WEBVTT - Tyler Perry is the Devil!! (with Sydnee Washington) RERUN

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<v Speaker 10>Nicholas Cage has been every version of a person in Hollywood.

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<v Speaker 10>He's been a joke, he's been a fraud, he's been

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<v Speaker 10>somebody we we treated like an idiot.

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<v Speaker 1>But he's always been white. We haven't been switch, we haven't.

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<v Speaker 10>Sound like So I would like that. I would like

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<v Speaker 10>that quite a bit.

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<v Speaker 14>Cayla Verry can make that happen. Nicholas Cage, Tyler Berry.

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<v Speaker 15>I think collaboration made inside of that, and I think

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<v Speaker 15>link together for evil.

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<v Speaker 14>I think I think two we can make it happen anyway.

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<v Speaker 4>Racist money.

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<v Speaker 16>Stuff.

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<v Speaker 2>I can't tell me, so I creep.

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<v Speaker 15>Yeah, I just keep it on the download because no

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<v Speaker 15>one else is supposed to know. Welcome to Mama's and

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<v Speaker 15>gentiles alike to another phenomenal episode of My Mama Told Me.

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<v Speaker 10>The podcast where we died deep, deep into the pockets

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<v Speaker 10>of black conspiracy theories and.

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<v Speaker 15>We finally worked to prove that Andre three thousand has

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<v Speaker 15>lost a couple of those numbers. It is Andre twenty

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<v Speaker 15>six forty two. After that flute ship. My name is

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<v Speaker 15>David Man.

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<v Speaker 10>I don't like hearing it, but I'm like Stierman.

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<v Speaker 15>Yeah, I think that I exaggerated the number of the

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<v Speaker 15>amount of numbers he lost.

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<v Speaker 10>Because yeah, it's like it's like it's in like the twenty.

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<v Speaker 15>Three eighty nine. He's good, he's yeah, and I just

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<v Speaker 15>don't like flutes.

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<v Speaker 10>That's not I think he's I think he's still only

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<v Speaker 10>lost a few points. But but it you you just

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<v Speaker 10>want that rap album.

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<v Speaker 15>Baby Yeah, Someday, someday, I feel like a Trump presidency

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<v Speaker 15>if it pushes us to a new three thousand album.

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<v Speaker 15>Finish good, it's all I'm saying.

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<v Speaker 10>Finish your sentence now, four days, four days.

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<v Speaker 2>Then you're like, this ain't so bad.

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<v Speaker 15>Oh man, I've already resigned to it.

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<v Speaker 10>Man, this man's not even in the Oval office again.

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<v Speaker 15>Yet You're like, I will be all right. We can't.

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<v Speaker 10>We can't Dealey or Dally anymore than we already have.

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<v Speaker 10>Our guest today is in studio with us. She's phenomenal,

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<v Speaker 10>a dear friend, an artist, a comedian, a.

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<v Speaker 1>Unit comes to do it, but so much more.

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<v Speaker 10>She she's a she's a dear friend.

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<v Speaker 15>We so happy she's here.

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<v Speaker 10>Give it up for Sydney Washington. Everybody you know black Man.

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<v Speaker 1>Won an intro.

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<v Speaker 14>I mean, no credits, just she's a person. I love you,

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<v Speaker 14>it's funny, thank you.

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<v Speaker 1>I appreciate y'all.

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<v Speaker 10>We love our vibes over here, so I have.

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<v Speaker 1>So you don't like the flute, I'm not. Uh, you're

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<v Speaker 1>not here for the flute.

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<v Speaker 15>I don't have discerning a taste enough to understand how

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<v Speaker 15>good it is. I think.

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<v Speaker 1>Really, So that's a that's a that's a you thing.

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<v Speaker 15>That's what I said. Yeah, like it's you know, I'm

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<v Speaker 15>not a flute guy. It doesn't mean he's not expanding.

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<v Speaker 1>No, he's already expanded. Baby, he did it.

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<v Speaker 15>So he left us my heart, you know, and I'm hurt.

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<v Speaker 15>I'm just a bitter ax.

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<v Speaker 14>Yeah, it is a bitter ax. He's doing better than you, babe.

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<v Speaker 14>He's working hard.

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<v Speaker 10>The way you're going hard for this suggests to me

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<v Speaker 10>that you did like the flute album that you as not.

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<v Speaker 14>But it's all about elevation. You have to elevate. You

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<v Speaker 14>have to be a taste maker. You can't be doing

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<v Speaker 14>what everybody else is doing because they're doing it.

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<v Speaker 1>You understand.

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<v Speaker 14>If if everybody is on the train rapping for dollar bills,

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<v Speaker 14>Andre is like, no, no, no, I don't want to.

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<v Speaker 1>Be associated without flutes. I don't see flutes everywhere.

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<v Speaker 15>That's what it implies that he's not competitive like everybody's

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<v Speaker 15>on the rapping. He's still rapping better than all the

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<v Speaker 15>people for dollars.

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<v Speaker 1>We've moved on. We've done you moved on.

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<v Speaker 15>Yes, we just said you didn't like it.

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<v Speaker 1>I don't like it because I don't want your ear

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<v Speaker 1>for it.

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<v Speaker 2>Well, that's what I said.

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<v Speaker 1>You know what, I just Christopher Columbus, your whole ship.

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<v Speaker 1>How does it feel? How does it feel a white man?

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<v Speaker 15>Yeah, my shirt doesn't mean there's one in my world?

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<v Speaker 10>Why did you direct that at me?

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<v Speaker 1>I was.

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<v Speaker 14>I got here to dismantle this brotherhood and it's working.

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<v Speaker 15>In and of itself. What were you united? We got

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<v Speaker 15>pictures on our shirt. See stronger than we've ever been.

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<v Speaker 14>It hurts to see this like you. Obviously, y'all are

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<v Speaker 14>really good at whatever you're doing, and.

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<v Speaker 1>I have to support it.

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<v Speaker 10>So I think. I think by whatever you're doing you

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<v Speaker 10>mean talk and the niggas at the mall.

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<v Speaker 17>Excuse me, man, you think you could pull this off

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<v Speaker 17>and he could shut out?

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<v Speaker 1>Its good yall.

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<v Speaker 15>Jane Romero, and I'm all, I don't know the name of.

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<v Speaker 1>How much it cost enough.

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<v Speaker 10>No, this don't come cheap, sweetheart. You're gonna want that

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<v Speaker 10>podcast to get at least a few more episodes than

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<v Speaker 10>if I want to start buying shirt.

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<v Speaker 15>And I'm a Bill Will Ferrell for this is.

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<v Speaker 1>Absolutely invoice andre as well.

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<v Speaker 15>It feels like you were on my side and then

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<v Speaker 15>I lost it for a little bit.

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<v Speaker 10>Okay, we enough a goddamn enough. We have a conspiracy

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<v Speaker 10>that you brought. You brought to us. Uh no more

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<v Speaker 10>than than two hours ago. You said, I have a conspiracy.

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<v Speaker 10>This is something I believe passionately, and and we broadened

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<v Speaker 10>that conspiracy a little just to be able to open

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<v Speaker 10>this conversation up. But you said, my mama told me

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<v Speaker 10>Tyler Perry is the devil.

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<v Speaker 14>Absolutely and specifically Cicily Tyson died to get out of

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<v Speaker 14>her contract with him. Wow, the new death row.

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<v Speaker 15>Okay, if you don't want me all in the address.

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<v Speaker 2>Hidding people with your purse.

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<v Speaker 1>Yeah, that has a gun in it.

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<v Speaker 10>Right in your diary, gluitten niggas down the stairs in

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<v Speaker 10>a wheelchair.

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<v Speaker 1>Got Janet Jackson in a curly, wet and wavy crying.

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<v Speaker 10>That good cry though, crying about her husband on the download.

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<v Speaker 1>So you're doing then, But that is another movie, that's all.

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<v Speaker 10>That's not Jennet did multiple.

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<v Speaker 14>That's for that was for Colored Girls that I considered suicide.

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<v Speaker 10>But she did multiple. Yeah, I.

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<v Speaker 15>Know, why did I get married?

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<v Speaker 10>Well, I knew she did multiple? Why did I get married?

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<v Speaker 10>I didn't know that. She then also extended into like

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<v Speaker 10>the multi verse of Tyler Perry.

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<v Speaker 1>Yes, that's you know what I mean.

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<v Speaker 15>I think that's how you do it.

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<v Speaker 1>That's how you do it.

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<v Speaker 14>You don't just do If you do one thing, you're bad.

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<v Speaker 14>That means you're not useful.

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<v Speaker 1>He can't.

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<v Speaker 10>But some people sober up to it to some extent,

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<v Speaker 10>like Taraji did one. She's not going back to talk did.

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<v Speaker 15>More than one? Was it just I can do bad?

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<v Speaker 10>I think she only did that. I can do bad,

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<v Speaker 10>but all by myself. I could be wrong. But even

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<v Speaker 10>if she did Idris it's another example. Yeah, I fucked

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<v Speaker 10>around over here for a second, but I'm.

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<v Speaker 1>Not do Daddy's Little Girl. Yeah, that wasn't That wasn't

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<v Speaker 1>terrible that.

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<v Speaker 15>The issue is not the quality of the movie. Some

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<v Speaker 15>of them I really like.

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<v Speaker 1>That's it's not the quality. Yeah, I already I'm gonna

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<v Speaker 1>already say.

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<v Speaker 15>I consume some of those movies like junk Food. It's

0:11:10.280 --> 0:11:14.040
<v Speaker 15>just like, so it's not there's no yeah, yeah, yeah.

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<v Speaker 15>In small doses though, it feels good, you know what

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<v Speaker 15>I mean. Like it's just like there's no major problems.

0:11:20.880 --> 0:11:25.040
<v Speaker 15>It's just rich black people running around. Oh that's interesting.

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<v Speaker 15>That's like I like that.

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<v Speaker 18>You.

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<v Speaker 15>I'm cool with. You don't see them in the comedies,

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<v Speaker 15>not in the ones where it's like but you.

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<v Speaker 10>You don't see them in any way like morally corrupt

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<v Speaker 10>or sort of like harmful.

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<v Speaker 15>The characters within the movie. Yeah, not more so than

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<v Speaker 15>like I see anybody in any other movie, Like I

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<v Speaker 15>don't know you are you?

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<v Speaker 10>Are you?

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<v Speaker 1>Are you all the way awake when you're watching.

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<v Speaker 15>This, Yeah, it's like it's like, yeah, it's like, if

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<v Speaker 15>you're feeling down, you just watch like a funny, happy movie.

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<v Speaker 1>If you're feeling down, you put on Tyler Perry.

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<v Speaker 15>There's a couple of movies. Yeah, there's a couple of movies.

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<v Speaker 1>Do you have a therapist.

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<v Speaker 2>In between?

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<v Speaker 15>It's a movie.

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<v Speaker 1>Silo Perry.

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<v Speaker 15>He says, Hello, I'm just saying it's a big there's

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<v Speaker 15>a big market for it. The reason I think He's

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<v Speaker 15>the Devil is not the actual movie. WHOA, Okay, I

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<v Speaker 15>think it's the Uh, the labor practices to really kind

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<v Speaker 15>of get to me, Okay, like not being union and

0:12:40.000 --> 0:12:42.640
<v Speaker 15>stuff like that in an industry where like the standard

0:12:42.720 --> 0:12:45.079
<v Speaker 15>is to work unions. So it's like you're already putting

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<v Speaker 15>the people who work with you like a little bit

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<v Speaker 15>of a disadvantage, right, And then it's like, so it's

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<v Speaker 15>like you build this thing that is massive and does

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<v Speaker 15>give a lot of jobs, and that's very important, but

0:12:58.200 --> 0:13:00.840
<v Speaker 15>you make it so that these people are tied to

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<v Speaker 15>you in a way.

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<v Speaker 10>Yeah, that's what it's like.

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<v Speaker 15>If you were getting if you were allowing people to

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<v Speaker 15>bounce over here and here and here and get money

0:13:11.040 --> 0:13:13.200
<v Speaker 15>and that was cool, then it makes sense. But now

0:13:13.240 --> 0:13:16.800
<v Speaker 15>it feels like if you're keeping a stable it feels

0:13:16.840 --> 0:13:18.320
<v Speaker 15>like you're not allowing people to grow.

0:13:19.840 --> 0:13:25.440
<v Speaker 10>I I know a few barbers who have like dipped

0:13:25.480 --> 0:13:28.720
<v Speaker 10>in and out of like the Tyler Perry space, and

0:13:28.880 --> 0:13:31.280
<v Speaker 10>all of them sort of like in a weird way,

0:13:31.360 --> 0:13:34.720
<v Speaker 10>it gets sort of like like, ah, no, I'm not

0:13:34.800 --> 0:13:38.040
<v Speaker 10>going back over there or I over there. I gotta

0:13:38.080 --> 0:13:41.920
<v Speaker 10>really be down to be over there, because that's you.

0:13:41.920 --> 0:13:45.920
<v Speaker 10>You're working crazy hours, you're sort of being manipulated in

0:13:45.960 --> 0:13:50.200
<v Speaker 10>this space. And then I think they're they're expecting a

0:13:50.240 --> 0:13:54.280
<v Speaker 10>commitment that you can't like back out of easy.

0:13:54.200 --> 0:13:57.480
<v Speaker 14>You know, because it's like again, it's that thing about

0:13:57.520 --> 0:14:00.120
<v Speaker 14>like exposure. You're like, well, I'm in this, so this

0:14:00.160 --> 0:14:03.160
<v Speaker 14>is actually gonna help me, and then after a couple

0:14:03.200 --> 0:14:06.920
<v Speaker 14>of rounds of it, you're like, wait, I'm still a bartender.

0:14:07.360 --> 0:14:09.320
<v Speaker 1>Yeah, I mean I'm a well known bar.

0:14:09.440 --> 0:14:12.280
<v Speaker 14>People know me, but I still have to bartend on

0:14:12.360 --> 0:14:13.600
<v Speaker 14>the side because I can't.

0:14:13.920 --> 0:14:15.840
<v Speaker 1>I can't make everything ends me.

0:14:16.280 --> 0:14:20.440
<v Speaker 10>I also think where it gets complicated is to your point,

0:14:20.560 --> 0:14:22.880
<v Speaker 10>the stink that it puts on you once you do

0:14:23.040 --> 0:14:25.520
<v Speaker 10>become a little bit of a Tyler Perry person, you

0:14:25.600 --> 0:14:28.920
<v Speaker 10>know what I mean? Like, did we see maximum Allan

0:14:29.040 --> 0:14:30.360
<v Speaker 10>Payne potential?

0:14:30.840 --> 0:14:35.000
<v Speaker 1>This is you you It is.

0:14:35.040 --> 0:14:39.080
<v Speaker 15>The third time, second time we're talking about a week.

0:14:39.400 --> 0:14:40.040
<v Speaker 2>You know what I mean?

0:14:40.760 --> 0:14:44.600
<v Speaker 14>You mean you mean Jason's lyric, the Alan pay He

0:14:44.840 --> 0:14:47.280
<v Speaker 14>was a great He was in everything.

0:14:49.000 --> 0:14:49.560
<v Speaker 7>Everything.

0:14:50.240 --> 0:14:56.760
<v Speaker 1>Yeah, he was in every six. He was making a

0:14:56.760 --> 0:14:58.760
<v Speaker 1>lot for that curl pattern.

0:14:59.480 --> 0:15:04.200
<v Speaker 14>We don't see that kind of curl he was.

0:15:04.320 --> 0:15:08.720
<v Speaker 10>He was a clearly black man, yes, with a natural curl.

0:15:09.040 --> 0:15:10.040
<v Speaker 2>This nigga had it all.

0:15:10.440 --> 0:15:13.160
<v Speaker 15>You would have I would have bet the house. I

0:15:13.160 --> 0:15:14.240
<v Speaker 15>would have bet the house.

0:15:14.040 --> 0:15:17.680
<v Speaker 10>And he and he sunk his fucking ship over there.

0:15:18.600 --> 0:15:19.360
<v Speaker 10>What happened?

0:15:19.760 --> 0:15:20.320
<v Speaker 2>Do you know what I mean?

0:15:20.440 --> 0:15:23.480
<v Speaker 10>Give us back Alan Payne, Tyler Perry or.

0:15:23.480 --> 0:15:26.960
<v Speaker 14>What oh wait was it?

0:15:27.040 --> 0:15:29.480
<v Speaker 1>Was it Tyler Perry? Or that it was just like

0:15:29.680 --> 0:15:30.360
<v Speaker 1>Alan Payne.

0:15:30.880 --> 0:15:33.200
<v Speaker 14>Hey, y'all type cast so many times that were like,

0:15:33.240 --> 0:15:35.760
<v Speaker 14>we didn't seen this song and dance.

0:15:35.840 --> 0:15:39.440
<v Speaker 15>But that is a difficult thing, right if you get

0:15:39.440 --> 0:15:42.120
<v Speaker 15>typecast that much. Yeah, but you don't grow to a

0:15:42.240 --> 0:15:46.320
<v Speaker 15>level where it's unanimous that people know you're that you

0:15:46.440 --> 0:15:48.600
<v Speaker 15>kind of can't work in that forever.

0:15:48.640 --> 0:15:51.880
<v Speaker 10>But I'll challenge you all. I will challenge you on

0:15:51.960 --> 0:15:55.600
<v Speaker 10>this because because on the flip look at bokeem Woodbind

0:15:56.120 --> 0:15:59.960
<v Speaker 10>who came who went through it had like this high

0:16:00.120 --> 0:16:02.760
<v Speaker 10>in the moment where he was sort of typecast as

0:16:02.840 --> 0:16:06.880
<v Speaker 10>this like crazy eyed villain and ship, but then took

0:16:06.920 --> 0:16:10.560
<v Speaker 10>a break and came back and came back chubby and

0:16:10.600 --> 0:16:13.640
<v Speaker 10>now has had a whole new career, do you know

0:16:13.680 --> 0:16:17.480
<v Speaker 10>what I mean? As older he was, he did Fargo,

0:16:17.560 --> 0:16:20.320
<v Speaker 10>which was amazing.

0:16:21.200 --> 0:16:23.600
<v Speaker 14>Yeah, they said, and they said that was the best

0:16:23.640 --> 0:16:24.320
<v Speaker 14>part of the movie.

0:16:24.560 --> 0:16:28.160
<v Speaker 10>Listen, boking Woodbind is the best. But he never went

0:16:28.280 --> 0:16:31.240
<v Speaker 10>over there, and that's what I'm saying is that maybe

0:16:31.280 --> 0:16:35.280
<v Speaker 10>there's a world where Alan Payne finds his true detective moment.

0:16:37.520 --> 0:16:39.240
<v Speaker 14>We got to put him in the A twenty four

0:16:39.600 --> 0:16:44.720
<v Speaker 14>we got I think some people, or once you get

0:16:44.760 --> 0:16:48.240
<v Speaker 14>in mainstream, you have that opportunity to do all things

0:16:48.280 --> 0:16:52.520
<v Speaker 14>like bad good things that you're like, why are you

0:16:52.560 --> 0:16:56.080
<v Speaker 14>even a part of this? But certain specifically black people,

0:16:56.280 --> 0:16:59.040
<v Speaker 14>once you get into that little corner, that's it.

0:16:59.080 --> 0:16:59.680
<v Speaker 15>That's all you have.

0:17:00.200 --> 0:17:06.200
<v Speaker 14>Like Glenn Close, she was in Deliverance. I'm coughing because

0:17:06.240 --> 0:17:08.879
<v Speaker 14>I can't even catch I can't even breathe. The work

0:17:08.880 --> 0:17:11.720
<v Speaker 14>that she did in that movie one I was like, Oh,

0:17:11.840 --> 0:17:13.840
<v Speaker 14>She's like, I've done everything that I need to do.

0:17:14.720 --> 0:17:19.480
<v Speaker 14>I've I have ascended to the point of let's play,

0:17:19.560 --> 0:17:20.359
<v Speaker 14>let's have fun.

0:17:20.440 --> 0:17:22.200
<v Speaker 10>She's like, I'll learn some Patua.

0:17:22.400 --> 0:17:27.320
<v Speaker 14>Yeah, now, now the wigs. The wigs were not by

0:17:27.359 --> 0:17:30.879
<v Speaker 14>Tyler Perry in that movie. Glenn Closed almost was like,

0:17:31.040 --> 0:17:34.600
<v Speaker 14>is she by Rachel? She was giving Rachel jose Al

0:17:34.880 --> 0:17:39.000
<v Speaker 14>a run for her funness. I'm gonna say that on air.

0:17:38.880 --> 0:17:41.639
<v Speaker 10>As somebody who has not seen the movie, I assure

0:17:41.680 --> 0:17:42.439
<v Speaker 10>you she is not.

0:17:43.280 --> 0:17:43.680
<v Speaker 1>She is.

0:17:43.920 --> 0:17:47.240
<v Speaker 10>I looked at all them clips were posting, and I

0:17:47.440 --> 0:17:49.159
<v Speaker 10>was sober when I you know what I mean, Like

0:17:49.240 --> 0:17:52.800
<v Speaker 10>y'all were y'all were enthralled, so you were bought into

0:17:52.840 --> 0:17:55.960
<v Speaker 10>the whole experience as somebody who did not experience it.

0:17:56.240 --> 0:17:58.439
<v Speaker 10>I was like, this looks insane.

0:17:58.560 --> 0:18:03.879
<v Speaker 14>No, she said pussy on in the movie, and I said,

0:18:05.880 --> 0:18:08.960
<v Speaker 14>We're gone. She's gone, She's like, But they were. Every

0:18:09.240 --> 0:18:12.359
<v Speaker 14>everybody black was like, she's got to win a Golden

0:18:12.359 --> 0:18:13.159
<v Speaker 14>Globe for this.

0:18:13.680 --> 0:18:17.400
<v Speaker 10>And everybody white was like, what are you talking?

0:18:17.440 --> 0:18:18.679
<v Speaker 1>Is she unwell?

0:18:19.440 --> 0:18:19.760
<v Speaker 5>Is her?

0:18:20.240 --> 0:18:22.000
<v Speaker 1>Where is he? Is it the raids?

0:18:22.560 --> 0:18:23.280
<v Speaker 2>Is it the braids?

0:18:23.520 --> 0:18:24.680
<v Speaker 1>That's what the white.

0:18:24.440 --> 0:18:28.240
<v Speaker 14>People were saying with Glenn. But Glenn has done it all.

0:18:28.440 --> 0:18:30.880
<v Speaker 14>She has proven herself, so she can do that. But

0:18:31.160 --> 0:18:33.320
<v Speaker 14>once you get into the I feel like the Tyler

0:18:33.359 --> 0:18:36.119
<v Speaker 14>Perry rome, it's kind of wrapped up.

0:18:36.240 --> 0:18:38.760
<v Speaker 10>And I think that's the scary part, right is that?

0:18:39.000 --> 0:18:41.080
<v Speaker 10>Is that even that movie? I don't it's not a

0:18:41.119 --> 0:18:42.120
<v Speaker 10>Tyler Perry production.

0:18:42.280 --> 0:18:44.560
<v Speaker 1>It's Lee Daniels, which is the cousin the cousin of

0:18:44.600 --> 0:18:45.200
<v Speaker 1>Tyler Perry.

0:18:45.320 --> 0:18:47.879
<v Speaker 10>I think there, I think, and I don't disagree with you.

0:18:47.960 --> 0:18:51.200
<v Speaker 10>I think Lee Daniels is certainly Tyler Perry junior. He

0:18:51.240 --> 0:18:54.800
<v Speaker 10>would love to be Tyler Perry in some former fashion

0:18:55.200 --> 0:18:59.240
<v Speaker 10>that said, I think Lee Daniels still they let Lee

0:18:59.320 --> 0:19:02.280
<v Speaker 10>Daniels do too much, you know what I mean in

0:19:02.359 --> 0:19:06.200
<v Speaker 10>the legitimate spaces where they gave him oscars and nominations

0:19:06.320 --> 0:19:07.120
<v Speaker 10>and he.

0:19:07.200 --> 0:19:10.000
<v Speaker 14>Is first of all. We have to no, let's not

0:19:10.040 --> 0:19:12.600
<v Speaker 14>be anti black. These brothers have done.

0:19:12.400 --> 0:19:13.119
<v Speaker 1>Some good work.

0:19:13.240 --> 0:19:15.920
<v Speaker 14>There have been some things I know, Dave, I'm sorry

0:19:16.000 --> 0:19:19.439
<v Speaker 14>they have done. Really, they've been some pieces where you're like,

0:19:19.480 --> 0:19:20.479
<v Speaker 14>you know what this is?

0:19:20.760 --> 0:19:22.280
<v Speaker 10>What are give me?

0:19:22.600 --> 0:19:22.760
<v Speaker 15>Uh?

0:19:22.840 --> 0:19:25.760
<v Speaker 10>And maybe we should take the break. This is a

0:19:25.760 --> 0:19:27.600
<v Speaker 10>good way for us to go on break. I think

0:19:27.640 --> 0:19:30.520
<v Speaker 10>this will be fun. When we come back. We're gonna

0:19:30.600 --> 0:19:34.879
<v Speaker 10>unpack some projects that we think are defendable for Tyler

0:19:34.960 --> 0:19:38.879
<v Speaker 10>Perry and or Lee Daniels. We'll talk through the ones

0:19:38.920 --> 0:19:41.639
<v Speaker 10>that we think are truly defendable and we'll talk about why.

0:19:42.200 --> 0:19:43.840
<v Speaker 10>But we'll come back and we'll be back with more

0:19:43.880 --> 0:19:45.000
<v Speaker 10>Sydney Washington and more.

0:19:45.040 --> 0:19:54.720
<v Speaker 15>Ma Mama told me, if you.

0:19:54.760 --> 0:19:57.399
<v Speaker 19>Listen to a comedy podcast that has powerful punchlines and

0:19:57.480 --> 0:19:58.840
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<v Speaker 12>Hi everyone, It's Kalpen.

0:20:54.800 --> 0:20:59.159
<v Speaker 13>I'm the host of Earsay, the Audible and iHeart Audio

0:20:59.240 --> 0:21:01.800
<v Speaker 13>Book Club. This week on the podcast, I am sitting

0:21:01.840 --> 0:21:07.119
<v Speaker 13>down with Ray Porter, the narrator of Andy Weir's audiobook project,

0:21:07.240 --> 0:21:12.400
<v Speaker 13>Hail Mary, massive sci fi adventure about survival and science

0:21:12.600 --> 0:21:15.399
<v Speaker 13>and what happens when you wake up alone, very.

0:21:15.200 --> 0:21:16.119
<v Speaker 12>Far from Earth.

0:21:16.560 --> 0:21:18.800
<v Speaker 20>I really had to make a decision because I caught

0:21:18.840 --> 0:21:21.240
<v Speaker 20>myself getting that frog in my throat and starting to

0:21:21.240 --> 0:21:23.960
<v Speaker 20>get teary as I'm narrating some of these sections and

0:21:23.960 --> 0:21:26.080
<v Speaker 20>it's like, okay, yo, yeah, yo, is this indulgent?

0:21:26.280 --> 0:21:27.120
<v Speaker 15>And I really thought of it.

0:21:27.160 --> 0:21:29.320
<v Speaker 20>I was like no, at this point, it would kind

0:21:29.320 --> 0:21:33.080
<v Speaker 20>of be betraying the trust the author and the listener

0:21:33.160 --> 0:21:36.359
<v Speaker 20>have in telling this story if I don't go through it.

0:21:36.400 --> 0:21:40.919
<v Speaker 20>But there's places in this book that deeply emotionally affected me,

0:21:41.480 --> 0:21:43.800
<v Speaker 20>and I left it on the mic. That's great because

0:21:43.880 --> 0:21:46.680
<v Speaker 20>it served the story. People will say like, oh my god,

0:21:46.680 --> 0:21:48.440
<v Speaker 20>I cried at the end. It's like, yeah, dude, me too.

0:21:48.680 --> 0:21:52.439
<v Speaker 13>Listen to your say the Audible and iHeart Audiobook Club

0:21:53.040 --> 0:21:54.920
<v Speaker 13>on the Art Radio app or wherever you get in

0:21:54.920 --> 0:21:55.639
<v Speaker 13>your podcasts.

0:21:56.880 --> 0:21:58.960
<v Speaker 21>This is Ashley and Eddie from the Ben and Ashley.

0:21:59.040 --> 0:22:02.000
<v Speaker 21>I almost Sam as you know, what's becoming a literal

0:22:02.160 --> 0:22:05.520
<v Speaker 21>nightmare lately international travel. Why sit on a plane for

0:22:05.560 --> 0:22:07.920
<v Speaker 21>fourteen hours to get to La Como when you could

0:22:07.920 --> 0:22:10.080
<v Speaker 21>be having the time of your life at Caesar's Republic

0:22:10.119 --> 0:22:13.520
<v Speaker 21>and beautiful Lake Tahoe. Caesar's Republic Lake Tahoe has it

0:22:13.600 --> 0:22:17.680
<v Speaker 21>all the splendor of Like Como, without all the unmagical

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<v Speaker 21>moments that come with international travel. It's all there amazing

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<v Speaker 21>dining options with restaurants like Wolf by Vander Pomp and

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<v Speaker 21>Gordon Ramsay's Hell's Kitchen. Incredible entertainment some of the biggest

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<v Speaker 21>names in music already lined up for this year's Lake

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<v Speaker 21>all of this right in your backyard. Caesar's Republic Lake

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<v Speaker 21>Tahoe book Today.

0:22:57.840 --> 0:23:00.399
<v Speaker 22>Really me, She's coming over in an hour and this

0:23:00.480 --> 0:23:01.359
<v Speaker 22>tastes like nothing.

0:23:01.840 --> 0:23:06.480
<v Speaker 18>Plaint chicken bro meet the Lee come Key Saracha family,

0:23:06.640 --> 0:23:09.560
<v Speaker 18>Chilli male, honey, celatraal lime, smoky barbecue.

0:23:09.720 --> 0:23:10.320
<v Speaker 5>Use it?

0:23:10.720 --> 0:23:13.760
<v Speaker 22>Do you have all six weird flex?

0:23:14.200 --> 0:23:16.760
<v Speaker 23>Best flex? If she likes celatra lime, hit her with

0:23:16.760 --> 0:23:17.600
<v Speaker 23>the honey Saracha.

0:23:17.920 --> 0:23:19.080
<v Speaker 22>That's actually smart.

0:23:19.280 --> 0:23:20.119
<v Speaker 18>I know, thanks.

0:23:20.400 --> 0:23:23.480
<v Speaker 3>Try the Lee come Keyser Rocher family, grab the oneliner

0:23:23.600 --> 0:23:24.160
<v Speaker 3>in stores.

0:23:25.000 --> 0:23:27.359
<v Speaker 18>How do you flex your flavor? Bruh?

0:23:28.000 --> 0:23:29.520
<v Speaker 4>I turned off news altogether.

0:23:30.760 --> 0:23:33.040
<v Speaker 5>I hate to say it, but I don't trust much

0:23:33.080 --> 0:23:33.800
<v Speaker 5>of anything.

0:23:35.160 --> 0:23:36.000
<v Speaker 4>It's the rage bait.

0:23:37.600 --> 0:23:40.359
<v Speaker 6>It feels like it's trying to divide people.

0:23:41.880 --> 0:23:45.280
<v Speaker 7>We got clear facts. Maybe we could calm down a little.

0:23:47.400 --> 0:23:51.360
<v Speaker 8>NBC News brings you clear reporting. Let's meet at the facts.

0:23:51.480 --> 0:23:56.480
<v Speaker 8>Let's move forward from there. NBC News Reporting for America.

0:23:58.520 --> 0:24:02.000
<v Speaker 10>My mama told me present the Start to Steal tour.

0:24:02.480 --> 0:24:04.879
<v Speaker 10>We're very excited about it. Yeah, I'm not about to

0:24:05.359 --> 0:24:08.440
<v Speaker 10>bite my tongue. We want to sell it out and

0:24:08.160 --> 0:24:10.520
<v Speaker 10>the dates are coming up fast, and so if you

0:24:10.600 --> 0:24:12.280
<v Speaker 10>live in one of these areas, we want you to

0:24:12.280 --> 0:24:16.080
<v Speaker 10>buy your tickets now. It's all available on our instagrams,

0:24:16.160 --> 0:24:20.920
<v Speaker 10>on our websites, on our link tree. December twelfth, we're

0:24:20.920 --> 0:24:26.080
<v Speaker 10>in Seattle, and December fifteenth, you're closing it out in Portland, Oregon.

0:24:26.160 --> 0:24:28.320
<v Speaker 10>We want y'all to come out. We want y'all to

0:24:28.440 --> 0:24:32.280
<v Speaker 10>kick it. We will be doing our coveted live show

0:24:32.760 --> 0:24:35.439
<v Speaker 10>with special guests with just me and David. Depending on

0:24:35.480 --> 0:24:38.400
<v Speaker 10>the city, it'll be a great time. All that meet

0:24:38.400 --> 0:24:40.880
<v Speaker 10>and greets you've been Chris Brown has a good meet

0:24:40.920 --> 0:24:46.080
<v Speaker 10>and greet. Bro Let's be clear, I'll take a weird

0:24:46.119 --> 0:24:51.400
<v Speaker 10>picture with you for free.

0:24:51.480 --> 0:24:57.040
<v Speaker 15>We are back discussing our favorite Tyler Perry movies. Oh god,

0:24:58.000 --> 0:25:00.000
<v Speaker 15>I don't know that that was the assignment at all.

0:25:01.960 --> 0:25:05.600
<v Speaker 15>I had to tweak it because your parameters weren't working. Okay.

0:25:05.760 --> 0:25:09.640
<v Speaker 10>I I think what it should be is more this

0:25:09.760 --> 0:25:13.800
<v Speaker 10>question if we're talking about these figures that's evil rights

0:25:14.080 --> 0:25:18.800
<v Speaker 10>as sort of spawn of satan as as is sort

0:25:18.800 --> 0:25:22.080
<v Speaker 10>of implied here. I think we should be careful to

0:25:22.760 --> 0:25:28.399
<v Speaker 10>remind ourselves which pieces at least hold some value for

0:25:28.480 --> 0:25:32.200
<v Speaker 10>the greater good of society, that it's less about whether

0:25:32.280 --> 0:25:34.800
<v Speaker 10>or not that we like them, and more do they

0:25:34.880 --> 0:25:37.360
<v Speaker 10>actually benefit the larger world around us?

0:25:38.680 --> 0:25:44.760
<v Speaker 14>And I'm gonna go first, Yeah, so precious that Okay, Daniels.

0:25:44.800 --> 0:25:48.320
<v Speaker 1>That was probably the most controversial.

0:25:47.560 --> 0:25:48.880
<v Speaker 10>And a Tyler Perry production.

0:25:49.760 --> 0:25:56.480
<v Speaker 14>Everybody was involved, they had everybody, they had, Oprah Carries

0:25:56.520 --> 0:25:57.000
<v Speaker 14>showed up.

0:25:58.480 --> 0:25:58.840
<v Speaker 1>Movie.

0:25:59.000 --> 0:26:02.439
<v Speaker 14>I watch it and I say, yes, this definitely gives

0:26:02.720 --> 0:26:03.960
<v Speaker 14>sun Dance this gift.

0:26:04.119 --> 0:26:04.880
<v Speaker 1>It's indie.

0:26:05.040 --> 0:26:08.800
<v Speaker 14>Yes, this is like it's it feels like low budget

0:26:08.880 --> 0:26:11.400
<v Speaker 14>but in such an artistic way that I'm like, I

0:26:11.440 --> 0:26:13.240
<v Speaker 14>can appreciate this now.

0:26:14.160 --> 0:26:15.480
<v Speaker 1>The masses, the.

0:26:15.400 --> 0:26:20.119
<v Speaker 14>Masses watching this, this this story from the book Push.

0:26:20.280 --> 0:26:24.359
<v Speaker 14>It was it was hard, it was so hard and

0:26:24.440 --> 0:26:28.080
<v Speaker 14>that and Monique playing that mother so well to the

0:26:28.119 --> 0:26:30.680
<v Speaker 14>point where like, do we like Monique?

0:26:30.920 --> 0:26:32.000
<v Speaker 2>Do we like her?

0:26:32.440 --> 0:26:34.560
<v Speaker 14>I almost think that people weren't on her side because

0:26:34.560 --> 0:26:37.720
<v Speaker 14>they almost thought you are that mother that was in question.

0:26:38.280 --> 0:26:40.919
<v Speaker 1>You were touching your daughter.

0:26:40.840 --> 0:26:42.920
<v Speaker 2>Like that's how That's.

0:26:42.720 --> 0:26:47.119
<v Speaker 14>How controversial the movie was, that everybody was playing the

0:26:47.240 --> 0:26:50.560
<v Speaker 14>role so well that you're like, this might be their

0:26:50.600 --> 0:26:57.960
<v Speaker 14>real lives. Mariah carry Riah carry rough Draft, Mariah Carey.

0:26:58.040 --> 0:26:59.000
<v Speaker 1>That was alarming.

0:26:59.520 --> 0:27:02.160
<v Speaker 14>It was a arming, And they threw on the beauty

0:27:02.200 --> 0:27:05.359
<v Speaker 14>Supply wig and they said, go, yeah, a little bit

0:27:05.400 --> 0:27:05.920
<v Speaker 14>of concealer.

0:27:06.040 --> 0:27:08.720
<v Speaker 10>But she was great, Okay, incredible. I love this as

0:27:08.760 --> 0:27:11.880
<v Speaker 10>an answer because I similarly felt all of those things

0:27:12.000 --> 0:27:18.119
<v Speaker 10>in seeing the film in theaters. Went in and I

0:27:18.160 --> 0:27:21.080
<v Speaker 10>had my little sisters with me. I swear to God,

0:27:21.560 --> 0:27:23.399
<v Speaker 10>because I was like, this is gonna be like a

0:27:23.400 --> 0:27:28.240
<v Speaker 10>beautiful film of empowerment for for them to see, like

0:27:28.680 --> 0:27:31.520
<v Speaker 10>this big girl who overcomes and like figures out a

0:27:31.520 --> 0:27:32.399
<v Speaker 10>way to move forward.

0:27:32.400 --> 0:27:34.800
<v Speaker 1>I didn't read the book Nod.

0:27:35.400 --> 0:27:41.840
<v Speaker 10>And truly was just haunted by the experience. And so

0:27:42.000 --> 0:27:44.680
<v Speaker 10>I asked this because I agree with you, I felt

0:27:44.720 --> 0:27:48.240
<v Speaker 10>all those things, But how much of that was just

0:27:49.200 --> 0:27:53.280
<v Speaker 10>a weird stacking of awful on top of awful and

0:27:53.359 --> 0:27:56.760
<v Speaker 10>not really a human experience to make us better.

0:27:58.040 --> 0:28:01.000
<v Speaker 14>Well, t I had a friend in it, uh Zosia,

0:28:02.359 --> 0:28:04.160
<v Speaker 14>and I think this was her first big role.

0:28:04.600 --> 0:28:05.199
<v Speaker 1>She killed it.

0:28:05.240 --> 0:28:11.560
<v Speaker 14>I was like, so there, I'm being honest, I'm there supporting,

0:28:13.160 --> 0:28:15.560
<v Speaker 14>I enjoy, right, But then.

0:28:16.760 --> 0:28:19.560
<v Speaker 1>It is somebody's story, so should we not?

0:28:20.480 --> 0:28:25.119
<v Speaker 10>But it's not somebody's story that, you know what I mean? Like,

0:28:25.200 --> 0:28:28.800
<v Speaker 10>parts of this are somebody's story. The the experience of

0:28:29.359 --> 0:28:33.120
<v Speaker 10>abuse is somebody's story. The experience of you know, being overweight,

0:28:33.200 --> 0:28:36.119
<v Speaker 10>and like the challenges of being poor is somebody's story.

0:28:36.720 --> 0:28:40.000
<v Speaker 10>The experience of getting AIDS is somebody's story. But all

0:28:40.080 --> 0:28:43.520
<v Speaker 10>of those combined into this single person, you know what

0:28:43.560 --> 0:28:43.880
<v Speaker 10>I mean?

0:28:43.920 --> 0:28:47.080
<v Speaker 14>Like it was just you don't think all that stuff

0:28:47.120 --> 0:28:47.640
<v Speaker 14>can happen.

0:28:48.720 --> 0:28:51.480
<v Speaker 1>Yes, I'm sure this is somebody's story.

0:28:51.720 --> 0:28:59.480
<v Speaker 14>If you're listening and this is your story, I need you.

0:28:58.840 --> 0:29:02.960
<v Speaker 10>If if you're listening and this is your story, please

0:29:03.080 --> 0:29:08.719
<v Speaker 10>stop listening to this. Go seek help now, because you

0:29:08.880 --> 0:29:12.160
<v Speaker 10>have so much going on that you don't have time

0:29:12.200 --> 0:29:16.080
<v Speaker 10>to dilly or dally with podcasts. Truly, this is that's

0:29:16.800 --> 0:29:19.200
<v Speaker 10>she was pregnant and didn't know she was pregnant. She

0:29:19.280 --> 0:29:22.360
<v Speaker 10>was being assaulted by her mama and or daddy. She

0:29:22.520 --> 0:29:26.360
<v Speaker 10>was Mariah Carey was trying to or I was trying

0:29:26.400 --> 0:29:26.880
<v Speaker 10>to save her.

0:29:26.920 --> 0:29:28.720
<v Speaker 15>But then they had Yes.

0:29:28.720 --> 0:29:33.320
<v Speaker 14>Yes, I be on TikTok all day, all night.

0:29:33.520 --> 0:29:34.840
<v Speaker 1>That is somebody's story.

0:29:34.840 --> 0:29:38.600
<v Speaker 14>The way people be just diarrhea of the mouth, just

0:29:38.880 --> 0:29:41.840
<v Speaker 14>telling their business, they mama business, they cousin's cousins.

0:29:41.960 --> 0:29:44.400
<v Speaker 1>And bad after bad after bad.

0:29:44.640 --> 0:29:46.840
<v Speaker 14>I mean, I don't even turn on the TV no

0:29:46.920 --> 0:29:50.320
<v Speaker 14>more because people are telling us our problems.

0:29:50.400 --> 0:29:53.880
<v Speaker 10>I guess, I guess less than me saying it's impossible

0:29:53.920 --> 0:29:57.560
<v Speaker 10>for anybody to experience this. I'm saying there's a point

0:29:57.560 --> 0:30:01.240
<v Speaker 10>where it stops being any version of universe. It just

0:30:01.320 --> 0:30:07.080
<v Speaker 10>starts being a singular, fucked up story that nobody. It

0:30:07.080 --> 0:30:10.840
<v Speaker 10>doesn't belong to black people, it doesn't belong to brown people.

0:30:11.360 --> 0:30:22.160
<v Speaker 10>That bitch's life sucks, perish. I'm just saying, ship. And

0:30:22.200 --> 0:30:25.040
<v Speaker 10>there's some people in this building that also have stories

0:30:25.080 --> 0:30:28.360
<v Speaker 10>that are closer to like a universal experience. And I

0:30:28.440 --> 0:30:32.080
<v Speaker 10>wonder about the tragedy porn even though for for me

0:30:32.400 --> 0:30:35.520
<v Speaker 10>a person watching it, it worked, I was like, holy shit, this,

0:30:36.160 --> 0:30:37.720
<v Speaker 10>This motherfucker is crazy.

0:30:38.080 --> 0:30:40.160
<v Speaker 1>Okay, what about Monsters Ball?

0:30:40.520 --> 0:30:40.880
<v Speaker 10>WHOA?

0:30:41.680 --> 0:30:47.440
<v Speaker 1>What about that? Holly Berry won it, won that won

0:30:47.480 --> 0:30:49.840
<v Speaker 1>that award, won that Golden.

0:30:49.360 --> 0:30:53.280
<v Speaker 10>Ticket, And it's worth noting Monsters Ball. You said is

0:30:53.280 --> 0:30:54.760
<v Speaker 10>a Lee Daniels production.

0:30:54.960 --> 0:31:00.560
<v Speaker 14>Yes, right, okay, thoughts, I mean she is is getting

0:31:00.600 --> 0:31:03.400
<v Speaker 14>banged out by Billy Bob Thornton.

0:31:04.920 --> 0:31:08.120
<v Speaker 1>Not a drop of makeup, not a comb going through

0:31:08.160 --> 0:31:10.120
<v Speaker 1>the hair. Did he's in it?

0:31:10.440 --> 0:31:14.800
<v Speaker 10>Did he's in it? It's actually, I think one of

0:31:14.360 --> 0:31:17.880
<v Speaker 10>his first serious roles, if I'm not mistaken.

0:31:18.080 --> 0:31:21.760
<v Speaker 1>Honestly, he ate, he ate he was in jail. He

0:31:24.960 --> 0:31:25.760
<v Speaker 1>was on death row.

0:31:25.880 --> 0:31:31.560
<v Speaker 14>Baby the way, the way the art works always like.

0:31:31.520 --> 0:31:33.479
<v Speaker 2>He was on death row. And they never told us

0:31:33.520 --> 0:31:34.080
<v Speaker 2>why either.

0:31:35.800 --> 0:31:36.600
<v Speaker 1>He did not know.

0:31:37.000 --> 0:31:40.200
<v Speaker 2>They're just like, yeah he did, so he was.

0:31:40.320 --> 0:31:41.160
<v Speaker 15>He was acting up.

0:31:41.640 --> 0:31:46.440
<v Speaker 1>Ledger was in it. Well, let was in it. Amazing

0:31:47.280 --> 0:31:47.560
<v Speaker 1>l r P.

0:31:47.720 --> 0:31:49.280
<v Speaker 14>Shout out to him. I'm a him in real life

0:31:49.320 --> 0:31:53.160
<v Speaker 14>and sweet, sweet sweet guy. Okay, yeah, gave good tip to.

0:31:53.440 --> 0:31:56.440
<v Speaker 10>Okay, Yeah, that's good, that's good.

0:31:56.760 --> 0:31:58.920
<v Speaker 1>Some people like to speak ill of the dead, not me.

0:31:59.160 --> 0:32:01.960
<v Speaker 10>Sidney came on here and so far his only defended

0:32:02.000 --> 0:32:02.480
<v Speaker 10>white men.

0:32:02.640 --> 0:32:09.120
<v Speaker 1>But yeah, whoa cameras. Dead ass could be like share.

0:32:09.040 --> 0:32:13.000
<v Speaker 14>You you've been dragging back left and right, all dark

0:32:13.040 --> 0:32:14.000
<v Speaker 14>skinned mind.

0:32:13.800 --> 0:32:16.760
<v Speaker 10>You, that's my style. You, on the other hand, are

0:32:16.800 --> 0:32:19.920
<v Speaker 10>selling your people out.

0:32:20.560 --> 0:32:24.360
<v Speaker 14>I mean, I I enjoy the rawness of it. Again,

0:32:24.760 --> 0:32:27.800
<v Speaker 14>Like if this was like an eight twenty four production,

0:32:27.880 --> 0:32:29.680
<v Speaker 14>we'd be like, yeah.

0:32:29.120 --> 0:32:33.680
<v Speaker 10>Well, I think it did get all the love right.

0:32:34.080 --> 0:32:36.960
<v Speaker 10>It's another example of one. I think it won. Well,

0:32:37.000 --> 0:32:39.800
<v Speaker 10>she won the Oscar for it, certainly. I think it's

0:32:39.960 --> 0:32:42.800
<v Speaker 10>just like a lot of films where we sober up

0:32:42.840 --> 0:32:46.760
<v Speaker 10>to what the fuck we watched three years ago, you.

0:32:46.800 --> 0:32:49.880
<v Speaker 1>Know what I mean saying it one then, but it

0:32:49.880 --> 0:32:51.440
<v Speaker 1>wouldn't it wouldn't hold.

0:32:51.280 --> 0:32:55.280
<v Speaker 10>Up right now. Crash won the Oscar for Best Picture

0:32:55.320 --> 0:32:58.680
<v Speaker 10>and is now like yeah, people laugh at the idea

0:32:58.760 --> 0:33:00.560
<v Speaker 10>that Crash was on now.

0:33:01.720 --> 0:33:05.360
<v Speaker 1>I didn't like the invisible cloak. He tried to cheat me.

0:33:05.520 --> 0:33:12.760
<v Speaker 14>You don't wait a minute, hold up, they're dragging Crash.

0:33:12.920 --> 0:33:13.080
<v Speaker 24>Yeah.

0:33:13.120 --> 0:33:21.000
<v Speaker 10>The people don't like Crashing. Come because it starred Ludacris.

0:33:21.960 --> 0:33:23.680
<v Speaker 1>He was in too fast periods. They loved that.

0:33:26.040 --> 0:33:26.360
<v Speaker 15>Guys.

0:33:26.400 --> 0:33:28.840
<v Speaker 10>I'm not saying that Luda didn't do a fine job.

0:33:28.960 --> 0:33:32.240
<v Speaker 10>I'm saying that you don't give a Ludacris film Best Picture.

0:33:32.720 --> 0:33:34.280
<v Speaker 1>Then Tate was in it.

0:33:34.840 --> 0:33:38.040
<v Speaker 14>They had everybody your name, Mama and crash talking about

0:33:38.520 --> 0:33:45.240
<v Speaker 14>Sandra Bullock. Yeah, the patient Queen sam You know who

0:33:45.320 --> 0:33:46.800
<v Speaker 14>is Samuel Bullock?

0:33:47.760 --> 0:33:48.000
<v Speaker 15>You know?

0:33:48.120 --> 0:33:50.920
<v Speaker 10>The only other type of movie that does movies like

0:33:50.960 --> 0:33:54.240
<v Speaker 10>that where everybody's in it is like them shitty movies

0:33:54.280 --> 0:33:56.160
<v Speaker 10>where it's like Valentine's dad.

0:34:01.160 --> 0:34:04.040
<v Speaker 1>Ryan Philippe was in it. Yeah, it was.

0:34:04.920 --> 0:34:09.160
<v Speaker 10>Too many big names for you to be managing a story.

0:34:09.760 --> 0:34:10.480
<v Speaker 2>So then you just.

0:34:12.600 --> 0:34:16.200
<v Speaker 14>Like in a in a cheesy way, they were making

0:34:16.239 --> 0:34:19.360
<v Speaker 14>their points. Yeah, but then we found out the people

0:34:19.360 --> 0:34:21.319
<v Speaker 14>who wrote it were white. So that's what That's what

0:34:21.360 --> 0:34:21.960
<v Speaker 14>fucked us up.

0:34:22.080 --> 0:34:25.239
<v Speaker 10>That's what it was, which is why you and then

0:34:25.239 --> 0:34:26.799
<v Speaker 10>you look at it as a whole.

0:34:27.120 --> 0:34:31.080
<v Speaker 15>Yeah, it did just that, Yeah, just what you thought

0:34:31.080 --> 0:34:31.560
<v Speaker 15>they would do.

0:34:31.800 --> 0:34:35.919
<v Speaker 10>Okay, So so Monsters Ball is a defendable for you.

0:34:36.320 --> 0:34:38.120
<v Speaker 10>Precious is a defendable.

0:34:37.680 --> 0:34:38.919
<v Speaker 1>For I wasn't mad.

0:34:39.000 --> 0:34:43.680
<v Speaker 14>I wasn't mad at the movie Holly Berry winning the

0:34:43.800 --> 0:34:44.759
<v Speaker 14>Oscar for it.

0:34:44.960 --> 0:34:46.800
<v Speaker 1>I was like, damn, why.

0:34:46.719 --> 0:34:48.960
<v Speaker 14>We gotta be down and out to win? But they

0:34:48.960 --> 0:34:50.600
<v Speaker 14>do that for everybody either, you got it.

0:34:51.320 --> 0:34:54.319
<v Speaker 1>What's what's her name? Charlista rone. She she had to

0:34:54.440 --> 0:34:57.400
<v Speaker 1>get ugly and murder niggas, like you know.

0:34:58.120 --> 0:35:01.600
<v Speaker 10>I think the only difference is they can also escape

0:35:01.760 --> 0:35:05.239
<v Speaker 10>through like musicals. M do you know what I mean?

0:35:05.280 --> 0:35:05.360
<v Speaker 5>That?

0:35:05.560 --> 0:35:10.640
<v Speaker 10>Like Chicago? What's the l a one that they no

0:35:10.640 --> 0:35:13.600
<v Speaker 10>no no, Although A Star is Born is another good example.

0:35:13.800 --> 0:35:15.920
<v Speaker 10>It's not quite it is a musical to some extent,

0:35:16.239 --> 0:35:21.240
<v Speaker 10>but the one where they're la la land Uh. Those

0:35:22.000 --> 0:35:25.319
<v Speaker 10>they can be joyful, they can be not like look

0:35:25.440 --> 0:35:25.920
<v Speaker 10>like ship.

0:35:26.120 --> 0:35:29.239
<v Speaker 14>And when Leonardo DiCaprio was in Everything, they didn't give

0:35:29.320 --> 0:35:31.399
<v Speaker 14>him that award until he got raped by bear.

0:35:31.520 --> 0:35:34.239
<v Speaker 1>So you know what, maybe Academy is just doing everybody wrong.

0:35:36.320 --> 0:35:37.879
<v Speaker 1>Actually it's one for one.

0:35:38.040 --> 0:35:40.799
<v Speaker 2>It's I like that. That's what you think happened with

0:35:40.880 --> 0:35:41.320
<v Speaker 2>that bear.

0:35:41.960 --> 0:35:42.840
<v Speaker 12>That's what I saw.

0:35:44.600 --> 0:35:45.239
<v Speaker 15>What it looks like.

0:35:45.280 --> 0:35:48.120
<v Speaker 14>Am I wrong When they said when they said would

0:35:48.160 --> 0:35:50.440
<v Speaker 14>you rather be trapped in the forest with a bear

0:35:51.080 --> 0:35:51.600
<v Speaker 14>for a man?

0:35:51.640 --> 0:35:54.440
<v Speaker 1>I'm like, well, which bear? Because bear.

0:35:57.560 --> 0:35:58.399
<v Speaker 15>He's gonna take it.

0:35:58.960 --> 0:36:05.759
<v Speaker 10>That bear got him. I remember just learning what the

0:36:05.800 --> 0:36:08.920
<v Speaker 10>premise of that movie was and thinking, damn, this is

0:36:09.840 --> 0:36:13.920
<v Speaker 10>give this man the award.

0:36:11.840 --> 0:36:13.399
<v Speaker 1>And they did, and they did.

0:36:13.520 --> 0:36:15.000
<v Speaker 15>He I think he just watch it.

0:36:15.080 --> 0:36:18.479
<v Speaker 1>He read the script and said, you know what, it's time.

0:36:19.200 --> 0:36:19.640
<v Speaker 1>It's time.

0:36:21.120 --> 0:36:24.200
<v Speaker 14>Now, I gotta lock in. He said, he goes to

0:36:24.280 --> 0:36:27.120
<v Speaker 14>death in Titanic, Right, this is a different.

0:36:26.880 --> 0:36:27.920
<v Speaker 1>It's a different type of death.

0:36:27.960 --> 0:36:28.560
<v Speaker 10>I'm not dying.

0:36:28.680 --> 0:36:33.000
<v Speaker 1>I'm not dying. I'm living Jack Jack.

0:36:34.760 --> 0:36:38.080
<v Speaker 2>Sweet voice.

0:36:44.440 --> 0:36:46.560
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0:36:46.600 --> 0:36:48.400
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<v Speaker 12>Hi everyone, it's Calpen.

0:37:44.719 --> 0:37:49.080
<v Speaker 13>I'm the host of Earsay, the Audible and iHeart Audio

0:37:49.160 --> 0:37:51.719
<v Speaker 13>Book Club. This week on the podcast, I am sitting

0:37:51.760 --> 0:37:57.040
<v Speaker 13>down with Ray Porter, the narrator of Andy Weir's audiobook project,

0:37:57.160 --> 0:38:01.120
<v Speaker 13>Hail Mary, Massive sci Fi and I'm sure about survival

0:38:01.520 --> 0:38:05.320
<v Speaker 13>and science and what happens when you wake up alone, very.

0:38:05.120 --> 0:38:06.040
<v Speaker 12>Far from Earth.

0:38:06.480 --> 0:38:08.720
<v Speaker 20>I really had to make a decision because I caught

0:38:08.760 --> 0:38:11.160
<v Speaker 20>myself getting that frog in my throat and starting to

0:38:11.160 --> 0:38:13.880
<v Speaker 20>get teary as I'm narrating some of these sections, and

0:38:13.880 --> 0:38:16.400
<v Speaker 20>it's like, okay yo, yayo, is this indulgent? And I

0:38:16.400 --> 0:38:18.120
<v Speaker 20>really thought about it, and I was like, no, at

0:38:18.120 --> 0:38:21.400
<v Speaker 20>this point, it would kind of be betraying the trust

0:38:21.520 --> 0:38:24.560
<v Speaker 20>the author and the listener have in telling this story

0:38:24.600 --> 0:38:27.319
<v Speaker 20>if I don't go through it. But there's places in

0:38:27.360 --> 0:38:31.879
<v Speaker 20>this book that deeply emotionally affected me, and I left

0:38:31.920 --> 0:38:35.120
<v Speaker 20>it on the mic. That's great because it served the story.

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<v Speaker 20>People will say like, oh my god, I cried at

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<v Speaker 20>the end. It's like, yeah, dude, me too.

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<v Speaker 13>Listen to your Safe the Audible and iHeart Audiobook Club

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<v Speaker 13>on the iHeartRadio.

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<v Speaker 12>App or wherever you get in your podcasts.

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<v Speaker 21>This is Ashley and Eddie from the Ben and Ashley

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<v Speaker 21>I Almost Samos podcasts. You know what's becoming a literal

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<v Speaker 22>Realmen, She's coming over in an hour and this tastes

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<v Speaker 12>Use it?

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<v Speaker 23>Do you have all six weird flex best flex? If

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<v Speaker 23>she likes to launch your lime, hit her with the

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<v Speaker 23>honey Racha.

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<v Speaker 22>That's actually smart.

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<v Speaker 24>I know.

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<v Speaker 15>Thanks.

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<v Speaker 3>Try the Lee come keys of Roger Family, grab the

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<v Speaker 3>Oneliner in stores.

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<v Speaker 18>How do you flex your flavor? Bruh.

0:40:17.920 --> 0:40:19.440
<v Speaker 4>I turned off news altogether.

0:40:20.680 --> 0:40:22.960
<v Speaker 5>I hate to say it, but I don't trust much

0:40:23.000 --> 0:40:23.719
<v Speaker 5>of anything.

0:40:25.080 --> 0:40:25.920
<v Speaker 4>It's the radebate.

0:40:27.520 --> 0:40:30.280
<v Speaker 6>It feels like it's trying to divide people.

0:40:31.800 --> 0:40:35.200
<v Speaker 7>We got clear facts. Maybe we could calm down a little.

0:40:37.320 --> 0:40:41.280
<v Speaker 8>NBC News brings you clear reporting. Let's meet at the facts.

0:40:41.400 --> 0:40:46.400
<v Speaker 8>Let's move forward from there. NBC News Reporting for America.

0:40:48.400 --> 0:40:51.920
<v Speaker 10>My Mama told me presents the Start to Steal Tour.

0:40:52.360 --> 0:40:54.800
<v Speaker 10>We're very excited about it. Yeah, I'm not about to

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<v Speaker 10>bite my tongue. We want to sell it out and

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<v Speaker 10>the dates are coming up fast, and so if you

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<v Speaker 10>live in one of these areas, we want you to

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<v Speaker 10>buy your tickets now. It's all available on our instagrams,

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<v Speaker 10>on our websites, on our link tree. December twelfth, we're

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<v Speaker 10>in Seattle, and December fifteenth, you're closing it out. In Portland, Oregon.

0:41:16.120 --> 0:41:18.239
<v Speaker 10>We want y'all to come out. We want y'all to

0:41:18.360 --> 0:41:22.200
<v Speaker 10>kick it. We will be doing our coveted live show

0:41:22.680 --> 0:41:25.360
<v Speaker 10>with special guests with just me and David. Depending on

0:41:25.400 --> 0:41:27.120
<v Speaker 10>the city, it'll be a great time.

0:41:27.440 --> 0:41:30.239
<v Speaker 15>All that meet and greets you've been Chris Brown has

0:41:30.280 --> 0:41:31.240
<v Speaker 15>a good meet and greet.

0:41:31.920 --> 0:41:36.600
<v Speaker 10>Bro Let's be clear, I'll take a weird picture with

0:41:36.680 --> 0:41:40.240
<v Speaker 10>you for free.

0:41:41.040 --> 0:41:43.279
<v Speaker 15>Okay, here's what I'll say. Okay, here we go, and

0:41:43.360 --> 0:41:47.040
<v Speaker 15>looking at the full Tyler Perry filmography.

0:41:46.320 --> 0:41:50.239
<v Speaker 10>Well, okay, And it's worth noting she only defended Lea, didn't. Yeah,

0:41:50.440 --> 0:41:52.840
<v Speaker 10>she brought nothing to the table for Tyler. Tyler so

0:41:52.920 --> 0:41:54.359
<v Speaker 10>far as indefensible for you?

0:41:55.040 --> 0:41:56.640
<v Speaker 15>Is that true?

0:41:57.160 --> 0:41:58.080
<v Speaker 1>Why did I get married?

0:41:58.080 --> 0:41:59.919
<v Speaker 14>I buked with that heavy I thought that was valid

0:42:00.800 --> 0:42:05.000
<v Speaker 14>into into and mah two. I said, I don't know

0:42:05.000 --> 0:42:06.839
<v Speaker 14>if we need this, but I heard it was doing

0:42:06.840 --> 0:42:08.239
<v Speaker 14>a why Why did I get married?

0:42:08.280 --> 0:42:08.400
<v Speaker 12>Three?

0:42:08.480 --> 0:42:09.759
<v Speaker 1>And that's why Sisily was like.

0:42:10.120 --> 0:42:10.919
<v Speaker 15>And then she died.

0:42:11.120 --> 0:42:11.520
<v Speaker 10>Oh.

0:42:12.239 --> 0:42:13.480
<v Speaker 15>She was like, I'm tired.

0:42:13.600 --> 0:42:18.360
<v Speaker 14>Because Tyler said I paid Cecily a million dollars for

0:42:18.480 --> 0:42:20.600
<v Speaker 14>one day of work, and she was like, wait, why

0:42:20.600 --> 0:42:22.799
<v Speaker 14>are you telling them about my business? Yeah, because he

0:42:22.880 --> 0:42:24.960
<v Speaker 14>was trying to let her know, Hey, you're gonna have

0:42:25.000 --> 0:42:25.960
<v Speaker 14>to work some other days.

0:42:25.960 --> 0:42:28.399
<v Speaker 1>Bab we got born and we got.

0:42:28.480 --> 0:42:32.920
<v Speaker 10>Moving for you. That million was an advance. Yeah, you

0:42:33.000 --> 0:42:33.640
<v Speaker 10>got work to do.

0:42:35.040 --> 0:42:36.000
<v Speaker 1>I death throw.

0:42:36.320 --> 0:42:38.600
<v Speaker 15>We gotta shoot season forty of sisters.

0:42:43.320 --> 0:42:44.359
<v Speaker 1>Who are we going to help?

0:42:45.320 --> 0:42:47.240
<v Speaker 2>But Tyler, it's only been out three.

0:42:47.080 --> 0:42:51.799
<v Speaker 1>Years, Alana, I wish she was back.

0:42:52.239 --> 0:42:54.879
<v Speaker 10>Yeah, I think that.

0:42:55.360 --> 0:42:57.319
<v Speaker 15>Uh, I'll take why did I get married? Just in

0:42:57.360 --> 0:43:00.319
<v Speaker 15>the idea of just a romantic comedy. I don't it

0:43:00.320 --> 0:43:05.680
<v Speaker 15>detracts anything from art or the conversation or anything like that, Okay,

0:43:05.719 --> 0:43:07.919
<v Speaker 15>because I do think that, like when we're talking about

0:43:08.000 --> 0:43:11.000
<v Speaker 15>him as a whole and like his output, I don't

0:43:11.000 --> 0:43:14.000
<v Speaker 15>think it needs to be He doesn't have to be

0:43:14.200 --> 0:43:18.280
<v Speaker 15>a twenty four to be worthy of existing in the space,

0:43:18.320 --> 0:43:18.879
<v Speaker 15>you know what I mean?

0:43:19.040 --> 0:43:22.040
<v Speaker 10>Yeah, I think that's always been my issue with it, right,

0:43:22.200 --> 0:43:25.480
<v Speaker 10>is It's not that I'm expecting him to be.

0:43:25.480 --> 0:43:27.360
<v Speaker 15>And worthy isn't even the right word. I just mean, like,

0:43:27.480 --> 0:43:29.560
<v Speaker 15>it doesn't have to be bad that style.

0:43:29.920 --> 0:43:32.279
<v Speaker 10>But I guess that's my point is I don't need

0:43:32.320 --> 0:43:35.080
<v Speaker 10>it to be some high art. I just needed to

0:43:35.160 --> 0:43:38.000
<v Speaker 10>hold itself to some standard. Do you know what I

0:43:38.040 --> 0:43:43.080
<v Speaker 10>mean that, like Adam Sandler movies, I don't like all

0:43:43.120 --> 0:43:46.560
<v Speaker 10>of them. I don't like honestly most of them, but

0:43:46.719 --> 0:43:50.000
<v Speaker 10>every single one of them, I go, oh, Adam really

0:43:50.000 --> 0:43:51.960
<v Speaker 10>thought this was funny, do you know what I mean?

0:43:52.000 --> 0:43:56.200
<v Speaker 10>He really believed in like whatever this configuration of funny

0:43:56.200 --> 0:44:00.200
<v Speaker 10>people and jokes was, and he put it out believing

0:44:00.480 --> 0:44:03.440
<v Speaker 10>that it was gonna serve an audience, whereas like Tyler,

0:44:03.560 --> 0:44:06.000
<v Speaker 10>I don't think gives a fuck, but it does.

0:44:06.680 --> 0:44:07.200
<v Speaker 1>It does.

0:44:09.360 --> 0:44:11.759
<v Speaker 15>Great degree what he does.

0:44:12.040 --> 0:44:12.600
<v Speaker 10>No, I don't.

0:44:12.640 --> 0:44:14.400
<v Speaker 15>I don't mean that some of the stuff is like

0:44:15.000 --> 0:44:17.080
<v Speaker 15>definitely just put together and rushed out. But some of

0:44:17.120 --> 0:44:19.319
<v Speaker 15>them you could tell. It's like he wanted this to

0:44:19.360 --> 0:44:22.120
<v Speaker 15>be a good film, right like he wanted to Yeah,

0:44:23.080 --> 0:44:24.800
<v Speaker 15>he wanted, and it served his audience.

0:44:24.880 --> 0:44:27.680
<v Speaker 10>But I'm saying that that's the violence, is to put

0:44:27.719 --> 0:44:31.560
<v Speaker 10>out the rush ship knowing you had more potential for

0:44:31.640 --> 0:44:35.480
<v Speaker 10>a quality film even as you see it, right, like,

0:44:35.560 --> 0:44:39.160
<v Speaker 10>even if it's not objectively quality, you knew, like, all

0:44:39.239 --> 0:44:41.440
<v Speaker 10>right when I put this out, I stand on that.

0:44:42.640 --> 0:44:45.799
<v Speaker 14>Yes, what if Tyler Perry is ahead of the curve

0:44:45.840 --> 0:44:50.000
<v Speaker 14>and he said these audiences they're pretty bad, So what

0:44:50.040 --> 0:44:51.520
<v Speaker 14>are we spending.

0:44:51.680 --> 0:44:53.279
<v Speaker 2>Years to.

0:44:54.960 --> 0:44:55.759
<v Speaker 1>Go it out there.

0:44:55.920 --> 0:44:58.799
<v Speaker 14>They don't watch it, they're gonna pay money, they're gonna go, well.

0:44:58.880 --> 0:45:01.840
<v Speaker 25>You look at it, and honestly.

0:45:02.120 --> 0:45:06.399
<v Speaker 15>Genie, right, if you look at it that Waylazer.

0:45:05.160 --> 0:45:10.440
<v Speaker 14>Well, it's just like comedians right now, stand up comedians

0:45:10.840 --> 0:45:11.920
<v Speaker 14>posting clips.

0:45:12.280 --> 0:45:15.440
<v Speaker 1>You're like, that joke's not done, that needs some tags. Whatever,

0:45:16.239 --> 0:45:17.480
<v Speaker 1>what are we waiting for? Put it?

0:45:17.520 --> 0:45:21.400
<v Speaker 14>And sometimes the stuff that's the most unfinished gets the

0:45:21.440 --> 0:45:28.400
<v Speaker 14>most viral moments. So Tyler Perry is, oh.

0:45:27.760 --> 0:45:30.439
<v Speaker 10>Want you want to stand up while you say, let's

0:45:30.520 --> 0:45:32.480
<v Speaker 10>go with your hand on your heart? What the fuck

0:45:32.600 --> 0:45:34.440
<v Speaker 10>is about that?

0:45:35.560 --> 0:45:38.319
<v Speaker 14>Stand up comedians took a note from Tyler Perry and

0:45:38.320 --> 0:45:39.240
<v Speaker 14>they say, I put it out.

0:45:39.120 --> 0:45:42.080
<v Speaker 10>But I think that's what where I start to go, like, yeah,

0:45:42.120 --> 0:45:45.840
<v Speaker 10>but that is a greater destruction of the world, right, yes,

0:45:45.880 --> 0:45:49.759
<v Speaker 10>because I do think the deterioration of art is like

0:45:49.840 --> 0:45:53.600
<v Speaker 10>a fundamental reflection of like what's happening in the larger

0:45:53.640 --> 0:45:54.680
<v Speaker 10>world around.

0:45:54.400 --> 0:45:59.200
<v Speaker 15>Us doesn't necessarily mean good still, right, No.

0:45:59.120 --> 0:46:02.840
<v Speaker 10>He's an innovator for sure, Like he really broke ground

0:46:02.880 --> 0:46:05.200
<v Speaker 10>on some vile, vile ship, right.

0:46:05.320 --> 0:46:07.960
<v Speaker 2>Like yeah, and that's.

0:46:12.320 --> 0:46:17.600
<v Speaker 1>All yet what we know how it's done? You're like oh, sir,

0:46:17.680 --> 0:46:20.480
<v Speaker 1>how much? Tell me what the prescription is.

0:46:20.560 --> 0:46:23.160
<v Speaker 10>But but even even the idea that you have, like

0:46:23.480 --> 0:46:28.120
<v Speaker 10>all these shoots happening constantly on this large property, that

0:46:28.160 --> 0:46:31.160
<v Speaker 10>you're not doing multiple takes on that you're not even

0:46:31.200 --> 0:46:35.040
<v Speaker 10>fucking like you know, you're not there, Sidney, what do

0:46:35.120 --> 0:46:36.200
<v Speaker 10>we what game are we playing?

0:46:39.360 --> 0:46:41.680
<v Speaker 17>I just want to hear a fact that's the whole boy, Yeah,

0:46:42.200 --> 0:46:43.880
<v Speaker 17>is that we're not allowed to see it.

0:46:44.080 --> 0:46:47.920
<v Speaker 10>Yeah, because they're doing crazy ship with these these people

0:46:48.320 --> 0:46:50.320
<v Speaker 10>whose lives that will never come.

0:46:50.160 --> 0:46:54.680
<v Speaker 1>Back, these people, black people. Don't you say, these people.

0:46:54.480 --> 0:47:00.239
<v Speaker 10>These dumb dumbs trapped in a cave in damn that

0:47:01.480 --> 0:47:02.959
<v Speaker 10>I can't now.

0:47:03.080 --> 0:47:06.359
<v Speaker 1>Your hairline is nice, but don't don't push you back.

0:47:06.400 --> 0:47:08.120
<v Speaker 2>Alan fucking pain.

0:47:10.280 --> 0:47:13.840
<v Speaker 14>You if you If you love Alan so much, I

0:47:13.880 --> 0:47:14.880
<v Speaker 14>want you to get his tattoo.

0:47:15.040 --> 0:47:16.440
<v Speaker 1>Get a tattoo, Alan Allen.

0:47:17.480 --> 0:47:18.239
<v Speaker 10>I just miss him.

0:47:18.320 --> 0:47:22.600
<v Speaker 1>Okay, he's alive. Is he find him on Instagram?

0:47:24.360 --> 0:47:25.960
<v Speaker 10>I bet he got a different Instagram.

0:47:29.080 --> 0:47:31.080
<v Speaker 1>He said that Pain fucked him up.

0:47:31.280 --> 0:47:34.560
<v Speaker 10>I bet it's at Alan Tyler Payne dot.

0:47:35.800 --> 0:47:39.400
<v Speaker 14>There was a there was a new movie recently, not recently,

0:47:39.480 --> 0:47:43.640
<v Speaker 14>but like earlier this year that Tyler Perry made with

0:47:43.760 --> 0:47:47.840
<v Speaker 14>Kelly Rowland Mea Coppola and I watched it.

0:47:48.239 --> 0:47:51.880
<v Speaker 1>Yeah, I watched it. Was it terrible?

0:47:53.040 --> 0:47:53.239
<v Speaker 10>No?

0:47:54.239 --> 0:47:55.000
<v Speaker 1>Was it amazing?

0:47:56.360 --> 0:47:56.560
<v Speaker 12>No?

0:47:57.400 --> 0:48:00.799
<v Speaker 1>But I enjoy I enjoyed it. I enjoyed it, and

0:48:00.880 --> 0:48:03.480
<v Speaker 1>that sometimes we just need something that we could put

0:48:03.480 --> 0:48:05.680
<v Speaker 1>our eyes on, take us out of the moment.

0:48:05.880 --> 0:48:08.640
<v Speaker 10>But again, I think the point is less that he

0:48:08.840 --> 0:48:12.840
<v Speaker 10>can't do it. I don't think my suggestion is everything

0:48:12.880 --> 0:48:17.680
<v Speaker 10>he's ever made has been a violent violation Daddy's little girls.

0:48:17.719 --> 0:48:20.279
<v Speaker 10>I like, I was like, all right, that's cool. It's

0:48:20.320 --> 0:48:21.880
<v Speaker 10>not I'm not offended by this.

0:48:22.160 --> 0:48:24.600
<v Speaker 14>It just is just you want to do things that

0:48:24.680 --> 0:48:26.720
<v Speaker 14>you want things made that doesn't offend you.

0:48:26.760 --> 0:48:29.360
<v Speaker 10>No, I'm saying I want there to be a standard

0:48:29.440 --> 0:48:32.600
<v Speaker 10>of quality so that we're not getting clips of a

0:48:32.680 --> 0:48:35.320
<v Speaker 10>dude getting punched in the face and spinning a full

0:48:35.400 --> 0:48:40.080
<v Speaker 10>three sixty and saying as he falls down. I'm saying

0:48:40.120 --> 0:48:44.880
<v Speaker 10>I want the I want a billionaire who owns literally

0:48:44.960 --> 0:48:48.759
<v Speaker 10>half of Atlanta to invest in quality wigs and that

0:48:48.960 --> 0:48:52.799
<v Speaker 10>not to be part of the conversation. I want to

0:48:53.040 --> 0:48:55.200
<v Speaker 10>explore the world beyond mister Brown.

0:48:55.280 --> 0:49:01.279
<v Speaker 1>Can they put music anything that he's saying right now?

0:49:01.840 --> 0:49:05.680
<v Speaker 10>I want a real story that you believe in every

0:49:05.760 --> 0:49:09.000
<v Speaker 10>time because you have the resources and frankly, you present

0:49:09.120 --> 0:49:12.440
<v Speaker 10>to us to be this healer of our community. So

0:49:12.600 --> 0:49:14.919
<v Speaker 10>put the effort in to show us that love every

0:49:14.960 --> 0:49:15.440
<v Speaker 10>single time.

0:49:15.520 --> 0:49:17.680
<v Speaker 14>So once you say said once all that done is

0:49:17.719 --> 0:49:19.799
<v Speaker 14>Tyler Langston will be right on that motherfucking lot.

0:49:19.880 --> 0:49:21.880
<v Speaker 1>That's what he's trying to tell you. It's trying to

0:49:21.920 --> 0:49:22.520
<v Speaker 1>tell you get.

0:49:22.400 --> 0:49:25.919
<v Speaker 26>Your tony when I buddy, when I run out, I'll

0:49:25.920 --> 0:49:34.040
<v Speaker 26>come be a slave, a part of it, slave away.

0:49:33.800 --> 0:49:41.279
<v Speaker 25>And with me. This is really just it's ending pro

0:49:41.400 --> 0:49:44.440
<v Speaker 25>Tyler Perry, which is that's how you know it. No,

0:49:44.880 --> 0:49:46.920
<v Speaker 25>I want to be clear. I'm I could not be

0:49:47.040 --> 0:49:52.200
<v Speaker 25>more anti Tyler Perry. You too are pro Tyler Perry.

0:49:52.239 --> 0:49:55.239
<v Speaker 25>For me, I am the exact opposite. I think he's

0:49:55.280 --> 0:49:55.800
<v Speaker 25>the worst.

0:49:55.960 --> 0:50:00.960
<v Speaker 14>I'm pro you know, we should be able to as

0:50:01.040 --> 0:50:05.920
<v Speaker 14>messy and ridiculous and unprofessional as everybody else in this business,

0:50:06.120 --> 0:50:06.600
<v Speaker 14>and we're not.

0:50:06.760 --> 0:50:08.880
<v Speaker 1>We're not allowed to, and Tyler Perry is doing that

0:50:08.920 --> 0:50:16.640
<v Speaker 1>and so therefore, but what he But it also is

0:50:17.160 --> 0:50:17.960
<v Speaker 1>like bad.

0:50:17.760 --> 0:50:19.719
<v Speaker 14>Because like you said, there's so many people who are

0:50:19.760 --> 0:50:22.440
<v Speaker 14>trapped in this circle of Perry production.

0:50:22.640 --> 0:50:25.359
<v Speaker 10>I just dream of a day when we don't have

0:50:25.480 --> 0:50:28.799
<v Speaker 10>to hold it hold ourselves to the standard of the

0:50:28.840 --> 0:50:31.320
<v Speaker 10>worst white person.

0:50:31.480 --> 0:50:35.240
<v Speaker 1>I didn't say white. Now you said white, Well it

0:50:35.040 --> 0:50:39.600
<v Speaker 1>was I said the industry. I said, I said the industry.

0:50:39.680 --> 0:50:40.439
<v Speaker 1>I feel like we.

0:50:40.360 --> 0:50:42.000
<v Speaker 2>Are almost Jewish.

0:50:46.200 --> 0:50:48.360
<v Speaker 1>With you. I did not say that.

0:50:48.719 --> 0:50:52.239
<v Speaker 14>What I'm saying is we always have to do black excellence,

0:50:52.239 --> 0:50:54.640
<v Speaker 14>black excellence. We got to have autocrests, we gotta we've

0:50:54.680 --> 0:50:56.239
<v Speaker 14>got to go to school for we have to be

0:50:56.480 --> 0:50:58.319
<v Speaker 14>so about this life.

0:50:58.320 --> 0:51:00.480
<v Speaker 1>And it's just like that's that's not how art is

0:51:00.480 --> 0:51:02.680
<v Speaker 1>made all the time. We didn't go to NYU, we

0:51:02.680 --> 0:51:03.520
<v Speaker 1>didn't go to Juilliar.

0:51:03.800 --> 0:51:06.960
<v Speaker 14>So that means that the way we conduct you know,

0:51:07.080 --> 0:51:10.080
<v Speaker 14>acting and comedy or whatever is not up to standard.

0:51:10.160 --> 0:51:13.680
<v Speaker 10>No, I think I'm not suggesting even for a second

0:51:13.719 --> 0:51:17.120
<v Speaker 10>that there needs to be a standardization of quality. I'm

0:51:17.160 --> 0:51:19.799
<v Speaker 10>not suggesting that there needs to be a standardization of

0:51:19.840 --> 0:51:23.960
<v Speaker 10>this industry. But I do think that like this breaks

0:51:24.000 --> 0:51:28.319
<v Speaker 10>down to questions of human decency. For me, decency, this

0:51:28.440 --> 0:51:31.920
<v Speaker 10>is this is not just oh, I made the best

0:51:32.000 --> 0:51:34.839
<v Speaker 10>movie I could make, and if you like it, you

0:51:34.920 --> 0:51:36.840
<v Speaker 10>like it. If you don't, you don't. I've seen plenty

0:51:36.880 --> 0:51:39.280
<v Speaker 10>of those movies and we can argue all day about

0:51:39.280 --> 0:51:43.800
<v Speaker 10>which one thus are, but there's nothing he's putting in

0:51:44.360 --> 0:51:47.440
<v Speaker 10>on sisters. Do you know what I'm saying?

0:51:47.640 --> 0:51:51.360
<v Speaker 1>Oh Yo, when I tell you the be et Bandits

0:51:51.400 --> 0:51:54.239
<v Speaker 1>is gonna be at you, I don't want to be

0:51:54.239 --> 0:51:56.080
<v Speaker 1>a part. I don't want to be a party. I

0:51:56.120 --> 0:51:57.960
<v Speaker 1>get it. Someone make sure you untagged.

0:51:58.320 --> 0:51:59.560
<v Speaker 2>Somebody's gonna be mad.

0:52:00.600 --> 0:52:02.799
<v Speaker 1>They are, they will ride at down.

0:52:02.920 --> 0:52:03.840
<v Speaker 2>But that's what I'm saying.

0:52:03.920 --> 0:52:08.840
<v Speaker 10>I get it that. I'm I understand that there is

0:52:08.920 --> 0:52:09.480
<v Speaker 10>an audience.

0:52:09.520 --> 0:52:10.920
<v Speaker 1>The feelers even better.

0:52:11.760 --> 0:52:14.279
<v Speaker 10>I don't think that he's trying his best on all

0:52:14.320 --> 0:52:16.200
<v Speaker 10>of these things. And I think we got to be

0:52:16.239 --> 0:52:21.799
<v Speaker 10>honest about that, Dave. I think that what are we

0:52:21.840 --> 0:52:23.960
<v Speaker 10>talking about? Is it like a ratios thing? Like what

0:52:24.000 --> 0:52:25.000
<v Speaker 10>do you think is good to bad?

0:52:25.120 --> 0:52:25.560
<v Speaker 15>Ratio is?

0:52:25.680 --> 0:52:28.080
<v Speaker 1>Yeah? Tell me let us know what you right now?

0:52:28.200 --> 0:52:30.960
<v Speaker 1>Right now? Hold on, what what is good for you? Movie?

0:52:31.040 --> 0:52:31.439
<v Speaker 1>Right now?

0:52:31.760 --> 0:52:32.440
<v Speaker 12>Show? No?

0:52:32.440 --> 0:52:37.120
<v Speaker 10>No, No, that's that feels that that's complicating the conversation.

0:52:37.560 --> 0:52:38.960
<v Speaker 1>You want to you want to keep your jobs?

0:52:39.080 --> 0:52:41.080
<v Speaker 10>Yeah, I'm not going to play this nasty.

0:52:40.800 --> 0:52:45.520
<v Speaker 1>Little hold if I wouldn't do what I did right now.

0:52:46.200 --> 0:52:48.000
<v Speaker 10>That's not the point of this conversation.

0:52:50.000 --> 0:52:51.760
<v Speaker 2>A good try, sister.

0:52:54.360 --> 0:52:56.320
<v Speaker 1>I can't even. They won't even see me a script.

0:52:56.840 --> 0:52:57.560
<v Speaker 2>I can't even.

0:53:01.800 --> 0:53:04.439
<v Speaker 10>I think if we're talking ratio of what I think

0:53:04.440 --> 0:53:07.000
<v Speaker 10>he offers up good good to bad, I think it's

0:53:07.080 --> 0:53:10.960
<v Speaker 10>ninety percent bad and ten percent good.

0:53:11.200 --> 0:53:13.520
<v Speaker 1>Let me ask you a question. Did you like Vampire

0:53:13.520 --> 0:53:14.000
<v Speaker 1>and Brooklyn?

0:53:15.239 --> 0:53:16.560
<v Speaker 10>I don't think it was a good movie.

0:53:18.320 --> 0:53:20.640
<v Speaker 1>It was a good movie? No, what is good?

0:53:21.280 --> 0:53:21.759
<v Speaker 15>Not that?

0:53:22.400 --> 0:53:25.400
<v Speaker 14>Why wasn't it good? Eddie Murphy was in it? Angela basket?

0:53:25.480 --> 0:53:28.520
<v Speaker 10>Yeah, Eddie Murphy is in a fee was in it?

0:53:29.440 --> 0:53:32.680
<v Speaker 1>He was it? Yo, yo fa.

0:53:32.880 --> 0:53:33.839
<v Speaker 2>You think it's a good movie.

0:53:34.520 --> 0:53:35.000
<v Speaker 15>Excuse me?

0:53:35.080 --> 0:53:38.359
<v Speaker 1>You think it's a good movie, iconic, legendary. No, no,

0:53:38.960 --> 0:53:40.600
<v Speaker 1>boo boo.

0:53:40.640 --> 0:53:44.320
<v Speaker 10>I'm not gonna play this game where we swerve around

0:53:44.320 --> 0:53:45.879
<v Speaker 10>it because a bunch of people we like.

0:53:45.800 --> 0:53:48.920
<v Speaker 1>Are inny butterscotch behavior, boom.

0:53:51.320 --> 0:53:52.360
<v Speaker 2>Off the stage.

0:53:52.560 --> 0:53:55.759
<v Speaker 1>I love it. I loved it.

0:53:55.800 --> 0:53:57.160
<v Speaker 10>There's a lot of movie.

0:53:56.840 --> 0:53:59.960
<v Speaker 1>Glynn contexts also bouncoring.

0:54:00.200 --> 0:54:00.880
<v Speaker 2>That's crazy.

0:54:00.920 --> 0:54:03.840
<v Speaker 15>But it's not a great movie. Thank you, And that's fine.

0:54:03.960 --> 0:54:04.520
<v Speaker 10>That's okay.

0:54:04.880 --> 0:54:07.240
<v Speaker 15>That's kind of how it is with the Tyler Perry stuff.

0:54:07.480 --> 0:54:08.360
<v Speaker 10>That's a good.

0:54:08.760 --> 0:54:16.560
<v Speaker 1>Evil good who get to me laugh? What's in his coffee.

0:54:18.160 --> 0:54:18.399
<v Speaker 26>Meth.

0:54:20.360 --> 0:54:24.960
<v Speaker 10>This is meth like behavior. This whole episode has been

0:54:24.960 --> 0:54:26.560
<v Speaker 10>brought to you by Meth.

0:54:26.719 --> 0:54:28.520
<v Speaker 1>How dare you there?

0:54:28.600 --> 0:54:30.640
<v Speaker 14>You text me an hour before the podcast and I

0:54:30.719 --> 0:54:34.240
<v Speaker 14>brought my my sisterly love here to save the pod,

0:54:34.719 --> 0:54:35.959
<v Speaker 14>and now you said, I'm on Meth.

0:54:37.239 --> 0:54:40.640
<v Speaker 1>Brothers, where's where Brothers?

0:54:40.960 --> 0:54:41.319
<v Speaker 12>It is?

0:54:42.200 --> 0:54:42.919
<v Speaker 2>He has that.

0:54:43.520 --> 0:54:50.959
<v Speaker 17>It literally exists both sides. Now that's the problem. You

0:54:51.000 --> 0:54:55.120
<v Speaker 17>don't even know how thorough this man is. There's an auntie,

0:54:55.600 --> 0:54:56.120
<v Speaker 17>I'm hurt.

0:54:58.239 --> 0:54:59.120
<v Speaker 1>I'm heard.

0:55:01.280 --> 0:55:04.319
<v Speaker 10>This man made all the stuff and you I hear

0:55:04.400 --> 0:55:07.240
<v Speaker 10>being like it could be subjective?

0:55:07.480 --> 0:55:11.120
<v Speaker 15>No stop, how it is him being the devil to

0:55:11.160 --> 0:55:14.760
<v Speaker 15>me does come down to more than content or anything.

0:55:14.800 --> 0:55:17.080
<v Speaker 15>I think it's the way that he runs the ship.

0:55:17.760 --> 0:55:20.640
<v Speaker 15>That's that is the thing that I think that regardless

0:55:20.640 --> 0:55:22.919
<v Speaker 15>of whether or not you enjoy it or you don't

0:55:23.040 --> 0:55:26.520
<v Speaker 15>enjoy it, that is the sinister thread that we can

0:55:26.560 --> 0:55:29.520
<v Speaker 15>all agree on, right, And that's the problem with Tyler.

0:55:29.600 --> 0:55:32.440
<v Speaker 10>He's saving insane amounts of money it's fit to hoard

0:55:32.560 --> 0:55:35.840
<v Speaker 10>for himself by not paying people what they're worth and

0:55:35.920 --> 0:55:39.640
<v Speaker 10>not unionizing. And more than that, he then even saves

0:55:40.239 --> 0:55:43.960
<v Speaker 10>more and more money by forcing people to work hours

0:55:44.000 --> 0:55:47.520
<v Speaker 10>that are far beyond reason to stay sort of like

0:55:47.640 --> 0:55:52.560
<v Speaker 10>insular inside of this fucking dome that spoke it's it's

0:55:53.280 --> 0:55:57.560
<v Speaker 10>it feels like we would be irresponsible to walk away

0:55:57.600 --> 0:56:00.960
<v Speaker 10>from this episode and say that Tyler Perry is like

0:56:01.040 --> 0:56:01.799
<v Speaker 10>a good guy.

0:56:02.000 --> 0:56:04.920
<v Speaker 14>I just want to say, if we if Dave Langston

0:56:05.239 --> 0:56:08.719
<v Speaker 14>and me die, we did not commit.

0:56:13.040 --> 0:56:17.240
<v Speaker 1>We did not kill ourselves. We did on this podcast.

0:56:17.800 --> 0:56:20.920
<v Speaker 10>If if they find my body on Tyler Perry's studios,

0:56:21.080 --> 0:56:22.520
<v Speaker 10>I did kill myself.

0:56:23.719 --> 0:56:26.840
<v Speaker 15>Anywhere else?

0:56:28.360 --> 0:56:31.560
<v Speaker 25>How is this show not be shut down?

0:56:30.920 --> 0:56:32.800
<v Speaker 15>I don't think.

0:56:32.680 --> 0:56:41.360
<v Speaker 25>Anybody's paid attention because everybody's going crazy.

0:56:41.040 --> 0:56:48.200
<v Speaker 10>Just saying no, they've never listened to a single episode,

0:56:48.920 --> 0:56:57.160
<v Speaker 10>mister James, iHeart is plugged in the end phones. Well,

0:56:57.360 --> 0:56:59.239
<v Speaker 10>I think we did it. I think we're I think

0:56:59.280 --> 0:57:02.600
<v Speaker 10>we can clude did our all our positions on Tyler Perry,

0:57:02.680 --> 0:57:05.880
<v Speaker 10>and they do seem vast and a little diverse. We

0:57:05.880 --> 0:57:08.720
<v Speaker 10>we have varying sort of scales of what we consider

0:57:08.800 --> 0:57:10.000
<v Speaker 10>to be evil about him.

0:57:10.080 --> 0:57:12.640
<v Speaker 1>Is that Yeah, it's just crazy. We said all this stuff,

0:57:12.640 --> 0:57:14.440
<v Speaker 1>and it's like we in this industry do we want

0:57:14.480 --> 0:57:14.880
<v Speaker 1>to work?

0:57:15.080 --> 0:57:19.320
<v Speaker 10>Like, Yeah, I got a good feeling, I'll be okay.

0:57:19.720 --> 0:57:23.200
<v Speaker 1>Well, I mean our good brother here English teacher Abby.

0:57:23.360 --> 0:57:26.840
<v Speaker 1>I mean you you living like before me, like skin.

0:57:29.160 --> 0:57:31.440
<v Speaker 1>I don't know what.

0:57:29.720 --> 0:57:34.400
<v Speaker 15>We don't worry about me.

0:57:37.480 --> 0:57:46.840
<v Speaker 24>The woman to fend for herself, holding on his legs

0:57:46.880 --> 0:57:47.640
<v Speaker 24>as he's trying to.

0:57:47.640 --> 0:57:48.240
<v Speaker 10>Leave the house.

0:57:48.320 --> 0:57:50.560
<v Speaker 1>You know what, I'm ready tele.

0:57:52.320 --> 0:57:55.160
<v Speaker 10>Give her a call, Sydney. Before you, before you go

0:57:55.200 --> 0:57:57.400
<v Speaker 10>on down to the compound, will you tell us?

0:57:57.680 --> 0:57:58.000
<v Speaker 15>Uh?

0:57:58.560 --> 0:58:00.800
<v Speaker 10>Will you tell us some cool shit you got.

0:58:00.600 --> 0:58:05.480
<v Speaker 14>Going on new, brand new podcast. Well, it's remixed, but

0:58:06.120 --> 0:58:09.440
<v Speaker 14>it's called Mess. It's with me and your fabe, Marie

0:58:09.440 --> 0:58:15.160
<v Speaker 14>Foston on my Heart Big Money Players Network, and we

0:58:15.280 --> 0:58:17.320
<v Speaker 14>just came out and I'm very excited to be a

0:58:17.360 --> 0:58:20.600
<v Speaker 14>part of the family. And obviously I'm on Instagram. Please

0:58:20.600 --> 0:58:23.240
<v Speaker 14>follow me. In order for me to get the promo

0:58:23.640 --> 0:58:25.640
<v Speaker 14>and the brand deals that I deserve, I need.

0:58:25.520 --> 0:58:26.800
<v Speaker 1>More followers, So follow me.

0:58:26.880 --> 0:58:27.520
<v Speaker 10>I think that's fair.

0:58:27.720 --> 0:58:28.360
<v Speaker 1>Just sid b W.

0:58:28.440 --> 0:58:30.800
<v Speaker 14>I should be doing something with hair or makeup or

0:58:31.400 --> 0:58:35.080
<v Speaker 14>you know, if the lesbians follow this, I'm sure they don't,

0:58:35.080 --> 0:58:36.560
<v Speaker 14>but if you do, please follow me.

0:58:36.920 --> 0:58:38.120
<v Speaker 1>Just sid BW.

0:58:38.720 --> 0:58:40.600
<v Speaker 15>We have some lesbians to come out.

0:58:40.640 --> 0:58:45.000
<v Speaker 10>We've had a few three. Yeah, it's always it's a

0:58:45.040 --> 0:58:50.800
<v Speaker 10>girl and then her much more more masculine watch your mouth,

0:58:51.600 --> 0:58:56.680
<v Speaker 10>watch your mouth, masculine presenting girlfriend who who is less

0:58:56.680 --> 0:59:00.920
<v Speaker 10>happy to be there. It's usually the Yeah, it's like

0:59:00.960 --> 0:59:03.640
<v Speaker 10>a small girl with glasses and he was very nice,

0:59:03.840 --> 0:59:07.800
<v Speaker 10>very nice, very excited, and then a masculine presenting lady

0:59:08.560 --> 0:59:11.200
<v Speaker 10>behind the camera being like, y'all was y'all was cool.

0:59:11.200 --> 0:59:12.920
<v Speaker 15>But I have seen a couple of times where it

0:59:12.960 --> 0:59:16.000
<v Speaker 15>was a masculine lady and she put her small lady on.

0:59:16.120 --> 0:59:16.680
<v Speaker 10>Oh nice.

0:59:16.760 --> 0:59:18.800
<v Speaker 15>Oh yeah, I don't remember the shot to that couple

0:59:18.840 --> 0:59:19.280
<v Speaker 15>in d C.

0:59:19.720 --> 0:59:23.520
<v Speaker 1>So it's only so it's only one couple of show coming. Yeah,

0:59:23.600 --> 0:59:26.000
<v Speaker 1>usually do better, do better?

0:59:26.160 --> 0:59:29.120
<v Speaker 15>What can we do? What we talk about?

0:59:30.000 --> 0:59:31.040
<v Speaker 1>I saved the podcast.

0:59:31.080 --> 0:59:34.080
<v Speaker 14>I don't think you know, you understand they were looking

0:59:34.120 --> 0:59:36.240
<v Speaker 14>for to be seen and that was me.

0:59:36.440 --> 0:59:38.280
<v Speaker 15>Oh thank god, good job.

0:59:38.600 --> 0:59:41.320
<v Speaker 10>Hell yeah, And you can follow me at Langston Kerman

0:59:41.400 --> 0:59:43.720
<v Speaker 10>and we're still on the start to Steal tour. We

0:59:43.760 --> 0:59:45.680
<v Speaker 10>want you to come out to the next couple of shows.

0:59:46.040 --> 0:59:46.160
<v Speaker 15>Uh.

0:59:46.320 --> 0:59:53.800
<v Speaker 10>We we've got uh Seattle, We've got Portland. We and okay,

0:59:53.880 --> 0:59:56.360
<v Speaker 10>that's all the ones that I think we're probably gonna have.

0:59:56.760 --> 1:00:00.360
<v Speaker 10>I think that's it should well, well, yeah, anyway, and

1:00:00.400 --> 1:00:02.040
<v Speaker 10>if you want to send us your own drops, your

1:00:02.040 --> 1:00:04.840
<v Speaker 10>own conspiracy theories, if you want to tell us what

1:00:04.920 --> 1:00:07.800
<v Speaker 10>Tyler Perry does for you, send it all to My

1:00:07.960 --> 1:00:10.200
<v Speaker 10>Mama pod at gmail dot com. We would love to

1:00:10.240 --> 1:00:13.920
<v Speaker 10>hear from you by the merch of call your mother Sucker,

1:00:14.000 --> 1:00:20.000
<v Speaker 10>dick Bye bitch, My Mama Told Me. It's a production

1:00:20.080 --> 1:00:25.080
<v Speaker 10>of Will Ferrell's Big Money Players Network and iHeart Podcasts.

1:00:25.360 --> 1:00:27.840
<v Speaker 15>Greet It and hosted by Langston Krektin.

1:00:27.680 --> 1:00:29.200
<v Speaker 10>Co hosted by David Bori.

1:00:29.520 --> 1:00:34.080
<v Speaker 15>Executive produced by Will Farrell, Hansni and Olivia Akilon. Co

1:00:34.160 --> 1:00:37.960
<v Speaker 15>produced by Bee Wayne, edited and engineered by Justin.

1:00:37.800 --> 1:00:40.560
<v Speaker 10>Kopton, music by Nick Chambers.

1:00:40.360 --> 1:00:41.960
<v Speaker 15>Artwork by Joegon Kreeger.

1:00:42.240 --> 1:00:45.960
<v Speaker 10>You can now watch episodes My Mama Told Me on YouTube.

1:00:46.160 --> 1:00:50.160
<v Speaker 10>Follow at My Mama Told Me and subscribe to our channel.

1:00:58.080 --> 1:01:01.200
<v Speaker 27>This is Chelsea Handler from Dear Chelsea. The Trump administration

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<v Speaker 27>In case you haven't heard, they already passed a lot

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<v Speaker 27>saving care like cancer screenings, wellness exams, birth control, STI treatment,

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<v Speaker 27>and more. And now these lawmakers want to shut down

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<v Speaker 1>Our communities deserve better.

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<v Speaker 30>This is Rade de Lucia from a really good cry.

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<v Speaker 30>I've been doing Reformer pilates for years now and it's

1:02:35.160 --> 1:02:37.280
<v Speaker 30>always been one of those workouts that I come back to.

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<v Speaker 30>It makes me feel stronger, connected to my body and

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<v Speaker 30>flexible all at the same time. By having a Reformer

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<v Speaker 30>at home has completely changed it for me. There's no

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<v Speaker 30>rushing to a class, no schedule to work around, and

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<v Speaker 31>Father's Day is coming up, and this year, I'm skipping

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<v Speaker 1>This is an iheartpodcast guaranteed human