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Speaker 1: Forever.

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Speaker 2: Hello, Hello, Hi, Hi, Hi, we are here. We are

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Speaker 2: Queer Sidney. These braids look good. I have to take

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Speaker 2: them all tonight, like the actual the bottom of them.

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Speaker 3: Yeah, but the top is like, I look like one

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Speaker 3: of those girls that date black guy black girls.

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Speaker 2: I look like a white guy. The type of guy,

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Speaker 2: the type of girl.

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Speaker 3: A white guy would who would wear slides in the

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Speaker 3: winter date.

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Speaker 2: Yeah, you look like a black girl that ain't got

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Speaker 2: no black friends.

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Speaker 3: I'm talking about the ones that like she'd be like, well, Ashley,

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Speaker 3: she rushes like a white seraries. It's kind of what

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Speaker 3: the exactly everything that you said, Yeah, gamma felt, gamma

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Speaker 3: delta felta or whatever, gama. Yeah, let the gams anyway

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Speaker 3: that the bottoms look great, thank you.

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Speaker 2: Length is good. The length is great. It's good.

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Speaker 3: But I have to take them out tonight. And so

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Speaker 3: there's that. That's my whole night. But actually no, because

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Speaker 3: when I took it out with you guys, I mean,

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Speaker 3: it's great to have friends that understand, you know, the

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Speaker 3: hair process, that'll help you take your braids out. They'll

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Speaker 3: drag you while they're taking their braids out. It's it's great.

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Speaker 2: I would help you take them out today, but I'm

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Speaker 2: going to my mom's house.

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Speaker 3: I said, after we do this podcast, I'm going home

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Speaker 3: to get food because she cooked.

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Speaker 2: So I bring you play back. That'll be nice.

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Speaker 3: Can you talk? I'll take you photos. I'll take photos

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Speaker 3: and send you photos of what she took.

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Speaker 2: That'd be nice. I can I also send you a

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Speaker 2: picture so you could show your mom. I'll face time.

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Speaker 2: You want to get to my mother house, that'll be nice.

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Speaker 2: So she's gonna be like, hi, darling, how are you?

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Speaker 3: I know she always like gas y like she like

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Speaker 3: she always asks like she I'm your her favorite, which

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Speaker 3: is not true because it's Molly my mother. No, my

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Speaker 3: mother doesn't like the white girl boy and she likes

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Speaker 3: the black girl us. She don't even she'll ask about

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Speaker 3: Molly every once. She was like, how's Molly because you

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Speaker 3: know French people and O L L Y is oh

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Speaker 3: not ah Molly. I'm like, she's I'm like Molly. She's

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Speaker 3: like Molly anyway, Uh, you know you're her favorite. What

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Speaker 3: were you an expert in this week?

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Speaker 2: I was an expert in communicating better.

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Speaker 3: I was like just trying to be more vocal about

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Speaker 3: how I feel at work, because you know, I care

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Speaker 3: about what I do. Even though I might do shit

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Speaker 3: last minute, or I might drag my feet or might

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Speaker 3: be lazy.

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Speaker 2: It's a lot of stuff I do still care.

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Speaker 3: So you know, I've been working this job for almost

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Speaker 3: almost nine months now and so a baby. Yes, it's

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Speaker 3: coming towards the end, and you know, I just want

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Speaker 3: to make sure that I put out enough content or

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Speaker 3: have enough things that like when i'm.

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Speaker 2: Yeah, we saw your death, your death thing.

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Speaker 3: Yeah that wasn't that wasn't my script, but they thought

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Speaker 3: about me and that because.

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Speaker 2: You had the most followers, got it? No bit you

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Speaker 2: roue terified?

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Speaker 3: Yeah yeah no, no, no, no no, because death is

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Speaker 3: my brand.

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Speaker 2: Stop it. I talked about that was your thing? Okay cool?

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Speaker 2: Yeah no no no.

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Speaker 3: But when they when we pitch stuff, we think about

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Speaker 3: things for other people, and so they thought the person

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Speaker 3: who always want to be pitching, Wow, that's literally my job.

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Speaker 3: I just pitch all day, all night, every day and

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Speaker 3: just everything is a no.

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Speaker 2: So it's great.

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Speaker 3: I just want to make sure that I leave and

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Speaker 3: I have enough, and so I've just been honest and

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Speaker 3: open about like, hey, you know, i think I'm really

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Speaker 3: good at this and I think I should before whatever

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Speaker 3: is over. I want to make sure that I hit

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Speaker 3: these goals that I have, so hopefully this other thing

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Speaker 3: that I don't want to tell.

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Speaker 2: Us any of what any of your goals are.

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Speaker 3: Each in the in the job, you're supposed to have

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Speaker 3: a series. And I did a series with like makeup

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Speaker 3: tutorials and with the cat makeup.

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Speaker 2: Yeah, it got canceled.

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Speaker 1: It's fine.

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Speaker 2: You know, it happens. I had a whole thing get canceled.

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Speaker 2: It's fine. Yeah, I survived. Yes, work, I too relate

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Speaker 2: to canceling.

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Speaker 3: I too have been canceled. Yeah, I identify as canceled

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Speaker 3: right exactly. My preferred pronouns are canceled.

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Speaker 2: Yes.

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Speaker 3: So you know, everybody's supposed to have a series, so

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Speaker 3: you pitch, pitch, pitch until something's like, oh we can

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Speaker 3: green light that. And I just want to have another

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Speaker 3: series and interview series because that's what I'm good at.

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Speaker 3: I do this podcast for a living, and I feel

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Speaker 3: like I interact well with people. I am not a

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Speaker 3: front facing camera person. I just that's not mine. That's

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Speaker 3: not my facing camera. Oh you don't take pictures. I

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Speaker 3: don't take No, no, no, I don't. You're not behind the camera.

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Speaker 3: You in front of the camera.

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Speaker 2: No, no, no, no way.

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Speaker 3: I don't do the videos where people are characters and

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Speaker 3: then cut it up and edit it and post it.

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Speaker 2: That's not me.

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Speaker 3: I will talk to the camera to my followers as

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Speaker 3: if like it's happening in real time, like a storyteller.

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Speaker 2: But I'm not a crafted like.

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Speaker 3: You're not vine Chick exactly, guys, and we're better than that. Sis, Ok,

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Speaker 3: let's not. I'm just saying like, that's not who we

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Speaker 3: are as performers and creators.

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Speaker 2: We're better.

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Speaker 3: I'm a stand up. I'm a stand up. That's that's

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Speaker 3: who I really am true to and I try to

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Speaker 3: stay to that. But in this program, it's like, oh,

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Speaker 3: you got to try things that you don't do, and

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Speaker 3: so I've learned I want to do something that I'm

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Speaker 3: good at that will show me in the best light.

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Speaker 3: You know. That's just what it is. I try to

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Speaker 3: do the makeup to draw that's not me.

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Speaker 2: I'm not a YouTuber. I don't that's not for me.

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Speaker 2: So no, but that doesn't mean that the videos weren't good.

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Speaker 3: That this means that, you know, the people who watch

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Speaker 3: those videos, it wasn't for them.

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Speaker 2: That's all Actually a lot of people liked it.

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Speaker 3: It's just that's what I'm saying. They just didn't have

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Speaker 3: the numbers that they wanted. Which if you kept doing it,

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Speaker 3: that's all that matters. If you did them, separate since

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Speaker 3: you could always just start a YouTube, you know, you

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Speaker 3: could become one of those people that at.

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Speaker 4: This age friend that girl that stole Marybeth's jokes was

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Speaker 4: YouTuber was crazy. She stole Marybeth's joke, you know, the

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Speaker 4: joke about like the index fingerworking.

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Speaker 2: Okay, hold on.

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Speaker 3: Her name is Lily Sang and she has has a show,

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Speaker 3: has a show, she has writers, so she did not

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Speaker 3: steal the joke.

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Speaker 2: The wroter.

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Speaker 3: The writers were in a room and somehow got married

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Speaker 3: Beth's joke.

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Speaker 2: I mean mainly comedians in the room, the writing room anyway.

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Speaker 2: So do we know them pull up this? Probably people

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Speaker 2: who pull up the deadline, pull up the IMDb.

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Speaker 3: Yeah, who works on that show? So she did it

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Speaker 3: on the showy and performed it terribly.

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Speaker 2: It was bad. It was really bad.

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Speaker 3: It was like the delivery was off, Oh your singer

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Speaker 3: does work? It was yeah, oh you know Mary Beth.

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Speaker 2: Joe, No, I know, I was watching the set. But

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Speaker 2: lucky for Mary Beth.

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Speaker 3: The video is on from Clusterfest is on YouTube, yes,

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Speaker 3: and it was it's been up from Yeah, it's been

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Speaker 3: up from over the summer. And she's been doing that

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Speaker 3: joke since I've known her, right, well, she did it

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Speaker 3: at the Unofficial Expert Live that we did at the

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Speaker 3: Ludlow House Work Work.

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Speaker 2: Also she's doing an official Expert live tomorrow.

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Speaker 3: At Union Hall Baby Baby, October twelve. Okay, wow, yeah,

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Speaker 3: so somebody tagged they tagged Mary Beth in it.

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Speaker 2: Yep.

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Speaker 3: Somebody sent it to her and then she posted it.

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Speaker 3: It's a whole thing. Oh wow, it's fine. What were

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Speaker 3: you an expert in? I was an expert at getting

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Speaker 3: play let's talk about it. So I was like, I'm

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Speaker 3: going home. I was like, I need to get my

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Speaker 3: hair cut, right. I was like, I'm gonna go get

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Speaker 3: a cut that This guy that I went to high

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Speaker 3: school with is a barber. He like works at a

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Speaker 3: hair salon. I was like, I'm gonna have him do it.

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Speaker 3: He's like good, And I was like, I asked him

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Speaker 3: if he was available. He's not available. So I was like,

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Speaker 3: I just cut my hair before I go to my

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Speaker 3: mother's house. And so I was. I walked to a

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Speaker 3: barber shore. I just googled barbershop. No, I mean you

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Speaker 3: don't do that.

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Speaker 2: A googled barbershop? Would you do that? Would you do?

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Speaker 2: Just google a hair saline, just go to a hairslign.

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Speaker 3: I just need somebody, didn't me with a just men

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Speaker 3: talk about this all the time. You can't just go

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Speaker 3: to any barber because well, let's talk about it. So

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Speaker 3: I walked to this place. It was like a Dominican place.

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Speaker 3: I was like, I'm gonna go there because they'd be

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Speaker 3: doing shape up tape ups fades, you know, Dominic They're

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Speaker 3: gonna give me, They're gonna give me a.

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Speaker 2: Lightning boat beard. So I went. The place was closed.

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Speaker 3: I was like, okay, well, I guess I'm gonna go

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Speaker 3: to this other place, like this black place the other direction.

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Speaker 2: I was like, okay, I'm gonna go see the niggas. I'm

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Speaker 2: support black business.

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Speaker 3: After the Dominicans. It was closed so like they they

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Speaker 3: weren't even in there. The gate was closed, like everything

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Speaker 3: he was closed. So I go to this black spot.

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Speaker 3: There's a man standing outside and I'm.

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Speaker 2: I'm like, oh, do you work here?

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Speaker 3: I just want to get my hair cut, and he

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Speaker 3: was like, yeah, I work here, get you a cut.

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Speaker 3: I was like, y'all take y'all take cards and he

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Speaker 3: was like yeah, we did cards and I was like,

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Speaker 3: oh great. So I walk in first mistake. Then he

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Speaker 3: was outside. That means he's not working nothing. He had

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Speaker 3: no clients, no bookings, no Nathan's am I walk in?

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Speaker 3: We walk in together and there there wasn't There are

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Speaker 3: two other barbers in the shop. One of them was working,

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Speaker 3: the other one was on his phone. I should have

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Speaker 3: just went to the one that was working and been like, hey,

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Speaker 3: can you squeeze me enough of this dude? But I

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Speaker 3: was walking in behind this. So he's like, well, how

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Speaker 3: low do you want it? What do you want it

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Speaker 3: to look like? I was like, I want the whole thing.

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Speaker 2: To be lower. I want like a little bit of

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Speaker 2: a fade, like a tiny fade. And show me no pictures.

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Speaker 3: No.

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Speaker 2: I showed him no photos because don't ever be prepared. Okay.

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Speaker 3: So he's like all right, cool. So he starts and

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Speaker 3: it already feels different because when I shaved my head,

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Speaker 3: the person who when I first cut my hair off

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Speaker 3: two months ago, At this point, I feel like the

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Speaker 3: guy that did it was this old black man who's

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Speaker 3: been cutting hair for like thirty plus years. He's like

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Speaker 3: spraying it, he's combing it wet, he's brushing it with

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Speaker 3: a hard brust like he was doing this stuff. This

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Speaker 3: guy he just like combed it dry a little bit.

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Speaker 3: And then was like, all right, so what left? And

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Speaker 3: he was like and it was like it wasn't And

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Speaker 3: then I'm like, oh, well, was it too late to

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Speaker 3: tell you that? I want to point in the back

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Speaker 3: and he's like, oh, point, not a problem.

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Speaker 2: He's too confident.

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Speaker 3: I'm not a problem, a diamond in the back. Let

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Speaker 3: me see God, bitch, yo give you at all right.

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Speaker 1: It was like.

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Speaker 3: And then I got home and we got but it's

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Speaker 3: not even. The length is not even anyway, I was

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Speaker 3: in the mirror like he didn't even try. Since she

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Speaker 3: went to jail and got your shape. I could have,

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Speaker 3: literally I could have done this with like my venus.

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Speaker 3: I could have nerved this haircut. You could have used

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Speaker 3: your billy, I could have used my exactly. I could

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Speaker 3: have done better by myself anyway.

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Speaker 2: So it was crazy.

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Speaker 3: And then I left and I was like, I will

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Speaker 3: never I mean, I put a hat on and walked out,

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Speaker 3: but I was like, I will never do this again,

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Speaker 3: Like I'm gonna go to other people's barbers, like people

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Speaker 3: who like, oh my barber is on third Alve and

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Speaker 3: you'll come see.

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Speaker 2: I'm gonna do that since your hair journey hilarity, I know,

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Speaker 2: but also like I feel like I look better with

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Speaker 2: it lower.

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Speaker 3: And I understand now why men get shape ups before

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Speaker 3: they do stuff, because it because I used to be like,

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Speaker 3: it looks the same, but now like I feel like

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Speaker 3: it looks better so that you look fantastic.

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Speaker 2: It doesn't matter.

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Speaker 3: You have the face for every thing, thank you for anything,

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Speaker 3: but not for this point though I don't have the girl.

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Speaker 2: And he tried. He didn't even not try. He didn't

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Speaker 2: even try. He was very lazy.

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Speaker 3: He was like it was just anyway, fine, you know what,

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Speaker 3: We're gonna pick this up because our next guest, Yeah,

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Speaker 3: he's all about.

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Speaker 2: A point, all right, he is on a point. He's

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Speaker 2: on points well, I mean, his outfit today is not

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Speaker 2: really we're gonna drag him, but not yet, not yet,

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Speaker 2: not yet, not yet.

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Speaker 3: They ring him up. We raised him up to bring

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Speaker 3: down anyway, this guest first of all, all time fave.

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Speaker 3: He's back he's okay, we're repeating guests now, repeating guest

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Speaker 3: only the ones that we like, yes, and the ones

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Speaker 3: that you guys, you got to have him back, And

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Speaker 3: y'all were like, this person has to be back.

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Speaker 2: Absolutely, he is a fucking star celebrity. Like he's blowing

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Speaker 2: the hell up.

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Speaker 3: I'm always impressed and inspired whenever I see him on

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Speaker 3: I think of all the friends that we have, this

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Speaker 3: is the friend that will most likely get the egoch.

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Speaker 3: He will get it or as close to the ego. Absolutely,

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Speaker 3: and I'll be outside trying to get into the party.

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Speaker 3: But like, you're not on the list. This guest so amazing.

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Speaker 3: He's busy. He's our busy expert. Yes, give it up.

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Speaker 2: For Larry Owen. Yeah, baby, hello here for the intro.

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Speaker 1: Oh my god, that was so sweet. But like I

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Speaker 1: know that I'm about to get absolutely dragged.

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Speaker 3: And you showed up in white shorts and sandals and

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Speaker 3: your legs are white.

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Speaker 2: These are my pajamas, like pajama yamas? Yeah you sleeping all?

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Speaker 1: What?

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Speaker 3: Okay?

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Speaker 1: Come on?

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Speaker 2: Lisa's so rich.

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Speaker 1: It's the idea of just like, oh, I just like

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Speaker 1: threw on some like house clothes.

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Speaker 2: To come outside. That's not how house close.

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Speaker 1: We know, I know, but it's the studio.

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Speaker 2: I'm not even going to talk about your feet.

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Speaker 1: Well, okay, you're the Bunyan queen, so please let's fight. No,

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Speaker 1: you listen to the podcast, bitch, So I have the

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Speaker 1: receipts to go shot for shot with any of you. Okay,

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Speaker 1: I have one long to your way by flexibility, So

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Speaker 1: like as a size.

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Speaker 3: Sis, you can go to a sun on and they

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Speaker 3: will literally you walked by a salon on the way here. Honey,

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Speaker 3: you have an intern she needs to work.

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Speaker 1: You said it correctly. I walked right by a slot.

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Speaker 2: I wanted that.

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Speaker 1: I haven't thought about asking like a white person to

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Speaker 1: cut this toenail because I just need the one. It's

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Speaker 1: just the big toenail, Like.

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Speaker 2: Why are you gonna wait till Black History Month?

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Speaker 1: You know, I'm like, honestly, I'm getting my fucking like

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Speaker 1: keegels up and I'm gonna be why is it?

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Speaker 2: Okay?

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Speaker 3: But the other toes are not the same length as.

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Speaker 2: Why is that the one?

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Speaker 1: You can't read because it's the big toast of the

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Speaker 1: mass of it. It like it requires like a you

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Speaker 1: know what I mean? But this isn't what I came

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Speaker 1: here for.

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Speaker 2: Okay, because you're busy.

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Speaker 1: The point of my outfit is that if you're not

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Speaker 1: on set, you're not on set. This is a podcast.

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Speaker 1: This is an auditory medium. So they can't see me

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Speaker 1: when I'm on set. They're lotioning my legs. If we're

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Speaker 1: gonna see my feet, then that's the white person a hack,

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Speaker 1: just the big town.

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Speaker 3: Let me tell you he was I'm gonna be humble.

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Speaker 3: He's like, when I'm not on set, I'm not.

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Speaker 2: It's because you bragged.

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Speaker 1: You came actually like punching in the first right after

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Speaker 1: the intro.

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Speaker 3: Okay, okay, okay, okay, well we're gonna step back. Yes,

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Speaker 3: you have been here before.

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Speaker 1: Happy to be here.

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Speaker 2: We love here.

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Speaker 1: This is a glow up for it.

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Speaker 2: This is a glow up for we were at your house,

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Speaker 2: marine at my old house, I know.

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Speaker 1: And now we got hp A universe. You know, it's

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Speaker 1: amazing like to like, you know, listen to hp A

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Speaker 1: on your podcast.

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00:14:33,520 --> 00:14:38,560
Speaker 2: He is a host. Now it's the third host now

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Speaker 2: had producer Andrew.

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Speaker 1: I'm honored to be here. But yeah, don't come from.

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Speaker 3: My well, let's talk about your work. You've been busy,

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Speaker 3: you know, you just closed a little play that like, yeah,

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Speaker 3: a strange loop. We talked about several times. I know,

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Speaker 3: a strange.

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Speaker 1: Loop and masters would love this show. Yeah that was.

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Speaker 1: That was like the summer that sort of like started

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Speaker 1: like the true like Busy Expert was you know doing

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Speaker 1: that like it's eight shows.

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Speaker 2: Will tell us a little bit about what the show

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Speaker 2: was about.

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Speaker 1: Yeah, So I played usher, not that usher, but I

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Speaker 1: later Yeah, I let him burn. I played an usher

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Speaker 1: at the Lion King who was a composer writing the

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Speaker 1: musical that you're watching. So it was like meta theatrical, funny,

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Speaker 1: heartwarming like it went often. It was a musical, So

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Speaker 1: I was singing. I didn't leave the stage the other

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Speaker 1: time it was a two hour yeah, yeah, I would

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Speaker 1: like walk up to the stage and then be like

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Speaker 1: this is the last thing I'm going to see before

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Speaker 1: I come down. Yes, yeah, and it's just going to

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Speaker 1: be like a blur.

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Speaker 3: So now, so when you perform a two hour play

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Speaker 3: live show, yeah, are you nervous about remembering stuff or

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Speaker 3: the order of things or do you just kind of

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Speaker 3: I mean.

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Speaker 1: The good thing about like the Legit Theater, which that was,

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Speaker 1: which is like different than like like calm it was

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Speaker 1: like you they have a rehearsal process, so like we

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Speaker 1: were in there like making sure we had the time

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Speaker 1: and space to really like make it like second scan

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Speaker 1: kind of like you're breathing through it. Like it's just

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Speaker 1: like dumb, like like I'm just like at the point

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Speaker 1: of my life where like I'm young enough, I'm dumb enough,

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Speaker 1: like I like have the energy like somehow to do it.

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Speaker 1: So we're just cashing it in. We did like three

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Speaker 1: weeks of rehearsal, then we go to like technical rehearsals

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Speaker 1: on stage. Yeah, so like how.

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Speaker 2: Long did it take you to remember the whole scrip?

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00:16:28,040 --> 00:16:29,600
Speaker 1: Yeah, I was just doing it on my feet. So

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Speaker 1: like my process is to like.

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Speaker 3: You know, on my feet. That meant he wasn't doing

385
00:16:35,480 --> 00:16:41,280
Speaker 3: no homework. Yeah, clothes outside, doing no homework.

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Speaker 1: As you know, like when I leave the rehearsal room,

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Speaker 1: I'm going to the comedy club. So it's like and

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Speaker 1: then it's like ten o'clock PM. You need eight hours

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Speaker 1: just like to of rest to sing. So like you know,

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Speaker 1: it really like when I'm in the room, I'm in

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Speaker 1: the room, and then I leave the room and I

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Speaker 1: do what else is in the next room.

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Speaker 3: You were constantly busy, and you were run ripping the

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Speaker 3: streets with me as well, and you were prepping for

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Speaker 3: this musical that I had no idea was going to

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Speaker 3: be as big as it.

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Speaker 2: Yeah, right, because let's talk about who was showing up

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Speaker 2: to the like.

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Speaker 1: Oh my god, Porter, emmy Winter Tour editor and the

400
00:17:18,480 --> 00:17:22,920
Speaker 1: show problematic Franco passed through Alicia Silverstone like and I

401
00:17:22,960 --> 00:17:24,760
Speaker 1: would just like walk up like towards the end of it,

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Speaker 1: like once, like like saying was sending like I didn't

403
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Speaker 1: know it was going to be ahead. I knew that

404
00:17:27,840 --> 00:17:29,640
Speaker 1: it was the best piece of writing that you could

405
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Speaker 1: possibly like sit and listen to. I was like your

406
00:17:36,040 --> 00:17:40,520
Speaker 1: TV right now, I would do my little play play.

407
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Speaker 1: I knew that the play was fire. And I'm just

408
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Speaker 1: so happy that like the white literati of New York.

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Speaker 3: Received its silverstone. Like when was the time you saw

410
00:17:48,680 --> 00:17:56,360
Speaker 3: Herman begins like I'm here, She's just out at the play,

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Speaker 3: not vaccinating hookids.

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Speaker 2: Okay.

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Speaker 1: That was like how like after the show, like how

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00:18:02,520 --> 00:18:04,680
Speaker 1: she approached each of us Like normally people would be

415
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Speaker 1: like they walk and be like you're whatever, tay something

416
00:18:06,800 --> 00:18:10,040
Speaker 1: about the show, Alicia. She was wearing all white as

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Speaker 1: I was at the time after July fourth of my

418
00:18:11,800 --> 00:18:15,480
Speaker 1: uniform like a nerse or a bride. So I was

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Speaker 1: in my all white. She's in her all white. She

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Speaker 1: glides up.

421
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Speaker 2: To me, glides white women in my face.

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Speaker 1: And what she does is she waits for you to

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Speaker 1: recognize her and say the first words. Interesting. Yeah. She

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00:18:27,760 --> 00:18:30,480
Speaker 1: did it to everyone like she's every single place yeah yeah,

425
00:18:30,720 --> 00:18:32,840
Speaker 1: like yeah, and everyone likes had the same story. And

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Speaker 1: then I watched it happen, like, so.

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Speaker 2: What do you say, Oh, hey, yeah, can I.

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00:18:37,680 --> 00:18:40,239
Speaker 1: Well, because first you're like, okay, you know what I mean.

429
00:18:40,320 --> 00:18:42,280
Speaker 1: It's off Broadway Theater. So he's like, oh, here's another

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Speaker 1: white woman, like you.

431
00:18:43,400 --> 00:18:47,239
Speaker 2: Know what I mean, not about my black as playing. No,

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Speaker 2: I wouldn't.

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Speaker 3: I wouldn't assume that a celebrity would never. I think

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Speaker 3: we already have the nerve because they would they wouldn't

435
00:18:53,240 --> 00:18:55,840
Speaker 3: want somebody to do that to them. No, But he's

436
00:18:55,840 --> 00:18:57,880
Speaker 3: saying because she she comes up and just stands there

437
00:18:57,920 --> 00:18:59,520
Speaker 3: and waits. So for a second you're just like, what.

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00:18:59,520 --> 00:19:03,200
Speaker 1: Is this late? Yeah, this woman and woman and then

439
00:19:03,400 --> 00:19:05,920
Speaker 1: she gets into the zone a focus where you're like, oh,

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00:19:05,920 --> 00:19:08,320
Speaker 1: this is Alicia. And then I don't know if I

441
00:19:08,320 --> 00:19:10,800
Speaker 1: would recognize her right off the bed exactly, which is

442
00:19:10,840 --> 00:19:13,520
Speaker 1: what she loves. And I think that's part of it,

443
00:19:13,560 --> 00:19:13,800
Speaker 1: is that a.

444
00:19:13,760 --> 00:19:15,960
Speaker 2: Little bit of space, that moment of like.

445
00:19:18,280 --> 00:19:20,719
Speaker 1: That's just you literally just did it. You literally just

446
00:19:20,960 --> 00:19:24,960
Speaker 1: I didn't Lynn Lynn while Miranda came. I think he's

447
00:19:25,000 --> 00:19:27,359
Speaker 1: close to the egot. Yeah. Yeah, he loved the show.

448
00:19:27,400 --> 00:19:32,000
Speaker 2: And I had so many people people. I mean when

449
00:19:32,040 --> 00:19:32,760
Speaker 2: I went there.

450
00:19:33,800 --> 00:19:36,439
Speaker 1: Are you kidding me? Like it was like it was

451
00:19:36,480 --> 00:19:38,600
Speaker 1: it was absurd, It was stupid. It was absurd.

452
00:19:38,880 --> 00:19:40,320
Speaker 2: And how long did the show run for?

453
00:19:40,560 --> 00:19:42,320
Speaker 1: I don't think we're out there like said and done,

454
00:19:42,440 --> 00:19:46,200
Speaker 1: like eight weeks and it was so every time. Yeah,

455
00:19:46,240 --> 00:19:48,840
Speaker 1: over one hundred performances, like that's like I.

456
00:19:48,800 --> 00:19:52,320
Speaker 3: Paid real deal seats, you know, listen. I bought tickets

457
00:19:52,400 --> 00:19:53,280
Speaker 3: and then there was.

458
00:19:53,280 --> 00:19:55,400
Speaker 1: A blackout, the Broadway blackout.

459
00:19:54,960 --> 00:19:57,760
Speaker 3: The Broadway blackout, and I jumped in an eighty six

460
00:19:57,880 --> 00:19:58,600
Speaker 3: dollars uber.

461
00:20:00,359 --> 00:20:01,520
Speaker 2: I didn't even know how much you've been.

462
00:20:01,560 --> 00:20:04,040
Speaker 3: It was so much money because I was like, I gotta,

463
00:20:04,160 --> 00:20:06,000
Speaker 3: I gotta get in, because it was because it was

464
00:20:06,040 --> 00:20:10,880
Speaker 3: a search because nothing was running nothing. It was very

465
00:20:10,920 --> 00:20:13,399
Speaker 3: important to see you, and it was just it was

466
00:20:13,440 --> 00:20:16,000
Speaker 3: great as like just watching because you know, I don't

467
00:20:16,000 --> 00:20:17,600
Speaker 3: really go to theater or anything like that.

468
00:20:17,600 --> 00:20:18,280
Speaker 2: That's not my thing.

469
00:20:18,640 --> 00:20:21,719
Speaker 3: But I went and as like just watching it and

470
00:20:21,760 --> 00:20:24,639
Speaker 3: also being your friend, I was like, what the fuck

471
00:20:25,040 --> 00:20:29,880
Speaker 3: you were giving a thousand percent on stage and I

472
00:20:29,960 --> 00:20:31,040
Speaker 3: was like, Wow, this.

473
00:20:31,119 --> 00:20:31,680
Speaker 2: Is for you.

474
00:20:31,920 --> 00:20:35,040
Speaker 1: This is what It's a different thing than like the

475
00:20:35,080 --> 00:20:38,119
Speaker 1: comedy clubs, a different thing than like the personality driven stuff,

476
00:20:38,160 --> 00:20:41,200
Speaker 1: like acting like is a craft, like it is is

477
00:20:41,240 --> 00:20:42,359
Speaker 1: a rigger and.

478
00:20:42,680 --> 00:20:48,560
Speaker 2: It's a craft that we had that book at all.

479
00:20:47,520 --> 00:20:49,399
Speaker 1: But the thing is and then on cameras like a

480
00:20:49,400 --> 00:20:52,240
Speaker 1: completely different craft. And like I just got fucking like

481
00:20:52,520 --> 00:20:55,040
Speaker 1: beat up, like I got trial by fired, Like coming

482
00:20:55,080 --> 00:20:57,600
Speaker 1: off of the show, all these cool people came connected

483
00:20:57,600 --> 00:20:59,560
Speaker 1: me into sort of this like you know, next slot

484
00:20:59,680 --> 00:21:02,920
Speaker 1: of the of the of the you know career. Yeah,

485
00:21:02,920 --> 00:21:04,760
Speaker 1: and so like you know, then I'm on set like

486
00:21:04,840 --> 00:21:06,680
Speaker 1: acting opposite these greats.

487
00:21:06,320 --> 00:21:14,439
Speaker 3: And the play play done, play and then where you

488
00:21:14,520 --> 00:21:15,720
Speaker 3: what happens the play?

489
00:21:15,920 --> 00:21:18,800
Speaker 1: Okay, so the night of the blackout, then from High

490
00:21:18,840 --> 00:21:21,160
Speaker 1: Maintenance was there, who plays the guy? And so I'm

491
00:21:21,160 --> 00:21:23,600
Speaker 1: gonna be on the mean on the next season, So

492
00:21:23,760 --> 00:21:28,840
Speaker 1: like I shot that and then yeah, so like that

493
00:21:28,960 --> 00:21:31,159
Speaker 1: was like and it was like an involved thing, like

494
00:21:31,520 --> 00:21:33,880
Speaker 1: and da, I can't really go into it. And I'm like,

495
00:21:34,400 --> 00:21:36,960
Speaker 1: but just in terms of like, you know, you have

496
00:21:36,960 --> 00:21:40,199
Speaker 1: two hundred people in an audience off Broadway. I know

497
00:21:40,240 --> 00:21:41,800
Speaker 1: how to stand in a room. I know how to

498
00:21:41,840 --> 00:21:44,800
Speaker 1: like you know, I know, I know to be in

499
00:21:44,840 --> 00:21:47,680
Speaker 1: a room. Yeah, then that camera it's just a piece

500
00:21:47,720 --> 00:21:50,320
Speaker 1: of glass. It's a fucking machine. It doesn't have a soul.

501
00:21:50,640 --> 00:21:52,560
Speaker 1: But like, and on the other side of that is

502
00:21:52,640 --> 00:21:54,080
Speaker 1: millions of people, you know what I mean. Like I

503
00:21:54,240 --> 00:21:57,000
Speaker 1: said that, you know what I mean, So just shift

504
00:21:57,119 --> 00:21:59,880
Speaker 1: that and like so I was really like, yeah.

505
00:22:00,240 --> 00:22:05,240
Speaker 3: There's something there is something scarier about it almost because right,

506
00:22:05,280 --> 00:22:08,040
Speaker 3: we can get on stage in front of hundreds of

507
00:22:08,040 --> 00:22:12,040
Speaker 3: people and tell jokes that we wrote in our living room,

508
00:22:12,080 --> 00:22:14,800
Speaker 3: but naked. You're being control of that. But when it

509
00:22:14,840 --> 00:22:17,480
Speaker 3: comes to like being filmed, there's twelve people in the

510
00:22:17,560 --> 00:22:18,480
Speaker 3: room and one camera.

511
00:22:18,560 --> 00:22:24,720
Speaker 2: You stuttering. My whole thing is about My whole thing

512
00:22:24,760 --> 00:22:25,160
Speaker 2: is the edit.

513
00:22:25,240 --> 00:22:27,720
Speaker 3: What the edit is you can do because you do

514
00:22:27,800 --> 00:22:30,280
Speaker 3: a couple of rounds or whatever whatever they want to

515
00:22:30,280 --> 00:22:31,560
Speaker 3: put together, that's.

516
00:22:31,359 --> 00:22:33,480
Speaker 2: What they put together. That's what you're nervous about. That's

517
00:22:33,520 --> 00:22:34,359
Speaker 2: what I'm nervous about.

518
00:22:34,680 --> 00:22:35,200
Speaker 1: Most times.

519
00:22:35,200 --> 00:22:37,639
Speaker 3: It's like whenever I'm like, oh, this went really well,

520
00:22:38,080 --> 00:22:39,200
Speaker 3: I really enjoyed.

521
00:22:39,480 --> 00:22:42,440
Speaker 2: Then I see the end the result of it, I'm like,

522
00:22:42,520 --> 00:22:44,639
Speaker 2: what the how? What is this?

523
00:22:45,359 --> 00:22:48,439
Speaker 1: The opposite? Like I kind of like everyone on the

524
00:22:48,560 --> 00:22:50,680
Speaker 1: on the HBO set like they were amazing and like.

525
00:22:50,680 --> 00:23:00,440
Speaker 2: You heard that the.

526
00:22:57,720 --> 00:23:00,600
Speaker 1: Artisans like they like love what they're making there HBO.

527
00:23:04,960 --> 00:23:07,359
Speaker 1: So it was just like amazing to sort of like

528
00:23:07,400 --> 00:23:09,480
Speaker 1: release it being like Okay, I'm just gonna I'm gonna

529
00:23:09,480 --> 00:23:12,120
Speaker 1: trust my director, give him everything. I got lots of different,

530
00:23:12,240 --> 00:23:14,720
Speaker 1: you know, takes on it. And then some you know,

531
00:23:14,720 --> 00:23:17,000
Speaker 1: a person who loves their job editing is gonna make it.

532
00:23:17,280 --> 00:23:18,919
Speaker 1: You know, they're gonna put the music behind you know.

533
00:23:19,000 --> 00:23:21,240
Speaker 1: It's like so yeah, well yeah, I can't wait to

534
00:23:21,240 --> 00:23:24,840
Speaker 1: see it. It's going to be putting ship fucking in

535
00:23:24,920 --> 00:23:27,439
Speaker 1: the can that film speak for just you know, filming it.

536
00:23:27,480 --> 00:23:29,440
Speaker 2: That's amazing. It's truly amazing.

537
00:23:29,480 --> 00:23:31,520
Speaker 3: I think for me, when I do stuff on camera,

538
00:23:32,160 --> 00:23:34,439
Speaker 3: I'm nervous, like I don't want to look bad in

539
00:23:34,480 --> 00:23:36,680
Speaker 3: front of the six people who are in the room,

540
00:23:37,160 --> 00:23:39,800
Speaker 3: and don't let there be a teleprompter all of a sudden,

541
00:23:39,880 --> 00:23:42,119
Speaker 3: I forget how to read, and I forget how to

542
00:23:42,119 --> 00:23:44,880
Speaker 3: breathe and read, and I'd be like, just it's not good,

543
00:23:45,119 --> 00:23:47,840
Speaker 3: which is crazy that Maria is saying that, because you know,

544
00:23:48,040 --> 00:23:50,560
Speaker 3: we've worked together for so many years. Yes, but something

545
00:23:50,600 --> 00:23:54,399
Speaker 3: about reading a teleprompter to camera it's hard.

546
00:23:54,680 --> 00:23:57,680
Speaker 2: I'll be like, I forget how to breathe. Yeah, and

547
00:23:57,760 --> 00:24:00,320
Speaker 2: I'll be I'll bet I'll be at a at the

548
00:24:00,400 --> 00:24:01,120
Speaker 2: end of the thing and be.

549
00:24:01,119 --> 00:24:03,000
Speaker 1: Like, it's just so.

550
00:24:03,040 --> 00:24:05,040
Speaker 3: When I watched you on your show, I was like,

551
00:24:05,400 --> 00:24:08,040
Speaker 3: Marie is really fucking doing it? Oh yeah, because I

552
00:24:08,080 --> 00:24:09,679
Speaker 3: was like, it's only seven people watching this is I

553
00:24:09,720 --> 00:24:10,359
Speaker 3: forgot after a.

554
00:24:10,320 --> 00:24:13,199
Speaker 1: While, I was forging it's the energy that like that

555
00:24:13,280 --> 00:24:14,960
Speaker 1: you have to give on camera, Like I think that

556
00:24:15,040 --> 00:24:18,600
Speaker 1: I like him Like that was like, you know, late July,

557
00:24:18,880 --> 00:24:21,320
Speaker 1: like early August, and I was like, you know, going

558
00:24:21,480 --> 00:24:23,280
Speaker 1: showing to work scarcely not you know what I mean,

559
00:24:23,440 --> 00:24:25,359
Speaker 1: Like didn't like, you know how to reset because you

560
00:24:25,560 --> 00:24:27,520
Speaker 1: keep doing it. And then by the time I was

561
00:24:27,560 --> 00:24:29,400
Speaker 1: like I wrapped the film like a couple of weeks ago,

562
00:24:29,560 --> 00:24:30,280
Speaker 1: I was just like.

563
00:24:30,280 --> 00:24:31,320
Speaker 2: You wrapped you in a film.

564
00:24:31,560 --> 00:24:36,639
Speaker 3: I saw the play for a hundred Nights in a

565
00:24:36,720 --> 00:24:40,040
Speaker 3: row with at least and then the HBO and then

566
00:24:40,119 --> 00:24:42,640
Speaker 3: let's talk about this film that you just yeah.

567
00:24:42,520 --> 00:24:45,440
Speaker 1: Yeah, it's Toastral Schielsen. He directed. Isn't it romantic? It's

568
00:24:45,440 --> 00:24:48,919
Speaker 1: like a mindfulness comedy called Silent Retreat or like Dysfunctional

569
00:24:48,960 --> 00:24:51,639
Speaker 1: Friend Group and my mom and like we go up

570
00:24:51,640 --> 00:24:53,720
Speaker 1: to a silent retreat and you know, try to get

571
00:24:53,720 --> 00:24:55,520
Speaker 1: our trying to get our meditation retreat.

572
00:24:55,560 --> 00:24:59,760
Speaker 3: I feel like I read for that. I didn't book.

573
00:25:01,800 --> 00:25:08,440
Speaker 3: This is just that I didn't Okay, okay, So yeah,

574
00:25:08,320 --> 00:25:09,359
Speaker 3: where did you shoot?

575
00:25:09,520 --> 00:25:11,600
Speaker 1: Yeah? We were. We were upstate for like four weeks.

576
00:25:11,600 --> 00:25:14,240
Speaker 1: So I was just like like on this like beautiful,

577
00:25:14,480 --> 00:25:16,600
Speaker 1: like beautiful what do.

578
00:25:16,560 --> 00:25:17,159
Speaker 2: We even call it?

579
00:25:17,200 --> 00:25:19,639
Speaker 1: Like yeah, like retreat center, Like there's where they have

580
00:25:19,680 --> 00:25:21,680
Speaker 1: weddings like these she weddings. It's like off the grid,

581
00:25:21,960 --> 00:25:23,880
Speaker 1: some goop things. It was some Goop things.

582
00:25:23,880 --> 00:25:26,040
Speaker 2: So it looks very good.

583
00:25:26,760 --> 00:25:29,600
Speaker 1: Yeah, and we goop and we goop. Yeah. Loraine Tussng

584
00:25:29,720 --> 00:25:35,720
Speaker 1: she played tasties like Foster mother on Orange. You know her? She? Yes,

585
00:25:35,800 --> 00:25:39,920
Speaker 1: you know French French you know Lorraine song yeah her, yeah,

586
00:25:39,920 --> 00:25:42,320
Speaker 1: we all know. Yeah. She was my mom. Isabella Rossolini,

587
00:25:42,720 --> 00:25:46,159
Speaker 1: like iconic, like was like the meditation leader who I

588
00:25:46,160 --> 00:25:48,320
Speaker 1: had all my scenes with him, like them, I'm like

589
00:25:48,359 --> 00:25:50,840
Speaker 1: addicted to my phone. I'm a millennial like and then

590
00:25:50,960 --> 00:25:56,360
Speaker 1: she's like, calm down, but I got to learn from her.

591
00:25:56,560 --> 00:25:58,919
Speaker 1: Like it's just like whenever we weren't rolling, you know,

592
00:25:59,040 --> 00:26:00,320
Speaker 1: I was just like, you know.

593
00:26:00,359 --> 00:26:01,600
Speaker 2: Just talking.

594
00:26:03,240 --> 00:26:05,800
Speaker 3: I'm getting like little goosebumps because I feel like more

595
00:26:05,840 --> 00:26:08,000
Speaker 3: of this is gonna happen for everybody in this room

596
00:26:08,520 --> 00:26:11,080
Speaker 3: maybe and enthralled.

597
00:26:13,160 --> 00:26:14,720
Speaker 1: It's just like we still go to work and like

598
00:26:14,760 --> 00:26:16,800
Speaker 1: the work is different, and like we just like learn

599
00:26:16,840 --> 00:26:18,640
Speaker 1: and grow like the same way that you know. I've

600
00:26:18,680 --> 00:26:20,399
Speaker 1: like I watched you guys do last year was my

601
00:26:20,440 --> 00:26:23,719
Speaker 1: first year in comedy. I like watch you set's like

602
00:26:23,800 --> 00:26:25,439
Speaker 1: that I was able to be like, no, wait, I

603
00:26:25,560 --> 00:26:27,879
Speaker 1: like it. I like how raw these girls are. I

604
00:26:28,000 --> 00:26:30,000
Speaker 1: like the spirit of what they do. I like how

605
00:26:30,080 --> 00:26:32,800
Speaker 1: they be the command and and and the content of

606
00:26:32,800 --> 00:26:35,280
Speaker 1: what you're talking about. And so like just learning and

607
00:26:35,640 --> 00:26:36,719
Speaker 1: shifting and growing.

608
00:26:37,000 --> 00:26:40,920
Speaker 3: But you know what's cool about that is everybody had

609
00:26:41,160 --> 00:26:45,200
Speaker 3: a first movie. Everyone had their first time on set, right,

610
00:26:45,720 --> 00:26:47,160
Speaker 3: think about it, right, Because.

611
00:26:46,880 --> 00:26:49,080
Speaker 2: Meryl Streep didn't just start out as Meryl Streep.

612
00:26:49,160 --> 00:26:50,879
Speaker 3: She had a first time that she was you know,

613
00:26:51,000 --> 00:26:52,720
Speaker 3: she was freaking her lines and she was messing up

614
00:26:52,800 --> 00:26:55,320
Speaker 3: or whatever. And then, like you know, every and the

615
00:26:55,320 --> 00:26:57,199
Speaker 3: people that we watch, a lot of these actors, we'd

616
00:26:57,200 --> 00:26:58,720
Speaker 3: be judging them because a lot of them can't really

617
00:26:58,760 --> 00:27:00,280
Speaker 3: act and they keep getting movie.

618
00:27:00,320 --> 00:27:03,560
Speaker 2: I'm looking at you, Johnny Depp, But you think Johnny

619
00:27:03,600 --> 00:27:06,560
Speaker 2: Depp can act? How dare you? Before saying Jennifer Lopez.

620
00:27:07,760 --> 00:27:10,359
Speaker 1: It's because you have this j Loo Hustlers thing in

621
00:27:10,400 --> 00:27:12,080
Speaker 1: your mouth that we like, literally.

622
00:27:11,800 --> 00:27:13,840
Speaker 2: Done, Jennifer. Jennifer Lopez really can't act.

623
00:27:13,840 --> 00:27:17,040
Speaker 1: Though she was great in Hustlers.

624
00:27:17,600 --> 00:27:20,200
Speaker 2: It's not just crying.

625
00:27:20,320 --> 00:27:21,440
Speaker 1: It's not just Meryl Street.

626
00:27:21,480 --> 00:27:22,760
Speaker 2: It's not crying. You don't have to cry to be

627
00:27:22,800 --> 00:27:24,440
Speaker 2: a good act Meryl Street.

628
00:27:24,440 --> 00:27:26,720
Speaker 3: But Jlo's acting like I'm like, sis, I don't care

629
00:27:26,720 --> 00:27:27,760
Speaker 3: about you in this movie.

630
00:27:27,840 --> 00:27:28,840
Speaker 2: I just want you to get.

631
00:27:28,880 --> 00:27:31,240
Speaker 3: I don't believe that you are a stripper. I could

632
00:27:31,280 --> 00:27:33,360
Speaker 3: not even believe that she was a stripper. Just make

633
00:27:33,400 --> 00:27:35,360
Speaker 3: Cardi be the lead and leave me alone.

634
00:27:35,440 --> 00:27:39,359
Speaker 2: Yes, I agree, Okay, that's that.

635
00:27:39,440 --> 00:27:42,720
Speaker 4: On that Andrew, I thought Constant Swoove is honestly better.

636
00:27:42,960 --> 00:27:45,800
Speaker 4: Cost I still liked Jennifer Low, Constance.

637
00:27:45,440 --> 00:27:47,920
Speaker 3: Woo and them thin ass eyebrows. I was like, what

638
00:27:48,520 --> 00:27:48,880
Speaker 3: is that?

639
00:27:49,040 --> 00:27:51,040
Speaker 2: Was that the right pick for the movie? Yeah, well

640
00:27:51,080 --> 00:27:52,760
Speaker 2: I remember felt wrong.

641
00:27:53,760 --> 00:27:56,600
Speaker 4: I don't like at all when Constance we went off

642
00:27:56,600 --> 00:27:59,720
Speaker 4: on Twitter complaining about that her show got renewed and

643
00:27:59,760 --> 00:28:01,560
Speaker 4: never one was like, you're being a bitch, Constance Wood.

644
00:28:01,560 --> 00:28:03,320
Speaker 4: But I finally like got it when I saw her

645
00:28:03,320 --> 00:28:04,800
Speaker 4: in this, I was like, you are a good actress

646
00:28:04,800 --> 00:28:06,520
Speaker 4: and you shouldn't be fresh at the boat?

647
00:28:06,680 --> 00:28:08,480
Speaker 1: You know? Yeah? I mean at the end. Then I'm

648
00:28:08,480 --> 00:28:11,359
Speaker 1: happy for Constance always. It was really fun. Tweet by

649
00:28:11,400 --> 00:28:14,199
Speaker 1: Roxanne Gay It is basically like saw Hustlers liked it

650
00:28:14,240 --> 00:28:17,320
Speaker 1: a lot like like j Lo, what's your workout routine?

651
00:28:17,720 --> 00:28:20,919
Speaker 1: Constance Wood needs to work on her craft.

652
00:28:21,080 --> 00:28:25,520
Speaker 2: And I believe I believe in that as well. How

653
00:28:25,560 --> 00:28:28,840
Speaker 2: do you go from crazy rich Asians to hustlers? Was

654
00:28:28,880 --> 00:28:30,520
Speaker 2: she the main chicken crazy Asians?

655
00:28:30,960 --> 00:28:33,159
Speaker 3: I could not see past her eyebrows and hustlers? It

656
00:28:33,160 --> 00:28:36,080
Speaker 3: was legit like six hairs. I was like, and the

657
00:28:36,119 --> 00:28:37,840
Speaker 3: bang It was like, remember when Beyonce you had the

658
00:28:37,880 --> 00:28:40,280
Speaker 3: meltdown and Shans do That's.

659
00:28:40,120 --> 00:28:41,440
Speaker 2: What Constance bangs looked like.

660
00:28:41,480 --> 00:28:44,040
Speaker 3: I was like, it's not anybody that can do hair

661
00:28:44,160 --> 00:28:45,440
Speaker 3: on the set Jlo.

662
00:28:45,680 --> 00:28:48,360
Speaker 2: The whole budget went to j Lo hair and makeup. Absolutely.

663
00:28:48,480 --> 00:28:52,719
Speaker 3: I mean, it's just the crazy thing for me is that, Larry,

664
00:28:52,960 --> 00:28:55,720
Speaker 3: you are a great actor, and you know, like not

665
00:28:55,920 --> 00:28:57,560
Speaker 3: just film theater.

666
00:28:58,040 --> 00:28:59,880
Speaker 2: You know what great acting is.

667
00:29:00,480 --> 00:29:02,680
Speaker 3: And so for you to sit up here and say

668
00:29:02,760 --> 00:29:05,800
Speaker 3: Jennifer Lopez and Hustlers was great, just say you enjoy

669
00:29:06,040 --> 00:29:10,320
Speaker 3: you know you want to see her in Vegas, Yeah,

670
00:29:10,480 --> 00:29:12,680
Speaker 3: say that she's a great performer on stage.

671
00:29:12,720 --> 00:29:14,000
Speaker 2: I don't want to see her in a movie.

672
00:29:14,120 --> 00:29:15,600
Speaker 3: I also don't want to I want to see her

673
00:29:15,640 --> 00:29:18,040
Speaker 3: in a song. I'll just stalk her on Instagram. I

674
00:29:18,040 --> 00:29:19,840
Speaker 3: also don't want to see her performing at like a

675
00:29:19,880 --> 00:29:24,280
Speaker 3: Motown tribute thing as well. You know, somebody was like, hey,

676
00:29:24,280 --> 00:29:26,120
Speaker 3: I got some tickets to see j LO at BAM.

677
00:29:26,240 --> 00:29:28,080
Speaker 3: I don't know how you could sit up here and

678
00:29:28,160 --> 00:29:31,640
Speaker 3: watch Selena on repeat and then watch Hustlers and be like, yeah,

679
00:29:31,680 --> 00:29:32,120
Speaker 3: this is great.

680
00:29:32,400 --> 00:29:33,240
Speaker 2: She was good and something.

681
00:29:33,280 --> 00:29:36,160
Speaker 3: She's fantastic Selena, but she had that was her first

682
00:29:36,160 --> 00:29:39,160
Speaker 3: film and she had something to prove. Yeah, she embodied Selena.

683
00:29:39,560 --> 00:29:44,520
Speaker 3: She did not embody a strippers. I'm sorry No, she's lazy.

684
00:29:44,720 --> 00:29:46,720
Speaker 3: She I don't think she tried to get lazy.

685
00:29:47,080 --> 00:29:52,360
Speaker 1: That pole dance to my girl, she pulled danced one time,

686
00:29:53,040 --> 00:29:53,800
Speaker 1: one song.

687
00:29:55,640 --> 00:29:57,720
Speaker 2: And that scene. That's the only time. That's the only

688
00:29:57,760 --> 00:29:59,959
Speaker 2: time she did know then she had the criminal thing.

689
00:30:00,120 --> 00:30:02,000
Speaker 1: The thing is, the thing is you're saying that she's

690
00:30:02,000 --> 00:30:03,920
Speaker 1: not a credible stripper. You don't want to see a

691
00:30:03,920 --> 00:30:07,280
Speaker 1: stripper be a credible actor like you that authenticity that

692
00:30:07,320 --> 00:30:09,880
Speaker 1: you want, Like, I think that, like we're better off

693
00:30:09,920 --> 00:30:13,720
Speaker 1: having an actress of Jaylo's caliber. Yes, having an authentic

694
00:30:13,800 --> 00:30:17,960
Speaker 1: stripper like like pull off this major Hollywood film.

695
00:30:18,440 --> 00:30:22,640
Speaker 3: Yes, Moore and strip tease as a stripper more than

696
00:30:22,680 --> 00:30:24,040
Speaker 3: Jennifer Lopez and hustlers.

697
00:30:24,080 --> 00:30:26,120
Speaker 1: Okay, I understand what you're saying. And yeah, you're being

698
00:30:26,160 --> 00:30:28,719
Speaker 1: really nuanced and let you have your voice, Jack Mae.

699
00:30:28,840 --> 00:30:31,240
Speaker 2: Okay, as a black woman. Well, we're not gonna do

700
00:30:31,280 --> 00:30:31,880
Speaker 2: it silence.

701
00:30:33,760 --> 00:30:37,480
Speaker 1: As a former nightlife waitress, I won't overspeak your experiences

702
00:30:37,520 --> 00:30:39,040
Speaker 1: in the front lines and the trenches.

703
00:30:39,200 --> 00:30:42,480
Speaker 3: You're busy, Let's move on.

704
00:30:42,680 --> 00:30:48,000
Speaker 2: Not too busy. He's always he's always free for that same.

705
00:30:49,160 --> 00:30:51,400
Speaker 1: I'm giving you space. I'm succeeding the floor.

706
00:30:51,600 --> 00:30:55,640
Speaker 2: This is he said, he said, go ahead and reclaim me.

707
00:30:56,960 --> 00:30:58,680
Speaker 3: Okay, I don't even know how we got to j Lo,

708
00:30:58,920 --> 00:31:01,160
Speaker 3: but like, why do we talk about that movie?

709
00:31:01,280 --> 00:31:05,760
Speaker 1: First film? I don't know acting Tea on camera Tees.

710
00:31:06,760 --> 00:31:08,880
Speaker 3: Oh wait, didn't you also work with the guy from

711
00:31:08,880 --> 00:31:11,800
Speaker 3: the Stripes. It was his name, Jack white.

712
00:31:12,080 --> 00:31:14,400
Speaker 1: No, no, no, not the White Stripes. So this is

713
00:31:14,560 --> 00:31:17,160
Speaker 1: this is British comic Jack Whitehall from Netflix.

714
00:31:17,360 --> 00:31:17,800
Speaker 2: Netflix.

715
00:31:18,080 --> 00:31:21,520
Speaker 1: Yeah, yeah, he Jack white called me though we love

716
00:31:24,720 --> 00:31:28,480
Speaker 1: soon had great Home for Silent Retreat.

717
00:31:29,240 --> 00:31:31,320
Speaker 2: Yeah, I know.

718
00:31:31,400 --> 00:31:33,560
Speaker 1: Jack white Hall is the lead of it. He's amazing

719
00:31:34,200 --> 00:31:37,200
Speaker 1: shows on Netflix. He's Travels with my Father and and

720
00:31:37,400 --> 00:31:40,040
Speaker 1: his specials. And then the lead girl with Sarah Goldberg

721
00:31:40,040 --> 00:31:41,840
Speaker 1: from Barry. She is not made for an Emmy. So

722
00:31:41,880 --> 00:31:43,880
Speaker 1: like after like she wrapped, she was like, I'm going

723
00:31:43,920 --> 00:31:47,160
Speaker 1: to the Emmys. She's Canadian, but like also like British,

724
00:31:47,400 --> 00:31:49,480
Speaker 1: like I love to see it.

725
00:31:49,880 --> 00:31:52,800
Speaker 2: Which accent is she saying? Said?

726
00:31:52,840 --> 00:31:54,920
Speaker 1: She was saying it all Yeah, she's like a boot

727
00:31:55,000 --> 00:31:59,560
Speaker 1: and then also Si, yeah, but lovely girl, great actress. Yeah,

728
00:31:59,560 --> 00:32:02,000
Speaker 1: I love it. We were holding it down. Dennis Hayes

729
00:32:02,040 --> 00:32:07,560
Speaker 1: birth the all steak guy, you know, and Gucci and

730
00:32:07,600 --> 00:32:09,640
Speaker 1: gold I was just him.

731
00:32:09,680 --> 00:32:12,200
Speaker 3: I never said it to him, not him. Wasn't he

732
00:32:12,280 --> 00:32:17,480
Speaker 3: also the was he in waiting to but who couldn't

733
00:32:17,480 --> 00:32:17,880
Speaker 3: have sex?

734
00:32:18,200 --> 00:32:19,880
Speaker 2: He was? He was bad at sex. He was bad

735
00:32:19,880 --> 00:32:21,120
Speaker 2: at sex. But he was the one that was dating

736
00:32:21,120 --> 00:32:21,720
Speaker 2: Whitney Houston.

737
00:32:21,960 --> 00:32:24,000
Speaker 3: No, he was married or something, but he was on

738
00:32:24,080 --> 00:32:25,680
Speaker 3: top of her and she was just like No, I

739
00:32:25,720 --> 00:32:26,960
Speaker 3: thought that was the other dude.

740
00:32:27,520 --> 00:32:28,120
Speaker 2: So many.

741
00:32:31,080 --> 00:32:31,760
Speaker 1: Was sleeping with.

742
00:32:31,720 --> 00:32:33,920
Speaker 2: The young, the young, young, young chick.

743
00:32:34,040 --> 00:32:36,920
Speaker 3: There were so many bad anyway, Larry, what's your dream

744
00:32:37,080 --> 00:32:39,760
Speaker 3: gig if you could do, if you could do film

745
00:32:39,920 --> 00:32:42,960
Speaker 3: or TV or music, what would be the thing that

746
00:32:43,000 --> 00:32:43,760
Speaker 3: you'd want to do.

747
00:32:44,400 --> 00:32:46,720
Speaker 1: I mean, it's just like I feel like I like,

748
00:32:46,920 --> 00:32:48,680
Speaker 1: I feel like I'm in the dream. I feel like

749
00:32:48,720 --> 00:32:53,200
Speaker 1: the opportunity to like work like with like yes, not.

750
00:32:53,280 --> 00:32:56,360
Speaker 2: Being diplomatic, just pretend to stop it.

751
00:32:56,480 --> 00:32:58,800
Speaker 1: No, I mean strangely was a triumph. I will love

752
00:32:58,840 --> 00:33:00,520
Speaker 1: you that bro. I feel like like being a musical

753
00:33:00,720 --> 00:33:04,240
Speaker 1: performers like my calling and ye other stuff is like

754
00:33:04,280 --> 00:33:06,520
Speaker 1: fun like you know, little like stuff in the holster.

755
00:33:06,800 --> 00:33:10,360
Speaker 1: It's like like got a like a writing wand like

756
00:33:10,720 --> 00:33:14,720
Speaker 1: Cynthia Revo. Yes, yeah, yeah, so I would like I

757
00:33:14,760 --> 00:33:16,480
Speaker 1: would just like love to do the show and have

758
00:33:16,560 --> 00:33:18,440
Speaker 1: like a bunch of people come and see it experience it,

759
00:33:18,440 --> 00:33:21,120
Speaker 1: because I felt like that show we were entertaining people

760
00:33:21,120 --> 00:33:23,960
Speaker 1: but also changing lives, like giving voice to like black,

761
00:33:24,040 --> 00:33:28,239
Speaker 1: queer black people, queer people like people who and it

762
00:33:28,280 --> 00:33:31,000
Speaker 1: wasn't just those groups who identify with the show. Everyone

763
00:33:31,040 --> 00:33:32,000
Speaker 1: did because the writing was.

764
00:33:31,960 --> 00:33:34,560
Speaker 2: So good, but everybody factly who like.

765
00:33:34,960 --> 00:33:37,080
Speaker 1: People who need a voice and like these these like

766
00:33:37,120 --> 00:33:39,960
Speaker 1: beautiful trans kids who like are finding the recording that

767
00:33:40,000 --> 00:33:42,280
Speaker 1: came out last week number two on iTunes and like.

768
00:33:42,360 --> 00:33:46,920
Speaker 3: Yeah what iTunes number.

769
00:33:46,680 --> 00:33:48,880
Speaker 1: Two and like so it's like they're finding the show

770
00:33:48,920 --> 00:33:51,520
Speaker 1: and they're like finding ways to have a voice and

771
00:33:52,120 --> 00:33:56,320
Speaker 1: being a representative of that was. It's hard, but it

772
00:33:56,360 --> 00:33:56,800
Speaker 1: was cool.

773
00:33:56,880 --> 00:33:58,680
Speaker 2: So wait, it's a it's an off Broadway.

774
00:33:58,920 --> 00:33:59,880
Speaker 1: It was off probably that's what.

775
00:34:00,360 --> 00:34:02,480
Speaker 2: But you are hoping that it will move.

776
00:34:02,680 --> 00:34:03,680
Speaker 1: Yeah, time will tell.

777
00:34:03,720 --> 00:34:05,800
Speaker 2: There's still you know, they're still like working.

778
00:34:05,720 --> 00:34:08,239
Speaker 1: Room in the season. People are working. We have a

779
00:34:08,280 --> 00:34:10,600
Speaker 1: sold out album release concert happening in two weeks.

780
00:34:12,000 --> 00:34:14,719
Speaker 2: But yeah, can you put us on the list.

781
00:34:15,120 --> 00:34:17,799
Speaker 1: Okay, well we all work work the magic Okay.

782
00:34:17,920 --> 00:34:22,200
Speaker 3: I want Yeah, we don't even need to take a

783
00:34:22,480 --> 00:34:26,480
Speaker 3: corner a little corner of a seat to share, you know,

784
00:34:26,520 --> 00:34:28,759
Speaker 3: we'll put us in the put us about a service bar.

785
00:34:29,160 --> 00:34:31,520
Speaker 2: See what they say, This is the eleven.

786
00:34:31,640 --> 00:34:33,799
Speaker 1: So that's going to be on Monday. We're doing the

787
00:34:33,840 --> 00:34:38,120
Speaker 1: concert and yeah, and we'll see, we'll see. Probablys about

788
00:34:38,120 --> 00:34:42,120
Speaker 1: real estate, it's about like like literally four theater owners,

789
00:34:42,160 --> 00:34:44,799
Speaker 1: you know what I mean, they they decide, you know.

790
00:34:44,840 --> 00:34:46,200
Speaker 3: So how many theaters are there?

791
00:34:46,719 --> 00:34:49,040
Speaker 1: I don't really know at this point, probably somewhere around

792
00:34:49,080 --> 00:34:50,800
Speaker 1: like upper twenties.

793
00:34:50,560 --> 00:34:56,320
Speaker 3: Twenty six theaters and four people own twenty six theaters. Yeah, yeah, yeah,

794
00:34:56,360 --> 00:34:58,880
Speaker 3: and they have so much money. But I heard in

795
00:34:59,200 --> 00:35:01,400
Speaker 3: like theaters they're not getting paid that well, yeah, they

796
00:35:01,400 --> 00:35:02,560
Speaker 3: don't pay the actors that much.

797
00:35:02,840 --> 00:35:05,280
Speaker 1: It's there are lots of different systems, like in broadways,

798
00:35:05,360 --> 00:35:08,680
Speaker 1: a commercial system offer always a non profit system, and

799
00:35:08,719 --> 00:35:12,480
Speaker 1: then broways commercials I'm being politically.

800
00:35:13,640 --> 00:35:14,440
Speaker 2: They might bestening.

801
00:35:15,480 --> 00:35:17,920
Speaker 1: Oh my god. Oh I've been absolutely checked from a

802
00:35:17,920 --> 00:35:21,640
Speaker 1: Forever Dog podcast before. Yes, really yeah, yeah, Like I

803
00:35:21,800 --> 00:35:24,440
Speaker 1: was like, you have the theater people, they pay attention

804
00:35:24,480 --> 00:35:27,680
Speaker 1: when you say something off. We're obsessed. But it's okay,

805
00:35:27,680 --> 00:35:29,520
Speaker 1: And that's like what's weird to like last you become

806
00:35:29,560 --> 00:35:32,480
Speaker 1: a comic and like never wanting to toe the line

807
00:35:32,480 --> 00:35:35,239
Speaker 1: as an actor and then suddenly like having to have

808
00:35:35,280 --> 00:35:36,960
Speaker 1: these opinions you know what I mean in order to

809
00:35:37,000 --> 00:35:40,759
Speaker 1: like get like it's crazy. It's like to toe this

810
00:35:40,920 --> 00:35:43,160
Speaker 1: line of like am I speaking truth to power as

811
00:35:43,200 --> 00:35:45,720
Speaker 1: a comic? Am I like someone who you know stands

812
00:35:45,719 --> 00:35:47,800
Speaker 1: on my pussy and what I represent in my platform?

813
00:35:47,920 --> 00:35:50,040
Speaker 1: Or am I like someone who hopes to take on

814
00:35:50,200 --> 00:35:51,280
Speaker 1: rolls and shift?

815
00:35:51,440 --> 00:35:55,000
Speaker 3: And do you think that being on a podcast, like

816
00:35:55,200 --> 00:35:56,920
Speaker 3: you can't say what you want if you want to

817
00:35:56,960 --> 00:35:58,600
Speaker 3: be in the industry, or I can't say what I.

818
00:35:58,560 --> 00:36:01,680
Speaker 1: Want I mean, And it's like if the fun is

819
00:36:01,719 --> 00:36:04,600
Speaker 1: like deciding like like what is important to me to

820
00:36:04,760 --> 00:36:07,319
Speaker 1: be Like you know, we obviously never want to punch down.

821
00:36:07,360 --> 00:36:11,440
Speaker 1: We obviously never want to you know, like we're not doing.

822
00:36:11,200 --> 00:36:13,120
Speaker 2: That punching down.

823
00:36:13,239 --> 00:36:15,160
Speaker 1: But it's like what, like, yeah, what is the line

824
00:36:15,200 --> 00:36:18,400
Speaker 1: of candor being candidates for me?

825
00:36:18,880 --> 00:36:19,080
Speaker 2: Right?

826
00:36:19,280 --> 00:36:22,480
Speaker 3: It's like these people give you jobs, right, and then

827
00:36:22,640 --> 00:36:24,959
Speaker 3: there's people who want to get jobs, and there's people

828
00:36:24,960 --> 00:36:28,080
Speaker 3: who want to create jobs and do something more than that.

829
00:36:28,239 --> 00:36:30,560
Speaker 3: So like for me, I'll be on a podcast and

830
00:36:30,560 --> 00:36:32,680
Speaker 3: I'm like, oh, I want to be honest and like,

831
00:36:32,680 --> 00:36:33,480
Speaker 3: oh it's such.

832
00:36:33,280 --> 00:36:34,640
Speaker 2: And such my hear this.

833
00:36:34,760 --> 00:36:37,400
Speaker 3: But it's like, well, if you don't like what I'm saying,

834
00:36:37,560 --> 00:36:39,560
Speaker 3: I know that I'm still going to work, yes, And

835
00:36:39,680 --> 00:36:42,919
Speaker 3: if I have to watch everything I say in order

836
00:36:42,960 --> 00:36:44,799
Speaker 3: to get a job, then it's like what am I doing?

837
00:36:44,920 --> 00:36:47,919
Speaker 1: Thing is that's like a comedian's privilege, Like and that's

838
00:36:47,920 --> 00:36:49,480
Speaker 1: like what I love about comedy.

839
00:36:49,280 --> 00:36:51,960
Speaker 3: Or that used to be a comedian's privilege, because now

840
00:36:52,440 --> 00:36:54,960
Speaker 3: like stuff that people have tweeted and things that people

841
00:36:55,080 --> 00:36:56,640
Speaker 3: said years ago, it's still like.

842
00:36:56,680 --> 00:36:59,720
Speaker 1: There's Kathy Griffin, like she got nationally canceled, but because

843
00:36:59,719 --> 00:37:00,160
Speaker 1: she's the.

844
00:37:00,239 --> 00:37:07,640
Speaker 3: Audience you heard it here first on the pods, because

845
00:37:07,680 --> 00:37:09,680
Speaker 3: she has a fucking flock of like gay men who

846
00:37:09,719 --> 00:37:11,879
Speaker 3: will like you know, pay her cash money to see

847
00:37:11,880 --> 00:37:12,800
Speaker 3: her performing an alley.

848
00:37:13,000 --> 00:37:14,080
Speaker 1: She's gonna make her rent.

849
00:37:14,600 --> 00:37:16,040
Speaker 2: Yeah, She's never not gonna make rent.

850
00:37:16,120 --> 00:37:19,000
Speaker 1: She's gonna get yelled down fifty second Street. I'm doing

851
00:37:19,040 --> 00:37:21,520
Speaker 1: a showing to alley. The guys are gonna tell each

852
00:37:21,560 --> 00:37:23,200
Speaker 1: other and they're gonna pay her cash. Yeah, but you

853
00:37:23,239 --> 00:37:25,360
Speaker 1: know who's not gonna come. Andy Cohen so.

854
00:37:26,840 --> 00:37:29,759
Speaker 3: Anderson Cooper also won't be there because they dropped her

855
00:37:29,760 --> 00:37:31,160
Speaker 3: from the New Year's Eve.

856
00:37:31,000 --> 00:37:34,560
Speaker 2: Show quick and you know the New Year's cute. Why

857
00:37:34,600 --> 00:37:35,680
Speaker 2: did they do that?

858
00:37:35,400 --> 00:37:38,640
Speaker 1: You old old, this is no.

859
00:37:39,760 --> 00:37:43,239
Speaker 2: She something with Donald Trump, something about killing him or something.

860
00:37:43,440 --> 00:37:43,920
Speaker 1: I don't know.

861
00:37:44,360 --> 00:37:45,280
Speaker 2: Anyway, they were.

862
00:37:45,160 --> 00:37:46,760
Speaker 1: Like taste, tasteless image.

863
00:37:46,920 --> 00:37:49,680
Speaker 2: She like she held like a severed head or something,

864
00:37:49,760 --> 00:37:50,280
Speaker 2: et cetera.

865
00:37:50,400 --> 00:37:51,120
Speaker 1: Yeah, don't come for me.

866
00:37:51,160 --> 00:37:53,560
Speaker 2: I'm not trying to get anyway. So she yeah, that's

867
00:37:53,560 --> 00:37:54,040
Speaker 2: what happened.

868
00:37:54,719 --> 00:37:56,120
Speaker 1: It was like, yeah, y'all have Google.

869
00:37:56,640 --> 00:38:02,160
Speaker 2: Yah, yesterday, he'd be busy. He can't get back.

870
00:38:05,320 --> 00:38:09,880
Speaker 3: Nothing, literally nothing anyway, So she lost out on a

871
00:38:09,920 --> 00:38:10,759
Speaker 3: New Year's Eve check.

872
00:38:11,280 --> 00:38:13,800
Speaker 2: And you know that time square New Years check is millions.

873
00:38:14,080 --> 00:38:17,960
Speaker 2: You know it's millions. It's NBC like big Money.

874
00:38:19,680 --> 00:38:19,879
Speaker 1: Show.

875
00:38:20,200 --> 00:38:23,080
Speaker 2: Honey, It's gonna happen. I feel it.

876
00:38:25,239 --> 00:38:26,880
Speaker 3: They're gonna break up the Black It's gonna be one

877
00:38:26,920 --> 00:38:28,960
Speaker 3: of us is gonna be in the in the warmth

878
00:38:29,120 --> 00:38:31,279
Speaker 3: with Anderson Cooper and the other one it's gonna be.

879
00:38:31,600 --> 00:38:36,120
Speaker 3: It's gonna be on the Streetda. I don't do cold. Look,

880
00:38:36,520 --> 00:38:39,480
Speaker 3: I don't look good in a parka, so neither do I.

881
00:38:40,200 --> 00:38:42,000
Speaker 3: They're gonna make that little boy looks cold.

882
00:38:46,360 --> 00:38:48,919
Speaker 1: Well, actually, in these times of global warming, it's gonna

883
00:38:48,920 --> 00:38:49,799
Speaker 1: be a cool seventy two.

884
00:38:50,480 --> 00:38:52,480
Speaker 2: I'm gonna have on all white. Yeah, what you think?

885
00:38:52,560 --> 00:38:56,239
Speaker 3: I saw people wearing Montclair jackets this morning. What's a

886
00:38:56,280 --> 00:39:02,919
Speaker 3: Montclair an expensive thousanddly bubble like thirteen hundred dollars bubble coat. Yeah,

887
00:39:03,719 --> 00:39:07,000
Speaker 3: it's insanity. It's a bubble a puffer jacket. Okay, but

888
00:39:07,080 --> 00:39:09,239
Speaker 3: they're expensive because I don't know jay Z wears.

889
00:39:09,760 --> 00:39:12,319
Speaker 1: Okay, it's like, oh, okay, how much?

890
00:39:12,560 --> 00:39:15,120
Speaker 2: Yeah, like tokay some of them. But for the moment,

891
00:39:15,160 --> 00:39:17,759
Speaker 2: you could get some that's like thirteen thirteen. It's done.

892
00:39:17,880 --> 00:39:21,760
Speaker 3: That's a couch. That's that's what's your first big purchase,

893
00:39:21,760 --> 00:39:22,839
Speaker 3: because I know you get in checks.

894
00:39:22,920 --> 00:39:25,320
Speaker 2: Now, what's good. Let's talk about the literally, I'm like

895
00:39:25,480 --> 00:39:26,640
Speaker 2: a coat sounds.

896
00:39:28,080 --> 00:39:28,480
Speaker 1: It was like.

897
00:39:30,920 --> 00:39:32,720
Speaker 2: That why you were asking, you're like a month.

898
00:39:32,560 --> 00:39:38,200
Speaker 1: Claire the coat? Like I mean I was last year.

899
00:39:38,239 --> 00:39:40,239
Speaker 1: I was like doing readings and like you know and

900
00:39:40,360 --> 00:39:43,000
Speaker 1: doing the slots and like you know, I wasn't on set,

901
00:39:43,080 --> 00:39:45,959
Speaker 1: so I was wearing a Kmart you know, camel coat

902
00:39:46,120 --> 00:39:47,759
Speaker 1: that was they had a nice link to it, and

903
00:39:47,840 --> 00:39:50,600
Speaker 1: it hit you can make a silhouette work honey like.

904
00:39:51,200 --> 00:39:51,719
Speaker 3: You were you were?

905
00:39:53,160 --> 00:39:55,439
Speaker 2: That was a Kmark came camel.

906
00:39:55,520 --> 00:39:57,200
Speaker 1: You know. I wore two dance because the weather is

907
00:39:57,920 --> 00:39:59,919
Speaker 1: so Larry. Yeah, we need you to Okay, I don't

908
00:39:59,920 --> 00:40:01,839
Speaker 1: know I'm gonna buy the Montclair, but I do need

909
00:40:02,000 --> 00:40:04,920
Speaker 1: like I need a winter coat, cheek, something that's like

910
00:40:05,440 --> 00:40:07,959
Speaker 1: shows that I'm young and not a grandpa, but also

911
00:40:08,200 --> 00:40:09,440
Speaker 1: isn't like has.

912
00:40:09,320 --> 00:40:10,040
Speaker 2: A good silhouette.

913
00:40:10,120 --> 00:40:12,360
Speaker 3: Yeah, but like if I'm because you dressed like that,

914
00:40:12,560 --> 00:40:14,719
Speaker 3: but it is sitting. Yeah, I thought you put a

915
00:40:14,760 --> 00:40:16,799
Speaker 3: coat on your butt. It's like go pop it up.

916
00:40:17,200 --> 00:40:18,840
Speaker 1: Yeah, And I like to dress down a lot, so

917
00:40:18,880 --> 00:40:19,960
Speaker 1: I still need to be able to go into a

918
00:40:20,000 --> 00:40:21,160
Speaker 1: coffee shop and have them respect.

919
00:40:21,200 --> 00:40:23,200
Speaker 3: You could go to Bloomingdale's, get you in like nice

920
00:40:23,239 --> 00:40:26,560
Speaker 3: little like Andrew Mark or Mark Andrew one of them jackets.

921
00:40:26,600 --> 00:40:29,640
Speaker 2: It's like and it's nice, but it's like played down.

922
00:40:30,120 --> 00:40:32,879
Speaker 1: But is it for big boy or maybe big girl?

923
00:40:33,040 --> 00:40:34,279
Speaker 1: I feel like I need to get a big girl

924
00:40:34,360 --> 00:40:36,120
Speaker 1: coat because I wanted to be stylish and they don't

925
00:40:36,120 --> 00:40:36,520
Speaker 1: make anything.

926
00:40:36,719 --> 00:40:39,160
Speaker 2: So you got to go to Asos. Yeah that's not.

927
00:40:40,840 --> 00:40:43,920
Speaker 3: It'll look good though. We love as Yes, we love it,

928
00:40:46,280 --> 00:40:48,840
Speaker 3: but I've also never worn an Aso's coat out in

929
00:40:48,880 --> 00:40:49,479
Speaker 3: the winter time.

930
00:40:51,080 --> 00:40:54,320
Speaker 2: That like, yeah, I mean no, I had like I

931
00:40:54,400 --> 00:40:56,279
Speaker 2: had a nation M coat. You had that pink coat

932
00:40:56,360 --> 00:40:57,480
Speaker 2: that you got from Aso's.

933
00:40:57,960 --> 00:41:03,759
Speaker 1: Yeah, but that wasn't like a warm you mean, it's

934
00:41:03,800 --> 00:41:06,480
Speaker 1: not like a hop in the Uber coat. It's not

935
00:41:06,560 --> 00:41:09,040
Speaker 1: a Subway platform coat or an Upstate coat.

936
00:41:09,360 --> 00:41:12,319
Speaker 3: That's not an upt coat. That's what you're looking for. Yeah,

937
00:41:12,480 --> 00:41:13,920
Speaker 3: so that's gonna be your first big purchase.

938
00:41:14,040 --> 00:41:14,440
Speaker 2: A puffer.

939
00:41:15,160 --> 00:41:18,680
Speaker 1: Not a puffer. I don't need the bigger silhouette now.

940
00:41:18,800 --> 00:41:21,200
Speaker 1: I feel like I need a toggle picoat with a hood.

941
00:41:21,280 --> 00:41:24,320
Speaker 1: I don't know, a picoat with a hood, not bravery,

942
00:41:24,400 --> 00:41:26,879
Speaker 1: but like you know, and that's in that bay. Yeah.

943
00:41:26,920 --> 00:41:29,880
Speaker 2: Okay, Well slide in Larry's d M s.

944
00:41:29,960 --> 00:41:32,640
Speaker 3: If y'all got like coat hookups and whatnot, tell them

945
00:41:32,680 --> 00:41:33,680
Speaker 3: what nice coat for.

946
00:41:33,840 --> 00:41:37,399
Speaker 2: Like something that would fit, like something cute that Lizzo

947
00:41:37,440 --> 00:41:39,360
Speaker 2: would wear b W Yeah.

948
00:41:40,160 --> 00:41:47,400
Speaker 1: Think Lizzo on a rainy day in England like for te.

949
00:41:47,760 --> 00:41:48,759
Speaker 2: Okay, that's it.

950
00:41:55,760 --> 00:41:58,480
Speaker 4: I think down Hello music video she's bringing a huge

951
00:41:58,600 --> 00:42:00,319
Speaker 4: fur jacket about Yeah.

952
00:42:00,680 --> 00:42:02,640
Speaker 1: Yeah, yeah, I wanted, but I want the list.

953
00:42:02,880 --> 00:42:06,359
Speaker 2: I feel like that would wear like a dark trench. Yeah,

954
00:42:07,040 --> 00:42:07,560
Speaker 2: should get that.

955
00:42:07,640 --> 00:42:11,440
Speaker 1: To get to exactly, which is why the price point.

956
00:42:11,360 --> 00:42:14,160
Speaker 2: Is not you know maybe or an olive green you

957
00:42:14,239 --> 00:42:15,240
Speaker 2: know a moment, Yeah.

958
00:42:15,080 --> 00:42:16,680
Speaker 1: Because one should be like sort of like the rain

959
00:42:16,760 --> 00:42:21,839
Speaker 1: trench and the other should be uh winter. Yeah, yeah,

960
00:42:22,840 --> 00:42:23,640
Speaker 1: we love to see it.

961
00:42:26,760 --> 00:42:34,279
Speaker 2: Yes, but that's a music video, that's right. I don't

962
00:42:34,280 --> 00:42:36,240
Speaker 2: know if you guys know that he has a podcast

963
00:42:36,680 --> 00:42:37,920
Speaker 2: what makes You Sing Yes?

964
00:42:41,120 --> 00:42:45,880
Speaker 1: Every fucking week like great subscriber review, comment subscribe. I

965
00:42:45,920 --> 00:42:47,960
Speaker 1: think you'll be able to hear the extra ladies on

966
00:42:48,080 --> 00:42:54,000
Speaker 1: the pot. It's just a fucking universe universe.

967
00:42:54,040 --> 00:42:57,239
Speaker 3: I also love that when my friends do well, they

968
00:42:57,400 --> 00:42:58,239
Speaker 3: like pay for stuff for.

969
00:42:58,320 --> 00:43:01,640
Speaker 2: Me at the diner. We'll talk about that moment just

970
00:43:01,719 --> 00:43:02,080
Speaker 2: a little.

971
00:43:02,120 --> 00:43:04,719
Speaker 3: It's a little. It's fine, don't you clean in. It's

972
00:43:04,800 --> 00:43:08,280
Speaker 3: just like Solomon Georgia who was on the podcast.

973
00:43:08,320 --> 00:43:09,000
Speaker 2: He has no problem.

974
00:43:09,080 --> 00:43:10,640
Speaker 3: He was a rich expert, I know.

975
00:43:10,680 --> 00:43:12,600
Speaker 1: But he's the rich expert. I'm just busy.

976
00:43:13,520 --> 00:43:15,839
Speaker 2: But you're busy and you make it some money.

977
00:43:15,920 --> 00:43:18,800
Speaker 3: Now we're talking about New Coats, were not it's not Montclair,

978
00:43:18,880 --> 00:43:21,080
Speaker 3: but it's also not yes, and.

979
00:43:21,120 --> 00:43:27,160
Speaker 2: You have to speak them into a universe like Hallow yeah.

980
00:43:27,280 --> 00:43:29,120
Speaker 1: Yeah, at the Sundays at the net, you know, you

981
00:43:29,160 --> 00:43:31,919
Speaker 1: go to the diner. I actually that was a really

982
00:43:32,280 --> 00:43:35,120
Speaker 1: fun moment because you know, there are moments last year

983
00:43:35,200 --> 00:43:37,560
Speaker 1: I would be like, I was like, you just have

984
00:43:37,680 --> 00:43:39,680
Speaker 1: to do this. I was like, you just have to

985
00:43:39,719 --> 00:43:41,319
Speaker 1: take care of this because I am going to eat

986
00:43:41,520 --> 00:43:44,439
Speaker 1: and I'm ordering two entrees. I like, if I'm coming,

987
00:43:44,600 --> 00:43:48,360
Speaker 1: I have to get hash Browns and like.

988
00:43:51,000 --> 00:43:52,000
Speaker 2: Breakfast burrito.

989
00:43:53,120 --> 00:43:56,800
Speaker 1: I'm like, I'm getting fries, and you must pay so

990
00:43:56,880 --> 00:43:58,320
Speaker 1: that I'll be able to be like, hey, let me

991
00:43:58,400 --> 00:43:59,719
Speaker 1: take care of let me do this a little pert

992
00:43:59,760 --> 00:44:04,560
Speaker 1: dem I'm this a little pretty wash and y'all are both.

993
00:44:04,680 --> 00:44:07,720
Speaker 1: It's definitely and a skinny. Mina was in a hungring.

994
00:44:08,560 --> 00:44:10,960
Speaker 1: But it was a small table so it wasn't a

995
00:44:11,000 --> 00:44:11,560
Speaker 1: true stunt.

996
00:44:11,760 --> 00:44:16,239
Speaker 2: But I mean, how many people did you want at

997
00:44:16,280 --> 00:44:16,720
Speaker 2: the table?

998
00:44:17,120 --> 00:44:18,920
Speaker 1: No, I'm happy with the stunt.

999
00:44:19,080 --> 00:44:20,320
Speaker 2: Yeah, I love I loved it.

1000
00:44:20,400 --> 00:44:21,239
Speaker 3: It was just the three of us.

1001
00:44:22,280 --> 00:44:23,240
Speaker 1: It wouldn't have been a stunt.

1002
00:44:23,400 --> 00:44:25,680
Speaker 3: No, you would have been like this this is all

1003
00:44:25,760 --> 00:44:28,239
Speaker 3: you and I'd be like, well, let's just all put

1004
00:44:28,280 --> 00:44:28,879
Speaker 3: our cards down.

1005
00:44:29,000 --> 00:44:32,960
Speaker 2: Yeah, everybody is twenty. It feels good. It feels good

1006
00:44:33,000 --> 00:44:33,279
Speaker 2: when you you.

1007
00:44:33,640 --> 00:44:36,480
Speaker 3: Know, working and you feel like you can pay for

1008
00:44:37,000 --> 00:44:38,800
Speaker 3: a few people that are in your life. It's like

1009
00:44:39,360 --> 00:44:40,400
Speaker 3: it's I want to.

1010
00:44:40,400 --> 00:44:42,840
Speaker 1: Be so busy. I was so like going because I

1011
00:44:42,920 --> 00:44:49,600
Speaker 1: also shot for Apple TV for this new show for kids.

1012
00:44:49,640 --> 00:44:53,040
Speaker 1: So like I'm obsessed with it because like my knees

1013
00:44:53,280 --> 00:44:55,040
Speaker 1: will think that I'm cool now, like my wait, so

1014
00:44:55,200 --> 00:44:57,000
Speaker 1: mon he doesn't give a fuck about a strange loop.

1015
00:44:57,080 --> 00:44:59,600
Speaker 1: But like when just sees me with fucking Cody the helpster,

1016
00:45:00,040 --> 00:45:00,880
Speaker 1: I don't know who that is.

1017
00:45:01,440 --> 00:45:04,040
Speaker 2: It drops and know them, but like you know it'll

1018
00:45:04,080 --> 00:45:05,600
Speaker 2: be as a kids show.

1019
00:45:05,719 --> 00:45:07,520
Speaker 1: Yeah. So I was like doing like I was racing

1020
00:45:07,560 --> 00:45:09,880
Speaker 1: from set to set and like doing like waiting for

1021
00:45:09,920 --> 00:45:11,279
Speaker 1: this album to come out, and I was just like

1022
00:45:11,840 --> 00:45:15,000
Speaker 1: wanting to be like in Brooklyn with my friends and

1023
00:45:15,239 --> 00:45:20,920
Speaker 1: like it's just like you FaceTime your friends. It was

1024
00:45:20,960 --> 00:45:21,920
Speaker 1: really nice to be the.

1025
00:45:22,000 --> 00:45:24,359
Speaker 3: Contracts come in, I'll be like a friend, I'm gonna

1026
00:45:24,360 --> 00:45:26,360
Speaker 3: have to see you when I see you, Yeah.

1027
00:45:26,719 --> 00:45:27,839
Speaker 2: Hey, sending my love.

1028
00:45:28,000 --> 00:45:28,200
Speaker 3: Yeah.

1029
00:45:28,640 --> 00:45:30,759
Speaker 2: When when Marie was working, I was lucky if I

1030
00:45:30,840 --> 00:45:32,239
Speaker 2: see her at the end of the week. She not

1031
00:45:32,360 --> 00:45:33,799
Speaker 2: responded to sending my love.

1032
00:45:33,920 --> 00:45:34,120
Speaker 1: Yeah.

1033
00:45:34,280 --> 00:45:36,120
Speaker 2: She's like, girl, I see you at the pod.

1034
00:45:36,040 --> 00:45:39,240
Speaker 3: Yeah, and then you know the time the schedule shifted

1035
00:45:39,360 --> 00:45:41,080
Speaker 3: and it was like, hey, girl, what you're doing.

1036
00:45:42,920 --> 00:45:43,879
Speaker 2: Just look at that little job.

1037
00:45:44,520 --> 00:45:51,480
Speaker 1: That's really freelance life. It's like, yeah, it's meloriously next

1038
00:45:51,520 --> 00:45:53,600
Speaker 1: to you're literally like doing the podcast.

1039
00:45:55,320 --> 00:45:56,640
Speaker 2: But you know this it keeps you know, it keeps

1040
00:45:56,680 --> 00:45:57,040
Speaker 2: us humble.

1041
00:45:57,120 --> 00:45:58,120
Speaker 1: But this is the legacy now.

1042
00:45:58,200 --> 00:46:00,279
Speaker 3: But also like this is we're at the bag ginning

1043
00:46:00,400 --> 00:46:02,560
Speaker 3: of our careers and I feel good about it, like

1044
00:46:02,840 --> 00:46:04,959
Speaker 3: it can only be better than this, And think about

1045
00:46:05,000 --> 00:46:07,520
Speaker 3: how bad it was last year when you couldn't get

1046
00:46:07,520 --> 00:46:10,520
Speaker 3: the city to pay for but now it's only gonna

1047
00:46:10,520 --> 00:46:12,160
Speaker 3: get because we survived that.

1048
00:46:13,000 --> 00:46:14,520
Speaker 2: I was trying to figure I was like, wait, how

1049
00:46:14,600 --> 00:46:17,520
Speaker 2: did you pay for you too? I didn't know job.

1050
00:46:17,960 --> 00:46:19,160
Speaker 3: I was like, who paid for that?

1051
00:46:19,600 --> 00:46:21,799
Speaker 1: I'm trying to figure out not to speak on.

1052
00:46:21,920 --> 00:46:24,640
Speaker 3: Okay, right right, right right, but yeah, I mean we

1053
00:46:24,800 --> 00:46:29,719
Speaker 3: do have to think about how far we've come. Oh no, no, no, no,

1054
00:46:30,040 --> 00:46:31,480
Speaker 3: I got it now now.

1055
00:46:31,520 --> 00:46:35,600
Speaker 2: I was like, oh, okay, got it. Oh. I was like,

1056
00:46:35,719 --> 00:46:36,880
Speaker 2: oh who pay got it?

1057
00:46:38,520 --> 00:46:38,560
Speaker 3: What?

1058
00:46:39,400 --> 00:46:42,200
Speaker 2: Anyway? The nit paid then paid the factory. Yeah I

1059
00:46:42,320 --> 00:46:44,680
Speaker 2: forgot that. We get paid there. Yeah, shout out to the.

1060
00:46:45,840 --> 00:46:46,960
Speaker 1: To the folks.

1061
00:46:47,160 --> 00:46:49,640
Speaker 2: Yeah, shout out to the Nitting Factory every Sunday at

1062
00:46:49,719 --> 00:46:51,040
Speaker 2: nine pm. That's where we be at.

1063
00:46:51,200 --> 00:46:53,000
Speaker 3: A lot of people who listen to this podcast show

1064
00:46:53,080 --> 00:46:54,640
Speaker 3: up and sometimes they don't say anything to us.

1065
00:46:54,719 --> 00:46:57,120
Speaker 2: They'll just message us like, hey, I I couldn't come

1066
00:46:57,200 --> 00:46:58,640
Speaker 2: up to you guys, but too nervous.

1067
00:46:59,480 --> 00:47:02,880
Speaker 3: Shonge behavior we love, but also we stand for like

1068
00:47:02,920 --> 00:47:05,480
Speaker 3: the attractive folks that pop up and they're like yes, big,

1069
00:47:06,960 --> 00:47:10,160
Speaker 3: and we're like, you listen to us. And if you're

1070
00:47:10,239 --> 00:47:12,920
Speaker 3: listening and you love this episode with Larry, you need

1071
00:47:13,040 --> 00:47:16,360
Speaker 3: to listen to his code switching episode, which was phenomenal.

1072
00:47:17,000 --> 00:47:19,759
Speaker 3: I mean, it's everything that you needed in an hour

1073
00:47:20,200 --> 00:47:22,319
Speaker 3: about Larry. You gave us a monologue at some.

1074
00:47:22,400 --> 00:47:24,680
Speaker 1: Point you did going absolutely gave us.

1075
00:47:24,760 --> 00:47:28,319
Speaker 2: I don't bet you dragged at all.

1076
00:47:29,320 --> 00:47:33,200
Speaker 1: She needed she needed. We don't really go political, but yes.

1077
00:47:32,840 --> 00:47:34,879
Speaker 2: No, I love that you went that way. And yes,

1078
00:47:34,920 --> 00:47:36,160
Speaker 2: so you should listen to that episode.

1079
00:47:36,200 --> 00:47:39,200
Speaker 3: And just if you listen, if you see Larry give

1080
00:47:39,280 --> 00:47:41,480
Speaker 3: him that same energy, oh my god, we love you.

1081
00:47:42,160 --> 00:47:44,520
Speaker 2: Follow his as he needs to get to ten k

1082
00:47:44,760 --> 00:47:45,960
Speaker 2: he wants to get ten kow.

1083
00:47:47,960 --> 00:47:55,880
Speaker 1: Now, oh my god, I'm in like five comma we

1084
00:47:55,960 --> 00:47:57,120
Speaker 1: need change an get over there.

1085
00:47:57,200 --> 00:48:00,839
Speaker 2: Tell me what you didn't repost? Not this, I'll do winter.

1086
00:48:00,960 --> 00:48:06,080
Speaker 1: Didn't you posted, Titus reposted, They were all reposting, Like

1087
00:48:06,280 --> 00:48:09,120
Speaker 1: I just tell me what you want out of my content?

1088
00:48:09,320 --> 00:48:10,040
Speaker 1: Do you do you want to?

1089
00:48:10,280 --> 00:48:12,160
Speaker 2: Don't you talk like that if you do not photo

1090
00:48:12,280 --> 00:48:13,279
Speaker 2: shoot photoshow?

1091
00:48:13,600 --> 00:48:14,560
Speaker 1: What do I do mean?

1092
00:48:15,160 --> 00:48:19,040
Speaker 2: I mean, like what the you don't follow Larry?

1093
00:48:19,120 --> 00:48:21,160
Speaker 3: That is racist and homophobic, But I don't want to

1094
00:48:21,160 --> 00:48:24,960
Speaker 3: hear that ship you you picked that phobic? You follow

1095
00:48:25,040 --> 00:48:27,879
Speaker 3: him immediately? He gives you nothing but content and he's

1096
00:48:27,920 --> 00:48:28,520
Speaker 3: what celebrities.

1097
00:48:28,520 --> 00:48:31,480
Speaker 1: Also, it's a great stories account as you'd like stories

1098
00:48:31,640 --> 00:48:34,200
Speaker 1: and check those. If you don't like stories, mute it.

1099
00:48:34,360 --> 00:48:40,120
Speaker 1: You can follow and mute. It's still my number. Yeah mute. Okay,

1100
00:48:40,719 --> 00:48:44,440
Speaker 1: thirteen thousand people saw Strange Lou plus the comedy you're

1101
00:48:44,520 --> 00:48:45,920
Speaker 1: out there give me the ten.

1102
00:48:45,920 --> 00:48:51,959
Speaker 3: K thirteen thousand mind blowing insanity and we're so proud

1103
00:48:52,000 --> 00:48:54,400
Speaker 3: of you, dude, Like that's just like huge, and.

1104
00:48:54,719 --> 00:48:57,600
Speaker 1: I can't believe I approved this topic. It's just like

1105
00:48:57,760 --> 00:48:58,600
Speaker 1: so obnoxious.

1106
00:49:00,000 --> 00:49:04,239
Speaker 3: Wait, wait, let's talk about it. Why is it obnoxious

1107
00:49:04,719 --> 00:49:06,560
Speaker 3: to say culturally?

1108
00:49:06,640 --> 00:49:08,920
Speaker 1: It's culturally obnoxious? I actually don't think that it is.

1109
00:49:09,000 --> 00:49:10,880
Speaker 1: I feel like we're like having like a really civil

1110
00:49:11,160 --> 00:49:14,480
Speaker 1: conversation about like the facts of life. But I just

1111
00:49:14,560 --> 00:49:18,440
Speaker 1: know that it's like culturally like unacceptable to feel one's oats.

1112
00:49:18,960 --> 00:49:20,400
Speaker 2: No, it's not acceptable.

1113
00:49:20,480 --> 00:49:24,680
Speaker 3: If you're hot and skinny and you look like you

1114
00:49:24,760 --> 00:49:26,640
Speaker 3: have it together, then it's like, oh, you're gloating.

1115
00:49:26,840 --> 00:49:29,879
Speaker 2: But if someone thinks that, oh, this person is very

1116
00:49:30,000 --> 00:49:30,960
Speaker 2: like me, I want.

1117
00:49:30,840 --> 00:49:35,920
Speaker 1: To energy like, because you want to hear more stories

1118
00:49:35,960 --> 00:49:39,240
Speaker 1: of triumphs, people who've had to yes, because it wasn't easy.

1119
00:49:39,440 --> 00:49:40,920
Speaker 3: Yeah, so we're going to post a picture of your

1120
00:49:40,960 --> 00:49:43,280
Speaker 3: feet and be like, this is why the struggle.

1121
00:49:43,000 --> 00:49:44,080
Speaker 1: This is the struggle that we.

1122
00:49:49,520 --> 00:49:53,320
Speaker 2: Absolutely I mean, Larry.

1123
00:49:53,840 --> 00:49:56,960
Speaker 1: Okay, okay, all right, So it's a big podcasting day

1124
00:49:57,000 --> 00:49:59,600
Speaker 1: here for every dog, and I'm going out for the

1125
00:49:59,640 --> 00:50:02,080
Speaker 1: rest of the night. So I'm gonna be pulled. I'm

1126
00:50:02,080 --> 00:50:03,840
Speaker 1: gonna be in my high waisted I'm gonna be in

1127
00:50:03,960 --> 00:50:06,239
Speaker 1: my feel out disruptor. I'm gonna I know what that

1128
00:50:06,360 --> 00:50:11,080
Speaker 1: feels like, my disrupted to see that these toenails are

1129
00:50:11,120 --> 00:50:15,040
Speaker 1: disruptive walking in here. I was gonna, absolutely, you're gonna

1130
00:50:15,040 --> 00:50:16,640
Speaker 1: get the business. I was gonna get the business and

1131
00:50:16,760 --> 00:50:20,840
Speaker 1: you still didn't care. What's because I'm comfortable.

1132
00:50:22,600 --> 00:50:23,400
Speaker 2: With your sisters.

1133
00:50:23,640 --> 00:50:24,920
Speaker 4: I know what the dreg.

1134
00:50:29,160 --> 00:50:30,680
Speaker 2: I don't know the rest of the song. I got

1135
00:50:30,800 --> 00:50:34,319
Speaker 2: my own mind. I did my own stuff at all time.

1136
00:50:34,840 --> 00:50:39,000
Speaker 1: Now have everybody sees how did we have come to be? Wow?

1137
00:50:39,239 --> 00:50:44,120
Speaker 2: Wow? Wow wow? Okay what makes you sing?

1138
00:50:45,360 --> 00:50:45,520
Speaker 1: Wait?

1139
00:50:45,640 --> 00:50:48,320
Speaker 3: Can we talk about how we went to an event

1140
00:50:48,600 --> 00:50:51,480
Speaker 3: and Larry was there. It was Julio Torres. He had

1141
00:50:51,560 --> 00:50:56,960
Speaker 3: his my favorite is my favorite shapes is uh special special?

1142
00:50:57,440 --> 00:50:59,680
Speaker 2: We went there, we see Larry, he's all in white.

1143
00:51:00,000 --> 00:51:01,319
Speaker 2: Who's next to him? Another one?

1144
00:51:01,360 --> 00:51:01,400
Speaker 3: No?

1145
00:51:01,480 --> 00:51:03,120
Speaker 2: No, no, no, no, that's not even how that happened.

1146
00:51:03,480 --> 00:51:05,480
Speaker 3: We were trying to take a photo or something and

1147
00:51:05,640 --> 00:51:10,400
Speaker 3: Larry was like, my assistant will take the photo, hands phone.

1148
00:51:10,280 --> 00:51:13,200
Speaker 2: To this little blonde, blue blue girl.

1149
00:51:13,760 --> 00:51:14,200
Speaker 1: And I was like.

1150
00:51:16,280 --> 00:51:18,320
Speaker 3: And Larry's like, yeah, I have an assistant now. And

1151
00:51:18,360 --> 00:51:19,640
Speaker 3: then the next time I saw you, you had a

1152
00:51:19,719 --> 00:51:21,320
Speaker 3: different white woman assistant.

1153
00:51:21,760 --> 00:51:25,080
Speaker 1: She's South American, she's America.

1154
00:51:26,520 --> 00:51:27,600
Speaker 2: You get it from task Rabbit.

1155
00:51:30,040 --> 00:51:32,400
Speaker 1: Oh my god, the intern factory. N yu.

1156
00:51:34,400 --> 00:51:37,279
Speaker 2: We need that right. He said that he's not paying her.

1157
00:51:40,040 --> 00:51:42,879
Speaker 1: Travel, but you're paying that or and why you's paying

1158
00:51:42,920 --> 00:51:45,360
Speaker 1: that well recently incorporated as a business.

1159
00:51:56,400 --> 00:51:57,279
Speaker 2: I love that.

1160
00:51:59,320 --> 00:52:00,479
Speaker 1: High my ink.

1161
00:52:01,120 --> 00:52:03,040
Speaker 2: My mom calls me moy and that's the first thing

1162
00:52:03,080 --> 00:52:03,319
Speaker 2: she says.

1163
00:52:03,560 --> 00:52:06,279
Speaker 1: You're supposed to do something about, like mom, I couldn't.

1164
00:52:06,000 --> 00:52:08,040
Speaker 3: Think like I was literally Oh no, it doesn't have

1165
00:52:08,080 --> 00:52:10,040
Speaker 3: to be your mom, because I think Dwayne Perkins his

1166
00:52:10,239 --> 00:52:15,279
Speaker 3: is mighty or it's morphin time, and I think like,

1167
00:52:15,760 --> 00:52:20,520
Speaker 3: like everybody has something, I don't wait to have mine. Okay,

1168
00:52:20,600 --> 00:52:21,440
Speaker 3: let's think about what the name?

1169
00:52:21,520 --> 00:52:23,440
Speaker 1: Yeah, what would be your corporation?

1170
00:52:24,520 --> 00:52:29,960
Speaker 3: Mine would be cut and gone, all your tax everything,

1171
00:52:30,440 --> 00:52:32,080
Speaker 3: don't be on everything reckless.

1172
00:52:32,160 --> 00:52:37,040
Speaker 1: It's gonna be on the carrobab.

1173
00:52:35,239 --> 00:52:41,360
Speaker 3: Like like slim think slim thick ink. Sydney Sidney's Incorporated.

1174
00:52:40,880 --> 00:52:41,799
Speaker 2: Is going to be a screen name.

1175
00:52:44,160 --> 00:52:46,080
Speaker 1: The HP I have no idea.

1176
00:52:46,120 --> 00:52:47,920
Speaker 2: Oh my god, I don't even understand.

1177
00:52:48,200 --> 00:52:52,000
Speaker 3: Wait, so you in corporate it's a it's for tax purposes.

1178
00:52:52,280 --> 00:52:53,320
Speaker 1: Okay, I have no clue.

1179
00:52:53,400 --> 00:52:54,160
Speaker 2: I'm so behind.

1180
00:52:54,280 --> 00:52:55,800
Speaker 1: I don't even know. So if you were going to

1181
00:52:55,880 --> 00:52:59,400
Speaker 1: be like like the CEO of a company that's just

1182
00:52:59,560 --> 00:53:07,600
Speaker 1: literally HPA, what would it be? I guess h PA, HPV, HB,

1183
00:53:09,680 --> 00:53:16,799
Speaker 1: other episode LLC that's wire oh jo.

1184
00:53:18,239 --> 00:53:22,160
Speaker 2: Company. I'm gagging right now, needed Larry. So, what else

1185
00:53:22,239 --> 00:53:23,600
Speaker 2: is happening in your life? You're busy?

1186
00:53:23,880 --> 00:53:27,239
Speaker 1: Yeah, no, I shot one last thing for HBO. There's

1187
00:53:27,280 --> 00:53:30,200
Speaker 1: this news shows called Betty and it's not these.

1188
00:53:31,800 --> 00:53:33,280
Speaker 2: Yeah, the most busy.

1189
00:53:33,640 --> 00:53:36,959
Speaker 1: Yeah. I was literally like, there's this video of Cardi

1190
00:53:37,000 --> 00:53:37,920
Speaker 1: b on Ellen being like.

1191
00:53:38,360 --> 00:53:40,960
Speaker 2: I know, we had to shoot for sixteen hours and.

1192
00:53:41,080 --> 00:53:43,120
Speaker 1: Then Ellen's like would you do it again? She's like

1193
00:53:43,880 --> 00:53:47,839
Speaker 1: no money. So I literally was like this is how

1194
00:53:47,880 --> 00:53:50,520
Speaker 1: I feel where I'm like, this is hard, it's grueling.

1195
00:53:50,560 --> 00:53:52,480
Speaker 1: It's like it's not like being in the theater. Like

1196
00:53:52,560 --> 00:53:55,040
Speaker 1: in the theater, like every you know, one hundred and

1197
00:53:55,080 --> 00:53:56,920
Speaker 1: some minutes, we like take a break, like legally we.

1198
00:53:57,000 --> 00:54:00,160
Speaker 2: Have to, like you know, and you can't you are

1199
00:54:00,680 --> 00:54:01,399
Speaker 2: are you in the union?

1200
00:54:01,480 --> 00:54:05,120
Speaker 1: Because I don't know, someone will figure that out. I

1201
00:54:05,160 --> 00:54:07,160
Speaker 1: don't really know what we saying that. I'm sure certainly

1202
00:54:07,280 --> 00:54:08,719
Speaker 1: qualified this, I'm sure.

1203
00:54:08,880 --> 00:54:11,880
Speaker 2: I mean, you've sixteen things HBO.

1204
00:54:12,080 --> 00:54:14,720
Speaker 1: Yeah, the box office?

1205
00:54:14,760 --> 00:54:15,960
Speaker 2: Do you want to pay them fees?

1206
00:54:16,560 --> 00:54:19,160
Speaker 1: Okay? But the truth is is that like like you know,

1207
00:54:19,200 --> 00:54:20,880
Speaker 1: I've auditioned four years, you know, I've gone in for

1208
00:54:21,000 --> 00:54:22,680
Speaker 1: the you know what I mean, like the Queer like

1209
00:54:22,760 --> 00:54:25,000
Speaker 1: it could be anything character. Yeah, yeah, just as like

1210
00:54:25,040 --> 00:54:26,040
Speaker 1: an anonymous actor.

1211
00:54:27,800 --> 00:54:28,560
Speaker 2: Yeah, like whatever.

1212
00:54:28,719 --> 00:54:31,560
Speaker 1: So you've gone in a lot like it's finally that

1213
00:54:31,640 --> 00:54:33,920
Speaker 1: I'm playing in Silent Retreat. Is you know that like

1214
00:54:34,040 --> 00:54:37,160
Speaker 1: amazing like comedic, you know, featured role that that I've

1215
00:54:37,239 --> 00:54:39,480
Speaker 1: been reading for since moving to the city.

1216
00:54:39,600 --> 00:54:39,719
Speaker 4: You know.

1217
00:54:40,000 --> 00:54:42,239
Speaker 1: The difference is that like the director saw my work

1218
00:54:42,280 --> 00:54:43,480
Speaker 1: in a Strange Loop and and.

1219
00:54:43,760 --> 00:54:44,439
Speaker 2: But that's why.

1220
00:54:44,880 --> 00:54:47,920
Speaker 3: That's how stuff happens. The more you book, the more

1221
00:54:47,960 --> 00:54:49,439
Speaker 3: people see you, and then the more you book.

1222
00:54:49,600 --> 00:54:51,200
Speaker 1: Yeah, and a strange Loop was like I found that

1223
00:54:51,280 --> 00:54:53,759
Speaker 1: show literally just by like going to do free work

1224
00:54:53,960 --> 00:54:58,200
Speaker 1: at this like nonprofit call the Musical Theater Factory's So

1225
00:54:58,320 --> 00:55:02,880
Speaker 1: she's on the season series finale of Transparent. She like

1226
00:55:02,960 --> 00:55:04,840
Speaker 1: she basically like you just have to watch it. Her

1227
00:55:04,920 --> 00:55:06,880
Speaker 1: name is Shaikina a fact, she's unreal on that. And

1228
00:55:07,000 --> 00:55:09,719
Speaker 1: she started this corpse this like place. It was a

1229
00:55:09,760 --> 00:55:12,399
Speaker 1: porn studio where they were storing DVDs. You know, people

1230
00:55:12,400 --> 00:55:14,319
Speaker 1: don't buy DVDs no more, so they were.

1231
00:55:14,320 --> 00:55:16,200
Speaker 2: Like DVDs go where beanie babies.

1232
00:55:16,680 --> 00:55:18,320
Speaker 1: Yeah, they were like you could just set up in

1233
00:55:18,400 --> 00:55:19,800
Speaker 1: the back of this, like you can like put a

1234
00:55:19,840 --> 00:55:22,400
Speaker 1: piano in here and make musicals, but like in like

1235
00:55:22,520 --> 00:55:25,320
Speaker 1: forty second Street. So that's where I met Michael R. Jackson,

1236
00:55:25,320 --> 00:55:27,080
Speaker 1: who wrote a strange loop. That's why the cares name

1237
00:55:27,080 --> 00:55:29,400
Speaker 1: is Usher. Michael R. Jackson, Usher, you get it right?

1238
00:55:29,560 --> 00:55:32,080
Speaker 1: And so I met Michael. We've developed it there and

1239
00:55:32,280 --> 00:55:35,840
Speaker 1: like got it got heat. So like just thinking about

1240
00:55:36,280 --> 00:55:39,040
Speaker 1: how that decision to do free work just like.

1241
00:55:39,239 --> 00:55:42,600
Speaker 2: For the same Sorry, Michael R. Jackson, Usher, how what.

1242
00:55:44,719 --> 00:55:47,280
Speaker 1: Okay? All right? So okay, So so Michael R. Jackson

1243
00:55:47,360 --> 00:55:51,320
Speaker 1: wrote a strange loop. I play essentially Michael R. Jackson

1244
00:55:51,640 --> 00:55:53,840
Speaker 1: writing a strange right. But why is the name Usher

1245
00:55:54,239 --> 00:55:57,880
Speaker 1: because it's like a famous name but Michael R. But

1246
00:55:58,040 --> 00:56:00,760
Speaker 1: I don't get it from because Michael Jackson. Oh, Michael

1247
00:56:00,880 --> 00:56:04,920
Speaker 1: Jackson is a famous person. And then Michael R. Jackson

1248
00:56:05,800 --> 00:56:09,560
Speaker 1: is a composer who I play who looks like me. Yes,

1249
00:56:09,960 --> 00:56:11,520
Speaker 1: so when he's like, my character has to have a

1250
00:56:11,600 --> 00:56:14,320
Speaker 1: famous name and he works out at Broadway Theater.

1251
00:56:18,320 --> 00:56:21,200
Speaker 2: But none of us we're going to get there. But

1252
00:56:21,239 --> 00:56:23,680
Speaker 2: I just said, it's okay, okay.

1253
00:56:23,800 --> 00:56:26,920
Speaker 1: The strange loop heads whatever they're called, the listening they

1254
00:56:27,000 --> 00:56:31,320
Speaker 1: got head loop the loops there.

1255
00:56:31,280 --> 00:56:34,000
Speaker 2: They are all like they get the layer got it Okay, well.

1256
00:56:33,920 --> 00:56:35,600
Speaker 1: Yeah, yeah, yeah, we had to go through that. But

1257
00:56:35,680 --> 00:56:36,840
Speaker 1: the whole point of the story was that like I

1258
00:56:36,960 --> 00:56:38,600
Speaker 1: like went you for that free work, just for the

1259
00:56:38,640 --> 00:56:41,560
Speaker 1: passion of like making something that like that sticking with

1260
00:56:41,680 --> 00:56:43,920
Speaker 1: that ended up being the thing. But I think that's

1261
00:56:44,160 --> 00:56:45,680
Speaker 1: what and that's like so beautiful.

1262
00:56:45,800 --> 00:56:48,920
Speaker 3: But I think that's the thing that as performers and

1263
00:56:49,040 --> 00:56:52,880
Speaker 3: as people who work in New York and who are creative,

1264
00:56:53,200 --> 00:56:54,719
Speaker 3: is that we have to understand that we got to

1265
00:56:54,760 --> 00:56:55,440
Speaker 3: do free stuff.

1266
00:56:56,320 --> 00:56:56,800
Speaker 1: That's what we do.

1267
00:56:58,200 --> 00:56:59,520
Speaker 2: Starts out. You don't make any.

1268
00:56:59,400 --> 00:57:01,680
Speaker 1: Money, no, yeah, like at the beginning, at the beginning,

1269
00:57:01,719 --> 00:57:03,960
Speaker 1: you definitely should be showing up. It's like I think

1270
00:57:04,000 --> 00:57:06,200
Speaker 1: showing up is like people want to be invited. People

1271
00:57:06,239 --> 00:57:08,200
Speaker 1: want to like have the red carpet like strewing out

1272
00:57:08,280 --> 00:57:10,680
Speaker 1: for them because they think that's how other people got there.

1273
00:57:11,040 --> 00:57:12,960
Speaker 1: And the truth is is that like people literally are

1274
00:57:13,040 --> 00:57:15,480
Speaker 1: just like like passionate, annoying, desperate.

1275
00:57:15,560 --> 00:57:18,720
Speaker 2: They show up and show up, they follow up.

1276
00:57:19,080 --> 00:57:20,680
Speaker 3: But I think because there are people who listening to

1277
00:57:20,760 --> 00:57:23,880
Speaker 3: this that they don't know how this works, like entertainment works.

1278
00:57:24,080 --> 00:57:25,320
Speaker 3: They're like, oh, you live in New York.

1279
00:57:25,360 --> 00:57:28,240
Speaker 1: If you don't wait to be invited, start bitch, show up,

1280
00:57:28,720 --> 00:57:31,640
Speaker 1: find out what they're doing it and then and but also.

1281
00:57:31,600 --> 00:57:33,560
Speaker 3: Like right place, right time, you got to be You

1282
00:57:33,600 --> 00:57:36,120
Speaker 3: got to surround yourself with people who are doing things

1283
00:57:36,160 --> 00:57:38,240
Speaker 3: that you want to do, and you got.

1284
00:57:38,240 --> 00:57:40,160
Speaker 2: To be ready. You got to be ready.

1285
00:57:40,240 --> 00:57:42,680
Speaker 3: I mean because somebody can present something and then you

1286
00:57:42,960 --> 00:57:45,880
Speaker 3: get it and you're like, ah, I don't know how

1287
00:57:45,880 --> 00:57:46,439
Speaker 3: to get ready.

1288
00:57:46,440 --> 00:57:49,040
Speaker 1: It's being ready is huge and it's such a weird it's.

1289
00:57:48,960 --> 00:57:51,720
Speaker 2: Hard to be right. I love being unprepared.

1290
00:57:52,080 --> 00:57:53,840
Speaker 1: Yeah, it's like part of It's like go before you're ready.

1291
00:57:53,840 --> 00:57:55,680
Speaker 1: It is like one of my favorite things because like

1292
00:57:55,760 --> 00:57:57,960
Speaker 1: waiting for that perfect there is no there there like

1293
00:57:58,360 --> 00:58:00,400
Speaker 1: you can spend you know, I mean just it just

1294
00:58:00,600 --> 00:58:02,920
Speaker 1: is so like go before you're ready, something that I love.

1295
00:58:03,200 --> 00:58:06,520
Speaker 1: But then also but also scale technique. I think like

1296
00:58:07,000 --> 00:58:09,840
Speaker 1: people confuse readiness with like having technique and skill.

1297
00:58:09,920 --> 00:58:11,760
Speaker 3: No no, no no no, I'm just saying, like you know,

1298
00:58:11,880 --> 00:58:15,160
Speaker 3: for like say, for instance, a comedian, right, like, it's

1299
00:58:15,200 --> 00:58:17,520
Speaker 3: always good to have that five minutes because when somebody's like, hey,

1300
00:58:17,560 --> 00:58:19,080
Speaker 3: can you give me a tape, You're like, I already

1301
00:58:19,080 --> 00:58:20,680
Speaker 3: got that. And then if they're like, hey, do you

1302
00:58:20,760 --> 00:58:23,440
Speaker 3: have like a script that you just like a pilot.

1303
00:58:23,480 --> 00:58:25,480
Speaker 3: It doesn't have to be perfect, just do you have

1304
00:58:25,640 --> 00:58:28,720
Speaker 3: it like all things written. Yeah, these things make you

1305
00:58:29,400 --> 00:58:30,280
Speaker 3: more ready.

1306
00:58:30,120 --> 00:58:33,680
Speaker 1: Than just like not having your absolutely you have your PDF.

1307
00:58:34,040 --> 00:58:37,320
Speaker 1: Have have your PDF, have your PDF, have your blurb, but.

1308
00:58:37,360 --> 00:58:40,040
Speaker 3: Also be ready to perform at any time, right because

1309
00:58:40,080 --> 00:58:41,400
Speaker 3: you don't know where you're going to show up and

1310
00:58:41,440 --> 00:58:44,120
Speaker 3: someone's gonna be like, hey, one of these comics is

1311
00:58:44,200 --> 00:58:46,280
Speaker 3: running late. Would love if you could you come up

1312
00:58:46,280 --> 00:58:46,560
Speaker 3: and do it.

1313
00:58:46,720 --> 00:58:48,480
Speaker 1: And it's like having both skills, like it's not one

1314
00:58:48,560 --> 00:58:50,480
Speaker 1: or the other. It's like it's like being ready to

1315
00:58:50,560 --> 00:58:53,560
Speaker 1: go like live and show up and perform and also

1316
00:58:53,680 --> 00:58:57,960
Speaker 1: like having that like weird like clerical business person skill

1317
00:58:58,240 --> 00:58:59,800
Speaker 1: of like organizing.

1318
00:59:00,520 --> 00:59:05,880
Speaker 2: Like yeah, but I'm saying you met you met Michael R.

1319
00:59:06,080 --> 00:59:10,160
Speaker 3: Jackson. Yes, okay, I like Michael R. Jordan's Michael Jackson,

1320
00:59:11,080 --> 00:59:11,560
Speaker 3: Michael R.

1321
00:59:11,640 --> 00:59:15,080
Speaker 2: Tyson. But you weren't planning on meeting him, you know

1322
00:59:15,120 --> 00:59:15,400
Speaker 2: what I mean.

1323
00:59:15,440 --> 00:59:17,520
Speaker 3: You weren't somewhere doing free work and he happened to

1324
00:59:17,560 --> 00:59:19,000
Speaker 3: be there and y'all connected and then he made you

1325
00:59:19,040 --> 00:59:19,760
Speaker 3: the start of this thing.

1326
00:59:20,040 --> 00:59:21,880
Speaker 1: Yeah. I read it and I was like, I have

1327
00:59:22,040 --> 00:59:23,480
Speaker 1: to play the right to play this part.

1328
00:59:23,640 --> 00:59:25,640
Speaker 3: So I'm just like just people who are listening that

1329
00:59:25,720 --> 00:59:27,880
Speaker 3: are like waiting for the right, Like just go outside.

1330
00:59:28,080 --> 00:59:30,280
Speaker 3: You're not gonna be nobody or book anything from your house.

1331
00:59:30,440 --> 00:59:33,040
Speaker 2: No, it's a harder.

1332
00:59:33,320 --> 00:59:35,080
Speaker 1: It's a lot harder. And if you're someone that people

1333
00:59:35,200 --> 00:59:37,760
Speaker 1: like to be around, then like putting yourself in their

1334
00:59:37,800 --> 00:59:40,800
Speaker 1: presence is like it's all it's the best calling car. Yeah,

1335
00:59:41,080 --> 00:59:43,240
Speaker 1: just like be someone that people want to hang out with.

1336
00:59:43,400 --> 00:59:45,120
Speaker 2: They're gonna have find something.

1337
00:59:45,840 --> 00:59:48,800
Speaker 1: That's all gigs are is that we like hang out.

1338
00:59:48,960 --> 00:59:51,160
Speaker 1: We make this thing because like a lot some people

1339
00:59:51,160 --> 00:59:54,520
Speaker 1: are talented. It's like who's just like cool? Yeah?

1340
00:59:54,520 --> 00:59:56,400
Speaker 3: But also who do I want to sit across room

1341
00:59:56,440 --> 00:59:58,200
Speaker 3: for sixteen hours a day?

1342
00:59:58,320 --> 00:59:58,919
Speaker 1: Yes or whatever?

1343
00:59:59,240 --> 01:00:00,760
Speaker 2: Who's gonna make this space better?

1344
01:00:01,080 --> 01:00:01,280
Speaker 1: Yeah?

1345
01:00:01,560 --> 01:00:03,520
Speaker 2: Who's not gonna make the room feel hostile? And it's

1346
01:00:03,560 --> 01:00:04,120
Speaker 2: gonna be fun?

1347
01:00:05,200 --> 01:00:05,320
Speaker 3: Right?

1348
01:00:05,600 --> 01:00:07,160
Speaker 2: I want to have fun fun?

1349
01:00:08,560 --> 01:00:10,120
Speaker 1: So what are you doing to have fun? Larry? What

1350
01:00:10,200 --> 01:00:13,320
Speaker 1: do you I do have fun? That's actually a great question.

1351
01:00:13,640 --> 01:00:18,840
Speaker 1: I think that, like, yeah, yeah, little purchases. So I'm

1352
01:00:18,880 --> 01:00:20,880
Speaker 1: going to the theater like things that I couldn't do,

1353
01:00:21,520 --> 01:00:24,000
Speaker 1: you know, I could make theater, but I couldn't watch it. Okay,

1354
01:00:24,120 --> 01:00:30,480
Speaker 1: classes of New York City obsess it's an art is

1355
01:00:30,600 --> 01:00:32,560
Speaker 1: being priced out of the medium that you work in.

1356
01:00:33,480 --> 01:00:35,640
Speaker 3: But I mean, I think as a comic, we'll I'll

1357
01:00:35,640 --> 01:00:37,720
Speaker 3: show up at shows and I'm a comedian and they'll like,

1358
01:00:37,880 --> 01:00:39,440
Speaker 3: let me stand in the back in the shadows.

1359
01:00:39,480 --> 01:00:41,200
Speaker 1: But you can't do that with you cannot do it

1360
01:00:41,280 --> 01:00:44,320
Speaker 1: with theater. It's like there's a weird classism in theater

1361
01:00:44,400 --> 01:00:47,080
Speaker 1: that I really like want to with my life's work

1362
01:00:47,120 --> 01:00:51,760
Speaker 1: eradicate because everybody like loves a song, they love talking,

1363
01:00:51,880 --> 01:00:53,840
Speaker 1: and they love dance. So that's all musical theater is.

1364
01:00:53,920 --> 01:00:57,120
Speaker 1: It's not this thing where it's like, you know, you

1365
01:00:57,240 --> 01:00:59,520
Speaker 1: can't come in unless we have you know, like let

1366
01:00:59,560 --> 01:01:02,160
Speaker 1: the bitches and that people stand up until fire code

1367
01:01:02,880 --> 01:01:05,680
Speaker 1: pay fifteen dollars like it's the show, and the bridge

1368
01:01:05,680 --> 01:01:06,520
Speaker 1: people will.

1369
01:01:06,440 --> 01:01:08,439
Speaker 2: Pay the rest, right, Like the fuck?

1370
01:01:08,560 --> 01:01:09,960
Speaker 1: Why are you looking at me like I'm dumb. I

1371
01:01:10,120 --> 01:01:10,880
Speaker 1: want to see the show.

1372
01:01:11,000 --> 01:01:13,320
Speaker 3: And I got fifteen dollars, that's it, that's all I

1373
01:01:13,400 --> 01:01:15,480
Speaker 3: got empty, I got two fives and.

1374
01:01:17,680 --> 01:01:19,520
Speaker 2: And no I don't have some nice slacks for this

1375
01:01:19,720 --> 01:01:21,680
Speaker 2: show like let me in. I got dentims on.

1376
01:01:23,640 --> 01:01:25,880
Speaker 1: No, there's a there's a venue. There's a there's like

1377
01:01:26,000 --> 01:01:28,600
Speaker 1: a like a prize musical theater venue that I won't

1378
01:01:28,600 --> 01:01:32,480
Speaker 1: perform at because when I could not afford food and

1379
01:01:32,680 --> 01:01:34,880
Speaker 1: like things like but I was performing, Like but I

1380
01:01:34,960 --> 01:01:37,000
Speaker 1: could show I could afford the metro ticket to show

1381
01:01:37,040 --> 01:01:39,360
Speaker 1: up to perform, to get that footage or you know

1382
01:01:39,360 --> 01:01:41,040
Speaker 1: what I mean, whatever that thing was that was a

1383
01:01:41,080 --> 01:01:43,640
Speaker 1: priority at the time. Like they like they wouldn't let

1384
01:01:43,680 --> 01:01:46,280
Speaker 1: me in, like the venue that was performing, I wouldn't

1385
01:01:46,320 --> 01:01:49,280
Speaker 1: let me in. And they also like you were performing

1386
01:01:49,360 --> 01:01:51,800
Speaker 1: there and they wouldn't like on a night that like

1387
01:01:51,880 --> 01:01:53,560
Speaker 1: I wasn't yeah, which is like which is like a

1388
01:01:53,640 --> 01:01:55,400
Speaker 1: comic Like that's like very weird.

1389
01:01:55,680 --> 01:01:58,480
Speaker 2: I'm going to make me pay. Yeah, I work here.

1390
01:01:58,560 --> 01:02:00,680
Speaker 2: I literally just left four hours ago.

1391
01:02:01,600 --> 01:02:03,920
Speaker 1: I was here last night. It's always so it's just

1392
01:02:03,960 --> 01:02:06,800
Speaker 1: like weird that there exists that chasm that I just

1393
01:02:06,840 --> 01:02:07,840
Speaker 1: want to eradicate so.

1394
01:02:07,920 --> 01:02:10,760
Speaker 2: That so that you know, so everybody can see theater.

1395
01:02:10,920 --> 01:02:12,040
Speaker 1: Yeah, and so that when like a show like a

1396
01:02:12,080 --> 01:02:14,520
Speaker 1: strangely comes along, like we aren't waiting for an announcement

1397
01:02:14,600 --> 01:02:16,720
Speaker 1: like months after that, like people just move in, you

1398
01:02:16,760 --> 01:02:18,520
Speaker 1: know what I mean that people just see this thing

1399
01:02:18,640 --> 01:02:20,520
Speaker 1: and know that there's an audience for it and that

1400
01:02:20,560 --> 01:02:23,200
Speaker 1: they're dedicated to get these people there. Like Jeremia Harris,

1401
01:02:23,240 --> 01:02:23,800
Speaker 1: You're going to do it.

1402
01:02:24,360 --> 01:02:26,080
Speaker 2: I believe in you. That's going to happen.

1403
01:02:26,280 --> 01:02:28,680
Speaker 1: Always believe in me. I mean having me on the

1404
01:02:28,760 --> 01:02:32,720
Speaker 1: pod last year, those live shows that y'all do, ludlow House,

1405
01:02:32,960 --> 01:02:34,360
Speaker 1: I mean the memories. You would think that we've known

1406
01:02:34,360 --> 01:02:37,560
Speaker 1: each other for like half decades, didn't.

1407
01:02:37,840 --> 01:02:39,400
Speaker 2: I didn't had only been a year.

1408
01:02:39,960 --> 01:02:42,080
Speaker 1: A year, honey, we can have some change onto it,

1409
01:02:42,200 --> 01:02:43,240
Speaker 1: but like really just a year.

1410
01:02:43,280 --> 01:02:45,880
Speaker 3: I mean it's only been five six, five years with

1411
01:02:46,000 --> 01:02:47,800
Speaker 3: me and Sydney, and it feels like ten.

1412
01:02:48,040 --> 01:02:50,880
Speaker 2: Yeah, it feel like we went to high school together.

1413
01:02:50,920 --> 01:02:54,200
Speaker 3: I like, honestly, it's just like I can't believe I

1414
01:02:54,320 --> 01:02:55,800
Speaker 3: had this whole life without you.

1415
01:02:55,960 --> 01:02:57,760
Speaker 2: Right, I think about like, I'm like, well, well, when

1416
01:02:57,800 --> 01:02:59,560
Speaker 2: me and Sydney was a prom, I'm like, I didn't

1417
01:02:59,560 --> 01:03:03,800
Speaker 2: go to the she went because I'm ten years older

1418
01:03:03,840 --> 01:03:05,280
Speaker 2: than you. So okay, this is true.

1419
01:03:07,120 --> 01:03:11,360
Speaker 3: Four Larry, Larry, can you plug all the things you

1420
01:03:11,440 --> 01:03:14,560
Speaker 3: got going on? Because I plug it? Because you want

1421
01:03:14,600 --> 01:03:15,400
Speaker 3: everybody to show up?

1422
01:03:15,400 --> 01:03:17,520
Speaker 1: All right? Well, the sortst thing is that Today is Friday,

1423
01:03:17,560 --> 01:03:20,160
Speaker 1: October eleventh, and I'm actually doing a show at Union

1424
01:03:20,240 --> 01:03:23,040
Speaker 1: Hall tonight. It's called Decolonize your Mind with Karen she

1425
01:03:23,320 --> 01:03:26,480
Speaker 1: from Seth Myers. We hosted all POC lineup. You absolutely

1426
01:03:26,520 --> 01:03:28,960
Speaker 1: want to see it. The New York Comedy Festivals coming up.

1427
01:03:29,000 --> 01:03:32,320
Speaker 1: I have two shows in the festival. Yes, on the fifth,

1428
01:03:32,400 --> 01:03:35,200
Speaker 1: Decolonize your Mind again at Chelsea Music Hall, and then

1429
01:03:35,200 --> 01:03:38,600
Speaker 1: I'm having Harry Owens and Friend featuring one only Sidney

1430
01:03:38,680 --> 01:03:41,000
Speaker 1: Washington and an amazing line up of female comics at

1431
01:03:41,040 --> 01:03:43,720
Speaker 1: the Bell House. That's on the seventh. Yeah, type in

1432
01:03:43,800 --> 01:03:47,600
Speaker 1: Larry new NYC F get those tickets and I'll see

1433
01:03:47,640 --> 01:03:48,560
Speaker 1: at Union Hall tonight.

1434
01:03:48,640 --> 01:03:49,720
Speaker 2: And You're not gonna see me at the bell House

1435
01:03:49,720 --> 01:03:50,919
Speaker 2: because you didn't invite me to do the show.

1436
01:03:51,040 --> 01:03:53,560
Speaker 1: I know, I know, I was waiting for the saw.

1437
01:03:57,320 --> 01:04:00,520
Speaker 1: Would you have wanted to do a joint set with

1438
01:04:00,680 --> 01:04:02,360
Speaker 1: who you're with your girls?

1439
01:04:02,520 --> 01:04:06,040
Speaker 2: See, I'm not going to take time from Sydney, you know, but.

1440
01:04:06,040 --> 01:04:08,760
Speaker 1: I would, I'm saying in the initial ass because like

1441
01:04:08,760 --> 01:04:10,160
Speaker 1: I just I'm trying to be considering.

1442
01:04:10,600 --> 01:04:12,520
Speaker 3: All that we try to do when we do things

1443
01:04:12,560 --> 01:04:14,880
Speaker 3: together is get people to come listen to the podcast.

1444
01:04:15,040 --> 01:04:17,520
Speaker 1: That's what have just been.

1445
01:04:17,840 --> 01:04:20,280
Speaker 2: Hey, guys, we're always dance. This is why we're cooler

1446
01:04:20,360 --> 01:04:21,880
Speaker 2: than y'all. Also we have a podcast.

1447
01:04:22,120 --> 01:04:22,840
Speaker 1: Okay, good to know.

1448
01:04:23,000 --> 01:04:25,640
Speaker 2: Janel James is like you, guys both have to host

1449
01:04:27,000 --> 01:04:27,880
Speaker 2: and that's what.

1450
01:04:28,080 --> 01:04:29,560
Speaker 1: Whoop there it is you're hosting a show.

1451
01:04:30,240 --> 01:04:35,200
Speaker 2: We are wait Where Her Festival. We're doing it again. Yeah,

1452
01:04:35,760 --> 01:04:37,440
Speaker 2: I mean that wasn't announced.

1453
01:04:37,000 --> 01:04:37,080
Speaker 3: But.

1454
01:04:39,320 --> 01:04:43,240
Speaker 2: Soft didn't last year.

1455
01:04:44,240 --> 01:04:47,400
Speaker 1: I want people to listen to the cast album for

1456
01:04:47,560 --> 01:04:50,640
Speaker 1: a Strange Loop. It's on iTunes by you can stream

1457
01:04:50,680 --> 01:04:54,200
Speaker 1: it as well Spotify. Also it's on Spotify. Yeah, I started.

1458
01:04:54,280 --> 01:04:56,560
Speaker 1: If you know good tracks start in her. White Girl

1459
01:04:56,720 --> 01:05:01,080
Speaker 1: is a good one, makes you cry and follow the.

1460
01:05:03,080 --> 01:05:06,880
Speaker 2: Follow him, follow him, trying to get him ten thousand thou.

1461
01:05:08,480 --> 01:05:10,440
Speaker 1: My Twitter's good. My Twitter's good. I do jokes on

1462
01:05:10,560 --> 01:05:12,720
Speaker 1: there and my stories are good. And now I'm gonna

1463
01:05:12,720 --> 01:05:14,360
Speaker 1: get the main popping for y'all. I know how you'll

1464
01:05:14,360 --> 01:05:17,160
Speaker 1: want a graphic graphic young young Billy Eyelash.

1465
01:05:17,200 --> 01:05:22,240
Speaker 2: We're obsessed Billy Eyelash. Not our followers follows don't listen to.

1466
01:05:22,320 --> 01:05:26,360
Speaker 1: That, okay. The baby Megan Stallion and then I go

1467
01:05:26,440 --> 01:05:31,360
Speaker 1: too far. Then I go too far White, exact producer down,

1468
01:05:31,800 --> 01:05:33,720
Speaker 1: not an eyelash crowder. Right, let's get in.

1469
01:05:34,000 --> 01:05:36,680
Speaker 3: You're gonna stall, You're gonna say Lizzo because I feel

1470
01:05:36,760 --> 01:05:44,200
Speaker 3: like this. Yes, also send your bb W Colt recommendation.

1471
01:05:44,360 --> 01:05:49,160
Speaker 2: Yes, send us links. We're gonna put We're gonna post

1472
01:05:49,200 --> 01:05:49,800
Speaker 2: it in our story.

1473
01:05:49,920 --> 01:05:50,080
Speaker 3: Yeah.

1474
01:05:50,360 --> 01:05:54,440
Speaker 1: Any any sort of like Lizzo meets Diane Keaton for fall.

1475
01:05:55,680 --> 01:05:58,560
Speaker 2: Yes, I don't even know.

1476
01:05:58,680 --> 01:06:01,000
Speaker 1: So it's like it's like the fun, youthful energy of

1477
01:06:01,120 --> 01:06:04,840
Speaker 1: Lizzo with like the pulled patrician nature of Dane Keaton.

1478
01:06:04,960 --> 01:06:05,680
Speaker 1: That's what I'm looking.

1479
01:06:06,080 --> 01:06:07,440
Speaker 3: I mean, I also need to know where to get

1480
01:06:07,480 --> 01:06:09,560
Speaker 3: a new a new winter co because saying I got

1481
01:06:09,640 --> 01:06:11,880
Speaker 3: these as they be looking cute, but you know you'd

1482
01:06:11,920 --> 01:06:18,720
Speaker 3: be out there like because there's no lining baby, yea,

1483
01:06:20,560 --> 01:06:24,400
Speaker 3: the face with the hood. You gotta put your thin

1484
01:06:24,720 --> 01:06:29,440
Speaker 3: H and M jacket underneath the jack layers.

1485
01:06:29,160 --> 01:06:33,080
Speaker 2: Lay Larry, you only gonna be become more and more

1486
01:06:33,120 --> 01:06:34,200
Speaker 2: famous and more more booked.

1487
01:06:34,840 --> 01:06:37,600
Speaker 1: Would you move to l A for work for the

1488
01:06:37,760 --> 01:06:38,720
Speaker 1: stint of the contract?

1489
01:06:39,360 --> 01:06:39,600
Speaker 2: That's it?

1490
01:06:39,760 --> 01:06:41,760
Speaker 1: Yes, free time must be I think on the Eastern

1491
01:06:41,840 --> 01:06:43,200
Speaker 1: soil we love.

1492
01:06:43,960 --> 01:06:46,000
Speaker 2: I'm here for that too. Yeah, I would want that

1493
01:06:46,120 --> 01:06:46,400
Speaker 2: as well.

1494
01:06:46,520 --> 01:06:49,360
Speaker 1: Gotta have seasoned, stay grounded. Something about the sun that

1495
01:06:49,440 --> 01:06:57,840
Speaker 1: get hypnotized. Think you're immortal, not on my watch, Jesus, Jesus,

1496
01:06:58,880 --> 01:07:01,800
Speaker 1: the spirits of the West Coast of the West Coast.

1497
01:07:02,040 --> 01:07:04,240
Speaker 3: All right, well, guys, we did it. We made it

1498
01:07:04,280 --> 01:07:06,360
Speaker 3: to the end of the episode. Make sure you come

1499
01:07:06,400 --> 01:07:06,880
Speaker 3: see us.

1500
01:07:07,000 --> 01:07:11,520
Speaker 2: Tomorrow live at Union Hall. Yes, the official live Mary

1501
01:07:11,520 --> 01:07:22,400
Speaker 2: Beth Barone and another black gay. Take that out. We're

1502
01:07:22,480 --> 01:07:26,760
Speaker 2: keeping that up. It's the end of the episode. Uh, cdy,

1503
01:07:26,800 --> 01:07:28,160
Speaker 2: did you have anything you want to say before we go?

1504
01:07:28,760 --> 01:07:30,760
Speaker 3: I love you guys, dearly, and I'm just so proud

1505
01:07:30,840 --> 01:07:34,600
Speaker 3: of everything that everybody's doing, especially you, Larry, especially you Marie.

1506
01:07:35,240 --> 01:07:37,360
Speaker 2: New apartment, Like this is a big deal. Like not

1507
01:07:37,480 --> 01:07:40,560
Speaker 2: everybody can just have an apartment. It's very hard. That's crazy.

1508
01:07:41,440 --> 01:07:42,000
Speaker 2: Is not included.

1509
01:07:42,000 --> 01:07:45,200
Speaker 3: And I'm like, I'm gonna just be cold all winter,

1510
01:07:46,080 --> 01:07:48,480
Speaker 3: upset set. They told me at the least signing that

1511
01:07:49,320 --> 01:07:53,680
Speaker 3: included that. I mean, it's just we just gonna put

1512
01:07:53,760 --> 01:07:55,680
Speaker 3: on mittens with the string connected.

1513
01:07:55,320 --> 01:07:55,760
Speaker 2: In the court.

1514
01:07:56,000 --> 01:07:57,360
Speaker 3: All the more reason for you to tell me about

1515
01:07:57,360 --> 01:08:00,440
Speaker 3: to get some good coats, because it's I live in

1516
01:08:00,480 --> 01:08:02,800
Speaker 3: a coat house. Yeah, for four months, you know, or

1517
01:08:03,000 --> 01:08:05,440
Speaker 3: just you know, get on the Patreon keep listening to that,

1518
01:08:05,760 --> 01:08:07,800
Speaker 3: and we can pay for Marie.

1519
01:08:07,720 --> 01:08:10,360
Speaker 2: Like heat and hot water heat. I think water cold

1520
01:08:10,440 --> 01:08:13,000
Speaker 2: water is included. Sidney. We're proud of you too, friend.

1521
01:08:13,080 --> 01:08:18,000
Speaker 2: You out here, you're thriving, goals for work, you're everywhere.

1522
01:08:18,080 --> 01:08:20,479
Speaker 3: You're gonna get richer, friend, and you're gonna be really

1523
01:08:20,520 --> 01:08:22,559
Speaker 3: good at saving money at some point, and we're gonna

1524
01:08:23,000 --> 01:08:23,479
Speaker 3: be thrived.

1525
01:08:23,640 --> 01:08:26,360
Speaker 2: We's gonna get a rillin accountant. That's what's gonna happen.

1526
01:08:26,960 --> 01:08:29,559
Speaker 3: Russell, Russell, Oh my god, I haven't done my taxes

1527
01:08:29,640 --> 01:08:30,960
Speaker 3: yet and they're doing October fifteenth.

1528
01:08:31,000 --> 01:08:31,439
Speaker 1: I gotta go.

1529
01:08:32,880 --> 01:08:33,519
Speaker 2: I believe right now.

1530
01:08:33,680 --> 01:08:34,240
Speaker 1: Yes, that's it.

1531
01:08:34,840 --> 01:08:36,919
Speaker 3: Bye bye by the US shakeshare.

1532
01:08:37,040 --> 01:08:37,360
Speaker 1: Uh huh.

1533
01:08:38,560 --> 01:08:45,240
Speaker 2: Forever This has been a Forever Dog production executive produced

1534
01:08:45,280 --> 01:08:49,479
Speaker 2: by Brett Boham, Joe ccilio, and Alex Ramsey. For more

1535
01:08:49,600 --> 01:08:54,799
Speaker 2: original podcasts, please visit Foreverdog Podcasts dot com and subscribe

1536
01:08:54,840 --> 01:08:58,600
Speaker 2: to our shows on Apple Podcasts, Spotify, or wherever you

1537
01:08:58,720 --> 01:09:01,599
Speaker 2: get your podcasts. Keep up with the latest Forever Dog

1538
01:09:01,760 --> 01:09:05,719
Speaker 2: news by following us on Twitter and Instagram at Forever

1539
01:09:05,840 --> 01:09:09,080
Speaker 2: Dog Team and liking our page on Facebook,