Speaker 1: You can watch the original episode we'll be discussing in
Speaker 1: every other episode of HBO's Curby Your Enthusiasm, including the
Speaker 1: new and final season, on Max. You can also watch
Speaker 1: the video version of the history of Curby Your Enthusiasm
Speaker 1: podcast on Max and YouTube as well.
Speaker 2: Links available in the episode description.
Speaker 1: So here we are, Season three, Episode one, Chet Shirt.
Speaker 1: I'm Stusiasman and Jeff could not be with us today,
Speaker 1: so we got the fabulous Lou DiMaggio to sit in,
Speaker 1: not replace, is no replacing Jeff.
Speaker 2: He's one of a kind, as are you.
Speaker 1: And Lou happens to be in this episode, in this
Speaker 1: entire season, and is a great comedian and I.
Speaker 2: Know where I speak, Yes, it pertains to this season.
Speaker 1: And Lou is also a very very long time dear friend. Yes,
Speaker 1: we are, so I think we're gonna be fine.
Speaker 2: We're Yeah.
Speaker 1: So we start out the episode Larry and Jeff are
Speaker 1: walking and apparently Jeff's given up red meat. Yes, and
Speaker 1: Larry says why, no reason, no reason at all.
Speaker 2: Which you know, perturbs Larry, of course, because that's a
Speaker 2: major thing to do without having a reason.
Speaker 1: Especially for somebody who obviously likes food as much as
Speaker 1: Jeff does, right, and then Jeff brings up the restaurant.
Speaker 2: Are you're going to invest in the restaurant?
Speaker 1: Yes, a lot of people ted dance in our Michael York.
Speaker 1: It's a good investment. It's fun, It's going to be
Speaker 1: great fun. And you know Larry's always up for fun.
Speaker 2: Well, you know it's funny. That's actually one of the
Speaker 2: most difficult investments to be involved in absolute restaurant. So
Speaker 2: I go in through with that attitude. You know there's
Speaker 2: going to be trouble.
Speaker 1: People actually think that there's a sexiness to owning or
Speaker 1: being involved in the restaurant. It's incredibly hard work and
Speaker 1: you almost never get your investment back right.
Speaker 2: And I totally understand that you want to have a
Speaker 2: place to go and hang out. Everybody wants their cheers,
Speaker 2: peacock and do this and that. But it doesn't work.
Speaker 2: It doesn't always work that way. And Larry's talk.
Speaker 1: He's eating an apple and then he throws the apple
Speaker 1: core into a garbage can that's on you know, a
Speaker 1: street garbage can.
Speaker 2: Yes, that's on the street and privately owns privately owned
Speaker 2: garbage can.
Speaker 1: And the man who owns it Alan who I'm having
Speaker 1: lunch with tomorrow, our dear friend. Yes, there was another
Speaker 1: another great comedian that we all came up at the
Speaker 1: same time. A catchurizing star gets very angry.
Speaker 2: Hey, buddy, what's the deal? What are you talking about?
Speaker 3: Do something in my garbage can? That's no garbage in
Speaker 3: the garbage can.
Speaker 2: Yeah, that's my garbage can. So I appreciate it if
Speaker 2: you want to do that.
Speaker 3: Doesn't garbage belong in a garbage can?
Speaker 2: My garbage belongs in my garbage can. Your garbage belongs
Speaker 2: in your garbage can. Okay, well, what's the difference. The difference, Yeah,
Speaker 2: it's mine. The can's not full.
Speaker 3: I don't get it.
Speaker 2: Next thing I see throwing garbage in there, I'm gonna
Speaker 2: kick his ass.
Speaker 3: I'll give that message to the next guy.
Speaker 2: I'm no, I believe you.
Speaker 3: I'm gonna tell the next guy.
Speaker 2: Yeah, you do that, very hevy s right. I felt
Speaker 2: also something to remember later on always always, nothing is
Speaker 2: always a gift that keeps on giving.
Speaker 1: Exactly, and nothing ever happens without a payoff exactly, and
Speaker 1: we know that. And then we cut to Barbara played
Speaker 1: by Carolyn Aaron, who's a terrific actress, answers the door.
Speaker 2: Larry is there to pick up Cheryl. Yes, and today
Speaker 2: she is amazing, like she's like in the movie interiors
Speaker 2: in this episode, like she's playing on a whole nother Yeah. Yeah,
Speaker 2: you know, like she's grief but like again it's played real. Yeah.
Speaker 1: Well, then we find out we find out that she
Speaker 1: goes into the other room for something to get Cheryl
Speaker 1: some brochures I believe, right, And we find out that
Speaker 1: she that Chet, her husband died, and Cheryl says, she
Speaker 1: talked about Chet the whole time, and she's clearly grief written,
Speaker 1: and then Larry says, did you ask her about the
Speaker 1: picture frame? So clearly Barbara is a framer, right, and
Speaker 1: they gave her something to frame five months ago and
Speaker 1: she has not done it because she's been too grieved.
Speaker 2: I mean, it's been dead for four months now. It's
Speaker 2: enough of a time, exactly, to Larry, that's enough time.
Speaker 2: Get back to the frame.
Speaker 1: Larry then looks at a picture, a photograph of Chet
Speaker 1: that's sitting on a table and he's wearing the shirt
Speaker 1: that lou was wearing.
Speaker 2: Is that the same shirt? I think the only difference
Speaker 2: is that this is a short sleeve shirt basically very similar.
Speaker 2: What do they call that kind of a shirt? I
Speaker 2: don't know. I call it a Tony Soprano shirt, but
Speaker 2: there's no name that I am aware of. Officially, there
Speaker 2: was those other shirts. What were they? Cuban shirts that
Speaker 2: Rodney used to always wear.
Speaker 1: Yeah, remember Rodney used to always come into Catch a
Speaker 1: Rising store wearing those shirts. Sometimes Rodney would come into
Speaker 1: Catch Rising store in his bathroom.
Speaker 2: Yes, you, or he would sit out in the fuse.
Speaker 1: He lived around the corner and he would just show
Speaker 1: up in his robe or pajamas.
Speaker 2: He literally would be brandy dangers. He would also be
Speaker 2: in a car in front of the club and have
Speaker 2: comedians come over and pitch lines, and if he liked him,
Speaker 2: he would pay them right on the spot. I didn't
Speaker 2: know that.
Speaker 1: Sure, he used to hang out at the bar with
Speaker 1: us a lot, and he would he was very generous
Speaker 1: with his time. If you wanted a over your bit
Speaker 1: or your material, he was incredibly generous with his time.
Speaker 2: You know what I loved when he would come into
Speaker 2: the club and you m seed as I did a lot,
Speaker 2: And you know that was a job. You had to
Speaker 2: keep the crowd even and whatnot. And when celebrities would
Speaker 2: come in a lot of times it would upset, you know,
Speaker 2: the whole thing of the show and bounce low and
Speaker 2: you had to get it back or put it. But
Speaker 2: never Rodney, because Rodney was transcended everyone. He was like
Speaker 2: everyone was a fan of Rodney's. So if Rodney came in,
Speaker 2: blew the room away and we would never do too long,
Speaker 2: no thanks a whole yeah, but he always would make
Speaker 2: the night better better and we would all profit from
Speaker 2: it and it wouldn't destroy the show, and everybody was
Speaker 2: happy and we just went on.
Speaker 1: You know, I hadn't seen Rodney and maybe I would
Speaker 1: say ten twelve years and I ran into him and
Speaker 1: he says, hey, Si, and then he did a bit
Speaker 1: of mine. He remembered a bit of mine for like
Speaker 1: ten twelve years ago. It was like that was the
Speaker 1: kind of brain he had. Yeah, he had that kind
Speaker 1: of brain of just you know. Okay, So Larry's looking
Speaker 1: at the picture of Chet and he loves the shirt.
Speaker 3: Yeah, that's exact. Nice show you something different. Well, I
Speaker 3: love this shirt. Isn't that a great picture? Oh that's
Speaker 3: exactly the kind of shirt that I would wear. Don't
Speaker 3: you think.
Speaker 1: It's interesting because it is not the type of shirt
Speaker 1: he would wear now. But what Jeff and I have
Speaker 1: noticed in these earlier seasons his style is completely different
Speaker 1: than what it's turned into.
Speaker 2: It time a long time ago. This was season three,
Speaker 2: was what two thousand and three? Almost a generation ago?
Speaker 2: Was that two thousand and three? Two thousand and three? Yeah, yeah,
Speaker 2: or two? I think thousand two in my recollection really okay? Oh,
Speaker 2: shooting it.
Speaker 1: Anyway and right, it probably aired in two thousand and three,
Speaker 1: and Larry's where did he get it? And he keeps
Speaker 1: on questioning Barbara, pushing where did he get it? To
Speaker 1: get it at the mall?
Speaker 2: Did he get it? In santimony?
Speaker 1: And you could see that Barbara's like, she's not pleased
Speaker 1: with these questions. It's like too many questions, and she's
Speaker 1: weepy and she's very uh.
Speaker 2: But you know what's interesting about this to me is
Speaker 2: that this is the one This is the genius of Larry.
Speaker 2: Not to be ridiculous, but it's that inappropriate situation that
Speaker 2: forced people to think, like, is it really you know,
Speaker 2: maybe he's right, you know, like it's been it's been
Speaker 2: four months. Like he plants that too, so that you
Speaker 2: have to think, what would I do? Would I'd be probing,
Speaker 2: I would be more sensitive, That's what I'm saying. But
Speaker 2: like it's he frequently is right. Yes, he's frequently right
Speaker 2: and wrong at the same time. That's the beauty of this.
Speaker 1: Then she remembers Caruso's on Wilshire is where he got it,
Speaker 1: and Larry says to Cheryl Bo Cheryl says, check on
Speaker 1: the frame, and my husband dropped dead.
Speaker 2: Barbara says, well, Larry convinced Cheryl to ask about the
Speaker 2: frame even though she's already been.
Speaker 1: And Larry says, Cheryl will be dancing around the Trevy
Speaker 1: Fountain in Rome if I drop dead.
Speaker 2: And Barbara is not ready for this. He literally says,
Speaker 2: I'm not ready for comedy.
Speaker 1: Comedy, yeah, and clearly she's not. And then we cut
Speaker 1: to Bobo's Yeah.
Speaker 2: Now this was my first scene actually, so if you
Speaker 2: want a little inside baseball, everybody that was in that scene,
Speaker 2: that was the first day of taping for everyone in
Speaker 2: the restaurant. That was literally so even though.
Speaker 1: We used to back in those days, we used to
Speaker 1: do things in sequence a lot more, yeah, more than
Speaker 1: we do now.
Speaker 2: In that case, though, it was really interesting because it
Speaker 2: really gives you a real it's very real, like people
Speaker 2: are literally being introduced to Larry for the first time.
Speaker 2: How are you casting that? I read for the show
Speaker 2: previous to another role in season. I guess, maybe the
Speaker 2: previous season. And I went into read with Larry and
Speaker 2: Jeff was there, I guess, And of course.
Speaker 1: You've known Larry since what nineteen eighty three or something.
Speaker 2: Anything like that. Yeah. So from the improv in New York,
Speaker 2: and I was given a scenario. I had never done
Speaker 2: really anything quite like that. No one really did, really,
Speaker 2: especially auditioning for it, because you had to basically improvise
Speaker 2: in the audition. And the premise was I was supposed
Speaker 2: to be an old friend of his who's trying to
Speaker 2: borrow five thousand dollars. Oh yeah, you know that. Actually
Speaker 2: that was in a show. Yes, I thought we.
Speaker 1: Did that show too, Barry what was the guy's name,
Speaker 1: Barry Weener?
Speaker 2: Right, yeah, yeah, yeah, yeah yeah. So I thought, well,
Speaker 2: I mean, I know Larry and everything, but I'm not
Speaker 2: a temporary of his back in the day contemporary. So
Speaker 2: and I was young for that role.
Speaker 1: The character had been a contemporary of his as a
Speaker 1: writer on sm right exactly.
Speaker 2: So anyway, long story short, the audition goes very well
Speaker 2: and they were very happy with what I did, but
Speaker 2: I didn't get the part, and I thought, oh wow,
Speaker 2: what you know? You know how it goes with all
Speaker 2: that stuff. You never you think you did crappy, you
Speaker 2: get the job, you think you did great, you don't
Speaker 2: get the job. Whatever. So I didn't get the part.
Speaker 2: But then because of that audition, I guess I got
Speaker 2: called months later and I think it was even Jeff
Speaker 2: that called me and said you want to do h
Speaker 2: Was it Larrier Jeff? But somebody was said, you want
Speaker 2: to do like a four to five episode recurring on
Speaker 2: the show. And I'm like, no, I don't know you're
Speaker 2: really going to ask me that question. They literally asked
Speaker 2: me like if I was available or if I wanted
Speaker 2: to do it, And then I was like, yeah, said yes,
Speaker 2: I said yes, you didn't know what it was or
Speaker 2: you did. Well, it's funny because it was framed to
Speaker 2: me as you're going to be like a music executive,
Speaker 2: Like who knows what they were thinking this character was? Right?
Speaker 2: Did we ever find out what the character was? Well,
Speaker 2: it's funny because they said, or Jeff said, or somebody said,
Speaker 2: you're going to be a music, like a big shot
Speaker 2: music executive, because these restaurant investors are going to be
Speaker 2: Ted dancing and Michael Yorke and you like, some rich
Speaker 2: record guy whatever. And I'm like, and you know, as
Speaker 2: an actor, so you like think, oh, I got to
Speaker 2: learn like some stuff about that. Never brought up again
Speaker 2: except for a moment in one of the things when
Speaker 2: Jeff goes so again completely out of nowhere in the
Speaker 2: scene while we're shooting in this episode, in a later
Speaker 2: I think it's in a later episode. It might even
Speaker 2: be in this one, but where he goes, so, how's
Speaker 2: that album with Sarah Jessica Parker working out? Okay? And
Speaker 2: I'm supposed to like, you know, know what he's talking about,
Speaker 2: And I said, oh, it's great, it's great. Yeah, it's good,
Speaker 2: it's going well. You know. So that was the nod
Speaker 2: to me being a record executive. Episode. I think that
Speaker 2: was this episode. Yeah.
Speaker 1: So they go to Bobo's and we see, you know,
Speaker 1: Ted is there and how's Mary Mary's in Australia. But
Speaker 1: it's Jill's birthday, which is clearly their child, and it's
Speaker 1: going to be a Wizard of Oz theme and it's
Speaker 1: going to be in costume, and Jeff wants to be
Speaker 1: the law but Larry wants to be the lion. And
Speaker 1: Larry is wearing Chet's shirt. He clearly had gone and
Speaker 1: bought it. And then he comes and he's introduced to
Speaker 1: Michael Yorke and to you, and to Jim Swinson and
Speaker 1: Teresa Knackamoor the other investors, and they start talking. Construction
Speaker 1: is going on in the background and they start talking
Speaker 1: about it, and Larry says, no kabobs.
Speaker 2: He's afraid of the stick.
Speaker 1: And he starts giving his ideas, which was interesting to
Speaker 1: see because that all came to fruition much later in
Speaker 1: season ten in the Spikes Store when he opens latte,
Speaker 1: Larry's all of his ideas, but in this one his
Speaker 1: ideas are every table should have a bell. Worst idea
Speaker 1: in the history ever. He clearly has never been a waiter.
Speaker 1: I was a waiter for so many years waitress. Somebody
Speaker 1: ringing a bell, I want to punch him in their
Speaker 1: fucking face. If they're ringing a bell to get my attention.
Speaker 1: Everybody has their own tone. He's got it all thought
Speaker 1: out like a Pavlovian dog. And then Michael says, like
Speaker 1: a buttler Belle and the waiter's uniforms.
Speaker 2: Now, that was interesting because one of the things, and
Speaker 2: you know this on the show is that you know,
Speaker 2: you you improvise out of the reality of the situation.
Speaker 2: You don't do jokes, you know, try to insert a
Speaker 2: joke because it's that's the temptation for a comedian, probably
Speaker 2: more than someone who's like a second city trained or
Speaker 2: something like that. But I couldn't help it when he
Speaker 2: showed the shirt, and later in the episode with the
Speaker 2: apple at, I go, we don't want them to look
Speaker 2: like scientologists. So I thought, oh, that's going to get cut,
Speaker 2: you know, but it was left in. It was left in,
Speaker 2: and then I found out later that it was on
Speaker 2: some anti scientology page or people always would upload uh
Speaker 2: really things about you know, jokes about anything that you know,
Speaker 2: make get you better be careful that Well I'll just
Speaker 2: say I didn't write it.
Speaker 4: We'll be right back, Stay tuned, and we're back.
Speaker 1: So Larry decides he's going to go shopping and decides
Speaker 1: he's in. He's going to invest in the restaurant, and
Speaker 1: Michael your says, so you're in, welcome aboard, Now, do
Speaker 1: you have any idea? And I don't why Michael Yorke.
Speaker 1: I mean it was a great choice.
Speaker 2: It's such a gymsactly, you know, I think I asked Larry,
Speaker 2: I asked him why Michael Yorke, Like, I mean, where
Speaker 2: did that come? Great thought? It's wonderful to have him Hanson.
Speaker 1: You understand it had been on the show prior. He
Speaker 1: was a friend of Larry's. But where did Michael Yorke
Speaker 1: come from?
Speaker 2: If I'm not mistaken, he said something to the effect
Speaker 2: he goes, you know, people call me up and asked
Speaker 2: me to be on the show, like somewhere, and Michael
Speaker 2: was yeah, like it was to that point.
Speaker 1: Well, I know that happens all the time because people
Speaker 1: ask me to be on the show all the time.
Speaker 1: But this was in the very beginning before we still
Speaker 1: over the radar.
Speaker 2: I don't know if that's my recollection, because I had
Speaker 2: the same reaction that you did in terms of Wow,
Speaker 2: this is random, and yet it's perfect.
Speaker 1: It's perfect, It was fantastic, But yet why Michael Yorke?
Speaker 2: Like Michael Yorke was there with us. There's a moment
Speaker 2: in that in that introduction we're having we're sort of
Speaker 2: kicking around these ideas and arguing about stuff, and Jeff
Speaker 2: just out of nowhere just goes, Michael York, what do
Speaker 2: you think I'm so old by the idea I'm struck up,
Speaker 2: which to me was the funniest thing ever. And then
Speaker 2: that became like our thing on scenes where we have
Speaker 2: lunch with him and said we're going to do a
Speaker 2: game show called what do you think? Michael Just he
Speaker 2: just sits in the corner in a really nice chair
Speaker 2: and people go, what do you think, Michael Yorke and
Speaker 2: he just you know, by the way he was so
Speaker 2: you hung out with him a little bit, yeah, just
Speaker 2: like he would start conversations like I was having lunch
Speaker 2: at Griffin's house. We were playing tennis and I saw
Speaker 2: this vision on the court and it was Fara Fawcet,
Speaker 2: and I put her in Logan's run and she became
Speaker 2: a star. So that's how at a lot of anecdotes
Speaker 2: and just stuff that if you're a fan of show business,
Speaker 2: you know, your mouth it hangs open and you're like,
Speaker 2: you know, I was bicycling in the South of France
Speaker 2: with Jean Gielgood and Alsace. Yes, yes, I'm like, okay,
Speaker 2: we're going to hang out with you So.
Speaker 1: There's Michael Yorke and then Larry's at home with Cheryl,
Speaker 1: and Cheryl's skeptical of the investment in Smartly so.
Speaker 2: And him a little bit like, oh, you think that's
Speaker 2: all you're gonna do is walk through? And well, well,
Speaker 2: Larry says, I'm going to walk around and talk to people.
Speaker 2: How is your meal?
Speaker 1: He's gonna be affable, and she's like, you don't like
Speaker 1: talking to people.
Speaker 3: I'll walk around and go to the table and enjoying
Speaker 3: your meal.
Speaker 2: Are you doing you chat?
Speaker 3: How's everything? Are you enjoying it?
Speaker 2: I thought you didn't like talking to people.
Speaker 3: I don't like talking to people I know, but strangers
Speaker 3: I have no problem with, you know.
Speaker 1: And he's going to go shopping for uniforms and he
Speaker 1: tells Cheryl about the bells and then she says, oh,
Speaker 1: is that the new shirt? And Barbara is going to
Speaker 1: have the frame next week? So Barbara has is bucking
Speaker 1: up under her under her sorrow. And also then she says,
Speaker 1: your dentist calls and wants us over for dinner next Saturday,
Speaker 1: doctor Blore. Why is doctor Bloor calling me for dinner?
Speaker 1: It is a little odd, you know, you don't mix
Speaker 1: social and professional.
Speaker 2: It's a terrible combo.
Speaker 1: And now and Cheryl thought that they had pre arranged
Speaker 1: as she didn't know, And now's Larry. I'm gonna have
Speaker 1: to lie, and I'm gonna have to tell him we're
Speaker 1: going somewhere. And now I'll need a new dentist soon.
Speaker 1: Like already, this relationship is ruined because the boundaries, this
Speaker 1: sky has crossed the boundaries.
Speaker 2: And he's right, He's right. Who wants to hang out
Speaker 2: with your name, especially your dentist.
Speaker 1: No, the whole world has to get together, he says,
Speaker 1: the whole world has to get together. And then he's
Speaker 1: shopping with Jeff and he picks out a shirt and
Speaker 1: Jeff says, you want the waiters to dress like you?
Speaker 1: Just a polo shirt he picks up. Then it picks
Speaker 1: up a check shirt. Larry's not going to buy the shirt.
Speaker 2: It looks like a tablecloth. It looks like cloth.
Speaker 1: Yeah, And Larry decides he's going to buy the chest
Speaker 1: shirt for Ted because Ted liked it so much and
Speaker 1: they had two left.
Speaker 2: He's going to get an extra one for himself.
Speaker 1: So he's going to have three chest shirts, one for
Speaker 1: Ted and two for himself.
Speaker 2: Larry makes plans. God least exactly. My grandmother used to
Speaker 2: say that.
Speaker 1: And he goes to the salesman and then he sees
Speaker 1: a woman who happens to be Laura r Ep in
Speaker 1: the background, wearing the Laura has played so many different
Speaker 1: parts in this show, already wearing the epaulet shirt and
Speaker 1: it's a military shirt.
Speaker 2: And he goes into this whole thing. Was ever eating
Speaker 2: a messhole?
Speaker 1: And how great people look and they're in the military,
Speaker 1: and Larry was I believe in National Guard?
Speaker 2: He was in I believe, Yeah, he was definitely in
Speaker 2: the army or the National Guard, the national Guard, I
Speaker 2: think during the Vietnam era. Imagine that.
Speaker 1: Yeah, I know. And he got out in an interesting
Speaker 1: way which I won't tell. I'll let him tell someday
Speaker 1: when he comes on. And then a guy stops him
Speaker 1: out of nowhere. Burt Bondi was Burt Bondy, Yeah, I
Speaker 1: know you from somewhere, And Larry's like from spin class,
Speaker 1: And do I know you for his big class?
Speaker 2: Are you a friend of Bill W So I know
Speaker 2: you for me spin class? Or that's just a throwaway or.
Speaker 1: An alcoholics anonymous either or And then Bill Bondi realizes
Speaker 1: oh no, I know you from the waiting room in
Speaker 1: the dentist's office of doctor Bloor. And Larry's like, I
Speaker 1: don't go to him anymore because because of doctor blow
Speaker 1: across the boundary. And Bert Bondi says, I'll say hello
Speaker 1: to doctor Bloer for you. You don't have to do that.
Speaker 2: You don't have to say hello to him. It's it's
Speaker 2: kind of trite.
Speaker 1: And then he tells Jeff he's in trouble because he
Speaker 1: told the dentist he was going out of town.
Speaker 2: That was the night. It was Saturday. He was supposed
Speaker 2: to go to doctor Bloor's house to dinner. Tangled Web exactly.
Speaker 1: And he buys the last two shirts, and then we're
Speaker 1: at the restaurant again and he's.
Speaker 2: Pitching the he's pitching his shirt, and Jeff is pitching his.
Speaker 1: Outfit, his outfit, and Larry says.
Speaker 3: He's kind of got like a little French quality to it.
Speaker 3: No French, foreign legion.
Speaker 2: Maybe you know, they might think we have like scientologists
Speaker 2: for white people.
Speaker 3: Somebody kidding me, you don't like this, is that what
Speaker 3: you're saying.
Speaker 2: I look at that and I see we're serving airline food.
Speaker 1: I'm sorry all right, French foreign legion. And that's when
Speaker 1: you bring up the scientologie.
Speaker 2: I bring up the scientology joke, which I didn't think
Speaker 2: would get in there.
Speaker 1: And what is this note I have, Jim says, airline food.
Speaker 1: I don't know what that is.
Speaker 2: I guess because it looks like a captain of a
Speaker 2: you know, like the oh yes, yeah, the pilot. Thank you.
Speaker 1: And then Jeff presents his a simple, simple, simple, a
Speaker 1: light blue shirt and a navy ves and everybody applauds, happy, happy,
Speaker 1: they love it. And Larry gives Ted the chet shirt
Speaker 1: that you're wearing right now, and Ted sees that there's
Speaker 1: a rip in it.
Speaker 3: Just take it back. I'm sure they'll fix it for you.
Speaker 2: Sorry, couldn't you take it back? I don't even know
Speaker 2: where the story is.
Speaker 3: What's on a little sure, Nate understand you want me
Speaker 3: to take it back. I just give you a gift.
Speaker 2: You don't give me a gift.
Speaker 3: You give me a defective shirt.
Speaker 2: It's got a hole in it. That's not a gift. Come.
Speaker 3: I don't own this shirt anymore as I see it.
Speaker 3: I gave it to you. It's your responsibility that it's
Speaker 3: not the point.
Speaker 2: The point is if you give somebody a gift, it's
Speaker 2: supposed to be a gift.
Speaker 3: Right, And if you give somebody a gift, they're not
Speaker 3: supposed to be an ingrad. They're supposed to say thank you.
Speaker 3: How about I give you a gift and you have
Speaker 3: to pick it up in Seattle.
Speaker 2: That's a problem. It's not a gift.
Speaker 3: It's not quite the same thing. I'm giving you a gift.
Speaker 2: I appreciate the gesture, thank you.
Speaker 3: Fine, I'll keep the shirt to.
Speaker 2: Another debatable moment. Now, look, what do you think? What
Speaker 2: do you think, Michael Yorke?
Speaker 1: I think if it was me giving a gift and
Speaker 1: there was a ripping it, I would take it back.
Speaker 2: But that's me, I guess. So. I mean, it's kind
Speaker 2: of embarrassing. I feel like you would be lazy if
Speaker 2: you said you take care of it, because I you
Speaker 2: know it's on you now, I've given it to you.
Speaker 2: That's what he's that's what he's saying.
Speaker 1: He's saying, I don't own this shirt anymore. I gave
Speaker 1: it to you, And Ted says, you didn't give me
Speaker 1: a gift, you gave me a defective shirt. And you know,
Speaker 1: Larry's calling him an ingrate. And Larry's saying, you took
Speaker 1: a nice thought and you're making it horrible now, right.
Speaker 2: I mean, and yet I still can understand. You can
Speaker 2: understand Larry. As the receiver of the gift. You also
Speaker 2: might say, oh, well you gave me. Yeah, I'll bring
Speaker 2: it to the cleaner.
Speaker 1: I would do both if I was the receiver of
Speaker 1: the gift, but of course that's me. I would say,
Speaker 1: don't worry about it. I'll take care of it. I
Speaker 1: wouldn't say you take care.
Speaker 2: Of They're both wrong, right, But again, and if I
Speaker 2: was the.
Speaker 1: Giver of the gift, I would say I'll take care
Speaker 1: of it.
Speaker 2: But it's a typical, you know, curb conundrum moments that
Speaker 2: a female thing being the caretaker.
Speaker 1: Probably Yeah, the roles play and they cut to the
Speaker 1: kids party and Larry is wearing chests shirt and Cheryl
Speaker 1: feels that it's wrong, that it's taunting Ted and it's wrong.
Speaker 1: And what's interesting, of course, is that we know that
Speaker 1: later on what happens with Ted and Cheryl here there's
Speaker 1: none of that, but we know that many many seasons
Speaker 1: later they are a couple, right and involved.
Speaker 2: Well, this funny thing too, that this is on the
Speaker 2: heels of like when Jeff pitched the vests and the
Speaker 2: shirt and won. To me, it was the hilarious was
Speaker 2: how much Larry was pouting. Guess how funny it was,
Speaker 2: how defeated he was. But you know he was angry
Speaker 2: and petty, you know, and then he that's would lead
Speaker 2: to him wearing petty. His character is petty. It seems
Speaker 2: like it was more like that in the older episodes. Really,
Speaker 2: to me, I don't know, don't.
Speaker 1: I don't experience that because I have to deal with
Speaker 1: his pettiness on a daily level.
Speaker 2: Not Larry David the person, Larry David the character. And
Speaker 2: then where's the costumes?
Speaker 1: They want to know where the costumes because Ted had
Speaker 1: told them they're going to be dressing up and Wizard
Speaker 1: of Oz costumes. And Ted comes over and he says
Speaker 1: that he changed his mind. He wants Jeff to be
Speaker 1: the Lion and Larry could be the tin Man. How
Speaker 1: do we know that Ted's being petty here?
Speaker 2: We see it all over he's reacting.
Speaker 1: Of course, it's petty for petty, you know, tit for
Speaker 1: test Tom petty, it's Tom petty. And and Larry's I
Speaker 1: have no connection to the tin Man. I don't even
Speaker 1: like the tin Man, and he doesn't. He pouts and
Speaker 1: he's he's acting like a four year old. Well, if
Speaker 1: I can't have to be the tin Man, I'm not
Speaker 1: going to do it at all. And then he says
Speaker 1: to Ted, why did you take you off the line
Speaker 1: because of the shirt? And then Larry spells about Ted
Speaker 1: because Jill the little girl's how old is she?
Speaker 2: Maybe six seven something? I think she's five or six,
Speaker 2: five or six?
Speaker 1: And Larry spells a S S H O L E
Speaker 1: about Ted when he walks away. Then we cut to way,
Speaker 1: can I just say that you say whatever you wants?
Speaker 2: Funny to me? That? And it rings true that people
Speaker 2: have a real opinion about which Wizard of Oz character
Speaker 2: they want to play, do you know what I mean?
Speaker 2: Like we identify with we all grew up with it.
Speaker 2: We all grew up with it. So it's like, this
Speaker 2: is who I'm going to be.
Speaker 1: And also not only did we grow up with it,
Speaker 1: how different it is from now is that we had
Speaker 1: we watched it once a year year and Danny Kay
Speaker 1: introduced it on CBS.
Speaker 2: I remember it quite well and.
Speaker 1: Thirty that's right, and it was a family event that
Speaker 1: you all sat around the TV and watched The Wizard,
Speaker 1: but it wasn't like we had DVDs or DVR or
Speaker 1: streaming or any of that.
Speaker 2: That was my incredible, hilarious revelation. When my daughter was
Speaker 2: a little she was obsessed with that movie and I
Speaker 2: had to stop it and rewind it every time the
Speaker 2: Witch would appear right and I'm thinking, I'm rewinding this.
Speaker 2: I had to wait a year to just see it once.
Speaker 1: And I don't know if you know this, Loow, but
Speaker 1: my first big part as an actress was when I
Speaker 1: was in camp when I was eight and we were
Speaker 1: doing The Wizard of Oz and I wanted the part
Speaker 1: of Dorothy so badly and I auditioned it. I sang
Speaker 1: over the rainbow and I had tears in my eyes,
Speaker 1: and they gave me the Wicked Witch of the West.
Speaker 1: It was my part, and it was pantomime. I didn't
Speaker 1: have any lines, and I remember saying to the counselor
Speaker 1: could I make my own lines, and she said yes,
Speaker 1: and I wrote my own lines. I did the whole
Speaker 1: melting scene and I got a standing ovation. I had
Speaker 1: to stand up out of my death scene and take
Speaker 1: a bow because I was supposed to slip underneath the
Speaker 1: curtain there, and that was when I realized I'm going
Speaker 1: to be a character actress.
Speaker 2: I'm not going to be an ing, incredible, more fun Yeah,
Speaker 2: look what happened.
Speaker 1: Yeah, and I'm still playing the wicked Witch of the West.
Speaker 1: So next we see Jeff is dressed as a lion,
Speaker 1: which really he's a better line Larry, of course, you know,
Speaker 1: and Ted is a scarecrow perfectly can of course better lion,
Speaker 1: And and Ted is a perfect scarecrow, tall and thin
Speaker 1: with a long nose just like Ray Boulger. And Cheryl
Speaker 1: is a perfect little drothy and Larry's just standing there
Speaker 1: in his chest shirt, you know, just being disgruntled and
Speaker 1: acting like a big fucking baby. And there's a pinnata
Speaker 1: and Jill, the little girl, the birthday girl, is taking
Speaker 1: the bat and hitting the pinata, and accidentally.
Speaker 2: Larry walks over. He's not paying attention.
Speaker 1: Exactly because he's not paying attention because he's sew up
Speaker 1: his own asshole of being upset that he had to
Speaker 1: be the tin man, right.
Speaker 2: So of course she swings the bat, hits him right
Speaker 2: in the mouth and not blood.
Speaker 1: All over, knocks his front teeth out, there's blood all
Speaker 1: over Chet's shirt. His teeth are broken. It's a Sunday.
Speaker 1: He's got to go to the dentist's blood comes doctor Blore.
Speaker 2: Of course, doctor Blore. He's at the dentist.
Speaker 1: You see them all with the teeth knocked out and
Speaker 1: blood all over his shirt. He's getting numb, and doctor
Speaker 1: Blore says, I sure missed you last Saturday. And Larry
Speaker 1: goes into a song. And now here's the thing. And
Speaker 1: I tell this to my husband and kids all the time.
Speaker 1: When you're gonna lie, give as little information as possible,
Speaker 1: and yet people do the opposite. They start over compensating
Speaker 1: and giving more and more information. And that's how you
Speaker 1: could tell.
Speaker 2: You I am. You know. He went to Sonoma. It
Speaker 2: was his cousin's pear farm.
Speaker 1: They visited the cabin where Bob Bartlett, who created the
Speaker 1: Bartlet pair.
Speaker 2: They're going in the Bartlet pair of the Bosh pairs.
Speaker 1: Because I'm not sure which is which, but I think
Speaker 1: that the Bartlet pair is green and the Bosque pair
Speaker 1: is brown.
Speaker 2: I believe that's true.
Speaker 1: And it's a whole, long, involved mcgilla of a story,
Speaker 1: and it's just you know, it's going to come back
Speaker 1: and bite him in the ass, and you know that
Speaker 1: this guy is in charge of his mouth and his
Speaker 1: teeth and something.
Speaker 2: And then doctor Floor says Burt.
Speaker 3: BONDI was in this week, Burt Bondie.
Speaker 2: I know, I don't know.
Speaker 3: He seems to think you do, really, m Bondi, I
Speaker 3: don't think so.
Speaker 2: I think we're ready.
Speaker 4: We'll be right back. Stay tuned, Okay, we're back.
Speaker 1: With all the technology we have in this day and age,
Speaker 1: why they can't figure out to get rid of that
Speaker 1: fucking drill sound.
Speaker 2: There is nothing worse than that drill sound. That's an
Speaker 2: easy fix.
Speaker 1: Actually, it's not even what they're doing in your mouth,
Speaker 1: it's the fucking sound that.
Speaker 2: Yeah, they've done a lot of stuff that's good, like
Speaker 2: they're the with anesthesia and stuff like that. I know,
Speaker 2: if you want to get off on that, you could
Speaker 2: get off on them whatever. I haven't been at the
Speaker 2: dentist in a while and I went and they it's
Speaker 2: not that painful anyway. No, but you still hear the
Speaker 2: drill sound. That's that's old school.
Speaker 1: That's and to me, that is like a sense memory thing.
Speaker 1: You know, it's a trigger. You hear that sounded like right, away,
Speaker 1: I'm fourteen in the chair.
Speaker 2: Well, you don't want to, you know, if you mask it,
Speaker 2: you have to mask it with something that is not
Speaker 2: going to also be triggering. You don't want to put
Speaker 2: like your favorite song over.
Speaker 1: Well, what they do do now is sometimes they give
Speaker 1: you headphones, which is a lovely thing, but I don't
Speaker 1: like the headphones. I used to have that bit about
Speaker 1: the dental hygienist and how they would have you captive
Speaker 1: in the chair and they could just go on and
Speaker 1: on about their wedding plans and you just had nothing
Speaker 1: to say because you had the thing in your mouth
Speaker 1: and you're drooling, and they're just boring the.
Speaker 2: Crap out of you. Exactly, you have no because you're
Speaker 2: a captive, literally a captain.
Speaker 1: Same thing with the dentist. You know, dentists have a
Speaker 1: very high suicide rate.
Speaker 2: Yeah, because everybody always dreads.
Speaker 1: Seeing that nobody wants to go to the dentist. So
Speaker 1: we hear the drill sound that we know something horrible
Speaker 1: is going to happen. And then Larry goes home and
Speaker 1: Cheryl is watching The Wizard of Oz of all things,
Speaker 1: and Larry has opens his mouth and he's got bugs.
Speaker 2: Bunny tee.
Speaker 1: Yeah, he's got two chicklets, as he describes them.
Speaker 2: Well, that was the funny the reveal too, because obviously
Speaker 2: the doctor didn't have to give him teeth that big, right,
Speaker 2: They are temporary temporaries, Larry, don't worry about it.
Speaker 1: Yeah, and he's still got blood all over his shirt
Speaker 1: and he's got the bugs bunny teeth. And then he
Speaker 1: thinks Jill did it on purpose because he called her
Speaker 1: dad an asshole, right, he called Ted an asshole.
Speaker 2: And we hear the doorbell ring, and who is it?
Speaker 2: It's Barbara? No, not yet.
Speaker 1: They think it's Ted, but it's Barbara. And Barbara comes
Speaker 1: in and no, wait, it is Ted, because oh no,
Speaker 1: that's right. Cheryl thinks it's Barbara and it's Ted. You're right,
Speaker 1: it's Ted. And he shows Ted to me. He looked
Speaker 1: like bugs.
Speaker 2: Funny. It was just too funny, and he's talking the
Speaker 2: whole time temporaries.
Speaker 1: Ted apologizes and Larry goes into a whole big diet.
Speaker 1: Forget the pinata. It's a dangerous, sick, fucking game, you know.
Speaker 2: He says, I don't know how the Spaniards, why.
Speaker 1: They even thought of it, how they did it? Dangerous
Speaker 1: sick fucking game, and you know, then he talks about
Speaker 1: Jill is a pretty good speller for her age and
Speaker 1: Ted of course, and Ted says, you know what, He'll
Speaker 1: take the shirt.
Speaker 2: So they're conciliatory.
Speaker 1: They're trying to, you know, make amends, and Larry says
Speaker 1: he wants to keep it because the ones he's wearing
Speaker 1: is ruins.
Speaker 2: So now he wants to take the gift back right right,
Speaker 2: because he's run out of replacements.
Speaker 1: And Cheryl then ruins everything by coming out and says,
Speaker 1: you've got to give one to Ted. Now we know
Speaker 1: if one was ruined, he wanted to keep the two,
Speaker 1: so we had a backup.
Speaker 2: So now he's got to give the other one to Ted.
Speaker 1: So Larry goes up to change and Ted and Cheryl
Speaker 1: are watching over the rainbow, and again it's interesting to
Speaker 1: see them together now knowing what we know happens later on.
Speaker 2: Larry puts on the clean Chests shirt.
Speaker 1: He comes in and he gives the other shirt to
Speaker 1: Ted and Ted says, just throw it on the chair.
Speaker 1: So he throws the shirt on the chair and then
Speaker 1: the doorbell rings again and who is it this time?
Speaker 2: Louis, Oh, it's Barbara it's Barbara, and she walks in
Speaker 2: and she sees Larry on the couch. She has the frame.
Speaker 1: She brings the frame, she's obviously recovered enough to frame,
Speaker 1: and she comes into the living room and she sees
Speaker 1: that they're Well.
Speaker 2: There's two triggers. One is that that was her favorite,
Speaker 2: this was our mo she's crying now, which is activating
Speaker 2: her face. Yeah, and she's bawling.
Speaker 1: And then she notices and then also it was Chest's
Speaker 1: favorite song. She's singing over the Rainbow. It was Chest's
Speaker 1: favorite song. And in that moment, this is a very
Speaker 1: curve moment, right, Larry and Ted look at each other
Speaker 1: and know there's one good shirt left. It's laying on
Speaker 1: the chair right over there, and they both run for it.
Speaker 2: Like Solomon, like Somon. It's biblical, it's difficult. Did Solomon
Speaker 2: had Chest's shirt? Ales, Yes, exactly. No, it was Moses' shirt, Moses.
Speaker 2: It's in the Bible. It's a chapter in the Bible, Moses' shirt, Moses' shirt, Moses' shirt.
Speaker 2: And they ripped the shirt apart. Cue the music, rip
Speaker 2: the shirt.
Speaker 1: Apart, and then what happens. Ted leaves and he's got
Speaker 1: half the shirt in his hands right, Oh yes, yes,
Speaker 1: and half the shirt in his hand.
Speaker 2: He's walking down the block and.
Speaker 1: He walks down the block, Hey, asshole, and we know
Speaker 1: he's going to kick the shit out of his head
Speaker 1: and Ted deserves it for God's sake, and that's then
Speaker 1: cue the music the end.
Speaker 2: It was really kind of a perfect episode. Well, they
Speaker 2: all are in that way, in all those little moments
Speaker 2: and all those little conflicts that are really not easy
Speaker 2: to come up with with people don't. I mean, I
Speaker 2: guess people do.
Speaker 1: Really, And it's not just the moments come up with.
Speaker 1: It's the connecting of the moments that's so amazing. What
Speaker 1: do you what do you remember about because you're in
Speaker 1: three more episodes in this season.
Speaker 2: Well, first of all, getting to do it as an
Speaker 2: actor and a comedian was such a It was like
Speaker 2: being a Cinderella because when we were doing the show,
Speaker 2: once you got used to it, which you get used
Speaker 2: to it right away.
Speaker 1: Yeah, not everybody does, Lou. I mean comedians, you know,
Speaker 1: I know your work very well, and you were always
Speaker 1: a big improviser on stage, you know, so as was I.
Speaker 1: I mean we're used to that. You get some real
Speaker 1: actors and not the.
Speaker 2: Interesting that you bring that up because here's an anecdote.
Speaker 2: So I'm sitting next to we talked about that restaurant
Speaker 2: introduction scene was the first time we all worked together,
Speaker 2: and Michael Yorke was sitting next to me. So before
Speaker 2: Smart shooting, he's like, what is happening? What? What? What?
Speaker 1: What?
Speaker 2: What's next? What? I haven't No one's told me what
Speaker 2: to do. I said, you don't have to do anything,
Speaker 2: just you know, you just be yourself. You're Michael Yorke.
Speaker 2: You know I have to figure something. I don't know.
Speaker 2: But all joking aside, you realize it's just play the moment.
Speaker 2: Play the moment. It's just life. Don't overthink it, don't
Speaker 2: think ahead, don't try to think of something to say, yeah,
Speaker 2: which is something you should do anyway all the time.
Speaker 2: So once that happened, really for me, it was right
Speaker 2: after the first scene, I'm like, oh my god, this
Speaker 2: is like, you know, this revelation of like this is
Speaker 2: the way this is going to be. Yeah, and it
Speaker 2: just gets better and better and more fun and and and.
Speaker 1: You start to feel, I don't want to say more confident,
Speaker 1: but you start to feel more relaxed, Yeah, more relaxed.
Speaker 2: And the more relaxed you are, the better it is.
Speaker 3: Well.
Speaker 2: Also technically in terms of comedy, it is so much
Speaker 2: fresher and better than scripted because you know, as you know,
Speaker 2: you inscripted, you do the same line over and over again,
Speaker 2: and you do if you're doing single cam, you're doing inserts,
Speaker 2: and it just is like it's that's the real skill
Speaker 2: of an actress to maintain that energy level through all
Speaker 2: of that. But in this, every time you do the scene,
Speaker 2: it's actually better because he's giving you little notes in
Speaker 2: the different takes that make it even better. But you're
Speaker 2: still like, you don't have any pressure to remember something.
Speaker 2: You're just like always and I.
Speaker 1: Always find incredible pressure to memorize all lines and to
Speaker 1: remember them take after take, and it's a lot.
Speaker 2: Yeah, the technical aspect of it overwhelms the freshness and
Speaker 2: the creativity of it, which again that's a trick, that's
Speaker 2: something that really good actors can always somehow overcome. But
Speaker 2: it's hard. But this is it's just always fresh and
Speaker 2: it gets fresher. So that experience was exhilarating, as you know,
Speaker 2: and so it was it was incredible fun to do
Speaker 2: and it was so fulfilling to do and then to
Speaker 2: hang out with all these people, but again it was
Speaker 2: so rarefied, and then to come down from that when
Speaker 2: it stopped, and then to go do something else and
Speaker 2: you're like, oh, it's I know, back to the factory.
Speaker 1: I know, it's he's really spoiled by this show, and
Speaker 1: I have been spoiled for twenty three years.
Speaker 2: And you get to do it all the time. Yeah, no,
Speaker 2: you get to work with great peace people, not just
Speaker 2: name stars, not just Michael York, not just Michael Yorke.
Speaker 2: But it's also it's very flattering to be in a
Speaker 2: community where you're like, again, in our case, we came
Speaker 2: from stand up, but we could improvise. But the other
Speaker 2: people are second city people, groundlings and people that came
Speaker 2: up in that world. So now you're playing with them
Speaker 2: in their world and you're like, oh, I could do this, yeah,
Speaker 2: you know, and it's really fun. It's a different talent,
Speaker 2: Yeah it is. It's a whole different channel that you access,
Speaker 2: I think. And of course, you know, it's like a drug.
Speaker 2: When you do it, you're like, you want to just
Speaker 2: do it all the time, and it's like it doesn't
Speaker 2: work that way. There were a few shows that tried,
Speaker 2: because that was the thing you remember.
Speaker 1: Kerb First, I contend correctly that the reason why those
Speaker 1: other shows did not work is they didn't have Larry's
Speaker 1: story brains.
Speaker 2: Oh yeah, it's all Larry's story brain. People don't realize
Speaker 2: that it's not just. First of all, you can't just
Speaker 2: improvise a show. There has to be a solid framework
Speaker 2: to work off of, and that's where Curb is so
Speaker 2: brilliant because those scenarios and those stories are so well.
Speaker 1: You always know what needs to be done in the
Speaker 1: scene you need. That's my feeling. It's always Larry's story brain.
Speaker 1: That is what makes this show.
Speaker 2: And the thing about that too is to me, you know,
Speaker 2: it was such a great experience to do it, of
Speaker 2: course creatively and as an actor and a comedian, but
Speaker 2: also as a fan. You know, to sit there and
Speaker 2: watch how this happens and how it works, and you know,
Speaker 2: you get a lot of time, as you know, on sets,
Speaker 2: and it's like, I mean, I would just watch Larry
Speaker 2: and I'm thinking he's like Toscanini, you know, because he's
Speaker 2: got this ten episode score in his head in his
Speaker 2: head and he is cognizant of every little moment, every
Speaker 2: little beat, every little thing that's going to affect something
Speaker 2: in that world. And he's so focused.
Speaker 1: But I'll have entire conversations with him that he will
Speaker 1: not remember anything that we discussed. You know what, you
Speaker 1: forgot we're having dinner tonight because what he's on set.
Speaker 2: He's just so focused on the work. Yeah, And it's
Speaker 2: such an incredible uh you know, just to see somebody
Speaker 2: come up with something like that and bring it to fruition,
Speaker 2: you know, it's incredible. There's nothing seen anything like it
Speaker 2: before or since. And it was such a pleasure and
Speaker 2: an honor to be involved in it.
Speaker 1: Well, it was a pleasure in an honor for me
Speaker 1: to have you on this podcast.
Speaker 2: Jeff, by the way, No, I did see Jeff though,
Speaker 2: so that was okay. He's you know, I love Jeff,
Speaker 2: you know. And Jeff was also very instrumental in making
Speaker 2: sure that I was involved with the show if possible.
Speaker 2: Good because I ran into him somewhere years before and saying, oh,
Speaker 2: you got to be on the show. I had.
Speaker 1: I had no power in those days. You know, I
Speaker 1: was a day player. You don't even be in this episode, right, No,
Speaker 1: I wasn't in this episode.
Speaker 2: But you were in but you started to crank up
Speaker 2: for you there.
Speaker 1: Yes, in season two I was in two episodes, and
Speaker 1: in season three I think I was in five or
Speaker 1: six or something.
Speaker 2: I don't know. I'll know as we move forward. Now
Speaker 2: I know this is like the way ahead of the game.
Speaker 2: But I was in season seven Great Dinner sitting see
Speaker 2: us at my house at your house with Catherine O'Hara's
Speaker 2: bam am. I do you know? I worked with her
Speaker 2: on dream On? She was a director. Oh really? And
Speaker 2: I had a recurring role on dream On as a
Speaker 2: porn writer and yeah, right, so I worked with her
Speaker 2: the episode that she directed that I was. I only
Speaker 2: happened to have like a line or two in it,
Speaker 2: so it was like hello, goodbye, you know, but she's
Speaker 2: really nice. And that was like, I don't know, nine
Speaker 2: years before I met her the day we shot that thing,
Speaker 2: and I said, Catherine, I don't know if you remember
Speaker 2: Lou Damaggio. Oh really, are you kidding me? I mean,
Speaker 2: is that like some kind of magic trick or did
Speaker 2: you look at the call sheet? Why would she care?
Speaker 2: She actually remembered me.
Speaker 1: Well, if she's the director, she probably did look at
Speaker 1: the call sheet. But she still remembered you.
Speaker 2: Yeah, it was great. She put the name with the face.
Speaker 2: She is marvelous. She's one of my old time faves.
Speaker 2: So were you? Oh? I love you, Thank you, Low
Speaker 2: paste and Love.
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