1 00:00:00,160 --> 00:00:05,359 Speaker 1: The Seventh Daughter contains scenes of realistic violence and graphic sexuality. 2 00:00:05,880 --> 00:00:15,560 Speaker 1: It is intended for mature listeners. Have you come seeking knowledge? 3 00:00:16,760 --> 00:00:20,319 Speaker 1: Do you wish to know the truth? Allow me to 4 00:00:20,360 --> 00:00:25,599 Speaker 1: show you. Close your eyes and follow the sound of 5 00:00:25,640 --> 00:00:32,040 Speaker 1: my voice. Allow it to lead you further into the past. 6 00:00:34,200 --> 00:00:38,040 Speaker 1: When I remove my blindfold, you may look into my eyes. 7 00:00:39,440 --> 00:00:44,120 Speaker 1: Don't just look at them, look through them, and you 8 00:00:44,159 --> 00:00:49,840 Speaker 1: will see what they have seen, and all my secrets 9 00:00:51,479 --> 00:00:59,640 Speaker 1: pill be revealed. The Seventh Daughter, Hail Mary, full of grace, 10 00:01:00,080 --> 00:01:03,400 Speaker 1: Lord is with thee. Blessed are thou amongst women, And 11 00:01:03,480 --> 00:01:06,759 Speaker 1: blessed is the fruit of thy womb. Jesus, Holy Mary, 12 00:01:06,840 --> 00:01:15,720 Speaker 1: Mother of God. Pray for her sins, Amen praying, praying. Wait, 13 00:01:16,640 --> 00:01:23,120 Speaker 1: you really believe, don't you? I do miracles and all 14 00:01:23,160 --> 00:01:26,479 Speaker 1: that water into wine body of Christ, raising the dead. 15 00:01:29,080 --> 00:01:32,800 Speaker 1: Have you ever stopped to wonder how those feats were accomplished? 16 00:01:34,040 --> 00:01:38,560 Speaker 1: What form of deckering in the name of God the Father? Hm? 17 00:01:40,000 --> 00:01:46,480 Speaker 1: They say, as magicians go, Jesus was the best. I'm sorry? 18 00:01:46,640 --> 00:01:51,400 Speaker 1: Is that blasphemy? If it is, then may God strike 19 00:01:51,560 --> 00:02:03,200 Speaker 1: me dead? See no blasphemy or maybe no God? Oh 20 00:02:03,360 --> 00:02:07,080 Speaker 1: that frightens you. I can see it in your eyes, 21 00:02:08,280 --> 00:02:11,560 Speaker 1: but you will be amazed at what miracles you will 22 00:02:11,639 --> 00:02:17,600 Speaker 1: soon perform. Here I'll show you two decks of cards, 23 00:02:18,560 --> 00:02:21,840 Speaker 1: the deck of fifty two playing cards and the seventy 24 00:02:21,840 --> 00:02:25,560 Speaker 1: eight cards of the tarot. Each of these cards has 25 00:02:25,560 --> 00:02:28,919 Speaker 1: two notches cut into the side. For now, the cuts 26 00:02:28,919 --> 00:02:31,959 Speaker 1: are deep so you can't mistake them. The notch on 27 00:02:32,040 --> 00:02:36,080 Speaker 1: the end of the card indicates the suit. The notch 28 00:02:36,120 --> 00:02:40,960 Speaker 1: on the side tells which card within that suit. Playing 29 00:02:41,000 --> 00:02:44,960 Speaker 1: cards are for tricks, but the tarot these cards are 30 00:02:45,040 --> 00:02:48,480 Speaker 1: used to tell a story. You deal them in a 31 00:02:48,560 --> 00:02:52,880 Speaker 1: specific formation on the table, and as you turn the cards, 32 00:02:53,200 --> 00:02:57,440 Speaker 1: you weave a tale. Knowing which card you've placed in 33 00:02:57,560 --> 00:03:01,480 Speaker 1: which position will enable you to shape the story to 34 00:03:01,680 --> 00:03:06,120 Speaker 1: your advantage, so that every turn of a card fulfills 35 00:03:06,160 --> 00:03:11,959 Speaker 1: your prophecy and draws them deeper into your labyrinth. How 36 00:03:12,000 --> 00:03:14,560 Speaker 1: long will it take to learn these things? Mm hmm. 37 00:03:15,280 --> 00:03:19,640 Speaker 1: For a seventh daughter who does nothing but devote herself 38 00:03:19,680 --> 00:03:26,320 Speaker 1: to learning, it may only require months, months, if not years, 39 00:03:26,720 --> 00:03:34,840 Speaker 1: months you're wasting valuable time. August September. Take this slate, 40 00:03:36,080 --> 00:03:42,240 Speaker 1: here's the chalk. Write a number without letting me see eleven. 41 00:03:42,640 --> 00:03:50,920 Speaker 1: Write another, three, six, four? How did you do that 42 00:03:51,680 --> 00:03:54,160 Speaker 1: the sound of the chalk on the slate by being 43 00:03:54,200 --> 00:03:57,400 Speaker 1: able to distinguish the sound of a straight line from 44 00:03:57,400 --> 00:04:01,280 Speaker 1: that of a curve, a dot from a dad. Observation 45 00:04:01,400 --> 00:04:04,880 Speaker 1: and intuition are skills like any other that can be 46 00:04:04,960 --> 00:04:11,080 Speaker 1: exercised and strengthened, just like the musculature of the body. 47 00:04:12,880 --> 00:04:18,680 Speaker 1: May okay, you have four minutes to identify every card 48 00:04:18,760 --> 00:04:23,160 Speaker 1: in this deck blind. If you succeed, you eat. If 49 00:04:23,200 --> 00:04:28,159 Speaker 1: you fail three times, you don't eat. Go eight of clubs, 50 00:04:29,360 --> 00:04:34,560 Speaker 1: four of diamonds, Jack, come on, Queen of spades, three 51 00:04:34,560 --> 00:04:39,120 Speaker 1: of hearts, ten of diamonds, two of clubs, four of diamonds, 52 00:04:39,600 --> 00:04:43,679 Speaker 1: Queen of Spades. Stop. Put the remaining cards on the table, 53 00:04:43,720 --> 00:04:47,000 Speaker 1: then move your hand away. How many cards are still 54 00:04:47,080 --> 00:04:51,520 Speaker 1: in the deck? You should know without counting six. I 55 00:04:51,560 --> 00:04:57,120 Speaker 1: think you think six? Pretty sure? Name them. He didn't 56 00:04:57,120 --> 00:04:59,039 Speaker 1: tell me I was gonna. I shouldn't have to tell you. 57 00:04:59,040 --> 00:05:03,520 Speaker 1: You should know use the process of elimination, which cards 58 00:05:03,560 --> 00:05:06,360 Speaker 1: for days. If it's not cards, it's learning to talk 59 00:05:06,400 --> 00:05:09,240 Speaker 1: in code. It's not fair for you to change the rules. 60 00:05:09,240 --> 00:05:12,800 Speaker 1: There are no rules. You can't expect anyone to observe 61 00:05:12,880 --> 00:05:19,200 Speaker 1: the rules when they're only right. Queen of Diamonds, three 62 00:05:19,240 --> 00:05:25,240 Speaker 1: of spades, nine of the Spades, King of Hearts, seven 63 00:05:25,240 --> 00:05:29,840 Speaker 1: of clubs and the last one? Why don't you tell me? 64 00:05:30,560 --> 00:05:33,280 Speaker 1: You're my partner. You've been watching, so you should know 65 00:05:33,320 --> 00:05:36,000 Speaker 1: as well. Why don't you tell me what the last 66 00:05:36,000 --> 00:05:40,800 Speaker 1: card is? Will you wager your supp before against your 67 00:05:40,800 --> 00:05:44,880 Speaker 1: opium pipe? Yes? Don't challenge me, pearl. Is it a 68 00:05:44,920 --> 00:05:48,000 Speaker 1: wager or not? If you name it, I don't eat. 69 00:05:48,240 --> 00:05:56,480 Speaker 1: If you miss, you don't smoke. It's it's fine. We 70 00:05:56,520 --> 00:05:59,400 Speaker 1: shouldn't be wagering like this. I just need a minute 71 00:05:59,560 --> 00:06:07,240 Speaker 1: of club What ten of clubs? Deal them? King of Hearts, 72 00:06:07,920 --> 00:06:12,000 Speaker 1: Night of Spades, seven of clubs, Queen of Diamonds, three 73 00:06:12,040 --> 00:06:20,719 Speaker 1: of spades, go on, show me ton of clubs. Mm hmmm. 74 00:06:22,640 --> 00:06:31,160 Speaker 1: Let that be a lesson to you. I've been thinking 75 00:06:32,520 --> 00:06:36,920 Speaker 1: the fact that you feel some connection to this spirit 76 00:06:37,000 --> 00:06:42,240 Speaker 1: power can be good for you for your performance, good 77 00:06:42,279 --> 00:06:47,120 Speaker 1: for us? How is it good for us? The genius 78 00:06:47,320 --> 00:06:51,520 Speaker 1: of your Jesus and Moses too, with his plagues and 79 00:06:51,600 --> 00:06:56,240 Speaker 1: transforming a staff into a serpent. I would like to 80 00:06:56,279 --> 00:07:00,600 Speaker 1: have seen that one their genius was not just performing 81 00:07:00,640 --> 00:07:05,400 Speaker 1: allusions to astound but tying these tricks to the spirit. 82 00:07:06,279 --> 00:07:09,440 Speaker 1: It was the message behind these prophets that made their 83 00:07:09,480 --> 00:07:14,600 Speaker 1: magic so meaningful. One without the other would have been impressive, 84 00:07:14,680 --> 00:07:20,880 Speaker 1: but the two together brilliant. The message that one wraps 85 00:07:21,040 --> 00:07:25,200 Speaker 1: around the illusion, that is what takes an ordinary magic 86 00:07:25,280 --> 00:07:29,480 Speaker 1: trick and elevates it into a miracle. Think of it. 87 00:07:30,120 --> 00:07:34,240 Speaker 1: They were such good magicians that we're still talking about 88 00:07:34,280 --> 00:07:41,680 Speaker 1: their performances two thousand years later. And so now that 89 00:07:42,240 --> 00:07:46,840 Speaker 1: you are beginning to become competent at some of these tricks, 90 00:07:47,640 --> 00:07:52,239 Speaker 1: it is time to concentrate on the message. This story 91 00:07:52,320 --> 00:07:56,840 Speaker 1: no sound like blasphemy. Get your coat, I'll explain while 92 00:07:56,880 --> 00:08:02,240 Speaker 1: we walk. And the woman was a raid in purple 93 00:08:02,360 --> 00:08:05,920 Speaker 1: and scarlet color and decked with gold and precious stones 94 00:08:05,960 --> 00:08:10,720 Speaker 1: and pearls, having a golden coponter handful of abominations and 95 00:08:10,880 --> 00:08:16,720 Speaker 1: fieldingness of her fornication. And listen to the contempt they 96 00:08:16,760 --> 00:08:19,680 Speaker 1: have for us. He's not talking about us. He's talking 97 00:08:19,680 --> 00:08:23,640 Speaker 1: about the Jezebels of the world. To men like him, Honey, 98 00:08:23,680 --> 00:08:30,120 Speaker 1: we're all Jezebels. These are confusing times. Pearl people are adrift, 99 00:08:31,040 --> 00:08:34,280 Speaker 1: the moral winds are constantly shifting, and they're out there 100 00:08:34,480 --> 00:08:38,480 Speaker 1: without a rudder or sail, looking for a star to follow. 101 00:08:39,320 --> 00:08:45,200 Speaker 1: This star shines especially bright, sister of angelin Watkins Temple 102 00:08:45,280 --> 00:08:49,280 Speaker 1: of the Trinity of Light. People will pay two bits 103 00:08:49,440 --> 00:08:52,960 Speaker 1: to see a magic show, but for a genuine display 104 00:08:53,120 --> 00:08:57,960 Speaker 1: of the spirit, you can name your price. People will 105 00:08:58,040 --> 00:09:01,520 Speaker 1: empty their pockets at your feet the same what we 106 00:09:01,640 --> 00:09:05,600 Speaker 1: do and the word of the Lord, Oh of too 107 00:09:05,720 --> 00:09:10,720 Speaker 1: much faith, remove the scales from her eyes, Oh Lord, 108 00:09:11,200 --> 00:09:14,439 Speaker 1: so that she may see the truth. Don't do that. 109 00:09:16,800 --> 00:09:19,760 Speaker 1: I wouldn't expect a convent girl like you to accept 110 00:09:19,920 --> 00:09:24,440 Speaker 1: the word of a fork tongue serpent like so. I 111 00:09:24,559 --> 00:09:28,560 Speaker 1: wanted to show you so you can see for yourself, 112 00:09:28,920 --> 00:09:34,720 Speaker 1: so you can feel the holes in Jesus hands. And afterward, 113 00:09:35,760 --> 00:09:39,360 Speaker 1: maybe I'll show you how he did it. The one 114 00:09:39,400 --> 00:09:43,000 Speaker 1: thing I ask, and I mean this sincerely, lower the 115 00:09:43,120 --> 00:09:46,840 Speaker 1: barrier that you've erected around yourself to protect your faith. 116 00:09:47,720 --> 00:09:50,640 Speaker 1: If your faith can't withstand a few punches, its foundation 117 00:09:50,760 --> 00:09:55,320 Speaker 1: must be fairly weak. Keep your eyes and your mind open. 118 00:09:55,720 --> 00:10:01,400 Speaker 1: In my mouth shut h m. Listen to that music. 119 00:10:03,000 --> 00:10:07,640 Speaker 1: The nuns ever play music like that? No, I don't 120 00:10:07,679 --> 00:10:13,040 Speaker 1: think so. Feel the rhythm of the drum. Listen to 121 00:10:13,080 --> 00:10:18,760 Speaker 1: the way the music repeats, dances a circle around it, intoxicating. 122 00:10:20,800 --> 00:10:25,600 Speaker 1: Close your eyes and just feel it. Your body cannot 123 00:10:25,679 --> 00:10:31,240 Speaker 1: help but begin to sway all the music. The music 124 00:10:31,280 --> 00:10:34,880 Speaker 1: has wings that lift you up off the ground and 125 00:10:35,760 --> 00:10:41,160 Speaker 1: let your spirit float above the flesh that encloses us 126 00:10:41,200 --> 00:10:47,599 Speaker 1: like a prison. This woman's sister, Evangeline, this American Moses, 127 00:10:48,080 --> 00:10:53,480 Speaker 1: has tremendous power. She's just like us. She's doing her 128 00:10:53,679 --> 00:10:58,760 Speaker 1: high pitch, just like we do ours, and like lotus blood. 129 00:10:59,160 --> 00:11:04,320 Speaker 1: She's selling medicine that doesn't work, a concoction of scripture, 130 00:11:04,320 --> 00:11:09,360 Speaker 1: prayer and tears, something of no actual value, yet she 131 00:11:09,480 --> 00:11:15,000 Speaker 1: commands a premium price. Unlike you would die. Sister Evangeline 132 00:11:15,080 --> 00:11:18,440 Speaker 1: doesn't waste her time mixing ingredients in a tub and 133 00:11:18,679 --> 00:11:23,760 Speaker 1: putting it into bottles. Her medicine is invisible, but they 134 00:11:23,800 --> 00:11:27,480 Speaker 1: pay for it all the same, and just like us. 135 00:11:27,960 --> 00:11:32,400 Speaker 1: After tonight's performance, she will fold up the canvas, count 136 00:11:32,480 --> 00:11:35,600 Speaker 1: up the nickels and dimes, pay off her fool and 137 00:11:35,640 --> 00:11:38,280 Speaker 1: look for her chance to work her way up into 138 00:11:38,320 --> 00:11:42,199 Speaker 1: a better venue where she can perform for a more 139 00:11:42,240 --> 00:11:45,640 Speaker 1: prosperous audience. Maybe I don't want to perform for money 140 00:11:45,760 --> 00:11:48,400 Speaker 1: or so lies. Is it so wrong for me to 141 00:11:48,480 --> 00:11:50,800 Speaker 1: want something to believe in. I just want to have 142 00:11:50,880 --> 00:11:57,640 Speaker 1: some hope for the future. Is that so wrong? Listen 143 00:11:57,640 --> 00:12:01,520 Speaker 1: to me, pearl. The best you have for the future 144 00:12:02,360 --> 00:12:06,360 Speaker 1: is you don't turn over control of your life to 145 00:12:06,400 --> 00:12:10,760 Speaker 1: someone else. You have the power to control your destiny. 146 00:12:11,240 --> 00:12:14,040 Speaker 1: The only thing you need to believe in right now 147 00:12:14,760 --> 00:12:19,760 Speaker 1: is you. Stop the music. Stop the music. Okay, this 148 00:12:19,920 --> 00:12:24,160 Speaker 1: is it. Watch if you're about to see duck around. 149 00:12:24,480 --> 00:12:29,040 Speaker 1: He is fine speaking to me telling me that there 150 00:12:29,240 --> 00:12:33,640 Speaker 1: is one among us who believes he is beyond salvation. 151 00:12:34,120 --> 00:12:36,600 Speaker 1: But I tell you, dear ones, that no one is 152 00:12:36,640 --> 00:12:42,320 Speaker 1: beyond salvation. I command you to stop where you are, 153 00:12:43,080 --> 00:12:47,120 Speaker 1: Stop where you are and drop those crutches. If you 154 00:12:47,360 --> 00:12:51,960 Speaker 1: have faith, God will give you the strength to crawl 155 00:12:52,400 --> 00:12:59,480 Speaker 1: up to this altar and claim your crown of salvation. Jesus, Yes, 156 00:13:00,240 --> 00:13:10,120 Speaker 1: call his name. Let us all call upon his name, Jesus, Jesus, Jesus. 157 00:13:12,000 --> 00:13:15,000 Speaker 1: What if I told you that he has the power 158 00:13:15,360 --> 00:13:22,040 Speaker 1: to straighten your arms and legs and fat Jesus? Do 159 00:13:22,080 --> 00:13:26,920 Speaker 1: you believe in him? Do you believe in him? I 160 00:13:27,160 --> 00:13:30,959 Speaker 1: please the name of Jesus. I call down the healing 161 00:13:31,040 --> 00:13:35,199 Speaker 1: power of Christ Almighty, and command you to rise up 162 00:13:35,280 --> 00:13:39,560 Speaker 1: and walk. Jesus and Gold, have I none but what 163 00:13:39,760 --> 00:13:45,839 Speaker 1: I have? Give I d Rise up and walk, Rise 164 00:13:46,000 --> 00:13:56,640 Speaker 1: up and walk, Rise up and walk, ri rile up, walk, 165 00:13:58,200 --> 00:14:18,760 Speaker 1: leaving him believing him, believing him him. Rise up and walk. Oh, 166 00:14:19,520 --> 00:14:26,520 Speaker 1: rise up and walk, Rise up and walk. That's it, 167 00:14:27,560 --> 00:14:34,080 Speaker 1: that's it. Rise up and walk, Rise up and walk 168 00:14:34,240 --> 00:14:42,000 Speaker 1: and walk right up, walk, praise bitter God. I can walk, 169 00:14:49,400 --> 00:14:54,480 Speaker 1: no brol She doesn't sell tickets, she doesn't sell bottles 170 00:14:54,520 --> 00:14:58,760 Speaker 1: of worthless slum. Half the time. She doesn't even ask 171 00:14:58,800 --> 00:15:03,800 Speaker 1: for money. But look at it pouring in. But it's 172 00:15:03,840 --> 00:15:07,720 Speaker 1: more than money. Look at their faces. Look at the 173 00:15:07,760 --> 00:15:12,320 Speaker 1: effect Sister Evangeline has upon them. Look how they adore her, 174 00:15:13,400 --> 00:15:19,120 Speaker 1: how they worship her. Mm hmm. Can you imagine what 175 00:15:19,280 --> 00:15:23,680 Speaker 1: it would be like to have those faces turned towards you, 176 00:15:24,600 --> 00:15:30,240 Speaker 1: worshiping you, that is, worshiping God through you. You want 177 00:15:30,280 --> 00:15:33,720 Speaker 1: me to be some holy roller. I don't want you 178 00:15:33,760 --> 00:15:37,600 Speaker 1: to become a holy roller. I just want you to 179 00:15:37,760 --> 00:15:42,760 Speaker 1: get up off your knees. Stop genuflecting to some man 180 00:15:42,840 --> 00:15:46,480 Speaker 1: in a robe or some statue on the wall. Stop 181 00:15:46,600 --> 00:15:51,200 Speaker 1: bowing down. Be the one whom they bow down to. 182 00:15:52,400 --> 00:15:58,720 Speaker 1: You don't believe in anything, No, I don't believe in everything. 183 00:16:00,160 --> 00:16:13,680 Speaker 1: That is what you need to learn. Shouldn't be much longer. 184 00:16:14,840 --> 00:16:17,520 Speaker 1: There's someone I'd like you to meet. I think you'll 185 00:16:17,560 --> 00:16:22,320 Speaker 1: find it most illuminating. Ah, I think I see him now, 186 00:16:23,360 --> 00:16:26,480 Speaker 1: and stay in the shadows. Follow my lead and play 187 00:16:26,480 --> 00:16:37,040 Speaker 1: out the scene. Phraise his holy name. Rose. What are you? 188 00:16:37,040 --> 00:16:41,360 Speaker 1: You shouldn't be here, Neither should you. Roy. You're better 189 00:16:41,400 --> 00:16:44,760 Speaker 1: than this. You're the man who delivers. I can't be 190 00:16:44,800 --> 00:16:47,680 Speaker 1: seen talking to you. I'm back in the game. Roy, 191 00:16:50,160 --> 00:16:53,320 Speaker 1: We're going to kill Corbo. Rose. You can't just say 192 00:16:53,320 --> 00:16:58,360 Speaker 1: something like that. Jesus Christ. The Pinkerton's here? You who's we? 193 00:16:59,800 --> 00:17:03,480 Speaker 1: I got a gollum. I made her out of clay. 194 00:17:03,680 --> 00:17:05,399 Speaker 1: Just leave me out of this, okay, say hello to 195 00:17:05,440 --> 00:17:18,960 Speaker 1: the gentleman Pandora. Hello. Wish she look closely? No? No, no, no, no, 196 00:17:18,960 --> 00:17:22,560 Speaker 1: no no no. You recognize her? Yes? I molded her 197 00:17:22,640 --> 00:17:28,040 Speaker 1: myself in the image of her mother. It's okay. Have 198 00:17:28,240 --> 00:17:33,840 Speaker 1: a good long look. Jesus. I don't know what to say. 199 00:17:34,119 --> 00:17:39,639 Speaker 1: I need she needs your help. We've got to climb 200 00:17:39,680 --> 00:17:42,720 Speaker 1: the pyramid. I don't know, Rose. I'm on the straight 201 00:17:42,760 --> 00:17:49,000 Speaker 1: and narrow now doing the Lord's work. So I see, well, 202 00:17:50,040 --> 00:17:53,760 Speaker 1: come see us after you've given it some thought. In 203 00:17:53,800 --> 00:17:58,080 Speaker 1: the meantime, here's a little gift. I don't want this, Rose, 204 00:17:58,400 --> 00:18:01,120 Speaker 1: take it, throw it a way if you don't want it. 205 00:18:02,440 --> 00:18:07,800 Speaker 1: I didn't want to come to you empty handed. That's goodbye, Roy, 206 00:18:09,119 --> 00:18:15,560 Speaker 1: We'll see you soon. What did you give him? Just 207 00:18:15,880 --> 00:18:20,680 Speaker 1: a friendly reminder of happier times. Old habits die hard. 208 00:18:26,000 --> 00:18:32,600 Speaker 1: I've made your teeth here, bless you. Would you like 209 00:18:32,640 --> 00:18:40,119 Speaker 1: a piece of toast? Anything? No? No, teez, fine, go 210 00:18:40,240 --> 00:18:45,600 Speaker 1: about your chores. I finished my chores. Who so you have? 211 00:18:47,320 --> 00:18:50,800 Speaker 1: I just want you to enjoy your tea. Mhmm. You're 212 00:18:50,920 --> 00:18:54,720 Speaker 1: very kind. So that when you're finished, you will provide 213 00:18:54,720 --> 00:19:02,720 Speaker 1: me with an explanation. What explanation? Eh Bee promised? So 214 00:19:02,880 --> 00:19:13,040 Speaker 1: I did. Yes, I knew your father. I believe he 215 00:19:13,160 --> 00:19:18,080 Speaker 1: is alive today, but I don't know. Yes, I have 216 00:19:18,240 --> 00:19:22,840 Speaker 1: the authority to retrieve you from the convent school. You 217 00:19:23,000 --> 00:19:28,480 Speaker 1: were not kidnapped. I did it because you have an 218 00:19:28,520 --> 00:19:32,639 Speaker 1: obligation to your family, a duty that you are obliged 219 00:19:32,680 --> 00:19:38,640 Speaker 1: to perform. An obligation to become a clairvoyant. Oh no, 220 00:19:39,440 --> 00:19:43,399 Speaker 1: something much more serious, And you cannot do it while 221 00:19:43,480 --> 00:19:47,639 Speaker 1: locked inside a religious cloister. It cannot be done by 222 00:19:47,680 --> 00:19:52,240 Speaker 1: an innocent school girl who dreams about Jesus. It cannot 223 00:19:52,280 --> 00:20:00,320 Speaker 1: be performed by someone who is on their needs. I 224 00:20:00,440 --> 00:20:04,320 Speaker 1: brought you here to prepare you, to condition your mind 225 00:20:04,400 --> 00:20:09,199 Speaker 1: and body so that you may fulfill this obligation. So 226 00:20:09,359 --> 00:20:14,920 Speaker 1: why are the magic It is the family trade. I'm 227 00:20:14,960 --> 00:20:18,399 Speaker 1: teaching you so that you will have the skills to 228 00:20:18,560 --> 00:20:23,119 Speaker 1: survive and always have a means of putting food in 229 00:20:23,200 --> 00:20:26,520 Speaker 1: your mouth and roof such as it is over your head. 230 00:20:27,640 --> 00:20:30,399 Speaker 1: With a little luck, you will not only survive, but 231 00:20:30,560 --> 00:20:34,800 Speaker 1: may be prosper. That is a gift from your family 232 00:20:35,160 --> 00:20:39,800 Speaker 1: that I have been entrusted to deliver. Perhaps one day 233 00:20:39,840 --> 00:20:42,760 Speaker 1: you will choose not to embrace it. You may prefer 234 00:20:42,960 --> 00:20:46,399 Speaker 1: to work at a textile mill, or as a typist, 235 00:20:47,160 --> 00:20:50,680 Speaker 1: or become a cook and washer woman in the service 236 00:20:50,760 --> 00:20:55,720 Speaker 1: of your husband. That will be for you to decide. 237 00:20:56,880 --> 00:21:01,359 Speaker 1: But I am fulfilling my obligation to your family so 238 00:21:01,480 --> 00:21:07,280 Speaker 1: that you may fulfill yours. So what is this opplication? 239 00:21:09,880 --> 00:21:13,760 Speaker 1: It really is too early to be discussing such matters. 240 00:21:14,880 --> 00:21:19,919 Speaker 1: You gave me your word. Mm hmm. So now the 241 00:21:20,000 --> 00:21:26,280 Speaker 1: great deceivers being kept to her word. You promised, so 242 00:21:26,520 --> 00:21:33,719 Speaker 1: I did. There is a man, a very powerful and 243 00:21:34,040 --> 00:21:39,080 Speaker 1: dangerous man, a man who was once a great adventurer, 244 00:21:39,880 --> 00:21:45,320 Speaker 1: who mingled with men of politics and industry, and accumulated 245 00:21:45,480 --> 00:21:51,160 Speaker 1: great wealth. And this man once committed a certain treachery 246 00:21:51,200 --> 00:21:58,200 Speaker 1: against your family. What kind of treachery? Please, one day 247 00:21:58,400 --> 00:22:02,080 Speaker 1: you will know, but not a day. Suffice it to say. 248 00:22:02,160 --> 00:22:05,960 Speaker 1: He destroyed your family, made it impossible for your parents 249 00:22:06,000 --> 00:22:11,480 Speaker 1: to find work as spiritists or anything else. That is 250 00:22:11,480 --> 00:22:15,000 Speaker 1: why the Banner of Davina sat gathering mold in a 251 00:22:15,080 --> 00:22:21,919 Speaker 1: steamer trunk for ten years. This man was responsible for 252 00:22:21,960 --> 00:22:26,480 Speaker 1: the death of your mother. How is she's Do not 253 00:22:26,640 --> 00:22:30,159 Speaker 1: ask even now it is too painful for me to 254 00:22:30,200 --> 00:22:35,960 Speaker 1: think about. But look into my eyes. You know that 255 00:22:36,000 --> 00:22:40,879 Speaker 1: what I'm saying is true when I think of the 256 00:22:40,960 --> 00:22:44,760 Speaker 1: hurt he inflicted upon you by depriving you of a 257 00:22:44,880 --> 00:22:54,880 Speaker 1: mother's love. Grant me that request one day, I promise. 258 00:22:57,320 --> 00:23:01,800 Speaker 1: Sometimes the great deceiver does keep her promises. Yet, yes, 259 00:23:03,320 --> 00:23:10,560 Speaker 1: and the man who did all this, his name is Corbeau, 260 00:23:11,960 --> 00:23:16,399 Speaker 1: the blackbird. No one knows his real name, because he 261 00:23:16,440 --> 00:23:24,760 Speaker 1: has claimed so many Oliver had oh, Bellerophon, cordor a l'indelil, 262 00:23:26,119 --> 00:23:30,359 Speaker 1: But Corbeau is what he is most commonly called. It 263 00:23:30,520 --> 00:23:33,000 Speaker 1: is because of Corbeau that you were sent away to 264 00:23:33,040 --> 00:23:37,720 Speaker 1: be raised by nuns. You are being hidden from him. 265 00:23:37,960 --> 00:23:41,480 Speaker 1: It's because of Corbeau that instead of enjoying a peaceful, 266 00:23:41,600 --> 00:23:46,879 Speaker 1: happy childhood, you are in this damp, dark tenement with me, 267 00:23:48,320 --> 00:23:51,720 Speaker 1: instead of receiving an upbringing more proper to a beautiful 268 00:23:51,760 --> 00:23:56,639 Speaker 1: girl such as yourself. But of all these injustices, the 269 00:23:56,720 --> 00:24:01,400 Speaker 1: greatest crime that Corbeau committed was preventing your mother from 270 00:24:01,440 --> 00:24:05,840 Speaker 1: knowing you and watching you grow up, and seeing how 271 00:24:05,880 --> 00:24:10,520 Speaker 1: talented you have become. I'm sure the sisters were gentle 272 00:24:11,000 --> 00:24:13,720 Speaker 1: in their own way, but not since the moment you 273 00:24:13,760 --> 00:24:17,760 Speaker 1: were born. Have you known a mother's touch. You would 274 00:24:17,760 --> 00:24:20,080 Speaker 1: know it if you felt it, for it is like 275 00:24:20,200 --> 00:24:27,480 Speaker 1: none other. Gros yes Jah, I've been looking at the 276 00:24:27,520 --> 00:24:33,719 Speaker 1: canvas banner since I do look like her. I was thinking, 277 00:24:36,040 --> 00:24:40,520 Speaker 1: what if we just painted the word Pandora over Davina. 278 00:24:41,280 --> 00:24:45,080 Speaker 1: We could use it with her act you wish to 279 00:24:45,160 --> 00:24:49,959 Speaker 1: take her place? No, not take her place? Carry on 280 00:24:50,000 --> 00:24:54,760 Speaker 1: the family trade. Once my apprenticeship is complete, I went 281 00:24:54,880 --> 00:24:58,159 Speaker 1: to reclaim what was stolen from my family and become 282 00:24:58,160 --> 00:25:01,760 Speaker 1: the thing that she was forbidden to be. But if 283 00:25:01,760 --> 00:25:04,320 Speaker 1: the wrong person sees the band, let the whole world 284 00:25:04,359 --> 00:25:07,960 Speaker 1: see the banner. If there's still anyone who remembers the 285 00:25:08,040 --> 00:25:13,080 Speaker 1: name Davina, who still recognizes that face, let them see 286 00:25:14,040 --> 00:25:19,600 Speaker 1: and let them know I am my mother's daughter. Yes, 287 00:25:19,760 --> 00:25:27,800 Speaker 1: my dear, you certainly are that. Uh. Well, it's Monday, 288 00:25:27,840 --> 00:25:32,399 Speaker 1: a new week begins. Perhaps we should rest. You've worked 289 00:25:32,520 --> 00:25:36,200 Speaker 1: so hard these past three weeks. Rest we continue until 290 00:25:36,200 --> 00:25:42,520 Speaker 1: I'm ready? Are you sure? This man they call Corbo 291 00:25:43,760 --> 00:25:50,679 Speaker 1: I almost pity him right now? H Who am I kidding? 292 00:25:51,040 --> 00:25:54,240 Speaker 1: I have no pity for him or his kind. I 293 00:25:54,280 --> 00:25:58,159 Speaker 1: want to see them all in their graves? Are you 294 00:25:58,200 --> 00:26:15,760 Speaker 1: ready ready? Deal with cards? I must now replace my 295 00:26:15,880 --> 00:26:21,240 Speaker 1: blind hold. As my vision begins to fade, your own 296 00:26:21,280 --> 00:26:27,520 Speaker 1: senses will gradually return, Return to the warmth and the 297 00:26:27,680 --> 00:26:36,000 Speaker 1: light of your own reality. The Seventh Daughter is a 298 00:26:36,080 --> 00:26:40,600 Speaker 1: production of I Heart Radio, written and directed by Brett Wood, 299 00:26:41,560 --> 00:26:46,280 Speaker 1: recorded and mixed by Rob Gal, featuring Minca Wilts as 300 00:26:46,400 --> 00:26:55,720 Speaker 1: Rose and Elizabeth Hunter as Pearl. There you may now 301 00:26:57,000 --> 00:26:58,240 Speaker 1: open your eyes,