1 00:00:05,519 --> 00:00:08,799 Speaker 1: Ronan, I like that quiet time in a repair shop, 2 00:00:09,240 --> 00:00:11,920 Speaker 1: and it pops up at the oddest hours when you 3 00:00:12,000 --> 00:00:14,560 Speaker 1: least expected. And sometimes it's not at the end of 4 00:00:14,600 --> 00:00:17,320 Speaker 1: the day. Sometimes it's dang right in the middle of 5 00:00:17,400 --> 00:00:26,400 Speaker 1: the afternoon. Hamburger, stand down, Ce forgot all about the library, 6 00:00:26,480 --> 00:00:31,560 Speaker 1: like you told her, old Man and the radio last 7 00:00:31,640 --> 00:00:33,760 Speaker 1: and go strus and just as pass as you can. 8 00:00:43,040 --> 00:00:45,600 Speaker 1: The Car Doctor, I Rick I tells you, Yeah, I 9 00:00:45,640 --> 00:00:47,440 Speaker 1: don't think I want to get married and have kids 10 00:00:47,440 --> 00:00:49,960 Speaker 1: with this person. And chances are you probably don't want 11 00:00:49,960 --> 00:00:52,360 Speaker 1: to work on your car either. Welcome to the radio 12 00:00:52,479 --> 00:00:56,760 Speaker 1: home of ron and Anian the Car Doctor, since this 13 00:00:56,920 --> 00:00:59,840 Speaker 1: is where car owners the world overturned to for the 14 00:01:00,160 --> 00:01:04,280 Speaker 1: definitive opinion on automotive repair. If your mechanics giving you 15 00:01:04,360 --> 00:01:07,080 Speaker 1: a busy signal, pick up the phone and call in. 16 00:01:07,480 --> 00:01:10,080 Speaker 1: The garage doors are open, but I am here to 17 00:01:10,120 --> 00:01:19,840 Speaker 1: take your calls at now Hey running, Hey, Welcome Ronny 18 00:01:19,880 --> 00:01:23,240 Speaker 1: and the Car Doctor here and uh suffering a mechanical malaises, 19 00:01:23,240 --> 00:01:25,000 Speaker 1: My headphones are starting to cut out on this live 20 00:01:25,040 --> 00:01:27,759 Speaker 1: remote here at the Car Doctor weekend, as we're live 21 00:01:27,800 --> 00:01:30,839 Speaker 1: at the Wild hot Rod party at the Sheridon Cross 22 00:01:30,920 --> 00:01:33,200 Speaker 1: Roads in Mahwah, New Jersey. That's good, Tom, And um, 23 00:01:33,360 --> 00:01:35,000 Speaker 1: there you go. Now I can really hear everything as 24 00:01:35,040 --> 00:01:37,800 Speaker 1: it's starting up, and uh I just lost it again Tom, 25 00:01:37,840 --> 00:01:39,720 Speaker 1: if Tom could fix it. Hang on, folks, we're fixing 26 00:01:39,760 --> 00:01:42,360 Speaker 1: things as we go here on The Car Doctor, because 27 00:01:42,360 --> 00:01:44,880 Speaker 1: that's what remotes are all about, as things break. But 28 00:01:44,920 --> 00:01:47,559 Speaker 1: then again, that's what mechanics are about. As things break, 29 00:01:47,600 --> 00:01:50,120 Speaker 1: they fix them and they make it work. But in 30 00:01:50,120 --> 00:01:53,480 Speaker 1: the meantime, while Tom and Tony frantically try to resolve 31 00:01:53,520 --> 00:01:56,440 Speaker 1: my headphones that no longer work, I'm going to turn 32 00:01:56,560 --> 00:02:00,240 Speaker 1: to my left and speak of my guests as we 33 00:02:00,280 --> 00:02:01,840 Speaker 1: opened this hour of The Car Doctor. Here at the 34 00:02:01,840 --> 00:02:04,640 Speaker 1: dead Man's Current Wild hot Rod Weekend number four, here 35 00:02:04,640 --> 00:02:06,960 Speaker 1: in the Shearon cross Roads, and all in New Jersey. Um, 36 00:02:07,520 --> 00:02:09,760 Speaker 1: she's somewhere that needs no introduction, definitely not to me. 37 00:02:09,840 --> 00:02:13,160 Speaker 1: She is that bubbly smile that just lights up the 38 00:02:13,160 --> 00:02:15,640 Speaker 1: screen whenever she's on it. And uh, I say that 39 00:02:15,680 --> 00:02:19,239 Speaker 1: in all sincerity. And she's somebody from the movie that 40 00:02:19,320 --> 00:02:21,880 Speaker 1: probably shaped my life. I have to tell you that, yeah, 41 00:02:21,919 --> 00:02:24,160 Speaker 1: it really did, Candy Clark, and that we're glad to 42 00:02:24,160 --> 00:02:25,600 Speaker 1: have you here in the car doctor with us? Thank you? 43 00:02:25,760 --> 00:02:28,400 Speaker 1: And what is the movie? Well? Would it would be 44 00:02:28,400 --> 00:02:32,919 Speaker 1: American Graffiti? Although you were great in Blue Thunder, I 45 00:02:33,320 --> 00:02:35,560 Speaker 1: thank you. I heard that you liked my car. I 46 00:02:35,639 --> 00:02:38,640 Speaker 1: think that it was really cool, wouldn't Yeah, that was 47 00:02:38,960 --> 00:02:42,040 Speaker 1: that was kind of it. Um, but American Graffiti, you know, 48 00:02:42,080 --> 00:02:45,440 Speaker 1: I saw that. I was sixteen years old. Now I 49 00:02:45,480 --> 00:02:47,120 Speaker 1: have to I have to backtrack a little bit. My 50 00:02:47,200 --> 00:02:49,400 Speaker 1: father passed when out early in life. I was eleven 51 00:02:49,440 --> 00:02:53,240 Speaker 1: years old, my dad, and um, you know, I was 52 00:02:53,280 --> 00:02:55,200 Speaker 1: that lost little kid. And I started taking the part 53 00:02:55,280 --> 00:02:59,200 Speaker 1: things mechanical and and and playing around and I got 54 00:02:59,200 --> 00:03:00,880 Speaker 1: to be pretty good at things. And when this fifteen, 55 00:03:00,880 --> 00:03:02,200 Speaker 1: my mother came out and she said, you've taken all 56 00:03:02,200 --> 00:03:04,200 Speaker 1: this stuff a party to start putting something together or 57 00:03:04,840 --> 00:03:07,560 Speaker 1: making a career. And um it was at that moment. 58 00:03:07,600 --> 00:03:09,600 Speaker 1: A year later, Martin Graffiti came out. We saw that 59 00:03:09,639 --> 00:03:12,920 Speaker 1: black fifty five. Yeah, and I hear and I see 60 00:03:12,960 --> 00:03:16,400 Speaker 1: your car right there. It's a direct replica, and I 61 00:03:16,400 --> 00:03:18,680 Speaker 1: think it's better than fALS So what do you what 62 00:03:18,720 --> 00:03:21,680 Speaker 1: does it mean when uh, well, FALFI was a field car, 63 00:03:21,880 --> 00:03:24,760 Speaker 1: wasn't it. Yeah? Yeah, we won't say why though this 64 00:03:24,880 --> 00:03:29,160 Speaker 1: is Family Radio. Uh, you know, and that's a true 65 00:03:29,200 --> 00:03:34,000 Speaker 1: story about you, about me forty years later, does that 66 00:03:36,800 --> 00:03:39,440 Speaker 1: in nineteen seventy three. We shot it in seventy two, 67 00:03:40,040 --> 00:03:42,720 Speaker 1: And uh, it's the best hot rod film of all time. 68 00:03:42,720 --> 00:03:45,080 Speaker 1: I'm told that all the time, and I believe it. 69 00:03:45,240 --> 00:03:47,120 Speaker 1: You know, it's been drummed into my head that it's 70 00:03:47,200 --> 00:03:49,240 Speaker 1: the best. Do you ever get tired of talking about? Never? 71 00:03:50,440 --> 00:03:51,960 Speaker 1: How does it feel to be part of something that 72 00:03:52,040 --> 00:03:54,520 Speaker 1: saw the story of steak I bask in the glory? 73 00:03:54,600 --> 00:03:59,000 Speaker 1: I really did. I love the film I love you know, 74 00:03:59,240 --> 00:04:03,120 Speaker 1: without American Graffiti George being the success, it could have 75 00:04:03,120 --> 00:04:05,800 Speaker 1: been a dud. You know. In fact, Universal Pictures thought 76 00:04:05,800 --> 00:04:10,520 Speaker 1: it was drive in movie quality only, and um, you 77 00:04:10,560 --> 00:04:15,200 Speaker 1: know that that wouldn't have done very well. And but um, 78 00:04:15,240 --> 00:04:18,839 Speaker 1: without American Graffiti, George Lucas wouldn't be the billionaire is 79 00:04:18,920 --> 00:04:21,440 Speaker 1: today because he wouldn't have gone on to do Star Wars. 80 00:04:21,720 --> 00:04:23,560 Speaker 1: And could you imagine a world without Star Wars? That 81 00:04:23,600 --> 00:04:29,839 Speaker 1: would be hideous fun, no fun. But anyway, American Graffiti 82 00:04:30,000 --> 00:04:33,719 Speaker 1: is uh really admired and loved by so many people, 83 00:04:34,040 --> 00:04:37,440 Speaker 1: And like you, a lot of people got their inspiration 84 00:04:37,560 --> 00:04:41,719 Speaker 1: to go into the field of car repair, cars, pins, driving, 85 00:04:41,960 --> 00:04:46,080 Speaker 1: car collecting, customizing, you know, as an inspiration to to 86 00:04:46,279 --> 00:04:50,440 Speaker 1: a ton of people. Rights. It speaks to us, it does. 87 00:04:50,480 --> 00:04:53,480 Speaker 1: And you know, I've been to Japan with the film, 88 00:04:53,800 --> 00:04:57,080 Speaker 1: and the Japanese love it. And I've been to Sweden 89 00:04:57,240 --> 00:04:59,719 Speaker 1: and you're you know, I hear in Australia there's a 90 00:04:59,800 --> 00:05:04,560 Speaker 1: huge huch car shows and it's really affected a lot 91 00:05:04,600 --> 00:05:09,840 Speaker 1: of hobbyists. And also you know those uh that music 92 00:05:09,960 --> 00:05:13,640 Speaker 1: in the film, those those people's careers were pretty much 93 00:05:13,920 --> 00:05:16,800 Speaker 1: quiet and over with because you know it was now 94 00:05:16,920 --> 00:05:20,560 Speaker 1: that the seventies, the Beatles a whole different sound and 95 00:05:20,720 --> 00:05:26,480 Speaker 1: that what is that? And and it revived those careers 96 00:05:26,600 --> 00:05:29,800 Speaker 1: and created oldise stations and all that. So it was 97 00:05:29,839 --> 00:05:33,839 Speaker 1: good for a lot of people. He included, Well, right now, 98 00:05:33,880 --> 00:05:38,200 Speaker 1: I understand during the filming you filmed the first couple 99 00:05:38,240 --> 00:05:41,320 Speaker 1: of nights in one city. Well we got kicked out 100 00:05:41,320 --> 00:05:44,040 Speaker 1: and you got kicked out. Yeah, this find guy complained 101 00:05:44,080 --> 00:05:46,520 Speaker 1: that owned a bar that we were blocking his business 102 00:05:46,760 --> 00:05:50,160 Speaker 1: because we shot at night. So it stands to reason. 103 00:05:50,240 --> 00:05:53,080 Speaker 1: But you know it was Samarra fell and much to 104 00:05:53,480 --> 00:05:58,960 Speaker 1: Satafel's regret, we moved over to Pedaluma, California, and Pedaluma 105 00:05:59,000 --> 00:06:01,080 Speaker 1: takes all the credit. They have a huge hot rod 106 00:06:01,080 --> 00:06:03,960 Speaker 1: show there. It's been going on for ten years. You know, 107 00:06:04,120 --> 00:06:08,080 Speaker 1: Modesto has a big one. There's so many American Graffiti shows. 108 00:06:08,120 --> 00:06:12,520 Speaker 1: It's it's just really great. Any of the members all 109 00:06:12,520 --> 00:06:15,800 Speaker 1: the time. Both Hopkins and I've done a ton of 110 00:06:15,839 --> 00:06:20,719 Speaker 1: shows together. Paula, mattuh Cindy Williams Toe doesn't do shows though. 111 00:06:22,040 --> 00:06:24,680 Speaker 1: He's just not into it. And plus he's a director 112 00:06:25,240 --> 00:06:27,279 Speaker 1: and he wants to be by the phone to accept 113 00:06:27,320 --> 00:06:30,640 Speaker 1: all those directing jobs. So it's just, you know, some 114 00:06:30,680 --> 00:06:33,960 Speaker 1: people interact really well with the public and some people 115 00:06:33,960 --> 00:06:36,400 Speaker 1: are just not. You don't do it. And I already 116 00:06:36,400 --> 00:06:38,360 Speaker 1: know the answer to this question, but I'm don't ask 117 00:06:38,400 --> 00:06:41,440 Speaker 1: it anyway. So we did American Graffiti, and we did 118 00:06:41,480 --> 00:06:44,440 Speaker 1: more American Graffiti, which kind of didn't do well at 119 00:06:44,440 --> 00:06:47,240 Speaker 1: the box office. No, I love it more, wanted more. 120 00:06:47,440 --> 00:06:50,120 Speaker 1: The fans wanted more the same. They wanted it to 121 00:06:50,320 --> 00:06:53,240 Speaker 1: just pick up where it left off, and it just 122 00:06:53,279 --> 00:06:57,279 Speaker 1: got too serious. You know, Vietnam and you know, Debbie 123 00:06:57,400 --> 00:07:01,960 Speaker 1: was like working in a strip joint and anyway, um, 124 00:07:02,279 --> 00:07:05,080 Speaker 1: it just got too serious and Ron and and Ron 125 00:07:05,120 --> 00:07:08,000 Speaker 1: Howard and Cindy Williams. Characters were bickering and on the 126 00:07:08,080 --> 00:07:11,240 Speaker 1: verge of divorce and it was just too much for everyone. 127 00:07:10,920 --> 00:07:13,160 Speaker 1: And you know, people come up to me and say 128 00:07:13,400 --> 00:07:16,400 Speaker 1: they had to do another American graffiti as you guys, 129 00:07:16,480 --> 00:07:19,600 Speaker 1: as you are now, Like nobody wants to see that. 130 00:07:19,800 --> 00:07:23,600 Speaker 1: I want to see us as teenagers, you know, well, yeah, 131 00:07:23,600 --> 00:07:25,800 Speaker 1: they want to see us on walkers and you know, 132 00:07:26,200 --> 00:07:29,080 Speaker 1: having heart bypass surgery. Forget it. They want to see 133 00:07:29,120 --> 00:07:31,760 Speaker 1: us having all the fun times and memories like drinking 134 00:07:31,760 --> 00:07:35,960 Speaker 1: and smoll con cigarette hanging out. I'm making it. Those 135 00:07:35,960 --> 00:07:39,000 Speaker 1: were the days um shooting the last scene the drag 136 00:07:39,120 --> 00:07:42,680 Speaker 1: Racene Paradise wrote, was it one shot? Two shots? How 137 00:07:42,720 --> 00:07:44,920 Speaker 1: long did it take? Beats me? I didn't, you know, 138 00:07:45,000 --> 00:07:47,480 Speaker 1: if I didn't have to work, I certainly didn't show up. 139 00:07:48,040 --> 00:07:49,960 Speaker 1: You know, the night shifts. I don't know if you've 140 00:07:50,000 --> 00:07:53,840 Speaker 1: ever worked all night, but it is not easy. So 141 00:07:53,880 --> 00:07:55,800 Speaker 1: if you didn't have to work, you didn't go watch 142 00:07:55,840 --> 00:07:58,200 Speaker 1: really well, the Little Life done on television. I know 143 00:07:58,240 --> 00:08:01,640 Speaker 1: why they call it a production because this there's there's 144 00:08:01,680 --> 00:08:04,800 Speaker 1: a lot going on. It was so cold that summer 145 00:08:04,840 --> 00:08:08,120 Speaker 1: in Pedaluma. Uh, it must have had forty degrees and 146 00:08:08,160 --> 00:08:10,200 Speaker 1: we're trying to make it look like a hot summer night. 147 00:08:10,280 --> 00:08:14,240 Speaker 1: I had that little spaghetti drap strap dress on and uh, 148 00:08:14,320 --> 00:08:16,960 Speaker 1: a little sweater I wore over my shoulders and that 149 00:08:17,040 --> 00:08:21,520 Speaker 1: was it. And I was freezing but um, and and 150 00:08:21,560 --> 00:08:24,480 Speaker 1: we had no trailer, we had no chairs, so it 151 00:08:24,560 --> 00:08:26,840 Speaker 1: was just pretty rustic. It really was. You know, I, 152 00:08:28,040 --> 00:08:31,200 Speaker 1: where's fast Harry's fast Harry? Here? Cramp fast Harry, because 153 00:08:31,200 --> 00:08:32,880 Speaker 1: I know he wants to ask he wants to ask 154 00:08:32,920 --> 00:08:35,480 Speaker 1: our guests something. Before we got off there, Harry has 155 00:08:35,520 --> 00:08:38,280 Speaker 1: a question for you, Candy, if you can give him 156 00:08:38,280 --> 00:08:40,280 Speaker 1: a second here, Harry got distracted. He saw he saw 157 00:08:40,280 --> 00:08:43,400 Speaker 1: a shiny car. How are you a question for Connie's 158 00:08:43,600 --> 00:08:48,400 Speaker 1: about for Candy? I mean, who's Connie? For Candy? I'm jealous, 159 00:08:48,440 --> 00:08:52,560 Speaker 1: who is it? Who's Connie? Who's Connie Stevens? Yes? Yeah, 160 00:08:52,600 --> 00:08:54,079 Speaker 1: what was that? What was that comment you were making 161 00:08:54,120 --> 00:08:56,120 Speaker 1: tour before I walked off there, and I said, you're 162 00:08:56,160 --> 00:09:00,559 Speaker 1: even prettier in the cotton Stevens? Just what really? Yeah, 163 00:09:00,559 --> 00:09:04,120 Speaker 1: you're gorgeous. I thought I looked like Sandra d Yeah, yeah, 164 00:09:04,160 --> 00:09:06,439 Speaker 1: what you look like you keep saying stuff like that 165 00:09:07,280 --> 00:09:12,560 Speaker 1: Harper's girls don't pay. Guys pay. Hey, I'm a high roller. 166 00:09:12,600 --> 00:09:16,320 Speaker 1: I'll pay all that. And you know what, Toad borrowed 167 00:09:16,840 --> 00:09:19,400 Speaker 1: three dollars from me. He never paid me back with 168 00:09:19,480 --> 00:09:22,240 Speaker 1: interest what second? And I was really really mad at 169 00:09:22,240 --> 00:09:25,679 Speaker 1: the time. Never paid me back. So with interest and penalties. 170 00:09:25,679 --> 00:09:28,520 Speaker 1: He owes me about thirty dollars. Let's go collect them. 171 00:09:28,720 --> 00:09:31,199 Speaker 1: We'll send him an email. So well, I'll send the boy. 172 00:09:31,679 --> 00:09:33,760 Speaker 1: I'll tell you this real quick story, Candy, and then 173 00:09:33,760 --> 00:09:36,440 Speaker 1: we'll let you go. Um about two years ago, and 174 00:09:36,520 --> 00:09:37,760 Speaker 1: I think I told you this story. I want to 175 00:09:37,760 --> 00:09:40,200 Speaker 1: do it here on here for posterity. A friend of 176 00:09:40,240 --> 00:09:42,079 Speaker 1: mine by the name of Rich Johnson. You still on 177 00:09:42,120 --> 00:09:44,800 Speaker 1: Steve's wort to repair here in Liland Park. Rich passed 178 00:09:44,800 --> 00:09:46,760 Speaker 1: away about a year and a half ago. He came 179 00:09:46,840 --> 00:09:49,600 Speaker 1: up to you with the Syracuse Street Road Nationals I 180 00:09:49,600 --> 00:09:53,960 Speaker 1: think they were, and you very graciously autographed that picture 181 00:09:53,960 --> 00:09:56,719 Speaker 1: of you standing in front of the Deuce Cooper and 182 00:09:56,720 --> 00:09:59,200 Speaker 1: and he said to me, I told her sign it 183 00:09:59,480 --> 00:10:02,240 Speaker 1: card dot to peel out, And you were like, car doctor, 184 00:10:02,400 --> 00:10:04,400 Speaker 1: who's the car doctor? Well, I'm the car doctor. I 185 00:10:05,400 --> 00:10:07,480 Speaker 1: told you the story for you, and he got it 186 00:10:07,520 --> 00:10:09,000 Speaker 1: for me. It was the last thing which he gave 187 00:10:09,040 --> 00:10:10,559 Speaker 1: me and still hanging in my office at home. And 188 00:10:10,600 --> 00:10:12,240 Speaker 1: I just want to sell you that I appreciate how 189 00:10:12,320 --> 00:10:14,120 Speaker 1: kind you worked to him. Uh. And then I know 190 00:10:14,160 --> 00:10:16,360 Speaker 1: you have a busy schedule and you've always got a 191 00:10:16,400 --> 00:10:18,760 Speaker 1: lot going on. I tell you, if anyone's in the neighborhood, 192 00:10:18,800 --> 00:10:22,319 Speaker 1: they need to come down and see this show. Uh 193 00:10:22,360 --> 00:10:25,560 Speaker 1: tomorrow will be here. But this show is in its 194 00:10:25,559 --> 00:10:29,960 Speaker 1: fourth year. It is building. It is giving uh the 195 00:10:30,040 --> 00:10:33,280 Speaker 1: other car show a real run for its money, the 196 00:10:33,320 --> 00:10:37,959 Speaker 1: one in Parseepanny. We won't mention the name, but uh, yeah, 197 00:10:38,280 --> 00:10:41,880 Speaker 1: it's it's a This place is path, Yeah, it really is. 198 00:10:42,320 --> 00:10:44,440 Speaker 1: And and there's one of everything here, if not two 199 00:10:44,480 --> 00:10:47,440 Speaker 1: of everything here there. It's a great it really is. 200 00:10:47,440 --> 00:10:50,080 Speaker 1: Well listen, you're making it greater. Uh. It is so 201 00:10:50,160 --> 00:10:52,840 Speaker 1: much fun. It is my world. This is the world 202 00:10:52,840 --> 00:10:55,360 Speaker 1: that I live in and I belong in and I love. 203 00:10:55,559 --> 00:10:58,720 Speaker 1: By the way, what does Candy Clark drive? You're not 204 00:10:58,720 --> 00:11:00,960 Speaker 1: gonna you're gonna be disappointed. I'll tell me in Mercedes 205 00:11:01,360 --> 00:11:04,760 Speaker 1: gotta be a hot rod, Honda. H Yeah, all right, 206 00:11:05,120 --> 00:11:06,719 Speaker 1: why did you ask? I'll tell you I'll tell you 207 00:11:06,800 --> 00:11:09,440 Speaker 1: all fair what Honda stands for. You don't know what 208 00:11:09,480 --> 00:11:12,240 Speaker 1: Handers stands for. Had one never did again. I'm running 209 00:11:12,280 --> 00:11:14,640 Speaker 1: any of the Guard Doctor with Candy Clark, americ graffiti 210 00:11:14,679 --> 00:11:17,280 Speaker 1: and so much more, and I'll be back right after this. 211 00:11:17,320 --> 00:11:38,680 Speaker 1: Don't go away. Each was bad and that was problem 212 00:11:40,520 --> 00:11:47,000 Speaker 1: every hib Let me slip away home and every hib 213 00:11:48,800 --> 00:11:52,720 Speaker 1: I'm seeing, Hey, welcome back round any of the Guard Doctor. 214 00:11:52,760 --> 00:11:55,840 Speaker 1: Having a grand all time, this bright and glorious afternoon 215 00:11:55,840 --> 00:11:58,000 Speaker 1: here at the Sheridan Crossroads in Mahwah, New Jersey, with 216 00:11:58,040 --> 00:12:00,560 Speaker 1: the gang from dead Man's Curve our Club here in 217 00:12:00,559 --> 00:12:02,839 Speaker 1: New Jersey as they're celebrating their Wild hot Rod Weekend 218 00:12:02,920 --> 00:12:05,440 Speaker 1: number four. But we're here to talk about a different 219 00:12:05,480 --> 00:12:08,000 Speaker 1: car club, and we're here talking about hot rods in general. 220 00:12:08,080 --> 00:12:11,000 Speaker 1: The two gentlemen that I'm with are are members of 221 00:12:11,040 --> 00:12:13,520 Speaker 1: that by the name of the Deuce Bags. And we're 222 00:12:13,520 --> 00:12:16,360 Speaker 1: gonna welcome al who is to my left, and we're 223 00:12:16,360 --> 00:12:17,880 Speaker 1: gonna get to run in a minute to my right. 224 00:12:17,920 --> 00:12:19,720 Speaker 1: But now let's start with you. Let's talk a little 225 00:12:19,720 --> 00:12:23,400 Speaker 1: bit about car clubs and and and the Douce Bags. 226 00:12:23,440 --> 00:12:25,760 Speaker 1: And keep in mind this is Family Radio so let's 227 00:12:25,920 --> 00:12:28,560 Speaker 1: be careful how we say these things. Welcome to the 228 00:12:28,559 --> 00:12:32,000 Speaker 1: car doctor sit. Um, you know, talk a little bit 229 00:12:32,040 --> 00:12:35,000 Speaker 1: about the about the club. What's it? What's it all about? 230 00:12:36,000 --> 00:12:39,480 Speaker 1: Basically what it is is a group of friends. We 231 00:12:39,520 --> 00:12:42,320 Speaker 1: all started out hanging out. We started come to car shows. 232 00:12:43,080 --> 00:12:46,320 Speaker 1: And it started as a loan survivor kind of guy. 233 00:12:46,400 --> 00:12:48,800 Speaker 1: He was all alone and he had a thirty two 234 00:12:48,800 --> 00:12:51,080 Speaker 1: TuS and he would come and he just set up 235 00:12:51,120 --> 00:12:53,800 Speaker 1: a little sore horse and he's sitting there all alone. 236 00:12:54,320 --> 00:12:56,880 Speaker 1: And then we met him. We started talking to him 237 00:12:56,920 --> 00:12:59,560 Speaker 1: and what are we all have in common? Cars? It 238 00:12:59,640 --> 00:13:03,720 Speaker 1: was great. So then we all started hanging out. It's 239 00:13:03,720 --> 00:13:07,640 Speaker 1: a family show, and uh, it was. It just evolved 240 00:13:07,679 --> 00:13:11,240 Speaker 1: into this club. We had started off to be a club. 241 00:13:11,240 --> 00:13:13,640 Speaker 1: And just how long you guys been a club? Five years? Yeah? 242 00:13:13,720 --> 00:13:18,839 Speaker 1: And you know different now from when you first started off. Sure, 243 00:13:19,000 --> 00:13:21,000 Speaker 1: I mean it keeps evolving it but we we kind 244 00:13:21,000 --> 00:13:24,760 Speaker 1: of keep it low key, but we have variety of cars, 245 00:13:26,200 --> 00:13:29,080 Speaker 1: deuces or I mean, you guys are hardcore. I was 246 00:13:29,120 --> 00:13:32,160 Speaker 1: down in your booth area. You've kind of overtaken that 247 00:13:32,240 --> 00:13:34,920 Speaker 1: part of the parking lot here at the Sheridan Crossroads. Um, 248 00:13:34,960 --> 00:13:39,080 Speaker 1: what's with that bar for adult beverages? Uh? You know 249 00:13:39,160 --> 00:13:41,800 Speaker 1: that is that a Ford? What was once a Ford 250 00:13:41,840 --> 00:13:45,040 Speaker 1: pickup truck? It's now it was a right and it's 251 00:13:45,080 --> 00:13:47,520 Speaker 1: got a wooden bar, and the the smoke comes out 252 00:13:47,559 --> 00:13:50,040 Speaker 1: of the radio and I'm thinking, I don't have time 253 00:13:50,640 --> 00:13:53,120 Speaker 1: to open the beer, much less build the bar, Like, 254 00:13:53,120 --> 00:13:55,079 Speaker 1: where do you guys find the time to do this stuff? 255 00:13:55,080 --> 00:13:58,040 Speaker 1: Talk about creativity? Well, the group of us got together 256 00:13:58,880 --> 00:14:01,280 Speaker 1: at night free it's a week and we put in 257 00:14:01,320 --> 00:14:04,640 Speaker 1: two three or four hours, and five years later here's 258 00:14:04,679 --> 00:14:06,800 Speaker 1: the bar. So so this this was the first event. 259 00:14:06,880 --> 00:14:10,040 Speaker 1: This this took five years. Well this is the next year. 260 00:14:10,080 --> 00:14:13,400 Speaker 1: We're doing a float. Yeah, that'll be that'll be the 261 00:14:13,400 --> 00:14:17,040 Speaker 1: parade of cars going Bob. We don't want to give 262 00:14:17,080 --> 00:14:19,200 Speaker 1: it away because people copy us all the time. I 263 00:14:19,240 --> 00:14:22,360 Speaker 1: don't know why. But we're doing a float. I can imagine. 264 00:14:22,520 --> 00:14:24,320 Speaker 1: Well I imagine when you get that float done and 265 00:14:24,320 --> 00:14:26,000 Speaker 1: it's gonna have to get painted, you're gonna turn to 266 00:14:26,040 --> 00:14:28,920 Speaker 1: the gentleman to my right. Uh, that being Ron Schmidt. 267 00:14:29,040 --> 00:14:31,640 Speaker 1: Ron is one of the body guys I'm gonna say 268 00:14:31,840 --> 00:14:35,080 Speaker 1: in the club, or maybe the only body guy. The 269 00:14:35,080 --> 00:14:38,520 Speaker 1: Odor of Mountain Side rob custom Right. I share a 270 00:14:38,560 --> 00:14:40,400 Speaker 1: shop with Mike, my friend buddy Mike has ban On 271 00:14:40,480 --> 00:14:43,640 Speaker 1: performance and uh, we kind of we were that card 272 00:14:43,680 --> 00:14:46,560 Speaker 1: and he's talking about we um it was gonna be 273 00:14:46,640 --> 00:14:48,520 Speaker 1: lawn art. Actually we're gonna put it out on the road, 274 00:14:48,560 --> 00:14:50,160 Speaker 1: but our lambent didn't let us said it was a 275 00:14:50,160 --> 00:14:53,040 Speaker 1: piece of jung. Right, So we ended up looking around 276 00:14:53,120 --> 00:14:55,120 Speaker 1: drinking some beers and we're like, let's make a bar 277 00:14:55,160 --> 00:14:58,600 Speaker 1: at Its like we're a club, but we you know, 278 00:14:58,640 --> 00:15:01,280 Speaker 1: we're car club, but we drink, so let's make a bar. 279 00:15:01,360 --> 00:15:03,640 Speaker 1: So right, that's what you see, and and and just 280 00:15:03,640 --> 00:15:05,600 Speaker 1: just have a grand all time. That's pretty much it, 281 00:15:05,760 --> 00:15:07,560 Speaker 1: you know. So this turned into that and we all 282 00:15:07,600 --> 00:15:09,600 Speaker 1: got together and it was like, wow, we started doing 283 00:15:09,640 --> 00:15:12,720 Speaker 1: this anything else? Did you always do customs? I mean 284 00:15:12,760 --> 00:15:17,360 Speaker 1: did you start out? Right? How different? How how different 285 00:15:17,440 --> 00:15:19,880 Speaker 1: is this? You know, doing rods and customs versus doing 286 00:15:19,920 --> 00:15:23,680 Speaker 1: collision work. Uh, this is much better? Is this creative 287 00:15:23,680 --> 00:15:25,520 Speaker 1: for you? Do you get something good? I mean I 288 00:15:25,560 --> 00:15:27,920 Speaker 1: don't get as much time to do my own stuff, right, 289 00:15:28,000 --> 00:15:29,280 Speaker 1: you know, like I'm probably the only one in the 290 00:15:29,280 --> 00:15:31,800 Speaker 1: car cliff that when my cars don't work right, well, 291 00:15:31,840 --> 00:15:36,520 Speaker 1: the shoe, the shoemaker always goes, you know, and that's 292 00:15:36,560 --> 00:15:38,800 Speaker 1: and that's what impressed me. I noticed the bar is done. 293 00:15:38,920 --> 00:15:42,720 Speaker 1: That's gotta be ago two months ago. So I came 294 00:15:42,800 --> 00:15:44,920 Speaker 1: together pretty quick. Yeh. I noticed that. It was like, hey, 295 00:15:45,000 --> 00:15:46,440 Speaker 1: we need to drink beer. We gotta have a bar. 296 00:15:47,160 --> 00:15:51,160 Speaker 1: That's pretty cool. Yeah. I enjoyed that. Um. But when 297 00:15:51,160 --> 00:15:54,200 Speaker 1: you talk about creativity, just to get serious for a second, 298 00:15:54,600 --> 00:15:57,000 Speaker 1: you know, does somebody bring you a car and say, 299 00:15:57,320 --> 00:15:58,840 Speaker 1: paint it? What would you make it look like? How 300 00:15:58,880 --> 00:16:01,160 Speaker 1: would you make it look not? I'm not really a 301 00:16:01,200 --> 00:16:03,160 Speaker 1: custom painting or I do regular paint work. I have 302 00:16:03,280 --> 00:16:05,320 Speaker 1: people that do like custom work for me, So I'll 303 00:16:05,400 --> 00:16:08,040 Speaker 1: lay down any paint work, you know, I'll do candies whatever, 304 00:16:08,120 --> 00:16:10,880 Speaker 1: but I'm not like I'm not I can't draws. So 305 00:16:11,040 --> 00:16:14,120 Speaker 1: do you like do you like doing custom work or candies? 306 00:16:14,160 --> 00:16:16,840 Speaker 1: I'm sorry candy? Yeah, more so like I don't want 307 00:16:16,880 --> 00:16:18,840 Speaker 1: into too too much of that, like right now. And 308 00:16:19,040 --> 00:16:21,520 Speaker 1: I only started doing having my own shop a little 309 00:16:21,520 --> 00:16:24,680 Speaker 1: while ago, and you don't just just not that much 310 00:16:24,720 --> 00:16:26,160 Speaker 1: call really for it. I mean a lot of people 311 00:16:26,160 --> 00:16:27,800 Speaker 1: that do their own stuff that to do that, Like 312 00:16:27,840 --> 00:16:29,360 Speaker 1: a lot of these guys here I'm sure they work 313 00:16:29,400 --> 00:16:31,520 Speaker 1: on all their role cars themselves. So so what you 314 00:16:31,680 --> 00:16:33,160 Speaker 1: do a lot of stuff that people can't do. I 315 00:16:33,200 --> 00:16:36,400 Speaker 1: do a lot of Weldon fabing this and that. You know, 316 00:16:36,520 --> 00:16:38,480 Speaker 1: I do paint jobs. Do you do work? Do you 317 00:16:38,480 --> 00:16:41,280 Speaker 1: work during the day? Do you Yeah? No, not full time? 318 00:16:41,600 --> 00:16:45,280 Speaker 1: This game? How do you put up with the interruptions? Uh, 319 00:16:45,360 --> 00:16:47,680 Speaker 1: it's tough because I worked by myself, so people come there. 320 00:16:47,840 --> 00:16:49,640 Speaker 1: It definitely takes a lot out of your day. Kind 321 00:16:49,640 --> 00:16:51,840 Speaker 1: of kind of sounds too bad. I don't answer my phone. 322 00:16:51,880 --> 00:16:54,200 Speaker 1: So yeah, I've been there, done that. I guess when 323 00:16:54,200 --> 00:16:57,280 Speaker 1: guys like I'll show up. Um, you know, how do 324 00:16:57,320 --> 00:17:00,320 Speaker 1: you do you look at somebody like this with his 325 00:17:00,400 --> 00:17:03,240 Speaker 1: fabrication ability and and and think it's a dying a 326 00:17:03,360 --> 00:17:08,040 Speaker 1: dying art I do and uh, hopefully the kids come 327 00:17:08,160 --> 00:17:10,800 Speaker 1: up today, we'll get into it right. And that's and 328 00:17:10,800 --> 00:17:13,040 Speaker 1: that's really what you guys are trying to do. I 329 00:17:13,040 --> 00:17:14,879 Speaker 1: know we kid around a lot here, but you know, 330 00:17:14,920 --> 00:17:18,640 Speaker 1: to impress upon the next generation, because you know, what 331 00:17:18,680 --> 00:17:20,880 Speaker 1: I say to people is to make them understand how 332 00:17:20,920 --> 00:17:23,600 Speaker 1: important it is to pass this on. Imagine if the 333 00:17:23,640 --> 00:17:26,640 Speaker 1: next generation looked at up thirty two or an LS 334 00:17:26,720 --> 00:17:30,080 Speaker 1: six or fifty five Chevy and said it's just an 335 00:17:30,119 --> 00:17:33,119 Speaker 1: old car with a loud engine and they didn't appreciate it. 336 00:17:33,200 --> 00:17:35,080 Speaker 1: So once we're gone, all that stuff goes by and 337 00:17:35,119 --> 00:17:38,280 Speaker 1: the world is driving Prius, is I hope? Yeah? Well 338 00:17:38,359 --> 00:17:40,879 Speaker 1: I hope not to um, you know, it could be 339 00:17:40,920 --> 00:17:43,000 Speaker 1: a big problem. Al, just real quick, what was your 340 00:17:43,000 --> 00:17:46,920 Speaker 1: first car? I always love to ask this question. Seventy Chevell? Yeah, 341 00:17:48,160 --> 00:17:52,800 Speaker 1: four speed? So you had one? Yeah back in nineties, 342 00:17:53,000 --> 00:17:57,600 Speaker 1: seventy four. Wow. We don't even want to know what 343 00:17:57,680 --> 00:18:01,080 Speaker 1: that car is worth today, can I told? Yeah? But 344 00:18:01,520 --> 00:18:02,800 Speaker 1: you know what it's working. Yeah, I know what it's 345 00:18:02,840 --> 00:18:06,800 Speaker 1: worth today. Ron, what was your first cart? And I 346 00:18:06,840 --> 00:18:09,359 Speaker 1: still have it down? It's got twenty two tho original miles. 347 00:18:09,880 --> 00:18:11,480 Speaker 1: I built it when I was young, and I took 348 00:18:11,520 --> 00:18:13,399 Speaker 1: it off the road arounte eighty two or so and 349 00:18:13,840 --> 00:18:15,119 Speaker 1: of sitt in the garage and you're the body guy. 350 00:18:15,119 --> 00:18:17,359 Speaker 1: You can put it back together. Yeah? Yeah, I just 351 00:18:17,520 --> 00:18:20,280 Speaker 1: haven't because I guess it was together, but I was 352 00:18:20,320 --> 00:18:22,080 Speaker 1: younger to be jumped now. But it's still pretty for 353 00:18:22,200 --> 00:18:25,240 Speaker 1: still rolling along. Is there a website? Real quick? No, 354 00:18:25,440 --> 00:18:27,720 Speaker 1: not yet, not yet. We're working on Hey, well they 355 00:18:27,760 --> 00:18:30,000 Speaker 1: can stay tuned here and we'll keep them well informed. 356 00:18:30,040 --> 00:18:32,440 Speaker 1: Also about the bar as it continues to evolve. I'll 357 00:18:32,440 --> 00:18:34,240 Speaker 1: be looking for that next year. I'm running any in 358 00:18:34,240 --> 00:18:35,880 Speaker 1: the Car Doctor with the gang from the Douce Bags. 359 00:18:35,960 --> 00:18:57,600 Speaker 1: We'll be back right after this. Are we having fun yet? 360 00:18:57,640 --> 00:18:59,080 Speaker 1: I know? I am ron A any in the Car 361 00:18:59,160 --> 00:19:01,520 Speaker 1: Doctor here at the Sherried Crossroads, Mawa, New Jersey for 362 00:19:01,600 --> 00:19:04,800 Speaker 1: the dead Man's Curve Wild Hot Road Weekend number four. Um, 363 00:19:05,200 --> 00:19:06,959 Speaker 1: I gotta tell you, I'm a little bowled over by 364 00:19:07,000 --> 00:19:10,280 Speaker 1: the celebrities and the people coming through in the talent, 365 00:19:10,880 --> 00:19:13,760 Speaker 1: and um, it's just it's it's very refreshing and it's 366 00:19:13,760 --> 00:19:16,159 Speaker 1: like nirvana to be here in this car culture and 367 00:19:16,240 --> 00:19:20,680 Speaker 1: see what's going on with words just simply can't describe it, 368 00:19:20,880 --> 00:19:23,399 Speaker 1: and being on radio doesn't describe it. I'll tell you what, 369 00:19:23,480 --> 00:19:26,359 Speaker 1: if we had a television camera here, that wouldn't describe it. 370 00:19:26,400 --> 00:19:27,879 Speaker 1: You have to be here and be immersed in it 371 00:19:28,280 --> 00:19:31,960 Speaker 1: to really appreciate what's going on. But there's all facets 372 00:19:32,000 --> 00:19:34,040 Speaker 1: and all sorts of things going on all ways that 373 00:19:34,400 --> 00:19:38,399 Speaker 1: the car culture is covered. And our next segment deals 374 00:19:38,760 --> 00:19:42,640 Speaker 1: with the care and the storage of vehicles and it's 375 00:19:42,680 --> 00:19:44,919 Speaker 1: a it's it's kind of a cute story. And let 376 00:19:45,000 --> 00:19:47,480 Speaker 1: me introduce my next guest to my left, Matt from 377 00:19:47,800 --> 00:19:50,240 Speaker 1: Motor Car Manner. Matt, Welcome to the Car Doctor. Thank you, 378 00:19:50,400 --> 00:19:53,440 Speaker 1: thank you for being here. Um. When we started this conversation, 379 00:19:53,480 --> 00:19:56,320 Speaker 1: I found you out in the parking lot. Um. I 380 00:19:56,359 --> 00:19:57,840 Speaker 1: said to you, how did you get into this? Well, 381 00:19:58,200 --> 00:20:02,280 Speaker 1: your words to me were, I started collecting matchbox cars 382 00:20:02,600 --> 00:20:05,080 Speaker 1: as a kid, that is correct, and I still have 383 00:20:05,240 --> 00:20:08,880 Speaker 1: them the same matchboxes. Yeah, be careful, I think fast. 384 00:20:08,920 --> 00:20:10,159 Speaker 1: Harr Is gonna want to talk to you when you 385 00:20:10,240 --> 00:20:14,639 Speaker 1: come off fair because um, he's the matchbox kin. So 386 00:20:15,040 --> 00:20:17,240 Speaker 1: you went as a little kid, a little and for 387 00:20:17,320 --> 00:20:20,000 Speaker 1: those that may not know or remember, match boxes with 388 00:20:20,080 --> 00:20:22,520 Speaker 1: those little die cast cars in the in the boxes, 389 00:20:22,560 --> 00:20:25,359 Speaker 1: and then they had cases and and now you're an 390 00:20:25,359 --> 00:20:30,280 Speaker 1: adult and you're still kind of collecting match boxes, aren't you. Yes, 391 00:20:30,480 --> 00:20:33,320 Speaker 1: that's that's correct. It's a lot more expensive right now. Yeah, 392 00:20:33,440 --> 00:20:36,480 Speaker 1: to do this com do you ever sort of stand 393 00:20:36,520 --> 00:20:38,480 Speaker 1: there in the in the in the middle of the facility. 394 00:20:38,480 --> 00:20:40,560 Speaker 1: How big is the facility that you currently have right now? 395 00:20:40,640 --> 00:20:44,920 Speaker 1: We're about square feet, uh, which we're actually looking to 396 00:20:45,040 --> 00:20:49,240 Speaker 1: expand shortly. Business is good. Business is very good. Yeah, well, 397 00:20:49,280 --> 00:20:52,080 Speaker 1: you could see how many cars that are people need storage? 398 00:20:52,600 --> 00:20:55,800 Speaker 1: So and and do you ever stand there in the 399 00:20:55,840 --> 00:20:58,480 Speaker 1: middle of all that and think if it was only 400 00:20:58,520 --> 00:21:02,240 Speaker 1: all mine? Oh? All the time? Yeah, I mean it's 401 00:21:02,480 --> 00:21:04,679 Speaker 1: it's like a kid in a candy store. I mean 402 00:21:04,760 --> 00:21:07,639 Speaker 1: I I stand there and actually it's actually probably the 403 00:21:07,680 --> 00:21:10,040 Speaker 1: best thing for me. It's it's the safest thing to 404 00:21:10,240 --> 00:21:12,399 Speaker 1: keep my family happy, is that I can stare at 405 00:21:12,440 --> 00:21:14,520 Speaker 1: other people's cars. They don't have to be mine. Do 406 00:21:14,560 --> 00:21:16,200 Speaker 1: you ever hope that somebody can't pay the bill for 407 00:21:16,280 --> 00:21:18,800 Speaker 1: storage and you get to retain the possessions? No, I 408 00:21:18,880 --> 00:21:22,879 Speaker 1: don't hope that, Actually, why because then you have another one? Right, 409 00:21:23,160 --> 00:21:26,040 Speaker 1: All chances are the vehicle that is left there probably 410 00:21:27,800 --> 00:21:29,720 Speaker 1: how many? How many vehicles are in the facility anyone 411 00:21:29,800 --> 00:21:32,879 Speaker 1: given time then, um, during the wintertime we get about 412 00:21:32,960 --> 00:21:35,200 Speaker 1: thirty five to forty cars there. How many of those 413 00:21:35,760 --> 00:21:37,920 Speaker 1: forty cars are customers? And how many are years? You know, 414 00:21:38,160 --> 00:21:42,600 Speaker 1: everybody asked me that question, and I can't imagine why. Uh, well, 415 00:21:42,760 --> 00:21:44,720 Speaker 1: a good portion of them are mine, But I also 416 00:21:44,800 --> 00:21:47,720 Speaker 1: have other facilities to store my calrs. I guess Unfortunately, 417 00:21:47,800 --> 00:21:50,919 Speaker 1: minor the first to go when So, what's what's your 418 00:21:51,000 --> 00:21:54,000 Speaker 1: favorite car in in the match fleet? Well, I have 419 00:21:54,200 --> 00:21:59,040 Speaker 1: a nineteen fifty seven Chevy Nomad and it's a very 420 00:21:59,080 --> 00:22:01,879 Speaker 1: original car. The interior is percent original, still has the 421 00:22:01,960 --> 00:22:05,760 Speaker 1: original uh plastic seed covering over it. But what makes 422 00:22:05,800 --> 00:22:08,080 Speaker 1: the car super unique is that it is a fuel 423 00:22:08,080 --> 00:22:12,840 Speaker 1: injection car. Oh wait a minute, Oh this is that Matt. Oh, 424 00:22:13,240 --> 00:22:15,400 Speaker 1: now I know who this is. I didn't realize who 425 00:22:15,440 --> 00:22:18,040 Speaker 1: this was. Okay, I know the whole story behind this 426 00:22:18,160 --> 00:22:20,520 Speaker 1: was the car with the original fifty seven fuel injection 427 00:22:21,000 --> 00:22:24,520 Speaker 1: that's some sort of been hand assembled and uh correct, Yeah, okay, 428 00:22:24,640 --> 00:22:27,360 Speaker 1: is this car here today? It is not here. Um, 429 00:22:28,000 --> 00:22:30,040 Speaker 1: I just didn't want to bring it where we're located. 430 00:22:30,080 --> 00:22:32,000 Speaker 1: We're located on the grass, and this car is one 431 00:22:32,040 --> 00:22:34,480 Speaker 1: of those cars you don't want to leave outside for 432 00:22:34,680 --> 00:22:37,399 Speaker 1: too long. So I did bring one of our other cars, 433 00:22:37,440 --> 00:22:40,840 Speaker 1: which would be another fifty sevage Chevy bel Air hardtop coope. 434 00:22:41,040 --> 00:22:43,080 Speaker 1: So if you were going to design this car show, 435 00:22:43,280 --> 00:22:45,720 Speaker 1: you would have everybody in a bubble with air conditioning 436 00:22:45,960 --> 00:22:49,119 Speaker 1: if I could, yes, and a giant D humidifier. Um. 437 00:22:49,160 --> 00:22:50,760 Speaker 1: So let's talk about that a little bit. You design 438 00:22:50,840 --> 00:22:53,920 Speaker 1: this facility for storage, correct? What does that look like 439 00:22:54,000 --> 00:22:55,240 Speaker 1: on the inside? Is it just you know, is at 440 00:22:55,240 --> 00:22:57,760 Speaker 1: a parking garage with with three storage lifts ors or 441 00:22:57,800 --> 00:22:59,920 Speaker 1: more to it than um, We actually don't have any 442 00:23:00,320 --> 00:23:03,840 Speaker 1: lifts at this time. When I speak with customers, they 443 00:23:03,920 --> 00:23:06,720 Speaker 1: seem to kind of shrug at the idea of having 444 00:23:06,760 --> 00:23:09,200 Speaker 1: their vehicle either on a lift or under a lift. 445 00:23:09,240 --> 00:23:12,080 Speaker 1: So we'd like to keep them on the floor. And uh, 446 00:23:12,200 --> 00:23:15,639 Speaker 1: you know, we're very clean facility. Everything is uh, you know, 447 00:23:15,720 --> 00:23:17,920 Speaker 1: there's we try to wipe up the oil because it 448 00:23:17,960 --> 00:23:20,040 Speaker 1: seems like every car in there does leak. You know. 449 00:23:20,119 --> 00:23:22,800 Speaker 1: A friend of mine was down south this past week 450 00:23:23,480 --> 00:23:26,280 Speaker 1: at one of the engine builders for one of the 451 00:23:26,359 --> 00:23:28,760 Speaker 1: NASCAR Cup teams, and he told me the story that 452 00:23:28,840 --> 00:23:31,240 Speaker 1: when they walked in the building, in the door to 453 00:23:31,280 --> 00:23:33,760 Speaker 1: the machine shop, as they walked down a narrow hallway, 454 00:23:34,200 --> 00:23:37,560 Speaker 1: he felt these blasts of air, you know, And he 455 00:23:37,800 --> 00:23:39,800 Speaker 1: got to the end of the hallway and he said 456 00:23:39,920 --> 00:23:42,560 Speaker 1: to the guy that was running the twists, and they said, well, 457 00:23:42,680 --> 00:23:45,080 Speaker 1: we're blowing the dust off your clothes because you're now 458 00:23:45,160 --> 00:23:48,239 Speaker 1: about to enter a clean room. I think you need 459 00:23:48,320 --> 00:23:50,879 Speaker 1: to get one of those I agree I would like 460 00:23:51,000 --> 00:23:53,120 Speaker 1: to do that. Say you were that kind of a guy. 461 00:23:53,160 --> 00:23:54,760 Speaker 1: Did you have a messy room as a kid. No, 462 00:23:55,119 --> 00:23:57,800 Speaker 1: I'm very neat. Yeah I could. I bet you are. 463 00:23:58,520 --> 00:24:01,840 Speaker 1: In fact, when we have customers, uh, I have my 464 00:24:02,040 --> 00:24:05,160 Speaker 1: very first car that I owned in uh in high school. 465 00:24:05,200 --> 00:24:07,760 Speaker 1: I still hold held onto it, and I showed my 466 00:24:07,880 --> 00:24:11,520 Speaker 1: customers this is my car since high school. It was 467 00:24:12,520 --> 00:24:16,520 Speaker 1: never in a garage until maybe ten years ago. And 468 00:24:16,840 --> 00:24:19,560 Speaker 1: I just I this is my favorite car. I take 469 00:24:19,600 --> 00:24:21,440 Speaker 1: good care of it. I do everything to it. And 470 00:24:21,520 --> 00:24:24,000 Speaker 1: that's how I treat your car. And it survived this 471 00:24:24,160 --> 00:24:27,160 Speaker 1: long in my hands, even as a teenager. And that's 472 00:24:27,160 --> 00:24:29,000 Speaker 1: how I treat everyone's car. What do you what do 473 00:24:29,080 --> 00:24:30,920 Speaker 1: you recommend for somebody looking to store a car met 474 00:24:31,000 --> 00:24:32,520 Speaker 1: real quick? What are some of the things they need 475 00:24:32,600 --> 00:24:35,800 Speaker 1: to do? Uh, well, it's super important to uh you know, 476 00:24:35,960 --> 00:24:39,440 Speaker 1: battery tender or pull them pull the battery. Uh. You 477 00:24:39,520 --> 00:24:41,480 Speaker 1: want to fill up the gas tank to prevent any 478 00:24:41,520 --> 00:24:44,600 Speaker 1: moisture build up, or you can completely empty the tank. 479 00:24:44,640 --> 00:24:48,119 Speaker 1: It's two options. Um. Also, you know you got to 480 00:24:48,200 --> 00:24:51,520 Speaker 1: keep those uh the tire inflated properly. UH, make sure 481 00:24:51,520 --> 00:24:54,040 Speaker 1: you don't get any flat spots. So occasionally rotate them. 482 00:24:54,119 --> 00:24:56,399 Speaker 1: If you're storing at your home. Uh, A big thing 483 00:24:57,119 --> 00:25:01,879 Speaker 1: to fight is humidity. Humidity will kill everything, especially with 484 00:25:02,000 --> 00:25:04,760 Speaker 1: today's gas with the ethanol in, it will corrode the 485 00:25:04,840 --> 00:25:08,680 Speaker 1: gas tanks. And uh, it's just something that you really 486 00:25:08,720 --> 00:25:10,720 Speaker 1: need to concentrate on if you can't put it in 487 00:25:10,840 --> 00:25:14,320 Speaker 1: a secure, safe environment such as our facility. How tough 488 00:25:14,400 --> 00:25:17,320 Speaker 1: is it to break into your building? It's pretty tough. Yeah, yeah, 489 00:25:17,359 --> 00:25:19,879 Speaker 1: I've I've often found myself trying to get in and 490 00:25:21,600 --> 00:25:22,960 Speaker 1: what if you what have you forgot your key? You 491 00:25:23,040 --> 00:25:25,119 Speaker 1: had to get in the building, you know, like everybody's 492 00:25:25,119 --> 00:25:26,840 Speaker 1: got a way to get in. I'm betting you don't 493 00:25:27,000 --> 00:25:30,320 Speaker 1: write correct and you know, and we have a keypad 494 00:25:30,400 --> 00:25:32,800 Speaker 1: for the security code, and it's a rotating security code, 495 00:25:32,880 --> 00:25:35,399 Speaker 1: so every month it changes. I got a feeling at 496 00:25:35,400 --> 00:25:37,160 Speaker 1: the town would let you put armed guards out front. 497 00:25:37,200 --> 00:25:39,800 Speaker 1: You probably would do that. That's absolutely cracked. And you're 498 00:25:39,800 --> 00:25:42,760 Speaker 1: thinking about a moat. I heard that conversation before. That's true. 499 00:25:42,760 --> 00:25:44,680 Speaker 1: And if I can get a dragon would be perfect. Yeah, 500 00:25:44,680 --> 00:25:48,480 Speaker 1: it would just be Well listen, Matt, I gotta tell you, 501 00:25:48,520 --> 00:25:49,720 Speaker 1: I'm gonna come over and take a look at the 502 00:25:49,800 --> 00:25:51,480 Speaker 1: at the cars you've got here today, and I'm gonna 503 00:25:51,480 --> 00:25:52,960 Speaker 1: get Jeff to drag me up. I want to see 504 00:25:52,960 --> 00:25:56,000 Speaker 1: the fifty seven. It's been an absolute pleasure. Um. I've 505 00:25:56,040 --> 00:25:57,359 Speaker 1: got to tell you that there are a lot of 506 00:25:57,520 --> 00:26:00,520 Speaker 1: artists here today the way they build cars, and I 507 00:26:00,560 --> 00:26:03,479 Speaker 1: think you've taken storage to that level. You saw are 508 00:26:03,520 --> 00:26:06,640 Speaker 1: an artist, and I think anybody would be uh, anybody 509 00:26:06,680 --> 00:26:08,880 Speaker 1: would be happy to put their car into your facility. 510 00:26:08,960 --> 00:26:11,119 Speaker 1: So good luck to you in your future endeavors. Is 511 00:26:11,160 --> 00:26:12,879 Speaker 1: there a website real quick that anybody can go to. 512 00:26:13,480 --> 00:26:16,639 Speaker 1: Everybody can check motor car manner dot com and all 513 00:26:16,720 --> 00:26:20,000 Speaker 1: kinds of information. Absolutely cool, Matt. You will go, have 514 00:26:20,080 --> 00:26:21,800 Speaker 1: a good rest of the show and enjoy the afternoon. 515 00:26:21,840 --> 00:26:23,680 Speaker 1: I'm running any in the Car Doctor. We are back 516 00:26:23,840 --> 00:26:52,080 Speaker 1: right after this. Yeah, rolling along here, I am running 517 00:26:52,080 --> 00:26:54,520 Speaker 1: any in the Car Doctor at the Sheridan Crossroads in Mahwah, 518 00:26:54,560 --> 00:26:57,360 Speaker 1: New Jersey for the while hot Rod Weekend number four 519 00:26:57,400 --> 00:26:59,760 Speaker 1: with the gang from dead Man's Curve. As we roll 520 00:26:59,800 --> 00:27:01,520 Speaker 1: a long this suray, I have two gentlemen, one to 521 00:27:01,560 --> 00:27:02,920 Speaker 1: the left, one to the right. I have hot Rod 522 00:27:02,960 --> 00:27:05,160 Speaker 1: Harry to my left and I have Slag to the right. 523 00:27:05,640 --> 00:27:09,399 Speaker 1: Two artists when it comes to creating that automobile, that 524 00:27:09,520 --> 00:27:12,119 Speaker 1: custom ride that you're looking for, and we thought we'd 525 00:27:12,160 --> 00:27:13,639 Speaker 1: grabbed them for this segment and talk a little bit 526 00:27:13,640 --> 00:27:16,240 Speaker 1: about it. Harry, let me start with you or hr 527 00:27:16,400 --> 00:27:17,879 Speaker 1: maybe that would be the correct way to do this. 528 00:27:18,280 --> 00:27:20,320 Speaker 1: It's a hot rod Harry. It was a nickname I 529 00:27:20,440 --> 00:27:23,000 Speaker 1: was given years ago. Now now now were you giving 530 00:27:23,040 --> 00:27:26,119 Speaker 1: that nickname before? You were into hot rods? So it 531 00:27:26,600 --> 00:27:29,159 Speaker 1: came after from a friend of mine. Isn't that funny? Right? 532 00:27:29,200 --> 00:27:31,240 Speaker 1: You know? Hot rod Harry? And look what you're doing. 533 00:27:31,920 --> 00:27:34,600 Speaker 1: You're actually The funny part about it is everybody calls 534 00:27:34,640 --> 00:27:36,840 Speaker 1: me hot rod Harry, but I ride around and custom cars. 535 00:27:37,400 --> 00:27:39,280 Speaker 1: There is a difference. Is there a difference? To tell 536 00:27:39,280 --> 00:27:41,880 Speaker 1: me about it? Hot rod zone offenders? Customs are low 537 00:27:41,960 --> 00:27:45,280 Speaker 1: and slow? Okay? And is it? Is it? Is it? 538 00:27:45,800 --> 00:27:48,520 Speaker 1: Customs are gonna be more radical in their paint jobs? 539 00:27:48,560 --> 00:27:51,320 Speaker 1: Is that a correct way to say it? Walt to 540 00:27:51,359 --> 00:27:53,840 Speaker 1: work out to be about the same. Now, when you 541 00:27:54,040 --> 00:27:58,159 Speaker 1: create a car for somebody, um, is it Harry or 542 00:27:58,240 --> 00:28:02,960 Speaker 1: out rod? Harry? I'm sorry. Here here's my Chevy. Do 543 00:28:03,080 --> 00:28:04,600 Speaker 1: what you want with it? Or here's what I think 544 00:28:04,640 --> 00:28:06,480 Speaker 1: i'd want, and then you kind of guide them, which 545 00:28:06,520 --> 00:28:09,960 Speaker 1: it's a little bit of what the customer wants. And 546 00:28:10,320 --> 00:28:14,160 Speaker 1: if it's something that isn't gonna look right once it's done, 547 00:28:14,240 --> 00:28:16,879 Speaker 1: you'll try and guide them out of it. Yeah, you know, 548 00:28:16,960 --> 00:28:19,920 Speaker 1: like it got to steer them the right way sometimes. Yeah, yeah, 549 00:28:20,000 --> 00:28:21,560 Speaker 1: you know, is it is it if the guy wants 550 00:28:21,600 --> 00:28:24,720 Speaker 1: you to hang the sodo fenders on a ford and yeah, 551 00:28:24,760 --> 00:28:26,840 Speaker 1: that's not it's not gonna work right. Yeah, it's not 552 00:28:26,920 --> 00:28:28,760 Speaker 1: gonna it's not gonna look right. Um. What are you 553 00:28:28,800 --> 00:28:31,480 Speaker 1: working on the shop right now? Um? Well, we're here 554 00:28:31,640 --> 00:28:34,880 Speaker 1: this weekend shopping my fifty two Plymouth Cranbrook, Floridor Right. Yeah. 555 00:28:34,880 --> 00:28:36,879 Speaker 1: I noticed that that's that's going on right now in 556 00:28:36,920 --> 00:28:40,360 Speaker 1: the parking lot. Yeah. Um, And I noticed everybody's got 557 00:28:40,920 --> 00:28:42,960 Speaker 1: they're just they're standing around gonna look at these guys. 558 00:28:42,960 --> 00:28:44,440 Speaker 1: They're breaking up the old car. What the heck is 559 00:28:44,480 --> 00:28:46,480 Speaker 1: this all about? But what's going on in the shop? 560 00:28:46,560 --> 00:28:48,040 Speaker 1: I mean other than this fifty two? What do you 561 00:28:48,080 --> 00:28:50,880 Speaker 1: want my fifty two doors sit down that we chopped 562 00:28:50,920 --> 00:28:53,760 Speaker 1: here last year, Um, which is actually here right now, 563 00:28:53,920 --> 00:28:57,040 Speaker 1: right in front of us. Um, that's a little work 564 00:28:57,080 --> 00:28:59,200 Speaker 1: in progress. It took me about a year to get 565 00:28:59,240 --> 00:29:00,800 Speaker 1: it all back on the road and a lot of 566 00:29:00,840 --> 00:29:05,040 Speaker 1: bugs worked out. Um, it's pretty much it at the 567 00:29:05,120 --> 00:29:08,720 Speaker 1: moment you know you're doing. You do this. It's not 568 00:29:08,800 --> 00:29:11,480 Speaker 1: just a job. You don't really work. This is your passion. Yeah. 569 00:29:12,160 --> 00:29:14,560 Speaker 1: I grew up around hot rods and custom cars, so 570 00:29:15,080 --> 00:29:17,720 Speaker 1: I just don't know any better. And it's what I love, 571 00:29:17,800 --> 00:29:19,760 Speaker 1: and I stick with it and and I don't know, 572 00:29:19,920 --> 00:29:22,440 Speaker 1: not knowing any better at this point. Oh, I'm not 573 00:29:22,520 --> 00:29:24,720 Speaker 1: complaining about it because I wouldn't have it any other way. 574 00:29:25,280 --> 00:29:26,800 Speaker 1: And if you had all the time in the world 575 00:29:26,840 --> 00:29:28,680 Speaker 1: and you could build whatever you wanted, what would you make. 576 00:29:29,000 --> 00:29:30,960 Speaker 1: It's sitting right at the current right there in my 577 00:29:31,040 --> 00:29:34,680 Speaker 1: fifty Okay, so the work in progress. Yeah, look at that, Um, 578 00:29:35,480 --> 00:29:38,320 Speaker 1: and I can't see because my sunglasses aren't Wow, look 579 00:29:38,360 --> 00:29:39,720 Speaker 1: at that now? How long is that's a work in 580 00:29:39,800 --> 00:29:42,120 Speaker 1: progress area or is that? Yeah? I have that card 581 00:29:42,400 --> 00:29:45,240 Speaker 1: seven years it was off the road for the last 582 00:29:45,280 --> 00:29:47,880 Speaker 1: To describe that for everybody either, it's uh, it's a 583 00:29:48,080 --> 00:29:51,520 Speaker 1: four inch chop to door sedan nosed in deck shaved 584 00:29:51,520 --> 00:29:57,360 Speaker 1: door handles lowered about six inches. Uh, Foxcraft original fifties 585 00:29:57,360 --> 00:30:01,600 Speaker 1: and needle, those bubble skirts, white white old toub caps. 586 00:30:02,120 --> 00:30:05,240 Speaker 1: It's got a seventy three oh two Ford motor in it, 587 00:30:06,000 --> 00:30:09,160 Speaker 1: uh sixty seven cougar see four trans and he's seventy 588 00:30:09,240 --> 00:30:13,120 Speaker 1: nine Granada heavy duty. To geared rear, Harry, you're a 589 00:30:13,200 --> 00:30:16,240 Speaker 1: soul from another era. Now where does this gentleman to 590 00:30:16,320 --> 00:30:18,240 Speaker 1: my right fit in? Where does slag fit into the 591 00:30:18,600 --> 00:30:21,560 Speaker 1: grand scheme of things? Uh? You know, what's your what's 592 00:30:21,600 --> 00:30:26,880 Speaker 1: your part of this operation? Slag? I am the fabricator, welder, 593 00:30:28,880 --> 00:30:33,520 Speaker 1: metal man. So I create custom one off gas tanks, 594 00:30:33,640 --> 00:30:38,240 Speaker 1: body work. The impossible is what I do? Right, So, Harry, 595 00:30:38,440 --> 00:30:41,120 Speaker 1: hot rod, Harry, get used to that. Yet we'll say 596 00:30:41,160 --> 00:30:43,400 Speaker 1: to you, hey, we have to make this widget. And 597 00:30:43,480 --> 00:30:45,000 Speaker 1: you're the guy that he'll give you the drawing and 598 00:30:45,080 --> 00:30:47,280 Speaker 1: you say, here's how we're gonna do it, Yes, exactly 599 00:30:47,360 --> 00:30:51,120 Speaker 1: how it goes? Um And when somebody says, give me 600 00:30:51,200 --> 00:30:54,640 Speaker 1: an estimate, what do you say? Can't time and material? 601 00:30:55,680 --> 00:30:59,680 Speaker 1: You know it's every everything should have a price, a 602 00:30:59,760 --> 00:31:02,720 Speaker 1: dollar or figure, but you can. Nothing is a constant. 603 00:31:03,520 --> 00:31:07,520 Speaker 1: Everything is so variable on what you're working with and 604 00:31:07,680 --> 00:31:11,120 Speaker 1: what you're doing. And tell me if you can and 605 00:31:11,200 --> 00:31:12,920 Speaker 1: I know what's happened. It's happened to all of us. 606 00:31:12,960 --> 00:31:16,880 Speaker 1: You get down to that last fifteen minutes of the job, Uh, 607 00:31:17,520 --> 00:31:20,200 Speaker 1: something doesn't look right, it doesn't feel right, it doesn't fit. 608 00:31:20,680 --> 00:31:23,720 Speaker 1: You gotta start over, cut it apart, throat in the garbage. 609 00:31:23,960 --> 00:31:26,960 Speaker 1: If I'm not happy with the job, it doesn't go 610 00:31:27,080 --> 00:31:30,560 Speaker 1: out the door. Right, So it's got it's got to 611 00:31:30,600 --> 00:31:33,080 Speaker 1: be right. Yeah, it's It's like I said where I 612 00:31:33,120 --> 00:31:35,840 Speaker 1: started this conversation. You guys are artists, you guys are 613 00:31:36,920 --> 00:31:39,680 Speaker 1: Your canvas is an automobile or a piece of metal. 614 00:31:40,240 --> 00:31:43,080 Speaker 1: Um And I think that's what the listening audience has 615 00:31:43,120 --> 00:31:45,600 Speaker 1: to grasp and I'm sure they have by now. Uh 616 00:31:45,720 --> 00:31:48,080 Speaker 1: you know that it's not just it's not body work, 617 00:31:48,360 --> 00:31:53,640 Speaker 1: it's creation. Yes, it's a combination of both because in 618 00:31:53,720 --> 00:31:56,680 Speaker 1: a final result it does go for body work and pain. 619 00:31:57,200 --> 00:32:01,320 Speaker 1: But to get to that point, they're so many hours 620 00:32:01,720 --> 00:32:05,280 Speaker 1: and thought that has to just go into it to 621 00:32:05,440 --> 00:32:10,760 Speaker 1: make it work. Right. If if if there's any kids 622 00:32:10,800 --> 00:32:12,920 Speaker 1: in the mix here and they wanted to drive a 623 00:32:12,960 --> 00:32:14,880 Speaker 1: car today, what would you make them driver? What would 624 00:32:14,920 --> 00:32:19,960 Speaker 1: you let him drive? Something? Old? Something old sleg? What 625 00:32:20,240 --> 00:32:24,680 Speaker 1: makes them happy? Because the guy's driving the kids driving 626 00:32:24,760 --> 00:32:28,560 Speaker 1: to new Hondas and stuff like that. They're starting off 627 00:32:28,640 --> 00:32:32,440 Speaker 1: the same way we did. These cars were affordable we 628 00:32:32,640 --> 00:32:35,520 Speaker 1: were kids, so these are the roads of that. Now 629 00:32:35,600 --> 00:32:39,080 Speaker 1: that we're getting older. You can't go to a guy 630 00:32:39,200 --> 00:32:41,520 Speaker 1: and be like, I'll give you five bucks for your 631 00:32:41,600 --> 00:32:45,360 Speaker 1: seventy Nova, right. It doesn't work. It just doesn't happen. 632 00:32:45,840 --> 00:32:49,920 Speaker 1: So they're gonna go spend on a new Honda or 633 00:32:50,360 --> 00:32:53,360 Speaker 1: an older ten year old Honda, and hopefully and customers 634 00:32:53,400 --> 00:32:57,120 Speaker 1: and customize it from there. Something something to look forward to. Gentlemen, 635 00:32:57,160 --> 00:32:58,520 Speaker 1: the clock is gonna grab us, but I want to 636 00:32:58,520 --> 00:33:00,160 Speaker 1: thank you. We're taking the time and stuff by with us. 637 00:33:00,240 --> 00:33:02,280 Speaker 1: I'm ronning any in the card doctor right already, my 638 00:33:02,360 --> 00:33:04,480 Speaker 1: left leg to my right. I'll be back right after this. 639 00:33:04,600 --> 00:33:37,120 Speaker 1: Thank you. Look up, start coming on ascom Hey, welcome back. 640 00:33:37,160 --> 00:33:38,840 Speaker 1: We're on any of the car doctors. We're kind of 641 00:33:38,880 --> 00:33:41,960 Speaker 1: doing our clothes out for the end of the weekend 642 00:33:42,280 --> 00:33:43,920 Speaker 1: here at the Wild Hot Rock party with the game 643 00:33:43,960 --> 00:33:45,800 Speaker 1: from dead Man's Curve. I have to my left Danny 644 00:33:45,840 --> 00:33:48,280 Speaker 1: c and to my right Mike Picky. Mike has been 645 00:33:48,320 --> 00:33:50,600 Speaker 1: my go to guy this afternoon. Danny's been running around 646 00:33:50,600 --> 00:33:52,760 Speaker 1: you guys are both tired. Closing thoughts, Danny, I'll go 647 00:33:52,800 --> 00:33:55,280 Speaker 1: to you real quick. Um. I think the best closing 648 00:33:55,360 --> 00:33:57,880 Speaker 1: thought I could do for just where we are this 649 00:33:58,000 --> 00:33:59,480 Speaker 1: part of the day is just one big thank you 650 00:33:59,520 --> 00:34:01,640 Speaker 1: to everybody who supported dead Man's Curve in the Wild 651 00:34:01,680 --> 00:34:04,480 Speaker 1: hot Rod weekend. Um. It's amazing how many people have 652 00:34:04,600 --> 00:34:06,440 Speaker 1: come up to us and thanked us and they can't 653 00:34:06,480 --> 00:34:08,920 Speaker 1: believe what we put together. So in closing, I'm just 654 00:34:08,960 --> 00:34:11,040 Speaker 1: gonna say one big thank you to everybody who has 655 00:34:11,080 --> 00:34:13,560 Speaker 1: hays supported this show and believed that it's the last 656 00:34:13,600 --> 00:34:16,719 Speaker 1: four years and today it just exploded. We more than 657 00:34:16,800 --> 00:34:21,080 Speaker 1: tripled our attendants, um, and everybody's just having an outrageous time, 658 00:34:21,520 --> 00:34:24,120 Speaker 1: and it's just one big thank you to everybody. What 659 00:34:24,200 --> 00:34:26,160 Speaker 1: do you see? What do you see ahead for next year? 660 00:34:26,280 --> 00:34:29,040 Speaker 1: Oh my god? You know, Um, we're talking about putting 661 00:34:29,080 --> 00:34:31,640 Speaker 1: a vintage trailer parking because nobody does a vintage trailer. 662 00:34:31,719 --> 00:34:35,200 Speaker 1: So yeah, we're gonna do something. Can I get an umbrella? Yeah? 663 00:34:35,360 --> 00:34:37,840 Speaker 1: I think you gotta bring a couple of pink flamingos, 664 00:34:37,960 --> 00:34:40,600 Speaker 1: a couple of need for next year. Mr Hicky, what 665 00:34:40,680 --> 00:34:44,239 Speaker 1: are your thoughts here? It's been an outrageous weekend. Uh, 666 00:34:44,760 --> 00:34:48,440 Speaker 1: it's nothing but fun for everyone. Uh. The family environment, 667 00:34:48,640 --> 00:34:52,680 Speaker 1: children are just blown away. The attractions. Um. You know, 668 00:34:52,800 --> 00:34:54,960 Speaker 1: the celebrities that are here have been so personal and 669 00:34:55,320 --> 00:34:58,000 Speaker 1: before coming and I just want to I know what 670 00:34:58,080 --> 00:34:59,839 Speaker 1: Danny says that thank you very much for coming out 671 00:35:00,000 --> 00:35:02,520 Speaker 1: a freak. Guys coming out in the sounds like we're 672 00:35:02,520 --> 00:35:04,400 Speaker 1: getting ready for the muffler wrapping car. It sounds like 673 00:35:04,760 --> 00:35:06,680 Speaker 1: we've got we've got some things going on here. As 674 00:35:06,719 --> 00:35:08,800 Speaker 1: far as everybody's kind of clearing your throat, well, I 675 00:35:08,840 --> 00:35:12,320 Speaker 1: gotta tell you, gentlemen, it's been. As I said before, 676 00:35:13,080 --> 00:35:16,680 Speaker 1: radio doesn't suit this show because it's hard to describe 677 00:35:16,719 --> 00:35:18,840 Speaker 1: it and I don't know that a camera would capture 678 00:35:18,840 --> 00:35:20,600 Speaker 1: it all. Maybe they can hear it. Yeah, I mean 679 00:35:20,680 --> 00:35:22,840 Speaker 1: you can hear it. You know. It's the energy of 680 00:35:22,960 --> 00:35:26,440 Speaker 1: being here. It's it's it's the sights, the sounds, the smell, 681 00:35:26,600 --> 00:35:29,920 Speaker 1: the bark, the bite, it's it's what cars were it. 682 00:35:30,080 --> 00:35:31,920 Speaker 1: You have to be here because when you see it 683 00:35:32,400 --> 00:35:34,439 Speaker 1: are you can tell anybody because it's not a car show, 684 00:35:34,560 --> 00:35:37,200 Speaker 1: it's an event with a car show, and every other 685 00:35:37,239 --> 00:35:39,320 Speaker 1: thing is an attraction here, whether it be a celebrity 686 00:35:39,440 --> 00:35:44,560 Speaker 1: or whatever. It's a party. Yeah, maybe we'll use that. 687 00:35:44,640 --> 00:35:47,680 Speaker 1: We'll we'll leave it there. It's an extravaganza, gentlemen, until 688 00:35:47,719 --> 00:35:49,520 Speaker 1: the next time, and for everybody else out there, I 689 00:35:49,560 --> 00:35:50,879 Speaker 1: want to just let you know it's been a great 690 00:35:50,920 --> 00:35:53,120 Speaker 1: time here with the gang from dead Man's Curve. I'm 691 00:35:53,200 --> 00:35:55,160 Speaker 1: running any in the car doctor, letting you know that 692 00:35:55,640 --> 00:35:59,680 Speaker 1: good mechanics and hot rods aren't expensive. They're priceless. See it, 693 00:36:15,840 --> 00:36:17,719 Speaker 1: She was start ti