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Speaker 1: So, yeah, this is great, This is great, This is great.

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Speaker 1: This is so good. Adam, Yeah, Adam mess just just

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Speaker 1: like we drew it up.

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Speaker 2: It's so good.

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Speaker 3: It's really it's so exciting this rock.

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Speaker 2: Cards on the table.

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Speaker 4: Obviously we want to say, you know.

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Speaker 2: Cards on the table.

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Speaker 3: We want three kings.

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Speaker 2: Wow, right, not a bad hand.

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Speaker 1: No, we do wanna be transparent. That's a lot of

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Speaker 1: what the show is about. We obviously, you know, are

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Speaker 1: thrilled to have you. This is really good.

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Speaker 3: We when you walked in here is like awesome.

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Speaker 2: It's is when I walked in, even.

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Speaker 3: Just seeing you walk in.

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Speaker 1: Despite the not like so it's so obviously it's been

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Speaker 1: a journey. It's been a journey getting you here. Yeah,

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Speaker 1: you know, we had Ben Ben Yeah, Ben was on.

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Speaker 2: We just call him Ben still.

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Speaker 4: Yeah, So he was here and we asked him.

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Speaker 1: We were like, you know, can you get your your

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Speaker 1: famous friend Adam to come to the show.

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Speaker 4: And I think we I don't know if he said

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Speaker 4: it or we said it, but it was he.

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Speaker 2: We went back and forth with Ben.

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Speaker 3: With Ben, Yeah, he wanted us to hook up our

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Speaker 3: home plumbing to Stiller's soda to to reach out in

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Speaker 3: exchange for reaching out to you. He I guess is

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Speaker 3: hoping to make it less of like a consumer soda

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Speaker 3: and more of like alright, like.

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Speaker 2: Or like how they go they sell you filters water

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Speaker 2: filters for your home, so all the water in your

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Speaker 2: house is filtered.

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Speaker 1: So what he is hoping to be stiltered was still stiltered. Yeah,

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Speaker 1: all of your water would be stiltered.

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Speaker 2: Yes.

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Speaker 3: He is also hoping to brand the filter that allows

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Speaker 3: you to reverse engineer the stiller soda into water, and it.

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Speaker 1: Would mind bitcoin at the same time. So it's like

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Speaker 1: and that that would heat your home.

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Speaker 2: Okay, let me get this straight. It says filter that

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Speaker 2: turns all tap water coming into your home, no, no,

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Speaker 2: into the stiller soda, and then wanted to get it straight.

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Speaker 3: You don't have it straight out all, Okay, what's coming

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Speaker 3: into the home is stillers yes, soda.

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Speaker 2: Yes. Oh, so he's pumping it in directly, that's coming

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Speaker 2: into and then there's a filling fill at the.

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Speaker 1: End, and you go, it has a little like this

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Speaker 1: is what the average household uses.

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Speaker 2: Right, it's like twenty percent root beer, the little barg

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Speaker 2: Shirley temple. Yes, yes, sure, and then you need to

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Speaker 2: get another you need to get a filter to turn

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Speaker 2: it to have water.

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Speaker 3: But his thing is like, you're gonna actually find that

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Speaker 3: you don't really know you don't need that much water.

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Speaker 2: And is there a problem with the tap water being

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Speaker 2: carbonated or that's it's I mean, does Ben has been addressed.

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Speaker 3: Then there's there're directions that come with it, and then

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Speaker 3: you just put it on the table and then and

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Speaker 3: they he sells a table too that you can rest

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Speaker 3: the water until it kind of like it resolves itself.

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Speaker 2: Oh I see, so then it flattens out. It's like

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Speaker 2: overnight for water.

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Speaker 1: Sure, yeah, overnight water, overnight, overnight, overnight, stiller overnight overnight.

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Speaker 4: Yeah, overnight. With Ben still he was pitching it.

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Speaker 2: I think he goes because he.

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Speaker 3: He's thet like it can also be a sauce. You

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Speaker 3: can dip stuff.

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Speaker 2: Yeaheah sure, So it's on the table as it's flattening out,

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Speaker 2: you can dip different foods into it. That's pretty good.

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Speaker 3: And so and we're still going back and forth on that,

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Speaker 3: and so the hope is actually maybe he'll now that

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Speaker 3: you already hear, maybe if we do figure this out,

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Speaker 3: he'll reach out to you and maybe you'll like come

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Speaker 3: back like next week or something like if we were

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Speaker 3: pretty close next week, but like to figure this deal out. Wait,

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Speaker 3: dotting the i's and crossing the.

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Speaker 2: T's with Ben regarding separate deal, separate deal with Ben,

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Speaker 2: but it is regarding me and how.

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Speaker 4: It is now it is, Yeah, it has that's what

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Speaker 4: it has become.

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Speaker 3: Yeah, Okay, I think when well, cards on the table,

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Speaker 3: cards on the table, which.

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Speaker 2: We I thought we already put the cards on the table.

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Speaker 2: Are they have they been picked up?

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Speaker 3: So I don't know who's.

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Speaker 2: Rock solid taste and jack are better than ten?

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Speaker 1: Well, but you're a ten out of ten. And I'm

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Speaker 1: a jackass jack off. You know, I'm a fool. I

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Speaker 1: play the fool on the show and I'm used to

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Speaker 1: that role and that's okay with me. And you can

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Speaker 1: you can dunk on me, you can score points on me.

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Speaker 1: And I got a thick skin. It's really like, don't

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Speaker 1: make fun of the way I look or anything.

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Speaker 3: But we make the best of it and we are

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Speaker 3: gonna do that today.

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Speaker 4: I didn't.

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Speaker 3: That's why I started talking because I could tell you

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Speaker 3: about like Cohich was like.

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Speaker 2: Just at this guy, Yeah, why would I do that?

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Speaker 3: So yeah, but the atom of it all.

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Speaker 4: Yes, adom of it which, by the way, is so

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Speaker 4: awesome to have you here.

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Speaker 3: It's really this is really good too, so really good too.

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Speaker 3: When we I don't know if we ever even had

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Speaker 3: this conversation, or we just both kind of ended number

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Speaker 3: the same, like feeling the same. We've been working together

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Speaker 3: a lot, We've been working together a long time, and

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Speaker 3: so like we end up having this kind of like

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Speaker 3: unspoken thing where we're just thinking the same thing, like

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Speaker 3: each other's thoughts before they even happen to each other.

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Speaker 2: Well, that's great though, to have that kind of relationship

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Speaker 2: with incredible.

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Speaker 1: Report normally it is really good. Yeah, sometimes if one

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Speaker 1: person misspeaks, there's a sort of snowball effect where then

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Speaker 1: you both start doing it.

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Speaker 3: Oh, and you both start saying things and over each other,

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Speaker 3: like our legs are tied together.

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Speaker 2: Okay.

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Speaker 1: So as an example, maybe you guys are thinking, this

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Speaker 1: is like a hypothetical Ben So is coming on the show.

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Speaker 4: We gotta get his famous friend Adam Sandler on the show. Yeah, right,

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Speaker 4: But then somebody says.

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Speaker 1: Something wrong or not even wrong, just different. I wouldn't

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Speaker 1: say wrong, I would say different.

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Speaker 2: So it started out as a thing, and I don't remember.

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Speaker 3: I don't know what the result. We were like, this

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Speaker 3: is awesome to this, this pumping high fiving this.

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Speaker 2: Entire time, you've been expecting Adam Sandler to come to

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Speaker 2: visit the show.

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Speaker 3: I would never let go that I have. You would

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Speaker 3: never set expectations for something like that. Sounds like if

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Speaker 3: the universe allows for something like that to happen, I

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Speaker 3: am open to I'm always going to accept.

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Speaker 1: You know, podcasting is when hard work meets preparation. Is

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Speaker 1: that right?

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Speaker 3: We accept not?

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Speaker 1: Podcasting is when hard works preparation hard work.

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Speaker 3: We've always said that, you have, yeah, not said A

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Speaker 3: lot of it is unspoken, like we were saying sure.

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Speaker 2: I mean, by in large, I would share that all

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Speaker 2: the all the podcasts I listened to and have seen

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Speaker 2: on video. You're right, it's all about hard work.

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Speaker 1: You can tell, right, it's it's it's always these guys

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Speaker 1: measure twice, cut once because the because the podcast, in

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Speaker 1: the best case scenario, appears effortless.

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Speaker 2: Yeah, but I'm just gonna say, I feel like that's

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Speaker 2: because by and large it is effortless, like there's not

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Speaker 2: a lot of effort being put into it.

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Speaker 3: That's what it looks like from the outside, looks that way.

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Speaker 3: When you get your little charcoal briquette, you think that

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Speaker 3: looks easy.

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Speaker 2: I could probably do that, right.

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Speaker 3: You don't see the guys getting lowered down into the minds. Yeah,

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Speaker 3: coming back acts.

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Speaker 2: Is that where you think charcoal briquettes come from? Covered? Yeah,

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Speaker 2: they have to get it out of the wall.

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Speaker 1: You gotta chop it out of there.

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Speaker 2: How do they get it into that little shape? Does

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Speaker 2: it come that way?

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Speaker 3: Well?

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Speaker 1: Again, that's the part you don't see.

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Speaker 2: You don't know who knows how they do that.

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Speaker 1: I believe there's maybe a guy, like a squeezer guy.

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Speaker 2: Oh yeah, squeeze, there's like a yeah, he has that shape,

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Speaker 2: one of the dwarfs. I think a squeezer, I would imagine.

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Speaker 2: I don't think we call them that squeezers.

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Speaker 3: I just I can't keep track of this stuff. Are

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Speaker 3: we allowed to say?

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Speaker 1: Ok?

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Speaker 2: Yeah, let's just say whatever.

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Speaker 4: Our intention is always positive. I like to help.

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Speaker 2: Yeah, we are.

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Speaker 1: You know, we are never trying to degrade anyone.

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Speaker 2: It's a minefield out there, you know, mine shaft. It's

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Speaker 2: a mind shaft.

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Speaker 1: First podcast, first podcast, No, No, In fact, I've done

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Speaker 1: lots of podcasts.

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Speaker 2: I was just doing a podcast yesterday, in fact, another one.

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Speaker 1: I wonder where you got that idea.

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Speaker 2: Sorry, it seems like that bummed you out, said, did you?

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Speaker 2: He said? He said, awesome, But I'm looking at him

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Speaker 2: and on literally suddenly looked sad and looked down at

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Speaker 2: the ground. Other stuff, stuff at home, okay, yeah, all right,

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Speaker 2: well good, I'm glad.

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Speaker 3: Stuff at home. That's kind of running around on the ground.

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Speaker 3: And so it's like making him, it's putting him in

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Speaker 3: this line.

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Speaker 2: I'm always gonna have eyes on the ground.

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Speaker 1: Oh, I say, yeah, but what what you got bugs

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Speaker 1: in your house?

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Speaker 2: I've had bugs in my house.

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Speaker 3: M M.

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Speaker 4: Makes you look down a lot of it makes it

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Speaker 4: sound like you don't like they're everywhere.

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Speaker 2: Well, we got rid of them.

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Speaker 3: You have to get okay, well you have to understand

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Speaker 3: when you do that. Yeah, they go to someone else's house,

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Speaker 3: so they kill them. I might have your bugs, I

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Speaker 3: don't have. No one has my bugs.

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Speaker 2: You get an exterminator, they kill the bugs and get

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Speaker 2: rid of them. Isn't that no they that they that

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Speaker 2: they show them into someone else's house. Yeah, you can

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Speaker 2: take care of it.

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Speaker 1: And then meanwhile, to my god, dam Mankles and Silverfish?

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Speaker 2: Is that why I'm here? Because you feel like you

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Speaker 2: have silverfish in your house? Because of that?

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Speaker 1: Adam, you're here because it's a great it's going to

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Speaker 1: be a great episode. That's why you're here. I mean

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Speaker 1: it's like I thought Killer.

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Speaker 3: So so Ben had held me Adam, we'll get you, Adam,

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Speaker 3: We'll make this deal. And like Adam's doing Severance. So

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Speaker 3: I'm working with him and we're.

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Speaker 2: Like, holy fucking shit, Adam Sadler is doing.

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Speaker 1: Which that like would have been frankly a little strange,

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Speaker 1: but also you gotta be curious.

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Speaker 3: I think we thought, and again I don't had this conversation.

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Speaker 3: We thought it might be at least interesting to try.

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Speaker 1: You know.

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Speaker 2: It's like, how there's two guys, You're two guys. I'm

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Speaker 2: too Oh sure, I'm Severance. Is that what you mean if.

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Speaker 3: One of them was like sorry, that is like.

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Speaker 1: That's snapping something into focus for me about the show

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Speaker 1: where I was like he's being so weird.

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Speaker 2: Yeah, it's finally like coming together. The's two guys, Yeah,

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Speaker 2: go ahead.

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Speaker 3: And I've been waiting for him to get to this

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Speaker 3: and he's been you know, he's working on it. Sure,

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Speaker 3: and go to the fridge, and I would be like,

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Speaker 3: what's up? He was? You just open the I don't

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Speaker 3: know anymore looking in the fridge, You're like, I know,

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Speaker 3: I'm looking for something, but what is it?

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Speaker 2: Like something home?

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Speaker 3: And I didn't want to be like, it's two guys.

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Speaker 3: I knew he had to get there wow himself. So

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Speaker 3: that's why it's so good that you're here too.

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Speaker 2: What is it that you think was was happening?

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Speaker 3: So look obviously like.

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Speaker 1: Look, let's say, first amazing show, you know, congrats on

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Speaker 1: the show. What I thought was happening when I on

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Speaker 1: my first watch, this guy's so weird?

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Speaker 2: Yeah? Yeah? Is he like.

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Speaker 1: Does he know what he's doing? You know?

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Speaker 4: And I also was going like, well, for I was going,

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Speaker 4: did they mean to do this?

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Speaker 2: Oh?

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Speaker 1: You know, I thought there was a mistake, Like I

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Speaker 1: actually thought that they had had one idea for the

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Speaker 1: show and then they kind of changed their mind and

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Speaker 1: they had left in some of the footage from the

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Speaker 1: original like pilot they shot or something and then just

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Speaker 1: sort of rolled with it, right because I.

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Speaker 4: Was going only feels like two different guys and a

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Speaker 4: lot of this.

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Speaker 1: But I was like, oh, maybe Adam forgot or maybe

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Speaker 1: some of this is the real Adam, Like like it's intercut,

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Speaker 1: like there's a behind the scenes sort of I.

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Speaker 2: Forgot they were filming me kind of thing.

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Speaker 1: Yeah, I had a couple different ways into it. Nothing

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Speaker 1: felt quite right, But this is actually clicking.

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Speaker 2: Makes a little more sense. Still more, it feels to

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Speaker 2: me like the the theory you had come up with

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Speaker 2: takes far more effort and is far more complicated than

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Speaker 2: the actual show.

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Speaker 3: Than just life.

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Speaker 2: Is complicated. I think perceptually me the show saying now

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Speaker 2: we're leaving the show and we're going home with the

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Speaker 2: actor portraying this character, and we're going to explore the

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Speaker 2: home life of the actor.

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Speaker 1: And they weren't saying that, which that was the first

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Speaker 1: thing I said when I came to the room, is like,

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Speaker 1: let's get a little vo here where they say, hey,

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Speaker 1: you're not watching the show anymore, right, this is Adam's house.

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Speaker 2: But it just seems like you're a thing going to

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Speaker 2: that place and you coming up with the theory that

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Speaker 2: that's what's happening here is far more complicated than the

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Speaker 2: simple Like if you just watched the show, you probably

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Speaker 2: would have figured it out.

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Speaker 1: And it's and to that end, now I will.

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Speaker 2: Okay, were you like doing something else while you were

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Speaker 2: watching the show, or well, I got some.

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Speaker 1: Stuff going on at home. You know, obviously there is

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Speaker 1: like an insect. There's such an issue happening, and so

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Speaker 1: it is tough to kind of focus completely on a

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Speaker 1: show because they are shooting them.

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Speaker 2: You've been shooting the silverfish with it's legal with poisoned darts.

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Speaker 2: And so when you hit a silverfish, do you do

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Speaker 2: one at a time? You try and hit them with

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Speaker 2: the with the poisoned dart.

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Speaker 1: Puzuka would that I could get one of those buggers.

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Speaker 1: They are so quick. Yeah, they're fast, but i've yeah,

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Speaker 1: and there's been some ricochet.

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Speaker 2: If you need the back you need, so you need

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Speaker 2: a second person with the equipment.

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Speaker 1: Yeah, I got an assistant.

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Speaker 2: And have you damaged your home? I would imagine his

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Speaker 2: home is poisoned.

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Speaker 4: Good lord, it's mainly poisoned darts in there.

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Speaker 2: Now, Oh my god, it's just all no wonder you

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Speaker 2: weren't paying full attention to severn.

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Speaker 4: Oh yeah, no, I've been pretty sick.

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Speaker 2: God, And anyone who enters your house probably ends up.

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Speaker 1: With which is we're just happening less and less.

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Speaker 2: People coming over. Yeah, I'm not going to come over

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Speaker 2: with you know, your house just filled to the rim

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Speaker 2: with poisoned bazooka darts.

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Speaker 3: The hope is that you'll be so covered in silverfish,

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Speaker 3: which are as yet unafflicted by the poison they have,

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Speaker 3: that they will actually create a protective layer and the poison.

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Speaker 2: Well silverfish, you know they they do protect protect you

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Speaker 2: in certain situations. Well, say more about that, Yeah, that

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Speaker 2: about the silverfish. Yeah, well silverfish, that's their main I

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Speaker 2: mean everyone says when they see silverfish, like, what the

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Speaker 2: hell are these things even for? You know, they're just

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Speaker 2: a past. In fact, they're defenders of human beings.

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Speaker 3: If a burglar comes.

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Speaker 2: If a burglar comes, silverfish covers them head to toe

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Speaker 2: by again.

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Speaker 1: Well, imagine trying to find jewelry in my house. You

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Speaker 1: can't because there's all these silverfish everywhere. Right, So it's

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Speaker 1: like between that and my valuables.

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Speaker 2: Exactly because everything looks silver.

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Speaker 1: M No, that's smart. Yeah, you know what, Uh my

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Speaker 1: promise today, I'm gonna stop shooting them.

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Speaker 2: I think that's a good idea, both for they'll be

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Speaker 2: like the kind of but once they get back, and

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Speaker 2: as well, if they're listening to this.

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Speaker 3: I think it after hearing that he's going to stop

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Speaker 3: shooting them, I think they would probably.

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Speaker 2: All right, guys, so we can speak freely now that

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Speaker 2: they're now now okay, they don't protect.

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Speaker 4: They're not spending anything, right.

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Speaker 3: Yeah, I was convincing me. You're selling me on it.

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Speaker 2: Listen, I'm an actor, and that's.

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Speaker 1: What and that's what we started to figure out, the

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Speaker 1: speaking of you acting.

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Speaker 4: You're going to the festivals, You're doing these big festival movies.

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Speaker 1: Oh, doing some kind of spooky movie I did.

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Speaker 2: I was just at the south By Southwest Festival with

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Speaker 2: a new movie.

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Speaker 1: The Best Austin, Keep It Weird.

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Speaker 2: Austin, Texas weird. That's what it says in the T shirt. Sure,

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00:18:03,320 --> 00:18:07,359
Speaker 2: great town, Barbara sauce. Yeah, barbecue, well barbecue, Yeah, the

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00:18:08,359 --> 00:18:12,439
Speaker 2: sauce is usually on the side. Yeah. I love dolls

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00:18:12,480 --> 00:18:17,920
Speaker 2: coming out with barbecue, barbecue sauce flavored. Yeah, that's great.

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Speaker 2: That'll I'm sure that'll be delicious. So, yeah, we were

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00:18:24,040 --> 00:18:27,720
Speaker 2: down there in uh In, Austin, you know, Austin's you know,

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Speaker 2: right in the middle of Texas's great, great town.

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Speaker 1: And the movie uh And I don't know if you've

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Speaker 1: read about this, but it's it's so freaky, right, And

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Speaker 1: can I say this ain't gonna scare me, jack, Oh,

353
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Speaker 1: really not going to scare me?

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Speaker 2: Okay, fake, the movie's fake.

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Speaker 3: And I mean, well, he does have an obligation to

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Speaker 3: tell everyone else in the theater before the movie begins

357
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Speaker 3: that it's fake, that it is fake, and during it

358
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Speaker 3: would be during the reliction of duty to allow something

359
00:19:00,920 --> 00:19:05,000
Speaker 3: so fake to play out and just let let all

360
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Speaker 3: of your fellow man be tricked.

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Speaker 2: I feel like, I mean, I understand what you're saying that.

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Speaker 2: I feel like that's part of the fun of a

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Speaker 2: scary movie is the suspension of disbelief that the audience

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Speaker 2: like they're going there to be scared. They enjoy it, right,

365
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Speaker 2: So if someone's yelling out this is fake, right, they're

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Speaker 2: already aware of that. So you yell out this is fake,

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Speaker 2: and it just sort of it's a nuisance more than anything,

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Speaker 2: I would imagine.

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Speaker 1: There's there's a presumption at times, I think with you

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Speaker 1: that people are much more aware of kind of the

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00:19:48,960 --> 00:19:53,159
Speaker 1: process behind what you're doing, even with severance where it

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Speaker 1: was like You're like, what you're talking about is so complicated,

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Speaker 1: I'm going like what were you doing? Like I don't

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Speaker 1: know what's going on, you know, and then to go like, oh,

375
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Speaker 1: they know it's fake, and it's like, well they will

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00:20:06,119 --> 00:20:08,359
Speaker 1: now I'm gonna tell them because I do not want

377
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Speaker 1: them to feel scared. And I'm not scared.

378
00:20:10,760 --> 00:20:12,560
Speaker 2: I'm scared to feel like going to scare me because

379
00:20:12,600 --> 00:20:14,680
Speaker 2: you were watching Severn's and you thought it was half

380
00:20:14,720 --> 00:20:18,439
Speaker 2: fictional half true life. Are you when you see a

381
00:20:18,480 --> 00:20:22,800
Speaker 2: scary movie? Are you scared because you feel like this

382
00:20:22,920 --> 00:20:25,920
Speaker 2: might actually be happening? Well, I don't watch them, Oh

383
00:20:25,960 --> 00:20:27,440
Speaker 2: I see because they're scared.

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Speaker 1: Because yeah, the intention a lot of them is to

385
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Speaker 1: scare me. And because I am sitting here with you now,

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Speaker 1: at least this one, I will check out, if only

387
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Speaker 1: to report that it is fake to anyone near me.

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Speaker 3: Is there a ghost it?

389
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Speaker 2: Well, if I say that, I'll be spoiling something, you know, right,

390
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Speaker 2: I don't want to do that. Okay, you know what

391
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Speaker 2: I like to say about scary movies, And you guys

392
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Speaker 2: can write this down if you want. Is that tell me?

393
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Speaker 2: The goal of a scary movie is similar to the

394
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Speaker 2: goal of a comedy, because in a comedy, you're looking

395
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Speaker 2: for the involuntary reaction of laughter, and in a scary movie,

396
00:21:05,800 --> 00:21:11,240
Speaker 2: you're looking for the involuntary reaction of being scared. So uh,

397
00:21:11,640 --> 00:21:14,280
Speaker 2: in the in in that sense, they have something in common.

398
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Speaker 3: You want to understand right now?

399
00:21:18,520 --> 00:21:20,080
Speaker 2: Why don't you guys have pens?

400
00:21:20,280 --> 00:21:23,640
Speaker 3: We we never have never had someone.

401
00:21:27,000 --> 00:21:27,160
Speaker 2: This.

402
00:21:28,000 --> 00:21:29,480
Speaker 3: You said you can write it down if you want,

403
00:21:29,480 --> 00:21:30,000
Speaker 3: and I thought.

404
00:21:29,800 --> 00:21:31,320
Speaker 4: I'm not gonna want to. I've never wanted to write

405
00:21:31,320 --> 00:21:32,440
Speaker 4: anything down on this show.

406
00:21:32,520 --> 00:21:37,000
Speaker 2: And what just happened. And what just happened was.

407
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Speaker 4: You busted this whole fucking thing.

408
00:21:40,119 --> 00:21:41,960
Speaker 2: And I need to think, like, what are we doing?

409
00:21:42,240 --> 00:21:47,359
Speaker 2: Com well, it depends. You know it's not fake, Sean.

410
00:21:47,760 --> 00:21:50,399
Speaker 2: You know it's not fake. Is the reaction when you

411
00:21:50,440 --> 00:21:53,840
Speaker 2: get a laugh? It's not fake that you were coming

412
00:21:53,840 --> 00:21:56,160
Speaker 2: in with a pen? Can we fly the pen in? Please?

413
00:21:56,400 --> 00:22:06,360
Speaker 2: I thought it was even like this. Okayeez, all right?

414
00:22:06,480 --> 00:22:14,440
Speaker 2: Is there actually good pens too? Write it in your hand? Adam?

415
00:22:14,560 --> 00:22:16,840
Speaker 2: Mm hmmm? Do you want me to repeat it?

416
00:22:16,960 --> 00:22:23,120
Speaker 3: Or I am trying to figure out how to handle

417
00:22:23,200 --> 00:22:28,479
Speaker 3: this situation properly? And how has there ever been a

418
00:22:28,520 --> 00:22:31,520
Speaker 3: thing where the podcast is just like that's the news

419
00:22:32,480 --> 00:22:36,000
Speaker 3: for that night? You know how every night they do

420
00:22:36,040 --> 00:22:41,399
Speaker 3: the news, but it's never a podcast. But if something

421
00:22:41,640 --> 00:22:45,200
Speaker 3: were happening on a podcast that were more important than

422
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Speaker 3: the news, could it then be the news for that

423
00:22:48,880 --> 00:22:50,200
Speaker 3: switch swap it out.

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Speaker 2: Or like, how would you get that out to the

425
00:22:51,960 --> 00:22:54,320
Speaker 2: world as quickly as possible? Would have to be the news.

426
00:22:54,440 --> 00:22:56,600
Speaker 3: Yeah, sorry, have these pens been in the freezer or something?

427
00:22:56,640 --> 00:22:57,520
Speaker 1: Cold as hell? Right?

428
00:22:57,560 --> 00:22:58,960
Speaker 3: I went to write on my hand.

429
00:22:58,920 --> 00:23:01,880
Speaker 2: It was peop pulled them out of a freezer.

430
00:23:02,000 --> 00:23:07,439
Speaker 1: Yeah, yeah, but yeah, the the podcast feels like it

431
00:23:07,480 --> 00:23:08,840
Speaker 1: should maybe be the news.

432
00:23:09,080 --> 00:23:13,199
Speaker 2: No, right, like you need to put this out immediately

433
00:23:13,320 --> 00:23:17,000
Speaker 2: and just instead of Hollywood Handbook, just say the news

434
00:23:17,400 --> 00:23:18,159
Speaker 2: so people.

435
00:23:17,960 --> 00:23:20,360
Speaker 3: Will love to get the brand out there.

436
00:23:21,400 --> 00:23:23,800
Speaker 1: We have no one ever, no, just sorry, just to

437
00:23:24,040 --> 00:23:28,280
Speaker 1: just to walk through to it like as we go, Like.

438
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Speaker 4: I know how I felt when I just learned it.

439
00:23:33,040 --> 00:23:35,440
Speaker 1: I see it all now like it's just like it's

440
00:23:35,640 --> 00:23:38,600
Speaker 1: all opened up to me and I'm walking back through,

441
00:23:39,080 --> 00:23:43,040
Speaker 1: you know, the past several years of film cinema and

442
00:23:43,080 --> 00:23:46,640
Speaker 1: going like wait a second.

443
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Speaker 2: Thank you for saying the word cinema by the way,

444
00:23:48,720 --> 00:23:52,800
Speaker 2: because that's really that's really what it all comes down to.

445
00:23:53,040 --> 00:23:55,399
Speaker 3: I just want to like, you know, he is spelling

446
00:23:55,480 --> 00:23:56,000
Speaker 3: it with an.

447
00:23:55,960 --> 00:24:00,760
Speaker 2: S oh okay, like Kristen cinema not no.

448
00:24:00,720 --> 00:24:04,080
Speaker 3: Like s I am like he like he's thinking of

449
00:24:04,280 --> 00:24:08,080
Speaker 3: specific genre of filmed entertainment.

450
00:24:08,520 --> 00:24:10,320
Speaker 1: It's really just the movie seven.

451
00:24:11,240 --> 00:24:17,200
Speaker 2: I see cinema meaning yes, like you know what, that's

452
00:24:17,400 --> 00:24:19,040
Speaker 2: so cool? Yeah?

453
00:24:19,200 --> 00:24:21,320
Speaker 3: Yeah, I get really dark sometimes.

454
00:24:21,320 --> 00:24:24,520
Speaker 2: Oh man, I don't want to live inside your head.

455
00:24:25,280 --> 00:24:28,240
Speaker 3: It's a bad neighborhood brother going there alone.

456
00:24:28,680 --> 00:24:30,480
Speaker 1: No, if I didn't have this to get it out,

457
00:24:30,480 --> 00:24:33,040
Speaker 1: this creative right right right, No, it's like a.

458
00:24:33,240 --> 00:24:34,639
Speaker 2: Room straight dragon.

459
00:24:34,840 --> 00:24:36,159
Speaker 1: Yeah, you know, and throw away the.

460
00:24:36,240 --> 00:24:40,280
Speaker 2: Key, Napoleon, letting some steam. Just turning a spigot a

461
00:24:40,320 --> 00:24:42,800
Speaker 2: little bit and letting that steam out every week. It's

462
00:24:42,840 --> 00:24:46,040
Speaker 2: the real. Otherwise it'll blow good for you.

463
00:24:46,080 --> 00:24:50,360
Speaker 4: But I am I am, I am uh so inimity

464
00:24:50,400 --> 00:24:51,000
Speaker 4: of this idea.

465
00:24:51,200 --> 00:24:58,720
Speaker 1: And yet I wonder if this word to be the news,

466
00:25:00,800 --> 00:25:05,600
Speaker 1: the gates would be removed. Yes, yeah, the creative explosion

467
00:25:05,960 --> 00:25:10,440
Speaker 1: that could result from this may actually overwhelm the entire ecosystem.

468
00:25:10,720 --> 00:25:14,720
Speaker 3: Or now that I feel like I understand, all meaning,

469
00:25:14,800 --> 00:25:16,960
Speaker 3: all meaning is lost in a way.

470
00:25:16,960 --> 00:25:21,720
Speaker 2: Right right when everything becomes meaningful, nothing has nothing.

471
00:25:23,000 --> 00:25:25,240
Speaker 1: Didn't share me the idea the horror movie didn't scare me.

472
00:25:25,280 --> 00:25:26,320
Speaker 1: Your movie wouldn't scare me.

473
00:25:26,600 --> 00:25:31,080
Speaker 2: This scares me. This scares me. Well, when everything becomes activated,

474
00:25:31,280 --> 00:25:33,320
Speaker 2: it is frightening it Now I'm scared.

475
00:25:33,800 --> 00:25:35,160
Speaker 3: Yeah, because it is like.

476
00:25:37,160 --> 00:25:41,119
Speaker 1: Wait a minute, like once everyone has the secret, like

477
00:25:41,720 --> 00:25:44,200
Speaker 1: there is no secret, so you just sharing that.

478
00:25:44,320 --> 00:25:46,000
Speaker 3: I go, this is a dangerous man.

479
00:25:46,560 --> 00:25:50,159
Speaker 2: That's why I want to say you're welcome. But I

480
00:25:50,200 --> 00:25:52,160
Speaker 2: also want to say I'm sorry.

481
00:25:52,880 --> 00:25:55,679
Speaker 1: I'm sorry, and I want to say thank you, and

482
00:25:55,720 --> 00:25:58,800
Speaker 1: I also want to chastise you. I want to accept

483
00:25:58,800 --> 00:26:02,080
Speaker 1: the apology, but also do want to punish you in

484
00:26:02,119 --> 00:26:02,560
Speaker 1: some way.

485
00:26:02,720 --> 00:26:06,800
Speaker 2: Oh interesting that I already said you're welcome and I'm sorry,

486
00:26:06,800 --> 00:26:08,920
Speaker 2: So I feel like that takes care of all of it.

487
00:26:09,080 --> 00:26:10,800
Speaker 2: So there's no punishment needed.

488
00:26:10,920 --> 00:26:13,600
Speaker 3: M hmm. And I haven't determined a punishment either.

489
00:26:13,800 --> 00:26:16,320
Speaker 2: Well, I won't accept any punishment whatsoever.

490
00:26:16,440 --> 00:26:19,520
Speaker 3: But that's because I have a punishment landed on.

491
00:26:19,880 --> 00:26:23,440
Speaker 1: Yes, what the proper punishment would be, that's not even

492
00:26:23,560 --> 00:26:24,680
Speaker 1: something surprise.

493
00:26:24,840 --> 00:26:29,560
Speaker 5: In the same way that I now realize comedy and

494
00:26:30,000 --> 00:26:34,639
Speaker 5: being scared and designed and careful response, you're going to

495
00:26:34,680 --> 00:26:37,840
Speaker 5: be un punishment to punishment is also designed to create

496
00:26:37,840 --> 00:26:38,400
Speaker 5: a creat.

497
00:26:38,240 --> 00:26:40,679
Speaker 2: A response, right, And I'm just saying I'm immune to

498
00:26:40,840 --> 00:26:41,720
Speaker 2: any punishment.

499
00:26:41,760 --> 00:26:44,120
Speaker 1: It's not gonna fa yeah, and that's gonna and that's

500
00:26:44,119 --> 00:26:45,600
Speaker 1: going to force me to kind of put my thinking

501
00:26:45,680 --> 00:26:48,240
Speaker 1: canis how do you punish the unpunishable man?

502
00:26:48,400 --> 00:26:51,560
Speaker 2: You know, you also have to realize and maybe maybe

503
00:26:51,680 --> 00:26:54,440
Speaker 2: consider that I might be manipulating you because I want

504
00:26:54,480 --> 00:26:56,240
Speaker 2: your punishment to become more and.

505
00:26:56,160 --> 00:26:58,280
Speaker 4: More extrangement that he would like.

506
00:26:58,440 --> 00:27:01,800
Speaker 1: That's right, And so by not punishing him at all,

507
00:27:01,840 --> 00:27:04,840
Speaker 1: that could be the ultimate punishment is withholding of it.

508
00:27:04,920 --> 00:27:08,440
Speaker 2: And that hurts me maybe, and.

509
00:27:08,400 --> 00:27:10,320
Speaker 1: We don't and we don't know for sure, but this

510
00:27:10,400 --> 00:27:12,280
Speaker 1: is this is something we talk about all the time

511
00:27:12,320 --> 00:27:12,800
Speaker 1: on the show.

512
00:27:12,880 --> 00:27:15,640
Speaker 4: It's it's it's it's it's it's spanking.

513
00:27:15,760 --> 00:27:17,760
Speaker 1: It's the four dimensional chests of spankings.

514
00:27:18,160 --> 00:27:20,120
Speaker 2: Yeah, right, I.

515
00:27:19,960 --> 00:27:21,960
Speaker 3: Know what you know. But I know that you know

516
00:27:22,080 --> 00:27:23,120
Speaker 3: that I know what you know.

517
00:27:23,160 --> 00:27:25,480
Speaker 2: And therefore I'm spanking you.

518
00:27:25,680 --> 00:27:26,560
Speaker 1: How do I spank you?

519
00:27:26,680 --> 00:27:27,120
Speaker 2: Yeah?

520
00:27:28,000 --> 00:27:28,480
Speaker 3: So it is?

521
00:27:28,600 --> 00:27:30,960
Speaker 4: It is it is actually spanking dynamic.

522
00:27:31,280 --> 00:27:33,919
Speaker 2: Well, yes, how do I spank you?

523
00:27:33,920 --> 00:27:35,120
Speaker 1: How do I spank?

524
00:27:35,359 --> 00:27:39,280
Speaker 3: Karate chopping does not really, it doesn't do so, but

525
00:27:39,280 --> 00:27:40,600
Speaker 3: I don't want to hurt my hand either.

526
00:27:41,040 --> 00:27:45,200
Speaker 2: No, well, the paddles with the holes drilled in them,

527
00:27:45,240 --> 00:27:51,000
Speaker 2: so you get a little Yeah, yeah, those work, I've heard.

528
00:27:51,359 --> 00:27:53,280
Speaker 1: Okay, and then this is making me think, yes, he

529
00:27:53,280 --> 00:27:56,080
Speaker 1: does want punishment, and he's actually got a very specific one.

530
00:27:57,119 --> 00:27:59,520
Speaker 2: I'm immune to any punishment, like I said.

531
00:27:59,280 --> 00:28:00,920
Speaker 4: Okay, that's me and we want to do it. This

532
00:28:00,960 --> 00:28:01,480
Speaker 4: guy's good.

533
00:28:01,880 --> 00:28:07,280
Speaker 1: This fucker's got me dead to rights right.

534
00:28:05,840 --> 00:28:06,560
Speaker 2: Right where you want.

535
00:28:06,960 --> 00:28:09,960
Speaker 1: I'm dancing on your strings, man, and it feels kind

536
00:28:09,960 --> 00:28:10,280
Speaker 1: of good.

537
00:28:10,359 --> 00:28:15,359
Speaker 2: Oh thanks, thank you. Maybe you spake me. What are

538
00:28:15,400 --> 00:28:18,320
Speaker 2: you talking about? We're getting the paddle out? Yeah, yeah,

539
00:28:18,560 --> 00:28:20,960
Speaker 2: maybe you guys have you guys keep the paddles here, right,

540
00:28:21,119 --> 00:28:21,879
Speaker 2: I get us spinking.

541
00:28:23,000 --> 00:28:27,240
Speaker 3: What I'm just saying, we're all talking about.

542
00:28:27,600 --> 00:28:29,880
Speaker 2: Has a show here and he he keeps a bunch

543
00:28:29,880 --> 00:28:32,440
Speaker 2: of paddles. Yeah that makes sense.

544
00:28:37,280 --> 00:28:40,320
Speaker 3: Well, if we're not putting this out, we can really relax.

545
00:28:40,480 --> 00:28:44,680
Speaker 3: Well hear it, like no one else is going to

546
00:28:44,720 --> 00:28:45,120
Speaker 3: hear it.

547
00:28:45,240 --> 00:28:47,520
Speaker 1: We could reveal so many secrets.

548
00:28:47,520 --> 00:28:52,000
Speaker 3: Whether for example, I thought he was coming up with another.

549
00:28:52,400 --> 00:28:54,280
Speaker 1: Yeah, well you said cow pound then, so I thought

550
00:28:54,320 --> 00:28:58,240
Speaker 1: he was maybe he's maybe gonna put cow down at

551
00:28:58,280 --> 00:28:59,080
Speaker 1: the end of the table.

552
00:29:01,200 --> 00:29:02,560
Speaker 2: Let's just say it incredible.

553
00:29:02,960 --> 00:29:06,160
Speaker 3: It would be if cow Pen just came in here,

554
00:29:06,720 --> 00:29:07,320
Speaker 3: just dove in.

555
00:29:07,520 --> 00:29:08,200
Speaker 2: That's not what I'm.

556
00:29:09,960 --> 00:29:14,680
Speaker 3: Sorry, Sorry, sorry, sorry, that's what I'm miss about. It's fine.

557
00:29:14,920 --> 00:29:18,200
Speaker 4: Just he's fine with build up the community that we

558
00:29:18,320 --> 00:29:18,920
Speaker 4: used to have.

559
00:29:19,400 --> 00:29:20,920
Speaker 2: Just walking through it.

560
00:29:21,000 --> 00:29:22,760
Speaker 1: He jumps in and he sets.

561
00:29:22,480 --> 00:29:24,920
Speaker 2: Down, you know what I mean. And it never happens anymore.

562
00:29:25,120 --> 00:29:28,640
Speaker 1: No, it doesn't happen as much. And it really never

563
00:29:28,640 --> 00:29:29,440
Speaker 1: happens anymore.

564
00:29:30,760 --> 00:29:32,600
Speaker 2: What do you think? Why? Why do you think that is?

565
00:29:32,720 --> 00:29:33,600
Speaker 4: How did we lose that?

566
00:29:33,680 --> 00:29:34,840
Speaker 2: But that was ear wolf?

567
00:29:34,960 --> 00:29:39,440
Speaker 3: Right, I'll tell you one way, bones.

568
00:29:39,720 --> 00:29:42,120
Speaker 2: You can always it always comes back to the phone.

569
00:29:41,920 --> 00:29:45,280
Speaker 1: Right, It's like this will connect you. Right, It's like

570
00:29:45,320 --> 00:29:47,640
Speaker 1: a little it's like a little coffin that we all

571
00:29:47,680 --> 00:29:48,000
Speaker 1: live in.

572
00:29:48,240 --> 00:29:48,600
Speaker 2: It is.

573
00:29:48,960 --> 00:29:51,040
Speaker 1: It's it's like a little coffin.

574
00:29:51,880 --> 00:29:54,120
Speaker 3: It's a little tiny yes that.

575
00:29:54,120 --> 00:29:56,600
Speaker 2: You get inside every day and you seal it up

576
00:29:56,640 --> 00:29:59,320
Speaker 2: and you're not seeing anyone or talking to anyone.

577
00:29:59,000 --> 00:30:03,600
Speaker 1: Live inside the car. And it's yeah, which, actually, do

578
00:30:03,680 --> 00:30:06,240
Speaker 1: you guys mind if I do my dual linguo lesson

579
00:30:06,240 --> 00:30:08,680
Speaker 1: while we're recording, is that?

580
00:30:08,880 --> 00:30:10,440
Speaker 2: Oh? Sure? Is that the thing you had to keep

581
00:30:10,480 --> 00:30:12,320
Speaker 2: your phone on for yeah.

582
00:30:12,360 --> 00:30:17,680
Speaker 1: So Lily will sometimes FaceTime me from dual Linguo and uh,

583
00:30:17,720 --> 00:30:20,120
Speaker 1: she's sort of disaffected, kind of like a goth youth.

584
00:30:20,200 --> 00:30:23,120
Speaker 1: But she will kind of inform me that, like I've

585
00:30:23,160 --> 00:30:25,960
Speaker 1: got a streak that's in danger. And so if she

586
00:30:26,160 --> 00:30:29,880
Speaker 1: does call, I can't be on like airplane mode or anything, okay,

587
00:30:29,880 --> 00:30:33,360
Speaker 1: because I do have to feed the owl, I think.

588
00:30:33,240 --> 00:30:36,440
Speaker 2: Yeah, okay, and that means you need to do a

589
00:30:36,480 --> 00:30:40,320
Speaker 2: particular lesson at a particular time the owl. Yeah.

590
00:30:40,560 --> 00:30:44,120
Speaker 4: I don't always understand the media that I ingest.

591
00:30:44,240 --> 00:30:48,640
Speaker 2: Yeah, you don't need to though, clearly you're doing fun. Yeah,

592
00:30:48,720 --> 00:30:53,640
Speaker 2: it's all vibes for you. It seems I'm just riding

593
00:30:53,640 --> 00:30:54,920
Speaker 2: the wave he's learning.

594
00:30:55,000 --> 00:30:58,920
Speaker 3: Yeah, really interesting, which is kind of like what the

595
00:30:58,960 --> 00:31:02,120
Speaker 3: next generation is going to be speaking, Yeah, which is

596
00:31:02,680 --> 00:31:03,920
Speaker 3: Spanish Chinese.

597
00:31:04,480 --> 00:31:06,520
Speaker 2: Wow, so it's going to be a mixture of the two.

598
00:31:07,000 --> 00:31:14,760
Speaker 3: It's Chinese the way they speak it in Spain, specifically Catalonia.

599
00:31:15,640 --> 00:31:20,800
Speaker 2: Okay, So in Catalonia they're speaking a mixture of Spanish

600
00:31:20,840 --> 00:31:21,680
Speaker 2: and Chinese.

601
00:31:22,280 --> 00:31:27,840
Speaker 4: Think about think about a burrito filled with general soace chicken.

602
00:31:29,120 --> 00:31:36,720
Speaker 2: Okay, I'm thinking about how would that sound? Well, I

603
00:31:36,800 --> 00:31:41,920
Speaker 2: feel like it would sound nothing like a language that's

604
00:31:42,120 --> 00:31:45,800
Speaker 2: right perfect, and that's what it sounds like, is I

605
00:31:45,880 --> 00:31:46,280
Speaker 2: don't know.

606
00:31:46,760 --> 00:31:49,560
Speaker 1: I actually wasn't listening to what Hayes was talking about.

607
00:31:49,760 --> 00:31:52,040
Speaker 1: I was just having an idea of food.

608
00:31:52,440 --> 00:31:54,920
Speaker 2: Yeah, and it's because it sounds so delicious.

609
00:31:55,040 --> 00:31:56,840
Speaker 1: Well, I think it could be pretty good.

610
00:31:56,960 --> 00:32:00,760
Speaker 2: Yeah, I don't know. I mean I think it's old saw.

611
00:32:01,520 --> 00:32:05,200
Speaker 2: It sounds really interesting. It sounds like something that would

612
00:32:05,240 --> 00:32:11,080
Speaker 2: be too wet for the tortilla to contain. M okay,

613
00:32:11,160 --> 00:32:13,720
Speaker 2: well that's what you're well going for then.

614
00:32:13,880 --> 00:32:16,680
Speaker 3: I mean, just to represent I can. I can hear

615
00:32:16,720 --> 00:32:19,240
Speaker 3: his voice and then in my ear, maybe it should

616
00:32:19,240 --> 00:32:23,120
Speaker 3: be a soda instead. Oh yeah, maybe there should General

617
00:32:23,160 --> 00:32:28,120
Speaker 3: So's Burrito flavored soda le tortilla so she rings.

618
00:32:29,600 --> 00:32:32,360
Speaker 2: Yeah, we should let Ben know that we've come up

619
00:32:32,360 --> 00:32:34,160
Speaker 2: with the next great.

620
00:32:33,960 --> 00:32:40,120
Speaker 1: Flavor General so Rito. Yes, soda, that's delicious. I would

621
00:32:40,160 --> 00:32:44,800
Speaker 1: love to taste uh that, but I carbonated. I feel

622
00:32:44,800 --> 00:32:48,400
Speaker 1: like that would really put Erry on top of the benefits.

623
00:32:48,440 --> 00:32:51,280
Speaker 1: And I would I I would call him, pitch him

624
00:32:51,320 --> 00:32:53,160
Speaker 1: right now. But I have to have it open for Lily.

625
00:32:53,360 --> 00:32:58,040
Speaker 3: Sure if there were a ghost in this movie, and

626
00:32:58,120 --> 00:32:59,360
Speaker 3: you don't have to say.

627
00:32:59,280 --> 00:33:02,640
Speaker 2: Oh, my god, Oka might want to get in trouble.

628
00:33:03,600 --> 00:33:09,400
Speaker 3: Be beneficial to have somebody in the movie who is

629
00:33:09,480 --> 00:33:16,320
Speaker 3: trained at ghosting, a character who was possibly returning, who

630
00:33:16,360 --> 00:33:19,600
Speaker 3: we may have been missing for a while, someone who's.

631
00:33:19,400 --> 00:33:22,840
Speaker 1: Been off the scene and out of the conversation, make

632
00:33:23,080 --> 00:33:26,240
Speaker 1: the ghost of the movie completely ghosted.

633
00:33:26,680 --> 00:33:29,480
Speaker 2: Are you talking about getting Max Jennifer in there?

634
00:33:31,240 --> 00:33:34,280
Speaker 1: Ah, you said it, not me, but well, I feel

635
00:33:34,320 --> 00:33:39,440
Speaker 1: like that's episode one oh four Lockdown. We saw Jennifer

636
00:33:39,640 --> 00:33:45,400
Speaker 1: tackle some pretty interesting batties and keep his cool in

637
00:33:45,440 --> 00:33:48,400
Speaker 1: some very extreme situations. So if there was a ghosting

638
00:33:48,480 --> 00:33:53,240
Speaker 1: movie not getting you in Trouble, would Professor Max Jennifer

639
00:33:53,320 --> 00:33:54,920
Speaker 1: be someone who was good to.

640
00:33:55,840 --> 00:34:00,480
Speaker 2: That is the ultimate crossover? That are you guys thrown

641
00:34:00,520 --> 00:34:02,320
Speaker 2: an idea out there right now? I don't know.

642
00:34:03,000 --> 00:34:04,080
Speaker 3: Are we locked?

643
00:34:04,320 --> 00:34:07,200
Speaker 4: I mean, is the cut locked or well?

644
00:34:07,280 --> 00:34:09,320
Speaker 2: Yeah, I mean it's it's it's locked.

645
00:34:09,600 --> 00:34:10,520
Speaker 1: Okay, never mind?

646
00:34:10,520 --> 00:34:13,640
Speaker 3: Then I think we talk about this though the stuff

647
00:34:13,680 --> 00:34:17,799
Speaker 3: is on streaming platforms, right, it's all on the It's

648
00:34:17,840 --> 00:34:21,480
Speaker 3: like a word doc like you're not always like we

649
00:34:21,520 --> 00:34:23,600
Speaker 3: can't change this ever again.

650
00:34:23,920 --> 00:34:26,960
Speaker 2: Well, I mean I guess you can. I mean, this

651
00:34:27,000 --> 00:34:30,440
Speaker 2: is a really good idea, So maybe it's something we

652
00:34:30,480 --> 00:34:31,320
Speaker 2: should explore.

653
00:34:31,520 --> 00:34:33,839
Speaker 3: The character could even just be wearing a name tag.

654
00:34:33,880 --> 00:34:36,279
Speaker 3: They could just see GI slap a name tag.

655
00:34:36,320 --> 00:34:38,720
Speaker 2: I think we did wear name tags on the show.

656
00:34:39,360 --> 00:34:40,880
Speaker 3: Yeah, yeah, I remember.

657
00:34:40,920 --> 00:34:42,880
Speaker 1: I had a pretty high clearance level actually on my

658
00:34:42,960 --> 00:34:43,680
Speaker 1: I batch.

659
00:34:43,960 --> 00:34:47,239
Speaker 2: Yeah, for the sound stage we were working on.

660
00:34:48,080 --> 00:34:53,680
Speaker 1: Yes, and also for the the Bureau investigating paranormal activity.

661
00:34:54,200 --> 00:34:56,880
Speaker 2: Which was fictional.

662
00:34:57,920 --> 00:35:02,880
Speaker 3: Yeah. Sorry, so this was another thing when he was

663
00:35:02,920 --> 00:35:06,360
Speaker 3: working on Ghosted. He would come home a lot.

664
00:35:06,560 --> 00:35:12,760
Speaker 2: Did you think we were actually like harnessing spirits and

665
00:35:13,040 --> 00:35:13,920
Speaker 2: going after a monster?

666
00:35:14,000 --> 00:35:15,919
Speaker 1: We were certainly talking about a lot. And I don't

667
00:35:15,960 --> 00:35:18,759
Speaker 1: know why to what end if there's nothing.

668
00:35:18,640 --> 00:35:22,239
Speaker 3: We had in the fridge because it was basically open

669
00:35:22,320 --> 00:35:22,880
Speaker 3: all the time.

670
00:35:23,960 --> 00:35:26,680
Speaker 2: You just you so you thought everything that we were

671
00:35:26,719 --> 00:35:29,279
Speaker 2: talking about while we were making the show, while we

672
00:35:29,280 --> 00:35:32,640
Speaker 2: were shooting the show, and there were like like fake

673
00:35:33,520 --> 00:35:38,200
Speaker 2: monsters that that that that special effects guys brought in

674
00:35:38,239 --> 00:35:42,760
Speaker 2: and made, you thought that was all potentially real.

675
00:35:43,440 --> 00:35:45,920
Speaker 1: Well they really made the monster.

676
00:35:46,920 --> 00:35:47,560
Speaker 2: That's true.

677
00:35:48,000 --> 00:35:53,080
Speaker 1: That's true, and the monster was chasing I hope I

678
00:35:53,080 --> 00:35:54,440
Speaker 1: can say this, my friend.

679
00:35:55,000 --> 00:36:00,759
Speaker 4: Okay, And that didn't feel very good. Okay, So I

680
00:36:00,800 --> 00:36:01,600
Speaker 4: guess I would.

681
00:36:01,440 --> 00:36:05,839
Speaker 1: Say, yeah, it was like it was a little stressful

682
00:36:06,360 --> 00:36:09,360
Speaker 1: for me. Uh and especially with my clearance level, I

683
00:36:09,360 --> 00:36:12,600
Speaker 1: thought I probably am the person to tackle some of

684
00:36:12,640 --> 00:36:16,600
Speaker 1: these issues right and they and in some cases literally tackle,

685
00:36:16,880 --> 00:36:19,160
Speaker 1: you know, like a background actor or something.

686
00:36:19,280 --> 00:36:21,120
Speaker 2: So you tackled a background actor.

687
00:36:21,640 --> 00:36:22,440
Speaker 3: That's sure tried.

688
00:36:22,800 --> 00:36:26,160
Speaker 4: Okay, God damn, guys are built like a British house.

689
00:36:26,200 --> 00:36:29,840
Speaker 2: Look, I appreciate background actors.

690
00:36:30,160 --> 00:36:31,440
Speaker 3: They got in all day.

691
00:36:31,480 --> 00:36:34,280
Speaker 1: They're holding these positions. It's repeating, it's.

692
00:36:34,120 --> 00:36:35,080
Speaker 3: It's it's exercise.

693
00:36:35,160 --> 00:36:38,319
Speaker 2: It's a really hard job. I started out as a

694
00:36:38,360 --> 00:36:44,200
Speaker 2: background actor, and I can tell you thank you, yeah nice,

695
00:36:44,520 --> 00:36:47,880
Speaker 2: Yeah you can. You can always always count on me

696
00:36:48,640 --> 00:36:53,640
Speaker 2: pointing that out and talking about how down to earth

697
00:36:53,640 --> 00:36:56,960
Speaker 2: it is for those who start as background actors. Everything

698
00:36:57,000 --> 00:37:01,520
Speaker 2: about going back I would any day of the week.

699
00:37:02,239 --> 00:37:03,319
Speaker 2: So it's a great job.

700
00:37:03,480 --> 00:37:05,359
Speaker 1: Just rip one off, you know what I mean, get

701
00:37:05,400 --> 00:37:06,160
Speaker 1: back in there, just.

702
00:37:07,600 --> 00:37:10,479
Speaker 2: You know, and stand and show them how it's done.

703
00:37:11,800 --> 00:37:15,440
Speaker 3: Get out of the way or sit. Yeah, did you

704
00:37:15,440 --> 00:37:17,880
Speaker 3: go by implication? You're saying that they're doing it wrong

705
00:37:19,239 --> 00:37:20,600
Speaker 3: when you say show them how it's done.

706
00:37:20,680 --> 00:37:23,799
Speaker 2: I've certainly I've certainly seen it done wrong. Like very

707
00:37:24,080 --> 00:37:26,160
Speaker 2: it's a bit of a lost art. Yeah, it's a

708
00:37:26,160 --> 00:37:27,000
Speaker 2: bit of a lost art.

709
00:37:27,280 --> 00:37:30,200
Speaker 1: And I think it's generational, and I think there's a

710
00:37:30,280 --> 00:37:35,120
Speaker 1: sense of entitlement. You know, you talked about these being little,

711
00:37:35,120 --> 00:37:37,440
Speaker 1: tiny coffins, and it did remind me of something that

712
00:37:37,480 --> 00:37:39,360
Speaker 1: we do say on the show all the time, which

713
00:37:39,400 --> 00:37:46,000
Speaker 1: is these millennials are constantly whining about needing a safe space.

714
00:37:46,400 --> 00:37:48,439
Speaker 1: I gotta say, a space forum six feet underground. Pretty

715
00:37:48,440 --> 00:37:48,960
Speaker 1: safe down there?

716
00:37:48,960 --> 00:37:50,919
Speaker 2: Oh wow, pretty safe.

717
00:37:50,960 --> 00:37:56,920
Speaker 1: So I think that they, oh, buddy, once I get

718
00:37:57,360 --> 00:38:01,080
Speaker 1: once I, once I get these poisons darts out of

719
00:38:01,120 --> 00:38:07,799
Speaker 1: the wall, they're going they are going straight into a millennials.

720
00:38:08,440 --> 00:38:13,120
Speaker 1: But whoa, So first it's just two targets silverfish in millennials.

721
00:38:14,080 --> 00:38:16,719
Speaker 1: I mean, I can see how millennials and as a

722
00:38:16,880 --> 00:38:21,719
Speaker 1: you know, as a generation, sometimes can be annoying. But

723
00:38:21,800 --> 00:38:23,799
Speaker 1: I think that you might be going a little far.

724
00:38:24,080 --> 00:38:26,040
Speaker 1: It's too you know, they say like it's two hits,

725
00:38:26,040 --> 00:38:27,920
Speaker 1: me hitting you, hitting the ground. This is too misses

726
00:38:28,239 --> 00:38:31,680
Speaker 1: me missing the silverfish, and then millennials parents missing them.

727
00:38:33,400 --> 00:38:37,279
Speaker 2: Jesus Christ, is that Are you sure you want to

728
00:38:37,280 --> 00:38:38,799
Speaker 2: say that on your podcast?

729
00:38:38,960 --> 00:38:41,160
Speaker 1: Well, I was under the impression that we were not

730
00:38:41,200 --> 00:38:42,480
Speaker 1: going to release this one.

731
00:38:42,280 --> 00:38:49,040
Speaker 2: Because so the silverfish and the millennials are the two

732
00:38:49,080 --> 00:38:51,600
Speaker 2: groups you do not want hearing this. I mean we

733
00:38:51,640 --> 00:38:54,879
Speaker 2: can just, I don't know, find a frequency that neither

734
00:38:54,960 --> 00:38:57,359
Speaker 2: of those species are able to hear.

735
00:38:58,120 --> 00:39:03,640
Speaker 1: Yeah, let's have a mattapadaka kind of getting the wires

736
00:39:03,680 --> 00:39:08,400
Speaker 1: and tune that the knobs. Yeah, do you know Sandler?

737
00:39:09,320 --> 00:39:10,520
Speaker 2: I've met Adam Sandler.

738
00:39:10,640 --> 00:39:12,759
Speaker 1: Sure you comfortable making a call?

739
00:39:14,239 --> 00:39:18,320
Speaker 2: Yeah? We really like I feel like you guys, really

740
00:39:19,680 --> 00:39:21,800
Speaker 2: Adam Sandler was going to walk in here today and

741
00:39:21,840 --> 00:39:23,359
Speaker 2: you're still sort of really.

742
00:39:23,840 --> 00:39:27,400
Speaker 3: I don't move through life expecting something like that to

743
00:39:27,440 --> 00:39:29,200
Speaker 3: do you want to make God laugh?

744
00:39:30,320 --> 00:39:33,720
Speaker 1: You know what I mean applies to podcast guests and everything.

745
00:39:34,000 --> 00:39:36,279
Speaker 2: It seems like this was the expectation you guys had.

746
00:39:36,760 --> 00:39:40,439
Speaker 6: It's not about expectations, it's about like it made too

747
00:39:40,560 --> 00:39:46,240
Speaker 6: much sense with him going on severance and like actually

748
00:39:46,320 --> 00:39:48,719
Speaker 6: the show making sense where it's two different guys and

749
00:39:48,800 --> 00:39:49,480
Speaker 6: one of them.

750
00:39:49,400 --> 00:39:53,319
Speaker 3: Is Adam Sandler like the goofball, and the other one's

751
00:39:53,320 --> 00:39:55,240
Speaker 3: a little more buttoned up the way you could.

752
00:39:55,080 --> 00:39:57,640
Speaker 2: Still be there, I would still be on the show.

753
00:39:58,120 --> 00:40:03,160
Speaker 2: That would be great. Yes, Well I do know him,

754
00:40:03,200 --> 00:40:07,319
Speaker 2: so you want me to to trade like someone that

755
00:40:07,360 --> 00:40:10,920
Speaker 2: I barely know, who you're comfortable with, because it seems

756
00:40:10,920 --> 00:40:13,839
Speaker 2: like you guys want Adam Sandler to would that be

757
00:40:13,880 --> 00:40:17,839
Speaker 2: I mean, it could be a nice episode. You know, Hey,

758
00:40:17,880 --> 00:40:18,600
Speaker 2: this was funny.

759
00:40:18,800 --> 00:40:21,359
Speaker 3: That's what separate negotiation we're having with still or maybe

760
00:40:21,360 --> 00:40:25,600
Speaker 3: we just roll that deal over, okay, into a Sandler deal.

761
00:40:25,800 --> 00:40:28,160
Speaker 2: So I'm now cut out of the deal.

762
00:40:28,719 --> 00:40:32,560
Speaker 3: Do you have a food that you are trying to like?

763
00:40:34,239 --> 00:40:37,480
Speaker 2: I mean that that's a great idea. I never actually

764
00:40:37,560 --> 00:40:41,080
Speaker 2: thought about a food that I could put my name on.

765
00:40:41,239 --> 00:40:43,480
Speaker 2: Tater Tots. I like tater Tots. I don't know if

766
00:40:43,520 --> 00:40:47,880
Speaker 2: I'm passionate enough about them to like sell tater tots

767
00:40:47,920 --> 00:40:49,240
Speaker 2: with my face on the bag.

768
00:40:49,480 --> 00:40:55,520
Speaker 3: I think we used to have a producer who would

769
00:40:55,800 --> 00:40:57,960
Speaker 3: tell us about the Office all the time, just different

770
00:40:57,960 --> 00:41:00,239
Speaker 3: things that had happened in the show. The Office now

771
00:41:00,360 --> 00:41:04,760
Speaker 3: is a Michael Scott thing, but I think that's about kids.

772
00:41:05,120 --> 00:41:07,280
Speaker 3: I think the tots are kids. So if you change

773
00:41:07,360 --> 00:41:08,840
Speaker 3: both the Scott.

774
00:41:08,640 --> 00:41:13,160
Speaker 2: And the top, what about tatter Scott's tater should you

775
00:41:13,239 --> 00:41:14,040
Speaker 2: just find that?

776
00:41:14,160 --> 00:41:18,440
Speaker 3: Well, we found it at them. I mean I actually

777
00:41:18,520 --> 00:41:21,200
Speaker 3: pointed out a flaw and so that is a huge

778
00:41:21,280 --> 00:41:23,879
Speaker 3: part in a writer's room. It's kind of my thing

779
00:41:23,920 --> 00:41:26,600
Speaker 3: to be. I'm bumping on this, yeah, yeah, yeah, yeah.

780
00:41:26,920 --> 00:41:29,479
Speaker 3: This has been to the other You guys keep going,

781
00:41:29,560 --> 00:41:30,200
Speaker 3: I am going to.

782
00:41:30,200 --> 00:41:34,520
Speaker 2: Split you are really yeah, just I don't want to

783
00:41:34,520 --> 00:41:38,400
Speaker 2: be late. Do you have work? Okay?

784
00:41:38,680 --> 00:41:40,319
Speaker 3: Do you allowed to Yeah?

785
00:41:40,719 --> 00:41:41,000
Speaker 2: Sure?

786
00:41:41,520 --> 00:41:46,399
Speaker 1: Are we allowed to talk about your new the next

787
00:41:46,440 --> 00:41:48,120
Speaker 1: thing you're doing with Ackerman?

788
00:41:48,239 --> 00:41:50,839
Speaker 2: The new uh kind of music run you guys are doing.

789
00:41:51,280 --> 00:41:54,960
Speaker 2: We don't know yet which what we're going to do?

790
00:41:55,120 --> 00:41:59,239
Speaker 1: Oh I was told that you did? Okay, what were

791
00:41:59,280 --> 00:42:03,200
Speaker 1: you told? Believe it was called Jackie my Johnson to

792
00:42:03,280 --> 00:42:04,880
Speaker 1: Jack Johnson with Johnson.

793
00:42:04,640 --> 00:42:11,960
Speaker 2: Jack Okay, cats out of the bag, so live.

794
00:42:12,000 --> 00:42:14,600
Speaker 1: I could go on to discuss brush fire fairy tales.

795
00:42:14,600 --> 00:42:16,600
Speaker 1: I mean, you know, you want to wedge myself in.

796
00:42:16,760 --> 00:42:17,200
Speaker 2: Oh my god.

797
00:42:17,239 --> 00:42:19,759
Speaker 3: We would love to have Jacking your Johnson to Jack

798
00:42:19,840 --> 00:42:23,000
Speaker 3: Johnson with John's son Jack the name of the h.

799
00:42:24,080 --> 00:42:27,840
Speaker 2: That's the end of it. Who is Jack and Johnson

800
00:42:28,080 --> 00:42:32,360
Speaker 2: with Jack Johnson and Jack's Johnson Jackson?

801
00:42:32,480 --> 00:42:34,720
Speaker 3: But who is who's the John?

802
00:42:35,080 --> 00:42:36,200
Speaker 1: JFK Junior? Right?

803
00:42:37,040 --> 00:42:37,200
Speaker 2: Is it?

804
00:42:37,800 --> 00:42:38,960
Speaker 3: He's hot right now?

805
00:42:39,120 --> 00:42:45,000
Speaker 2: How dare you? No? It's not? JF.

806
00:42:45,640 --> 00:42:48,279
Speaker 3: Something if you revealed Oh, but it could be that

807
00:42:48,560 --> 00:42:50,720
Speaker 3: Jack was still alive.

808
00:42:50,920 --> 00:42:53,239
Speaker 2: Though it is Jack Slaburg.

809
00:42:52,840 --> 00:42:57,200
Speaker 3: Okay, less less exciting than it being JFKJ.

810
00:42:57,560 --> 00:42:59,879
Speaker 2: But you know, maybe at some point we'll actually tell

811
00:42:59,880 --> 00:43:02,399
Speaker 2: it like this. It is exciting, right.

812
00:43:02,560 --> 00:43:05,440
Speaker 1: Sometimes, yeah, sometimes you have I don't want to call

813
00:43:05,480 --> 00:43:09,000
Speaker 1: an expectation. Sometimes you sort of assume something and what

814
00:43:09,080 --> 00:43:11,359
Speaker 1: you find out is the truth is even better. It's

815
00:43:11,680 --> 00:43:17,840
Speaker 1: so awesome, guys, I gotta bug walk walk you out, okay, okay, great, yeah, Chris.

816
00:43:18,640 --> 00:43:21,200
Speaker 2: To catch up. I'm just sort of okay, not damage

817
00:43:21,719 --> 00:43:24,520
Speaker 2: you want to hang out. I don't need to hang

818
00:43:24,560 --> 00:43:27,279
Speaker 2: out here. If you guys are leaving for a.

819
00:43:27,280 --> 00:43:28,880
Speaker 3: Second, we just when the show is done, we just

820
00:43:28,920 --> 00:43:29,480
Speaker 3: say bye.

821
00:43:29,760 --> 00:43:31,880
Speaker 1: So just like so, whenever you're feeling it, you say so,

822
00:43:32,000 --> 00:43:32,959
Speaker 1: I just keep going.

823
00:43:33,000 --> 00:43:34,719
Speaker 3: If you want to plug anything.

824
00:43:36,200 --> 00:43:38,759
Speaker 1: About the horror movie, there's the name even say.

825
00:43:39,080 --> 00:43:43,680
Speaker 2: Okay, Hocum comes out May one, uh in theaters everywhere.

826
00:43:43,719 --> 00:43:50,600
Speaker 2: Thanks you guys, Thanks, bye, okay bye? Is this my

827
00:43:50,800 --> 00:43:51,399
Speaker 2: show now