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Speaker 1: Hey, discos, need a little more Disgraceland in your life,

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Speaker 1: just to touch to get you through. Yeah me too.

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Speaker 1: This is the podcast that comes after the podcast. Welcome

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Speaker 1: to Disgraceland, the after Party. Welcome to the Disgraceland bonus episode,

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Speaker 1: a little thing we like to call the after party.

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Speaker 1: This is the show after the show, the party after

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Speaker 1: the party, the bridge to get you from one full

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Speaker 1: episode of Disgraceland to the other, the backyard to dig

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Speaker 1: into the dirt. On this episode, we are talking, among

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Speaker 1: other things, about our new full story on YouTube and

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Speaker 1: the killer that took his cue from one of their songs.

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Speaker 1: We're also talking about this week's rewind episode on Sublime,

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Speaker 1: and of course we're getting into your voicemails, text dms,

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Speaker 1: emails and more, and as always, a whole lot of Rosie.

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Speaker 1: All right, this goes, Let's get into it. This is

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Speaker 1: not a rebel song. This is Disgraceland. And this week

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Speaker 1: in Disgraceland, we bring you our first episode of season fourteen,

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Speaker 1: a brand new episode on YouTube. Specifically you two as

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Speaker 1: we knew them nearly forty years ago, back in nineteen

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Speaker 1: eighty seven. I can't believe that was forty years ago,

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Speaker 1: back in eighty seven, when You two dropped their fifth

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Speaker 1: studio album, the excellent, excellent album, The Joshua Tree, and

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Speaker 1: became one of the biggest bands on the planet. And

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Speaker 1: doing so, they also caught the attention of a lot

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Speaker 1: of crazies, murderers, terrorists, you name it, both here in

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Speaker 1: the States and back in their home country of Ireland.

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Speaker 1: This story that we've told this week in Disgraceland, this

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Speaker 1: story is about a particularly disturbed man by the name

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Speaker 1: of Robert John Bardo, who was living in Arizona at

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Speaker 1: the time, and he became obsessed with an actress in Hollywood,

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Speaker 1: and he'd also at the same time became obsessed with

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Speaker 1: the U two song Exit. Exit is the second to

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Speaker 1: last track on side two of The Joshua Tree, and

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Speaker 1: the thing that distinguishes this song from any other U

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Speaker 1: two song is I mean, this is this is uh.

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Speaker 1: I honestly feel like this is Bono getting pulled into

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Speaker 1: the trap of true crime way before we even really

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Speaker 1: had a phrase for it. I mean, I guess we

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Speaker 1: had a phrase for it. Truman Capoti in Cold Blood

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Speaker 1: was the first true crime book I think. Helter Skelter

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Speaker 1: is known as the Mac Daddy of mal and that

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Speaker 1: was you know, both those books were produced decades before

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Speaker 1: Bono wrote the song Exit. I think I think Bono

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Speaker 1: might have been reading Norman Mayler. But he wrote the

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Speaker 1: song Exit, and he put himself into the perspective of

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Speaker 1: a killer. The song is written from the point of

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Speaker 1: view of a killer, and it is a murderous sounding song.

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Speaker 1: It's dark and Robert John Bardo, who was mentally ill,

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Speaker 1: to put it nicely, he quite honestly didn't know how

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Speaker 1: to deal with this song and it soundtracked this murderous

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Speaker 1: plot that he carried out as a result of what

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Speaker 1: happened and what the song came to represent. You know,

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Speaker 1: a young woman died because of this song, or I mean,

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Speaker 1: that's that's putting it kind of harshly, because of the crazy,

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Speaker 1: psychotic manifestations of a killer who used this song to

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Speaker 1: propel him. Because of that, you two didn't play the

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Speaker 1: song Exit for decades, and they thought it just it

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Speaker 1: had the wrong kind of energy, the wrong kind of power,

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Speaker 1: evil evil power in the song. And I don't think

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Speaker 1: that's an overstatement. I don't think that's an exaggeration. I

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Speaker 1: don't think that's hyperbole. I think Bono truly believed that

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Speaker 1: that song possessed a certain kind of energy and the

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Speaker 1: wrong kind of energy, which you're going to hear about

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Speaker 1: in the episode we did. And and I believe it

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Speaker 1: not only because I think Bono is a righteous guy

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Speaker 1: and I just I just believe that to be true.

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Speaker 1: I think I think there are certain elements in the world.

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Speaker 1: I think evil is real. I think there are certain

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Speaker 1: pieces of art. I think there are certain objects in

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Speaker 1: the world. I think there are certain people that possess

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Speaker 1: the wrong kind of energy. And you know, I didn't

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Speaker 1: feel that way. I don't think five years ago before

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Speaker 1: I started this podcast, or at least I didn't think

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Speaker 1: about it. I think the first time actually I ever

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Speaker 1: thought about it was when I watched the movie Jacob's

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Speaker 1: Ladder and and just I just sort of looked around

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Speaker 1: at my world and thought, like, God, what what am

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Speaker 1: I surrounding myself with that is the opposite of good?

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Speaker 1: And it just it caused me to for the first

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Speaker 1: time to objectify evil. And then when in doing the

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Speaker 1: research for these episodes, you can't help but come upon

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Speaker 1: just people from history who possess this darkness. You can't

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Speaker 1: help but come upon objects places, locations, settings, homes, buildings, music,

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Speaker 1: art that contain this darkness. And sometimes these things get

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Speaker 1: created by accident with the best intentions and things go wrong.

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Speaker 1: And I think that's what happened here with the song Exit,

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Speaker 1: and it's fascinating to think about, and it's fascinating to

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Speaker 1: listen to how Bono and YouTube dealt with this and

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Speaker 1: the true crime story at the heart of it all

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Speaker 1: with Robert John Bartow and the murder of Rebecca Schaeffer,

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Speaker 1: who was a Hollywood actress at the time. Super interesting,

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Speaker 1: and that is the subject of this week's episode. Okay,

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Speaker 1: brand new episode on YouTube, which you can get wherever

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Speaker 1: you get your podcasts. All right, we're doing this new

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Speaker 1: thing now. Okay, tomorrow the day after this release whenever,

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Speaker 1: that is when you're hearing this, but the next episode

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Speaker 1: in your feed. We're going to be releasing archive episodes

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Speaker 1: every week, so the release schedule will from this point

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Speaker 1: on be Tuesday, full episode, Thursday, this after party, bonus episode, Friday,

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Speaker 1: a rewind episode, which is a previously released episode that

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Speaker 1: is sitting in the archive. Okay, here's what's gone on

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Speaker 1: over the last year. As you know, we were exclusive

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Speaker 1: with Amazon Music throughout the year. We've released all of

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Speaker 1: our content, most of it, anyways. I think there's like

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Speaker 1: four or five episodes that have yet to come out

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Speaker 1: of the exclusive archive, but most of it over one

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Speaker 1: hundred plus episodes. And we've attracted a lot of new

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Speaker 1: listeners in the last year, and a lot of them

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Speaker 1: write to us and say, hey, how about an episode

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Speaker 1: on led Zeppelin, how about an episode on Taylor Swift,

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Speaker 1: how about an episode on Otis Redding. And I'm just like,

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Speaker 1: I've We've done these episodes. I get a lot of

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Speaker 1: requests for Guns N' Roses episodes. I got a request

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Speaker 1: for a Rolling Stones episode the other day, Like we

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Speaker 1: have we have eight or something like the six six

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Speaker 1: Stones episodes. I think the point is a lot of

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Speaker 1: people are coming to the podcast for the first time

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Speaker 1: and they're unaware of all the content and all the

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Speaker 1: subjects we've covered in the archives. So what we're gonna

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Speaker 1: be doing from now on on Fridays, We're gonna be

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Speaker 1: releasing these rewind episodes. Okay, So it's gonna go Tuesday,

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Speaker 1: new full episode, Wednesday, Bonus after party episode, Friday Archive

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Speaker 1: rewind episode. This Friday, we are releasing the Sublime episode

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Speaker 1: from the archive, releasing it back into the feed, and

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Speaker 1: from now on, every week every Friday, we'll be tying

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Speaker 1: the release of these archive rewind episodes to something going

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Speaker 1: on in the world at large that has to do

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Speaker 1: with the artist or the subject matter from that archived episode.

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Speaker 1: So Sublime coming at you this Friday. I'm gonna talk

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Speaker 1: more about this episode later here in the after party.

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Speaker 1: So here's the question, though, this is what I want

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Speaker 1: to hear from you, guys. If you are a new listener,

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Speaker 1: what episodes do you want to hear? Okay? What's subjects

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Speaker 1: do you want to hear? Which artist? Which musical artists

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Speaker 1: do you want me to cover? And don't worry if

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Speaker 1: we've already covered them. What I'm trying to uncover here

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Speaker 1: from you, guys is worthy interest is in what we've

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Speaker 1: already produced and then resurface it for you here. Okay.

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Speaker 1: If you are an existing og Disco Disgraceland listener from

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Speaker 1: way back, or if you've just been in with us

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Speaker 1: here in the last couple of years, what new episodes

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Speaker 1: do you want to hear? What other artists do you

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Speaker 1: want me to cover? We talk about this a lot.

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Speaker 1: I try my best to get the subject matter that

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Speaker 1: you want to hear into our production schedule. The Sublime episode,

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Speaker 1: which I'll talk about later, is a direct result of

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Speaker 1: hearing from you guys. So let me know. Six one seven,

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Speaker 1: nine oh six, six six three eight. What Disgraceland episodes

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Speaker 1: do you want to hear? New or old? Don't worry

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Speaker 1: if we've already covered them. Six one seven, nine oh six,

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Speaker 1: six six three eight. On the voicemail old school style,

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Speaker 1: New school Style six one seven nine oh six six

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Speaker 1: six three eight to text me also at Disgraced on

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Speaker 1: all the socials Disgrace lampod at gmail dot com. On email,

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Speaker 1: let's check out this email from Jerry Middleton, subject your

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Speaker 1: podcast message started a short time ago to listen to

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Speaker 1: bad Lands and got hooked fast. Now I'm about halfway

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Speaker 1: through Disgraceland on Sirius XM. I'm from Michigan and have

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Speaker 1: you ever done or planned to do a show on

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Speaker 1: Bob Seger. Keep up the great job, thanks Jerry. No

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Speaker 1: plans on on Bob Seger. Bob Seger pops up in

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Speaker 1: the I believe our Part one Eagles episode because of

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Speaker 1: the Glen Fry connection. Another Michigan boy as you know,

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Speaker 1: I don't know if there's a There's gotta be some

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Speaker 1: sort of some sort of true crime that rubbed up

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Speaker 1: against Bob Seger at some point, given that long career

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Speaker 1: and given the Detroit connection, I'd be surprised if there

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Speaker 1: wasn't something, especially given how the Mafia controlled nightclubs back

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Speaker 1: in the day and the Silver Bullet Band was a

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Speaker 1: bar band. So I'm sure there's something there Bob Seger.

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Speaker 1: Jerry is one of those artists that I came too late.

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Speaker 1: I did not appreciate the Siege when I was growing up.

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Speaker 1: I fucking love it now though, man getting older, expanding

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Speaker 1: my horizon, and a lot of it has to do

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Speaker 1: with rambling gambling man. That song, the placement with Brad

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Speaker 1: Pitt from Once upon a Time in Hollywood is just

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Speaker 1: oh damn so good. Thanks Jerry. Perhaps perhaps a Bob

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Speaker 1: Seeger episode in the future six one seven nine oh six,

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Speaker 1: six six three eight, guys, or email me Disgrace lamdpod

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Speaker 1: at gmail dot com. Like Jerry there and let me

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Speaker 1: know what you guys want to hear for episodes. We

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Speaker 1: got this one from Lindsey Cruz. Subject episode suggestion Francis

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Speaker 1: Farmer now I know Francis Farmer was an actress, and

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Speaker 1: I know this is probably more rap party bad Lands fodder. However,

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Speaker 1: this just gave me an idea, Lindsey for a new

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Speaker 1: Disgracelane episode because of the Nirvana connection to Francis Farmer.

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Speaker 1: Francis Farmer's Revenge. Lindsay Crew says, Hello, huge fan of

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Speaker 1: your podcast, Very informative and enjoy learning all the dark

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Speaker 1: details on musicians and celebrities. Could you guys please do

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Speaker 1: an episode on Francis Farmer. I love the idea, Lindsey

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Speaker 1: Paging Zeth Lundy, let's mark that. Let's put that on

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Speaker 1: the production calendar. See what we can come up with.

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Speaker 1: Their email here is the last one for this week

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Speaker 1: from Jason Haas says, Hi, Jack and everyone at Disgrace

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Speaker 1: and Jason, I love you, man, I love you. But

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Speaker 1: my name is not Jack, dude, it's Jake. You know that.

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Speaker 1: You know that. IMNA. I'm gonna chalk this up to

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Speaker 1: auto correct fucking up my name here. Anyways. The email

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Speaker 1: goes on to say, long time listener, first time writer,

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Speaker 1: just got done with the Halloween episode about Black Sabbath.

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Speaker 1: Oh what a finish. Love it, Love finding out what

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Speaker 1: made Sabbath so damn good too with the try tone

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Speaker 1: and tony I mean just lopped off fingers. I had

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Speaker 1: seen that many years ago, but never connected it once

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Speaker 1: I started listening to Sabbath years later. Also, their start

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Speaker 1: as a Midlands band explains why their first album is

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Speaker 1: so bluesy. Yes it does, Yes it does a lot

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Speaker 1: of great blues artists Steve Lynwood, Christine Perfect aka Chris

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Speaker 1: Steen MCV, Jason, as you know, from that area where

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Speaker 1: Black Sabbath is from up by Birmingham there in the UK.

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Speaker 1: Let's see. Jason goes on to say thanks again and hey,

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Speaker 1: rock a rolla, you got it, Jason. All right, guys,

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Speaker 1: email me disgrace Laan Pod at gmail dot com. I'll

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Speaker 1: be back in a flash with your voicemails and texts.

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Speaker 1: All right, guys, we are back, going to hit some

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Speaker 1: voicemails and texts here before I do that. You know,

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Speaker 1: we're talking about YouTube this week in our full episode.

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Speaker 1: And you know it's funny. I was been surrounded by

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Speaker 1: you to almost my entire life. I remember being a

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Speaker 1: really little kid, really little, and looking at the vinyl,

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Speaker 1: the Gayfold vinyl for Sunday Bloody Sunday and that black strat,

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Speaker 1: that black on black strat, that the edge has the

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Speaker 1: black pit guard on the black body. I remember just

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Speaker 1: being in love with that guitars before I had a guitar,

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Speaker 1: before I had an electric guitar. Excuse me, I did

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Speaker 1: have an acoustic guitar. And I don't know how old

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Speaker 1: I was, six' seven something like, that maybe even, Younger

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Speaker 1: i'm not. Sure AND i just remember begging my father

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Speaker 1: for that guitar and staring at that guitar in the

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Speaker 1: artwork For under A Blood Red sky and just being

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Speaker 1: JUST i had to have. IT i was. Obsessed, actually

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Speaker 1: DID i say that the album Was Sunday Bloody? SUNDAY

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Speaker 1: i was Wrong IF i said that under a Blood Red,

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Speaker 1: Sky that's WHAT i meant to. Say so, anyhow you

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Speaker 1: too been in my life, entirely you, know AND i

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Speaker 1: was a fan THROUGHOUT i mean everything up until The Joshua,

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Speaker 1: tree which was just. Ubiquitous you could not get away

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Speaker 1: from the song with or without, you and it just

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Speaker 1: soundtracked grade for. Us it was. INCREDIBLE i remember being

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Speaker 1: up At Saint john's gym as a, kid hanging out

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Speaker 1: with chicks for the first, time you, know, puberty that

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00:14:07,920 --> 00:14:10,080
Speaker 1: whole thing with or Without, you that was the song

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Speaker 1: burned into my. Memory and then they just became too

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Speaker 1: big AND i lost interest because they became so damn,

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Speaker 1: huge which is a dumb reason to lose interest in an,

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Speaker 1: artist but it does. Happen it's, inescapable your your your interests,

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Speaker 1: changed you gravitate to other. Music things do become so

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Speaker 1: big that they kind of eat themselves in a, way

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Speaker 1: and you, too definitely was. That but here's the. Deal,

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Speaker 1: objectively if you two never had a hit and they

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Speaker 1: still made the same music and you listen to, it

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Speaker 1: you would just you just put it on like out

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Speaker 1: of the, blue like if an alien landed here, tomorrow

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Speaker 1: and just like you gave them all of youtwo's discography

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Speaker 1: on a, mix you just even, this the, hits the,

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Speaker 1: bangers whatever The spotify playlist. Is this is you. Two

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Speaker 1: you just gave that to an. Alien they'd be, like

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Speaker 1: this is the greatest fucking rock and roll band of all.

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Speaker 1: Time they are that. Good AND i think the main

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Speaker 1: reason they are that good is because of their. Frontman

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Speaker 1: he is that. Good and it's this rare scenario where

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Speaker 1: the frontman is just Extra everything About bono is. Extra

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Speaker 1: he is a phenomenal. Singer he has an incredible, voice

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Speaker 1: and those are two distinctly different. Things you don't need

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Speaker 1: both to be a great, frontman but he has both in.

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Speaker 1: Spades great frontman on, stage completely compelling off, Stage, okay

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Speaker 1: always has something interesting to, say even if you're sick

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Speaker 1: of his bullshit quote unquote or air quotes. Bullshit but

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Speaker 1: he's one of these frontmen who never really went off

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Speaker 1: and had a solo. Career and you, know people were

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Speaker 1: in his ear, constantly like they were With Mick, jagger

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Speaker 1: telling him he could be the Next Michael, jackson you,

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Speaker 1: know Telling bono he can do whatever the fuck he

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Speaker 1: always he just hung in, there and the band has its,

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Speaker 1: limitations BUT i think that's a good. Thing you, know

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Speaker 1: they're not trying to be The. Beatles they were just

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Speaker 1: trying to be you, two and they were fucking great at,

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Speaker 1: it incredible and we might not realize now because we're

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Speaker 1: so far removed from, it just how fucking huge they,

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Speaker 1: were and deservedly. So they're an incredible, band that's all.

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Speaker 1: Now the REASON i don't even know WHY i feel

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Speaker 1: compelled to say, this except maybe Because i've just never

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Speaker 1: really given you to the space in my listening life

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Speaker 1: THAT i, should AND i feel LIKE i am now

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Speaker 1: because we got into this episode and that's part of

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Speaker 1: WHY i love doing this. Gig so, anyways if you're

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Speaker 1: some krusty punk rocker who hates you, TOO i get.

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Speaker 1: It but you, know don't deprive, yourself, man go back,

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Speaker 1: listen give it another. Chance all, right let's check out

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Speaker 1: some voicemails and texts from you. Guys six p one

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Speaker 1: seventy nine six six six three. Eight let's check out

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Speaker 1: this voicemail From ednor from the four. Six, hey J

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Speaker 1: Ed nor calling from the four oh, six talking about

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Speaker 1: the rock and roll best tribute.

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Speaker 2: Songs to an actor or.

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Speaker 1: Actress.

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Speaker 2: Uh the obvious one that pops to mind Is James

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Speaker 2: dean by The.

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Speaker 1: Eagles it's a great song and that song, rocks especially

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Speaker 1: for The. Eagles so that's my. Input AND i tell, you,

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Speaker 1: MAN i think you have.

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Speaker 2: The greatest job in the world and you're damn good at,

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Speaker 2: It so take it, easy, MAN Ednrd thanks.

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Speaker 1: Man, Yeah James, Dean, yeah it's a great. Song great

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00:17:16,720 --> 00:17:19,040
Speaker 1: song and similar to my rant just ON, YOUTO i

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Speaker 1: had a very similar experience with The eagles not exactly the,

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00:17:22,320 --> 00:17:24,800
Speaker 1: same BUT i came to them, late had an early

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00:17:24,960 --> 00:17:27,520
Speaker 1: disdain for, them not THAT i ever really disdained you

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00:17:27,600 --> 00:17:30,439
Speaker 1: two or just didn't like, YouTube but i'd more gravitated

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00:17:30,480 --> 00:17:32,360
Speaker 1: away from. Them BUT i came back to The eagles

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Speaker 1: And James. Dean it's one of those tunes that it's Purely,

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Speaker 1: eagles and, yeah it's a great. Tribute so Thanks, edner

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Speaker 1: thanks for the wreck here and also thanks for the kind.

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Speaker 1: Words appreciate you. Man All, right we were talking about

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Speaker 1: in the previous episode death song songs we wanted played

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Speaker 1: at our. Funeral got this voicemail from the seven to

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Speaker 1: one to.

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Speaker 2: Three, Hey Jacos rene And steve one three Out. Houston

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Speaker 2: you were talking about song death songs and stuff like.

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Speaker 2: THAT i actually have a playlist death song AS i

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Speaker 2: told my KIDS i was going to play at my.

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Speaker 2: Funeral but the three song a, FOCENS i should, SAY

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00:18:05,160 --> 00:18:07,920
Speaker 2: i really got to hear is The, highwayman by The.

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00:18:07,960 --> 00:18:12,000
Speaker 2: HIGHWAYMEN i want to Hear George harrison's what his wife

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00:18:12,600 --> 00:18:14,159
Speaker 2: and the one to start off for me was to

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Speaker 2: go With Transhua Sweet. Cycle but as everybody walks out

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00:18:18,359 --> 00:18:23,760
Speaker 2: for the funeral. PARLOR i wanted to play. Probot, DAMN

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00:18:23,800 --> 00:18:26,880
Speaker 2: i can re name it's it's my. Probot let me think.

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Speaker 2: It give me something. BLOOD i really strewed this.

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Speaker 1: UP i.

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Speaker 2: Apologize have a good one, bye Oh.

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Speaker 1: Man seven one. Three do not worry about about the

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Speaker 1: pro bot. Tuon we will figure it out for you

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00:18:38,119 --> 00:18:40,399
Speaker 1: and we will get back to. You but on the

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00:18:40,440 --> 00:18:43,760
Speaker 1: issue of what is life By George, harrison great, selection

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00:18:44,400 --> 00:18:49,159
Speaker 1: great great funeral death song, selection And George harrison had

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00:18:49,200 --> 00:18:54,080
Speaker 1: a really interesting take on. Death he was obviously influenced

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00:18:54,080 --> 00:18:57,280
Speaker 1: by By eastern religion AND i heard this great comment of,

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00:18:57,320 --> 00:18:59,560
Speaker 1: his AND i think we might have got into it

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00:18:59,560 --> 00:19:01,800
Speaker 1: in The Georgie harrison episode Of Disgrace slam that we

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00:19:01,960 --> 00:19:05,800
Speaker 1: that we released about how dying was, like you, know

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00:19:06,080 --> 00:19:08,880
Speaker 1: you're just you're leaving this. Body you're just essentially your.

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00:19:08,880 --> 00:19:12,159
Speaker 1: Soul you're just Removing you're just removing a coat and

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00:19:12,240 --> 00:19:14,920
Speaker 1: you're moving. On that's. It that's all the body. Is

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00:19:15,200 --> 00:19:19,160
Speaker 1: AND i think there's some truth in. THAT i definitely

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00:19:19,280 --> 00:19:21,320
Speaker 1: not to get too spiritual, here BUT i Think George

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00:19:21,359 --> 00:19:23,920
Speaker 1: harrison was onto. SOMETHING i THINK i think a lot

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00:19:23,960 --> 00:19:29,240
Speaker 1: of the religions in the world be The Eastern Western, Christianity, Buddhism,

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00:19:29,520 --> 00:19:33,240
Speaker 1: krishna the whole concept of the. AFTERLIFE i believe in

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00:19:33,280 --> 00:19:35,040
Speaker 1: it now more THAN i ever. Have but that is

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00:19:35,080 --> 00:19:39,480
Speaker 1: a different story. Entirely let's check out some texts get

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00:19:39,520 --> 00:19:42,800
Speaker 1: back to the subject at, hand which is music In True.

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00:19:42,880 --> 00:19:48,480
Speaker 1: Crime from the four four oh on the subject of

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Speaker 1: musical tributes to dead musicians Are em four four oh

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00:19:52,720 --> 00:19:55,119
Speaker 1: rights ore em let Me in from The Monster albums

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00:19:55,160 --> 00:19:58,000
Speaker 1: attribute To. KIRKOBAINE i didn't know. THAT i did not

357
00:19:58,160 --> 00:20:00,960
Speaker 1: know that for four. Oh faro goes on to say

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00:20:01,000 --> 00:20:03,800
Speaker 1: it's painfully, wonderful And Michael stipe Is Francis bean's. GODFATHER

359
00:20:03,840 --> 00:20:05,639
Speaker 1: i did know. THAT i think she just got married

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00:20:05,680 --> 00:20:11,199
Speaker 1: To Tony hawk's, son AND i Think Michael stipe was the.

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00:20:11,560 --> 00:20:16,320
Speaker 1: OFFICIANT i Think michael Stipis Francis bean's. Godfather makes it

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00:20:16,359 --> 00:20:19,920
Speaker 1: even more. Bittersweet Nicole billington And. Cleveland Thanks, nicole great.

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00:20:19,960 --> 00:20:23,000
Speaker 1: Text appreciate you put out the call for some dog.

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00:20:23,080 --> 00:20:25,600
Speaker 1: PICKS i don't know, why why know? WHY i love.

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00:20:25,680 --> 00:20:27,240
Speaker 1: Dogs so we got this one from the nine to

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00:20:27,280 --> 00:20:29,840
Speaker 1: one Seven oh you want dog, picks here's My Domino

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00:20:29,960 --> 00:20:33,159
Speaker 1: diamond dog And ziggy The Thin White duke with a

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00:20:33,240 --> 00:20:37,920
Speaker 1: painting Of hendrix by a friend Rock A. ROLLA i love.

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00:20:38,000 --> 00:20:41,320
Speaker 1: THIS i love. This i'm gonna story this On, instagram all?

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00:20:41,359 --> 00:20:43,439
Speaker 1: Right nine one seven of your dogs are gorgeous AND

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00:20:43,480 --> 00:20:47,320
Speaker 1: i love the Titles Diamond dog And ziggy The Thin White. Duke.

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00:20:47,520 --> 00:20:51,159
Speaker 1: Amazing they look. Perfect these dogs are fricking good. Looking all?

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00:20:51,280 --> 00:20:53,399
Speaker 1: Right what else we got? Here all? Right the three

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00:20:53,520 --> 00:20:55,800
Speaker 1: zero three writes in my favorite part of The NEW

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00:20:55,920 --> 00:20:59,560
Speaker 1: u two episode is the mention of mcnichol's arena here In.

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00:20:59,640 --> 00:21:02,440
Speaker 1: Denver the three oh three goes on to, SAY i

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00:21:02,480 --> 00:21:05,760
Speaker 1: saw a lot of great eighties rock and metal at, McNichols, Auzzy,

378
00:21:05,880 --> 00:21:08,639
Speaker 1: Metallica Motley, Crue White, Snake, Bond. JOVIE i did not

379
00:21:08,760 --> 00:21:11,040
Speaker 1: see Def leppard who filmed The Pour Some sugar On

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00:21:11,160 --> 00:21:16,280
Speaker 1: me video. There that's uh damn you missed, out because

381
00:21:16,280 --> 00:21:18,919
Speaker 1: that Pour Some sugar On me video is uh. Racey

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00:21:19,240 --> 00:21:20,639
Speaker 1: it's a good. One would have been fun to be.

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00:21:20,680 --> 00:21:25,679
Speaker 1: There five seven three writes In Greatest Musical tributes To Fallen,

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00:21:25,880 --> 00:21:29,080
Speaker 1: MUSICIANS i would like to put forth the soaring Say

385
00:21:29,119 --> 00:21:31,440
Speaker 1: hello To heaven By temple of The dog For Andrew

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00:21:31,480 --> 00:21:35,560
Speaker 1: wood Of Mother Love. BONE i added The Mother Love

387
00:21:35,600 --> 00:21:38,000
Speaker 1: bone Bit you're right five seven Three Great Song temple

388
00:21:38,040 --> 00:21:41,560
Speaker 1: of The, dog members Of soundgarden And Pearl. JAM i

389
00:21:41,600 --> 00:21:45,000
Speaker 1: wonder what if any tributes To Chris cornell have been

390
00:21:45,040 --> 00:21:47,160
Speaker 1: written and. Recorded i'm sure there's some great ones out.

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00:21:47,080 --> 00:21:47,800
Speaker 2: There all.

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00:21:47,880 --> 00:21:52,160
Speaker 1: Right six one, seven nine oh, six six six three.

393
00:21:52,280 --> 00:21:55,680
Speaker 1: Eight leave me a, voicemail send me a, text talk

394
00:21:55,720 --> 00:21:57,440
Speaker 1: about whatever you want to talk. ABOUT i want to

395
00:21:57,440 --> 00:21:59,720
Speaker 1: hear what Disgrace land episodes you want to. HEAR i

396
00:21:59,720 --> 00:22:03,440
Speaker 1: still want to hear about your favorite musical tributes to musical.

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00:22:03,600 --> 00:22:06,679
Speaker 1: Artists we can still talk death songs if that's your.

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00:22:06,800 --> 00:22:10,600
Speaker 1: Vibe six one seven nine oh six six six three

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00:22:10,760 --> 00:22:14,480
Speaker 1: eight voicemail and text a couple dms, here all? Right

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00:22:14,520 --> 00:22:20,560
Speaker 1: this this message comes From Eli ordez On. DISGRACELAND i

401
00:22:20,640 --> 00:22:24,640
Speaker 1: appreciate her. Dms she's very, thoughtful she, says been thinking

402
00:22:24,640 --> 00:22:27,000
Speaker 1: about a burning question for you and fellow. Discos now

403
00:22:27,040 --> 00:22:29,399
Speaker 1: that the series On Wu tang is, Over who is

404
00:22:29,440 --> 00:22:32,320
Speaker 1: your favorite, member your favorite album of theirs or Of

405
00:22:32,400 --> 00:22:35,359
Speaker 1: Wu tang clan as a. Whole what was the fun

406
00:22:35,440 --> 00:22:38,360
Speaker 1: fact That jake taught us about them that we didn't already,

407
00:22:38,400 --> 00:22:43,359
Speaker 1: know WELL i love. This, YEAH i mean my favorite method,

408
00:22:43,440 --> 00:22:45,959
Speaker 1: Man But ellie wants to know your, favorite so let us.

409
00:22:46,000 --> 00:22:48,960
Speaker 1: Know six one seven nine oh six six six three

410
00:22:49,280 --> 00:22:52,879
Speaker 1: Eight hit me up At disgrace Lam pod On. Instagram.

411
00:22:52,880 --> 00:22:57,600
Speaker 1: Twitter i'm running out of Time FACEBOOK, X SORRY i Said,

412
00:22:57,640 --> 00:22:59,760
Speaker 1: TWITTER i MET x. Wherever you know how to get in.

413
00:22:59,760 --> 00:23:01,679
Speaker 1: Touch all, right and take a quick break back in

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00:23:01,760 --> 00:23:19,879
Speaker 1: a moment with some. Recommendations all, right we are. BACK

415
00:23:20,040 --> 00:23:21,879
Speaker 1: i want to get into some recommendations. HERE i want

416
00:23:21,920 --> 00:23:26,600
Speaker 1: to talk about YouTube first and some YouTube related content

417
00:23:26,760 --> 00:23:28,879
Speaker 1: THAT i want you guys to, go OR i just

418
00:23:28,880 --> 00:23:30,760
Speaker 1: want to recommend to you guys to go check. Out

419
00:23:31,480 --> 00:23:33,679
Speaker 1: first of, all check out the Song. Exit it's not

420
00:23:33,920 --> 00:23:36,840
Speaker 1: a known. Song it's on The Joshua. Tree it wasn't

421
00:23:36,840 --> 00:23:39,240
Speaker 1: a hit by any, means but it is the centerpiece

422
00:23:39,760 --> 00:23:42,919
Speaker 1: of our latest episode on. YouTube so go check that

423
00:23:43,000 --> 00:23:45,200
Speaker 1: song out after you listen to the episode or before.

424
00:23:45,720 --> 00:23:51,479
Speaker 1: Whenever and THEN i came across this nugget this morning

425
00:23:51,880 --> 00:23:56,600
Speaker 1: when putting my thoughts together for this after. Party there

426
00:23:56,640 --> 00:24:01,920
Speaker 1: is an, incredible incredible concert. Movie it's movies a. Stretch

427
00:24:02,440 --> 00:24:04,720
Speaker 1: it's produced in a very cheesy, way and it's about

428
00:24:04,720 --> 00:24:07,440
Speaker 1: this festival that took place in nineteen eighty three called

429
00:24:07,440 --> 00:24:11,840
Speaker 1: THE Us, festival which was a major concert somewhere IN

430
00:24:11,880 --> 00:24:14,399
Speaker 1: i believe Northern california that was put together By Steve,

431
00:24:14,440 --> 00:24:17,119
Speaker 1: wozniak WHO i believe at the time just made a

432
00:24:17,160 --> 00:24:19,480
Speaker 1: boatload of money From. Apple he's the co founder Of

433
00:24:19,520 --> 00:24:21,880
Speaker 1: apple With steve. Jobs so he puts on this festival

434
00:24:21,920 --> 00:24:27,200
Speaker 1: that's kind of like this early eighties answer To, woodstock

435
00:24:27,880 --> 00:24:30,720
Speaker 1: and that's not doing any. Justice there's this whole like

436
00:24:30,800 --> 00:24:33,840
Speaker 1: utopian idealism thing that's behind, it which is admirable Of.

437
00:24:33,880 --> 00:24:36,600
Speaker 1: Wosniak the, Bands, okay let's talk about the. Bands the

438
00:24:36,640 --> 00:24:40,720
Speaker 1: Headliner Stevie. Nicks directly under her Is triumph and then

439
00:24:40,960 --> 00:24:44,760
Speaker 1: Supporting triumph And Stevie nick solo is You. Two this

440
00:24:44,960 --> 00:24:48,600
Speaker 1: is like under The Blood Red sky Era You. TWO

441
00:24:48,680 --> 00:24:53,040
Speaker 1: i think it's it's definitely Pre Joshua. Tree it's you

442
00:24:53,200 --> 00:24:57,879
Speaker 1: two on the. Ascent they're they're definitely stripped down at this,

443
00:24:58,040 --> 00:25:01,639
Speaker 1: point the show is stripped. Down they're very much still

444
00:25:01,720 --> 00:25:05,480
Speaker 1: repping this kind of like clash style on. Stage is

445
00:25:05,520 --> 00:25:08,479
Speaker 1: amazing how much they took their style from The. Clash

446
00:25:08,760 --> 00:25:13,800
Speaker 1: As i'm watching, this but it's a really cool moment in,

447
00:25:13,920 --> 00:25:17,399
Speaker 1: time and it's produced in a super cheesy, way which

448
00:25:17,480 --> 00:25:20,120
Speaker 1: which lends to the awesomeness of. It the whole thing's

449
00:25:20,160 --> 00:25:23,080
Speaker 1: only like forty five minutes, long the actual the film

450
00:25:23,119 --> 00:25:29,280
Speaker 1: here quote unquote, Film but it's this nerdy eighties Again

451
00:25:29,720 --> 00:25:34,800
Speaker 1: californian music festival out in the middle of, nowhere and

452
00:25:34,840 --> 00:25:37,240
Speaker 1: it is just, like it's all these nerds because it's

453
00:25:37,240 --> 00:25:40,480
Speaker 1: this apple Like Northern california. AGAIN i Think Northern california

454
00:25:40,520 --> 00:25:44,560
Speaker 1: thing a bunch of. Nerds and then just it's weirdly highly.

455
00:25:44,640 --> 00:25:50,639
Speaker 1: SEXUALIZED i can't really explain. It it's just like you

456
00:25:51,280 --> 00:25:54,400
Speaker 1: gotta go watch. It it's nineteen eighty three and it's,

457
00:25:54,560 --> 00:25:59,400
Speaker 1: just LIKE i, said weirdly. Sexualized and the artists are,

458
00:25:59,520 --> 00:26:02,720
Speaker 1: incredible even the, artist Even berlin. IS i was just, like,

459
00:26:02,800 --> 00:26:07,320
Speaker 1: wow Fucking berlin laying it. Down but the YouTube performance is,

460
00:26:07,359 --> 00:26:09,199
Speaker 1: incredible and the whole the whole, thing just as a

461
00:26:09,200 --> 00:26:11,399
Speaker 1: piece of, content is worth checking. Out it's fucking weird

462
00:26:11,400 --> 00:26:13,520
Speaker 1: as all. Hell you'll dig. IT i THINK i got

463
00:26:13,520 --> 00:26:15,440
Speaker 1: it On. Apple it's probably on YouTube as. Well it's

464
00:26:15,440 --> 00:26:19,080
Speaker 1: see Us, festival, okay and it's kitchy and it's cool

465
00:26:19,119 --> 00:26:22,239
Speaker 1: and it's, weird but it just sent me to go

466
00:26:22,280 --> 00:26:26,040
Speaker 1: Watch rattle And, hum Which i've never really watched intentionally.

467
00:26:26,080 --> 00:26:29,080
Speaker 1: Before And rattle And, HUM i think it's one of

468
00:26:29,080 --> 00:26:33,320
Speaker 1: the best concert slash studio films That i've ever. Seen

469
00:26:33,800 --> 00:26:38,160
Speaker 1: the opening is, incredible the whole helter Skelter Charles manson.

470
00:26:38,240 --> 00:26:39,960
Speaker 1: Thing you Know. Bono the first thing you. Hear you

471
00:26:39,960 --> 00:26:42,600
Speaker 1: See bono on stage and he gives that famous Line

472
00:26:42,680 --> 00:26:45,080
Speaker 1: Charles manson stole this song from The beatles and we're

473
00:26:45,119 --> 00:26:47,240
Speaker 1: stealing it, back and just, like you, KNOW i remember

474
00:26:47,240 --> 00:26:48,960
Speaker 1: WHEN i first heard that. LINE i was just, like,

475
00:26:49,040 --> 00:26:52,159
Speaker 1: wow it's fucking, cool you, know just such a cool.

476
00:26:52,280 --> 00:26:55,080
Speaker 1: Line Now i'm, like wait a, minute who Gave bono

477
00:26:55,200 --> 00:26:57,879
Speaker 1: the authority to steal on behalf of The? Beatles but either,

478
00:26:57,880 --> 00:27:02,000
Speaker 1: way it's just it's just. It it sounds, awesome it looks.

479
00:27:02,119 --> 00:27:07,679
Speaker 1: Awesome those guys rehearsing in that giant cavernous train station

480
00:27:07,880 --> 00:27:10,000
Speaker 1: or wherever they're set up In dublin or. Wherever they

481
00:27:10,000 --> 00:27:14,080
Speaker 1: are just really. Incredible and these guys you two at

482
00:27:14,080 --> 00:27:16,000
Speaker 1: the time Of rattle And, hum they're on a fucking.

483
00:27:16,119 --> 00:27:18,800
Speaker 1: Heater songwriting, Wise, okay if you look at the songs

484
00:27:19,040 --> 00:27:21,920
Speaker 1: from The Joshua tree To rattle And, Hum with or without,

485
00:27:21,960 --> 00:27:24,000
Speaker 1: YOU i still haven't found What i'm looking. For where

486
00:27:24,000 --> 00:27:26,400
Speaker 1: the streets have no name In God's, Country bullet The Blue,

487
00:27:26,400 --> 00:27:28,920
Speaker 1: sky great, song all, Right those are From Joshua, tree

488
00:27:28,960 --> 00:27:31,399
Speaker 1: followed up On rattle And hum With Desire angel Of

489
00:27:31,400 --> 00:27:37,040
Speaker 1: harlem When Love comes To. Town just great, songwriting incredible incredible.

490
00:27:37,359 --> 00:27:40,280
Speaker 1: Songwriting if you haven't Seen rattle And, hum if you

491
00:27:40,400 --> 00:27:42,879
Speaker 1: haven't ever really given it the, time because it's just

492
00:27:42,960 --> 00:27:45,240
Speaker 1: you two and there's this, big big pop band that

493
00:27:45,240 --> 00:27:47,880
Speaker 1: you haven't been interested in the, PAST i highly recommend

494
00:27:47,920 --> 00:27:52,080
Speaker 1: you go check this. Out great great, document great, movie great,

495
00:27:52,080 --> 00:27:54,960
Speaker 1: film concert, film studio, film it's kind of. Both check

496
00:27:55,000 --> 00:28:00,399
Speaker 1: it out. Also, okay anyone listen who knows anything about

497
00:28:00,440 --> 00:28:06,080
Speaker 1: the Artist Mark almond, okay, SEVENTIES i believe kind of,

498
00:28:06,160 --> 00:28:12,000
Speaker 1: jazz kind of. FOLK i know. Nothing. Okay spotify served

499
00:28:12,040 --> 00:28:14,840
Speaker 1: me up a song By Mark alman called The, city

500
00:28:15,080 --> 00:28:17,119
Speaker 1: AND i became obsessed with, it AND i created a

501
00:28:17,119 --> 00:28:19,639
Speaker 1: playlist from that, song and THEN i became obsessed with

502
00:28:19,680 --> 00:28:22,119
Speaker 1: this entire style of music WHICH i don't even know

503
00:28:22,160 --> 00:28:25,439
Speaker 1: how to. Explain it's weird seventies am but also kind of.

504
00:28:25,520 --> 00:28:28,639
Speaker 1: Jazz it's just weirdly fusion as. Well And i'm at

505
00:28:28,640 --> 00:28:31,359
Speaker 1: the record store the other, day my local record, store

506
00:28:31,359 --> 00:28:34,000
Speaker 1: And i'm going through the bin and there's like Seven

507
00:28:34,080 --> 00:28:37,879
Speaker 1: mark album not, seven there's like Five Mark almond albums

508
00:28:37,880 --> 00:28:39,800
Speaker 1: and Artists i've never heard of, before and the one

509
00:28:39,840 --> 00:28:41,880
Speaker 1: with the song That i'm obsessed with the city is

510
00:28:41,920 --> 00:28:44,040
Speaker 1: sitting right there for. Me so of COURSE i copped

511
00:28:44,040 --> 00:28:45,560
Speaker 1: it AND i, went you, Know i'm gonna go. Home

512
00:28:45,600 --> 00:28:46,880
Speaker 1: i'm gonna look this guy, up see what he's all.

513
00:28:46,920 --> 00:28:48,400
Speaker 1: About and THEN i, thought, No i'm Not i'm not

514
00:28:48,400 --> 00:28:51,000
Speaker 1: gonna do. That i'm gonna do this old school analog

515
00:28:51,040 --> 00:28:54,719
Speaker 1: way through my, podcast this digital. Medium i'm going to

516
00:28:54,800 --> 00:28:58,960
Speaker 1: ask The disgraceland, listeners the Smart disgraceland, listeners what they

517
00:28:59,000 --> 00:29:01,240
Speaker 1: know about this Artist almond hit me up six one

518
00:29:01,360 --> 00:29:03,640
Speaker 1: seven nine oh six six six three eight and let me.

519
00:29:03,760 --> 00:29:07,280
Speaker 1: Know all, right those are the. Recommendations let's go to the.

520
00:29:07,320 --> 00:29:10,680
Speaker 1: REWIND i mentioned it. Before we're doing these rewind episodes

521
00:29:10,760 --> 00:29:14,000
Speaker 1: now On. Friday This friday, tomorrow The sublime episode is Coming.

522
00:29:14,200 --> 00:29:18,920
Speaker 1: Okay originally released BY us On february, eighth twenty twenty,

523
00:29:18,920 --> 00:29:22,080
Speaker 1: two as part of season. Nine it's been exclusive in

524
00:29:22,120 --> 00:29:24,320
Speaker 1: The amazon. Archive it is coming out in the world

525
00:29:24,400 --> 00:29:26,840
Speaker 1: for everybody to, hear and we're doing it now because

526
00:29:26,880 --> 00:29:28,880
Speaker 1: it was around this time In november back in nineteen

527
00:29:28,960 --> 00:29:34,000
Speaker 1: ninety five That sublime decided to get revenge on a

528
00:29:34,880 --> 00:29:37,760
Speaker 1: call it a subpar dining experience out Of denny's In.

529
00:29:37,840 --> 00:29:41,360
Speaker 1: Portland and that's a big part of the episode. Here

530
00:29:41,600 --> 00:29:44,280
Speaker 1: but just a couple quick notes on this rewind episode Of.

531
00:29:44,320 --> 00:29:46,040
Speaker 1: SUBLIME i just want to, say if you haven't heard this,

532
00:29:46,080 --> 00:29:47,920
Speaker 1: episode go check it. Out it's one of those EPISODES

533
00:29:47,920 --> 00:29:50,760
Speaker 1: i did specifically for you. Guys sublime was one of

534
00:29:50,800 --> 00:29:53,080
Speaker 1: those bands that you guys requested early on and kept

535
00:29:53,160 --> 00:29:56,240
Speaker 1: requesting and requesting and. Requesting i'd never been A sublime.

536
00:29:56,320 --> 00:29:58,840
Speaker 1: FAN i didn't really see any true crime there to

537
00:29:58,880 --> 00:30:00,600
Speaker 1: get into that would have given me a a hook

538
00:30:00,640 --> 00:30:04,640
Speaker 1: into the. Story BUT i did the episode, anyways specifically

539
00:30:04,640 --> 00:30:06,920
Speaker 1: for all of y'all who requested, it And i'm pretty

540
00:30:06,920 --> 00:30:09,240
Speaker 1: proud of what we came up with. Here uh in the,

541
00:30:09,280 --> 00:30:12,160
Speaker 1: process and you, know in that, PROCESS i kind of

542
00:30:12,200 --> 00:30:14,400
Speaker 1: became a fan of the, band or at least of Brad,

543
00:30:14,480 --> 00:30:18,800
Speaker 1: Noel Bradley, noel excuse, me uh and his incredible. Voice

544
00:30:18,840 --> 00:30:22,320
Speaker 1: just a great fucking. Singer great, voice that. Dude so

545
00:30:22,400 --> 00:30:25,400
Speaker 1: if you have heard The sublime, episode, uh you, know,

546
00:30:25,760 --> 00:30:28,200
Speaker 1: thanks check it out. Again it's available for. You if

547
00:30:28,240 --> 00:30:30,080
Speaker 1: you have not heard of it and you Love, sublime

548
00:30:30,160 --> 00:30:31,920
Speaker 1: or you even don't Love, sublime you just wanted some

549
00:30:31,960 --> 00:30:35,240
Speaker 1: New disgraceland, content it's. Coming it's available for. You check

550
00:30:35,320 --> 00:30:38,040
Speaker 1: that out six one seven nine oh six six six

551
00:30:38,200 --> 00:30:41,520
Speaker 1: three eight voicemail and text at disgracelam pod on the

552
00:30:41,600 --> 00:30:45,120
Speaker 1: socials disgrace slampod at gmail dot com to let me

553
00:30:45,240 --> 00:30:48,120
Speaker 1: know What disgraceland subjects you want to. Hear, Next i'm

554
00:30:48,120 --> 00:30:50,280
Speaker 1: going to take a quick break back in the flash

555
00:30:50,320 --> 00:31:05,440
Speaker 1: with the. Recap all, right we are back. Again let's recap,

556
00:31:05,520 --> 00:31:07,360
Speaker 1: this shall? We number one right now in your, feed

557
00:31:07,400 --> 00:31:09,720
Speaker 1: a brand new episode On you. Two number two coming,

558
00:31:09,720 --> 00:31:13,360
Speaker 1: TOMORROW a rewind episode On, sublime previously exclusive episode that

559
00:31:13,400 --> 00:31:15,560
Speaker 1: we are finally releasing back into the. Wild number three

560
00:31:15,600 --> 00:31:17,080
Speaker 1: over in the Bad lands, Feed we've got a brand

561
00:31:17,080 --> 00:31:19,840
Speaker 1: new episode On Phil, hartman AND i promise you it

562
00:31:19,920 --> 00:31:22,640
Speaker 1: is not what you think it's going to. Be number

563
00:31:22,680 --> 00:31:25,240
Speaker 1: four next week in The Disgrace Land, feed a brand

564
00:31:25,240 --> 00:31:28,920
Speaker 1: new episode On blondie Five my number six one seven

565
00:31:29,000 --> 00:31:31,080
Speaker 1: nine oh, six, six six three, eight call me on

566
00:31:31,120 --> 00:31:33,760
Speaker 1: the telephone or text me number. Six, remember no one

567
00:31:33,760 --> 00:31:35,440
Speaker 1: cares about the music that you love more than you.

568
00:31:35,440 --> 00:31:38,320
Speaker 1: Do and well that's a, disgrace all. Right my moment

569
00:31:38,360 --> 00:31:41,040
Speaker 1: of bliss in honor of this week's rewind episode On,

570
00:31:41,120 --> 00:31:44,280
Speaker 1: sublime who twenty eight years ago this, month in nineteen ninety,

571
00:31:44,320 --> 00:31:46,920
Speaker 1: five made a let's say nasty deposit from their motor

572
00:31:46,920 --> 00:31:48,760
Speaker 1: home into the back of A denny's In, Portland. OREGON

573
00:31:48,880 --> 00:31:51,160
Speaker 1: i am going to read to you the phone book From,

574
00:31:51,200 --> 00:31:57,600
Speaker 1: Portland oregon circa the mid. Nineties, Huddick joseph two three

575
00:31:57,720 --> 00:32:01,040
Speaker 1: one Eight northeast one hundred and fifth two five seven

576
00:32:01,200 --> 00:32:06,080
Speaker 1: three three six, Six Huddick clyde one three one four,

577
00:32:06,200 --> 00:32:10,440
Speaker 1: Nine Southeast sherman two five seven seven six two Four

578
00:32:11,120 --> 00:32:16,480
Speaker 1: Huddets george two zero three One southeast forty first two

579
00:32:16,520 --> 00:32:21,440
Speaker 1: three six six one five, Nine HODDY. P two three

580
00:32:21,560 --> 00:32:26,720
Speaker 1: six seven four one One, Hudkins glenn And jane two

581
00:32:26,760 --> 00:32:30,880
Speaker 1: two four, Nine northeast one sixty nine two five six

582
00:32:31,000 --> 00:32:36,360
Speaker 1: four zero nine nine hudds Three john six forty Six north,

583
00:32:36,520 --> 00:32:41,280
Speaker 1: Seventies drive two eighty, three hud seven zero TWO u,

584
00:32:41,520 --> 00:32:46,720
Speaker 1: Three Robert james two nine two one seven, zero huddee

585
00:32:48,280 --> 00:32:55,160
Speaker 1: one five zero five second two wit talking and start

586
00:32:55,440 --> 00:32:55,880
Speaker 1: mixing