WEBVTT - Revival

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<v Speaker 1>The Seventh Daughter contains scenes of realistic violence and graphic sexuality.

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<v Speaker 1>It is intended for mature listeners. Have you come seeking knowledge?

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<v Speaker 1>Do you wish to know the truth? Allow me to

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<v Speaker 1>show you. Close your eyes and follow the sound of

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<v Speaker 1>my voice. Allow it to lead you further into the past.

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<v Speaker 1>When I remove my blindfold, you may look into my eyes.

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<v Speaker 1>Don't just look at them, look through them, and you

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<v Speaker 1>will see what they have seen, and all my secrets

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<v Speaker 1>pill be revealed. The Seventh Daughter, Hail Mary, full of grace,

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<v Speaker 1>Lord is with thee. Blessed are thou amongst women, And

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<v Speaker 1>blessed is the fruit of thy womb. Jesus, Holy Mary,

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<v Speaker 1>Mother of God. Pray for her sins, Amen praying, praying. Wait,

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<v Speaker 1>you really believe, don't you? I do miracles and all

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<v Speaker 1>that water into wine body of Christ, raising the dead.

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<v Speaker 1>Have you ever stopped to wonder how those feats were accomplished?

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<v Speaker 1>What form of deckering in the name of God the Father? Hm?

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<v Speaker 1>They say, as magicians go, Jesus was the best. I'm sorry?

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<v Speaker 1>Is that blasphemy? If it is, then may God strike

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<v Speaker 1>me dead? See no blasphemy or maybe no God? Oh

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<v Speaker 1>that frightens you. I can see it in your eyes,

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<v Speaker 1>but you will be amazed at what miracles you will

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<v Speaker 1>soon perform. Here I'll show you two decks of cards,

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<v Speaker 1>the deck of fifty two playing cards and the seventy

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<v Speaker 1>eight cards of the tarot. Each of these cards has

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<v Speaker 1>two notches cut into the side. For now, the cuts

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<v Speaker 1>are deep so you can't mistake them. The notch on

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<v Speaker 1>the end of the card indicates the suit. The notch

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<v Speaker 1>on the side tells which card within that suit. Playing

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<v Speaker 1>cards are for tricks, but the tarot these cards are

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<v Speaker 1>used to tell a story. You deal them in a

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<v Speaker 1>specific formation on the table, and as you turn the cards,

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<v Speaker 1>you weave a tale. Knowing which card you've placed in

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<v Speaker 1>which position will enable you to shape the story to

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<v Speaker 1>your advantage, so that every turn of a card fulfills

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<v Speaker 1>your prophecy and draws them deeper into your labyrinth. How

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<v Speaker 1>long will it take to learn these things? Mm hmm.

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<v Speaker 1>For a seventh daughter who does nothing but devote herself

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<v Speaker 1>to learning, it may only require months, months, if not years,

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<v Speaker 1>months you're wasting valuable time. August September. Take this slate,

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<v Speaker 1>here's the chalk. Write a number without letting me see eleven.

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<v Speaker 1>Write another, three, six, four? How did you do that

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<v Speaker 1>the sound of the chalk on the slate by being

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<v Speaker 1>able to distinguish the sound of a straight line from

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<v Speaker 1>that of a curve, a dot from a dad. Observation

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<v Speaker 1>and intuition are skills like any other that can be

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<v Speaker 1>exercised and strengthened, just like the musculature of the body.

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<v Speaker 1>May okay, you have four minutes to identify every card

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<v Speaker 1>in this deck blind. If you succeed, you eat. If

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<v Speaker 1>you fail three times, you don't eat. Go eight of clubs,

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<v Speaker 1>four of diamonds, Jack, come on, Queen of spades, three

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<v Speaker 1>of hearts, ten of diamonds, two of clubs, four of diamonds,

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<v Speaker 1>Queen of Spades. Stop. Put the remaining cards on the table,

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<v Speaker 1>then move your hand away. How many cards are still

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<v Speaker 1>in the deck? You should know without counting six. I

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<v Speaker 1>think you think six? Pretty sure? Name them. He didn't

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<v Speaker 1>tell me I was gonna. I shouldn't have to tell you.

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<v Speaker 1>You should know use the process of elimination, which cards

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<v Speaker 1>for days. If it's not cards, it's learning to talk

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<v Speaker 1>in code. It's not fair for you to change the rules.

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<v Speaker 1>There are no rules. You can't expect anyone to observe

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<v Speaker 1>the rules when they're only right. Queen of Diamonds, three

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<v Speaker 1>of spades, nine of the Spades, King of Hearts, seven

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<v Speaker 1>of clubs and the last one? Why don't you tell me?

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<v Speaker 1>You're my partner. You've been watching, so you should know

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<v Speaker 1>as well. Why don't you tell me what the last

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<v Speaker 1>card is? Will you wager your supp before against your

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<v Speaker 1>opium pipe? Yes? Don't challenge me, pearl. Is it a

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<v Speaker 1>wager or not? If you name it, I don't eat.

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<v Speaker 1>If you miss, you don't smoke. It's it's fine. We

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<v Speaker 1>shouldn't be wagering like this. I just need a minute

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<v Speaker 1>of club What ten of clubs? Deal them? King of Hearts,

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<v Speaker 1>Night of Spades, seven of clubs, Queen of Diamonds, three

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<v Speaker 1>of spades, go on, show me ton of clubs. Mm hmmm.

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<v Speaker 1>Let that be a lesson to you. I've been thinking

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<v Speaker 1>the fact that you feel some connection to this spirit

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<v Speaker 1>power can be good for you for your performance, good

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<v Speaker 1>for us? How is it good for us? The genius

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<v Speaker 1>of your Jesus and Moses too, with his plagues and

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<v Speaker 1>transforming a staff into a serpent. I would like to

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<v Speaker 1>have seen that one their genius was not just performing

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<v Speaker 1>allusions to astound but tying these tricks to the spirit.

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<v Speaker 1>It was the message behind these prophets that made their

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<v Speaker 1>magic so meaningful. One without the other would have been impressive,

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<v Speaker 1>but the two together brilliant. The message that one wraps

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<v Speaker 1>around the illusion, that is what takes an ordinary magic

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<v Speaker 1>trick and elevates it into a miracle. Think of it.

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<v Speaker 1>They were such good magicians that we're still talking about

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<v Speaker 1>their performances two thousand years later. And so now that

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<v Speaker 1>you are beginning to become competent at some of these tricks,

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<v Speaker 1>it is time to concentrate on the message. This story

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<v Speaker 1>no sound like blasphemy. Get your coat, I'll explain while

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<v Speaker 1>we walk. And the woman was a raid in purple

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<v Speaker 1>and scarlet color and decked with gold and precious stones

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<v Speaker 1>and pearls, having a golden coponter handful of abominations and

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<v Speaker 1>fieldingness of her fornication. And listen to the contempt they

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<v Speaker 1>have for us. He's not talking about us. He's talking

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<v Speaker 1>about the Jezebels of the world. To men like him, Honey,

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<v Speaker 1>we're all Jezebels. These are confusing times. Pearl people are adrift,

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<v Speaker 1>the moral winds are constantly shifting, and they're out there

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<v Speaker 1>without a rudder or sail, looking for a star to follow.

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<v Speaker 1>This star shines especially bright, sister of angelin Watkins Temple

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<v Speaker 1>of the Trinity of Light. People will pay two bits

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<v Speaker 1>to see a magic show, but for a genuine display

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<v Speaker 1>of the spirit, you can name your price. People will

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<v Speaker 1>empty their pockets at your feet the same what we

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<v Speaker 1>do and the word of the Lord, Oh of too

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<v Speaker 1>much faith, remove the scales from her eyes, Oh Lord,

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<v Speaker 1>so that she may see the truth. Don't do that.

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<v Speaker 1>I wouldn't expect a convent girl like you to accept

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<v Speaker 1>the word of a fork tongue serpent like so. I

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<v Speaker 1>wanted to show you so you can see for yourself,

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<v Speaker 1>so you can feel the holes in Jesus hands. And afterward,

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<v Speaker 1>maybe I'll show you how he did it. The one

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<v Speaker 1>thing I ask, and I mean this sincerely, lower the

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<v Speaker 1>barrier that you've erected around yourself to protect your faith.

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<v Speaker 1>If your faith can't withstand a few punches, its foundation

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<v Speaker 1>must be fairly weak. Keep your eyes and your mind open.

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<v Speaker 1>In my mouth shut h m. Listen to that music.

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<v Speaker 1>The nuns ever play music like that? No, I don't

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<v Speaker 1>think so. Feel the rhythm of the drum. Listen to

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<v Speaker 1>the way the music repeats, dances a circle around it, intoxicating.

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<v Speaker 1>Close your eyes and just feel it. Your body cannot

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<v Speaker 1>help but begin to sway all the music. The music

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<v Speaker 1>has wings that lift you up off the ground and

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<v Speaker 1>let your spirit float above the flesh that encloses us

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<v Speaker 1>like a prison. This woman's sister, Evangeline, this American Moses,

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<v Speaker 1>has tremendous power. She's just like us. She's doing her

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<v Speaker 1>high pitch, just like we do ours, and like lotus blood.

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<v Speaker 1>She's selling medicine that doesn't work, a concoction of scripture,

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<v Speaker 1>prayer and tears, something of no actual value, yet she

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<v Speaker 1>commands a premium price. Unlike you would die. Sister Evangeline

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<v Speaker 1>doesn't waste her time mixing ingredients in a tub and

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<v Speaker 1>putting it into bottles. Her medicine is invisible, but they

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<v Speaker 1>pay for it all the same, and just like us.

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<v Speaker 1>After tonight's performance, she will fold up the canvas, count

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<v Speaker 1>up the nickels and dimes, pay off her fool and

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<v Speaker 1>look for her chance to work her way up into

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<v Speaker 1>a better venue where she can perform for a more

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<v Speaker 1>prosperous audience. Maybe I don't want to perform for money

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<v Speaker 1>or so lies. Is it so wrong for me to

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<v Speaker 1>want something to believe in. I just want to have

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<v Speaker 1>some hope for the future. Is that so wrong? Listen

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<v Speaker 1>to me, pearl. The best you have for the future

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<v Speaker 1>is you don't turn over control of your life to

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<v Speaker 1>someone else. You have the power to control your destiny.

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<v Speaker 1>The only thing you need to believe in right now

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<v Speaker 1>is you. Stop the music. Stop the music. Okay, this

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<v Speaker 1>is it. Watch if you're about to see duck around.

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<v Speaker 1>He is fine speaking to me telling me that there

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<v Speaker 1>is one among us who believes he is beyond salvation.

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<v Speaker 1>But I tell you, dear ones, that no one is

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<v Speaker 1>beyond salvation. I command you to stop where you are,

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<v Speaker 1>Stop where you are and drop those crutches. If you

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<v Speaker 1>have faith, God will give you the strength to crawl

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<v Speaker 1>up to this altar and claim your crown of salvation. Jesus, Yes,

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<v Speaker 1>call his name. Let us all call upon his name, Jesus, Jesus, Jesus.

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<v Speaker 1>What if I told you that he has the power

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<v Speaker 1>to straighten your arms and legs and fat Jesus? Do

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<v Speaker 1>you believe in him? Do you believe in him? I

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<v Speaker 1>please the name of Jesus. I call down the healing

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<v Speaker 1>power of Christ Almighty, and command you to rise up

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<v Speaker 1>and walk. Jesus and Gold, have I none but what

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<v Speaker 1>I have? Give I d Rise up and walk, Rise

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<v Speaker 1>up and walk, Rise up and walk, ri rile up, walk,

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<v Speaker 1>leaving him believing him, believing him him. Rise up and walk. Oh,

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<v Speaker 1>rise up and walk, Rise up and walk. That's it,

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<v Speaker 1>that's it. Rise up and walk, Rise up and walk

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<v Speaker 1>and walk right up, walk, praise bitter God. I can walk,

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<v Speaker 1>no brol She doesn't sell tickets, she doesn't sell bottles

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<v Speaker 1>of worthless slum. Half the time. She doesn't even ask

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<v Speaker 1>for money. But look at it pouring in. But it's

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<v Speaker 1>more than money. Look at their faces. Look at the

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<v Speaker 1>effect Sister Evangeline has upon them. Look how they adore her,

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<v Speaker 1>how they worship her. Mm hmm. Can you imagine what

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<v Speaker 1>it would be like to have those faces turned towards you,

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<v Speaker 1>worshiping you, that is, worshiping God through you. You want

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<v Speaker 1>me to be some holy roller. I don't want you

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<v Speaker 1>to become a holy roller. I just want you to

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<v Speaker 1>get up off your knees. Stop genuflecting to some man

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<v Speaker 1>in a robe or some statue on the wall. Stop

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<v Speaker 1>bowing down. Be the one whom they bow down to.

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<v Speaker 1>You don't believe in anything, No, I don't believe in everything.

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<v Speaker 1>That is what you need to learn. Shouldn't be much longer.

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<v Speaker 1>There's someone I'd like you to meet. I think you'll

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<v Speaker 1>find it most illuminating. Ah, I think I see him now,

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<v Speaker 1>and stay in the shadows. Follow my lead and play

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<v Speaker 1>out the scene. Phraise his holy name. Rose. What are you?

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<v Speaker 1>You shouldn't be here, Neither should you. Roy. You're better

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<v Speaker 1>than this. You're the man who delivers. I can't be

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<v Speaker 1>seen talking to you. I'm back in the game. Roy,

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<v Speaker 1>We're going to kill Corbo. Rose. You can't just say

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<v Speaker 1>something like that. Jesus Christ. The Pinkerton's here? You who's we?

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<v Speaker 1>I got a gollum. I made her out of clay.

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<v Speaker 1>Just leave me out of this, okay, say hello to

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<v Speaker 1>the gentleman Pandora. Hello. Wish she look closely? No? No, no, no, no,

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<v Speaker 1>no no no. You recognize her? Yes? I molded her

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<v Speaker 1>myself in the image of her mother. It's okay. Have

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<v Speaker 1>a good long look. Jesus. I don't know what to say.

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<v Speaker 1>I need she needs your help. We've got to climb

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<v Speaker 1>the pyramid. I don't know, Rose. I'm on the straight

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<v Speaker 1>and narrow now doing the Lord's work. So I see, well,

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<v Speaker 1>come see us after you've given it some thought. In

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<v Speaker 1>the meantime, here's a little gift. I don't want this, Rose,

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<v Speaker 1>take it, throw it a way if you don't want it.

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<v Speaker 1>I didn't want to come to you empty handed. That's goodbye, Roy,

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<v Speaker 1>We'll see you soon. What did you give him? Just

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<v Speaker 1>a friendly reminder of happier times. Old habits die hard.

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<v Speaker 1>I've made your teeth here, bless you. Would you like

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<v Speaker 1>a piece of toast? Anything? No? No, teez, fine, go

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<v Speaker 1>about your chores. I finished my chores. Who so you have?

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<v Speaker 1>I just want you to enjoy your tea. Mhmm. You're

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<v Speaker 1>very kind. So that when you're finished, you will provide

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<v Speaker 1>me with an explanation. What explanation? Eh Bee promised? So

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<v Speaker 1>I did. Yes, I knew your father. I believe he

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<v Speaker 1>is alive today, but I don't know. Yes, I have

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<v Speaker 1>the authority to retrieve you from the convent school. You

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<v Speaker 1>were not kidnapped. I did it because you have an

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<v Speaker 1>obligation to your family, a duty that you are obliged

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<v Speaker 1>to perform. An obligation to become a clairvoyant. Oh no,

0:19:39.440 --> 0:19:43.399
<v Speaker 1>something much more serious, And you cannot do it while

0:19:43.480 --> 0:19:47.639
<v Speaker 1>locked inside a religious cloister. It cannot be done by

0:19:47.680 --> 0:19:52.240
<v Speaker 1>an innocent school girl who dreams about Jesus. It cannot

0:19:52.280 --> 0:20:00.320
<v Speaker 1>be performed by someone who is on their needs. I

0:20:00.440 --> 0:20:04.320
<v Speaker 1>brought you here to prepare you, to condition your mind

0:20:04.400 --> 0:20:09.199
<v Speaker 1>and body so that you may fulfill this obligation. So

0:20:09.359 --> 0:20:14.920
<v Speaker 1>why are the magic It is the family trade. I'm

0:20:14.960 --> 0:20:18.399
<v Speaker 1>teaching you so that you will have the skills to

0:20:18.560 --> 0:20:23.119
<v Speaker 1>survive and always have a means of putting food in

0:20:23.200 --> 0:20:26.520
<v Speaker 1>your mouth and roof such as it is over your head.

0:20:27.640 --> 0:20:30.399
<v Speaker 1>With a little luck, you will not only survive, but

0:20:30.560 --> 0:20:34.800
<v Speaker 1>may be prosper. That is a gift from your family

0:20:35.160 --> 0:20:39.800
<v Speaker 1>that I have been entrusted to deliver. Perhaps one day

0:20:39.840 --> 0:20:42.760
<v Speaker 1>you will choose not to embrace it. You may prefer

0:20:42.960 --> 0:20:46.399
<v Speaker 1>to work at a textile mill, or as a typist,

0:20:47.160 --> 0:20:50.680
<v Speaker 1>or become a cook and washer woman in the service

0:20:50.760 --> 0:20:55.720
<v Speaker 1>of your husband. That will be for you to decide.

0:20:56.880 --> 0:21:01.359
<v Speaker 1>But I am fulfilling my obligation to your family so

0:21:01.480 --> 0:21:07.280
<v Speaker 1>that you may fulfill yours. So what is this opplication?

0:21:09.880 --> 0:21:13.760
<v Speaker 1>It really is too early to be discussing such matters.

0:21:14.880 --> 0:21:19.919
<v Speaker 1>You gave me your word. Mm hmm. So now the

0:21:20.000 --> 0:21:26.280
<v Speaker 1>great deceivers being kept to her word. You promised, so

0:21:26.520 --> 0:21:33.719
<v Speaker 1>I did. There is a man, a very powerful and

0:21:34.040 --> 0:21:39.080
<v Speaker 1>dangerous man, a man who was once a great adventurer,

0:21:39.880 --> 0:21:45.320
<v Speaker 1>who mingled with men of politics and industry, and accumulated

0:21:45.480 --> 0:21:51.160
<v Speaker 1>great wealth. And this man once committed a certain treachery

0:21:51.200 --> 0:21:58.200
<v Speaker 1>against your family. What kind of treachery? Please, one day

0:21:58.400 --> 0:22:02.080
<v Speaker 1>you will know, but not a day. Suffice it to say.

0:22:02.160 --> 0:22:05.960
<v Speaker 1>He destroyed your family, made it impossible for your parents

0:22:06.000 --> 0:22:11.480
<v Speaker 1>to find work as spiritists or anything else. That is

0:22:11.480 --> 0:22:15.000
<v Speaker 1>why the Banner of Davina sat gathering mold in a

0:22:15.080 --> 0:22:21.919
<v Speaker 1>steamer trunk for ten years. This man was responsible for

0:22:21.960 --> 0:22:26.480
<v Speaker 1>the death of your mother. How is she's Do not

0:22:26.640 --> 0:22:30.159
<v Speaker 1>ask even now it is too painful for me to

0:22:30.200 --> 0:22:35.960
<v Speaker 1>think about. But look into my eyes. You know that

0:22:36.000 --> 0:22:40.879
<v Speaker 1>what I'm saying is true when I think of the

0:22:40.960 --> 0:22:44.760
<v Speaker 1>hurt he inflicted upon you by depriving you of a

0:22:44.880 --> 0:22:54.880
<v Speaker 1>mother's love. Grant me that request one day, I promise.

0:22:57.320 --> 0:23:01.800
<v Speaker 1>Sometimes the great deceiver does keep her promises. Yet, yes,

0:23:03.320 --> 0:23:10.560
<v Speaker 1>and the man who did all this, his name is Corbeau,

0:23:11.960 --> 0:23:16.399
<v Speaker 1>the blackbird. No one knows his real name, because he

0:23:16.440 --> 0:23:24.760
<v Speaker 1>has claimed so many Oliver had oh, Bellerophon, cordor a l'indelil,

0:23:26.119 --> 0:23:30.359
<v Speaker 1>But Corbeau is what he is most commonly called. It

0:23:30.520 --> 0:23:33.000
<v Speaker 1>is because of Corbeau that you were sent away to

0:23:33.040 --> 0:23:37.720
<v Speaker 1>be raised by nuns. You are being hidden from him.

0:23:37.960 --> 0:23:41.480
<v Speaker 1>It's because of Corbeau that instead of enjoying a peaceful,

0:23:41.600 --> 0:23:46.879
<v Speaker 1>happy childhood, you are in this damp, dark tenement with me,

0:23:48.320 --> 0:23:51.720
<v Speaker 1>instead of receiving an upbringing more proper to a beautiful

0:23:51.760 --> 0:23:56.639
<v Speaker 1>girl such as yourself. But of all these injustices, the

0:23:56.720 --> 0:24:01.400
<v Speaker 1>greatest crime that Corbeau committed was preventing your mother from

0:24:01.440 --> 0:24:05.840
<v Speaker 1>knowing you and watching you grow up, and seeing how

0:24:05.880 --> 0:24:10.520
<v Speaker 1>talented you have become. I'm sure the sisters were gentle

0:24:11.000 --> 0:24:13.720
<v Speaker 1>in their own way, but not since the moment you

0:24:13.760 --> 0:24:17.760
<v Speaker 1>were born. Have you known a mother's touch. You would

0:24:17.760 --> 0:24:20.080
<v Speaker 1>know it if you felt it, for it is like

0:24:20.200 --> 0:24:27.480
<v Speaker 1>none other. Gros yes Jah, I've been looking at the

0:24:27.520 --> 0:24:33.719
<v Speaker 1>canvas banner since I do look like her. I was thinking,

0:24:36.040 --> 0:24:40.520
<v Speaker 1>what if we just painted the word Pandora over Davina.

0:24:41.280 --> 0:24:45.080
<v Speaker 1>We could use it with her act you wish to

0:24:45.160 --> 0:24:49.959
<v Speaker 1>take her place? No, not take her place? Carry on

0:24:50.000 --> 0:24:54.760
<v Speaker 1>the family trade. Once my apprenticeship is complete, I went

0:24:54.880 --> 0:24:58.159
<v Speaker 1>to reclaim what was stolen from my family and become

0:24:58.160 --> 0:25:01.760
<v Speaker 1>the thing that she was forbidden to be. But if

0:25:01.760 --> 0:25:04.320
<v Speaker 1>the wrong person sees the band, let the whole world

0:25:04.359 --> 0:25:07.960
<v Speaker 1>see the banner. If there's still anyone who remembers the

0:25:08.040 --> 0:25:13.080
<v Speaker 1>name Davina, who still recognizes that face, let them see

0:25:14.040 --> 0:25:19.600
<v Speaker 1>and let them know I am my mother's daughter. Yes,

0:25:19.760 --> 0:25:27.800
<v Speaker 1>my dear, you certainly are that. Uh. Well, it's Monday,

0:25:27.840 --> 0:25:32.399
<v Speaker 1>a new week begins. Perhaps we should rest. You've worked

0:25:32.520 --> 0:25:36.200
<v Speaker 1>so hard these past three weeks. Rest we continue until

0:25:36.200 --> 0:25:42.520
<v Speaker 1>I'm ready? Are you sure? This man they call Corbo

0:25:43.760 --> 0:25:50.679
<v Speaker 1>I almost pity him right now? H Who am I kidding?

0:25:51.040 --> 0:25:54.240
<v Speaker 1>I have no pity for him or his kind. I

0:25:54.280 --> 0:25:58.159
<v Speaker 1>want to see them all in their graves? Are you

0:25:58.200 --> 0:26:15.760
<v Speaker 1>ready ready? Deal with cards? I must now replace my

0:26:15.880 --> 0:26:21.240
<v Speaker 1>blind hold. As my vision begins to fade, your own

0:26:21.280 --> 0:26:27.520
<v Speaker 1>senses will gradually return, Return to the warmth and the

0:26:27.680 --> 0:26:36.000
<v Speaker 1>light of your own reality. The Seventh Daughter is a

0:26:36.080 --> 0:26:40.600
<v Speaker 1>production of I Heart Radio, written and directed by Brett Wood,

0:26:41.560 --> 0:26:46.280
<v Speaker 1>recorded and mixed by Rob Gal, featuring Minca Wilts as

0:26:46.400 --> 0:26:55.720
<v Speaker 1>Rose and Elizabeth Hunter as Pearl. There you may now

0:26:57.000 --> 0:26:58.240
<v Speaker 1>open your eyes,