WEBVTT - Melting Charlottesville’s Robert E Lee Statue

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<v Speaker 1>Cool Zone Media.

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<v Speaker 2>Welcome back to It Could Happen Here, your favorite podcast

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<v Speaker 2>for a daily dose of dystopia. I am once again

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<v Speaker 2>you're a guest host Molly Conger. Today, I'm talking to

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<v Speaker 2>a good friend of mine in one of the brilliant

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<v Speaker 2>minds behind the melting of Charlottesville's Roberty Lee statue, Doctor

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<v Speaker 2>Julaane Schmidt, is going to tell us a little bit

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<v Speaker 2>about the history of the statue, from its planning and

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<v Speaker 2>placement to its current state, melted into ingots in an

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<v Speaker 2>undisclosed location. I'm joined today by doctor Julaane Schmidt, a

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<v Speaker 2>professor of Religious Studies at the University of Virginia, the

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<v Speaker 2>director of the Memory Project at the University of Virginia's

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<v Speaker 2>Karsh Institute of Democracy, and a steering committee member at

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<v Speaker 2>the Swords into Plowshare's Project. As both a scholar and

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<v Speaker 2>an activist, doctor Schmidt has been a leading voice in

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<v Speaker 2>the Charlottesville community for racial justice and against the Confederate

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<v Speaker 2>monuments that once stood here. The Swords into Plowsher's Project

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<v Speaker 2>announced back in October that they had successfully dismantled and

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<v Speaker 2>melted down the bronze statue of Roberty Lee that once

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<v Speaker 2>loomed over the Market Street Park in downtown Charlottesville. Thank

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<v Speaker 2>you so much for joining me today to talk about

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<v Speaker 2>the past, present, and future of that hunk of bronze.

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<v Speaker 3>Thanks for having me, Mollie. It's great to great to

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<v Speaker 3>talk with you about this.

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<v Speaker 2>I don't think i've called you Professor Schmidt since two

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<v Speaker 2>thousand and eight when I took one of your classes.

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<v Speaker 3>It's been a while. It's been a while. Yeah, yeah,

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<v Speaker 3>Now we just call each other comrades, you know, because

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<v Speaker 3>we're out there on the streets and in city council

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<v Speaker 3>and you know, doing the things.

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<v Speaker 2>So before we get to the final fate of that

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<v Speaker 2>melted bronze, I want to ground this in the history

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<v Speaker 2>of that particular object. Right, This isn't just any Confederate monument.

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<v Speaker 2>This is the statue that made Charlottesville household name, the

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<v Speaker 2>statue that brought unite the right here, the statue that

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<v Speaker 2>killed someone. It's a statue that had history in that

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<v Speaker 2>park for a century before it came down and before

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<v Speaker 2>it was removed. You led some really incredible walking tours

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<v Speaker 2>of the downtown parks to try to tell the story

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<v Speaker 2>of the way those statues existed in those spaces for generations,

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<v Speaker 2>why they were there, what they meant, what impact they

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<v Speaker 2>had on the landscape and the people in the community.

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<v Speaker 2>I think I went on about a dozen of those

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<v Speaker 2>walking tours, and I learned something new every single time.

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<v Speaker 2>So can you talk a little bit about the political

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<v Speaker 2>atmosphere in nineteen twenty four when that statue first went up.

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<v Speaker 3>Yeah, well it should, you know, just kind of to

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<v Speaker 3>back up a little bit, like the history of Charlottesville, Virginia.

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<v Speaker 3>At around the time of the Civil War, over half

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<v Speaker 3>of the population of the local population was enslaved in

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<v Speaker 3>Charlottesville and surrounding Albmarle County, and black people were actually

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<v Speaker 3>the majority of the population of Charlottesville until about eighteen

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<v Speaker 3>ninety and then it has been on this steady decline,

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<v Speaker 3>you know, since then. So to think about it, if

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<v Speaker 3>you look at the history of reconstruction in Charlottesville, black

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<v Speaker 3>people came out and registered to vote and got politically

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<v Speaker 3>organized very quickly in the eighteen sixties already, and were

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<v Speaker 3>very influential in electing a black delegate from Charlottesville to

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<v Speaker 3>go to the Constitutional Convention. This is when in order

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<v Speaker 3>to rejoin the Union, all of the former Confederate states

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<v Speaker 3>had to get their state constitutions up to snuff, and

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<v Speaker 3>so Virginia, as did the other former Confederate states, you know,

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<v Speaker 3>had a constitutional convention. And our delegate from Charlottesville was

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<v Speaker 3>James T. S. Taylor. He was a black man from Charlottesville.

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<v Speaker 3>He'd been in the United States Colored Troops, and he

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<v Speaker 3>had a coalition had coalesced around him of some progressive

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<v Speaker 3>whites or savvy savvy whites, you know, that one through

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<v Speaker 3>their lot with him and former enslaved people and went

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<v Speaker 3>and you know, and represented us and put you know,

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<v Speaker 3>Charlottesville in the mix for starting a new state constitution

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<v Speaker 3>in Virginia, for finally getting public schools. You know, that's

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<v Speaker 3>one thing that we can thank, you know, all those

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<v Speaker 3>reconstruction governments around the South, you know, forgetting us those

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<v Speaker 3>public schools that we wouldn't have otherwise had that we

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<v Speaker 3>didn't have before. You know. So I say all that

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<v Speaker 3>back that if you read the historical sources of the

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<v Speaker 3>time during reconstruction and post reconstruction in Charlottesville, the white

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<v Speaker 3>elites were quite upset with the state of affairs that

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<v Speaker 3>had emerged after the Civil War, in which formerly enslaved

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<v Speaker 3>people were in leadership compatity and political leadership, you know.

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<v Speaker 3>And so when you look at the history of you know,

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<v Speaker 3>then finally as as the new you know, there was

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<v Speaker 3>a Reconstruction era constitution that started all those wonderful things

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<v Speaker 3>such as you know, public schools, you know, and voting

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<v Speaker 3>rights for black men. You know. But then as the

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<v Speaker 3>Neil Confederates or the Confederate sympathizers start to get the

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<v Speaker 3>upper hand again at the end of Reconstruction, and in

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<v Speaker 3>Virginia that's you know, more or less in the in

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<v Speaker 3>the eighteen eighties, you know, and then there's this steady

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<v Speaker 3>imposition of Jim Crow, you know that's going into you know,

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<v Speaker 3>in Richmond they put in their giant General Lee statue

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<v Speaker 3>in eighteen ninety, you know there, and then in nineteen

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<v Speaker 3>oh two there's finally there was this final push that

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<v Speaker 3>pushed black people out of political office in Virginia, and

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<v Speaker 3>in nineteen oh two, a new Jim Crow state Constitution

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<v Speaker 3>was put into effect in nineteen oh two. And so

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<v Speaker 3>you have to when you think about all of these

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<v Speaker 3>statues being installed, we have to see it as this

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<v Speaker 3>it's really resentment politics, you know, that's come about. That

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<v Speaker 3>is if you look at these speeches that are delivered

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<v Speaker 3>at the installation ceremonies of these statues, and this is

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<v Speaker 3>where I'm getting to our General Lee Statue in Charlottesville

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<v Speaker 3>specifically with this, you go back and look at those

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<v Speaker 3>at the occasion for the day, and these these installation ceremonies,

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<v Speaker 3>they were a time for the neo Confederate organizations, the

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<v Speaker 3>hosting organizations in our case, the United Daughters of the Confederacy,

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<v Speaker 3>the United Conveterate Veterans, and the Sons of Confederate Veterans. Okay,

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<v Speaker 3>we're the hosts, you know for this event. And this

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<v Speaker 3>is a two or three day occasion. So there's like

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<v Speaker 3>delegations coming in from all over the state, you know,

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<v Speaker 3>and you know there's this build up, you know, in

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<v Speaker 3>the days ahead, you know, leading up to the installation.

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<v Speaker 3>This was in May of nineteen twenty four, you know,

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<v Speaker 3>so you see, oh, this delegation has arrived from Rowanoak,

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<v Speaker 3>and now the governor is coming in and now this

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<v Speaker 3>and now you know, and so you know, the town

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<v Speaker 3>is just a twitter. You know that this that they

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<v Speaker 3>are hosting the state wide reunion of the United Confederate Veterans.

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<v Speaker 3>And there hardly are anymore at this time. They're you know,

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<v Speaker 3>quite elderly at this point. So there, you know, there's

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<v Speaker 3>quite this you know, uh celebration. And this is also

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<v Speaker 3>an annual meeting of the Sons of Confederate Veterans. And

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<v Speaker 3>so the fact that little Charlottesville is hosting a statewide reunion,

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<v Speaker 3>you know, of the state wide of all the chapters

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<v Speaker 3>you know, of these neo Confederate veterans is a big deal.

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<v Speaker 3>And then and then you know they're doing this, you know,

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<v Speaker 3>and within this context is when the unveiling of this

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<v Speaker 3>statue is occurring, you see. And so it's this, it's

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<v Speaker 3>this whole build up of kind of lost cause nostalgia,

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<v Speaker 3>which which is occurring. And in the speeches at the

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<v Speaker 3>Lee statue unveiling ceremony, it's very instructive to listen to

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<v Speaker 3>what is being said. You know. You have, of course,

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<v Speaker 3>you know, kind of local dignitaries and statewide you know

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<v Speaker 3>dignitaries are there. The National Commander of the Sons of

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<v Speaker 3>Confederate Veterans is there. He gives a speech. He was

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<v Speaker 3>also a klansman, you know. You know, so this says

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<v Speaker 3>something there that you know, nineteen twenties Charlottesville. You know,

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<v Speaker 3>elites were not averse to rubbing shoulders with a known klansman,

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<v Speaker 3>you know, who had been invited to give a speech.

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<v Speaker 3>You know, other invited guests. One was a minister who

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<v Speaker 3>was a gradu what of the University of Virginia, and

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<v Speaker 3>it was you know, just kind of revealing, you know

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<v Speaker 3>what he said in his in his speech, you know,

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<v Speaker 3>when he was talking about he said that that the

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<v Speaker 3>days of reconstruction were worse than war. You know, so

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<v Speaker 3>this right exactly, Yeah, does beg the question, and that yeah,

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<v Speaker 3>goes without saying, of course that this is you know,

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<v Speaker 3>almost exclusively a white audience and you know, the white

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<v Speaker 3>school kids. School has been canceled for the day, the

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<v Speaker 3>university as classes you know, canceled for the day, and

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<v Speaker 3>you know, the businesses are closed. I mean, this is

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<v Speaker 3>just you know, quite the community event that's going on. So, yeah,

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<v Speaker 3>so reconstruction was worse than war. You know, we're celebrating today,

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<v Speaker 3>you know, the you know, the spirit of Lea, the

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<v Speaker 3>regeneration you know of our values and you know, there's

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<v Speaker 3>just a lot of of conversation in these in these inaugurations, ceremonies,

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<v Speaker 3>you know for the unveiling of these statues that hearkened

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<v Speaker 3>to rebirth and regeneration, and you know, and also you know,

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<v Speaker 3>kind of recalling you know, the days of old, you know,

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<v Speaker 3>and the and the values you know of our veterans

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<v Speaker 3>you know who are now you know of course in

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<v Speaker 3>dwindling number, you know, these Confederate veterans who are there.

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<v Speaker 3>And so this and as I said, there's been this

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<v Speaker 3>whole build up you know, for days and days, you know,

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<v Speaker 3>I mean of course for the planning committee, this has

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<v Speaker 3>been going on for weeks and months, you know, the

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<v Speaker 3>fundraising and you know, reserving you know blocks you know

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<v Speaker 3>at the hotels and you know, and all guesthouses and

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<v Speaker 3>all this kind of thing you know, banquet halls, et cetera.

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<v Speaker 3>You know. But it's it's also revealing that this installation

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<v Speaker 3>ceremony for the Lee statue, it is booke nded with

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<v Speaker 3>clan activity and uptick in clan activity before and after

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<v Speaker 3>the installation ceremony. And why while we don't have well

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<v Speaker 3>we do know, but you know one one clansman who

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<v Speaker 3>you know, the Commander Lee, no relation to the General Lee,

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<v Speaker 3>but uh but the president of the Sons of the

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<v Speaker 3>Confederate veterans, you know. But but to just see all

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<v Speaker 3>of this uptick in lost cause nostalgia and then these

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<v Speaker 3>these acts of intimidation of you know, clan rallies, clan

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<v Speaker 3>posters that were you know, put flyers around town, you know, uh,

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<v Speaker 3>and this sort of thing. It just it they're the

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<v Speaker 3>atmosphere of intimidation. You know that this must have been

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<v Speaker 3>for black residents you know of the time. Uh, you know,

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<v Speaker 3>it just it really gives you pause, you know, just

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<v Speaker 3>just seeing how public space was commandeered, you know by

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<v Speaker 3>these people, these Neil Confederates, you know, to kind of

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<v Speaker 3>uh relive what they considered, you know, kind of the

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<v Speaker 3>glory days you know, of the nation you know, and

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<v Speaker 3>the kind of values to which they want to return,

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<v Speaker 3>you know, and and and this sort of thing. So yeah,

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<v Speaker 3>so this is going on, you know in the nineteen twenties,

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<v Speaker 3>as you know, Charlottesville is you know, locked into Jim

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<v Speaker 3>Crow by then, you know, and we're twenty two years

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<v Speaker 3>into that Jim Crow State constitution. You know, this is

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<v Speaker 3>the mail u you know in which in which this

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<v Speaker 3>is taking place. Now. Of course, black people have their

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<v Speaker 3>own institutions, you know that they've founded, you know, namely churches,

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<v Speaker 3>the Jefferson School, African American what's now the African American

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<v Speaker 3>Heritage Center, but the Jefferson School, which was a school

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<v Speaker 3>for black children, and the founding of the High school

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<v Speaker 3>of a black high school. So this was you know,

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<v Speaker 3>the black community had its own nodes of organizational strength,

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<v Speaker 3>you know, and goings on that were happening even as

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<v Speaker 3>you know, there were these pressures you going on with

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<v Speaker 3>the consolidation of Jim Crow should also mention that, you know,

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<v Speaker 3>at this at around same time in spring of nineteen

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<v Speaker 3>twenty four was the passage of the Virginia Racial Integrity Act,

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<v Speaker 3>and this was the kind of the codification of the

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<v Speaker 3>so called one Drop Rule, which designated anyone with a

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<v Speaker 3>perceived ad mixture of African American or Native American ancestry

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<v Speaker 3>to be designated as colored, you know, and kind of

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<v Speaker 3>bifurcating the population of Virginia into two categories white or colored.

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<v Speaker 3>And so this is also occurring, you know, in nineteen

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<v Speaker 3>twenty four. There's a very you know, there's very much

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<v Speaker 3>of a legal you know, a kind of strengthening, you

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<v Speaker 3>know of in terms of the tools that are being

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<v Speaker 3>used to separate the races quote unquote, you know, and

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<v Speaker 3>what we're seeing then in the parks, you know, in

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<v Speaker 3>our public spaces were you know, kind of designating what

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<v Speaker 3>we're well, not public spaces, I mean they were you know,

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<v Speaker 3>kind of designated you know, almost shrine like, you know,

0:13:06.920 --> 0:13:12.400
<v Speaker 3>as white spaces, you know, and that this is it's

0:13:12.440 --> 0:13:16.319
<v Speaker 3>a kind of broadcasting of who's in charge, is what's

0:13:16.360 --> 0:13:16.800
<v Speaker 3>going on?

0:13:17.760 --> 0:13:19.760
<v Speaker 2>Right, I think you know today the sons of Confederate

0:13:19.800 --> 0:13:23.720
<v Speaker 2>Veterans very much separate themselves from the clan. Right, there

0:13:23.720 --> 0:13:26.800
<v Speaker 2>were a heritage organization. We're not the clan, but you

0:13:26.840 --> 0:13:29.080
<v Speaker 2>were talking about this sort of clan activity leading up

0:13:29.120 --> 0:13:31.440
<v Speaker 2>to the unveiling of the statue. And it's actually just

0:13:31.520 --> 0:13:34.679
<v Speaker 2>looking back this morning at some of the archival newspapers

0:13:34.720 --> 0:13:37.520
<v Speaker 2>from that week. And so when the day the statue

0:13:37.559 --> 0:13:39.680
<v Speaker 2>was placed, you know a few weeks before the unveiling,

0:13:39.679 --> 0:13:41.320
<v Speaker 2>it was still covered, it was shrouded, you know, it's

0:13:41.400 --> 0:13:43.560
<v Speaker 2>leading up to the big day. So in the front

0:13:43.600 --> 0:13:46.120
<v Speaker 2>page of the Daily Progress the day that the statue

0:13:46.200 --> 0:13:49.160
<v Speaker 2>was put in the park, that little snippet appears in

0:13:49.200 --> 0:13:52.040
<v Speaker 2>the newspaper, right next to a headline about cross burning.

0:13:53.320 --> 0:13:55.560
<v Speaker 2>These things are happening on at the same time, right,

0:13:55.600 --> 0:13:58.160
<v Speaker 2>And there was absolutely a big clan march through town

0:13:58.240 --> 0:14:00.400
<v Speaker 2>that week. And I think one of the it's easy

0:14:00.400 --> 0:14:04.679
<v Speaker 2>to forget that these historical moments were experienced by people

0:14:04.760 --> 0:14:07.240
<v Speaker 2>whose words that we still have, like people who were

0:14:07.280 --> 0:14:09.559
<v Speaker 2>living in this moment. I think one of one moment

0:14:09.600 --> 0:14:11.800
<v Speaker 2>in your historical tour that really has stuck with me

0:14:11.840 --> 0:14:15.120
<v Speaker 2>all these years is an anecdote about John West, who

0:14:15.240 --> 0:14:17.800
<v Speaker 2>is for the listener as a man was born into

0:14:17.840 --> 0:14:20.800
<v Speaker 2>slavery in this era, was one of the largest black

0:14:20.840 --> 0:14:24.160
<v Speaker 2>landowners in the area, was a successful businessman, and when

0:14:24.160 --> 0:14:26.760
<v Speaker 2>the klan marched by that week, you know, they're wearing

0:14:26.800 --> 0:14:28.360
<v Speaker 2>their hoods, you don't know who they are. It's you know,

0:14:28.360 --> 0:14:31.400
<v Speaker 2>it's mysterious, it's intimidating. But he knew who every single

0:14:31.440 --> 0:14:34.920
<v Speaker 2>clansman was because he was their barber, and he recognized

0:14:34.960 --> 0:14:37.520
<v Speaker 2>their shoes. And that just feels so intimate to me, right,

0:14:37.520 --> 0:14:40.520
<v Speaker 2>that he's he's looking at the shoes of these men

0:14:40.560 --> 0:14:42.200
<v Speaker 2>that he knows, and then tomorrow they're going to come

0:14:42.240 --> 0:14:43.640
<v Speaker 2>in for a shave and a haircut and he has

0:14:43.680 --> 0:14:44.920
<v Speaker 2>to say, you know, yes, sir, thank you.

0:14:44.920 --> 0:14:47.360
<v Speaker 3>Sir, that's right, that's right. And so if you can

0:14:47.440 --> 0:14:50.040
<v Speaker 3>just imagine like you know, and here you know John West.

0:14:50.680 --> 0:14:53.560
<v Speaker 3>You know, so here's one of the most you know,

0:14:53.720 --> 0:14:58.360
<v Speaker 3>influential Black residents of Charlottesville at that time, and he

0:14:58.480 --> 0:15:01.200
<v Speaker 3>has to live yeah in you know that there's this

0:15:01.200 --> 0:15:04.600
<v Speaker 3>this atmosphere of intimidation that you that, Yeah, his clients

0:15:04.640 --> 0:15:06.400
<v Speaker 3>are coming in, you know, they're coming in every ten

0:15:06.480 --> 0:15:09.120
<v Speaker 3>days or fourteen days to get a get a trim,

0:15:09.200 --> 0:15:11.400
<v Speaker 3>get a you know, touch up, you know here and there,

0:15:11.440 --> 0:15:16.560
<v Speaker 3>and yeah, and and he knows that these you know

0:15:17.040 --> 0:15:20.280
<v Speaker 3>that that these are you know, the folks who are

0:15:20.960 --> 0:15:25.080
<v Speaker 3>kind of maintaining you know that this this public order,

0:15:25.400 --> 0:15:29.320
<v Speaker 3>you know that is so uh. You know that you know,

0:15:29.360 --> 0:15:31.400
<v Speaker 3>you better not step out of line. And so just

0:15:31.840 --> 0:15:36.480
<v Speaker 3>to have one's public space, you know, be demarcated, you know,

0:15:36.600 --> 0:15:42.440
<v Speaker 3>in such a demonstrative way, you know, in a monumental way.

0:15:42.840 --> 0:15:47.240
<v Speaker 3>You know, really yeah exactly is is uh, it really

0:15:47.280 --> 0:15:51.000
<v Speaker 3>illustrates what's going on, you know, and even in you know,

0:15:51.080 --> 0:15:54.120
<v Speaker 3>relationships like that, you know that that are so like

0:15:54.280 --> 0:15:57.320
<v Speaker 3>you know, intimate a barber and a client, you know,

0:15:57.480 --> 0:16:00.720
<v Speaker 3>and and knowing you know what you're as are up

0:16:00.720 --> 0:16:03.760
<v Speaker 3>to you know, and how you better stay in line.

0:16:04.000 --> 0:16:17.640
<v Speaker 4>You know, it's scary, that's what that statue was here,

0:16:17.720 --> 0:16:20.680
<v Speaker 4>right for almost a century, So skipping ahead that century,

0:16:20.720 --> 0:16:23.960
<v Speaker 4>right when the statue finally came down in twenty twenty one,

0:16:24.000 --> 0:16:27.600
<v Speaker 4>so not too long ago, right, So the city solicited

0:16:27.600 --> 0:16:29.520
<v Speaker 4>proposals for what was to be done with it, right.

0:16:29.560 --> 0:16:31.640
<v Speaker 2>A lot of cities put them into storage or moved

0:16:31.640 --> 0:16:35.480
<v Speaker 2>them to battlefields or museums didn't want them. People say, well,

0:16:35.480 --> 0:16:37.960
<v Speaker 2>why can't it go to a music museums didn't want it, right.

0:16:39.000 --> 0:16:43.360
<v Speaker 3>Yeah, So because of my work, I get pulled in

0:16:43.440 --> 0:16:49.360
<v Speaker 3>on a lot of different statue statue related consultations, let's

0:16:49.360 --> 0:16:51.800
<v Speaker 3>put it that way. And I was on the George

0:16:51.880 --> 0:16:55.440
<v Speaker 3>Rogers Clark Committee at the University of Virginia when the

0:16:55.680 --> 0:16:58.120
<v Speaker 3>university was trying to decide what to do with a

0:16:58.320 --> 0:17:02.040
<v Speaker 3>very hideous called it the Genocide Trophy. It was a

0:17:02.080 --> 0:17:06.120
<v Speaker 3>statue of the George Rogers Clark, the conqueror of the Northwest.

0:17:06.160 --> 0:17:09.400
<v Speaker 3>It literally said that on the facade, you know. And

0:17:09.800 --> 0:17:13.200
<v Speaker 3>so we were in consultation with native tribes. We were

0:17:13.359 --> 0:17:19.280
<v Speaker 3>contacting the various tribal nations who suffered the onslaught of

0:17:19.320 --> 0:17:22.479
<v Speaker 3>the so called Northwest campaign. So these tribes that are

0:17:22.480 --> 0:17:26.280
<v Speaker 3>in what is now Illinois and Ohio, et cetera, you know,

0:17:26.359 --> 0:17:28.919
<v Speaker 3>and just asking them, you know, would you like to

0:17:29.080 --> 0:17:31.520
<v Speaker 3>kind of weigh in, you know, on this, and you know,

0:17:31.680 --> 0:17:34.280
<v Speaker 3>really sad genocide is a real thing. Some folks who

0:17:34.240 --> 0:17:37.879
<v Speaker 3>are just no longer there, you know, or you know,

0:17:37.960 --> 0:17:40.959
<v Speaker 3>were you know, became such a remnant, you know, as

0:17:41.000 --> 0:17:42.800
<v Speaker 3>they were so decimated that you know, they kind of

0:17:42.840 --> 0:17:45.360
<v Speaker 3>you know, morphed into you know, other tribes others were

0:17:45.720 --> 0:17:49.000
<v Speaker 3>you know, went on you know later on to you know,

0:17:49.080 --> 0:17:53.159
<v Speaker 3>to Oklahoma or other places. You know, just dispersal, you know,

0:17:53.280 --> 0:17:56.040
<v Speaker 3>really was you know. You know. So we're in this

0:17:56.080 --> 0:17:57.960
<v Speaker 3>you know, kind of year long process trying to figure

0:17:57.960 --> 0:18:01.080
<v Speaker 3>out what to do with UVa's own statue there, you know,

0:18:01.160 --> 0:18:03.720
<v Speaker 3>also a gift of Paul Goodlow McIntyre, you know, the

0:18:03.760 --> 0:18:06.119
<v Speaker 3>same donor who gave the least statue to the city,

0:18:07.200 --> 0:18:10.560
<v Speaker 3>gave this Steorge Rogers Clark statue to the university. And

0:18:10.640 --> 0:18:16.440
<v Speaker 3>so in doing that committee work, we made appointments with

0:18:16.640 --> 0:18:18.560
<v Speaker 3>all the big players all that, you know, and here

0:18:18.560 --> 0:18:21.359
<v Speaker 3>we are. We're from the University of Virginia, you know,

0:18:21.400 --> 0:18:25.560
<v Speaker 3>and we've got this, you know, big big monument here,

0:18:26.359 --> 0:18:28.800
<v Speaker 3>you know, the Smithsonian, the you know, and you know,

0:18:28.880 --> 0:18:33.120
<v Speaker 3>we talked to not about this one, but in another instance,

0:18:33.160 --> 0:18:37.160
<v Speaker 3>talk to you know, the Civil War Museum's battle Fields.

0:18:36.880 --> 0:18:37.080
<v Speaker 1>You know.

0:18:37.119 --> 0:18:40.520
<v Speaker 3>I mean, we contacted all the responsible you know, the

0:18:40.760 --> 0:18:43.080
<v Speaker 3>folks who are going to curate this in a in

0:18:43.560 --> 0:18:46.200
<v Speaker 3>a responsible way, you know, because you know that's it

0:18:47.160 --> 0:18:49.680
<v Speaker 3>is a monumental work of art. You know, it has

0:18:49.720 --> 0:18:53.680
<v Speaker 3>stood here for a century. It does have historical value

0:18:53.720 --> 0:18:56.280
<v Speaker 3>of a sort, you know. And I mean and you know,

0:18:56.320 --> 0:18:58.680
<v Speaker 3>and as someone who has you know, teaches history and

0:18:58.720 --> 0:19:03.960
<v Speaker 3>research's history, that's my that's my inclination. My initial inclination is, oh, yeah,

0:19:03.960 --> 0:19:05.840
<v Speaker 3>well we should preserve I mean, that's you know, kind

0:19:05.840 --> 0:19:09.040
<v Speaker 3>of where I go to. But the problem is it's

0:19:09.080 --> 0:19:12.560
<v Speaker 3>a very practical one. This is a material object that

0:19:12.640 --> 0:19:15.719
<v Speaker 3>is taking up space, literal and figurative space in the world.

0:19:16.480 --> 0:19:18.399
<v Speaker 2>It's six six thousand pounds.

0:19:18.640 --> 0:19:22.160
<v Speaker 3>Yeah, yeah, the very materiality of it. It is taking

0:19:22.240 --> 0:19:25.840
<v Speaker 3>up space, and you you have to figure out what

0:19:25.960 --> 0:19:29.880
<v Speaker 3>space is it going to inhabit. This is a very

0:19:29.920 --> 0:19:33.840
<v Speaker 3>practical question. If it's not in your park anymore, where's

0:19:33.840 --> 0:19:37.080
<v Speaker 3>it going to be? We contacted all these museums, you know,

0:19:37.119 --> 0:19:40.000
<v Speaker 3>and in several you know, different consultations. I've been a

0:19:40.040 --> 0:19:42.160
<v Speaker 3>part of where we've been trying to get rid of statues.

0:19:43.359 --> 0:19:48.800
<v Speaker 3>Nobody wants them, Nobody responsible wants them. And you know,

0:19:48.800 --> 0:19:50.959
<v Speaker 3>and even if they did have an inclination to want

0:19:51.000 --> 0:19:53.040
<v Speaker 3>to do just the expense of it, you know, who

0:19:53.080 --> 0:19:56.240
<v Speaker 3>wants to reinforce their floors to put a you know,

0:19:57.000 --> 0:20:03.680
<v Speaker 3>century old you know, artistically not exemplary, you know, monument

0:20:03.920 --> 0:20:05.520
<v Speaker 3>in it, you know, and then care for I mean,

0:20:05.600 --> 0:20:09.840
<v Speaker 3>museums have very limited budgets, they're nonprofit organizations. Why should

0:20:09.840 --> 0:20:14.440
<v Speaker 3>they be expending all this energy? I love the My

0:20:14.800 --> 0:20:19.720
<v Speaker 3>colleague Aaron Thompson from John Jay College and Cuney, you know,

0:20:19.800 --> 0:20:22.359
<v Speaker 3>she's an art crime professor, and she said, you know,

0:20:22.440 --> 0:20:25.879
<v Speaker 3>she talked with somebody at the Smithsonian who said something

0:20:25.920 --> 0:20:30.760
<v Speaker 3>to the effect that, you know, we're not America's attic

0:20:30.880 --> 0:20:35.919
<v Speaker 3>for racist arts. That's not our role. It's like, you know,

0:20:36.080 --> 0:20:39.199
<v Speaker 3>it kind of does throw back the responsibility to individual

0:20:39.240 --> 0:20:41.760
<v Speaker 3>communities too. It's like, you know, you have a part

0:20:41.840 --> 0:20:44.240
<v Speaker 3>to play in this, you know. And so anyway, yeah,

0:20:44.280 --> 0:20:46.840
<v Speaker 3>so we tried to do the responsible thing. We contacted

0:20:46.880 --> 0:20:49.520
<v Speaker 3>all all the responsible actors out there. They don't want them,

0:20:50.359 --> 0:20:54.280
<v Speaker 3>And so then the question becomes, Okay, the city also

0:20:54.359 --> 0:20:56.840
<v Speaker 3>doesn't want it sitting on its back lot for forever

0:20:56.960 --> 0:21:00.400
<v Speaker 3>in perpetuity. You know, They've got things, you know, they've

0:21:00.440 --> 0:21:02.320
<v Speaker 3>got equipment there, they've got things that you know, this

0:21:02.359 --> 0:21:05.520
<v Speaker 3>shouldn't be sitting there. Where is it going to go? Again?

0:21:05.680 --> 0:21:08.040
<v Speaker 3>This is the material object that exists in the world.

0:21:08.280 --> 0:21:10.840
<v Speaker 3>It is a problem, you know, like what physical space

0:21:10.960 --> 0:21:13.840
<v Speaker 3>is it going to occupy? We're just such brute practicality here,

0:21:13.880 --> 0:21:16.760
<v Speaker 3>and I don't think people quite get what it means

0:21:16.960 --> 0:21:19.880
<v Speaker 3>to deal with this. And the only people who want

0:21:19.880 --> 0:21:23.399
<v Speaker 3>it are the very people who shouldn't have it, you know,

0:21:23.480 --> 0:21:27.240
<v Speaker 3>who want to take this object that's caused us so

0:21:27.320 --> 0:21:31.160
<v Speaker 3>much pain and to make a shrine out of it,

0:21:31.680 --> 0:21:36.359
<v Speaker 3>you know, that would continue to attract bad actors, you know,

0:21:37.119 --> 0:21:39.360
<v Speaker 3>and that it would you know. And I'm a religious

0:21:39.359 --> 0:21:41.919
<v Speaker 3>studies scholar, so when I use I don't use the

0:21:41.920 --> 0:21:46.840
<v Speaker 3>word shrine lightly. I know what kinds of activities you know, uh,

0:21:47.000 --> 0:21:49.439
<v Speaker 3>these engender, you know, and the sorts of emotions that

0:21:49.480 --> 0:21:52.280
<v Speaker 3>are you know, evoked, you know, in the ceremonies around

0:21:52.440 --> 0:21:54.600
<v Speaker 3>you know, objects that are that are held to be sacred.

0:21:54.720 --> 0:21:57.160
<v Speaker 3>You know that that attract you know, kind of devotees,

0:21:57.240 --> 0:21:59.800
<v Speaker 3>you know, and so you really have to think about

0:21:59.800 --> 0:22:03.399
<v Speaker 3>what does it mean to be a responsible ethical actor?

0:22:04.280 --> 0:22:04.480
<v Speaker 1>You know.

0:22:05.119 --> 0:22:07.920
<v Speaker 3>It's like now we're we're in grown up world. Now,

0:22:07.960 --> 0:22:09.960
<v Speaker 3>it's like, okay, it's like we want you know, it's

0:22:10.000 --> 0:22:12.359
<v Speaker 3>like there is a material object, where are we going

0:22:12.400 --> 0:22:14.359
<v Speaker 3>to put it? It's like have an adjunct car, what

0:22:14.359 --> 0:22:15.640
<v Speaker 3>do you do with it? You just let it sit

0:22:15.640 --> 0:22:17.919
<v Speaker 3>in your driveway and make your neighbors mad at you.

0:22:18.280 --> 0:22:21.320
<v Speaker 2>Right, And these Confederate statues are sort of the junk

0:22:21.400 --> 0:22:24.479
<v Speaker 2>cars of the lost cause, right, because they're not rare, right, Like,

0:22:24.960 --> 0:22:27.120
<v Speaker 2>you know, especially right after Unite the Right, a bunch

0:22:27.160 --> 0:22:29.440
<v Speaker 2>of cities, all of a sudden, we're like, we got

0:22:29.440 --> 0:22:31.320
<v Speaker 2>to get rid of these things. And so suddenly the

0:22:31.359 --> 0:22:34.439
<v Speaker 2>market is flooded with Confederate statues. Where are you going

0:22:34.480 --> 0:22:34.920
<v Speaker 2>to put them?

0:22:35.359 --> 0:22:38.960
<v Speaker 3>That's right at that and that is the question. And

0:22:39.600 --> 0:22:42.159
<v Speaker 3>they are And I've used this this metaphor before, the

0:22:43.080 --> 0:22:48.880
<v Speaker 3>metaphor of toxic waste. You know, it's not responsible to say, oh,

0:22:49.000 --> 0:22:52.560
<v Speaker 3>we want to get rid of our toxic trash. Here

0:22:53.000 --> 0:22:54.800
<v Speaker 3>and then ship it down the road to the next

0:22:54.880 --> 0:22:57.320
<v Speaker 3>town and say, Okay, well we're done with that. That's

0:22:57.359 --> 0:23:01.280
<v Speaker 3>not responsible to make that town have to deal, you know.

0:23:01.359 --> 0:23:03.720
<v Speaker 3>Or maybe there maybe there were some people in that

0:23:03.800 --> 0:23:06.600
<v Speaker 3>town that wanted it, you know, but that's not fair

0:23:06.640 --> 0:23:08.239
<v Speaker 3>to the other people to have to breathe in that

0:23:08.320 --> 0:23:11.359
<v Speaker 3>air and it brings that water that's that's poisoned by this.

0:23:11.520 --> 0:23:14.320
<v Speaker 3>That's not that's not being responsible, you know what I mean.

0:23:14.440 --> 0:23:20.199
<v Speaker 3>So it really is an ethical question, you know, what

0:23:20.200 --> 0:23:26.760
<v Speaker 3>what space these toxic objects are going to inhabit, And

0:23:26.880 --> 0:23:31.560
<v Speaker 3>so we were unable to find any responsible actors who

0:23:31.560 --> 0:23:35.439
<v Speaker 3>would take this on. And so then it kind of

0:23:35.480 --> 0:23:38.680
<v Speaker 3>it's like, well, I guess it's kind of on us.

0:23:40.160 --> 0:23:42.440
<v Speaker 3>We have to you know, like the Smithsonian. It's like,

0:23:42.480 --> 0:23:44.840
<v Speaker 3>we're not the attic for your racist trash, you know.

0:23:44.920 --> 0:23:47.080
<v Speaker 3>It's like it's it's really it's it's on us. It's

0:23:47.080 --> 0:23:50.560
<v Speaker 3>on communities to figure this out, you know. And if

0:23:50.560 --> 0:23:54.000
<v Speaker 3>there isn't uh, you know, some sort of organization that

0:23:54.040 --> 0:23:57.919
<v Speaker 3>can responsibly curate this, you know, and care for it,

0:23:57.960 --> 0:24:00.800
<v Speaker 3>then you know, we really need to think about it.

0:24:01.160 --> 0:24:04.240
<v Speaker 3>And in the case of this Lee Statue of Charlottesville's

0:24:04.359 --> 0:24:06.919
<v Speaker 3>Lee statue. You know, they are about I think there

0:24:06.920 --> 0:24:10.840
<v Speaker 3>are about sixteen monuments of Lee, like kind of equestrian

0:24:10.920 --> 0:24:13.720
<v Speaker 3>monuments of this sort, you know, in the country. I

0:24:13.760 --> 0:24:18.000
<v Speaker 3>can say with confidence that all of the others are

0:24:18.040 --> 0:24:20.520
<v Speaker 3>of better quality in Charlottesville.

0:24:21.960 --> 0:24:25.600
<v Speaker 2>That's such an important point, right, because this is, you know,

0:24:25.640 --> 0:24:28.720
<v Speaker 2>an important historical piece of art. And that's true of

0:24:28.880 --> 0:24:31.320
<v Speaker 2>some of them. Some of them are legitimate pieces of

0:24:31.680 --> 0:24:32.439
<v Speaker 2>but this one is not.

0:24:33.080 --> 0:24:33.240
<v Speaker 3>No.

0:24:33.320 --> 0:24:35.280
<v Speaker 2>I mean, it was like he was smuggling hams in

0:24:35.320 --> 0:24:35.960
<v Speaker 2>his sleeves.

0:24:36.280 --> 0:24:39.640
<v Speaker 3>Oh well yeah, so yeah, it's it's terrible. It's really

0:24:39.640 --> 0:24:42.879
<v Speaker 3>a case. The Lee statue from Charlottesville is really a

0:24:42.920 --> 0:24:45.960
<v Speaker 3>case of too many chefs spoiled the soup. You know,

0:24:47.040 --> 0:24:55.080
<v Speaker 3>they they you know they The original sculptor, Schradie, you know,

0:24:55.320 --> 0:24:59.000
<v Speaker 3>was commissioned to do this, this this work, and he

0:24:59.080 --> 0:25:02.879
<v Speaker 3>got behind on the because he was finishing another another

0:25:02.960 --> 0:25:07.080
<v Speaker 3>work of his, which is generally regarded as his magnum opus,

0:25:07.119 --> 0:25:11.679
<v Speaker 3>which is a monument to General Grant. I just love that.

0:25:11.960 --> 0:25:14.639
<v Speaker 3>It's just sorry, p right, you got to wait and

0:25:14.800 --> 0:25:16.480
<v Speaker 3>working on my best piece.

0:25:16.600 --> 0:25:19.760
<v Speaker 2>Already finished, a beautiful statue of Grant, and then he died.

0:25:20.040 --> 0:25:24.360
<v Speaker 3>And then he died. He died, and supposedly it might

0:25:24.400 --> 0:25:27.199
<v Speaker 3>be apocryphal. I kind of like this tale that supposedly

0:25:27.200 --> 0:25:29.120
<v Speaker 3>when he's on his deathbed trade he's on his death

0:25:29.119 --> 0:25:33.160
<v Speaker 3>bending and he's still thinking about that unfinished Lee. Probably

0:25:33.240 --> 0:25:36.080
<v Speaker 3>he's like, oh, mind the you know, mind the cloth,

0:25:36.160 --> 0:25:37.119
<v Speaker 3>you know, keep it damp.

0:25:37.200 --> 0:25:38.920
<v Speaker 2>You know it's a plaster wet, right.

0:25:39.000 --> 0:25:41.560
<v Speaker 3>Yes, keep the plaster. He'd made a maquette, he'd made

0:25:41.560 --> 0:25:45.200
<v Speaker 3>a model, play model of the Lee statue for Charlottesville,

0:25:45.200 --> 0:25:49.040
<v Speaker 3>for that next commission, the unfinished commission. And he dies

0:25:49.840 --> 0:25:52.080
<v Speaker 3>and so now it's like, well, you know, this is

0:25:52.119 --> 0:25:56.520
<v Speaker 3>a problem, you know, for for the philanthropist and the

0:25:56.520 --> 0:25:59.280
<v Speaker 3>community or the community leaders of Charlotsville who wanted this

0:25:59.359 --> 0:26:02.680
<v Speaker 3>Lee statue. So they find they find a ringer, you know,

0:26:03.520 --> 0:26:07.879
<v Speaker 3>this young guy, you know, Leo and Telly. Interesting, you

0:26:07.880 --> 0:26:11.359
<v Speaker 3>know Italian immigrant in the twenties, which is kind of interest,

0:26:11.400 --> 0:26:12.679
<v Speaker 3>you know when you think about, you know, all the

0:26:12.720 --> 0:26:13.680
<v Speaker 3>hate that was being.

0:26:13.560 --> 0:26:15.560
<v Speaker 2>Whipped before it towns were white, right.

0:26:15.560 --> 0:26:17.120
<v Speaker 3>And that was before Italians were white.

0:26:17.160 --> 0:26:17.280
<v Speaker 4>Man.

0:26:17.359 --> 0:26:19.399
<v Speaker 3>But he was, yeah, kind of direct from Italy and

0:26:19.440 --> 0:26:21.840
<v Speaker 3>from a sculpting background. So maybe they made a little

0:26:22.200 --> 0:26:24.920
<v Speaker 3>exception for him. I don't know anyway, So this young guy,

0:26:24.960 --> 0:26:29.760
<v Speaker 3>you know, Leo Intell, he takes over and you know

0:26:30.800 --> 0:26:32.959
<v Speaker 3>he probably needed a little more practice. I don't know,

0:26:33.119 --> 0:26:34.480
<v Speaker 3>it just did didn't turn out well.

0:26:34.520 --> 0:26:38.080
<v Speaker 2>It's like the lego tail on Traveler, like a chunky No.

0:26:38.240 --> 0:26:41.960
<v Speaker 3>It's just yeah, there was We had a sculptor from

0:26:41.960 --> 0:26:45.920
<v Speaker 3>around here who himself works in bronze and desk monumental work,

0:26:45.920 --> 0:26:47.320
<v Speaker 3>and he kind of just kind of came and looked

0:26:47.320 --> 0:26:50.000
<v Speaker 3>at it and he was just you know, just everything's

0:26:50.000 --> 0:26:54.480
<v Speaker 3>out of proportion. The gauntlets on the glove are too thick,

0:26:55.240 --> 0:26:59.080
<v Speaker 3>you know, the sword is too long, the tail is

0:26:59.160 --> 0:27:03.520
<v Speaker 3>too fat, I mean in his head. Yeah, that Lee's

0:27:03.600 --> 0:27:06.239
<v Speaker 3>head on top of his shoulders. It just looks like,

0:27:06.320 --> 0:27:08.800
<v Speaker 3>you know, kind of like almost like Transformer toy or something.

0:27:08.800 --> 0:27:12.320
<v Speaker 3>I mean, it's just really weird, you know, proportions. It's

0:27:12.400 --> 0:27:15.080
<v Speaker 3>just it just really was not very well executed because

0:27:15.080 --> 0:27:18.119
<v Speaker 3>apparently the maquette, the model that had been made, just

0:27:18.240 --> 0:27:21.240
<v Speaker 3>was completely destroyed. The model, the original model by Schrady,

0:27:21.359 --> 0:27:25.639
<v Speaker 3>was completely turned to dust, and so Lintelly, the successor sculptor,

0:27:25.680 --> 0:27:29.679
<v Speaker 3>had to work from the drawings that remained. You know,

0:27:30.440 --> 0:27:33.080
<v Speaker 3>and you know, it just didn't didn't really go very well.

0:27:33.240 --> 0:27:38.520
<v Speaker 3>And here's the thing that even the boosters at the time,

0:27:39.440 --> 0:27:42.040
<v Speaker 3>that is, you know, the folks that were planning for

0:27:42.080 --> 0:27:44.720
<v Speaker 3>the installation of the Lee statue in the nineteen twenties

0:27:45.400 --> 0:27:49.520
<v Speaker 3>themselves did not think it was very well executed. We

0:27:49.640 --> 0:27:54.479
<v Speaker 3>have diary entries from the Master of Ceremonies of the

0:27:54.480 --> 0:27:59.280
<v Speaker 3>installation ceremony, RTW Duke's and he says, he writes, is

0:27:59.359 --> 0:28:02.560
<v Speaker 3>like dare to before the installation, he says, went on

0:28:02.600 --> 0:28:06.439
<v Speaker 3>a walk, you know tonight, you know, went by the park,

0:28:06.520 --> 0:28:08.680
<v Speaker 3>you know, saw the Lee statue. I do not like.

0:28:08.680 --> 0:28:10.240
<v Speaker 2>It me either.

0:28:10.600 --> 0:28:14.520
<v Speaker 3>This is the guy who's please damn see at this

0:28:14.920 --> 0:28:17.880
<v Speaker 3>unveiling ceremony. And you know, the next day or two,

0:28:18.400 --> 0:28:22.000
<v Speaker 3>how embarrassing. Yeah, and there's op eds even, you know,

0:28:22.200 --> 0:28:25.719
<v Speaker 3>also they're saying like, wow, you know that that just

0:28:25.880 --> 0:28:29.680
<v Speaker 3>doesn't look good at all, you know. So and these

0:28:29.680 --> 0:28:32.680
<v Speaker 3>are the these are the support these are the Neo Confederates,

0:28:32.760 --> 0:28:35.560
<v Speaker 3>the one it there and and they've they've noticed that

0:28:35.640 --> 0:28:38.520
<v Speaker 3>too many cooks spoiled the soup, you know. And then

0:28:38.640 --> 0:28:43.680
<v Speaker 3>apparently the murmurs were sufficient that one of the speakers

0:28:43.880 --> 0:28:48.440
<v Speaker 3>at the installation ceremony. I can harken back to that,

0:28:48.520 --> 0:28:52.600
<v Speaker 3>you know, at the Lee installation ceremony. You know, I

0:28:52.600 --> 0:28:57.240
<v Speaker 3>guess felt compelled to address the complaints that were apparently circulating,

0:28:57.280 --> 0:29:00.840
<v Speaker 3>and he said, you know, I'm talking about the portionality

0:29:00.880 --> 0:29:03.120
<v Speaker 3>problem that I mentioned before, that just so many it's

0:29:03.160 --> 0:29:05.440
<v Speaker 3>just very disjointed, you know, so many parts of the

0:29:05.880 --> 0:29:08.000
<v Speaker 3>of the monument are out of proportion to other parts.

0:29:08.320 --> 0:29:11.800
<v Speaker 3>And so this speaker at the installation ceremony said, you know,

0:29:11.840 --> 0:29:16.440
<v Speaker 3>there are those who say that the pedestal you know,

0:29:16.600 --> 0:29:21.040
<v Speaker 3>upon which the Lee statue is, you know, is set,

0:29:21.440 --> 0:29:26.560
<v Speaker 3>is too small, But I say the world itself is

0:29:26.600 --> 0:29:32.880
<v Speaker 3>too small a pedestal for General Lee just like oh yeah,

0:29:32.960 --> 0:29:36.000
<v Speaker 3>good say it's it's yeah, yeah, yeah.

0:29:36.000 --> 0:29:37.880
<v Speaker 2>The portions, I mean, the whole thing. The plinth was

0:29:37.920 --> 0:29:40.840
<v Speaker 2>too small, the statue was too large for that tiny park.

0:29:40.880 --> 0:29:43.080
<v Speaker 2>It just it was never a good spot for him.

0:29:43.400 --> 0:29:45.640
<v Speaker 3>It was never a good spot. So anyway, all that

0:29:45.720 --> 0:29:48.040
<v Speaker 3>is to say, it's a very it's a very poor

0:29:48.040 --> 0:29:52.040
<v Speaker 3>work of art. Just just an aesthetic, I mean, and

0:29:52.080 --> 0:29:54.440
<v Speaker 3>I'm not one that wants to remove, you know, kind

0:29:54.480 --> 0:29:57.000
<v Speaker 3>of any moral considerations from aesthetic. There are some people

0:29:57.080 --> 0:29:59.200
<v Speaker 3>philosophers who want to parse that out and this sort

0:29:59.200 --> 0:30:01.640
<v Speaker 3>of thing. And but even if you believe you could

0:30:01.640 --> 0:30:04.880
<v Speaker 3>do that, which I do not, you know, it's just

0:30:05.040 --> 0:30:08.640
<v Speaker 3>really a not It's like having a high school art

0:30:08.720 --> 0:30:12.640
<v Speaker 3>project a CE, I give it a C. It's a

0:30:12.720 --> 0:30:14.680
<v Speaker 3>high school art project that it's not.

0:30:14.560 --> 0:30:18.000
<v Speaker 2>Worth saving, right, No, Like even if it had not

0:30:18.120 --> 0:30:20.400
<v Speaker 2>been this sort of lightning rod in our community, right that,

0:30:20.440 --> 0:30:23.080
<v Speaker 2>even if this were a you know, a beautiful piece

0:30:23.080 --> 0:30:25.960
<v Speaker 2>of art that was worth saving, I don't. I don't know.

0:30:25.960 --> 0:30:29.320
<v Speaker 2>There's two separate concerns, right, Like it's not beautiful enough

0:30:29.360 --> 0:30:33.680
<v Speaker 2>to put into a museum regardless, But then also preserving

0:30:33.720 --> 0:30:38.640
<v Speaker 2>this object in any capacity just allows it to sort

0:30:38.680 --> 0:30:41.720
<v Speaker 2>of continue to be this lightning rod, like you known,

0:30:42.000 --> 0:30:44.960
<v Speaker 2>sort of still asking about, well, what's the problem with recontextualization.

0:30:45.040 --> 0:30:47.400
<v Speaker 2>Why can't you just put it somewhere else? And I

0:30:47.440 --> 0:30:50.320
<v Speaker 2>think that's sort of a broader conversation about these statues

0:30:50.320 --> 0:30:53.280
<v Speaker 2>in general. But for our statue, for that Robert E.

0:30:53.400 --> 0:30:55.880
<v Speaker 2>Lee statue, right that it had become sort of a

0:30:55.920 --> 0:30:59.160
<v Speaker 2>pilgrimage site for vigilanti violence.

0:30:59.480 --> 0:31:02.640
<v Speaker 3>Oh yeah, I don't know that, Like just out for

0:31:03.400 --> 0:31:07.160
<v Speaker 3>the listeners in radio land. Just for folks out there

0:31:07.600 --> 0:31:12.280
<v Speaker 3>listening that even after the twenty seventeen Unite the Right rally,

0:31:13.120 --> 0:31:15.720
<v Speaker 3>this statue stood for another four years in our park

0:31:15.840 --> 0:31:21.200
<v Speaker 3>while we had to wrestle through legal issues, legislative and

0:31:21.360 --> 0:31:27.200
<v Speaker 3>judicial entanglements that prevented Charlottesville from removing that statue even

0:31:27.240 --> 0:31:30.520
<v Speaker 3>after the Unite the Right rally, and during that time,

0:31:30.600 --> 0:31:34.320
<v Speaker 3>that four year interim. It's crazy to think about it, huh,

0:31:34.400 --> 0:31:37.680
<v Speaker 3>for ye that for four years after Unite the Right,

0:31:37.720 --> 0:31:38.880
<v Speaker 3>it was still there, Like.

0:31:39.080 --> 0:31:41.239
<v Speaker 2>The statue made everyone else realized they needed to get

0:31:41.320 --> 0:31:44.560
<v Speaker 2>rid of theirs. But because of state law and these lawsuits,

0:31:44.960 --> 0:31:46.200
<v Speaker 2>we were still stuck with ours.

0:31:46.560 --> 0:31:49.040
<v Speaker 3>Charlottesville was still stuck with it. And there were and

0:31:49.200 --> 0:31:54.400
<v Speaker 3>these you know, different groups, some of the same constituencies

0:31:54.480 --> 0:31:57.920
<v Speaker 3>that had attended Unite the Right continued to come and

0:31:57.960 --> 0:32:02.680
<v Speaker 3>make their pilgrimages to the least sat and to antagonize

0:32:02.680 --> 0:32:07.080
<v Speaker 3>community members by putting up their propaganda near the statues

0:32:07.920 --> 0:32:11.560
<v Speaker 3>and even uh, you know, going to the fourth you know,

0:32:11.600 --> 0:32:13.840
<v Speaker 3>the the crash site on Fourth Street where a neo

0:32:13.920 --> 0:32:17.520
<v Speaker 3>Nazi drove his car you know, into a crowd of

0:32:17.760 --> 0:32:23.360
<v Speaker 3>Charlottesville counter protesters and killed community member heather Hire. These

0:32:23.480 --> 0:32:27.160
<v Speaker 3>these uh fascists you know, who would make their pilgrimage

0:32:27.160 --> 0:32:30.640
<v Speaker 3>to Charlottesville, would make sure and still do on occasion,

0:32:31.200 --> 0:32:33.640
<v Speaker 3>uh go to Fourth Street and put up their propaganda

0:32:33.680 --> 0:32:36.760
<v Speaker 3>there as well as if to kind of further antagonize

0:32:37.240 --> 0:32:40.440
<v Speaker 3>the community at a site of our trauma, you know.

0:32:41.200 --> 0:32:44.960
<v Speaker 3>And so it was very clear that this statue would

0:32:45.000 --> 0:32:46.960
<v Speaker 3>just wherever it would be, it would continue to be

0:32:47.000 --> 0:32:49.680
<v Speaker 3>a beacon for these people. And so really it was

0:32:49.920 --> 0:32:54.000
<v Speaker 3>just kind of a question of responsibility knowing this, uh,

0:32:54.160 --> 0:33:00.520
<v Speaker 3>knowing that no responsible historical or artistic institution has the

0:33:00.560 --> 0:33:03.280
<v Speaker 3>capacity or desire to take it in what does one

0:33:03.320 --> 0:33:06.880
<v Speaker 3>do with it? And that it's not an exemplary piece

0:33:06.880 --> 0:33:09.560
<v Speaker 3>of art. There are fifteen other monuments that are of

0:33:09.640 --> 0:33:12.120
<v Speaker 3>better quality of Lee. We're not going to forget him,

0:33:12.520 --> 0:33:17.000
<v Speaker 3>you know, if this particular specimen goes missing, and the

0:33:17.040 --> 0:33:19.760
<v Speaker 3>way we see it, we're doing the art world a favor,

0:33:19.800 --> 0:33:22.320
<v Speaker 3>because as I've said, it was really, you know, not

0:33:22.520 --> 0:33:26.280
<v Speaker 3>a very good, well executed piece of art. So, you know,

0:33:26.600 --> 0:33:30.280
<v Speaker 3>with in considering all of that, you know, in seeing

0:33:30.400 --> 0:33:36.320
<v Speaker 3>in prior removals, for instance, the Johnny reb the Courthouse,

0:33:36.640 --> 0:33:39.400
<v Speaker 3>Confederate Soldier, statue was removed, and there was kind of

0:33:39.440 --> 0:33:42.240
<v Speaker 3>no plan in place about where it would go, and

0:33:42.280 --> 0:33:44.400
<v Speaker 3>so it ended up, you know, getting sent to a

0:33:44.440 --> 0:33:50.040
<v Speaker 3>battlefield that is maintained by a group of Confederate leading

0:33:50.080 --> 0:33:54.960
<v Speaker 3>folks that seem to favor kind of lost cause interpretations

0:33:55.000 --> 0:33:57.120
<v Speaker 3>of the war. So we'd seen that happen already the

0:33:57.200 --> 0:34:01.240
<v Speaker 3>year before in twenty twenty, that when there isn't a plan,

0:34:01.960 --> 0:34:03.680
<v Speaker 3>it's one thing to remove it, but then where does

0:34:03.720 --> 0:34:06.000
<v Speaker 3>it go? Again, this is a physical object that exists

0:34:06.040 --> 0:34:09.360
<v Speaker 3>in space, in physical space, where is this material object

0:34:09.360 --> 0:34:12.960
<v Speaker 3>going to go? If you don't have a plan, then

0:34:13.680 --> 0:34:14.640
<v Speaker 3>bad things can happen.

0:34:14.760 --> 0:34:17.680
<v Speaker 2>The police resistance the past, the Lae resistance is just

0:34:18.040 --> 0:34:20.480
<v Speaker 2>if someone says I will pay to move this, and

0:34:20.520 --> 0:34:22.360
<v Speaker 2>the city is paying to store it, then that's an

0:34:22.400 --> 0:34:23.959
<v Speaker 2>easy answer and you can't let that.

0:34:24.160 --> 0:34:27.680
<v Speaker 3>Take it right, And so that that went. So when

0:34:27.680 --> 0:34:31.960
<v Speaker 3>the County Aldmarle County removed the Johnny reb statue, the

0:34:31.960 --> 0:34:36.000
<v Speaker 3>Confederate soldier statue from in front of the courthouse, and

0:34:36.400 --> 0:34:39.960
<v Speaker 3>I think that was September of twenty twenty, and we

0:34:40.040 --> 0:34:43.120
<v Speaker 3>saw how quickly that got sent to this battlefield that is,

0:34:43.200 --> 0:34:45.640
<v Speaker 3>you know, maintained by these you know, kind of lost

0:34:45.680 --> 0:34:50.759
<v Speaker 3>cause type folks. That's when Andrea Douglas and I and

0:34:50.760 --> 0:34:53.800
<v Speaker 3>Andrea Douglas is the director of the Jefferson School African

0:34:53.880 --> 0:34:59.400
<v Speaker 3>American Heritage Center here in Charlottesville. We said, you know,

0:34:59.440 --> 0:35:02.960
<v Speaker 3>we still do not have the legal authority to remove

0:35:03.960 --> 0:35:09.759
<v Speaker 3>Charlottesville's Lee statue, but we anticipated that perhaps, you know,

0:35:09.840 --> 0:35:12.000
<v Speaker 3>in the in the coming year, we might I said,

0:35:12.040 --> 0:35:16.759
<v Speaker 3>we need to start making plans now about what can have,

0:35:17.000 --> 0:35:21.239
<v Speaker 3>what where the statue should go after its removal, because otherwise,

0:35:21.920 --> 0:35:25.160
<v Speaker 3>the same thing that happened to this Johnny reb to

0:35:25.280 --> 0:35:27.879
<v Speaker 3>this Confederate soldier statue just kind of getting sent down

0:35:27.920 --> 0:35:31.480
<v Speaker 3>the road, you know, to whatever entity organization that wants it,

0:35:31.719 --> 0:35:33.719
<v Speaker 3>the same thing's going to happen, and we need to

0:35:33.760 --> 0:35:37.120
<v Speaker 3>have a plan in place in order to kind of

0:35:37.200 --> 0:35:41.560
<v Speaker 3>capture that so that it doesn't just kind of continue

0:35:41.600 --> 0:35:44.560
<v Speaker 3>to circulate and to do harm. So that was our motivation.

0:35:44.760 --> 0:35:47.480
<v Speaker 3>So we kind of, you know, in September of twenty twenty,

0:35:47.560 --> 0:35:50.480
<v Speaker 3>that's when we really you know, put the pedal to

0:35:50.520 --> 0:35:54.040
<v Speaker 3>the metal on starting the planning of this, you know.

0:35:54.360 --> 0:35:56.319
<v Speaker 3>And we and mind you, we did not even get

0:35:56.320 --> 0:35:58.799
<v Speaker 3>permission until I think It was April the first of

0:35:58.840 --> 0:36:02.760
<v Speaker 3>twenty twenty one, and finally the Virginia Supreme Court ruled

0:36:02.760 --> 0:36:05.760
<v Speaker 3>in favor of the City of Charlottesville in our efforts

0:36:05.840 --> 0:36:09.440
<v Speaker 3>to remove the Lea statue. You know. So this was

0:36:09.480 --> 0:36:13.000
<v Speaker 3>you know, six seven months before we even knew if

0:36:13.000 --> 0:36:15.560
<v Speaker 3>we could do this, but we said, let's start making plans,

0:36:16.160 --> 0:36:19.120
<v Speaker 3>and so we started having these kinds of conversations you know,

0:36:19.640 --> 0:36:26.640
<v Speaker 3>with battlefields, with museums, with foundries, you know, just just

0:36:26.719 --> 0:36:29.000
<v Speaker 3>you know, just learning, you know, kind of the nuts

0:36:29.040 --> 0:36:32.040
<v Speaker 3>and bolts, you know, what are the possibilities here? And

0:36:32.120 --> 0:36:51.760
<v Speaker 3>it turns out it's very complicated.

0:36:48.120 --> 0:36:50.000
<v Speaker 2>Right, So, I know there's been sort of jokes around

0:36:50.040 --> 0:36:51.440
<v Speaker 2>that it was going back over some of the public

0:36:51.480 --> 0:36:53.680
<v Speaker 2>discourse over the years that we've been sort of joking

0:36:53.680 --> 0:36:55.520
<v Speaker 2>as a community for years, like why don't we just

0:36:55.640 --> 0:36:57.480
<v Speaker 2>melt it? Why don't we just melt it?

0:36:57.719 --> 0:36:58.000
<v Speaker 3>Yeah?

0:36:58.040 --> 0:37:03.000
<v Speaker 2>But when did that because a real idea like when

0:37:03.040 --> 0:37:04.839
<v Speaker 2>did it? When did that sort of coalesce into something

0:37:04.840 --> 0:37:05.719
<v Speaker 2>that felt possible.

0:37:06.640 --> 0:37:09.239
<v Speaker 3>I think, you know, in September twenty twenty, I think

0:37:09.280 --> 0:37:12.040
<v Speaker 3>when the Johnny reb statue was removed and it went on,

0:37:12.280 --> 0:37:15.680
<v Speaker 3>you know to the Shenandoah Valley Battlefield Foundation, you know,

0:37:15.719 --> 0:37:19.160
<v Speaker 3>and they have this horrible plaque that they're putting up

0:37:19.160 --> 0:37:23.200
<v Speaker 3>that talks about how these men died for Virginia, you know,

0:37:23.200 --> 0:37:25.440
<v Speaker 3>and it's like they died for thirty eight percent of

0:37:25.520 --> 0:37:28.000
<v Speaker 3>Virginians were enslaved at that time, So how are you

0:37:28.040 --> 0:37:30.799
<v Speaker 3>saying that they died for Virginia. Also, this is from

0:37:30.800 --> 0:37:33.400
<v Speaker 3>alb Marle County. The majority of people here were enslaved.

0:37:33.480 --> 0:37:36.640
<v Speaker 3>So how did how did the people supposedly represented by

0:37:36.640 --> 0:37:39.560
<v Speaker 3>this statue die for Virginia fight for Virginia, you know

0:37:39.600 --> 0:37:42.279
<v Speaker 3>what I mean? So we just like that was so disturbing,

0:37:42.560 --> 0:37:45.120
<v Speaker 3>you know, in September of twenty twenty, when that happened,

0:37:45.160 --> 0:37:49.280
<v Speaker 3>that's that's really when I just really started working in Earnest,

0:37:49.800 --> 0:37:51.440
<v Speaker 3>you know, calling foundries.

0:37:51.600 --> 0:37:52.960
<v Speaker 2>So the idea was always melting.

0:37:53.880 --> 0:37:56.680
<v Speaker 3>I mean, it wasn't until then because see this is funny.

0:37:56.800 --> 0:38:00.560
<v Speaker 3>When this whole controversy started in twenty sixteen, when Ziona

0:38:00.600 --> 0:38:03.640
<v Speaker 3>Bryant brought up her petition, you know, to to consider

0:38:04.000 --> 0:38:07.920
<v Speaker 3>removing these statues. The the position of the activist then

0:38:08.040 --> 0:38:11.319
<v Speaker 3>was just move the statue, go back and look at

0:38:11.320 --> 0:38:14.200
<v Speaker 3>the signs and at the T shirts and it says

0:38:14.280 --> 0:38:18.680
<v Speaker 3>hashtag move the statue. We just wanted it move. Just

0:38:18.800 --> 0:38:21.440
<v Speaker 3>take it from the Central Park and put it out

0:38:21.480 --> 0:38:25.000
<v Speaker 3>in McIntyre Park where there's more space. Don't have it downtown.

0:38:25.040 --> 0:38:27.520
<v Speaker 3>I mean that was kind of like that was the edgy,

0:38:30.719 --> 0:38:31.800
<v Speaker 3>you know, And then.

0:38:31.840 --> 0:38:34.320
<v Speaker 2>They should have taken the opportunity back then, see.

0:38:34.600 --> 0:38:38.160
<v Speaker 3>Right exactly that was the opening bid, and you should

0:38:38.160 --> 0:38:38.879
<v Speaker 3>have took it, you.

0:38:38.840 --> 0:38:42.120
<v Speaker 2>Know, just these on the table anymore.

0:38:42.440 --> 0:38:45.279
<v Speaker 3>Yeah, exactly that that that that would have been good.

0:38:45.280 --> 0:38:49.160
<v Speaker 3>It would be in Mark mctire Park on the outskirts

0:38:49.160 --> 0:38:52.160
<v Speaker 3>of town. So and so, you know, when that when

0:38:52.200 --> 0:38:54.880
<v Speaker 3>the when, you know, the city appointed this Blue Ribbon

0:38:54.880 --> 0:38:57.279
<v Speaker 3>Commission on Race Memorials in Public Spaces to have a

0:38:57.320 --> 0:39:00.799
<v Speaker 3>series of public meetings to hear from Unity members what

0:39:00.800 --> 0:39:03.120
<v Speaker 3>they wanted to have happened with the statues. Should they

0:39:03.120 --> 0:39:06.400
<v Speaker 3>be removed, should you know, what should happen? And you know,

0:39:06.440 --> 0:39:08.840
<v Speaker 3>and this Blue Ribbon Commission, you know, hands their final

0:39:08.880 --> 0:39:12.600
<v Speaker 3>report to city council, you know, and then city council

0:39:13.600 --> 0:39:16.080
<v Speaker 3>takes the vote, you know, Charlotsville City Council in February

0:39:16.120 --> 0:39:21.680
<v Speaker 3>of twenty seventeen, and surprising many people, not some of

0:39:21.760 --> 0:39:23.759
<v Speaker 3>us who were in the know. But one of the

0:39:23.800 --> 0:39:27.279
<v Speaker 3>council members said, yes, I would like to propose a

0:39:27.320 --> 0:39:32.560
<v Speaker 3>resolution to remove the lead, not just move it, not

0:39:32.680 --> 0:39:34.680
<v Speaker 3>just recontextualize it, because that's you know, if you go

0:39:34.719 --> 0:39:37.440
<v Speaker 3>back and read that report, it's actually fairly there's a

0:39:37.480 --> 0:39:40.239
<v Speaker 3>couple of different suggests like, well you could move it,

0:39:40.760 --> 0:39:43.759
<v Speaker 3>or you could just do this, and you know, and

0:39:44.000 --> 0:39:47.880
<v Speaker 3>city council woman, you know, Christian Zakas, said, I would

0:39:48.160 --> 0:39:51.440
<v Speaker 3>you know, make a motion to have it removed completely,

0:39:51.680 --> 0:39:54.239
<v Speaker 3>you know. So it's like, whoa, Okay, we're you know,

0:39:54.280 --> 0:39:56.880
<v Speaker 3>we're making steps, you know. So it was it was about,

0:39:56.920 --> 0:39:59.719
<v Speaker 3>you know, it was getting from move from move the

0:39:59.719 --> 0:40:04.360
<v Speaker 3>state to remove the statue, as in take it away,

0:40:04.760 --> 0:40:08.200
<v Speaker 3>you know, and then it really wasn't until after all

0:40:08.280 --> 0:40:11.640
<v Speaker 3>the strife, you know. I mean, I think there were

0:40:11.640 --> 0:40:14.200
<v Speaker 3>some people all along who's you know, would say tongue

0:40:14.200 --> 0:40:16.279
<v Speaker 3>in cheek, oh we should just melt it down, you know,

0:40:16.400 --> 0:40:18.479
<v Speaker 3>or you know, she'd you know, But but the thought

0:40:18.560 --> 0:40:20.719
<v Speaker 3>it was just so you know, talk about there's much

0:40:20.719 --> 0:40:24.879
<v Speaker 3>talk of overton windows these days, you know, but they're

0:40:24.920 --> 0:40:28.320
<v Speaker 3>just they're just when that was being said, it was

0:40:28.360 --> 0:40:30.600
<v Speaker 3>always in a kind of jocular manner like, oh, of

0:40:30.640 --> 0:40:33.479
<v Speaker 3>course that could never be but or we should melt

0:40:33.480 --> 0:40:36.239
<v Speaker 3>it down. It was this kind of offhand right, it

0:40:36.360 --> 0:40:40.920
<v Speaker 3>wasn't serious because how could that ever be? Right? I

0:40:40.920 --> 0:40:44.360
<v Speaker 3>mean that really that was behind. But what it takes

0:40:44.400 --> 0:40:47.200
<v Speaker 3>is somebody taking that seriously and like going through the

0:40:47.400 --> 0:40:49.880
<v Speaker 3>practical steps of what would that look like? And so

0:40:49.960 --> 0:40:53.120
<v Speaker 3>that's what I started doing in September twenty twenty. It's like,

0:40:53.200 --> 0:40:55.879
<v Speaker 3>I keep hearing people say that they want it melted down,

0:40:55.960 --> 0:40:58.800
<v Speaker 3>What would that look like? What do you like physically

0:40:58.840 --> 0:41:02.480
<v Speaker 3>do that this happened. I'm a humanities person. This was

0:41:02.560 --> 0:41:06.800
<v Speaker 3>breaking my brain learning about alloys and you know, compositions.

0:41:06.840 --> 0:41:09.360
<v Speaker 2>Here it becomes an engineering problem.

0:41:09.880 --> 0:41:12.759
<v Speaker 3>It really did. Yeah, and I did. I consulted with

0:41:13.080 --> 0:41:18.360
<v Speaker 3>you know, metallurgist engineers, you know, folks at various foundries

0:41:18.800 --> 0:41:21.600
<v Speaker 3>you know, to to you know, consulting and say, well,

0:41:21.640 --> 0:41:23.200
<v Speaker 3>you have to do this, you have to you know,

0:41:23.280 --> 0:41:26.040
<v Speaker 3>consider that. I mean so yeah, it was really in

0:41:26.080 --> 0:41:29.400
<v Speaker 3>the fall of twenty twenty when you know, kind of

0:41:29.440 --> 0:41:33.719
<v Speaker 3>in earnest started having conversations, you know, with with foundrymen

0:41:34.440 --> 0:41:40.680
<v Speaker 3>and with engineers, with folks that work in bronze casting.

0:41:41.120 --> 0:41:43.399
<v Speaker 3>You know, but most of the time people didn't want

0:41:43.400 --> 0:41:47.480
<v Speaker 3>to talk to us right when they found out, oh

0:41:47.520 --> 0:41:49.279
<v Speaker 3>you want to do something with this with the stat

0:41:49.320 --> 0:41:52.799
<v Speaker 3>oh no, they just you know, they were they didn't

0:41:52.800 --> 0:41:55.120
<v Speaker 3>want to be involved in any controversy. Or we would

0:41:55.120 --> 0:41:57.640
<v Speaker 3>get someone who was on board with it, Yes we're

0:41:57.640 --> 0:42:00.360
<v Speaker 3>going to do it, and then for instance, you know,

0:42:00.560 --> 0:42:03.759
<v Speaker 3>the company got sold and the new owners were like,

0:42:03.800 --> 0:42:07.359
<v Speaker 3>what nothing to do with it, you know, or they

0:42:07.360 --> 0:42:10.200
<v Speaker 3>won't call us back anymore, or no, or you know,

0:42:10.480 --> 0:42:13.040
<v Speaker 3>I mean, just things just kept coming up. So it

0:42:13.120 --> 0:42:17.160
<v Speaker 3>was hard to find anyone who would just engage in

0:42:17.200 --> 0:42:20.080
<v Speaker 3>a serious way about the questions. And then even when

0:42:20.080 --> 0:42:23.640
<v Speaker 3>you could, it was kind of like, you know, you'd

0:42:23.680 --> 0:42:25.680
<v Speaker 3>get somebody for a little bit, and then it was

0:42:25.800 --> 0:42:27.479
<v Speaker 3>you know, like the fisher, it's like, you know, catch

0:42:27.640 --> 0:42:29.400
<v Speaker 3>the fish would swim away, you know, kind of I

0:42:29.440 --> 0:42:31.759
<v Speaker 3>don't know it just you know, So it was it

0:42:31.800 --> 0:42:33.640
<v Speaker 3>was a lot of different conversations with a lot of

0:42:33.640 --> 0:42:36.920
<v Speaker 3>different people, you know, along the way to figure out

0:42:36.960 --> 0:42:39.279
<v Speaker 3>like what are the you know, literal and figurative nuts

0:42:39.280 --> 0:42:41.840
<v Speaker 3>and bolts of doing this. You know, I learned a lot,

0:42:42.200 --> 0:42:47.200
<v Speaker 3>like you know, about standard width of trailers eight and

0:42:47.200 --> 0:42:49.719
<v Speaker 3>a half feet Did you know that? Yeah, eight and

0:42:49.719 --> 0:42:55.279
<v Speaker 3>half feet yep, right right, you know, and you know

0:42:55.320 --> 0:42:57.360
<v Speaker 3>fifty three feet long, and you know, and you know

0:42:57.480 --> 0:42:59.879
<v Speaker 3>kind of what kind of what's the hauling capacity, what's

0:42:59.880 --> 0:43:02.680
<v Speaker 3>the payload? You know, how do you balance the load?

0:43:02.840 --> 0:43:05.440
<v Speaker 3>You know? What is duneage? I mean you're just like

0:43:05.880 --> 0:43:08.560
<v Speaker 3>all these things. You know that that just the very

0:43:09.400 --> 0:43:13.719
<v Speaker 3>practical steps that one has to take to melt a statue.

0:43:14.640 --> 0:43:16.600
<v Speaker 2>And so it seems like, you know, the conclusion that

0:43:16.640 --> 0:43:21.759
<v Speaker 2>you reached was this object can't keep existing because the

0:43:21.800 --> 0:43:24.600
<v Speaker 2>fact that it does exist will always be a problem.

0:43:25.000 --> 0:43:26.840
<v Speaker 2>So that this is the decision was made that it

0:43:26.880 --> 0:43:29.040
<v Speaker 2>needed to be destroyed. But what was sort of the

0:43:29.400 --> 0:43:33.760
<v Speaker 2>process of thinking through what do we do with it now?

0:43:33.880 --> 0:43:34.000
<v Speaker 1>Right?

0:43:34.040 --> 0:43:36.920
<v Speaker 2>Like, what is this sort of the vision behind not

0:43:37.000 --> 0:43:39.400
<v Speaker 2>just yeah, you know, taking the statue down and putting

0:43:39.480 --> 0:43:41.840
<v Speaker 2>up a different piece of public art, but a different

0:43:41.880 --> 0:43:44.759
<v Speaker 2>piece of public art that is physically repurposed. Right that

0:43:44.760 --> 0:43:47.200
<v Speaker 2>you've you've remediated this material.

0:43:47.520 --> 0:43:53.160
<v Speaker 3>Right right? Yeah, Well, we prefer the word transformed, you know,

0:43:53.760 --> 0:43:56.880
<v Speaker 3>to destroyed or or I mean it is it is,

0:43:56.960 --> 0:43:59.480
<v Speaker 3>you know, definitely, it is you know, kind of morphing

0:43:59.520 --> 0:44:03.960
<v Speaker 3>the material is taking the materials, you know, these raw materials,

0:44:04.719 --> 0:44:10.520
<v Speaker 3>and you know, transforming them into kind of usable you know,

0:44:10.600 --> 0:44:14.920
<v Speaker 3>kind of ingots, brick sized, you know, pieces of bronze,

0:44:15.719 --> 0:44:18.080
<v Speaker 3>so that they can be made into something new. It's

0:44:18.080 --> 0:44:21.680
<v Speaker 3>not that we hate art. We want art, right.

0:44:21.960 --> 0:44:24.800
<v Speaker 2>You know doctor Douglas's her background is in art, right.

0:44:25.120 --> 0:44:27.920
<v Speaker 3>Yes, doctor Douglas is an art historian. I mean, we

0:44:27.960 --> 0:44:31.120
<v Speaker 3>are the two most unlikely people to be in charge

0:44:31.160 --> 0:44:33.760
<v Speaker 3>of such a project. I mean, I'm a religious study scholar.

0:44:33.880 --> 0:44:36.279
<v Speaker 3>It's like I've spent years of my life, you know,

0:44:36.520 --> 0:44:42.960
<v Speaker 3>studying you know, how people, you know, make make sacred values,

0:44:43.000 --> 0:44:47.040
<v Speaker 3>and specifically how they gather around material objects that they regard.

0:44:47.400 --> 0:44:49.440
<v Speaker 2>I don't think that's unlikely at all, right, that this

0:44:49.680 --> 0:44:54.360
<v Speaker 2>was an object of veneration for a very harmful cause.

0:44:54.440 --> 0:44:57.840
<v Speaker 3>I mean, I know you're sort of seventeen years, you know,

0:44:57.920 --> 0:45:02.720
<v Speaker 3>researching a book about a a very beloved four hundred

0:45:02.800 --> 0:45:06.719
<v Speaker 3>year old effigy of the Virgin Mary in Cuba. You

0:45:06.719 --> 0:45:09.359
<v Speaker 3>can see my book up here. Well, there's a Cuban fla.

0:45:09.640 --> 0:45:12.440
<v Speaker 3>This right here is my book. Look I'm going over

0:45:12.480 --> 0:45:12.719
<v Speaker 3>too far.

0:45:12.800 --> 0:45:14.239
<v Speaker 2>Yeah, I see the Virgin Mary back there.

0:45:14.880 --> 0:45:17.560
<v Speaker 3>Yeah, anyway, so I yeah, so that's that's my book

0:45:17.880 --> 0:45:21.720
<v Speaker 3>up here. Yeah, right here, this is my book, Kachita's Streets.

0:45:22.480 --> 0:45:25.600
<v Speaker 3>I mean, if somebody, oh and you know, and this

0:45:25.640 --> 0:45:28.960
<v Speaker 3>has happened before, there have been folks, you know, iconoclass,

0:45:28.960 --> 0:45:33.200
<v Speaker 3>if somebody went and destroyed her image there in that

0:45:33.280 --> 0:45:38.200
<v Speaker 3>shrine in Cuba, I would be obsensed. I would just

0:45:39.360 --> 0:45:41.560
<v Speaker 3>I would be beside myself. I mean, it'd be like

0:45:41.600 --> 0:45:46.440
<v Speaker 3>somebody killed you know, a family member. I mean, be

0:45:46.560 --> 0:45:48.319
<v Speaker 3>on the next plane to get you know, you would

0:45:48.360 --> 0:45:50.359
<v Speaker 3>have to console people. I mean, a four hundred year

0:45:50.360 --> 0:45:52.279
<v Speaker 3>old you know, it would just be terrible. You know,

0:45:53.480 --> 0:45:55.960
<v Speaker 3>it doesn't have all the hate wrapped into it that

0:45:56.040 --> 0:45:58.480
<v Speaker 3>these you know, statues do in this sort of thing.

0:45:58.480 --> 0:46:00.600
<v Speaker 3>So what I'm saying is I understand and that people

0:46:00.640 --> 0:46:04.080
<v Speaker 3>have very tender feelings toward these material objects that they

0:46:04.080 --> 0:46:06.840
<v Speaker 3>have had experiences around them that have bound them together.

0:46:08.080 --> 0:46:11.880
<v Speaker 3>Religiare you know the binding that's the original you know

0:46:12.040 --> 0:46:14.920
<v Speaker 3>root Latin root of religion you know, is to bind.

0:46:15.120 --> 0:46:18.600
<v Speaker 3>You know, I get that. And so yeah, I'm not

0:46:18.680 --> 0:46:23.040
<v Speaker 3>a reflexive iconoclast. You know, I'm a Catholic, I'm a

0:46:23.560 --> 0:46:27.360
<v Speaker 3>you know, I'm also a you know, participate in these

0:46:27.719 --> 0:46:31.239
<v Speaker 3>African inspired religious practices and stuff that you know that

0:46:31.320 --> 0:46:34.960
<v Speaker 3>put a lot of you know, emphasis upon, you know,

0:46:35.000 --> 0:46:37.239
<v Speaker 3>sacred material objects. So I am kind of I mean,

0:46:37.239 --> 0:46:39.440
<v Speaker 3>it is kind of weird that me I would be

0:46:39.440 --> 0:46:43.239
<v Speaker 3>involved in this and that, you know, and doctor Douglas,

0:46:43.400 --> 0:46:47.720
<v Speaker 3>you know, but it's precisely because we know the power

0:46:47.920 --> 0:46:52.080
<v Speaker 3>of these things, and the we're eyewitnesses to what happened here.

0:46:52.760 --> 0:46:54.440
<v Speaker 3>You know that we know the power of it, and

0:46:54.480 --> 0:46:56.879
<v Speaker 3>so how to be responsible for it. And so to

0:46:56.960 --> 0:47:00.200
<v Speaker 3>take something like that that was so harmful and to

0:47:00.239 --> 0:47:04.160
<v Speaker 3>be able to use its materials to transform them and

0:47:04.200 --> 0:47:08.319
<v Speaker 3>to make something that's meaningful and beautiful and that expresses

0:47:08.560 --> 0:47:12.000
<v Speaker 3>our community's values and that includes people rather than kind

0:47:12.000 --> 0:47:15.799
<v Speaker 3>of sets people apart, you know, or kind of you know,

0:47:15.880 --> 0:47:21.560
<v Speaker 3>symbolizing moments in our history where you know, over half

0:47:21.600 --> 0:47:25.759
<v Speaker 3>the local population was completely debased, you know. To be

0:47:25.800 --> 0:47:29.560
<v Speaker 3>able to take the material that that was part of

0:47:29.600 --> 0:47:33.440
<v Speaker 3>that and transform it into something else, it's just it

0:47:33.600 --> 0:47:36.719
<v Speaker 3>just seemed like it just has so much potential, you know.

0:47:36.800 --> 0:47:38.520
<v Speaker 3>And and and then the name of the project is

0:47:38.560 --> 0:47:42.160
<v Speaker 3>Swords into Plowshares, which comes from a verse from the

0:47:42.200 --> 0:47:47.480
<v Speaker 3>prophet Isaiah that they shall turn their swords into plowshares,

0:47:47.520 --> 0:47:51.360
<v Speaker 3>they shall turn their their spears into pruning hooks. So

0:47:51.600 --> 0:47:56.400
<v Speaker 3>we'll take these implements of destruction and of violence, and

0:47:56.480 --> 0:48:03.600
<v Speaker 3>we will transform them in to instruments of to cultivate,

0:48:04.440 --> 0:48:09.480
<v Speaker 3>you know, sustenance, you know, uh, you know, you know,

0:48:10.120 --> 0:48:12.359
<v Speaker 3>nutrients you know, for a community. I mean, it just

0:48:12.400 --> 0:48:15.000
<v Speaker 3>you know, to just to just really transform it, you know,

0:48:15.000 --> 0:48:18.560
<v Speaker 3>from from something so ugly you know, into something beautiful,

0:48:19.040 --> 0:48:20.840
<v Speaker 3>you know. And we just thought, you know, let's let's

0:48:20.880 --> 0:48:23.520
<v Speaker 3>take the chance. Let's try and do this. Let's do

0:48:23.600 --> 0:48:26.120
<v Speaker 3>something that's never been done before, because none of these

0:48:26.480 --> 0:48:29.320
<v Speaker 3>statues have ever been like, I don't think ever completely

0:48:29.440 --> 0:48:33.279
<v Speaker 3>the Confederate ones anyway, have ever been completely destroyed, you know,

0:48:33.560 --> 0:48:35.880
<v Speaker 3>like this. Most of them are just in storage somewhere.

0:48:36.840 --> 0:48:39.760
<v Speaker 3>And we said, let's let's take this chance to transform.

0:48:39.840 --> 0:48:41.879
<v Speaker 3>Let's be responsible first of all, and not send our

0:48:41.960 --> 0:48:45.120
<v Speaker 3>toxic waste down the road to another community. And let's

0:48:45.120 --> 0:48:48.560
<v Speaker 3>try to do something transformative, you know, for our community.

0:48:48.600 --> 0:48:52.120
<v Speaker 3>And maybe this can also move the needle, you know,

0:48:52.200 --> 0:48:56.640
<v Speaker 3>in a national and international conversation about art and the

0:48:56.719 --> 0:49:01.239
<v Speaker 3>reparative values, you know, potential repair of values of art,

0:49:01.560 --> 0:49:06.040
<v Speaker 3>you know, and community building, you know, and so in

0:49:06.080 --> 0:49:09.480
<v Speaker 3>our you know, we're the swords into Plowsher's project. We're

0:49:09.680 --> 0:49:13.319
<v Speaker 3>hoping to put out a request for proposals, you know,

0:49:14.080 --> 0:49:18.239
<v Speaker 3>to artists this year in twenty twenty four, which is

0:49:18.320 --> 0:49:21.640
<v Speaker 3>the one hundredth anniversary of when the Least statue was installed.

0:49:21.680 --> 0:49:24.960
<v Speaker 3>You know, ideally, you know, fingers crossed, if you know,

0:49:25.480 --> 0:49:27.600
<v Speaker 3>it would be wonderful if we could have a completed

0:49:27.640 --> 0:49:30.480
<v Speaker 3>statue in twenty twenty seven, which would be the ten

0:49:30.560 --> 0:49:33.239
<v Speaker 3>year anniversary of the United the Right Rally, you know,

0:49:33.320 --> 0:49:36.480
<v Speaker 3>to to you know, to have something else to give

0:49:36.520 --> 0:49:39.560
<v Speaker 3>back to our community. You know, that's a blasting value that,

0:49:40.680 --> 0:49:43.120
<v Speaker 3>you know, and for us, it's important that we write

0:49:43.160 --> 0:49:47.120
<v Speaker 3>our narrative. There were people who attacked us, you know,

0:49:47.760 --> 0:49:51.279
<v Speaker 3>who tried to kind of imprint on us, you know,

0:49:51.960 --> 0:49:54.040
<v Speaker 3>some sort of narrative about what we were about and

0:49:54.520 --> 0:49:56.719
<v Speaker 3>also kind of you know, reverberated in a you know,

0:49:56.880 --> 0:50:02.319
<v Speaker 3>national and international way. And we're really taking control of

0:50:02.360 --> 0:50:04.600
<v Speaker 3>the narrative here. We're saying, you know, we we are

0:50:04.600 --> 0:50:07.200
<v Speaker 3>going to say who we are and we're going to

0:50:07.239 --> 0:50:11.960
<v Speaker 3>express that, you know, and we do value art, you know,

0:50:12.840 --> 0:50:15.400
<v Speaker 3>we want it to be an art that reflects our values.

0:50:16.760 --> 0:50:16.840
<v Speaker 4>Right.

0:50:16.920 --> 0:50:19.640
<v Speaker 2>I think this is a recognition that art does have power.

0:50:19.680 --> 0:50:21.680
<v Speaker 2>It had the power to harm, It had the power

0:50:21.719 --> 0:50:24.880
<v Speaker 2>to to bring great harm to this community. But it

0:50:24.920 --> 0:50:27.239
<v Speaker 2>was you know, that art was harming people just by

0:50:27.280 --> 0:50:29.520
<v Speaker 2>existing in that space, even before Unite the Right. And

0:50:29.560 --> 0:50:33.600
<v Speaker 2>now those same materials have hopefully the power to bring

0:50:33.640 --> 0:50:37.320
<v Speaker 2>some repair. Yeah, So it wasn't It wasn't just the

0:50:37.560 --> 0:50:39.400
<v Speaker 2>practical you know, I think you were saying. It started

0:50:39.400 --> 0:50:41.640
<v Speaker 2>out a sort of a practical question is what do

0:50:41.680 --> 0:50:44.239
<v Speaker 2>you do with this large object? And so the practical

0:50:44.280 --> 0:50:47.919
<v Speaker 2>answer is you reduce its size, you melt it down,

0:50:47.960 --> 0:50:50.440
<v Speaker 2>You remove it, and you melt it down. But it's

0:50:50.480 --> 0:50:53.440
<v Speaker 2>not just practical, right, there is there is incredible symbolic

0:50:53.560 --> 0:50:57.719
<v Speaker 2>value in using that material, that metal, right that I

0:50:57.760 --> 0:50:59.720
<v Speaker 2>think in some of the articles you all talked about

0:51:00.360 --> 0:51:02.640
<v Speaker 2>as it was melting there were impurities in the metal.

0:51:02.760 --> 0:51:06.160
<v Speaker 2>So as the statue is being melted down, the impurities

0:51:06.160 --> 0:51:09.000
<v Speaker 2>are being extracted from it, it's being purified and now

0:51:09.040 --> 0:51:11.480
<v Speaker 2>it can be repurposed and that's really beautiful.

0:51:12.000 --> 0:51:14.600
<v Speaker 3>Yeah, it is. Yeah, the slag getting pulled off the

0:51:14.680 --> 0:51:18.120
<v Speaker 3>top and just yeah, just it was incredible, you know,

0:51:18.200 --> 0:51:19.799
<v Speaker 3>to see for sure.

0:51:20.600 --> 0:51:23.640
<v Speaker 2>And so at this stage, you guys are soliciting community input.

0:51:23.680 --> 0:51:25.640
<v Speaker 2>I think there's a sort of a community survey out

0:51:25.640 --> 0:51:28.239
<v Speaker 2>about sort of what parks people frequent, how they're using

0:51:28.239 --> 0:51:31.000
<v Speaker 2>the parks, how they're engaging with the parks. And so

0:51:31.200 --> 0:51:33.520
<v Speaker 2>this year there'll be a request for proposals for artists

0:51:33.560 --> 0:51:37.240
<v Speaker 2>to sort of put forth their vision for this bronze.

0:51:37.120 --> 0:51:39.560
<v Speaker 3>Right, and this is it's nice because this is all

0:51:39.600 --> 0:51:43.520
<v Speaker 3>coinciding with the city if Charlottesville has for some time

0:51:44.320 --> 0:51:48.600
<v Speaker 3>wanted to do a renovation of its downtown park. So

0:51:48.640 --> 0:51:50.440
<v Speaker 3>this and this has been a long time coming that

0:51:50.560 --> 0:51:52.759
<v Speaker 3>there are you know, sedated, you know, all of this

0:51:52.920 --> 0:51:56.200
<v Speaker 3>drama with the with the statues, but it's just really

0:51:56.480 --> 0:51:59.719
<v Speaker 3>a nice opportunity to just kind of for the community

0:51:59.760 --> 0:52:02.080
<v Speaker 3>to just kind of take stock. It's like, Okay, we're

0:52:02.680 --> 0:52:05.080
<v Speaker 3>you know, we're whatever, you know, going on seven years

0:52:05.080 --> 0:52:08.000
<v Speaker 3>out from Unite the Right. You know, we're eight years

0:52:08.040 --> 0:52:11.799
<v Speaker 3>out from you know, Zionist initial petition. You know, you

0:52:11.840 --> 0:52:14.279
<v Speaker 3>know this this statue has been you know taken away,

0:52:14.320 --> 0:52:17.120
<v Speaker 3>it has been melted, and it just feels like a

0:52:17.200 --> 0:52:20.200
<v Speaker 3>literal and figurative clearing of the land. You know, it

0:52:20.280 --> 0:52:22.920
<v Speaker 3>just feels like you know, people have asked, you know

0:52:22.960 --> 0:52:25.200
<v Speaker 3>sometimes it's like, oh, there's you know, all that empty

0:52:25.239 --> 0:52:26.960
<v Speaker 3>space at the parks, and I was like, yeah, isn't

0:52:27.000 --> 0:52:29.840
<v Speaker 3>it nice. It's just kind of like I mean to

0:52:30.400 --> 0:52:32.520
<v Speaker 3>just kind of I think it's nice to just have

0:52:33.160 --> 0:52:35.200
<v Speaker 3>just push the pause button for you know, in terms

0:52:35.239 --> 0:52:37.680
<v Speaker 3>of things that are there for several years, and just

0:52:37.760 --> 0:52:41.480
<v Speaker 3>kind of allow our our minds to open, you know,

0:52:41.640 --> 0:52:45.160
<v Speaker 3>just like the space itself, and just to just imagine

0:52:45.239 --> 0:52:48.200
<v Speaker 3>what that space can look like. I think it's really

0:52:48.200 --> 0:52:51.080
<v Speaker 3>instructive and I wish more communities could have the opportunity

0:52:51.160 --> 0:52:53.440
<v Speaker 3>to do this. Actually yes, but you know, for instance,

0:52:53.480 --> 0:52:57.879
<v Speaker 3>taking that survey you know that community members in Charlottesville

0:52:57.920 --> 0:53:00.480
<v Speaker 3>are doing now about you know, yeah, how how do

0:53:00.600 --> 0:53:00.839
<v Speaker 3>you know?

0:53:01.239 --> 0:53:01.560
<v Speaker 2>Where?

0:53:02.040 --> 0:53:05.520
<v Speaker 3>Where do you what parks you go to? What activities

0:53:05.520 --> 0:53:07.320
<v Speaker 3>do you engage in there? What do you like? You know,

0:53:07.360 --> 0:53:08.759
<v Speaker 3>what would you like to see more of? You know

0:53:08.880 --> 0:53:11.560
<v Speaker 3>this sort of thing. It's it's great to you know,

0:53:11.680 --> 0:53:13.719
<v Speaker 3>to consider this. You know that this is something that

0:53:14.000 --> 0:53:19.200
<v Speaker 3>has been you know, America's uh uh you know, the

0:53:19.320 --> 0:53:22.480
<v Speaker 3>United States is uh, you know, public parks has you

0:53:22.520 --> 0:53:25.520
<v Speaker 3>know been something that you know since the nineteenth century

0:53:25.640 --> 0:53:28.759
<v Speaker 3>is something that's that's been a real gem, you know

0:53:28.840 --> 0:53:30.960
<v Speaker 3>in some of our our public spaces, you know, and

0:53:31.080 --> 0:53:32.759
<v Speaker 3>in some of our cities, and you know, and this

0:53:32.880 --> 0:53:35.680
<v Speaker 3>is something to you know, to celebrate, and it's it's

0:53:35.760 --> 0:53:37.719
<v Speaker 3>nice to be able to kind of take stock and

0:53:37.840 --> 0:53:41.160
<v Speaker 3>to really, you know, think about how public spaces can

0:53:41.760 --> 0:53:44.759
<v Speaker 3>express our professed values, you.

0:53:44.719 --> 0:53:48.280
<v Speaker 2>Know, instead of sort of reacting to hate, like taking

0:53:48.320 --> 0:53:52.200
<v Speaker 2>a moment to envision not our reaction to or you know,

0:53:52.480 --> 0:53:54.640
<v Speaker 2>what we don't want, but think about what we do

0:53:54.719 --> 0:53:57.359
<v Speaker 2>want in that space exactly, and what would what would

0:53:57.400 --> 0:54:00.160
<v Speaker 2>serve our community. And I think that's sort of the

0:54:00.160 --> 0:54:03.200
<v Speaker 2>project is now, right, just sort of envisioning a positive

0:54:03.239 --> 0:54:05.839
<v Speaker 2>future rather than trying to remediate a negative past.

0:54:06.320 --> 0:54:08.400
<v Speaker 3>It's and it's so nice because I felt like we

0:54:08.400 --> 0:54:10.960
<v Speaker 3>were fighting, fighting, fighting for so many years. You know,

0:54:11.000 --> 0:54:14.560
<v Speaker 3>we're in court, or we're protesting, or we're going to

0:54:14.680 --> 0:54:17.200
<v Speaker 3>lobby at the General Assembly or now we're going to

0:54:17.239 --> 0:54:18.759
<v Speaker 3>city council. I mean, there was just you know, all

0:54:19.440 --> 0:54:21.880
<v Speaker 3>you know, so so fraught, and so now it's just

0:54:21.920 --> 0:54:24.960
<v Speaker 3>so free to like, oh, to be able to imagine,

0:54:25.200 --> 0:54:29.680
<v Speaker 3>you know, and to be thinking forward. Yeah, And constructively, creatively.

0:54:29.800 --> 0:54:30.760
<v Speaker 3>That's a great feeling.

0:54:31.719 --> 0:54:33.840
<v Speaker 2>So how can people sort of keep up with Swords

0:54:33.840 --> 0:54:36.320
<v Speaker 2>into Plowshares, stay up to date on the project and

0:54:36.360 --> 0:54:39.120
<v Speaker 2>it's it's progress, and more importantly, how can they support

0:54:39.200 --> 0:54:40.240
<v Speaker 2>Sords into plow Shares.

0:54:40.840 --> 0:54:45.080
<v Speaker 3>Yeah, so you can visit sipseville dot com. That's s

0:54:45.280 --> 0:54:50.680
<v Speaker 3>I P C V I L L E dot com.

0:54:50.880 --> 0:54:54.160
<v Speaker 3>So Sipcville that's Swords into Plowshares Ceville. And we have

0:54:54.560 --> 0:54:58.200
<v Speaker 3>occasional updates there with news stories about what we're doing

0:54:58.360 --> 0:55:02.320
<v Speaker 3>and upcoming meet things which will be happening at the

0:55:02.400 --> 0:55:06.600
<v Speaker 3>Jefferson School where we'll be you know, kind of presenting

0:55:06.840 --> 0:55:11.480
<v Speaker 3>results of of you know, surveys that we've done, you know,

0:55:12.400 --> 0:55:17.160
<v Speaker 3>and uh and also visiting speakers who will be coming

0:55:17.239 --> 0:55:20.279
<v Speaker 3>to talk about, you know, what what does art mean

0:55:20.360 --> 0:55:22.600
<v Speaker 3>in public spaces? You know, So we'll be able to

0:55:23.080 --> 0:55:25.560
<v Speaker 3>kind of you know, talk with uh, you know, some

0:55:25.719 --> 0:55:27.759
<v Speaker 3>experts that have come in, you know, to advise us

0:55:27.880 --> 0:55:30.719
<v Speaker 3>on you know, how to think about about what we

0:55:30.840 --> 0:55:34.680
<v Speaker 3>want in our in our in our parks going forward.

0:55:36.880 --> 0:55:39.760
<v Speaker 2>And can people make donations to SIP on the website?

0:55:39.960 --> 0:55:42.239
<v Speaker 3>Yes, on the website there is a portal, right, there

0:55:42.320 --> 0:55:46.960
<v Speaker 3>on on sipseyville dot com. Definitely welcome that as well.

0:55:47.480 --> 0:55:49.920
<v Speaker 2>And those donations go towards for the the ultimate creation

0:55:50.040 --> 0:55:54.960
<v Speaker 2>of this piece of art, correct, right, It is not

0:55:55.160 --> 0:55:56.319
<v Speaker 2>cheap to work with that much more.

0:55:56.400 --> 0:55:58.520
<v Speaker 3>It is not. Yeah, so we're we're you know, putting

0:55:58.560 --> 0:56:01.440
<v Speaker 3>together you know, fun to pay the artists, you know,

0:56:01.520 --> 0:56:04.520
<v Speaker 3>for the commissioning the artists. You know, we're also applying

0:56:04.680 --> 0:56:07.279
<v Speaker 3>for you know, grants from foundations and this sort of

0:56:07.320 --> 0:56:10.080
<v Speaker 3>thing too. But of course there are other expenses associated

0:56:10.200 --> 0:56:13.960
<v Speaker 3>with you know, processing materials and yeah and all that.

0:56:14.280 --> 0:56:17.800
<v Speaker 2>So, yeah, so that is s I P C V

0:56:18.360 --> 0:56:21.920
<v Speaker 2>I L l E dot com slash donate to make

0:56:21.960 --> 0:56:27.520
<v Speaker 2>sure that that artist gets paid. Absolutely well, Juliane, thank

0:56:27.560 --> 0:56:30.800
<v Speaker 2>you so much for joining us today, and I'm looking

0:56:30.880 --> 0:56:33.120
<v Speaker 2>forward to seeing our our new beautiful piece of art,

0:56:33.160 --> 0:56:34.439
<v Speaker 2>hopefully by twenty twenty seven.

0:56:35.080 --> 0:56:38.400
<v Speaker 3>Yeah, yeah, it's great. Well, thank you for your interest, Mollie,

0:56:38.440 --> 0:56:42.160
<v Speaker 3>and thank you to all the listeners and supporters out there.

0:56:42.320 --> 0:56:45.120
<v Speaker 3>Means a lot to us that you know, your interest

0:56:45.200 --> 0:56:47.600
<v Speaker 3>in us and and your support. Appreciate it.

0:56:47.840 --> 0:56:51.360
<v Speaker 2>I think we all love those photos of Lee's melting face.

0:56:53.440 --> 0:56:56.160
<v Speaker 3>It is icon. I gotta say it's iconic you know.

0:56:56.360 --> 0:57:02.879
<v Speaker 3>I yeah, well always have that, have that memory. Thank

0:57:02.920 --> 0:57:03.440
<v Speaker 3>you so much.

0:57:03.800 --> 0:57:11.600
<v Speaker 1>All right, It could Happen here as a production of

0:57:11.680 --> 0:57:14.600
<v Speaker 1>cool Zone Media. For more podcasts from cool Zone Media,

0:57:14.680 --> 0:57:17.480
<v Speaker 1>visit our website coolzonemedia dot com or check us out

0:57:17.520 --> 0:57:20.439
<v Speaker 1>on the iHeartRadio app, Apple Podcasts, or wherever you listen

0:57:20.480 --> 0:57:23.200
<v Speaker 1>to podcasts. You can find sources for It could Happen Here,

0:57:23.320 --> 0:57:26.760
<v Speaker 1>updated monthly at coolzonemedia dot com slash sources.

0:57:26.960 --> 0:57:27.760
<v Speaker 2>Thanks for listening.