1 00:00:05,160 --> 00:00:07,800 Speaker 1: Hey, this is Annie and Samantha and belcome to Steph. 2 00:00:07,840 --> 00:00:09,680 Speaker 1: I never told you your production of I Heart Radio. 3 00:00:19,360 --> 00:00:23,200 Speaker 1: All right, guys, welcome to essentially where we get to 4 00:00:23,400 --> 00:00:27,639 Speaker 1: sit together, drink a nice beverage and discuss this amazing 5 00:00:27,680 --> 00:00:31,080 Speaker 1: beverage and the women behind it. And I'm so excited 6 00:00:31,120 --> 00:00:34,319 Speaker 1: because one of the first things I did as we 7 00:00:34,320 --> 00:00:37,800 Speaker 1: were talking about this type of segments and just women 8 00:00:37,800 --> 00:00:42,040 Speaker 1: in the industry and women being recognized, this brewer. She 9 00:00:42,159 --> 00:00:46,239 Speaker 1: was recognized within the BBC's one Top Women, and I 10 00:00:46,280 --> 00:00:49,080 Speaker 1: was like, oh my god, I'm excited. And Annie, I 11 00:00:49,080 --> 00:00:51,360 Speaker 1: feel like you are really much better, which is really 12 00:00:51,360 --> 00:00:54,600 Speaker 1: funny the white girl versus the Asian girl in saying 13 00:00:55,240 --> 00:01:00,880 Speaker 1: the beverage. So go ahead, tell them what we're talking about. Well, 14 00:01:00,920 --> 00:01:04,759 Speaker 1: I really appreciate you throwing me under the bus back 15 00:01:07,480 --> 00:01:09,480 Speaker 1: there you go, because I just want to do it 16 00:01:09,600 --> 00:01:12,039 Speaker 1: saky and it is very much sack and I'm just 17 00:01:12,120 --> 00:01:14,240 Speaker 1: kind of like, I feel so pretentious, but you do 18 00:01:14,280 --> 00:01:15,880 Speaker 1: it in a manner that sounds so much better than 19 00:01:15,880 --> 00:01:17,640 Speaker 1: I when I do it, because I feel so like 20 00:01:17,800 --> 00:01:21,840 Speaker 1: insecure and saying it. So yeah, so we do understand this, 21 00:01:22,040 --> 00:01:26,160 Speaker 1: but we are celebrating one of the rare recognized female 22 00:01:26,200 --> 00:01:29,640 Speaker 1: sake brewmasters, Miho Imada. And by the way, this is 23 00:01:29,800 --> 00:01:32,039 Speaker 1: not a sponsor. I think we told you in the 24 00:01:32,120 --> 00:01:34,880 Speaker 1: first segment when we were explaining that we'll go ahead 25 00:01:34,880 --> 00:01:37,600 Speaker 1: and put this in there again that yes, we are 26 00:01:37,760 --> 00:01:40,160 Speaker 1: drinking these strings and enjoying them and talking about them, 27 00:01:40,200 --> 00:01:42,280 Speaker 1: but they are not sponsored and most of them don't 28 00:01:42,280 --> 00:01:46,959 Speaker 1: even know we exists, So there is that. Maybe this 29 00:01:47,080 --> 00:01:50,280 Speaker 1: is my excuse in trying all the good stuff don't tell, 30 00:01:50,600 --> 00:01:53,000 Speaker 1: but yeah, that is what we are doing, and we 31 00:01:53,080 --> 00:01:55,960 Speaker 1: wanted to celebrate Miho Amata, who is the owner and 32 00:01:56,000 --> 00:01:59,480 Speaker 1: brewmaster of Immada Brewery, which has been around for three 33 00:01:59,680 --> 00:02:03,240 Speaker 1: general rations. So our grandfather and her father were the 34 00:02:03,240 --> 00:02:06,320 Speaker 1: previous owners and she took over when she returned home 35 00:02:06,360 --> 00:02:08,600 Speaker 1: after her father actually asked her to come home to 36 00:02:08,680 --> 00:02:10,639 Speaker 1: take care of the family business, and she came home 37 00:02:10,680 --> 00:02:15,280 Speaker 1: around the age of thirty three. So I'm really excited. 38 00:02:15,600 --> 00:02:17,720 Speaker 1: As we told you guys, we would be sitting and sitting. 39 00:02:17,800 --> 00:02:21,600 Speaker 1: So right now we are currently sipping on the beautiful 40 00:02:21,680 --> 00:02:25,359 Speaker 1: Fukucho moon on the water June my Jin Joe. So 41 00:02:25,639 --> 00:02:28,160 Speaker 1: it is a beautiful, beautiful sak and we're gonna talk 42 00:02:28,160 --> 00:02:30,560 Speaker 1: a little bit about our takes on it, but just 43 00:02:30,600 --> 00:02:32,080 Speaker 1: to kind of gave you a little bit of history, 44 00:02:32,480 --> 00:02:35,720 Speaker 1: specifically you Annie, and of course all of our listeners 45 00:02:36,080 --> 00:02:39,360 Speaker 1: what and who they are. So after returning home to 46 00:02:39,440 --> 00:02:43,360 Speaker 1: a kitsue in Hiroshima, which is the famous birthplace of 47 00:02:43,560 --> 00:02:47,200 Speaker 1: Jingo style sake, she studied under the family's brewerys Toji, 48 00:02:47,480 --> 00:02:50,560 Speaker 1: and eventually took over completely as well as being the owner, 49 00:02:50,840 --> 00:02:53,640 Speaker 1: and she's currently still there. Um And if you want 50 00:02:53,919 --> 00:02:56,480 Speaker 1: more history in the tradition of brewing sake, you can 51 00:02:56,520 --> 00:02:59,200 Speaker 1: definitely look up their brewery and their story because it 52 00:02:59,280 --> 00:03:02,760 Speaker 1: is a beautiful They've been around since the mid eighteen hundreds, 53 00:03:02,960 --> 00:03:06,600 Speaker 1: so this is a long lasting brewery which any you 54 00:03:06,840 --> 00:03:10,840 Speaker 1: have some research and knowledge on sake as well, don't you. 55 00:03:11,720 --> 00:03:16,000 Speaker 1: I do over on my other podcast, Saver, I attended 56 00:03:16,040 --> 00:03:18,680 Speaker 1: a sake conference. It was Women in Sake, and we've 57 00:03:18,680 --> 00:03:22,160 Speaker 1: been trying to do an episode forever and we were 58 00:03:22,200 --> 00:03:25,800 Speaker 1: going to interview several people about it, but the pandemic happened, 59 00:03:25,840 --> 00:03:32,040 Speaker 1: so that kind of got severely but I'm sure sure 60 00:03:32,160 --> 00:03:35,520 Speaker 1: that it is forthcoming. I'm so excited to talk about it, 61 00:03:35,560 --> 00:03:37,600 Speaker 1: and I know we have an episode on rice, which 62 00:03:37,600 --> 00:03:40,360 Speaker 1: is very key in making sake, and that's one of 63 00:03:40,360 --> 00:03:42,360 Speaker 1: the episodes almost broke my brain. That's when I learned 64 00:03:42,400 --> 00:03:46,040 Speaker 1: that some people don't use the ce b C designation 65 00:03:46,080 --> 00:03:50,400 Speaker 1: they use before physics after physics, which blew my mind right. 66 00:03:50,800 --> 00:03:53,760 Speaker 1: But also I went to Japan and I did a 67 00:03:53,800 --> 00:03:56,600 Speaker 1: couple of tours on how sake was made, and it 68 00:03:56,640 --> 00:03:59,480 Speaker 1: was fascinating and smell was so cool. I loved it. 69 00:03:59,520 --> 00:04:04,040 Speaker 1: I loved it. Yeah, it was a very traditional type 70 00:04:04,040 --> 00:04:06,160 Speaker 1: of brewing and they are really serious about it. I 71 00:04:06,160 --> 00:04:09,200 Speaker 1: guess any brewery who loves their craft, it's very serious 72 00:04:09,200 --> 00:04:11,920 Speaker 1: about it. But even just seeing her, seeing the brew master, 73 00:04:12,040 --> 00:04:14,280 Speaker 1: seeing the owner talk about herself, and even though I 74 00:04:14,280 --> 00:04:17,960 Speaker 1: can't quite understand Japanese, her enthusiasm and an understanding and 75 00:04:18,160 --> 00:04:21,960 Speaker 1: love for the craft is very apparent. And it's always 76 00:04:22,040 --> 00:04:26,239 Speaker 1: interesting to watch when the master of whatever are talking 77 00:04:26,279 --> 00:04:28,159 Speaker 1: about it because you can see that passion and it 78 00:04:28,200 --> 00:04:30,480 Speaker 1: makes you so excited to be a part of that 79 00:04:30,520 --> 00:04:33,400 Speaker 1: as well. And by the way, a fun fact, I 80 00:04:33,440 --> 00:04:37,000 Speaker 1: did not know that they had way back when virgins 81 00:04:37,680 --> 00:04:41,080 Speaker 1: chew up the rice and spit it into the mix 82 00:04:41,240 --> 00:04:45,960 Speaker 1: to break down the starches into glucose, and they thought 83 00:04:45,960 --> 00:04:49,120 Speaker 1: it was more pure done by a virgin. So I 84 00:04:49,200 --> 00:04:53,919 Speaker 1: was like, huh, and I don't think they do that anymore, 85 00:04:54,320 --> 00:05:00,040 Speaker 1: and I am so but a fun fact that I 86 00:05:00,200 --> 00:05:02,920 Speaker 1: was like, that is interesting to know, which seems kind 87 00:05:02,920 --> 00:05:05,760 Speaker 1: of on point with the traditionalists of that time frame. 88 00:05:06,360 --> 00:05:09,679 Speaker 1: But yeah, so this specific brewery, when you talk about 89 00:05:09,760 --> 00:05:11,880 Speaker 1: who she is and what she's done. They even asked 90 00:05:11,920 --> 00:05:13,800 Speaker 1: her specifically, how does it feel to be one of 91 00:05:13,839 --> 00:05:17,520 Speaker 1: the few women who are recognized and and seen as 92 00:05:18,000 --> 00:05:21,640 Speaker 1: I guess frontier in this industry. And she was very 93 00:05:21,760 --> 00:05:24,599 Speaker 1: quite frank, saying, you know what, women have always been involved. 94 00:05:24,960 --> 00:05:28,240 Speaker 1: This has always been a women's thing in Japan. With tradition. 95 00:05:28,480 --> 00:05:31,039 Speaker 1: You see women all throughout and they are brewers and 96 00:05:31,080 --> 00:05:33,400 Speaker 1: they are the ones that create these things. So I 97 00:05:33,440 --> 00:05:35,880 Speaker 1: don't think I'm a pioneer. I don't think I'm anything new. 98 00:05:36,160 --> 00:05:37,800 Speaker 1: So it was really interesting and it is a nice 99 00:05:37,800 --> 00:05:40,440 Speaker 1: refreshing take. At the same time, it's really sad that 100 00:05:40,520 --> 00:05:43,440 Speaker 1: if it is so inundated by women, why aren't more 101 00:05:43,440 --> 00:05:47,920 Speaker 1: women recognized? Of course, but the industry has been booming 102 00:05:48,320 --> 00:05:50,240 Speaker 1: with more and more women brewers and more and more 103 00:05:50,360 --> 00:05:53,320 Speaker 1: um women crafters in the stack industry. So it's really 104 00:05:53,400 --> 00:05:56,320 Speaker 1: encouraging to see that. But at the same time, again 105 00:05:56,920 --> 00:06:00,320 Speaker 1: it's fairly new to recognize that, but it a into 106 00:06:00,400 --> 00:06:03,839 Speaker 1: One article said it was booming so for the female industry, 107 00:06:03,880 --> 00:06:09,119 Speaker 1: So hey, cool, that's cool. Yeah. So overall the sake, 108 00:06:09,279 --> 00:06:11,200 Speaker 1: I want to give you a quick overview as it 109 00:06:11,320 --> 00:06:14,719 Speaker 1: is written, so you know that we we we are 110 00:06:14,960 --> 00:06:18,400 Speaker 1: understanding exactly what these are. So so this is a 111 00:06:18,480 --> 00:06:22,320 Speaker 1: quote from one of the articles referencing to uh this 112 00:06:22,400 --> 00:06:27,040 Speaker 1: specific sake. So, this vibrant show stopper is beautifully soft 113 00:06:27,080 --> 00:06:30,520 Speaker 1: and feminine, brewed by one of Japan's only female brewery owners, 114 00:06:30,560 --> 00:06:33,719 Speaker 1: and tojis brewed in Hiroshima, the birthplace of Jingo sake, 115 00:06:34,080 --> 00:06:37,040 Speaker 1: which is known for a remarkably soft water that requires 116 00:06:37,120 --> 00:06:40,680 Speaker 1: expert skill to use in sake production. Once mastered, it 117 00:06:40,760 --> 00:06:45,839 Speaker 1: enables a highly controlled, precise fermentation, resulting in vibrant fruit aromas. 118 00:06:45,880 --> 00:06:50,160 Speaker 1: This junemia jin joe is bottled immediately without charcoal filtering. 119 00:06:50,440 --> 00:06:52,920 Speaker 1: But that's the overview of that. I hope I did 120 00:06:52,920 --> 00:06:56,159 Speaker 1: that justice and I absolutely see every bit of that 121 00:06:56,240 --> 00:06:59,960 Speaker 1: overview when I drink it. Actually had it with sushi 122 00:07:00,080 --> 00:07:03,279 Speaker 1: first I was super excited because we had a special 123 00:07:03,400 --> 00:07:06,880 Speaker 1: order of course, uh these types of beverages and having 124 00:07:06,920 --> 00:07:10,160 Speaker 1: it was so delightful because for the most part, the 125 00:07:10,280 --> 00:07:14,080 Speaker 1: last few sacks I've gotten it's not the most quality 126 00:07:14,720 --> 00:07:18,320 Speaker 1: those SACas. So having this cold and just refreshing. And 127 00:07:18,320 --> 00:07:20,640 Speaker 1: as we're sitting here, we're not even I'm not eating anything, 128 00:07:20,720 --> 00:07:22,520 Speaker 1: and I think you are from what I can tell, 129 00:07:22,520 --> 00:07:26,160 Speaker 1: are you it's really nice and refreshing, and it is 130 00:07:26,200 --> 00:07:31,080 Speaker 1: I absolutely understand this whole idea of soft water. Like 131 00:07:31,200 --> 00:07:33,160 Speaker 1: before now I would have thought that was a really 132 00:07:33,200 --> 00:07:36,080 Speaker 1: pompous idea. And I say this as a person who 133 00:07:36,120 --> 00:07:40,360 Speaker 1: was uncultured. It's okay, but like tasting it, it's like, yeah, 134 00:07:40,440 --> 00:07:44,720 Speaker 1: it is so light and so effervescent to that level 135 00:07:44,760 --> 00:07:46,680 Speaker 1: that it's kind of like I get this, I get this, 136 00:07:46,760 --> 00:07:48,960 Speaker 1: I get where this is coming. And actually opened this 137 00:07:49,000 --> 00:07:52,960 Speaker 1: bottle beforehand, um, and I know us't you some? And 138 00:07:53,000 --> 00:07:55,880 Speaker 1: it's still on point, Like it's still from the same 139 00:07:55,920 --> 00:07:57,640 Speaker 1: as on the few days ago that I drank it. 140 00:07:57,680 --> 00:08:00,200 Speaker 1: How about for you? Oh yeah, it's the light full. 141 00:08:00,240 --> 00:08:04,000 Speaker 1: It's very It's funny because for someone on a food 142 00:08:04,000 --> 00:08:06,800 Speaker 1: and drink show, there's a running joke that I'm terrible 143 00:08:06,840 --> 00:08:10,640 Speaker 1: at describing food and drink. I'll be like, it's salty. 144 00:08:10,760 --> 00:08:12,640 Speaker 1: What else do you want from me? I don't know. 145 00:08:13,320 --> 00:08:15,680 Speaker 1: You did tell me that. That's a real problem when 146 00:08:15,720 --> 00:08:17,640 Speaker 1: it comes to my co host, Lauren is a lot 147 00:08:17,680 --> 00:08:21,240 Speaker 1: of allergies, so there's something she can't try and she's 148 00:08:21,280 --> 00:08:27,120 Speaker 1: relying on me to describe, and I'll be like, um, 149 00:08:27,440 --> 00:08:32,880 Speaker 1: saber stuff like it's time the worst. But yeah, when 150 00:08:33,320 --> 00:08:35,240 Speaker 1: I just took a sip and it's so light and 151 00:08:35,320 --> 00:08:39,400 Speaker 1: delightful and refreshing, and I definitely like it smells lovely, 152 00:08:39,880 --> 00:08:45,640 Speaker 1: doesn't it? Yeah, like very floral. It's funny. There's certainly 153 00:08:45,920 --> 00:08:49,000 Speaker 1: when I would grow up and I would see descriptions 154 00:08:49,040 --> 00:08:51,120 Speaker 1: of wine or any kind of thing like that, and 155 00:08:51,120 --> 00:08:52,560 Speaker 1: I would kind of get a giggle out of it, 156 00:08:52,640 --> 00:08:55,920 Speaker 1: like how could I what does this roll? Bust? But 157 00:08:56,040 --> 00:08:58,320 Speaker 1: sometimes when you try something, you're like, oh, that's it, 158 00:08:59,160 --> 00:09:01,280 Speaker 1: that's what they and they say that, and I feel 159 00:09:01,320 --> 00:09:04,200 Speaker 1: like this when I hear the words like clean and 160 00:09:04,320 --> 00:09:08,320 Speaker 1: floral and light that when I try this, I get it. 161 00:09:08,360 --> 00:09:10,040 Speaker 1: I'm like I know what those words mean, and it's 162 00:09:10,120 --> 00:09:12,320 Speaker 1: this thing right. So you may not have been able 163 00:09:12,320 --> 00:09:15,160 Speaker 1: to initially say yourself, but then you pick up on 164 00:09:15,160 --> 00:09:18,000 Speaker 1: it after Yeah, you know what. I love tastings mainly 165 00:09:18,040 --> 00:09:20,840 Speaker 1: because you can tell who was actually telling the truth 166 00:09:20,880 --> 00:09:23,680 Speaker 1: and who are just making up. And I loved for 167 00:09:23,679 --> 00:09:26,720 Speaker 1: the longest. I would go to coffee tastings and people 168 00:09:26,720 --> 00:09:28,319 Speaker 1: would talk about hints of this and hints of this. 169 00:09:28,360 --> 00:09:30,240 Speaker 1: I'm like, okay, hints of chocolate, I get it, hints 170 00:09:30,280 --> 00:09:34,360 Speaker 1: of even like would okay, I get that grasp coco pool, 171 00:09:34,520 --> 00:09:36,480 Speaker 1: And then I would have a person be like, it 172 00:09:36,520 --> 00:09:40,280 Speaker 1: reminds me of sitting on a farm looking across early 173 00:09:40,320 --> 00:09:43,920 Speaker 1: morning do and having that fresh smell of the hay 174 00:09:44,000 --> 00:09:45,840 Speaker 1: that you knew you were about to go and pick up. 175 00:09:45,880 --> 00:09:49,840 Speaker 1: And I remember going, what the like, I kept looking around, 176 00:09:49,880 --> 00:09:53,240 Speaker 1: going that's not real and I shouldn't judge because maybe 177 00:09:53,280 --> 00:09:55,480 Speaker 1: that's exactly what it takes you to And that's beautiful 178 00:09:55,520 --> 00:09:57,920 Speaker 1: because people can also taste color, and I get that. 179 00:09:58,160 --> 00:09:59,760 Speaker 1: But there were some moments that I'm like, I don't 180 00:09:59,760 --> 00:10:05,920 Speaker 1: know if believe you is episode where she doesn't mind 181 00:10:05,960 --> 00:10:11,080 Speaker 1: does tasting your mother's butt. But you know, nostalgia is 182 00:10:11,080 --> 00:10:13,880 Speaker 1: such a huge Part two is tasting things, and that's 183 00:10:13,880 --> 00:10:16,720 Speaker 1: the whole plot point and rad tui things can't take 184 00:10:16,720 --> 00:10:19,080 Speaker 1: you back to having those memories. Yeah, and it does. 185 00:10:19,240 --> 00:10:20,720 Speaker 1: I say this because of this dude had never been 186 00:10:20,760 --> 00:10:22,960 Speaker 1: on a farm. He said that what he said, this 187 00:10:23,040 --> 00:10:26,120 Speaker 1: is what I imagine. That's what it became I imagine 188 00:10:26,160 --> 00:10:30,800 Speaker 1: being And I was like them. But yeah, absolutely I 189 00:10:31,000 --> 00:10:33,040 Speaker 1: agree with you, because taste for me is a big trigger. 190 00:10:33,120 --> 00:10:35,720 Speaker 1: We've talked about this before. When I have a taste 191 00:10:35,760 --> 00:10:38,520 Speaker 1: that is familiar from my traumatic past, it triggers me. 192 00:10:38,960 --> 00:10:40,920 Speaker 1: And that is one of the biggest senses that I 193 00:10:40,960 --> 00:10:44,959 Speaker 1: had that I it's so unexpected it floors me. So yeah, 194 00:10:45,000 --> 00:10:47,560 Speaker 1: absolutely believe that. And this this does not do that 195 00:10:47,600 --> 00:10:50,640 Speaker 1: to me obviously because I did not drink, say, growing 196 00:10:50,720 --> 00:10:54,360 Speaker 1: up in Korea. However, Yeah, it definitely. As I'm reading 197 00:10:54,400 --> 00:10:58,040 Speaker 1: the descriptions of what they're brewery is like and how 198 00:10:58,440 --> 00:11:01,560 Speaker 1: intense and purposeful she when it comes to brewing that 199 00:11:01,679 --> 00:11:03,760 Speaker 1: I do feel like it's almost like I'm in the 200 00:11:03,840 --> 00:11:07,559 Speaker 1: gardens of what I imagine of Japan, the beautiful gardens 201 00:11:07,559 --> 00:11:09,640 Speaker 1: with the cherry blossoms that they have, and then the 202 00:11:09,679 --> 00:11:12,760 Speaker 1: beautiful fountains that they use for meditation. It feels like 203 00:11:13,080 --> 00:11:14,880 Speaker 1: that is exactly what I wear I would what I 204 00:11:14,880 --> 00:11:16,760 Speaker 1: would be drinking if I were there outside of tea 205 00:11:16,880 --> 00:11:19,080 Speaker 1: Probably I don't know. Uh. And I say this as 206 00:11:19,160 --> 00:11:22,719 Speaker 1: I made from somebody who also says I imagined, yeah, 207 00:11:22,920 --> 00:11:28,079 Speaker 1: YadA YadA. So to that dude, sorry, you have come 208 00:11:28,200 --> 00:11:31,120 Speaker 1: full circle in the span of a minute and a half. 209 00:11:32,160 --> 00:11:34,840 Speaker 1: But yeah, So for me, I with the immediate beginning 210 00:11:34,880 --> 00:11:37,240 Speaker 1: of the taste felt like when you bite into a 211 00:11:37,280 --> 00:11:40,760 Speaker 1: fresh sugarcane. And I talked about this, because there's that 212 00:11:40,840 --> 00:11:43,400 Speaker 1: initial sweetness, but it kind of dolls that real quick 213 00:11:43,559 --> 00:11:46,240 Speaker 1: because it's so clean and pure. It is like moves 214 00:11:46,360 --> 00:11:48,480 Speaker 1: real quickly off your tongue, and that's what it reminds 215 00:11:48,520 --> 00:11:51,200 Speaker 1: me of. And then the smell is like honeysuckles to me, 216 00:11:51,559 --> 00:11:54,439 Speaker 1: like that's what I imagine. That's so familiar. I think 217 00:11:54,440 --> 00:11:58,160 Speaker 1: I said magnolia first time, but then realizing how delicate 218 00:11:58,240 --> 00:12:00,640 Speaker 1: it is. Magnolia is very very strong long so to me, 219 00:12:00,760 --> 00:12:05,400 Speaker 1: I smell honeysuckle, which is that bright sweetness that you 220 00:12:05,440 --> 00:12:07,679 Speaker 1: know you're gonna come but it's also so so if 221 00:12:07,760 --> 00:12:10,360 Speaker 1: you like I'm sure people have in Georgia, we have 222 00:12:10,400 --> 00:12:14,240 Speaker 1: honeysuckles growing everywhere, and so you bite to the bottom 223 00:12:14,240 --> 00:12:16,640 Speaker 1: of the flower and you suck out from the stem 224 00:12:16,800 --> 00:12:18,560 Speaker 1: a little bit of honey, and that's kind of what 225 00:12:18,640 --> 00:12:21,920 Speaker 1: it reminds me of. To me, that lingering bit of sweetness, 226 00:12:22,320 --> 00:12:25,240 Speaker 1: but it's so delicate and you have that floral bit 227 00:12:25,360 --> 00:12:28,160 Speaker 1: from biting into that green. Ready, that's kind of how 228 00:12:28,280 --> 00:12:32,760 Speaker 1: we describe it. What what what was your descriptions of it? Well, again, 229 00:12:32,800 --> 00:12:36,360 Speaker 1: I'm very bad at this, but I wrote it smells 230 00:12:36,440 --> 00:12:39,840 Speaker 1: lovely like flowers, So I think we're they're all the 231 00:12:39,960 --> 00:12:42,559 Speaker 1: same page. I did want to comment on it. I 232 00:12:42,640 --> 00:12:45,040 Speaker 1: think it's funny, and I'm sure we'll talk about this 233 00:12:45,080 --> 00:12:48,719 Speaker 1: in these Happy Hour episodes plenty of times. But I 234 00:12:48,760 --> 00:12:50,760 Speaker 1: think it's funny how in that description you read, they 235 00:12:50,760 --> 00:12:53,559 Speaker 1: described it as feminine. And there are these sort of 236 00:12:53,600 --> 00:12:59,040 Speaker 1: like descriptors we use that have this connotation of being, 237 00:12:59,400 --> 00:13:01,520 Speaker 1: of being eminent, and I think it is that's sort 238 00:13:01,520 --> 00:13:06,719 Speaker 1: of like delicate, light sweetness. Perhaps very unnecessarily gendered, which 239 00:13:06,760 --> 00:13:11,920 Speaker 1: I agree with all those things, but it is odd 240 00:13:12,200 --> 00:13:14,880 Speaker 1: and perhaps it shouldn't be odd, but it is to 241 00:13:14,960 --> 00:13:19,280 Speaker 1: me that we feel the need to gender right. Thing, Well, 242 00:13:19,440 --> 00:13:22,720 Speaker 1: it goes right in the hands with saying delicate, yeah, 243 00:13:23,200 --> 00:13:25,720 Speaker 1: and feminine. That that's the intent of this. Well right 244 00:13:25,760 --> 00:13:28,720 Speaker 1: now he's talking about beautiful soft, So again that description 245 00:13:28,720 --> 00:13:31,760 Speaker 1: of just being delicate, and again, yeah, no, because this 246 00:13:31,880 --> 00:13:35,480 Speaker 1: definitely has a lingering effect. To me. Yes, that this 247 00:13:35,520 --> 00:13:39,400 Speaker 1: delicate is as soft, but it is very intentional, so 248 00:13:39,800 --> 00:13:41,680 Speaker 1: it's not as delicate as you think, like for the 249 00:13:41,720 --> 00:13:44,720 Speaker 1: palate maybe, but the intense and the level that it lingers, 250 00:13:45,160 --> 00:13:47,960 Speaker 1: I don't think. So, yeah, that's the whole thing I 251 00:13:47,960 --> 00:13:50,120 Speaker 1: think I get with because even I use that descriptor. 252 00:13:50,280 --> 00:13:53,200 Speaker 1: And I also think sometimes that gets mixed up with 253 00:13:53,320 --> 00:13:55,959 Speaker 1: something that tastes like perhaps if you've had a really 254 00:13:55,960 --> 00:13:59,360 Speaker 1: bad experience with saking in the past, this is something 255 00:13:59,400 --> 00:14:02,080 Speaker 1: that's easy rinking almost like it's just so kind of 256 00:14:02,080 --> 00:14:07,880 Speaker 1: clean and nice um and instead of abrupt and pungent. Yeah, yeah, yea, yeah, 257 00:14:07,920 --> 00:14:09,480 Speaker 1: So I do think that kind of gets fixed up 258 00:14:09,480 --> 00:14:12,880 Speaker 1: with the terms like delicate. But it is interesting And 259 00:14:13,080 --> 00:14:16,760 Speaker 1: if I had to guess um in the breakdown of 260 00:14:16,800 --> 00:14:20,160 Speaker 1: like feminine versus masculine alcohols, I would say sack is 261 00:14:20,200 --> 00:14:23,160 Speaker 1: probably in the feminine category, right, I don't know what 262 00:14:23,160 --> 00:14:24,560 Speaker 1: it's like in Japan, but I would say in the 263 00:14:24,680 --> 00:14:30,000 Speaker 1: US kind of absolutely like lighter clearer. That's sort of 264 00:14:30,000 --> 00:14:32,400 Speaker 1: the breakdown, right, it's slighter career. Alcohol is going under 265 00:14:32,400 --> 00:14:36,360 Speaker 1: feminine as well as the fact that it as Asian influenced, 266 00:14:36,400 --> 00:14:38,840 Speaker 1: so therefore Japanese food all of that is already kind 267 00:14:38,840 --> 00:14:42,200 Speaker 1: of like shifted to feminine. Level of this is obviously 268 00:14:42,200 --> 00:14:44,400 Speaker 1: you eat sushi, women are eat sushi. Who eat sushi? 269 00:14:44,440 --> 00:14:46,440 Speaker 1: I want to hammer her, you know what I mean 270 00:14:48,440 --> 00:14:50,920 Speaker 1: as a complete ridiculous but we're not gonna let that 271 00:14:50,920 --> 00:14:53,680 Speaker 1: get in the way of us enjoying sake. Absolutely, but 272 00:14:53,880 --> 00:14:55,600 Speaker 1: I didn't want to put in a tasting note that 273 00:14:55,720 --> 00:14:58,000 Speaker 1: was stated I believe in the bon Appetite site that 274 00:14:58,080 --> 00:15:00,640 Speaker 1: said it has a fruity nose of time and melon, 275 00:15:00,680 --> 00:15:02,400 Speaker 1: which I did taste the mel and I was like, oh, yeah, 276 00:15:02,400 --> 00:15:05,240 Speaker 1: there it is with bold hints of finnel, white pepper, 277 00:15:05,280 --> 00:15:08,760 Speaker 1: and allspice. The flavors gravitate to ripe, cantaloupe and a niece, 278 00:15:08,880 --> 00:15:11,480 Speaker 1: while the minerality from the soft water is evident in 279 00:15:11,520 --> 00:15:16,120 Speaker 1: the finish. And yeah, that's very eloquently said. It definitely 280 00:15:16,160 --> 00:15:19,040 Speaker 1: has that presence in the finish for that soft water, 281 00:15:19,440 --> 00:15:23,200 Speaker 1: which they are very proposeful and intentional about entirety and 282 00:15:23,240 --> 00:15:26,480 Speaker 1: so it is a beautiful, beautiful drink of. But so 283 00:15:26,800 --> 00:15:30,160 Speaker 1: miho amada, thank you for this beautiful creation. I've enjoyed 284 00:15:30,200 --> 00:15:32,720 Speaker 1: it thoroughly and it is definitely going to be on 285 00:15:32,760 --> 00:15:37,160 Speaker 1: my list of more alcohols that I need to buy. 286 00:15:37,200 --> 00:15:41,480 Speaker 1: Ah yes ever standing yeah, Thank you so much for 287 00:15:41,560 --> 00:15:44,080 Speaker 1: bringing this to our attention and listeners. Whatever you're drinking, 288 00:15:44,480 --> 00:15:47,680 Speaker 1: be it alcoholic or not one, you're welcome for the craving, 289 00:15:48,840 --> 00:15:52,560 Speaker 1: if you're enjoying, enjoying whatever it is you're drinking, and 290 00:15:52,720 --> 00:15:54,520 Speaker 1: we would love to hear from you. Anyone you think 291 00:15:54,520 --> 00:15:56,560 Speaker 1: we should spotlight, or any topic you'd like us to 292 00:15:56,600 --> 00:15:59,400 Speaker 1: discuss in these happy hours, send them our away. Our 293 00:15:59,480 --> 00:16:01,960 Speaker 1: email is to media mom Stuff at iHeart media dot com. 294 00:16:02,200 --> 00:16:04,560 Speaker 1: You can also find us on Twitter at mom'suf podcast 295 00:16:04,760 --> 00:16:06,800 Speaker 1: or on Instagram at stuff I Never Told You. Thank 296 00:16:06,840 --> 00:16:09,640 Speaker 1: you to our super producer, and thanks to you for 297 00:16:09,720 --> 00:16:11,760 Speaker 1: listening Stuff I Never Told You the protection of I 298 00:16:11,840 --> 00:16:14,040 Speaker 1: Heart Radio. For more podcast from my Heart Radio, visit 299 00:16:14,080 --> 00:16:16,400 Speaker 1: the iHeart Radio app, Apple podcast, or wherever you listen 300 00:16:16,480 --> 00:16:17,360 Speaker 1: to your favorite shows,