WEBVTT - HH #644: Adam Scott, Our Close Friend

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<v Speaker 1>So, yeah, this is great, This is great, This is great.

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<v Speaker 1>This is so good. Adam, Yeah, Adam mess just just

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<v Speaker 1>like we drew it up.

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<v Speaker 2>It's so good.

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<v Speaker 3>It's really it's so exciting this rock.

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<v Speaker 2>Cards on the table.

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<v Speaker 4>Obviously we want to say, you know.

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<v Speaker 2>Cards on the table.

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<v Speaker 3>We want three kings.

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<v Speaker 2>Wow, right, not a bad hand.

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<v Speaker 1>No, we do wanna be transparent. That's a lot of

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<v Speaker 1>what the show is about. We obviously, you know, are

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<v Speaker 1>thrilled to have you. This is really good.

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<v Speaker 3>We when you walked in here is like awesome.

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<v Speaker 2>It's is when I walked in, even.

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<v Speaker 3>Just seeing you walk in.

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<v Speaker 1>Despite the not like so it's so obviously it's been

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<v Speaker 1>a journey. It's been a journey getting you here. Yeah,

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<v Speaker 1>you know, we had Ben Ben Yeah, Ben was on.

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<v Speaker 2>We just call him Ben still.

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<v Speaker 4>Yeah, So he was here and we asked him.

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<v Speaker 1>We were like, you know, can you get your your

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<v Speaker 1>famous friend Adam to come to the show.

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<v Speaker 4>And I think we I don't know if he said

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<v Speaker 4>it or we said it, but it was he.

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<v Speaker 2>We went back and forth with Ben.

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<v Speaker 3>With Ben, Yeah, he wanted us to hook up our

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<v Speaker 3>home plumbing to Stiller's soda to to reach out in

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<v Speaker 3>exchange for reaching out to you. He I guess is

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<v Speaker 3>hoping to make it less of like a consumer soda

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<v Speaker 3>and more of like alright, like.

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<v Speaker 2>Or like how they go they sell you filters water

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<v Speaker 2>filters for your home, so all the water in your

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<v Speaker 2>house is filtered.

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<v Speaker 1>So what he is hoping to be stiltered was still stiltered. Yeah,

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<v Speaker 1>all of your water would be stiltered.

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<v Speaker 2>Yes.

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<v Speaker 3>He is also hoping to brand the filter that allows

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<v Speaker 3>you to reverse engineer the stiller soda into water, and it.

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<v Speaker 1>Would mind bitcoin at the same time. So it's like

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<v Speaker 1>and that that would heat your home.

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<v Speaker 2>Okay, let me get this straight. It says filter that

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<v Speaker 2>turns all tap water coming into your home, no, no,

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<v Speaker 2>into the stiller soda, and then wanted to get it straight.

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<v Speaker 3>You don't have it straight out all, Okay, what's coming

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<v Speaker 3>into the home is stillers yes, soda.

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<v Speaker 2>Yes. Oh, so he's pumping it in directly, that's coming

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<v Speaker 2>into and then there's a filling fill at the.

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<v Speaker 1>End, and you go, it has a little like this

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<v Speaker 1>is what the average household uses.

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<v Speaker 2>Right, it's like twenty percent root beer, the little barg

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<v Speaker 2>Shirley temple. Yes, yes, sure, and then you need to

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<v Speaker 2>get another you need to get a filter to turn

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<v Speaker 2>it to have water.

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<v Speaker 3>But his thing is like, you're gonna actually find that

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<v Speaker 3>you don't really know you don't need that much water.

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<v Speaker 2>And is there a problem with the tap water being

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<v Speaker 2>carbonated or that's it's I mean, does Ben has been addressed.

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<v Speaker 3>Then there's there're directions that come with it, and then

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<v Speaker 3>you just put it on the table and then and

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<v Speaker 3>they he sells a table too that you can rest

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<v Speaker 3>the water until it kind of like it resolves itself.

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<v Speaker 2>Oh I see, so then it flattens out. It's like

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<v Speaker 2>overnight for water.

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<v Speaker 1>Sure, yeah, overnight water, overnight, overnight, overnight, stiller overnight overnight.

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<v Speaker 4>Yeah, overnight. With Ben still he was pitching it.

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<v Speaker 2>I think he goes because he.

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<v Speaker 3>He's thet like it can also be a sauce. You

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<v Speaker 3>can dip stuff.

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<v Speaker 2>Yeaheah sure, So it's on the table as it's flattening out,

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<v Speaker 2>you can dip different foods into it. That's pretty good.

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<v Speaker 3>And so and we're still going back and forth on that,

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<v Speaker 3>and so the hope is actually maybe he'll now that

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<v Speaker 3>you already hear, maybe if we do figure this out,

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<v Speaker 3>he'll reach out to you and maybe you'll like come

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<v Speaker 3>back like next week or something like if we were

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<v Speaker 3>pretty close next week, but like to figure this deal out. Wait,

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<v Speaker 3>dotting the i's and crossing the.

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<v Speaker 2>T's with Ben regarding separate deal, separate deal with Ben,

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<v Speaker 2>but it is regarding me and how.

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<v Speaker 4>It is now it is, Yeah, it has that's what

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<v Speaker 4>it has become.

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<v Speaker 3>Yeah, Okay, I think when well, cards on the table,

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<v Speaker 3>cards on the table, which.

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<v Speaker 2>We I thought we already put the cards on the table.

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<v Speaker 2>Are they have they been picked up?

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<v Speaker 3>So I don't know who's.

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<v Speaker 2>Rock solid taste and jack are better than ten?

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<v Speaker 1>Well, but you're a ten out of ten. And I'm

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<v Speaker 1>a jackass jack off. You know, I'm a fool. I

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<v Speaker 1>play the fool on the show and I'm used to

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<v Speaker 1>that role and that's okay with me. And you can

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<v Speaker 1>you can dunk on me, you can score points on me.

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<v Speaker 1>And I got a thick skin. It's really like, don't

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<v Speaker 1>make fun of the way I look or anything.

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<v Speaker 3>But we make the best of it and we are

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<v Speaker 3>gonna do that today.

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<v Speaker 4>I didn't.

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<v Speaker 3>That's why I started talking because I could tell you

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<v Speaker 3>about like Cohich was like.

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<v Speaker 2>Just at this guy, Yeah, why would I do that?

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<v Speaker 3>So yeah, but the atom of it all.

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<v Speaker 4>Yes, adom of it which, by the way, is so

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<v Speaker 4>awesome to have you here.

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<v Speaker 3>It's really this is really good too, so really good too.

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<v Speaker 3>When we I don't know if we ever even had

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<v Speaker 3>this conversation, or we just both kind of ended number

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<v Speaker 3>the same, like feeling the same. We've been working together

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<v Speaker 3>a lot, We've been working together a long time, and

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<v Speaker 3>so like we end up having this kind of like

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<v Speaker 3>unspoken thing where we're just thinking the same thing, like

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<v Speaker 3>each other's thoughts before they even happen to each other.

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<v Speaker 2>Well, that's great though, to have that kind of relationship

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<v Speaker 2>with incredible.

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<v Speaker 1>Report normally it is really good. Yeah, sometimes if one

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<v Speaker 1>person misspeaks, there's a sort of snowball effect where then

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<v Speaker 1>you both start doing it.

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<v Speaker 3>Oh, and you both start saying things and over each other,

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<v Speaker 3>like our legs are tied together.

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<v Speaker 2>Okay.

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<v Speaker 1>So as an example, maybe you guys are thinking, this

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<v Speaker 1>is like a hypothetical Ben So is coming on the show.

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<v Speaker 4>We gotta get his famous friend Adam Sandler on the show. Yeah, right,

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<v Speaker 4>But then somebody says.

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<v Speaker 1>Something wrong or not even wrong, just different. I wouldn't

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<v Speaker 1>say wrong, I would say different.

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<v Speaker 2>So it started out as a thing, and I don't remember.

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<v Speaker 3>I don't know what the result. We were like, this

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<v Speaker 3>is awesome to this, this pumping high fiving this.

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<v Speaker 2>Entire time, you've been expecting Adam Sandler to come to

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<v Speaker 2>visit the show.

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<v Speaker 3>I would never let go that I have. You would

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<v Speaker 3>never set expectations for something like that. Sounds like if

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<v Speaker 3>the universe allows for something like that to happen, I

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<v Speaker 3>am open to I'm always going to accept.

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<v Speaker 1>You know, podcasting is when hard work meets preparation. Is

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<v Speaker 1>that right?

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<v Speaker 3>We accept not?

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<v Speaker 1>Podcasting is when hard works preparation hard work.

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<v Speaker 3>We've always said that, you have, yeah, not said A

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<v Speaker 3>lot of it is unspoken, like we were saying sure.

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<v Speaker 2>I mean, by in large, I would share that all

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<v Speaker 2>the all the podcasts I listened to and have seen

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<v Speaker 2>on video. You're right, it's all about hard work.

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<v Speaker 1>You can tell, right, it's it's it's always these guys

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<v Speaker 1>measure twice, cut once because the because the podcast, in

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<v Speaker 1>the best case scenario, appears effortless.

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<v Speaker 2>Yeah, but I'm just gonna say, I feel like that's

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<v Speaker 2>because by and large it is effortless, like there's not

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<v Speaker 2>a lot of effort being put into it.

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<v Speaker 3>That's what it looks like from the outside, looks that way.

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<v Speaker 3>When you get your little charcoal briquette, you think that

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<v Speaker 3>looks easy.

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<v Speaker 2>I could probably do that, right.

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<v Speaker 3>You don't see the guys getting lowered down into the minds. Yeah,

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<v Speaker 3>coming back acts.

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<v Speaker 2>Is that where you think charcoal briquettes come from? Covered? Yeah,

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<v Speaker 2>they have to get it out of the wall.

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<v Speaker 1>You gotta chop it out of there.

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<v Speaker 2>How do they get it into that little shape? Does

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<v Speaker 2>it come that way?

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<v Speaker 3>Well?

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<v Speaker 1>Again, that's the part you don't see.

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<v Speaker 2>You don't know who knows how they do that.

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<v Speaker 1>I believe there's maybe a guy, like a squeezer guy.

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<v Speaker 2>Oh yeah, squeeze, there's like a yeah, he has that shape,

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<v Speaker 2>one of the dwarfs. I think a squeezer, I would imagine.

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<v Speaker 2>I don't think we call them that squeezers.

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<v Speaker 3>I just I can't keep track of this stuff. Are

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<v Speaker 3>we allowed to say?

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<v Speaker 1>Ok?

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<v Speaker 2>Yeah, let's just say whatever.

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<v Speaker 4>Our intention is always positive. I like to help.

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<v Speaker 2>Yeah, we are.

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<v Speaker 1>You know, we are never trying to degrade anyone.

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<v Speaker 2>It's a minefield out there, you know, mine shaft. It's

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<v Speaker 2>a mind shaft.

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<v Speaker 1>First podcast, first podcast, No, No, In fact, I've done

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<v Speaker 1>lots of podcasts.

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<v Speaker 2>I was just doing a podcast yesterday, in fact, another one.

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<v Speaker 1>I wonder where you got that idea.

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<v Speaker 2>Sorry, it seems like that bummed you out, said, did you?

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<v Speaker 2>He said? He said, awesome, But I'm looking at him

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<v Speaker 2>and on literally suddenly looked sad and looked down at

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<v Speaker 2>the ground. Other stuff, stuff at home, okay, yeah, all right,

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<v Speaker 2>well good, I'm glad.

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<v Speaker 3>Stuff at home. That's kind of running around on the ground.

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<v Speaker 3>And so it's like making him, it's putting him in

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<v Speaker 3>this line.

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<v Speaker 2>I'm always gonna have eyes on the ground.

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<v Speaker 1>Oh, I say, yeah, but what what you got bugs

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<v Speaker 1>in your house?

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<v Speaker 2>I've had bugs in my house.

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<v Speaker 3>M M.

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<v Speaker 4>Makes you look down a lot of it makes it

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<v Speaker 4>sound like you don't like they're everywhere.

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<v Speaker 2>Well, we got rid of them.

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<v Speaker 3>You have to get okay, well you have to understand

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<v Speaker 3>when you do that. Yeah, they go to someone else's house,

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<v Speaker 3>so they kill them. I might have your bugs, I

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<v Speaker 3>don't have. No one has my bugs.

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<v Speaker 2>You get an exterminator, they kill the bugs and get

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<v Speaker 2>rid of them. Isn't that no they that they that

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<v Speaker 2>they show them into someone else's house. Yeah, you can

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<v Speaker 2>take care of it.

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<v Speaker 1>And then meanwhile, to my god, dam Mankles and Silverfish?

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<v Speaker 2>Is that why I'm here? Because you feel like you

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<v Speaker 2>have silverfish in your house? Because of that?

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<v Speaker 1>Adam, you're here because it's a great it's going to

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<v Speaker 1>be a great episode. That's why you're here. I mean

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<v Speaker 1>it's like I thought Killer.

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<v Speaker 3>So so Ben had held me Adam, we'll get you, Adam,

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<v Speaker 3>We'll make this deal. And like Adam's doing Severance. So

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<v Speaker 3>I'm working with him and we're.

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<v Speaker 2>Like, holy fucking shit, Adam Sadler is doing.

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<v Speaker 1>Which that like would have been frankly a little strange,

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<v Speaker 1>but also you gotta be curious.

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<v Speaker 3>I think we thought, and again I don't had this conversation.

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<v Speaker 3>We thought it might be at least interesting to try.

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<v Speaker 1>You know.

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<v Speaker 2>It's like, how there's two guys, You're two guys. I'm

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<v Speaker 2>too Oh sure, I'm Severance. Is that what you mean if.

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<v Speaker 3>One of them was like sorry, that is like.

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<v Speaker 1>That's snapping something into focus for me about the show

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<v Speaker 1>where I was like he's being so weird.

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<v Speaker 2>Yeah, it's finally like coming together. The's two guys, Yeah,

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<v Speaker 2>go ahead.

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<v Speaker 3>And I've been waiting for him to get to this

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<v Speaker 3>and he's been you know, he's working on it. Sure,

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<v Speaker 3>and go to the fridge, and I would be like,

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<v Speaker 3>what's up? He was? You just open the I don't

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<v Speaker 3>know anymore looking in the fridge, You're like, I know,

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<v Speaker 3>I'm looking for something, but what is it?

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<v Speaker 2>Like something home?

0:12:18.679 --> 0:12:20.440
<v Speaker 3>And I didn't want to be like, it's two guys.

0:12:20.520 --> 0:12:23.640
<v Speaker 3>I knew he had to get there wow himself. So

0:12:23.679 --> 0:12:25.280
<v Speaker 3>that's why it's so good that you're here too.

0:12:25.400 --> 0:12:27.920
<v Speaker 2>What is it that you think was was happening?

0:12:29.640 --> 0:12:32.920
<v Speaker 3>So look obviously like.

0:12:34.440 --> 0:12:39.600
<v Speaker 1>Look, let's say, first amazing show, you know, congrats on

0:12:39.640 --> 0:12:43.560
<v Speaker 1>the show. What I thought was happening when I on

0:12:43.600 --> 0:12:49.080
<v Speaker 1>my first watch, this guy's so weird?

0:12:49.720 --> 0:12:52.319
<v Speaker 2>Yeah? Yeah? Is he like.

0:12:54.760 --> 0:12:57.040
<v Speaker 1>Does he know what he's doing? You know?

0:12:57.280 --> 0:13:00.680
<v Speaker 4>And I also was going like, well, for I was going,

0:13:01.880 --> 0:13:02.800
<v Speaker 4>did they mean to do this?

0:13:03.559 --> 0:13:03.679
<v Speaker 2>Oh?

0:13:03.960 --> 0:13:07.559
<v Speaker 1>You know, I thought there was a mistake, Like I

0:13:07.600 --> 0:13:09.800
<v Speaker 1>actually thought that they had had one idea for the

0:13:09.840 --> 0:13:12.400
<v Speaker 1>show and then they kind of changed their mind and

0:13:12.440 --> 0:13:14.120
<v Speaker 1>they had left in some of the footage from the

0:13:14.160 --> 0:13:18.240
<v Speaker 1>original like pilot they shot or something and then just

0:13:18.280 --> 0:13:20.280
<v Speaker 1>sort of rolled with it, right because I.

0:13:20.240 --> 0:13:22.360
<v Speaker 4>Was going only feels like two different guys and a

0:13:22.400 --> 0:13:22.760
<v Speaker 4>lot of this.

0:13:23.360 --> 0:13:27.440
<v Speaker 1>But I was like, oh, maybe Adam forgot or maybe

0:13:27.480 --> 0:13:31.120
<v Speaker 1>some of this is the real Adam, Like like it's intercut,

0:13:31.160 --> 0:13:33.280
<v Speaker 1>like there's a behind the scenes sort of I.

0:13:33.240 --> 0:13:35.600
<v Speaker 2>Forgot they were filming me kind of thing.

0:13:35.920 --> 0:13:39.400
<v Speaker 1>Yeah, I had a couple different ways into it. Nothing

0:13:39.400 --> 0:13:43.040
<v Speaker 1>felt quite right, But this is actually clicking.

0:13:42.920 --> 0:13:45.800
<v Speaker 2>Makes a little more sense. Still more, it feels to

0:13:45.880 --> 0:13:48.800
<v Speaker 2>me like the the theory you had come up with

0:13:49.800 --> 0:13:53.440
<v Speaker 2>takes far more effort and is far more complicated than

0:13:53.880 --> 0:13:55.199
<v Speaker 2>the actual show.

0:13:55.320 --> 0:13:57.479
<v Speaker 3>Than just life.

0:13:58.920 --> 0:14:03.120
<v Speaker 2>Is complicated. I think perceptually me the show saying now

0:14:03.160 --> 0:14:05.440
<v Speaker 2>we're leaving the show and we're going home with the

0:14:05.559 --> 0:14:09.840
<v Speaker 2>actor portraying this character, and we're going to explore the

0:14:09.840 --> 0:14:11.680
<v Speaker 2>home life of the actor.

0:14:11.480 --> 0:14:13.319
<v Speaker 1>And they weren't saying that, which that was the first

0:14:13.360 --> 0:14:14.800
<v Speaker 1>thing I said when I came to the room, is like,

0:14:14.880 --> 0:14:16.880
<v Speaker 1>let's get a little vo here where they say, hey,

0:14:16.960 --> 0:14:20.400
<v Speaker 1>you're not watching the show anymore, right, this is Adam's house.

0:14:20.360 --> 0:14:23.440
<v Speaker 2>But it just seems like you're a thing going to

0:14:23.680 --> 0:14:26.040
<v Speaker 2>that place and you coming up with the theory that

0:14:26.040 --> 0:14:31.000
<v Speaker 2>that's what's happening here is far more complicated than the

0:14:31.120 --> 0:14:34.080
<v Speaker 2>simple Like if you just watched the show, you probably

0:14:34.080 --> 0:14:35.600
<v Speaker 2>would have figured it out.

0:14:36.040 --> 0:14:40.320
<v Speaker 1>And it's and to that end, now I will.

0:14:40.840 --> 0:14:43.480
<v Speaker 2>Okay, were you like doing something else while you were

0:14:43.520 --> 0:14:45.920
<v Speaker 2>watching the show, or well, I got some.

0:14:45.880 --> 0:14:47.880
<v Speaker 1>Stuff going on at home. You know, obviously there is

0:14:47.920 --> 0:14:51.200
<v Speaker 1>like an insect. There's such an issue happening, and so

0:14:51.240 --> 0:14:53.960
<v Speaker 1>it is tough to kind of focus completely on a

0:14:54.000 --> 0:14:56.400
<v Speaker 1>show because they are shooting them.

0:14:57.440 --> 0:15:06.680
<v Speaker 2>You've been shooting the silverfish with it's legal with poisoned darts.

0:15:08.040 --> 0:15:12.880
<v Speaker 2>And so when you hit a silverfish, do you do

0:15:13.000 --> 0:15:15.000
<v Speaker 2>one at a time? You try and hit them with

0:15:14.560 --> 0:15:15.880
<v Speaker 2>the with the poisoned dart.

0:15:15.880 --> 0:15:18.120
<v Speaker 1>Puzuka would that I could get one of those buggers.

0:15:18.120 --> 0:15:21.640
<v Speaker 1>They are so quick. Yeah, they're fast, but i've yeah,

0:15:21.720 --> 0:15:22.840
<v Speaker 1>and there's been some ricochet.

0:15:22.880 --> 0:15:27.200
<v Speaker 2>If you need the back you need, so you need

0:15:27.240 --> 0:15:29.120
<v Speaker 2>a second person with the equipment.

0:15:29.240 --> 0:15:30.640
<v Speaker 1>Yeah, I got an assistant.

0:15:30.840 --> 0:15:35.120
<v Speaker 2>And have you damaged your home? I would imagine his

0:15:35.240 --> 0:15:36.200
<v Speaker 2>home is poisoned.

0:15:36.880 --> 0:15:39.160
<v Speaker 4>Good lord, it's mainly poisoned darts in there.

0:15:39.160 --> 0:15:41.760
<v Speaker 2>Now, Oh my god, it's just all no wonder you

0:15:41.880 --> 0:15:43.880
<v Speaker 2>weren't paying full attention to severn.

0:15:44.040 --> 0:15:45.960
<v Speaker 4>Oh yeah, no, I've been pretty sick.

0:15:46.720 --> 0:15:50.480
<v Speaker 2>God, And anyone who enters your house probably ends up.

0:15:50.400 --> 0:15:53.880
<v Speaker 1>With which is we're just happening less and less.

0:15:53.960 --> 0:15:57.240
<v Speaker 2>People coming over. Yeah, I'm not going to come over

0:15:57.360 --> 0:15:59.720
<v Speaker 2>with you know, your house just filled to the rim

0:15:59.760 --> 0:16:01.560
<v Speaker 2>with poisoned bazooka darts.

0:16:01.920 --> 0:16:04.760
<v Speaker 3>The hope is that you'll be so covered in silverfish,

0:16:04.800 --> 0:16:08.800
<v Speaker 3>which are as yet unafflicted by the poison they have,

0:16:08.920 --> 0:16:13.040
<v Speaker 3>that they will actually create a protective layer and the poison.

0:16:15.560 --> 0:16:19.280
<v Speaker 2>Well silverfish, you know they they do protect protect you

0:16:19.520 --> 0:16:25.280
<v Speaker 2>in certain situations. Well, say more about that, Yeah, that

0:16:25.440 --> 0:16:29.280
<v Speaker 2>about the silverfish. Yeah, well silverfish, that's their main I

0:16:29.280 --> 0:16:32.040
<v Speaker 2>mean everyone says when they see silverfish, like, what the

0:16:32.040 --> 0:16:35.840
<v Speaker 2>hell are these things even for? You know, they're just

0:16:35.880 --> 0:16:40.640
<v Speaker 2>a past. In fact, they're defenders of human beings.

0:16:40.640 --> 0:16:41.640
<v Speaker 3>If a burglar comes.

0:16:41.840 --> 0:16:45.240
<v Speaker 2>If a burglar comes, silverfish covers them head to toe

0:16:45.560 --> 0:16:46.160
<v Speaker 2>by again.

0:16:46.040 --> 0:16:48.880
<v Speaker 1>Well, imagine trying to find jewelry in my house. You

0:16:49.000 --> 0:16:51.840
<v Speaker 1>can't because there's all these silverfish everywhere. Right, So it's

0:16:51.880 --> 0:16:54.920
<v Speaker 1>like between that and my valuables.

0:16:54.400 --> 0:16:55.920
<v Speaker 2>Exactly because everything looks silver.

0:16:56.120 --> 0:17:03.880
<v Speaker 1>M No, that's smart. Yeah, you know what, Uh my

0:17:04.080 --> 0:17:09.359
<v Speaker 1>promise today, I'm gonna stop shooting them.

0:17:09.440 --> 0:17:13.440
<v Speaker 2>I think that's a good idea, both for they'll be

0:17:13.600 --> 0:17:16.639
<v Speaker 2>like the kind of but once they get back, and

0:17:17.359 --> 0:17:19.439
<v Speaker 2>as well, if they're listening to this.

0:17:19.760 --> 0:17:22.200
<v Speaker 3>I think it after hearing that he's going to stop

0:17:22.200 --> 0:17:24.080
<v Speaker 3>shooting them, I think they would probably.

0:17:25.560 --> 0:17:28.199
<v Speaker 2>All right, guys, so we can speak freely now that

0:17:28.240 --> 0:17:31.240
<v Speaker 2>they're now now okay, they don't protect.

0:17:30.920 --> 0:17:32.840
<v Speaker 4>They're not spending anything, right.

0:17:32.920 --> 0:17:35.840
<v Speaker 3>Yeah, I was convincing me. You're selling me on it.

0:17:36.040 --> 0:17:38.520
<v Speaker 2>Listen, I'm an actor, and that's.

0:17:38.320 --> 0:17:42.080
<v Speaker 1>What and that's what we started to figure out, the

0:17:42.400 --> 0:17:43.680
<v Speaker 1>speaking of you acting.

0:17:45.080 --> 0:17:47.359
<v Speaker 4>You're going to the festivals, You're doing these big festival movies.

0:17:47.720 --> 0:17:51.680
<v Speaker 1>Oh, doing some kind of spooky movie I did.

0:17:51.720 --> 0:17:54.919
<v Speaker 2>I was just at the south By Southwest Festival with

0:17:55.160 --> 0:17:56.320
<v Speaker 2>a new movie.

0:17:56.640 --> 0:17:58.680
<v Speaker 1>The Best Austin, Keep It Weird.

0:17:59.000 --> 0:18:02.280
<v Speaker 2>Austin, Texas weird. That's what it says in the T shirt. Sure,

0:18:03.320 --> 0:18:07.359
<v Speaker 2>great town, Barbara sauce. Yeah, barbecue, well barbecue, Yeah, the

0:18:08.359 --> 0:18:12.439
<v Speaker 2>sauce is usually on the side. Yeah. I love dolls

0:18:12.480 --> 0:18:17.920
<v Speaker 2>coming out with barbecue, barbecue sauce flavored. Yeah, that's great.

0:18:17.960 --> 0:18:23.960
<v Speaker 2>That'll I'm sure that'll be delicious. So, yeah, we were

0:18:24.040 --> 0:18:27.720
<v Speaker 2>down there in uh In, Austin, you know, Austin's you know,

0:18:27.840 --> 0:18:30.480
<v Speaker 2>right in the middle of Texas's great, great town.

0:18:31.040 --> 0:18:33.800
<v Speaker 1>And the movie uh And I don't know if you've

0:18:33.800 --> 0:18:36.879
<v Speaker 1>read about this, but it's it's so freaky, right, And

0:18:36.920 --> 0:18:39.360
<v Speaker 1>can I say this ain't gonna scare me, jack, Oh,

0:18:39.400 --> 0:18:40.840
<v Speaker 1>really not going to scare me?

0:18:41.640 --> 0:18:44.440
<v Speaker 2>Okay, fake, the movie's fake.

0:18:46.400 --> 0:18:48.960
<v Speaker 3>And I mean, well, he does have an obligation to

0:18:49.080 --> 0:18:52.520
<v Speaker 3>tell everyone else in the theater before the movie begins

0:18:52.840 --> 0:18:56.800
<v Speaker 3>that it's fake, that it is fake, and during it

0:18:56.840 --> 0:19:00.840
<v Speaker 3>would be during the reliction of duty to allow something

0:19:00.920 --> 0:19:05.000
<v Speaker 3>so fake to play out and just let let all

0:19:05.080 --> 0:19:09.440
<v Speaker 3>of your fellow man be tricked.

0:19:11.640 --> 0:19:13.639
<v Speaker 2>I feel like, I mean, I understand what you're saying that.

0:19:13.760 --> 0:19:15.879
<v Speaker 2>I feel like that's part of the fun of a

0:19:15.960 --> 0:19:19.800
<v Speaker 2>scary movie is the suspension of disbelief that the audience

0:19:20.359 --> 0:19:23.800
<v Speaker 2>like they're going there to be scared. They enjoy it, right,

0:19:25.359 --> 0:19:28.760
<v Speaker 2>So if someone's yelling out this is fake, right, they're

0:19:28.800 --> 0:19:31.880
<v Speaker 2>already aware of that. So you yell out this is fake,

0:19:31.960 --> 0:19:34.840
<v Speaker 2>and it just sort of it's a nuisance more than anything,

0:19:34.880 --> 0:19:35.920
<v Speaker 2>I would imagine.

0:19:37.720 --> 0:19:42.960
<v Speaker 1>There's there's a presumption at times, I think with you

0:19:43.520 --> 0:19:48.919
<v Speaker 1>that people are much more aware of kind of the

0:19:48.960 --> 0:19:53.159
<v Speaker 1>process behind what you're doing, even with severance where it

0:19:53.200 --> 0:19:57.320
<v Speaker 1>was like You're like, what you're talking about is so complicated,

0:19:57.359 --> 0:20:01.320
<v Speaker 1>I'm going like what were you doing? Like I don't

0:20:01.359 --> 0:20:04.320
<v Speaker 1>know what's going on, you know, and then to go like, oh,

0:20:04.320 --> 0:20:06.120
<v Speaker 1>they know it's fake, and it's like, well they will

0:20:06.119 --> 0:20:08.359
<v Speaker 1>now I'm gonna tell them because I do not want

0:20:08.440 --> 0:20:10.439
<v Speaker 1>them to feel scared. And I'm not scared.

0:20:10.760 --> 0:20:12.560
<v Speaker 2>I'm scared to feel like going to scare me because

0:20:12.600 --> 0:20:14.680
<v Speaker 2>you were watching Severn's and you thought it was half

0:20:14.720 --> 0:20:18.439
<v Speaker 2>fictional half true life. Are you when you see a

0:20:18.480 --> 0:20:22.800
<v Speaker 2>scary movie? Are you scared because you feel like this

0:20:22.920 --> 0:20:25.920
<v Speaker 2>might actually be happening? Well, I don't watch them, Oh

0:20:25.960 --> 0:20:27.440
<v Speaker 2>I see because they're scared.

0:20:27.240 --> 0:20:30.280
<v Speaker 1>Because yeah, the intention a lot of them is to

0:20:30.320 --> 0:20:33.480
<v Speaker 1>scare me. And because I am sitting here with you now,

0:20:33.640 --> 0:20:36.400
<v Speaker 1>at least this one, I will check out, if only

0:20:36.440 --> 0:20:38.280
<v Speaker 1>to report that it is fake to anyone near me.

0:20:38.640 --> 0:20:39.359
<v Speaker 3>Is there a ghost it?

0:20:40.560 --> 0:20:44.240
<v Speaker 2>Well, if I say that, I'll be spoiling something, you know, right,

0:20:44.200 --> 0:20:46.159
<v Speaker 2>I don't want to do that. Okay, you know what

0:20:46.200 --> 0:20:50.480
<v Speaker 2>I like to say about scary movies, And you guys

0:20:50.480 --> 0:20:52.439
<v Speaker 2>can write this down if you want. Is that tell me?

0:20:53.240 --> 0:20:56.280
<v Speaker 2>The goal of a scary movie is similar to the

0:20:56.280 --> 0:20:59.960
<v Speaker 2>goal of a comedy, because in a comedy, you're looking

0:21:00.119 --> 0:21:05.760
<v Speaker 2>for the involuntary reaction of laughter, and in a scary movie,

0:21:05.800 --> 0:21:11.240
<v Speaker 2>you're looking for the involuntary reaction of being scared. So uh,

0:21:11.640 --> 0:21:14.280
<v Speaker 2>in the in in that sense, they have something in common.

0:21:15.280 --> 0:21:18.400
<v Speaker 3>You want to understand right now?

0:21:18.520 --> 0:21:20.080
<v Speaker 2>Why don't you guys have pens?

0:21:20.280 --> 0:21:23.640
<v Speaker 3>We we never have never had someone.

0:21:27.000 --> 0:21:27.160
<v Speaker 2>This.

0:21:28.000 --> 0:21:29.480
<v Speaker 3>You said you can write it down if you want,

0:21:29.480 --> 0:21:30.000
<v Speaker 3>and I thought.

0:21:29.800 --> 0:21:31.320
<v Speaker 4>I'm not gonna want to. I've never wanted to write

0:21:31.320 --> 0:21:32.440
<v Speaker 4>anything down on this show.

0:21:32.520 --> 0:21:37.000
<v Speaker 2>And what just happened. And what just happened was.

0:21:37.760 --> 0:21:39.520
<v Speaker 4>You busted this whole fucking thing.

0:21:40.119 --> 0:21:41.960
<v Speaker 2>And I need to think, like, what are we doing?

0:21:42.240 --> 0:21:47.359
<v Speaker 2>Com well, it depends. You know it's not fake, Sean.

0:21:47.760 --> 0:21:50.399
<v Speaker 2>You know it's not fake. Is the reaction when you

0:21:50.440 --> 0:21:53.840
<v Speaker 2>get a laugh? It's not fake that you were coming

0:21:53.840 --> 0:21:56.160
<v Speaker 2>in with a pen? Can we fly the pen in? Please?

0:21:56.400 --> 0:22:06.360
<v Speaker 2>I thought it was even like this. Okayeez, all right?

0:22:06.480 --> 0:22:14.440
<v Speaker 2>Is there actually good pens too? Write it in your hand? Adam?

0:22:14.560 --> 0:22:16.840
<v Speaker 2>Mm hmmm? Do you want me to repeat it?

0:22:16.960 --> 0:22:23.120
<v Speaker 3>Or I am trying to figure out how to handle

0:22:23.200 --> 0:22:28.479
<v Speaker 3>this situation properly? And how has there ever been a

0:22:28.520 --> 0:22:31.520
<v Speaker 3>thing where the podcast is just like that's the news

0:22:32.480 --> 0:22:36.000
<v Speaker 3>for that night? You know how every night they do

0:22:36.040 --> 0:22:41.399
<v Speaker 3>the news, but it's never a podcast. But if something

0:22:41.640 --> 0:22:45.200
<v Speaker 3>were happening on a podcast that were more important than

0:22:45.240 --> 0:22:48.720
<v Speaker 3>the news, could it then be the news for that

0:22:48.880 --> 0:22:50.200
<v Speaker 3>switch swap it out.

0:22:50.080 --> 0:22:51.919
<v Speaker 2>Or like, how would you get that out to the

0:22:51.960 --> 0:22:54.320
<v Speaker 2>world as quickly as possible? Would have to be the news.

0:22:54.440 --> 0:22:56.600
<v Speaker 3>Yeah, sorry, have these pens been in the freezer or something?

0:22:56.640 --> 0:22:57.520
<v Speaker 1>Cold as hell? Right?

0:22:57.560 --> 0:22:58.960
<v Speaker 3>I went to write on my hand.

0:22:58.920 --> 0:23:01.880
<v Speaker 2>It was peop pulled them out of a freezer.

0:23:02.000 --> 0:23:07.439
<v Speaker 1>Yeah, yeah, but yeah, the the podcast feels like it

0:23:07.480 --> 0:23:08.840
<v Speaker 1>should maybe be the news.

0:23:09.080 --> 0:23:13.199
<v Speaker 2>No, right, like you need to put this out immediately

0:23:13.320 --> 0:23:17.000
<v Speaker 2>and just instead of Hollywood Handbook, just say the news

0:23:17.400 --> 0:23:18.159
<v Speaker 2>so people.

0:23:17.960 --> 0:23:20.360
<v Speaker 3>Will love to get the brand out there.

0:23:21.400 --> 0:23:23.800
<v Speaker 1>We have no one ever, no, just sorry, just to

0:23:24.040 --> 0:23:28.280
<v Speaker 1>just to walk through to it like as we go, Like.

0:23:28.680 --> 0:23:30.840
<v Speaker 4>I know how I felt when I just learned it.

0:23:33.040 --> 0:23:35.440
<v Speaker 1>I see it all now like it's just like it's

0:23:35.640 --> 0:23:38.600
<v Speaker 1>all opened up to me and I'm walking back through,

0:23:39.080 --> 0:23:43.040
<v Speaker 1>you know, the past several years of film cinema and

0:23:43.080 --> 0:23:46.640
<v Speaker 1>going like wait a second.

0:23:46.240 --> 0:23:48.200
<v Speaker 2>Thank you for saying the word cinema by the way,

0:23:48.720 --> 0:23:52.800
<v Speaker 2>because that's really that's really what it all comes down to.

0:23:53.040 --> 0:23:55.399
<v Speaker 3>I just want to like, you know, he is spelling

0:23:55.480 --> 0:23:56.000
<v Speaker 3>it with an.

0:23:55.960 --> 0:24:00.760
<v Speaker 2>S oh okay, like Kristen cinema not no.

0:24:00.720 --> 0:24:04.080
<v Speaker 3>Like s I am like he like he's thinking of

0:24:04.280 --> 0:24:08.080
<v Speaker 3>specific genre of filmed entertainment.

0:24:08.520 --> 0:24:10.320
<v Speaker 1>It's really just the movie seven.

0:24:11.240 --> 0:24:17.200
<v Speaker 2>I see cinema meaning yes, like you know what, that's

0:24:17.400 --> 0:24:19.040
<v Speaker 2>so cool? Yeah?

0:24:19.200 --> 0:24:21.320
<v Speaker 3>Yeah, I get really dark sometimes.

0:24:21.320 --> 0:24:24.520
<v Speaker 2>Oh man, I don't want to live inside your head.

0:24:25.280 --> 0:24:28.240
<v Speaker 3>It's a bad neighborhood brother going there alone.

0:24:28.680 --> 0:24:30.480
<v Speaker 1>No, if I didn't have this to get it out,

0:24:30.480 --> 0:24:33.040
<v Speaker 1>this creative right right right, No, it's like a.

0:24:33.240 --> 0:24:34.639
<v Speaker 2>Room straight dragon.

0:24:34.840 --> 0:24:36.159
<v Speaker 1>Yeah, you know, and throw away the.

0:24:36.240 --> 0:24:40.280
<v Speaker 2>Key, Napoleon, letting some steam. Just turning a spigot a

0:24:40.320 --> 0:24:42.800
<v Speaker 2>little bit and letting that steam out every week. It's

0:24:42.840 --> 0:24:46.040
<v Speaker 2>the real. Otherwise it'll blow good for you.

0:24:46.080 --> 0:24:50.360
<v Speaker 4>But I am I am, I am uh so inimity

0:24:50.400 --> 0:24:51.000
<v Speaker 4>of this idea.

0:24:51.200 --> 0:24:58.720
<v Speaker 1>And yet I wonder if this word to be the news,

0:25:00.800 --> 0:25:05.600
<v Speaker 1>the gates would be removed. Yes, yeah, the creative explosion

0:25:05.960 --> 0:25:10.440
<v Speaker 1>that could result from this may actually overwhelm the entire ecosystem.

0:25:10.720 --> 0:25:14.720
<v Speaker 3>Or now that I feel like I understand, all meaning,

0:25:14.800 --> 0:25:16.960
<v Speaker 3>all meaning is lost in a way.

0:25:16.960 --> 0:25:21.720
<v Speaker 2>Right right when everything becomes meaningful, nothing has nothing.

0:25:23.000 --> 0:25:25.240
<v Speaker 1>Didn't share me the idea the horror movie didn't scare me.

0:25:25.280 --> 0:25:26.320
<v Speaker 1>Your movie wouldn't scare me.

0:25:26.600 --> 0:25:31.080
<v Speaker 2>This scares me. This scares me. Well, when everything becomes activated,

0:25:31.280 --> 0:25:33.320
<v Speaker 2>it is frightening it Now I'm scared.

0:25:33.800 --> 0:25:35.160
<v Speaker 3>Yeah, because it is like.

0:25:37.160 --> 0:25:41.119
<v Speaker 1>Wait a minute, like once everyone has the secret, like

0:25:41.720 --> 0:25:44.200
<v Speaker 1>there is no secret, so you just sharing that.

0:25:44.320 --> 0:25:46.000
<v Speaker 3>I go, this is a dangerous man.

0:25:46.560 --> 0:25:50.159
<v Speaker 2>That's why I want to say you're welcome. But I

0:25:50.200 --> 0:25:52.160
<v Speaker 2>also want to say I'm sorry.

0:25:52.880 --> 0:25:55.679
<v Speaker 1>I'm sorry, and I want to say thank you, and

0:25:55.720 --> 0:25:58.800
<v Speaker 1>I also want to chastise you. I want to accept

0:25:58.800 --> 0:26:02.080
<v Speaker 1>the apology, but also do want to punish you in

0:26:02.119 --> 0:26:02.560
<v Speaker 1>some way.

0:26:02.720 --> 0:26:06.800
<v Speaker 2>Oh interesting that I already said you're welcome and I'm sorry,

0:26:06.800 --> 0:26:08.920
<v Speaker 2>So I feel like that takes care of all of it.

0:26:09.080 --> 0:26:10.800
<v Speaker 2>So there's no punishment needed.

0:26:10.920 --> 0:26:13.600
<v Speaker 3>M hmm. And I haven't determined a punishment either.

0:26:13.800 --> 0:26:16.320
<v Speaker 2>Well, I won't accept any punishment whatsoever.

0:26:16.440 --> 0:26:19.520
<v Speaker 3>But that's because I have a punishment landed on.

0:26:19.880 --> 0:26:23.440
<v Speaker 1>Yes, what the proper punishment would be, that's not even

0:26:23.560 --> 0:26:24.680
<v Speaker 1>something surprise.

0:26:24.840 --> 0:26:29.560
<v Speaker 5>In the same way that I now realize comedy and

0:26:30.000 --> 0:26:34.639
<v Speaker 5>being scared and designed and careful response, you're going to

0:26:34.680 --> 0:26:37.840
<v Speaker 5>be un punishment to punishment is also designed to create

0:26:37.840 --> 0:26:38.400
<v Speaker 5>a creat.

0:26:38.240 --> 0:26:40.679
<v Speaker 2>A response, right, And I'm just saying I'm immune to

0:26:40.840 --> 0:26:41.720
<v Speaker 2>any punishment.

0:26:41.760 --> 0:26:44.120
<v Speaker 1>It's not gonna fa yeah, and that's gonna and that's

0:26:44.119 --> 0:26:45.600
<v Speaker 1>going to force me to kind of put my thinking

0:26:45.680 --> 0:26:48.240
<v Speaker 1>canis how do you punish the unpunishable man?

0:26:48.400 --> 0:26:51.560
<v Speaker 2>You know, you also have to realize and maybe maybe

0:26:51.680 --> 0:26:54.440
<v Speaker 2>consider that I might be manipulating you because I want

0:26:54.480 --> 0:26:56.240
<v Speaker 2>your punishment to become more and.

0:26:56.160 --> 0:26:58.280
<v Speaker 4>More extrangement that he would like.

0:26:58.440 --> 0:27:01.800
<v Speaker 1>That's right, And so by not punishing him at all,

0:27:01.840 --> 0:27:04.840
<v Speaker 1>that could be the ultimate punishment is withholding of it.

0:27:04.920 --> 0:27:08.440
<v Speaker 2>And that hurts me maybe, and.

0:27:08.400 --> 0:27:10.320
<v Speaker 1>We don't and we don't know for sure, but this

0:27:10.400 --> 0:27:12.280
<v Speaker 1>is this is something we talk about all the time

0:27:12.320 --> 0:27:12.800
<v Speaker 1>on the show.

0:27:12.880 --> 0:27:15.640
<v Speaker 4>It's it's it's it's it's it's spanking.

0:27:15.760 --> 0:27:17.760
<v Speaker 1>It's the four dimensional chests of spankings.

0:27:18.160 --> 0:27:20.120
<v Speaker 2>Yeah, right, I.

0:27:19.960 --> 0:27:21.960
<v Speaker 3>Know what you know. But I know that you know

0:27:22.080 --> 0:27:23.120
<v Speaker 3>that I know what you know.

0:27:23.160 --> 0:27:25.480
<v Speaker 2>And therefore I'm spanking you.

0:27:25.680 --> 0:27:26.560
<v Speaker 1>How do I spank you?

0:27:26.680 --> 0:27:27.120
<v Speaker 2>Yeah?

0:27:28.000 --> 0:27:28.480
<v Speaker 3>So it is?

0:27:28.600 --> 0:27:30.960
<v Speaker 4>It is it is actually spanking dynamic.

0:27:31.280 --> 0:27:33.919
<v Speaker 2>Well, yes, how do I spank you?

0:27:33.920 --> 0:27:35.120
<v Speaker 1>How do I spank?

0:27:35.359 --> 0:27:39.280
<v Speaker 3>Karate chopping does not really, it doesn't do so, but

0:27:39.280 --> 0:27:40.600
<v Speaker 3>I don't want to hurt my hand either.

0:27:41.040 --> 0:27:45.200
<v Speaker 2>No, well, the paddles with the holes drilled in them,

0:27:45.240 --> 0:27:51.000
<v Speaker 2>so you get a little Yeah, yeah, those work, I've heard.

0:27:51.359 --> 0:27:53.280
<v Speaker 1>Okay, and then this is making me think, yes, he

0:27:53.280 --> 0:27:56.080
<v Speaker 1>does want punishment, and he's actually got a very specific one.

0:27:57.119 --> 0:27:59.520
<v Speaker 2>I'm immune to any punishment, like I said.

0:27:59.280 --> 0:28:00.920
<v Speaker 4>Okay, that's me and we want to do it. This

0:28:00.960 --> 0:28:01.480
<v Speaker 4>guy's good.

0:28:01.880 --> 0:28:07.280
<v Speaker 1>This fucker's got me dead to rights right.

0:28:05.840 --> 0:28:06.560
<v Speaker 2>Right where you want.

0:28:06.960 --> 0:28:09.960
<v Speaker 1>I'm dancing on your strings, man, and it feels kind

0:28:09.960 --> 0:28:10.280
<v Speaker 1>of good.

0:28:10.359 --> 0:28:15.359
<v Speaker 2>Oh thanks, thank you. Maybe you spake me. What are

0:28:15.400 --> 0:28:18.320
<v Speaker 2>you talking about? We're getting the paddle out? Yeah, yeah,

0:28:18.560 --> 0:28:20.960
<v Speaker 2>maybe you guys have you guys keep the paddles here, right,

0:28:21.119 --> 0:28:21.879
<v Speaker 2>I get us spinking.

0:28:23.000 --> 0:28:27.240
<v Speaker 3>What I'm just saying, we're all talking about.

0:28:27.600 --> 0:28:29.880
<v Speaker 2>Has a show here and he he keeps a bunch

0:28:29.880 --> 0:28:32.440
<v Speaker 2>of paddles. Yeah that makes sense.

0:28:37.280 --> 0:28:40.320
<v Speaker 3>Well, if we're not putting this out, we can really relax.

0:28:40.480 --> 0:28:44.680
<v Speaker 3>Well hear it, like no one else is going to

0:28:44.720 --> 0:28:45.120
<v Speaker 3>hear it.

0:28:45.240 --> 0:28:47.520
<v Speaker 1>We could reveal so many secrets.

0:28:47.520 --> 0:28:52.000
<v Speaker 3>Whether for example, I thought he was coming up with another.

0:28:52.400 --> 0:28:54.280
<v Speaker 1>Yeah, well you said cow pound then, so I thought

0:28:54.320 --> 0:28:58.240
<v Speaker 1>he was maybe he's maybe gonna put cow down at

0:28:58.280 --> 0:28:59.080
<v Speaker 1>the end of the table.

0:29:01.200 --> 0:29:02.560
<v Speaker 2>Let's just say it incredible.

0:29:02.960 --> 0:29:06.160
<v Speaker 3>It would be if cow Pen just came in here,

0:29:06.720 --> 0:29:07.320
<v Speaker 3>just dove in.

0:29:07.520 --> 0:29:08.200
<v Speaker 2>That's not what I'm.

0:29:09.960 --> 0:29:14.680
<v Speaker 3>Sorry, Sorry, sorry, sorry, that's what I'm miss about. It's fine.

0:29:14.920 --> 0:29:18.200
<v Speaker 4>Just he's fine with build up the community that we

0:29:18.320 --> 0:29:18.920
<v Speaker 4>used to have.

0:29:19.400 --> 0:29:20.920
<v Speaker 2>Just walking through it.

0:29:21.000 --> 0:29:22.760
<v Speaker 1>He jumps in and he sets.

0:29:22.480 --> 0:29:24.920
<v Speaker 2>Down, you know what I mean. And it never happens anymore.

0:29:25.120 --> 0:29:28.640
<v Speaker 1>No, it doesn't happen as much. And it really never

0:29:28.640 --> 0:29:29.440
<v Speaker 1>happens anymore.

0:29:30.760 --> 0:29:32.600
<v Speaker 2>What do you think? Why? Why do you think that is?

0:29:32.720 --> 0:29:33.600
<v Speaker 4>How did we lose that?

0:29:33.680 --> 0:29:34.840
<v Speaker 2>But that was ear wolf?

0:29:34.960 --> 0:29:39.440
<v Speaker 3>Right, I'll tell you one way, bones.

0:29:39.720 --> 0:29:42.120
<v Speaker 2>You can always it always comes back to the phone.

0:29:41.920 --> 0:29:45.280
<v Speaker 1>Right, It's like this will connect you. Right, It's like

0:29:45.320 --> 0:29:47.640
<v Speaker 1>a little it's like a little coffin that we all

0:29:47.680 --> 0:29:48.000
<v Speaker 1>live in.

0:29:48.240 --> 0:29:48.600
<v Speaker 2>It is.

0:29:48.960 --> 0:29:51.040
<v Speaker 1>It's it's like a little coffin.

0:29:51.880 --> 0:29:54.120
<v Speaker 3>It's a little tiny yes that.

0:29:54.120 --> 0:29:56.600
<v Speaker 2>You get inside every day and you seal it up

0:29:56.640 --> 0:29:59.320
<v Speaker 2>and you're not seeing anyone or talking to anyone.

0:29:59.000 --> 0:30:03.600
<v Speaker 1>Live inside the car. And it's yeah, which, actually, do

0:30:03.680 --> 0:30:06.240
<v Speaker 1>you guys mind if I do my dual linguo lesson

0:30:06.240 --> 0:30:08.680
<v Speaker 1>while we're recording, is that?

0:30:08.880 --> 0:30:10.440
<v Speaker 2>Oh? Sure? Is that the thing you had to keep

0:30:10.480 --> 0:30:12.320
<v Speaker 2>your phone on for yeah.

0:30:12.360 --> 0:30:17.680
<v Speaker 1>So Lily will sometimes FaceTime me from dual Linguo and uh,

0:30:17.720 --> 0:30:20.120
<v Speaker 1>she's sort of disaffected, kind of like a goth youth.

0:30:20.200 --> 0:30:23.120
<v Speaker 1>But she will kind of inform me that, like I've

0:30:23.160 --> 0:30:25.960
<v Speaker 1>got a streak that's in danger. And so if she

0:30:26.160 --> 0:30:29.880
<v Speaker 1>does call, I can't be on like airplane mode or anything, okay,

0:30:29.880 --> 0:30:33.360
<v Speaker 1>because I do have to feed the owl, I think.

0:30:33.240 --> 0:30:36.440
<v Speaker 2>Yeah, okay, and that means you need to do a

0:30:36.480 --> 0:30:40.320
<v Speaker 2>particular lesson at a particular time the owl. Yeah.

0:30:40.560 --> 0:30:44.120
<v Speaker 4>I don't always understand the media that I ingest.

0:30:44.240 --> 0:30:48.640
<v Speaker 2>Yeah, you don't need to though, clearly you're doing fun. Yeah,

0:30:48.720 --> 0:30:53.640
<v Speaker 2>it's all vibes for you. It seems I'm just riding

0:30:53.640 --> 0:30:54.920
<v Speaker 2>the wave he's learning.

0:30:55.000 --> 0:30:58.920
<v Speaker 3>Yeah, really interesting, which is kind of like what the

0:30:58.960 --> 0:31:02.120
<v Speaker 3>next generation is going to be speaking, Yeah, which is

0:31:02.680 --> 0:31:03.920
<v Speaker 3>Spanish Chinese.

0:31:04.480 --> 0:31:06.520
<v Speaker 2>Wow, so it's going to be a mixture of the two.

0:31:07.000 --> 0:31:14.760
<v Speaker 3>It's Chinese the way they speak it in Spain, specifically Catalonia.

0:31:15.640 --> 0:31:20.800
<v Speaker 2>Okay, So in Catalonia they're speaking a mixture of Spanish

0:31:20.840 --> 0:31:21.680
<v Speaker 2>and Chinese.

0:31:22.280 --> 0:31:27.840
<v Speaker 4>Think about think about a burrito filled with general soace chicken.

0:31:29.120 --> 0:31:36.720
<v Speaker 2>Okay, I'm thinking about how would that sound? Well, I

0:31:36.800 --> 0:31:41.920
<v Speaker 2>feel like it would sound nothing like a language that's

0:31:42.120 --> 0:31:45.800
<v Speaker 2>right perfect, and that's what it sounds like, is I

0:31:45.880 --> 0:31:46.280
<v Speaker 2>don't know.

0:31:46.760 --> 0:31:49.560
<v Speaker 1>I actually wasn't listening to what Hayes was talking about.

0:31:49.760 --> 0:31:52.040
<v Speaker 1>I was just having an idea of food.

0:31:52.440 --> 0:31:54.920
<v Speaker 2>Yeah, and it's because it sounds so delicious.

0:31:55.040 --> 0:31:56.840
<v Speaker 1>Well, I think it could be pretty good.

0:31:56.960 --> 0:32:00.760
<v Speaker 2>Yeah, I don't know. I mean I think it's old saw.

0:32:01.520 --> 0:32:05.200
<v Speaker 2>It sounds really interesting. It sounds like something that would

0:32:05.240 --> 0:32:11.080
<v Speaker 2>be too wet for the tortilla to contain. M okay,

0:32:11.160 --> 0:32:13.720
<v Speaker 2>well that's what you're well going for then.

0:32:13.880 --> 0:32:16.680
<v Speaker 3>I mean, just to represent I can. I can hear

0:32:16.720 --> 0:32:19.240
<v Speaker 3>his voice and then in my ear, maybe it should

0:32:19.240 --> 0:32:23.120
<v Speaker 3>be a soda instead. Oh yeah, maybe there should General

0:32:23.160 --> 0:32:28.120
<v Speaker 3>So's Burrito flavored soda le tortilla so she rings.

0:32:29.600 --> 0:32:32.360
<v Speaker 2>Yeah, we should let Ben know that we've come up

0:32:32.360 --> 0:32:34.160
<v Speaker 2>with the next great.

0:32:33.960 --> 0:32:40.120
<v Speaker 1>Flavor General so Rito. Yes, soda, that's delicious. I would

0:32:40.160 --> 0:32:44.800
<v Speaker 1>love to taste uh that, but I carbonated. I feel

0:32:44.800 --> 0:32:48.400
<v Speaker 1>like that would really put Erry on top of the benefits.

0:32:48.440 --> 0:32:51.280
<v Speaker 1>And I would I I would call him, pitch him

0:32:51.320 --> 0:32:53.160
<v Speaker 1>right now. But I have to have it open for Lily.

0:32:53.360 --> 0:32:58.040
<v Speaker 3>Sure if there were a ghost in this movie, and

0:32:58.120 --> 0:32:59.360
<v Speaker 3>you don't have to say.

0:32:59.280 --> 0:33:02.640
<v Speaker 2>Oh, my god, Oka might want to get in trouble.

0:33:03.600 --> 0:33:09.400
<v Speaker 3>Be beneficial to have somebody in the movie who is

0:33:09.480 --> 0:33:16.320
<v Speaker 3>trained at ghosting, a character who was possibly returning, who

0:33:16.360 --> 0:33:19.600
<v Speaker 3>we may have been missing for a while, someone who's.

0:33:19.400 --> 0:33:22.840
<v Speaker 1>Been off the scene and out of the conversation, make

0:33:23.080 --> 0:33:26.240
<v Speaker 1>the ghost of the movie completely ghosted.

0:33:26.680 --> 0:33:29.480
<v Speaker 2>Are you talking about getting Max Jennifer in there?

0:33:31.240 --> 0:33:34.280
<v Speaker 1>Ah, you said it, not me, but well, I feel

0:33:34.320 --> 0:33:39.440
<v Speaker 1>like that's episode one oh four Lockdown. We saw Jennifer

0:33:39.640 --> 0:33:45.400
<v Speaker 1>tackle some pretty interesting batties and keep his cool in

0:33:45.440 --> 0:33:48.400
<v Speaker 1>some very extreme situations. So if there was a ghosting

0:33:48.480 --> 0:33:53.240
<v Speaker 1>movie not getting you in Trouble, would Professor Max Jennifer

0:33:53.320 --> 0:33:54.920
<v Speaker 1>be someone who was good to.

0:33:55.840 --> 0:34:00.480
<v Speaker 2>That is the ultimate crossover? That are you guys thrown

0:34:00.520 --> 0:34:02.320
<v Speaker 2>an idea out there right now? I don't know.

0:34:03.000 --> 0:34:04.080
<v Speaker 3>Are we locked?

0:34:04.320 --> 0:34:07.200
<v Speaker 4>I mean, is the cut locked or well?

0:34:07.280 --> 0:34:09.320
<v Speaker 2>Yeah, I mean it's it's it's locked.

0:34:09.600 --> 0:34:10.520
<v Speaker 1>Okay, never mind?

0:34:10.520 --> 0:34:13.640
<v Speaker 3>Then I think we talk about this though the stuff

0:34:13.680 --> 0:34:17.799
<v Speaker 3>is on streaming platforms, right, it's all on the It's

0:34:17.840 --> 0:34:21.480
<v Speaker 3>like a word doc like you're not always like we

0:34:21.520 --> 0:34:23.600
<v Speaker 3>can't change this ever again.

0:34:23.920 --> 0:34:26.960
<v Speaker 2>Well, I mean I guess you can. I mean, this

0:34:27.000 --> 0:34:30.440
<v Speaker 2>is a really good idea, So maybe it's something we

0:34:30.480 --> 0:34:31.320
<v Speaker 2>should explore.

0:34:31.520 --> 0:34:33.839
<v Speaker 3>The character could even just be wearing a name tag.

0:34:33.880 --> 0:34:36.279
<v Speaker 3>They could just see GI slap a name tag.

0:34:36.320 --> 0:34:38.720
<v Speaker 2>I think we did wear name tags on the show.

0:34:39.360 --> 0:34:40.880
<v Speaker 3>Yeah, yeah, I remember.

0:34:40.920 --> 0:34:42.880
<v Speaker 1>I had a pretty high clearance level actually on my

0:34:42.960 --> 0:34:43.680
<v Speaker 1>I batch.

0:34:43.960 --> 0:34:47.239
<v Speaker 2>Yeah, for the sound stage we were working on.

0:34:48.080 --> 0:34:53.680
<v Speaker 1>Yes, and also for the the Bureau investigating paranormal activity.

0:34:54.200 --> 0:34:56.880
<v Speaker 2>Which was fictional.

0:34:57.920 --> 0:35:02.880
<v Speaker 3>Yeah. Sorry, so this was another thing when he was

0:35:02.920 --> 0:35:06.360
<v Speaker 3>working on Ghosted. He would come home a lot.

0:35:06.560 --> 0:35:12.760
<v Speaker 2>Did you think we were actually like harnessing spirits and

0:35:13.040 --> 0:35:13.920
<v Speaker 2>going after a monster?

0:35:14.000 --> 0:35:15.919
<v Speaker 1>We were certainly talking about a lot. And I don't

0:35:15.960 --> 0:35:18.759
<v Speaker 1>know why to what end if there's nothing.

0:35:18.640 --> 0:35:22.239
<v Speaker 3>We had in the fridge because it was basically open

0:35:22.320 --> 0:35:22.880
<v Speaker 3>all the time.

0:35:23.960 --> 0:35:26.680
<v Speaker 2>You just you so you thought everything that we were

0:35:26.719 --> 0:35:29.279
<v Speaker 2>talking about while we were making the show, while we

0:35:29.280 --> 0:35:32.640
<v Speaker 2>were shooting the show, and there were like like fake

0:35:33.520 --> 0:35:38.200
<v Speaker 2>monsters that that that that special effects guys brought in

0:35:38.239 --> 0:35:42.760
<v Speaker 2>and made, you thought that was all potentially real.

0:35:43.440 --> 0:35:45.920
<v Speaker 1>Well they really made the monster.

0:35:46.920 --> 0:35:47.560
<v Speaker 2>That's true.

0:35:48.000 --> 0:35:53.080
<v Speaker 1>That's true, and the monster was chasing I hope I

0:35:53.080 --> 0:35:54.440
<v Speaker 1>can say this, my friend.

0:35:55.000 --> 0:36:00.759
<v Speaker 4>Okay, And that didn't feel very good. Okay, So I

0:36:00.800 --> 0:36:01.600
<v Speaker 4>guess I would.

0:36:01.440 --> 0:36:05.839
<v Speaker 1>Say, yeah, it was like it was a little stressful

0:36:06.360 --> 0:36:09.360
<v Speaker 1>for me. Uh and especially with my clearance level, I

0:36:09.360 --> 0:36:12.600
<v Speaker 1>thought I probably am the person to tackle some of

0:36:12.640 --> 0:36:16.600
<v Speaker 1>these issues right and they and in some cases literally tackle,

0:36:16.880 --> 0:36:19.160
<v Speaker 1>you know, like a background actor or something.

0:36:19.280 --> 0:36:21.120
<v Speaker 2>So you tackled a background actor.

0:36:21.640 --> 0:36:22.440
<v Speaker 3>That's sure tried.

0:36:22.800 --> 0:36:26.160
<v Speaker 4>Okay, God damn, guys are built like a British house.

0:36:26.200 --> 0:36:29.840
<v Speaker 2>Look, I appreciate background actors.

0:36:30.160 --> 0:36:31.440
<v Speaker 3>They got in all day.

0:36:31.480 --> 0:36:34.280
<v Speaker 1>They're holding these positions. It's repeating, it's.

0:36:34.120 --> 0:36:35.080
<v Speaker 3>It's it's exercise.

0:36:35.160 --> 0:36:38.319
<v Speaker 2>It's a really hard job. I started out as a

0:36:38.360 --> 0:36:44.200
<v Speaker 2>background actor, and I can tell you thank you, yeah nice,

0:36:44.520 --> 0:36:47.880
<v Speaker 2>Yeah you can. You can always always count on me

0:36:48.640 --> 0:36:53.640
<v Speaker 2>pointing that out and talking about how down to earth

0:36:53.640 --> 0:36:56.960
<v Speaker 2>it is for those who start as background actors. Everything

0:36:57.000 --> 0:37:01.520
<v Speaker 2>about going back I would any day of the week.

0:37:02.239 --> 0:37:03.319
<v Speaker 2>So it's a great job.

0:37:03.480 --> 0:37:05.359
<v Speaker 1>Just rip one off, you know what I mean, get

0:37:05.400 --> 0:37:06.160
<v Speaker 1>back in there, just.

0:37:07.600 --> 0:37:10.479
<v Speaker 2>You know, and stand and show them how it's done.

0:37:11.800 --> 0:37:15.440
<v Speaker 3>Get out of the way or sit. Yeah, did you

0:37:15.440 --> 0:37:17.880
<v Speaker 3>go by implication? You're saying that they're doing it wrong

0:37:19.239 --> 0:37:20.600
<v Speaker 3>when you say show them how it's done.

0:37:20.680 --> 0:37:23.799
<v Speaker 2>I've certainly I've certainly seen it done wrong. Like very

0:37:24.080 --> 0:37:26.160
<v Speaker 2>it's a bit of a lost art. Yeah, it's a

0:37:26.160 --> 0:37:27.000
<v Speaker 2>bit of a lost art.

0:37:27.280 --> 0:37:30.200
<v Speaker 1>And I think it's generational, and I think there's a

0:37:30.280 --> 0:37:35.120
<v Speaker 1>sense of entitlement. You know, you talked about these being little,

0:37:35.120 --> 0:37:37.440
<v Speaker 1>tiny coffins, and it did remind me of something that

0:37:37.480 --> 0:37:39.360
<v Speaker 1>we do say on the show all the time, which

0:37:39.400 --> 0:37:46.000
<v Speaker 1>is these millennials are constantly whining about needing a safe space.

0:37:46.400 --> 0:37:48.439
<v Speaker 1>I gotta say, a space forum six feet underground. Pretty

0:37:48.440 --> 0:37:48.960
<v Speaker 1>safe down there?

0:37:48.960 --> 0:37:50.919
<v Speaker 2>Oh wow, pretty safe.

0:37:50.960 --> 0:37:56.920
<v Speaker 1>So I think that they, oh, buddy, once I get

0:37:57.360 --> 0:38:01.080
<v Speaker 1>once I, once I get these poisons darts out of

0:38:01.120 --> 0:38:07.799
<v Speaker 1>the wall, they're going they are going straight into a millennials.

0:38:08.440 --> 0:38:13.120
<v Speaker 1>But whoa, So first it's just two targets silverfish in millennials.

0:38:14.080 --> 0:38:16.719
<v Speaker 1>I mean, I can see how millennials and as a

0:38:16.880 --> 0:38:21.719
<v Speaker 1>you know, as a generation, sometimes can be annoying. But

0:38:21.800 --> 0:38:23.799
<v Speaker 1>I think that you might be going a little far.

0:38:24.080 --> 0:38:26.040
<v Speaker 1>It's too you know, they say like it's two hits,

0:38:26.040 --> 0:38:27.920
<v Speaker 1>me hitting you, hitting the ground. This is too misses

0:38:28.239 --> 0:38:31.680
<v Speaker 1>me missing the silverfish, and then millennials parents missing them.

0:38:33.400 --> 0:38:37.279
<v Speaker 2>Jesus Christ, is that Are you sure you want to

0:38:37.280 --> 0:38:38.799
<v Speaker 2>say that on your podcast?

0:38:38.960 --> 0:38:41.160
<v Speaker 1>Well, I was under the impression that we were not

0:38:41.200 --> 0:38:42.480
<v Speaker 1>going to release this one.

0:38:42.280 --> 0:38:49.040
<v Speaker 2>Because so the silverfish and the millennials are the two

0:38:49.080 --> 0:38:51.600
<v Speaker 2>groups you do not want hearing this. I mean we

0:38:51.640 --> 0:38:54.879
<v Speaker 2>can just, I don't know, find a frequency that neither

0:38:54.960 --> 0:38:57.359
<v Speaker 2>of those species are able to hear.

0:38:58.120 --> 0:39:03.640
<v Speaker 1>Yeah, let's have a mattapadaka kind of getting the wires

0:39:03.680 --> 0:39:08.400
<v Speaker 1>and tune that the knobs. Yeah, do you know Sandler?

0:39:09.320 --> 0:39:10.520
<v Speaker 2>I've met Adam Sandler.

0:39:10.640 --> 0:39:12.759
<v Speaker 1>Sure you comfortable making a call?

0:39:14.239 --> 0:39:18.320
<v Speaker 2>Yeah? We really like I feel like you guys, really

0:39:19.680 --> 0:39:21.800
<v Speaker 2>Adam Sandler was going to walk in here today and

0:39:21.840 --> 0:39:23.359
<v Speaker 2>you're still sort of really.

0:39:23.840 --> 0:39:27.400
<v Speaker 3>I don't move through life expecting something like that to

0:39:27.440 --> 0:39:29.200
<v Speaker 3>do you want to make God laugh?

0:39:30.320 --> 0:39:33.720
<v Speaker 1>You know what I mean applies to podcast guests and everything.

0:39:34.000 --> 0:39:36.279
<v Speaker 2>It seems like this was the expectation you guys had.

0:39:36.760 --> 0:39:40.439
<v Speaker 6>It's not about expectations, it's about like it made too

0:39:40.560 --> 0:39:46.240
<v Speaker 6>much sense with him going on severance and like actually

0:39:46.320 --> 0:39:48.719
<v Speaker 6>the show making sense where it's two different guys and

0:39:48.800 --> 0:39:49.480
<v Speaker 6>one of them.

0:39:49.400 --> 0:39:53.319
<v Speaker 3>Is Adam Sandler like the goofball, and the other one's

0:39:53.320 --> 0:39:55.240
<v Speaker 3>a little more buttoned up the way you could.

0:39:55.080 --> 0:39:57.640
<v Speaker 2>Still be there, I would still be on the show.

0:39:58.120 --> 0:40:03.160
<v Speaker 2>That would be great. Yes, Well I do know him,

0:40:03.200 --> 0:40:07.319
<v Speaker 2>so you want me to to trade like someone that

0:40:07.360 --> 0:40:10.920
<v Speaker 2>I barely know, who you're comfortable with, because it seems

0:40:10.920 --> 0:40:13.839
<v Speaker 2>like you guys want Adam Sandler to would that be

0:40:13.880 --> 0:40:17.839
<v Speaker 2>I mean, it could be a nice episode. You know, Hey,

0:40:17.880 --> 0:40:18.600
<v Speaker 2>this was funny.

0:40:18.800 --> 0:40:21.359
<v Speaker 3>That's what separate negotiation we're having with still or maybe

0:40:21.360 --> 0:40:25.600
<v Speaker 3>we just roll that deal over, okay, into a Sandler deal.

0:40:25.800 --> 0:40:28.160
<v Speaker 2>So I'm now cut out of the deal.

0:40:28.719 --> 0:40:32.560
<v Speaker 3>Do you have a food that you are trying to like?

0:40:34.239 --> 0:40:37.480
<v Speaker 2>I mean that that's a great idea. I never actually

0:40:37.560 --> 0:40:41.080
<v Speaker 2>thought about a food that I could put my name on.

0:40:41.239 --> 0:40:43.480
<v Speaker 2>Tater Tots. I like tater Tots. I don't know if

0:40:43.520 --> 0:40:47.880
<v Speaker 2>I'm passionate enough about them to like sell tater tots

0:40:47.920 --> 0:40:49.240
<v Speaker 2>with my face on the bag.

0:40:49.480 --> 0:40:55.520
<v Speaker 3>I think we used to have a producer who would

0:40:55.800 --> 0:40:57.960
<v Speaker 3>tell us about the Office all the time, just different

0:40:57.960 --> 0:41:00.239
<v Speaker 3>things that had happened in the show. The Office now

0:41:00.360 --> 0:41:04.760
<v Speaker 3>is a Michael Scott thing, but I think that's about kids.

0:41:05.120 --> 0:41:07.280
<v Speaker 3>I think the tots are kids. So if you change

0:41:07.360 --> 0:41:08.840
<v Speaker 3>both the Scott.

0:41:08.640 --> 0:41:13.160
<v Speaker 2>And the top, what about tatter Scott's tater should you

0:41:13.239 --> 0:41:14.040
<v Speaker 2>just find that?

0:41:14.160 --> 0:41:18.440
<v Speaker 3>Well, we found it at them. I mean I actually

0:41:18.520 --> 0:41:21.200
<v Speaker 3>pointed out a flaw and so that is a huge

0:41:21.280 --> 0:41:23.879
<v Speaker 3>part in a writer's room. It's kind of my thing

0:41:23.920 --> 0:41:26.600
<v Speaker 3>to be. I'm bumping on this, yeah, yeah, yeah, yeah.

0:41:26.920 --> 0:41:29.479
<v Speaker 3>This has been to the other You guys keep going,

0:41:29.560 --> 0:41:30.200
<v Speaker 3>I am going to.

0:41:30.200 --> 0:41:34.520
<v Speaker 2>Split you are really yeah, just I don't want to

0:41:34.520 --> 0:41:38.400
<v Speaker 2>be late. Do you have work? Okay?

0:41:38.680 --> 0:41:40.319
<v Speaker 3>Do you allowed to Yeah?

0:41:40.719 --> 0:41:41.000
<v Speaker 2>Sure?

0:41:41.520 --> 0:41:46.399
<v Speaker 1>Are we allowed to talk about your new the next

0:41:46.440 --> 0:41:48.120
<v Speaker 1>thing you're doing with Ackerman?

0:41:48.239 --> 0:41:50.839
<v Speaker 2>The new uh kind of music run you guys are doing.

0:41:51.280 --> 0:41:54.960
<v Speaker 2>We don't know yet which what we're going to do?

0:41:55.120 --> 0:41:59.239
<v Speaker 1>Oh I was told that you did? Okay, what were

0:41:59.280 --> 0:42:03.200
<v Speaker 1>you told? Believe it was called Jackie my Johnson to

0:42:03.280 --> 0:42:04.880
<v Speaker 1>Jack Johnson with Johnson.

0:42:04.640 --> 0:42:11.960
<v Speaker 2>Jack Okay, cats out of the bag, so live.

0:42:12.000 --> 0:42:14.600
<v Speaker 1>I could go on to discuss brush fire fairy tales.

0:42:14.600 --> 0:42:16.600
<v Speaker 1>I mean, you know, you want to wedge myself in.

0:42:16.760 --> 0:42:17.200
<v Speaker 2>Oh my god.

0:42:17.239 --> 0:42:19.759
<v Speaker 3>We would love to have Jacking your Johnson to Jack

0:42:19.840 --> 0:42:23.000
<v Speaker 3>Johnson with John's son Jack the name of the h.

0:42:24.080 --> 0:42:27.840
<v Speaker 2>That's the end of it. Who is Jack and Johnson

0:42:28.080 --> 0:42:32.360
<v Speaker 2>with Jack Johnson and Jack's Johnson Jackson?

0:42:32.480 --> 0:42:34.720
<v Speaker 3>But who is who's the John?

0:42:35.080 --> 0:42:36.200
<v Speaker 1>JFK Junior? Right?

0:42:37.040 --> 0:42:37.200
<v Speaker 2>Is it?

0:42:37.800 --> 0:42:38.960
<v Speaker 3>He's hot right now?

0:42:39.120 --> 0:42:45.000
<v Speaker 2>How dare you? No? It's not? JF.

0:42:45.640 --> 0:42:48.279
<v Speaker 3>Something if you revealed Oh, but it could be that

0:42:48.560 --> 0:42:50.720
<v Speaker 3>Jack was still alive.

0:42:50.920 --> 0:42:53.239
<v Speaker 2>Though it is Jack Slaburg.

0:42:52.840 --> 0:42:57.200
<v Speaker 3>Okay, less less exciting than it being JFKJ.

0:42:57.560 --> 0:42:59.879
<v Speaker 2>But you know, maybe at some point we'll actually tell

0:42:59.880 --> 0:43:02.399
<v Speaker 2>it like this. It is exciting, right.

0:43:02.560 --> 0:43:05.440
<v Speaker 1>Sometimes, yeah, sometimes you have I don't want to call

0:43:05.480 --> 0:43:09.000
<v Speaker 1>an expectation. Sometimes you sort of assume something and what

0:43:09.080 --> 0:43:11.359
<v Speaker 1>you find out is the truth is even better. It's

0:43:11.680 --> 0:43:17.840
<v Speaker 1>so awesome, guys, I gotta bug walk walk you out, okay, okay, great, yeah, Chris.

0:43:18.640 --> 0:43:21.200
<v Speaker 2>To catch up. I'm just sort of okay, not damage

0:43:21.719 --> 0:43:24.520
<v Speaker 2>you want to hang out. I don't need to hang

0:43:24.560 --> 0:43:27.279
<v Speaker 2>out here. If you guys are leaving for a.

0:43:27.280 --> 0:43:28.880
<v Speaker 3>Second, we just when the show is done, we just

0:43:28.920 --> 0:43:29.480
<v Speaker 3>say bye.

0:43:29.760 --> 0:43:31.880
<v Speaker 1>So just like so, whenever you're feeling it, you say so,

0:43:32.000 --> 0:43:32.959
<v Speaker 1>I just keep going.

0:43:33.000 --> 0:43:34.719
<v Speaker 3>If you want to plug anything.

0:43:36.200 --> 0:43:38.759
<v Speaker 1>About the horror movie, there's the name even say.

0:43:39.080 --> 0:43:43.680
<v Speaker 2>Okay, Hocum comes out May one, uh in theaters everywhere.

0:43:43.719 --> 0:43:50.600
<v Speaker 2>Thanks you guys, Thanks, bye, okay bye? Is this my

0:43:50.800 --> 0:43:51.399
<v Speaker 2>show now