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Speaker 1: While didn't the factory.

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Speaker 2: That's when it came I want to play, I want

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Speaker 2: to play, and we got this three month gig. So

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Speaker 2: I decided I'm leaving the factory, and all of my

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Speaker 2: family came to all house to tell me it's all right.

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Speaker 1: It's a hobby Stone.

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Speaker 3: Welcome to Episode four ninety five. Ringo star Ringo, Star

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Speaker 3: of the Beatles, Ringo, Star of the Beatles.

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Speaker 4: What it feels like? Give me just saying his name?

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Speaker 4: That was? That was a little weird, surreal, really cool,

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Speaker 4: all those things, right.

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Speaker 5: Yeah, it felt like a dream until he was sitting down.

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Speaker 3: Yeah, it just it didn't seem like real life because

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Speaker 3: that's somebody who's been so wildly famous for so much

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Speaker 3: longer than we've even been alive, which is pretty crazy.

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Speaker 3: And so what was weird for me was the more

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Speaker 3: that he was coming over. I think somehow word got out.

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Speaker 3: Did I say outwardly that he was coming over to

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Speaker 3: my house like on the show anywhere?

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Speaker 5: I don't think so.

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Speaker 3: I know I did in the studio, but there were

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Speaker 3: executives even within our company that wanted to come to

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Speaker 3: my house and meet Ringo.

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Speaker 4: Did that get to you?

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Speaker 6: No?

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Speaker 3: I didn't hear about that, and usually I'll be pretty

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Speaker 3: diplomatic and hey can't or occasionally okay, But there was

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Speaker 3: no way I was gonna have anybody extra there for Ringo,

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Speaker 3: just out of respect, because he's so famous that I'm

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Speaker 3: sure that happens all the time, and so I just

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Speaker 3: had to hit him with straight no period in texts.

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Speaker 3: And then later I went back and was like, hey, sorry,

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Speaker 3: I wasn't able to get to the text. We just

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Speaker 3: couldn't have a lot of people in.

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Speaker 4: But I thought I was.

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Speaker 3: Courageous to text two hours out from Ringo. Also, I

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Speaker 3: don't even really know these people that well, and they're like,

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Speaker 3: can I come to your house and meet Ringo?

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Speaker 4: Like both of those things felt a little weird.

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Speaker 5: That's a wild ass.

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Speaker 4: It's a wild ass. Yeah, it's a wild ask.

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Speaker 7: And he came in with like security too, so you

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Speaker 7: wouldn't want extra people around him.

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Speaker 3: So I never saw security, and so you can tell

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Speaker 3: me what happened. So they pull up to the house

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Speaker 3: and like a was it a big black suv that.

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Speaker 7: TV like fully tanted windows, and the first person who

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Speaker 7: gets out is like this huge bodyguard and like a

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Speaker 7: Navy seal hat.

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Speaker 5: He looked hardcore.

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Speaker 3: Now, he didn't follow Ringo down to the studio because

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Speaker 3: I never saw that guy, no.

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Speaker 7: Which I was surprised. I thought maybe he would escort

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Speaker 7: him the entire way. But as soon as he saw

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Speaker 7: that he was in the house heading back that way,

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Speaker 7: he was good.

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Speaker 4: Are you sure that wasn't just a really buff uber driver.

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Speaker 1: No, he was not.

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Speaker 4: He had a driver.

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Speaker 5: And then the security guy.

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Speaker 3: Well, it was kind of weird too because it had

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Speaker 3: just rained, snowed, iced all things that got super cold.

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Speaker 3: So my property is not like a real studio where

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Speaker 3: people come all the time like we have. It's a

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Speaker 3: building and we have our studio built. But Ringo's eighty

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Speaker 3: four yep. And so we're like, oh crap, it's icy

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Speaker 3: all through these different parts. Just to get back to

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Speaker 3: the studio, Like there are stairs, there's like an entrance

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Speaker 3: to the back of the property. It's a path that

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Speaker 3: goes downstairs, goes through a gate, all for foot traffic.

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Speaker 3: But it was pretty icy in places, and so you

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Speaker 3: and I are trying to negotiate how to get him

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Speaker 3: back there without stepping on the ice and falling.

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Speaker 7: Yeah, there were so many factors going into that. Just

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Speaker 7: the weather I was like, maybe he won't even come

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Speaker 7: because of this, And then the ice on the stairs,

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Speaker 7: I'm like.

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Speaker 5: We gotta get him in here.

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Speaker 3: We were going, anybody have a blanket we can throw

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Speaker 3: on the stairs. I was just imagining what if we

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Speaker 3: like broke the hip of a beetle like that had

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Speaker 3: been terrible. So it ends up what we did was

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Speaker 3: we walked him through the house, which is fine. I

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Speaker 3: didn't even think about that because for the most part,

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Speaker 3: we do no shoes at my house, and so now

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Speaker 3: I don't walk anybody into the house just for that

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Speaker 3: reason alone.

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Speaker 4: I think it was he was like, wh don't we

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Speaker 4: just bring up to the house.

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Speaker 5: Yeah, let's just get him in there.

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Speaker 4: I was like, great point.

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Speaker 3: We got to make sure the dogs are up, because

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Speaker 3: we don't need our My dog's jumping all over.

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Speaker 4: Ringo Star.

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Speaker 3: So I'm sitting down in the chair and it was

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Speaker 3: just him and like two women, like a promo person,

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Speaker 3: probably a pr person, and they walked right in and

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Speaker 3: he sits down here like, hey, I'm Ringo or whatever

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Speaker 3: the impression is. But you have told me don't try

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Speaker 3: to shake his hand, which is awesome because I don't

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Speaker 3: like shaking hands either.

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Speaker 5: Yeah, they said, he's like you fist bump.

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Speaker 4: So what was funny was I know that I love

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Speaker 4: that anyway.

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Speaker 3: Mostly that's how I'm attempting to touch people through fists

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Speaker 3: or elbows or bow. And so he comes in a

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Speaker 3: fist bump them. Read no one gave him the heads up,

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Speaker 3: don't try to shake Ringo's hand. Yeah, And so he

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Speaker 3: walks in and read those this big old six foot

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Speaker 3: three hand at him, Hey, Ringo, and Ringo headed him

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Speaker 3: with the turkey. Ringo puts the fist into the hand

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Speaker 3: and so Ringo sits down. You're gonna hear the interview

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Speaker 3: in just a second. And I felt like he was

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Speaker 3: a lot nicer, softer, and more generous than I would

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Speaker 3: have expected, because I'm sure everywhere he goes people are

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Speaker 3: clamoring to meet him to get a picture. We also

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Speaker 3: were a little worried, Hey, what can we not ask?

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Speaker 5: Yeah, I thought there would be rules.

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Speaker 3: Because he has this new record out which I spent

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Speaker 3: time listening to, which I think it's really good because

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Speaker 3: and I mean this in a way of it's a

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Speaker 3: simple country record and it sounds like Ringo being Ringo,

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Speaker 3: but it's probably not as simply made as it was

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Speaker 3: to hear. Meaning the real brilliance of this is it

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Speaker 3: feels like, oh wow, this is pretty simple record, but

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Speaker 3: I'm sure there was so much that went into it.

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Speaker 3: I really liked it, and I'm not just saying that

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Speaker 3: because there are a lot of records I just go, hey,

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Speaker 3: it's out. Because if I don't listen to it a

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Speaker 3: or I listen to a couple songs, or I don't

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Speaker 3: like it, it's not my thing. I just won't won't

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Speaker 3: give an opinion on it. But I really liked it

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Speaker 3: because it has Alison Krause on it, it has Larkin

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Speaker 3: Poe on it. I'm big fans of the Larkin Poet

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Speaker 3: sisters and Alison Kraus and Billy Strings. So he found

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Speaker 3: kind of that Americana bluegrass feel, and I think that's

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Speaker 3: from TiVo Burnett, who produced the record.

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Speaker 4: But he came in, he.

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Speaker 3: Sat down, and obviously you want to talk about the Beatles,

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Speaker 3: but I need to give him a place to get

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Speaker 3: to the Beatles, so then I can ask questions about

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Speaker 3: the Beatles. But as soon as he sits down, before

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Speaker 3: we even went on, he was like kids these days,

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Speaker 3: they they don't.

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Speaker 4: Have clubs to play in how are they supposed to

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Speaker 4: get good?

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Speaker 3: And so this is why we're like finishing cameras and

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Speaker 3: you know, getting his people seated.

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Speaker 4: And so I hear him say that, and you hear

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Speaker 4: me go to it where it's hey.

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Speaker 3: We mentioned that kids don't get to play in clubs

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Speaker 3: and get good, and that kind of got us to

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Speaker 3: Beatles stuff.

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Speaker 4: But he never said, don't talk about the Beatles. No,

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Speaker 4: so we definitely did.

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Speaker 3: What I found crazy and he'll mention this in a second,

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Speaker 3: is when he was playing two bands at once and

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Speaker 3: he play for six hours and then you go play

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Speaker 3: with the Beatles for six hours and play twelve hour days.

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Speaker 4: That's wild.

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Speaker 7: It was just wild to hear him talk about Beatles

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Speaker 7: stories when we've only heard people talk about like stories

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Speaker 7: of stories. But to hear from the source itself was

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Speaker 7: I had a moment where it's like, Wow, this is

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Speaker 7: an actual Beatle in here telling Beatles stories.

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Speaker 3: Firsthand, I'm pretty jaded, not in a bad way, but

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Speaker 3: because I do I do it, and we do it

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Speaker 3: a lot where we talk to people that have made

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Speaker 3: significant impacts on pop culture or country music or they're

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Speaker 3: great artists. This was different because this is like a

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Speaker 3: real life museum, like the most historical band of all time,

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Speaker 3: like one of the four people, one of the two.

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Speaker 7: Alive, and not only that, in your house, Yeah, my house,

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Speaker 7: my house.

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Speaker 4: I was walking a Beatle through your house.

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Speaker 3: Yeah, thank god a dog didn't jump on him, because

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Speaker 3: they would have because they don't know the Beatles. Stanley

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Speaker 3: and Neller don't know the Beatles. Some fun facts about

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Speaker 3: Ringo Star before we get to the interview. He joined

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Speaker 3: the Beatles pretty late, meaning they weren't already famous. But

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Speaker 3: you may have heard this before. He wasn't an original

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Speaker 3: member of the Beatles. He replaced Pete Best as the

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Speaker 3: drummer in nineteen sixty two, but that was before they

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Speaker 3: became famous. So that's like Dave Grohl and Nirvana. Dave

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Speaker 3: grohls a founding member of Nirvana and all of our

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Speaker 3: minds for the most part, because when they got big,

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Speaker 3: he was the drummer, like he was the drummer that

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Speaker 3: did it with them, And so Ringo is that because

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Speaker 3: they weren't the Beatles yet until Ringo got there.

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Speaker 5: Yeah, like Travis Barker Bloken eighty two.

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Speaker 4: Wait, I don't, I don't, I'm not there, help me.

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Speaker 4: They had a drummer before him, see I didn't even

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Speaker 4: know that.

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Speaker 7: Yeah, a guy named Scott before they really got famous,

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Speaker 7: and then Travis joined the band and they got huge.

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Speaker 3: Ringo suffered from serious health issues as a kid. He

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Speaker 3: had something called parent hmmm, parrotinidis at age six. He

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Speaker 3: had tuberculosis at age thirteen, which kept him in the

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Speaker 3: hospital for long periods. He did sing lead on some

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Speaker 3: Beatles songs, mainly the drummer, but he's sang lead on

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Speaker 3: very famous songs like I Get By With the Little

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Speaker 3: Help from My Friends, Oh, Yellow Submarine, Octopus Garden. We

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Speaker 3: talked about him being left handed here because he when

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Speaker 3: he plays guitar now he plays it right handed and

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Speaker 3: I was like, but you're left handed, so we get

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Speaker 3: into that conversation. But he's a left handed rumber, but

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Speaker 3: really wasn't able to play left handed. He was the

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Speaker 3: first Beatle to release a solo album. His nineteen seventy album,

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Speaker 3: Sentimental Journey, was the first solo album by a Beatle

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Speaker 3: After the band's breakup. He's acted in several films, including

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Speaker 3: Caveman and That'll Be The Day. Have you seen either

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Speaker 3: one of those? As movie Mike no Is that before

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Speaker 3: your Time, I think so. He's even narrated early episodes

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Speaker 3: of Thomas and Friends.

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Speaker 7: That's where I knew him from first. The Train that

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Speaker 7: was my favorite show as a kid, and I remember

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Speaker 7: him as the conductor and doing the narration.

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Speaker 3: He's been inducted into the Rock and Roll Hall of

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Speaker 3: Fame twice, once as a member of the Beatles and

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Speaker 3: then as a solo artist the Beatles in eighty eight,

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Speaker 3: a solo artist in twenty fifteen.

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Speaker 4: He says peace and love.

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Speaker 3: Peace and love a lot the picture we took because

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Speaker 3: I don't only touch people in pictures anymore. Just generally speaking,

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Speaker 3: you'll see that, not just with the Ringo, with anybody.

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Speaker 3: It's gotten kind of weird too, where like even Dirk

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Speaker 3: So I'm friends with, it's like or Matt Carney was

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Speaker 3: up here, they're like, why you're not touching me? And

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Speaker 3: they're like, put their arm over my shoulder. I'm just

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Speaker 3: getting in the habit and not touching people for the

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Speaker 3: one or two people that don't want to be touched.

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Speaker 3: But what Ringo does is he doesn't like to be

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Speaker 3: touched obviously. Same and he holds a peace sign up

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Speaker 3: and so he's holding it up in the picture. So

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Speaker 3: I do a peace sign. It looks at me and goes, yeah,

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Speaker 3: that's the ticket, which is pretty funny. Coach is how

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Speaker 3: nice he was. I'm telling you, I was so surprised.

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Speaker 3: He was knighted by the Queen in twenty eighteen, officially

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Speaker 3: making him Sir Richard Starkly. He inspired a drumming style.

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Speaker 3: It's cool on TikTok now to see a lot of

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Speaker 3: the young drummers kind of give Ringo credit for a

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Speaker 3: bit of a like a avant garde type style within

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Speaker 3: boundaries and they're like, check this fill out. Ringo doesn't

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Speaker 3: get the credit. It's it became like a trending thing

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Speaker 3: on TikTok in the last.

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Speaker 7: Year and they're like, this is what he could have played,

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Speaker 7: but this is what he decided to play. It was

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Speaker 7: like so different, Like oh, that sounds amazing.

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Speaker 3: As a drummer, he has a unique grip. Not a drummer,

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Speaker 3: not really familiar with a matched grip or a traditional

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Speaker 3: jazz grip, but he did. He'd write some songs. He

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Speaker 3: was close with Keith Moon and John Bonham. Keith Moon

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Speaker 3: from The Who, John Bonham of led Zeppelin. Those were drummers,

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Speaker 3: his son to drummer all right. He nearly left the

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Speaker 3: Beatles during the recording of the White album. Ringo briefly

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Speaker 3: quit the band due attention, but was convinced to return.

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Speaker 3: His bandmates even decorated his drum kit with flowers and

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Speaker 3: to welcome on back. I have two more. He's a

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Speaker 3: painter and his drums were stolen. His first Ludwig drum kit,

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Speaker 3: which became iconic, was stolen in nineteen sixty. It surfaced

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Speaker 3: decades later and was auctioned offer over two million dollars.

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Speaker 3: The buyer Paul McCartney.

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Speaker 4: We talked to t.

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Speaker 3: Bone Burnett, who will be in a later episode, and

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Speaker 3: t Bone said that when he was producing this record,

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Speaker 3: he would go to Ringo's house. Ringo has the same

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Speaker 3: symbols that he had when he played with the Beatles,

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Speaker 3: and that he's never cleaned them once, so that dust

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Speaker 3: and that dirt is from fifty sixty years of just music,

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Speaker 3: including the Beatles, which is pretty crazy. T Bone Burnett episode,

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Speaker 3: you guys a gonna like two because not only did

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Speaker 3: he produce his Ringo album, but he did walk the

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Speaker 3: line h Joaquin Phoenix. We talked about Johnny Cash. He

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Speaker 3: did Old Brother, We're out there, Old Brother, We're out Now.

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Speaker 3: I did that music won tons of Grammies for that.

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Speaker 3: He produced the Counting Crows record August and everything after

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Speaker 3: he did the Wallflowers. He brought up the Wallflowers and

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Speaker 3: I'm like, I got an opening. I'm going in for

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Speaker 3: the Counting Crows.

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Speaker 7: You're just casually bringing up these huge and yeah, you're like,

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Speaker 7: wait a minute.

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Speaker 3: And then we get back to Ringo because he was

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Speaker 3: a massive Beatles fan, so to him that was super cool.

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Speaker 3: And so yeah, T Bone Burnette produced Ringo Star record,

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Speaker 3: and we're gonna get to Ringo now, and we're gonna

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Speaker 3: come back and talk about some Beatles stuff after the

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Speaker 3: interview here because the interview is like thirty five minutes

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Speaker 3: or so. The album is called Look Up. It's Ringo

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Speaker 3: Star produced by T Bone Burnett. We talked about some

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Speaker 3: of the artists that are on with him.

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Speaker 4: I really like it.

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Speaker 3: I think if you're a fan of country music, I

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Speaker 3: would say a fan of like seventies and eighties straightforward

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Speaker 3: country music, you will like this. I think that's it.

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Speaker 3: Is there anything else need to say?

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Speaker 5: I think that's it. Yeah, it's good.

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Speaker 3: We'll come back after. But here is Ringo star Ringo.

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Speaker 3: Good to see you, Nice to meet you. Pretty pretty

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Speaker 3: exciting here.

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Speaker 1: Yeah, thanksful.

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Speaker 4: So were you?

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Speaker 3: You were just over at the Ryman. One of my

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Speaker 3: friends just texted me and said he saw you over there.

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Speaker 2: I was over there hanging out with all those guys

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Speaker 2: and some girls.

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Speaker 1: You know.

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Speaker 2: The gist of it I thought was that they're all

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Speaker 2: like newcomers coming up and they got a chance to

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Speaker 2: be on stage and the place was full, and that's great.

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Speaker 1: So it's a great move. Well done radio.

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Speaker 4: You know, I'll take the credit myself.

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Speaker 1: Oh you did it, all of it.

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Speaker 3: If that works, I'll take all the credit. So how

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Speaker 3: long have you been in Nashville on this distin since Tuesday?

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Speaker 4: And what do you do while you're here?

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Speaker 2: Well, we don't do much because it's snow point, you know,

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Speaker 2: walking around it's so damn cold.

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Speaker 4: Snow. It's weird. Yeah, yeah, snow.

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Speaker 1: Snowed last time I was here. This is.

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Speaker 2: Like if I arrived, snows it coming. But you know,

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Speaker 2: we're rehearsing and we're doing promos and we're doing radio chats.

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Speaker 3: That's fun that you still rehearse because I would think

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Speaker 3: why would you need to rehearse? I know you have

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Speaker 3: all the new songs, but I just think you probably

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Speaker 3: have it all figured out, Like is it how long

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Speaker 3: have you had the band with you?

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Speaker 1: Well, I don't have the band with.

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Speaker 2: They're touring all from local guys.

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Speaker 3: I didn't, So that makes sense as to why you'd rehearse. Then,

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Speaker 3: So are you rehearsing to play like the opry or

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Speaker 3: because I know you're doing all the dates.

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Speaker 1: We're doing the Opry.

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Speaker 2: That's why I'm here this time, and we're going to

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Speaker 2: do one from the album and another song, so give

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Speaker 2: it all the way. I did a track naturally book Owens,

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Speaker 2: and you know, the story is so great. I love

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Speaker 2: it because you know he did it. I found it

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Speaker 2: in the sixties on the record and I just loved it.

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Speaker 2: So I did it with the Beatles, and then in

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Speaker 2: the seventies we did it together, you know, as far

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Speaker 2: out that's cool.

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Speaker 1: Yeah.

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Speaker 3: I am left handed, but I played guitar left handed,

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Speaker 3: which has been very very difficult for me because I

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Speaker 3: can't play anybody else's guitar. Like in this town, everybody plays,

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Speaker 3: and so if I want to play, I can never

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Speaker 3: play anybody's instrument.

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Speaker 4: You're left handed. Did you decide to play right handed

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Speaker 4: because of that?

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Speaker 2: Or just the chance to sit behind a don't kiss?

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Speaker 2: In Liverpool? I sat behind the right handed kits and

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Speaker 2: thought this is it. I didn't know any better.

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Speaker 4: See, you had to play right handed. It was the

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Speaker 4: only way that you could learn.

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Speaker 2: Yeah, well I just did it naturally. Really, you know,

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Speaker 2: it's just like, oh, okay, so it's this. If I

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Speaker 2: played reggae, I have to turn the whole kiss around.

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Speaker 3: What about if you play guitar? What do you play

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Speaker 3: right handed?

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Speaker 4: Left handed?

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Speaker 2: No?

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Speaker 1: Right? You do play every play golf right?

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Speaker 6: Wow?

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Speaker 4: So are you even left handed?

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Speaker 1: Because well, I'm left handed.

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Speaker 2: If I write my name, you know, and there's like

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Speaker 2: it's like a mad left handed guy because it's some

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Speaker 2: of it's right and some of it's left. And uh,

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Speaker 2: you know, I played dolls with my left I feel.

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Speaker 3: Like you're just deciding what you want to do with

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Speaker 3: what hand. That's the great grandad.

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Speaker 2: My well in a way, but my grandmother moved me

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Speaker 2: from being left handed because I was righting as a kid,

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Speaker 2: to right handed because she thought that would be better

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Speaker 2: for me.

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Speaker 3: My grandmother raised me for a lot of my life

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Speaker 3: adopted me. You mentioned your grandmother. Did she have a

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Speaker 3: big part in your raising?

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Speaker 1: Oh?

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Speaker 2: Yeah, I was brought up because my dad left when

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Speaker 2: I was three and my mom and my grandma, my

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Speaker 2: granddad wrote you, and so they had a big part

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Speaker 2: in my life.

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Speaker 4: Yeah, yeah, my my grandmother.

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Speaker 3: My my dad left when I was five, and so

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Speaker 3: my grandmother jumped in and adopted me, and thank god,

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Speaker 3: what what uh.

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Speaker 1: Well, we didn't go that fall. They just loved me.

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Speaker 3: Well, she had to adopt me because my mom left too.

390
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Speaker 3: So it was like I needed the last name and

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Speaker 3: had to have somebody I understand now.

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Speaker 1: Yeah, my mom loved me every minutes of my life.

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Speaker 3: I was listening to the record over the past a

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Speaker 3: few days or so, I saw you on the front

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Speaker 3: of a magazine here in town. Yeah, you know, it's

396
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Speaker 3: the cover. Yeah, and I was like, man, that's really cool.

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Speaker 3: That's when I started.

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Speaker 1: It's on the cover of Nashville.

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Speaker 6: That's what it is.

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Speaker 4: Yeah, that's what I saw. There was the cover of

401
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Speaker 4: the big.

402
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Speaker 3: National magazine, and so I was going through and listening

403
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Speaker 3: to the music. But what I was drawn to are

404
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Speaker 3: some of the artists that you brought along with you,

405
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Speaker 3: like Molly Tutle Loves and Billy Strings, Yeah, Philly who's

406
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Speaker 3: out of his mind?

407
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Speaker 1: And good Rodneck Ronell.

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Speaker 4: So why out of the blue.

409
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Speaker 3: Like Lark and Poe, I've done like a songwriter. Think

410
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Speaker 3: they're amazing. So I want to ask you, like, why

411
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Speaker 3: Lark and Poe. Let's start there.

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Speaker 2: Well, Larkin Poe is Actually I asked tvaon to get

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Speaker 2: them on my record because I saw them they did

414
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Speaker 2: a music care thing for Tom Petty and I think

415
00:18:23,160 --> 00:18:25,360
Speaker 2: TVAU must have put the band together and they were

416
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Speaker 2: playing and this is at least five years ago, and

417
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Speaker 2: I love them then it was it just worked really well.

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Speaker 2: And so I said, well, you know, whatever we're putting together,

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Speaker 2: it'd be great if you could put the girls together.

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Speaker 1: And he did and so they's so dynamic. Yeah, great, And.

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Speaker 2: Well you know the lineup we've got for you know,

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Speaker 2: the CBS TV show and next month it's coming out.

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Speaker 1: It blows me away. It's just full of really incredible people.

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Speaker 3: Alison Krass loved here. Yeah, and t Bone and her

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00:19:04,720 --> 00:19:09,800
Speaker 3: history working together. Okay, how did you enjoy Alison Alison

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Speaker 3: Krass on the record?

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Speaker 2: Well, who could ask for anything better than it was?

428
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Speaker 2: Even greater because that's the one I wrote, you know, thankful.

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Speaker 1: I wrote that with.

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Speaker 2: The engineers a producer as well, Bruce Sugar, and we

431
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Speaker 2: put that on the rest of the tabone and T Bones

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Speaker 2: tea Bone's friends.

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Speaker 4: What's your writing process now? Will you write?

434
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Speaker 2: Give me a one line and we can hang out,

435
00:19:41,560 --> 00:19:44,240
Speaker 2: you know, and write a song. That's how I did

436
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Speaker 2: it for all my records.

437
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Speaker 3: So if someone's like, here's a concept and we'll just

438
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Speaker 3: hang out and work.

439
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Speaker 2: We were to dinner Jim Keltner, Joe Walsh and I

440
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Speaker 2: and the girls, and for some reason I had a

441
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Speaker 2: I said, well, you've gotter get up to get down,

442
00:20:01,400 --> 00:20:03,199
Speaker 2: and Joe watsh and I wrote a song cale You've

443
00:20:03,200 --> 00:20:03,760
Speaker 2: got to get.

444
00:20:03,680 --> 00:20:04,440
Speaker 1: Up to get down.

445
00:20:05,840 --> 00:20:07,800
Speaker 2: That's fine, you know, you gotta get out the seat,

446
00:20:07,840 --> 00:20:09,280
Speaker 2: you gotta do something to get down.

447
00:20:09,480 --> 00:20:11,520
Speaker 4: How much how much time it took you around?

448
00:20:12,640 --> 00:20:15,440
Speaker 3: I saw him walking, Oh yeah, yeah, this is uh,

449
00:20:15,480 --> 00:20:17,159
Speaker 3: this is the coolest my house has ever been, like

450
00:20:17,240 --> 00:20:19,200
Speaker 3: ever in the history of my house being alive.

451
00:20:19,040 --> 00:20:20,880
Speaker 1: Which is the incredible T Bone.

452
00:20:21,560 --> 00:20:23,679
Speaker 3: How long from when you have an idea until you

453
00:20:23,680 --> 00:20:25,960
Speaker 3: need to record it before you possibly move on?

454
00:20:26,040 --> 00:20:26,400
Speaker 4: All the day?

455
00:20:27,840 --> 00:20:30,560
Speaker 2: I don't have any of those times. No, I'm blessed

456
00:20:30,640 --> 00:20:33,640
Speaker 2: like that. I mean, Richard Mark's played here last night,

457
00:20:34,000 --> 00:20:36,119
Speaker 2: and he's a good friend. He was in the Old

458
00:20:36,160 --> 00:20:40,120
Speaker 2: Stars and he'd come over and write and we came

459
00:20:40,160 --> 00:20:42,560
Speaker 2: to the conclusion that if it took more than twenty

460
00:20:42,600 --> 00:20:47,200
Speaker 2: five minutes to write the song, we were failures.

461
00:20:47,760 --> 00:20:49,720
Speaker 4: Do you still enjoy playing?

462
00:20:50,000 --> 00:20:50,639
Speaker 1: I love playing?

463
00:20:50,720 --> 00:20:51,160
Speaker 4: Is that still?

464
00:20:51,440 --> 00:20:53,480
Speaker 1: I love playing? I love I'm in the band.

465
00:20:53,680 --> 00:20:57,320
Speaker 2: I'm in the band, you know, and like with the

466
00:20:57,320 --> 00:21:01,720
Speaker 2: Old Stars, Yeah, it's ringling the Old Stars, but I

467
00:21:01,880 --> 00:21:06,280
Speaker 2: play everybody else's song, you know, I'm playing drums for them,

468
00:21:06,960 --> 00:21:09,919
Speaker 2: and and then I do half of the show in

469
00:21:09,960 --> 00:21:12,639
Speaker 2: the front, so it's a movement, you know, at the

470
00:21:12,720 --> 00:21:15,639
Speaker 2: kid for them, I'm down the front for most of mine.

471
00:21:16,320 --> 00:21:20,320
Speaker 3: Walk me through this album as far as one, why

472
00:21:20,560 --> 00:21:22,959
Speaker 3: do it this style? Because you can do many styles?

473
00:21:22,960 --> 00:21:25,840
Speaker 3: And then how how did you and t Bone get together?

474
00:21:26,400 --> 00:21:26,560
Speaker 1: Well?

475
00:21:26,680 --> 00:21:28,800
Speaker 2: T Bone and I have met many times, and I've

476
00:21:28,840 --> 00:21:31,640
Speaker 2: told this story a thousand times over the last year,

477
00:21:33,160 --> 00:21:36,320
Speaker 2: that he would, you know, I'd have a lot of

478
00:21:36,320 --> 00:21:41,359
Speaker 2: parties in the seventies and eighties, and most nights he

479
00:21:41,600 --> 00:21:45,560
Speaker 2: was there, and I didn't invite him once he come

480
00:21:45,640 --> 00:21:48,360
Speaker 2: with one of the other musicians or whatever. I don't

481
00:21:48,359 --> 00:21:53,040
Speaker 2: know he got there, but he didn't. He just stand around,

482
00:21:53,200 --> 00:21:59,040
Speaker 2: you know, surveying. And but anyway, as we moved on

483
00:21:59,560 --> 00:22:07,720
Speaker 2: to two years ago, eighteen months ago, I went to Olivia.

484
00:22:07,800 --> 00:22:11,080
Speaker 2: Harris and George's wife had a reading of a book,

485
00:22:11,280 --> 00:22:15,360
Speaker 2: the Poems for George, at the Sunset Marquee in La.

486
00:22:16,720 --> 00:22:20,119
Speaker 2: I was invited. Fifty other people were there and T

487
00:22:20,280 --> 00:22:23,040
Speaker 2: Bom was one of them. It's so great to tell

488
00:22:23,080 --> 00:22:28,360
Speaker 2: the story and you're in the room and we said, Hi, hello,

489
00:22:28,480 --> 00:22:32,080
Speaker 2: what's happening. You know, I was doing EPs through the pandemic.

490
00:22:32,160 --> 00:22:36,920
Speaker 2: I only made EPs four tracks, and I said, I,

491
00:22:37,400 --> 00:22:39,200
Speaker 2: by the way, you know, if you've got a track

492
00:22:39,280 --> 00:22:42,240
Speaker 2: you feel it'll be good for me, why don't you

493
00:22:42,280 --> 00:22:47,080
Speaker 2: send me the files? Anyway, it was like crazy, because

494
00:22:47,119 --> 00:22:49,600
Speaker 2: you know, all the piece are sort of pop rock.

495
00:22:51,040 --> 00:22:58,200
Speaker 2: You sent me this beautiful, beautiful country song and I thought, well,

496
00:22:58,560 --> 00:23:01,080
Speaker 2: you know, life is good now. I thought, oh, I'll

497
00:23:01,080 --> 00:23:06,399
Speaker 2: do a country EP. That was the instigator, and I

498
00:23:06,520 --> 00:23:08,760
Speaker 2: got some other guys to write two songs.

499
00:23:08,840 --> 00:23:10,480
Speaker 1: I wrote a song and we had that.

500
00:23:10,600 --> 00:23:16,800
Speaker 2: Song, and then T Bong came into La and we

501
00:23:16,800 --> 00:23:20,199
Speaker 2: were chatting about this, that and the other, and you

502
00:23:20,240 --> 00:23:24,320
Speaker 2: know about songs, and and I said, well, have you

503
00:23:24,359 --> 00:23:27,600
Speaker 2: got any songs? And he actually went into his pocket,

504
00:23:27,640 --> 00:23:29,920
Speaker 2: and I love to do the action. I go to

505
00:23:30,040 --> 00:23:33,720
Speaker 2: my top pocket and he pulled out the files of

506
00:23:33,880 --> 00:23:35,200
Speaker 2: nine songs.

507
00:23:35,800 --> 00:23:37,399
Speaker 1: And he said, I mean a song interviewer.

508
00:23:37,440 --> 00:23:41,879
Speaker 2: He said nine, and we did three or four that

509
00:23:42,160 --> 00:23:44,000
Speaker 2: moment I just got because I had the kit in

510
00:23:44,040 --> 00:23:47,200
Speaker 2: the next room. I have a small studio, and I

511
00:23:47,400 --> 00:23:50,359
Speaker 2: just you know, I'd like to play and play. I

512
00:23:50,400 --> 00:23:51,880
Speaker 2: only want to play the track twice.

513
00:23:52,520 --> 00:23:55,680
Speaker 1: It's more interesting.

514
00:23:56,000 --> 00:23:58,520
Speaker 2: I think I'm not getting it right all the time,

515
00:23:58,560 --> 00:24:02,960
Speaker 2: but getting it emotional, well, I think it should be.

516
00:24:03,160 --> 00:24:05,480
Speaker 3: Do you think a lot of that is from when

517
00:24:05,520 --> 00:24:09,880
Speaker 3: you recorded, you know, thirty years ago or more, when

518
00:24:09,920 --> 00:24:12,480
Speaker 3: you didn't have nobody did because of technology, didn't have

519
00:24:12,520 --> 00:24:15,720
Speaker 3: the ability to track things. And you're most comfortable in

520
00:24:15,760 --> 00:24:18,159
Speaker 3: that scenario and you had really wonderful things that you

521
00:24:18,200 --> 00:24:19,520
Speaker 3: had created that came out that way.

522
00:24:19,560 --> 00:24:21,120
Speaker 4: So now that's kind of your style.

523
00:24:21,680 --> 00:24:22,080
Speaker 1: I think.

524
00:24:22,119 --> 00:24:22,640
Speaker 4: So yeah.

525
00:24:22,720 --> 00:24:25,160
Speaker 2: I think you know, as long as you play, you'll

526
00:24:25,160 --> 00:24:31,040
Speaker 2: find you where you're comfortable. And I was always comfortable

527
00:24:31,040 --> 00:24:34,280
Speaker 2: playing with the singer. I've always believed they don't need

528
00:24:34,320 --> 00:24:37,840
Speaker 2: me boot banging about. Well, you know, I always use

529
00:24:37,920 --> 00:24:43,520
Speaker 2: the song yesterday, but I never felt they needed that.

530
00:24:43,600 --> 00:24:47,639
Speaker 1: And that's just been the way I played from the start.

531
00:24:47,840 --> 00:24:51,479
Speaker 2: I just I'm holding you down, I'm keeping you together,

532
00:24:51,960 --> 00:24:54,360
Speaker 2: and you know, bring it up a bit or take

533
00:24:54,400 --> 00:24:57,400
Speaker 2: it down a bit, but it's more of an emotion.

534
00:24:57,680 --> 00:25:00,520
Speaker 2: And I can never do the same field twice. I

535
00:25:00,560 --> 00:25:03,399
Speaker 2: can't play this track and put a fell in and

536
00:25:03,440 --> 00:25:05,679
Speaker 2: a lot of people, oh, do that, Phil, you know,

537
00:25:05,800 --> 00:25:10,560
Speaker 2: let's double it, especially the Beatle, especially John, and I

538
00:25:10,600 --> 00:25:13,000
Speaker 2: can't do it because it's where I come off.

539
00:25:13,760 --> 00:25:16,920
Speaker 1: Is is you know it's an emotional thing.

540
00:25:17,119 --> 00:25:18,720
Speaker 4: Instinctual maybe yeah, well.

541
00:25:18,640 --> 00:25:21,800
Speaker 2: And instinctual is a good witch, sure, And so you

542
00:25:21,840 --> 00:25:25,240
Speaker 2: know I don't I won't be there next time we

543
00:25:25,320 --> 00:25:27,760
Speaker 2: play it. I mean i'll get the track. I know

544
00:25:27,800 --> 00:25:31,600
Speaker 2: where they you know, just rock on through. But the

545
00:25:31,640 --> 00:25:34,320
Speaker 2: film can come there that And we actually have a

546
00:25:34,320 --> 00:25:37,560
Speaker 2: couple of songs on this record where I do a

547
00:25:37,680 --> 00:25:42,600
Speaker 2: piece change for the chorus and and then I'm playing

548
00:25:42,600 --> 00:25:46,600
Speaker 2: away and then the next choor is I don't come

549
00:25:46,640 --> 00:25:49,960
Speaker 2: in right away because I'm not feeling it this time.

550
00:25:50,960 --> 00:25:53,760
Speaker 2: Oh halfway through I'll bring it, you know that whatever

551
00:25:55,560 --> 00:25:59,560
Speaker 2: you know, imagine the first time and get the second half.

552
00:26:00,040 --> 00:26:02,480
Speaker 2: So and t Bone is very good though, it's very

553
00:26:02,520 --> 00:26:03,240
Speaker 2: cool like that.

554
00:26:03,800 --> 00:26:05,520
Speaker 3: We were talking a little bit before you came in,

555
00:26:05,600 --> 00:26:09,400
Speaker 3: just briefly, like how young artists are supposed to get

556
00:26:09,400 --> 00:26:12,560
Speaker 3: good Now there really aren't a lot of clubs, not

557
00:26:12,640 --> 00:26:14,480
Speaker 3: like they're probably used to because I'm assuming when you

558
00:26:14,520 --> 00:26:15,320
Speaker 3: guys were coming up, there.

559
00:26:15,240 --> 00:26:16,399
Speaker 4: Were a lot of club You could play a lot

560
00:26:16,400 --> 00:26:17,200
Speaker 4: of club a lot of times.

561
00:26:17,240 --> 00:26:20,360
Speaker 2: I was telling that to the kids in the rhymen

562
00:26:20,560 --> 00:26:23,480
Speaker 2: waiting to go on and do it, you know, whatever they're.

563
00:26:23,280 --> 00:26:23,719
Speaker 1: Going to do.

564
00:26:25,320 --> 00:26:28,359
Speaker 2: Yeah, And Dave Steward and I one time, and this

565
00:26:28,520 --> 00:26:30,520
Speaker 2: was a long time ago, two thousand and eight, we

566
00:26:30,560 --> 00:26:34,120
Speaker 2: would decided we were going to do like go on

567
00:26:34,200 --> 00:26:39,960
Speaker 2: tour purposely to then go around the country by clubs,

568
00:26:40,040 --> 00:26:42,880
Speaker 2: just so you know, the new band would have somewhere

569
00:26:42,880 --> 00:26:46,359
Speaker 2: to go. I'm disgusted with a big band. If you

570
00:26:46,520 --> 00:26:48,040
Speaker 2: open for them, you have to pay them.

571
00:26:48,359 --> 00:26:51,840
Speaker 1: That's crazy, you know, I think, where where's the give

572
00:26:51,960 --> 00:26:53,080
Speaker 1: back here? You know?

573
00:26:53,760 --> 00:26:56,679
Speaker 2: So one time to like drive them all crazy with

574
00:26:56,800 --> 00:27:01,400
Speaker 2: the old stars, I had a local band and every

575
00:27:01,440 --> 00:27:03,760
Speaker 2: gig we played the local band got up and played

576
00:27:04,400 --> 00:27:06,080
Speaker 2: with one of them that they'd picked.

577
00:27:07,160 --> 00:27:19,600
Speaker 8: The Bobby Cast will be right back. This is the

578
00:27:19,640 --> 00:27:20,760
Speaker 8: Bobby Cast.

579
00:27:21,440 --> 00:27:24,199
Speaker 4: Did you guys ever open for anyone early on?

580
00:27:24,560 --> 00:27:28,760
Speaker 2: Oh yeah, we opened for Roy Orbison were opened for

581
00:27:28,800 --> 00:27:32,640
Speaker 2: a lot of people. And in fact, the first tour

582
00:27:32,680 --> 00:27:34,640
Speaker 2: we did with I can't even think of a name

583
00:27:34,680 --> 00:27:38,159
Speaker 2: now because you've asked me about it. She was like

584
00:27:38,200 --> 00:27:42,200
Speaker 2: a big hit. She was like fourteen fifteen in England.

585
00:27:42,720 --> 00:27:45,320
Speaker 2: This is all in England, and we had three numbers

586
00:27:45,400 --> 00:27:48,840
Speaker 2: at the beginning. The curtains opened, we did three numbers

587
00:27:49,400 --> 00:27:51,840
Speaker 2: and that's how we to us.

588
00:27:51,960 --> 00:27:54,720
Speaker 1: Was a step up from clubs to theaters.

589
00:27:55,480 --> 00:27:58,639
Speaker 2: And then we kept doing that and we'd have tweeny

590
00:27:58,760 --> 00:28:02,920
Speaker 2: low pairs and Roy was great. Roy was the hardest

591
00:28:02,920 --> 00:28:05,480
Speaker 2: actor we ever had to follow. Why is that because

592
00:28:05,480 --> 00:28:09,120
Speaker 2: he's great. He would just stand there with those shades

593
00:28:09,160 --> 00:28:13,160
Speaker 2: on and not a lot of movement, but all coming out,

594
00:28:13,440 --> 00:28:15,800
Speaker 2: and so we would be behind the curtain. We're next

595
00:28:15,840 --> 00:28:20,399
Speaker 2: on you Don't, Don't, Don't don't. We beat playing on

596
00:28:20,480 --> 00:28:24,800
Speaker 2: the guitar, little hints of our songs while he was on.

597
00:28:25,400 --> 00:28:28,720
Speaker 1: But then we we closed the first half.

598
00:28:28,760 --> 00:28:31,959
Speaker 2: We'd moved up and then we closed the show and

599
00:28:31,960 --> 00:28:35,480
Speaker 2: we had a few problems with some American acts who

600
00:28:35,680 --> 00:28:38,720
Speaker 2: came over, and you know, we were just rising in

601
00:28:39,200 --> 00:28:44,280
Speaker 2: England really fast, and you know, they'd come in expecting

602
00:28:44,440 --> 00:28:48,840
Speaker 2: to be top of the bill, and Tommy Rowe was

603
00:28:48,880 --> 00:28:49,680
Speaker 2: great because.

604
00:28:49,440 --> 00:28:51,000
Speaker 1: He'd realized right away.

605
00:28:51,040 --> 00:28:53,920
Speaker 2: But we had another act that came over, who I'm

606
00:28:53,960 --> 00:28:57,520
Speaker 2: American on top of the bill and said, okay, So

607
00:28:57,600 --> 00:29:01,640
Speaker 2: we played to the halfway through, we played the break

608
00:29:02,480 --> 00:29:07,280
Speaker 2: and uh, and we left and everybody else left left.

609
00:29:07,800 --> 00:29:08,760
Speaker 1: He was on his own.

610
00:29:10,480 --> 00:29:12,400
Speaker 3: When was music introduced to you as a kid.

611
00:29:12,840 --> 00:29:14,160
Speaker 4: As far as the big.

612
00:29:14,000 --> 00:29:16,800
Speaker 1: News, my stepdad loved.

613
00:29:16,920 --> 00:29:20,080
Speaker 2: He had his little room with a little record player,

614
00:29:20,160 --> 00:29:21,840
Speaker 2: but he was a big band and.

615
00:29:23,360 --> 00:29:26,760
Speaker 1: You know, Billy Daniels.

616
00:29:26,160 --> 00:29:31,680
Speaker 2: And a lot of old people, and he would play that.

617
00:29:32,200 --> 00:29:35,880
Speaker 2: I think because of that, this influence of him playing

618
00:29:35,920 --> 00:29:39,640
Speaker 2: all this music the big bands, even if it's straight rock,

619
00:29:40,760 --> 00:29:42,080
Speaker 2: I sort of shuffled it.

620
00:29:42,160 --> 00:29:43,120
Speaker 1: I swing it a bit.

621
00:29:43,720 --> 00:29:45,640
Speaker 2: And I think that all came because you know, even

622
00:29:45,720 --> 00:29:49,040
Speaker 2: when Little Richard came up rock and roll days, everything

623
00:29:49,160 --> 00:29:56,840
Speaker 2: was swing like big band and so I you know,

624
00:29:57,240 --> 00:29:59,479
Speaker 2: I've always loved him for I loved him anyway, but

625
00:29:59,840 --> 00:30:01,960
Speaker 2: the music was great. And the last thing he said,

626
00:30:02,440 --> 00:30:05,120
Speaker 2: I'd be playing my stuff and well have you heard this?

627
00:30:05,360 --> 00:30:08,240
Speaker 2: And it was like like one of my biggest memory

628
00:30:08,280 --> 00:30:10,120
Speaker 2: and he says, well have you heard this?

629
00:30:10,160 --> 00:30:11,280
Speaker 1: And it was Sarah Bonn.

630
00:30:12,480 --> 00:30:15,680
Speaker 2: You know, that's pretty far out for you my dad's

631
00:30:15,680 --> 00:30:20,360
Speaker 2: stepdad to play and give you a hint about people

632
00:30:20,400 --> 00:30:22,960
Speaker 2: out there. But the other good side of the story,

633
00:30:23,080 --> 00:30:26,520
Speaker 2: my son Zach was like eight and he came running

634
00:30:26,600 --> 00:30:30,240
Speaker 2: down from school and he's got a record under his own.

635
00:30:30,320 --> 00:30:33,520
Speaker 1: He said, oh God, we gotta play this. So I

636
00:30:33,600 --> 00:30:36,240
Speaker 1: gotta play this to you. I'd say, well, who is it? Son?

637
00:30:36,520 --> 00:30:37,720
Speaker 1: He said, Rachels.

638
00:30:39,040 --> 00:30:44,680
Speaker 2: So I followed my stepdad's attitude with my own kids.

639
00:30:44,880 --> 00:30:47,480
Speaker 1: Oh well, let's play it and see what it's like.

640
00:30:48,160 --> 00:30:50,120
Speaker 4: You know, my grandma.

641
00:30:50,880 --> 00:30:52,400
Speaker 3: It was a lot of Johnny Cash, was a lot

642
00:30:52,440 --> 00:30:54,959
Speaker 3: of modern sounds of country music from Ray Charles, and

643
00:30:55,000 --> 00:30:57,080
Speaker 3: that was what I was kind of introduced to his music.

644
00:30:57,120 --> 00:30:58,920
Speaker 3: And then I kind of found my own music, right,

645
00:30:59,320 --> 00:31:02,720
Speaker 3: and so that was like your stepdad and that music, like,

646
00:31:02,760 --> 00:31:05,080
Speaker 3: that's what I remember first. But then when I found

647
00:31:05,080 --> 00:31:07,520
Speaker 3: my own music, it was a bit different. What was

648
00:31:07,600 --> 00:31:08,760
Speaker 3: your own music first?

649
00:31:09,080 --> 00:31:12,080
Speaker 2: Well, you know, I like the blues and I love

650
00:31:12,160 --> 00:31:15,840
Speaker 2: country and they were the first two and then pop

651
00:31:16,000 --> 00:31:23,280
Speaker 2: records of the time. And the Lightning Hopkins the blues player.

652
00:31:24,640 --> 00:31:28,240
Speaker 1: Out of all of the blues players. I just loved him.

653
00:31:28,760 --> 00:31:30,720
Speaker 2: I looked it because he didn't really finish the lines

654
00:31:30,720 --> 00:31:34,479
Speaker 2: of it, I'm going down to He didn't bother singing,

655
00:31:35,400 --> 00:31:38,000
Speaker 2: but he just got to me. He was like, so,

656
00:31:38,840 --> 00:31:41,560
Speaker 2: you know, it's a well known story now, but my friend,

657
00:31:42,080 --> 00:31:44,280
Speaker 2: one of my friends in Liverpool and I decided we

658
00:31:44,360 --> 00:31:48,840
Speaker 2: wanted to go to Houston, Texas to be where Lightning lived.

659
00:31:49,960 --> 00:31:53,320
Speaker 2: And we went down to the embassy and we asked

660
00:31:53,320 --> 00:31:57,240
Speaker 2: for the American embassy in Liverpool and we asked for

661
00:31:57,880 --> 00:32:02,600
Speaker 2: the papers that we could billion to, you know, emigrate

662
00:32:02,640 --> 00:32:06,240
Speaker 2: to Houston, Texas, and they gave us these papers. But

663
00:32:06,480 --> 00:32:09,560
Speaker 2: we both worked in the factory, and they gave us

664
00:32:09,560 --> 00:32:12,160
Speaker 2: a list of factories we could apply to to get

665
00:32:12,160 --> 00:32:16,000
Speaker 2: a job. And uh so we filled those forms in

666
00:32:16,080 --> 00:32:19,160
Speaker 2: and then we took him back like we're ready, and

667
00:32:19,360 --> 00:32:23,280
Speaker 2: they gave us a lot more forms and we're teenagers.

668
00:32:23,480 --> 00:32:26,080
Speaker 1: We ripped them. The Bogger's up.

669
00:32:27,000 --> 00:32:29,680
Speaker 4: Did you ever go ever? Even later?

670
00:32:29,880 --> 00:32:30,080
Speaker 1: No?

671
00:32:30,080 --> 00:32:31,800
Speaker 4: No, I played that, Yeah, but you never went to

672
00:32:31,800 --> 00:32:32,600
Speaker 4: the house like, well.

673
00:32:32,480 --> 00:32:36,320
Speaker 1: No, no, I never did that. You know, things have changed.

674
00:32:36,800 --> 00:32:41,040
Speaker 3: I feel like when this record, I feel like it's

675
00:32:41,080 --> 00:32:44,360
Speaker 3: so naturally you, and I think that speaks to both

676
00:32:44,400 --> 00:32:44,840
Speaker 3: t bone.

677
00:32:45,160 --> 00:32:49,920
Speaker 2: You know, it's absolutely speaks to t bone. But but

678
00:32:51,440 --> 00:32:53,760
Speaker 2: he put me together in a great space.

679
00:32:54,160 --> 00:32:57,920
Speaker 3: So and I think my point is it didn't feel

680
00:32:57,960 --> 00:33:00,760
Speaker 3: like you were doing anything unnatural at all.

681
00:33:01,000 --> 00:33:04,280
Speaker 2: Well that's what he figured out. He pointed that out

682
00:33:04,320 --> 00:33:06,600
Speaker 2: to me, and I love. They say, well, you know

683
00:33:06,640 --> 00:33:09,880
Speaker 2: what about the song? I said, every song was in

684
00:33:10,120 --> 00:33:14,600
Speaker 2: my key. You know, sometimes people send you songs and

685
00:33:14,640 --> 00:33:18,080
Speaker 2: the key of f demented, and they say, why haven't

686
00:33:18,080 --> 00:33:18,840
Speaker 2: they never heard me?

687
00:33:18,920 --> 00:33:21,240
Speaker 1: But he and since we got to.

688
00:33:21,240 --> 00:33:23,480
Speaker 2: Know each other a bit better and we actually spoke

689
00:33:23,520 --> 00:33:28,520
Speaker 2: to each other, he always felt he thought about me

690
00:33:28,600 --> 00:33:32,280
Speaker 2: many times, but he felt and when I listened back

691
00:33:32,720 --> 00:33:35,120
Speaker 2: to like on the Beatle tracks, out did the Carl

692
00:33:35,240 --> 00:33:36,680
Speaker 2: Perkins record.

693
00:33:37,160 --> 00:33:38,400
Speaker 1: From there it started.

694
00:33:38,600 --> 00:33:43,200
Speaker 2: Mine always had sort of a country ish feel, and

695
00:33:44,480 --> 00:33:47,000
Speaker 2: and then the ones I wrote it. The first songs

696
00:33:47,040 --> 00:33:50,840
Speaker 2: I wrote were sort of country songs, and so he

697
00:33:50,920 --> 00:33:55,080
Speaker 2: put all that together, and then he put the tracks together.

698
00:33:55,120 --> 00:33:57,200
Speaker 2: He wrote the songs. As I said, he had nine

699
00:33:57,920 --> 00:34:04,440
Speaker 2: and for everybody on them. And I did the drums

700
00:34:04,440 --> 00:34:08,000
Speaker 2: in LA in my little studio because the sound is

701
00:34:08,080 --> 00:34:10,480
Speaker 2: so great there out of the blue.

702
00:34:10,480 --> 00:34:13,360
Speaker 1: We didn't do anything to it. It just was a bedroom.

703
00:34:13,400 --> 00:34:15,399
Speaker 2: But now we just put the drums in and for

704
00:34:15,440 --> 00:34:20,279
Speaker 2: some reason, the drums sound great there and uh and

705
00:34:20,320 --> 00:34:23,799
Speaker 2: the vocals and I'd send them back to him or

706
00:34:23,880 --> 00:34:28,640
Speaker 2: then he'd come into LA and that's how that's how

707
00:34:28,680 --> 00:34:32,399
Speaker 2: we did it. And yeah, I love to listen to it,

708
00:34:32,640 --> 00:34:38,960
Speaker 2: you know, I'm really thankful to t Bone for what

709
00:34:39,000 --> 00:34:39,359
Speaker 2: he did.

710
00:34:39,840 --> 00:34:44,600
Speaker 4: I love as far as the sounds of the record.

711
00:34:44,920 --> 00:34:46,440
Speaker 4: I love the.

712
00:34:46,480 --> 00:34:48,919
Speaker 1: Keys, the keys in my key.

713
00:34:49,800 --> 00:34:52,520
Speaker 4: I love the whistle.

714
00:34:53,239 --> 00:34:54,759
Speaker 1: Oh yeah, there's just.

715
00:34:56,680 --> 00:35:00,239
Speaker 3: The sound of the record sounds so organically you while

716
00:35:00,320 --> 00:35:02,920
Speaker 3: still sounding like a country record, but not like you're

717
00:35:02,920 --> 00:35:04,040
Speaker 3: trying to do a country record.

718
00:35:04,080 --> 00:35:04,279
Speaker 1: It is.

719
00:35:04,360 --> 00:35:05,640
Speaker 4: It's the perfect balance.

720
00:35:06,800 --> 00:35:08,040
Speaker 1: You know. I'm the whistler.

721
00:35:08,360 --> 00:35:10,360
Speaker 4: No, I didn't know that. Are you a good whistler?

722
00:35:10,760 --> 00:35:11,760
Speaker 1: Well, I'm on the record.

723
00:35:12,120 --> 00:35:13,839
Speaker 3: Well, but you got to put yourself on the record though.

724
00:35:13,920 --> 00:35:15,799
Speaker 3: I mean, it sounds great, but can are you a

725
00:35:15,800 --> 00:35:16,320
Speaker 3: good whistler?

726
00:35:16,320 --> 00:35:16,760
Speaker 4: In general?

727
00:35:17,000 --> 00:35:17,520
Speaker 1: I was?

728
00:35:18,160 --> 00:35:23,920
Speaker 2: And then I had some dental work and the mouths moves.

729
00:35:25,280 --> 00:35:27,160
Speaker 1: I've got to train my that's pretty good though, that's

730
00:35:27,200 --> 00:35:31,120
Speaker 1: still good. No, but no, that's no, that's me the record.

731
00:35:31,160 --> 00:35:37,719
Speaker 1: Oh no, I can happy radio.

732
00:35:39,800 --> 00:35:42,839
Speaker 2: See that's it's still a plus.

733
00:35:42,920 --> 00:35:45,799
Speaker 1: Well yeah, but for me it was a It was

734
00:35:46,200 --> 00:35:49,400
Speaker 1: just a bigger than an a.

735
00:35:49,760 --> 00:35:53,040
Speaker 2: My whistling that's on the record because I could get

736
00:35:53,080 --> 00:35:55,960
Speaker 2: a little deeper. But as I said, I had dental

737
00:35:56,040 --> 00:36:02,960
Speaker 2: work done and the so that the lawers changed. It's mad,

738
00:36:03,400 --> 00:36:04,600
Speaker 2: but that's how it is.

739
00:36:05,760 --> 00:36:07,239
Speaker 3: I want to ask you one more question about your

740
00:36:07,239 --> 00:36:09,000
Speaker 3: grandparents because that resonates with me so much.

741
00:36:09,200 --> 00:36:10,800
Speaker 4: Did they get to see your success.

742
00:36:11,520 --> 00:36:17,319
Speaker 1: No, I was in the band then, and sort of

743
00:36:20,080 --> 00:36:20,880
Speaker 1: I was in.

744
00:36:22,400 --> 00:36:25,800
Speaker 2: And we were playing in Germany. I was with Rory

745
00:36:25,840 --> 00:36:28,200
Speaker 2: by then Rory's some of the Hurricanes.

746
00:36:27,680 --> 00:36:27,919
Speaker 1: And.

747
00:36:29,480 --> 00:36:33,040
Speaker 2: I was there when my granddad went, and I was

748
00:36:33,640 --> 00:36:36,000
Speaker 2: doing the gig in Germany when my grandma went, so

749
00:36:36,040 --> 00:36:39,480
Speaker 2: I couldn't come home because everyone would had to play.

750
00:36:41,200 --> 00:36:45,960
Speaker 2: But no, they didn't see it like unfolding. I mean,

751
00:36:46,000 --> 00:36:48,400
Speaker 2: they knew I played, but they never came to a

752
00:36:48,440 --> 00:36:50,520
Speaker 2: gig and we went big time.

753
00:36:50,560 --> 00:36:52,040
Speaker 1: We were local bands.

754
00:36:52,920 --> 00:36:55,040
Speaker 3: What was your in your mind, your ceiling when you

755
00:36:55,080 --> 00:36:57,640
Speaker 3: were starting out and you're playing clubs, You're traveling around,

756
00:36:57,920 --> 00:36:59,440
Speaker 3: like how big did you think?

757
00:36:59,719 --> 00:37:01,000
Speaker 4: How party did you think you could go?

758
00:37:01,040 --> 00:37:06,359
Speaker 1: In music? I didn't.

759
00:37:06,400 --> 00:37:10,120
Speaker 2: I don't remember, like thinking of one of my mom's

760
00:37:10,120 --> 00:37:14,399
Speaker 2: best friends, Annie Maguire, she would say, you know, I'd

761
00:37:14,440 --> 00:37:17,319
Speaker 2: be hitting them in the house. I can see you

762
00:37:17,400 --> 00:37:21,600
Speaker 2: on the London Palladium one day, son, and she gave spirits,

763
00:37:21,640 --> 00:37:24,840
Speaker 2: So a lot of people in Liverpool gave your spirit.

764
00:37:25,280 --> 00:37:28,120
Speaker 2: Anyway I played, I only could take the snare because

765
00:37:28,120 --> 00:37:31,680
Speaker 2: we were a skiffle group. And Eddie Clayton, the guy

766
00:37:31,760 --> 00:37:35,000
Speaker 2: next door, and he was in the factory. I was

767
00:37:35,000 --> 00:37:38,440
Speaker 2: in the factory and Roy the you know, it.

768
00:37:38,280 --> 00:37:38,680
Speaker 1: Was just a.

769
00:37:40,239 --> 00:37:44,400
Speaker 2: Wooden box with a pole and that was the base.

770
00:37:45,360 --> 00:37:47,880
Speaker 2: And I had a sur and that's how we started.

771
00:37:48,760 --> 00:37:52,120
Speaker 2: And we had no sense of time. And I remember

772
00:37:52,120 --> 00:37:54,120
Speaker 2: that once we played some sort of dance and.

773
00:37:55,040 --> 00:37:58,040
Speaker 1: Oh, Maggie, Maggie May. They are taking her the wagon,

774
00:38:00,040 --> 00:38:02,920
Speaker 1: each other out and the dancing they're dancing. Can you

775
00:38:02,960 --> 00:38:03,600
Speaker 1: sew it down?

776
00:38:05,280 --> 00:38:08,480
Speaker 2: So I'm amazed because I have really great time, you

777
00:38:08,480 --> 00:38:10,839
Speaker 2: know time, and I'm good at that. I mean, it's

778
00:38:10,880 --> 00:38:13,839
Speaker 2: just God given gift that I can keep time.

779
00:38:14,280 --> 00:38:15,480
Speaker 4: What was your job in the factory.

780
00:38:15,840 --> 00:38:19,080
Speaker 2: My job was to be an apprentice engineer. At first

781
00:38:19,080 --> 00:38:23,440
Speaker 2: I worked on the railways as a delivery kid boy.

782
00:38:23,560 --> 00:38:30,600
Speaker 2: I was sixteen, and then I was on the coastal boats,

783
00:38:30,680 --> 00:38:34,720
Speaker 2: like party boats, where like four or five hundred people

784
00:38:34,760 --> 00:38:38,040
Speaker 2: would go from Liverpool to Wales and all they did

785
00:38:38,120 --> 00:38:40,640
Speaker 2: was drink all the way and drink all the way back.

786
00:38:41,400 --> 00:38:46,040
Speaker 2: And and I lasted five weeks on the railway, five

787
00:38:46,080 --> 00:38:49,920
Speaker 2: weeks on the boats, and then my mom, you know,

788
00:38:50,480 --> 00:38:53,600
Speaker 2: I've been fired, and by Monday she'd me in a

789
00:38:53,680 --> 00:38:56,280
Speaker 2: new job and she got me this job in the factory.

790
00:38:56,760 --> 00:38:59,440
Speaker 2: But while in that factory, that's when it came I

791
00:38:59,480 --> 00:39:04,560
Speaker 2: want to play. I want to play. And then I

792
00:39:04,680 --> 00:39:07,680
Speaker 2: joined this other group, Rory Storm and the Hurricanes, and

793
00:39:07,719 --> 00:39:11,160
Speaker 2: we got this three month gig in a holiday camp

794
00:39:11,200 --> 00:39:15,920
Speaker 2: in England. So I decided I'm leaving the factory. I

795
00:39:15,960 --> 00:39:21,680
Speaker 2: was just twenty ish, and all of my family came

796
00:39:21,800 --> 00:39:25,719
Speaker 2: to our house to tell me it's all right as

797
00:39:25,760 --> 00:39:28,920
Speaker 2: a hobby soon. But they wanted me to keep that job,

798
00:39:30,040 --> 00:39:33,200
Speaker 2: you know, and I said, no, no, I'm going, And

799
00:39:33,520 --> 00:39:35,480
Speaker 2: you know that's why I changed my name. Also, we

800
00:39:35,560 --> 00:39:38,120
Speaker 2: went to this gig three months. We were going to

801
00:39:38,160 --> 00:39:41,600
Speaker 2: be there in the Rock and Calypso ballroom.

802
00:39:41,840 --> 00:39:42,320
Speaker 1: And.

803
00:39:43,719 --> 00:39:48,799
Speaker 2: I changed my name fully ter Ringo then because in Liverpool,

804
00:39:48,840 --> 00:39:52,279
Speaker 2: if you do something, you know, if you're limping, that

805
00:39:52,440 --> 00:39:58,360
Speaker 2: you'd probably be called Limpi. But I started wearing rings

806
00:39:58,400 --> 00:40:00,640
Speaker 2: that sort of a take on my mom. She loved

807
00:40:01,400 --> 00:40:06,360
Speaker 2: flashy stuff. And so some people were starting to say,

808
00:40:06,520 --> 00:40:09,480
Speaker 2: hey rings, what's going on? You know, like gang members,

809
00:40:09,520 --> 00:40:13,799
Speaker 2: we would be hey rings and uh. And we got

810
00:40:13,840 --> 00:40:19,000
Speaker 2: to Buttland's holiday camp and we all changed our name

811
00:40:19,040 --> 00:40:23,920
Speaker 2: of the guitarist called himself Tyle Brian and Johnny guitar

812
00:40:24,160 --> 00:40:26,160
Speaker 2: was great and the.

813
00:40:26,160 --> 00:40:28,799
Speaker 4: Name was Johnny Guitar. His name I assume he played guitar.

814
00:40:29,239 --> 00:40:33,480
Speaker 1: Called him Johnny Guitar really because he changed his name

815
00:40:33,600 --> 00:40:33,839
Speaker 1: to that.

816
00:40:34,000 --> 00:40:36,800
Speaker 2: Really his name was Johnny, but it's you know, it

817
00:40:37,200 --> 00:40:39,000
Speaker 2: was another name, family name.

818
00:40:39,719 --> 00:40:42,520
Speaker 1: And uh. I put like ringo Stocky.

819
00:40:43,840 --> 00:40:47,759
Speaker 2: I thought that Stocky doesn't look you know, didn't look right,

820
00:40:48,239 --> 00:40:49,680
Speaker 2: so I put Ringo star.

821
00:40:50,280 --> 00:40:51,480
Speaker 4: Did you two rs the first time?

822
00:40:51,880 --> 00:40:54,360
Speaker 1: You have two hours to make it star?

823
00:40:55,200 --> 00:40:58,719
Speaker 2: And uh. And it's been that ever since. Baff of

824
00:40:58,800 --> 00:41:01,879
Speaker 2: the family who called me dad to a granddad.

825
00:41:02,320 --> 00:41:03,920
Speaker 4: I've got two final questions for you.

826
00:41:04,120 --> 00:41:07,600
Speaker 3: Yeah, when you made the record and it was complete

827
00:41:07,680 --> 00:41:09,839
Speaker 3: and you're able to hear it all back, did you

828
00:41:10,000 --> 00:41:13,120
Speaker 3: like and do you like to listen to your own projects?

829
00:41:13,400 --> 00:41:14,799
Speaker 4: And what did you think about this one when it

830
00:41:14,800 --> 00:41:16,279
Speaker 4: was all the way done? Your own thoughts of your

831
00:41:16,280 --> 00:41:17,160
Speaker 4: own project.

832
00:41:16,880 --> 00:41:19,560
Speaker 2: When it was finished. Yeah, I thought it was great. No,

833
00:41:19,680 --> 00:41:24,239
Speaker 2: I really loved it myself, and it was very to me.

834
00:41:24,480 --> 00:41:27,920
Speaker 2: I like to be The vocal was great, as I

835
00:41:27,920 --> 00:41:31,439
Speaker 2: said it was. They were all in my key and

836
00:41:31,960 --> 00:41:35,319
Speaker 2: it's like in a way though you know, we didn't

837
00:41:35,360 --> 00:41:36,240
Speaker 2: never live together.

838
00:41:36,960 --> 00:41:39,600
Speaker 1: It was put together by a man who knew me.

839
00:41:41,080 --> 00:41:46,040
Speaker 2: And and I'm tired of thank you.

840
00:41:45,440 --> 00:41:50,440
Speaker 3: To my final question, something again we alluded to earlier

841
00:41:50,480 --> 00:41:53,360
Speaker 3: was playing in the clubs and a lot of artists

842
00:41:53,400 --> 00:41:55,239
Speaker 3: miss out on that now and they kind of get

843
00:41:55,280 --> 00:41:56,360
Speaker 3: famous before they're ready.

844
00:41:56,680 --> 00:41:57,759
Speaker 1: Oh yeah, I think they.

845
00:41:57,880 --> 00:42:00,520
Speaker 2: You know, they have a hit in January, like those

846
00:42:00,600 --> 00:42:03,600
Speaker 2: TV shows for the singer, and the singer wins has

847
00:42:03,600 --> 00:42:07,600
Speaker 2: a number one in January and you don't hear from

848
00:42:07,640 --> 00:42:08,759
Speaker 2: him after May.

849
00:42:08,800 --> 00:42:11,600
Speaker 3: It's all over, and they're not really able to they

850
00:42:11,640 --> 00:42:13,319
Speaker 3: don't know how to deal. Yeah, and they're not able

851
00:42:13,320 --> 00:42:15,719
Speaker 3: to develop even as a performer, right because they don't

852
00:42:15,800 --> 00:42:16,440
Speaker 3: do the clubs.

853
00:42:16,440 --> 00:42:17,120
Speaker 1: They're own clubs.

854
00:42:17,120 --> 00:42:19,480
Speaker 3: They got so famous so fast. You know, the kind

855
00:42:19,480 --> 00:42:21,120
Speaker 3: of the legendary story about you guys. You'd be in

856
00:42:21,160 --> 00:42:22,800
Speaker 3: a club in Germany and play for like six hours

857
00:42:22,800 --> 00:42:23,120
Speaker 3: a night.

858
00:42:23,440 --> 00:42:24,080
Speaker 4: Is that accurately?

859
00:42:24,160 --> 00:42:25,640
Speaker 1: Do two bands? Okay?

860
00:42:25,719 --> 00:42:28,359
Speaker 2: When I was there with Rory and the Beatles were there.

861
00:42:28,680 --> 00:42:31,520
Speaker 2: When we were the two bands, we were on separate

862
00:42:31,600 --> 00:42:33,759
Speaker 2: clubs at the beginning. Then kush me to the guy

863
00:42:33,920 --> 00:42:37,440
Speaker 2: owned the clubs for us both on one club and

864
00:42:37,600 --> 00:42:40,920
Speaker 2: we would battle each other for the audience, you know

865
00:42:40,960 --> 00:42:41,319
Speaker 2: what I mean.

866
00:42:41,360 --> 00:42:43,280
Speaker 1: It would stomp in and stuff.

867
00:42:43,800 --> 00:42:48,479
Speaker 2: And but at weekends we did twelve hours between us.

868
00:42:50,080 --> 00:42:51,920
Speaker 2: And you know, I love it because we're in our

869
00:42:51,960 --> 00:42:56,040
Speaker 2: book ten thousand hours, and they actually mentioned we actually

870
00:42:56,080 --> 00:42:57,359
Speaker 2: put in our ten thousand Now.

871
00:42:57,400 --> 00:42:59,080
Speaker 3: I think that's where I first knew of the story

872
00:42:59,120 --> 00:43:02,120
Speaker 3: reading that book, that you'd put in that whole time.

873
00:43:02,760 --> 00:43:06,520
Speaker 2: We'd play anywhere, and Saturday night in Liverpool whatever, the

874
00:43:06,600 --> 00:43:09,120
Speaker 2: gig was one of the clubs that have an all

875
00:43:09,239 --> 00:43:12,960
Speaker 2: night and it was so cheap they dontly ever hire

876
00:43:13,160 --> 00:43:19,480
Speaker 2: a trio. The custom less and or all of us

877
00:43:19,680 --> 00:43:22,440
Speaker 2: would go to these clubs and just play all night.

878
00:43:22,760 --> 00:43:25,400
Speaker 2: Any chance we had to play, we would play.

879
00:43:25,920 --> 00:43:27,479
Speaker 3: Well, now you can put your iPhone on a little

880
00:43:27,480 --> 00:43:29,680
Speaker 3: stand and read the lyrics. You didn't have iPhones back then,

881
00:43:29,840 --> 00:43:31,399
Speaker 3: you had to remember or guests.

882
00:43:31,560 --> 00:43:36,719
Speaker 2: Well, yeah, now I can't work without my little lyrics sheets.

883
00:43:38,040 --> 00:43:41,320
Speaker 2: It's like, oh it is well, I love the album.

884
00:43:41,480 --> 00:43:43,839
Speaker 2: Oh great, Well it's great being good talking to you.

885
00:43:43,920 --> 00:43:46,440
Speaker 3: Yeah yeah, real easy for that.

886
00:43:46,560 --> 00:43:47,920
Speaker 4: Thanks, really easy to talk to you too.

887
00:43:48,000 --> 00:43:48,160
Speaker 1: Yeah.

888
00:43:48,239 --> 00:43:52,920
Speaker 3: You never know whenever Ringo star is coming over? Yeah

889
00:43:52,960 --> 00:43:55,120
Speaker 3: you know, well, and did sit on that star? And

890
00:43:55,160 --> 00:43:56,120
Speaker 3: now I know they.

891
00:43:55,960 --> 00:43:57,239
Speaker 1: Are more Yeah.

892
00:43:57,360 --> 00:44:00,480
Speaker 2: Well maybe because I've told these same stories since I've

893
00:44:00,520 --> 00:44:01,920
Speaker 2: been here nineteen times.

894
00:44:03,080 --> 00:44:07,359
Speaker 4: What story did what story? What story did you tell here?

895
00:44:07,440 --> 00:44:07,480
Speaker 8: That?

896
00:44:08,080 --> 00:44:09,440
Speaker 1: Sorry, I told that story.

897
00:44:09,640 --> 00:44:10,560
Speaker 4: Well, no, it's a good one.

898
00:44:10,719 --> 00:44:10,919
Speaker 1: Yeah.

899
00:44:11,080 --> 00:44:12,920
Speaker 3: Anybody ask you about your grandparents the whole time?

900
00:44:13,000 --> 00:44:15,319
Speaker 1: No, only you, That's all I want. This has been

901
00:44:15,400 --> 00:44:16,360
Speaker 1: the best.

902
00:44:16,400 --> 00:44:20,800
Speaker 3: You're saying that, ever, No, I look best.

903
00:44:21,040 --> 00:44:23,120
Speaker 4: Ever, don't say ever, because then I know you're lying.

904
00:44:23,160 --> 00:44:24,160
Speaker 4: But if you were safe and.

905
00:44:24,800 --> 00:44:26,400
Speaker 1: Nearly the best, Okay.

906
00:44:26,400 --> 00:44:28,960
Speaker 4: I'll take it. Ringo. It's been a pleasure, Thank you

907
00:44:29,040 --> 00:44:30,680
Speaker 4: very much. The record's awesome.

908
00:44:30,719 --> 00:44:31,080
Speaker 1: It's good.

909
00:44:31,760 --> 00:44:33,880
Speaker 8: Let's take a quick pause for a message from our

910
00:44:33,920 --> 00:44:45,440
Speaker 8: sponsor and we're back on the Bobby Cast.

911
00:44:46,520 --> 00:44:50,319
Speaker 4: All right back. The Ringo interview was super cool. I'm

912
00:44:50,360 --> 00:44:51,279
Speaker 4: sad you can't be there ready.

913
00:44:51,320 --> 00:44:55,239
Speaker 6: I'm jealous. I understand though, I get it completely understanding well,

914
00:44:55,440 --> 00:44:57,880
Speaker 6: And it's not like I knew you were doing the

915
00:44:57,920 --> 00:45:00,919
Speaker 6: interview and I thought like, okay, at some point he's

916
00:45:00,960 --> 00:45:02,600
Speaker 6: gonna say like, oh right, we're doing at one o'clock,

917
00:45:02,640 --> 00:45:04,960
Speaker 6: come to the house. But you never said anything. And

918
00:45:05,000 --> 00:45:07,000
Speaker 6: to me, I'm like, I get it. I totally understand

919
00:45:07,040 --> 00:45:07,680
Speaker 6: what's going on here.

920
00:45:07,960 --> 00:45:09,759
Speaker 3: Just didn't want to have anybody extra that we didn't

921
00:45:09,760 --> 00:45:12,160
Speaker 3: say was going to be there there. I don't think

922
00:45:12,600 --> 00:45:15,000
Speaker 3: looking back that they would have cared if it had

923
00:45:15,040 --> 00:45:16,359
Speaker 3: been like one of our immediate crew.

924
00:45:17,160 --> 00:45:19,440
Speaker 6: But you also know me though, I would have grabbed

925
00:45:19,480 --> 00:45:22,200
Speaker 6: a light and been like suah for sure.

926
00:45:23,400 --> 00:45:24,680
Speaker 3: So I don't think if there was like one other

927
00:45:24,719 --> 00:45:26,160
Speaker 3: person that was on crew, because we have such a

928
00:45:26,200 --> 00:45:27,879
Speaker 3: small crew, it's just me, Mike and Reid and Read

929
00:45:27,920 --> 00:45:30,480
Speaker 3: writing multiple cameras. But I didn't know what the vibe

930
00:45:30,560 --> 00:45:33,759
Speaker 3: was going to be, so it was nobody's in. But it, dude,

931
00:45:33,800 --> 00:45:34,560
Speaker 3: it was wild.

932
00:45:34,719 --> 00:45:38,000
Speaker 6: I mean, how crazy you had a beatle at your house.

933
00:45:38,080 --> 00:45:42,919
Speaker 3: There's two left, dude, he he seemed he's eighty four.

934
00:45:43,480 --> 00:45:45,640
Speaker 3: He didn't seem eighty four. He seems sixty five.

935
00:45:45,760 --> 00:45:47,359
Speaker 6: Well, when you send me the picture to the first

936
00:45:47,360 --> 00:45:49,880
Speaker 6: thing I noticed is like, he looks good like Ringo.

937
00:45:50,520 --> 00:45:53,239
Speaker 6: I mean, and Paul looks good and they're both older, right,

938
00:45:53,280 --> 00:45:55,240
Speaker 6: but but Ringo looks healthy.

939
00:45:55,560 --> 00:46:00,680
Speaker 3: I think Ringo either has really great hair color genetics

940
00:46:00,920 --> 00:46:03,239
Speaker 3: or dyes his hair a little bit, which eventually I'll

941
00:46:03,239 --> 00:46:04,000
Speaker 3: get to that stage too.

942
00:46:04,280 --> 00:46:06,719
Speaker 4: Keeps him looking rot starish. I think that's a big part.

943
00:46:06,719 --> 00:46:09,719
Speaker 3: But he also wears sunglasses, which I mean, when I

944
00:46:09,719 --> 00:46:13,239
Speaker 3: wear my glasses, it keeps seven years off my age

945
00:46:13,239 --> 00:46:14,720
Speaker 3: because you don't see the age in the eyes.

946
00:46:15,040 --> 00:46:17,160
Speaker 4: So and he looks he dresses super trendo.

947
00:46:17,920 --> 00:46:20,480
Speaker 3: It was smaller than I thought, although I guess if

948
00:46:20,480 --> 00:46:21,640
Speaker 3: you asked me, I would have thought he was small

949
00:46:21,680 --> 00:46:23,680
Speaker 3: because old British.

950
00:46:23,480 --> 00:46:25,959
Speaker 6: Dudes are usually I figure all the Beatles were small. Yeah,

951
00:46:26,080 --> 00:46:29,480
Speaker 6: me too, So yeah, it so real, it's great, it's amazing.

952
00:46:30,120 --> 00:46:32,200
Speaker 6: Just and my wife, who.

953
00:46:32,040 --> 00:46:34,200
Speaker 3: Really isn't impressed by anything, like I think her theme

954
00:46:34,200 --> 00:46:35,880
Speaker 3: is that don't reppress me much, just general.

955
00:46:36,880 --> 00:46:39,120
Speaker 4: Yeah, and she was like, uh, Oh, that's really cool.

956
00:46:39,160 --> 00:46:40,640
Speaker 4: You have a beetle coming over? Like, are you excited?

957
00:46:40,680 --> 00:46:42,120
Speaker 4: And I was like, yeah, I think I'm a little excited,

958
00:46:42,239 --> 00:46:43,000
Speaker 4: just to see how it goes.

959
00:46:43,320 --> 00:46:45,000
Speaker 3: And I said, I'm gonna be excited before it because

960
00:46:45,120 --> 00:46:46,440
Speaker 3: it may not go as well and I may not

961
00:46:46,440 --> 00:46:47,759
Speaker 3: be excited later, but I'm gonna go out and have

962
00:46:47,840 --> 00:46:49,920
Speaker 3: this moment and think it's cool and not be jaded.

963
00:46:49,960 --> 00:46:51,839
Speaker 3: And she was like, that's cool. And then after he left,

964
00:46:52,080 --> 00:46:54,160
Speaker 3: she was like, how is the beetle? I said, Sam Ringo.

965
00:46:55,719 --> 00:46:56,160
Speaker 6: The Beatle?

966
00:46:56,239 --> 00:46:56,879
Speaker 4: I said it was great.

967
00:46:57,040 --> 00:47:00,640
Speaker 3: It was great, and so they had this story. Science

968
00:47:00,680 --> 00:47:04,879
Speaker 3: has determined the most influential bands of all time. There

969
00:47:04,920 --> 00:47:07,560
Speaker 3: are ten most influential bands of all time. You do

970
00:47:07,640 --> 00:47:09,319
Speaker 3: not know the story. So I brought you on to.

971
00:47:09,280 --> 00:47:13,160
Speaker 4: See how many you could guess ten of all time.

972
00:47:13,520 --> 00:47:13,600
Speaker 1: Go.

973
00:47:13,880 --> 00:47:15,400
Speaker 6: I think the first would be the Beatles.

974
00:47:15,520 --> 00:47:18,520
Speaker 4: Number one, by a large margin is the Beatles.

975
00:47:18,680 --> 00:47:21,359
Speaker 3: And obviously I have brought this up after I'm talking

976
00:47:21,360 --> 00:47:24,200
Speaker 3: about Ringo. I bring it on and I'm like NoP's wallflowers.

977
00:47:24,320 --> 00:47:26,279
Speaker 6: Yeah, number one, but that would have made sense too, Okay,

978
00:47:26,280 --> 00:47:31,759
Speaker 6: go ahead, I would go led Zeppelin number two.

979
00:47:32,640 --> 00:47:34,239
Speaker 3: That's not where I would have gone for number two.

980
00:47:34,400 --> 00:47:35,600
Speaker 3: I would have guessed them. I would have thought they

981
00:47:35,600 --> 00:47:37,359
Speaker 3: were a little lower, but you nailed it. Number two,

982
00:47:37,719 --> 00:47:40,319
Speaker 3: led Zeppelin. I think if led Zeppelin existed today, they

983
00:47:40,360 --> 00:47:43,000
Speaker 3: would be relevant totally. They're one of those few bands,

984
00:47:43,080 --> 00:47:46,280
Speaker 3: led Zeppelin, Queen, notorious, big, not a band but artist

985
00:47:46,600 --> 00:47:49,120
Speaker 3: whose sound was so different is still so different that

986
00:47:49,239 --> 00:47:51,560
Speaker 3: I think if they came out now, that would still

987
00:47:51,600 --> 00:47:56,320
Speaker 3: be fresh and new, because what they did wasn't even

988
00:47:56,920 --> 00:47:59,200
Speaker 3: able even to be mimicked, like people couldn't even copy

989
00:47:59,280 --> 00:48:02,400
Speaker 3: it and do a bad version of it because Robert

990
00:48:02,400 --> 00:48:05,000
Speaker 3: Plant was so unique and Jimmy Page was so good.

991
00:48:05,080 --> 00:48:06,640
Speaker 4: Due, all right, go ahead, that's number two.

992
00:48:07,440 --> 00:48:08,240
Speaker 6: Is where it gets tricky.

993
00:48:08,280 --> 00:48:10,080
Speaker 3: It doesn't, it doesn't. Don't think too much right now,

994
00:48:10,120 --> 00:48:12,480
Speaker 3: just go right down the middle. Rolling Stones number three.

995
00:48:13,920 --> 00:48:15,279
Speaker 3: Now you have to get a little tricky. But I

996
00:48:15,360 --> 00:48:17,600
Speaker 3: knew those three of you get I'd probably guess the

997
00:48:17,600 --> 00:48:21,839
Speaker 3: Stones it too, Okay, So the eternal debate is the Beatles.

998
00:48:21,600 --> 00:48:23,280
Speaker 4: Versus the Stones? I think the answer is the Beatles.

999
00:48:24,200 --> 00:48:27,680
Speaker 6: Yeah, But although the Rolling Stones did have a longer

1000
00:48:27,719 --> 00:48:30,759
Speaker 6: career and they what was cool about them? But they

1001
00:48:31,239 --> 00:48:33,839
Speaker 6: Beatles died, well, they did they broke up before they died?

1002
00:48:33,920 --> 00:48:36,440
Speaker 3: Yeah, but the Stones, who knows how long if they

1003
00:48:36,480 --> 00:48:38,280
Speaker 3: like hated each other and didnt announce an official breakup.

1004
00:48:38,280 --> 00:48:42,279
Speaker 4: Sure, when John Lennon died, couldn't come back. Yeah, you

1005
00:48:42,320 --> 00:48:43,000
Speaker 4: can't come back.

1006
00:48:43,120 --> 00:48:45,919
Speaker 6: Yeah, but the but the Rolling Stones continued to make

1007
00:48:46,320 --> 00:48:49,080
Speaker 6: music and evolve with music.

1008
00:48:48,920 --> 00:48:49,560
Speaker 4: And be pop.

1009
00:48:50,200 --> 00:48:52,520
Speaker 3: Like in the eighties they did some stuff that was

1010
00:48:52,560 --> 00:48:53,600
Speaker 3: right down the middle pop again.

1011
00:48:53,680 --> 00:48:56,600
Speaker 6: Yeah, they weren't doing I can't get no satisfaction for

1012
00:48:56,640 --> 00:48:57,560
Speaker 6: like thirty years.

1013
00:48:57,640 --> 00:48:58,239
Speaker 4: It's a good points.

1014
00:48:58,239 --> 00:49:01,520
Speaker 6: It's really cool. You mentioned Queen, so I'll throw them

1015
00:49:01,520 --> 00:49:02,879
Speaker 6: in there. But they may not be on the list though.

1016
00:49:02,920 --> 00:49:04,360
Speaker 4: Coins a number eight, okay.

1017
00:49:05,120 --> 00:49:08,200
Speaker 3: An indie rocker named Chris Dalla Reva investigated which bands

1018
00:49:08,239 --> 00:49:10,640
Speaker 3: have been more influential. He used Wikipedia's list of four

1019
00:49:10,680 --> 00:49:13,239
Speaker 3: hundred and seventy nine mainstream rock performers to see which

1020
00:49:13,320 --> 00:49:16,239
Speaker 3: artists they named as influences. So we're looking at a

1021
00:49:16,360 --> 00:49:20,520
Speaker 3: large sample of bands that are semi known to very known.

1022
00:49:20,760 --> 00:49:23,080
Speaker 3: The Beatles at one, Zeppelin at two, the Stones at three,

1023
00:49:23,560 --> 00:49:24,680
Speaker 3: Queen at eight.

1024
00:49:25,280 --> 00:49:27,960
Speaker 6: How about Nirvana. I feel like they taught a lot

1025
00:49:27,960 --> 00:49:30,680
Speaker 6: of especially people that are playing in bands now.

1026
00:49:30,920 --> 00:49:34,720
Speaker 3: No Nirvana did not make it. You'll get three strikes

1027
00:49:35,000 --> 00:49:35,600
Speaker 3: that strike.

1028
00:49:35,400 --> 00:49:38,880
Speaker 6: One, okay, strike one, so it can be solo artists too. Okay,

1029
00:49:38,920 --> 00:49:39,880
Speaker 6: I didn't know about that.

1030
00:49:39,960 --> 00:49:42,680
Speaker 4: Yeah. So it's just who's the most influential.

1031
00:49:42,800 --> 00:49:44,719
Speaker 6: Is it all music or just rock? All mute?

1032
00:49:44,760 --> 00:49:45,520
Speaker 4: Well, I mean.

1033
00:49:45,600 --> 00:49:49,479
Speaker 6: Mostly rock, because I would put Michael Jackson in there.

1034
00:49:49,760 --> 00:49:52,719
Speaker 3: So okay, let me just say I think it's all

1035
00:49:52,719 --> 00:49:54,399
Speaker 3: white people, right. I know it's not all white people,

1036
00:49:54,440 --> 00:49:56,160
Speaker 3: but it's mostly white people. So it's mostly rock.

1037
00:49:56,719 --> 00:49:59,759
Speaker 6: Okay, all right, right Mike, Yeah, yeah, so then Elvis

1038
00:49:59,800 --> 00:50:04,960
Speaker 6: p on the list. Nope, no, already think of it.

1039
00:50:05,080 --> 00:50:08,200
Speaker 6: Let's say think rock though, Okay. Beach Boys no, what?

1040
00:50:09,560 --> 00:50:09,640
Speaker 8: Oh?

1041
00:50:09,680 --> 00:50:12,200
Speaker 6: I would have thought the Beach Boys were very influential.

1042
00:50:12,520 --> 00:50:14,560
Speaker 3: You know what's weird about the Beach Boys, I think people,

1043
00:50:15,200 --> 00:50:17,680
Speaker 3: and I don't think it's unfair because it's definitely the

1044
00:50:17,800 --> 00:50:20,319
Speaker 3: road they walked people down later in their career to

1045
00:50:20,360 --> 00:50:22,680
Speaker 3: where they were just literally the guys, Hey, we're just

1046
00:50:22,760 --> 00:50:24,799
Speaker 3: singing fun songs about the beach. But like pet Sounds,

1047
00:50:24,880 --> 00:50:29,160
Speaker 3: was so experimental like no other Yeah, and they really

1048
00:50:29,160 --> 00:50:31,680
Speaker 3: were revolutionary, But I think they fell into kind of

1049
00:50:31,680 --> 00:50:34,360
Speaker 3: the character they created where they didn't get the credit

1050
00:50:35,400 --> 00:50:39,799
Speaker 3: for their robust artistry, and we just think of them

1051
00:50:39,800 --> 00:50:45,000
Speaker 3: as beach shirts, you know, singing roun yeah, yeah, yeah.

1052
00:50:45,080 --> 00:50:47,160
Speaker 6: What's crazy though, is that we didn't we weren't alive

1053
00:50:47,200 --> 00:50:49,360
Speaker 6: for this. But there was a big feud between the

1054
00:50:49,360 --> 00:50:52,840
Speaker 6: Beatles and the Beach Boys, and it was us versus Britain.

1055
00:50:53,600 --> 00:50:55,120
Speaker 4: Was it a manufactured feud?

1056
00:50:55,440 --> 00:50:57,000
Speaker 6: It was just kind of what was happening at the time,

1057
00:50:57,160 --> 00:51:01,120
Speaker 6: like you know as East Coast, West Coast, it's Tupac Biggie.

1058
00:51:01,280 --> 00:51:03,600
Speaker 6: Because people were in America were like, well, we love

1059
00:51:03,800 --> 00:51:05,600
Speaker 6: the Beach Boys, but the Beach Boys like we are

1060
00:51:05,719 --> 00:51:07,560
Speaker 6: the American band. But you guys are listening to the

1061
00:51:07,560 --> 00:51:09,600
Speaker 6: Beatles too, and the Beatles are like, no, no, no, the

1062
00:51:09,640 --> 00:51:12,319
Speaker 6: whole world loves us. So there was that feud, which

1063
00:51:12,360 --> 00:51:14,440
Speaker 6: is I mean, we weren't there for that, but I

1064
00:51:14,480 --> 00:51:15,239
Speaker 6: heard I hear about it.

1065
00:51:15,320 --> 00:51:17,879
Speaker 4: Yeah, that was Biggie and Tupac for ye number four?

1066
00:51:17,960 --> 00:51:18,359
Speaker 4: Is you too?

1067
00:51:19,120 --> 00:51:19,760
Speaker 1: Oh wow?

1068
00:51:20,360 --> 00:51:23,080
Speaker 6: I mean I don't. Yeah, I fear more.

1069
00:51:22,920 --> 00:51:24,960
Speaker 4: Hate because they got you so big.

1070
00:51:25,000 --> 00:51:26,600
Speaker 3: I would say, it's because they got so big and

1071
00:51:26,640 --> 00:51:30,480
Speaker 3: they became Bono became a character. Because Bono turned into

1072
00:51:30,480 --> 00:51:33,359
Speaker 3: a preacher Now, Bono is always a preacher, but once

1073
00:51:33,400 --> 00:51:36,360
Speaker 3: you get so big, more people hear the preaching that

1074
00:51:36,440 --> 00:51:38,439
Speaker 3: aren't there for the preaching because they were just brought

1075
00:51:38,440 --> 00:51:40,320
Speaker 3: there by the massively popular songs.

1076
00:51:40,480 --> 00:51:42,320
Speaker 6: Man, his preaching's pretty awesome, though.

1077
00:51:42,200 --> 00:51:45,120
Speaker 3: It's awesome if that's your thing. But his songs are

1078
00:51:45,160 --> 00:51:49,600
Speaker 3: that yeah, right, but at least are catchy. I would

1079
00:51:49,600 --> 00:51:52,360
Speaker 3: think you too probably started though in like the late seventies,

1080
00:51:52,360 --> 00:51:54,440
Speaker 3: if I were dassing right, they did, but we know

1081
00:51:54,520 --> 00:51:57,520
Speaker 3: them from the the early massive success that we would

1082
00:51:57,520 --> 00:51:58,960
Speaker 3: know them from his the very late eighties into like

1083
00:51:58,960 --> 00:52:01,920
Speaker 3: the mid nineties. Correct, But you two at number four,

1084
00:52:02,640 --> 00:52:06,200
Speaker 3: David Bowie at number five, I can see a lot

1085
00:52:06,280 --> 00:52:15,840
Speaker 3: of extremely artistic, sure, aesthetically driven, meaning David Boye was

1086
00:52:15,880 --> 00:52:19,319
Speaker 3: a great songwriter and singer, but he did things that

1087
00:52:19,400 --> 00:52:22,200
Speaker 3: you would see and go what is he doing? Yeah, wow,

1088
00:52:22,239 --> 00:52:24,080
Speaker 3: that's crazy, Like the ziggy stardust stuff.

1089
00:52:24,160 --> 00:52:26,040
Speaker 6: Yeah, what's really cool. I saw a TikTok where they

1090
00:52:26,120 --> 00:52:29,360
Speaker 6: kind of went through all the phases of David Bowie

1091
00:52:29,360 --> 00:52:31,480
Speaker 6: and just the different looks that he did, you know,

1092
00:52:31,600 --> 00:52:34,720
Speaker 6: from like yeah the makeup to a regular good looking

1093
00:52:34,840 --> 00:52:37,799
Speaker 6: dude to like what is this too?

1094
00:52:38,000 --> 00:52:40,399
Speaker 3: It was really really cool and drogen it. I mean, yeah,

1095
00:52:40,719 --> 00:52:42,719
Speaker 3: you were like is he gay? Is he straight? Is

1096
00:52:42,760 --> 00:52:44,040
Speaker 3: he anything? Is he a woman?

1097
00:52:44,280 --> 00:52:47,560
Speaker 6: Is? Yeah? And the music followed all that too, because

1098
00:52:47,600 --> 00:52:49,759
Speaker 6: it was all over the place. Bob Dylan at six,

1099
00:52:49,880 --> 00:52:51,680
Speaker 6: of course, surprise you didn't guess that. I know I

1100
00:52:51,680 --> 00:52:54,799
Speaker 6: didn't think about that mostly, and I was thinking Paul

1101
00:52:54,880 --> 00:52:56,359
Speaker 6: Simon more than Bob Dylan.

1102
00:52:56,600 --> 00:52:58,439
Speaker 4: Or is Paul Simon Bob Dylan part two?

1103
00:52:58,840 --> 00:53:02,640
Speaker 6: Yeah? Yeah, because they were both you know, little protesters,

1104
00:53:03,040 --> 00:53:06,520
Speaker 6: you know, folk protesters at and during their prime. But

1105
00:53:06,920 --> 00:53:09,759
Speaker 6: I think Bob Dylan just hated the protesting after a while,

1106
00:53:09,760 --> 00:53:11,960
Speaker 6: like that's not me, Like I'm not a protester. I'm

1107
00:53:12,000 --> 00:53:15,000
Speaker 6: not the voice of America. I'm not the voice of protesting.

1108
00:53:15,360 --> 00:53:16,839
Speaker 6: So he kind of just went off and been like

1109
00:53:16,920 --> 00:53:19,840
Speaker 6: I'm just gonna go play regular music, leave me alone.

1110
00:53:20,160 --> 00:53:22,880
Speaker 6: But Paul Simon always just like he just has an

1111
00:53:22,800 --> 00:53:25,360
Speaker 6: acoustic guitar man and made his amazing music.

1112
00:53:25,600 --> 00:53:29,479
Speaker 3: Elton John at seven, yeah, Queen of eight, Hendrix at nine.

1113
00:53:30,080 --> 00:53:31,680
Speaker 3: That's the one non white person.

1114
00:53:31,920 --> 00:53:34,920
Speaker 6: And that's good because he did change. He did influence

1115
00:53:34,920 --> 00:53:37,840
Speaker 6: a lot of just guitar playing tone in general.

1116
00:53:37,600 --> 00:53:39,880
Speaker 3: Just like raw just tone like I can think of

1117
00:53:39,960 --> 00:53:41,360
Speaker 3: Jimmy Hendrix's tone and his guitar.

1118
00:53:41,400 --> 00:53:42,280
Speaker 4: I can hear his guitar.

1119
00:53:43,040 --> 00:53:44,360
Speaker 3: I don't know if I'm good enough to hear his

1120
00:53:44,440 --> 00:53:47,840
Speaker 3: style of like how he plays a guitar like his fingering. Yeah,

1121
00:53:47,880 --> 00:53:49,560
Speaker 3: but I can hear his tone. And you know he's

1122
00:53:49,640 --> 00:53:52,080
Speaker 3: lefty right but he yes, but not the.

1123
00:53:52,040 --> 00:53:54,439
Speaker 4: Same he played it. He played a right handed guitar

1124
00:53:54,520 --> 00:53:54,920
Speaker 4: upside down.

1125
00:53:55,000 --> 00:53:57,000
Speaker 6: That's the right The strings were upside down.

1126
00:53:56,880 --> 00:53:58,719
Speaker 4: Instead, because he could to take any guitar and flip it.

1127
00:53:58,840 --> 00:53:59,480
Speaker 6: Yeah.

1128
00:54:00,040 --> 00:54:02,320
Speaker 8: Make a quick pause for a message from our sponsor,

1129
00:54:11,160 --> 00:54:15,200
Speaker 8: and we're back on the Bobby cast Red Hot Chili

1130
00:54:15,200 --> 00:54:15,759
Speaker 8: Peppers at ten.

1131
00:54:15,960 --> 00:54:19,040
Speaker 6: Oh interesting? Do you hear a lot of Red Hot

1132
00:54:19,080 --> 00:54:23,040
Speaker 6: Chili Peppers in any band? I feel like they're so

1133
00:54:23,200 --> 00:54:25,360
Speaker 6: unique that no one has taken their style.

1134
00:54:25,560 --> 00:54:30,919
Speaker 3: I think that reggaeish type rap talk. I think that

1135
00:54:31,160 --> 00:54:36,880
Speaker 3: kind of lived through the No Doubts Who was it

1136
00:54:36,880 --> 00:54:38,360
Speaker 3: was a ska punk band, but I think had the

1137
00:54:38,440 --> 00:54:41,480
Speaker 3: Chili Peppers not existed a bit in that space, and

1138
00:54:41,520 --> 00:54:44,040
Speaker 3: Anthony Ketis could not sing when they started, he was

1139
00:54:44,120 --> 00:54:47,680
Speaker 3: just a rapping, yelling guy. I would even say that

1140
00:54:47,719 --> 00:54:50,640
Speaker 3: some of the rap rock stuff was influenced by that

1141
00:54:50,719 --> 00:54:52,040
Speaker 3: and was actually allowed by that.

1142
00:54:52,400 --> 00:54:53,920
Speaker 4: So like the corn the limp.

1143
00:54:53,760 --> 00:54:57,640
Speaker 3: Biscuit, I think without the Chili Peppers, had they not walked,

1144
00:54:57,680 --> 00:55:00,319
Speaker 3: those bands would have not been able to run. So yes,

1145
00:55:01,000 --> 00:55:03,120
Speaker 3: in that, I think it opened the door to where

1146
00:55:03,200 --> 00:55:04,640
Speaker 3: rock band. But we're also going to do some stuff

1147
00:55:04,640 --> 00:55:07,239
Speaker 3: that's not traditionally. Yeah, that would be my answer to that.

1148
00:55:07,719 --> 00:55:09,400
Speaker 3: I don't know that's tried to made the whole thing up.

1149
00:55:09,400 --> 00:55:11,200
Speaker 6: How long has it been since you've gone back and

1150
00:55:11,239 --> 00:55:13,840
Speaker 6: listened to the Red Hot Chili Pepper songs yesterday?

1151
00:55:14,000 --> 00:55:16,960
Speaker 4: Really? Yeah, I'm gonna have playlists that have four or

1152
00:55:17,000 --> 00:55:17,640
Speaker 4: five six songs.

1153
00:55:18,000 --> 00:55:20,000
Speaker 6: I did it like two weeks ago, just to kind

1154
00:55:20,000 --> 00:55:21,800
Speaker 6: of and I'm just in the mode of just showing

1155
00:55:21,800 --> 00:55:23,840
Speaker 6: my kids music that I grew up with, and we

1156
00:55:23,880 --> 00:55:26,239
Speaker 6: went through Red Hot Chili Peppers. Oh my goodness, dude,

1157
00:55:26,280 --> 00:55:28,959
Speaker 6: you just forget about all the jams that they had,

1158
00:55:29,040 --> 00:55:34,160
Speaker 6: from like Californiication to like Aeroplane. I forgot about Aeroplane.

1159
00:55:34,280 --> 00:55:39,520
Speaker 3: They have different decades where their music sounded different as well,

1160
00:55:39,560 --> 00:55:42,000
Speaker 3: like they were able to shift a bit the last

1161
00:55:42,000 --> 00:55:44,680
Speaker 3: five I know we did talk ten, but Springsteen I

1162
00:55:44,760 --> 00:55:48,480
Speaker 3: get only because I hear and know a lot of

1163
00:55:48,480 --> 00:55:50,799
Speaker 3: people that worship him that are really great. I don't

1164
00:55:50,840 --> 00:55:53,880
Speaker 3: personally get it, but I get that a lot of

1165
00:55:53,880 --> 00:55:56,440
Speaker 3: people love them and feel so I will respect that.

1166
00:55:57,440 --> 00:55:57,880
Speaker 4: Not for me.

1167
00:55:58,440 --> 00:56:00,120
Speaker 3: I do like some of his stuff, but for me

1168
00:56:00,239 --> 00:56:02,520
Speaker 3: is like he's my top. I just I'm not from

1169
00:56:02,560 --> 00:56:07,120
Speaker 3: the Northeast, not enough of like a songwriter to appreciate

1170
00:56:07,160 --> 00:56:09,040
Speaker 3: what he's done. It's like an architect looking at somebody

1171
00:56:09,080 --> 00:56:10,680
Speaker 3: who's a freaking awesome architect. I can look at a

1172
00:56:10,680 --> 00:56:12,680
Speaker 3: billion but that's a cool building, but I can't understand it.

1173
00:56:12,719 --> 00:56:17,520
Speaker 3: Right Alright, green Day, for sure, Yes, all pop punk,

1174
00:56:18,600 --> 00:56:21,560
Speaker 3: all punk that I ever hear, is mostly because Green

1175
00:56:21,640 --> 00:56:23,839
Speaker 3: Day existed. There's a lot of punk that existed before

1176
00:56:23,880 --> 00:56:26,520
Speaker 3: Green Day. There's punk I've not heard since. But Green

1177
00:56:26,600 --> 00:56:30,319
Speaker 3: Day was the thing that said, hey, we're punk. Here's

1178
00:56:30,360 --> 00:56:32,440
Speaker 3: a road to get the actual people's ears. It's not

1179
00:56:32,440 --> 00:56:34,719
Speaker 3: as pooping on people and spiting on people in the crowd. Sure, Mike,

1180
00:56:34,760 --> 00:56:35,680
Speaker 3: your punk guy thoughts.

1181
00:56:35,800 --> 00:56:37,800
Speaker 7: Yeah, I mean they made it mainstream in the nineties,

1182
00:56:37,800 --> 00:56:40,200
Speaker 7: which influenced everything that came into two thousands, which is

1183
00:56:40,239 --> 00:56:41,600
Speaker 7: what I was more influenced by.

1184
00:56:41,840 --> 00:56:43,799
Speaker 5: But without them you wouldn't have even had it on

1185
00:56:43,840 --> 00:56:44,320
Speaker 5: the radio.

1186
00:56:44,840 --> 00:56:47,759
Speaker 4: Aerosmith the who in Metallica wrap up the list there.

1187
00:56:47,800 --> 00:56:49,360
Speaker 6: Did you know Aerosmith was from Boston?

1188
00:56:49,520 --> 00:56:49,879
Speaker 4: I did.

1189
00:56:50,320 --> 00:56:52,840
Speaker 6: There was a trivia at Olive Garden, like and I

1190
00:56:52,840 --> 00:56:54,640
Speaker 6: didn't know that I got it wrong. They said what

1191
00:56:54,760 --> 00:56:56,520
Speaker 6: band was known as the Boys from Boston.

1192
00:56:57,080 --> 00:56:58,719
Speaker 3: I don't know that I would have got Boys from

1193
00:56:58,719 --> 00:57:00,880
Speaker 3: Boston though as a title, but I knew they were

1194
00:57:00,880 --> 00:57:03,320
Speaker 3: from Boston. But if that was a trivia question, I

1195
00:57:03,360 --> 00:57:04,520
Speaker 3: would have guessed probably Boston.

1196
00:57:05,920 --> 00:57:06,200
Speaker 4: I don't know.

1197
00:57:06,239 --> 00:57:09,440
Speaker 3: I'm gonna go with Boston. One final story here, and

1198
00:57:09,480 --> 00:57:11,960
Speaker 3: this happened about a week ago. This country artist named

1199
00:57:11,960 --> 00:57:15,680
Speaker 3: Max McNown. I don't know him, but now you can

1200
00:57:15,760 --> 00:57:17,959
Speaker 3: just be good and people find you. So he hasn't

1201
00:57:18,000 --> 00:57:20,120
Speaker 3: come across some algorithm. I listened to him. He's really good.

1202
00:57:20,520 --> 00:57:22,560
Speaker 3: But he was about to make his headlining debut two

1203
00:57:22,560 --> 00:57:24,680
Speaker 3: sold out shows. It's the Bowery Ballroom in New York City.

1204
00:57:25,000 --> 00:57:27,680
Speaker 3: So he has two shows and he got bumped, and

1205
00:57:27,720 --> 00:57:30,160
Speaker 3: he's like, what do you mean? I sold the shows out?

1206
00:57:30,360 --> 00:57:31,680
Speaker 3: How did I get bumped? It's not like I'm a

1207
00:57:31,720 --> 00:57:34,640
Speaker 3: mid act or, a comedian and Dave Chappelle's coming in, Like,

1208
00:57:34,680 --> 00:57:36,960
Speaker 3: I sold these shows out and they're like, nah, sorry,

1209
00:57:37,000 --> 00:57:39,040
Speaker 3: we have to like remove your shows. It was because

1210
00:57:39,040 --> 00:57:40,280
Speaker 3: Paul McCartney wanted to play there.

1211
00:57:40,320 --> 00:57:43,480
Speaker 6: Oh these were pop up shows during SNL fifty.

1212
00:57:43,840 --> 00:57:47,919
Speaker 3: No, I think they were actual there. It was for Paul, yes, Paul,

1213
00:57:47,960 --> 00:57:49,160
Speaker 3: I thought it man for MAXI mc Now it's like,

1214
00:57:49,160 --> 00:57:50,040
Speaker 3: I don't think he was on there.

1215
00:57:49,960 --> 00:57:50,919
Speaker 6: Dude, I heard about these shows.

1216
00:57:50,960 --> 00:57:53,640
Speaker 3: Yes, yes, so I saw them on Paul mccarney's Instagram

1217
00:57:53,680 --> 00:57:55,080
Speaker 3: without knowing the story.

1218
00:57:55,680 --> 00:57:58,320
Speaker 4: So a bit awkward. But I'm telling you.

1219
00:57:58,360 --> 00:58:00,960
Speaker 6: If it's Paul McCartney, it's just understand, it's okay, and

1220
00:58:01,000 --> 00:58:02,720
Speaker 6: you tell the story forever and ever.

1221
00:58:03,400 --> 00:58:04,000
Speaker 4: That's the right one.

1222
00:58:04,040 --> 00:58:04,160
Speaker 1: Man.

1223
00:58:04,200 --> 00:58:06,040
Speaker 6: I used to play. I had this gig in New York,

1224
00:58:06,160 --> 00:58:08,160
Speaker 6: like right when I started, but I got bumped? What

1225
00:58:08,280 --> 00:58:09,440
Speaker 6: by who? Paul McCartney.

1226
00:58:09,480 --> 00:58:10,960
Speaker 4: It would have been cool if Paul would have met him.

1227
00:58:10,960 --> 00:58:12,520
Speaker 3: I don't think they ever met, right, I don't think

1228
00:58:12,560 --> 00:58:13,920
Speaker 3: so that had been a cool picture.

1229
00:58:14,160 --> 00:58:15,919
Speaker 6: Could you do, like, all right, you bumped me? Fine,

1230
00:58:15,960 --> 00:58:17,640
Speaker 6: could you give me like ten tickets to the show

1231
00:58:17,640 --> 00:58:19,040
Speaker 6: for me and my friends and family?

1232
00:58:19,120 --> 00:58:21,200
Speaker 4: I think they're playing the same night that's why you

1233
00:58:21,240 --> 00:58:23,400
Speaker 4: get bumped. I know, I know Paul McCartney show.

1234
00:58:23,480 --> 00:58:26,320
Speaker 3: Yeah yeah, like so this artist but he's playing the

1235
00:58:26,320 --> 00:58:27,480
Speaker 3: same night as Paul McCartney.

1236
00:58:27,440 --> 00:58:28,920
Speaker 4: Why would you do a ticket to him?

1237
00:58:28,920 --> 00:58:31,440
Speaker 6: So they get bumped and like bumped as in like canceled.

1238
00:58:31,640 --> 00:58:33,760
Speaker 4: Yeah you can't play there, right, Oh yeah canceled.

1239
00:58:33,880 --> 00:58:35,440
Speaker 6: Yes, so he gets to go to the show, right.

1240
00:58:35,440 --> 00:58:37,960
Speaker 3: I know he got a new venue. Oh oh, I

1241
00:58:38,000 --> 00:58:40,120
Speaker 3: didn't get to that part yet. Sorry, he found They

1242
00:58:40,120 --> 00:58:41,320
Speaker 3: did find a new venue to play.

1243
00:58:41,400 --> 00:58:42,360
Speaker 6: They helped him find it.

1244
00:58:43,000 --> 00:58:44,919
Speaker 4: Not sure if they helped. Oh man, he did find

1245
00:58:44,920 --> 00:58:45,240
Speaker 4: a new.

1246
00:58:45,600 --> 00:58:48,880
Speaker 6: Tricky situation because yes, Paul McCartney has bowed down to Paul.

1247
00:58:49,840 --> 00:58:50,600
Speaker 4: It's like real money.

1248
00:58:50,680 --> 00:58:52,200
Speaker 6: This is light, yeah, this is your living.

1249
00:58:52,840 --> 00:58:54,800
Speaker 3: He they did find a new venue and he's able

1250
00:58:54,840 --> 00:58:58,720
Speaker 3: to play. Okay, good, he got a bigger place too,

1251
00:58:58,720 --> 00:58:59,360
Speaker 3: I think, I think so.

1252
00:58:59,480 --> 00:58:59,640
Speaker 1: Yeah.

1253
00:58:59,720 --> 00:59:02,480
Speaker 3: Yeah, so great story because it ended up well. I'll

1254
00:59:02,480 --> 00:59:05,919
Speaker 3: give you a quick story of this happened to me once.

1255
00:59:06,200 --> 00:59:09,240
Speaker 3: Not for Paul McCartney though, but I was doing a

1256
00:59:09,280 --> 00:59:13,440
Speaker 3: stand up show in Las Vegas at the Win and

1257
00:59:13,480 --> 00:59:15,160
Speaker 3: have a really nice theater and it was always cool

1258
00:59:15,160 --> 00:59:16,520
Speaker 3: for me. I always thought, man, if I could play

1259
00:59:16,520 --> 00:59:18,840
Speaker 3: the win's that's really cool in Vegas because that was

1260
00:59:18,920 --> 00:59:21,320
Speaker 3: to me the fancy theater.

1261
00:59:21,400 --> 00:59:23,080
Speaker 6: Oh absolutely, and it paid.

1262
00:59:22,880 --> 00:59:28,640
Speaker 3: Really well and Vegas pays really well. Vegas and corporate

1263
00:59:28,680 --> 00:59:32,240
Speaker 3: events pay the best not always the best crowds, but

1264
00:59:32,480 --> 00:59:34,800
Speaker 3: the money's massive, and so I'm like, this is awesome

1265
00:59:34,840 --> 00:59:36,680
Speaker 3: the win. We put the show up, it sells out

1266
00:59:36,760 --> 00:59:39,880
Speaker 3: in three hours, so I didn't have to like stress

1267
00:59:39,920 --> 00:59:43,040
Speaker 3: over the show being sold out. We're like two weeks

1268
00:59:43,040 --> 00:59:45,160
Speaker 3: out from the show and we get a call going, hey,

1269
00:59:45,160 --> 00:59:48,000
Speaker 3: they have to bump you from the night. I'm like,

1270
00:59:48,040 --> 00:59:50,439
Speaker 3: the whole night, they'll canceling my show, and they're like, yeah,

1271
00:59:50,680 --> 00:59:54,000
Speaker 3: like in your contract there is an option to pay

1272
00:59:54,040 --> 00:59:55,560
Speaker 3: you out completely. You don't even have to work, and

1273
00:59:55,560 --> 00:59:58,200
Speaker 3: they'll refund everybody tickets. And I'm like, no that I

1274
00:59:58,200 --> 00:59:59,760
Speaker 3: feel bad doing that to like people of the WoT

1275
00:59:59,800 --> 01:00:01,440
Speaker 3: tikes its even though they're getting the money back, because

1276
01:00:01,440 --> 01:00:03,520
Speaker 3: people may have flown to Vegas or they have plans

1277
01:00:03,600 --> 01:00:05,480
Speaker 3: to go to Vegas course more than just a ticket.

1278
01:00:05,880 --> 01:00:08,240
Speaker 3: And the wind was awesome about it, but they were like,

1279
01:00:08,960 --> 01:00:11,480
Speaker 3: it's not really something we can control. Like, what is

1280
01:00:11,520 --> 01:00:14,680
Speaker 3: it like if we pay you is that cool, and

1281
01:00:14,720 --> 01:00:18,560
Speaker 3: I'm like, I don't like it. Can we find a

1282
01:00:18,640 --> 01:00:22,000
Speaker 3: different plan? I'm like, what's happening? Apparently, I don't know

1283
01:00:22,000 --> 01:00:23,880
Speaker 3: if it was Steve Wynn or if it was one

1284
01:00:23,920 --> 01:00:26,960
Speaker 3: of like that, a CEO of different kind was really

1285
01:00:26,960 --> 01:00:29,200
Speaker 3: close with Taylor's shared and they wanted that to do

1286
01:00:29,280 --> 01:00:30,400
Speaker 3: like a Yellowstone premiere.

1287
01:00:30,760 --> 01:00:32,120
Speaker 4: It's funny how it all comes back around. I can

1288
01:00:32,160 --> 01:00:33,520
Speaker 4: doing stuff with Yellowstone.

1289
01:00:33,160 --> 01:00:34,160
Speaker 6: Yeah, full circle.

1290
01:00:34,160 --> 01:00:35,720
Speaker 3: And They're like, we don't really have control over We're

1291
01:00:35,720 --> 01:00:40,880
Speaker 3: so sorry. Can we pay you a show and a half?

1292
01:00:41,000 --> 01:00:41,880
Speaker 3: And you don't do the show?

1293
01:00:42,600 --> 01:00:46,800
Speaker 4: And I'm like, well it was a lot of money,

1294
01:00:47,040 --> 01:00:49,000
Speaker 4: and I'm like, I don't know. I feel bad.

1295
01:00:49,040 --> 01:00:52,800
Speaker 3: I'm like I would rather not, like, let's find a

1296
01:00:52,840 --> 01:00:55,480
Speaker 3: different plan. Because they also didn't want to be going

1297
01:00:55,520 --> 01:00:57,080
Speaker 3: on bad mouthing, which is not even what I'm doing now,

1298
01:00:57,080 --> 01:01:00,320
Speaker 3: because it ended up working out and they said, oh, okay,

1299
01:01:01,560 --> 01:01:03,680
Speaker 3: what can we do? I couldn't do a different weekend

1300
01:01:03,720 --> 01:01:05,400
Speaker 3: because I was already and I also had we had

1301
01:01:05,400 --> 01:01:07,680
Speaker 3: listeners coming in, and I said, well can I do

1302
01:01:08,000 --> 01:01:09,200
Speaker 3: because it was a Saturday night show? I was like,

1303
01:01:09,240 --> 01:01:11,400
Speaker 3: can I do Sunday Night? And then maybe seventy percent

1304
01:01:11,440 --> 01:01:13,600
Speaker 3: of the listeners can stay and we'll refund everybody. And

1305
01:01:13,680 --> 01:01:17,040
Speaker 3: also you offer me one and a half times, but

1306
01:01:17,080 --> 01:01:19,120
Speaker 3: now my travels different and they're like done one and

1307
01:01:19,120 --> 01:01:21,960
Speaker 3: a half times. We'll send the wind plane to pick

1308
01:01:22,000 --> 01:01:25,600
Speaker 3: you up and take you home, and you do it

1309
01:01:25,600 --> 01:01:27,560
Speaker 3: Sunday night, and I was like, I'm in. And so

1310
01:01:27,760 --> 01:01:29,720
Speaker 3: we got bumped, not for Paul McCartney, but for the

1311
01:01:29,800 --> 01:01:32,440
Speaker 3: Yellowstone premiere, maybe like season two or something. Sason, Yeah, yeah,

1312
01:01:32,440 --> 01:01:34,160
Speaker 3: So is that why they were all there? Because I

1313
01:01:34,160 --> 01:01:37,040
Speaker 3: remember we got there on Saturday. That's exactly why they

1314
01:01:37,040 --> 01:01:39,440
Speaker 3: were all there. Harrison Ford was there, and we.

1315
01:01:39,400 --> 01:01:41,160
Speaker 4: Saw some of them, like the tables. Yeah, we saw

1316
01:01:41,240 --> 01:01:41,880
Speaker 4: Taylor at the bar.

1317
01:01:42,000 --> 01:01:43,280
Speaker 6: We did see him at the bar. I didn't know

1318
01:01:43,320 --> 01:01:44,840
Speaker 6: what he looked like, but you guys said that that

1319
01:01:44,920 --> 01:01:45,240
Speaker 6: was Taylor.

1320
01:01:45,360 --> 01:01:46,040
Speaker 4: I never saw him.

1321
01:01:46,200 --> 01:01:49,800
Speaker 6: You were there with me and you Oh, okay, you

1322
01:01:49,880 --> 01:01:50,760
Speaker 6: act like I do stuff.

1323
01:01:50,880 --> 01:01:51,800
Speaker 4: I was just in my room.

1324
01:01:52,240 --> 01:01:54,160
Speaker 6: I think we were found a bar to watch UFC

1325
01:01:54,240 --> 01:01:54,640
Speaker 6: or something.

1326
01:01:55,000 --> 01:01:56,080
Speaker 4: Yeah, that's when I got bumped.

1327
01:01:56,120 --> 01:01:58,640
Speaker 6: Wow, I do remember that. Yeah I didn't. I guess

1328
01:01:58,680 --> 01:02:00,000
Speaker 6: I didn't know the whole root of that story.

1329
01:02:00,040 --> 01:02:03,360
Speaker 3: I never told I never told it because it was

1330
01:02:06,320 --> 01:02:08,040
Speaker 3: the Wind was so cool about it, and I was like,

1331
01:02:08,040 --> 01:02:11,000
Speaker 3: I'm gonna respect this. And they didn't really have a choice.

1332
01:02:11,000 --> 01:02:14,280
Speaker 3: I mean it was big people and big friends. Sure, Okay,

1333
01:02:14,360 --> 01:02:19,160
Speaker 3: that's it. Thank you guys, uh ringo, you're awesome. Check

1334
01:02:19,160 --> 01:02:20,640
Speaker 3: out the video if you want to watch the interview,

1335
01:02:20,800 --> 01:02:22,920
Speaker 3: it's pretty crazy. It's on YouTube. Just go over to

1336
01:02:23,680 --> 01:02:27,040
Speaker 3: the Bobby Bones channel. Is the YouTube page.

1337
01:02:27,120 --> 01:02:28,760
Speaker 4: All right, thank you guys, and we'll see you next week.

1338
01:02:29,000 --> 01:02:29,600
Speaker 5: He's in love.

1339
01:02:29,680 --> 01:02:30,240
Speaker 4: He's in love.

1340
01:02:31,280 --> 01:02:33,800
Speaker 8: Thanks for listening to a Bobby Cast production