1 00:00:00,080 --> 00:00:03,360 Speaker 1: I'm Bradley Johnson. What's one eight hundred d hy away knock? 2 00:00:03,440 --> 00:00:06,800 Speaker 1: Getting behind the wheel after drinking is the best choice. 3 00:00:07,080 --> 00:00:09,840 Speaker 1: But if you're pulled over, the next best choice it's 4 00:00:09,840 --> 00:00:15,000 Speaker 1: you call one eight hundred duy away. It's another on 5 00:00:15,080 --> 00:00:23,120 Speaker 1: the twenties. Hello, Hello, is Mark comes in? Yeah, there's 6 00:00:23,160 --> 00:00:30,400 Speaker 1: him Mark. This is doctor Edward. I'm your wife's therapist. Okay. 7 00:00:31,040 --> 00:00:34,040 Speaker 1: Grace asked me to give you a call. She mentioned 8 00:00:34,200 --> 00:00:37,800 Speaker 1: to me that you're opposed to coming down to be 9 00:00:37,840 --> 00:00:44,480 Speaker 1: part of our therapy sessions in any particular reason. Why? Um, book, 10 00:00:45,040 --> 00:00:49,360 Speaker 1: Um that I mean, yes, that is accurate. Shit, I 11 00:00:49,400 --> 00:00:52,839 Speaker 1: did say that. Um, I just don't. I don't feel comfortable. 12 00:00:52,840 --> 00:00:55,480 Speaker 1: I don't feel like it's a I don't think it's 13 00:00:55,480 --> 00:00:58,000 Speaker 1: for me. Uh. You know, I hate to be too 14 00:00:58,000 --> 00:00:59,720 Speaker 1: blunt here, but could it be because you're afraid I 15 00:00:59,800 --> 00:01:02,240 Speaker 1: might find out that you like to wear ladies undergarments? 16 00:01:03,200 --> 00:01:06,200 Speaker 1: I just what where would you get that from? Well, 17 00:01:06,240 --> 00:01:08,959 Speaker 1: Grace mentioned to me, and I'm just reading from my 18 00:01:09,000 --> 00:01:12,319 Speaker 1: notes here, um, that you like to prance around your 19 00:01:12,319 --> 00:01:15,680 Speaker 1: house and only what you call your knickers and heels. 20 00:01:16,200 --> 00:01:17,960 Speaker 1: That's what your wife told me. Well, I don't even know. 21 00:01:18,480 --> 00:01:21,520 Speaker 1: I'm so confused. I don't even know where she would 22 00:01:22,319 --> 00:01:23,800 Speaker 1: come up with that. I don't even know how she 23 00:01:23,840 --> 00:01:26,800 Speaker 1: would she she says, when she's not home, you put 24 00:01:26,840 --> 00:01:31,039 Speaker 1: on her clothes, specifically her underwear and her high heels, 25 00:01:31,560 --> 00:01:34,399 Speaker 1: prance around the house, calling yourself lady Gadiva, and eating 26 00:01:34,440 --> 00:01:39,080 Speaker 1: chocolates out of an expensive tin. I I am seriously 27 00:01:39,160 --> 00:01:41,320 Speaker 1: just like she says, that's something flaber guess that. I 28 00:01:41,319 --> 00:01:43,200 Speaker 1: don't get where she would come up with that. I'm 29 00:01:43,240 --> 00:01:45,840 Speaker 1: telling you right now that this is not true. That's 30 00:01:45,959 --> 00:01:51,520 Speaker 1: not where my women's underwear your women's. Okay, I just 31 00:01:51,520 --> 00:01:53,960 Speaker 1: want to point out that you called it your women's underwear. 32 00:01:56,800 --> 00:01:59,600 Speaker 1: My wife underwear is what I meant to. Doctor, I'll 33 00:01:59,640 --> 00:02:01,920 Speaker 1: give you that one. I deal with cross dressing perverts 34 00:02:01,960 --> 00:02:05,200 Speaker 1: all the time in my profession, and you're crossing the 35 00:02:05,240 --> 00:02:08,000 Speaker 1: line now, all right. I don't wear women's clothing. This 36 00:02:08,040 --> 00:02:10,560 Speaker 1: is ridiculous. I'm gonna stop you right there. I just 37 00:02:10,560 --> 00:02:12,480 Speaker 1: want to say this. The first step to dealing with 38 00:02:12,520 --> 00:02:15,440 Speaker 1: a problem is admitting that you have one. I don't 39 00:02:15,480 --> 00:02:18,240 Speaker 1: have a pride one. Doctor can understand what I'm saying. 40 00:02:18,480 --> 00:02:20,640 Speaker 1: I don't know. I'm not a transsexual. I do not 41 00:02:20,760 --> 00:02:22,840 Speaker 1: cross dress. I don't know where are you're getting to 42 00:02:22,919 --> 00:02:26,040 Speaker 1: this or where my wife is getting this from. Okay, well, Mark, 43 00:02:26,080 --> 00:02:27,880 Speaker 1: I think I've figured out what the problem is. I 44 00:02:27,919 --> 00:02:30,600 Speaker 1: see what's going on here. I'm speaking with Lady Godiva, 45 00:02:30,639 --> 00:02:35,919 Speaker 1: aren't I is this Lady g I don't what what? 46 00:02:36,040 --> 00:02:38,040 Speaker 1: What are you coming up with? This? Doctor? This is 47 00:02:38,040 --> 00:02:41,960 Speaker 1: not this is Mark. I'm talking right now. I apologize 48 00:02:42,639 --> 00:02:46,200 Speaker 1: if I offended the beautiful miss Lady Godiva. I'm sorry. 49 00:02:46,400 --> 00:02:48,959 Speaker 1: Your heels look lovely today. Lady Godiva, I don't know 50 00:02:49,000 --> 00:02:50,200 Speaker 1: what the hell are you doing right now? If this 51 00:02:50,240 --> 00:02:52,600 Speaker 1: is some kind of reverse Lady Gadiva. Can you put 52 00:02:52,639 --> 00:02:55,480 Speaker 1: Mark on the phone please. I am not Lady Godiva 53 00:02:55,639 --> 00:02:58,320 Speaker 1: right now. I'm Mark. Oh okay, So, so, Mark, you're 54 00:02:58,320 --> 00:03:02,000 Speaker 1: admitting that you do have an alter ego called laying anything. Well, 55 00:03:02,040 --> 00:03:04,840 Speaker 1: you said you said to me, I'm not Lady Godiva 56 00:03:04,960 --> 00:03:07,200 Speaker 1: right now, which means that you do pretend like your 57 00:03:07,280 --> 00:03:09,440 Speaker 1: Lady Gadiva. I think I've caught you in a little 58 00:03:09,440 --> 00:03:11,920 Speaker 1: bit of a lie there, Mark, No, no, no, no no, no, no, 59 00:03:12,720 --> 00:03:15,840 Speaker 1: there's no lie here. You said you said just now 60 00:03:15,880 --> 00:03:18,120 Speaker 1: that you're speaking with Lady Godiva, and I'm you're not 61 00:03:18,160 --> 00:03:20,679 Speaker 1: speaking with Lady Gyadiva right now, you're speaking with Mark. Well, 62 00:03:20,680 --> 00:03:23,639 Speaker 1: it seems like you're you're very familiar with Lady Godiva. 63 00:03:23,800 --> 00:03:26,760 Speaker 1: So I don't know who Lady Godiva is. I don't 64 00:03:26,800 --> 00:03:29,960 Speaker 1: know what you're talking about. Lady Godiva is your alternate 65 00:03:30,000 --> 00:03:32,480 Speaker 1: personality who likes to prance around the house wearing your 66 00:03:32,480 --> 00:03:37,160 Speaker 1: wife's underwear. No, doctor, listen, you do not understand. I 67 00:03:37,200 --> 00:03:41,640 Speaker 1: am not Lady Godiva. Okay, I understand You're not Lady 68 00:03:41,680 --> 00:03:45,720 Speaker 1: Godiva at this current moment. I am not Lady Kadalva. 69 00:03:46,160 --> 00:03:48,880 Speaker 1: Let's also pretend that this isn't a phone tap. What 70 00:03:50,000 --> 00:03:52,200 Speaker 1: that means that this is actually jewel from brook and 71 00:03:52,240 --> 00:03:54,000 Speaker 1: Jewel in the morning. I'm moving ninety two point five 72 00:03:54,040 --> 00:03:58,760 Speaker 1: doing a phone tap on you. Oh my god, are 73 00:03:58,800 --> 00:04:03,560 Speaker 1: you kidding? No, your wife set you up. Oh yeah, 74 00:04:03,640 --> 00:04:05,680 Speaker 1: she said that you refused to meet with her therapists 75 00:04:05,680 --> 00:04:09,360 Speaker 1: because you don't believe in him. Well, yeah, of course 76 00:04:09,440 --> 00:04:11,880 Speaker 1: I don't believe in it, because like this happens on 77 00:04:11,920 --> 00:04:14,600 Speaker 1: the phone where you know, you call me, people think 78 00:04:14,600 --> 00:04:17,080 Speaker 1: that I'm Lady Goodaiva. Now all of a sudden, calm down, 79 00:04:17,120 --> 00:04:21,039 Speaker 1: Lady Gadiva, you're getting upset, you're underwearing a bunch there. 80 00:04:21,200 --> 00:04:25,760 Speaker 1: I'm not Lady Goodiva week up every morning with Juba 81 00:04:26,440 --> 00:04:30,200 Speaker 1: Weekday Mornings on the twenty two point five