1 00:00:01,000 --> 00:00:03,600 Speaker 1: You can watch the original episode we'll be discussing in 2 00:00:03,720 --> 00:00:07,440 Speaker 1: every other episode of HBO's Curby Your Enthusiasm, including the 3 00:00:07,520 --> 00:00:10,600 Speaker 1: new and final season, on Max. You can also watch 4 00:00:10,640 --> 00:00:13,680 Speaker 1: the video version of the history of Curby Your Enthusiasm 5 00:00:13,720 --> 00:00:16,000 Speaker 1: podcast on Max and YouTube as well. 6 00:00:16,320 --> 00:00:18,400 Speaker 2: Links available in the episode description. 7 00:00:26,760 --> 00:00:31,480 Speaker 1: So here we are, Season three, Episode one, Chet Shirt. 8 00:00:31,800 --> 00:00:35,040 Speaker 1: I'm Stusiasman and Jeff could not be with us today, 9 00:00:35,040 --> 00:00:38,960 Speaker 1: so we got the fabulous Lou DiMaggio to sit in, 10 00:00:39,120 --> 00:00:41,880 Speaker 1: not replace, is no replacing Jeff. 11 00:00:41,920 --> 00:00:43,800 Speaker 2: He's one of a kind, as are you. 12 00:00:44,360 --> 00:00:46,120 Speaker 1: And Lou happens to be in this episode, in this 13 00:00:46,320 --> 00:00:48,760 Speaker 1: entire season, and is a great comedian and I. 14 00:00:48,960 --> 00:00:52,280 Speaker 2: Know where I speak, Yes, it pertains to this season. 15 00:00:52,479 --> 00:00:57,200 Speaker 1: And Lou is also a very very long time dear friend. Yes, 16 00:00:57,240 --> 00:00:58,760 Speaker 1: we are, so I think we're gonna be fine. 17 00:00:59,000 --> 00:01:00,000 Speaker 2: We're Yeah. 18 00:01:00,400 --> 00:01:03,080 Speaker 1: So we start out the episode Larry and Jeff are 19 00:01:03,080 --> 00:01:06,440 Speaker 1: walking and apparently Jeff's given up red meat. Yes, and 20 00:01:06,520 --> 00:01:10,000 Speaker 1: Larry says why, no reason, no reason at all. 21 00:01:10,360 --> 00:01:13,600 Speaker 2: Which you know, perturbs Larry, of course, because that's a 22 00:01:13,760 --> 00:01:16,600 Speaker 2: major thing to do without having a reason. 23 00:01:16,720 --> 00:01:19,400 Speaker 1: Especially for somebody who obviously likes food as much as 24 00:01:19,480 --> 00:01:22,399 Speaker 1: Jeff does, right, and then Jeff brings up the restaurant. 25 00:01:22,400 --> 00:01:23,880 Speaker 2: Are you're going to invest in the restaurant? 26 00:01:24,040 --> 00:01:26,760 Speaker 1: Yes, a lot of people ted dance in our Michael York. 27 00:01:27,000 --> 00:01:29,160 Speaker 1: It's a good investment. It's fun, It's going to be 28 00:01:29,160 --> 00:01:32,160 Speaker 1: great fun. And you know Larry's always up for fun. 29 00:01:32,640 --> 00:01:34,840 Speaker 2: Well, you know it's funny. That's actually one of the 30 00:01:34,840 --> 00:01:37,920 Speaker 2: most difficult investments to be involved in absolute restaurant. So 31 00:01:37,959 --> 00:01:39,520 Speaker 2: I go in through with that attitude. You know there's 32 00:01:39,520 --> 00:01:40,160 Speaker 2: going to be trouble. 33 00:01:40,280 --> 00:01:43,720 Speaker 1: People actually think that there's a sexiness to owning or 34 00:01:43,760 --> 00:01:46,800 Speaker 1: being involved in the restaurant. It's incredibly hard work and 35 00:01:46,880 --> 00:01:49,200 Speaker 1: you almost never get your investment back right. 36 00:01:49,320 --> 00:01:51,280 Speaker 2: And I totally understand that you want to have a 37 00:01:51,320 --> 00:01:54,080 Speaker 2: place to go and hang out. Everybody wants their cheers, 38 00:01:54,120 --> 00:01:56,960 Speaker 2: peacock and do this and that. But it doesn't work. 39 00:01:56,960 --> 00:01:59,920 Speaker 2: It doesn't always work that way. And Larry's talk. 40 00:02:00,160 --> 00:02:02,919 Speaker 1: He's eating an apple and then he throws the apple 41 00:02:03,000 --> 00:02:06,040 Speaker 1: core into a garbage can that's on you know, a 42 00:02:06,080 --> 00:02:07,120 Speaker 1: street garbage can. 43 00:02:07,240 --> 00:02:10,760 Speaker 2: Yes, that's on the street and privately owns privately owned 44 00:02:10,800 --> 00:02:11,399 Speaker 2: garbage can. 45 00:02:11,680 --> 00:02:14,720 Speaker 1: And the man who owns it Alan who I'm having 46 00:02:14,760 --> 00:02:17,520 Speaker 1: lunch with tomorrow, our dear friend. Yes, there was another 47 00:02:17,680 --> 00:02:19,840 Speaker 1: another great comedian that we all came up at the 48 00:02:19,840 --> 00:02:23,480 Speaker 1: same time. A catchurizing star gets very angry. 49 00:02:24,360 --> 00:02:26,400 Speaker 2: Hey, buddy, what's the deal? What are you talking about? 50 00:02:27,120 --> 00:02:29,720 Speaker 3: Do something in my garbage can? That's no garbage in 51 00:02:29,760 --> 00:02:30,360 Speaker 3: the garbage can. 52 00:02:30,440 --> 00:02:34,280 Speaker 2: Yeah, that's my garbage can. So I appreciate it if 53 00:02:34,320 --> 00:02:35,000 Speaker 2: you want to do that. 54 00:02:35,720 --> 00:02:37,440 Speaker 3: Doesn't garbage belong in a garbage can? 55 00:02:37,960 --> 00:02:41,440 Speaker 2: My garbage belongs in my garbage can. Your garbage belongs 56 00:02:41,440 --> 00:02:44,920 Speaker 2: in your garbage can. Okay, well, what's the difference. The difference, Yeah, 57 00:02:45,000 --> 00:02:46,480 Speaker 2: it's mine. The can's not full. 58 00:02:46,520 --> 00:02:47,160 Speaker 3: I don't get it. 59 00:02:47,760 --> 00:02:50,040 Speaker 2: Next thing I see throwing garbage in there, I'm gonna 60 00:02:50,120 --> 00:02:50,920 Speaker 2: kick his ass. 61 00:02:51,480 --> 00:02:53,040 Speaker 3: I'll give that message to the next guy. 62 00:02:53,280 --> 00:02:55,000 Speaker 2: I'm no, I believe you. 63 00:02:55,720 --> 00:02:56,919 Speaker 3: I'm gonna tell the next guy. 64 00:02:57,440 --> 00:03:00,360 Speaker 2: Yeah, you do that, very hevy s right. I felt 65 00:03:00,560 --> 00:03:05,800 Speaker 2: also something to remember later on always always, nothing is 66 00:03:06,160 --> 00:03:07,919 Speaker 2: always a gift that keeps on giving. 67 00:03:08,040 --> 00:03:11,120 Speaker 1: Exactly, and nothing ever happens without a payoff exactly, and 68 00:03:11,120 --> 00:03:14,720 Speaker 1: we know that. And then we cut to Barbara played 69 00:03:14,720 --> 00:03:18,200 Speaker 1: by Carolyn Aaron, who's a terrific actress, answers the door. 70 00:03:18,280 --> 00:03:21,320 Speaker 2: Larry is there to pick up Cheryl. Yes, and today 71 00:03:21,400 --> 00:03:24,919 Speaker 2: she is amazing, like she's like in the movie interiors 72 00:03:24,960 --> 00:03:28,960 Speaker 2: in this episode, like she's playing on a whole nother Yeah. Yeah, 73 00:03:29,080 --> 00:03:32,640 Speaker 2: you know, like she's grief but like again it's played real. Yeah. 74 00:03:32,760 --> 00:03:35,480 Speaker 1: Well, then we find out we find out that she 75 00:03:35,600 --> 00:03:37,800 Speaker 1: goes into the other room for something to get Cheryl 76 00:03:37,840 --> 00:03:40,720 Speaker 1: some brochures I believe, right, And we find out that 77 00:03:40,760 --> 00:03:44,760 Speaker 1: she that Chet, her husband died, and Cheryl says, she 78 00:03:44,840 --> 00:03:48,240 Speaker 1: talked about Chet the whole time, and she's clearly grief written, 79 00:03:48,240 --> 00:03:50,320 Speaker 1: and then Larry says, did you ask her about the 80 00:03:50,400 --> 00:03:53,840 Speaker 1: picture frame? So clearly Barbara is a framer, right, and 81 00:03:53,840 --> 00:03:56,680 Speaker 1: they gave her something to frame five months ago and 82 00:03:56,720 --> 00:03:59,400 Speaker 1: she has not done it because she's been too grieved. 83 00:03:59,720 --> 00:04:01,600 Speaker 2: I mean, it's been dead for four months now. It's 84 00:04:01,720 --> 00:04:04,440 Speaker 2: enough of a time, exactly, to Larry, that's enough time. 85 00:04:04,520 --> 00:04:05,320 Speaker 2: Get back to the frame. 86 00:04:05,680 --> 00:04:08,360 Speaker 1: Larry then looks at a picture, a photograph of Chet 87 00:04:08,360 --> 00:04:11,560 Speaker 1: that's sitting on a table and he's wearing the shirt 88 00:04:11,600 --> 00:04:12,400 Speaker 1: that lou was wearing. 89 00:04:12,400 --> 00:04:15,040 Speaker 2: Is that the same shirt? I think the only difference 90 00:04:15,200 --> 00:04:18,560 Speaker 2: is that this is a short sleeve shirt basically very similar. 91 00:04:18,800 --> 00:04:20,440 Speaker 2: What do they call that kind of a shirt? I 92 00:04:20,440 --> 00:04:22,560 Speaker 2: don't know. I call it a Tony Soprano shirt, but 93 00:04:23,320 --> 00:04:26,360 Speaker 2: there's no name that I am aware of. Officially, there 94 00:04:26,400 --> 00:04:30,160 Speaker 2: was those other shirts. What were they? Cuban shirts that 95 00:04:30,640 --> 00:04:32,040 Speaker 2: Rodney used to always wear. 96 00:04:32,360 --> 00:04:34,680 Speaker 1: Yeah, remember Rodney used to always come into Catch a 97 00:04:34,760 --> 00:04:37,520 Speaker 1: Rising store wearing those shirts. Sometimes Rodney would come into 98 00:04:37,560 --> 00:04:39,360 Speaker 1: Catch Rising store in his bathroom. 99 00:04:39,040 --> 00:04:41,400 Speaker 2: Yes, you, or he would sit out in the fuse. 100 00:04:41,720 --> 00:04:44,120 Speaker 1: He lived around the corner and he would just show 101 00:04:44,200 --> 00:04:45,600 Speaker 1: up in his robe or pajamas. 102 00:04:45,640 --> 00:04:48,120 Speaker 2: He literally would be brandy dangers. He would also be 103 00:04:47,839 --> 00:04:49,919 Speaker 2: in a car in front of the club and have 104 00:04:50,000 --> 00:04:52,120 Speaker 2: comedians come over and pitch lines, and if he liked him, 105 00:04:52,120 --> 00:04:53,960 Speaker 2: he would pay them right on the spot. I didn't 106 00:04:54,000 --> 00:04:54,160 Speaker 2: know that. 107 00:04:54,520 --> 00:04:56,400 Speaker 1: Sure, he used to hang out at the bar with 108 00:04:56,480 --> 00:04:58,600 Speaker 1: us a lot, and he would he was very generous 109 00:04:58,600 --> 00:05:00,760 Speaker 1: with his time. If you wanted a over your bit 110 00:05:00,920 --> 00:05:03,760 Speaker 1: or your material, he was incredibly generous with his time. 111 00:05:03,880 --> 00:05:05,320 Speaker 2: You know what I loved when he would come into 112 00:05:05,320 --> 00:05:07,719 Speaker 2: the club and you m seed as I did a lot, 113 00:05:07,800 --> 00:05:09,280 Speaker 2: And you know that was a job. You had to 114 00:05:09,360 --> 00:05:12,560 Speaker 2: keep the crowd even and whatnot. And when celebrities would 115 00:05:12,560 --> 00:05:14,240 Speaker 2: come in a lot of times it would upset, you know, 116 00:05:14,320 --> 00:05:16,719 Speaker 2: the whole thing of the show and bounce low and 117 00:05:16,760 --> 00:05:18,360 Speaker 2: you had to get it back or put it. But 118 00:05:18,520 --> 00:05:21,520 Speaker 2: never Rodney, because Rodney was transcended everyone. He was like 119 00:05:21,600 --> 00:05:24,520 Speaker 2: everyone was a fan of Rodney's. So if Rodney came in, 120 00:05:24,680 --> 00:05:26,760 Speaker 2: blew the room away and we would never do too long, 121 00:05:26,839 --> 00:05:30,800 Speaker 2: no thanks a whole yeah, but he always would make 122 00:05:30,839 --> 00:05:33,720 Speaker 2: the night better better and we would all profit from 123 00:05:33,800 --> 00:05:35,920 Speaker 2: it and it wouldn't destroy the show, and everybody was 124 00:05:35,960 --> 00:05:36,960 Speaker 2: happy and we just went on. 125 00:05:37,440 --> 00:05:40,280 Speaker 1: You know, I hadn't seen Rodney and maybe I would 126 00:05:40,279 --> 00:05:43,160 Speaker 1: say ten twelve years and I ran into him and 127 00:05:43,200 --> 00:05:45,440 Speaker 1: he says, hey, Si, and then he did a bit 128 00:05:45,480 --> 00:05:48,000 Speaker 1: of mine. He remembered a bit of mine for like 129 00:05:48,080 --> 00:05:50,080 Speaker 1: ten twelve years ago. It was like that was the 130 00:05:50,200 --> 00:05:52,520 Speaker 1: kind of brain he had. Yeah, he had that kind 131 00:05:52,520 --> 00:05:56,280 Speaker 1: of brain of just you know. Okay, So Larry's looking 132 00:05:56,320 --> 00:05:58,480 Speaker 1: at the picture of Chet and he loves the shirt. 133 00:05:58,839 --> 00:06:01,840 Speaker 3: Yeah, that's exact. Nice show you something different. Well, I 134 00:06:01,880 --> 00:06:05,680 Speaker 3: love this shirt. Isn't that a great picture? Oh that's 135 00:06:05,800 --> 00:06:07,920 Speaker 3: exactly the kind of shirt that I would wear. Don't 136 00:06:07,920 --> 00:06:08,480 Speaker 3: you think. 137 00:06:10,240 --> 00:06:12,360 Speaker 1: It's interesting because it is not the type of shirt 138 00:06:12,360 --> 00:06:14,320 Speaker 1: he would wear now. But what Jeff and I have 139 00:06:14,440 --> 00:06:17,800 Speaker 1: noticed in these earlier seasons his style is completely different 140 00:06:18,320 --> 00:06:19,440 Speaker 1: than what it's turned into. 141 00:06:19,640 --> 00:06:22,400 Speaker 2: It time a long time ago. This was season three, 142 00:06:22,520 --> 00:06:25,120 Speaker 2: was what two thousand and three? Almost a generation ago? 143 00:06:25,360 --> 00:06:28,400 Speaker 2: Was that two thousand and three? Two thousand and three? Yeah, yeah, 144 00:06:28,480 --> 00:06:32,000 Speaker 2: or two? I think thousand two in my recollection really okay? Oh, 145 00:06:32,040 --> 00:06:32,560 Speaker 2: shooting it. 146 00:06:32,520 --> 00:06:35,279 Speaker 1: Anyway and right, it probably aired in two thousand and three, 147 00:06:35,400 --> 00:06:37,440 Speaker 1: and Larry's where did he get it? And he keeps 148 00:06:37,440 --> 00:06:40,080 Speaker 1: on questioning Barbara, pushing where did he get it? To 149 00:06:40,080 --> 00:06:40,719 Speaker 1: get it at the mall? 150 00:06:40,760 --> 00:06:42,200 Speaker 2: Did he get it? In santimony? 151 00:06:42,400 --> 00:06:44,760 Speaker 1: And you could see that Barbara's like, she's not pleased 152 00:06:44,760 --> 00:06:47,720 Speaker 1: with these questions. It's like too many questions, and she's 153 00:06:47,880 --> 00:06:49,960 Speaker 1: weepy and she's very uh. 154 00:06:50,279 --> 00:06:51,839 Speaker 2: But you know what's interesting about this to me is 155 00:06:51,839 --> 00:06:54,280 Speaker 2: that this is the one This is the genius of Larry. 156 00:06:54,880 --> 00:06:59,440 Speaker 2: Not to be ridiculous, but it's that inappropriate situation that 157 00:06:59,640 --> 00:07:02,120 Speaker 2: forced people to think, like, is it really you know, 158 00:07:02,160 --> 00:07:03,880 Speaker 2: maybe he's right, you know, like it's been it's been 159 00:07:03,880 --> 00:07:07,039 Speaker 2: four months. Like he plants that too, so that you 160 00:07:07,200 --> 00:07:09,400 Speaker 2: have to think, what would I do? Would I'd be probing, 161 00:07:09,520 --> 00:07:11,520 Speaker 2: I would be more sensitive, That's what I'm saying. But 162 00:07:11,600 --> 00:07:15,720 Speaker 2: like it's he frequently is right. Yes, he's frequently right 163 00:07:15,760 --> 00:07:17,840 Speaker 2: and wrong at the same time. That's the beauty of this. 164 00:07:18,520 --> 00:07:21,720 Speaker 1: Then she remembers Caruso's on Wilshire is where he got it, 165 00:07:22,120 --> 00:07:25,600 Speaker 1: and Larry says to Cheryl Bo Cheryl says, check on 166 00:07:25,640 --> 00:07:27,680 Speaker 1: the frame, and my husband dropped dead. 167 00:07:27,800 --> 00:07:30,640 Speaker 2: Barbara says, well, Larry convinced Cheryl to ask about the 168 00:07:30,680 --> 00:07:31,880 Speaker 2: frame even though she's already been. 169 00:07:32,640 --> 00:07:35,120 Speaker 1: And Larry says, Cheryl will be dancing around the Trevy 170 00:07:35,160 --> 00:07:36,800 Speaker 1: Fountain in Rome if I drop dead. 171 00:07:36,960 --> 00:07:40,200 Speaker 2: And Barbara is not ready for this. He literally says, 172 00:07:40,240 --> 00:07:42,600 Speaker 2: I'm not ready for comedy. 173 00:07:42,040 --> 00:07:45,360 Speaker 1: Comedy, yeah, and clearly she's not. And then we cut 174 00:07:45,400 --> 00:07:47,440 Speaker 1: to Bobo's Yeah. 175 00:07:47,520 --> 00:07:50,400 Speaker 2: Now this was my first scene actually, so if you 176 00:07:50,400 --> 00:07:53,160 Speaker 2: want a little inside baseball, everybody that was in that scene, 177 00:07:53,160 --> 00:07:55,400 Speaker 2: that was the first day of taping for everyone in 178 00:07:55,440 --> 00:07:58,240 Speaker 2: the restaurant. That was literally so even though. 179 00:07:58,280 --> 00:08:00,520 Speaker 1: We used to back in those days, we used to 180 00:08:00,520 --> 00:08:03,280 Speaker 1: do things in sequence a lot more, yeah, more than 181 00:08:03,320 --> 00:08:03,840 Speaker 1: we do now. 182 00:08:04,120 --> 00:08:07,040 Speaker 2: In that case, though, it was really interesting because it 183 00:08:07,120 --> 00:08:09,840 Speaker 2: really gives you a real it's very real, like people 184 00:08:09,880 --> 00:08:12,160 Speaker 2: are literally being introduced to Larry for the first time. 185 00:08:12,560 --> 00:08:15,120 Speaker 2: How are you casting that? I read for the show 186 00:08:15,240 --> 00:08:18,200 Speaker 2: previous to another role in season. I guess, maybe the 187 00:08:18,360 --> 00:08:21,920 Speaker 2: previous season. And I went into read with Larry and 188 00:08:22,000 --> 00:08:23,880 Speaker 2: Jeff was there, I guess, And of course. 189 00:08:23,720 --> 00:08:27,200 Speaker 1: You've known Larry since what nineteen eighty three or something. 190 00:08:27,120 --> 00:08:29,840 Speaker 2: Anything like that. Yeah. So from the improv in New York, 191 00:08:30,280 --> 00:08:34,000 Speaker 2: and I was given a scenario. I had never done 192 00:08:34,000 --> 00:08:36,360 Speaker 2: really anything quite like that. No one really did, really, 193 00:08:36,640 --> 00:08:39,080 Speaker 2: especially auditioning for it, because you had to basically improvise 194 00:08:39,120 --> 00:08:42,280 Speaker 2: in the audition. And the premise was I was supposed 195 00:08:42,320 --> 00:08:43,720 Speaker 2: to be an old friend of his who's trying to 196 00:08:43,720 --> 00:08:46,680 Speaker 2: borrow five thousand dollars. Oh yeah, you know that. Actually 197 00:08:46,720 --> 00:08:48,720 Speaker 2: that was in a show. Yes, I thought we. 198 00:08:48,640 --> 00:08:53,439 Speaker 1: Did that show too, Barry what was the guy's name, 199 00:08:53,520 --> 00:08:54,240 Speaker 1: Barry Weener? 200 00:08:54,440 --> 00:08:57,120 Speaker 2: Right, yeah, yeah, yeah, yeah yeah. So I thought, well, 201 00:08:57,400 --> 00:08:59,440 Speaker 2: I mean, I know Larry and everything, but I'm not 202 00:08:59,640 --> 00:09:02,560 Speaker 2: a temporary of his back in the day contemporary. So 203 00:09:03,080 --> 00:09:04,480 Speaker 2: and I was young for that role. 204 00:09:04,520 --> 00:09:07,400 Speaker 1: The character had been a contemporary of his as a 205 00:09:07,440 --> 00:09:09,240 Speaker 1: writer on sm right exactly. 206 00:09:09,400 --> 00:09:12,720 Speaker 2: So anyway, long story short, the audition goes very well 207 00:09:12,960 --> 00:09:15,080 Speaker 2: and they were very happy with what I did, but 208 00:09:15,120 --> 00:09:17,360 Speaker 2: I didn't get the part, and I thought, oh wow, 209 00:09:17,400 --> 00:09:19,000 Speaker 2: what you know? You know how it goes with all 210 00:09:19,040 --> 00:09:22,200 Speaker 2: that stuff. You never you think you did crappy, you 211 00:09:22,240 --> 00:09:24,040 Speaker 2: get the job, you think you did great, you don't 212 00:09:24,040 --> 00:09:26,920 Speaker 2: get the job. Whatever. So I didn't get the part. 213 00:09:27,080 --> 00:09:29,600 Speaker 2: But then because of that audition, I guess I got 214 00:09:29,640 --> 00:09:32,079 Speaker 2: called months later and I think it was even Jeff 215 00:09:32,080 --> 00:09:33,839 Speaker 2: that called me and said you want to do h 216 00:09:34,360 --> 00:09:37,160 Speaker 2: Was it Larrier Jeff? But somebody was said, you want 217 00:09:37,160 --> 00:09:40,200 Speaker 2: to do like a four to five episode recurring on 218 00:09:40,240 --> 00:09:43,199 Speaker 2: the show. And I'm like, no, I don't know you're 219 00:09:43,240 --> 00:09:46,080 Speaker 2: really going to ask me that question. They literally asked 220 00:09:46,080 --> 00:09:48,200 Speaker 2: me like if I was available or if I wanted 221 00:09:48,240 --> 00:09:50,440 Speaker 2: to do it, And then I was like, yeah, said yes, 222 00:09:50,480 --> 00:09:51,959 Speaker 2: I said yes, you didn't know what it was or 223 00:09:52,000 --> 00:09:55,040 Speaker 2: you did. Well, it's funny because it was framed to 224 00:09:55,120 --> 00:09:58,439 Speaker 2: me as you're going to be like a music executive, 225 00:09:58,440 --> 00:10:00,520 Speaker 2: Like who knows what they were thinking this character was? Right? 226 00:10:00,679 --> 00:10:02,880 Speaker 2: Did we ever find out what the character was? Well, 227 00:10:02,880 --> 00:10:06,160 Speaker 2: it's funny because they said, or Jeff said, or somebody said, 228 00:10:06,200 --> 00:10:08,160 Speaker 2: you're going to be a music, like a big shot 229 00:10:08,240 --> 00:10:10,760 Speaker 2: music executive, because these restaurant investors are going to be 230 00:10:10,760 --> 00:10:13,160 Speaker 2: Ted dancing and Michael Yorke and you like, some rich 231 00:10:13,240 --> 00:10:15,440 Speaker 2: record guy whatever. And I'm like, and you know, as 232 00:10:15,480 --> 00:10:16,920 Speaker 2: an actor, so you like think, oh, I got to 233 00:10:17,000 --> 00:10:19,800 Speaker 2: learn like some stuff about that. Never brought up again 234 00:10:20,920 --> 00:10:22,760 Speaker 2: except for a moment in one of the things when 235 00:10:22,800 --> 00:10:25,800 Speaker 2: Jeff goes so again completely out of nowhere in the 236 00:10:25,840 --> 00:10:28,280 Speaker 2: scene while we're shooting in this episode, in a later 237 00:10:28,480 --> 00:10:30,160 Speaker 2: I think it's in a later episode. It might even 238 00:10:30,160 --> 00:10:31,680 Speaker 2: be in this one, but where he goes, so, how's 239 00:10:31,720 --> 00:10:35,240 Speaker 2: that album with Sarah Jessica Parker working out? Okay? And 240 00:10:35,280 --> 00:10:37,440 Speaker 2: I'm supposed to like, you know, know what he's talking about, 241 00:10:37,480 --> 00:10:39,640 Speaker 2: And I said, oh, it's great, it's great. Yeah, it's good, 242 00:10:39,640 --> 00:10:42,120 Speaker 2: it's going well. You know. So that was the nod 243 00:10:42,200 --> 00:10:44,680 Speaker 2: to me being a record executive. Episode. I think that 244 00:10:44,840 --> 00:10:46,160 Speaker 2: was this episode. Yeah. 245 00:10:46,200 --> 00:10:48,880 Speaker 1: So they go to Bobo's and we see, you know, 246 00:10:49,320 --> 00:10:53,120 Speaker 1: Ted is there and how's Mary Mary's in Australia. But 247 00:10:53,120 --> 00:10:56,319 Speaker 1: it's Jill's birthday, which is clearly their child, and it's 248 00:10:56,360 --> 00:10:58,079 Speaker 1: going to be a Wizard of Oz theme and it's 249 00:10:58,080 --> 00:10:59,760 Speaker 1: going to be in costume, and Jeff wants to be 250 00:10:59,760 --> 00:11:02,360 Speaker 1: the law but Larry wants to be the lion. And 251 00:11:02,760 --> 00:11:05,840 Speaker 1: Larry is wearing Chet's shirt. He clearly had gone and 252 00:11:05,840 --> 00:11:08,000 Speaker 1: bought it. And then he comes and he's introduced to 253 00:11:08,120 --> 00:11:11,840 Speaker 1: Michael Yorke and to you, and to Jim Swinson and 254 00:11:11,920 --> 00:11:15,800 Speaker 1: Teresa Knackamoor the other investors, and they start talking. Construction 255 00:11:15,920 --> 00:11:18,160 Speaker 1: is going on in the background and they start talking 256 00:11:18,200 --> 00:11:19,760 Speaker 1: about it, and Larry says, no kabobs. 257 00:11:20,120 --> 00:11:21,240 Speaker 2: He's afraid of the stick. 258 00:11:21,640 --> 00:11:25,240 Speaker 1: And he starts giving his ideas, which was interesting to 259 00:11:25,240 --> 00:11:29,440 Speaker 1: see because that all came to fruition much later in 260 00:11:29,520 --> 00:11:32,800 Speaker 1: season ten in the Spikes Store when he opens latte, 261 00:11:32,960 --> 00:11:35,440 Speaker 1: Larry's all of his ideas, but in this one his 262 00:11:35,520 --> 00:11:38,160 Speaker 1: ideas are every table should have a bell. Worst idea 263 00:11:38,200 --> 00:11:41,120 Speaker 1: in the history ever. He clearly has never been a waiter. 264 00:11:41,520 --> 00:11:43,720 Speaker 1: I was a waiter for so many years waitress. Somebody 265 00:11:43,760 --> 00:11:45,280 Speaker 1: ringing a bell, I want to punch him in their 266 00:11:45,320 --> 00:11:47,640 Speaker 1: fucking face. If they're ringing a bell to get my attention. 267 00:11:48,160 --> 00:11:50,760 Speaker 1: Everybody has their own tone. He's got it all thought 268 00:11:50,800 --> 00:11:54,200 Speaker 1: out like a Pavlovian dog. And then Michael says, like 269 00:11:54,200 --> 00:11:57,560 Speaker 1: a buttler Belle and the waiter's uniforms. 270 00:11:57,840 --> 00:12:00,600 Speaker 2: Now, that was interesting because one of the things, and 271 00:12:00,640 --> 00:12:02,200 Speaker 2: you know this on the show is that you know, 272 00:12:02,240 --> 00:12:05,160 Speaker 2: you you improvise out of the reality of the situation. 273 00:12:05,240 --> 00:12:07,760 Speaker 2: You don't do jokes, you know, try to insert a 274 00:12:07,840 --> 00:12:10,679 Speaker 2: joke because it's that's the temptation for a comedian, probably 275 00:12:10,720 --> 00:12:13,160 Speaker 2: more than someone who's like a second city trained or 276 00:12:13,160 --> 00:12:15,319 Speaker 2: something like that. But I couldn't help it when he 277 00:12:15,400 --> 00:12:17,679 Speaker 2: showed the shirt, and later in the episode with the 278 00:12:17,679 --> 00:12:19,280 Speaker 2: apple at, I go, we don't want them to look 279 00:12:19,280 --> 00:12:22,520 Speaker 2: like scientologists. So I thought, oh, that's going to get cut, 280 00:12:23,000 --> 00:12:24,640 Speaker 2: you know, but it was left in. It was left in, 281 00:12:24,720 --> 00:12:26,600 Speaker 2: and then I found out later that it was on 282 00:12:26,640 --> 00:12:30,200 Speaker 2: some anti scientology page or people always would upload uh 283 00:12:30,440 --> 00:12:33,640 Speaker 2: really things about you know, jokes about anything that you know, 284 00:12:33,800 --> 00:12:36,559 Speaker 2: make get you better be careful that Well I'll just 285 00:12:36,559 --> 00:12:38,600 Speaker 2: say I didn't write it. 286 00:12:39,120 --> 00:12:52,520 Speaker 4: We'll be right back, Stay tuned, and we're back. 287 00:12:53,679 --> 00:12:57,120 Speaker 1: So Larry decides he's going to go shopping and decides 288 00:12:57,160 --> 00:12:59,480 Speaker 1: he's in. He's going to invest in the restaurant, and 289 00:12:59,480 --> 00:13:03,040 Speaker 1: Michael your says, so you're in, welcome aboard, Now, do 290 00:13:03,120 --> 00:13:07,079 Speaker 1: you have any idea? And I don't why Michael Yorke. 291 00:13:07,559 --> 00:13:09,080 Speaker 1: I mean it was a great choice. 292 00:13:09,880 --> 00:13:12,760 Speaker 2: It's such a gymsactly, you know, I think I asked Larry, 293 00:13:12,880 --> 00:13:15,480 Speaker 2: I asked him why Michael Yorke, Like, I mean, where 294 00:13:15,520 --> 00:13:18,600 Speaker 2: did that come? Great thought? It's wonderful to have him Hanson. 295 00:13:18,640 --> 00:13:21,280 Speaker 1: You understand it had been on the show prior. He 296 00:13:21,400 --> 00:13:23,320 Speaker 1: was a friend of Larry's. But where did Michael Yorke 297 00:13:23,360 --> 00:13:23,839 Speaker 1: come from? 298 00:13:24,000 --> 00:13:27,000 Speaker 2: If I'm not mistaken, he said something to the effect 299 00:13:27,040 --> 00:13:28,520 Speaker 2: he goes, you know, people call me up and asked 300 00:13:28,520 --> 00:13:31,640 Speaker 2: me to be on the show, like somewhere, and Michael 301 00:13:31,720 --> 00:13:34,000 Speaker 2: was yeah, like it was to that point. 302 00:13:34,480 --> 00:13:36,280 Speaker 1: Well, I know that happens all the time because people 303 00:13:36,320 --> 00:13:38,400 Speaker 1: ask me to be on the show all the time. 304 00:13:38,480 --> 00:13:40,560 Speaker 1: But this was in the very beginning before we still 305 00:13:40,600 --> 00:13:41,320 Speaker 1: over the radar. 306 00:13:41,520 --> 00:13:44,280 Speaker 2: I don't know if that's my recollection, because I had 307 00:13:44,280 --> 00:13:46,760 Speaker 2: the same reaction that you did in terms of Wow, 308 00:13:46,840 --> 00:13:48,560 Speaker 2: this is random, and yet it's perfect. 309 00:13:48,679 --> 00:13:51,439 Speaker 1: It's perfect, It was fantastic, But yet why Michael Yorke? 310 00:13:51,800 --> 00:13:54,079 Speaker 2: Like Michael Yorke was there with us. There's a moment 311 00:13:54,320 --> 00:13:57,079 Speaker 2: in that in that introduction we're having we're sort of 312 00:13:57,160 --> 00:13:59,800 Speaker 2: kicking around these ideas and arguing about stuff, and Jeff 313 00:13:59,840 --> 00:14:01,840 Speaker 2: just out of nowhere just goes, Michael York, what do 314 00:14:01,880 --> 00:14:05,559 Speaker 2: you think I'm so old by the idea I'm struck up, 315 00:14:06,720 --> 00:14:09,240 Speaker 2: which to me was the funniest thing ever. And then 316 00:14:09,280 --> 00:14:12,160 Speaker 2: that became like our thing on scenes where we have 317 00:14:12,320 --> 00:14:13,960 Speaker 2: lunch with him and said we're going to do a 318 00:14:13,960 --> 00:14:16,520 Speaker 2: game show called what do you think? Michael Just he 319 00:14:16,640 --> 00:14:18,480 Speaker 2: just sits in the corner in a really nice chair 320 00:14:18,559 --> 00:14:20,440 Speaker 2: and people go, what do you think, Michael Yorke and 321 00:14:20,480 --> 00:14:24,000 Speaker 2: he just you know, by the way he was so 322 00:14:24,320 --> 00:14:26,240 Speaker 2: you hung out with him a little bit, yeah, just 323 00:14:26,440 --> 00:14:29,360 Speaker 2: like he would start conversations like I was having lunch 324 00:14:29,440 --> 00:14:31,880 Speaker 2: at Griffin's house. We were playing tennis and I saw 325 00:14:31,880 --> 00:14:34,120 Speaker 2: this vision on the court and it was Fara Fawcet, 326 00:14:34,640 --> 00:14:36,320 Speaker 2: and I put her in Logan's run and she became 327 00:14:36,320 --> 00:14:40,200 Speaker 2: a star. So that's how at a lot of anecdotes 328 00:14:40,240 --> 00:14:42,480 Speaker 2: and just stuff that if you're a fan of show business, 329 00:14:42,480 --> 00:14:44,280 Speaker 2: you know, your mouth it hangs open and you're like, 330 00:14:44,360 --> 00:14:46,760 Speaker 2: you know, I was bicycling in the South of France 331 00:14:46,800 --> 00:14:51,240 Speaker 2: with Jean Gielgood and Alsace. Yes, yes, I'm like, okay, 332 00:14:51,280 --> 00:14:53,520 Speaker 2: we're going to hang out with you So. 333 00:14:53,560 --> 00:14:56,800 Speaker 1: There's Michael Yorke and then Larry's at home with Cheryl, 334 00:14:56,880 --> 00:15:00,440 Speaker 1: and Cheryl's skeptical of the investment in Smartly so. 335 00:15:01,200 --> 00:15:03,200 Speaker 2: And him a little bit like, oh, you think that's 336 00:15:03,240 --> 00:15:05,000 Speaker 2: all you're gonna do is walk through? And well, well, 337 00:15:05,040 --> 00:15:07,440 Speaker 2: Larry says, I'm going to walk around and talk to people. 338 00:15:07,520 --> 00:15:08,240 Speaker 2: How is your meal? 339 00:15:08,680 --> 00:15:10,960 Speaker 1: He's gonna be affable, and she's like, you don't like 340 00:15:11,040 --> 00:15:11,920 Speaker 1: talking to people. 341 00:15:12,240 --> 00:15:14,800 Speaker 3: I'll walk around and go to the table and enjoying 342 00:15:14,920 --> 00:15:15,320 Speaker 3: your meal. 343 00:15:16,320 --> 00:15:18,920 Speaker 2: Are you doing you chat? 344 00:15:20,000 --> 00:15:21,760 Speaker 3: How's everything? Are you enjoying it? 345 00:15:21,840 --> 00:15:23,560 Speaker 2: I thought you didn't like talking to people. 346 00:15:24,240 --> 00:15:26,800 Speaker 3: I don't like talking to people I know, but strangers 347 00:15:26,800 --> 00:15:28,480 Speaker 3: I have no problem with, you know. 348 00:15:28,600 --> 00:15:31,000 Speaker 1: And he's going to go shopping for uniforms and he 349 00:15:31,080 --> 00:15:34,000 Speaker 1: tells Cheryl about the bells and then she says, oh, 350 00:15:34,120 --> 00:15:36,400 Speaker 1: is that the new shirt? And Barbara is going to 351 00:15:36,480 --> 00:15:39,400 Speaker 1: have the frame next week? So Barbara has is bucking 352 00:15:39,480 --> 00:15:43,000 Speaker 1: up under her under her sorrow. And also then she says, 353 00:15:43,040 --> 00:15:46,920 Speaker 1: your dentist calls and wants us over for dinner next Saturday, 354 00:15:46,960 --> 00:15:49,760 Speaker 1: doctor Blore. Why is doctor Bloor calling me for dinner? 355 00:15:49,800 --> 00:15:51,760 Speaker 1: It is a little odd, you know, you don't mix 356 00:15:51,800 --> 00:15:52,640 Speaker 1: social and professional. 357 00:15:52,680 --> 00:15:53,640 Speaker 2: It's a terrible combo. 358 00:15:53,720 --> 00:15:56,200 Speaker 1: And now and Cheryl thought that they had pre arranged 359 00:15:56,240 --> 00:15:58,280 Speaker 1: as she didn't know, And now's Larry. I'm gonna have 360 00:15:58,320 --> 00:15:59,800 Speaker 1: to lie, and I'm gonna have to tell him we're 361 00:15:59,800 --> 00:16:02,320 Speaker 1: going somewhere. And now I'll need a new dentist soon. 362 00:16:02,440 --> 00:16:05,280 Speaker 1: Like already, this relationship is ruined because the boundaries, this 363 00:16:05,320 --> 00:16:06,640 Speaker 1: sky has crossed the boundaries. 364 00:16:06,640 --> 00:16:09,080 Speaker 2: And he's right, He's right. Who wants to hang out 365 00:16:09,080 --> 00:16:11,000 Speaker 2: with your name, especially your dentist. 366 00:16:11,800 --> 00:16:14,840 Speaker 1: No, the whole world has to get together, he says, 367 00:16:14,840 --> 00:16:16,840 Speaker 1: the whole world has to get together. And then he's 368 00:16:16,840 --> 00:16:19,760 Speaker 1: shopping with Jeff and he picks out a shirt and 369 00:16:20,000 --> 00:16:22,200 Speaker 1: Jeff says, you want the waiters to dress like you? 370 00:16:22,680 --> 00:16:24,800 Speaker 1: Just a polo shirt he picks up. Then it picks 371 00:16:24,840 --> 00:16:27,520 Speaker 1: up a check shirt. Larry's not going to buy the shirt. 372 00:16:28,000 --> 00:16:30,240 Speaker 2: It looks like a tablecloth. It looks like cloth. 373 00:16:30,360 --> 00:16:32,800 Speaker 1: Yeah, And Larry decides he's going to buy the chest 374 00:16:32,880 --> 00:16:35,720 Speaker 1: shirt for Ted because Ted liked it so much and 375 00:16:35,920 --> 00:16:36,640 Speaker 1: they had two left. 376 00:16:36,680 --> 00:16:38,640 Speaker 2: He's going to get an extra one for himself. 377 00:16:39,000 --> 00:16:41,600 Speaker 1: So he's going to have three chest shirts, one for 378 00:16:41,720 --> 00:16:43,280 Speaker 1: Ted and two for himself. 379 00:16:43,400 --> 00:16:47,040 Speaker 2: Larry makes plans. God least exactly. My grandmother used to 380 00:16:47,080 --> 00:16:47,440 Speaker 2: say that. 381 00:16:47,640 --> 00:16:49,720 Speaker 1: And he goes to the salesman and then he sees 382 00:16:50,000 --> 00:16:52,720 Speaker 1: a woman who happens to be Laura r Ep in 383 00:16:52,760 --> 00:16:55,400 Speaker 1: the background, wearing the Laura has played so many different 384 00:16:55,400 --> 00:16:58,720 Speaker 1: parts in this show, already wearing the epaulet shirt and 385 00:16:58,800 --> 00:16:59,960 Speaker 1: it's a military shirt. 386 00:17:00,120 --> 00:17:02,040 Speaker 2: And he goes into this whole thing. Was ever eating 387 00:17:02,040 --> 00:17:02,560 Speaker 2: a messhole? 388 00:17:02,840 --> 00:17:05,520 Speaker 1: And how great people look and they're in the military, 389 00:17:05,560 --> 00:17:07,960 Speaker 1: and Larry was I believe in National Guard? 390 00:17:08,119 --> 00:17:10,199 Speaker 2: He was in I believe, Yeah, he was definitely in 391 00:17:10,200 --> 00:17:12,200 Speaker 2: the army or the National Guard, the national Guard, I 392 00:17:12,240 --> 00:17:14,199 Speaker 2: think during the Vietnam era. Imagine that. 393 00:17:14,560 --> 00:17:17,040 Speaker 1: Yeah, I know. And he got out in an interesting 394 00:17:17,080 --> 00:17:18,960 Speaker 1: way which I won't tell. I'll let him tell someday 395 00:17:19,000 --> 00:17:21,800 Speaker 1: when he comes on. And then a guy stops him 396 00:17:22,000 --> 00:17:25,760 Speaker 1: out of nowhere. Burt Bondi was Burt Bondy, Yeah, I 397 00:17:25,800 --> 00:17:28,639 Speaker 1: know you from somewhere, And Larry's like from spin class, 398 00:17:28,640 --> 00:17:29,760 Speaker 1: And do I know you for his big class? 399 00:17:29,800 --> 00:17:32,000 Speaker 2: Are you a friend of Bill W So I know 400 00:17:32,040 --> 00:17:36,560 Speaker 2: you for me spin class? Or that's just a throwaway or. 401 00:17:36,600 --> 00:17:40,440 Speaker 1: An alcoholics anonymous either or And then Bill Bondi realizes 402 00:17:40,520 --> 00:17:42,520 Speaker 1: oh no, I know you from the waiting room in 403 00:17:42,560 --> 00:17:45,840 Speaker 1: the dentist's office of doctor Bloor. And Larry's like, I 404 00:17:45,880 --> 00:17:48,080 Speaker 1: don't go to him anymore because because of doctor blow 405 00:17:48,119 --> 00:17:51,200 Speaker 1: across the boundary. And Bert Bondi says, I'll say hello 406 00:17:51,240 --> 00:17:53,119 Speaker 1: to doctor Bloer for you. You don't have to do that. 407 00:17:53,600 --> 00:17:54,960 Speaker 2: You don't have to say hello to him. It's it's 408 00:17:55,000 --> 00:17:55,680 Speaker 2: kind of trite. 409 00:17:56,040 --> 00:17:58,480 Speaker 1: And then he tells Jeff he's in trouble because he 410 00:17:58,520 --> 00:18:00,320 Speaker 1: told the dentist he was going out of town. 411 00:18:00,640 --> 00:18:02,399 Speaker 2: That was the night. It was Saturday. He was supposed 412 00:18:02,400 --> 00:18:07,600 Speaker 2: to go to doctor Bloor's house to dinner. Tangled Web exactly. 413 00:18:08,080 --> 00:18:11,760 Speaker 1: And he buys the last two shirts, and then we're 414 00:18:11,800 --> 00:18:13,960 Speaker 1: at the restaurant again and he's. 415 00:18:13,800 --> 00:18:17,120 Speaker 2: Pitching the he's pitching his shirt, and Jeff is pitching his. 416 00:18:17,080 --> 00:18:19,600 Speaker 1: Outfit, his outfit, and Larry says. 417 00:18:19,440 --> 00:18:21,719 Speaker 3: He's kind of got like a little French quality to it. 418 00:18:21,840 --> 00:18:23,720 Speaker 3: No French, foreign legion. 419 00:18:23,800 --> 00:18:27,080 Speaker 2: Maybe you know, they might think we have like scientologists 420 00:18:27,080 --> 00:18:27,680 Speaker 2: for white people. 421 00:18:27,840 --> 00:18:29,600 Speaker 3: Somebody kidding me, you don't like this, is that what 422 00:18:29,600 --> 00:18:30,760 Speaker 3: you're saying. 423 00:18:31,640 --> 00:18:34,520 Speaker 2: I look at that and I see we're serving airline food. 424 00:18:34,680 --> 00:18:40,480 Speaker 1: I'm sorry all right, French foreign legion. And that's when 425 00:18:40,480 --> 00:18:41,720 Speaker 1: you bring up the scientologie. 426 00:18:41,800 --> 00:18:43,920 Speaker 2: I bring up the scientology joke, which I didn't think 427 00:18:43,920 --> 00:18:44,640 Speaker 2: would get in there. 428 00:18:44,920 --> 00:18:47,480 Speaker 1: And what is this note I have, Jim says, airline food. 429 00:18:47,720 --> 00:18:48,560 Speaker 1: I don't know what that is. 430 00:18:48,640 --> 00:18:51,199 Speaker 2: I guess because it looks like a captain of a 431 00:18:51,320 --> 00:18:54,080 Speaker 2: you know, like the oh yes, yeah, the pilot. Thank you. 432 00:18:54,359 --> 00:18:57,679 Speaker 1: And then Jeff presents his a simple, simple, simple, a 433 00:18:57,760 --> 00:19:03,160 Speaker 1: light blue shirt and a navy ves and everybody applauds, happy, happy, 434 00:19:03,400 --> 00:19:06,800 Speaker 1: they love it. And Larry gives Ted the chet shirt 435 00:19:06,840 --> 00:19:10,400 Speaker 1: that you're wearing right now, and Ted sees that there's 436 00:19:10,400 --> 00:19:11,080 Speaker 1: a rip in it. 437 00:19:11,359 --> 00:19:13,280 Speaker 3: Just take it back. I'm sure they'll fix it for you. 438 00:19:14,560 --> 00:19:16,879 Speaker 2: Sorry, couldn't you take it back? I don't even know 439 00:19:16,880 --> 00:19:17,679 Speaker 2: where the story is. 440 00:19:19,400 --> 00:19:22,240 Speaker 3: What's on a little sure, Nate understand you want me 441 00:19:22,280 --> 00:19:23,840 Speaker 3: to take it back. I just give you a gift. 442 00:19:23,920 --> 00:19:24,760 Speaker 2: You don't give me a gift. 443 00:19:24,800 --> 00:19:26,240 Speaker 3: You give me a defective shirt. 444 00:19:26,280 --> 00:19:28,239 Speaker 2: It's got a hole in it. That's not a gift. Come. 445 00:19:29,040 --> 00:19:31,040 Speaker 3: I don't own this shirt anymore as I see it. 446 00:19:31,119 --> 00:19:33,440 Speaker 3: I gave it to you. It's your responsibility that it's 447 00:19:33,480 --> 00:19:34,080 Speaker 3: not the point. 448 00:19:34,160 --> 00:19:36,200 Speaker 2: The point is if you give somebody a gift, it's 449 00:19:36,200 --> 00:19:37,800 Speaker 2: supposed to be a gift. 450 00:19:37,760 --> 00:19:39,720 Speaker 3: Right, And if you give somebody a gift, they're not 451 00:19:39,760 --> 00:19:42,480 Speaker 3: supposed to be an ingrad. They're supposed to say thank you. 452 00:19:42,480 --> 00:19:43,960 Speaker 3: How about I give you a gift and you have 453 00:19:44,000 --> 00:19:45,120 Speaker 3: to pick it up in Seattle. 454 00:19:45,200 --> 00:19:46,680 Speaker 2: That's a problem. It's not a gift. 455 00:19:46,720 --> 00:19:49,160 Speaker 3: It's not quite the same thing. I'm giving you a gift. 456 00:19:50,800 --> 00:19:52,320 Speaker 2: I appreciate the gesture, thank you. 457 00:19:53,280 --> 00:19:54,960 Speaker 3: Fine, I'll keep the shirt to. 458 00:19:54,960 --> 00:19:58,040 Speaker 2: Another debatable moment. Now, look, what do you think? What 459 00:19:58,080 --> 00:19:59,080 Speaker 2: do you think, Michael Yorke? 460 00:19:59,480 --> 00:20:01,840 Speaker 1: I think if it was me giving a gift and 461 00:20:01,840 --> 00:20:03,720 Speaker 1: there was a ripping it, I would take it back. 462 00:20:03,960 --> 00:20:06,719 Speaker 2: But that's me, I guess. So. I mean, it's kind 463 00:20:06,760 --> 00:20:09,400 Speaker 2: of embarrassing. I feel like you would be lazy if 464 00:20:09,440 --> 00:20:11,159 Speaker 2: you said you take care of it, because I you 465 00:20:11,200 --> 00:20:13,119 Speaker 2: know it's on you now, I've given it to you. 466 00:20:13,160 --> 00:20:14,520 Speaker 2: That's what he's that's what he's saying. 467 00:20:14,520 --> 00:20:16,600 Speaker 1: He's saying, I don't own this shirt anymore. I gave 468 00:20:16,640 --> 00:20:18,280 Speaker 1: it to you, And Ted says, you didn't give me 469 00:20:18,320 --> 00:20:21,600 Speaker 1: a gift, you gave me a defective shirt. And you know, 470 00:20:21,880 --> 00:20:24,800 Speaker 1: Larry's calling him an ingrate. And Larry's saying, you took 471 00:20:24,840 --> 00:20:28,399 Speaker 1: a nice thought and you're making it horrible now, right. 472 00:20:28,320 --> 00:20:30,360 Speaker 2: I mean, and yet I still can understand. You can 473 00:20:30,440 --> 00:20:33,720 Speaker 2: understand Larry. As the receiver of the gift. You also 474 00:20:33,840 --> 00:20:37,520 Speaker 2: might say, oh, well you gave me. Yeah, I'll bring 475 00:20:37,560 --> 00:20:38,080 Speaker 2: it to the cleaner. 476 00:20:39,040 --> 00:20:41,000 Speaker 1: I would do both if I was the receiver of 477 00:20:41,000 --> 00:20:43,880 Speaker 1: the gift, but of course that's me. I would say, 478 00:20:44,320 --> 00:20:45,720 Speaker 1: don't worry about it. I'll take care of it. I 479 00:20:45,720 --> 00:20:46,920 Speaker 1: wouldn't say you take care. 480 00:20:46,840 --> 00:20:49,480 Speaker 2: Of They're both wrong, right, But again, and if I 481 00:20:49,560 --> 00:20:49,800 Speaker 2: was the. 482 00:20:49,720 --> 00:20:51,400 Speaker 1: Giver of the gift, I would say I'll take care 483 00:20:51,400 --> 00:20:51,680 Speaker 1: of it. 484 00:20:51,720 --> 00:20:55,200 Speaker 2: But it's a typical, you know, curb conundrum moments that 485 00:20:55,280 --> 00:20:57,120 Speaker 2: a female thing being the caretaker. 486 00:20:57,480 --> 00:21:02,280 Speaker 1: Probably Yeah, the roles play and they cut to the 487 00:21:02,400 --> 00:21:06,040 Speaker 1: kids party and Larry is wearing chests shirt and Cheryl 488 00:21:06,119 --> 00:21:09,879 Speaker 1: feels that it's wrong, that it's taunting Ted and it's wrong. 489 00:21:10,000 --> 00:21:12,159 Speaker 1: And what's interesting, of course, is that we know that 490 00:21:12,240 --> 00:21:15,160 Speaker 1: later on what happens with Ted and Cheryl here there's 491 00:21:15,200 --> 00:21:17,920 Speaker 1: none of that, but we know that many many seasons 492 00:21:18,000 --> 00:21:20,800 Speaker 1: later they are a couple, right and involved. 493 00:21:21,080 --> 00:21:22,960 Speaker 2: Well, this funny thing too, that this is on the 494 00:21:23,000 --> 00:21:26,199 Speaker 2: heels of like when Jeff pitched the vests and the 495 00:21:26,280 --> 00:21:28,960 Speaker 2: shirt and won. To me, it was the hilarious was 496 00:21:29,200 --> 00:21:32,679 Speaker 2: how much Larry was pouting. Guess how funny it was, 497 00:21:32,680 --> 00:21:34,960 Speaker 2: how defeated he was. But you know he was angry 498 00:21:35,000 --> 00:21:37,560 Speaker 2: and petty, you know, and then he that's would lead 499 00:21:37,600 --> 00:21:40,520 Speaker 2: to him wearing petty. His character is petty. It seems 500 00:21:40,560 --> 00:21:43,240 Speaker 2: like it was more like that in the older episodes. Really, 501 00:21:43,320 --> 00:21:44,600 Speaker 2: to me, I don't know, don't. 502 00:21:44,640 --> 00:21:46,919 Speaker 1: I don't experience that because I have to deal with 503 00:21:46,920 --> 00:21:48,480 Speaker 1: his pettiness on a daily level. 504 00:21:48,760 --> 00:21:53,000 Speaker 2: Not Larry David the person, Larry David the character. And 505 00:21:53,040 --> 00:21:54,120 Speaker 2: then where's the costumes? 506 00:21:54,160 --> 00:21:55,800 Speaker 1: They want to know where the costumes because Ted had 507 00:21:55,800 --> 00:21:57,359 Speaker 1: told them they're going to be dressing up and Wizard 508 00:21:57,400 --> 00:21:59,760 Speaker 1: of Oz costumes. And Ted comes over and he says 509 00:21:59,800 --> 00:22:02,399 Speaker 1: that he changed his mind. He wants Jeff to be 510 00:22:02,480 --> 00:22:04,960 Speaker 1: the Lion and Larry could be the tin Man. How 511 00:22:05,000 --> 00:22:06,880 Speaker 1: do we know that Ted's being petty here? 512 00:22:06,920 --> 00:22:09,159 Speaker 2: We see it all over he's reacting. 513 00:22:09,359 --> 00:22:12,159 Speaker 1: Of course, it's petty for petty, you know, tit for 514 00:22:12,320 --> 00:22:16,320 Speaker 1: test Tom petty, it's Tom petty. And and Larry's I 515 00:22:16,320 --> 00:22:18,080 Speaker 1: have no connection to the tin Man. I don't even 516 00:22:18,119 --> 00:22:20,399 Speaker 1: like the tin Man, and he doesn't. He pouts and 517 00:22:20,440 --> 00:22:22,840 Speaker 1: he's he's acting like a four year old. Well, if 518 00:22:22,840 --> 00:22:24,080 Speaker 1: I can't have to be the tin Man, I'm not 519 00:22:24,080 --> 00:22:25,280 Speaker 1: going to do it at all. And then he says 520 00:22:25,280 --> 00:22:26,920 Speaker 1: to Ted, why did you take you off the line 521 00:22:26,960 --> 00:22:30,640 Speaker 1: because of the shirt? And then Larry spells about Ted 522 00:22:30,680 --> 00:22:32,600 Speaker 1: because Jill the little girl's how old is she? 523 00:22:32,680 --> 00:22:35,320 Speaker 2: Maybe six seven something? I think she's five or six, 524 00:22:35,440 --> 00:22:36,080 Speaker 2: five or six? 525 00:22:36,520 --> 00:22:40,000 Speaker 1: And Larry spells a S S H O L E 526 00:22:40,440 --> 00:22:44,000 Speaker 1: about Ted when he walks away. Then we cut to way, 527 00:22:44,000 --> 00:22:46,280 Speaker 1: can I just say that you say whatever you wants? 528 00:22:46,280 --> 00:22:49,520 Speaker 2: Funny to me? That? And it rings true that people 529 00:22:49,560 --> 00:22:52,080 Speaker 2: have a real opinion about which Wizard of Oz character 530 00:22:52,119 --> 00:22:53,440 Speaker 2: they want to play, do you know what I mean? 531 00:22:53,800 --> 00:22:56,320 Speaker 2: Like we identify with we all grew up with it. 532 00:22:56,520 --> 00:22:58,280 Speaker 2: We all grew up with it. So it's like, this 533 00:22:58,320 --> 00:22:59,119 Speaker 2: is who I'm going to be. 534 00:22:59,280 --> 00:23:01,159 Speaker 1: And also not only did we grow up with it, 535 00:23:01,240 --> 00:23:03,680 Speaker 1: how different it is from now is that we had 536 00:23:03,720 --> 00:23:06,280 Speaker 1: we watched it once a year year and Danny Kay 537 00:23:06,440 --> 00:23:08,160 Speaker 1: introduced it on CBS. 538 00:23:08,280 --> 00:23:09,520 Speaker 2: I remember it quite well and. 539 00:23:11,080 --> 00:23:13,320 Speaker 1: Thirty that's right, and it was a family event that 540 00:23:13,359 --> 00:23:15,679 Speaker 1: you all sat around the TV and watched The Wizard, 541 00:23:15,720 --> 00:23:18,679 Speaker 1: but it wasn't like we had DVDs or DVR or 542 00:23:18,720 --> 00:23:19,720 Speaker 1: streaming or any of that. 543 00:23:19,920 --> 00:23:23,840 Speaker 2: That was my incredible, hilarious revelation. When my daughter was 544 00:23:23,840 --> 00:23:26,240 Speaker 2: a little she was obsessed with that movie and I 545 00:23:26,240 --> 00:23:28,320 Speaker 2: had to stop it and rewind it every time the 546 00:23:28,359 --> 00:23:31,359 Speaker 2: Witch would appear right and I'm thinking, I'm rewinding this. 547 00:23:31,440 --> 00:23:33,080 Speaker 2: I had to wait a year to just see it once. 548 00:23:33,440 --> 00:23:35,399 Speaker 1: And I don't know if you know this, Loow, but 549 00:23:35,520 --> 00:23:38,919 Speaker 1: my first big part as an actress was when I 550 00:23:39,080 --> 00:23:41,840 Speaker 1: was in camp when I was eight and we were 551 00:23:41,880 --> 00:23:45,120 Speaker 1: doing The Wizard of Oz and I wanted the part 552 00:23:45,160 --> 00:23:47,720 Speaker 1: of Dorothy so badly and I auditioned it. I sang 553 00:23:47,760 --> 00:23:49,840 Speaker 1: over the rainbow and I had tears in my eyes, 554 00:23:50,200 --> 00:23:52,040 Speaker 1: and they gave me the Wicked Witch of the West. 555 00:23:52,720 --> 00:23:56,120 Speaker 1: It was my part, and it was pantomime. I didn't 556 00:23:56,160 --> 00:23:59,000 Speaker 1: have any lines, and I remember saying to the counselor 557 00:23:59,240 --> 00:24:02,000 Speaker 1: could I make my own lines, and she said yes, 558 00:24:02,359 --> 00:24:04,200 Speaker 1: and I wrote my own lines. I did the whole 559 00:24:04,240 --> 00:24:07,119 Speaker 1: melting scene and I got a standing ovation. I had 560 00:24:07,160 --> 00:24:09,440 Speaker 1: to stand up out of my death scene and take 561 00:24:09,480 --> 00:24:11,640 Speaker 1: a bow because I was supposed to slip underneath the 562 00:24:11,680 --> 00:24:14,439 Speaker 1: curtain there, and that was when I realized I'm going 563 00:24:14,520 --> 00:24:16,359 Speaker 1: to be a character actress. 564 00:24:16,440 --> 00:24:20,120 Speaker 2: I'm not going to be an ing, incredible, more fun Yeah, 565 00:24:20,160 --> 00:24:20,879 Speaker 2: look what happened. 566 00:24:20,960 --> 00:24:23,840 Speaker 1: Yeah, and I'm still playing the wicked Witch of the West. 567 00:24:24,000 --> 00:24:26,520 Speaker 1: So next we see Jeff is dressed as a lion, 568 00:24:26,800 --> 00:24:30,479 Speaker 1: which really he's a better line Larry, of course, you know, 569 00:24:30,520 --> 00:24:36,359 Speaker 1: and Ted is a scarecrow perfectly can of course better lion, 570 00:24:36,440 --> 00:24:38,760 Speaker 1: And and Ted is a perfect scarecrow, tall and thin 571 00:24:38,880 --> 00:24:41,919 Speaker 1: with a long nose just like Ray Boulger. And Cheryl 572 00:24:42,000 --> 00:24:44,679 Speaker 1: is a perfect little drothy and Larry's just standing there 573 00:24:44,840 --> 00:24:48,800 Speaker 1: in his chest shirt, you know, just being disgruntled and 574 00:24:48,920 --> 00:24:51,800 Speaker 1: acting like a big fucking baby. And there's a pinnata 575 00:24:52,400 --> 00:24:55,560 Speaker 1: and Jill, the little girl, the birthday girl, is taking 576 00:24:55,600 --> 00:24:59,639 Speaker 1: the bat and hitting the pinata, and accidentally. 577 00:24:59,160 --> 00:25:01,360 Speaker 2: Larry walks over. He's not paying attention. 578 00:25:01,119 --> 00:25:04,320 Speaker 1: Exactly because he's not paying attention because he's sew up 579 00:25:04,359 --> 00:25:06,919 Speaker 1: his own asshole of being upset that he had to 580 00:25:06,920 --> 00:25:08,120 Speaker 1: be the tin man, right. 581 00:25:07,960 --> 00:25:10,040 Speaker 2: So of course she swings the bat, hits him right 582 00:25:10,040 --> 00:25:12,200 Speaker 2: in the mouth and not blood. 583 00:25:11,920 --> 00:25:15,240 Speaker 1: All over, knocks his front teeth out, there's blood all 584 00:25:15,280 --> 00:25:18,480 Speaker 1: over Chet's shirt. His teeth are broken. It's a Sunday. 585 00:25:18,720 --> 00:25:23,159 Speaker 1: He's got to go to the dentist's blood comes doctor Blore. 586 00:25:23,920 --> 00:25:26,480 Speaker 2: Of course, doctor Blore. He's at the dentist. 587 00:25:26,760 --> 00:25:28,600 Speaker 1: You see them all with the teeth knocked out and 588 00:25:28,680 --> 00:25:31,879 Speaker 1: blood all over his shirt. He's getting numb, and doctor 589 00:25:31,880 --> 00:25:35,200 Speaker 1: Blore says, I sure missed you last Saturday. And Larry 590 00:25:35,400 --> 00:25:38,040 Speaker 1: goes into a song. And now here's the thing. And 591 00:25:38,359 --> 00:25:40,600 Speaker 1: I tell this to my husband and kids all the time. 592 00:25:40,880 --> 00:25:44,440 Speaker 1: When you're gonna lie, give as little information as possible, 593 00:25:44,720 --> 00:25:48,320 Speaker 1: and yet people do the opposite. They start over compensating 594 00:25:48,400 --> 00:25:51,119 Speaker 1: and giving more and more information. And that's how you 595 00:25:51,119 --> 00:25:51,560 Speaker 1: could tell. 596 00:25:51,440 --> 00:25:56,320 Speaker 2: You I am. You know. He went to Sonoma. It 597 00:25:56,440 --> 00:25:58,119 Speaker 2: was his cousin's pear farm. 598 00:25:58,600 --> 00:26:02,239 Speaker 1: They visited the cabin where Bob Bartlett, who created the 599 00:26:02,240 --> 00:26:03,000 Speaker 1: Bartlet pair. 600 00:26:03,320 --> 00:26:05,800 Speaker 2: They're going in the Bartlet pair of the Bosh pairs. 601 00:26:07,520 --> 00:26:09,320 Speaker 1: Because I'm not sure which is which, but I think 602 00:26:09,359 --> 00:26:12,400 Speaker 1: that the Bartlet pair is green and the Bosque pair 603 00:26:12,480 --> 00:26:12,880 Speaker 1: is brown. 604 00:26:13,000 --> 00:26:13,960 Speaker 2: I believe that's true. 605 00:26:14,119 --> 00:26:18,960 Speaker 1: And it's a whole, long, involved mcgilla of a story, 606 00:26:19,440 --> 00:26:21,280 Speaker 1: and it's just you know, it's going to come back 607 00:26:21,320 --> 00:26:23,480 Speaker 1: and bite him in the ass, and you know that 608 00:26:23,560 --> 00:26:25,520 Speaker 1: this guy is in charge of his mouth and his 609 00:26:25,680 --> 00:26:26,600 Speaker 1: teeth and something. 610 00:26:27,000 --> 00:26:28,800 Speaker 2: And then doctor Floor says Burt. 611 00:26:28,520 --> 00:26:32,040 Speaker 3: BONDI was in this week, Burt Bondie. 612 00:26:32,960 --> 00:26:33,960 Speaker 2: I know, I don't know. 613 00:26:34,000 --> 00:26:38,000 Speaker 3: He seems to think you do, really, m Bondi, I 614 00:26:38,000 --> 00:26:38,520 Speaker 3: don't think so. 615 00:26:40,240 --> 00:26:41,040 Speaker 2: I think we're ready. 616 00:26:41,240 --> 00:26:54,760 Speaker 4: We'll be right back. Stay tuned, Okay, we're back. 617 00:26:55,000 --> 00:26:57,760 Speaker 1: With all the technology we have in this day and age, 618 00:26:58,080 --> 00:27:00,199 Speaker 1: why they can't figure out to get rid of that 619 00:27:00,400 --> 00:27:01,440 Speaker 1: fucking drill sound. 620 00:27:01,840 --> 00:27:04,560 Speaker 2: There is nothing worse than that drill sound. That's an 621 00:27:04,600 --> 00:27:05,160 Speaker 2: easy fix. 622 00:27:05,200 --> 00:27:07,200 Speaker 1: Actually, it's not even what they're doing in your mouth, 623 00:27:07,280 --> 00:27:08,520 Speaker 1: it's the fucking sound that. 624 00:27:09,440 --> 00:27:12,040 Speaker 2: Yeah, they've done a lot of stuff that's good, like 625 00:27:12,119 --> 00:27:15,240 Speaker 2: they're the with anesthesia and stuff like that. I know, 626 00:27:15,280 --> 00:27:16,680 Speaker 2: if you want to get off on that, you could 627 00:27:16,680 --> 00:27:18,200 Speaker 2: get off on them whatever. I haven't been at the 628 00:27:18,240 --> 00:27:20,440 Speaker 2: dentist in a while and I went and they it's 629 00:27:20,520 --> 00:27:22,560 Speaker 2: not that painful anyway. No, but you still hear the 630 00:27:22,640 --> 00:27:24,280 Speaker 2: drill sound. That's that's old school. 631 00:27:24,320 --> 00:27:26,680 Speaker 1: That's and to me, that is like a sense memory thing. 632 00:27:26,760 --> 00:27:29,800 Speaker 1: You know, it's a trigger. You hear that sounded like right, away, 633 00:27:30,119 --> 00:27:31,520 Speaker 1: I'm fourteen in the chair. 634 00:27:31,720 --> 00:27:33,679 Speaker 2: Well, you don't want to, you know, if you mask it, 635 00:27:33,760 --> 00:27:35,639 Speaker 2: you have to mask it with something that is not 636 00:27:35,680 --> 00:27:37,720 Speaker 2: going to also be triggering. You don't want to put 637 00:27:37,720 --> 00:27:38,760 Speaker 2: like your favorite song over. 638 00:27:38,880 --> 00:27:40,679 Speaker 1: Well, what they do do now is sometimes they give 639 00:27:40,720 --> 00:27:43,280 Speaker 1: you headphones, which is a lovely thing, but I don't 640 00:27:43,320 --> 00:27:45,800 Speaker 1: like the headphones. I used to have that bit about 641 00:27:45,800 --> 00:27:48,680 Speaker 1: the dental hygienist and how they would have you captive 642 00:27:48,920 --> 00:27:51,320 Speaker 1: in the chair and they could just go on and 643 00:27:51,359 --> 00:27:53,560 Speaker 1: on about their wedding plans and you just had nothing 644 00:27:53,600 --> 00:27:55,120 Speaker 1: to say because you had the thing in your mouth 645 00:27:55,160 --> 00:27:57,320 Speaker 1: and you're drooling, and they're just boring the. 646 00:27:57,280 --> 00:27:59,440 Speaker 2: Crap out of you. Exactly, you have no because you're 647 00:27:59,480 --> 00:28:00,840 Speaker 2: a captive, literally a captain. 648 00:28:01,040 --> 00:28:03,240 Speaker 1: Same thing with the dentist. You know, dentists have a 649 00:28:03,320 --> 00:28:04,480 Speaker 1: very high suicide rate. 650 00:28:04,760 --> 00:28:06,960 Speaker 2: Yeah, because everybody always dreads. 651 00:28:06,640 --> 00:28:08,959 Speaker 1: Seeing that nobody wants to go to the dentist. So 652 00:28:09,000 --> 00:28:11,480 Speaker 1: we hear the drill sound that we know something horrible 653 00:28:11,560 --> 00:28:14,640 Speaker 1: is going to happen. And then Larry goes home and 654 00:28:14,840 --> 00:28:17,600 Speaker 1: Cheryl is watching The Wizard of Oz of all things, 655 00:28:18,080 --> 00:28:21,760 Speaker 1: and Larry has opens his mouth and he's got bugs. 656 00:28:21,760 --> 00:28:22,320 Speaker 2: Bunny tee. 657 00:28:22,400 --> 00:28:26,600 Speaker 1: Yeah, he's got two chicklets, as he describes them. 658 00:28:27,160 --> 00:28:30,360 Speaker 2: Well, that was the funny the reveal too, because obviously 659 00:28:30,400 --> 00:28:33,200 Speaker 2: the doctor didn't have to give him teeth that big, right, 660 00:28:33,240 --> 00:28:36,040 Speaker 2: They are temporary temporaries, Larry, don't worry about it. 661 00:28:36,119 --> 00:28:38,120 Speaker 1: Yeah, and he's still got blood all over his shirt 662 00:28:38,560 --> 00:28:41,760 Speaker 1: and he's got the bugs bunny teeth. And then he 663 00:28:41,760 --> 00:28:44,840 Speaker 1: thinks Jill did it on purpose because he called her 664 00:28:44,920 --> 00:28:47,720 Speaker 1: dad an asshole, right, he called Ted an asshole. 665 00:28:47,960 --> 00:28:50,320 Speaker 2: And we hear the doorbell ring, and who is it? 666 00:28:50,320 --> 00:28:52,960 Speaker 2: It's Barbara? No, not yet. 667 00:28:53,520 --> 00:28:57,240 Speaker 1: They think it's Ted, but it's Barbara. And Barbara comes 668 00:28:57,280 --> 00:29:00,880 Speaker 1: in and no, wait, it is Ted, because oh no, 669 00:29:00,920 --> 00:29:03,520 Speaker 1: that's right. Cheryl thinks it's Barbara and it's Ted. You're right, 670 00:29:03,560 --> 00:29:07,680 Speaker 1: it's Ted. And he shows Ted to me. He looked 671 00:29:07,720 --> 00:29:08,080 Speaker 1: like bugs. 672 00:29:08,080 --> 00:29:10,480 Speaker 2: Funny. It was just too funny, and he's talking the 673 00:29:10,480 --> 00:29:12,320 Speaker 2: whole time temporaries. 674 00:29:13,120 --> 00:29:16,640 Speaker 1: Ted apologizes and Larry goes into a whole big diet. 675 00:29:16,880 --> 00:29:20,600 Speaker 1: Forget the pinata. It's a dangerous, sick, fucking game, you know. 676 00:29:20,880 --> 00:29:24,400 Speaker 2: He says, I don't know how the Spaniards, why. 677 00:29:24,200 --> 00:29:27,320 Speaker 1: They even thought of it, how they did it? Dangerous 678 00:29:27,320 --> 00:29:29,760 Speaker 1: sick fucking game, and you know, then he talks about 679 00:29:29,840 --> 00:29:32,320 Speaker 1: Jill is a pretty good speller for her age and 680 00:29:32,360 --> 00:29:35,280 Speaker 1: Ted of course, and Ted says, you know what, He'll 681 00:29:35,320 --> 00:29:35,920 Speaker 1: take the shirt. 682 00:29:36,240 --> 00:29:37,760 Speaker 2: So they're conciliatory. 683 00:29:37,880 --> 00:29:41,280 Speaker 1: They're trying to, you know, make amends, and Larry says 684 00:29:41,280 --> 00:29:43,640 Speaker 1: he wants to keep it because the ones he's wearing 685 00:29:43,720 --> 00:29:44,160 Speaker 1: is ruins. 686 00:29:44,360 --> 00:29:46,680 Speaker 2: So now he wants to take the gift back right right, 687 00:29:46,720 --> 00:29:48,560 Speaker 2: because he's run out of replacements. 688 00:29:48,800 --> 00:29:51,800 Speaker 1: And Cheryl then ruins everything by coming out and says, 689 00:29:51,840 --> 00:29:54,320 Speaker 1: you've got to give one to Ted. Now we know 690 00:29:54,400 --> 00:29:56,720 Speaker 1: if one was ruined, he wanted to keep the two, 691 00:29:56,800 --> 00:29:57,680 Speaker 1: so we had a backup. 692 00:29:58,040 --> 00:29:59,760 Speaker 2: So now he's got to give the other one to Ted. 693 00:30:00,120 --> 00:30:03,160 Speaker 1: So Larry goes up to change and Ted and Cheryl 694 00:30:03,200 --> 00:30:07,880 Speaker 1: are watching over the rainbow, and again it's interesting to 695 00:30:07,920 --> 00:30:11,320 Speaker 1: see them together now knowing what we know happens later on. 696 00:30:11,520 --> 00:30:13,560 Speaker 2: Larry puts on the clean Chests shirt. 697 00:30:13,960 --> 00:30:16,760 Speaker 1: He comes in and he gives the other shirt to 698 00:30:16,800 --> 00:30:18,720 Speaker 1: Ted and Ted says, just throw it on the chair. 699 00:30:18,800 --> 00:30:21,239 Speaker 1: So he throws the shirt on the chair and then 700 00:30:21,280 --> 00:30:23,920 Speaker 1: the doorbell rings again and who is it this time? 701 00:30:24,040 --> 00:30:27,560 Speaker 2: Louis, Oh, it's Barbara it's Barbara, and she walks in 702 00:30:27,960 --> 00:30:30,800 Speaker 2: and she sees Larry on the couch. She has the frame. 703 00:30:30,880 --> 00:30:33,800 Speaker 1: She brings the frame, she's obviously recovered enough to frame, 704 00:30:35,120 --> 00:30:38,160 Speaker 1: and she comes into the living room and she sees 705 00:30:38,400 --> 00:30:39,280 Speaker 1: that they're Well. 706 00:30:39,280 --> 00:30:42,280 Speaker 2: There's two triggers. One is that that was her favorite, 707 00:30:43,200 --> 00:30:46,800 Speaker 2: this was our mo she's crying now, which is activating 708 00:30:46,840 --> 00:30:49,760 Speaker 2: her face. Yeah, and she's bawling. 709 00:30:49,480 --> 00:30:52,200 Speaker 1: And then she notices and then also it was Chest's 710 00:30:52,240 --> 00:30:54,920 Speaker 1: favorite song. She's singing over the Rainbow. It was Chest's 711 00:30:55,000 --> 00:30:58,040 Speaker 1: favorite song. And in that moment, this is a very 712 00:30:58,120 --> 00:31:01,640 Speaker 1: curve moment, right, Larry and Ted look at each other 713 00:31:01,960 --> 00:31:05,719 Speaker 1: and know there's one good shirt left. It's laying on 714 00:31:05,760 --> 00:31:10,120 Speaker 1: the chair right over there, and they both run for it. 715 00:31:10,440 --> 00:31:14,800 Speaker 2: Like Solomon, like Somon. It's biblical, it's difficult. Did Solomon 716 00:31:14,840 --> 00:31:18,840 Speaker 2: had Chest's shirt? Ales, Yes, exactly. No, it was Moses' shirt, Moses. 717 00:31:19,240 --> 00:31:23,880 Speaker 2: It's in the Bible. It's a chapter in the Bible, Moses' shirt, Moses' shirt, Moses' shirt. 718 00:31:24,040 --> 00:31:27,160 Speaker 2: And they ripped the shirt apart. Cue the music, rip 719 00:31:27,200 --> 00:31:27,840 Speaker 2: the shirt. 720 00:31:27,600 --> 00:31:31,880 Speaker 1: Apart, and then what happens. Ted leaves and he's got 721 00:31:31,920 --> 00:31:34,360 Speaker 1: half the shirt in his hands right, Oh yes, yes, 722 00:31:34,520 --> 00:31:35,800 Speaker 1: and half the shirt in his hand. 723 00:31:35,840 --> 00:31:37,640 Speaker 2: He's walking down the block and. 724 00:31:37,680 --> 00:31:40,920 Speaker 1: He walks down the block, Hey, asshole, and we know 725 00:31:41,000 --> 00:31:42,840 Speaker 1: he's going to kick the shit out of his head 726 00:31:42,880 --> 00:31:45,680 Speaker 1: and Ted deserves it for God's sake, and that's then 727 00:31:45,760 --> 00:31:46,920 Speaker 1: cue the music the end. 728 00:31:47,080 --> 00:31:49,720 Speaker 2: It was really kind of a perfect episode. Well, they 729 00:31:49,800 --> 00:31:52,200 Speaker 2: all are in that way, in all those little moments 730 00:31:52,200 --> 00:31:55,760 Speaker 2: and all those little conflicts that are really not easy 731 00:31:55,760 --> 00:31:57,400 Speaker 2: to come up with with people don't. I mean, I 732 00:31:57,440 --> 00:31:58,120 Speaker 2: guess people do. 733 00:31:58,080 --> 00:32:00,440 Speaker 1: Really, And it's not just the moments come up with. 734 00:32:00,680 --> 00:32:03,479 Speaker 1: It's the connecting of the moments that's so amazing. What 735 00:32:03,520 --> 00:32:06,000 Speaker 1: do you what do you remember about because you're in 736 00:32:06,040 --> 00:32:07,760 Speaker 1: three more episodes in this season. 737 00:32:08,800 --> 00:32:11,160 Speaker 2: Well, first of all, getting to do it as an 738 00:32:11,160 --> 00:32:14,800 Speaker 2: actor and a comedian was such a It was like 739 00:32:14,880 --> 00:32:18,000 Speaker 2: being a Cinderella because when we were doing the show, 740 00:32:18,320 --> 00:32:20,040 Speaker 2: once you got used to it, which you get used 741 00:32:20,080 --> 00:32:20,760 Speaker 2: to it right away. 742 00:32:20,920 --> 00:32:25,520 Speaker 1: Yeah, not everybody does, Lou. I mean comedians, you know, 743 00:32:26,080 --> 00:32:28,240 Speaker 1: I know your work very well, and you were always 744 00:32:28,240 --> 00:32:32,160 Speaker 1: a big improviser on stage, you know, so as was I. 745 00:32:32,160 --> 00:32:34,200 Speaker 1: I mean we're used to that. You get some real 746 00:32:34,240 --> 00:32:35,120 Speaker 1: actors and not the. 747 00:32:35,880 --> 00:32:38,240 Speaker 2: Interesting that you bring that up because here's an anecdote. 748 00:32:38,480 --> 00:32:42,360 Speaker 2: So I'm sitting next to we talked about that restaurant 749 00:32:42,440 --> 00:32:45,160 Speaker 2: introduction scene was the first time we all worked together, 750 00:32:45,720 --> 00:32:47,880 Speaker 2: and Michael Yorke was sitting next to me. So before 751 00:32:48,040 --> 00:32:51,840 Speaker 2: Smart shooting, he's like, what is happening? What? What? What? 752 00:32:51,240 --> 00:32:51,280 Speaker 1: What? 753 00:32:51,560 --> 00:32:54,000 Speaker 2: What's next? What? I haven't No one's told me what 754 00:32:54,040 --> 00:32:55,800 Speaker 2: to do. I said, you don't have to do anything, 755 00:32:55,960 --> 00:32:58,360 Speaker 2: just you know, you just be yourself. You're Michael Yorke. 756 00:32:58,440 --> 00:33:00,720 Speaker 2: You know I have to figure something. I don't know. 757 00:33:00,800 --> 00:33:04,800 Speaker 2: But all joking aside, you realize it's just play the moment. 758 00:33:05,080 --> 00:33:08,400 Speaker 2: Play the moment. It's just life. Don't overthink it, don't 759 00:33:08,440 --> 00:33:13,080 Speaker 2: think ahead, don't try to think of something to say, yeah, 760 00:33:13,240 --> 00:33:15,840 Speaker 2: which is something you should do anyway all the time. 761 00:33:16,560 --> 00:33:19,040 Speaker 2: So once that happened, really for me, it was right 762 00:33:19,080 --> 00:33:21,400 Speaker 2: after the first scene, I'm like, oh my god, this 763 00:33:21,520 --> 00:33:24,200 Speaker 2: is like, you know, this revelation of like this is 764 00:33:24,240 --> 00:33:26,600 Speaker 2: the way this is going to be. Yeah, and it 765 00:33:26,760 --> 00:33:31,200 Speaker 2: just gets better and better and more fun and and and. 766 00:33:30,440 --> 00:33:33,280 Speaker 1: You start to feel, I don't want to say more confident, 767 00:33:33,320 --> 00:33:36,320 Speaker 1: but you start to feel more relaxed, Yeah, more relaxed. 768 00:33:36,320 --> 00:33:38,560 Speaker 2: And the more relaxed you are, the better it is. 769 00:33:38,960 --> 00:33:39,160 Speaker 3: Well. 770 00:33:39,160 --> 00:33:43,560 Speaker 2: Also technically in terms of comedy, it is so much 771 00:33:43,720 --> 00:33:48,200 Speaker 2: fresher and better than scripted because you know, as you know, 772 00:33:48,320 --> 00:33:50,960 Speaker 2: you inscripted, you do the same line over and over again, 773 00:33:51,040 --> 00:33:54,000 Speaker 2: and you do if you're doing single cam, you're doing inserts, 774 00:33:54,040 --> 00:33:57,480 Speaker 2: and it just is like it's that's the real skill 775 00:33:57,480 --> 00:34:01,160 Speaker 2: of an actress to maintain that energy level through all 776 00:34:01,200 --> 00:34:04,040 Speaker 2: of that. But in this, every time you do the scene, 777 00:34:04,160 --> 00:34:07,440 Speaker 2: it's actually better because he's giving you little notes in 778 00:34:07,520 --> 00:34:10,120 Speaker 2: the different takes that make it even better. But you're 779 00:34:10,160 --> 00:34:12,720 Speaker 2: still like, you don't have any pressure to remember something. 780 00:34:13,200 --> 00:34:14,400 Speaker 2: You're just like always and I. 781 00:34:14,400 --> 00:34:17,520 Speaker 1: Always find incredible pressure to memorize all lines and to 782 00:34:17,719 --> 00:34:20,359 Speaker 1: remember them take after take, and it's a lot. 783 00:34:20,480 --> 00:34:23,640 Speaker 2: Yeah, the technical aspect of it overwhelms the freshness and 784 00:34:23,680 --> 00:34:26,480 Speaker 2: the creativity of it, which again that's a trick, that's 785 00:34:26,520 --> 00:34:29,520 Speaker 2: something that really good actors can always somehow overcome. But 786 00:34:29,560 --> 00:34:32,759 Speaker 2: it's hard. But this is it's just always fresh and 787 00:34:32,800 --> 00:34:37,279 Speaker 2: it gets fresher. So that experience was exhilarating, as you know, 788 00:34:37,880 --> 00:34:40,080 Speaker 2: and so it was it was incredible fun to do 789 00:34:40,160 --> 00:34:42,000 Speaker 2: and it was so fulfilling to do and then to 790 00:34:42,000 --> 00:34:44,120 Speaker 2: hang out with all these people, but again it was 791 00:34:44,160 --> 00:34:46,680 Speaker 2: so rarefied, and then to come down from that when 792 00:34:46,680 --> 00:34:48,880 Speaker 2: it stopped, and then to go do something else and 793 00:34:48,880 --> 00:34:51,120 Speaker 2: you're like, oh, it's I know, back to the factory. 794 00:34:51,280 --> 00:34:54,000 Speaker 1: I know, it's he's really spoiled by this show, and 795 00:34:54,280 --> 00:34:56,120 Speaker 1: I have been spoiled for twenty three years. 796 00:34:56,320 --> 00:34:58,360 Speaker 2: And you get to do it all the time. Yeah, no, 797 00:34:58,840 --> 00:35:00,680 Speaker 2: you get to work with great peace people, not just 798 00:35:00,840 --> 00:35:04,000 Speaker 2: name stars, not just Michael York, not just Michael Yorke. 799 00:35:04,080 --> 00:35:06,239 Speaker 2: But it's also it's very flattering to be in a 800 00:35:06,280 --> 00:35:09,239 Speaker 2: community where you're like, again, in our case, we came 801 00:35:09,280 --> 00:35:12,040 Speaker 2: from stand up, but we could improvise. But the other 802 00:35:12,080 --> 00:35:14,960 Speaker 2: people are second city people, groundlings and people that came 803 00:35:15,040 --> 00:35:17,120 Speaker 2: up in that world. So now you're playing with them 804 00:35:17,400 --> 00:35:19,640 Speaker 2: in their world and you're like, oh, I could do this, yeah, 805 00:35:19,719 --> 00:35:22,040 Speaker 2: you know, and it's really fun. It's a different talent, 806 00:35:22,320 --> 00:35:25,360 Speaker 2: Yeah it is. It's a whole different channel that you access, 807 00:35:25,440 --> 00:35:27,920 Speaker 2: I think. And of course, you know, it's like a drug. 808 00:35:27,960 --> 00:35:29,160 Speaker 2: When you do it, you're like, you want to just 809 00:35:29,200 --> 00:35:30,680 Speaker 2: do it all the time, and it's like it doesn't 810 00:35:30,680 --> 00:35:33,000 Speaker 2: work that way. There were a few shows that tried, 811 00:35:33,160 --> 00:35:34,799 Speaker 2: because that was the thing you remember. 812 00:35:34,920 --> 00:35:39,799 Speaker 1: Kerb First, I contend correctly that the reason why those 813 00:35:39,840 --> 00:35:42,400 Speaker 1: other shows did not work is they didn't have Larry's 814 00:35:42,400 --> 00:35:43,120 Speaker 1: story brains. 815 00:35:43,120 --> 00:35:46,280 Speaker 2: Oh yeah, it's all Larry's story brain. People don't realize 816 00:35:46,400 --> 00:35:49,520 Speaker 2: that it's not just. First of all, you can't just 817 00:35:49,600 --> 00:35:53,160 Speaker 2: improvise a show. There has to be a solid framework 818 00:35:53,440 --> 00:35:55,799 Speaker 2: to work off of, and that's where Curb is so 819 00:35:55,880 --> 00:35:59,960 Speaker 2: brilliant because those scenarios and those stories are so well. 820 00:36:00,000 --> 00:36:02,560 Speaker 1: You always know what needs to be done in the 821 00:36:02,600 --> 00:36:06,000 Speaker 1: scene you need. That's my feeling. It's always Larry's story brain. 822 00:36:06,400 --> 00:36:07,840 Speaker 1: That is what makes this show. 823 00:36:08,000 --> 00:36:10,359 Speaker 2: And the thing about that too is to me, you know, 824 00:36:10,440 --> 00:36:12,640 Speaker 2: it was such a great experience to do it, of 825 00:36:12,680 --> 00:36:15,160 Speaker 2: course creatively and as an actor and a comedian, but 826 00:36:15,280 --> 00:36:17,480 Speaker 2: also as a fan. You know, to sit there and 827 00:36:17,520 --> 00:36:19,920 Speaker 2: watch how this happens and how it works, and you know, 828 00:36:20,000 --> 00:36:21,840 Speaker 2: you get a lot of time, as you know, on sets, 829 00:36:21,880 --> 00:36:24,120 Speaker 2: and it's like, I mean, I would just watch Larry 830 00:36:24,120 --> 00:36:27,279 Speaker 2: and I'm thinking he's like Toscanini, you know, because he's 831 00:36:27,320 --> 00:36:30,160 Speaker 2: got this ten episode score in his head in his 832 00:36:30,239 --> 00:36:33,959 Speaker 2: head and he is cognizant of every little moment, every 833 00:36:34,000 --> 00:36:37,520 Speaker 2: little beat, every little thing that's going to affect something 834 00:36:37,520 --> 00:36:39,680 Speaker 2: in that world. And he's so focused. 835 00:36:39,719 --> 00:36:42,279 Speaker 1: But I'll have entire conversations with him that he will 836 00:36:42,320 --> 00:36:45,680 Speaker 1: not remember anything that we discussed. You know what, you 837 00:36:45,680 --> 00:36:48,319 Speaker 1: forgot we're having dinner tonight because what he's on set. 838 00:36:48,360 --> 00:36:51,520 Speaker 2: He's just so focused on the work. Yeah, And it's 839 00:36:51,560 --> 00:36:54,440 Speaker 2: such an incredible uh you know, just to see somebody 840 00:36:54,560 --> 00:36:57,120 Speaker 2: come up with something like that and bring it to fruition, 841 00:36:58,160 --> 00:37:01,040 Speaker 2: you know, it's incredible. There's nothing seen anything like it 842 00:37:01,080 --> 00:37:04,400 Speaker 2: before or since. And it was such a pleasure and 843 00:37:04,480 --> 00:37:05,799 Speaker 2: an honor to be involved in it. 844 00:37:06,120 --> 00:37:08,080 Speaker 1: Well, it was a pleasure in an honor for me 845 00:37:08,200 --> 00:37:09,800 Speaker 1: to have you on this podcast. 846 00:37:11,080 --> 00:37:15,520 Speaker 2: Jeff, by the way, No, I did see Jeff though, 847 00:37:15,520 --> 00:37:18,960 Speaker 2: so that was okay. He's you know, I love Jeff, 848 00:37:19,000 --> 00:37:22,720 Speaker 2: you know. And Jeff was also very instrumental in making 849 00:37:22,760 --> 00:37:25,200 Speaker 2: sure that I was involved with the show if possible. 850 00:37:25,400 --> 00:37:28,120 Speaker 2: Good because I ran into him somewhere years before and saying, oh, 851 00:37:28,160 --> 00:37:30,080 Speaker 2: you got to be on the show. I had. 852 00:37:30,520 --> 00:37:34,239 Speaker 1: I had no power in those days. You know, I 853 00:37:34,640 --> 00:37:38,080 Speaker 1: was a day player. You don't even be in this episode, right, No, 854 00:37:38,160 --> 00:37:39,520 Speaker 1: I wasn't in this episode. 855 00:37:39,200 --> 00:37:41,920 Speaker 2: But you were in but you started to crank up 856 00:37:41,960 --> 00:37:42,399 Speaker 2: for you there. 857 00:37:42,480 --> 00:37:44,920 Speaker 1: Yes, in season two I was in two episodes, and 858 00:37:44,960 --> 00:37:46,840 Speaker 1: in season three I think I was in five or 859 00:37:46,880 --> 00:37:47,600 Speaker 1: six or something. 860 00:37:47,600 --> 00:37:50,440 Speaker 2: I don't know. I'll know as we move forward. Now 861 00:37:50,520 --> 00:37:52,640 Speaker 2: I know this is like the way ahead of the game. 862 00:37:52,680 --> 00:37:56,080 Speaker 2: But I was in season seven Great Dinner sitting see 863 00:37:56,160 --> 00:37:59,080 Speaker 2: us at my house at your house with Catherine O'Hara's 864 00:37:59,640 --> 00:38:02,960 Speaker 2: bam am. I do you know? I worked with her 865 00:38:03,120 --> 00:38:05,759 Speaker 2: on dream On? She was a director. Oh really? And 866 00:38:06,000 --> 00:38:07,880 Speaker 2: I had a recurring role on dream On as a 867 00:38:07,920 --> 00:38:13,160 Speaker 2: porn writer and yeah, right, so I worked with her 868 00:38:13,520 --> 00:38:15,160 Speaker 2: the episode that she directed that I was. I only 869 00:38:15,160 --> 00:38:16,759 Speaker 2: happened to have like a line or two in it, 870 00:38:16,840 --> 00:38:18,560 Speaker 2: so it was like hello, goodbye, you know, but she's 871 00:38:18,600 --> 00:38:21,600 Speaker 2: really nice. And that was like, I don't know, nine 872 00:38:21,680 --> 00:38:24,759 Speaker 2: years before I met her the day we shot that thing, 873 00:38:24,800 --> 00:38:26,640 Speaker 2: and I said, Catherine, I don't know if you remember 874 00:38:26,800 --> 00:38:29,960 Speaker 2: Lou Damaggio. Oh really, are you kidding me? I mean, 875 00:38:30,560 --> 00:38:32,480 Speaker 2: is that like some kind of magic trick or did 876 00:38:32,520 --> 00:38:34,319 Speaker 2: you look at the call sheet? Why would she care? 877 00:38:34,400 --> 00:38:35,400 Speaker 2: She actually remembered me. 878 00:38:35,560 --> 00:38:37,360 Speaker 1: Well, if she's the director, she probably did look at 879 00:38:37,400 --> 00:38:38,840 Speaker 1: the call sheet. But she still remembered you. 880 00:38:38,960 --> 00:38:41,200 Speaker 2: Yeah, it was great. She put the name with the face. 881 00:38:41,320 --> 00:38:43,400 Speaker 2: She is marvelous. She's one of my old time faves. 882 00:38:43,560 --> 00:38:46,160 Speaker 2: So were you? Oh? I love you, Thank you, Low 883 00:38:46,600 --> 00:38:47,239 Speaker 2: paste and Love. 884 00:38:54,800 --> 00:38:58,120 Speaker 1: The History of Curby Enthusiasm is a production of iHeart Radio. 885 00:38:58,239 --> 00:39:03,400 Speaker 1: For more timecasts from radio, visit the iHeartRadio, Apple podcasts, 886 00:39:03,440 --> 00:39:05,400 Speaker 1: or wherever you listen to your favorite shows.