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Speaker 1: I listened to The Black Guy Who Tips podcast because

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Speaker 1: Rod and Karen are hot.

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Speaker 2: Armed and dangerous. Ain't too many can bang with us?

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Speaker 2: Straight up weed, No angelus label us notorious doug ass

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Speaker 2: niggas that love to bus. It's strange to us, you'all

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Speaker 2: niggas be scrambling gambling up in restaurants with mandolins and violins.

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Speaker 2: Were just sitting here trying to win, trying not to

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Speaker 2: send high off weed and lots of gin, so much smoke,

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Speaker 2: neat oxygen, steadily counting them Benjamins.

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Speaker 3: Hey, welcome to the Black Guy to his podcast, your

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Speaker 3: host Rod and Karen.

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Speaker 4: That was some classic biggie.

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Speaker 5: Yeah, so make a whole album of that. Yeah.

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Speaker 3: But yeah, man, it's a Monday night and we're starting

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Speaker 3: the week off right with a brand new, first time

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Speaker 3: ever on the show, guest Virgin.

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Speaker 5: Although I have been following this man on.

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Speaker 3: Twitter for a while now, it's my man, Stereo Williams.

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Speaker 5: What's going on, dowg.

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Speaker 6: Nothing much, man, just got out. Ain't nothing wrong with.

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Speaker 5: It now, how'd you how'd you get the name Stereo?

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Speaker 6: Well, it's it's a long but not that interesting story.

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Speaker 2: When I lived in Atlanta and I was trying to

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Speaker 2: start a band and we were trying to come up

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Speaker 2: with a name and the name of the band that

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Speaker 2: I came up. I came up with the name in Stereo,

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Speaker 2: and it didn't have anything to do with anything. I

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Speaker 2: just remember, like if you were a kid watching TV

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Speaker 2: in the eighties, whenever the TV show would come on,

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Speaker 2: at the bottom of the screen, it would say in

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Speaker 2: stereo or in stereo where available, yes, And it just

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Speaker 2: stuck in my head. So I said in stereo. And

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Speaker 2: then when the band went nowhere and I started. I've

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Speaker 2: been an entertainment journalist since like the early two thousands,

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Speaker 2: but by like two thousand and five, two thousand and six,

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Speaker 2: you had to become really like Google savvy.

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Speaker 6: And my real name is Todd Williams.

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Speaker 2: And if you ever google Todd Williams, just like googling

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Speaker 2: John Smith, like, ain't nothing gonna come up. So I

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Speaker 2: just decided to come up with a more interesting pen name,

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Speaker 2: and I took the name of my band and stuck

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Speaker 2: it onto my name, and Stereot Williams.

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Speaker 6: Seven years later, I'm kind of stuck with it.

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Speaker 5: What kind of band was it?

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Speaker 2: It was like pop rock, like kind of like it's

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Speaker 2: a weird combination of half Bruce Springsteen half Outcast, like

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Speaker 2: we went Nowhere Bro like you would never find me

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Speaker 2: lost footage.

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Speaker 6: There's no lost performance.

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Speaker 2: It was just four dudes sitting around drinking too much,

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Speaker 2: talking a bunch of shit about what we were gonna do,

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Speaker 2: and playing for each other.

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Speaker 3: More or less, Did you ever now like it was

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Speaker 3: the thing that got you? Were you doing h Were

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Speaker 3: you doing critic criticism and stuff and writing about music

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Speaker 3: before you started the band or was that something to

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Speaker 3: happen after it.

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Speaker 2: It was before I started writing, like fresh like in college,

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Speaker 2: really like in the late nineties, because I didn't really

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Speaker 2: have a whole lot of confidence in music. My whole

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Speaker 2: family's musical everybody, and me being the youngest, I had

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Speaker 2: that complex where it was like I'm not as good

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Speaker 2: as y'all, you know, like y'all are that's their thing.

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Speaker 2: And I felt like my brother was like a great singer,

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Speaker 2: he could play piano, he did all this stuff, and

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Speaker 2: I was like, I'll never be that.

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Speaker 6: So I just kind of didn't really pursue it.

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Speaker 2: And I got into criticism basically out of like insecurity

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Speaker 2: about being an artist. But the more that I wrote

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Speaker 2: and kind of was around musicians. You know, if you

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Speaker 2: got that in you, eventually it's going to start to bubble.

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Speaker 2: And eventually I just I bought a guitar and was like, man.

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Speaker 6: Just do it for you. But I quit, So don't

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Speaker 6: play me all these dreams.

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Speaker 5: Don't do they look down on you, like your family

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Speaker 5: or they like you quit?

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Speaker 3: Or are they you know? Or is it because you

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Speaker 3: cover music? Are they more like it's still cool?

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Speaker 2: It's still cool, Like either way, you don't make a

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Speaker 2: whole lot of money, So it's like, I think my

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Speaker 2: mom would have rather have done something more stable anyway.

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Speaker 2: But everybody knew that it was there.

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Speaker 4: You know.

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Speaker 2: It's just I think that because everybody else kind of

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Speaker 2: pursued it more seriously seriously than me, they just sort

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Speaker 2: of took for granted that I even cared. It was

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Speaker 2: like nobody even thought that I cared about music. I

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Speaker 2: sang in high school and was in you know, early nineties.

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Speaker 2: I did the fake Jodysy thing and like a couple

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Speaker 2: of little R and B groups in school. Oh yeah, yeah,

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Speaker 2: thank god, thank god there was no smartphones in YouTube,

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Speaker 2: there's no footage, but but yeah, they were cool with it.

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Speaker 6: My mom is proud.

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Speaker 7: You know.

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Speaker 6: She saves every story still and tells all my uncles.

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Speaker 6: You know, he made Chris Rock and all this stuff,

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Speaker 6: so they're cool with it.

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Speaker 5: You made Chris Rock, Man, how'd you pull that off?

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Speaker 2: That was two months ago, right before Top five. I

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Speaker 2: got to interview him over at the at the I'm

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Speaker 2: drawing a blank. I want to say the four Seasons.

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Speaker 2: But it was cool, man, it was a really cool interview.

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Speaker 2: It was during that stretch he was talking about race. Yeah,

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Speaker 2: that was no man, So it was a good time

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Speaker 2: to talk to him because he was super open.

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Speaker 8: Man.

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Speaker 6: It was like I interviewed him. It was like a

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Speaker 6: string of comedians.

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Speaker 2: I interviewed him like on a Sunday, said to the

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Speaker 2: entertainer on like a Thursday in Jamie Fox, like the

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Speaker 2: next Monday.

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Speaker 5: Now, who's the number one? I guess?

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Speaker 3: I mean, if you can pick one, obviously there's sure

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Speaker 3: there's many, But who's your number one, like favorite person

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Speaker 3: that you got to interview or or I guess best

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Speaker 3: interview that came as a result of interview or someone.

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Speaker 2: It's always hard to like pinpoint somebody. Yeah, I can't

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Speaker 2: think of exactly who I would say is the best.

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Speaker 2: I just remember the most the most controversial stuff and

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Speaker 2: the most like like just cool experience, like or just

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Speaker 2: the weirdest experience. Like I interviewed Oliver Stone and it

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Speaker 2: was He's the most intense person I've ever Maybe that

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Speaker 2: and I'm an intense person, but he might be the

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Speaker 2: most intense person I've ever interviewed because he's one of

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Speaker 2: those people that gets like those to know. Was when

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Speaker 2: he talks to you, it kind of makes you uncomfortable,

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Speaker 2: you know what I'm saying, Like.

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Speaker 6: I scooped back a little bit. He schowed up that.

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Speaker 9: Day.

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Speaker 2: Yeah, it's like, bro, like I feel you, like you know,

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Speaker 2: I love Platoon back couple of Spike is an interesting personality. Yeah.

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Speaker 2: I interviewed Will Ferrell once and he was real cool.

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Speaker 2: The controversial stuff isn't. I don't have too many bad stories,

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Speaker 2: but I've tweeted about you know, little Kim's people didn't

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Speaker 2: like me for a little while.

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Speaker 3: Now, why didn't they like you? Was it because it's

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Speaker 3: something you wrote? Or did they just like have a

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Speaker 3: bad experience during the interview. It was both like, yeah,

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Speaker 3: you know, they shoot niggas like that.

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Speaker 5: There's a lot of pressure, Bro, that's a lot of pressure.

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Speaker 2: It was just, you know, without going too deep, it

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Speaker 2: was just a situation where I understand, like coming from

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Speaker 2: her perspective, she's taking a lot of ship, like she

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Speaker 2: really asked from the media, like people attack her and

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Speaker 2: make fun of her and all that. So I get

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Speaker 2: being defensive, but it was almost like you can google

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Speaker 2: the story, like from the first question, it was hostility.

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Speaker 2: It was like she wasn't feeling anything I had to

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Speaker 2: ask her, and I was trying to be as fair

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Speaker 2: and respectful.

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Speaker 6: You know, because I'm not one of those journalists.

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Speaker 2: I'm not trying to like trap you, I'm not trying

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Speaker 2: to like the bus, I'm not trying to make fun

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Speaker 2: of you.

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Speaker 6: But she just was not feeling me at all.

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Speaker 2: And then afterwards, like the story got held for almost

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Speaker 2: a year because her people were so mad about it,

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Speaker 2: and it kind of like it was my first year

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Speaker 2: in New York and I would be at different things.

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Speaker 2: I was at another photo shoot like six months later,

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Speaker 2: and the stylists that was working at photoshoot was just

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Speaker 2: sort of talking to the other person and he was like, yeah,

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Speaker 2: did you hear there was somebody apparently the interview little

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Speaker 2: Kim and just was trashing her and she don't want

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Speaker 2: to have nothing to do with him, and blah blah blah.

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Speaker 2: He was trying to make a name for himself by

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Speaker 2: trashing Little Kim, And I was like, I wonder who

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Speaker 2: they're talking about.

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Speaker 5: Yeah, sure enough.

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Speaker 2: Her publicis basically was just kind of dragging me, you know,

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Speaker 2: kind of feel a grapevine, just sort of dragging me

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Speaker 2: through the mud as this like no name writer who

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Speaker 2: was trying to make a name for himself by Dragon

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Speaker 2: Little Kim. And I'm like, I don't want to, you know,

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Speaker 2: hurt nobody's feelings, but Dragon Little Kim is kind of

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Speaker 2: like everybody's doing that right now.

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Speaker 6: That's not like, you know.

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Speaker 2: What I'm saying, And it's not like it's nineteen ninety

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Speaker 2: seven when you know, a little Kim drag can really

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Speaker 2: make your name.

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Speaker 3: But correct, Yeah, I guess for some reason you stuck

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Speaker 3: after them.

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Speaker 2: Yeah I really I really wrote to the wrong way,

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Speaker 2: which is unfortunate.

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Speaker 3: How now what you said they held the story for

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Speaker 3: a year almost Yeah? Yeah yeah what does that mean?

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Speaker 3: I mean they can call you and be like, don't

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Speaker 3: run this story.

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Speaker 2: Yeah, like that's what That's what annoyed me without kind

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Speaker 2: of again throw throwing anybody under the bus.

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Speaker 6: It was just sort of like because.

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Speaker 2: Of the controversy, and sometimes you hear a lot of

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Speaker 2: people say this man, and I'm just gonna be very

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Speaker 2: real with you. When it comes to black entertainment media,

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Speaker 2: we get treated like pr a lot of times, and

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Speaker 2: a lot of these a lot of publicists, managers and

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Speaker 2: things like that. Because they know you're not Rolling Stone

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Speaker 2: Magazine or you're not MTV, they kind of try to

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Speaker 2: bully you into fluff pieces more or less, ok, And

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Speaker 2: they will try to, yeah, just sort of like paint

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Speaker 2: you into a corner, paint publications into a corner where

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Speaker 2: they have to write or they think they have to

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Speaker 2: write sort of these kind of ass kids pieces because

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Speaker 2: you don't want to lose the contact, you know, because

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Speaker 2: for smaller black publications, you have to have kind of

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Speaker 2: good relations with these big names to get them. Like

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Speaker 2: Rolling Stone could drag Drake all day and they're still

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Speaker 2: going to be Rolling Stone tomorrow. It's not going to

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Speaker 2: hurt them at all. But a smaller publication. That's why

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Speaker 2: you see so many of these black publications and you

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Speaker 2: read the stories and they're good, but they don't go

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Speaker 2: in like you know, like E News could go in

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Speaker 2: or whoever could go in. And it's because they're they're

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Speaker 2: kind of I don't want to say afraid, but a

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Speaker 2: lot of these artists, not the artists themselves, but they're

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Speaker 2: they're handlers kind of hold a lot of power and

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Speaker 2: sort of lean on them to I could tell some

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Speaker 2: real stories if I wanted to get deep. Like I've

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Speaker 2: had phone calls, I've had text messages from people like

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Speaker 2: demanding that I take stories down, and it's like.

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Speaker 6: I don't work for you. Wow, I don't work for

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Speaker 6: you at all.

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Speaker 2: But you know it's I contribute for a lot of

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Speaker 2: different publications, and I'll tell you this, it always happens

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Speaker 2: when I'm working for a black publication or if it's

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Speaker 2: if it's a if it's a major mainstream publication, They're

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Speaker 2: never gonna call them and say take this down. They'll

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Speaker 2: call me and try to pressure me to take it down,

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Speaker 2: but they'll never call who I wrote for and say

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Speaker 2: it because they know a major a major mainstream publication

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Speaker 2: doesn't need you.

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Speaker 3: Right, they see that they see that relationship more as important,

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Speaker 3: well not just important, but like Rolling Stone can help

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Speaker 3: me by writing about me.

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Speaker 5: But what can I don't know BT.

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Speaker 6: Voices do, right, y'all eat me more than I need, y'all.

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Speaker 6: It's kind of the attitude.

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Speaker 2: And I've talked about this a lot outside of just

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Speaker 2: sort of one on one interviews. Even when I used

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Speaker 2: to work red carpets on a regular basis. You would

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Speaker 2: be at an event and see how like it would

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Speaker 2: be a black event, and the publicists are sort of

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Speaker 2: just kind of waving and passing by the black media

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Speaker 2: or giving you like a little blurb to hurry up

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Speaker 2: and get their client over to E News or the

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Speaker 2: Hollywood Reporter or whoever. And it's like, if this goes

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Speaker 2: up on entertainment tonight, this is going to be like

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Speaker 2: a ten second blurb on entertainment tonight, whereas with these

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Speaker 2: black companies, it'll be like a full story, like they're

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Speaker 2: really here for you, but you're just kind of like

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Speaker 2: one of dozens of people that will be featured on

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Speaker 2: this other thing that you that you're giving so much

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Speaker 2: weight to. It's kind of a drag man like I've

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Speaker 2: it was one of the reasons why I kind of

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Speaker 2: stepped away for a little while. But it's it's I

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Speaker 2: don't want to complain about the like it's a great

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Speaker 2: thing to do to earn a living doing what I do,

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Speaker 2: but I don't think people understand kind of what it's like,

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Speaker 2: especially now and kind of like with the with the

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Speaker 2: social media and the blog revolution, like everybody's a blogger,

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Speaker 2: everybody's got stuff going on, so it's even more competition,

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Speaker 2: and you get you really get kind of the short

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Speaker 2: end of the stick from a lot of these, from

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Speaker 2: a lot of the media relations people from labels to

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Speaker 2: studios to whoever. I had a situation around the same

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Speaker 2: time of the Chris Rock interview where a publicist literally

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Speaker 2: like what I wish I'd saved the text messages. It

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Speaker 2: was like a page of text messages complaining about a

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Speaker 2: story that I wrote and demanding that I take it down,

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Speaker 2: like you have this has to come down, And I

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Speaker 2: just was like, you know, I didn't.

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Speaker 6: I didn't want to get two gangs like who you

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Speaker 6: think talking to?

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Speaker 2: But that's really really where you go with it, Like

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Speaker 2: on some like that I don't work for you, like

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Speaker 2: at all, because Georgia in the time of my life

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Speaker 2: where I would take something down or even change the

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Speaker 2: story to a piece of publicist because your job is

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Speaker 2: to make them look good. If you can't tell, if

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Speaker 2: you can't coach your client before the interview, don't come

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Speaker 2: behind the interview and try to get me to sort

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Speaker 2: of sanitize what they said.

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Speaker 3: Have you ever gotten Have you ever been in the

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Speaker 3: middle of an interview and been like, oh my god,

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Speaker 3: I can't believe I got this quote.

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Speaker 5: This is gonna be bad for them, but good for me,

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Speaker 5: you know what I mean.

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Speaker 2: I mean, any journalist tells you no is a liar.

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Speaker 2: You have those moments where it's like it's like, oh shit.

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Speaker 3: Like when that like when I saw like Anthony Mackie,

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Speaker 3: or like even with Kendrick Lamar.

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Speaker 5: I just wonder like at that moment that the only thing.

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Speaker 3: Is like I feel like the answer is so out

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Speaker 3: of pocket of what the person was expecting. They almost

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Speaker 3: never have a follow up question, and I really wish

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Speaker 3: they would have that follow up question, because that follow

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Speaker 3: up question could either you know, and maybe maybe they

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Speaker 3: don't want to because maybe it will fix whatever they said.

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Speaker 3: But I kind of want the follow up question because

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Speaker 3: I want to know, like, what the.

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Speaker 5: Hell exactly do you mean? But I always feel like

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Speaker 5: the journalist's eyes must just.

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Speaker 3: Get like Saucer pays and be like I can't believe,

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Speaker 3: just like poker Face, poker Face, poker Face, I just

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Speaker 3: need to get finish this interview, Go type this shit up,

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Speaker 3: cause you about to be viral.

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Speaker 6: Brother, it happens.

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Speaker 2: And you know, again with the current media climate, not

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Speaker 2: that everything is so click happy and page views driven.

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Speaker 2: I mean that's the game, you know, to a large extent,

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Speaker 2: Like you you can't before, you know, if somebody said

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Speaker 2: something salacious and it was in print, people might see it,

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Speaker 2: but it doesn't. Everybody's not going to see it and

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Speaker 2: it's not going to go everywhere like it does online.

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Speaker 2: Whereas now if somebody says something crazy, all you got

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Speaker 2: to really do is just post it, and then you know,

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Speaker 2: it's a feeding frenzy. So you can't really deny that

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Speaker 2: that's a part of it. What I try to do,

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Speaker 2: like I said, I don't throw you under the bus,

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Speaker 2: right and and I'm and sometimes I'll do the Ed.

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Speaker 6: Bradley like like with never mind.

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Speaker 2: But there was some one that I interviewed recently who

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Speaker 2: gave a lot of very controversial interviews recently.

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Speaker 6: Who you may have mentioned a second ago.

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Speaker 4: But.

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Speaker 6: And during the interview.

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Speaker 2: I did try to do what you know the Ed Bradley,

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Speaker 2: like the Ed Bradley and the Michael Jackson interview where

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Speaker 2: it's like, Bruh, you realize what you just.

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Speaker 6: Said, right?

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Speaker 5: You want to go here? You want to stick with this?

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Speaker 6: Are you sure this is what you want to say?

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Speaker 5: Yeah?

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Speaker 2: And he kind of just doubled down repeatedly. So once

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Speaker 2: once that happened, just like what can I do? Like

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Speaker 2: I can't spoon feed you, I can't throw you a

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Speaker 2: life observer. I can just try to steer it. It

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Speaker 2: turned into more of almost kind of a debate, like

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Speaker 2: he was offering his position and I kind of countered.

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Speaker 2: But at the same time, as the interviewer, you have

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Speaker 2: to remember that that's not your job. It's not your

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Speaker 2: job to really debate with the person that you're interviewing.

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Speaker 2: It's your job to listen to whatever they have to say.

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Speaker 2: So I can offer my little counters to try to say, Bruh,

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Speaker 2: do you really want to go here? But ultimately your

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Speaker 2: position is your position, and I'm gonna write your position.

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Speaker 5: So yeah, I'm like.

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Speaker 10: And how many people do you think do you think

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Speaker 10: people invest money in pr and getting training to speak

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Speaker 10: to the media like they should, or it's just something

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Speaker 10: that people just assume that once you get to a

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Speaker 10: certain status, you should pay people to teach you how

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Speaker 10: to talk and what to say or do. A lot

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Speaker 10: of people like, fuck it, I don't need these people.

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Speaker 10: I'm just gonna go out here and free bowel. It

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Speaker 10: ended up screwing themselves over because they don't know how

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Speaker 10: to present themselves to the media and how to talk

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Speaker 10: to the media.

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Speaker 2: I think a lot of people screw themselves over, like,

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Speaker 2: and some of it is just try by fire. Like

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Speaker 2: when it's especially back when I was doing pretty much

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Speaker 2: nothing but rappers, you get a lot of rappers and like,

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Speaker 2: these cats have no you know what I'm saying, Like

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Speaker 2: they're coming from a place where they're not used to

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Speaker 2: have a microphone stuck in their face all the time.

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Speaker 2: And a lot of these cats are super young, you

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Speaker 2: know what I mean. So it's like some of that

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Speaker 2: is just youth and inexperience and there's nothing really that

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Speaker 2: you can do about it. But I'm sympathetic to those guys,

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Speaker 2: and those are the guys that I really try not

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Speaker 2: to you know, if you say something boneheaded, there ain't

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Speaker 2: nothing I can do about it. But I try not

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Speaker 2: to lead you. I tried to give you the rope,

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Speaker 2: you know what I'm saying. Whereas with other people, especially

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Speaker 2: like if you've been doing this for a while, there

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Speaker 2: are a lot of people who get so comfortable. And

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Speaker 2: it's not because they're not groomed, and it's not because

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Speaker 2: they don't understand media. It's because a they're just very unfiltered,

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Speaker 2: which is commendable to a large degree. It's good that

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Speaker 2: you say how you feel from just an honesty standpoint,

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Speaker 2: even if it's bad for your brand sometimes and then

382
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Speaker 2: some people have played the game for so long that

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Speaker 2: they've gotten to a place where they don't care anymore,

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Speaker 2: or it's just like it's not worth me not saying

385
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Speaker 2: how I really feel, and they're willing to take the brunt.

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Speaker 2: Those are the people that I respect the most. I

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Speaker 2: respect people who say how they feel and just take

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Speaker 2: whatever comes afterwards.

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Speaker 5: Yeah.

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Speaker 3: I like that too, man, because and I'm sure we'll

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Speaker 3: talk about it in a little bit.

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Speaker 5: But I think something that.

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Speaker 3: People have to get used to is that everything you

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Speaker 3: say now is gonna be scrutinized, everything for whether it's

395
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Speaker 3: for clicks, whether it's gonna be spun or it's gonna

396
00:18:31,240 --> 00:18:34,439
Speaker 3: be straight up, it doesn't even matter. You're gonna have

397
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Speaker 3: some opinions that just do not please everybody, and everyone

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Speaker 3: has them. If if I interviewed anyone, eventually we will

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Speaker 3: find the thing where it was like, yeah, that's the

400
00:18:44,080 --> 00:18:47,439
Speaker 3: thing that's not popular, you know, or that's controversial. I

401
00:18:47,520 --> 00:18:49,720
Speaker 3: like the people that do something not popular and they're

402
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Speaker 3: just like, yeah, fuck it, like I did it, Like

403
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Speaker 3: what do you want me to do? That is how

404
00:18:54,680 --> 00:18:57,160
Speaker 3: I feel and I'm not I can't take that back.

405
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Speaker 3: And you know, maybe they'll develop on that, maybe they want.

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Speaker 3: But I like the people that do that. I like

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Speaker 3: comedians that make jokes and maybe the joke doesn't go

408
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Speaker 3: over and they're just like, all right, well the joke

409
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Speaker 3: didn't work, but I stand behind it the process of

410
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Speaker 3: the joke.

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Speaker 5: I believed in that joke, and you know, I do.

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Speaker 3: You know, I don't like the apologies just for like

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Speaker 3: saving face, where like I didn't learn anything, but I'm

414
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Speaker 3: just scared to lose my job or whatever.

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Speaker 5: So I'm kind of a fan of that.

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Speaker 3: Man.

417
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Speaker 5: I was waiting to see and.

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Speaker 3: Plus, like you said, especially with rappers and stuff like

419
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Speaker 3: even with Kendrick. We're watching that dude develop, you know.

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Speaker 3: So I know at certain ages, if you ask me

421
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Speaker 3: certain questions, you would get a completely different answer than.

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Speaker 5: What I have now.

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Speaker 3: And shit, in ten years, maybe I have another answer

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Speaker 3: to this, you know, than what I have now.

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Speaker 5: You know.

426
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Speaker 3: So I think a lot of times what happens though,

427
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Speaker 3: is with the Internet, it's like a snapshot, you know,

428
00:19:53,040 --> 00:19:55,760
Speaker 3: you get people get that one snapshot and they just

429
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Speaker 3: want to leave a person there forever. But you know,

430
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Speaker 3: I mean, as funny as it sounds, used this example,

431
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Speaker 3: Chris Brown isn't the seventeen.

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Speaker 5: Year old that he was when when he hit Rihanna.

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Speaker 3: Now I'm not saying he's, you know, my level of maturity,

434
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Speaker 3: but when I hear him talk now, I'm like, that

435
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Speaker 3: dude's more mature than he was at seventeen, you know

436
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Speaker 3: what I mean.

437
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Speaker 6: And maybe when he didn't like for other Grammy winners,

438
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Speaker 6: but now he's finally right.

439
00:20:23,200 --> 00:20:25,240
Speaker 3: But maybe when he's thirty seven will be like a

440
00:20:25,520 --> 00:20:27,680
Speaker 3: six beat down he was. Yeah, he has to stop

441
00:20:27,720 --> 00:20:31,359
Speaker 3: beating up singers exactly like perfect example Bobby Brown. Like

442
00:20:31,400 --> 00:20:33,520
Speaker 3: I remember when it was when Bobby Brown was like

443
00:20:33,640 --> 00:20:37,720
Speaker 3: the Prince of R and B, but also the bad boy,

444
00:20:37,800 --> 00:20:41,480
Speaker 3: like Yo, Barby Brown, he out there and now we're like, Yo,

445
00:20:41,560 --> 00:20:46,240
Speaker 3: this dude's a father. This dude is you know, shook drugs.

446
00:20:46,240 --> 00:20:49,320
Speaker 3: This dude has a perspective on life. When you see

447
00:20:49,359 --> 00:20:52,120
Speaker 3: him interviewing, like he's lived life and some of it good,

448
00:20:52,200 --> 00:20:54,879
Speaker 3: some of it bad. And when you hear him get interviewed,

449
00:20:54,880 --> 00:20:58,480
Speaker 3: you're just like, yo, this dude is totally different than

450
00:20:58,520 --> 00:20:59,720
Speaker 3: what I remember as a kid.

451
00:21:00,359 --> 00:21:01,000
Speaker 6: It took a lot.

452
00:21:01,040 --> 00:21:04,640
Speaker 2: I hope that my hope for young people, especially young

453
00:21:04,640 --> 00:21:07,600
Speaker 2: people in the spotlight, is that it doesn't take because

454
00:21:07,640 --> 00:21:10,160
Speaker 2: even Chris Brown has been through you know, he's made

455
00:21:10,160 --> 00:21:14,280
Speaker 2: a lot of mistakes in the public eye. And sometimes

456
00:21:14,359 --> 00:21:15,760
Speaker 2: that's how it is when you're growing up because a

457
00:21:15,760 --> 00:21:18,040
Speaker 2: lot of us it wasn't just we like to think

458
00:21:18,119 --> 00:21:20,920
Speaker 2: after that one time we learned our listen, a lot

459
00:21:20,960 --> 00:21:23,760
Speaker 2: of us it took falling down several times for you

460
00:21:23,880 --> 00:21:26,159
Speaker 2: to really figure out what you had to fix about you.

461
00:21:26,680 --> 00:21:29,800
Speaker 2: And two things I always want to remember is that

462
00:21:29,960 --> 00:21:31,720
Speaker 2: a when someone.

463
00:21:31,520 --> 00:21:34,960
Speaker 6: Is young, you kind of have to give them.

464
00:21:34,080 --> 00:21:36,400
Speaker 2: Acknowledge when they screw up, but recognize, like you said,

465
00:21:36,440 --> 00:21:39,400
Speaker 2: that they're evolving and growing and not just write them

466
00:21:39,440 --> 00:21:40,959
Speaker 2: off depending on what it is, right.

467
00:21:42,600 --> 00:21:47,040
Speaker 6: And also you have to know that as you're growing,

468
00:21:48,240 --> 00:21:49,320
Speaker 6: you might have.

469
00:21:49,320 --> 00:21:55,560
Speaker 2: To take the time to allow somebody to to have

470
00:21:55,680 --> 00:21:58,840
Speaker 2: that the bad experience. Like it's like there isn't going

471
00:21:58,880 --> 00:22:02,320
Speaker 2: to be enough in recognizing that they screwed up and

472
00:22:02,359 --> 00:22:05,600
Speaker 2: recognizing that they messed up, you can call them out

473
00:22:05,640 --> 00:22:09,040
Speaker 2: on it, right, because that's a part of their growth.

474
00:22:09,440 --> 00:22:12,000
Speaker 2: Like if one thing that I noticed because I wrote

475
00:22:12,000 --> 00:22:15,320
Speaker 2: about Kendricks remarx and some people had a problem with

476
00:22:15,359 --> 00:22:19,000
Speaker 2: what I wrote, and they said that it was unfair

477
00:22:19,119 --> 00:22:21,640
Speaker 2: because he's so you know, he's oh, he's like twenty seven.

478
00:22:21,680 --> 00:22:25,080
Speaker 2: He's not like a baby. But everybody was saying, you know,

479
00:22:25,119 --> 00:22:27,720
Speaker 2: he's young, he's still growing. And it's like, yeah, he's

480
00:22:27,720 --> 00:22:29,800
Speaker 2: young and he's still growing. But we also have to

481
00:22:29,800 --> 00:22:33,560
Speaker 2: recognize that all criticism isn't an indictment, right. You know,

482
00:22:33,840 --> 00:22:36,120
Speaker 2: just because I said you need to be more informed

483
00:22:36,119 --> 00:22:38,360
Speaker 2: and you need to do better, doesn't mean that I'm

484
00:22:38,359 --> 00:22:40,840
Speaker 2: saying Kendrick Laurance shit and I'm never buying his music.

485
00:22:40,640 --> 00:22:43,320
Speaker 5: A heare, Like, that's how you grow.

486
00:22:43,880 --> 00:22:46,760
Speaker 2: Right, If nobody ever stopped me and said you young fella,

487
00:22:46,800 --> 00:22:47,520
Speaker 2: you're screwing up.

488
00:22:47,920 --> 00:22:50,440
Speaker 6: I would have never shaped up, you know.

489
00:22:50,720 --> 00:22:53,919
Speaker 2: So I think to a certain degree, we've gotten to

490
00:22:53,960 --> 00:22:56,280
Speaker 2: a place where we've gotten to this really weird all

491
00:22:56,359 --> 00:23:00,159
Speaker 2: or nothing playing in the culture, right, And it's like, you,

492
00:23:00,520 --> 00:23:03,080
Speaker 2: we have to be able to understand this kind of you.

493
00:23:03,200 --> 00:23:05,919
Speaker 2: If you criticize anybody, you're a hater and this your that.

494
00:23:06,000 --> 00:23:08,280
Speaker 2: And it's like you can criticize people out of love.

495
00:23:08,320 --> 00:23:10,560
Speaker 2: I'm been criticized out of love my whole life, right,

496
00:23:10,680 --> 00:23:12,679
Speaker 2: this wasn't for the criticism of people who loved me,

497
00:23:12,720 --> 00:23:15,760
Speaker 2: I would never be a better person. So we have

498
00:23:15,800 --> 00:23:18,199
Speaker 2: to make allowances for that. So allow them to screw up,

499
00:23:18,240 --> 00:23:20,160
Speaker 2: allow them to mess up, and allow them to grow,

500
00:23:20,520 --> 00:23:22,800
Speaker 2: but recognize that part of your part of the growth.

501
00:23:22,840 --> 00:23:24,719
Speaker 2: If you really care about this person or even a

502
00:23:24,720 --> 00:23:28,320
Speaker 2: celebrity as a fan or just an observer, you have

503
00:23:28,400 --> 00:23:30,200
Speaker 2: to kind of like say this is bullshit.

504
00:23:30,280 --> 00:23:30,880
Speaker 6: You can do better.

505
00:23:31,119 --> 00:23:35,080
Speaker 3: Yeah, I think that being empathic is part of it.

506
00:23:35,119 --> 00:23:36,520
Speaker 3: Like one of the things I try to work on,

507
00:23:36,720 --> 00:23:38,879
Speaker 3: you know, as I get older, is being empathic and

508
00:23:39,040 --> 00:23:42,000
Speaker 3: trying to understand yourself from other people's perspective, even people

509
00:23:42,000 --> 00:23:44,240
Speaker 3: that fuck up, Like yeah, because I don't think people

510
00:23:44,320 --> 00:23:46,440
Speaker 3: wake up in the morning like I'm gonna try to

511
00:23:46,480 --> 00:23:50,520
Speaker 3: say something racist, Like, for the most part, most people

512
00:23:50,560 --> 00:23:52,760
Speaker 3: wake up and then they stumble into some stupid shit

513
00:23:52,800 --> 00:23:55,000
Speaker 3: and then it's like, you know, and then and then

514
00:23:55,000 --> 00:23:56,439
Speaker 3: it's kind of like, well, how did you get to

515
00:23:56,480 --> 00:23:58,840
Speaker 3: this stupid shit? Because I feel like you trace that back,

516
00:23:59,200 --> 00:24:01,560
Speaker 3: you have a better under standing of that person, and

517
00:24:01,560 --> 00:24:04,320
Speaker 3: then you get a better understanding from you of yourself

518
00:24:04,359 --> 00:24:06,560
Speaker 3: as well, like why you react a certain way to

519
00:24:06,560 --> 00:24:07,120
Speaker 3: certain things.

520
00:24:07,200 --> 00:24:07,400
Speaker 6: Right.

521
00:24:08,240 --> 00:24:10,280
Speaker 3: And I read the piece on Kendrick and I thought

522
00:24:10,280 --> 00:24:13,320
Speaker 3: it was fair. I read a lot of stuff on King.

523
00:24:13,440 --> 00:24:16,200
Speaker 3: I thought that commentary around what Kendrick said was better

524
00:24:16,240 --> 00:24:19,520
Speaker 3: than the comments because he didn't really elaborate, you know

525
00:24:19,600 --> 00:24:22,840
Speaker 3: what I mean. But uh, you know, I read, I

526
00:24:22,840 --> 00:24:24,639
Speaker 3: read around it, and I was just like, you know,

527
00:24:24,680 --> 00:24:27,960
Speaker 3: seeing other people's perspectives. It was cool, you know, And

528
00:24:27,960 --> 00:24:30,040
Speaker 3: I'm glad that conversation got started. But I want to

529
00:24:30,040 --> 00:24:32,440
Speaker 3: see where Kendrick's at in five years or that, you know,

530
00:24:33,520 --> 00:24:37,000
Speaker 3: because I do remember growing up and I think maybe

531
00:24:37,000 --> 00:24:40,080
Speaker 3: the times changed, especially with social media. You know, some

532
00:24:40,160 --> 00:24:41,880
Speaker 3: of my favorite rappers is to hit you with that

533
00:24:42,320 --> 00:24:43,440
Speaker 3: hey man, if you're selling.

534
00:24:43,200 --> 00:24:43,920
Speaker 5: Drugs in the hood.

535
00:24:43,920 --> 00:24:47,480
Speaker 3: You ain't shit, so don't you know, like, uh, you

536
00:24:47,520 --> 00:24:50,200
Speaker 3: know where it's like, yeah, fuck the police, but fuck

537
00:24:50,240 --> 00:24:52,640
Speaker 3: you too, you drug dealer, motherfucker. And it was like,

538
00:24:52,960 --> 00:24:54,719
Speaker 3: I think you could say it back then, and it

539
00:24:54,800 --> 00:24:57,479
Speaker 3: was more it felt more constructive. But I feel like

540
00:24:57,520 --> 00:25:01,240
Speaker 3: black people got trolled so much in the last like

541
00:25:01,280 --> 00:25:04,760
Speaker 3: two or three years, through social media, through the news,

542
00:25:05,200 --> 00:25:07,840
Speaker 3: the twenty four hour news station. I don't think we

543
00:25:07,920 --> 00:25:10,240
Speaker 3: trust anybody like I don't think you get to say

544
00:25:10,320 --> 00:25:12,840
Speaker 3: shit like that anymore because people are just like, so

545
00:25:12,880 --> 00:25:13,200
Speaker 3: what you.

546
00:25:13,200 --> 00:25:14,560
Speaker 5: Mean about black on black crime?

547
00:25:14,600 --> 00:25:16,919
Speaker 3: Then you're trying to say it's okay to kill me,

548
00:25:17,119 --> 00:25:19,320
Speaker 3: and it's like, nah, I'm just saying nope, I don't

549
00:25:19,320 --> 00:25:20,040
Speaker 3: want to hear that shit.

550
00:25:20,400 --> 00:25:21,320
Speaker 5: I know you from the hood.

551
00:25:21,400 --> 00:25:23,879
Speaker 3: I don't give a fuck. Don Lemon said it, so

552
00:25:23,960 --> 00:25:25,679
Speaker 3: you can't say it, you know. I think we're at

553
00:25:25,760 --> 00:25:28,080
Speaker 3: that point where it's all polarized now, and it's gonna

554
00:25:28,080 --> 00:25:30,439
Speaker 3: be interesting to see where we go from that.

555
00:25:31,040 --> 00:25:34,879
Speaker 2: I think that, And I had this conversation with a

556
00:25:34,920 --> 00:25:38,280
Speaker 2: friend of mine. It isn't when you say it and

557
00:25:38,320 --> 00:25:41,640
Speaker 2: why you said it's as important as what you say. Yeah,

558
00:25:41,720 --> 00:25:45,000
Speaker 2: and we all like, of course, like I don't think

559
00:25:45,040 --> 00:25:47,960
Speaker 2: anybody that gives a shit about black people it's cool

560
00:25:47,960 --> 00:25:50,320
Speaker 2: with black young black men killing each other, Like, no,

561
00:25:50,400 --> 00:25:53,000
Speaker 2: of course we're not. But if I'm in the middle

562
00:25:53,000 --> 00:25:56,960
Speaker 2: of talking about Ferguson or Eric Garner and you throw

563
00:25:57,040 --> 00:26:00,120
Speaker 2: that in there, then what's your intention in throwing it

564
00:26:00,160 --> 00:26:02,600
Speaker 2: in there? Your intention and throwing that in there probably

565
00:26:02,720 --> 00:26:06,280
Speaker 2: isn't just concern for young black men. Your intention is

566
00:26:06,400 --> 00:26:11,119
Speaker 2: probably to silence this conversation or undermine this conversation.

567
00:26:11,600 --> 00:26:12,960
Speaker 6: So it's like, like I gave you.

568
00:26:12,920 --> 00:26:15,280
Speaker 2: The example on Twitter right after the Kendrick thing happened,

569
00:26:15,760 --> 00:26:21,560
Speaker 2: I said, kras One wrote sound of the Police. He

570
00:26:21,640 --> 00:26:25,520
Speaker 2: also wrote stop the Violence, Like those two ideas aren't

571
00:26:25,560 --> 00:26:29,200
Speaker 2: mutually exclusive, But he didn't end Sound of the Police

572
00:26:29,400 --> 00:26:31,960
Speaker 2: with a verse about stopping the violence, you know what

573
00:26:32,000 --> 00:26:33,800
Speaker 2: I mean, Like, you can speak to both of these

574
00:26:33,880 --> 00:26:37,560
Speaker 2: issues without using this to sort of undercut that. And

575
00:26:37,640 --> 00:26:39,719
Speaker 2: that was the problem that I had with Kendrick's position

576
00:26:39,960 --> 00:26:41,440
Speaker 2: and a lot of the cats that I got into

577
00:26:41,440 --> 00:26:45,439
Speaker 2: the base with about it, is because you can't if

578
00:26:45,760 --> 00:26:48,199
Speaker 2: we all care about what's happening in the streets, but

579
00:26:49,080 --> 00:26:52,160
Speaker 2: that thing and this thing aren't connected.

580
00:26:52,600 --> 00:26:54,119
Speaker 6: Like we can address this issue.

581
00:26:54,119 --> 00:26:57,160
Speaker 2: It's like saying, while you're talking about obesity when half

582
00:26:57,200 --> 00:26:58,640
Speaker 2: our kids can't read, it's like.

583
00:27:00,080 --> 00:27:01,720
Speaker 5: I have to do with that, you know what I mean?

584
00:27:01,720 --> 00:27:05,760
Speaker 2: Like we can address both of these things. And I

585
00:27:05,800 --> 00:27:08,080
Speaker 2: think in terms of the that's the climate. In terms

586
00:27:08,080 --> 00:27:10,320
Speaker 2: of when you talk about people not being ready to

587
00:27:10,320 --> 00:27:11,520
Speaker 2: have that conversation, I.

588
00:27:11,480 --> 00:27:12,480
Speaker 6: Think we still care.

589
00:27:12,640 --> 00:27:16,840
Speaker 2: It's just so many people have been using that to

590
00:27:16,880 --> 00:27:19,600
Speaker 2: diffuse the other thing that you have to be real

591
00:27:19,800 --> 00:27:22,040
Speaker 2: kind of you have to be real vigilant right now

592
00:27:22,040 --> 00:27:24,080
Speaker 2: about what you say about these issues because there are

593
00:27:24,119 --> 00:27:28,320
Speaker 2: too many people, particularly white people and particularly white people

594
00:27:28,359 --> 00:27:30,960
Speaker 2: in positions of influence, who will hear that and go

595
00:27:31,200 --> 00:27:35,320
Speaker 2: see you see, I think nobody.

596
00:27:35,040 --> 00:27:37,520
Speaker 6: Wants to talk about that. And that's but you're not

597
00:27:37,520 --> 00:27:38,359
Speaker 6: getting off that easy.

598
00:27:38,400 --> 00:27:41,440
Speaker 3: That's when earlier I was talking about the insecurity within ourselves.

599
00:27:41,880 --> 00:27:44,200
Speaker 5: I think that's an insecurity.

600
00:27:43,640 --> 00:27:45,719
Speaker 3: We have, and I think people put the when they

601
00:27:45,760 --> 00:27:48,440
Speaker 3: hear the word insecurity, they associated with something negative. I'm

602
00:27:48,440 --> 00:27:51,320
Speaker 3: not saying in a negative way, just dictionary term, just

603
00:27:51,359 --> 00:27:54,600
Speaker 3: straight you know, a thing that we are concerned about

604
00:27:54,640 --> 00:27:57,800
Speaker 3: because you know, how we feel is being perceived. And

605
00:27:57,880 --> 00:28:00,639
Speaker 3: I do feel like That's what happens sometimes is like

606
00:28:01,000 --> 00:28:02,679
Speaker 3: I'll look at myself and be like, why am I

607
00:28:02,720 --> 00:28:07,720
Speaker 3: insecure about how Kendrick feels about black on black crime

608
00:28:07,920 --> 00:28:12,520
Speaker 3: versus police and citizens killing innocent black people?

609
00:28:13,200 --> 00:28:16,960
Speaker 5: And part of that is this idea of what white.

610
00:28:16,720 --> 00:28:19,840
Speaker 3: People were here, and then they'll think it's okay, you know,

611
00:28:20,080 --> 00:28:23,320
Speaker 3: which you know they shouldn't be that, shouldn't do that,

612
00:28:23,359 --> 00:28:26,119
Speaker 3: you know what I mean? Like, part of that is

613
00:28:26,160 --> 00:28:27,920
Speaker 3: the fact that I feel like white people are gonna

614
00:28:28,040 --> 00:28:30,920
Speaker 3: go away with that and think it's and think, well,

615
00:28:30,960 --> 00:28:33,880
Speaker 3: since Kendrick said it, this is a thing that you.

616
00:28:33,840 --> 00:28:35,440
Speaker 5: Know, I can feel comfortable believing.

617
00:28:35,960 --> 00:28:38,160
Speaker 3: And I think, you know, I would fight them on

618
00:28:38,200 --> 00:28:40,720
Speaker 3: that too, because I think black people do have diverse

619
00:28:40,760 --> 00:28:43,560
Speaker 3: opinions and we don't all agree. And just because Stacey

620
00:28:43,640 --> 00:28:47,000
Speaker 3: Dadd says some dumb shit doesn't mean it's okay for

621
00:28:47,400 --> 00:28:49,200
Speaker 3: you to go run with that dumb shit. Just because

622
00:28:49,240 --> 00:28:53,440
Speaker 3: Jason Whitlock agrees with some racial racist points doesn't mean that,

623
00:28:54,040 --> 00:28:56,520
Speaker 3: you know, the guy listening to the Fox Sports gets

624
00:28:56,600 --> 00:28:59,680
Speaker 3: to walk around and say, well, Whitlock said, because I

625
00:28:59,760 --> 00:29:01,320
Speaker 3: you know, if my friends ever try that ship, I

626
00:29:01,320 --> 00:29:03,520
Speaker 3: all straight up jack them up in public like, Nope,

627
00:29:03,560 --> 00:29:04,360
Speaker 3: that's not happening.

628
00:29:05,640 --> 00:29:08,080
Speaker 5: But yeah, I think it's that insecurity.

629
00:29:07,440 --> 00:29:10,480
Speaker 3: All around, and it is kind of this environment where,

630
00:29:10,920 --> 00:29:13,200
Speaker 3: like I said, we've been trolled so much. Man, I

631
00:29:13,440 --> 00:29:16,400
Speaker 3: you know, I don't know that how it'll end or

632
00:29:16,400 --> 00:29:18,200
Speaker 3: if it'll ever end, because I just feel like the

633
00:29:18,280 --> 00:29:21,719
Speaker 3: trolling is so profitable at this point, you know, like

634
00:29:21,760 --> 00:29:23,800
Speaker 3: everyone you can do a TV show off of it,

635
00:29:23,880 --> 00:29:26,480
Speaker 3: and hey, ask a cop and then CNN's got the

636
00:29:26,600 --> 00:29:30,400
Speaker 3: number one ratings for the news that night. So I don't,

637
00:29:30,560 --> 00:29:31,880
Speaker 3: you know, I don't know what the right answer is,

638
00:29:31,920 --> 00:29:34,200
Speaker 3: but I do hope that Kendrick does some of the

639
00:29:34,200 --> 00:29:36,360
Speaker 3: stuff gets back to him, and I hope he you know,

640
00:29:36,440 --> 00:29:39,400
Speaker 3: develops because you know, I could, I could see his point,

641
00:29:39,480 --> 00:29:42,920
Speaker 3: but I feel like he needs to he gotta, he

642
00:29:42,960 --> 00:29:44,160
Speaker 3: gotta elaborate.

643
00:29:43,760 --> 00:29:44,239
Speaker 5: More on that.

644
00:29:44,360 --> 00:29:48,080
Speaker 3: And I mean musically as well, because I thought Good

645
00:29:48,160 --> 00:29:51,520
Speaker 3: Kid Mad City is one of the like seminal like

646
00:29:51,760 --> 00:29:55,320
Speaker 3: Black Love Records, you know what I mean to just

647
00:29:55,360 --> 00:29:58,320
Speaker 3: like it didn't even really care about anybody but us.

648
00:29:58,360 --> 00:30:01,200
Speaker 3: It's like a from black people two black people, like

649
00:30:01,240 --> 00:30:04,600
Speaker 3: this is this is some ship that you know, my

650
00:30:04,720 --> 00:30:08,280
Speaker 3: personal journey. And then I wonder, like to get something

651
00:30:08,360 --> 00:30:13,280
Speaker 3: so so with so much thought put into it to

652
00:30:13,320 --> 00:30:15,000
Speaker 3: get that comment, I was just kind of like, man,

653
00:30:15,000 --> 00:30:17,800
Speaker 3: I wonder where he's going with this, so looking forward

654
00:30:17,840 --> 00:30:22,520
Speaker 3: to the new album anyway, though, you know his art.

655
00:30:22,440 --> 00:30:23,200
Speaker 6: Is so strong.

656
00:30:23,840 --> 00:30:29,960
Speaker 2: Yeah, that's why I mean being honest and being a

657
00:30:30,000 --> 00:30:37,360
Speaker 2: fair Like if me goes to somebody said that shit right, right,

658
00:30:37,440 --> 00:30:42,400
Speaker 2: but his art being so strong, it doesn't make me

659
00:30:42,560 --> 00:30:45,280
Speaker 2: get let him off the hook, but it does make

660
00:30:45,320 --> 00:30:47,920
Speaker 2: me go, Like you said, I want to see what

661
00:30:48,000 --> 00:30:51,120
Speaker 2: happens next with him because I feel like there's more there.

662
00:30:51,520 --> 00:30:54,320
Speaker 2: And as you touched on earlier, if you would have

663
00:30:54,320 --> 00:30:56,680
Speaker 2: asked me something like that fifteen years ago, I might

664
00:30:56,760 --> 00:30:59,880
Speaker 2: have had a similar response, like we're all kind of evolving.

665
00:31:00,000 --> 00:31:02,000
Speaker 6: I didn't come out the wound with the perspectives that

666
00:31:02,040 --> 00:31:02,600
Speaker 6: I have now.

667
00:31:02,920 --> 00:31:04,800
Speaker 2: Hell, you can find old tweets from like two thousand

668
00:31:04,800 --> 00:31:07,800
Speaker 2: and eight, two thousand and nine, and I probably sound

669
00:31:07,880 --> 00:31:09,680
Speaker 2: very different than I do now about a whole lot

670
00:31:09,680 --> 00:31:13,040
Speaker 2: of stuff. So we got to just it's good to

671
00:31:13,760 --> 00:31:18,480
Speaker 2: remember that, hey, like, remember who's family and who ain't right,

672
00:31:18,760 --> 00:31:24,160
Speaker 2: and remember remember that it's okay to be to tell

673
00:31:24,200 --> 00:31:26,480
Speaker 2: somebody you love that they're wrong and I don't mean love,

674
00:31:26,520 --> 00:31:28,560
Speaker 2: like in a real personal level, but just on some Yeah,

675
00:31:28,600 --> 00:31:31,920
Speaker 2: I respect you as an artist. Your art matters to me.

676
00:31:33,040 --> 00:31:34,720
Speaker 2: I think you're wrong on this, but I'm not going

677
00:31:34,800 --> 00:31:36,600
Speaker 2: to throw you away because I disagree with you. All.

678
00:31:36,680 --> 00:31:36,840
Speaker 9: Yeah.

679
00:31:36,840 --> 00:31:38,400
Speaker 3: When I listen to Black and the Barrier, the thing

680
00:31:38,440 --> 00:31:41,280
Speaker 3: I came away with is if I was Kendrick's friend,

681
00:31:41,400 --> 00:31:44,280
Speaker 3: I would be like, I don't think you're a hypocrite.

682
00:31:44,520 --> 00:31:45,280
Speaker 5: That's it.

683
00:31:45,400 --> 00:31:48,480
Speaker 3: Like you might feel a certain way, and I understand

684
00:31:48,520 --> 00:31:51,200
Speaker 3: it's very emotionally conflicting and you're only talking about your

685
00:31:51,240 --> 00:31:54,400
Speaker 3: own personal feelings and shit, But end of the day,

686
00:31:54,640 --> 00:31:56,000
Speaker 3: that shit don't make you a hypocrite.

687
00:31:56,000 --> 00:31:57,360
Speaker 5: You can cry for both those people.

688
00:31:58,280 --> 00:32:00,600
Speaker 10: Yes, what you're saying, Yeah, I say, yes you can,

689
00:32:00,720 --> 00:32:03,640
Speaker 10: and you can have concern about it and things like that,

690
00:32:03,720 --> 00:32:06,800
Speaker 10: and touching on some of the things that you were saying,

691
00:32:07,000 --> 00:32:09,080
Speaker 10: you guys were saying before about the social media, something

692
00:32:09,120 --> 00:32:13,400
Speaker 10: I realized is that older generation our age and older

693
00:32:13,640 --> 00:32:17,360
Speaker 10: have a tendency to forget. Well, they don't forget, they

694
00:32:17,400 --> 00:32:19,000
Speaker 10: just don't give a fuck about them fucking up in

695
00:32:19,040 --> 00:32:22,120
Speaker 10: their childhood and them doing screwed up shit and them

696
00:32:22,160 --> 00:32:24,560
Speaker 10: having sex on school grounds and them doing drugs and

697
00:32:24,560 --> 00:32:27,960
Speaker 10: them getting high, and them you know, holding around and

698
00:32:28,040 --> 00:32:30,240
Speaker 10: all this other stuff. But guess what it was no film,

699
00:32:30,280 --> 00:32:32,640
Speaker 10: with no camera, with no tape. Couldn't nobody putting no

700
00:32:32,680 --> 00:32:36,760
Speaker 10: revenge pulling them up on you also, and a lot

701
00:32:36,800 --> 00:32:40,240
Speaker 10: of times, my thing is this, Instead of you having

702
00:32:40,360 --> 00:32:43,480
Speaker 10: sympathy and empathy and remembering people coming and talking to

703
00:32:43,520 --> 00:32:46,800
Speaker 10: you and teaching you and advising you and helping you

704
00:32:47,000 --> 00:32:49,640
Speaker 10: and guiding you in a loving manner, you use this

705
00:32:49,640 --> 00:32:51,800
Speaker 10: as a way to judge people because it's on the

706
00:32:51,800 --> 00:32:52,720
Speaker 10: internet forever.

707
00:32:53,000 --> 00:32:54,320
Speaker 4: But I tell people, don't forget.

708
00:32:54,440 --> 00:32:57,160
Speaker 10: If your life was plastered like their life is plastered

709
00:32:57,160 --> 00:32:59,040
Speaker 10: with people view you the same way as they do

710
00:32:59,160 --> 00:33:01,040
Speaker 10: right now, you can just look and give.

711
00:33:00,960 --> 00:33:02,640
Speaker 4: Them the side I go. I'm glad. I don't nobody

712
00:33:02,680 --> 00:33:04,200
Speaker 4: know I was fucking such such a glad. I don't

713
00:33:04,240 --> 00:33:06,480
Speaker 4: nobody know I did such such glass such.

714
00:33:06,560 --> 00:33:09,120
Speaker 10: No, don't know I didn't suck that dick because it's

715
00:33:09,160 --> 00:33:10,680
Speaker 10: not somewhere it could be posted.

716
00:33:10,880 --> 00:33:13,000
Speaker 4: So don't be judgmental on children.

717
00:33:13,000 --> 00:33:16,160
Speaker 10: And the same ideas and philosophies that you have right now,

718
00:33:16,360 --> 00:33:19,000
Speaker 10: you didn't think like this five years ago, ten years ago,

719
00:33:19,040 --> 00:33:21,840
Speaker 10: fifteen years ago. And so my thing is like people

720
00:33:21,960 --> 00:33:24,800
Speaker 10: are not forgiving, but they want this empathy and sympathy

721
00:33:24,800 --> 00:33:26,400
Speaker 10: and mercy placed on their lives.

722
00:33:26,800 --> 00:33:31,600
Speaker 3: Right, Yeah, I'm not also stereo. Speaking of Twitter, you

723
00:33:31,680 --> 00:33:33,040
Speaker 3: talk about music a lot.

724
00:33:34,560 --> 00:33:34,760
Speaker 6: Yeah.

725
00:33:34,840 --> 00:33:37,360
Speaker 3: No, I'm not saying as a negative I love it,

726
00:33:37,400 --> 00:33:40,880
Speaker 3: but I'm saying I don't talk about music that much

727
00:33:41,200 --> 00:33:46,480
Speaker 3: because people go crazy about music so strong. Yet, like,

728
00:33:47,000 --> 00:33:49,400
Speaker 3: how do you deal with the constant Like do you

729
00:33:49,520 --> 00:33:52,160
Speaker 3: just enjoy the debate in the back and forth or

730
00:33:52,880 --> 00:33:54,400
Speaker 3: or like how do you deal with that? Cause I

731
00:33:54,400 --> 00:33:57,479
Speaker 3: would I would be cussing someone our daily dude.

732
00:33:58,640 --> 00:34:03,640
Speaker 2: Oh it's funny, Like when it's cool, it's cool, and

733
00:34:03,680 --> 00:34:06,640
Speaker 2: then it all it takes that turn because you know,

734
00:34:06,760 --> 00:34:12,719
Speaker 2: as you know, I'll react how we will go there

735
00:34:13,160 --> 00:34:18,759
Speaker 2: and and people come at you crazy, and I don't know,

736
00:34:18,840 --> 00:34:21,399
Speaker 2: like sometimes it's fun and sometimes it's draining as hell.

737
00:34:21,480 --> 00:34:25,960
Speaker 2: I tweet about music almost compulsively, just because I'm always

738
00:34:26,000 --> 00:34:28,000
Speaker 2: in some headphones, so it's like whatever I'm listening to,

739
00:34:28,080 --> 00:34:32,839
Speaker 2: I tweet about it. I watch I watched music documentaries,

740
00:34:32,880 --> 00:34:35,839
Speaker 2: like like I watch music documents about bands and artists

741
00:34:35,840 --> 00:34:36,919
Speaker 2: that I don't even give a shit about.

742
00:34:36,960 --> 00:34:38,520
Speaker 6: I just I'm that into.

743
00:34:39,880 --> 00:34:42,320
Speaker 2: Part of why I became a music journalist was because

744
00:34:42,320 --> 00:34:43,840
Speaker 2: I love music, but a big part of why I

745
00:34:43,840 --> 00:34:46,920
Speaker 2: became music journalist is because I love music journalism. So

746
00:34:47,840 --> 00:34:50,120
Speaker 2: I'm that dude that watched the shipload of documentaries, that

747
00:34:50,239 --> 00:34:53,040
Speaker 2: read the shipload of interviews, that just kind of absorbed

748
00:34:53,480 --> 00:34:57,000
Speaker 2: every bit of fucking music trivia that came across my way.

749
00:34:57,360 --> 00:35:03,040
Speaker 2: And on Twitter, people are crazy, like people are super

750
00:35:03,080 --> 00:35:06,640
Speaker 2: weird about whatever artists they like or don't like. I

751
00:35:06,719 --> 00:35:12,040
Speaker 2: remember when I think when Bomani Jones first started following me,

752
00:35:12,800 --> 00:35:14,960
Speaker 2: one of our first exchanges or one of the first

753
00:35:14,960 --> 00:35:19,880
Speaker 2: things he retweeted, was me kind of criticizing Eric Clapton.

754
00:35:20,520 --> 00:35:24,560
Speaker 2: And I tend to tweet about a lot of older

755
00:35:24,640 --> 00:35:29,239
Speaker 2: music because it's safer. Yeah, yeah, sometimes because so many

756
00:35:29,880 --> 00:35:33,600
Speaker 2: new music, like so many people are like intensely devoted

757
00:35:33,640 --> 00:35:37,160
Speaker 2: to current artists, and I'm not even that intensely passionate

758
00:35:37,200 --> 00:35:39,000
Speaker 2: about the artist one way or the other to have

759
00:35:39,440 --> 00:35:41,680
Speaker 2: some nineteen year old customing out on Twitter.

760
00:35:42,080 --> 00:35:43,560
Speaker 6: So I would tweet about old stuff.

761
00:35:43,560 --> 00:35:45,520
Speaker 2: And this day I tweeted about Eric Clapton and it

762
00:35:45,560 --> 00:35:48,560
Speaker 2: wasn't that favorable favorable, and.

763
00:35:50,200 --> 00:35:50,480
Speaker 6: Dude.

764
00:35:50,480 --> 00:35:54,360
Speaker 2: For about three hours, I had people in my mentions

765
00:35:54,360 --> 00:35:59,719
Speaker 2: calling me ignorant nigga and why are you tweeting about

766
00:35:59,760 --> 00:36:02,960
Speaker 2: rock music anyway? And don't you know who Eric Clapton

767
00:36:03,200 --> 00:36:07,799
Speaker 2: is and Blase blah and I'm just like days like

768
00:36:07,840 --> 00:36:09,759
Speaker 2: that when I when I go to my it's time

769
00:36:09,760 --> 00:36:12,640
Speaker 2: for me to take a break the place because it's

770
00:36:12,640 --> 00:36:14,919
Speaker 2: something man, that have like a bunch of strangers calling

771
00:36:14,960 --> 00:36:17,600
Speaker 2: you an asshole all at the same time.

772
00:36:17,920 --> 00:36:19,640
Speaker 6: But for the most part, it's cool.

773
00:36:19,760 --> 00:36:24,279
Speaker 2: It's just certain certain artists, man, people I don't I

774
00:36:24,280 --> 00:36:25,320
Speaker 2: don't tweet about Beyonce.

775
00:36:26,239 --> 00:36:27,960
Speaker 4: Oh no, you bet no, you better not.

776
00:36:29,200 --> 00:36:33,400
Speaker 6: Sweet about Rihanna. I don't need it. I don't need that.

777
00:36:33,520 --> 00:36:35,280
Speaker 6: I don't need that evil on me. Ricky Bobby.

778
00:36:35,400 --> 00:36:41,200
Speaker 3: Yeah, I only tweet about Positive because yeah, yeah, she

779
00:36:41,360 --> 00:36:43,239
Speaker 3: do something I don't like, I don't approve of.

780
00:36:43,320 --> 00:36:44,760
Speaker 5: I'll be like, I keep that to myself.

781
00:36:45,160 --> 00:36:46,160
Speaker 6: The world don't need to hear it.

782
00:36:46,360 --> 00:36:48,759
Speaker 5: Yeah, it ain't worth a headache, man.

783
00:36:49,200 --> 00:36:54,839
Speaker 3: And the thing is like I watched the Grammys and

784
00:36:55,200 --> 00:36:57,000
Speaker 3: you know, you know, I'm old.

785
00:36:57,120 --> 00:36:58,080
Speaker 5: I'm stuck in my ways.

786
00:36:58,080 --> 00:37:00,799
Speaker 3: I like my music, even I keep up with new

787
00:37:00,840 --> 00:37:02,719
Speaker 3: music is mostly hip hop that I keep up with,

788
00:37:02,840 --> 00:37:05,000
Speaker 3: you know, and just whatever strike my fancy, you know,

789
00:37:05,440 --> 00:37:09,240
Speaker 3: a bunch of shit. But you know, I'll see certain

790
00:37:09,280 --> 00:37:12,400
Speaker 3: people like I saw Sia for the first time, and

791
00:37:12,480 --> 00:37:13,560
Speaker 3: I was like, how do y'all.

792
00:37:13,360 --> 00:37:16,400
Speaker 5: Even know that this is a fucking like person.

793
00:37:16,480 --> 00:37:19,239
Speaker 3: This could be Rihanna in a wig, just could be

794
00:37:19,320 --> 00:37:22,200
Speaker 3: a recording like y'all could be getting played.

795
00:37:22,239 --> 00:37:23,920
Speaker 5: And I just made the joke because you know, I.

796
00:37:23,920 --> 00:37:26,680
Speaker 3: Joke a lot, and man, people got mad.

797
00:37:26,719 --> 00:37:27,000
Speaker 10: For real.

798
00:37:27,080 --> 00:37:28,080
Speaker 5: It's like, that's my girl.

799
00:37:28,120 --> 00:37:33,720
Speaker 3: You're gonna stop talking about sea on coming for youwet.

800
00:37:32,080 --> 00:37:34,120
Speaker 2: About current like I do, But like I try to

801
00:37:34,160 --> 00:37:35,840
Speaker 2: keep it to a minimum because.

802
00:37:35,719 --> 00:37:37,279
Speaker 6: Like, you know, how so many artists that they have

803
00:37:37,400 --> 00:37:38,239
Speaker 6: these little.

804
00:37:38,320 --> 00:37:41,560
Speaker 2: Like the Bayhive and Na's Navy and all these people,

805
00:37:41,560 --> 00:37:44,360
Speaker 2: and it's like it's almost like a cult of fans.

806
00:37:45,160 --> 00:37:47,600
Speaker 3: I started one. I started one for Lauren Hill. It's

807
00:37:47,640 --> 00:37:51,920
Speaker 3: called It's called the Ant Hill. Talk about Lauren not

808
00:37:51,920 --> 00:37:54,040
Speaker 3: showing up at your concert. We're coming for your ass.

809
00:37:54,760 --> 00:38:01,400
Speaker 3: He's down the low. We'll come get you all you

810
00:38:01,480 --> 00:38:03,880
Speaker 3: find out you she ain't showed up, Yeah, we'd be

811
00:38:03,880 --> 00:38:06,160
Speaker 3: all up in your mentiones play the album then go

812
00:38:06,200 --> 00:38:08,399
Speaker 3: get the CD and listen to that in the car.

813
00:38:08,520 --> 00:38:11,200
Speaker 3: You ain't got to be talking bad about the queen.

814
00:38:12,239 --> 00:38:14,240
Speaker 10: And you know what, when when it comes to music,

815
00:38:14,440 --> 00:38:17,200
Speaker 10: I love music and I love you know, certain artists

816
00:38:17,239 --> 00:38:17,879
Speaker 10: and things like that.

817
00:38:18,080 --> 00:38:19,279
Speaker 4: But I've never had that.

818
00:38:19,360 --> 00:38:22,719
Speaker 10: Thing in me where I just go crazy if you

819
00:38:22,840 --> 00:38:25,759
Speaker 10: say anything like, I've never had that within me.

820
00:38:26,360 --> 00:38:27,560
Speaker 5: Yeah.

821
00:38:26,920 --> 00:38:29,759
Speaker 10: And I don't know if it's because the Internet or

822
00:38:29,800 --> 00:38:31,200
Speaker 10: social media and a lot of times, I think a

823
00:38:31,200 --> 00:38:32,799
Speaker 10: lot of them back to the youth, a lot of.

824
00:38:32,800 --> 00:38:36,360
Speaker 4: Them are young, right, like super stupid duper young. Is

825
00:38:36,760 --> 00:38:39,000
Speaker 4: they all in or out at that age?

826
00:38:39,160 --> 00:38:40,560
Speaker 5: Yeah? What bothers me is uh?

827
00:38:41,000 --> 00:38:43,040
Speaker 3: I think what broke me was I used to be

828
00:38:43,080 --> 00:38:46,319
Speaker 3: on this website s HH, on the forums back in

829
00:38:46,360 --> 00:38:50,319
Speaker 3: the day, you know, And what what broke me was

830
00:38:50,360 --> 00:38:53,840
Speaker 3: when people used to argue the jay Z versus NAS

831
00:38:53,880 --> 00:38:57,600
Speaker 3: thing so much they had to create this own separate

832
00:38:57,719 --> 00:38:59,759
Speaker 3: form just for that.

833
00:38:59,840 --> 00:39:02,040
Speaker 5: And I was like, oh, like.

834
00:39:02,280 --> 00:39:04,719
Speaker 3: Nothing makes you feel like a loser more than that

835
00:39:04,840 --> 00:39:08,400
Speaker 3: than being like, let me go check the threads to

836
00:39:08,520 --> 00:39:10,800
Speaker 3: see what the new thing is today.

837
00:39:11,000 --> 00:39:14,280
Speaker 5: Two years after Ether and Takeover.

838
00:39:13,880 --> 00:39:16,759
Speaker 3: Came out, like I can't do it, man, I can't

839
00:39:16,760 --> 00:39:16,920
Speaker 3: do it.

840
00:39:16,960 --> 00:39:18,640
Speaker 5: Can't see myself fighting with you that long.

841
00:39:18,719 --> 00:39:18,839
Speaker 9: Bro.

842
00:39:19,400 --> 00:39:20,520
Speaker 6: Yeah, it's like I can't.

843
00:39:20,960 --> 00:39:25,080
Speaker 2: I like to what I realized coming from that era

844
00:39:25,200 --> 00:39:27,480
Speaker 2: of when cats used to argue all day about who's

845
00:39:27,480 --> 00:39:30,480
Speaker 2: the best MC, b JZ and nas. And now it's

846
00:39:30,560 --> 00:39:33,719
Speaker 2: kind of like I'm more into like if you notice,

847
00:39:33,719 --> 00:39:36,200
Speaker 2: a lot of my tweets are more sort of, for

848
00:39:36,320 --> 00:39:38,440
Speaker 2: lack of a better word, history lessons like I just

849
00:39:38,520 --> 00:39:42,520
Speaker 2: kind of give perspective on certain eras of music or

850
00:39:42,520 --> 00:39:45,160
Speaker 2: certain artists, little stuff that I know, as opposed to

851
00:39:46,320 --> 00:39:49,680
Speaker 2: debating real hard about who's better. Now I will clown

852
00:39:49,840 --> 00:39:53,440
Speaker 2: artists just because it's fun to me. Yes, I like

853
00:39:53,480 --> 00:39:57,279
Speaker 2: making fun of boys to men. I enjoy it, But

854
00:39:57,840 --> 00:39:59,880
Speaker 2: I'm not really trying to like piss you off with

855
00:40:00,200 --> 00:40:00,680
Speaker 2: It's just.

856
00:40:00,600 --> 00:40:02,400
Speaker 3: Like, hey, have you ever done that? And then the

857
00:40:02,480 --> 00:40:04,200
Speaker 3: artist hit you up on Twitter? Because that happened to

858
00:40:04,239 --> 00:40:04,680
Speaker 3: me before.

859
00:40:05,719 --> 00:40:10,360
Speaker 2: It's never been an artist. Oh yes, yes, sauce money

860
00:40:10,360 --> 00:40:15,640
Speaker 2: came to me. Yo, I've had when it comes to

861
00:40:15,680 --> 00:40:17,759
Speaker 2: that ship, I've had the most. I tell people all

862
00:40:17,800 --> 00:40:21,280
Speaker 2: the time. My Twitter rogues gallery is the most random

863
00:40:21,320 --> 00:40:24,440
Speaker 2: collection of personalities came after me.

864
00:40:25,320 --> 00:40:29,279
Speaker 3: Who oh yeah, well blocked me for some reason. I've

865
00:40:29,280 --> 00:40:30,719
Speaker 3: never said a word of that mad block.

866
00:40:31,280 --> 00:40:33,280
Speaker 2: I said something that he was all in my mentions.

867
00:40:33,360 --> 00:40:38,920
Speaker 2: And then Roland Martin came after me one and Sauce

868
00:40:39,000 --> 00:40:45,360
Speaker 2: Money Scott Bayo, and there was somebody else that's like

869
00:40:45,360 --> 00:40:47,279
Speaker 2: a third random ass person who I can't think of

870
00:40:47,360 --> 00:40:49,160
Speaker 2: right now, but it Sauce Money is Scott Bayo, my

871
00:40:49,200 --> 00:40:49,800
Speaker 2: two favorites.

872
00:40:49,880 --> 00:40:51,880
Speaker 6: Oh my god, how the hell does that happen?

873
00:40:52,239 --> 00:40:54,759
Speaker 3: One of the dudes from Goodie Mid came and got

874
00:40:54,760 --> 00:40:57,920
Speaker 3: me because I don't making some jokes about how they

875
00:40:57,960 --> 00:40:58,759
Speaker 3: fell off at the.

876
00:40:58,680 --> 00:41:01,879
Speaker 5: Ce Lo left. He was like, nah, man, we still

877
00:41:01,920 --> 00:41:03,359
Speaker 5: think it was like it was a cool Joe.

878
00:41:03,400 --> 00:41:05,839
Speaker 3: One of them was like, we're still gonna come back, man,

879
00:41:05,840 --> 00:41:07,879
Speaker 3: We're working on one Muggy on stopping no Show.

880
00:41:07,920 --> 00:41:11,160
Speaker 5: I was like, all right, brother, Yeah.

881
00:41:11,239 --> 00:41:13,960
Speaker 3: Then another time I tweeted about I tweeted about the

882
00:41:14,040 --> 00:41:17,440
Speaker 3: Foosh niggas and Chip Foo actually hit me up. It

883
00:41:17,560 --> 00:41:20,279
Speaker 3: was like, yeah, man, I still rapped and all, and

884
00:41:20,320 --> 00:41:23,000
Speaker 3: it just it started feeling sad because I wasn't even

885
00:41:23,040 --> 00:41:23,719
Speaker 3: shitting on him.

886
00:41:24,160 --> 00:41:25,080
Speaker 5: It's like I was trying to.

887
00:41:25,160 --> 00:41:27,239
Speaker 3: I was remembering how dope they was, like, yo, man,

888
00:41:27,280 --> 00:41:29,399
Speaker 3: I really liked the Foosh niggas. I forgot how much

889
00:41:29,440 --> 00:41:32,520
Speaker 3: I liked them listening to their greatest hits here, you know,

890
00:41:32,719 --> 00:41:35,080
Speaker 3: like like eight of these ten songs, and then all

891
00:41:35,080 --> 00:41:36,719
Speaker 3: of a sudden he hit me up. I was like, yeah, man,

892
00:41:36,719 --> 00:41:38,120
Speaker 3: you know I'm still rapping. I'm gonna be doing the

893
00:41:38,120 --> 00:41:41,279
Speaker 3: show over and song. So I was like, oh, man,

894
00:41:41,560 --> 00:41:43,719
Speaker 3: you want some tickets right right?

895
00:41:43,760 --> 00:41:44,840
Speaker 5: It's like that.

896
00:41:45,600 --> 00:41:48,120
Speaker 3: I used to make a joke about how I saw

897
00:41:48,200 --> 00:41:52,680
Speaker 3: Dre from Black Sheet make uh work in fries and

898
00:41:52,680 --> 00:41:55,239
Speaker 3: in them all one time, and everybody gets mad at

899
00:41:55,239 --> 00:41:57,280
Speaker 3: that joke, but I was just like, that's how it felt.

900
00:41:57,400 --> 00:42:00,239
Speaker 3: Was like, damn Chip food, man, you working fries at

901
00:42:00,239 --> 00:42:00,919
Speaker 3: the food court?

902
00:42:01,680 --> 00:42:02,680
Speaker 5: Coming in on Twitter?

903
00:42:02,719 --> 00:42:02,919
Speaker 4: Man?

904
00:42:02,960 --> 00:42:07,279
Speaker 5: I felt so bad. But all right, man, let's let

905
00:42:07,680 --> 00:42:08,640
Speaker 5: me ask you a couple.

906
00:42:08,360 --> 00:42:11,560
Speaker 3: Of questions about some some current stuff going on right now.

907
00:42:12,080 --> 00:42:13,280
Speaker 5: Did you see the Grammys?

908
00:42:14,320 --> 00:42:17,000
Speaker 6: No, I didn't watch the Grammys. I didn't watch the Oscars.

909
00:42:17,040 --> 00:42:18,680
Speaker 6: I kind of I got the highlights, but I didn't

910
00:42:18,680 --> 00:42:19,239
Speaker 6: watch all.

911
00:42:19,200 --> 00:42:22,120
Speaker 3: Right, Now, do you not watch the Grammys out of

912
00:42:22,200 --> 00:42:24,520
Speaker 3: like some sort of moral stance or you just don't care.

913
00:42:25,560 --> 00:42:29,960
Speaker 2: Semi moral stance, because I don't care, like what the

914
00:42:30,800 --> 00:42:33,440
Speaker 2: I just I've tweeted about every year I tweet the

915
00:42:33,480 --> 00:42:34,200
Speaker 2: same stuff.

916
00:42:33,960 --> 00:42:34,720
Speaker 6: About the Grammys.

917
00:42:35,840 --> 00:42:38,640
Speaker 2: I just think it's a super out of touch award

918
00:42:38,680 --> 00:42:42,239
Speaker 2: show and I really wish I hate to see hip

919
00:42:42,239 --> 00:42:44,840
Speaker 2: hop begging for respect from the Grammys, like it really,

920
00:42:45,280 --> 00:42:46,319
Speaker 2: it really.

921
00:42:46,000 --> 00:42:49,719
Speaker 3: Bothers me that will you Will you watch BT Awards

922
00:42:49,840 --> 00:42:52,120
Speaker 3: or hip BT Hip Hop Awards?

923
00:42:52,440 --> 00:42:52,680
Speaker 6: Yeah?

924
00:42:52,719 --> 00:42:55,680
Speaker 2: Sometimes, Like I watched the BT Awards, I watched the VMA's.

925
00:42:57,160 --> 00:42:59,640
Speaker 2: Part of why I will watch those shows is because

926
00:42:59,640 --> 00:43:03,400
Speaker 2: they don't pretend to be some lofty thing, you know.

927
00:43:03,480 --> 00:43:06,040
Speaker 2: It's like everybody kind of knows it's just fun and

928
00:43:06,080 --> 00:43:07,839
Speaker 2: it's just a chance to kind of to show love

929
00:43:07,880 --> 00:43:11,239
Speaker 2: to people, Whereas with something like the Grammys, they sell

930
00:43:11,280 --> 00:43:14,000
Speaker 2: you on this idea that it's this prestigious thing and

931
00:43:14,040 --> 00:43:17,120
Speaker 2: it's like music's biggest night, and it's like it ain't though,

932
00:43:17,160 --> 00:43:20,799
Speaker 2: it's like Music's corneus night. Really, it's like, y'all the

933
00:43:20,800 --> 00:43:22,759
Speaker 2: most out of out of all the major awards, the

934
00:43:22,800 --> 00:43:25,480
Speaker 2: Grammys are the most out of touch, consistent.

935
00:43:25,280 --> 00:43:26,120
Speaker 5: Yep, yep.

936
00:43:26,560 --> 00:43:29,960
Speaker 3: And I always feel like like I'm up two minds

937
00:43:29,960 --> 00:43:30,319
Speaker 3: about it.

938
00:43:30,400 --> 00:43:38,000
Speaker 5: Like one, I understand why black people watch it because we.

939
00:43:36,800 --> 00:43:40,480
Speaker 3: It's not unfair for us to crave representation and to

940
00:43:40,560 --> 00:43:43,200
Speaker 3: demand it, and it's not gonna happen if we don't

941
00:43:43,800 --> 00:43:44,880
Speaker 3: make our voices heard.

942
00:43:44,960 --> 00:43:47,279
Speaker 5: So so yeah you should if you do watch it.

943
00:43:48,200 --> 00:43:50,719
Speaker 3: I mean, fuck, black people are in movies, We take roles,

944
00:43:50,760 --> 00:43:54,040
Speaker 3: we have the same job, Like, there's no reason you

945
00:43:54,040 --> 00:43:56,120
Speaker 3: should feel like, well, this isn't for me. I'm just

946
00:43:56,239 --> 00:43:59,640
Speaker 3: not gonna even you know, I'm not even gonna say anything.

947
00:43:59,680 --> 00:44:02,120
Speaker 3: I do like to see people challenge it, but I

948
00:44:02,160 --> 00:44:04,280
Speaker 3: don't watch it because I don't feel fed.

949
00:44:04,360 --> 00:44:04,560
Speaker 10: Man.

950
00:44:04,680 --> 00:44:07,760
Speaker 3: I feel like they don't take me seriously and mante seriously,

951
00:44:08,440 --> 00:44:10,279
Speaker 3: so why should I take them seriously? And I don't

952
00:44:10,280 --> 00:44:12,319
Speaker 3: want to give them that type of control over my

953
00:44:12,440 --> 00:44:15,759
Speaker 3: life to where now I'm you know, I'm tuning in

954
00:44:15,840 --> 00:44:18,719
Speaker 3: to be disrespected, right, And I feel like that's what

955
00:44:18,800 --> 00:44:20,319
Speaker 3: happened with the Oscars last night.

956
00:44:21,360 --> 00:44:24,160
Speaker 10: And I guess for me, and everybody kind of has

957
00:44:24,200 --> 00:44:26,880
Speaker 10: a different roles and my role isn't to be that fighter,

958
00:44:26,960 --> 00:44:29,040
Speaker 10: but there are people where that's their role to.

959
00:44:29,080 --> 00:44:30,640
Speaker 4: Fight, and I'm like, fuck it.

960
00:44:30,680 --> 00:44:33,279
Speaker 10: I I want to be entertained and I want something

961
00:44:33,280 --> 00:44:37,240
Speaker 10: to represent me. I go find it. I don't demand

962
00:44:37,360 --> 00:44:41,080
Speaker 10: that you put me here. You know, but but there

963
00:44:41,080 --> 00:44:43,600
Speaker 10: are people that that's their fight, and I support that fight.

964
00:44:43,480 --> 00:44:46,160
Speaker 3: And I think sometimes you deserve it, like correct, you know,

965
00:44:46,719 --> 00:44:49,160
Speaker 3: if you've earned something, there's no reason you, like a

966
00:44:49,239 --> 00:44:52,480
Speaker 3: closed bout don't get fed. So, like one of the

967
00:44:52,480 --> 00:44:54,520
Speaker 3: big controversies, I don't know how you feel about it

968
00:44:54,840 --> 00:44:56,479
Speaker 3: because I you know, I know you don't talk about

969
00:44:56,480 --> 00:45:01,000
Speaker 3: Beyonce on Twitter, but it was Beyonce versus Bad for

970
00:45:01,120 --> 00:45:01,880
Speaker 3: like a week straight.

971
00:45:02,400 --> 00:45:03,799
Speaker 6: Yeah, I had opinions on that.

972
00:45:03,840 --> 00:45:05,640
Speaker 5: I had strong Yeah, what'd you think about that?

973
00:45:06,480 --> 00:45:10,080
Speaker 6: Like, okay, two things.

974
00:45:11,560 --> 00:45:14,040
Speaker 2: I think I'm not saying necessarily that Beck should have

975
00:45:14,120 --> 00:45:18,160
Speaker 2: gotten Album of the Year. But I did have a

976
00:45:18,200 --> 00:45:23,040
Speaker 2: real problem with Kanye's comments in terms of I was

977
00:45:23,080 --> 00:45:25,360
Speaker 2: one of those people who was like, how you gonna

978
00:45:25,400 --> 00:45:25,800
Speaker 2: just call.

979
00:45:25,680 --> 00:45:26,640
Speaker 6: This man not an artist?

980
00:45:26,719 --> 00:45:29,279
Speaker 2: Though, Like my problem with the way Kanye handled the

981
00:45:29,320 --> 00:45:32,600
Speaker 2: situation is like Kanye tends to kind of spray into

982
00:45:32,640 --> 00:45:35,000
Speaker 2: the crowd and just say fucking to whoever got hit,

983
00:45:35,800 --> 00:45:38,120
Speaker 2: And it's like I would love for him to attack

984
00:45:38,160 --> 00:45:42,120
Speaker 2: the institutions if he's gonna attack anybody, but he tends

985
00:45:42,160 --> 00:45:45,640
Speaker 2: to attack the artist, and it's like Bet didn't give

986
00:45:45,719 --> 00:45:46,640
Speaker 2: himself that award.

987
00:45:47,680 --> 00:45:50,279
Speaker 6: Beck just received an award that somebody else gave him.

988
00:45:50,680 --> 00:45:54,239
Speaker 2: So instead of slamming this man who and yeah, I'm

989
00:45:54,239 --> 00:45:57,239
Speaker 2: a fan, Like this man has made tremendous music since

990
00:45:57,280 --> 00:45:59,919
Speaker 2: I was eighteen years old, you know what I'm saying.

991
00:46:00,560 --> 00:46:04,080
Speaker 2: So it's like this guy who's obviously very credible and

992
00:46:04,200 --> 00:46:06,759
Speaker 2: established and who works hard on his craft. And even

993
00:46:06,800 --> 00:46:08,319
Speaker 2: if I wasn't a fan, I would feel that way.

994
00:46:08,360 --> 00:46:10,120
Speaker 2: Like I'm not a Taylor Swift fan either, But it's like,

995
00:46:10,560 --> 00:46:12,560
Speaker 2: I'm not gonna shit on her just because she won

996
00:46:12,680 --> 00:46:14,520
Speaker 2: something I didn't think she should have won. I will

997
00:46:14,600 --> 00:46:18,120
Speaker 2: dog out the institution that gave her that award and

998
00:46:18,600 --> 00:46:23,360
Speaker 2: ask them why. With that being said, I think that

999
00:46:23,440 --> 00:46:26,399
Speaker 2: it was a very valid argument to make in terms

1000
00:46:26,480 --> 00:46:32,080
Speaker 2: of the way the Grammys tend to treat contemporary black artists.

1001
00:46:32,160 --> 00:46:35,640
Speaker 2: And the reason why this thing I feel so conflicted

1002
00:46:35,680 --> 00:46:37,520
Speaker 2: about this in terms of giving the Grammys that kind

1003
00:46:37,560 --> 00:46:39,920
Speaker 2: of leeway in the first place, is because, like I

1004
00:46:40,080 --> 00:46:46,040
Speaker 2: always tweeted about, they've consistently been so clueless, Like it's

1005
00:46:46,120 --> 00:46:49,640
Speaker 2: just like they're always wrong. So for me, it's not

1006
00:46:49,719 --> 00:46:53,680
Speaker 2: even necessarily about the way that they treat black artists.

1007
00:46:53,760 --> 00:46:55,880
Speaker 6: It's just about the way that they don't get shipped

1008
00:46:55,920 --> 00:46:58,919
Speaker 6: right most of the time. So on the one hand,

1009
00:46:58,960 --> 00:47:00,479
Speaker 6: I don't respect them on that level.

1010
00:47:00,719 --> 00:47:03,719
Speaker 2: Now, specifically speaking to race, I do think it's kind

1011
00:47:03,719 --> 00:47:06,600
Speaker 2: of a scam the way they do parade black artists out,

1012
00:47:06,840 --> 00:47:08,400
Speaker 2: kind of like how the Oscars did last night. I

1013
00:47:08,400 --> 00:47:10,759
Speaker 2: didn't watch the show, but I heard the camera was

1014
00:47:10,800 --> 00:47:13,040
Speaker 2: always on black celebrities in the audience, and there were

1015
00:47:13,080 --> 00:47:15,719
Speaker 2: so many black people presenting, and it's like to give

1016
00:47:15,719 --> 00:47:18,480
Speaker 2: the appearance of diversity, to say, look, we're all here,

1017
00:47:18,840 --> 00:47:21,839
Speaker 2: but when it comes time to announce nominees, there are

1018
00:47:21,840 --> 00:47:24,759
Speaker 2: no black faces, or there's one or two. So I

1019
00:47:24,760 --> 00:47:27,880
Speaker 2: do resent the way these award shows kind of allow

1020
00:47:27,960 --> 00:47:30,280
Speaker 2: everybody at the table but only feed certain folks.

1021
00:47:30,480 --> 00:47:33,000
Speaker 3: Yeah, yeah, I agree, And I think also it was

1022
00:47:33,080 --> 00:47:36,520
Speaker 3: kind of funny because to me, it was kind of simple.

1023
00:47:36,800 --> 00:47:41,680
Speaker 3: I thought before the award was handed out, if you

1024
00:47:41,880 --> 00:47:44,760
Speaker 3: took a pole of the vast majority of people in general,

1025
00:47:45,280 --> 00:47:47,879
Speaker 3: they would have thought Beyonce was gonna win that award, right,

1026
00:47:47,920 --> 00:47:50,359
Speaker 3: which is you know, so it's like, in hindsight, people

1027
00:47:50,440 --> 00:47:54,439
Speaker 3: kind of made up like, nah, see she especially because

1028
00:47:54,480 --> 00:47:57,080
Speaker 3: of Kanye, they went like, well, she's not even an artist,

1029
00:47:57,160 --> 00:48:00,480
Speaker 3: and it's like, okay, she can't play ten in, but

1030
00:48:00,560 --> 00:48:03,799
Speaker 3: let's not disrespect the collaboration it takes to put out

1031
00:48:03,800 --> 00:48:09,080
Speaker 3: a project like that, especially seventeen videos. Uh, you know,

1032
00:48:09,200 --> 00:48:12,080
Speaker 3: Internet private release like a bull of shit, you know.

1033
00:48:13,280 --> 00:48:15,160
Speaker 3: And and it was kind of weird to see, like

1034
00:48:15,520 --> 00:48:20,120
Speaker 3: the polarization of the whole conversation because Kanye entered the

1035
00:48:20,200 --> 00:48:21,000
Speaker 3: fray and of.

1036
00:48:21,000 --> 00:48:23,560
Speaker 6: Course Kanye came in like a bull shot.

1037
00:48:23,719 --> 00:48:25,759
Speaker 5: Yeah he Kanye that shit.

1038
00:48:25,800 --> 00:48:28,120
Speaker 3: He just came in and Kanye did and here we

1039
00:48:28,239 --> 00:48:30,399
Speaker 3: end up having like you can't even discuss.

1040
00:48:30,080 --> 00:48:31,760
Speaker 5: It without talking about Kanye.

1041
00:48:31,840 --> 00:48:33,600
Speaker 3: And it was kind of simple to me, man it

1042
00:48:33,680 --> 00:48:38,399
Speaker 3: put ironically, it put Beck's album back on, like I way, okay, well,

1043
00:48:38,400 --> 00:48:39,320
Speaker 3: now I want to go listen.

1044
00:48:40,239 --> 00:48:40,479
Speaker 5: Yeah.

1045
00:48:40,920 --> 00:48:42,640
Speaker 3: Before that, I was kind of like, I don't think

1046
00:48:42,640 --> 00:48:44,600
Speaker 3: I'm gonna listen to Begs album til I get around

1047
00:48:44,600 --> 00:48:47,200
Speaker 3: to it maybe. And then it was like, okay, priority

1048
00:48:47,280 --> 00:48:49,640
Speaker 3: number one tomorrow, I gotta go list album.

1049
00:48:49,840 --> 00:48:53,080
Speaker 5: Yeah, Like I like it must be that fire because.

1050
00:48:53,040 --> 00:48:55,399
Speaker 6: Right because to have the conversation, I got to hear

1051
00:48:55,440 --> 00:48:55,759
Speaker 6: it now.

1052
00:48:55,960 --> 00:48:58,319
Speaker 3: Yeah, and you know, and it was funny because a

1053
00:48:58,320 --> 00:49:01,360
Speaker 3: week later, I think we ran a poll and a

1054
00:49:01,440 --> 00:49:03,520
Speaker 3: week later, there were still people that hadn't listened to

1055
00:49:03,560 --> 00:49:06,480
Speaker 3: both albums and both on Spotify, like you can easily find.

1056
00:49:06,280 --> 00:49:08,360
Speaker 5: Them, I won't, I think people.

1057
00:49:08,800 --> 00:49:11,239
Speaker 3: And I think that's when I realized that for a

1058
00:49:11,280 --> 00:49:13,279
Speaker 3: lot of people that even watch this stuff, it's just

1059
00:49:13,280 --> 00:49:16,440
Speaker 3: a popularity contest and it's rooting for their personal interest,

1060
00:49:17,280 --> 00:49:19,960
Speaker 3: and it's like, if they don't like a person, then

1061
00:49:20,000 --> 00:49:21,919
Speaker 3: that's what they're rooting about. So it's like, I don't

1062
00:49:21,960 --> 00:49:25,800
Speaker 3: like Beyonce, I don't like Kanye especially, so I'm glad

1063
00:49:25,840 --> 00:49:26,480
Speaker 3: she lost.

1064
00:49:26,800 --> 00:49:27,680
Speaker 5: But then those.

1065
00:49:27,440 --> 00:49:32,799
Speaker 3: Same people were glad Iggyzell you lost, right, But I'm like,

1066
00:49:32,880 --> 00:49:34,960
Speaker 3: did you listen to Iggy's album versus M and M's

1067
00:49:35,040 --> 00:49:38,560
Speaker 3: Rap God? Because Rap God is not one of them's

1068
00:49:38,560 --> 00:49:39,399
Speaker 3: best albums at all?

1069
00:49:39,480 --> 00:49:42,560
Speaker 6: In my via, Like I was, and it got it

1070
00:49:42,560 --> 00:49:43,759
Speaker 6: got album of the year, right, I mean.

1071
00:49:44,680 --> 00:49:45,960
Speaker 5: Album of the year, And I was.

1072
00:49:47,600 --> 00:49:47,839
Speaker 4: Right.

1073
00:49:48,000 --> 00:49:50,480
Speaker 5: I was like, who dog?

1074
00:49:50,640 --> 00:49:52,600
Speaker 3: Like, even if you were, even if you took it

1075
00:49:52,680 --> 00:49:55,080
Speaker 3: to simple sales, I think Iggy y'all sold them, so

1076
00:49:55,120 --> 00:49:58,640
Speaker 3: it's like even on sales, if you just keep it sales,

1077
00:49:58,760 --> 00:50:01,080
Speaker 3: she should have beat him, but people were just so

1078
00:50:01,200 --> 00:50:02,640
Speaker 3: happy she lost because they don't.

1079
00:50:02,520 --> 00:50:04,640
Speaker 2: Like nobody even gave it that. It was a bullshit

1080
00:50:04,680 --> 00:50:06,400
Speaker 2: album that won as long as she didn't.

1081
00:50:06,200 --> 00:50:06,880
Speaker 5: Win, right.

1082
00:50:07,000 --> 00:50:10,040
Speaker 3: And I tried to listen to album though it's homophoone,

1083
00:50:10,080 --> 00:50:11,840
Speaker 3: like he went back to be homophobic again.

1084
00:50:12,040 --> 00:50:13,880
Speaker 6: It's like it's like watching.

1085
00:50:15,520 --> 00:50:17,600
Speaker 2: I had to review that album when it came out,

1086
00:50:17,640 --> 00:50:20,480
Speaker 2: and it to me, it just sounded like Eminem trying

1087
00:50:20,520 --> 00:50:23,080
Speaker 2: to reclaim old ship, like an old guy trying to

1088
00:50:23,080 --> 00:50:28,000
Speaker 2: reclaim his old his old persona, and very inspired or anything.

1089
00:50:28,000 --> 00:50:29,360
Speaker 2: It was just kind of like just some shit.

1090
00:50:29,280 --> 00:50:31,520
Speaker 3: He put out right, especially after the progression he made

1091
00:50:31,520 --> 00:50:32,920
Speaker 3: on the album before that, when you were like, well,

1092
00:50:32,960 --> 00:50:34,240
Speaker 3: this is a more mature Eminem.

1093
00:50:34,280 --> 00:50:37,320
Speaker 5: This is a grown man looking back at his life.

1094
00:50:37,360 --> 00:50:40,200
Speaker 3: Okay, I see this, dude, and you go listen next

1095
00:50:40,239 --> 00:50:42,239
Speaker 3: thing like, oh so we're back to dick jokes and

1096
00:50:42,480 --> 00:50:46,520
Speaker 3: fast Okay, I guess Beverly Hills.

1097
00:50:46,280 --> 00:50:50,239
Speaker 4: Cocke, Well, you're like, why why did you do this?

1098
00:50:51,200 --> 00:50:53,000
Speaker 6: Then you tried to go back and be axle phoony.

1099
00:50:53,120 --> 00:50:54,360
Speaker 6: You can't really be like that.

1100
00:50:56,120 --> 00:50:57,280
Speaker 5: You no more exactly.

1101
00:50:57,760 --> 00:50:59,520
Speaker 4: And I have a question, baby, did we do an intro?

1102
00:51:00,120 --> 00:51:00,160
Speaker 9: No?

1103
00:51:00,239 --> 00:51:01,120
Speaker 5: I'm about to do it right now.

1104
00:51:01,160 --> 00:51:01,440
Speaker 4: Okay.

1105
00:51:01,719 --> 00:51:04,360
Speaker 5: Uh So anyway. I mean, you know, we gotta do

1106
00:51:04,400 --> 00:51:07,680
Speaker 5: the interview first, okay, but we were really almost done.

1107
00:51:07,719 --> 00:51:10,400
Speaker 5: That was the last question before we do these articles.

1108
00:51:10,719 --> 00:51:11,560
Speaker 5: This is a Blackout Tips.

1109
00:51:11,600 --> 00:51:14,720
Speaker 3: You can find our iTunes stitcher just search the blackout Tips.

1110
00:51:14,960 --> 00:51:16,759
Speaker 3: Leave us five star reviews. If we like them, we'll

1111
00:51:16,760 --> 00:51:19,480
Speaker 3: read them on the air, because that's what we do.

1112
00:51:20,239 --> 00:51:23,160
Speaker 3: Go to the blackout tips dot com voting the post,

1113
00:51:23,239 --> 00:51:25,839
Speaker 3: leave comments, all that great stuff. We love to hear

1114
00:51:25,880 --> 00:51:29,680
Speaker 3: from our listeners and we do feedback every Saturday morning

1115
00:51:30,080 --> 00:51:33,719
Speaker 3: or Saturday afternoon on how we feel. And uh, we

1116
00:51:33,800 --> 00:51:35,239
Speaker 3: let you guys know what we think about what you

1117
00:51:35,320 --> 00:51:38,080
Speaker 3: thought about what we thought in the original form. So

1118
00:51:38,640 --> 00:51:40,680
Speaker 3: uh and also make she check out my man at

1119
00:51:40,719 --> 00:51:43,880
Speaker 3: Stereo Williams on Twitter because you can get some.

1120
00:51:44,160 --> 00:51:46,280
Speaker 5: Good music opinion there.

1121
00:51:46,920 --> 00:51:49,560
Speaker 3: And uh, like I said, he writes and he links

1122
00:51:49,560 --> 00:51:51,640
Speaker 3: you to our articles and stuff and you can find

1123
00:51:51,640 --> 00:51:54,200
Speaker 3: out what, you know, what he thinks about current events

1124
00:51:54,239 --> 00:51:56,279
Speaker 3: and all that stuff. Man, he's a really worth where

1125
00:51:56,320 --> 00:51:59,120
Speaker 3: I'll follow. And let's talk about these articles.

1126
00:51:59,120 --> 00:51:59,440
Speaker 5: Okay.

1127
00:51:59,640 --> 00:52:02,080
Speaker 4: First, ball, bullet ball, bullet ball stream.

1128
00:52:02,239 --> 00:52:03,239
Speaker 5: Oh yeah, you're right here.

1129
00:52:04,160 --> 00:52:06,920
Speaker 3: The official weapon of the show is the taser and

1130
00:52:06,960 --> 00:52:07,840
Speaker 3: the unofficial sport.

1131
00:52:07,960 --> 00:52:09,000
Speaker 4: It's bullet ball and.

1132
00:52:09,040 --> 00:52:10,040
Speaker 6: Bullet ball extream.

1133
00:52:10,520 --> 00:52:14,440
Speaker 3: All right, now, we got a bunch of news. All right,

1134
00:52:14,520 --> 00:52:16,719
Speaker 3: let's start with the important news. Keeping a little bit

1135
00:52:16,800 --> 00:52:20,400
Speaker 3: music related. There's a twenty one year old dude that

1136
00:52:20,440 --> 00:52:21,680
Speaker 3: says jay Z is his daddy.

1137
00:52:23,600 --> 00:52:25,560
Speaker 6: I saw a picture. I didn't read the article. What

1138
00:52:25,600 --> 00:52:26,360
Speaker 6: I saw a picture.

1139
00:52:26,440 --> 00:52:28,760
Speaker 3: Yeah, Now I got to save a ball alert because

1140
00:52:28,800 --> 00:52:32,360
Speaker 3: I prefer the comments here than the real news people.

1141
00:52:33,719 --> 00:52:36,520
Speaker 5: But this is a picture of them side by side,

1142
00:52:37,680 --> 00:52:38,040
Speaker 5: Like I.

1143
00:52:39,480 --> 00:52:42,560
Speaker 3: Didn't just see it in the nose but nothing else. Yea,

1144
00:52:43,160 --> 00:52:46,440
Speaker 3: I feel like it's a stretch, but yeah, twenty one

1145
00:52:46,520 --> 00:52:50,480
Speaker 3: year old man by the name of Ramier Saturn White

1146
00:52:51,120 --> 00:52:54,680
Speaker 3: says jay Z is his father and he's fighting to

1147
00:52:54,719 --> 00:52:56,560
Speaker 3: prove it since twenty ten.

1148
00:52:57,920 --> 00:52:59,960
Speaker 5: U satur White's mother.

1149
00:53:01,280 --> 00:53:04,000
Speaker 3: Claimed that she had at high school fleeing with jay Z,

1150
00:53:04,600 --> 00:53:06,560
Speaker 3: who would have been twenty four years old.

1151
00:53:07,160 --> 00:53:09,280
Speaker 5: That fleeing resulted than Ramier's birth.

1152
00:53:10,080 --> 00:53:12,719
Speaker 3: She especially sure that jay Z is the father sense

1153
00:53:12,760 --> 00:53:15,560
Speaker 3: a second possible man. She also had a fling where

1154
00:53:15,600 --> 00:53:19,200
Speaker 3: took a paternity test that turned up negative. Wanda fouled

1155
00:53:19,200 --> 00:53:21,840
Speaker 3: court documents requested jay Z take a paternity test in

1156
00:53:21,880 --> 00:53:27,360
Speaker 3: twenty ten, but the case remains unresolved. Presently, Blue Ivy's

1157
00:53:27,400 --> 00:53:30,239
Speaker 3: want to be big brother has mounting dental, college, and

1158
00:53:30,320 --> 00:53:31,080
Speaker 3: legal bills.

1159
00:53:31,520 --> 00:53:36,719
Speaker 5: He desperately needs help covering big shot. Yeah. Like, I

1160
00:53:36,760 --> 00:53:37,200
Speaker 5: feel like.

1161
00:53:37,120 --> 00:53:38,960
Speaker 3: If my mom told me jay Z is my dad,

1162
00:53:39,000 --> 00:53:40,920
Speaker 3: I probably would run up a lot of credit myself.

1163
00:53:41,040 --> 00:53:41,200
Speaker 6: You know.

1164
00:53:41,640 --> 00:53:46,359
Speaker 3: Right, Well, I'm gonna need a Porsche. Hopefully the test

1165
00:53:46,400 --> 00:53:47,200
Speaker 3: comeback positive.

1166
00:53:47,760 --> 00:53:49,160
Speaker 6: Uh just tell him?

1167
00:53:49,719 --> 00:53:52,040
Speaker 5: Yeah, yeah, she just told him.

1168
00:53:51,920 --> 00:53:54,799
Speaker 2: Like, yes, if jay Z had a chance of being

1169
00:53:54,800 --> 00:53:56,960
Speaker 2: my father, and my mom waiting until I was in

1170
00:53:57,000 --> 00:53:59,520
Speaker 2: my twenties to tell me I had a shit at.

1171
00:53:59,400 --> 00:54:02,720
Speaker 5: My mother, that's true. That's true at.

1172
00:54:02,520 --> 00:54:05,319
Speaker 6: Thirteen, and I can start emailing this small player, right.

1173
00:54:05,360 --> 00:54:07,279
Speaker 5: She knows, like, because you know she comes in the house,

1174
00:54:07,320 --> 00:54:08,520
Speaker 5: you listening to his music.

1175
00:54:09,440 --> 00:54:12,160
Speaker 3: You know, how does she never slip? She's like, boy,

1176
00:54:12,200 --> 00:54:16,640
Speaker 3: turn your daddy music, Turn turn to jaz whenever I

1177
00:54:16,680 --> 00:54:18,279
Speaker 3: put on the blueprint, right yeah?

1178
00:54:19,600 --> 00:54:19,759
Speaker 9: Uh.

1179
00:54:19,840 --> 00:54:22,520
Speaker 3: He even started a crowdfunding page to help pay for

1180
00:54:22,560 --> 00:54:26,160
Speaker 3: the costs. Wow, come on, man, you can't k't be

1181
00:54:26,239 --> 00:54:30,080
Speaker 3: putting the come on good luck bro right?

1182
00:54:30,520 --> 00:54:31,359
Speaker 5: Kvy doing that?

1183
00:54:31,400 --> 00:54:33,479
Speaker 6: Man thought jazz?

1184
00:54:34,960 --> 00:54:38,960
Speaker 3: This reminded editorializing this reminds me so much of the

1185
00:54:39,000 --> 00:54:41,080
Speaker 3: woman who told us son Michael Jackson was his father.

1186
00:54:41,120 --> 00:54:44,120
Speaker 3: We all see how that turned out, right, check out

1187
00:54:44,160 --> 00:54:46,600
Speaker 3: more pictures. I put some more pictures of him in

1188
00:54:46,600 --> 00:54:49,320
Speaker 3: the chat because they have a lot of Uh.

1189
00:54:49,200 --> 00:54:50,200
Speaker 5: This is seatball alert.

1190
00:54:50,200 --> 00:54:50,319
Speaker 8: Man.

1191
00:54:50,360 --> 00:54:52,040
Speaker 5: They do the work. They go in and found all

1192
00:54:52,160 --> 00:54:56,520
Speaker 5: his social media pictures and put him next to jay Z. Ficture.

1193
00:54:58,239 --> 00:54:59,840
Speaker 5: You don't look like Jay all.

1194
00:55:01,280 --> 00:55:05,719
Speaker 3: He just got a chazy nose and he like, he

1195
00:55:05,760 --> 00:55:07,320
Speaker 3: don't look like at all.

1196
00:55:07,800 --> 00:55:12,560
Speaker 10: Right, especially with that one. He definitely looks nothing like

1197
00:55:12,600 --> 00:55:13,440
Speaker 10: him in that one.

1198
00:55:13,680 --> 00:55:16,239
Speaker 5: He's like a serial killer in that last one.

1199
00:55:16,640 --> 00:55:18,759
Speaker 3: Like, but don't it look like he tried to photoshop

1200
00:55:18,840 --> 00:55:20,400
Speaker 3: his lips bigger in the last.

1201
00:55:20,120 --> 00:55:23,239
Speaker 5: One, because this little wasn't that being in the first two?

1202
00:55:24,840 --> 00:55:31,000
Speaker 5: Oh man, all right, so I told you Z was

1203
00:55:31,000 --> 00:55:32,839
Speaker 5: his daddy.

1204
00:55:33,160 --> 00:55:37,440
Speaker 3: He got a picture like photoshop next to Beyonce. He

1205
00:55:37,600 --> 00:55:40,120
Speaker 3: gotta got a wig like Blue Ivy in one picture.

1206
00:55:42,239 --> 00:55:43,399
Speaker 5: I could be some kin to him.

1207
00:55:43,440 --> 00:55:43,640
Speaker 4: Man.

1208
00:55:44,920 --> 00:55:47,239
Speaker 3: So uh, let's go to the comments because that's my

1209
00:55:47,239 --> 00:55:51,080
Speaker 3: favorite part of Ball Alert. Beautiful Brownie says, they do

1210
00:55:51,239 --> 00:55:54,279
Speaker 3: look quite similar. With that being said, why wait until

1211
00:55:54,320 --> 00:55:57,600
Speaker 3: he's grown or with mounting bills to establish fraternity. You

1212
00:55:57,640 --> 00:56:00,440
Speaker 3: can't tell me the man that was previously assuming the

1213
00:56:00,480 --> 00:56:03,040
Speaker 3: father Rod waited all these years to established fraternity.

1214
00:56:04,040 --> 00:56:07,399
Speaker 5: Brazil says, I can almost kind of sort of see it,

1215
00:56:07,520 --> 00:56:08,279
Speaker 5: but I doubt it.

1216
00:56:09,320 --> 00:56:13,240
Speaker 3: Sean Sean says, one of his homies said, Jigger knows

1217
00:56:13,360 --> 00:56:21,520
Speaker 3: having asked nigga, and a light bulb went on, that's all.

1218
00:56:23,400 --> 00:56:24,319
Speaker 5: That's gotta be it.

1219
00:56:24,920 --> 00:56:27,319
Speaker 3: Uh that's like you probably been picking on his whole like, oh,

1220
00:56:27,400 --> 00:56:29,879
Speaker 3: jay Z looking ass Nigga and then he just ran

1221
00:56:30,000 --> 00:56:30,319
Speaker 3: with it.

1222
00:56:32,719 --> 00:56:34,279
Speaker 5: U V says Ell.

1223
00:56:34,600 --> 00:56:37,560
Speaker 3: I doubt I doubt it too, And if it's true,

1224
00:56:37,640 --> 00:56:39,439
Speaker 3: rant about it the Republic won't help his case any

1225
00:56:40,239 --> 00:56:43,360
Speaker 3: sugar Bear says, you are the father the nose.

1226
00:56:43,160 --> 00:56:47,080
Speaker 5: Don't lie. I'm mad that his mom didn't take care

1227
00:56:47,080 --> 00:56:48,800
Speaker 5: of this, didn't take care of this sooner.

1228
00:56:49,080 --> 00:56:51,240
Speaker 3: She missed out on a whole lot of money silly

1229
00:56:51,280 --> 00:56:54,440
Speaker 3: brought and the boy missed out on't having a relationship.

1230
00:56:54,000 --> 00:56:54,560
Speaker 5: With his dad.

1231
00:56:54,640 --> 00:56:58,520
Speaker 3: If Jigger really is the dad, and Tom said, dude

1232
00:56:58,640 --> 00:57:04,000
Speaker 3: is not his son, Jayson p just trying to get money,

1233
00:57:05,000 --> 00:57:07,640
Speaker 3: all right, So I guess, uh we know where everybody

1234
00:57:07,640 --> 00:57:08,399
Speaker 3: stands on that.

1235
00:57:09,160 --> 00:57:13,280
Speaker 2: Uh yeah, man.

1236
00:57:12,840 --> 00:57:15,000
Speaker 5: Yeah, Jane's gonna be like it's him for sure.

1237
00:57:15,680 --> 00:57:17,640
Speaker 6: It's laugh about that ship.

1238
00:57:18,760 --> 00:57:20,920
Speaker 10: He's gonna call him up because it was like, yeah,

1239
00:57:20,960 --> 00:57:24,160
Speaker 10: they always made jokes and he actually did songs about it.

1240
00:57:24,200 --> 00:57:25,000
Speaker 4: And all that stuff.

1241
00:57:26,640 --> 00:57:29,080
Speaker 5: Dam actually call that kid up and laugh in his face.

1242
00:57:30,480 --> 00:57:33,320
Speaker 3: He's such a jerk man.

1243
00:57:33,600 --> 00:57:34,000
Speaker 5: All right.

1244
00:57:34,200 --> 00:57:36,640
Speaker 3: Uh so the Oscars man, I guess we'll go ahead

1245
00:57:36,680 --> 00:57:39,120
Speaker 3: and talk about this uh stuff. Uh.

1246
00:57:39,640 --> 00:57:42,040
Speaker 5: Patricia Rcat kind of got in a little bit of trouble.

1247
00:57:43,760 --> 00:57:47,520
Speaker 3: She gave an acceptance speech and let me.

1248
00:57:47,440 --> 00:57:48,600
Speaker 5: See, I think I can play this.

1249
00:57:48,800 --> 00:57:51,280
Speaker 3: Uh, but she gave an acceptance speech that was kind

1250
00:57:51,280 --> 00:57:55,400
Speaker 3: of like talking about women need to make equal.

1251
00:57:55,120 --> 00:58:04,320
Speaker 9: Pay to every taxpayer in this nation. We have fought

1252
00:58:04,360 --> 00:58:08,960
Speaker 9: for everybody else's equal rights. It's our time to have

1253
00:58:09,000 --> 00:58:12,680
Speaker 9: wage equality once and for all, and equal rights for

1254
00:58:12,920 --> 00:58:15,000
Speaker 9: women in the United States of America.

1255
00:58:20,320 --> 00:58:23,080
Speaker 5: Now I love this because I wasn't watching the show.

1256
00:58:23,160 --> 00:58:25,800
Speaker 5: Love what are you doing?

1257
00:58:28,280 --> 00:58:32,840
Speaker 3: I don't care what Neil Patrick Harris had to say,

1258
00:58:33,240 --> 00:58:33,600
Speaker 3: Ut this.

1259
00:58:33,880 --> 00:58:36,200
Speaker 5: Where's my Oh yeah?

1260
00:58:36,440 --> 00:58:37,960
Speaker 4: They just actually playing.

1261
00:58:37,800 --> 00:58:40,120
Speaker 5: Like started playing clips all right.

1262
00:58:40,200 --> 00:58:43,880
Speaker 3: So what I did like about this was watching it

1263
00:58:43,920 --> 00:58:50,080
Speaker 3: on Twitter and I unfolded the first like thirty seconds

1264
00:58:50,120 --> 00:58:53,760
Speaker 3: to five minutes after the speech was all like, yes,

1265
00:58:55,920 --> 00:59:01,200
Speaker 3: tell we need this equality in the pay And then people,

1266
00:59:01,280 --> 00:59:03,800
Speaker 3: I guess absorbed it and really had got into the

1267
00:59:03,880 --> 00:59:06,240
Speaker 3: nuance of what she said, and they were like, wait

1268
00:59:06,280 --> 00:59:13,000
Speaker 3: a minute, fuck you mean everybody writes because I mean,

1269
00:59:13,200 --> 00:59:17,800
Speaker 3: because gay people and black people need to start fighting

1270
00:59:17,800 --> 00:59:21,440
Speaker 3: for women's rights. Gay people and got women in them,

1271
00:59:21,440 --> 00:59:24,560
Speaker 3: Black people don't got women in the group. Uh are

1272
00:59:24,600 --> 00:59:26,640
Speaker 3: those people not counting as women? Like, what's going on

1273
00:59:26,680 --> 00:59:31,240
Speaker 3: with your speech? And uh, people went in on her.

1274
00:59:31,320 --> 00:59:33,760
Speaker 3: Now I personally hearing that speech, Well, I'll just ask

1275
00:59:33,840 --> 00:59:35,480
Speaker 3: y'all first, Karen, what do you think about speech?

1276
00:59:35,480 --> 00:59:36,880
Speaker 5: Hearing it for the first.

1277
00:59:36,680 --> 00:59:42,760
Speaker 10: Time, hearing it just like that, I don't but like this,

1278
00:59:43,360 --> 00:59:45,360
Speaker 10: what she said and how it was perceived, I think

1279
00:59:45,480 --> 00:59:46,560
Speaker 10: was two separate things.

1280
00:59:47,320 --> 00:59:52,640
Speaker 4: I don't think she meant it as you know, the

1281
00:59:52,680 --> 00:59:54,120
Speaker 4: fu fucking mother groups.

1282
00:59:54,880 --> 00:59:58,800
Speaker 10: But that's how it sounds to these other groups because

1283
00:59:58,920 --> 01:00:01,480
Speaker 10: we've we've been constant and be left out of the

1284
01:00:01,560 --> 01:00:06,000
Speaker 10: white feminism movement. It wasn't even created for women of

1285
01:00:06,040 --> 01:00:10,440
Speaker 10: color or transgender like people. They'll realize if you go

1286
01:00:10,480 --> 01:00:14,760
Speaker 10: back in your history, white women weren't fighting for slaves rights.

1287
01:00:14,760 --> 01:00:16,800
Speaker 10: They were fighting for their rights not to be treated

1288
01:00:16,840 --> 01:00:21,280
Speaker 10: as property by their husbands, and by default we benefited

1289
01:00:21,280 --> 01:00:24,080
Speaker 10: from that after years of fighting for our own rights

1290
01:00:24,120 --> 01:00:26,120
Speaker 10: to be represented and to be not tweeted as.

1291
01:00:26,120 --> 01:00:27,280
Speaker 4: Less than right.

1292
01:00:27,400 --> 01:00:30,439
Speaker 10: And it's I can see why people get mad because

1293
01:00:30,440 --> 01:00:33,840
Speaker 10: it's somewhat insulting to tell a group of people that

1294
01:00:33,920 --> 01:00:36,360
Speaker 10: you need to fight for our rights, when when a

1295
01:00:36,360 --> 01:00:39,200
Speaker 10: lot of times this particular group, not everybody in the group,

1296
01:00:39,240 --> 01:00:42,480
Speaker 10: but a lot of them consistently tell people whenever they

1297
01:00:42,600 --> 01:00:45,240
Speaker 10: bring up issues about race, whenever they bring up issues

1298
01:00:45,280 --> 01:00:49,160
Speaker 10: about LGBT, whenever they bring up issues that's not about

1299
01:00:50,000 --> 01:00:53,880
Speaker 10: white women problems. All of a sudden, I don't see color.

1300
01:00:53,960 --> 01:00:56,160
Speaker 10: Color don't matter, It don't matter. But then if it

1301
01:00:56,200 --> 01:00:58,560
Speaker 10: doesn't matter, why should it matter? Now?

1302
01:01:00,120 --> 01:01:01,200
Speaker 5: What do you think about it? Stereo?

1303
01:01:01,840 --> 01:01:05,880
Speaker 2: I think the issue wasn't with the speech that she

1304
01:01:05,960 --> 01:01:06,800
Speaker 2: gave on stage.

1305
01:01:06,840 --> 01:01:08,520
Speaker 6: I think the issue was with what she said when

1306
01:01:08,560 --> 01:01:10,440
Speaker 6: she got to the press room.

1307
01:01:10,520 --> 01:01:15,360
Speaker 2: When she got to the press room, she said, it's

1308
01:01:15,400 --> 01:01:17,400
Speaker 2: time for all the women in America and all the

1309
01:01:17,440 --> 01:01:19,840
Speaker 2: men who love women, and all the gay people and

1310
01:01:19,880 --> 01:01:22,120
Speaker 2: all the people of color that we fought for to

1311
01:01:22,160 --> 01:01:26,360
Speaker 2: fight for us now, And I think when you say that,

1312
01:01:26,360 --> 01:01:29,680
Speaker 2: that's when it does sound like you're saying, Okay, it's

1313
01:01:29,720 --> 01:01:31,640
Speaker 2: time for y'all to stand up for us, like we've

1314
01:01:31,640 --> 01:01:34,440
Speaker 2: stood up for y'all, and it's kind of like, what

1315
01:01:34,480 --> 01:01:36,520
Speaker 2: the hell you mean you stood up for us? You

1316
01:01:36,600 --> 01:01:39,200
Speaker 2: know what I'm saying, Like, it's kind of it's sort

1317
01:01:39,200 --> 01:01:43,360
Speaker 2: of it's divisive, and it's kind of undermining how many

1318
01:01:43,400 --> 01:01:46,080
Speaker 2: of those issues overlapped, and it's ignoring the fact that,

1319
01:01:46,440 --> 01:01:49,479
Speaker 2: like you said, like you touched on, white feminists never

1320
01:01:49,560 --> 01:01:53,280
Speaker 2: really centered the struggle of women of color, you know,

1321
01:01:53,360 --> 01:01:55,200
Speaker 2: it was always kind of them fighting.

1322
01:01:54,880 --> 01:01:55,919
Speaker 4: For them, right.

1323
01:01:55,960 --> 01:02:00,360
Speaker 6: So I think she got on Twitter, I think earlier

1324
01:02:00,360 --> 01:02:01,800
Speaker 6: today and tried to clarify the bit.

1325
01:02:02,080 --> 01:02:02,320
Speaker 5: Yeah.

1326
01:02:02,400 --> 01:02:04,360
Speaker 3: I thought that felt to me like she doubled down,

1327
01:02:04,400 --> 01:02:07,800
Speaker 3: to be honest, But yeah, she tried to clarify a bit,

1328
01:02:08,680 --> 01:02:11,600
Speaker 3: and I do have those tweets somewhere, But it.

1329
01:02:11,520 --> 01:02:12,120
Speaker 6: Didn't sound like.

1330
01:02:12,160 --> 01:02:14,720
Speaker 2: It didn't sound like she was It did sound like

1331
01:02:14,800 --> 01:02:18,480
Speaker 2: doubling down. It did kind of sound like, you know

1332
01:02:18,520 --> 01:02:20,520
Speaker 2: how somebody says, well, you didn't get it, but they

1333
01:02:20,520 --> 01:02:24,320
Speaker 2: don't really, Yeah, they don't really modify what they said. Yeah,

1334
01:02:24,480 --> 01:02:27,120
Speaker 2: Anthony did a couple of weeks ago, right right, they

1335
01:02:27,200 --> 01:02:29,680
Speaker 2: miscorded me, and then he repeated the exact same thing,

1336
01:02:30,280 --> 01:02:34,720
Speaker 2: like I tweeted about it briefly last night, that we

1337
01:02:34,800 --> 01:02:40,360
Speaker 2: can't we can't keep giving white people in the public

1338
01:02:40,400 --> 01:02:44,760
Speaker 2: eye as for effort in that kind of thing, because

1339
01:02:44,840 --> 01:02:47,440
Speaker 2: so much is happening in the country right now. It matters.

1340
01:02:47,600 --> 01:02:50,360
Speaker 2: It matters that you got this wrong. And if I'm

1341
01:02:50,400 --> 01:02:54,080
Speaker 2: gonna let Kendrick know that it matters that he got

1342
01:02:54,160 --> 01:02:56,880
Speaker 2: something wrong in my eyes, then I'm gonna let Patricia

1343
01:02:56,960 --> 01:02:59,680
Speaker 2: I can't know that it matters that she got something wrong,

1344
01:03:00,040 --> 01:03:03,280
Speaker 2: because there's too much riding on this right now for

1345
01:03:03,320 --> 01:03:07,680
Speaker 2: you to act like a the ways inequality is an

1346
01:03:07,680 --> 01:03:10,280
Speaker 2: important issue, we definitely should be fighting for that, but

1347
01:03:11,200 --> 01:03:14,439
Speaker 2: it's not like we can't fight for that and fight

1348
01:03:14,480 --> 01:03:18,160
Speaker 2: against what people of color are facing every day. And

1349
01:03:18,160 --> 01:03:20,560
Speaker 2: as she kind of touched on on Twitter, women of

1350
01:03:20,560 --> 01:03:23,280
Speaker 2: color are the most affected. So instead of kind of

1351
01:03:23,320 --> 01:03:26,080
Speaker 2: acting like these are separate issues, put that at the

1352
01:03:26,080 --> 01:03:29,680
Speaker 2: forefront of the issue. Make sure that that's a part

1353
01:03:29,760 --> 01:03:33,240
Speaker 2: of what you address from the Oscar stage and in

1354
01:03:33,320 --> 01:03:36,160
Speaker 2: the Oscar press room, and not just after people have

1355
01:03:36,240 --> 01:03:38,000
Speaker 2: called you out on your bullshit and you get on

1356
01:03:38,000 --> 01:03:39,000
Speaker 2: Twitter to the fend yourself.

1357
01:03:39,000 --> 01:03:40,840
Speaker 3: Well, you know what, I would be okay with her

1358
01:03:40,920 --> 01:03:42,680
Speaker 3: leaving black people and gave people out of it.

1359
01:03:43,280 --> 01:03:44,280
Speaker 5: I would be okay with.

1360
01:03:44,320 --> 01:03:47,920
Speaker 3: It because the assumption that she left them completely out

1361
01:03:47,920 --> 01:03:50,200
Speaker 3: of the statement would be, well, she's just standing for

1362
01:03:50,240 --> 01:03:53,040
Speaker 3: solidarity for all women as equals, right, correct. But once

1363
01:03:53,080 --> 01:03:56,000
Speaker 3: you start throwing this false ultimatum of well now it's

1364
01:03:56,000 --> 01:03:56,440
Speaker 3: time for.

1365
01:03:56,440 --> 01:03:58,400
Speaker 5: You to do some of the lift, it's like, bitch,

1366
01:03:58,480 --> 01:03:59,160
Speaker 5: are you serious?

1367
01:03:59,800 --> 01:03:59,880
Speaker 8: Right?

1368
01:04:00,160 --> 01:04:02,760
Speaker 5: Like what? Like? Like when I saw the quote, I

1369
01:04:02,840 --> 01:04:07,400
Speaker 5: was just like, wow, she just uh she did that.

1370
01:04:07,480 --> 01:04:09,919
Speaker 3: Well, she must have messed up. I think I see

1371
01:04:09,920 --> 01:04:12,840
Speaker 3: what she was going with it. Maybe she framed it wrong,

1372
01:04:12,960 --> 01:04:14,800
Speaker 3: blah blah blah. And then I saw the tweets and

1373
01:04:14,800 --> 01:04:17,960
Speaker 3: I was like, oh, no, no excuses. I really think

1374
01:04:18,000 --> 01:04:20,320
Speaker 3: what the worst part is the people that try to

1375
01:04:20,360 --> 01:04:24,400
Speaker 3: defend her more than the more than anything else, Like

1376
01:04:24,640 --> 01:04:28,200
Speaker 3: the people that aren't just saying just taking the l

1377
01:04:28,200 --> 01:04:30,280
Speaker 3: and being like, yeah, it's okay to critique somebody, even

1378
01:04:30,320 --> 01:04:33,080
Speaker 3: if you're on the same side quote unquote, but people

1379
01:04:33,080 --> 01:04:35,800
Speaker 3: are like, well, we're allies, so you can't critique us,

1380
01:04:35,960 --> 01:04:41,080
Speaker 3: and you can't critique this woman because she does care

1381
01:04:41,160 --> 01:04:44,680
Speaker 3: about certain causes that benefit everybody. And I'm like, well,

1382
01:04:45,760 --> 01:04:48,120
Speaker 3: how well, then that's not really an ally. That's not

1383
01:04:48,160 --> 01:04:50,280
Speaker 3: really a friend if we can't have a conversation and

1384
01:04:50,320 --> 01:04:51,800
Speaker 3: be like, well, this is what I really would like

1385
01:04:51,840 --> 01:04:54,680
Speaker 3: to hear you say. If you just shut me down,

1386
01:04:55,320 --> 01:04:57,200
Speaker 3: then don't you're not my ally at all? You know,

1387
01:04:57,280 --> 01:04:58,680
Speaker 3: my friend, You're not anything to me.

1388
01:04:58,880 --> 01:05:02,200
Speaker 10: Right And to me, that causes a lot of division

1389
01:05:02,520 --> 01:05:07,240
Speaker 10: among feminists because they feel like when they bring their

1390
01:05:07,280 --> 01:05:11,440
Speaker 10: issues and they bring their problems and they'll bring their

1391
01:05:13,560 --> 01:05:16,680
Speaker 10: things to the table, you always dismiss it if it's

1392
01:05:16,720 --> 01:05:19,800
Speaker 10: not on the same point of hey, let's talk about

1393
01:05:19,800 --> 01:05:26,280
Speaker 10: equal pay. Okay, that's great, but let's talk about something

1394
01:05:26,400 --> 01:05:28,680
Speaker 10: that's a little bit bigger to me right now than

1395
01:05:28,840 --> 01:05:29,760
Speaker 10: just fucking equal pay.

1396
01:05:29,920 --> 01:05:33,240
Speaker 3: But but honestly, even if she even if she would

1397
01:05:33,240 --> 01:05:35,040
Speaker 3: have said let's talk about equal pay, she would have

1398
01:05:35,040 --> 01:05:38,439
Speaker 3: been okay, it was once, she said, because black people

1399
01:05:38,480 --> 01:05:40,320
Speaker 3: and gay people ain't talking about it, Like what are

1400
01:05:40,320 --> 01:05:44,440
Speaker 3: you talking about like that? That just shows your blind

1401
01:05:44,600 --> 01:05:48,280
Speaker 3: to listening to other people and and and other people

1402
01:05:48,320 --> 01:05:51,200
Speaker 3: that have leadership in your spear, Like she went on

1403
01:05:51,240 --> 01:05:53,160
Speaker 3: Twitter and this is what she said. Wage equality will

1404
01:05:53,200 --> 01:05:56,400
Speaker 3: help all women of all races in America. It will

1405
01:05:56,440 --> 01:06:00,000
Speaker 3: also help their children at society, women have been basically

1406
01:06:00,040 --> 01:06:01,800
Speaker 3: paying a gender tax for generations.

1407
01:06:02,440 --> 01:06:04,320
Speaker 5: I have been an advocate for the rights of the

1408
01:06:04,440 --> 01:06:05,560
Speaker 5: LGBT community.

1409
01:06:06,080 --> 01:06:09,240
Speaker 3: The question is why aren't you an advocate for equality

1410
01:06:09,280 --> 01:06:14,320
Speaker 3: for all women. It's just false framing, like no one

1411
01:06:14,480 --> 01:06:17,360
Speaker 3: is for the one and against the other, like nope,

1412
01:06:17,720 --> 01:06:19,200
Speaker 3: I just support the gay women.

1413
01:06:19,560 --> 01:06:22,560
Speaker 5: Fuck these regular women, like, stop doing that shit now.

1414
01:06:22,560 --> 01:06:27,000
Speaker 3: I really hate that she didn't right, and she and

1415
01:06:27,040 --> 01:06:31,000
Speaker 3: the thing is the people depending defending her will call

1416
01:06:31,240 --> 01:06:34,280
Speaker 3: the people calling her out devisive rather than to say no,

1417
01:06:34,440 --> 01:06:38,200
Speaker 3: what she said is insulting and inflammatory, and it will

1418
01:06:38,280 --> 01:06:39,360
Speaker 3: cause the visiveness.

1419
01:06:39,920 --> 01:06:41,720
Speaker 5: Instead, it's gonna be like, well, why y'all got to.

1420
01:06:41,720 --> 01:06:42,240
Speaker 4: Bring it up?

1421
01:06:42,280 --> 01:06:42,480
Speaker 9: Man?

1422
01:06:43,040 --> 01:06:46,919
Speaker 3: That that award was hours ago, Right, y'all still on this.

1423
01:06:47,280 --> 01:06:49,840
Speaker 10: Right, that's that black on black crime bullshit that makes

1424
01:06:49,880 --> 01:06:53,040
Speaker 10: people mad because it's like you're trying to change the subject.

1425
01:06:53,280 --> 01:06:53,400
Speaker 9: Right.

1426
01:06:53,440 --> 01:06:55,320
Speaker 3: If she tried to frame this shit like she was

1427
01:06:55,440 --> 01:06:59,360
Speaker 3: educating people, guess which women are the most negatively affected

1428
01:06:59,360 --> 01:07:03,080
Speaker 3: in waging women of color? Hashtag equal pay for all women,

1429
01:07:03,360 --> 01:07:06,160
Speaker 3: women standing together in this like we.

1430
01:07:08,120 --> 01:07:11,240
Speaker 2: But your first comments were basically we fought for y'all

1431
01:07:11,240 --> 01:07:12,120
Speaker 2: black Ass's how.

1432
01:07:12,040 --> 01:07:14,960
Speaker 4: Come you ain't exactly what you're saying?

1433
01:07:15,280 --> 01:07:16,960
Speaker 5: Like, what kind of mission ship is that?

1434
01:07:17,040 --> 01:07:19,720
Speaker 3: And the title is the title of the fucking article

1435
01:07:19,760 --> 01:07:23,160
Speaker 3: that I was reading is don't tear down Patricia Arcat

1436
01:07:23,320 --> 01:07:24,520
Speaker 3: for a well intentioned speech.

1437
01:07:24,640 --> 01:07:26,000
Speaker 6: Y'ah saw that. I didn't even read it, but I

1438
01:07:26,040 --> 01:07:26,280
Speaker 6: saw that.

1439
01:07:26,600 --> 01:07:29,360
Speaker 3: Yeah, first of all, what happened to you? Time used

1440
01:07:29,360 --> 01:07:33,000
Speaker 3: to beat somebody? You know, you used to have a

1441
01:07:33,080 --> 01:07:35,760
Speaker 3: brand to stand behind. Now y'all just like Hawker as

1442
01:07:35,760 --> 01:07:38,840
Speaker 3: far as you know, just an internet publication that just

1443
01:07:39,040 --> 01:07:41,560
Speaker 3: you know, put puts out whatever gets the most clicks.

1444
01:07:41,640 --> 01:07:44,280
Speaker 3: But but yeah, it's you know, it's like, well, don't

1445
01:07:44,320 --> 01:07:45,600
Speaker 3: don't don't criticize her.

1446
01:07:45,640 --> 01:07:46,920
Speaker 4: It's like why not?

1447
01:07:47,200 --> 01:07:49,480
Speaker 5: She had good intentions and she fucked up.

1448
01:07:49,720 --> 01:07:51,919
Speaker 4: Yeah, and it don't make her a bad person.

1449
01:07:51,960 --> 01:07:54,640
Speaker 3: Right that and not caring that is the key to

1450
01:07:54,680 --> 01:07:59,560
Speaker 3: all this ship. A lot of people think criticizing somebody means.

1451
01:07:59,320 --> 01:08:01,160
Speaker 5: That you're dumb with them.

1452
01:08:01,040 --> 01:08:02,960
Speaker 3: And that you think like I saw, and I know

1453
01:08:03,040 --> 01:08:06,120
Speaker 3: JAYL was joking, but jail Con on Twitter was like, oh,

1454
01:08:06,240 --> 01:08:11,560
Speaker 3: I guess so According to Twitter, Sean Pin and Patricia

1455
01:08:11,640 --> 01:08:16,200
Speaker 3: Arcat are the new isis and ah, and I was like,

1456
01:08:16,400 --> 01:08:19,599
Speaker 3: but see, that's the thing. In forty eight hours, nobody

1457
01:08:19,600 --> 01:08:19,960
Speaker 3: will care.

1458
01:08:20,400 --> 01:08:21,880
Speaker 4: Right, They've been moved on to something.

1459
01:08:22,320 --> 01:08:24,639
Speaker 3: People are just you know, people are upset. They're allowed

1460
01:08:24,680 --> 01:08:27,280
Speaker 3: to be upset. They're allowed to call people out for this.

1461
01:08:27,560 --> 01:08:30,760
Speaker 3: And at the end of the day, trust me, this

1462
01:08:30,800 --> 01:08:33,120
Speaker 3: is gonna be like Black Lives Matter and people gonna

1463
01:08:33,160 --> 01:08:35,800
Speaker 3: be picking in out front of her house with months

1464
01:08:35,800 --> 01:08:37,280
Speaker 3: from now, like, people will move on.

1465
01:08:37,920 --> 01:08:39,320
Speaker 5: She's just gonna always get.

1466
01:08:39,120 --> 01:08:42,400
Speaker 6: The cats, all of them Rosanna.

1467
01:08:43,760 --> 01:08:47,800
Speaker 3: Right, No, right, they just standing outside hashtag not all

1468
01:08:47,800 --> 01:08:50,160
Speaker 3: our cats.

1469
01:08:50,840 --> 01:08:53,280
Speaker 5: I'm ask you, okay, can I get a job again? Nope?

1470
01:08:54,320 --> 01:08:55,400
Speaker 5: We gave you a chance.

1471
01:08:56,000 --> 01:08:56,599
Speaker 4: You blew it.

1472
01:08:57,000 --> 01:08:59,920
Speaker 6: But yeah, ever again because of this ship.

1473
01:09:00,320 --> 01:09:04,560
Speaker 3: And then Sean Penn got in trouble because there was

1474
01:09:04,640 --> 01:09:08,280
Speaker 3: a Latino director who won an award and he made

1475
01:09:08,280 --> 01:09:10,759
Speaker 3: a joke about getting a green card.

1476
01:09:11,600 --> 01:09:12,680
Speaker 4: Oh out, like.

1477
01:09:12,640 --> 01:09:14,400
Speaker 3: Who gave this son of a bitch of green cards?

1478
01:09:14,920 --> 01:09:18,400
Speaker 3: And then it was supposed to be funny because they're

1479
01:09:18,560 --> 01:09:22,000
Speaker 3: friends and they joke like that on the biggest stage

1480
01:09:22,040 --> 01:09:22,679
Speaker 3: of his career.

1481
01:09:22,880 --> 01:09:26,439
Speaker 6: Now on the way to the after party or some shit.

1482
01:09:26,600 --> 01:09:29,360
Speaker 3: Yeah, and the dude wasn't even upset. Like I saw

1483
01:09:29,400 --> 01:09:31,439
Speaker 3: a quote from him later He's like, that's my dog.

1484
01:09:31,560 --> 01:09:33,880
Speaker 5: You know, it's cool. And I'm like, that's cool.

1485
01:09:33,920 --> 01:09:37,080
Speaker 3: But let's be honest, all right, because people are going, well,

1486
01:09:37,080 --> 01:09:39,320
Speaker 3: if he's cool with it, then watch it. Everybody else

1487
01:09:39,320 --> 01:09:42,840
Speaker 3: should be Okay. No, And here's why not. Because the

1488
01:09:42,880 --> 01:09:48,680
Speaker 3: Oscars prompt themselves up as a representation as this groundbreaking,

1489
01:09:49,479 --> 01:09:51,400
Speaker 3: like you you don't get to put your award on

1490
01:09:51,439 --> 01:09:53,800
Speaker 3: the pedestal. And then when we go, yeah, well you

1491
01:09:53,800 --> 01:09:56,040
Speaker 3: didn't treat it very prestigious at that moment.

1492
01:09:56,160 --> 01:09:57,200
Speaker 5: Whoa, whoa, whoa whoa.

1493
01:09:57,479 --> 01:10:00,639
Speaker 3: Those are just two friends talking, no fuck you because

1494
01:10:00,640 --> 01:10:03,080
Speaker 3: when when when Holly and Denzel won, y'all was like

1495
01:10:03,120 --> 01:10:06,640
Speaker 3: this is for all the negroes right right, Yeah, you

1496
01:10:06,680 --> 01:10:09,000
Speaker 3: can't pull that shit back like you got it, you

1497
01:10:09,080 --> 01:10:11,720
Speaker 3: roll with it or you don't. You can't jump in

1498
01:10:11,760 --> 01:10:14,959
Speaker 3: and out of this game. So yeah, it was offensive.

1499
01:10:15,000 --> 01:10:17,479
Speaker 3: I see why people got offended. And I don't give

1500
01:10:17,479 --> 01:10:19,280
Speaker 3: a fuck if the dude's not mad or not. If

1501
01:10:19,320 --> 01:10:21,240
Speaker 3: I had a you know, if I'm a Latino kid,

1502
01:10:21,240 --> 01:10:23,320
Speaker 3: if I'm a kid of color and I'm like, yeah,

1503
01:10:23,360 --> 01:10:25,599
Speaker 3: maybe I could be a director, and then I see yeah,

1504
01:10:25,600 --> 01:10:27,400
Speaker 3: because at the biggest stage, they can make a joke

1505
01:10:27,439 --> 01:10:29,760
Speaker 3: a behind brown right.

1506
01:10:29,600 --> 01:10:33,519
Speaker 2: Basically right, Like you said, the thing that annoys me

1507
01:10:33,560 --> 01:10:38,640
Speaker 2: about the Oscars is when you have these moments like

1508
01:10:38,640 --> 01:10:40,640
Speaker 2: like last year when twelve Years a Slave one and

1509
01:10:40,680 --> 01:10:43,200
Speaker 2: when the Peter got her oscar, you could tell everybody

1510
01:10:43,240 --> 01:10:45,160
Speaker 2: was breaking their arms to pack themselves in the back.

1511
01:10:45,200 --> 01:10:46,960
Speaker 2: Look at how far we've come, look at how the

1512
01:10:47,240 --> 01:10:50,559
Speaker 2: set that year when Howie and Denzel won, the year

1513
01:10:50,600 --> 01:10:54,040
Speaker 2: when I think when Jamie Fox won for Raid, it

1514
01:10:54,120 --> 01:10:57,000
Speaker 2: was like Jamie Fox was nominated and Will Smith was

1515
01:10:57,040 --> 01:10:59,360
Speaker 2: nominated and don Cheetoh, Like you had a couple of

1516
01:10:59,439 --> 01:11:01,559
Speaker 2: years where they were these years where it was so diverse,

1517
01:11:01,600 --> 01:11:04,200
Speaker 2: and everybody, every article written about the show was how

1518
01:11:04,200 --> 01:11:06,760
Speaker 2: diverse it is, and it's like everybody's so proud of

1519
01:11:06,800 --> 01:11:10,280
Speaker 2: themselves in that moment. And then the next year there's

1520
01:11:10,400 --> 01:11:14,679
Speaker 2: no little to no representation of non white people and

1521
01:11:14,760 --> 01:11:16,439
Speaker 2: we're not supposed to make a big deal about it.

1522
01:11:16,479 --> 01:11:18,320
Speaker 2: And then not only is there little to no representation,

1523
01:11:18,760 --> 01:11:21,680
Speaker 2: but you get on stage and you make a racist joke.

1524
01:11:22,760 --> 01:11:24,600
Speaker 6: And everybody's supposed to treat it like it's not a

1525
01:11:24,600 --> 01:11:25,080
Speaker 6: big deal.

1526
01:11:25,439 --> 01:11:29,640
Speaker 2: Hey, you don't have the real estate, you don't have

1527
01:11:29,680 --> 01:11:31,880
Speaker 2: the country, you don't have the track record to make

1528
01:11:31,920 --> 01:11:33,519
Speaker 2: that joke and me not call you out on it.

1529
01:11:33,800 --> 01:11:35,800
Speaker 2: You damn sure can't make that joke in a year

1530
01:11:35,840 --> 01:11:39,760
Speaker 2: when there's little to no representation amongst the nominees and

1531
01:11:39,840 --> 01:11:42,840
Speaker 2: think this some shit like that it's cool. So I

1532
01:11:42,880 --> 01:11:45,080
Speaker 2: think that, Yea, I agree with what you said in

1533
01:11:45,160 --> 01:11:47,439
Speaker 2: terms of people thinking that they can sort of have

1534
01:11:47,520 --> 01:11:50,280
Speaker 2: it both ways, and like when you do good quote unquote,

1535
01:11:50,640 --> 01:11:53,040
Speaker 2: then you shoving it down my throats, make sure everybody

1536
01:11:53,040 --> 01:11:55,760
Speaker 2: sees it. But when you screw up, it's like, calm down,

1537
01:11:55,760 --> 01:11:58,240
Speaker 2: it's not that big a deal. That's disingenuous, right, And

1538
01:11:58,360 --> 01:11:59,960
Speaker 2: that was part of the reason why I didn't watch

1539
01:12:00,160 --> 01:12:01,720
Speaker 2: last night because it just sort of felt like and

1540
01:12:02,200 --> 01:12:04,880
Speaker 2: like I heard they they made sure to keep all

1541
01:12:04,920 --> 01:12:07,400
Speaker 2: the black celebrities on camera, Like they kept showing black

1542
01:12:07,439 --> 01:12:12,120
Speaker 2: celebrities throughout the show, and it's like, you can't we

1543
01:12:12,160 --> 01:12:15,439
Speaker 2: can't keep we can't keep allowing for that to be okay.

1544
01:12:15,760 --> 01:12:19,519
Speaker 3: And Republicans on Twitter and shit conservatives that people natively

1545
01:12:19,560 --> 01:12:23,160
Speaker 3: don't fuck with they were calling out the Oscars on

1546
01:12:23,320 --> 01:12:27,000
Speaker 3: that shit, because they were like, yeah, you're hypocritical, you're

1547
01:12:27,000 --> 01:12:29,559
Speaker 3: showing nothing with black people on the screen. By the way,

1548
01:12:29,600 --> 01:12:32,000
Speaker 3: it was on rockstory dot com and they the headline

1549
01:12:32,040 --> 01:12:35,120
Speaker 3: was something like conservatives upset that too many black people

1550
01:12:35,160 --> 01:12:37,320
Speaker 3: were showing on screen, But if you read the tweets,

1551
01:12:37,360 --> 01:12:40,439
Speaker 3: they actually weren't. They were saying, I'm upset that you

1552
01:12:40,439 --> 01:12:43,479
Speaker 3: guys are being hypocrites. You won't nominate these people, but

1553
01:12:43,520 --> 01:12:45,920
Speaker 3: you'll put them on the screen as cover for the

1554
01:12:45,960 --> 01:12:47,920
Speaker 3: fact that you didn't nominate these people. And they were

1555
01:12:47,960 --> 01:12:50,040
Speaker 3: absolutely right about that shit. I don't give a fuck

1556
01:12:50,360 --> 01:12:53,599
Speaker 3: if they conservatives or not. Broke clock is right. Sometimes

1557
01:12:53,600 --> 01:12:55,479
Speaker 3: that shit was right on time.

1558
01:12:55,880 --> 01:12:58,080
Speaker 6: So that was false.

1559
01:12:58,520 --> 01:13:03,839
Speaker 2: It was just like there's a and like the difference

1560
01:13:03,880 --> 01:13:07,080
Speaker 2: between the Oscars and the Grammys for me is like

1561
01:13:07,200 --> 01:13:09,320
Speaker 2: I checked out of the Grammys a long time ago.

1562
01:13:10,160 --> 01:13:11,960
Speaker 6: I gave it on the Grammys a long time ago.

1563
01:13:12,240 --> 01:13:14,120
Speaker 2: Like in the nineties when they were given Album of

1564
01:13:14,160 --> 01:13:17,200
Speaker 2: the Year to shit like Tony Bennett, No disrespected Tony

1565
01:13:17,200 --> 01:13:22,000
Speaker 2: Bennett and Natalie Cole and Eric Clapton, And it's like

1566
01:13:22,080 --> 01:13:24,720
Speaker 2: this is the era of like Nirvana and Tupac and

1567
01:13:24,800 --> 01:13:28,040
Speaker 2: you know, but all of these, for lack of a

1568
01:13:28,040 --> 01:13:31,080
Speaker 2: better word, old last artists are getting Album of the

1569
01:13:31,160 --> 01:13:33,719
Speaker 2: Year just because they're being voted on by old last people.

1570
01:13:34,200 --> 01:13:36,360
Speaker 2: And I kind of recognized that this ain't this ain't

1571
01:13:36,400 --> 01:13:38,559
Speaker 2: an award show for me, So I checked out of

1572
01:13:38,560 --> 01:13:40,840
Speaker 2: that mentally a long time ago. Whereas with the Oscars,

1573
01:13:41,479 --> 01:13:46,200
Speaker 2: the Oscars tend to be culturally and socially held up

1574
01:13:46,240 --> 01:13:48,280
Speaker 2: to a certain standard, like you kind of believe that

1575
01:13:48,360 --> 01:13:51,519
Speaker 2: this is really a little bit more credible showcase of

1576
01:13:51,560 --> 01:13:52,120
Speaker 2: what is.

1577
01:13:52,080 --> 01:13:53,200
Speaker 6: Going on in Hollywood.

1578
01:13:53,800 --> 01:13:56,479
Speaker 2: So when you have that kind of prestige and that

1579
01:13:56,560 --> 01:14:01,559
Speaker 2: kind of reputation and such a whack history, it ain't

1580
01:14:01,560 --> 01:14:04,840
Speaker 2: that hard to And I'm not advocating for tokenism.

1581
01:14:05,280 --> 01:14:07,839
Speaker 6: I'm just saying that when.

1582
01:14:07,680 --> 01:14:10,400
Speaker 2: There are, there should be a concerted effort to make

1583
01:14:10,439 --> 01:14:13,920
Speaker 2: sure that the representation is valid and real.

1584
01:14:14,200 --> 01:14:14,400
Speaker 6: Right.

1585
01:14:14,439 --> 01:14:17,919
Speaker 3: I think the thing about the Oscars and the Grammys

1586
01:14:17,920 --> 01:14:21,639
Speaker 3: and shit is the problem is always going to exist

1587
01:14:21,680 --> 01:14:25,400
Speaker 3: as long as people see diversity as a thing where well,

1588
01:14:25,400 --> 01:14:28,120
Speaker 3: there's black people in the audience, or even there's black

1589
01:14:28,160 --> 01:14:32,519
Speaker 3: people nominated, even there's black people winning awards, all three

1590
01:14:32,520 --> 01:14:35,160
Speaker 3: of those things aren't really good enough. Like, the only

1591
01:14:35,200 --> 01:14:37,920
Speaker 3: thing that truly will fix this problem is when black people.

1592
01:14:37,680 --> 01:14:41,400
Speaker 5: Make the decisions on it. And I don't necessarily mean like.

1593
01:14:41,400 --> 01:14:43,960
Speaker 3: Oh, all the give all the black people all the jobs,

1594
01:14:44,000 --> 01:14:47,280
Speaker 3: but like a percentage gotta be black, Like you need

1595
01:14:47,320 --> 01:14:48,000
Speaker 3: some black.

1596
01:14:47,800 --> 01:14:50,679
Speaker 5: Opinion in there. You can't just say you can work

1597
01:14:50,760 --> 01:14:51,400
Speaker 5: the jobs.

1598
01:14:51,560 --> 01:14:56,040
Speaker 3: You can be actors, you can feed directors, you can yeah,

1599
01:14:56,080 --> 01:14:57,880
Speaker 3: you can get nominated, you can do a bunch of shit.

1600
01:14:57,920 --> 01:15:00,960
Speaker 3: But what you can't do is vote. Like that's just

1601
01:15:00,960 --> 01:15:03,880
Speaker 3: as freaking silly to me. So, yeah, we need black

1602
01:15:03,920 --> 01:15:06,040
Speaker 3: people to be able to vote, because if not, you're

1603
01:15:06,040 --> 01:15:08,240
Speaker 3: gonna always end up with this kind of stupidity.

1604
01:15:08,280 --> 01:15:08,479
Speaker 8: Man.

1605
01:15:08,640 --> 01:15:11,120
Speaker 10: Yeah, And and it's amazing y'all say he made the

1606
01:15:11,240 --> 01:15:15,120
Speaker 10: joke about the green car and immigration with and that's

1607
01:15:15,240 --> 01:15:19,559
Speaker 10: very ignorant because with all the people uh getting their

1608
01:15:19,600 --> 01:15:23,559
Speaker 10: families divided up and ship like that, and Grandma and

1609
01:15:23,600 --> 01:15:28,720
Speaker 10: Paul Paul and ship getting shipped back to right and too,

1610
01:15:29,760 --> 01:15:32,960
Speaker 10: they're passing laws in Arizona for checking. I d like,

1611
01:15:33,000 --> 01:15:35,360
Speaker 10: it's too much ship for you to make this statement

1612
01:15:35,400 --> 01:15:36,519
Speaker 10: and think it's.

1613
01:15:36,360 --> 01:15:39,080
Speaker 4: Gonna go well no matter what your personal friendship is.

1614
01:15:39,120 --> 01:15:42,120
Speaker 3: And I understand that a lot of people feel like, well,

1615
01:15:42,160 --> 01:15:46,000
Speaker 3: I put in the time, so hey, I went down

1616
01:15:46,040 --> 01:15:50,880
Speaker 3: to Katrina and I went down to right, so hey,

1617
01:15:50,920 --> 01:15:54,759
Speaker 3: I beat I beat Madonna. Don't y'all hate Madonna? Everybody

1618
01:15:54,760 --> 01:15:57,680
Speaker 3: hates her now. So like he like he felt like

1619
01:15:57,720 --> 01:15:59,400
Speaker 3: he did all this ship and that's white.

1620
01:15:59,720 --> 01:16:02,120
Speaker 4: Yeah, I mean, come on, guys, come on, can I

1621
01:16:02,120 --> 01:16:03,160
Speaker 4: get a half a crad can.

1622
01:16:03,080 --> 01:16:04,400
Speaker 5: A brother gets some credit up in here.

1623
01:16:04,439 --> 01:16:07,080
Speaker 6: But but to me, it's like Mexicano.

1624
01:16:08,520 --> 01:16:08,720
Speaker 9: Yeah.

1625
01:16:08,760 --> 01:16:11,000
Speaker 5: It's like I'm like, if if that's why you did it,

1626
01:16:11,040 --> 01:16:11,360
Speaker 5: thedn't know.

1627
01:16:11,840 --> 01:16:14,400
Speaker 3: And also it's kind of like, uh, if I have

1628
01:16:14,439 --> 01:16:17,320
Speaker 3: a group of friends, right, and let's say me and

1629
01:16:17,439 --> 01:16:19,479
Speaker 3: Stereo were the only black people they hang out with

1630
01:16:19,520 --> 01:16:22,360
Speaker 3: and everybody else is white or whatever not black. And

1631
01:16:22,479 --> 01:16:25,160
Speaker 3: I walk over and I see them talking with him

1632
01:16:25,160 --> 01:16:27,360
Speaker 3: before I get to the table, and they're like, what's up, nigga?

1633
01:16:27,720 --> 01:16:29,760
Speaker 5: No, my motherfucking nigga, And and.

1634
01:16:29,800 --> 01:16:31,559
Speaker 3: I come over there and I'm like, yeah, don't say

1635
01:16:31,600 --> 01:16:35,320
Speaker 3: that shit, and they're like what Stereo said? No, Like

1636
01:16:35,400 --> 01:16:37,960
Speaker 3: that's that's how it feels to me, where it's like, yeah,

1637
01:16:38,240 --> 01:16:41,639
Speaker 3: I get that this guy's okay with it. No, it's

1638
01:16:41,720 --> 01:16:44,360
Speaker 3: not Okay, I don't give a fuck, and not all

1639
01:16:44,400 --> 01:16:47,640
Speaker 3: of us agree on that shit. And yeah, like like

1640
01:16:47,680 --> 01:16:51,000
Speaker 3: I said, he made the moment so much more about him,

1641
01:16:51,040 --> 01:16:54,880
Speaker 3: and I don't give a fuck if people think that

1642
01:16:54,880 --> 01:16:56,960
Speaker 3: that he's a good guy or whatever. I don't even

1643
01:16:57,040 --> 01:16:58,840
Speaker 3: if that has nothing to do with the baron of

1644
01:16:58,840 --> 01:17:02,679
Speaker 3: that one moment. It doesn't because I'm not even saying

1645
01:17:02,680 --> 01:17:05,120
Speaker 3: he's evil. I'm just saying I don't give a fuck,

1646
01:17:05,640 --> 01:17:08,240
Speaker 3: you know what I mean, Like it's justified.

1647
01:17:08,280 --> 01:17:11,120
Speaker 2: Like that's the thing that really the theme of everything

1648
01:17:11,160 --> 01:17:14,920
Speaker 2: that we talked about tonight is people have to learn

1649
01:17:15,080 --> 01:17:19,240
Speaker 2: that just because you like Mystic River or some shit

1650
01:17:19,400 --> 01:17:22,360
Speaker 2: doesn't mean that this motherfucker doesn't deserve to be called

1651
01:17:22,360 --> 01:17:25,040
Speaker 2: out on some bullshit. And me calling him out on

1652
01:17:25,080 --> 01:17:27,680
Speaker 2: some bullshit isn't the same thing as me leading him

1653
01:17:27,680 --> 01:17:30,160
Speaker 2: to the town square and put him a blindfold on

1654
01:17:30,240 --> 01:17:32,840
Speaker 2: him and saying, shoot, it's like, I'm just saying this

1655
01:17:32,960 --> 01:17:36,799
Speaker 2: was bullshit that and he needs to address it. Somebody

1656
01:17:36,840 --> 01:17:39,519
Speaker 2: said I think it was after Patricia Arkat's thing, and

1657
01:17:39,560 --> 01:17:41,679
Speaker 2: I saw somebody tweet something like, you know, they're gonna

1658
01:17:41,720 --> 01:17:44,240
Speaker 2: make World War three out of this. It's like nobody's

1659
01:17:44,240 --> 01:17:46,080
Speaker 2: making World War three out of any of this shit.

1660
01:17:46,280 --> 01:17:47,440
Speaker 2: It's just criticism.

1661
01:17:47,800 --> 01:17:51,200
Speaker 3: Right, world War three would be people boycotting the sponsors

1662
01:17:51,320 --> 01:17:55,000
Speaker 3: and right like people, people won't even not see your

1663
01:17:55,040 --> 01:17:58,840
Speaker 3: next movie. That's how that's how little this matters. But

1664
01:17:58,920 --> 01:18:01,599
Speaker 3: they but they should hear, and more importantly, they should

1665
01:18:01,640 --> 01:18:05,559
Speaker 3: be listening to. And I don't understand why we, like,

1666
01:18:06,000 --> 01:18:08,400
Speaker 3: you know, a lot of people feel like they need

1667
01:18:08,439 --> 01:18:11,080
Speaker 3: to push back against people just going, hey, maybe you

1668
01:18:11,200 --> 01:18:11,720
Speaker 3: fucked up.

1669
01:18:12,080 --> 01:18:12,599
Speaker 5: That's it.

1670
01:18:13,320 --> 01:18:15,400
Speaker 3: And by the way, there's always a doubt to this,

1671
01:18:16,280 --> 01:18:17,719
Speaker 3: which is I don't give a fuck.

1672
01:18:18,240 --> 01:18:19,360
Speaker 5: You can also say that.

1673
01:18:19,240 --> 01:18:22,360
Speaker 3: Sean Pig could come out tonight and be like, yes,

1674
01:18:22,520 --> 01:18:25,120
Speaker 3: suck my dick. I made that joke and I don't care.

1675
01:18:25,200 --> 01:18:27,000
Speaker 3: And you got to decide if you hate me or not.

1676
01:18:27,880 --> 01:18:30,200
Speaker 3: The end and that and you know what, it pretty

1677
01:18:30,240 --> 01:18:32,200
Speaker 3: much will be the end. Everybody's gonna be like, well

1678
01:18:32,240 --> 01:18:34,720
Speaker 3: fucking or don't anyway, you're gonna go see the gun

1679
01:18:34,800 --> 01:18:35,280
Speaker 3: in or you're not.

1680
01:18:35,520 --> 01:18:36,280
Speaker 4: That's it, right.

1681
01:18:36,880 --> 01:18:39,040
Speaker 3: So I don't even understand why people turn it into

1682
01:18:39,040 --> 01:18:40,599
Speaker 3: the high stakes like life or death.

1683
01:18:40,600 --> 01:18:41,839
Speaker 5: Shit, it ain't even that important.

1684
01:18:41,880 --> 01:18:45,520
Speaker 3: It's you know, sometimes everybody don't have to like your ass.

1685
01:18:45,600 --> 01:18:49,160
Speaker 2: We are addicted to martyr them, like I wrote something

1686
01:18:49,240 --> 01:18:53,240
Speaker 2: years ago about manufactured martyrdom, like I wrote it about

1687
01:18:53,280 --> 01:18:58,120
Speaker 2: Kanye actually, but we live in an era where because

1688
01:18:58,120 --> 01:19:00,800
Speaker 2: of criticism and because of social media, and I know,

1689
01:19:01,360 --> 01:19:04,200
Speaker 2: if you plugged in, there's a tidal wave of people

1690
01:19:04,280 --> 01:19:07,320
Speaker 2: criticizing at all times. So it may seem like the

1691
01:19:07,360 --> 01:19:10,519
Speaker 2: whole world is turning against somebody, but you have to

1692
01:19:10,520 --> 01:19:12,960
Speaker 2: be mindful of the fact that, like you said, within

1693
01:19:13,040 --> 01:19:14,320
Speaker 2: fourty eight hours, we'll be on.

1694
01:19:14,240 --> 01:19:14,960
Speaker 6: To something else.

1695
01:19:15,520 --> 01:19:18,400
Speaker 2: Sometimes a famous person just needs to take their lumps

1696
01:19:18,880 --> 01:19:21,960
Speaker 2: and decide if they're gonna grow and learn, if they're

1697
01:19:21,960 --> 01:19:25,040
Speaker 2: gonna give a disingenuous apology to shut people up, or

1698
01:19:25,080 --> 01:19:27,000
Speaker 2: if they're gonna tell everybody to just fuck off.

1699
01:19:27,080 --> 01:19:28,240
Speaker 6: And this is who I am.

1700
01:19:28,439 --> 01:19:31,960
Speaker 2: Deal with it, but I'm tired of everybody nailing motherfuckers

1701
01:19:31,960 --> 01:19:33,920
Speaker 2: to cross this like I'm really over it. Like it's

1702
01:19:33,960 --> 01:19:37,200
Speaker 2: like they'll be Okay, this shit won't hurt anybody, when

1703
01:19:38,840 --> 01:19:42,320
Speaker 2: it really turned me off after I think after the

1704
01:19:42,400 --> 01:19:45,200
Speaker 2: Kanye Taylor Swift thing, even to this day, the way

1705
01:19:45,240 --> 01:19:48,320
Speaker 2: people talk about it, they make it sound like Kanye

1706
01:19:48,479 --> 01:19:53,400
Speaker 2: was like tied to a post and whipped with chains,

1707
01:19:53,920 --> 01:19:57,599
Speaker 2: And it's basically he was criticized for about six months.

1708
01:19:58,400 --> 01:20:01,360
Speaker 2: Then he went underground and then he dropped My Beautiful,

1709
01:20:01,439 --> 01:20:04,559
Speaker 2: Dark Black twisted whatever the fuck, and got all this

1710
01:20:04,640 --> 01:20:06,599
Speaker 2: critical claim, sold a bunch of records, and was back

1711
01:20:06,600 --> 01:20:09,519
Speaker 2: to being Kanye. It didn't really ruin his life in

1712
01:20:09,600 --> 01:20:12,480
Speaker 2: any measurable way, even criticism.

1713
01:20:12,560 --> 01:20:14,840
Speaker 3: I'd even go so far as to say he didn't

1714
01:20:14,880 --> 01:20:18,000
Speaker 3: even get criticized for that long because he remember he

1715
01:20:18,040 --> 01:20:22,240
Speaker 3: went and cried on TV, right right, Yeah, after he cried,

1716
01:20:22,280 --> 01:20:25,080
Speaker 3: people was like, well, he must be sorry his mama died,

1717
01:20:25,400 --> 01:20:28,479
Speaker 3: and that was like, you know, for the most part,

1718
01:20:28,640 --> 01:20:31,920
Speaker 3: people that already Yeah, most people already hated him or

1719
01:20:31,960 --> 01:20:35,400
Speaker 3: didn't hate him anyway, so shit didn't really matter that much.

1720
01:20:35,439 --> 01:20:39,120
Speaker 3: But yeah, you know, shout out to Patricia arcad and

1721
01:20:39,200 --> 01:20:42,360
Speaker 3: Sean Paann. They'll catch it for twenty four hours and

1722
01:20:42,360 --> 01:20:42,880
Speaker 3: they'll be back.

1723
01:20:43,840 --> 01:20:44,080
Speaker 5: Yeah.

1724
01:20:44,200 --> 01:20:49,120
Speaker 3: Obviously neither neither one scenes that uh focused on learning anything,

1725
01:20:49,200 --> 01:20:53,080
Speaker 3: so right, it is what it is. All right, let's

1726
01:20:53,080 --> 01:20:55,280
Speaker 3: actually get into our sagments because we we been talking

1727
01:20:55,280 --> 01:20:59,559
Speaker 3: to have a good time. We'll start with, uh, you

1728
01:20:59,560 --> 01:21:01,320
Speaker 3: want to start a baller alert here or you wanna

1729
01:21:01,360 --> 01:21:03,679
Speaker 3: start a fucking with black people or do you count

1730
01:21:03,720 --> 01:21:04,920
Speaker 3: all this is fucking with black people.

1731
01:21:06,200 --> 01:21:08,080
Speaker 4: I'm fucking with this up to you now, all.

1732
01:21:08,080 --> 01:21:10,360
Speaker 3: Right, we'll star a ball alert then it's cool we

1733
01:21:10,400 --> 01:21:13,320
Speaker 3: do fucking with black people tomorrow, because I do feel

1734
01:21:13,360 --> 01:21:15,439
Speaker 3: kind of fun with I'm a little upset right now, right,

1735
01:21:16,600 --> 01:21:19,560
Speaker 3: so we'll get into off of alert.

1736
01:21:23,800 --> 01:21:24,080
Speaker 2: Ship.

1737
01:21:25,400 --> 01:21:32,879
Speaker 5: Yeah you know I'm looking for five I'm talking about

1738
01:21:33,120 --> 01:21:48,439
Speaker 5: looking like you just kempt nay stop, got a head.

1739
01:21:48,240 --> 01:21:50,599
Speaker 6: On Joel Ball who just got call.

1740
01:21:50,840 --> 01:21:52,880
Speaker 5: We don't call them no more or nothing. We call

1741
01:21:52,960 --> 01:21:56,479
Speaker 5: them five call. That's a five star kit.

1742
01:21:56,680 --> 01:21:59,879
Speaker 6: That's a fix for the five that that new el sick.

1743
01:22:01,840 --> 01:22:04,280
Speaker 5: Even paying rent in a way you give it too

1744
01:22:04,360 --> 01:22:05,559
Speaker 5: many bad money apps.

1745
01:22:06,520 --> 01:22:09,960
Speaker 3: I ain't even lie I so suh, I dude, I

1746
01:22:10,040 --> 01:22:13,200
Speaker 3: eat up when I keep us unless you Here's Firebox.

1747
01:22:15,120 --> 01:22:17,200
Speaker 5: Strong said she loves me not she loves you not.

1748
01:22:17,479 --> 01:22:18,840
Speaker 6: All my bitches love me.

1749
01:22:22,600 --> 01:22:23,599
Speaker 3: From the five stall.

1750
01:22:25,040 --> 01:22:26,000
Speaker 6: Just five star.

1751
01:22:26,120 --> 01:22:29,519
Speaker 7: Bitch, just a five star bitch, Just a five star bitch.

1752
01:22:29,640 --> 01:22:31,120
Speaker 6: That's a firestar bitch.

1753
01:22:32,040 --> 01:22:34,320
Speaker 3: Jo Fly.

1754
01:22:35,920 --> 01:22:40,040
Speaker 5: And you hear something fine? All right, here are the choices.

1755
01:22:40,320 --> 01:22:45,840
Speaker 3: I'll let stereo pick Groopie tails the Groupy tales when

1756
01:22:45,880 --> 01:22:48,280
Speaker 3: people sleep with dudes and then they tell all their business.

1757
01:22:48,320 --> 01:22:52,320
Speaker 3: All right, Groopy Tails, young thug is gonna get me

1758
01:22:52,439 --> 01:22:53,400
Speaker 3: out of the strip club?

1759
01:22:53,800 --> 01:22:58,360
Speaker 5: Oh lord? All right?

1760
01:22:59,200 --> 01:23:05,320
Speaker 3: Uh uh, Groupy tels me plan B in August Alcina

1761
01:23:05,439 --> 01:23:11,360
Speaker 3: in La Thanks. Number three, thanks, but I'm not your

1762
01:23:11,439 --> 01:23:15,040
Speaker 3: charity case. Why sometimes we don't need your help. Oh

1763
01:23:15,240 --> 01:23:18,400
Speaker 3: that's a deep one. That's about dark skinned women. And

1764
01:23:19,880 --> 01:23:24,439
Speaker 3: number four, let's go with Groopy Tails. Mario took me

1765
01:23:24,560 --> 01:23:30,880
Speaker 3: back to the hotel and dot dot dot. Then lastly mariok,

1766
01:23:31,520 --> 01:23:33,880
Speaker 3: yeah Mario. Do you know remember Mario.

1767
01:23:36,680 --> 01:23:37,160
Speaker 6: Hotel?

1768
01:23:37,280 --> 01:23:37,559
Speaker 10: Was that.

1769
01:23:40,000 --> 01:23:45,599
Speaker 3: I almost like like Quenta? And lastly, how to become

1770
01:23:45,640 --> 01:23:47,960
Speaker 3: a rapper at twenty fifteen by at Nicko Fly.

1771
01:23:48,000 --> 01:23:50,240
Speaker 5: With which one of you pick? Man, we'll do that one.

1772
01:23:51,640 --> 01:23:54,439
Speaker 3: Let's do the Mario story. All right, let's talk about Mario.

1773
01:23:56,920 --> 01:23:59,639
Speaker 3: It's always funny when Groopy Tail starts with y'all remember

1774
01:24:00,840 --> 01:24:05,559
Speaker 3: such and such a so it starts you guys, remember Mario?

1775
01:24:06,439 --> 01:24:08,280
Speaker 5: I can't lie. I love his music.

1776
01:24:08,400 --> 01:24:13,240
Speaker 3: His Go album is probably uh probably the greatest piece

1777
01:24:13,280 --> 01:24:16,480
Speaker 3: of work ever and it was entirely underrated.

1778
01:24:17,960 --> 01:24:20,040
Speaker 5: Now do you remember his God album? I mean you

1779
01:24:20,080 --> 01:24:21,120
Speaker 5: a music critic.

1780
01:24:23,560 --> 01:24:26,840
Speaker 3: Like it's the greatest piece of work ever.

1781
01:24:27,240 --> 01:24:28,679
Speaker 6: I don't think my opinion is as.

1782
01:24:31,640 --> 01:24:33,720
Speaker 5: Wouldn't put it up there with you know?

1783
01:24:35,880 --> 01:24:39,320
Speaker 3: Okay, who thought we'd get a group of tale about him?

1784
01:24:39,479 --> 01:24:41,639
Speaker 3: Check out what one of our readers sent in about

1785
01:24:41,680 --> 01:24:44,759
Speaker 3: the soul singer below. Disclaimer group of tells all submitted

1786
01:24:44,800 --> 01:24:46,680
Speaker 3: by our readers. We cannot confirm with one hundred percent

1787
01:24:46,720 --> 01:24:48,160
Speaker 3: accuracy of any story posted.

1788
01:24:49,320 --> 01:24:52,000
Speaker 5: A few weeks ago. I had the pleasure of meeting Mario.

1789
01:24:52,800 --> 01:24:55,960
Speaker 3: If you did forget who Mario was, he had his

1790
01:24:56,280 --> 01:24:59,720
Speaker 3: like let Me Love You and music for Love. I

1791
01:24:59,760 --> 01:25:02,080
Speaker 3: feel like at this time I need to play let

1792
01:25:02,120 --> 01:25:04,840
Speaker 3: Me Love You for the audience because.

1793
01:25:04,760 --> 01:25:05,639
Speaker 4: I can't even.

1794
01:25:07,280 --> 01:25:09,920
Speaker 5: I love that song, but I felt like I should

1795
01:25:09,920 --> 01:25:10,519
Speaker 5: never recorded.

1796
01:25:13,920 --> 01:25:14,920
Speaker 4: I remember this song.

1797
01:25:19,080 --> 01:25:35,400
Speaker 11: Yeah, yeah, yeah.

1798
01:25:33,080 --> 01:25:37,360
Speaker 5: Baby, I just don't get it. Did you enjoy being hurt?

1799
01:25:38,280 --> 01:25:41,599
Speaker 5: I know you smell of perfume and the blade up

1800
01:25:41,680 --> 01:25:46,280
Speaker 5: on this shirt. You don't believe his stories? You that

1801
01:25:46,760 --> 01:25:51,160
Speaker 5: all lies? Yeah, that's you walk stick around and you

1802
01:25:51,280 --> 01:25:52,400
Speaker 5: just don't know why.

1803
01:25:52,760 --> 01:25:56,160
Speaker 7: Don't push your bad baby you, and don't worry about

1804
01:25:56,479 --> 01:25:59,519
Speaker 7: what I do. I didn't go any more back to

1805
01:25:59,640 --> 01:26:05,160
Speaker 7: you every name when you're right, that's good things.

1806
01:26:09,560 --> 01:26:10,479
Speaker 5: Just say that again.

1807
01:26:11,000 --> 01:26:12,200
Speaker 6: Didn't he beat up his mama?

1808
01:26:12,320 --> 01:26:15,120
Speaker 5: So I think he did. I think he did.

1809
01:26:15,520 --> 01:26:17,960
Speaker 6: That's funny. Don't beat up your mama.

1810
01:26:18,080 --> 01:26:20,000
Speaker 5: Don't beat up your mama. Don't go Dad Bryan on

1811
01:26:20,080 --> 01:26:20,439
Speaker 5: your mama.

1812
01:26:20,640 --> 01:26:23,360
Speaker 6: Don't don't go Christian Bale on your mama's.

1813
01:26:24,840 --> 01:26:27,599
Speaker 4: Don't beat up your mama. Cheering listening to the show.

1814
01:26:27,800 --> 01:26:28,519
Speaker 6: Yeah it wasn't.

1815
01:26:28,720 --> 01:26:31,280
Speaker 5: Wasn't his last name Whinings or something like that, or

1816
01:26:31,439 --> 01:26:34,559
Speaker 5: what was the other one? Yeah, it was Mario.

1817
01:26:35,640 --> 01:26:38,400
Speaker 6: Mario, he's the non wining and.

1818
01:26:38,439 --> 01:26:40,280
Speaker 4: Somebody about a good point. That does sound like a

1819
01:26:40,320 --> 01:26:41,519
Speaker 4: song that Neo would sing.

1820
01:26:42,120 --> 01:26:44,080
Speaker 6: Oh, yeah, it does. If he wrote it. He might

1821
01:26:44,080 --> 01:26:44,639
Speaker 6: have written.

1822
01:26:46,320 --> 01:26:48,720
Speaker 5: On the Low. If you look at the lyrics, it

1823
01:26:48,920 --> 01:26:51,599
Speaker 5: sounds like some ship Joe would have wrote.

1824
01:26:53,000 --> 01:26:54,760
Speaker 6: Oh it does sound like a Joe song.

1825
01:26:54,840 --> 01:26:58,080
Speaker 3: Yeah, Joe stayed man, You gotta stay on top man

1826
01:26:58,080 --> 01:27:01,200
Speaker 3: when you messing with with jokers. Joe fucking around, take

1827
01:27:01,240 --> 01:27:03,760
Speaker 3: your woman because y'all had one argument over them a

1828
01:27:03,800 --> 01:27:06,760
Speaker 3: biscuit or something like.

1829
01:27:06,880 --> 01:27:09,640
Speaker 10: Next thing, you know, he's on the bare rug in

1830
01:27:09,640 --> 01:27:11,439
Speaker 10: front of in front of the fireplace, and you don't

1831
01:27:11,479 --> 01:27:12,440
Speaker 10: know what happened.

1832
01:27:13,240 --> 01:27:16,120
Speaker 5: Every single one of the nigga songs is the same.

1833
01:27:16,240 --> 01:27:19,200
Speaker 5: It's just like your man ain't ship and I'm here

1834
01:27:19,240 --> 01:27:23,040
Speaker 5: for you. It's like, damn, I thought.

1835
01:27:22,800 --> 01:27:25,720
Speaker 4: So because it sounded like his lyrics. I was like,

1836
01:27:26,040 --> 01:27:29,519
Speaker 4: it sounded like a neo track, right right, yeah, yeah,

1837
01:27:29,560 --> 01:27:32,280
Speaker 4: you fucking around with them Joe songs. You know, it'd

1838
01:27:32,320 --> 01:27:34,439
Speaker 4: be like he left his there the drowns on the floor.

1839
01:27:34,520 --> 01:27:35,519
Speaker 4: I'm here for you, girl.

1840
01:27:35,840 --> 01:27:38,680
Speaker 3: What did we get here? He be lying about all

1841
01:27:38,680 --> 01:27:41,800
Speaker 3: the ship. He got a night cruise on a yacht.

1842
01:27:41,800 --> 01:27:46,479
Speaker 5: You can't see the water. Purpose of that man, dirty Max.

1843
01:27:46,520 --> 01:27:48,760
Speaker 2: I don't know he's cocky because his name is Joe.

1844
01:27:48,760 --> 01:27:52,160
Speaker 2: You gotta you gotta be a cocky motherfucker celebrity and just.

1845
01:27:52,040 --> 01:27:55,040
Speaker 5: Go by Joe, especially all the Joe's in R and

1846
01:27:55,080 --> 01:27:56,160
Speaker 5: B R Right.

1847
01:27:56,200 --> 01:27:56,880
Speaker 6: I'm just joke.

1848
01:27:57,120 --> 01:28:00,280
Speaker 5: Yeah, I think that nigga made Joe poslic up.

1849
01:28:02,720 --> 01:28:02,880
Speaker 3: Right.

1850
01:28:04,160 --> 01:28:06,160
Speaker 5: What's the last name, Doug? I wanna look you up, nah,

1851
01:28:06,160 --> 01:28:07,000
Speaker 5: I just Doug bro.

1852
01:28:08,080 --> 01:28:10,640
Speaker 3: Yeah, by the way, I noticed you all in your

1853
01:28:10,680 --> 01:28:13,760
Speaker 3: woman's hand.

1854
01:28:13,760 --> 01:28:16,439
Speaker 5: You damn what a dirty man.

1855
01:28:16,520 --> 01:28:20,559
Speaker 3: Anyway, so she said, and she goes on to say, uh,

1856
01:28:20,600 --> 01:28:22,960
Speaker 3: he did a concert in my hometown. He still has

1857
01:28:23,000 --> 01:28:25,400
Speaker 3: a beautiful voice, by the way, and I met him

1858
01:28:25,439 --> 01:28:26,280
Speaker 3: at the after party.

1859
01:28:26,320 --> 01:28:28,720
Speaker 5: My friend and I got back, got brought back to

1860
01:28:28,800 --> 01:28:30,800
Speaker 5: vi P. We just see.

1861
01:28:30,880 --> 01:28:32,200
Speaker 3: Now, this is the one thing I wish they would

1862
01:28:32,240 --> 01:28:35,840
Speaker 3: elaborate in Groopy Tales. Every story ends up with them

1863
01:28:35,880 --> 01:28:37,680
Speaker 3: coming back to vi P. They never say how they

1864
01:28:37,720 --> 01:28:41,200
Speaker 3: got there, Like, what's the secret to getting a vi P?

1865
01:28:41,320 --> 01:28:43,679
Speaker 10: Because it's very some. Some it is hook a crook,

1866
01:28:44,040 --> 01:28:46,760
Speaker 10: you know. Some actually you know got invited. You know,

1867
01:28:47,000 --> 01:28:50,240
Speaker 10: it varies per the you know, deliver the wretchedness of

1868
01:28:50,280 --> 01:28:50,759
Speaker 10: the female.

1869
01:28:51,000 --> 01:28:53,120
Speaker 3: Yeah, I wonder it's just when the dudes have vi

1870
01:28:53,200 --> 01:28:54,880
Speaker 3: I P and they just let all the women in,

1871
01:28:55,000 --> 01:28:56,040
Speaker 3: like all just come on in.

1872
01:28:56,320 --> 01:28:58,479
Speaker 10: That happened, And sometimes they go out and spot them

1873
01:28:58,479 --> 01:29:00,360
Speaker 10: and like you you you you you you.

1874
01:29:00,400 --> 01:29:02,200
Speaker 3: Because they make it sound like that special, like it

1875
01:29:02,280 --> 01:29:04,439
Speaker 3: was just me and my friend and v IP with Mario.

1876
01:29:04,479 --> 01:29:07,080
Speaker 5: It's like wasn't you and your friend in thirty Chicks

1877
01:29:07,200 --> 01:29:07,639
Speaker 5: or what?

1878
01:29:08,040 --> 01:29:08,160
Speaker 7: Right?

1879
01:29:08,200 --> 01:29:11,080
Speaker 4: And some of them sneaking there like yeah, yeah.

1880
01:29:10,760 --> 01:29:13,599
Speaker 3: So she says, we just took pictures and chatted. He

1881
01:29:13,640 --> 01:29:16,800
Speaker 3: took pictures with all of his fans, never left anyone out.

1882
01:29:16,840 --> 01:29:20,280
Speaker 5: He's such a stand up guy and so sweet. Yeah,

1883
01:29:20,280 --> 01:29:21,720
Speaker 5: you can tell. She was like, I'm gonna give him

1884
01:29:21,720 --> 01:29:25,120
Speaker 5: some mind already made up? Look at you.

1885
01:29:25,160 --> 01:29:26,840
Speaker 6: Did you really beat up your mama mother?

1886
01:29:27,040 --> 01:29:29,599
Speaker 5: Yeah? You ain't hit her too hard, did you.

1887
01:29:29,720 --> 01:29:30,439
Speaker 4: That's okay.

1888
01:29:30,600 --> 01:29:32,479
Speaker 5: I can make an allowance for it. You know you

1889
01:29:32,640 --> 01:29:34,439
Speaker 5: like my Sean you my Sean Pinn.

1890
01:29:35,200 --> 01:29:37,879
Speaker 4: Right, that's that's okay. You can beat up.

1891
01:29:37,840 --> 01:29:41,559
Speaker 3: Right after the after party is what the hotel? Of course?

1892
01:29:42,160 --> 01:29:45,080
Speaker 5: So me and my friends, what's up?

1893
01:29:45,160 --> 01:29:46,960
Speaker 3: So me and my friend leave with them and go

1894
01:29:47,000 --> 01:29:50,599
Speaker 3: to their power their rooms. Well, I went to Mario's room. Oh,

1895
01:29:50,680 --> 01:29:52,080
Speaker 3: I feel so bad for her friend.

1896
01:29:52,320 --> 01:29:55,519
Speaker 4: Right, her friend knew what was happening. She left.

1897
01:29:55,600 --> 01:29:57,479
Speaker 5: She had to fuck like a bouncer or something.

1898
01:29:57,680 --> 01:30:02,160
Speaker 3: Scurity right, the DJ, Yeah, because she said go to

1899
01:30:02,280 --> 01:30:03,120
Speaker 3: their rooms.

1900
01:30:03,240 --> 01:30:07,560
Speaker 5: So I'm assuming she fucked like the drummer, the guitarist.

1901
01:30:07,800 --> 01:30:09,920
Speaker 4: Yeah, break around single.

1902
01:30:09,760 --> 01:30:11,599
Speaker 3: Right, we're gonna get another group of telling I fucked

1903
01:30:11,600 --> 01:30:12,559
Speaker 3: Mario's drummer.

1904
01:30:12,960 --> 01:30:16,960
Speaker 6: Right. I always like the bass player, you just he

1905
01:30:17,120 --> 01:30:17,960
Speaker 6: was just ready to fuck.

1906
01:30:18,320 --> 01:30:21,160
Speaker 5: Yeah, right, the bass player.

1907
01:30:21,160 --> 01:30:24,160
Speaker 3: Alright, I feel like every bass player doesn't have much

1908
01:30:24,200 --> 01:30:26,080
Speaker 3: to say, Like, I don't know why.

1909
01:30:26,840 --> 01:30:29,559
Speaker 2: That's probably just wait for you to walk past the singer.

1910
01:30:29,600 --> 01:30:32,080
Speaker 2: He wait for you walk past the guitar player, drummer,

1911
01:30:32,080 --> 01:30:33,160
Speaker 2: and eventually.

1912
01:30:33,720 --> 01:30:36,840
Speaker 10: Yeah, I could imagine the stories they got.

1913
01:30:37,040 --> 01:30:39,080
Speaker 3: You know how much pussy as a bass player gotten.

1914
01:30:39,240 --> 01:30:41,840
Speaker 3: That started with the conversation, so what do you do

1915
01:30:41,960 --> 01:30:48,200
Speaker 3: in the play the bass babies? We just sat there

1916
01:30:48,240 --> 01:30:53,760
Speaker 3: and talked about music, sung a few songs, songs, talked

1917
01:30:53,760 --> 01:30:56,439
Speaker 3: about the industry, told me how he felt about not

1918
01:30:56,560 --> 01:30:58,920
Speaker 3: getting to meet Aliyah, told me.

1919
01:30:59,040 --> 01:31:00,920
Speaker 4: What it's coda?

1920
01:31:01,080 --> 01:31:04,040
Speaker 6: He told he told her about not getting to Meliah.

1921
01:31:04,160 --> 01:31:08,280
Speaker 5: Yeah, the hell kind of conversation is that it's almost bad.

1922
01:31:08,280 --> 01:31:11,120
Speaker 3: As the girl Chris Brown, she she talked to him

1923
01:31:11,160 --> 01:31:11,799
Speaker 3: about Rihanna.

1924
01:31:11,880 --> 01:31:14,960
Speaker 5: I'm like, what are you doing? I thought you was

1925
01:31:15,000 --> 01:31:17,080
Speaker 5: trying to Okay, did they get high?

1926
01:31:17,760 --> 01:31:17,920
Speaker 8: Uh?

1927
01:31:18,040 --> 01:31:20,160
Speaker 5: She didn't say they got high. They sang songs.

1928
01:31:20,960 --> 01:31:22,960
Speaker 4: Okay, we go to the hotel room with fucking we

1929
01:31:23,040 --> 01:31:25,400
Speaker 4: singing songs and ship like that. There's something else going on.

1930
01:31:25,760 --> 01:31:27,000
Speaker 5: Maybe they did. She left it out.

1931
01:31:27,840 --> 01:31:32,800
Speaker 3: He told me, what inspired braid my hair? Oh, bray,

1932
01:31:32,800 --> 01:31:34,679
Speaker 3: what I'm assuming that's a song?

1933
01:31:35,000 --> 01:31:37,760
Speaker 4: I'm assuming so I don't think I heard braiding my hair?

1934
01:31:37,840 --> 01:31:39,320
Speaker 4: Not less I heard that, you know me you know

1935
01:31:39,360 --> 01:31:40,639
Speaker 4: I'm old. I mean here I haven't.

1936
01:31:40,680 --> 01:31:42,679
Speaker 5: I haven't heard it either. Here it is just braid

1937
01:31:42,760 --> 01:31:54,920
Speaker 5: my hair, Karen, it's Mario corn Yeah.

1938
01:31:54,960 --> 01:31:57,400
Speaker 3: I'm looking at the picture of him and the cover

1939
01:31:57,560 --> 01:31:59,160
Speaker 3: art and he got corn Road.

1940
01:31:59,600 --> 01:32:02,120
Speaker 4: That's like sway back on two thousand and two.

1941
01:32:02,280 --> 01:32:02,439
Speaker 5: Yo.

1942
01:32:02,600 --> 01:32:05,360
Speaker 2: She she's like a real fan. That's like asking bow

1943
01:32:05,400 --> 01:32:07,559
Speaker 2: Wow about them little bow Wow records.

1944
01:32:07,600 --> 01:32:10,719
Speaker 3: Like I really do hope she got some dick because

1945
01:32:10,760 --> 01:32:13,679
Speaker 3: now I'm like, you really do you a real fan,

1946
01:32:14,439 --> 01:32:16,080
Speaker 3: Like you're not just trying to trap him with a

1947
01:32:16,160 --> 01:32:18,840
Speaker 3: baby or get some money, like you really want to

1948
01:32:18,920 --> 01:32:20,160
Speaker 3: make sweet love to Mario.

1949
01:32:20,320 --> 01:32:20,519
Speaker 10: Man.

1950
01:32:22,080 --> 01:32:25,320
Speaker 2: Right, she's talking about corner Lar Mario Records and singing

1951
01:32:25,360 --> 01:32:26,280
Speaker 2: songs with this brother.

1952
01:32:26,479 --> 01:32:33,760
Speaker 7: Yeah, I know you see fifteen years o history.

1953
01:32:34,160 --> 01:32:35,360
Speaker 5: She was fifteen years.

1954
01:32:35,200 --> 01:32:37,240
Speaker 4: Old when he did this two thousand and two.

1955
01:32:37,320 --> 01:32:39,280
Speaker 3: Dogs she didn't want to fuck this nigga says he

1956
01:32:39,360 --> 01:32:42,160
Speaker 3: was fifteen right damn.

1957
01:32:42,400 --> 01:32:42,559
Speaker 7: Yo.

1958
01:32:42,680 --> 01:32:44,920
Speaker 3: See now I feel like this is the culmination of

1959
01:32:45,080 --> 01:32:48,320
Speaker 3: her dream, and I'm rooting for her dream to get accomplished.

1960
01:32:48,439 --> 01:32:49,559
Speaker 6: Hope, I hope it went down.

1961
01:32:49,720 --> 01:32:49,960
Speaker 10: Yeah.

1962
01:32:50,360 --> 01:32:52,559
Speaker 3: Now, like sometimes I root against him because they do

1963
01:32:52,600 --> 01:32:54,840
Speaker 3: so much dumb shit. But now I'm like, you know what, man,

1964
01:32:54,920 --> 01:32:56,160
Speaker 3: I hope y'alln'll make it work.

1965
01:32:56,320 --> 01:32:58,240
Speaker 4: And you're probably the only person other than him to

1966
01:32:58,360 --> 01:32:59,519
Speaker 4: remember the lyrics of that song.

1967
01:33:00,640 --> 01:33:03,680
Speaker 3: That's why they was singing song. He's like, oh, you know,

1968
01:33:03,840 --> 01:33:07,640
Speaker 3: nobody sings some mid for me. But she says, and

1969
01:33:07,680 --> 01:33:10,760
Speaker 3: he didn't try one thing. And I'm not ugly by

1970
01:33:10,840 --> 01:33:11,439
Speaker 3: any means.

1971
01:33:11,560 --> 01:33:11,960
Speaker 5: Lol.

1972
01:33:12,560 --> 01:33:14,839
Speaker 3: But the real reason I'm writing you this is because

1973
01:33:14,880 --> 01:33:17,920
Speaker 3: I've met a lot of celebrities a lot, but Mario

1974
01:33:18,080 --> 01:33:21,320
Speaker 3: is just different. He's so passionate about what he does.

1975
01:33:21,360 --> 01:33:24,519
Speaker 3: He loves music. You could tell in his voice. He

1976
01:33:24,560 --> 01:33:26,920
Speaker 3: loves his fans, you could tell by the way he

1977
01:33:26,960 --> 01:33:28,040
Speaker 3: does his concerts.

1978
01:33:28,240 --> 01:33:30,240
Speaker 5: He's so down to earth. Is just a great person.

1979
01:33:30,240 --> 01:33:32,400
Speaker 3: I feel like he deserves some positive media because he's

1980
01:33:32,439 --> 01:33:33,479
Speaker 3: such a positive person.

1981
01:33:34,280 --> 01:33:37,280
Speaker 1: Oh so she didn't even get fucked. She just wanted

1982
01:33:37,280 --> 01:33:44,400
Speaker 1: to hang out. Wow, motherfucker, she really didn't.

1983
01:33:44,600 --> 01:33:46,640
Speaker 10: You know, if he'd gave her some blue magic in

1984
01:33:46,680 --> 01:33:47,639
Speaker 10: the comb, he'd got his.

1985
01:33:47,640 --> 01:33:52,000
Speaker 4: Hair braided with no problem.

1986
01:33:53,080 --> 01:33:54,920
Speaker 3: She says, Well, who knew it was end like that?

1987
01:33:55,080 --> 01:33:57,160
Speaker 3: I didn't see that coming. On the side, note, google

1988
01:33:57,240 --> 01:33:59,439
Speaker 3: Mario and see what he looks like as of recently,

1989
01:33:59,840 --> 01:34:04,120
Speaker 3: he definitely grew into something sexy. Uh, here's a picture

1990
01:34:04,120 --> 01:34:05,320
Speaker 3: of him all put in a chat.

1991
01:34:05,680 --> 01:34:06,920
Speaker 4: He ain't fifteen no more.

1992
01:34:07,240 --> 01:34:09,120
Speaker 5: Yeah, he got rid of the corn rolls. I think

1993
01:34:09,160 --> 01:34:09,840
Speaker 5: he must have had him.

1994
01:34:10,320 --> 01:34:11,519
Speaker 6: You gotta be pushing thirty.

1995
01:34:12,080 --> 01:34:15,760
Speaker 3: Yeah, they got at least twenty two and fifteen, so yeah,

1996
01:34:15,760 --> 01:34:20,519
Speaker 3: you gotta be getting up there. The comments my favorite

1997
01:34:20,520 --> 01:34:24,840
Speaker 3: part of all these folks. Double d D Double D said,

1998
01:34:24,960 --> 01:34:31,280
Speaker 3: so no sex story. I really feel left hanging. Let's lbs. Uh,

1999
01:34:31,520 --> 01:34:36,040
Speaker 3: that's it, says Black Barbie. They upset b thing says

2000
01:34:36,240 --> 01:34:40,320
Speaker 3: Yawn Love Smoochi says that nigga game.

2001
01:34:45,680 --> 01:34:48,120
Speaker 5: Oh lord, it's.

2002
01:34:47,960 --> 01:34:50,840
Speaker 3: Just so fucked up because anytime the girl fucks the dude,

2003
01:34:50,840 --> 01:34:52,160
Speaker 3: they always go in on her.

2004
01:34:52,160 --> 01:34:53,600
Speaker 5: In the comments, she is.

2005
01:34:53,920 --> 01:34:57,080
Speaker 2: That's the way it goes. Bro, they fuck, did she

2006
01:34:57,160 --> 01:34:59,639
Speaker 2: use a hole in a groupie? And sto If they don't,

2007
01:34:59,720 --> 01:35:01,960
Speaker 2: then it's just a boring ass story.

2008
01:35:02,160 --> 01:35:05,559
Speaker 3: Yeah you can't do nothing right like, yeah we didn't fuck,

2009
01:35:05,600 --> 01:35:06,479
Speaker 3: We just had a good time.

2010
01:35:06,920 --> 01:35:07,240
Speaker 4: Damn.

2011
01:35:07,280 --> 01:35:09,120
Speaker 5: He gave in and you you ugly.

2012
01:35:10,800 --> 01:35:13,599
Speaker 3: So he says that nigga gave l L no surprises here,

2013
01:35:14,479 --> 01:35:18,080
Speaker 3: just me says I got nothing. Then Denise Love says,

2014
01:35:18,120 --> 01:35:20,840
Speaker 3: Wait a minute, now, I can respect the man that

2015
01:35:20,960 --> 01:35:23,639
Speaker 3: doesn't take the bait. Maybe he doesn't want to stick

2016
01:35:23,720 --> 01:35:26,599
Speaker 3: his peace pipe and every woman, or maybe he wasn't

2017
01:35:26,600 --> 01:35:29,679
Speaker 3: attracted to the girl. She thinks she's not bad looking.

2018
01:35:30,080 --> 01:35:33,800
Speaker 3: But what did he think? Are there gay rumors on him?

2019
01:35:34,160 --> 01:35:39,800
Speaker 3: Bonita says, change to fan tail, not grouping tail. I

2020
01:35:39,840 --> 01:35:41,760
Speaker 3: heard him say something to the fact that he is

2021
01:35:41,800 --> 01:35:46,040
Speaker 3: now celibate. She Shelley says, Oh, I can appreciate this

2022
01:35:46,080 --> 01:35:47,400
Speaker 3: story or lack of story.

2023
01:35:47,439 --> 01:35:50,200
Speaker 5: Go Mario. I'm gonna go download an album or a

2024
01:35:50,200 --> 01:35:51,080
Speaker 5: couple of singles.

2025
01:35:51,240 --> 01:35:52,519
Speaker 6: That's a goddamn lie.

2026
01:35:52,760 --> 01:35:53,479
Speaker 5: Yeah you ain't.

2027
01:35:54,080 --> 01:35:56,479
Speaker 2: She ain't download No Mario if you wasn't playing on

2028
01:35:56,560 --> 01:35:59,400
Speaker 2: Download Mario before you heard his fucking story. You ain't

2029
01:35:59,400 --> 01:36:03,439
Speaker 2: download No Mario after you heard this. He held hands

2030
01:36:03,439 --> 01:36:05,639
Speaker 2: the same songs. Let me go listen to this track

2031
01:36:06,080 --> 01:36:06,679
Speaker 2: niggas music.

2032
01:36:06,800 --> 01:36:09,240
Speaker 3: She might go pull out her mixed pay from college

2033
01:36:09,280 --> 01:36:11,720
Speaker 3: and listen to let Me Love You One Time like that.

2034
01:36:12,200 --> 01:36:14,280
Speaker 5: That's the that's the most Marios getting out of this.

2035
01:36:14,320 --> 01:36:15,240
Speaker 5: He's not making no seals.

2036
01:36:15,840 --> 01:36:16,000
Speaker 8: Uh.

2037
01:36:16,080 --> 01:36:20,240
Speaker 3: Empowered Woman aka Spicy says l O l At the comments,

2038
01:36:20,439 --> 01:36:22,439
Speaker 3: Lander says, I just wasted some time.

2039
01:36:22,560 --> 01:36:28,479
Speaker 5: I'll never get back. They wanted some so bad.

2040
01:36:30,479 --> 01:36:32,880
Speaker 3: And then last comment, Monica says, I just knew he

2041
01:36:32,960 --> 01:36:34,960
Speaker 3: was gonna eat the box or something.

2042
01:36:37,960 --> 01:36:39,080
Speaker 4: Eat the whole box.

2043
01:36:39,920 --> 01:36:41,400
Speaker 5: She's like, you didn't even eat the fuzzy.

2044
01:36:41,479 --> 01:36:43,839
Speaker 3: I'm just gonna leave a comment and say I think

2045
01:36:44,400 --> 01:36:46,040
Speaker 3: this is very sweet.

2046
01:36:47,680 --> 01:36:48,799
Speaker 5: I'm just gonna that's.

2047
01:36:48,760 --> 01:36:49,559
Speaker 6: That's a wholesome.

2048
01:36:50,080 --> 01:36:53,880
Speaker 3: Yeah, it seems like a good guy man. Now you

2049
01:36:53,920 --> 01:36:56,679
Speaker 3: don't have to call him gay, but yeah, that's that's

2050
01:36:57,000 --> 01:37:00,479
Speaker 3: that's all. Yeah, shout out to Mario. That's b all

2051
01:37:00,560 --> 01:37:02,639
Speaker 3: alert for for this time.

2052
01:37:02,720 --> 01:37:06,000
Speaker 5: Let me finish with the music where we're at here.

2053
01:37:08,080 --> 01:37:09,280
Speaker 4: You're going off Maine.

2054
01:37:09,479 --> 01:37:13,240
Speaker 3: That's in no sucking the miss real niggachine, never fucking

2055
01:37:13,320 --> 01:37:15,600
Speaker 3: bustling Leggia claws and children.

2056
01:37:15,360 --> 01:37:18,800
Speaker 6: And you really don't exciting the hating nas soules.

2057
01:37:18,520 --> 01:37:19,200
Speaker 4: In the club.

2058
01:37:19,280 --> 01:37:25,400
Speaker 11: On the fighting setta jump in, Dennis checks more to

2059
01:37:25,520 --> 01:37:26,160
Speaker 11: tell a seat.

2060
01:37:26,280 --> 01:37:28,719
Speaker 5: If you ain't a fast off, he could go ahead.

2061
01:37:28,720 --> 01:37:31,120
Speaker 5: And if they se puchi fit us.

2062
01:37:31,000 --> 01:37:35,240
Speaker 2: Show fast sharp, it ain't a fast stop.

2063
01:37:35,960 --> 01:37:38,400
Speaker 6: The fast off being a fast.

2064
01:37:38,439 --> 01:37:39,559
Speaker 5: That's all be going hard.

2065
01:37:39,640 --> 01:37:41,479
Speaker 6: I should have I should have I should have picked

2066
01:37:41,520 --> 01:37:43,080
Speaker 6: the young thug story.

2067
01:37:43,840 --> 01:37:46,040
Speaker 5: Oh yeah, I know the chapel gonna be mad at you, man,

2068
01:37:46,280 --> 01:37:47,000
Speaker 5: don't worry about it.

2069
01:37:47,240 --> 01:37:49,960
Speaker 6: That's my fault. I picked that black ass Mario story.

2070
01:37:51,240 --> 01:37:53,840
Speaker 3: Nobody knew that that they didn't fuck. Okay, I don't

2071
01:37:53,840 --> 01:37:56,560
Speaker 3: read the stories before I either, Like, for all we know,

2072
01:37:56,680 --> 01:37:59,639
Speaker 3: your thug story could be one paragraph. Maybe they didn't

2073
01:37:59,680 --> 01:37:59,920
Speaker 3: fuck it.

2074
01:38:01,080 --> 01:38:01,600
Speaker 6: I doubt it.

2075
01:38:01,920 --> 01:38:07,080
Speaker 3: Yeah, y'all if y'all THU didn't fuck Oh wait, you know,

2076
01:38:07,160 --> 01:38:08,719
Speaker 3: the gay comments will be off.

2077
01:38:08,640 --> 01:38:11,200
Speaker 2: The chain in that one winning down air on the

2078
01:38:11,320 --> 01:38:15,799
Speaker 2: side of the rapper, yeah, or with the rap groupie groupie.

2079
01:38:15,840 --> 01:38:20,599
Speaker 6: Tell ye all right, man, you probably got a good

2080
01:38:20,640 --> 01:38:21,799
Speaker 6: chance of hearing a good story.

2081
01:38:22,160 --> 01:38:23,320
Speaker 5: See I feel like see.

2082
01:38:23,360 --> 01:38:26,000
Speaker 2: I like that you swung the public enemy groupie stories

2083
01:38:26,080 --> 01:38:27,439
Speaker 2: like that's what somebody needs.

2084
01:38:27,320 --> 01:38:27,880
Speaker 6: To find out.

2085
01:38:28,200 --> 01:38:32,080
Speaker 3: First of all, there's there's no public enemy groupye story.

2086
01:38:32,200 --> 01:38:34,120
Speaker 3: There's Chuck d or Flavor Flav.

2087
01:38:35,560 --> 01:38:37,360
Speaker 6: You know one of the best one W's was back

2088
01:38:37,439 --> 01:38:39,320
Speaker 6: there banging somebody. Yeah.

2089
01:38:39,640 --> 01:38:42,400
Speaker 5: I just can't see them all sucking at the same time.

2090
01:38:43,320 --> 01:38:45,880
Speaker 3: They their styles are so different from each other, Like

2091
01:38:45,960 --> 01:38:48,120
Speaker 3: you gonna you're only gonna get the fuck one of

2092
01:38:48,160 --> 01:38:48,920
Speaker 3: them dudes.

2093
01:38:51,400 --> 01:38:53,639
Speaker 2: Even know who the mother motherfuckers are you know, Professor

2094
01:38:53,720 --> 01:38:55,200
Speaker 2: Griff And then it's a bunch of other dudes.

2095
01:38:55,320 --> 01:38:57,639
Speaker 3: Yeah, and you know, and you know, ain't nobody going

2096
01:38:57,720 --> 01:39:02,240
Speaker 3: behind Flave All his women get to keep to himself.

2097
01:39:02,360 --> 01:39:04,240
Speaker 6: But yeah, somebody needs to uncover that.

2098
01:39:04,400 --> 01:39:04,800
Speaker 10: Like what what?

2099
01:39:05,120 --> 01:39:06,200
Speaker 6: What did the publican mean?

2100
01:39:07,720 --> 01:39:09,640
Speaker 4: You don't take that big ass clock? I'm about to

2101
01:39:09,720 --> 01:39:12,080
Speaker 4: sit it on your ass? Who wanted to deal with that?

2102
01:39:12,439 --> 01:39:14,840
Speaker 5: I wonder if Chuck d had to follow him on Twitter?

2103
01:39:15,640 --> 01:39:17,680
Speaker 3: I guess in my mind, I just can't picture him

2104
01:39:17,760 --> 01:39:20,040
Speaker 3: ever not being being serious.

2105
01:39:20,520 --> 01:39:21,160
Speaker 6: Yeah me either.

2106
01:39:22,040 --> 01:39:24,000
Speaker 5: I just feel like he'll start giving a speech to

2107
01:39:24,080 --> 01:39:26,120
Speaker 5: the girl she taking what was liked?

2108
01:39:26,520 --> 01:39:28,480
Speaker 6: Did you ever like lighting up? Brose?

2109
01:39:28,520 --> 01:39:28,760
Speaker 10: It ever?

2110
01:39:28,920 --> 01:39:30,120
Speaker 6: Like a party backstage?

2111
01:39:30,160 --> 01:39:32,320
Speaker 2: What did y'all do any Because these motherfuckers too with

2112
01:39:32,400 --> 01:39:35,639
Speaker 2: the world repeatedly, and I'm like, where are y'all stories?

2113
01:39:37,040 --> 01:39:38,720
Speaker 6: Like, at some point y'all had to have fun on

2114
01:39:38,760 --> 01:39:39,080
Speaker 6: the road.

2115
01:39:39,160 --> 01:39:42,519
Speaker 2: It could have all just been like reading fair kind

2116
01:39:42,600 --> 01:39:44,960
Speaker 2: interviews and quoting Kuran or something like. It had to

2117
01:39:45,040 --> 01:39:47,880
Speaker 2: be some kind of real ship going on at some point.

2118
01:39:50,439 --> 01:39:51,680
Speaker 2: A big ass group like.

2119
01:39:53,760 --> 01:39:56,720
Speaker 3: This reminds me of the episode we did so long ago,

2120
01:39:56,880 --> 01:39:59,760
Speaker 3: Like when we first were starting the podcast and U

2121
01:40:00,040 --> 01:40:03,439
Speaker 3: uh Chuck D had followed me on Twitter or something

2122
01:40:04,000 --> 01:40:05,559
Speaker 3: that was a big deal to me at the time.

2123
01:40:05,840 --> 01:40:07,160
Speaker 5: And uh we did a.

2124
01:40:07,160 --> 01:40:09,680
Speaker 3: Whole episode with me and and doing a Chuck D

2125
01:40:10,120 --> 01:40:13,600
Speaker 3: as a kid impersonation, and it was all Chuck D

2126
01:40:13,760 --> 01:40:14,360
Speaker 3: not having.

2127
01:40:14,200 --> 01:40:15,040
Speaker 4: No fun, like.

2128
01:40:16,560 --> 01:40:18,000
Speaker 5: Just ruining all the other kids fun.

2129
01:40:18,120 --> 01:40:20,840
Speaker 6: They got to be monkey balls, right exactly.

2130
01:40:21,640 --> 01:40:24,679
Speaker 3: And then Chuck D hit me up on Twitter said

2131
01:40:24,680 --> 01:40:26,160
Speaker 3: it was funny, man. But he was like, man, of

2132
01:40:26,240 --> 01:40:26,960
Speaker 3: course I have fun.

2133
01:40:27,040 --> 01:40:30,320
Speaker 6: Come on man, nobody's seen you smiling.

2134
01:40:31,520 --> 01:40:35,040
Speaker 3: Hey, that's what I said. That's what you can have fun. Yo,

2135
01:40:35,120 --> 01:40:36,960
Speaker 3: That's what I said. And he sent me a picture

2136
01:40:37,040 --> 01:40:40,040
Speaker 3: hill smiling, but but it was like barely a smile.

2137
01:40:40,120 --> 01:40:42,720
Speaker 5: I was like, Chuck, I don't know man, right, Like.

2138
01:40:43,439 --> 01:40:45,559
Speaker 6: He had like, give me a minute, give me a minute.

2139
01:40:48,960 --> 01:40:51,559
Speaker 3: He went and found no one picture like I feel

2140
01:40:51,600 --> 01:40:53,280
Speaker 3: like to make Chuck D smile, you got to like

2141
01:40:53,360 --> 01:40:54,479
Speaker 3: think about a racist dying.

2142
01:40:54,560 --> 01:40:54,920
Speaker 9: Then he was.

2143
01:40:58,000 --> 01:40:58,519
Speaker 5: You got me.

2144
01:41:00,040 --> 01:41:00,360
Speaker 6: All right.

2145
01:41:00,439 --> 01:41:03,680
Speaker 5: Here here's our first article and guest the race and

2146
01:41:03,880 --> 01:41:06,240
Speaker 5: play my music for guest the race here.

2147
01:41:06,479 --> 01:41:10,559
Speaker 8: Uh, now that is time for some guests the race.

2148
01:41:11,400 --> 01:41:16,000
Speaker 8: That's right, This guest the Race time. Now that is

2149
01:41:16,160 --> 01:41:18,240
Speaker 8: time for some guests the race.

2150
01:41:19,080 --> 01:41:23,519
Speaker 5: That's right, it's guest the Race time. That's right.

2151
01:41:23,600 --> 01:41:26,760
Speaker 3: It's time for guest the Raise, the number one game

2152
01:41:26,800 --> 01:41:28,200
Speaker 3: show going across all the podcasts.

2153
01:41:28,240 --> 01:41:30,280
Speaker 5: Man, we read the play news articles from all over

2154
01:41:30,320 --> 01:41:31,040
Speaker 5: the globe.

2155
01:41:30,880 --> 01:41:34,439
Speaker 3: And we asked our contestants today Stereo Williams to guest

2156
01:41:35,000 --> 01:41:37,639
Speaker 3: love race and the chat.

2157
01:41:37,520 --> 01:41:39,960
Speaker 5: Room plays along and they're racist all right.

2158
01:41:41,520 --> 01:41:47,320
Speaker 3: A woman is arrested for for maiming after a man

2159
01:41:47,479 --> 01:41:52,880
Speaker 3: claims his girlfriend tried to bite his penis off. Oh

2160
01:41:53,280 --> 01:41:56,960
Speaker 3: mm hmm, just leave me, you know what I mean, Like,

2161
01:41:57,080 --> 01:41:59,680
Speaker 3: you ain't got to just just leave it. What you

2162
01:41:59,720 --> 01:42:02,280
Speaker 3: can't ain't with don't don't take my dick on the

2163
01:42:02,320 --> 01:42:03,760
Speaker 3: way out, because that's not fair.

2164
01:42:04,520 --> 01:42:07,040
Speaker 5: I feel like you didn't bring that to the relationship, so.

2165
01:42:07,200 --> 01:42:11,519
Speaker 4: You can't with it no matter what the contract says.

2166
01:42:11,720 --> 01:42:11,920
Speaker 5: Yeah.

2167
01:42:12,080 --> 01:42:14,519
Speaker 3: A night out drinking in an argument with his girlfriend

2168
01:42:14,600 --> 01:42:18,560
Speaker 3: nearly cost a Tosa man his penis. Officers responded to

2169
01:42:18,640 --> 01:42:22,240
Speaker 3: a Toso hospital Toso Hospital earlier early Thursday morning, where

2170
01:42:22,240 --> 01:42:24,559
Speaker 3: a man claimed his girlfriend attacked him while he slept.

2171
01:42:25,400 --> 01:42:29,080
Speaker 3: Amber Ellis was arrested for maiming and assault with a

2172
01:42:29,200 --> 01:42:35,280
Speaker 3: dangerous weapon a tea. According to the police, the victim

2173
01:42:35,360 --> 01:42:37,680
Speaker 3: said he and his girlfriend without drinking and began to

2174
01:42:37,760 --> 01:42:40,840
Speaker 3: argue while walking home about how needy she had become.

2175
01:42:41,400 --> 01:42:45,920
Speaker 4: Oh, she said, we'll see how much I am.

2176
01:42:46,360 --> 01:42:47,160
Speaker 6: That way to go. Yeah.

2177
01:42:47,200 --> 01:42:50,519
Speaker 3: Well, the couple verbally fought in the apartment until the

2178
01:42:50,600 --> 01:42:54,040
Speaker 3: victim told police Ellis stormed off slap in the bedroom door.

2179
01:42:54,760 --> 01:42:56,920
Speaker 3: Police say the victim fell asleep on the couch, only

2180
01:42:57,000 --> 01:42:59,599
Speaker 3: to wake up to find Ellis biting his penis off.

2181
01:43:00,280 --> 01:43:04,360
Speaker 5: Oh yeah, they have penis in parenthesis, so I'm assuming

2182
01:43:04,400 --> 01:43:05,439
Speaker 5: he said biting his dick off.

2183
01:43:05,920 --> 01:43:10,080
Speaker 3: Of course, bite my dick off or maybe cock. I

2184
01:43:10,120 --> 01:43:11,720
Speaker 3: don't know the race of the dude, so he could

2185
01:43:11,760 --> 01:43:14,759
Speaker 3: have been white. The victim told Belize he fought Ellis,

2186
01:43:15,280 --> 01:43:17,280
Speaker 3: He fought Ellis off of him, but she hit him

2187
01:43:17,280 --> 01:43:18,920
Speaker 3: in the head with a laptop computer.

2188
01:43:19,479 --> 01:43:20,799
Speaker 4: Well, damn kind.

2189
01:43:20,680 --> 01:43:22,840
Speaker 5: Of Rick Flair bullshit is this?

2190
01:43:23,760 --> 01:43:23,880
Speaker 3: Oh?

2191
01:43:24,040 --> 01:43:26,479
Speaker 2: Did she popping and say whoo over in the argument

2192
01:43:26,520 --> 01:43:28,240
Speaker 2: about how needy she was?

2193
01:43:28,560 --> 01:43:32,400
Speaker 3: Right, I feel like he won the argument at this point, Like,

2194
01:43:32,600 --> 01:43:34,240
Speaker 3: if you hit me in the head with a laptop

2195
01:43:34,320 --> 01:43:36,439
Speaker 3: and bite my dick off, I feel like I won

2196
01:43:36,560 --> 01:43:37,000
Speaker 3: the argument.

2197
01:43:37,080 --> 01:43:38,160
Speaker 5: You the too needy.

2198
01:43:39,920 --> 01:43:39,960
Speaker 10: On.

2199
01:43:40,479 --> 01:43:43,760
Speaker 3: Once hospitalized, the victim received several stitches to the base

2200
01:43:43,800 --> 01:43:46,519
Speaker 3: of his penis, and he was treated for injuries to

2201
01:43:46,600 --> 01:43:48,880
Speaker 3: his head, face, neck, fingers.

2202
01:43:48,520 --> 01:43:49,000
Speaker 8: And knee.

2203
01:43:49,680 --> 01:43:51,439
Speaker 4: Well, God damn, was she chomping them up?

2204
01:43:51,680 --> 01:43:53,640
Speaker 3: She was taking in the custy for an interview and

2205
01:43:53,760 --> 01:43:55,840
Speaker 3: ultimately booked into the Tulsa jail.

2206
01:43:56,439 --> 01:43:58,360
Speaker 5: So I guess the laptop was the weapon. Guess the

2207
01:43:58,520 --> 01:44:00,840
Speaker 5: race of Amber ellis.

2208
01:44:02,520 --> 01:44:06,720
Speaker 6: Hmmm. With a name like Amber, is tempting to just

2209
01:44:06,800 --> 01:44:10,800
Speaker 6: assume that she's white. But let's take a look at

2210
01:44:10,800 --> 01:44:14,439
Speaker 6: the facts. Eater, she got it.

2211
01:44:14,560 --> 01:44:18,880
Speaker 2: She got angry because he called her needy. They were

2212
01:44:18,960 --> 01:44:24,519
Speaker 2: walking home. Let's think about this. I'm gonna go with white,

2213
01:44:24,760 --> 01:44:25,080
Speaker 2: all right.

2214
01:44:25,200 --> 01:44:28,160
Speaker 3: Let's check the chat room, see what they believe white,

2215
01:44:28,320 --> 01:44:32,760
Speaker 3: Whiter than Michael Jackson. At the death Amber White, pink

2216
01:44:32,840 --> 01:44:37,240
Speaker 3: peen eater, She columbus his peen white White followed Don

2217
01:44:37,320 --> 01:44:41,160
Speaker 3: Lemon's advice white Oklahoma, which means meth mouth, which means

2218
01:44:41,200 --> 01:44:45,040
Speaker 3: sharp teeth, which means cheese eater. Heard Beck's album before

2219
01:44:45,040 --> 01:44:49,599
Speaker 3: all the fuss, White the White Walker, the Cheesiest. Also

2220
01:44:49,720 --> 01:44:53,160
Speaker 3: zero black people in Tulsa. Patricia Arcuat nibbler of that

2221
01:44:53,400 --> 01:44:57,040
Speaker 3: man cheese, white, white, the Becky from ply Song, White,

2222
01:44:57,400 --> 01:45:03,599
Speaker 3: patio Gorilla. Lenner Brothers went black, White, lorraina bobbit white.

2223
01:45:04,080 --> 01:45:06,960
Speaker 3: I know multiple black chick's name amer they find also,

2224
01:45:07,080 --> 01:45:10,920
Speaker 3: so I'm going black. She thought the blacks and gays

2225
01:45:11,000 --> 01:45:13,080
Speaker 3: should have stopped what they were doing and helped white

2226
01:45:13,160 --> 01:45:16,840
Speaker 3: this dick it too, taking circumcision into her own hands.

2227
01:45:16,920 --> 01:45:20,280
Speaker 5: White and white. The correct answer is stereo, you got it,

2228
01:45:20,439 --> 01:45:27,760
Speaker 5: white white women? Hold on, what'd you say?

2229
01:45:28,280 --> 01:45:31,439
Speaker 2: How many dick naming incidents have we heard where the

2230
01:45:31,479 --> 01:45:32,720
Speaker 2: perpetrator was a black woman?

2231
01:45:33,400 --> 01:45:33,519
Speaker 3: Oh?

2232
01:45:33,640 --> 01:45:36,400
Speaker 5: You know, it's a good point, man. It's not many sisters,

2233
01:45:36,479 --> 01:45:37,200
Speaker 5: don't you know.

2234
01:45:37,520 --> 01:45:40,160
Speaker 2: And I'm not trying to stereotype and generalize, but I

2235
01:45:40,280 --> 01:45:44,240
Speaker 2: don't hear a lot of stories about sisters trying.

2236
01:45:44,000 --> 01:45:45,560
Speaker 6: To cut your dick off, bite your dick off, Like

2237
01:45:45,600 --> 01:45:46,640
Speaker 6: I just I don't hear that.

2238
01:45:47,000 --> 01:45:47,400
Speaker 5: That's true.

2239
01:45:47,439 --> 01:45:50,160
Speaker 3: You can keep the dick, that's good. And of course

2240
01:45:50,400 --> 01:46:07,080
Speaker 3: Lennon Brothers missed it. So oh whoa calm down crowd.

2241
01:46:07,120 --> 01:46:13,920
Speaker 3: They got routed on the brothers. Yeah, oh wow, Yeah,

2242
01:46:14,040 --> 01:46:15,200
Speaker 3: she definitely will watch.

2243
01:46:15,000 --> 01:46:15,479
Speaker 6: Your dick off.

2244
01:46:15,600 --> 01:46:16,360
Speaker 5: Yeah, that's a dig.

2245
01:46:16,439 --> 01:46:18,599
Speaker 6: Biden lady, that's a that's a dick Biden white woman

2246
01:46:18,680 --> 01:46:18,960
Speaker 6: right there.

2247
01:46:19,600 --> 01:46:22,519
Speaker 5: Her face was like, yes, I bet that dick so

2248
01:46:23,280 --> 01:46:24,479
Speaker 5: and like.

2249
01:46:24,720 --> 01:46:27,240
Speaker 2: Because he abused her or even cheated on her, that's

2250
01:46:27,240 --> 01:46:30,400
Speaker 2: what's blugging me out. It's like he just said, I

2251
01:46:30,479 --> 01:46:34,559
Speaker 2: think you need to change your behavior. Yeah, as as

2252
01:46:34,600 --> 01:46:35,839
Speaker 2: it pertains to your neediness.

2253
01:46:36,160 --> 01:46:37,360
Speaker 5: I feel like you're kind of needy.

2254
01:46:37,920 --> 01:46:41,240
Speaker 6: What okay, Okay, we don't see what you need before

2255
01:46:41,240 --> 01:46:41,640
Speaker 6: the night is.

2256
01:46:41,640 --> 01:46:44,080
Speaker 5: Over, right, right, that's how that you know what I'm

2257
01:46:44,120 --> 01:46:47,760
Speaker 5: in the mood for sausage. No, I don't need to

2258
01:46:47,800 --> 01:46:52,479
Speaker 5: go by the store. I'm good. Let's see. Let's do

2259
01:46:52,600 --> 01:46:56,360
Speaker 5: another one here, all right, let's see.

2260
01:46:56,720 --> 01:47:02,320
Speaker 3: Arizona man eighteen charged in a alleged sex assaults. A

2261
01:47:02,439 --> 01:47:06,439
Speaker 3: prosecutor announced an indictment Thursday after an against an eighteen

2262
01:47:06,520 --> 01:47:09,840
Speaker 3: year old Arizona student chargers sexually assaulting about a dozen

2263
01:47:09,920 --> 01:47:11,759
Speaker 3: girls over nearly five years.

2264
01:47:11,880 --> 01:47:13,240
Speaker 5: OH he was a serial rabist.

2265
01:47:13,400 --> 01:47:13,559
Speaker 9: OH.

2266
01:47:14,520 --> 01:47:19,920
Speaker 3: Charges against Tyler cost of send Tan Valley include multiple

2267
01:47:20,000 --> 01:47:22,840
Speaker 3: council of sexual assault with the minor, sexual abuse with

2268
01:47:22,920 --> 01:47:24,800
Speaker 3: the minor, and sexual conduct with the minor.

2269
01:47:25,120 --> 01:47:27,760
Speaker 5: He also faces one child one kind of child molestation.

2270
01:47:29,360 --> 01:47:34,479
Speaker 5: The victim. Yeah, he guess they will. The victims were

2271
01:47:34,520 --> 01:47:36,120
Speaker 5: from twelve to seventeen years.

2272
01:47:35,960 --> 01:47:39,200
Speaker 6: Old, around junior her kids.

2273
01:47:40,640 --> 01:47:43,040
Speaker 3: Costs was born in nineteen ninety six, so he was

2274
01:47:43,120 --> 01:47:45,280
Speaker 3: thirteen when the first offense allegedly occurred.

2275
01:47:45,960 --> 01:47:48,160
Speaker 5: But they planned the tribe as an adult on all charges.

2276
01:47:48,200 --> 01:47:51,200
Speaker 3: In Arizona, once the individual turns eighteen, we don't have

2277
01:47:51,280 --> 01:47:54,120
Speaker 3: a choice, so basically says he didn't give them a choice.

2278
01:47:54,160 --> 01:47:55,040
Speaker 5: He ain't got a choice.

2279
01:47:57,080 --> 01:48:00,320
Speaker 3: Attorneys with the law firm representing Costs did not imediately

2280
01:48:00,320 --> 01:48:03,000
Speaker 3: responded requests for comments. During the hearing last week, an

2281
01:48:03,000 --> 01:48:05,080
Speaker 3: attorney for Cost requests to change the venue and a

2282
01:48:05,160 --> 01:48:07,800
Speaker 3: gag order on the sheriff's office. The judge said he

2283
01:48:07,840 --> 01:48:09,880
Speaker 3: could not address those requests and told the defense to

2284
01:48:09,920 --> 01:48:12,400
Speaker 3: bring up the issues again once cost was formally charged.

2285
01:48:12,800 --> 01:48:16,040
Speaker 3: Cost is scheduled to be arraigned May sixteenth. Cost will

2286
01:48:16,080 --> 01:48:18,960
Speaker 3: face between one hundred and forty seven and nearly three

2287
01:48:19,040 --> 01:48:20,000
Speaker 3: hundred and thirty.

2288
01:48:19,800 --> 01:48:22,360
Speaker 5: Four years in prison if convicted.

2289
01:48:22,479 --> 01:48:25,040
Speaker 3: Are all charges of hope he's a vampire because their

2290
01:48:25,080 --> 01:48:29,879
Speaker 3: motherfucker ain't never getting out ever. Penal County shriff deputies

2291
01:48:30,000 --> 01:48:32,960
Speaker 3: arrested Costs last week accused him of being a serial

2292
01:48:33,000 --> 01:48:35,200
Speaker 3: sex predator who saw at least eighteen students.

2293
01:48:35,960 --> 01:48:38,040
Speaker 4: Oh m hm uh.

2294
01:48:38,320 --> 01:48:40,919
Speaker 3: They said they could not comment on why the indictment

2295
01:48:41,080 --> 01:48:43,000
Speaker 3: only evolved eleven victims.

2296
01:48:43,040 --> 01:48:44,760
Speaker 5: So maybe seven didn't come forward, it didn't want to

2297
01:48:44,760 --> 01:48:45,800
Speaker 5: testify or something.

2298
01:48:45,920 --> 01:48:50,080
Speaker 3: According to the indictment, had passed. Maybe well at that

2299
01:48:50,240 --> 01:48:53,479
Speaker 3: young dol Can thirteen really young.

2300
01:48:53,680 --> 01:48:53,880
Speaker 7: Yeah.

2301
01:48:54,000 --> 01:48:56,160
Speaker 3: According to the indictment, none of the led sexual sauces

2302
01:48:56,160 --> 01:48:59,639
Speaker 3: occurredent on school campus. Costs accused of sexually abusing victims

2303
01:48:59,680 --> 01:49:01,800
Speaker 3: in his basom in a park car parking out in

2304
01:49:01,880 --> 01:49:06,719
Speaker 3: the desert. During the news conference, Vols encouraged the parents

2305
01:49:06,800 --> 01:49:09,080
Speaker 3: of sexual assaut vigors to report crimes to authorities.

2306
01:49:09,439 --> 01:49:12,880
Speaker 5: Let your children know that. We start by believing, he said.

2307
01:49:14,880 --> 01:49:20,200
Speaker 3: Then, they said, in addition to that, last week, he threatened,

2308
01:49:20,240 --> 01:49:22,880
Speaker 3: They said, he threatened, harassed victims to such an extent

2309
01:49:23,000 --> 01:49:24,160
Speaker 3: that two fled the state.

2310
01:49:24,880 --> 01:49:27,640
Speaker 5: God damn, and one attempted suicide.

2311
01:49:28,439 --> 01:49:28,719
Speaker 6: Damn.

2312
01:49:28,840 --> 01:49:31,479
Speaker 3: So he was like harassing them too. This is a

2313
01:49:31,600 --> 01:49:34,280
Speaker 3: serious serial sex offender and rapist.

2314
01:49:34,960 --> 01:49:35,080
Speaker 10: Uh.

2315
01:49:35,200 --> 01:49:35,639
Speaker 5: They said.

2316
01:49:35,880 --> 01:49:38,960
Speaker 3: Investigation was initiated after the Sheriff's office got a call

2317
01:49:39,080 --> 01:49:42,200
Speaker 3: March twenty fifth from someone reporting constant sexually abuse and

2318
01:49:42,280 --> 01:49:46,080
Speaker 3: molested five teenage girls. I'm glass somebody came forward, man,

2319
01:49:46,160 --> 01:49:48,120
Speaker 3: because this dude would have still been on them streets.

2320
01:49:48,439 --> 01:49:49,680
Speaker 6: This motherfucker.

2321
01:49:50,000 --> 01:49:55,360
Speaker 5: Yeah, So I guess the race of Tyler cost I'm

2322
01:49:55,400 --> 01:49:56,040
Speaker 5: guessing white.

2323
01:49:56,439 --> 01:49:59,280
Speaker 3: All right, Let's check the chat room and see what

2324
01:49:59,400 --> 01:50:03,720
Speaker 3: they believe about this cereal rapist messing with minus sound

2325
01:50:03,840 --> 01:50:06,479
Speaker 3: like Tiger's cousin. But I'm gonna go white though. Oh Lord,

2326
01:50:06,880 --> 01:50:11,840
Speaker 3: white albino Bill Cosby, whiter than Pooky from New Jack

2327
01:50:11,920 --> 01:50:16,320
Speaker 3: City's lips on a sunny day, most likely suffers from affluenza.

2328
01:50:16,400 --> 01:50:20,679
Speaker 3: White p word that means white. Swipe left on Tinder

2329
01:50:20,760 --> 01:50:26,360
Speaker 3: if you want to live Native American, says Hussel Crow.

2330
01:50:26,800 --> 01:50:29,479
Speaker 3: This is a people owning Mayo love and cheese eating

2331
01:50:29,560 --> 01:50:32,960
Speaker 3: kind of evil. White, whiter than all this dang snow

2332
01:50:33,720 --> 01:50:36,200
Speaker 3: one whose favorite album is Hotel California.

2333
01:50:36,280 --> 01:50:39,639
Speaker 5: White. That's pretty white.

2334
01:50:40,240 --> 01:50:42,960
Speaker 3: White Cosby Tyler is such a white name. Whiter than

2335
01:50:43,000 --> 01:50:49,600
Speaker 3: a black man's porn collection. Damn Jesus Christ, that's a

2336
01:50:49,640 --> 01:50:52,759
Speaker 3: good one. Howard got a subscription to blacks on Blondes.

2337
01:50:53,960 --> 01:50:58,960
Speaker 3: Uh Mayo white devil REOs no age powdery perve oscar

2338
01:50:59,040 --> 01:51:03,200
Speaker 3: winner pill gonna pack her white pasty petal bad.

2339
01:51:03,080 --> 01:51:05,799
Speaker 5: Rap album women that that means white folks.

2340
01:51:06,520 --> 01:51:11,479
Speaker 3: Uh, the correct answer is everybody got it except one

2341
01:51:11,520 --> 01:51:12,160
Speaker 3: person white?

2342
01:51:17,920 --> 01:51:20,240
Speaker 5: And uh who who gets Native American?

2343
01:51:21,840 --> 01:51:24,320
Speaker 6: Somebody overthinking ship? Yeah, terrible man?

2344
01:51:27,360 --> 01:51:28,559
Speaker 5: Yeah said that against here.

2345
01:51:28,920 --> 01:51:31,439
Speaker 6: I believe he was Vietnamese, right calls.

2346
01:51:31,520 --> 01:51:33,120
Speaker 5: I mean it could be spelled with A with a Q.

2347
01:51:33,560 --> 01:51:33,920
Speaker 5: I don't know.

2348
01:51:34,880 --> 01:51:40,280
Speaker 3: Yeah, so boo hustle cross. All right, let's go to

2349
01:51:40,360 --> 01:51:42,240
Speaker 3: the bonus round with my bonus music.

2350
01:51:48,240 --> 01:51:54,880
Speaker 5: Double the point and the race double up, saying the race.

2351
01:51:55,800 --> 01:51:58,439
Speaker 3: That's right, bonus round. I guess the race, double the points,

2352
01:51:58,479 --> 01:52:01,040
Speaker 3: double the race. So far stereo, it's two for two.

2353
01:52:01,120 --> 01:52:02,759
Speaker 3: Let's see if he can finish off strong.

2354
01:52:03,760 --> 01:52:06,000
Speaker 5: Here we go, let's do.

2355
01:52:07,640 --> 01:52:10,600
Speaker 7: Uh do this.

2356
01:52:10,800 --> 01:52:16,320
Speaker 3: One alleged police brutality victim caught on camera punching himself

2357
01:52:16,400 --> 01:52:16,920
Speaker 3: in the face.

2358
01:52:17,720 --> 01:52:17,880
Speaker 9: Oh.

2359
01:52:18,560 --> 01:52:22,759
Speaker 3: In a video released Tuesday, a California man who accused

2360
01:52:22,760 --> 01:52:26,360
Speaker 3: the Oregon police of giving him two black eyes is shown.

2361
01:52:26,120 --> 01:52:33,400
Speaker 5: To have beaten himself. Oh but ingenious, But like they

2362
01:52:33,479 --> 01:52:34,840
Speaker 5: caught him on camera, so he got.

2363
01:52:34,800 --> 01:52:40,639
Speaker 3: Fucked right after getting arrested January on charges of stalking

2364
01:52:40,920 --> 01:52:45,200
Speaker 3: and first degree sexual abuse thirty three year old Alexander

2365
01:52:45,360 --> 01:52:51,320
Speaker 3: Robinson Thomas Zweeky. Thomas Wecky found an assault complaint against detectives,

2366
01:52:51,360 --> 01:52:54,920
Speaker 3: claiming he had been beaten. Unfortunately, jail cameras told a

2367
01:52:54,960 --> 01:52:59,320
Speaker 3: different story. The four minute video shows Thomas wacky pacing

2368
01:52:59,360 --> 01:53:03,240
Speaker 3: as he punches both eyes. He then sits down, resumed punch, punch,

2369
01:53:03,320 --> 01:53:06,080
Speaker 3: pound in his face. The time stamp shown in the

2370
01:53:06,160 --> 01:53:09,160
Speaker 3: video is not adjusted for time. After Thomas Weakey was

2371
01:53:09,240 --> 01:53:11,400
Speaker 3: confronted about the recording, he told the Texas that he

2372
01:53:11,479 --> 01:53:14,760
Speaker 3: thought the complaint would get him released. Thomas Weakey was

2373
01:53:14,800 --> 01:53:18,320
Speaker 3: subsequently found guilty of initiating a false report and attempted coersion,

2374
01:53:18,760 --> 01:53:21,320
Speaker 3: earning him about a five hundred dollars five and twenty

2375
01:53:21,439 --> 01:53:23,200
Speaker 3: days in jail, Plenty of time.

2376
01:53:23,080 --> 01:53:25,519
Speaker 5: To get back at the guy who roughed him up himself.

2377
01:53:26,880 --> 01:53:29,519
Speaker 5: Guess the race of Alexander.

2378
01:53:29,160 --> 01:53:31,679
Speaker 6: Thomas weake That name sounds polish.

2379
01:53:31,720 --> 01:53:33,960
Speaker 5: I gotta go white, all right, Let's check the chat room.

2380
01:53:34,520 --> 01:53:38,640
Speaker 5: Whiter than all of Chris and Jones. Baby Mamas, minorities

2381
01:53:38,720 --> 01:53:40,120
Speaker 5: don't have to fake it white.

2382
01:53:43,040 --> 01:53:45,120
Speaker 6: He was black, we know he would have got his

2383
01:53:45,240 --> 01:53:46,400
Speaker 6: ass dog.

2384
01:53:46,360 --> 01:53:52,040
Speaker 3: Kissing Negro puncher one who can't one who can breathe white. Okay,

2385
01:53:52,760 --> 01:53:54,719
Speaker 3: oh wow, they've got so many I have to scroll

2386
01:53:54,800 --> 01:53:56,759
Speaker 3: back up. Where was that one who can.

2387
01:53:57,520 --> 01:53:58,360
Speaker 5: Stop hitting us?

2388
01:53:58,400 --> 01:53:58,479
Speaker 10: Oh?

2389
01:53:58,520 --> 01:54:01,600
Speaker 3: Wait, only a white man could be the diabolical. A

2390
01:54:01,840 --> 01:54:03,760
Speaker 3: black man would not have to beat himself. White, stop

2391
01:54:03,840 --> 01:54:07,880
Speaker 3: hitting yourself, Stop hitting yourself. White white beating himself off

2392
01:54:08,040 --> 01:54:09,320
Speaker 3: in jail currently white.

2393
01:54:10,439 --> 01:54:13,040
Speaker 5: He was black. If he was black, the cops would

2394
01:54:13,120 --> 01:54:14,639
Speaker 5: have definitely did.

2395
01:54:14,560 --> 01:54:15,120
Speaker 6: It for him.

2396
01:54:15,360 --> 01:54:17,920
Speaker 5: White fist rays and white power.

2397
01:54:18,000 --> 01:54:21,919
Speaker 3: Salute that last name white Polish, like that dirty mfort.

2398
01:54:21,960 --> 01:54:22,800
Speaker 5: That coach is Duke.

2399
01:54:23,760 --> 01:54:26,160
Speaker 3: Oh yeah, dow who should not be named, Thanks God,

2400
01:54:26,200 --> 01:54:30,920
Speaker 3: the dose stacks respecting Jewish lord, Jewish last name white.

2401
01:54:31,040 --> 01:54:33,440
Speaker 3: It's a it's a shock he didn't blame a black

2402
01:54:33,480 --> 01:54:36,280
Speaker 3: guy for this. White Yeah, that's true.

2403
01:54:36,760 --> 01:54:38,000
Speaker 5: Two niggas came in here.

2404
01:54:39,240 --> 01:54:40,160
Speaker 4: How did they sneak in here?

2405
01:54:40,200 --> 01:54:40,360
Speaker 7: Sir?

2406
01:54:40,440 --> 01:54:41,880
Speaker 4: Nobody's been past me all day.

2407
01:54:42,040 --> 01:54:42,200
Speaker 6: Yeah.

2408
01:54:42,240 --> 01:54:45,080
Speaker 3: It reminds me that one of my favorite shows, American

2409
01:54:45,200 --> 01:54:49,280
Speaker 3: Dad Roger does a crime one time and uh, they're

2410
01:54:49,320 --> 01:54:50,240
Speaker 3: they're in trouble.

2411
01:54:49,960 --> 01:54:51,680
Speaker 5: And they're like, what are we gonna do? Police are coming.

2412
01:54:51,760 --> 01:54:53,720
Speaker 5: He's like, well did you see him? He's like, who

2413
01:54:54,320 --> 01:54:59,040
Speaker 5: the black dudes are broken here did this black?

2414
01:54:59,480 --> 01:54:59,800
Speaker 6: Did you ever?

2415
01:55:00,080 --> 01:55:06,120
Speaker 2: That's a Frontos episode unidentified black males. Yeah, yes, yes,

2416
01:55:06,520 --> 01:55:09,120
Speaker 2: with the entire episode like everything that happened to them.

2417
01:55:12,120 --> 01:55:17,400
Speaker 3: God, such good social commentary. Let's see a black man

2418
01:55:17,440 --> 01:55:19,200
Speaker 3: withn't he white on white crime?

2419
01:55:20,400 --> 01:55:23,000
Speaker 5: Amateur? Kool a maker? White? White?

2420
01:55:23,000 --> 01:55:23,160
Speaker 8: Did it?

2421
01:55:23,280 --> 01:55:29,360
Speaker 3: Howard's tasted women? Oh, negro purchaser, my bad lender? Brothers white?

2422
01:55:31,520 --> 01:55:33,560
Speaker 3: Let's see American dad. Okay, so the rest is just

2423
01:55:33,640 --> 01:55:36,560
Speaker 3: them talking about American dad. All right, Yeah, the correct

2424
01:55:36,560 --> 01:55:45,720
Speaker 3: that's is white. Nobody missed that one. Yeah, everybody knows

2425
01:55:45,760 --> 01:55:48,800
Speaker 3: you gotta punch yourself in custody, then you gotta be white.

2426
01:55:49,120 --> 01:55:51,400
Speaker 6: And the name gave it a way. The name sounded

2427
01:55:51,600 --> 01:55:52,920
Speaker 6: Polish and Jewish or something.

2428
01:55:53,520 --> 01:55:54,720
Speaker 5: Yep, yep, came.

2429
01:55:54,880 --> 01:55:57,160
Speaker 3: Can't even be mad at y'all man, I'll knocked it

2430
01:55:57,200 --> 01:56:00,640
Speaker 3: out the park, all right, man, last, we gotta talk

2431
01:56:00,640 --> 01:56:02,120
Speaker 3: about the.

2432
01:56:02,280 --> 01:56:03,760
Speaker 5: Damn sword ratchiness people.

2433
01:56:03,760 --> 01:56:06,360
Speaker 3: Okay, we're sick of it and we need to discuss

2434
01:56:06,440 --> 01:56:08,560
Speaker 3: it because the ongoing problem in America.

2435
01:56:08,760 --> 01:56:30,960
Speaker 5: Where's my sword music? There we go. This is one

2436
01:56:31,000 --> 01:56:32,879
Speaker 5: of the sad stories about sword ratchiness.

2437
01:56:32,920 --> 01:56:35,680
Speaker 3: We have to read a man who threatened to cut

2438
01:56:35,760 --> 01:56:38,920
Speaker 3: his neighbor's head off with a Samro sword has had

2439
01:56:38,960 --> 01:56:40,120
Speaker 3: his sentence reduced?

2440
01:56:40,560 --> 01:56:40,800
Speaker 5: Why?

2441
01:56:42,000 --> 01:56:42,160
Speaker 6: Right?

2442
01:56:43,360 --> 01:56:45,080
Speaker 5: Was it less threatening once he was in jail?

2443
01:56:45,200 --> 01:56:47,960
Speaker 4: Or you charged with a gun? You don't reduce the sentence?

2444
01:56:48,680 --> 01:56:48,840
Speaker 10: Right?

2445
01:56:49,600 --> 01:56:51,520
Speaker 3: A man who brings us a Samurai sword of the

2446
01:56:51,600 --> 01:56:53,680
Speaker 3: neighbor and threaten to chop his head off has had

2447
01:56:53,720 --> 01:56:55,280
Speaker 3: a sentence reduced by a third.

2448
01:56:56,000 --> 01:57:00,800
Speaker 5: Oh, ironically less than the head than your body.

2449
01:57:02,480 --> 01:57:05,720
Speaker 3: Adam Nil thirty one, waved the weapon and threatened to

2450
01:57:05,840 --> 01:57:07,840
Speaker 3: kill the man during a rant triggered by a spat

2451
01:57:07,920 --> 01:57:11,800
Speaker 3: at a party nild A Bluebell close in Newton. Hyde

2452
01:57:12,320 --> 01:57:15,480
Speaker 3: was caged for eighteen months at Manchester Crown Court last

2453
01:57:15,560 --> 01:57:19,640
Speaker 3: October after he admitted afraid and possession of an offensive weapon,

2454
01:57:20,120 --> 01:57:22,760
Speaker 3: but judges at London's Appill Court ruled his punishment was

2455
01:57:22,800 --> 01:57:25,400
Speaker 3: excessive and cut it to twelve months, meaning he will

2456
01:57:25,440 --> 01:57:26,560
Speaker 3: be free with their weeks.

2457
01:57:27,320 --> 01:57:28,520
Speaker 5: He had free to cut again.

2458
01:57:29,680 --> 01:57:32,320
Speaker 3: Yes, so we are like gonna gentlem until he finally

2459
01:57:32,400 --> 01:57:34,200
Speaker 3: kills somebody there be like, oh, man, I guess I

2460
01:57:34,440 --> 01:57:35,160
Speaker 3: need to be in there.

2461
01:57:36,200 --> 01:57:37,840
Speaker 5: Lord Justice McCombe said.

2462
01:57:37,960 --> 01:57:41,080
Speaker 3: A row broke out between Nil and a neighbor who

2463
01:57:41,200 --> 01:57:43,880
Speaker 3: was throwing a party, with the altercation leading to Nil

2464
01:57:44,080 --> 01:57:47,240
Speaker 3: retrieving the sword from his own he was seeing gesturing

2465
01:57:47,320 --> 01:57:49,800
Speaker 3: with the weapon before screaming I'm going to kill you.

2466
01:57:49,920 --> 01:57:53,000
Speaker 5: I'm gonna chop your head off toward the neighbor.

2467
01:57:54,720 --> 01:57:57,000
Speaker 4: M you should added more time for that food.

2468
01:57:56,920 --> 01:57:59,240
Speaker 5: Right, I don't want the police to get any of

2469
01:57:59,320 --> 01:58:00,640
Speaker 5: this wrong. Write it down.

2470
01:58:00,880 --> 01:58:03,480
Speaker 4: You get five more years for that comment on a pill.

2471
01:58:03,920 --> 01:58:06,600
Speaker 3: Nil's lawyers argued that he had been sentence on a

2472
01:58:06,640 --> 01:58:09,520
Speaker 3: mistaken basis that he been drinking heavily before the fractus.

2473
01:58:10,600 --> 01:58:14,840
Speaker 3: Nigga's worse. If he was sober, get more time. They

2474
01:58:14,880 --> 01:58:17,360
Speaker 3: should be like, no, three years you did this sober?

2475
01:58:18,040 --> 01:58:18,840
Speaker 4: Look is wrong with you?

2476
01:58:20,040 --> 01:58:20,200
Speaker 8: Man.

2477
01:58:20,400 --> 01:58:23,440
Speaker 3: Lord Justine mccoone, sitting with mister Justice Nicol and Judge

2478
01:58:23,480 --> 01:58:26,560
Speaker 3: Stephen Kramer, QC, agreed that the sentence.

2479
01:58:26,320 --> 01:58:26,880
Speaker 5: Was too stiff.

2480
01:58:27,320 --> 01:58:30,960
Speaker 3: Oh man, that's sad. Can't get them off shit, really

2481
01:58:31,000 --> 01:58:34,560
Speaker 3: can't get any of them. But all right, man, make

2482
01:58:34,600 --> 01:58:37,280
Speaker 3: sure you guys check out my man Stereo Williams on Twitter.

2483
01:58:37,480 --> 01:58:41,960
Speaker 3: Like I said, yes, you know good follow you love music,

2484
01:58:42,920 --> 01:58:46,320
Speaker 3: you love seeing people discuss music, and he's engaging. Dude, man,

2485
01:58:46,520 --> 01:58:49,440
Speaker 3: talk to you about your favorite music and all that stuff.

2486
01:58:49,480 --> 01:58:49,640
Speaker 10: Man.

2487
01:58:49,840 --> 01:58:53,280
Speaker 5: So you don't like and a bunch of shit that

2488
01:58:53,400 --> 01:58:56,880
Speaker 5: you don't maybe you'll find something that you don't even

2489
01:58:56,960 --> 01:58:58,440
Speaker 5: know you like, you know what I mean.

2490
01:58:58,720 --> 01:59:01,480
Speaker 3: So uh, you never know, man, So make sure you

2491
01:59:01,560 --> 01:59:04,160
Speaker 3: follow him real cool dude, And thank you so much

2492
01:59:04,160 --> 01:59:05,120
Speaker 3: for doing the show with Thanks.

2493
01:59:06,960 --> 01:59:09,000
Speaker 5: It was fun, no doubt, and of course check us

2494
01:59:09,040 --> 01:59:09,720
Speaker 5: out tomorrow.

2495
01:59:09,760 --> 01:59:13,320
Speaker 3: We'll be back about five thirty and just the Blackout

2496
01:59:13,360 --> 01:59:15,360
Speaker 3: tests on iTunes, a stitcher and all that stuff.

2497
01:59:16,000 --> 01:59:19,360
Speaker 5: And until tomorrow, love you a