:41:32,440 --> 00:41:34,759
Speaker 7: we influence and not just take credit for the music.

870
00:41:35,160 --> 00:41:37,440
Speaker 7: Even on the music side, it's like there's still not

871
00:41:37,560 --> 00:41:41,879
Speaker 7: another place that got as many relevant names that we got,

872
00:41:42,080 --> 00:41:43,840
Speaker 7: Like we still ain't lost it completely.

873
00:41:44,280 --> 00:41:46,000
Speaker 4: But I was just talking about this the other day.

874
00:41:46,960 --> 00:41:49,320
Speaker 4: I do put a little bit of pressure.

875
00:41:49,000 --> 00:41:53,480
Speaker 7: On like my class of individuals that made it, Like

876
00:41:53,640 --> 00:41:57,239
Speaker 7: if you kind of made it from twenty twelve, like

877
00:41:57,320 --> 00:41:59,440
Speaker 7: the ones that Gucci passed the torch to, we talk

878
00:41:59,480 --> 00:42:03,840
Speaker 7: about like what did we do? Like now we're supposed

879
00:42:03,840 --> 00:42:06,480
Speaker 7: to be the leaders, we're supposed to be having infrastructure

880
00:42:06,520 --> 00:42:08,080
Speaker 7: that makes that next gen.

881
00:42:08,480 --> 00:42:12,280
Speaker 4: Come even further. Right, half of them don't have labels.

882
00:42:12,640 --> 00:42:13,120
Speaker 4: Ain't real.

883
00:42:13,239 --> 00:42:16,600
Speaker 7: See you ain't really putting the next person on, you

884
00:42:16,680 --> 00:42:20,080
Speaker 7: know what. They didn't build any infrastructure. Like I have

885
00:42:20,280 --> 00:42:23,000
Speaker 7: way less resources than everybody I work with. How do

886
00:42:23,120 --> 00:42:25,399
Speaker 7: I got a studio that I can say thirty six

887
00:42:25,480 --> 00:42:28,759
Speaker 7: thousand photographers and photo shoots came through, and y'all ain't

888
00:42:28,760 --> 00:42:32,919
Speaker 7: built for a recording studio. At least the next person

889
00:42:33,040 --> 00:42:35,160
Speaker 7: can come in there look on the wall and see

890
00:42:35,200 --> 00:42:38,719
Speaker 7: your flat be like I want to record here, and

891
00:42:38,840 --> 00:42:41,480
Speaker 7: it's like I think that Atlanta. What I will say

892
00:42:42,440 --> 00:42:44,680
Speaker 7: is we just took for granted that magic and we

893
00:42:44,800 --> 00:42:46,640
Speaker 7: just felt like, man, we're gonna pop another artists tomorrow,

894
00:42:46,880 --> 00:42:50,000
Speaker 7: popping a dartist tomorrow. But you ask any artists that

895
00:42:50,160 --> 00:42:52,960
Speaker 7: pop right even to this day, they can't tell you

896
00:42:53,440 --> 00:42:56,440
Speaker 7: exactly what they did the pop Atlanta.

897
00:42:56,480 --> 00:42:57,200
Speaker 3: They don't know why.

898
00:42:57,760 --> 00:42:59,960
Speaker 7: It's like, it's not like we created a for real formula.

899
00:43:00,320 --> 00:43:02,319
Speaker 7: We were supposed to take all that lessons we learned

900
00:43:02,320 --> 00:43:05,160
Speaker 7: from Senes people pop and build the real blueprint and

901
00:43:05,239 --> 00:43:07,759
Speaker 7: say this is how we're gonna continue to make sure

902
00:43:07,840 --> 00:43:10,440
Speaker 7: we pop. So now when the Internet and TikTok is

903
00:43:10,520 --> 00:43:13,719
Speaker 7: changing the game, we don't have that formula that we

904
00:43:13,920 --> 00:43:15,840
Speaker 7: used to to be able to do it. And I

905
00:43:15,960 --> 00:43:18,920
Speaker 7: do think, like, you know, more of my peers like yo,

906
00:43:19,520 --> 00:43:22,200
Speaker 7: y'all got that money, go buy something, Go do something

907
00:43:22,600 --> 00:43:26,000
Speaker 7: that keep the culture here. Like everybody crying over about

908
00:43:26,000 --> 00:43:28,239
Speaker 7: to lose Cheetah in another cultural place.

909
00:43:28,320 --> 00:43:33,120
Speaker 4: But like we could have just bought real estate. I

910
00:43:33,200 --> 00:43:35,759
Speaker 4: think the formula was like cambaraderie.

911
00:43:35,800 --> 00:43:38,720
Speaker 1: I think the formula was that it seemed like everybody

912
00:43:38,920 --> 00:43:42,359
Speaker 1: was fuir like somebody coming out popping at least three

913
00:43:42,440 --> 00:43:44,040
Speaker 1: four big names gonna be like, yeah, he don want

914
00:43:44,120 --> 00:43:45,359
Speaker 1: en video stand with him.

915
00:43:45,600 --> 00:43:46,239
Speaker 4: You know what I'm saying.

916
00:43:46,320 --> 00:43:48,880
Speaker 1: Now that this shit's starting to look like it's ship spread,

917
00:43:49,040 --> 00:43:51,319
Speaker 1: like we covered them, nigga really don't like each other

918
00:43:51,480 --> 00:43:52,439
Speaker 1: all this shiit.

919
00:43:52,480 --> 00:43:53,120
Speaker 4: Niggas starting to.

920
00:43:53,120 --> 00:43:55,680
Speaker 1: Really see what going on in the city cause because

921
00:43:55,680 --> 00:43:57,920
Speaker 1: you gotta think people mother City want to model a

922
00:43:58,000 --> 00:43:59,840
Speaker 1: ship behind us, like man, we got ship, you know,

923
00:43:59,920 --> 00:44:02,279
Speaker 1: like them niggas right we go place niggas you say

924
00:44:02,320 --> 00:44:05,719
Speaker 1: that to like like manna lay together, but they don't

925
00:44:05,760 --> 00:44:06,239
Speaker 1: know that though.

926
00:44:06,280 --> 00:44:07,080
Speaker 4: You get what I'm saying.

927
00:44:07,160 --> 00:44:09,080
Speaker 7: But I think that money got in the room, and

928
00:44:09,160 --> 00:44:11,719
Speaker 7: now it changed the way people move. So you know,

929
00:44:11,880 --> 00:44:15,319
Speaker 7: artists ain't performing for free. They coming out the gates

930
00:44:15,400 --> 00:44:18,080
Speaker 7: with one half of a song and one twenty third

931
00:44:18,160 --> 00:44:20,480
Speaker 7: like you know, they aren't doing what I watched young

932
00:44:20,520 --> 00:44:23,160
Speaker 7: Scooter when he had Colombia. I watched him do shows

933
00:44:23,200 --> 00:44:26,320
Speaker 7: for a thousand dollars fifteen hundred, go in to places

934
00:44:26,600 --> 00:44:28,880
Speaker 7: like whatever, like whatever, guy, I'm gonna go get it,

935
00:44:28,880 --> 00:44:32,320
Speaker 7: I'm gonna perform. I'm gonna I watch the journey, you

936
00:44:32,360 --> 00:44:34,400
Speaker 7: know what I'm saying. I watch even a Metro go

937
00:44:34,480 --> 00:44:37,920
Speaker 7: to five different studio sessions in one day, like you know,

938
00:44:38,000 --> 00:44:41,040
Speaker 7: as they grind, and I just feel like it's it

939
00:44:41,080 --> 00:44:44,440
Speaker 7: ain't really there, Like that feeling ain't there. But then

940
00:44:44,480 --> 00:44:47,080
Speaker 7: I also just feel like that part of the blueprint

941
00:44:47,160 --> 00:44:50,200
Speaker 7: wasn't really passed down properly for them to know like,

942
00:44:50,280 --> 00:44:53,040
Speaker 7: oh no, you still gotta do this like your song

943
00:44:53,120 --> 00:44:54,800
Speaker 7: blown up on TikTok, but what that means like you

944
00:44:54,880 --> 00:44:58,239
Speaker 7: still gotta go and touch the people. And I feel

945
00:44:58,280 --> 00:45:00,520
Speaker 7: like that's just something that I think we got to

946
00:45:00,560 --> 00:45:02,759
Speaker 7: get back to, just that, like, you know, bringing that

947
00:45:02,920 --> 00:45:03,800
Speaker 7: back to the forefront.

948
00:45:03,920 --> 00:45:05,600
Speaker 8: So let me ask you this before I go into

949
00:45:05,680 --> 00:45:08,200
Speaker 8: what I'm finna say, let me just make sure I'm correct,

950
00:45:08,360 --> 00:45:11,960
Speaker 8: like you shot again, right mm hm Okay. So that's

951
00:45:12,080 --> 00:45:15,720
Speaker 8: that's my whole point about this whole entire conversation about

952
00:45:16,160 --> 00:45:20,360
Speaker 8: like he's saying, the camaraderie, about everything being so organic,

953
00:45:20,520 --> 00:45:23,000
Speaker 8: about niggas popping up and supporting each other.

954
00:45:23,040 --> 00:45:28,080
Speaker 6: Like even though like I remember, I remember when.

955
00:45:27,960 --> 00:45:30,439
Speaker 8: Y'all shot that, So it's like, even though it wasn't

956
00:45:30,480 --> 00:45:34,759
Speaker 8: like a huge, big budget crazy video or whatever. It

957
00:45:35,080 --> 00:45:39,160
Speaker 8: was probably one of the best videos for all of

958
00:45:39,239 --> 00:45:42,680
Speaker 8: those guys, yea, because it had it had so many

959
00:45:42,840 --> 00:45:46,919
Speaker 8: different twists and turns and so many like your eye.

960
00:45:47,800 --> 00:45:51,080
Speaker 8: Your eye really made the video because you showed so

961
00:45:51,239 --> 00:45:53,719
Speaker 8: many different things in the video, and you showed them

962
00:45:54,040 --> 00:45:56,680
Speaker 8: being together and moving through this hallway and then going

963
00:45:56,719 --> 00:45:59,040
Speaker 8: to this part of this exhibiting, you know what I'm

964
00:45:59,040 --> 00:46:02,000
Speaker 8: saying this and that was like ship like that is

965
00:46:02,960 --> 00:46:04,719
Speaker 8: hard to recreate.

966
00:46:04,800 --> 00:46:08,839
Speaker 6: When all of the elements aren't really there for sure.

967
00:46:08,880 --> 00:46:12,440
Speaker 7: I mean that again, video was at an art exhibit

968
00:46:12,480 --> 00:46:14,480
Speaker 7: that I put together, right, so that takes like one

969
00:46:14,560 --> 00:46:18,839
Speaker 7: member and culture doing something big for Atlanta. And then,

970
00:46:18,960 --> 00:46:22,640
Speaker 7: like you said, the support exactly like Thug pulled up,

971
00:46:23,320 --> 00:46:28,480
Speaker 7: Metro pulled up, see no Sonny like organically. Yeah, that

972
00:46:28,719 --> 00:46:30,040
Speaker 7: was a time, you know what I mean. And now

973
00:46:30,280 --> 00:46:33,000
Speaker 7: we just had to shoot the video.

974
00:46:33,560 --> 00:46:35,839
Speaker 4: Shoot the money niggas. Niggas get the money and lose

975
00:46:35,880 --> 00:46:38,000
Speaker 4: their creativity. Nobody was thinking about money.

976
00:46:38,120 --> 00:46:40,480
Speaker 7: Nobody was in that room, like how much we It

977
00:46:40,600 --> 00:46:42,719
Speaker 7: was just like, yo, the vibe is right, like let's

978
00:46:42,719 --> 00:46:45,279
Speaker 7: do one forgot right quick, Let's shoot this video like

979
00:46:45,320 --> 00:46:48,239
Speaker 7: and it was just like like that energy I just

980
00:46:48,320 --> 00:46:52,440
Speaker 7: don't think exists per se because it's so much money.

981
00:46:52,760 --> 00:46:54,839
Speaker 4: Now the next person, like I should be getting paid

982
00:46:54,960 --> 00:46:55,680
Speaker 4: to shoot the video.

983
00:46:55,840 --> 00:46:58,960
Speaker 8: Right, the energy was the fuel that propelled everybody to

984
00:46:59,080 --> 00:47:02,040
Speaker 8: the top for real, sure, for sure, and that now

985
00:47:02,080 --> 00:47:03,000
Speaker 8: that niggas are at.

986
00:47:02,880 --> 00:47:07,120
Speaker 6: The top, it's kind of like it's not the same,

987
00:47:07,600 --> 00:47:08,839
Speaker 6: Like it's just not the same.

988
00:47:09,280 --> 00:47:10,040
Speaker 4: It's not the same.

989
00:47:10,120 --> 00:47:12,560
Speaker 7: And then even if the game changed, I just feel

990
00:47:12,680 --> 00:47:17,040
Speaker 7: like we should have built more things that are ours

991
00:47:17,280 --> 00:47:20,120
Speaker 7: that they can't just change the way Landa is going

992
00:47:20,160 --> 00:47:23,000
Speaker 7: to look like. And then it's like World Cup is

993
00:47:23,040 --> 00:47:26,799
Speaker 7: coming next year, it's gonna look different. They purposely are

994
00:47:26,880 --> 00:47:29,680
Speaker 7: making this spot look different. But what they can't kick

995
00:47:29,760 --> 00:47:31,640
Speaker 7: you out is the spot that you own, like if

996
00:47:31,680 --> 00:47:33,799
Speaker 7: you own it and you're building it and you're keeping

997
00:47:33,880 --> 00:47:36,640
Speaker 7: that going. Like when I was coming up with Metro

998
00:47:36,719 --> 00:47:38,920
Speaker 7: and Thugnunt we used to be at Dark Studios. I

999
00:47:39,000 --> 00:47:42,040
Speaker 7: think Future own it now every day, like it was

1000
00:47:42,120 --> 00:47:46,120
Speaker 7: like cultural hub for us that we headquarters.

1001
00:47:46,239 --> 00:47:48,360
Speaker 4: Like I just maybe I'm out of it.

1002
00:47:48,440 --> 00:47:50,600
Speaker 7: I just don't know where some of those headquarters are

1003
00:47:50,680 --> 00:47:55,880
Speaker 7: at where these magical moments are happy. It's like it

1004
00:47:56,000 --> 00:47:58,960
Speaker 7: don't exist, So then it's like right now, if I'm

1005
00:48:00,080 --> 00:48:02,479
Speaker 7: nineteen twenty and I'm trying to come up in music

1006
00:48:02,520 --> 00:48:04,360
Speaker 7: and I got a little bit of talent, where do

1007
00:48:04,480 --> 00:48:05,400
Speaker 7: I go?

1008
00:48:06,160 --> 00:48:08,320
Speaker 4: It ain't no more open mics and ship like that,

1009
00:48:08,560 --> 00:48:10,759
Speaker 4: Like no nights for the kid to come do the ship,

1010
00:48:10,880 --> 00:48:12,879
Speaker 4: do your thing? Like where you going with us? Yeah?

1011
00:48:12,920 --> 00:48:13,440
Speaker 3: What is it?

1012
00:48:13,760 --> 00:48:15,480
Speaker 5: All of them is still buy a product or some

1013
00:48:15,760 --> 00:48:17,720
Speaker 5: some bullshit. Like I said, shit gets strange.

1014
00:48:17,840 --> 00:48:20,440
Speaker 3: Studios with studios.

1015
00:48:21,480 --> 00:48:21,640
Speaker 6: Win.

1016
00:48:27,640 --> 00:48:29,800
Speaker 4: They ready to come to the come to the goddamn

1017
00:48:31,280 --> 00:48:32,759
Speaker 4: come to the over mic just to see it.

1018
00:48:33,480 --> 00:48:33,719
Speaker 6: Yeah.

1019
00:48:34,200 --> 00:48:35,640
Speaker 4: A lot of that ship play a part too of

1020
00:48:35,719 --> 00:48:36,919
Speaker 4: the temperature of the music though.

1021
00:48:36,840 --> 00:48:39,400
Speaker 7: But I feel like if these spots was owned by us,

1022
00:48:39,760 --> 00:48:42,360
Speaker 7: they would have a respect for it, right Like I

1023
00:48:42,440 --> 00:48:44,560
Speaker 7: feel like I feel.

1024
00:48:44,320 --> 00:48:48,120
Speaker 3: Like when people come to the studio give the fun

1025
00:48:49,080 --> 00:48:51,359
Speaker 3: vib d. You you never had an incident in one

1026
00:48:51,360 --> 00:48:53,799
Speaker 3: of those, but I've never people coming You.

1027
00:48:53,840 --> 00:48:55,919
Speaker 8: Don't even but you don't even deal with the type

1028
00:48:55,920 --> 00:48:58,879
Speaker 8: of people that we're not intertwining that ship.

1029
00:48:59,000 --> 00:49:01,040
Speaker 7: Yeah, I'm just saying like from the hood and the

1030
00:49:01,040 --> 00:49:03,040
Speaker 7: people that come in there, when they come to my

1031
00:49:03,160 --> 00:49:06,520
Speaker 7: spot and they know my position within the coach in Atlanta,

1032
00:49:06,760 --> 00:49:07,799
Speaker 7: I feel like they come with at.

1033
00:49:07,760 --> 00:49:11,480
Speaker 4: Least a level of respect involving. They're not immediately like

1034
00:49:12,040 --> 00:49:13,759
Speaker 4: I'm about to smoking do whatever.

1035
00:49:13,800 --> 00:49:16,640
Speaker 7: It's like they at least even ask, like ya cool

1036
00:49:16,640 --> 00:49:18,960
Speaker 7: if I smoke, and it's like, you know, like whatever,

1037
00:49:19,080 --> 00:49:21,239
Speaker 7: stuff like that. I just feel like, if I don't

1038
00:49:21,320 --> 00:49:23,480
Speaker 7: know the owner, I don't give a damn about this spot,

1039
00:49:23,560 --> 00:49:25,399
Speaker 7: Like I'm about the trash it. But if this spot

1040
00:49:25,560 --> 00:49:27,719
Speaker 7: is Metro and I looked up to him and I'm

1041
00:49:27,760 --> 00:49:29,720
Speaker 7: trying to be the artist and this is his spot,

1042
00:49:30,320 --> 00:49:33,480
Speaker 7: I might think twice about going crazy in it.

1043
00:49:33,560 --> 00:49:38,120
Speaker 4: But you've been my opinite. I think you like you know,

1044
00:49:38,480 --> 00:49:38,719
Speaker 4: you know.

1045
00:49:43,480 --> 00:49:46,120
Speaker 7: You got to.

1046
00:49:46,200 --> 00:49:47,960
Speaker 4: I mean, you gotta protect the space. You gotta make

1047
00:49:47,960 --> 00:49:50,279
Speaker 4: the space safe. You know you're right because when I

1048
00:49:50,360 --> 00:49:54,040
Speaker 4: give you that said, we smoked care like at least asks.

1049
00:49:55,960 --> 00:49:59,400
Speaker 8: Have you ever had a situation like that where you

1050
00:49:59,520 --> 00:50:01,440
Speaker 8: were working with two people that had a conflict of

1051
00:50:01,560 --> 00:50:04,279
Speaker 8: interest and it may be unbeknownst to you, but you

1052
00:50:04,400 --> 00:50:06,360
Speaker 8: were working with them around the same time and you

1053
00:50:06,520 --> 00:50:09,000
Speaker 8: had to like figure out the movement so that they

1054
00:50:09,080 --> 00:50:10,440
Speaker 8: wouldn't like bump heads.

1055
00:50:12,160 --> 00:50:14,880
Speaker 7: I never I don't believe I've had that one. But

1056
00:50:15,280 --> 00:50:18,400
Speaker 7: I'm I'm also like somebody that I overthink things. I

1057
00:50:18,560 --> 00:50:21,759
Speaker 7: think that so like if I'm gonna have someone at

1058
00:50:21,800 --> 00:50:24,000
Speaker 7: my studio, I'm shutting the whole spot down, like we're

1059
00:50:24,040 --> 00:50:26,640
Speaker 7: not even gonna I'm booking. If they say they wanted

1060
00:50:26,680 --> 00:50:29,920
Speaker 7: from one to four, I'm telling my staff twelve.

1061
00:50:32,280 --> 00:50:35,040
Speaker 4: Ain't gonna be. Nobody coming in. Just so happen, just

1062
00:50:35,160 --> 00:50:35,880
Speaker 4: so happened.

1063
00:50:35,920 --> 00:50:38,919
Speaker 7: It's like we shut it down, locked the doors, close

1064
00:50:39,000 --> 00:50:40,399
Speaker 7: the blinds, like we're in here.

1065
00:50:40,520 --> 00:50:42,200
Speaker 4: I don't care. I don't care who you are, like

1066
00:50:42,280 --> 00:50:42,600
Speaker 4: how big.

1067
00:50:42,880 --> 00:50:45,160
Speaker 7: If you an artist that you know, I'm gonna give

1068
00:50:45,200 --> 00:50:47,759
Speaker 7: you that level of respect to not make to make

1069
00:50:47,800 --> 00:50:50,279
Speaker 7: sure your experiences is what it needs to be, you

1070
00:50:50,320 --> 00:50:52,680
Speaker 7: know what I mean. So I can't say that I've

1071
00:50:52,760 --> 00:50:57,120
Speaker 7: had that particular situation, at least not inside of my space.

1072
00:50:57,440 --> 00:51:00,239
Speaker 4: Something happened outside and we were by magic. I don't

1073
00:51:00,280 --> 00:51:01,359
Speaker 4: know how that should happen.

1074
00:51:01,480 --> 00:51:04,320
Speaker 7: But now I'm cautious about that because I know that

1075
00:51:04,440 --> 00:51:06,000
Speaker 7: they're still politics and.

1076
00:51:06,239 --> 00:51:07,040
Speaker 6: What I'm doing.

1077
00:51:08,360 --> 00:51:11,120
Speaker 4: Double book myself on something crazy or X y Z.

1078
00:51:11,400 --> 00:51:14,040
Speaker 4: So you do, I'm with y'all. You do gotta think

1079
00:51:14,080 --> 00:51:14,360
Speaker 4: about it.

1080
00:51:15,120 --> 00:51:18,560
Speaker 7: I just feel like people would have more respect if

1081
00:51:18,600 --> 00:51:20,879
Speaker 7: they knew to own, like I just have Thiggs.

1082
00:51:20,560 --> 00:51:22,719
Speaker 4: Don't even coming. Niggas will ask you who up there?

1083
00:51:22,760 --> 00:51:27,680
Speaker 7: Bro certain things like like they ever respect for Magic

1084
00:51:27,719 --> 00:51:29,800
Speaker 7: City because they know mister Magic. Like I feel like

1085
00:51:29,840 --> 00:51:32,279
Speaker 7: it's still at a certain level of like I ain't

1086
00:51:32,320 --> 00:51:34,560
Speaker 7: about to clown all the way out, you know what

1087
00:51:34,600 --> 00:51:36,840
Speaker 7: I mean, because this could impact my career in some

1088
00:51:37,080 --> 00:51:39,960
Speaker 7: type of way. And again, I just feel like in

1089
00:51:40,160 --> 00:51:44,080
Speaker 7: order to keep Atlanta going, we're gonna have to start

1090
00:51:44,120 --> 00:51:47,160
Speaker 7: buying up somewhere to real estate or buying a cultural place.

1091
00:51:47,239 --> 00:51:49,000
Speaker 4: So they can't just remove.

1092
00:51:49,160 --> 00:51:51,040
Speaker 7: They can't just wake up and say chee ain't gonna

1093
00:51:51,040 --> 00:51:53,759
Speaker 7: be any more gone, Folly's gone, Like these spots that

1094
00:51:53,880 --> 00:51:54,760
Speaker 7: we were really breaking.

1095
00:51:56,360 --> 00:51:59,000
Speaker 4: Who your dream? Who you want to get in front

1096
00:51:59,000 --> 00:52:02,440
Speaker 4: of your camera? You never had it from you nas

1097
00:52:02,680 --> 00:52:14,279
Speaker 4: jay Z weekend. Uh we already got to shoot that. Yeah.

1098
00:52:14,320 --> 00:52:16,120
Speaker 7: I mean, I'm a freestyle artist, So when I get

1099
00:52:16,160 --> 00:52:18,200
Speaker 7: in the room, We're gonna feed off the energy.

1100
00:52:18,239 --> 00:52:20,239
Speaker 4: I don't overthink nothing. It's like get in the room,

1101
00:52:20,280 --> 00:52:21,040
Speaker 4: we're gonna just do it.

1102
00:52:21,960 --> 00:52:23,879
Speaker 7: But like I said before, I want to I want

1103
00:52:23,920 --> 00:52:26,840
Speaker 7: to redo the catalog with the guys I came up with,

1104
00:52:27,120 --> 00:52:29,360
Speaker 7: like I want to shoot Pluto again, like but the

1105
00:52:29,480 --> 00:52:32,160
Speaker 7: right way. I want to shoot Gucci again the right way,

1106
00:52:32,360 --> 00:52:36,560
Speaker 7: like you know, like real photo shoot, real budget. He

1107
00:52:36,800 --> 00:52:40,520
Speaker 7: styled correctly, we got time. It's just us, Like I

1108
00:52:40,640 --> 00:52:42,560
Speaker 7: want to recreate some of those moments again.

1109
00:52:42,680 --> 00:52:47,640
Speaker 4: So what's your most iconic photo? Though, oh, it.

1110
00:52:47,680 --> 00:52:49,719
Speaker 7: Probably depends on who you ask. It probably be one

1111
00:52:49,760 --> 00:52:51,839
Speaker 7: of the first ones to picture Gucci with the gun

1112
00:52:52,719 --> 00:52:55,680
Speaker 7: black and white. I think that's like I was in

1113
00:52:56,239 --> 00:52:59,120
Speaker 7: Italy on the shoot for Nike and kids right up

1114
00:52:59,160 --> 00:53:01,600
Speaker 7: to me and they they showed me that picture like

1115
00:53:01,719 --> 00:53:04,880
Speaker 7: barely speak English, so like that is one that carried

1116
00:53:04,880 --> 00:53:07,120
Speaker 7: me the furthest especially for everything he was able to

1117
00:53:07,160 --> 00:53:09,399
Speaker 7: do with the trap Gud exhibit.

1118
00:53:09,160 --> 00:53:10,439
Speaker 4: And keeping that on going.

1119
00:53:11,080 --> 00:53:14,080
Speaker 7: But uh, the newer photos, like the photo I took

1120
00:53:14,120 --> 00:53:16,879
Speaker 7: a YACHTI with the blue clouds behind the clouds behind them.

1121
00:53:17,520 --> 00:53:19,520
Speaker 4: That just sparked the change in my career.

1122
00:53:19,800 --> 00:53:21,520
Speaker 7: That was one of the first photo shoots I was

1123
00:53:21,760 --> 00:53:24,239
Speaker 7: ever able to show I'm actually creative, like I'm not

1124
00:53:24,400 --> 00:53:27,960
Speaker 7: just a documentarian, Like I can create, So that one

1125
00:53:28,080 --> 00:53:31,560
Speaker 7: has a lot of like special meaning to me. And

1126
00:53:31,640 --> 00:53:34,000
Speaker 7: then as it just evolves, it's like you know, I

1127
00:53:34,080 --> 00:53:36,080
Speaker 7: shot a big boy in front of the Dungeon house.

1128
00:53:36,280 --> 00:53:39,280
Speaker 7: Like that's crazy to me, Like it's it's some moments

1129
00:53:39,320 --> 00:53:42,440
Speaker 7: that evolved, but those two really stand out as like

1130
00:53:42,600 --> 00:53:44,719
Speaker 7: one moments that are like really special to me.

1131
00:53:45,080 --> 00:53:49,520
Speaker 6: Yea, yeah, So do you prefer studio or location shoots?

1132
00:53:50,600 --> 00:53:52,200
Speaker 4: I didn't got I didnet got comfortable.

1133
00:53:52,239 --> 00:53:55,440
Speaker 7: I love being in my space, so it's cozy to

1134
00:53:55,560 --> 00:53:57,400
Speaker 7: be I could control all the elements.

1135
00:53:57,480 --> 00:54:00,880
Speaker 4: I can control the viob. But recently I did do

1136
00:54:01,000 --> 00:54:01,360
Speaker 4: a shoot.

1137
00:54:01,520 --> 00:54:04,480
Speaker 7: Even when I shot y B, we went outside for

1138
00:54:04,600 --> 00:54:06,719
Speaker 7: a few of the shots and I was like, damn,

1139
00:54:06,880 --> 00:54:09,279
Speaker 7: I kind of miss I missed this though, I miss

1140
00:54:09,440 --> 00:54:13,080
Speaker 7: like like just really yeah, like I missed that aspect

1141
00:54:13,160 --> 00:54:16,839
Speaker 7: of it. So I think it depends on who I'm

1142
00:54:16,880 --> 00:54:20,440
Speaker 7: shooting and what I'm shooting for, Like certain type of artists.

1143
00:54:20,480 --> 00:54:22,480
Speaker 7: I want to get a certain feel for a certain

1144
00:54:22,600 --> 00:54:24,960
Speaker 7: vibe from the photo shoot. So it really just depends.

1145
00:54:25,239 --> 00:54:30,640
Speaker 4: Okay, what about the the thing I came and did

1146
00:54:30,719 --> 00:54:35,879
Speaker 4: with you the time? Wh Yeah, yeah, spend the block

1147
00:54:36,080 --> 00:54:38,719
Speaker 4: it's like our community event. Yeah we do. We on

1148
00:54:38,800 --> 00:54:39,480
Speaker 4: the belt Line now.

1149
00:54:41,800 --> 00:54:45,200
Speaker 7: So to spend the block event really started because, like

1150
00:54:45,280 --> 00:54:47,640
Speaker 7: I said, my neighbors when I'm across the Magic It's

1151
00:54:47,680 --> 00:54:52,080
Speaker 7: Magic City, Greyhound Prison and Martest Station.

1152
00:54:53,080 --> 00:54:54,000
Speaker 4: You know, you step.

1153
00:54:53,840 --> 00:54:57,000
Speaker 7: Outside this trash everywhere. It's literally it's all types of

1154
00:54:57,000 --> 00:55:00,120
Speaker 7: stuff in that neighborhood. So it really started with like

1155
00:55:00,800 --> 00:55:03,719
Speaker 7: me stepping outside of my studio and just been like,

1156
00:55:03,760 --> 00:55:06,719
Speaker 7: why it's so dirty here? Like why don't nobody do nothing?

1157
00:55:07,400 --> 00:55:09,879
Speaker 7: And I had my assistant at the time was really

1158
00:55:09,960 --> 00:55:12,960
Speaker 7: into environmental science and she had a degree in that,

1159
00:55:13,520 --> 00:55:15,319
Speaker 7: and she would put these things on my radar by

1160
00:55:15,440 --> 00:55:19,239
Speaker 7: being sustainable and taking care of the environment. And we

1161
00:55:19,400 --> 00:55:22,000
Speaker 7: reached out to the City of Atlanta and was like, yo,

1162
00:55:22,480 --> 00:55:26,360
Speaker 7: I think my street needs more trash cans because it

1163
00:55:26,400 --> 00:55:28,720
Speaker 7: don't make sense that there's littered everywhere on the street.

1164
00:55:28,880 --> 00:55:31,120
Speaker 7: But I look out of my building, there's no trash cans.

1165
00:55:31,200 --> 00:55:33,680
Speaker 7: So what would you do if you don't care, You're

1166
00:55:33,680 --> 00:55:36,680
Speaker 7: gonna just throw it on the ground. And it's so funny.

1167
00:55:36,719 --> 00:55:40,920
Speaker 7: They came out and they drew excess all on the

1168
00:55:40,960 --> 00:55:44,759
Speaker 7: street where we're at fifteen twenty different ones like oh, yeah,

1169
00:55:44,760 --> 00:55:47,399
Speaker 7: you're right, trash cans should go here. One should be here,

1170
00:55:47,760 --> 00:55:50,120
Speaker 7: one should be here. And then they literally sent me

1171
00:55:50,200 --> 00:55:52,480
Speaker 7: a link to a website to buy the trash cans myself.

1172
00:55:53,560 --> 00:55:55,040
Speaker 4: They showed where you put them in.

1173
00:55:55,239 --> 00:55:57,120
Speaker 7: They showed you they're right here. Yeah, you proved to

1174
00:55:57,160 --> 00:55:59,600
Speaker 7: put one right here, right there. And I'm like, I'm

1175
00:55:59,640 --> 00:56:03,560
Speaker 7: just use, like, how is that my responsibility to do that?

1176
00:56:05,160 --> 00:56:07,319
Speaker 7: But I ended up having to do it. I spent

1177
00:56:07,400 --> 00:56:10,440
Speaker 7: twenty five thousand dollars to put blue and black trash

1178
00:56:10,520 --> 00:56:13,160
Speaker 7: cans from Forsyth all the way up close to the

1179
00:56:13,239 --> 00:56:16,480
Speaker 7: Bend Stadium. So if you drive down that street, every

1180
00:56:16,560 --> 00:56:19,319
Speaker 7: trash can you see that's blue and black. I paid

1181
00:56:19,360 --> 00:56:21,879
Speaker 7: for on my own pocket to put there. So then

1182
00:56:21,920 --> 00:56:24,359
Speaker 7: that's why we did spend the block. Was like, all right,

1183
00:56:25,400 --> 00:56:27,319
Speaker 7: now we got to actually use the trash can.

1184
00:56:27,480 --> 00:56:29,239
Speaker 4: So we go out to spend a block of van.

1185
00:56:29,320 --> 00:56:32,080
Speaker 7: We go out, we all get together creators, and we

1186
00:56:32,280 --> 00:56:35,239
Speaker 7: walk a certain trail taking pictures of our neighborhood, but

1187
00:56:35,239 --> 00:56:38,160
Speaker 7: then also collecting trash and then just cleaning it up

1188
00:56:38,200 --> 00:56:40,279
Speaker 7: and then using the trash cans that we bought. So

1189
00:56:40,880 --> 00:56:43,439
Speaker 7: that sparked from me just trying to be a better

1190
00:56:43,560 --> 00:56:46,040
Speaker 7: leader for my community. And just like I don't understand

1191
00:56:46,600 --> 00:56:49,239
Speaker 7: it ain't necessarily something that I'm every day passionate about,

1192
00:56:49,360 --> 00:56:53,239
Speaker 7: Like sustainability ain't necessarily one of my pillars, but why not? Like,

1193
00:56:53,320 --> 00:56:55,360
Speaker 7: if I'm gonna be in this neighborhood, in this community,

1194
00:56:55,480 --> 00:56:58,000
Speaker 7: why not. I don't understand why it takes me to

1195
00:56:58,080 --> 00:57:01,040
Speaker 7: do that and reason why we move. It's just like

1196
00:57:01,239 --> 00:57:04,520
Speaker 7: you do all that and then nobody help you. It's

1197
00:57:04,600 --> 00:57:06,399
Speaker 7: like nothing else came from it, and it's like, I'm

1198
00:57:06,440 --> 00:57:08,920
Speaker 7: not I can't keep doing that every day. So now

1199
00:57:08,960 --> 00:57:10,760
Speaker 7: that we're on the bell line, it's more about fitness

1200
00:57:11,000 --> 00:57:13,239
Speaker 7: and just like you know, getting steps in as we

1201
00:57:13,360 --> 00:57:15,080
Speaker 7: walk and we do the same thing, but instead of

1202
00:57:15,160 --> 00:57:17,440
Speaker 7: cleaning up you kind of cleaning your body, just fitness

1203
00:57:17,480 --> 00:57:18,000
Speaker 7: and stuff like that.

1204
00:57:20,320 --> 00:57:22,560
Speaker 5: What's your ask you, what's your thoughts on? Even though

1205
00:57:22,600 --> 00:57:24,680
Speaker 5: you're not this type of photographer, but like popu Arrizzi,

1206
00:57:24,840 --> 00:57:27,760
Speaker 5: is your thoughts? Like like the artists that be walking

1207
00:57:27,840 --> 00:57:29,880
Speaker 5: out the hotels and then they get these shots and

1208
00:57:29,880 --> 00:57:32,000
Speaker 5: they were like no pictures or are you on the

1209
00:57:32,080 --> 00:57:33,960
Speaker 5: side of the photographer saying, man, if you're in front

1210
00:57:34,000 --> 00:57:35,160
Speaker 5: of my camera, you're gonna get shot.

1211
00:57:35,200 --> 00:57:35,720
Speaker 3: What's your thoughts?

1212
00:57:35,840 --> 00:57:38,560
Speaker 7: That stuff's crazy, Like I ain't never approached the game

1213
00:57:38,720 --> 00:57:41,000
Speaker 7: like that, like, and I think that's why people trust me,

1214
00:57:41,040 --> 00:57:41,680
Speaker 7: they respect me.

1215
00:57:41,760 --> 00:57:44,160
Speaker 4: It's like I'm not in it for that, you know

1216
00:57:44,160 --> 00:57:44,520
Speaker 4: what I mean.

1217
00:57:44,640 --> 00:57:47,520
Speaker 7: But and it's stay and age is I'm talking to

1218
00:57:47,600 --> 00:57:50,200
Speaker 7: you all about how the ways that photographers are able

1219
00:57:50,240 --> 00:57:53,600
Speaker 7: to make money is decreasing. That's one way that ain't

1220
00:57:53,800 --> 00:57:56,320
Speaker 7: going nowhere, you know what I mean, Like you out

1221
00:57:56,320 --> 00:57:58,600
Speaker 7: in La them them photographers.

1222
00:57:58,000 --> 00:58:00,680
Speaker 4: Are getting real money for that shot, like if you

1223
00:58:00,800 --> 00:58:01,680
Speaker 4: catch this person there.

1224
00:58:01,760 --> 00:58:05,760
Speaker 7: So it's like from one perspective, I can't knock the hustle,

1225
00:58:05,960 --> 00:58:07,560
Speaker 7: like you know, like, how else is he supposed to

1226
00:58:07,640 --> 00:58:10,400
Speaker 7: make money. I don't make my money that type of way.

1227
00:58:10,720 --> 00:58:12,880
Speaker 7: So it's never something that I would do or I

1228
00:58:12,920 --> 00:58:16,520
Speaker 7: would think it's cool. Like I always knew that the

1229
00:58:16,680 --> 00:58:19,000
Speaker 7: value of the relationship with the artists, I'm gonna make

1230
00:58:19,080 --> 00:58:22,000
Speaker 7: more money off of that than I would that particular shot.

1231
00:58:22,160 --> 00:58:23,960
Speaker 7: So even when I even if I take a picture

1232
00:58:23,960 --> 00:58:26,320
Speaker 7: in the photo shoot and the artist is ready and

1233
00:58:26,360 --> 00:58:29,000
Speaker 7: ain't know I'm taking it, I'm never just dropping that photo,

1234
00:58:29,480 --> 00:58:32,480
Speaker 7: it's still gonna be like a level of like respect you.

1235
00:58:32,600 --> 00:58:34,920
Speaker 4: Cool, it's the one you want. I give it to

1236
00:58:34,960 --> 00:58:36,760
Speaker 4: you first. I'll let you put it out first, and

1237
00:58:36,800 --> 00:58:38,160
Speaker 4: then I kind of follow up with it.

1238
00:58:39,400 --> 00:58:43,080
Speaker 7: So yeah, I don't necessarily respect that process of it,

1239
00:58:43,600 --> 00:58:48,400
Speaker 7: but I understand that's the way photographers eat, and it's

1240
00:58:48,440 --> 00:58:52,840
Speaker 7: definitely very tricky. It's funny because I was talking to

1241
00:58:52,920 --> 00:58:56,200
Speaker 7: Tip one time about my work and I put all

1242
00:58:56,280 --> 00:58:59,560
Speaker 7: my photos inside of the Trap City Cafe, so you're going,

1243
00:58:59,600 --> 00:59:00,600
Speaker 7: there's all the work in there.

1244
00:59:00,640 --> 00:59:03,480
Speaker 4: But during that process of us hashing it out.

1245
00:59:03,440 --> 00:59:07,400
Speaker 7: Or talking, you know, we're going back and forth about

1246
00:59:07,640 --> 00:59:10,440
Speaker 7: like if I should sell him the photos, if I'm

1247
00:59:10,480 --> 00:59:12,320
Speaker 7: just gonna give it to him, and all this other stuff.

1248
00:59:12,960 --> 00:59:14,480
Speaker 7: And I was telling him like, bro, I don't even

1249
00:59:14,560 --> 00:59:18,120
Speaker 7: sell my work, like I don't sell my photos, and

1250
00:59:18,200 --> 00:59:19,920
Speaker 7: he was like, why not, bro, why don't you sell it?

1251
00:59:20,000 --> 00:59:23,440
Speaker 7: Like I was at this spot in some hotel and

1252
00:59:23,520 --> 00:59:26,439
Speaker 7: they had pictures of Frank Sinatra or something for fifty

1253
00:59:26,520 --> 00:59:28,800
Speaker 7: thousand dollars, and I was like, I said, now, think

1254
00:59:28,800 --> 00:59:30,760
Speaker 7: about the world that I'm in, the people I got

1255
00:59:30,840 --> 00:59:33,080
Speaker 7: to see every day. I said that Tip, you come

1256
00:59:33,120 --> 00:59:35,600
Speaker 7: in my studio and there's a picture of your hats

1257
00:59:35,640 --> 00:59:37,800
Speaker 7: on this wall with a twenty thousand dollars sign. I said,

1258
00:59:37,800 --> 00:59:39,720
Speaker 7: you're gonna give me a call, ain't you. You're gonna

1259
00:59:39,760 --> 00:59:42,240
Speaker 7: be like, what's up with that. He was like, hell yeah,

1260
00:59:42,320 --> 00:59:45,000
Speaker 7: I said, so you see the dynamic. Other photographers can

1261
00:59:45,040 --> 00:59:47,200
Speaker 7: probably get away with that because they don't have a tie.

1262
00:59:47,240 --> 00:59:49,920
Speaker 4: They're not tied into the culture to care what y'all

1263
00:59:50,040 --> 00:59:53,200
Speaker 4: might think. They know the rules. Hey, by law, I

1264
00:59:53,280 --> 00:59:54,520
Speaker 4: could do this. I own the work.

1265
00:59:55,800 --> 00:59:57,840
Speaker 6: Like this is on my camera, I own it.

1266
00:59:58,000 --> 01:00:00,840
Speaker 7: The copyright laws protect the photographer. I took the picture

1267
01:00:00,880 --> 01:00:03,360
Speaker 7: of you, I own it. I can sell it, distribute it.

1268
01:00:03,720 --> 01:00:06,120
Speaker 7: But I'm I'm not in that niggas. I'm not in

1269
01:00:06,240 --> 01:00:06,600
Speaker 7: that world.

1270
01:00:06,680 --> 01:00:08,800
Speaker 4: Yeah, y'all gonna come pull up on me. It's like

1271
01:00:09,400 --> 01:00:10,840
Speaker 4: I can't do that with my work.

1272
01:00:11,080 --> 01:00:13,520
Speaker 7: So thankfully I have these other ways to make money

1273
01:00:13,560 --> 01:00:16,520
Speaker 7: off my work indirectly because y'all gonna be pissed off

1274
01:00:16,520 --> 01:00:18,800
Speaker 7: if I started taking y'all work selling it for ten

1275
01:00:18,880 --> 01:00:21,400
Speaker 7: Here go this picture of Gucci, he go twenty thousand

1276
01:00:21,480 --> 01:00:23,840
Speaker 7: for this, And people offered me money like that all

1277
01:00:23,880 --> 01:00:25,600
Speaker 7: the time. But I'm like, it don't make sense for

1278
01:00:25,720 --> 01:00:27,680
Speaker 7: me to do that. That ain't really what it's made for.

1279
01:00:28,000 --> 01:00:31,960
Speaker 7: So from that perspective, like I couldn't do that just

1280
01:00:32,000 --> 01:00:33,280
Speaker 7: because of my relationships.

1281
01:00:34,480 --> 01:00:35,920
Speaker 4: What's next for Kim Currs Studio?

1282
01:00:36,880 --> 01:00:40,280
Speaker 7: And we're trying to expand other cities bring the magic

1283
01:00:40,520 --> 01:00:43,040
Speaker 7: that we created here in Atlanta. Like I always been

1284
01:00:43,400 --> 01:00:46,760
Speaker 7: trying to finish Atlanta, like I wanted like a full,

1285
01:00:47,040 --> 01:00:50,080
Speaker 7: like finished product before I start duplicating it. And I

1286
01:00:50,160 --> 01:00:52,320
Speaker 7: think the move to the bellline gave us the ability

1287
01:00:52,400 --> 01:00:55,560
Speaker 7: to like duplicate it and now take it to a Houston,

1288
01:00:55,760 --> 01:00:58,680
Speaker 7: take it to a Memphis or Charlotte, other areas like

1289
01:00:58,760 --> 01:01:01,680
Speaker 7: that that are coming up, but still need resources that

1290
01:01:01,840 --> 01:01:05,040
Speaker 7: we can provide. So that's really the next move's just

1291
01:01:05,160 --> 01:01:07,720
Speaker 7: like I said earlier, just scaling vertically and not just

1292
01:01:07,800 --> 01:01:08,960
Speaker 7: stretching myself wide.

1293
01:01:09,080 --> 01:01:12,040
Speaker 4: But that's the next the next move for me.

1294
01:01:13,040 --> 01:01:16,360
Speaker 7: But I also, like I want to get back into

1295
01:01:16,520 --> 01:01:19,680
Speaker 7: music and helping because I do feel like I got

1296
01:01:19,720 --> 01:01:22,080
Speaker 7: a lot to offer from like a music just my

1297
01:01:22,200 --> 01:01:25,880
Speaker 7: perspective on how things can happen, the movements people need

1298
01:01:25,960 --> 01:01:28,720
Speaker 7: to be making. So I hope to be able to,

1299
01:01:28,920 --> 01:01:31,959
Speaker 7: you know, get my feet more planning on the music side,

1300
01:01:32,000 --> 01:01:34,720
Speaker 7: helping with rollouts or just helping with whatever it is

1301
01:01:34,840 --> 01:01:38,560
Speaker 7: they need, or supporting artists that I believe in, you

1302
01:01:38,640 --> 01:01:42,400
Speaker 7: know more, because I do feel and it's missing something

1303
01:01:43,280 --> 01:01:45,880
Speaker 7: and I know it just needs leadership in a direction

1304
01:01:46,520 --> 01:01:48,360
Speaker 7: to help get it where it needs to go. And

1305
01:01:48,440 --> 01:01:50,400
Speaker 7: I think I could definitely play a part in that

1306
01:01:51,000 --> 01:01:52,400
Speaker 7: because I want to see it. I want to see

1307
01:01:52,440 --> 01:01:52,720
Speaker 7: it back.

1308
01:01:52,760 --> 01:01:55,720
Speaker 4: I want to see it unified and killing in not

1309
01:01:55,880 --> 01:01:58,680
Speaker 4: just one sector but all areas. You know, I agree.

1310
01:01:59,520 --> 01:02:03,760
Speaker 7: Hell yeah, Like I'm excited about it. And I think

1311
01:02:03,800 --> 01:02:05,320
Speaker 7: a lot of things that happening, like what y'all are

1312
01:02:05,360 --> 01:02:07,760
Speaker 7: doing in the media is big for Atlanta. People can't

1313
01:02:07,840 --> 01:02:11,240
Speaker 7: keep saying we don't have media. It's like, yeah, it's

1314
01:02:11,240 --> 01:02:12,920
Speaker 7: starting to exist here, you know what I mean. Now

1315
01:02:12,920 --> 01:02:15,400
Speaker 7: you got to support it and amplify it, you know

1316
01:02:15,440 --> 01:02:18,680
Speaker 7: what I mean. So I think we're slowly really although

1317
01:02:18,680 --> 01:02:21,400
Speaker 7: we might be shrinking in certain aspects that we were

1318
01:02:21,520 --> 01:02:24,520
Speaker 7: used to or comfortable with, we're expanding and these other

1319
01:02:24,640 --> 01:02:27,280
Speaker 7: areas that I think we need to as just amplify

1320
01:02:27,360 --> 01:02:29,880
Speaker 7: those other areas while this one getting right, Like while

1321
01:02:29,920 --> 01:02:31,920
Speaker 7: this will get right, let's just amplify the fact that

1322
01:02:32,480 --> 01:02:35,320
Speaker 7: this is happening here, this is happening here, and scale

1323
01:02:35,400 --> 01:02:38,160
Speaker 7: those things up, and it's gonna be these platforms that's

1324
01:02:38,200 --> 01:02:40,560
Speaker 7: gonna make the music get back where you need to go,

1325
01:02:40,960 --> 01:02:41,440
Speaker 7: you know what I mean?

1326
01:02:41,480 --> 01:02:44,000
Speaker 1: Right, just because the Atlanta fascions ain't winning. No mean

1327
01:02:44,040 --> 01:02:47,240
Speaker 1: to sit them that ain't winning. Fact, there's a lot of.

1328
01:02:47,240 --> 01:02:49,320
Speaker 4: Ship going on in the motherfucker.

1329
01:02:50,320 --> 01:02:51,040
Speaker 3: Fashion week here.

1330
01:02:51,600 --> 01:02:53,680
Speaker 4: Yeah, they got one that they're trying to pop off,

1331
01:02:53,760 --> 01:02:56,040
Speaker 4: but you gotta support it.

1332
01:02:56,080 --> 01:02:59,120
Speaker 7: It's like everybody gotta now, you gotta support they gotta

1333
01:02:59,160 --> 01:03:01,360
Speaker 7: amplify that one because it makes sense.

1334
01:03:01,760 --> 01:03:03,680
Speaker 4: Like we're some of the most fashionate people in the

1335
01:03:03,720 --> 01:03:06,720
Speaker 4: world here in the South, so it makes sense.

1336
01:03:06,880 --> 01:03:09,360
Speaker 7: But I just think that if we keep thinking like, oh,

1337
01:03:09,400 --> 01:03:11,760
Speaker 7: because this one side is struggling a little bit, that's

1338
01:03:11,840 --> 01:03:15,160
Speaker 7: all we made up, It's like we're gonna play into

1339
01:03:15,200 --> 01:03:16,000
Speaker 7: the hands that they want.

1340
01:03:16,080 --> 01:03:17,480
Speaker 4: They want us to think like that, you know what

1341
01:03:17,520 --> 01:03:17,760
Speaker 4: I mean?

1342
01:03:17,920 --> 01:03:19,920
Speaker 6: So culture is collective.

1343
01:03:20,120 --> 01:03:22,640
Speaker 4: It's collective, and like like how you mentioned again, like

1344
01:03:22,880 --> 01:03:27,080
Speaker 4: that was a photography exhibit, one of the biggest.

1345
01:03:28,400 --> 01:03:34,040
Speaker 7: Yes, So it's like that it takes like them supporting

1346
01:03:34,160 --> 01:03:37,000
Speaker 7: other facets, not just supporting the rappers, but supporting these

1347
01:03:37,040 --> 01:03:39,840
Speaker 7: other things that make them go crazy. Like that interview

1348
01:03:39,840 --> 01:03:41,440
Speaker 7: you just did, that's gonna be the biggest interview in

1349
01:03:41,520 --> 01:03:46,480
Speaker 7: Atlanta ever, probably beyond Atlanta, Like that's gonna be that's

1350
01:03:46,560 --> 01:03:50,800
Speaker 7: a cultural moment. That was the Shannon Shark Cat Williams moment,

1351
01:03:50,840 --> 01:04:01,560
Speaker 7: you know what I mean. So it's like, yeah, really

1352
01:04:01,720 --> 01:04:03,000
Speaker 7: when were getting out there camp.

1353
01:04:03,200 --> 01:04:05,120
Speaker 4: Man, I can't wait. I'm rusty right now. I ain't

1354
01:04:05,120 --> 01:04:06,120
Speaker 4: been out there on the golf.

1355
01:04:05,960 --> 01:04:08,200
Speaker 7: Course in like two weeks, two three weeks Friday, So

1356
01:04:08,280 --> 01:04:11,000
Speaker 7: I need to get back out there for sure, for sure,

1357
01:04:11,680 --> 01:04:12,040
Speaker 7: for sure?

1358
01:04:12,160 --> 01:04:14,080
Speaker 4: What you your stream right now coming?

1359
01:04:14,200 --> 01:04:14,919
Speaker 3: I told her first.

1360
01:04:15,000 --> 01:04:17,640
Speaker 7: I mean I would say what you think about what's

1361
01:04:17,640 --> 01:04:19,840
Speaker 7: going on in Atlanta, like in terms of just I

1362
01:04:19,920 --> 01:04:21,960
Speaker 7: know you ask me about the music or what's missing,

1363
01:04:22,040 --> 01:04:23,600
Speaker 7: but what you think is missing?

1364
01:04:24,800 --> 01:04:26,720
Speaker 1: I think it's like I said, I think it's missing

1365
01:04:26,800 --> 01:04:30,080
Speaker 1: the unification, like niggas just getting back together with each other,

1366
01:04:30,160 --> 01:04:32,000
Speaker 1: but the niggas got people gotta understand.

1367
01:04:32,040 --> 01:04:34,920
Speaker 4: Everybody's gonna forward there everybody, Yeah, and nothing.

1368
01:04:35,080 --> 01:04:39,240
Speaker 1: I feel like, Bro, the issue that even all these

1369
01:04:39,280 --> 01:04:41,360
Speaker 1: interviews I've been doing, the people I've been, people I've

1370
01:04:41,360 --> 01:04:45,840
Speaker 1: been here, the issue is nobody can accept another motherfucker

1371
01:04:45,880 --> 01:04:46,640
Speaker 1: telling them they wrong.

1372
01:04:47,640 --> 01:04:50,440
Speaker 4: That's the problem. Like we niggas ain't being me, and

1373
01:04:50,560 --> 01:04:53,240
Speaker 4: people ain't being people, not even just me and women. Nobody,

1374
01:04:53,320 --> 01:04:54,240
Speaker 4: nobody don't want.

1375
01:04:54,120 --> 01:04:57,760
Speaker 1: To accountability Yeah, it's like, but you're wrong with to

1376
01:04:57,880 --> 01:05:00,640
Speaker 1: me or instead of sh we're both wrong.

1377
01:05:01,640 --> 01:05:06,000
Speaker 4: Yeah, niggas want to say you more wronger. That's the problem.

1378
01:05:06,120 --> 01:05:08,240
Speaker 4: It's like nobody want to take their list.

1379
01:05:08,280 --> 01:05:10,360
Speaker 1: I take my lip, but I feel like this, and

1380
01:05:10,480 --> 01:05:12,800
Speaker 1: then you take your lick. Nobody don't want to take

1381
01:05:12,800 --> 01:05:13,120
Speaker 1: their list.

1382
01:05:13,160 --> 01:05:15,480
Speaker 6: Everybody don't want to say, hey, I'm taking my lick.

1383
01:05:16,600 --> 01:05:16,800
Speaker 4: Yeah.

1384
01:05:17,480 --> 01:05:19,440
Speaker 1: No, I'm gonna take my link and here, and you

1385
01:05:19,520 --> 01:05:22,000
Speaker 1: gotta hear me out too, because some of this shit

1386
01:05:22,120 --> 01:05:23,760
Speaker 1: be be a reaction.

1387
01:05:24,520 --> 01:05:26,520
Speaker 4: So I did this because I felt like this. Nobody

1388
01:05:26,600 --> 01:05:28,360
Speaker 4: want to say how they felt. Everybody want to add

1389
01:05:28,440 --> 01:05:30,920
Speaker 4: like ship, this is how I go.

1390
01:05:31,360 --> 01:05:34,240
Speaker 6: Everybody just really wants to shift the blame or.

1391
01:05:34,320 --> 01:05:35,880
Speaker 4: Feel like this is how I go. My feelings on

1392
01:05:35,920 --> 01:05:36,880
Speaker 4: the only thing that's valid.

1393
01:05:37,760 --> 01:05:41,560
Speaker 1: Yeah, because if you listen to all sides of everybody,

1394
01:05:41,600 --> 01:05:42,680
Speaker 1: I don't give a fuck who it is.

1395
01:05:42,840 --> 01:05:47,520
Speaker 4: Everybody feelings are valid no matter who right and wrong.

1396
01:05:47,560 --> 01:05:49,360
Speaker 1: I can talk you on screen, get into it right,

1397
01:05:50,080 --> 01:05:54,880
Speaker 1: and I'm so my perspectives is just so broadened that

1398
01:05:55,040 --> 01:05:57,000
Speaker 1: I can understand where Jay coming from, and I can

1399
01:05:57,080 --> 01:06:01,160
Speaker 1: understand where you came exactly understand. But Jay, you shouldn't

1400
01:06:01,160 --> 01:06:02,840
Speaker 1: have probably said that like that. Now you don't tea

1401
01:06:03,040 --> 01:06:05,080
Speaker 1: man you can't see him how to respond and stream

1402
01:06:05,160 --> 01:06:05,760
Speaker 1: you know how she is.

1403
01:06:05,800 --> 01:06:06,439
Speaker 4: You should have woo.

1404
01:06:06,600 --> 01:06:09,640
Speaker 1: I can tell both of y'all how y'all tripping, but

1405
01:06:09,880 --> 01:06:11,600
Speaker 1: you don't want to hear how he tripping. He don't

1406
01:06:11,600 --> 01:06:12,440
Speaker 1: want to hear how you tripping?

1407
01:06:12,480 --> 01:06:13,480
Speaker 4: Because fuck that.

1408
01:06:13,960 --> 01:06:18,240
Speaker 1: You shouldn't have tripped the ego when both of y'all

1409
01:06:18,280 --> 01:06:20,840
Speaker 1: when it ain't really shit, you gotta think bro back

1410
01:06:21,200 --> 01:06:22,800
Speaker 1: and I keep I hate to say back in the

1411
01:06:22,880 --> 01:06:25,280
Speaker 1: day because we were up in the days. Now we

1412
01:06:25,360 --> 01:06:27,840
Speaker 1: ain't back in the day no more. We hear he

1413
01:06:27,960 --> 01:06:32,200
Speaker 1: used to be like Niggas will take their link. Niggas

1414
01:06:32,240 --> 01:06:34,800
Speaker 1: be like shit all right, or just say with this.

1415
01:06:34,880 --> 01:06:37,120
Speaker 1: I just don't fuck with that nigga. Nigg don't try

1416
01:06:37,160 --> 01:06:39,000
Speaker 1: to make up a lie to convince like I ain't

1417
01:06:39,000 --> 01:06:41,440
Speaker 1: gonna call Jay allow you to convince her to be

1418
01:06:41,480 --> 01:06:43,400
Speaker 1: on my side when I tell her what I'm mad about.

1419
01:06:44,160 --> 01:06:46,360
Speaker 4: You know what I'm saying. I don't already fucked up.

1420
01:06:46,240 --> 01:06:49,400
Speaker 1: Your character like you just a whole ass nigga lying

1421
01:06:49,480 --> 01:06:50,920
Speaker 1: so she can feel me when I get ready to

1422
01:06:50,960 --> 01:06:52,880
Speaker 1: say what I really feel you know what I'm saying.

1423
01:06:52,880 --> 01:06:54,720
Speaker 1: I'm really mad at Cam kase he ain't shoot my

1424
01:06:54,800 --> 01:06:57,439
Speaker 1: photo shoot when I was younger. But now I'm gonna

1425
01:06:57,560 --> 01:07:00,200
Speaker 1: tell some lies on Cam to make him say, ain't

1426
01:07:00,200 --> 01:07:01,800
Speaker 1: like a fuck nigga. But instead of saying, bro, I

1427
01:07:01,920 --> 01:07:03,320
Speaker 1: just felt like the nigga shit on me when I

1428
01:07:03,400 --> 01:07:06,560
Speaker 1: was young, Like we gotta go ow and beyond to

1429
01:07:06,600 --> 01:07:09,120
Speaker 1: make a motherfucker believe us so that when the lives

1430
01:07:09,160 --> 01:07:09,760
Speaker 1: and shit come.

1431
01:07:09,680 --> 01:07:11,320
Speaker 6: In, you gotta sat the stage.

1432
01:07:11,760 --> 01:07:13,400
Speaker 1: Yeah, that's when the lives of shit come in. I

1433
01:07:13,520 --> 01:07:16,720
Speaker 1: just feel like, man, niggas, if niggas just just was

1434
01:07:16,840 --> 01:07:20,320
Speaker 1: men and people just people, people, just adults, like to

1435
01:07:20,440 --> 01:07:23,320
Speaker 1: be like, shit, I ain't I'm wrong, nigga, don't fuck me.

1436
01:07:23,400 --> 01:07:27,520
Speaker 1: Fuck you yeah, man, because I know I be wrong,

1437
01:07:29,440 --> 01:07:31,920
Speaker 1: but I be standing on it because that's how I

1438
01:07:32,040 --> 01:07:34,520
Speaker 1: feel I'm saying. But when I go back and listen

1439
01:07:34,560 --> 01:07:37,040
Speaker 1: to it in hindsight, I be like, damn, I probably

1440
01:07:37,080 --> 01:07:40,160
Speaker 1: would trip. And that's how I felt that day. But

1441
01:07:40,440 --> 01:07:43,000
Speaker 1: instead of niggas saying that that's too too much of

1442
01:07:43,120 --> 01:07:46,200
Speaker 1: a nigga being a pussy, so I can't say that.

1443
01:07:46,280 --> 01:07:48,880
Speaker 1: So now I gotta make myself right by lying to myself,

1444
01:07:48,960 --> 01:07:50,040
Speaker 1: in you, into everybody else.

1445
01:07:52,200 --> 01:07:54,880
Speaker 5: It's really not respecting being human because all that everything

1446
01:07:54,880 --> 01:07:56,919
Speaker 5: you talking about is just just being human and things

1447
01:07:56,920 --> 01:07:57,960
Speaker 5: that come along with being um.

1448
01:07:58,000 --> 01:08:01,720
Speaker 1: The internet and all this, all this, I want to

1449
01:08:01,800 --> 01:08:03,720
Speaker 1: be accepted. All that's gonna play the part into it.

1450
01:08:03,720 --> 01:08:05,680
Speaker 1: Because I can talk to a nigga. We can turn

1451
01:08:05,760 --> 01:08:08,400
Speaker 1: these cameras off and I can talk to a nigga

1452
01:08:08,440 --> 01:08:11,960
Speaker 1: and nigga be like, man, I couldn't say that on camera,

1453
01:08:12,080 --> 01:08:14,880
Speaker 1: this is how I really feel. But that's what represents you,

1454
01:08:15,000 --> 01:08:18,080
Speaker 1: what you said on camera. And if you say how

1455
01:08:18,120 --> 01:08:20,240
Speaker 1: you really feel, that would get that would be valid

1456
01:08:20,640 --> 01:08:22,439
Speaker 1: because there's a lot of people feel how you feel.

1457
01:08:24,439 --> 01:08:26,880
Speaker 1: Niggas just try to uphold an image that would never

1458
01:08:27,000 --> 01:08:30,439
Speaker 1: be uphold because it's gonna always be something missing. And

1459
01:08:30,520 --> 01:08:32,680
Speaker 1: when a motherfucker tell they real truth, and I'm my bad,

1460
01:08:33,040 --> 01:08:35,280
Speaker 1: got damn taking off on that couldn't get When a

1461
01:08:35,320 --> 01:08:38,280
Speaker 1: motherfucker tell what's really truth, you can feel the truth.

1462
01:08:39,479 --> 01:08:40,439
Speaker 4: When a nigga be and.

1463
01:08:42,040 --> 01:08:44,040
Speaker 1: You ain't convincing me, bro, you can say how long

1464
01:08:44,200 --> 01:08:46,599
Speaker 1: you see how long in my face it just don't

1465
01:08:46,640 --> 01:08:47,120
Speaker 1: feel right?

1466
01:08:47,160 --> 01:08:50,360
Speaker 4: Bro? You can say how long, however long I tell

1467
01:08:50,439 --> 01:08:52,240
Speaker 4: you tell this lie. That just was a long ass

1468
01:08:52,320 --> 01:08:55,439
Speaker 4: lie cause you gotta think.

1469
01:08:55,360 --> 01:08:58,479
Speaker 1: A nigga and yeah and and and no, bro, I'm

1470
01:08:58,479 --> 01:09:00,479
Speaker 1: gonna say it's just like this straight up. You add me,

1471
01:09:00,720 --> 01:09:02,680
Speaker 1: I don't like that. Nigga's just somebody. I don't know

1472
01:09:02,760 --> 01:09:03,000
Speaker 1: what it is.

1473
01:09:03,080 --> 01:09:03,800
Speaker 4: I could be hating.

1474
01:09:03,840 --> 01:09:06,560
Speaker 1: No, no, I don't like it. I ain't finna go

1475
01:09:06,640 --> 01:09:10,920
Speaker 1: into why that nigga by that? By that Ferrari man,

1476
01:09:10,960 --> 01:09:12,519
Speaker 1: I wouldn't even bout that with my money. You just

1477
01:09:12,600 --> 01:09:15,360
Speaker 1: turned to hater nothing everything you need to do wrong

1478
01:09:15,840 --> 01:09:17,679
Speaker 1: because you don't like them, instead of just saying.

1479
01:09:17,520 --> 01:09:20,960
Speaker 4: Bro, I just that ain't my style of person. I

1480
01:09:21,000 --> 01:09:22,720
Speaker 4: ain't gotta make up. They ain't gotta be no beef.

1481
01:09:22,800 --> 01:09:25,880
Speaker 4: We ain't gotta try to figure it out. See that

1482
01:09:25,960 --> 01:09:26,280
Speaker 4: what it is.

1483
01:09:26,400 --> 01:09:30,000
Speaker 1: It can't be a disagreement without a beef. If we

1484
01:09:30,080 --> 01:09:31,800
Speaker 1: got a disagreement or if I gotta check you now,

1485
01:09:31,800 --> 01:09:32,479
Speaker 1: I gotta kill.

1486
01:09:32,360 --> 01:09:34,200
Speaker 3: You instead of agreeing and disagree.

1487
01:09:34,360 --> 01:09:36,719
Speaker 4: Yeah, that's why I can't. That's why on these platforms

1488
01:09:36,760 --> 01:09:38,479
Speaker 4: and shit, I just let people say what they say.

1489
01:09:38,520 --> 01:09:40,000
Speaker 1: I don't want to be the nigga to disagree with

1490
01:09:40,120 --> 01:09:41,720
Speaker 1: you or call you got your name or none of

1491
01:09:41,720 --> 01:09:43,960
Speaker 1: that shit, because I gotta be willing to do what

1492
01:09:44,120 --> 01:09:46,000
Speaker 1: they take to do to you if you take it

1493
01:09:46,040 --> 01:09:48,240
Speaker 1: a certain type of way. So I'm gonna let you

1494
01:09:48,320 --> 01:09:50,280
Speaker 1: just say what you say, bro, and say how I

1495
01:09:50,400 --> 01:09:52,439
Speaker 1: feel because you in front of me, and let it

1496
01:09:52,560 --> 01:09:54,400
Speaker 1: be that. I ain't trying to bickle with no nigga

1497
01:09:54,439 --> 01:09:58,839
Speaker 1: go back and forth because people take this image with everything.

1498
01:10:00,160 --> 01:10:03,240
Speaker 4: Nigga, knock your head off because you you know what

1499
01:10:03,280 --> 01:10:06,280
Speaker 4: I'm saying. You feel like how you feel about some

1500
01:10:06,360 --> 01:10:07,160
Speaker 4: ship that they did.

1501
01:10:07,840 --> 01:10:09,360
Speaker 1: It ain't even gotta be what they did. We just

1502
01:10:09,479 --> 01:10:12,599
Speaker 1: have a different opinion on some people. Is at walls

1503
01:10:12,600 --> 01:10:14,040
Speaker 1: about different of opinion.

1504
01:10:16,560 --> 01:10:19,439
Speaker 4: And misinformation. She ain't got nothing to do nobody that, nigga.

1505
01:10:19,479 --> 01:10:21,479
Speaker 1: Mean, you'll be at one talking about what's going on

1506
01:10:21,600 --> 01:10:23,800
Speaker 1: in the y. I say, I try this, ain't got

1507
01:10:23,840 --> 01:10:26,320
Speaker 1: shit to do with me on you. But now like

1508
01:10:26,320 --> 01:10:28,160
Speaker 1: I don't funk. Would that be a jade fuck her?

1509
01:10:29,000 --> 01:10:33,160
Speaker 1: I'ma be on that because we disagreeing. It's that you like,

1510
01:10:33,240 --> 01:10:35,360
Speaker 1: that's how you feel. That's how I feel, baby. I

1511
01:10:35,479 --> 01:10:37,960
Speaker 1: love you though that damn nigga. Niggas can't do that.

1512
01:10:38,080 --> 01:10:40,960
Speaker 1: No more niggas feel tried over everything everything. Make a nigga,

1513
01:10:40,960 --> 01:10:42,559
Speaker 1: the nigga trying me everything.

1514
01:10:44,000 --> 01:10:44,960
Speaker 4: I need to be the same way.

1515
01:10:45,000 --> 01:10:48,000
Speaker 1: But that I know that was a flawed mine. Every

1516
01:10:48,120 --> 01:10:51,080
Speaker 1: niggas ain't trying you because they got their own mind right,

1517
01:10:52,880 --> 01:10:55,519
Speaker 1: just straight up like you gotta because you gotta think.

1518
01:10:56,880 --> 01:10:59,280
Speaker 1: You may not feel like that in that mument, but

1519
01:10:59,320 --> 01:11:01,360
Speaker 1: it's been a lot of shit that I can sit

1520
01:11:01,439 --> 01:11:02,479
Speaker 1: here and talk to you all about it. I be

1521
01:11:02,520 --> 01:11:04,160
Speaker 1: then that wrong, like one of the interview did last well,

1522
01:11:04,320 --> 01:11:06,160
Speaker 1: like erach that we gotta do it on because I

1523
01:11:06,320 --> 01:11:08,080
Speaker 1: was then add wrong get an interview about a lot

1524
01:11:08,120 --> 01:11:10,120
Speaker 1: of shit. But I thought about it, but I was

1525
01:11:10,200 --> 01:11:11,840
Speaker 1: just in the mood. I woke up in the move

1526
01:11:11,960 --> 01:11:14,360
Speaker 1: fun tell you fuck fuck this bitch too. Came to

1527
01:11:14,400 --> 01:11:14,920
Speaker 1: Big Fact.

1528
01:11:14,880 --> 01:11:18,160
Speaker 4: On some bullshit. But a nigga know you're on some

1529
01:11:18,240 --> 01:11:22,320
Speaker 4: bullshit and then stand on that bullshit. That'sh the bullshit.

1530
01:11:23,640 --> 01:11:25,439
Speaker 4: Instead of just saying, hey, screen, let me hear that back.

1531
01:11:25,479 --> 01:11:27,479
Speaker 4: He was like, shit, but you screen said it. Exaccer

1532
01:11:28,040 --> 01:11:31,800
Speaker 4: use it realform, but you cheat that mother fucker or not.

1533
01:11:31,960 --> 01:11:33,600
Speaker 1: No E, raise that ship, bro, I can admit that

1534
01:11:33,680 --> 01:11:35,840
Speaker 1: instead of me letting it come out, let the world

1535
01:11:35,920 --> 01:11:37,519
Speaker 1: see it and no, I don't feel like that. But

1536
01:11:37,560 --> 01:11:39,080
Speaker 1: now I gotta stand on it because I'm a man.

1537
01:11:39,560 --> 01:11:42,479
Speaker 1: I can't backpelle on my words when I can stop it.

1538
01:11:42,600 --> 01:11:46,680
Speaker 4: Now that you think that came from wisdom, where that

1539
01:11:46,760 --> 01:11:48,920
Speaker 4: comes from? For you to have that vision, that just

1540
01:11:49,000 --> 01:11:52,800
Speaker 4: came from me trying to be like less conflicts. You

1541
01:11:52,840 --> 01:11:53,280
Speaker 4: know what I'm saying.

1542
01:11:53,320 --> 01:11:55,800
Speaker 1: I don't want no conflict like like niggas is trying

1543
01:11:55,800 --> 01:11:57,320
Speaker 1: to really change that couldn't change to make you.

1544
01:11:57,280 --> 01:11:59,360
Speaker 4: A pussy, just make you think. You know what I'm saying.

1545
01:11:59,640 --> 01:12:02,479
Speaker 4: It's like, do I really want to go to chainin

1546
01:12:02,680 --> 01:12:08,040
Speaker 4: or die behind disagreeing with a nigga. No, yeah, nigga

1547
01:12:08,040 --> 01:12:09,040
Speaker 4: ain't fuck me. Niggain't did it.

1548
01:12:09,080 --> 01:12:10,599
Speaker 1: None of my people, niggain't did any of my kids,

1549
01:12:10,640 --> 01:12:12,280
Speaker 1: nigga't did it. Any of my wife niggin't. Ben then

1550
01:12:12,320 --> 01:12:14,479
Speaker 1: my dog, nobody in my family niggain't.

1551
01:12:14,520 --> 01:12:15,160
Speaker 4: It's his talk.

1552
01:12:16,520 --> 01:12:18,719
Speaker 1: So now I'm ready to ride around. Lord up the stick,

1553
01:12:18,840 --> 01:12:20,920
Speaker 1: get me a switch and all this and find.

1554
01:12:20,680 --> 01:12:21,519
Speaker 4: You behind me.

1555
01:12:21,600 --> 01:12:24,080
Speaker 1: And you don't agree on something, that's the laman shit

1556
01:12:24,120 --> 01:12:28,080
Speaker 1: in the world. Niggas Always when you ask a nigga,

1557
01:12:28,080 --> 01:12:30,000
Speaker 1: what the root of they beef me. Niggas don't never

1558
01:12:30,120 --> 01:12:33,840
Speaker 1: know because so much put the pussy shit lead up

1559
01:12:33,880 --> 01:12:34,679
Speaker 1: to some real shit.

1560
01:12:35,600 --> 01:12:36,160
Speaker 4: You see what I'm saying.

1561
01:12:36,200 --> 01:12:38,400
Speaker 1: It could be some little puss sad disagreement men you got,

1562
01:12:38,560 --> 01:12:40,000
Speaker 1: but it lead up to some real shit. Don't sit

1563
01:12:40,120 --> 01:12:41,960
Speaker 1: up my mouth like fuck you old ad nigga, or

1564
01:12:42,240 --> 01:12:43,880
Speaker 1: saw you and swung on you, or beat up your

1565
01:12:43,880 --> 01:12:46,960
Speaker 1: little brother or something, now that it's real when it

1566
01:12:47,040 --> 01:12:49,360
Speaker 1: wasn't nothing but words and disagreement, or we didn't like

1567
01:12:49,439 --> 01:12:51,639
Speaker 1: each other, we fucked the same bitch or something something

1568
01:12:51,760 --> 01:12:54,280
Speaker 1: so small that a nigga will lead that part out

1569
01:12:56,160 --> 01:12:58,200
Speaker 1: cause it's too pettative. Even ain't like how did it

1570
01:12:58,320 --> 01:13:03,120
Speaker 1: first start? Yeah, nobody can really tell you how nothing

1571
01:13:03,200 --> 01:13:04,800
Speaker 1: first start because they embarrassed.

1572
01:13:09,520 --> 01:13:10,519
Speaker 4: It just be the reaction.

1573
01:13:10,800 --> 01:13:14,000
Speaker 1: What starts like niggas make the reaction is what started.

1574
01:13:14,160 --> 01:13:16,639
Speaker 1: Like just say Bencon like I said, man Jay arguing

1575
01:13:16,640 --> 01:13:20,000
Speaker 1: about some bullshit. But she ain't gonna go report that

1576
01:13:20,200 --> 01:13:22,960
Speaker 1: not her per se a person win gold, report that

1577
01:13:23,200 --> 01:13:24,920
Speaker 1: we were just arguing about this. No, she's gonna tell

1578
01:13:24,920 --> 01:13:27,600
Speaker 1: her true feelings how she feel about me, you know

1579
01:13:27,600 --> 01:13:29,400
Speaker 1: what I'm saying, And that's gonna trigger me like that,

1580
01:13:29,600 --> 01:13:30,320
Speaker 1: now how they did feel?

1581
01:13:30,600 --> 01:13:33,040
Speaker 4: Then I'm gonna say how I feel now now it's real.

1582
01:13:35,240 --> 01:13:38,519
Speaker 3: Yep, that's the truth.

1583
01:13:40,520 --> 01:13:42,679
Speaker 1: A lot of this ship don't even be buy nothing, brother, shit,

1584
01:13:42,720 --> 01:13:45,640
Speaker 1: don't be nothing, brother, like for real because and like

1585
01:13:45,720 --> 01:13:47,960
Speaker 1: I said, you sit down with anybody, the wrongest person

1586
01:13:48,000 --> 01:13:50,360
Speaker 1: in the world, he gonna have a valid point because

1587
01:13:50,400 --> 01:13:53,080
Speaker 1: that's the way he feels. Matter if he right or wrong,

1588
01:13:53,200 --> 01:13:54,240
Speaker 1: you your feelings.

1589
01:13:53,880 --> 01:13:56,360
Speaker 3: Are valid and he or she has a right to that.

1590
01:13:56,840 --> 01:13:59,760
Speaker 4: Yes, your feelings are valid, valid, bro. I think that's

1591
01:13:59,800 --> 01:14:03,200
Speaker 4: what missing. Man. Niggas pride too big to even just

1592
01:14:03,320 --> 01:14:04,280
Speaker 4: hear a person out, bro.

1593
01:14:04,360 --> 01:14:08,240
Speaker 1: How you feel, bro, what I do and actually hear this,

1594
01:14:08,360 --> 01:14:10,800
Speaker 1: cause this person could be taking a lot of shit

1595
01:14:11,080 --> 01:14:14,560
Speaker 1: in the way he received it and you don't know

1596
01:14:14,760 --> 01:14:18,080
Speaker 1: how he feel to be like, oh hell nah, bruh,

1597
01:14:18,280 --> 01:14:19,880
Speaker 1: it wasn't like that, Bro, I was just fucking with

1598
01:14:19,960 --> 01:14:20,759
Speaker 1: you another whatever.

1599
01:14:21,240 --> 01:14:24,360
Speaker 4: It could be fixed, but that dash the what's missing,

1600
01:14:25,000 --> 01:14:26,800
Speaker 4: The conversation is what's missing.

1601
01:14:27,080 --> 01:14:29,240
Speaker 1: And the niggas in the middle them nigga need to

1602
01:14:29,280 --> 01:14:32,760
Speaker 1: be shot down, just saying the niggas who stirring it

1603
01:14:32,840 --> 01:14:37,439
Speaker 1: up knowing that it could be different, Like brother, look, man,

1604
01:14:37,680 --> 01:14:40,439
Speaker 1: y'all nigga tripping, that's my first approach with anybody, no

1605
01:14:40,560 --> 01:14:42,839
Speaker 1: matter who the I've been on their motherfucker the biggest

1606
01:14:42,880 --> 01:14:45,240
Speaker 1: beef y'all think about from the future to drake anybody.

1607
01:14:45,360 --> 01:14:47,599
Speaker 1: I'm telling both of them, niggas on group tell y'all tripping?

1608
01:14:47,960 --> 01:14:48,840
Speaker 1: Fuck who don't respond?

1609
01:14:49,160 --> 01:14:49,680
Speaker 4: I said it?

1610
01:14:50,840 --> 01:14:52,680
Speaker 1: So how it go and go y'all tripp y'all need

1611
01:14:52,720 --> 01:14:55,320
Speaker 1: to make too more money together. Nigga, y'all nigga tripping,

1612
01:14:56,600 --> 01:14:58,080
Speaker 1: get on phone with you. I hear your point.

1613
01:14:58,120 --> 01:14:58,639
Speaker 4: It's valid.

1614
01:14:58,880 --> 01:15:01,640
Speaker 1: Yeah, but could he feel like this you on pull

1615
01:15:01,760 --> 01:15:03,600
Speaker 1: with you. Yeah, it's valid because he feel like this.

1616
01:15:04,360 --> 01:15:07,400
Speaker 1: That's what makes it. It's like some you gotta kind

1617
01:15:07,439 --> 01:15:10,320
Speaker 1: of cause niggas ain't gonna hear from you because you're

1618
01:15:10,320 --> 01:15:13,240
Speaker 1: mad at you. So nigga in the middle gotta kind

1619
01:15:13,240 --> 01:15:17,000
Speaker 1: of play double advocate instead of being there. If it's

1620
01:15:17,000 --> 01:15:19,760
Speaker 1: a real nigga in the middle, right, Yeah, but you

1621
01:15:19,840 --> 01:15:20,960
Speaker 1: can't be the nigga like here.

1622
01:15:21,080 --> 01:15:25,200
Speaker 5: Yeah, but the instigators outweigh the people like yourself. The

1623
01:15:25,280 --> 01:15:27,559
Speaker 5: instigators like to add fire to the flame.

1624
01:15:28,479 --> 01:15:29,280
Speaker 4: If you tell me some.

1625
01:15:29,320 --> 01:15:31,920
Speaker 1: Shit that's true about Jay, I'm gonna to agree with you. Yeah,

1626
01:15:31,920 --> 01:15:33,280
Speaker 1: because you know I saw that too.

1627
01:15:33,400 --> 01:15:33,920
Speaker 4: Jay is some.

1628
01:15:33,960 --> 01:15:36,160
Speaker 1: Bullshit, And I'm gonna say, Jay, he made a valid point,

1629
01:15:36,240 --> 01:15:38,120
Speaker 1: but you here some bullshit right here because he said

1630
01:15:38,200 --> 01:15:39,200
Speaker 1: this and that's true.

1631
01:15:39,800 --> 01:15:41,439
Speaker 4: I'm gonna deliver that to you just like that.

1632
01:15:41,720 --> 01:15:43,639
Speaker 1: Me and you not mad a eta joke. So I'm

1633
01:15:43,680 --> 01:15:45,519
Speaker 1: giving a fuck how you take the truth. Scream right

1634
01:15:45,560 --> 01:15:47,000
Speaker 1: about what you said, cause you do be doing that.

1635
01:15:47,080 --> 01:15:49,920
Speaker 4: You be doing that to me. You know what I'm saying.

1636
01:15:50,040 --> 01:15:52,639
Speaker 4: They're trying to help a motherfucker get it. Niggas ain't

1637
01:15:52,640 --> 01:15:57,720
Speaker 4: doing that. You feel like you are a leader in

1638
01:15:57,800 --> 01:16:00,960
Speaker 4: Atlanta and that's your responsibility. Nah, hell no, I don't

1639
01:16:01,000 --> 01:16:01,479
Speaker 4: want to do that.

1640
01:16:01,880 --> 01:16:03,960
Speaker 3: I will say this is the last two questions that

1641
01:16:04,040 --> 01:16:06,640
Speaker 3: has heard from cam Kirk. You might already have one.

1642
01:16:06,680 --> 01:16:08,879
Speaker 3: You need a podcast, bro, There's some good questions.

1643
01:16:08,920 --> 01:16:11,800
Speaker 4: Man, he.

1644
01:16:13,920 --> 01:16:16,160
Speaker 1: Name mother fucking ship buss. But for the niggas that

1645
01:16:16,240 --> 01:16:18,519
Speaker 1: I care about, I'm gonna make sure they know y'all

1646
01:16:18,600 --> 01:16:19,200
Speaker 1: nigga tripping.

1647
01:16:19,240 --> 01:16:21,479
Speaker 7: I'm just saying, like from my from my I consider

1648
01:16:21,520 --> 01:16:23,800
Speaker 7: it my generation like those artists were talking about, that's

1649
01:16:23,840 --> 01:16:26,240
Speaker 7: obviously some of my going through some stuff.

1650
01:16:26,600 --> 01:16:29,320
Speaker 4: Who who do they look to for that type of

1651
01:16:29,520 --> 01:16:30,160
Speaker 4: advice them.

1652
01:16:30,160 --> 01:16:32,040
Speaker 1: They ain't looking to nobody because they are they ego

1653
01:16:32,120 --> 01:16:33,360
Speaker 1: already cloud like, I got.

1654
01:16:33,439 --> 01:16:36,640
Speaker 4: None to listen to anybody. That's what I fear is

1655
01:16:36,760 --> 01:16:40,880
Speaker 4: like now their energy is inspiring the next and.

1656
01:16:42,400 --> 01:16:44,920
Speaker 1: Unless that the nigga that brobly having come stations with

1657
01:16:44,960 --> 01:16:47,160
Speaker 1: all these tell the nigga bro it ain't eve about.

1658
01:16:47,200 --> 01:16:50,040
Speaker 4: Y'all need no more. Y'all need got y'all money. Y'all,

1659
01:16:50,160 --> 01:16:52,920
Speaker 4: y'all gotta show these kids that, Okay, get.

1660
01:16:52,800 --> 01:16:55,960
Speaker 1: You some money, man, figure out life. Man, learn from

1661
01:16:56,000 --> 01:16:58,160
Speaker 1: my mistake. Y'all got to show them that that's what y'all.

1662
01:16:58,200 --> 01:17:01,439
Speaker 1: Y'all are leaders regards to what y'all y'all just put

1663
01:17:01,479 --> 01:17:02,439
Speaker 1: a position to be leaders.

1664
01:17:03,560 --> 01:17:05,560
Speaker 4: We can't. We can't put on a clown show, you

1665
01:17:05,600 --> 01:17:07,960
Speaker 4: know what I'm saying. And niggas ain't. Niggas will hear you,

1666
01:17:08,479 --> 01:17:10,600
Speaker 4: but niggas don't want niggas to know that they heard you.

1667
01:17:11,000 --> 01:17:14,080
Speaker 4: If that makes sense what I'm saying. It's an ego

1668
01:17:14,160 --> 01:17:16,519
Speaker 4: pride thing. Niggas will hear you on the phone with them.

1669
01:17:16,640 --> 01:17:18,760
Speaker 4: And that's why on broadcast say I just talked to

1670
01:17:18,840 --> 01:17:20,439
Speaker 4: Shout and I did this. I did this and we

1671
01:17:20,520 --> 01:17:20,760
Speaker 4: did that.

1672
01:17:20,960 --> 01:17:22,439
Speaker 1: Niggas will hear you and to try to apply it.

1673
01:17:22,600 --> 01:17:25,160
Speaker 1: But like I said, Ego, go a long way. Nigga

1674
01:17:25,200 --> 01:17:27,679
Speaker 1: be like shit first first sign and fuck me nigga,

1675
01:17:27,760 --> 01:17:32,680
Speaker 1: fuck out, fuck fu just turn into that the Internet, Bro,

1676
01:17:33,400 --> 01:17:35,040
Speaker 1: I don't know how life would have been like niggas

1677
01:17:35,040 --> 01:17:37,000
Speaker 1: always like back in the day. Ship won't like that

1678
01:17:37,080 --> 01:17:39,800
Speaker 1: ship want the streets went on the Internet, nigga, And

1679
01:17:39,840 --> 01:17:41,280
Speaker 1: I'm telling how we would have been. We've been on

1680
01:17:41,320 --> 01:17:43,679
Speaker 1: the Internet because you gotta you gotta think we're coming

1681
01:17:43,720 --> 01:17:44,599
Speaker 1: to play with the Internet.

1682
01:17:45,080 --> 01:17:49,400
Speaker 4: Pride, get super coming and play like niggas. Bruh.

1683
01:17:49,439 --> 01:17:51,799
Speaker 1: Nigga would kill you. Knock him out on the Internet

1684
01:17:52,000 --> 01:17:53,600
Speaker 1: like a nigga knocked out of the club. Go home, man,

1685
01:17:53,640 --> 01:17:55,280
Speaker 1: put the ice on this ship, bro, kill them nigga

1686
01:17:55,320 --> 01:17:57,639
Speaker 1: that we walked to add boy, you knock a nigga

1687
01:17:57,640 --> 01:17:58,919
Speaker 1: aside and this ship recorded.

1688
01:18:00,280 --> 01:18:02,800
Speaker 4: He ready to go out bad back then because he

1689
01:18:02,880 --> 01:18:05,719
Speaker 4: can't come back from it. This shit on the Internet.

1690
01:18:05,720 --> 01:18:08,080
Speaker 4: They're slowing it down. They putting memes out your head.

1691
01:18:08,160 --> 01:18:13,080
Speaker 4: But yeah, the Internet different. That is a different animal, bro,

1692
01:18:13,160 --> 01:18:15,479
Speaker 4: And I think that she's put him to strutting it's.

1693
01:18:15,320 --> 01:18:17,200
Speaker 6: A different animal and it's a different drug.

1694
01:18:18,920 --> 01:18:20,679
Speaker 4: Nobody don't want to go out bad on the internet.

1695
01:18:21,080 --> 01:18:26,560
Speaker 4: That shit got the best memory ever. Sure, no, no,

1696
01:18:26,760 --> 01:18:27,120
Speaker 4: that's real.

1697
01:18:27,240 --> 01:18:31,200
Speaker 7: And I asked you that because I feel like somebody

1698
01:18:31,320 --> 01:18:35,800
Speaker 7: like myself that's been around Atlanta for the last having

1699
01:18:35,840 --> 01:18:39,920
Speaker 7: many years doing photography, I've been in these rooms. I've

1700
01:18:39,920 --> 01:18:43,599
Speaker 7: seen every relationship, I know everything that's happening. I kind

1701
01:18:43,640 --> 01:18:45,519
Speaker 7: of felt like that might be the next step for me,

1702
01:18:45,720 --> 01:18:48,680
Speaker 7: is to let my voice be heard more because I

1703
01:18:48,760 --> 01:18:51,200
Speaker 7: feel like, like how you were saying earlier, I do

1704
01:18:51,400 --> 01:18:53,240
Speaker 7: have a lot of emotional intelligence.

1705
01:18:53,240 --> 01:18:55,400
Speaker 4: I'm always chilling. I'm like this and that, and I'm like,

1706
01:18:55,920 --> 01:18:56,960
Speaker 4: maybe I'm not using my.

1707
01:18:57,080 --> 01:19:00,360
Speaker 7: Voice more because I have a perspective on like what's

1708
01:19:00,439 --> 01:19:02,719
Speaker 7: happening here, or what's happening here, or how that started,

1709
01:19:02,760 --> 01:19:05,840
Speaker 7: how that's silly, and even just what I'm doing with

1710
01:19:06,000 --> 01:19:08,759
Speaker 7: my studio, my business, like other things like y'all should

1711
01:19:08,760 --> 01:19:11,760
Speaker 7: be thinking about doing because it don't cost that much

1712
01:19:12,320 --> 01:19:15,040
Speaker 7: to do this, Like like Luchu was at my studio yesterday,

1713
01:19:15,160 --> 01:19:16,680
Speaker 7: was doing the shoot. He asked me how much it

1714
01:19:16,760 --> 01:19:19,000
Speaker 7: cost to get all this, and I'm just like, you

1715
01:19:19,080 --> 01:19:21,160
Speaker 7: could do this you know what I mean this say nothing,

1716
01:19:21,560 --> 01:19:24,040
Speaker 7: but a lot of it seems so big. And I'm like, man,

1717
01:19:24,800 --> 01:19:27,120
Speaker 7: I might need to step in in certain ways with

1718
01:19:27,280 --> 01:19:29,640
Speaker 7: like my peers and just maybe show them, like yo,

1719
01:19:30,200 --> 01:19:31,760
Speaker 7: you could do that, like you could go get your

1720
01:19:31,760 --> 01:19:33,320
Speaker 7: a spot on the bellline if that's what you want.

1721
01:19:33,520 --> 01:19:34,840
Speaker 4: Like this how you do it? This is how they

1722
01:19:34,920 --> 01:19:35,600
Speaker 4: gonna come at you.

1723
01:19:36,000 --> 01:19:38,439
Speaker 7: This is what you need because I don't want to

1724
01:19:38,479 --> 01:19:41,679
Speaker 7: be just somebody saying And y'all ain't investing back in Atlanta.

1725
01:19:42,280 --> 01:19:44,599
Speaker 7: And I do try to lead by example. That's usually

1726
01:19:44,680 --> 01:19:47,240
Speaker 7: how it new though, Like my work is the example.

1727
01:19:47,360 --> 01:19:49,000
Speaker 7: Like if I did it, y'all should know y'all could

1728
01:19:49,000 --> 01:19:52,080
Speaker 7: do it. But I'm like, man, just hearing what you're

1729
01:19:52,080 --> 01:19:53,600
Speaker 7: saying is true, Like a lot of people don't have

1730
01:19:53,760 --> 01:19:56,880
Speaker 7: this wisdom. And I'm thankful for y'all platform and the

1731
01:19:56,960 --> 01:19:59,360
Speaker 7: other one you got y'all voices and y'all are OG's

1732
01:19:59,400 --> 01:20:01,560
Speaker 7: for real, But who else is gonna do that?

1733
01:20:02,280 --> 01:20:04,639
Speaker 4: Niggas ain't niggas just afraid to spend that money.

1734
01:20:04,640 --> 01:20:07,640
Speaker 1: You gotta think bro broke, nigga worse nightmas to go

1735
01:20:07,720 --> 01:20:10,439
Speaker 1: and back broke once something got some money, So now

1736
01:20:10,439 --> 01:20:13,040
Speaker 1: all that shit sounds sounding tricky, like I gotta trust

1737
01:20:13,080 --> 01:20:15,000
Speaker 1: another motherfucker all the way to put the money in.

1738
01:20:15,160 --> 01:20:16,679
Speaker 4: Nah, you know what I'm saying.

1739
01:20:16,680 --> 01:20:18,040
Speaker 1: That just what it is, like, I don't really know

1740
01:20:18,120 --> 01:20:20,759
Speaker 1: nothing about it, So I don't know nothing about building businesses.

1741
01:20:20,800 --> 01:20:22,800
Speaker 1: You just got niggas like that. The only thing they

1742
01:20:22,880 --> 01:20:25,760
Speaker 1: know they art, So that shit come along with your

1743
01:20:25,800 --> 01:20:28,439
Speaker 1: team is who you trusting? Who gonna help you build

1744
01:20:28,520 --> 01:20:30,400
Speaker 1: something outside of you know what I'm saying, rap or

1745
01:20:30,880 --> 01:20:34,760
Speaker 1: or producing or whatever, media or whatever, like, who gonna

1746
01:20:34,760 --> 01:20:36,640
Speaker 1: help who gonna You know what I'm saying, You just

1747
01:20:36,800 --> 01:20:40,040
Speaker 1: was blessed with the knowledge of building a business, you know,

1748
01:20:40,520 --> 01:20:44,280
Speaker 1: like you said, you just also a creator, but you're

1749
01:20:44,360 --> 01:20:48,200
Speaker 1: building man first for sure. He niggas is all artists.

1750
01:20:48,240 --> 01:20:49,160
Speaker 1: They just artists.

1751
01:20:49,880 --> 01:20:51,400
Speaker 4: Some of them get it, some of them don't. And

1752
01:20:51,479 --> 01:20:53,120
Speaker 4: then a lot of niggas canre to fuck that money

1753
01:20:53,160 --> 01:20:53,760
Speaker 4: up on some shit.

1754
01:20:54,560 --> 01:20:57,280
Speaker 1: I don't put you out there twelve to ten, twelve million,

1755
01:20:57,400 --> 01:20:59,679
Speaker 1: five million, two million, one hundred thousand in a building.

1756
01:21:00,000 --> 01:21:02,080
Speaker 4: You don't wanna lose that ship. I can see that, nigga.

1757
01:21:03,240 --> 01:21:04,400
Speaker 4: I got this on and just.

1758
01:21:06,360 --> 01:21:08,360
Speaker 1: You know what I'm saying, But it don't make it,

1759
01:21:08,479 --> 01:21:10,280
Speaker 1: but it's the truth. Brother, comes where we come from.

1760
01:21:10,320 --> 01:21:11,840
Speaker 1: You gotta think niggas is trying to buy shit to

1761
01:21:11,880 --> 01:21:14,040
Speaker 1: make themselves happen. A lot of niggas ain't happen in

1762
01:21:14,080 --> 01:21:16,640
Speaker 1: these spaces, bro, because you like the nigga Charles and

1763
01:21:16,680 --> 01:21:19,320
Speaker 1: White always say some nigga caught up in that character, Bro,

1764
01:21:20,400 --> 01:21:22,479
Speaker 1: like I could, I could come out right right now,

1765
01:21:22,760 --> 01:21:26,960
Speaker 1: Bank and say something they say been as we came

1766
01:21:27,000 --> 01:21:32,800
Speaker 1: out on big Facts instagat beefs right. We gotta live

1767
01:21:32,880 --> 01:21:34,519
Speaker 1: by that. You gotta do that for our rest of

1768
01:21:34,560 --> 01:21:36,679
Speaker 1: our career. That was one thing we said, Bro, nigga

1769
01:21:36,760 --> 01:21:38,599
Speaker 1: leave here. They can speak on, they off, but we're

1770
01:21:38,600 --> 01:21:40,479
Speaker 1: gonna try to find them a way to get back

1771
01:21:40,520 --> 01:21:42,800
Speaker 1: with their people. We ain't trying to leave here and

1772
01:21:43,080 --> 01:21:46,120
Speaker 1: get a catch a bye or die real, so that

1773
01:21:46,240 --> 01:21:47,880
Speaker 1: ain't what we're doing. We said that from day one,

1774
01:21:48,040 --> 01:21:49,639
Speaker 1: like we ain't trying to rib up no nigga shit.

1775
01:21:49,680 --> 01:21:51,640
Speaker 1: It's easy for me to be right here, Bank, like

1776
01:21:51,800 --> 01:21:53,559
Speaker 1: why you went out by Nia.

1777
01:21:54,040 --> 01:21:54,840
Speaker 4: It's easy to do that.

1778
01:21:55,680 --> 01:21:58,280
Speaker 1: And make a nigga go crash out, all right. We

1779
01:21:58,400 --> 01:21:59,880
Speaker 1: trying to get you to see it from a different bush,

1780
01:22:00,920 --> 01:22:05,200
Speaker 1: all right, But niggas ain't doing that, bro. Everybody just

1781
01:22:05,240 --> 01:22:08,080
Speaker 1: gotta do their part, do what they can as well.

1782
01:22:08,120 --> 01:22:11,360
Speaker 4: I look at it. You know, we gotta step up.

1783
01:22:11,439 --> 01:22:12,800
Speaker 4: I think I got to step up. I'm gonna do

1784
01:22:12,840 --> 01:22:15,559
Speaker 4: a little bit more podcast coming soon.

1785
01:22:16,400 --> 01:22:18,920
Speaker 1: I'm stepping up to I just want to do it

1786
01:22:19,000 --> 01:22:20,519
Speaker 1: off camera though, because I don't want to be the

1787
01:22:20,600 --> 01:22:23,280
Speaker 1: nigga feel like I don't know everything. But I just

1788
01:22:23,439 --> 01:22:26,640
Speaker 1: know God now, what's worth what's worth dying for? And

1789
01:22:26,720 --> 01:22:29,800
Speaker 1: the words hain't that's a nigga in your face saying

1790
01:22:29,840 --> 01:22:31,880
Speaker 1: that ship spending on you. That's different that disrespecting you

1791
01:22:31,920 --> 01:22:35,000
Speaker 1: as a man. But nigga talking of his opinion about

1792
01:22:35,040 --> 01:22:37,960
Speaker 1: you is himn like you? Like I seen when when

1793
01:22:38,080 --> 01:22:40,160
Speaker 1: we put the interview out with the certain niggas saying

1794
01:22:40,200 --> 01:22:43,800
Speaker 1: little ship okay, buddy, Yeah, you're entitled to your opinion.

1795
01:22:43,840 --> 01:22:46,320
Speaker 1: I don't feel no type of way. I don't feel

1796
01:22:46,400 --> 01:22:49,000
Speaker 1: no type of way, bro, I don't. I don't give

1797
01:22:49,040 --> 01:22:51,800
Speaker 1: a fuck. It's not disrespect for me that you have

1798
01:22:51,880 --> 01:22:55,240
Speaker 1: a different opinion of me. That's not disrespecting me.

1799
01:22:55,320 --> 01:22:55,720
Speaker 4: We take that.

1800
01:22:55,880 --> 01:23:00,240
Speaker 1: We take this ship so personal, bro, which I get it,

1801
01:23:00,680 --> 01:23:02,680
Speaker 1: But that ship don't be about ship, bro, because at

1802
01:23:02,680 --> 01:23:04,040
Speaker 1: the end of the day, niggas ain't known. You see

1803
01:23:04,040 --> 01:23:07,200
Speaker 1: a nigg nigga trying dapt your hand. You just talking, Bud,

1804
01:23:08,760 --> 01:23:10,160
Speaker 1: I supposed to throw all this away.

1805
01:23:10,400 --> 01:23:10,559
Speaker 3: Leave?

1806
01:23:10,640 --> 01:23:13,640
Speaker 1: Shall I leave my kid, leave my grandbaby, leave my

1807
01:23:13,760 --> 01:23:15,040
Speaker 1: dog behind? A nigga talking?

1808
01:23:15,720 --> 01:23:16,120
Speaker 4: Mm hmm.

1809
01:23:17,200 --> 01:23:20,080
Speaker 1: You ain't finna do ship to me what you're talking

1810
01:23:20,080 --> 01:23:22,839
Speaker 1: about even do a motherfucker plan. If you said to aggressive,

1811
01:23:22,840 --> 01:23:25,760
Speaker 1: I'm I gotta ask you is that we that?

1812
01:23:26,000 --> 01:23:28,840
Speaker 4: Is this that? Or you troll ship?

1813
01:23:29,479 --> 01:23:31,320
Speaker 1: I won't take the intern that ship personal no more, Bro,

1814
01:23:31,439 --> 01:23:34,719
Speaker 1: I used to a few years back. I take it personal.

1815
01:23:34,840 --> 01:23:36,960
Speaker 1: You feel like how I get it? Where the niggas

1816
01:23:37,000 --> 01:23:39,720
Speaker 1: at like, well her nigga trying me? They real lank

1817
01:23:39,920 --> 01:23:41,960
Speaker 1: they but they ain't they're trying themself.

1818
01:23:43,560 --> 01:23:47,720
Speaker 3: Yeah, Kirk, we appreciate you pulling up, man.

1819
01:23:47,840 --> 01:23:50,040
Speaker 4: I thank you for having men appreciate time.

1820
01:23:50,080 --> 01:23:50,160
Speaker 6: Bro.

1821
01:23:50,240 --> 01:23:53,760
Speaker 4: We gotta get your voice out here, man. It's it's necessary,

1822
01:23:54,560 --> 01:23:55,760
Speaker 4: It's necessary for sure.

1823
01:23:55,800 --> 01:23:58,720
Speaker 7: I definitely want to start talking about more than photography,

1824
01:23:58,920 --> 01:24:01,679
Speaker 7: like really like giving my opinion on what I've seen

1825
01:24:02,200 --> 01:24:06,000
Speaker 7: and what I think need to happen, because I definitely think,

1826
01:24:06,040 --> 01:24:09,040
Speaker 7: like I said, World Cup coming all odds on Atlanta.

1827
01:24:09,760 --> 01:24:12,720
Speaker 7: I don't want them to see a different side, you

1828
01:24:12,760 --> 01:24:14,120
Speaker 7: know what I mean, they already trying.

1829
01:24:13,920 --> 01:24:16,320
Speaker 4: To push us out. That's just the reality of what's happening.

1830
01:24:16,920 --> 01:24:20,040
Speaker 7: So it's like, we gotta have more places and more

1831
01:24:20,120 --> 01:24:22,280
Speaker 7: things that tell people to do when they come to

1832
01:24:22,360 --> 01:24:24,840
Speaker 7: Atlanta and just go to Magic.

1833
01:24:24,920 --> 01:24:25,760
Speaker 4: I love magic, but.

1834
01:24:25,800 --> 01:24:28,000
Speaker 7: It's like I gotta be able to say more than

1835
01:24:28,080 --> 01:24:31,799
Speaker 7: that eventually, you know, And we just need more spaces

1836
01:24:31,880 --> 01:24:33,760
Speaker 7: that we own that they can't just take from us.

1837
01:24:33,840 --> 01:24:36,439
Speaker 7: So that's something I'm kind of passionate about right now.

1838
01:24:36,680 --> 01:24:39,920
Speaker 7: Just like, get you a space. It don't cost that much, right,

1839
01:24:40,040 --> 01:24:41,840
Speaker 7: it ain't that deep. Get you a little home base

1840
01:24:41,920 --> 01:24:44,479
Speaker 7: that you could at least go to and get out

1841
01:24:44,520 --> 01:24:47,479
Speaker 7: the house, go do something, invite somebody over here and there,

1842
01:24:47,640 --> 01:24:48,479
Speaker 7: like do something.

1843
01:24:48,760 --> 01:24:49,680
Speaker 4: But Niggas is doing it.

1844
01:24:49,760 --> 01:24:52,040
Speaker 1: It's just not it's just for their people though, Like

1845
01:24:52,120 --> 01:24:54,760
Speaker 1: cause you got to think Mike got his spot, you

1846
01:24:54,880 --> 01:24:57,400
Speaker 1: got your spot yet nam Sonny.

1847
01:24:57,800 --> 01:25:00,080
Speaker 4: You know what I'm saying. Niggas is doing it. You

1848
01:25:00,320 --> 01:25:03,480
Speaker 4: got the big new building, they got Pluto Tip.

1849
01:25:03,400 --> 01:25:07,240
Speaker 1: Niggas got spaces, Savage got a big studio, But it's

1850
01:25:07,360 --> 01:25:09,519
Speaker 1: just for their people to the public.

1851
01:25:09,760 --> 01:25:13,479
Speaker 4: It's just not over to the public. Yeah, like niggas

1852
01:25:13,479 --> 01:25:15,840
Speaker 4: ain't open up a patchwork. Yeah, you know what I'm saying.

1853
01:25:15,840 --> 01:25:16,479
Speaker 4: You know what I'm saying.

1854
01:25:16,640 --> 01:25:18,760
Speaker 1: Or like this is a cultural studio. You know, you

1855
01:25:18,880 --> 01:25:21,599
Speaker 1: might bump into such such an mofo. He got a room,

1856
01:25:21,680 --> 01:25:24,040
Speaker 1: that's his building, but he let niggas record.

1857
01:25:24,200 --> 01:25:28,400
Speaker 7: You're right, just something like that, someone could feel inspired by. Man,

1858
01:25:28,479 --> 01:25:30,880
Speaker 7: it's possible, you know what I mean. But you know,

1859
01:25:31,080 --> 01:25:33,040
Speaker 7: due time, it all work out. Yeah, I think it

1860
01:25:33,160 --> 01:25:34,760
Speaker 7: all figure itself out for sure.

1861
01:25:34,920 --> 01:25:39,920
Speaker 3: Appreciate bipod dot com.

1862
01:25:40,160 --> 01:25:43,920
Speaker 7: Salute catch the Big Facts Audio experience on Ihearts Black

1863
01:25:43,960 --> 01:25:48,080
Speaker 7: Effect on Tuesdays, revote on Wednesdays, and revote YouTube channel

1864
01:25:48,160 --> 01:25:48,799
Speaker 7: on Thursdays.

1865
01:25:48,920 --> 01:25:51,800
Speaker 4: Visit our website now bigfaspod dot com