WEBVTT - Mike DeVries on Designing Affordable Golf and Learning from Maxwell and MacKenzie

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<v Speaker 1>Welcome back to another edition of the Frida Egg Podcast.

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<v Speaker 1>Today we have golf course architect Mike Davrees on the podcast.

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<v Speaker 1>We did an earlier episode a couple of years ago

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<v Speaker 1>with Mike. Since then, I've played all of his North

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<v Speaker 1>American golf courses, so I felt like it was time

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<v Speaker 1>to talk to him since I've seen all his work

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<v Speaker 1>here and hopefully I'll go to see Cape Wickham sometime soon.

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<v Speaker 1>But Mike has designed some really good golf courses across

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<v Speaker 1>in North America. If you're in the Michigan area, there

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<v Speaker 1>is a tremendous Mike Divrees golf trip. He's got three

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<v Speaker 1>courses in the Grand Rapids area, He's got Gray Walls

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<v Speaker 1>and obviously then Kingsley Club up in Traverse City. Gray

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<v Speaker 1>Walls is up in the Upper Peninsula. So we talked

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<v Speaker 1>to Mike about about those projects, what else is going

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<v Speaker 1>on in his life? And uh, without further ado, here

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<v Speaker 1>is Mike Direes.

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<v Speaker 2>I miss the green, for example, I'm already upset when

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<v Speaker 2>I find my ball in the bunker, I'm really upset.

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<v Speaker 2>And when I find my ball.

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<v Speaker 1>In ag egg fried egg egg egg bright egg, Lie,

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<v Speaker 1>I'm about ready to run off the Well, I'll ask

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<v Speaker 1>you my favorite, you know, my favorite test question. What's

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<v Speaker 1>what's your favorite fruit?

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<v Speaker 2>Oh, let's see, it's interesting. Uh probably blueberries.

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<v Speaker 1>Blueberries, Yeah, I haven't ever gotten that.

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<v Speaker 2>Respond either, Well, it's either that or maybe black raspberries.

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<v Speaker 1>Black raspberries. I've never even seen a black raspberry.

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<v Speaker 3>It's like a red raspberry with black or really really

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<v Speaker 3>dark purple.

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<v Speaker 1>People probably confuse them for blackberries all the time.

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<v Speaker 2>Uh yeah, yeah, so and kind of similar with they

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<v Speaker 2>grow in clusters a lot easier to like pick. So

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<v Speaker 2>when you're a kid and you're forced to go out

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<v Speaker 2>and like pick fruit with your you know, with your

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<v Speaker 2>mom in the summer because she's gonna make jam, which

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<v Speaker 2>is not a bad thing, but you know, as a kid,

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<v Speaker 2>you want to be doing something else. Well, when there's

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<v Speaker 2>black raspberries, you can grab a handful at once. It's

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<v Speaker 2>a lot better eating and a lot better war material

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<v Speaker 2>when you're you know, there with your brother.

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<v Speaker 1>I imagine life is a black raspberry is uh is

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<v Speaker 1>frustrating because they're always confused.

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<v Speaker 3>Probably, yes, very underrated.

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<v Speaker 1>That's that I haven't I haven't even heard of a

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<v Speaker 1>black raspery. I'm gonna have to do some investigator. So

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<v Speaker 1>you you've built I guess everybody likes to talk about

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<v Speaker 1>municipal and public golf and affordable public golf, and I

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<v Speaker 1>don't know if there's a living architect that's built more

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<v Speaker 1>affordable and compelling public golf with your work here in Michigan.

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<v Speaker 1>And I just I'm just curious that you know, you've

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<v Speaker 1>you've built Kingsley Club. Also you've built Cape Wickham and

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<v Speaker 1>you know, world class golf courses and gray walls obviously

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<v Speaker 1>I think falls in the same bucket. Is there anything

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<v Speaker 1>that you go about differently when you're building course like

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<v Speaker 1>say Diamond Springs from Kingsley.

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<v Speaker 2>Well, certainly, I mean you've got to consider getting people

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<v Speaker 2>around and if it's going to be public play and

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<v Speaker 2>there's a certain amount of play going on, you've got

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<v Speaker 2>to be cognizant of, you know, the flow of that

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<v Speaker 2>golf course, making sure that there aren't some you know,

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<v Speaker 2>unusual bottlenecks and things like that. And you can't always

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<v Speaker 2>predict that. You know, everybody has this formula. You know,

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<v Speaker 2>you have to start out and you can't have a

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<v Speaker 2>par three in the first three holes and stuff. Well,

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<v Speaker 2>there's a lot of great golf courses that blow that

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<v Speaker 2>out of the door. So that's maybe not necessarily the

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<v Speaker 2>best golf course, and is you know what's your priority

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<v Speaker 2>and how you're doing that. So I think for me

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<v Speaker 2>it's still everything has to be interesting and compelling.

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<v Speaker 3>That's the first thing. The golf has got to be

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<v Speaker 3>really good.

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<v Speaker 2>I mean, you could, you know, make something super cheap,

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<v Speaker 2>you know, inexpensive to maintain, inexpensive to play, gets people

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<v Speaker 2>around all the time. But if it's not interesting or

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<v Speaker 2>there's no intrigue at all and the golfer's part, not

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<v Speaker 2>many people are going to play it, so then that's

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<v Speaker 2>a failure. So you still have to keep For me,

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<v Speaker 2>you still have to make it interesting. You have to

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<v Speaker 2>do things that are really really good from a golf standpoint,

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<v Speaker 2>and that's that's number one, And then you've got to

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<v Speaker 2>figure out how to fit that other stuff in.

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<v Speaker 1>Yeah, that was something that I was really We did

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<v Speaker 1>Will Knights, who worked for the Frida Egg and I

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<v Speaker 1>did the the Grand Rapids Trio of your courses in

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<v Speaker 1>that area. I mean we were we were exhausted going

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<v Speaker 1>to Diamond Springs. It was our last stop on the

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<v Speaker 1>way back to Chicago, and I mean we both like

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<v Speaker 1>just were all of a sudden infused with energy by

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<v Speaker 1>the work there. It's one of the courses that's made

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<v Speaker 1>one of the biggest impacts on me since I started this,

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<v Speaker 1>because of not only the way it's the design of it,

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<v Speaker 1>but the way it was presented. But something I was

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<v Speaker 1>enthralled by was the work you did on the flat

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<v Speaker 1>property that you kind of kick the golf course off

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<v Speaker 1>on and you know, you have those beautiful ravines that

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<v Speaker 1>you kind of held from people for the longest time,

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<v Speaker 1>and you get through eight and then all of a sudden,

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<v Speaker 1>there's this unbelievable reveal. But those holes won through eight

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<v Speaker 1>on this flat land was almost just as you know, compelling,

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<v Speaker 1>if not more than the holes that play along that ravine,

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<v Speaker 1>which is absolutely stunning and reminded me a ton of

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<v Speaker 1>short acres.

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<v Speaker 3>Yeah.

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<v Speaker 2>So, well, first of all, Chris Schuemaker, he deserves a

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<v Speaker 2>lot of credit because it was his project. And after

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<v Speaker 2>we had worked at Pilgrim's Run together and he was

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<v Speaker 2>the superintendent there and kind of the coordinator for all

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<v Speaker 2>the owners, you know guys that worked for the owner stuff,

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<v Speaker 2>he ended up, you know, finding this other project and

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<v Speaker 2>wanting to do this and he sort of you know,

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<v Speaker 2>evolved into him you know, wanting to co design and

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<v Speaker 2>stuff like that. So he deserves a lot of credit

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<v Speaker 2>because he was the guy that built it.

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<v Speaker 3>You know, every day. I wasn't there every day, and.

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<v Speaker 2>So so a lot of the concept, like, for instance,

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<v Speaker 2>because he's a superintendent, he's focused in trying to figure

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<v Speaker 2>out how to maintain this golf course and do it

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<v Speaker 2>on a on a you know, a really tight budget,

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<v Speaker 2>and to make it simple to maintain but still make

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<v Speaker 2>it interesting. So the idea of having two cuts of

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<v Speaker 2>grass basically three quarters of an inch bluegrass wall the

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<v Speaker 2>wall and then bent grass greens you know, was his

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<v Speaker 2>and how to carry that kind of stepped out. So

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<v Speaker 2>uh that was something that you know that we worked with.

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<v Speaker 2>And you know, you have to figure out, Okay, here's

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<v Speaker 2>this big, wide playing space and the average golfer you

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<v Speaker 2>hit it anywhere, find his ball really quickly, take it,

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<v Speaker 2>you know, hit it, move it up, advance and whatever.

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<v Speaker 2>The really good player has to figure out exactly where

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<v Speaker 2>he wants to be to try and attack the hole,

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<v Speaker 2>you know, or what's you know what that strategy is.

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<v Speaker 2>So still you know, building in multiple levels of interest

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<v Speaker 2>or playability or decision making I think is you know,

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<v Speaker 2>that's what makes compelling golf, and that's what makes it

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<v Speaker 2>more compelling for more people. So the thing that's really

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<v Speaker 2>cool about Diamond Springs properties, you have all these eskers

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<v Speaker 2>going across the property and basically an east west direction,

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<v Speaker 2>and the clubhouse sits sort of on one of those.

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<v Speaker 2>So you've got one T, the base of two green,

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<v Speaker 2>three T.

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<v Speaker 3>Ten T.

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<v Speaker 2>You know, all these things sort of feature off of

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<v Speaker 2>one of those, and then they play over and around

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<v Speaker 2>another one. So by utilizing those in different ways as

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<v Speaker 2>as T spots, green locations, six greens on one of them,

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<v Speaker 2>as a as a hazard to you know, drive over

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<v Speaker 2>like like on eight.

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<v Speaker 3>Yeah.

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<v Speaker 2>So all of that works to be really pretty simple,

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<v Speaker 2>but in the same breath, it is complex because you're

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<v Speaker 2>trying to figure out how to best utilize that.

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<v Speaker 3>So that's the fun.

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<v Speaker 2>That's a fun part of trying to figure out the

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<v Speaker 2>routing and how things best fit together. But it also

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<v Speaker 2>makes for you know, compelling simple golf. Yeah.

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<v Speaker 1>You know, I I couldn't help when I was when

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<v Speaker 1>we were playing it that I you know, I was like,

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<v Speaker 1>holy cow, Like the whole time I'm walking around the

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<v Speaker 1>golf course, thinking about, man, this this place, if you

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<v Speaker 1>gave it a a country high end country club budget,

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<v Speaker 1>would be absolutely incredible. But then as I thought more

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<v Speaker 1>and more about it, I became, you know, the way

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<v Speaker 1>it's presented and maintained is absolutely perfect for you know,

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<v Speaker 1>providing affordable and great golf. And the more I thought

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<v Speaker 1>about it, I was like, this is actually doing This

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<v Speaker 1>is the best iteration of itself in a way because

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<v Speaker 1>everybody can go experience it for less than fifty bucks,

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<v Speaker 1>which on you know, when you're looking at best values

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<v Speaker 1>in the country, that's one of them. And I think

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<v Speaker 1>obviously Chris, the way he maintains it is incredible, and

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<v Speaker 1>I think some people misunderstand. They go there and they're

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<v Speaker 1>expecting the shortcut, but it plays so perfectly, and you know,

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<v Speaker 1>the single row irrigation, the native there was essentially I'm

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<v Speaker 1>just dropping a fusive praise, but the native there was

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<v Speaker 1>what every country club wishes it had its native played like.

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<v Speaker 1>And I just I think that place is one of

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<v Speaker 1>the you know, the best public golf courses in America

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<v Speaker 1>for a lot of reasons, you know, and it's really

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<v Speaker 1>enthralling golf course. So something there you know, and I've

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<v Speaker 1>seen a lot of your golf courses. I really love

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<v Speaker 1>the the greens that you you there are a lot

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<v Speaker 1>of compelling greens in the idea you have a lot

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<v Speaker 1>of golf courses is playing away from the pin to

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<v Speaker 1>hit it close. Talk about that idea and how tough

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<v Speaker 1>it is to get you know, kind of buy in

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<v Speaker 1>on that from like the commercial golfer.

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<v Speaker 3>Well, I think it's.

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<v Speaker 2>You know, if that's the buy in from the commercial

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<v Speaker 2>golfer or someone who's going out to play, they may

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<v Speaker 2>be they're maybe just confused when they fire at the

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<v Speaker 2>pen and all of a sudden the ball moves away

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<v Speaker 2>because they didn't you know, they didn't know or they

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<v Speaker 2>you know, hadn't really experienced something like that. But I

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<v Speaker 2>think multiple plays, you know, over and over, they start

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<v Speaker 2>to understand that, Okay, there's a different way to do it.

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<v Speaker 2>There's a different option, or there's a different opportunity on

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<v Speaker 2>how to play golf. So that's how golf is in

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<v Speaker 2>the UK, right. So you know, when you're playing links golf,

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<v Speaker 2>one of those one of the things there is just

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<v Speaker 2>you're trying to figure out how to get as close

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<v Speaker 2>to the hole as possible and that's going to vary

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<v Speaker 2>depending on the speed of the ground, you know, the

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<v Speaker 2>time of year that it is and what's happening. So

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<v Speaker 2>getting the ball there, whenever you watch any old scotsman,

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<v Speaker 2>getting the ball to the hole isn't necessarily, you know,

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<v Speaker 2>a one dimensional shot. It's three dimensional. It's first of all,

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<v Speaker 2>where you hit the ball, how hard the ground is

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<v Speaker 2>when it hits, and then what it does on the

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<v Speaker 2>ground after that. So there's all these different factors that

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<v Speaker 2>are involved in that. And we can still do that

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<v Speaker 2>even with our americanized maintenance, you know, sort of expectation level.

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<v Speaker 2>But I think what we've got to do is, you know,

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<v Speaker 2>people just have to be exposed to that, and they

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<v Speaker 2>have to like, you know, don't think of it as

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<v Speaker 2>tricked up, think of it as Okay, I've got to

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<v Speaker 2>think about what's the best way for me to get

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<v Speaker 2>the ball close to the whole. So when you can

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<v Speaker 2>do that, and when you can emphasize something like that

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<v Speaker 2>or give people ways of doing that, they just have

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<v Speaker 2>to experience it. You know, the experience at one time

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<v Speaker 2>it's like okay, the second time they get a little

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<v Speaker 2>bit more. The third time, you want their sort of

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<v Speaker 2>golf IQ or their experience level to sort of expand

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<v Speaker 2>every time they play.

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<v Speaker 3>That's the success to like, you know, the great courses.

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<v Speaker 2>That's why Marian's fascinating endlessly. You know all the great courses,

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<v Speaker 2>Pine Valley, Crystal Downs where I grew up, you know,

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<v Speaker 2>Royal Melbourne, the Old Course or whatever. Every time it's different,

0:12:55.200 --> 0:12:59.160
<v Speaker 2>there's something you learn. That's why it's great golf. How

0:12:59.200 --> 0:13:02.280
<v Speaker 2>can we bring a small part of that just to

0:13:03.240 --> 0:13:07.280
<v Speaker 2>you know, to regular, you know, everyday public public golf.

0:13:08.440 --> 0:13:11.280
<v Speaker 1>Yeah, the uh, what you were just talking about made

0:13:11.280 --> 0:13:14.440
<v Speaker 1>me think about that passage in the beginning of The

0:13:14.520 --> 0:13:17.400
<v Speaker 1>Links Robert Hunter's book where he talks about playing I

0:13:17.440 --> 0:13:19.720
<v Speaker 1>can't remember the guy's name he played with, the old,

0:13:20.320 --> 0:13:22.800
<v Speaker 1>you know, gritty player that knew all the ways to

0:13:22.840 --> 0:13:24.520
<v Speaker 1>get the ball close to the hole. And you would,

0:13:24.559 --> 0:13:26.760
<v Speaker 1>you know, you'd think you were going to beat him

0:13:26.760 --> 0:13:29.000
<v Speaker 1>in a match, and he'd just hit this ridiculous shot

0:13:29.040 --> 0:13:32.200
<v Speaker 1>that rolls his way in there. I guess, you know,

0:13:32.320 --> 0:13:34.640
<v Speaker 1>one of the things with with golf, I feel like

0:13:34.760 --> 0:13:38.160
<v Speaker 1>the world of golf is people are trying to see

0:13:38.200 --> 0:13:42.280
<v Speaker 1>everything and they're not, you know, and especially sometimes the

0:13:42.320 --> 0:13:46.960
<v Speaker 1>way golf courses are are rated in rankings. Is most

0:13:46.960 --> 0:13:49.320
<v Speaker 1>of these people have only played them one time and

0:13:49.320 --> 0:13:52.360
<v Speaker 1>and they're missing out on you know, that learning process.

0:13:52.400 --> 0:13:54.480
<v Speaker 1>Does that, you know, frustrate you at all?

0:13:54.480 --> 0:13:59.240
<v Speaker 2>Ever, well, you want him to play your courses more, obviously,

0:14:01.480 --> 0:14:03.800
<v Speaker 2>that's just the way that that's that's the nature of

0:14:03.800 --> 0:14:06.520
<v Speaker 2>the beast though, I guess because some of these places

0:14:06.520 --> 0:14:11.200
<v Speaker 2>are Cape Wickham's a destination and as remote as it

0:14:11.240 --> 0:14:13.960
<v Speaker 2>is for someone in the US, it's not remote for

0:14:14.040 --> 0:14:17.880
<v Speaker 2>someone in Australia because it's a forty minute flight from Melbourne.

0:14:18.520 --> 0:14:20.520
<v Speaker 3>So you know, if you think.

0:14:20.360 --> 0:14:23.240
<v Speaker 2>About that way, you got four or five six million

0:14:23.280 --> 0:14:25.920
<v Speaker 2>golfers there or you know people and a lot of golfers,

0:14:25.960 --> 0:14:28.480
<v Speaker 2>so they have a golf culture there. Same thing with Sydney,

0:14:28.520 --> 0:14:31.080
<v Speaker 2>you know, which is a little further away, but there's

0:14:31.080 --> 0:14:34.120
<v Speaker 2>a lot of you know, pretty easy access for people

0:14:34.160 --> 0:14:38.800
<v Speaker 2>doing that. So now for the international traveler that goes

0:14:38.880 --> 0:14:40.320
<v Speaker 2>and you know, it's a one off deal, they're going

0:14:40.360 --> 0:14:42.360
<v Speaker 2>to make one trip to Australia to play golf kind

0:14:42.360 --> 0:14:44.760
<v Speaker 2>of in their life. Maybe yeah, maybe they're only going

0:14:44.800 --> 0:14:47.160
<v Speaker 2>to play it at one time. They're going to want

0:14:47.160 --> 0:14:49.560
<v Speaker 2>to play it maybe more, you know, maybe they're going

0:14:49.600 --> 0:14:51.520
<v Speaker 2>to go there. That's why I always try and tell

0:14:51.520 --> 0:14:54.920
<v Speaker 2>people too. It's like, you know, try and spend a

0:14:55.040 --> 0:14:58.080
<v Speaker 2>night there, get you know, because it changes day to

0:14:58.120 --> 0:15:00.320
<v Speaker 2>day too. The weather changes day to day. Going to

0:15:00.320 --> 0:15:01.920
<v Speaker 2>have a blowy day and you can have like a

0:15:01.960 --> 0:15:05.480
<v Speaker 2>mildly blowy day, but if you're there for two days

0:15:05.600 --> 0:15:08.160
<v Speaker 2>or three days, you're going to get all different kinds

0:15:08.160 --> 0:15:11.040
<v Speaker 2>of sort of fields of the golf course just because

0:15:11.080 --> 0:15:12.680
<v Speaker 2>the weather and the weather changed from the morning to

0:15:12.680 --> 0:15:16.120
<v Speaker 2>the afternoon easily just depends on how it is. And

0:15:16.160 --> 0:15:18.800
<v Speaker 2>that's kind of the nature of links golf. You know,

0:15:18.840 --> 0:15:21.880
<v Speaker 2>squalls come through the ocean has its own sort of

0:15:21.920 --> 0:15:24.480
<v Speaker 2>deal and that that helps, and that makes it even

0:15:24.480 --> 0:15:25.800
<v Speaker 2>more variable and more fun.

0:15:27.000 --> 0:15:29.600
<v Speaker 1>Talk about a little bit, you know, designing with it.

0:15:29.640 --> 0:15:31.640
<v Speaker 1>Do you do you when you're laying out a golf

0:15:31.640 --> 0:15:34.640
<v Speaker 1>course or do you keep that weather in mind with

0:15:34.760 --> 0:15:37.640
<v Speaker 1>wind and stuff when you're you know, putting together you

0:15:37.640 --> 0:15:38.360
<v Speaker 1>know you're routing.

0:15:39.640 --> 0:15:43.000
<v Speaker 2>Yeah, well, first of all, you have trent, you have

0:15:43.160 --> 0:15:46.600
<v Speaker 2>you know what's the predominant wind. So okay, it's a

0:15:46.640 --> 0:15:51.040
<v Speaker 2>westerly or southwesterly, and you know it blows hard and

0:15:51.200 --> 0:15:52.920
<v Speaker 2>you know X amount of time or whatever you know,

0:15:52.960 --> 0:15:55.840
<v Speaker 2>some places are different than others, so you're always trying

0:15:55.840 --> 0:16:01.000
<v Speaker 2>to think about that variable. But in reality, weather changes

0:16:01.400 --> 0:16:06.000
<v Speaker 2>so so here in Michigan because primarily because of Lake

0:16:06.040 --> 0:16:09.320
<v Speaker 2>Michigan and the fact, and you know what kind of

0:16:09.320 --> 0:16:11.640
<v Speaker 2>impact that has on our weather because most of the

0:16:11.680 --> 0:16:15.200
<v Speaker 2>stuff comes from the west or the southwest, and in

0:16:15.240 --> 0:16:19.160
<v Speaker 2>the summertime, probably sixty percent of the weather comes from

0:16:19.280 --> 0:16:21.440
<v Speaker 2>the wind comes from the south to the southwest kind

0:16:21.440 --> 0:16:23.880
<v Speaker 2>of pushing that way. But when you get to the

0:16:23.880 --> 0:16:26.680
<v Speaker 2>fall or the springtime, you know, it'll turn around and

0:16:26.720 --> 0:16:29.440
<v Speaker 2>it comes out of the north and northwest and pushes

0:16:29.480 --> 0:16:31.520
<v Speaker 2>hard that way. So that's maybe a third of the time,

0:16:31.960 --> 0:16:34.960
<v Speaker 2>you know, off season. So you have to think about

0:16:34.960 --> 0:16:41.040
<v Speaker 2>those those general sort of guidelines. And that's as relevant

0:16:41.320 --> 0:16:44.600
<v Speaker 2>as something that's right right on the coast, you know,

0:16:44.600 --> 0:16:48.080
<v Speaker 2>like Crystal Downs versus something that's that's inland, maybe only

0:16:48.240 --> 0:16:52.240
<v Speaker 2>twelve fifteen miles at Kingsley, or something that's even more interior,

0:16:52.320 --> 0:16:54.800
<v Speaker 2>like the courses in Grand Rapids, which are you know,

0:16:54.840 --> 0:16:56.200
<v Speaker 2>sixty miles away from the coast.

0:16:57.320 --> 0:17:00.480
<v Speaker 1>The routing process is interesting and what you know, one

0:17:00.560 --> 0:17:04.359
<v Speaker 1>of the courses there in Grand Rapids, the mind obviously

0:17:05.000 --> 0:17:07.760
<v Speaker 1>it was a situation where you had a lot of

0:17:08.040 --> 0:17:11.560
<v Speaker 1>obstacles to deal with road power lines.

0:17:12.880 --> 0:17:13.280
<v Speaker 3>In a way?

0:17:13.400 --> 0:17:17.679
<v Speaker 1>Do you feel like those how do you work around

0:17:17.760 --> 0:17:22.000
<v Speaker 1>big constraints like that? And do you feel like sometimes

0:17:22.040 --> 0:17:24.639
<v Speaker 1>that it yields you know, they're the famous line of

0:17:24.840 --> 0:17:28.119
<v Speaker 1>constraint yels creativity. Do you feel like it something you

0:17:28.240 --> 0:17:31.880
<v Speaker 1>learned something working at at sites that are a little

0:17:31.920 --> 0:17:34.360
<v Speaker 1>bit tougher to route right off the bat?

0:17:37.040 --> 0:17:41.000
<v Speaker 2>Well, well, you're're constantly learning, so yeah, and constraints do

0:17:41.720 --> 0:17:45.720
<v Speaker 2>they come in different in different ways? So big, huge

0:17:46.000 --> 0:17:49.120
<v Speaker 2>power you know lines, I mean the big, the big.

0:17:48.880 --> 0:17:53.520
<v Speaker 3>Things, not just like a regular and you know, at the.

0:17:53.600 --> 0:17:57.359
<v Speaker 2>Minds we're thinking, oh, you know visually that's so you know,

0:17:57.560 --> 0:18:00.560
<v Speaker 2>such as scar on the landscape. But for a while

0:18:00.600 --> 0:18:02.680
<v Speaker 2>you sort of become immune to that. It's like, hey, yeah,

0:18:02.680 --> 0:18:04.720
<v Speaker 2>they're just there, you know, and you kind of deal

0:18:04.760 --> 0:18:08.200
<v Speaker 2>with it. So is that like looking at the Southern

0:18:08.240 --> 0:18:10.480
<v Speaker 2>Ocean or you know the bass strade It No, it's

0:18:10.480 --> 0:18:14.080
<v Speaker 2>not the same thing, right, but but those you know,

0:18:14.119 --> 0:18:16.600
<v Speaker 2>you just figure out that, Okay, I've got to work

0:18:16.640 --> 0:18:20.320
<v Speaker 2>around those, and that's like a no, you know, no zone.

0:18:20.400 --> 0:18:23.200
<v Speaker 2>I mean, we could have put holes underneath those lines

0:18:23.240 --> 0:18:25.399
<v Speaker 2>and connected the sections of the property a little bit

0:18:25.440 --> 0:18:27.800
<v Speaker 2>better because there's kind of four sections, three for the

0:18:27.840 --> 0:18:30.639
<v Speaker 2>main golf course and then there's another another section down

0:18:30.720 --> 0:18:34.480
<v Speaker 2>near the range for a future part three hopefully. But

0:18:34.640 --> 0:18:37.280
<v Speaker 2>those are things that you know, I talked with the

0:18:37.280 --> 0:18:38.919
<v Speaker 2>owner about, you know, hey, do we want to have that,

0:18:39.040 --> 0:18:42.320
<v Speaker 2>and he's like, no, because we don't. Really that's our land,

0:18:42.520 --> 0:18:45.160
<v Speaker 2>but we don't really totally control it because the right

0:18:45.200 --> 0:18:47.080
<v Speaker 2>of way and they have to have access and stuff,

0:18:47.119 --> 0:18:50.600
<v Speaker 2>so we didn't we didn't utilize that part of the property.

0:18:50.840 --> 0:18:53.400
<v Speaker 2>You know, we just pass under it, which is kind

0:18:53.400 --> 0:18:55.560
<v Speaker 2>of a problem because you sort of go from one

0:18:55.600 --> 0:18:58.240
<v Speaker 2>section and then you you know, have this big long

0:18:58.320 --> 0:19:01.160
<v Speaker 2>walk or cart ride and then you go to another

0:19:01.200 --> 0:19:04.960
<v Speaker 2>section that you got to come back through. So that's

0:19:04.960 --> 0:19:09.160
<v Speaker 2>not perfect, it's not ideal, but you just you try

0:19:09.200 --> 0:19:11.320
<v Speaker 2>and figure out a way to do that and then

0:19:11.920 --> 0:19:14.560
<v Speaker 2>utilize those sorts of things to maybe give you a different,

0:19:15.400 --> 0:19:17.520
<v Speaker 2>different feel or different section. It's kind of you know,

0:19:17.520 --> 0:19:20.359
<v Speaker 2>it's an interesting start because you're on one side of

0:19:20.400 --> 0:19:23.440
<v Speaker 2>the road going this tunnel over and you play four holes,

0:19:23.920 --> 0:19:27.480
<v Speaker 2>four part fours, you know, back and forth. They're parallel

0:19:27.840 --> 0:19:30.439
<v Speaker 2>but the land is moving and changing and doing all

0:19:30.440 --> 0:19:32.720
<v Speaker 2>this stuff, and then you got across the road again.

0:19:32.760 --> 0:19:35.280
<v Speaker 2>So it's kind of disjointed, but at the same token

0:19:35.359 --> 0:19:40.080
<v Speaker 2>it works. And having four part fours to start works also,

0:19:40.280 --> 0:19:43.440
<v Speaker 2>just from the stan that they're all really different and

0:19:43.480 --> 0:19:44.960
<v Speaker 2>they have different sort of things that you have to

0:19:44.960 --> 0:19:49.359
<v Speaker 2>deal with. So the first holes, you know, sort of

0:19:49.720 --> 0:19:52.000
<v Speaker 2>semi blind t shot, but then you have this kind

0:19:52.000 --> 0:19:55.399
<v Speaker 2>of cool downhill. You know, look at the green that

0:19:55.480 --> 0:20:00.160
<v Speaker 2>sits across this this gully, no no bunkers. Second holes

0:20:00.160 --> 0:20:02.600
<v Speaker 2>like kind of a big up and over Part three,

0:20:02.640 --> 0:20:05.840
<v Speaker 2>the third holes like a really difficult green to hit,

0:20:06.480 --> 0:20:09.760
<v Speaker 2>maybe too hard, and the fourth is like this short

0:20:09.840 --> 0:20:13.760
<v Speaker 2>driveable Part four, you know, with a pretty good sized

0:20:13.800 --> 0:20:16.840
<v Speaker 2>green but like a big valley in front of it,

0:20:17.119 --> 0:20:19.359
<v Speaker 2>so a lot of guys can drive the green. But

0:20:20.640 --> 0:20:22.520
<v Speaker 2>you know, it's a compelling kind of second shot too,

0:20:22.520 --> 0:20:24.520
<v Speaker 2>where you have a half wedge in your hand and

0:20:24.520 --> 0:20:25.919
<v Speaker 2>you're hitting up hill and you.

0:20:26.359 --> 0:20:29.280
<v Speaker 1>Know, semi blind if you're down below.

0:20:29.000 --> 0:20:31.000
<v Speaker 3>It, absolutely it's ale.

0:20:31.359 --> 0:20:34.399
<v Speaker 1>Yeah, So that opening stretch really makes you go wow,

0:20:34.440 --> 0:20:38.560
<v Speaker 1>And I mean that that's another great affordable golf course.

0:20:38.680 --> 0:20:41.159
<v Speaker 1>It's funny. I had a buddy who really got the

0:20:41.200 --> 0:20:44.000
<v Speaker 1>golf bug this summer. He's not, you know, a beginning,

0:20:44.200 --> 0:20:47.879
<v Speaker 1>beginning golfer, not like a you know somebody that's and

0:20:47.920 --> 0:20:50.560
<v Speaker 1>he was he works in Grand Rapids, you know, he

0:20:50.640 --> 0:20:53.240
<v Speaker 1>had his headquarter there, but he lives in Chicago. So

0:20:53.280 --> 0:20:56.000
<v Speaker 1>he goes up to Grand Rapids a ton and he

0:20:56.119 --> 0:20:58.200
<v Speaker 1>was telling me, oh, I'm playing in this court. I'm like, hey,

0:20:58.200 --> 0:21:00.360
<v Speaker 1>you should go check out the mines. And next time

0:21:00.400 --> 0:21:02.960
<v Speaker 1>I saw him, he's like, that place is unbelievable. And

0:21:03.000 --> 0:21:05.000
<v Speaker 1>he's like, and it's only like ten bucks more than

0:21:05.000 --> 0:21:07.520
<v Speaker 1>the place I was playing, And it was just it

0:21:07.560 --> 0:21:10.840
<v Speaker 1>was just a cool moment to have, you know, where

0:21:11.520 --> 0:21:14.159
<v Speaker 1>he doesn't know why he likes the minds more than

0:21:14.200 --> 0:21:16.359
<v Speaker 1>the other course he was playing, but he knows there's

0:21:16.359 --> 0:21:19.359
<v Speaker 1>something different about it. And I think that's one of

0:21:19.440 --> 0:21:22.359
<v Speaker 1>the neat things with architecture. Even if people can't articulate it,

0:21:22.359 --> 0:21:24.920
<v Speaker 1>a lot of times they can they can under they

0:21:25.000 --> 0:21:27.640
<v Speaker 1>understand it at a at a you know, a core

0:21:27.760 --> 0:21:30.040
<v Speaker 1>level when they see something different.

0:21:30.800 --> 0:21:33.720
<v Speaker 2>So and he's a real beginning golfer, I mean just

0:21:33.800 --> 0:21:36.400
<v Speaker 2>kind of started playing, you know, picking the game up,

0:21:36.840 --> 0:21:39.600
<v Speaker 2>which is cool, which is neat to hear that. You know, Wow,

0:21:39.640 --> 0:21:42.480
<v Speaker 2>I don't really understand why I like this, but this

0:21:42.600 --> 0:21:45.480
<v Speaker 2>is more compelling, you know. And maybe it's because of

0:21:45.480 --> 0:21:47.640
<v Speaker 2>the lands, because there are some cool landscapes and some

0:21:47.680 --> 0:21:52.359
<v Speaker 2>wild stuff there. But at the same token, you know,

0:21:52.440 --> 0:21:55.760
<v Speaker 2>ten bucks is ten bucks, right, So if he's just

0:21:55.800 --> 0:21:57.840
<v Speaker 2>trying to learn the game, that's cool that he's turned

0:21:57.880 --> 0:22:00.640
<v Speaker 2>on by something like that. I mean, to me, that's

0:22:00.680 --> 0:22:03.160
<v Speaker 2>like a super high compliment. That's that's fun to see

0:22:03.200 --> 0:22:03.680
<v Speaker 2>that happen.

0:22:04.000 --> 0:22:06.639
<v Speaker 1>Yeah, it's funny. He like, you know, I must have

0:22:06.720 --> 0:22:09.440
<v Speaker 1>told him that Midsummer because he was like, I've played

0:22:09.480 --> 0:22:12.919
<v Speaker 1>the mines like fifteen times. When next time I saw him,

0:22:12.920 --> 0:22:14.679
<v Speaker 1>I was like, well you should try. He's like that

0:22:14.720 --> 0:22:17.679
<v Speaker 1>one's a little too far away. But it's uh, you know,

0:22:17.880 --> 0:22:21.840
<v Speaker 1>the it is an interest from my perspective too, I

0:22:21.880 --> 0:22:24.240
<v Speaker 1>love you know, because you you listen to him talk

0:22:24.280 --> 0:22:27.200
<v Speaker 1>about it, and it's a different perspective than I would have,

0:22:27.359 --> 0:22:30.520
<v Speaker 1>you know, but it is uh, you know, ringing endorsement,

0:22:30.720 --> 0:22:33.639
<v Speaker 1>and that's what you're kind of looking for. So with

0:22:34.440 --> 0:22:37.640
<v Speaker 1>growing up at Crystal Downs and having seen a lot

0:22:37.680 --> 0:22:40.200
<v Speaker 1>of your work and now seeing a lot of Maxwell's work,

0:22:40.240 --> 0:22:45.280
<v Speaker 1>it's it's very evident that you the influence that Perry

0:22:45.320 --> 0:22:48.360
<v Speaker 1>Maxwell had on your on your like just talking about

0:22:48.400 --> 0:22:51.600
<v Speaker 1>the first four holes that at the mines, it reminds

0:22:51.600 --> 0:22:53.840
<v Speaker 1>me a lot of some of Maxwell's holes and how

0:22:53.840 --> 0:22:56.680
<v Speaker 1>they kind of drape over the land and the blindness

0:22:56.680 --> 0:22:58.920
<v Speaker 1>of the first shot and the way and then obviously

0:22:58.960 --> 0:23:01.919
<v Speaker 1>when you look at the greens, I'd love you know,

0:23:02.000 --> 0:23:07.040
<v Speaker 1>you consulted for years at Mackenzie's course Metal Club, and

0:23:07.080 --> 0:23:10.120
<v Speaker 1>then you grew up working grounds at Perry Maxwell, at

0:23:10.119 --> 0:23:14.960
<v Speaker 1>Perry Maxwell Mackenzie's Crystal Downs. Can you contrast the difference

0:23:15.000 --> 0:23:19.320
<v Speaker 1>between the mackenzie courses that Maxwell was, you know, essentially

0:23:19.359 --> 0:23:22.160
<v Speaker 1>the construction foreman and those with Hunter.

0:23:24.040 --> 0:23:24.879
<v Speaker 3>Yeah, So the.

0:23:26.680 --> 0:23:28.680
<v Speaker 2>It's a really well, it's a it's a small subset.

0:23:29.119 --> 0:23:32.360
<v Speaker 2>It's really Crystal Downs and the University of Michigan golf

0:23:32.400 --> 0:23:35.199
<v Speaker 2>course where Maxwell was really more involved. I mean, he

0:23:35.240 --> 0:23:37.000
<v Speaker 2>may have done some other stuff, but that was that

0:23:37.440 --> 0:23:41.680
<v Speaker 2>was sort of the major impact. So the bunkering style

0:23:41.720 --> 0:23:45.480
<v Speaker 2>is a little bit different, the use of like you know,

0:23:45.560 --> 0:23:47.440
<v Speaker 2>donut holes, which you see and it's like some other

0:23:47.480 --> 0:23:50.399
<v Speaker 2>Maxwell stuff, you know, in donut bunkers you see that.

0:23:51.640 --> 0:23:53.560
<v Speaker 2>So that's a little bit different as far as how

0:23:55.000 --> 0:23:59.800
<v Speaker 2>they do that stuff. I think he also, you know,

0:23:59.840 --> 0:24:02.040
<v Speaker 2>he he's known for his severe greens and stuff that

0:24:02.080 --> 0:24:04.919
<v Speaker 2>he did when he did renovation work. You know, he

0:24:05.000 --> 0:24:09.080
<v Speaker 2>built heavily contoured greens. And you know, we weren't talking

0:24:09.119 --> 0:24:11.680
<v Speaker 2>about stimping at X Y or Z and things like that.

0:24:12.040 --> 0:24:15.040
<v Speaker 2>But the things that's interesting about that also is that

0:24:16.080 --> 0:24:18.440
<v Speaker 2>we talk about speed a lot, and we assigned this

0:24:18.480 --> 0:24:23.479
<v Speaker 2>STEMP meter reading to him. We're just capable of of

0:24:25.080 --> 0:24:30.760
<v Speaker 2>manicuring grass to you know, such a fine fine margin

0:24:30.800 --> 0:24:34.600
<v Speaker 2>of error that that's really different than it was eighty

0:24:34.680 --> 0:24:38.480
<v Speaker 2>or one hundred years ago. But downhill down green on

0:24:38.480 --> 0:24:41.000
<v Speaker 2>one of those old greens was super fast. It was

0:24:41.040 --> 0:24:43.480
<v Speaker 2>thirteen or fifteen on the stimpmeter and going uphill was

0:24:43.520 --> 0:24:47.000
<v Speaker 2>like three. So there was there was a lot more variability.

0:24:47.040 --> 0:24:48.680
<v Speaker 2>You had to kind of figure that kind of stuff

0:24:48.720 --> 0:24:52.439
<v Speaker 2>out too. That's local knowledge. That's like knowing where to

0:24:52.520 --> 0:24:55.119
<v Speaker 2>miss on the green because if I'm going downhill, I

0:24:55.160 --> 0:25:03.040
<v Speaker 2>have no chance, right so I think and Metal Club

0:25:03.080 --> 0:25:06.080
<v Speaker 2>being the first thing that they did in America that

0:25:06.359 --> 0:25:09.879
<v Speaker 2>Mackenzie did in America, and that was kind of hitt

0:25:09.920 --> 0:25:15.040
<v Speaker 2>the beginning of his evolution with Robert Hunter. You know,

0:25:15.080 --> 0:25:17.360
<v Speaker 2>I think mackenzie was in you know, he was around more.

0:25:17.400 --> 0:25:19.560
<v Speaker 2>He was more involved with the stuff in California because

0:25:19.560 --> 0:25:22.920
<v Speaker 2>he was nearby than say it, you know, the stuff

0:25:22.920 --> 0:25:28.159
<v Speaker 2>here in Michigan with with Maxwell. So Maxwell, maybe you know,

0:25:28.200 --> 0:25:33.200
<v Speaker 2>he's executing or carrying out certain things with less direction

0:25:33.680 --> 0:25:38.520
<v Speaker 2>or less direct injection maybe from from McKenzie.

0:25:38.640 --> 0:25:41.399
<v Speaker 3>But I think.

0:25:42.720 --> 0:25:47.199
<v Speaker 2>Robert Hunter also had you know, less experience, you know,

0:25:47.280 --> 0:25:50.919
<v Speaker 2>he wasn't Maxwell was already doing stuff, so he was

0:25:50.920 --> 0:25:53.479
<v Speaker 2>already involved and he was sort of already dabbling in it,

0:25:53.520 --> 0:25:57.560
<v Speaker 2>and that's how he got it, got involved with with

0:25:57.560 --> 0:26:02.760
<v Speaker 2>with Alister, and the Hunter's deal was, you know, it

0:26:02.840 --> 0:26:05.320
<v Speaker 2>was more of this sideline and stuff like that. So

0:26:05.400 --> 0:26:09.200
<v Speaker 2>I don't know, I don't know enough about Robert Hunter

0:26:09.320 --> 0:26:15.080
<v Speaker 2>and how directly you know, he was implementing or or

0:26:15.800 --> 0:26:20.159
<v Speaker 2>you know, personally like executing certain things. So that's a

0:26:20.160 --> 0:26:24.119
<v Speaker 2>little bit different, whereas like Maxwell was the guy on

0:26:24.200 --> 0:26:27.120
<v Speaker 2>the ground every day. He came to Michigan for three summers.

0:26:28.000 --> 0:26:30.720
<v Speaker 2>The first year in twenty nine they built the Front nine.

0:26:30.760 --> 0:26:33.480
<v Speaker 2>Then the crash hit, and then it took a couple

0:26:33.880 --> 0:26:35.480
<v Speaker 2>you know, a couple more summers to build it just

0:26:35.520 --> 0:26:37.520
<v Speaker 2>because of lack of labor funds.

0:26:37.560 --> 0:26:37.960
<v Speaker 3>It sent me.

0:26:38.000 --> 0:26:40.680
<v Speaker 2>It's a miracle that got it done. Now, there's also

0:26:40.680 --> 0:26:42.800
<v Speaker 2>a rumor that, you know, he had a girlfriend up

0:26:42.800 --> 0:26:47.359
<v Speaker 2>here because he was widowed, so so you know, maybe

0:26:47.400 --> 0:26:49.280
<v Speaker 2>that was the incentive to come back for a couple

0:26:49.320 --> 0:26:51.720
<v Speaker 2>more years. It's hard to say.

0:26:52.160 --> 0:26:56.760
<v Speaker 1>And there's a similar story with tilling Hass in Minneapolis,

0:26:56.760 --> 0:26:59.200
<v Speaker 1>Like why tilling Hass got to Minneapolis a few times,

0:26:59.200 --> 0:27:03.960
<v Speaker 1>it is because he had either a mistress or a

0:27:04.000 --> 0:27:07.640
<v Speaker 1>girlfriend there. I don't remember the exact story, but I never.

0:27:07.480 --> 0:27:09.440
<v Speaker 3>I never heard about that about Tilly. Yeah.

0:27:09.800 --> 0:27:12.520
<v Speaker 1>So, but that's why there's a few courses in Minneapolis

0:27:12.560 --> 0:27:16.880
<v Speaker 1>that are telling Hals or Minnesota in general, because he had,

0:27:17.080 --> 0:27:19.000
<v Speaker 1>you know, somebody that he was going to visit there

0:27:19.040 --> 0:27:24.040
<v Speaker 1>all the time. Talk a little bit about of U

0:27:24.080 --> 0:27:27.119
<v Speaker 1>of MS. Course I got to see that this summer

0:27:27.160 --> 0:27:32.200
<v Speaker 1>and can it what's there now? And in some stuff

0:27:32.240 --> 0:27:35.040
<v Speaker 1>that stands out in terms of of of what it

0:27:35.080 --> 0:27:35.560
<v Speaker 1>could be.

0:27:37.280 --> 0:27:41.879
<v Speaker 2>Uh well, again, it's a phenomenal set of greens, really

0:27:41.880 --> 0:27:45.880
<v Speaker 2>really good greens. They're all a little bit smaller than well,

0:27:45.920 --> 0:27:49.879
<v Speaker 2>with exception of ten, but ten's expanded in an section

0:27:49.960 --> 0:27:52.880
<v Speaker 2>where it wasn't. So they're all a little bit smaller

0:27:52.880 --> 0:27:56.640
<v Speaker 2>than they were originally, and some significantly smaller than they were.

0:27:56.920 --> 0:28:00.399
<v Speaker 2>So they've lost a lot of that green and and

0:28:00.480 --> 0:28:02.840
<v Speaker 2>hopefully we're going to be able to restore that. I

0:28:02.840 --> 0:28:09.320
<v Speaker 2>did the plan in twenty eleven or twelve or something

0:28:09.320 --> 0:28:12.440
<v Speaker 2>like that, and we need a donor, so anybody that's

0:28:12.440 --> 0:28:16.800
<v Speaker 2>a big UFM fan and wants to donate. It seems

0:28:16.800 --> 0:28:19.400
<v Speaker 2>like donors want to put their name on buildings, not necessarily,

0:28:19.440 --> 0:28:22.359
<v Speaker 2>you know, for the golf course, So we need that

0:28:23.760 --> 0:28:25.639
<v Speaker 2>and hopefully that's going to happen and it's going to

0:28:25.680 --> 0:28:29.440
<v Speaker 2>be committed. But the greens are really exceptional. The ground

0:28:29.480 --> 0:28:31.840
<v Speaker 2>is also a really interesting.

0:28:31.359 --> 0:28:31.880
<v Speaker 3>Piece of lants.

0:28:31.960 --> 0:28:34.359
<v Speaker 2>Yeah, this high point in the middle of the property,

0:28:35.080 --> 0:28:37.560
<v Speaker 2>sort of low at the clubhouse where it's at, and

0:28:37.600 --> 0:28:39.720
<v Speaker 2>then low at other portions where it goes down and

0:28:39.720 --> 0:28:44.440
<v Speaker 2>then goes back up. So the thing that Mackenzie always

0:28:44.440 --> 0:28:47.280
<v Speaker 2>did was that he worked around those landforms and he

0:28:47.360 --> 0:28:50.800
<v Speaker 2>built things valley clubs like one of the best examples

0:28:50.840 --> 0:28:53.200
<v Speaker 2>of that, one of the greatest routings here. You play

0:28:53.280 --> 0:28:56.000
<v Speaker 2>one and two, you cross the road and then on

0:28:56.080 --> 0:28:59.920
<v Speaker 2>that stretch of three through eleven. You've got two knobs,

0:29:01.040 --> 0:29:05.600
<v Speaker 2>and like each knob effects four or five holes. You know,

0:29:06.000 --> 0:29:09.560
<v Speaker 2>it's an amazing structure with how that works. Three greens

0:29:09.560 --> 0:29:11.640
<v Speaker 2>at the base of a hill, four t's on that hill,

0:29:11.960 --> 0:29:15.200
<v Speaker 2>five passes by that hill, seven green comes back to

0:29:15.240 --> 0:29:18.400
<v Speaker 2>the base of that hill. Eight his tees off from

0:29:18.400 --> 0:29:21.680
<v Speaker 2>one hill to the next hill, and then ten comes

0:29:21.680 --> 0:29:25.360
<v Speaker 2>by and finishes on that afterwards too, So that one

0:29:25.440 --> 0:29:28.120
<v Speaker 2>hill has three greens around and three sets of teas.

0:29:29.440 --> 0:29:32.040
<v Speaker 2>I mean, it's amazing. It's just one little simple knob

0:29:32.040 --> 0:29:35.160
<v Speaker 2>and everything else is kind of flat. So and he

0:29:35.200 --> 0:29:37.240
<v Speaker 2>did a lot of that at the University of Michigan

0:29:37.280 --> 0:29:40.120
<v Speaker 2>two where he came off of this central spine. So

0:29:40.160 --> 0:29:45.120
<v Speaker 2>the tenth hole goes up the greens up there, seventy

0:29:45.640 --> 0:29:50.760
<v Speaker 2>eighteen T, seventeen green, six green. Just on the other

0:29:50.800 --> 0:29:52.840
<v Speaker 2>side eleven greens, So all of these things, those are

0:29:52.880 --> 0:29:56.160
<v Speaker 2>all within one little section, and then off of the

0:29:56.160 --> 0:30:00.640
<v Speaker 2>spine kind of draped down from that, you still have

0:30:01.000 --> 0:30:06.720
<v Speaker 2>four T, three green, eight green at ninety So it's

0:30:06.760 --> 0:30:09.400
<v Speaker 2>pretty impressive how you know you work off of that.

0:30:09.480 --> 0:30:12.000
<v Speaker 2>It's it's a simple basics, I mean, just trying to

0:30:12.040 --> 0:30:13.520
<v Speaker 2>do that and figuring out how to do that. But

0:30:13.560 --> 0:30:18.480
<v Speaker 2>he did that better than most people. And Maxwell did

0:30:18.520 --> 0:30:21.440
<v Speaker 2>a great job of, you know, of executing and doing that.

0:30:22.440 --> 0:30:25.040
<v Speaker 1>What are some examples of your own work where you've

0:30:25.080 --> 0:30:29.400
<v Speaker 1>taken that type of principle of you know, repeatedly using

0:30:29.960 --> 0:30:32.160
<v Speaker 1>a feature that you liked on one of your sites.

0:30:33.680 --> 0:30:37.040
<v Speaker 2>Well, Kingsley's a pretty good example of that, because like

0:30:37.080 --> 0:30:40.360
<v Speaker 2>when you lead out and you go to to get

0:30:40.400 --> 0:30:42.880
<v Speaker 2>to that South forty which is like holes two through

0:30:42.920 --> 0:30:48.160
<v Speaker 2>seven T, that area there, you know, is really strong

0:30:48.200 --> 0:30:50.800
<v Speaker 2>in itself and trying to figure out how that worked best,

0:30:52.720 --> 0:30:56.800
<v Speaker 2>but to get to that that spine that's two green

0:30:58.320 --> 0:31:01.600
<v Speaker 2>or two T six T. But then that goes across

0:31:01.640 --> 0:31:04.600
<v Speaker 2>and goes further further to the east and that's you

0:31:04.640 --> 0:31:09.680
<v Speaker 2>know two green, four green, three and three and five

0:31:09.840 --> 0:31:13.040
<v Speaker 2>combination T and stuff. So how that sort of thing

0:31:13.200 --> 0:31:15.840
<v Speaker 2>fits in and sort of divides the front nine you

0:31:15.840 --> 0:31:18.120
<v Speaker 2>know from the first hole and then the south forty

0:31:18.200 --> 0:31:21.200
<v Speaker 2>and the split coming down. So those types of things

0:31:21.680 --> 0:31:27.200
<v Speaker 2>recurring and going to that that stuff's really important. Same

0:31:27.240 --> 0:31:29.840
<v Speaker 2>thing kind of that that we think about diamond springs,

0:31:30.040 --> 0:31:33.480
<v Speaker 2>where you use these eskers to like feed off of

0:31:33.520 --> 0:31:37.080
<v Speaker 2>and play onto those particular things. So one goes out,

0:31:37.160 --> 0:31:39.920
<v Speaker 2>two comes back greens at the base of that escer

0:31:40.000 --> 0:31:43.360
<v Speaker 2>right near the clubhouse, which is a nice return. You know,

0:31:43.400 --> 0:31:46.120
<v Speaker 2>if you have a private club and you know you

0:31:46.200 --> 0:31:47.840
<v Speaker 2>just got to play a couple more holes or you're

0:31:47.920 --> 0:31:50.040
<v Speaker 2>just going out, you know, it's nice to have little

0:31:50.040 --> 0:31:52.560
<v Speaker 2>return routes that somehow fit back and come back to

0:31:52.600 --> 0:31:55.320
<v Speaker 2>the clubhouse. It's a public golf so not maybe the

0:31:55.360 --> 0:31:57.200
<v Speaker 2>same thing, but then the third t is right on

0:31:57.280 --> 0:32:01.000
<v Speaker 2>that or the tenth d so you could literally play

0:32:01.040 --> 0:32:03.000
<v Speaker 2>one too and then just skip to ten if you

0:32:03.040 --> 0:32:07.280
<v Speaker 2>wanted to, you know, not play three through you know

0:32:07.360 --> 0:32:11.600
<v Speaker 2>eight or whatever, or three through seven, because kind of ten,

0:32:11.680 --> 0:32:13.440
<v Speaker 2>you could play down ten and you could play eight,

0:32:13.880 --> 0:32:15.880
<v Speaker 2>you could go. I mean, there's different ways of doing that.

0:32:16.040 --> 0:32:19.040
<v Speaker 2>So places that have different multiple routings where you can

0:32:19.120 --> 0:32:23.800
<v Speaker 2>do certain things. I think that's you know, that's a

0:32:23.840 --> 0:32:27.880
<v Speaker 2>complexity that you can add in or you can figure

0:32:27.840 --> 0:32:29.760
<v Speaker 2>Out's like we were talking about with Mark the old

0:32:29.760 --> 0:32:35.920
<v Speaker 2>course at Marquette earlier today, in that the original nine

0:32:35.920 --> 0:32:40.200
<v Speaker 2>holes there is intermixed with the with the holes that

0:32:40.240 --> 0:32:44.280
<v Speaker 2>were added in the mid sixties. So but we could

0:32:44.320 --> 0:32:47.280
<v Speaker 2>go back to the original routing of the front nine,

0:32:47.400 --> 0:32:49.200
<v Speaker 2>and we can have the you know, we can have

0:32:49.240 --> 0:32:52.200
<v Speaker 2>the Langford holes for one set and then have the

0:32:52.240 --> 0:33:00.640
<v Speaker 2>old then the newer nine, well fifty years old, so

0:33:00.680 --> 0:33:02.840
<v Speaker 2>we could we could separate those and then keep them,

0:33:03.520 --> 0:33:05.320
<v Speaker 2>or we could keep them intermixed kind of like they are.

0:33:05.960 --> 0:33:08.320
<v Speaker 2>So it's it's interesting to be able to try and

0:33:08.360 --> 0:33:08.640
<v Speaker 2>do that.

0:33:09.760 --> 0:33:13.200
<v Speaker 1>Yeah, it's uh when you're when you're routing the course,

0:33:13.280 --> 0:33:16.480
<v Speaker 1>I mean, I assume that and tell me if I'm wrong.

0:33:16.520 --> 0:33:20.160
<v Speaker 1>You're thinking about like the cadence of a of a routing,

0:33:20.520 --> 0:33:23.040
<v Speaker 1>you know, where where things kind of fall with relation

0:33:23.160 --> 0:33:26.880
<v Speaker 1>to other holes and and such. And I'm say, say

0:33:26.920 --> 0:33:30.320
<v Speaker 1>somebody just rerouted your course where you have multiple ways

0:33:30.320 --> 0:33:33.200
<v Speaker 1>you could route it, would that kind of is there

0:33:33.360 --> 0:33:36.400
<v Speaker 1>a story that kind of changes if somebody said just

0:33:36.520 --> 0:33:39.200
<v Speaker 1>jumbled up your routing and you know, change the order

0:33:39.240 --> 0:33:41.840
<v Speaker 1>of holes in which you play them.

0:33:43.360 --> 0:33:46.240
<v Speaker 3>Oh, absolutely it does. It affects that a lot.

0:33:46.760 --> 0:33:50.800
<v Speaker 2>So I'm always trying to think about how that cadence

0:33:50.840 --> 0:33:54.480
<v Speaker 2>works from a human's scale, human standpoint and walking the

0:33:54.480 --> 0:33:57.960
<v Speaker 2>golf course. So even if even if most people take

0:33:57.960 --> 0:34:00.400
<v Speaker 2>a golf cart, you've got to think about how that

0:34:00.720 --> 0:34:03.880
<v Speaker 2>flows from you know, someone walking and experiencing the game

0:34:03.920 --> 0:34:08.480
<v Speaker 2>that way. And the interesting thing about that is a

0:34:08.520 --> 0:34:11.759
<v Speaker 2>couple summers ago, I had some guys that came up,

0:34:11.760 --> 0:34:15.959
<v Speaker 2>and these are young fit, you know, thirties. These guys

0:34:16.000 --> 0:34:17.719
<v Speaker 2>go to the gym, they train, they do all this,

0:34:17.800 --> 0:34:19.520
<v Speaker 2>and they take a golf card every time they play golf.

0:34:19.960 --> 0:34:22.160
<v Speaker 2>So one of the guys is really good golfer and

0:34:22.200 --> 0:34:27.600
<v Speaker 2>he's you know, he's gonna walk with me, right, And

0:34:27.640 --> 0:34:30.080
<v Speaker 2>this other guy he's like, oh yeah, it takes it,

0:34:30.280 --> 0:34:32.880
<v Speaker 2>and we're kind of like, you know, his friend started like,

0:34:32.920 --> 0:34:34.879
<v Speaker 2>come on, you walk with us, man, you know, checking out,

0:34:34.880 --> 0:34:38.000
<v Speaker 2>and he's like sort of finally badgered him into walking right.

0:34:38.840 --> 0:34:43.680
<v Speaker 2>And after that day, my friend would tell me he's like, yeah,

0:34:43.719 --> 0:34:45.359
<v Speaker 2>I guess what. He walks all the time.

0:34:45.400 --> 0:34:47.080
<v Speaker 3>Though. He's like, you can't believe how good that is.

0:34:48.200 --> 0:34:51.480
<v Speaker 2>So it's like, you know, he was he was experiencing

0:34:51.520 --> 0:34:53.400
<v Speaker 2>something in a different way that he just hadn't been

0:34:53.400 --> 0:34:57.440
<v Speaker 2>exposed to. So I think from the standpoint that when

0:34:57.440 --> 0:34:59.360
<v Speaker 2>you're designing or you're figuring out the route, you have

0:34:59.400 --> 0:35:02.080
<v Speaker 2>to figure out how that cadence works, because that's going

0:35:02.160 --> 0:35:02.760
<v Speaker 2>to flow better.

0:35:03.560 --> 0:35:05.440
<v Speaker 3>And I think you know.

0:35:05.600 --> 0:35:07.799
<v Speaker 2>There are a lot of golf courses where you have restrictions,

0:35:07.800 --> 0:35:10.720
<v Speaker 2>whether it's a mountain course and there's so much elevation

0:35:10.800 --> 0:35:13.560
<v Speaker 2>that you're going to take a golf cart. But those

0:35:13.600 --> 0:35:17.040
<v Speaker 2>things tend to get disjoined too because oh I got

0:35:17.040 --> 0:35:19.680
<v Speaker 2>a big cart ride, or I'm going through development. You

0:35:19.719 --> 0:35:22.680
<v Speaker 2>may have really a really good collection of holes, but

0:35:22.800 --> 0:35:24.880
<v Speaker 2>that might might not be a really good golf course.

0:35:26.239 --> 0:35:28.480
<v Speaker 2>You know, it's just sort of these separate individual kinds

0:35:28.520 --> 0:35:28.920
<v Speaker 2>of things.

0:35:29.200 --> 0:35:29.480
<v Speaker 3>Now.

0:35:30.280 --> 0:35:32.200
<v Speaker 2>You could say that about the mines too, where we're

0:35:32.239 --> 0:35:34.200
<v Speaker 2>divided up into these sections where you play a group

0:35:34.200 --> 0:35:35.720
<v Speaker 2>of holes and then you've got to have a big walk,

0:35:36.000 --> 0:35:37.880
<v Speaker 2>you know, because we're restricted by the power line of

0:35:37.920 --> 0:35:40.040
<v Speaker 2>the road or something like that. So you try and

0:35:40.040 --> 0:35:41.799
<v Speaker 2>figure out a way to make those things kind of

0:35:41.800 --> 0:35:46.520
<v Speaker 2>work together or make that return a little more reasonable.

0:35:47.000 --> 0:35:48.640
<v Speaker 2>So there, you play one through four, you go buy

0:35:48.680 --> 0:35:51.640
<v Speaker 2>the clubhouse again, Hey, grab a drink or hot dog

0:35:51.719 --> 0:35:54.840
<v Speaker 2>or something like that, and then you know, you go

0:35:54.880 --> 0:35:57.440
<v Speaker 2>out to the back nine. You get this, you know,

0:35:57.520 --> 0:35:59.480
<v Speaker 2>you play four holes, then you play five holes, you

0:35:59.520 --> 0:36:01.359
<v Speaker 2>finish the US again. Then you go and you play

0:36:01.400 --> 0:36:03.520
<v Speaker 2>the back night and you've got to break there where

0:36:03.520 --> 0:36:07.040
<v Speaker 2>you've got to go through after eleven and after seventeen

0:36:07.080 --> 0:36:08.440
<v Speaker 2>to across the power lines.

0:36:09.440 --> 0:36:11.239
<v Speaker 3>Not ideal, but.

0:36:13.239 --> 0:36:15.880
<v Speaker 2>You know that's we sort of were stuck with that,

0:36:16.000 --> 0:36:17.160
<v Speaker 2>so that's what we got to deal with.

0:36:17.600 --> 0:36:20.840
<v Speaker 1>Yeah, let's say, you know, it's an inherited problem with

0:36:21.000 --> 0:36:25.080
<v Speaker 1>just having power lines in that case, as I remember,

0:36:25.120 --> 0:36:28.600
<v Speaker 1>the walk out is a little bit more taxing than

0:36:28.640 --> 0:36:31.520
<v Speaker 1>the walk back. Is that a way that you kind

0:36:31.520 --> 0:36:36.160
<v Speaker 1>of mitigated the two walks from going by the power lines?

0:36:37.360 --> 0:36:40.160
<v Speaker 2>Well, it just happens to be kind of how they fit. Yeah,

0:36:40.200 --> 0:36:45.360
<v Speaker 2>because you're kind of you're more downhill coming back. Yeah,

0:36:45.520 --> 0:36:48.480
<v Speaker 2>And there wasn't it wasn't an easy You had to

0:36:48.520 --> 0:36:50.480
<v Speaker 2>sort of get to that point to sort of start

0:36:50.520 --> 0:36:55.080
<v Speaker 2>the routing of the other holes twelve through seventeen and that.

0:36:55.360 --> 0:36:55.560
<v Speaker 1>You know.

0:36:55.800 --> 0:36:58.279
<v Speaker 2>But when you get there, though, even though it's a

0:36:58.280 --> 0:37:00.799
<v Speaker 2>taxing walk, you kind of like, wow, that's a cool

0:37:00.840 --> 0:37:03.320
<v Speaker 2>hole because you're standing on this hill and you're looking

0:37:03.360 --> 0:37:06.040
<v Speaker 2>down at twelve and you know, you sort of got

0:37:06.040 --> 0:37:08.680
<v Speaker 2>a little glimpse of seventeen when you were kind of

0:37:08.680 --> 0:37:12.560
<v Speaker 2>coming up. There's some trees between them there, but you know,

0:37:12.600 --> 0:37:14.880
<v Speaker 2>you get a sense of wow, Okay, this is this

0:37:15.000 --> 0:37:17.160
<v Speaker 2>is worth it, right, this is neat and then you

0:37:17.200 --> 0:37:18.600
<v Speaker 2>get down to the green and it's like, wow, this

0:37:18.640 --> 0:37:19.239
<v Speaker 2>is really cool.

0:37:20.600 --> 0:37:22.640
<v Speaker 1>That's a cool stretch of holes on that back part

0:37:22.719 --> 0:37:25.799
<v Speaker 1>of the property. Yeah, it's funny when you talked about

0:37:25.880 --> 0:37:29.280
<v Speaker 1>golf and walking. And I've got a lot of college

0:37:29.320 --> 0:37:31.759
<v Speaker 1>buddies that got into the game in the last three

0:37:31.880 --> 0:37:34.880
<v Speaker 1>or four years. And you know, it's funny how you

0:37:34.880 --> 0:37:38.279
<v Speaker 1>know they play with me and I walk, and sure enough,

0:37:38.320 --> 0:37:41.960
<v Speaker 1>like they all walk now, because I think it's almost

0:37:42.000 --> 0:37:45.480
<v Speaker 1>like walking comes from like how you get introduced to

0:37:45.480 --> 0:37:48.880
<v Speaker 1>the game in a way and it or like experiences

0:37:49.000 --> 0:37:53.120
<v Speaker 1>where like you alluded to a king where somebody just

0:37:53.160 --> 0:37:56.680
<v Speaker 1>saw his friend walking and you walking, and they they

0:37:56.719 --> 0:37:59.400
<v Speaker 1>also started walking, And I think that's like really the

0:38:00.040 --> 0:38:04.279
<v Speaker 1>you know, when you talk about people walking more, it's

0:38:04.400 --> 0:38:07.160
<v Speaker 1>just a matter of someone in their peer group walking.

0:38:08.800 --> 0:38:11.319
<v Speaker 2>Yeah, And you know, I grew up taking a golf cart,

0:38:11.680 --> 0:38:13.640
<v Speaker 2>you know, I mean I walked, I mean by myself

0:38:13.680 --> 0:38:15.279
<v Speaker 2>when I was playing like the little nine hole course.

0:38:15.320 --> 0:38:16.920
<v Speaker 2>But when I went with my grandparents, you know, they

0:38:16.920 --> 0:38:20.160
<v Speaker 2>were in a golf cart. So we're playing crystal downs,

0:38:20.200 --> 0:38:22.400
<v Speaker 2>which is not an easy walk. I mean, there's a

0:38:22.440 --> 0:38:24.960
<v Speaker 2>lot of elevation things like that. But we were always

0:38:25.000 --> 0:38:28.480
<v Speaker 2>in a golf cart, and we didn't have caddies. When

0:38:28.480 --> 0:38:30.440
<v Speaker 2>I worked in the pro shop, you know, it was

0:38:30.480 --> 0:38:33.600
<v Speaker 2>basically caddies were gone, carts are in. And there were

0:38:33.719 --> 0:38:36.759
<v Speaker 2>four guys that walked the golf course. They were all

0:38:36.800 --> 0:38:39.000
<v Speaker 2>like eighty years old. It was this one for it

0:38:39.080 --> 0:38:42.440
<v Speaker 2>some and they would come out and they'd pull the

0:38:42.520 --> 0:38:44.600
<v Speaker 2>trolley or I think one of them carried their bag,

0:38:45.280 --> 0:38:48.520
<v Speaker 2>and sometimes they'd walk the front and then ride the

0:38:48.560 --> 0:38:49.960
<v Speaker 2>back or something like that. But they were the only

0:38:49.960 --> 0:38:52.239
<v Speaker 2>guys that walked the golf course. And now we got

0:38:52.239 --> 0:38:53.759
<v Speaker 2>a lot of people that walk the golf course, and

0:38:53.800 --> 0:38:56.200
<v Speaker 2>we have a good caddy program and stuff. And my

0:38:56.320 --> 0:38:59.400
<v Speaker 2>son who's worked in the backroom and caddied and stuff,

0:39:00.200 --> 0:39:01.680
<v Speaker 2>when he goes out and then you know, they can

0:39:01.719 --> 0:39:03.880
<v Speaker 2>grab a cart and you know, speed around and do

0:39:03.920 --> 0:39:08.040
<v Speaker 2>whatever they want. But he walks, and and his buddies

0:39:08.360 --> 0:39:10.400
<v Speaker 2>like walking. You know, they enjoy it. They like the

0:39:10.400 --> 0:39:12.920
<v Speaker 2>camaraderie that you get with that too. When you're in

0:39:12.920 --> 0:39:14.600
<v Speaker 2>a golf cart, you're kind of speeding to the next thing.

0:39:14.600 --> 0:39:16.640
<v Speaker 2>You're only talking to the guy in the cart, and

0:39:16.640 --> 0:39:18.000
<v Speaker 2>then you kind of meet at the greens and the

0:39:18.000 --> 0:39:19.760
<v Speaker 2>t's with the other in your group.

0:39:20.120 --> 0:39:21.440
<v Speaker 3>But if you're walking along.

0:39:22.160 --> 0:39:25.239
<v Speaker 2>You know, and you know, two of you hit to

0:39:25.280 --> 0:39:27.319
<v Speaker 2>the right and to you hit to the left, you know,

0:39:27.400 --> 0:39:29.880
<v Speaker 2>and maybe it's switched different different guys. Doing that, you

0:39:29.920 --> 0:39:32.400
<v Speaker 2>get to like sort of experience and talk about it.

0:39:32.440 --> 0:39:35.359
<v Speaker 2>And golf's a social game, so you know, it makes

0:39:35.400 --> 0:39:36.759
<v Speaker 2>it more enjoyable that way too.

0:39:36.880 --> 0:39:40.560
<v Speaker 1>I think, yeah, there's such a greater sense of you know,

0:39:40.719 --> 0:39:43.399
<v Speaker 1>you're playing with your you know, the guys in your

0:39:43.400 --> 0:39:45.799
<v Speaker 1>group when you're when you're walking together, and that that

0:39:45.920 --> 0:39:49.279
<v Speaker 1>you diverge less in that situation than rather you know,

0:39:49.400 --> 0:39:51.439
<v Speaker 1>the just the guy that you're riding with in the cart.

0:39:52.880 --> 0:39:56.640
<v Speaker 2>And it's it's also you know, walking is actually it's

0:39:56.719 --> 0:39:58.960
<v Speaker 2>also really fast because you're going to your ball and

0:39:58.960 --> 0:40:01.839
<v Speaker 2>you're playing your ball and you're moving on, whereas when

0:40:01.880 --> 0:40:03.759
<v Speaker 2>you're in the cart, a lot of times guys are like,

0:40:04.080 --> 0:40:05.799
<v Speaker 2>you know, they drive over the thing, then wait for

0:40:05.800 --> 0:40:07.719
<v Speaker 2>the other guy. They don't like, leave their guy there,

0:40:07.719 --> 0:40:10.120
<v Speaker 2>and then go to their ball and hit and come back.

0:40:10.680 --> 0:40:14.720
<v Speaker 2>So you know, you can play just as fast unless

0:40:14.760 --> 0:40:18.480
<v Speaker 2>you have these super long walks between you know, greens

0:40:18.520 --> 0:40:21.279
<v Speaker 2>and teas. So it's actually very efficient too.

0:40:23.120 --> 0:40:26.480
<v Speaker 1>Something that stands out to me with the court the

0:40:26.520 --> 0:40:30.840
<v Speaker 1>courses that you've built in Michigan is the superintendents that

0:40:31.520 --> 0:40:34.360
<v Speaker 1>work at them, like Craig Moore who is on the podcast,

0:40:34.480 --> 0:40:38.600
<v Speaker 1>I mean total golf, not how how much goes into

0:40:39.320 --> 0:40:42.200
<v Speaker 1>you know, the present. From that sense, have you had

0:40:42.520 --> 0:40:48.480
<v Speaker 1>experiences where you know, a superintendent maybe less golf inclined

0:40:48.520 --> 0:40:52.640
<v Speaker 1>than say Craig gets you know, the playing conditions, like

0:40:52.680 --> 0:40:57.440
<v Speaker 1>the surfaces and the way it's presented is drastically different

0:40:57.480 --> 0:41:02.040
<v Speaker 1>than say Craig at Gray Wall, where you know, you

0:41:02.080 --> 0:41:04.480
<v Speaker 1>can tell he plays a ton of golf because of

0:41:04.520 --> 0:41:07.759
<v Speaker 1>the way it's presented around and on the greens and

0:41:09.040 --> 0:41:11.640
<v Speaker 1>what he thinks about when he talks about the golf course.

0:41:14.200 --> 0:41:18.360
<v Speaker 2>Yeah, I mean it's yeah, there is a difference guys

0:41:18.400 --> 0:41:20.960
<v Speaker 2>that play golf or you know, grew up playing golf

0:41:21.000 --> 0:41:24.080
<v Speaker 2>and love golf. There's a different way that they sort

0:41:24.120 --> 0:41:27.400
<v Speaker 2>of look at it. I guess I'm you know, I'm

0:41:27.440 --> 0:41:30.000
<v Speaker 2>building the golf courses, you know, with these guys and

0:41:30.080 --> 0:41:32.920
<v Speaker 2>hopefully they're on board, like you know, early on. So

0:41:33.760 --> 0:41:37.279
<v Speaker 2>in Craig's instance, when we were building Kingsley. He was

0:41:37.360 --> 0:41:39.680
<v Speaker 2>one of Dan's assistants and he'd worked with Dan before

0:41:40.280 --> 0:41:42.520
<v Speaker 2>and so he was groomed, you know, kind of into

0:41:42.520 --> 0:41:44.280
<v Speaker 2>that and we were building the golf course and stuff,

0:41:44.280 --> 0:41:47.520
<v Speaker 2>so he saw that process. And when we built Gray Walls,

0:41:48.280 --> 0:41:51.839
<v Speaker 2>he was he was there taking care of the old

0:41:51.880 --> 0:41:56.000
<v Speaker 2>course while we were building it because the superintendent was

0:41:56.080 --> 0:41:59.800
<v Speaker 2>kind of the project manager on that one. So and

0:42:00.000 --> 0:42:03.920
<v Speaker 2>then he went back down state and was maintaining a

0:42:03.920 --> 0:42:06.400
<v Speaker 2>golf course there. And a couple of years later, Pete,

0:42:06.480 --> 0:42:08.960
<v Speaker 2>who was the superintendent that built the Gray Walls with us,

0:42:09.400 --> 0:42:12.880
<v Speaker 2>left and they hired Craig, which was perfect for me

0:42:13.040 --> 0:42:15.719
<v Speaker 2>because you know, he knew exactly what was going on

0:42:15.800 --> 0:42:19.600
<v Speaker 2>and he knew how to dial things in. He's a

0:42:19.640 --> 0:42:22.520
<v Speaker 2>great turf manager and stuff like that. So I think

0:42:22.560 --> 0:42:25.799
<v Speaker 2>part of that has to do with the experience that

0:42:25.840 --> 0:42:29.200
<v Speaker 2>they have, maybe if they're involved in the project early on,

0:42:29.760 --> 0:42:33.160
<v Speaker 2>so they're getting they're getting exposure to what we want

0:42:33.239 --> 0:42:35.560
<v Speaker 2>to do, how we want to do it, and why,

0:42:35.760 --> 0:42:37.680
<v Speaker 2>and they have a lot of input into that too.

0:42:37.800 --> 0:42:39.680
<v Speaker 2>I mean I'm always asking a lot of questions to them.

0:42:39.719 --> 0:42:41.680
<v Speaker 2>You know, hey, I want to do this, how are

0:42:41.719 --> 0:42:46.719
<v Speaker 2>you going to maintain that, and they're like, well, you know,

0:42:46.760 --> 0:42:48.799
<v Speaker 2>if a guy just says no, I can't do that,

0:42:49.760 --> 0:42:53.200
<v Speaker 2>he's probably not the right guy for the job. But

0:42:53.239 --> 0:42:56.480
<v Speaker 2>if there's someone who's trying to figure out a way

0:42:56.520 --> 0:42:58.320
<v Speaker 2>to do it and say, yeah, we could do that,

0:42:58.400 --> 0:43:02.719
<v Speaker 2>but we got to do this, then yeah we can

0:43:02.760 --> 0:43:05.279
<v Speaker 2>do that. You know, he's trying to figure out a

0:43:05.280 --> 0:43:07.279
<v Speaker 2>way to do that. Great example of that is when

0:43:07.320 --> 0:43:10.200
<v Speaker 2>we were doing Kingsley, the seventeenth Hole, which has this

0:43:10.800 --> 0:43:13.839
<v Speaker 2>huge drop off from the ridge and in the landing

0:43:13.880 --> 0:43:16.080
<v Speaker 2>area down in this valley. It's about sixty or sixty

0:43:16.080 --> 0:43:19.200
<v Speaker 2>five feet down this hill. Great sledding hill by the way.

0:43:20.239 --> 0:43:23.440
<v Speaker 1>I've been greywalls and probably sliding hill.

0:43:23.520 --> 0:43:23.800
<v Speaker 3>Yeah.

0:43:23.840 --> 0:43:28.480
<v Speaker 2>Yeah, absolutely. So there was an old gas line going.

0:43:28.520 --> 0:43:31.879
<v Speaker 2>It was full mature, old forest hadn't been cut and

0:43:32.080 --> 0:43:33.879
<v Speaker 2>there was a gas line and a trail that went

0:43:33.880 --> 0:43:36.759
<v Speaker 2>through there, and so you could see this hillside and

0:43:38.160 --> 0:43:40.400
<v Speaker 2>I walked through there with Dan and I said, you know,

0:43:41.040 --> 0:43:43.640
<v Speaker 2>can you maintain this? And he says, you mean, like

0:43:43.719 --> 0:43:46.279
<v Speaker 2>for a fairway And I'm like yeah, he goes, yeah,

0:43:46.320 --> 0:43:47.839
<v Speaker 2>a four wheel drive, I can do that. But I'm

0:43:47.880 --> 0:43:49.319
<v Speaker 2>going to have four wheel drive because all the other

0:43:49.360 --> 0:43:51.520
<v Speaker 2>crazy stuff you're building. So that's okay, we can do it.

0:43:52.840 --> 0:43:55.239
<v Speaker 2>So there you go, there's a solution, right, you just

0:43:55.320 --> 0:43:56.520
<v Speaker 2>have to figure out a way to do it.

0:43:57.560 --> 0:44:02.239
<v Speaker 1>Talk about the challenge of routing courses that are like

0:44:02.360 --> 0:44:06.040
<v Speaker 1>heavily wooded where you can't when you walk around, you're

0:44:06.080 --> 0:44:09.520
<v Speaker 1>looking at dense forest rather than you know, an open

0:44:09.560 --> 0:44:10.360
<v Speaker 1>prairie setting.

0:44:12.800 --> 0:44:15.240
<v Speaker 2>Well, you know, we have topo maps and things, and

0:44:15.320 --> 0:44:18.200
<v Speaker 2>so I'm really good looking at squiggly lines, so that helps,

0:44:18.239 --> 0:44:20.719
<v Speaker 2>but it's always there's always, no matter how good the

0:44:20.719 --> 0:44:23.680
<v Speaker 2>topo maps are, there's always stuff in the ground that

0:44:24.880 --> 0:44:29.000
<v Speaker 2>so Kingsley was it had been clear cut like fifteen

0:44:29.080 --> 0:44:31.800
<v Speaker 2>twenty years before we were there. So it was a thicket,

0:44:31.920 --> 0:44:35.480
<v Speaker 2>I mean it was it was tighten up brush. I

0:44:35.480 --> 0:44:37.279
<v Speaker 2>mean it was im penetral. You couldn't get through it.

0:44:38.040 --> 0:44:41.000
<v Speaker 2>Versus if you have like a full mature like that

0:44:41.080 --> 0:44:44.480
<v Speaker 2>section on seventeen was an old forest that hadn't been cut,

0:44:45.080 --> 0:44:48.400
<v Speaker 2>you can see, you know, kind of what's going on underneath,

0:44:48.440 --> 0:44:51.520
<v Speaker 2>because you know, at that point, if you have mature trees,

0:44:51.600 --> 0:44:53.920
<v Speaker 2>you have high branches and you don't really have a

0:44:53.960 --> 0:44:56.919
<v Speaker 2>lot of low brush. So it's a difference in trying

0:44:56.920 --> 0:45:03.480
<v Speaker 2>to looking at stuff gray walls fully forested, you know,

0:45:03.600 --> 0:45:05.240
<v Speaker 2>some big you know, a lot of big old trees

0:45:05.280 --> 0:45:07.120
<v Speaker 2>and things like that, and then there's all these rockout

0:45:07.120 --> 0:45:15.960
<v Speaker 2>croppings and crazy stuff. So, you know, there we similar

0:45:15.960 --> 0:45:17.960
<v Speaker 2>sort of thing trying to figure out. You know, we

0:45:18.040 --> 0:45:20.080
<v Speaker 2>got up to kind of where the seventeenth Green was,

0:45:20.120 --> 0:45:22.359
<v Speaker 2>which is this really crazy wild green, and there's this

0:45:23.000 --> 0:45:28.200
<v Speaker 2>there's this valley that's left of the green, and that

0:45:28.400 --> 0:45:30.600
<v Speaker 2>was kind of a bunch of hemlock trees up there,

0:45:30.600 --> 0:45:33.000
<v Speaker 2>which are pretty dense, and they they maintained their lower

0:45:33.040 --> 0:45:35.799
<v Speaker 2>branches a lot of times. And I was getting really

0:45:35.840 --> 0:45:39.520
<v Speaker 2>excited looking at this thing. And Pete, the superintendent, was like,

0:45:39.719 --> 0:45:41.839
<v Speaker 2>what do you what do you I'm like, see that

0:45:41.840 --> 0:45:44.200
<v Speaker 2>that's gonna be really cool next to the green. He's like,

0:45:44.239 --> 0:45:46.080
<v Speaker 2>I don't know, I any idea what you're talking about.

0:45:47.120 --> 0:45:49.319
<v Speaker 2>But then when it got built, he goes, oh, now

0:45:49.360 --> 0:45:50.480
<v Speaker 2>I see what you were saying.

0:45:51.120 --> 0:45:51.480
<v Speaker 3>And so.

0:45:53.400 --> 0:45:56.759
<v Speaker 2>Part of that sort of recognizing things finding things in

0:45:56.800 --> 0:46:00.879
<v Speaker 2>the field, so you use the use atopoman. You spend

0:46:00.920 --> 0:46:03.839
<v Speaker 2>a lot of time on the ground and then you

0:46:04.040 --> 0:46:06.520
<v Speaker 2>try and you know, piece all that stuff together and

0:46:06.600 --> 0:46:08.000
<v Speaker 2>figure out the best way for it to.

0:46:07.960 --> 0:46:12.800
<v Speaker 1>Work with you alluded to like sometimes the topo maps

0:46:12.840 --> 0:46:17.239
<v Speaker 1>that doesn't have everything. Is there an instance where you

0:46:18.400 --> 0:46:21.239
<v Speaker 1>say clear cut trees and you found something that just

0:46:21.320 --> 0:46:25.040
<v Speaker 1>made the hole infinitely better that wasn't on a topo map.

0:46:26.760 --> 0:46:27.640
<v Speaker 3>Uh? Yeah.

0:46:27.640 --> 0:46:30.400
<v Speaker 2>So at Kingsley, the thirteenth Green, which is the big

0:46:30.640 --> 0:46:33.640
<v Speaker 2>crazy you know short part four with this huge green.

0:46:33.840 --> 0:46:36.759
<v Speaker 2>The original concept for that was it was going to

0:46:36.840 --> 0:46:39.200
<v Speaker 2>be in the bowl and behind the bowl that's left

0:46:39.200 --> 0:46:41.160
<v Speaker 2>of the green was going to be on that ridge there,

0:46:41.160 --> 0:46:42.680
<v Speaker 2>and it was going to be and that ridges. You

0:46:42.680 --> 0:46:45.279
<v Speaker 2>know that that came up in the topo. I mean,

0:46:45.360 --> 0:46:46.920
<v Speaker 2>we knew there was a bowl, and we knew there

0:46:46.960 --> 0:46:49.000
<v Speaker 2>was this reach, but it was a thicket. It had

0:46:49.040 --> 0:46:52.799
<v Speaker 2>been clear cut and it was really dense, and so

0:46:52.960 --> 0:46:55.239
<v Speaker 2>I was just clearing where the green is. I was

0:46:55.280 --> 0:46:57.960
<v Speaker 2>just clearing the brush off there, and all of a

0:46:57.960 --> 0:47:00.120
<v Speaker 2>sudden there was a lot more micro.

0:47:00.080 --> 0:47:00.880
<v Speaker 3>Stuff in there.

0:47:01.000 --> 0:47:03.320
<v Speaker 2>So you just you're not seen a lot of times,

0:47:03.360 --> 0:47:06.080
<v Speaker 2>depending on how dense the foliage is, and when they

0:47:06.120 --> 0:47:09.160
<v Speaker 2>shoot it, a lot of times they can't. You know,

0:47:09.920 --> 0:47:12.160
<v Speaker 2>there's the general land form, but you can't see the

0:47:12.200 --> 0:47:16.799
<v Speaker 2>micro stuff. And so I'm like, hm, Wow, this is

0:47:16.840 --> 0:47:20.399
<v Speaker 2>really cool. So, you know, I did a little manipulation there,

0:47:20.400 --> 0:47:22.320
<v Speaker 2>but not very much at all. I mean that green,

0:47:23.200 --> 0:47:25.120
<v Speaker 2>you know with the big dip in the middle, the

0:47:25.200 --> 0:47:28.520
<v Speaker 2>dip was there. You know, the backshelf was there, and

0:47:28.600 --> 0:47:30.799
<v Speaker 2>you know, we added little things in to make it,

0:47:30.840 --> 0:47:32.719
<v Speaker 2>you know, to put in these little you know, pin

0:47:32.760 --> 0:47:34.000
<v Speaker 2>locations and things like that.

0:47:34.480 --> 0:47:37.880
<v Speaker 3>But I didn't. I didn't know it was that complex

0:47:38.000 --> 0:47:38.720
<v Speaker 3>or that intricate.

0:47:39.360 --> 0:47:42.600
<v Speaker 2>And basically after clearing it, I was like, Wow, that's

0:47:43.160 --> 0:47:44.000
<v Speaker 2>that's just all green.

0:47:44.040 --> 0:47:44.839
<v Speaker 3>We just got to do that.

0:47:44.960 --> 0:47:48.920
<v Speaker 2>It's totally anti short part four. You know, you're supposed

0:47:48.920 --> 0:47:51.480
<v Speaker 2>to have a small green, little target. It's like we're

0:47:51.520 --> 0:47:53.640
<v Speaker 2>gonna have this huge green, but they're going to be

0:47:53.719 --> 0:47:56.799
<v Speaker 2>small targets within the green. And so that works and

0:47:56.840 --> 0:47:59.839
<v Speaker 2>you know makes it you know, highly variable every day,

0:48:00.400 --> 0:48:01.040
<v Speaker 2>which is cool.

0:48:01.440 --> 0:48:06.160
<v Speaker 1>Yeah, it's and it was like an improvisation in the field.

0:48:06.200 --> 0:48:09.400
<v Speaker 1>Have you ever run into an instance where you know,

0:48:09.480 --> 0:48:12.680
<v Speaker 1>you I'm assuming kind of this is the plan, and

0:48:13.200 --> 0:48:18.120
<v Speaker 1>you've had pushback from a owner on implementing, you know,

0:48:18.560 --> 0:48:20.960
<v Speaker 1>making a change to the you know, plan that they've

0:48:20.960 --> 0:48:23.799
<v Speaker 1>agreed to because you saw something in the field like

0:48:23.840 --> 0:48:25.000
<v Speaker 1>that sense situation.

0:48:28.320 --> 0:48:32.799
<v Speaker 2>Yeah, I'm sure there. I mean there's a lot of

0:48:33.080 --> 0:48:35.400
<v Speaker 2>there's a lot of information that goes back and forth.

0:48:36.000 --> 0:48:36.359
<v Speaker 3>But I.

0:48:38.520 --> 0:48:41.680
<v Speaker 2>You know, owners, you know, it's their baby too, right,

0:48:41.760 --> 0:48:45.239
<v Speaker 2>It's not just my baby. So they certainly have a

0:48:45.239 --> 0:48:48.719
<v Speaker 2>lot of input. And I think that's just a communication thing,

0:48:48.760 --> 0:48:51.640
<v Speaker 2>that's just talking to them about you know, hey, I'm

0:48:51.680 --> 0:48:52.280
<v Speaker 2>seeing this.

0:48:52.280 --> 0:48:54.920
<v Speaker 3>This this doesn't seem to you know, work, and you.

0:48:54.840 --> 0:48:56.799
<v Speaker 2>Know I want to try and you know, massage or

0:48:56.800 --> 0:49:00.160
<v Speaker 2>manipulate this, and you kind of work through that. And

0:49:00.760 --> 0:49:02.719
<v Speaker 2>you know, owners have certain things that they want to

0:49:02.760 --> 0:49:06.799
<v Speaker 2>see and you know it's our it's our job to

0:49:06.840 --> 0:49:10.359
<v Speaker 2>try and you know, achieve that and to give them

0:49:10.920 --> 0:49:13.880
<v Speaker 2>all these things that they want and then also make it,

0:49:14.680 --> 0:49:16.440
<v Speaker 2>you know, do all the stuff that we want to

0:49:16.440 --> 0:49:21.080
<v Speaker 2>do right or something that might you know that we

0:49:21.160 --> 0:49:24.160
<v Speaker 2>feel might make it better or you know, more more interesting,

0:49:24.160 --> 0:49:29.120
<v Speaker 2>et cetera. So yeah, you have you know, there's little

0:49:29.160 --> 0:49:30.680
<v Speaker 2>things here and there. But I got to say, I

0:49:30.760 --> 0:49:33.759
<v Speaker 2>mean the owners I've had have been great. You know,

0:49:33.760 --> 0:49:37.120
<v Speaker 2>they've been super people to work with, and a lot

0:49:37.200 --> 0:49:39.560
<v Speaker 2>of them are you know, very good friends, you know,

0:49:39.760 --> 0:49:41.680
<v Speaker 2>and people that you know that I talked to on

0:49:41.719 --> 0:49:46.040
<v Speaker 2>a regular basis, So you know there's that side of

0:49:46.080 --> 0:49:49.520
<v Speaker 2>it too, you know, and they you know, you build

0:49:49.600 --> 0:49:53.680
<v Speaker 2>trust too, just like anything else. You know, they've probably

0:49:54.000 --> 0:49:57.240
<v Speaker 2>most most owners have not been through the process ever before,

0:49:58.040 --> 0:50:02.120
<v Speaker 2>so you know, they you don't really know what to expect,

0:50:02.560 --> 0:50:05.760
<v Speaker 2>and you know, you when you start like blitzing trees

0:50:05.880 --> 0:50:09.760
<v Speaker 2>left and right, you know, they're kind of like freaked

0:50:09.760 --> 0:50:12.719
<v Speaker 2>out in some ways, and you've got to be like,

0:50:12.800 --> 0:50:14.799
<v Speaker 2>you know, okay, well we've got to open this up.

0:50:14.800 --> 0:50:16.239
<v Speaker 2>We've got to have room to play, we have to

0:50:16.239 --> 0:50:18.280
<v Speaker 2>have sunlight for grat you know, there's all these different

0:50:18.280 --> 0:50:21.520
<v Speaker 2>things that you have to do. In the case of

0:50:21.719 --> 0:50:26.960
<v Speaker 2>number one at Gray Walls, they thought, well, we're going

0:50:27.000 --> 0:50:30.360
<v Speaker 2>to have a tree lined you know, northern Michigan typical

0:50:30.400 --> 0:50:32.560
<v Speaker 2>golf course, right, that's what we want because their other

0:50:32.600 --> 0:50:33.960
<v Speaker 2>golf course is kind of wide open.

0:50:34.480 --> 0:50:35.520
<v Speaker 3>You know, it's pretty gentle.

0:50:35.640 --> 0:50:36.960
<v Speaker 2>There's a lot of movement, and there's a lot of

0:50:37.000 --> 0:50:40.719
<v Speaker 2>cool stuff on the old Langford that I think that

0:50:40.760 --> 0:50:43.920
<v Speaker 2>they didn't necessarily appreciate as much as maybe they are

0:50:44.000 --> 0:50:48.879
<v Speaker 2>getting to now. But we're standing up on that big

0:50:48.960 --> 0:50:51.600
<v Speaker 2>hill and I started clearing all the trees to the

0:50:51.680 --> 0:50:54.520
<v Speaker 2>right of the tee because I know Lake Superiors right

0:50:54.560 --> 0:50:57.080
<v Speaker 2>there and it's you know, it's a couple of miles away,

0:50:57.160 --> 0:50:59.879
<v Speaker 2>but the view is fifty five miles all the way

0:50:59.880 --> 0:51:03.719
<v Speaker 2>to Pictured Rocks. And they're like, oh, you got way

0:51:03.719 --> 0:51:08.400
<v Speaker 2>too many. I'm like, we just got started. Come back tomorrow.

0:51:08.560 --> 0:51:11.440
<v Speaker 2>And then they came back like a day or two later,

0:51:12.080 --> 0:51:13.879
<v Speaker 2>and they said, okay, we'll shut up now.

0:51:16.480 --> 0:51:16.640
<v Speaker 3>You know.

0:51:16.680 --> 0:51:17.880
<v Speaker 2>It was a couple of guys on the board and

0:51:17.880 --> 0:51:20.320
<v Speaker 2>they're really good guys and stuff, but they're like, okay,

0:51:20.360 --> 0:51:23.400
<v Speaker 2>we we we have no idea what we're talking about.

0:51:23.760 --> 0:51:24.439
<v Speaker 3>Just do your job.

0:51:27.080 --> 0:51:31.280
<v Speaker 1>There's a similar story Trey Kemp who redesigned this Stevens

0:51:31.320 --> 0:51:34.719
<v Speaker 1>Park down in Dallas. He cut down a bunch of

0:51:34.760 --> 0:51:37.919
<v Speaker 1>trees and the condo owners behind this tea box were

0:51:37.960 --> 0:51:40.840
<v Speaker 1>like outrage, and he was like, just just hold on,

0:51:41.239 --> 0:51:44.839
<v Speaker 1>and he opened up this view of like the Dallas skyline.

0:51:45.239 --> 0:51:48.120
<v Speaker 1>And it's so funny because he was telling me. He's like, yeah,

0:51:48.160 --> 0:51:50.640
<v Speaker 1>and their property value went up a couple hundred thousand

0:51:50.680 --> 0:51:54.840
<v Speaker 1>dollars and he's like, needless to say, they thank me later.

0:51:54.840 --> 0:51:58.560
<v Speaker 3>Yeah, yeah, thanks for much. Here's a bonus another forty bucks.

0:52:00.320 --> 0:52:02.840
<v Speaker 4>It's funny how like you know they're there are these

0:52:03.160 --> 0:52:06.640
<v Speaker 4>that was an example of an unintended Consequently, like you know,

0:52:06.680 --> 0:52:08.960
<v Speaker 4>they didn't know what was going to happen, and now

0:52:08.960 --> 0:52:12.400
<v Speaker 4>they're they're sitting on you know, way more valuable property.

0:52:12.239 --> 0:52:14.640
<v Speaker 3>That it talk about.

0:52:14.920 --> 0:52:20.040
<v Speaker 1>You know with Greywalls, that dramatic land, you know versus

0:52:20.360 --> 0:52:24.840
<v Speaker 1>a more subtle property. What what the you know what

0:52:24.960 --> 0:52:28.279
<v Speaker 1>dramatic land allows you to do like the pros and

0:52:28.320 --> 0:52:31.640
<v Speaker 1>cons versus a more subtle property where like you know,

0:52:31.800 --> 0:52:34.960
<v Speaker 1>Diamond Springs with with the with the small kind of

0:52:35.160 --> 0:52:38.760
<v Speaker 1>ridges that you were routed over versus you know, large

0:52:38.840 --> 0:52:39.640
<v Speaker 1>scale movement.

0:52:42.280 --> 0:52:47.680
<v Speaker 3>Well, Gray Walls has a lot of both. But it's.

0:52:49.760 --> 0:52:52.200
<v Speaker 2>There's a lot of restrictions at gray Walls too because

0:52:52.360 --> 0:52:54.680
<v Speaker 2>you know, we got granite rock walls and it's like

0:52:54.840 --> 0:52:57.160
<v Speaker 2>we don't have a blasting budget. You know, they were

0:52:57.160 --> 0:52:59.799
<v Speaker 2>not going to spend millions of dollars like creating holes

0:52:59.800 --> 0:53:03.640
<v Speaker 2>out nothing. So you know those are sort of hard

0:53:03.719 --> 0:53:06.160
<v Speaker 2>edges or restrictions and things like that. Just like at

0:53:06.200 --> 0:53:09.480
<v Speaker 2>Diamond Springs, even though the ground is relatively flat and subtle,

0:53:09.880 --> 0:53:12.839
<v Speaker 2>you know, there's the big gorge where the creek's going

0:53:13.080 --> 0:53:19.799
<v Speaker 2>and the old mill pond area, that ravine. You know,

0:53:19.880 --> 0:53:23.319
<v Speaker 2>that's a hard edge. Can't do anything in there, you know,

0:53:23.360 --> 0:53:25.320
<v Speaker 2>we we can't get down.

0:53:25.200 --> 0:53:26.600
<v Speaker 3>There and adjust it or do anything.

0:53:26.600 --> 0:53:28.239
<v Speaker 2>So how do you work over how do you take

0:53:28.719 --> 0:53:31.839
<v Speaker 2>that and make that an advantage something that you can

0:53:32.320 --> 0:53:36.400
<v Speaker 2>utilize and make interesting and provide impact.

0:53:37.040 --> 0:53:37.600
<v Speaker 3>And it does.

0:53:37.680 --> 0:53:40.640
<v Speaker 2>It provides a lot of you know, at the end

0:53:40.640 --> 0:53:43.879
<v Speaker 2>of the round, you're like, wow, saw that at night,

0:53:43.960 --> 0:53:46.200
<v Speaker 2>and then like you go away from it again. Then

0:53:46.239 --> 0:53:48.840
<v Speaker 2>you come back fourteen through eighteen and it's like, wow,

0:53:49.000 --> 0:53:51.960
<v Speaker 2>you know, pretty cool for thirty dollars off course, right yea,

0:53:53.719 --> 0:53:57.799
<v Speaker 2>So at Gray Walls and you've got, yeah, you've got

0:53:57.840 --> 0:54:00.960
<v Speaker 2>a lot of elevation change two hundred feet elevation change

0:54:01.360 --> 0:54:05.640
<v Speaker 2>on the property, and you've got these super hard ridges,

0:54:06.280 --> 0:54:08.759
<v Speaker 2>vertical type stuff that you have to deal with. So

0:54:09.560 --> 0:54:13.279
<v Speaker 2>that's something that you have to factor in and say, okay,

0:54:13.360 --> 0:54:16.640
<v Speaker 2>here's a hard edge, how does something fit into that?

0:54:16.800 --> 0:54:18.319
<v Speaker 2>And then you have to figure out kind of how

0:54:18.360 --> 0:54:21.480
<v Speaker 2>to how to make that work. And I'd been working

0:54:21.560 --> 0:54:23.440
<v Speaker 2>on the routing and trying to figure things out, and

0:54:23.440 --> 0:54:26.600
<v Speaker 2>there were certain holes that I saw and stuff like that,

0:54:26.719 --> 0:54:33.960
<v Speaker 2>and it kind of it basically kind of clicked. Fred Muller,

0:54:34.040 --> 0:54:36.880
<v Speaker 2>who was the old pro at Crystal Downs and stuff,

0:54:37.320 --> 0:54:39.960
<v Speaker 2>and we were up there and we were going we

0:54:39.960 --> 0:54:42.040
<v Speaker 2>were driving back. We'd been up there for a few

0:54:42.120 --> 0:54:45.520
<v Speaker 2>days and we were driving back. Fred was driving and

0:54:45.560 --> 0:54:47.040
<v Speaker 2>I was in the car and I was like doodling

0:54:47.080 --> 0:54:50.160
<v Speaker 2>trying to figure out this section of the property, and

0:54:50.200 --> 0:54:52.800
<v Speaker 2>it kind of clicked. And that was like the majority

0:54:52.840 --> 0:54:55.640
<v Speaker 2>of the routing. It's like made it work. It made

0:54:55.640 --> 0:55:01.080
<v Speaker 2>it fit together. So sometimes, you know, it takes something

0:55:01.120 --> 0:55:03.040
<v Speaker 2>like that where you know, one little piece of the

0:55:03.080 --> 0:55:05.120
<v Speaker 2>puzzle makes the thing work, or you know, if we

0:55:05.200 --> 0:55:09.120
<v Speaker 2>do this, if we impact that, you know, that makes

0:55:09.120 --> 0:55:11.840
<v Speaker 2>the other stuff and trying to figure out those you know,

0:55:11.880 --> 0:55:15.120
<v Speaker 2>sometimes it's one little piece. You know, where's that piece

0:55:15.760 --> 0:55:19.000
<v Speaker 2>the thousand thousand thousand piece puzzle and like, you know,

0:55:19.400 --> 0:55:20.480
<v Speaker 2>where's that one piece?

0:55:20.920 --> 0:55:21.920
<v Speaker 1>What piece was that?

0:55:23.760 --> 0:55:27.560
<v Speaker 2>I can't remember right now, I know exactly, I don't know.

0:55:27.680 --> 0:55:29.920
<v Speaker 2>I mean it's probably I'm not saying that it was

0:55:29.960 --> 0:55:32.840
<v Speaker 2>one piece there, but trying to get everything to jive,

0:55:32.960 --> 0:55:35.680
<v Speaker 2>you know, where you're trying to make this corner work.

0:55:35.840 --> 0:55:39.080
<v Speaker 3>So in some like one of the.

0:55:39.000 --> 0:55:41.919
<v Speaker 2>Hard things there is that we're on this big high

0:55:41.960 --> 0:55:44.480
<v Speaker 2>piece and we go down and then we play you know,

0:55:44.560 --> 0:55:47.759
<v Speaker 2>basically one, two, three, four kind of on a level.

0:55:47.760 --> 0:55:49.359
<v Speaker 2>We got to get back to that middle ridge when

0:55:49.360 --> 0:55:50.480
<v Speaker 2>we got to get out, and we got to figure

0:55:50.520 --> 0:55:50.879
<v Speaker 2>out how.

0:55:50.760 --> 0:55:51.120
<v Speaker 3>To do that.

0:55:51.680 --> 0:55:54.600
<v Speaker 2>And we got a property boundary edge over where number

0:55:54.600 --> 0:55:57.560
<v Speaker 2>four whole number five is, and there was no property

0:55:58.360 --> 0:56:01.240
<v Speaker 2>boundary line stake in the field or.

0:56:03.280 --> 0:56:03.920
<v Speaker 3>On the map.

0:56:04.880 --> 0:56:06.959
<v Speaker 2>And I was told, oh, no, you got like another

0:56:07.080 --> 0:56:08.960
<v Speaker 2>hundred hundred and fifty feet over there. I'm like, I

0:56:08.960 --> 0:56:11.960
<v Speaker 2>don't think so, because I was thinking. I was looking

0:56:12.000 --> 0:56:14.920
<v Speaker 2>at the map and and thinking that, you know, I'm

0:56:14.920 --> 0:56:18.279
<v Speaker 2>pretty close to the edge here. And we were trying

0:56:18.280 --> 0:56:20.239
<v Speaker 2>to figure out how to get to that corner, and

0:56:20.560 --> 0:56:23.480
<v Speaker 2>four could have been a five, or it could have

0:56:23.680 --> 0:56:25.320
<v Speaker 2>it could have been the four that it is now,

0:56:27.000 --> 0:56:31.400
<v Speaker 2>and so it ended up being a four and having

0:56:31.440 --> 0:56:33.359
<v Speaker 2>sort of this jog back to the tee and then

0:56:33.440 --> 0:56:37.360
<v Speaker 2>this you know, short part four that went up to

0:56:37.400 --> 0:56:39.239
<v Speaker 2>the green with a big rock wall and all that.

0:56:41.080 --> 0:56:43.400
<v Speaker 2>I would have preferred that that tea was over another

0:56:43.640 --> 0:56:46.000
<v Speaker 2>one hundred hundred and fifty feet, but that's not our

0:56:46.000 --> 0:56:49.319
<v Speaker 2>proper property lines pretty much right there. So but we

0:56:49.360 --> 0:56:53.279
<v Speaker 2>still had to figure out how to do that and

0:56:53.280 --> 0:56:55.120
<v Speaker 2>and that kind of you know, it sort of worked.

0:56:55.560 --> 0:56:57.799
<v Speaker 2>It figured out a way for it to work. But

0:56:57.960 --> 0:57:01.120
<v Speaker 2>it's to me, it's it's the most awkward drive there

0:57:01.200 --> 0:57:02.520
<v Speaker 2>because you know, you got to hit it up so

0:57:03.640 --> 0:57:06.200
<v Speaker 2>you know, so high. That's difficult for a lot of golfers.

0:57:07.480 --> 0:57:09.319
<v Speaker 2>But it's still like super exciting and fun and some

0:57:09.360 --> 0:57:10.920
<v Speaker 2>people are like, that's my favorite hole, you know, and

0:57:10.960 --> 0:57:13.920
<v Speaker 2>it's pretty iconic when you got this sixty foot granite

0:57:13.920 --> 0:57:17.040
<v Speaker 2>wall right next to the green and you know there's

0:57:17.880 --> 0:57:20.960
<v Speaker 2>full white pine trees growing on top of that, and

0:57:21.000 --> 0:57:26.040
<v Speaker 2>you know, agonomically figuring out we could actually grow grass

0:57:26.040 --> 0:57:30.320
<v Speaker 2>there was important because there's a lot of airflow and

0:57:30.400 --> 0:57:34.840
<v Speaker 2>it gets morning sun and late sun and the gap

0:57:34.920 --> 0:57:37.919
<v Speaker 2>works to where it you know, functions because you'd think

0:57:39.120 --> 0:57:44.000
<v Speaker 2>this that granite cliff is wall is on the southwest side,

0:57:44.040 --> 0:57:45.920
<v Speaker 2>and you're thinking, how are you going to grow grass

0:57:46.480 --> 0:57:47.640
<v Speaker 2>because it's going to be in shadow.

0:57:50.280 --> 0:57:51.000
<v Speaker 3>But it does work.

0:57:51.400 --> 0:57:56.080
<v Speaker 1>So it's, uh, yeah, that that is a thrilling stretch.

0:57:56.160 --> 0:58:00.520
<v Speaker 1>It's well the uh that place everybody should go see.

0:58:00.680 --> 0:58:05.280
<v Speaker 1>But we uh, we kind of wrap this here and

0:58:05.600 --> 0:58:10.240
<v Speaker 1>we appreciate the time and we'll look forward to seeing

0:58:10.240 --> 0:58:12.240
<v Speaker 1>more of your work here. I gotta get down to

0:58:12.280 --> 0:58:15.520
<v Speaker 1>Australia and then i'll have I'll see all the original stuff.

0:58:16.080 --> 0:58:19.360
<v Speaker 3>And uh gotta get there. I get there. Maybe maybe

0:58:19.400 --> 0:58:22.520
<v Speaker 3>that's a trick, ye maybe from America. But it's worth it.

0:58:22.680 --> 0:58:24.760
<v Speaker 1>I know. I just got to get on a plane.

0:58:25.840 --> 0:58:28.760
<v Speaker 3>It's a month long journey, you know. Do it hit Australia,

0:58:28.920 --> 0:58:32.439
<v Speaker 3>hit you know, hit New Zealand. Just think of all

0:58:32.640 --> 0:58:34.280
<v Speaker 3>the podcasts you can do from down there.

0:58:34.520 --> 0:58:35.080
<v Speaker 1>I know that.

0:58:37.320 --> 0:58:38.160
<v Speaker 3>It was in the cards.

0:58:38.200 --> 0:58:41.680
<v Speaker 1>We'll see if I get down there, all right, Thanks Mike.

0:58:41.840 --> 0:58:43.720
<v Speaker 3>Thank you, thanks for having me. Appreciate it.