1 00:00:00,400 --> 00:00:04,440 Speaker 1: So that is new music from Billy Joel, the legend 2 00:00:04,640 --> 00:00:08,840 Speaker 1: Billy Joel, one of the architects of rock and roll, 3 00:00:08,840 --> 00:00:11,319 Speaker 1: one of two point seven Kiss FM. So this kind 4 00:00:11,320 --> 00:00:13,560 Speaker 1: of music history that we got this and this song 5 00:00:13,600 --> 00:00:16,759 Speaker 1: being played all over the world right now as we 6 00:00:17,079 --> 00:00:20,079 Speaker 1: just got it. It was co written. Billy Joel is 7 00:00:20,120 --> 00:00:24,200 Speaker 1: an artist that said he'll sort of never do new music, 8 00:00:24,280 --> 00:00:27,880 Speaker 1: never release new music. He's performed with Elton John I 9 00:00:27,920 --> 00:00:30,280 Speaker 1: mean just like he is a he's a god in 10 00:00:30,320 --> 00:00:33,599 Speaker 1: the music business. And Freddie Wexler, who's going to come 11 00:00:33,640 --> 00:00:36,080 Speaker 1: on with us here in a second. He produced that 12 00:00:36,159 --> 00:00:38,400 Speaker 1: song and he talked Billy into coming back to do 13 00:00:38,520 --> 00:00:41,520 Speaker 1: new music. And Freddy has written songs for Ariana Grande, 14 00:00:41,560 --> 00:00:44,960 Speaker 1: Selena Gomez, Justin Bieber Black, Pink Pink, Selene Dion. I mean, 15 00:00:44,960 --> 00:00:47,720 Speaker 1: the dude's stud and he goes up to Billy and 16 00:00:47,720 --> 00:00:50,960 Speaker 1: he's like, you need to do more music. I think, oh, look, 17 00:00:51,240 --> 00:00:53,200 Speaker 1: Freddy Rexler and Billy Joel. I didn't know Billy Joel 18 00:00:53,200 --> 00:00:54,960 Speaker 1: was joining us right now. Billy, I didn't know you 19 00:00:55,000 --> 00:00:58,000 Speaker 1: were listening in on that. It's an honor to have 20 00:00:58,080 --> 00:01:02,440 Speaker 1: you here. But I thought, in my role in this job, 21 00:01:02,640 --> 00:01:04,440 Speaker 1: I was never going to get the opportunity to have 22 00:01:04,520 --> 00:01:07,680 Speaker 1: this moment because I thought I heard you say you 23 00:01:07,680 --> 00:01:09,640 Speaker 1: aren't going to do this anymore, that you aren't going 24 00:01:09,720 --> 00:01:10,679 Speaker 1: to release new music. 25 00:01:11,600 --> 00:01:15,120 Speaker 2: I thought so too. I was convinced of it. 26 00:01:15,560 --> 00:01:20,160 Speaker 1: What changed your mind, Billy? He did for so Freddy 27 00:01:20,200 --> 00:01:22,080 Speaker 1: you got to give the backs because I literally when 28 00:01:22,120 --> 00:01:23,480 Speaker 1: I heard this was happening on the calendar and I 29 00:01:23,560 --> 00:01:26,400 Speaker 1: heard there was a song, I didn't really understand it. 30 00:01:26,480 --> 00:01:27,880 Speaker 1: And I think a lot of people are going, Wow, 31 00:01:27,959 --> 00:01:31,440 Speaker 1: this is a blessing. But how and if you're so convincing, 32 00:01:31,760 --> 00:01:33,880 Speaker 1: we want to know what you did to convince this legend, 33 00:01:33,880 --> 00:01:35,560 Speaker 1: this man to release new music. 34 00:01:36,319 --> 00:01:39,720 Speaker 3: For me, I became a songwriter because of Billy Joel 35 00:01:40,400 --> 00:01:44,120 Speaker 3: and I always wanted to meet Billy. He was really 36 00:01:44,200 --> 00:01:49,040 Speaker 3: my greatest inspiration as a songwriter. And ultimately it happened. 37 00:01:50,280 --> 00:01:53,160 Speaker 3: It was not like a quick meeting and Okay, great, 38 00:01:53,240 --> 00:01:58,320 Speaker 3: let's write a song by any stretch you tell him, 39 00:01:58,440 --> 00:01:59,680 Speaker 3: You tell him from your perspective. 40 00:02:00,160 --> 00:02:03,240 Speaker 2: Look in my mind thirty years ago, that was it. 41 00:02:03,760 --> 00:02:07,000 Speaker 2: I was done and I didn't want to get back 42 00:02:07,000 --> 00:02:10,799 Speaker 2: in harness again. I was done writing songs. Although I've 43 00:02:10,800 --> 00:02:17,520 Speaker 2: been continuing to write music, instrumental music, and a number 44 00:02:17,520 --> 00:02:20,480 Speaker 2: of people have tried to talk me into writing new songs, 45 00:02:20,480 --> 00:02:23,480 Speaker 2: going into the studio, making a new recording, going through 46 00:02:23,480 --> 00:02:27,200 Speaker 2: the whole process again, YadA, YadA, YadA. And I was 47 00:02:27,320 --> 00:02:30,800 Speaker 2: kind of burned out on the music business. The fun 48 00:02:30,880 --> 00:02:33,400 Speaker 2: had gone out of it, and the whole reason I 49 00:02:33,440 --> 00:02:36,360 Speaker 2: got into music in the first place because it was fun. 50 00:02:36,960 --> 00:02:39,639 Speaker 2: I loved rock and roll. I loved the fun aspect 51 00:02:39,680 --> 00:02:43,959 Speaker 2: of it, the performance of it, the crowd, noise, the 52 00:02:44,360 --> 00:02:48,760 Speaker 2: girl screaming, the whole nine yards. It was so much fun. 53 00:02:49,080 --> 00:02:51,840 Speaker 2: And I had to try to rediscover the fun. 54 00:02:52,120 --> 00:02:53,760 Speaker 3: So I put on a wig and I. 55 00:02:56,639 --> 00:03:01,160 Speaker 2: Right, well, I just think if it's not fun, it's yeah, 56 00:03:01,240 --> 00:03:03,720 Speaker 2: what's the point. I mean, because you can hear if 57 00:03:03,720 --> 00:03:06,280 Speaker 2: somebody's having a good time or not. It comes through 58 00:03:06,320 --> 00:03:06,919 Speaker 2: in the music. 59 00:03:07,400 --> 00:03:11,920 Speaker 3: And I said to Billy, look, I don't believe you 60 00:03:11,960 --> 00:03:15,120 Speaker 3: can't write songs anymore. You don't, you you're because i'd 61 00:03:15,160 --> 00:03:16,639 Speaker 3: heard these different things where you won't write songs. And 62 00:03:16,720 --> 00:03:19,000 Speaker 3: he kind of said, you know, well, believe whatever you want. 63 00:03:19,040 --> 00:03:21,080 Speaker 3: I don't care what you believe. And I don't know 64 00:03:21,120 --> 00:03:23,639 Speaker 3: what came over me, but I know, you kind of 65 00:03:23,680 --> 00:03:25,440 Speaker 3: got to take your shot when you have it. I say, well, 66 00:03:26,200 --> 00:03:28,519 Speaker 3: do you have any unfinished songs, any songs you started 67 00:03:28,520 --> 00:03:30,760 Speaker 3: in the seventies or eighties that you never finished? He said, yeah, sure, 68 00:03:30,760 --> 00:03:33,480 Speaker 3: I've unfinished songs. And I said, well, why don't you 69 00:03:33,560 --> 00:03:34,320 Speaker 3: let me finish them? 70 00:03:34,880 --> 00:03:37,840 Speaker 1: So, Billy, I just I'm so curious to know. Was 71 00:03:37,880 --> 00:03:39,880 Speaker 1: it just a feeling, it was just an instinct? Was 72 00:03:39,960 --> 00:03:41,560 Speaker 1: just a I mean, were you in a good mood? 73 00:03:41,600 --> 00:03:42,200 Speaker 1: Was it a gut thing? 74 00:03:42,280 --> 00:03:42,360 Speaker 2: Like? 75 00:03:42,400 --> 00:03:45,560 Speaker 1: What was it? Because this actually alternates the history of 76 00:03:45,640 --> 00:03:47,880 Speaker 1: rock and roll by you releasing new music today. 77 00:03:48,280 --> 00:03:50,200 Speaker 2: This was a guy who was a songwriter in his 78 00:03:50,240 --> 00:03:54,360 Speaker 2: own right, and when we started talking about the craft 79 00:03:54,440 --> 00:03:58,360 Speaker 2: of songwriting, the actual job of it, the work, I 80 00:03:58,480 --> 00:04:01,240 Speaker 2: recognize he knows what he's called talking about. And he 81 00:04:01,280 --> 00:04:03,480 Speaker 2: had asked me a key question. He goes, let me 82 00:04:03,480 --> 00:04:06,440 Speaker 2: ask you something. When you're recording and you are singing 83 00:04:06,440 --> 00:04:08,880 Speaker 2: one of your own songs, are you ever thinking of 84 00:04:08,960 --> 00:04:13,000 Speaker 2: somebody else doing it? And I said always, I'm always 85 00:04:13,080 --> 00:04:15,320 Speaker 2: thinking of somebody else. I got into this to be 86 00:04:15,360 --> 00:04:18,520 Speaker 2: a songwriter, not to be a pop star. I was 87 00:04:18,560 --> 00:04:23,239 Speaker 2: thinking of writing songs for other people. And he keyed 88 00:04:23,279 --> 00:04:24,720 Speaker 2: in on that and he goes, well, that's how I 89 00:04:24,800 --> 00:04:28,280 Speaker 2: do it. And I did a performance of this song 90 00:04:28,360 --> 00:04:31,000 Speaker 2: in a recording studio. Well, Freddie was in the control room. 91 00:04:31,200 --> 00:04:33,400 Speaker 2: I came back in the control room. I listened back 92 00:04:33,680 --> 00:04:36,200 Speaker 2: and I said, I don't hate that. 93 00:04:36,600 --> 00:04:41,120 Speaker 1: I don't, which is a great compliment exactly. Co writer 94 00:04:41,200 --> 00:04:43,800 Speaker 1: producer Billy Joel's new single, turn the Lights Back on 95 00:04:43,839 --> 00:04:45,800 Speaker 1: Freddie Weser and of course I one and only Billy 96 00:04:45,880 --> 00:04:48,760 Speaker 1: Joel will look for a tour. Thank you for coming on. 97 00:04:48,800 --> 00:04:50,039 Speaker 1: Congratulations both of you. 98 00:04:50,680 --> 00:04:53,520 Speaker 3: Thank you, gentleman, say