WEBVTT - Leon Thomas

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<v Speaker 1>R and B Money.

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<v Speaker 2>We are.

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<v Speaker 1>Thanks, take the child. We are the authority on all

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<v Speaker 1>things R and B.

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<v Speaker 3>Ladies and gentlemen. My name is Tank Town. This is

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<v Speaker 3>the R and B Money Podcast, the authority on all

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<v Speaker 3>things R and B.

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<v Speaker 1>Yes, it is the Army Money podcast. What it is

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<v Speaker 1>you ful m? Yeah?

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<v Speaker 3>We tap into the new generation. Yeah, the new sign

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<v Speaker 3>a real way, the new gifts, new excellence.

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<v Speaker 1>Yeah, you might have dreadlocks or something.

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<v Speaker 4>You just see what I'm saying.

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<v Speaker 1>I mean, die you tips.

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<v Speaker 3>Like like what the brother we got on here now

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<v Speaker 3>has been a superstar since he was.

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<v Speaker 1>A childress man, it's been victorious. He's been victorious as

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<v Speaker 1>a childster.

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<v Speaker 4>You understand what I'm saying.

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<v Speaker 3>Now he's an adult child, yes, the children and now

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<v Speaker 3>he's an adult yeh.

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<v Speaker 1>He kicking everybody else makes some doors with and so

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<v Speaker 1>what's so?

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<v Speaker 5>Yeah, that was an amazing intro. By the way, thank

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<v Speaker 5>you man.

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<v Speaker 1>I appreciate your next album.

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<v Speaker 5>I mean, if you can't.

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<v Speaker 1>Listen, bro, First of all, thank you, thank you for

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<v Speaker 1>your time. You know what I mean.

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<v Speaker 6>We know you are working man, that's what we do

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<v Speaker 6>know man, But thank you so much for having me.

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<v Speaker 6>I've actually been watching the podcast. It's so fucking funny.

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<v Speaker 3>I appreciate you, brother, and and you're we commend you, brother,

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<v Speaker 3>because you know, this is a tough place to grow

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<v Speaker 3>up in, absolutely a very tough place to grow up in.

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<v Speaker 3>And and from the first time we've crossed paths, like

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<v Speaker 3>you can tell that you were raised well.

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<v Speaker 5>Shout out to my mama.

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<v Speaker 6>Yeah, you know, I mean, I just came from a

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<v Speaker 6>really amazing musical tribe that just surrounded me with and support.

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<v Speaker 5>I mean, it's funny.

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<v Speaker 6>I'm around a lot of artists and and and to

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<v Speaker 6>hear that sometimes that parents weren't supportive early on, you know,

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<v Speaker 6>it's kind of crazy to me because I don't know

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<v Speaker 6>a world that that that isn't that. And I feel

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<v Speaker 6>like really having God in my life too has really

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<v Speaker 6>helped just keeping smooth.

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<v Speaker 1>You know, with with with with that in that parental space. Right.

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<v Speaker 1>Sometimes I think of it like this.

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<v Speaker 3>As as most of us may bee, I know, our

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<v Speaker 3>first generation to this place, you know what I mean,

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<v Speaker 3>And so our parents when you start talking about dreaming

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<v Speaker 3>of this kind of life, right, they're like, what are

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<v Speaker 3>you talking about. Walgreens has some openings right now, Walmart,

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<v Speaker 3>they're stalking boxes right now for twenty two dollars an hour.

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<v Speaker 2>There's no openings and artists, no artist, yeah, guarante opening.

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<v Speaker 2>There's an opening to be a superstar.

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<v Speaker 1>It just doesn't. And so we're pulling this out of

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<v Speaker 1>the air by big first generation. That dream sounds so.

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<v Speaker 3>In a real life crazy right to most people, you

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<v Speaker 3>know what I mean. And the parents that you know

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<v Speaker 3>haveven lived the crazy lifestyle, they just don't get it

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<v Speaker 3>until they see it. And thank god, you know, you

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<v Speaker 3>were surrounded with parents and people who at least had

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<v Speaker 3>the music. Yeah, you know what I'm saying, to nurture

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<v Speaker 3>you and get you prepared. As a matter of fact,

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<v Speaker 3>let's start there. Let's go back to the beginning.

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<v Speaker 5>You know, it's crazy.

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<v Speaker 6>My grandfather just flew out yesterday and we were talking

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<v Speaker 6>about just this whole journey in music, and he started

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<v Speaker 6>naming names of people that he was around. He was

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<v Speaker 6>talking about cab Calalle, he was talking about Miles Davis,

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<v Speaker 6>you know, he was talking about Leonard Bernstein. You know,

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<v Speaker 6>I mean this guy, he was an amazing opera singer

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<v Speaker 6>in the nineteen sixties.

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<v Speaker 5>And to be black and to be.

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<v Speaker 6>Your grandfather, yeah, to be in that place he wasn't

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<v Speaker 6>in that place. Yeah, I was very special around that time,

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<v Speaker 6>John Anthony. Yeah. So, I mean every time he comes

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<v Speaker 6>into town, and even when I traveled to New York,

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<v Speaker 6>you know, I spend most of my time just asking questions.

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<v Speaker 6>I mean, how did he stay saying through all of

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<v Speaker 6>the different changes and and and even being in a

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<v Speaker 6>position where, you know, the civil rights movement was going on,

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<v Speaker 6>and and and genuinely having to kind of keep a

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<v Speaker 6>level head during so much climate, you know, just just

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<v Speaker 6>just a wild climate at that time, you.

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<v Speaker 1>Know, yeah, because your reaction could at that time get

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<v Speaker 1>you killed.

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<v Speaker 3>It could get you straight killed. Yeah, So he was, Yeah,

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<v Speaker 3>he was in a place where I mean, of course

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<v Speaker 3>we know he belonged, but and I mean he was

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<v Speaker 3>working with the Poor People's March. And he was telling

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<v Speaker 3>me a story yesterday about how James Brown came through

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<v Speaker 3>to do a free concert in this tenth that they

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<v Speaker 3>set up, and that's just so cool to me, Like

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<v Speaker 3>he was really chopping it up with James Brown back

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<v Speaker 3>in the day, like you know, at his this because

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<v Speaker 3>I mean whenever he comes through and he's in my car,

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<v Speaker 3>I always like to play like some old school funky

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<v Speaker 3>you know, just kind.

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<v Speaker 1>Of vibe out.

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<v Speaker 3>But yeah, so so let's go back to the beginning

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<v Speaker 3>to where you know, you as all things that you are, right,

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<v Speaker 3>somebody was like, man, boy right them, I'm telling you, right, dad,

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<v Speaker 3>if it's gonna be something, or even when you said

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<v Speaker 3>to yourself, I think I think I got something special.

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<v Speaker 6>Well it it's a pretty crazy story because I was

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<v Speaker 6>ten years old and my mom, she's also a singer

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<v Speaker 6>as well, and you know, she was doing a really

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<v Speaker 6>cool show and took me to a rehearsal and her

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<v Speaker 6>friend was like, you should audition for the Lion King,

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<v Speaker 6>And that was my first ever audition. I went in

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<v Speaker 6>and you know, you should audition for the like well,

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<v Speaker 6>I mean I was just a charismatic kid, you know,

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<v Speaker 6>running around and it was a rehearsal, so I'm like

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<v Speaker 6>kind of humming and singing and just being you know, myself,

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<v Speaker 6>and you know, I ended up doing the audition, got

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<v Speaker 6>the first audition, and ended up doing Bray at ten

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<v Speaker 6>years old. And for me, like to go from just

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<v Speaker 6>being a regular kid to like, you know, starring on

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<v Speaker 6>Broadway in front of like four hundred people packed house

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<v Speaker 6>and seeing the reaction of of of the you know,

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<v Speaker 6>people in the crowd. I mean, you can kind of

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<v Speaker 6>see behind the lights, but for the most part, I

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<v Speaker 6>just remember seeing, you know, the front row and just

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<v Speaker 6>seeing the joy on people's faces.

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<v Speaker 5>That was the moment where I knew. I was like, Okay,

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<v Speaker 5>this is.

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<v Speaker 6>I was doing at that time four but I did

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<v Speaker 6>three Broadway plays in three years, so the other ones

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<v Speaker 6>I was doing, I was doing like eight shows a week,

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<v Speaker 6>and you know, once I kind of got into the

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<v Speaker 6>space of theater, it just made a lot of sense,

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<v Speaker 6>you know.

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<v Speaker 5>Shout out to Linda Twine.

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<v Speaker 6>She was a musical director for a lot of the

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<v Speaker 6>big plays at that time, and she went way back

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<v Speaker 6>with my grandfather too, so there was like a bit

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<v Speaker 6>of a family aspect to it. So it kind of

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<v Speaker 6>felt like fun. It was like a playground for me.

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<v Speaker 6>But Broadway is no joke. You got to you gotta

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<v Speaker 6>show up. You got to show out.

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<v Speaker 1>As well at this time or not.

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<v Speaker 5>You know, I'm going to school, I'm waking up. I'm

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<v Speaker 5>going to school.

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<v Speaker 6>Uh you know, I do my homework in the afternoon

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<v Speaker 6>and I'm you know, going backstage and I'm doing the show.

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<v Speaker 6>I'm waking up and doing it all over again. Sometimes

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<v Speaker 6>I would have a mattenee on Wednesday. I would get

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<v Speaker 6>a half day, got to do homework backstage. It was

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<v Speaker 6>pretty crazy.

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<v Speaker 5>I should have been homeschooled at that time, but I

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<v Speaker 5>was still in public school, just doing me.

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<v Speaker 1>So, so how is how is I mean I was

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<v Speaker 1>never in school and famous, So how is it being

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<v Speaker 1>in school and being on Broadway at the same time?

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<v Speaker 3>Your kids know that yeast.

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<v Speaker 1>In that age group was fourth fifth grade? Yeah, do

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<v Speaker 1>they even know what Broadway is?

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<v Speaker 6>They don't, So, like, you know, for the younger years,

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<v Speaker 6>I'll say, like middle school, it was kind of just

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<v Speaker 6>like whatever. It wasn't until I started doing like movies.

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<v Speaker 6>I did a film with Robin Williams called August Rush

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<v Speaker 6>and whould you do the film with Robin Williams? Yeah, yeah,

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<v Speaker 6>gen Terrence Howard was in that film to man, yeah,

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<v Speaker 6>so like and and that one still like it took

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<v Speaker 6>like two years for it to come out. So I

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<v Speaker 6>was telling my friends like, yea, you're gonna see me

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<v Speaker 6>in the movies and they were like, I ain't gonna

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<v Speaker 6>see you no, you know, so it's still that element.

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<v Speaker 6>And you know, being in Brooklyn too, you know, it

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<v Speaker 6>was just such a grounded situation. You know, I was

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<v Speaker 6>going to a very public school, Like it wasn't one

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<v Speaker 6>of those fancy, you know, art schools or anything. So

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<v Speaker 6>I really got a lot of balancing. My friends were

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<v Speaker 6>always very supportive, and I think once the Nickelodeon stuff

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<v Speaker 6>started happening, I noticed going on the train was different, like,

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<v Speaker 6>you know, people kind of looking at me, or even

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<v Speaker 6>going to school and people treat me different than they.

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<v Speaker 1>Did before on Nickelodeon and still taking the train to

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<v Speaker 1>school and doing.

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<v Speaker 5>The whole man.

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<v Speaker 1>Yeah, I mean I'm not going.

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<v Speaker 4>I thought I was about to get robbed.

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<v Speaker 5>Who is what you got on?

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<v Speaker 7>You?

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<v Speaker 1>Some checks ain't come in?

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<v Speaker 5>Yeah, yeah, bro, just trying to make you know what

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<v Speaker 5>you got on be What's that.

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<v Speaker 3>Did? Bro?

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<v Speaker 1>Like the first couple of.

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<v Speaker 6>Times I got recognized, I really thought I was about

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<v Speaker 6>to get ribbed, but it was all love and that

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<v Speaker 6>was a cool thing I felt.

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<v Speaker 2>Started realizing that the thugs watching Nickelodeon, Yeah, they.

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<v Speaker 5>Really watch Nickelodeon. Man.

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<v Speaker 3>At this point, I'm definitely getting to like, guys don't

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<v Speaker 3>necessary necessarily hot know how to soften up to show love.

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<v Speaker 3>So it's aggression either way, you know what I'm saying.

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<v Speaker 3>It all feels the same robbing or salute. You're getting pressed.

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<v Speaker 1>I have to learn that early, right, Dudes would be

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<v Speaker 1>looking at me and I'm like, what did you looking

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<v Speaker 1>at it? Nigga? I love your music, nigga.

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<v Speaker 3>Okay, okay, well thank you man too. Maybe I deserved Nigga.

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<v Speaker 3>That's some good ship nigga.

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<v Speaker 5>Yeah, maybe a small brother, something like just a little.

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<v Speaker 3>So it took me a while just to get used

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<v Speaker 3>to that and to be more welcoming. You know what

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<v Speaker 3>I'm saying, Somebody looking.

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<v Speaker 1>Like this, what the brother? How you doing that?

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<v Speaker 5>I definitely took time. I'm really from Brooklyn.

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<v Speaker 1>My daughters. My daughters grew up in New York. They

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<v Speaker 1>came up in Harlem and so my my oldest went

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<v Speaker 1>to p p A.

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<v Speaker 5>S Oh yeah, yeah, very school.

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<v Speaker 1>She went to Harlem School of the Yards. She was

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<v Speaker 1>on the Metropolitan Opera. Wow, you know what I mean.

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<v Speaker 1>So they was catching the train early. I was like,

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<v Speaker 1>I was like, so where are you going? We're on

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<v Speaker 1>the train. You're barely a teenager.

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<v Speaker 5>I mean it's just you know, how you get around.

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<v Speaker 1>I've never been on the train in New York. Really

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<v Speaker 1>how to do it? At least my son made me

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<v Speaker 1>do it. Yeah, my son made me do it because

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<v Speaker 1>he said that's what the ninja turtles were. He was

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<v Speaker 1>he was younger, older now he put on blast. But

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<v Speaker 1>you tho you got.

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<v Speaker 5>I mean it.

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<v Speaker 1>Is a little that's funny.

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<v Speaker 2>We're probably not gonna see him. We go see a

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<v Speaker 2>drunk nigga dressed up as a turtle.

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<v Speaker 1>With green handy holds.

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<v Speaker 5>Get different, No, it's definitely different.

0:11:21.800 --> 0:11:25.079
<v Speaker 1>What is that about you as you are in New Yorker?

0:11:25.440 --> 0:11:29.959
<v Speaker 3>What is it about the train that makes niggas get

0:11:30.080 --> 0:11:32.160
<v Speaker 3>and I'm not saying niggas in terms of just men

0:11:32.360 --> 0:11:35.600
<v Speaker 3>women and just get wild and beside themselves.

0:11:35.679 --> 0:11:36.680
<v Speaker 1>What is that about?

0:11:37.040 --> 0:11:39.680
<v Speaker 3>Well, first off, there's like six million people smacked into

0:11:39.720 --> 0:11:43.040
<v Speaker 3>this very small location. So you're dealing with all types

0:11:43.080 --> 0:11:46.440
<v Speaker 3>of cultures and you know, mental health issues, all being

0:11:46.520 --> 0:11:49.920
<v Speaker 3>crammed onto a very small train. You know, it's it's

0:11:50.000 --> 0:11:52.600
<v Speaker 3>very possible that's's gonna get rial, but we want.

0:11:52.480 --> 0:11:56.560
<v Speaker 1>To do It's always there. That's the that's the meetings

0:11:56.800 --> 0:12:01.320
<v Speaker 1>like I mean it, maybe that's the meeting spot. It's active.

0:12:03.400 --> 0:12:05.839
<v Speaker 2>You've done whatever you've done in your job all day

0:12:06.440 --> 0:12:07.560
<v Speaker 2>and maybe you had enough.

0:12:08.400 --> 0:12:10.240
<v Speaker 1>You get on the enough.

0:12:10.480 --> 0:12:12.839
<v Speaker 5>That's really what it is. You're tired and you're dealing

0:12:12.880 --> 0:12:13.720
<v Speaker 5>with a lot of bullshit.

0:12:13.840 --> 0:12:16.880
<v Speaker 1>Man, yeah, it got enough. I just don't I just

0:12:16.960 --> 0:12:18.920
<v Speaker 1>don't want to be on the train and.

0:12:19.160 --> 0:12:22.199
<v Speaker 6>That crack off and that crack off plenty of fights

0:12:22.200 --> 0:12:27.679
<v Speaker 6>because I'm not I'm zero to a hundred, right, I'm

0:12:27.720 --> 0:12:29.760
<v Speaker 6>going straight to a hundred because I want to get

0:12:29.800 --> 0:12:30.360
<v Speaker 6>off the train.

0:12:31.160 --> 0:12:33.319
<v Speaker 5>Word, but you ain't going nowhere.

0:12:33.600 --> 0:12:34.720
<v Speaker 1>You go into the next stop.

0:12:34.760 --> 0:12:38.040
<v Speaker 3>I want to make this Listen. I'm the epitome of

0:12:38.200 --> 0:12:40.360
<v Speaker 3>it's gonna be you or it's gonna be me.

0:12:41.200 --> 0:12:46.800
<v Speaker 1>You heard you. I'm getting off this train. I'm gonna try.

0:12:46.920 --> 0:12:52.320
<v Speaker 1>You just had like a limb. I possess a certain

0:12:53.600 --> 0:12:59.679
<v Speaker 1>certain kind of skills. HiT's me. But I'm getting off.

0:13:02.440 --> 0:13:03.920
<v Speaker 3>I'm just prepared just in case. I know, I got

0:13:03.960 --> 0:13:07.520
<v Speaker 3>some movies coming up. You know what I'm saying. They

0:13:07.600 --> 0:13:08.920
<v Speaker 3>might need a you know what I'm saying, they might

0:13:08.960 --> 0:13:09.880
<v Speaker 3>need an evil guy.

0:13:10.720 --> 0:13:13.880
<v Speaker 1>So, so how is Nickelodeon for you? How is that experience?

0:13:14.160 --> 0:13:16.360
<v Speaker 6>It was a real process, you know, because I think

0:13:17.280 --> 0:13:21.120
<v Speaker 6>Nickelodeon uh signed me to a development deal at like

0:13:21.200 --> 0:13:24.079
<v Speaker 6>thirteen years old. So I had a record deal and

0:13:24.120 --> 0:13:26.200
<v Speaker 6>they were developing a TV show around me. And at

0:13:26.200 --> 0:13:28.240
<v Speaker 6>the same time, I was doing the show on Nick

0:13:28.320 --> 0:13:30.640
<v Speaker 6>Junior called The Backyard Agains, which is like a huge

0:13:30.640 --> 0:13:34.840
<v Speaker 6>show international, right, So there was all these big meetings.

0:13:34.920 --> 0:13:37.760
<v Speaker 6>It kind of felt like the corporate swoop up, you

0:13:37.840 --> 0:13:39.719
<v Speaker 6>know what I'm saying, And it was it was a

0:13:39.800 --> 0:13:42.199
<v Speaker 6>really interesting thing to finally, you know, be in a

0:13:42.240 --> 0:13:45.400
<v Speaker 6>position where you know, I knew that I was gonna

0:13:45.559 --> 0:13:49.040
<v Speaker 6>actually be on TV in multiple different shows and and

0:13:50.080 --> 0:13:54.560
<v Speaker 6>you know, they they kind of fostered my career from

0:13:54.600 --> 0:13:57.040
<v Speaker 6>a very early age at that time because of the

0:13:57.080 --> 0:13:59.480
<v Speaker 6>movie August Rush. I also got a three picture movie

0:13:59.559 --> 0:14:04.000
<v Speaker 6>deal with a Warner Brothers that was at thirteen, and

0:14:04.480 --> 0:14:06.480
<v Speaker 6>so like there was like this big moment with like

0:14:06.559 --> 0:14:09.400
<v Speaker 6>corporate structures kind of saying like we believe in your talent,

0:14:09.640 --> 0:14:11.720
<v Speaker 6>we know that there's something there and we're gonna build

0:14:11.760 --> 0:14:12.400
<v Speaker 6>something around you.

0:14:12.880 --> 0:14:14.080
<v Speaker 5>The writers strike happened.

0:14:14.480 --> 0:14:17.120
<v Speaker 6>I had three years where I couldn't do anything, no movies,

0:14:17.200 --> 0:14:17.840
<v Speaker 6>no TV shows.

0:14:17.840 --> 0:14:20.040
<v Speaker 5>Strikers, Yeah, the Strikers for three years.

0:14:20.600 --> 0:14:24.640
<v Speaker 6>So from you know, I want to say thirteen to fifteen,

0:14:25.600 --> 0:14:27.040
<v Speaker 6>there was just kind of a bit of a lull

0:14:27.360 --> 0:14:31.080
<v Speaker 6>and they found a show, and it was done by

0:14:31.480 --> 0:14:33.880
<v Speaker 6>this executive producer, Dan Schneider, who did like all the

0:14:33.960 --> 0:14:37.400
<v Speaker 6>big shows at that time, Keenan and Kel, car Lee,

0:14:37.720 --> 0:14:41.880
<v Speaker 6>you know, just just huge shows. So I was really

0:14:41.920 --> 0:14:44.600
<v Speaker 6>looking forward to to being on one of his, you

0:14:44.680 --> 0:14:46.640
<v Speaker 6>know shows, because Keenan and Kel for me as a

0:14:46.680 --> 0:14:49.360
<v Speaker 6>black kid watching you know kids kind of look like me,

0:14:49.640 --> 0:14:51.680
<v Speaker 6>you know, kind of be goofy and fun was just

0:14:51.800 --> 0:14:55.400
<v Speaker 6>so tight. And you know Dan really opened, you know,

0:14:55.480 --> 0:14:58.400
<v Speaker 6>open his doors creatively, and you know let me kind

0:14:58.440 --> 0:15:00.560
<v Speaker 6>of be on one of his biggest shows, Victoria, which

0:15:00.680 --> 0:15:02.960
<v Speaker 6>I got to work with a young Ariana Grande and

0:15:03.000 --> 0:15:06.040
<v Speaker 6>and just kind of be around like the who's who

0:15:06.160 --> 0:15:08.120
<v Speaker 6>of like who's going to be next in our young

0:15:08.160 --> 0:15:11.320
<v Speaker 6>Hollywood at that time, And moving my family from New

0:15:11.400 --> 0:15:15.160
<v Speaker 6>York to LA to pursue that you know three at

0:15:15.200 --> 0:15:19.720
<v Speaker 6>sixteen sixteen, Yeah, whole family, I mean, and you know,

0:15:20.120 --> 0:15:22.440
<v Speaker 6>the network knew that I was based in New York

0:15:22.520 --> 0:15:25.280
<v Speaker 6>and we're willing to put something in my you know

0:15:25.480 --> 0:15:27.480
<v Speaker 6>contract to make sure that I can move my family

0:15:27.520 --> 0:15:29.400
<v Speaker 6>with me because I needed that. You know, can't move

0:15:29.440 --> 0:15:32.480
<v Speaker 6>to Hollywood at sixteen in that situation and not be corrupt.

0:15:32.560 --> 0:15:36.200
<v Speaker 5>So I was like I needed my family, like, we

0:15:36.320 --> 0:15:40.000
<v Speaker 5>need we need some home cooked meals and some strong discipline.

0:15:40.400 --> 0:15:43.720
<v Speaker 3>Years old, some money in my Yeah, I was about

0:15:43.760 --> 0:15:46.800
<v Speaker 3>to go bro like, and I had other friends who

0:15:46.840 --> 0:15:49.480
<v Speaker 3>were roommates, you know, no parents around, Like they would

0:15:49.480 --> 0:15:50.760
<v Speaker 3>definitely have a lot of fun.

0:15:50.920 --> 0:15:55.360
<v Speaker 1>Out of you get these you have this three picture deal? Yeah,

0:15:55.760 --> 0:16:01.000
<v Speaker 1>you got this TV show? What do you buy? Did

0:16:01.040 --> 0:16:02.240
<v Speaker 1>your mama let you touch some of the cat?

0:16:02.280 --> 0:16:04.520
<v Speaker 5>I'll be completely honest with you. I was a very

0:16:04.600 --> 0:16:05.080
<v Speaker 5>humble kid.

0:16:05.120 --> 0:16:07.280
<v Speaker 6>The way that I looked at it was, you know,

0:16:07.640 --> 0:16:10.640
<v Speaker 6>my parents had sacrificed so much of their personal business.

0:16:10.720 --> 0:16:13.520
<v Speaker 6>They were running a very successful club date band at

0:16:13.560 --> 0:16:16.440
<v Speaker 6>that time, which meant they were doing like huge weddings

0:16:16.480 --> 0:16:19.360
<v Speaker 6>for billionaires and you know, opening up for Shaka Khan

0:16:19.640 --> 0:16:21.680
<v Speaker 6>and all these really cool people. And they really put

0:16:21.680 --> 0:16:23.320
<v Speaker 6>a lot of their stuff on pause to be able to,

0:16:23.760 --> 0:16:26.400
<v Speaker 6>you know, travel, Like I did a tour in Los

0:16:26.400 --> 0:16:29.160
<v Speaker 6>Angeles and San Francisco with one of the Broadway plays

0:16:29.200 --> 0:16:31.320
<v Speaker 6>and was doing TV shows and always had to fly.

0:16:31.520 --> 0:16:33.320
<v Speaker 6>So my mom really put their business on hold.

0:16:33.840 --> 0:16:33.960
<v Speaker 7>You know.

0:16:34.520 --> 0:16:36.640
<v Speaker 6>I decided I was like, you know, anything that came

0:16:36.720 --> 0:16:40.080
<v Speaker 6>in from this time period, yo, that's that's for y'all.

0:16:40.440 --> 0:16:43.200
<v Speaker 6>Let me just take a fifteen percent, you know, mark

0:16:43.280 --> 0:16:45.320
<v Speaker 6>and just put that away for college or if I

0:16:45.360 --> 0:16:47.960
<v Speaker 6>want to start a business at eighteen or nineteen. And honestly,

0:16:48.000 --> 0:16:49.560
<v Speaker 6>I want to just kind of live below my means,

0:16:49.760 --> 0:16:51.480
<v Speaker 6>you know, because I just saw a lot of my

0:16:51.560 --> 0:16:54.760
<v Speaker 6>other friends, you know, they got they little chat. It

0:16:54.880 --> 0:16:56.400
<v Speaker 6>was just like it kind of got real, you know,

0:16:56.560 --> 0:16:58.560
<v Speaker 6>mom and his bands and this and here's that, and

0:16:58.640 --> 0:17:01.840
<v Speaker 6>I was just like I I saw them also fall

0:17:01.920 --> 0:17:05.119
<v Speaker 6>off after a certain point. You know, watch that Ben's depreciate. Like,

0:17:05.240 --> 0:17:07.240
<v Speaker 6>I saw a lot of things happen that didn't really

0:17:07.280 --> 0:17:10.480
<v Speaker 6>make sense to me. And I knew just also from

0:17:10.880 --> 0:17:13.800
<v Speaker 6>doing some research watching documentaries like how I needed to

0:17:13.880 --> 0:17:16.160
<v Speaker 6>move in order to kind of get out of this unscathed.

0:17:16.600 --> 0:17:21.920
<v Speaker 3>Wowright, bro, Wow what I'm.

0:17:20.880 --> 0:17:23.800
<v Speaker 2>Clack for that, because that's amazing for you to have

0:17:24.119 --> 0:17:27.800
<v Speaker 2>that type of foresight to see, like, you know, I'm

0:17:27.840 --> 0:17:30.720
<v Speaker 2>not the first one that this has happened for nah.

0:17:30.760 --> 0:17:35.560
<v Speaker 5>And this is yeah, see what turn that route exactly?

0:17:35.600 --> 0:17:37.359
<v Speaker 1>You know what I'm saying, Like I'll end up you know,

0:17:37.480 --> 0:17:40.440
<v Speaker 1>in you know, in a situation.

0:17:40.280 --> 0:17:43.680
<v Speaker 6>Absolutely me, absolutely so you know at that time, you know,

0:17:44.119 --> 0:17:46.480
<v Speaker 6>my mom was trying to start a couple different businesses.

0:17:46.520 --> 0:17:47.720
<v Speaker 6>You know, I was trying to see how we could

0:17:48.000 --> 0:17:49.720
<v Speaker 6>maybe you know, pivot some of the money into some

0:17:49.800 --> 0:17:51.359
<v Speaker 6>of the things you're trying to build as well as

0:17:51.640 --> 0:17:53.880
<v Speaker 6>even for me, you know, saving money for my artist

0:17:54.000 --> 0:17:56.160
<v Speaker 6>career as well. And you know, I was really getting

0:17:56.200 --> 0:17:58.080
<v Speaker 6>into production a lot, because I mean they were putting

0:17:58.119 --> 0:17:59.920
<v Speaker 6>me when I was in New York. I was working

0:18:00.160 --> 0:18:04.119
<v Speaker 6>like Bob Power and Oak and Toby Gadd and like

0:18:04.200 --> 0:18:06.720
<v Speaker 6>all these really great songwriters and producers, and I really

0:18:06.720 --> 0:18:08.520
<v Speaker 6>fell in love with the process of making music.

0:18:08.920 --> 0:18:11.680
<v Speaker 5>So a lot of my money went towards like gear

0:18:11.880 --> 0:18:12.520
<v Speaker 5>and stuff like that.

0:18:12.800 --> 0:18:15.160
<v Speaker 6>Just to kind of like have something that kind of vibe,

0:18:15.200 --> 0:18:16.920
<v Speaker 6>you know, it's something I could kind of pay me

0:18:17.000 --> 0:18:18.480
<v Speaker 6>back later on hopefully what you did.

0:18:18.760 --> 0:18:24.600
<v Speaker 5>And yeah, that's really really.

0:18:24.480 --> 0:18:27.359
<v Speaker 2>Dope, man, because, like I said, people just don't they

0:18:27.400 --> 0:18:28.840
<v Speaker 2>don't understand.

0:18:28.480 --> 0:18:31.439
<v Speaker 1>That this is truly a marathon.

0:18:31.840 --> 0:18:35.399
<v Speaker 5>It is a marriage, and I'm yeah, I have to

0:18:35.480 --> 0:18:36.480
<v Speaker 5>be able to survive it.

0:18:36.600 --> 0:18:39.560
<v Speaker 6>I've seen so much, man, And I mean I've also

0:18:39.640 --> 0:18:43.119
<v Speaker 6>seen some amazing you know, like victory stories, you know,

0:18:43.280 --> 0:18:45.560
<v Speaker 6>like seeing people really get across the finish line and

0:18:45.960 --> 0:18:47.800
<v Speaker 6>really be able to just like do what they gotta do.

0:18:47.920 --> 0:18:50.400
<v Speaker 6>I mean, me and Keiky we started at the same time.

0:18:50.440 --> 0:18:52.480
<v Speaker 6>We were some of the only like young black faces

0:18:52.960 --> 0:18:54.840
<v Speaker 6>you know, doing our things. So I mean to be

0:18:54.920 --> 0:18:59.480
<v Speaker 6>able to see her key Palmer, I'm sorry, Palmer me,

0:19:03.160 --> 0:19:05.119
<v Speaker 6>but like we were in similar situations where we were

0:19:05.320 --> 0:19:07.080
<v Speaker 6>really doing a lot of what we were doing to

0:19:07.240 --> 0:19:10.920
<v Speaker 6>also support the families that were supporting us as well.

0:19:11.160 --> 0:19:11.320
<v Speaker 7>You know.

0:19:12.160 --> 0:19:16.040
<v Speaker 1>Wow, yeah, that's great. That's great, bro. It's just like

0:19:16.560 --> 0:19:22.120
<v Speaker 1>I'm a perfect example of what not to do. I'm perfect.

0:19:22.320 --> 0:19:23.720
<v Speaker 1>I am God? So what did you do?

0:19:24.480 --> 0:19:24.960
<v Speaker 5>What's going on?

0:19:27.280 --> 0:19:27.399
<v Speaker 6>Uh?

0:19:29.680 --> 0:19:34.160
<v Speaker 3>The first thing I did is you know with strip club? Okay,

0:19:34.400 --> 0:19:35.760
<v Speaker 3>first thing I did. I'm mad at you.

0:19:36.720 --> 0:19:38.880
<v Speaker 1>No, I became a member.

0:19:39.359 --> 0:19:42.320
<v Speaker 3>Oh wow, So I would I would, you know, help

0:19:42.400 --> 0:19:46.120
<v Speaker 3>the girls pick out out fits before the club even open.

0:19:46.200 --> 0:19:48.920
<v Speaker 1>He thought he was down a bill Okay, he thought

0:19:48.960 --> 0:19:52.840
<v Speaker 1>he was down and in this place because I had

0:19:52.880 --> 0:19:53.359
<v Speaker 1>this money.

0:19:54.800 --> 0:19:58.840
<v Speaker 5>I was like, god right, I was sought after exactly.

0:19:59.040 --> 0:20:01.040
<v Speaker 1>I wouldn't got me a car, are all right?

0:20:01.800 --> 0:20:02.000
<v Speaker 8>Then?

0:20:02.320 --> 0:20:02.359
<v Speaker 1>No?

0:20:02.440 --> 0:20:06.600
<v Speaker 3>No, Lexus three hundred platinum Edition, the Black on Black

0:20:06.680 --> 0:20:10.080
<v Speaker 3>Bubba Lia and I bought me a gun.

0:20:12.040 --> 0:20:15.000
<v Speaker 5>That makes sense. The strip club a lot. I feel you, brother,

0:20:15.760 --> 0:20:19.040
<v Speaker 5>I ain't. That's literally where my boy just got robbed.

0:20:19.160 --> 0:20:19.280
<v Speaker 6>Man.

0:20:19.359 --> 0:20:20.480
<v Speaker 4>Strip clubs are dangerous.

0:20:22.280 --> 0:20:27.480
<v Speaker 1>I say, no, you got cash? Yeah, you know, just

0:20:27.600 --> 0:20:29.960
<v Speaker 1>let them know. Don't let the church, don't let the

0:20:30.040 --> 0:20:33.520
<v Speaker 1>church kid food come on. How long is the cash last?

0:20:33.640 --> 0:20:35.399
<v Speaker 1>I don't know, not that long.

0:20:37.800 --> 0:20:38.000
<v Speaker 7>You know.

0:20:39.560 --> 0:20:41.680
<v Speaker 3>The good thing, the good thing I had done is

0:20:41.760 --> 0:20:43.160
<v Speaker 3>with my money when I when I was on tour

0:20:43.240 --> 0:20:46.080
<v Speaker 3>Virginia Wine and Leah, I paid off all my bills.

0:20:46.400 --> 0:20:46.879
<v Speaker 1>I love that.

0:20:47.400 --> 0:20:48.920
<v Speaker 3>So that was the first thing. My mama made me

0:20:48.960 --> 0:20:51.280
<v Speaker 3>pay off all my bills. But then when I got

0:20:51.400 --> 0:20:55.720
<v Speaker 3>my you know, record deal advance and my publishing deal advance.

0:20:56.400 --> 0:20:59.959
<v Speaker 1>That's that. That's when it went left.

0:21:00.320 --> 0:21:03.320
<v Speaker 3>That's what Frank the tank came out the tank, I

0:21:03.400 --> 0:21:05.440
<v Speaker 3>love it, and started getting acted. I'm talking about crab

0:21:05.520 --> 0:21:12.440
<v Speaker 3>legs as big as your back right forstall case you couldn't.

0:21:12.119 --> 0:21:15.000
<v Speaker 5>Tell you real you get no record out, huh, with

0:21:15.160 --> 0:21:15.879
<v Speaker 5>no record.

0:21:15.720 --> 0:21:20.600
<v Speaker 1>No record? No I was, I was. I was a

0:21:20.720 --> 0:21:22.520
<v Speaker 1>thousand air background.

0:21:22.840 --> 0:21:25.399
<v Speaker 3>Was a thousand air back with a record deal with

0:21:25.520 --> 0:21:28.159
<v Speaker 3>a record listen I had, I had what I had,

0:21:28.280 --> 0:21:30.000
<v Speaker 3>like like about two fifty on me.

0:21:30.400 --> 0:21:35.040
<v Speaker 1>Yeah, you know, in ninety eight. He realized that I

0:21:35.119 --> 0:21:38.160
<v Speaker 1>didn't know how want everything.

0:21:40.080 --> 0:21:42.640
<v Speaker 3>Exactly, so I like, you know that, And then moving

0:21:42.680 --> 0:21:47.639
<v Speaker 3>to l A, you know, with I think at that

0:21:47.800 --> 0:21:50.480
<v Speaker 3>point I kind of blew the money. And yeah, I

0:21:51.280 --> 0:21:53.399
<v Speaker 3>had a thousand dollars when I first moved to LA

0:21:53.760 --> 0:21:56.000
<v Speaker 3>and the same car. I still had the car. I

0:21:56.040 --> 0:21:59.560
<v Speaker 3>didn't bring the gun. That's a good thing, and no,

0:22:02.480 --> 0:22:04.120
<v Speaker 3>and I was like, you know what, I'm gonna figure

0:22:04.160 --> 0:22:07.480
<v Speaker 3>this out. And I came with my NPC and my

0:22:07.760 --> 0:22:11.960
<v Speaker 3>XP eighty keyboard, my rolling and I figured it out.

0:22:12.960 --> 0:22:17.080
<v Speaker 3>Listen said, so when you say investing in that gear, yeah,

0:22:17.800 --> 0:22:20.880
<v Speaker 3>that's one thing I did do. I said, I'm gonna

0:22:20.960 --> 0:22:24.120
<v Speaker 3>buy this NPC, I'm gonna buy this Mackie mixer. I'm

0:22:24.119 --> 0:22:27.000
<v Speaker 3>gonna buy these and I'm just gonna I'm gonna work

0:22:27.000 --> 0:22:27.959
<v Speaker 3>and I'm gonna figure this out.

0:22:28.000 --> 0:22:29.320
<v Speaker 1>Don't know where these songs are gonna go.

0:22:30.160 --> 0:22:33.840
<v Speaker 3>I gonna come out exactly, but I'm gonna know how

0:22:33.880 --> 0:22:38.520
<v Speaker 3>to do this so that when the time comes, I'm

0:22:38.560 --> 0:22:42.640
<v Speaker 3>gonna be able to feed somebody m hopefully yourself, hopefully myself.

0:22:43.280 --> 0:22:43.840
<v Speaker 1>Absolutely.

0:22:43.920 --> 0:22:47.119
<v Speaker 2>When you so you mentioned when you first did the

0:22:47.640 --> 0:22:49.679
<v Speaker 2>Nickelodeon deal, they also gave you a record deal.

0:22:50.160 --> 0:22:50.840
<v Speaker 1>What label?

0:22:51.760 --> 0:22:54.399
<v Speaker 5>I was at a Columbia, Columbia record So.

0:22:54.440 --> 0:22:55.960
<v Speaker 1>They had a partnership with Nickelodeon.

0:22:56.359 --> 0:23:00.800
<v Speaker 6>They had a really good collaboration with them, and they

0:23:00.840 --> 0:23:03.040
<v Speaker 6>had signed a bunch of people from like Glee and stuff.

0:23:03.119 --> 0:23:05.760
<v Speaker 6>So I mean there was like an element of like

0:23:05.880 --> 0:23:07.680
<v Speaker 6>kind of trying to figure out how to convert a

0:23:07.760 --> 0:23:10.040
<v Speaker 6>lot of the actors from some of their big, you

0:23:10.119 --> 0:23:14.840
<v Speaker 6>know shows into stars and music. And it was an

0:23:14.840 --> 0:23:17.000
<v Speaker 6>interesting journey, you know, because it was their first run

0:23:17.160 --> 0:23:20.680
<v Speaker 6>with this partnership Colombia Nickelodeon, So I was definitely kind

0:23:20.720 --> 0:23:21.159
<v Speaker 6>of like it.

0:23:21.359 --> 0:23:23.080
<v Speaker 5>It was very experimental, but you.

0:23:23.119 --> 0:23:24.440
<v Speaker 1>Know, we it was.

0:23:24.480 --> 0:23:25.800
<v Speaker 6>It was really cool because I was able to do

0:23:25.960 --> 0:23:27.639
<v Speaker 6>a couple of songs that actually ended up on the

0:23:27.720 --> 0:23:39.840
<v Speaker 6>show that I wrote when I was like fourteen. It

0:23:39.960 --> 0:23:42.040
<v Speaker 6>just taught me the process of writing a song and

0:23:42.200 --> 0:23:45.200
<v Speaker 6>like that, that that feeling of people singing something back

0:23:45.280 --> 0:23:49.240
<v Speaker 6>that I helped write and co produce was like special. Yeah,

0:23:49.280 --> 0:23:52.000
<v Speaker 6>I was performing those songs on the show and we

0:23:52.119 --> 0:23:53.200
<v Speaker 6>were doing like big.

0:23:53.280 --> 0:23:55.560
<v Speaker 1>Big shows too. Well.

0:23:55.640 --> 0:23:56.120
<v Speaker 5>That's the thing.

0:23:56.720 --> 0:23:59.080
<v Speaker 6>As as a cast, we didn't all want to tour

0:23:59.600 --> 0:24:02.320
<v Speaker 6>because we were around the time when the song started becoming,

0:24:02.760 --> 0:24:03.840
<v Speaker 6>you know, really successful.

0:24:04.400 --> 0:24:08.840
<v Speaker 5>We were like seventeen, you know, eighteen listening to Frank

0:24:08.960 --> 0:24:11.680
<v Speaker 5>Ocean this and that, and it's like stuff for kids.

0:24:11.880 --> 0:24:14.440
<v Speaker 6>And it started to feel like, Okay, if we start

0:24:14.520 --> 0:24:17.600
<v Speaker 6>touring now, we're setting ourselves up to be doing this

0:24:17.680 --> 0:24:20.280
<v Speaker 6>for the next two and a half years and specifically

0:24:20.359 --> 0:24:23.879
<v Speaker 6>in this one market. And you know, Arianna and I

0:24:24.119 --> 0:24:27.119
<v Speaker 6>and and even a couple of the other actors on

0:24:27.200 --> 0:24:29.640
<v Speaker 6>the show all knew that. Afterwards, we were definitely trying

0:24:29.640 --> 0:24:32.040
<v Speaker 6>to like take a stab at this music stuff in

0:24:32.119 --> 0:24:35.040
<v Speaker 6>a very real way, and we knew brand was a

0:24:35.119 --> 0:24:38.200
<v Speaker 6>big part of it. Mind you, we missed out on

0:24:38.680 --> 0:24:42.520
<v Speaker 6>millions of dollars, but we also made millions of dollars

0:24:42.560 --> 0:24:44.440
<v Speaker 6>after the fact by having a brand that was true

0:24:44.440 --> 0:24:44.719
<v Speaker 6>to us.

0:24:45.160 --> 0:24:50.520
<v Speaker 1>So was there a Disney and Nickelodeon beef? Not at all.

0:24:50.600 --> 0:24:54.040
<v Speaker 6>We all actually used to kick it on Disney niggas. Nah,

0:24:54.320 --> 0:25:02.960
<v Speaker 6>everybody was like kicking it, yo. Everybody was just vibing.

0:25:03.000 --> 0:25:04.880
<v Speaker 6>I mean, we were all young, and this was essentially

0:25:05.000 --> 0:25:07.240
<v Speaker 6>like our high school. You know, all of us were

0:25:07.320 --> 0:25:10.040
<v Speaker 6>homeschooled at that point because we had full time jobs,

0:25:10.080 --> 0:25:13.359
<v Speaker 6>to the point where our schedules were insane, so.

0:25:13.920 --> 0:25:15.560
<v Speaker 1>It was really yeah, understood each other.

0:25:15.680 --> 0:25:18.200
<v Speaker 6>Yeah, those were the kids who got us, who kind

0:25:18.200 --> 0:25:19.879
<v Speaker 6>of understood what we were going through with that too.

0:25:19.880 --> 0:25:20.080
<v Speaker 1>Sure.

0:25:20.160 --> 0:25:25.639
<v Speaker 3>You know, so now is your movie TV, all of

0:25:25.720 --> 0:25:30.600
<v Speaker 3>this is landed? What is your progression musically that gets

0:25:30.680 --> 0:25:34.639
<v Speaker 3>you into this? You know, seventeen eighteen year old? I

0:25:34.680 --> 0:25:37.800
<v Speaker 3>mean for you, it's like grown space where you're like,

0:25:37.880 --> 0:25:39.800
<v Speaker 3>I don't want to chase the Disney sound or the

0:25:39.840 --> 0:25:47.080
<v Speaker 3>Disney thing Nickelodeon apologies, right, we're chasing that. I need

0:25:47.160 --> 0:25:50.040
<v Speaker 3>to you know, as you're listening to Frank Ocean, these

0:25:50.080 --> 0:25:52.560
<v Speaker 3>guys like I need some of that. What is that

0:25:52.720 --> 0:25:54.680
<v Speaker 3>progression like? And are you still with Columbia?

0:25:54.960 --> 0:25:58.600
<v Speaker 6>Yeah, I'm still with Columbia at that point, and they

0:25:58.640 --> 0:26:01.199
<v Speaker 6>set me up with a life change in session.

0:26:01.600 --> 0:26:04.680
<v Speaker 5>They sat me down with Babyface and growing up, like

0:26:05.560 --> 0:26:09.159
<v Speaker 5>listening to Babyface was everything, Like my dad's a huge.

0:26:08.960 --> 0:26:11.560
<v Speaker 6>Fan all so like, and I was a huge fan,

0:26:11.720 --> 0:26:13.280
<v Speaker 6>so like. To even just just to be in a

0:26:13.320 --> 0:26:16.000
<v Speaker 6>studio with him was like such a blessing. And he

0:26:16.080 --> 0:26:17.960
<v Speaker 6>really took a liking to, you know, what I was

0:26:18.040 --> 0:26:20.960
<v Speaker 6>doing as an artist, and you know, really opened his doors.

0:26:21.000 --> 0:26:22.760
<v Speaker 6>He did something that I don't think I've ever seen

0:26:22.840 --> 0:26:25.200
<v Speaker 6>any other big producer do for me, which was open

0:26:25.280 --> 0:26:26.840
<v Speaker 6>his doors and say you can use this twenty four

0:26:26.880 --> 0:26:30.560
<v Speaker 6>hours a day, just like keep making great music and

0:26:30.760 --> 0:26:33.240
<v Speaker 6>you're good to go, and gave me a room that

0:26:33.320 --> 0:26:34.760
<v Speaker 6>I could just kind of vibe out with. There was

0:26:34.840 --> 0:26:37.720
<v Speaker 6>younger producers there that I ended up working with a lot.

0:26:38.160 --> 0:26:41.440
<v Speaker 6>There's a producer Chris Riddick times that I started a

0:26:41.480 --> 0:26:44.760
<v Speaker 6>production duo with called the Rascals, And I mean I

0:26:44.840 --> 0:26:47.680
<v Speaker 6>went from going there like once every couple of months

0:26:47.760 --> 0:26:51.240
<v Speaker 6>to like being there every day and being around the

0:26:51.600 --> 0:26:53.800
<v Speaker 6>elements of R and B that really made me even

0:26:53.840 --> 0:26:56.520
<v Speaker 6>want to make music, like seeing like a line of

0:26:56.640 --> 0:27:00.159
<v Speaker 6>Richie Walking or Stevie Wonder do a Christmas record. You know,

0:27:00.280 --> 0:27:02.520
<v Speaker 6>just like just to be around legends and giants, you know,

0:27:02.880 --> 0:27:05.200
<v Speaker 6>to always feel humbled and know that like there's there's

0:27:05.240 --> 0:27:07.320
<v Speaker 6>there's more to it. I didn't go to the school

0:27:07.359 --> 0:27:10.000
<v Speaker 6>for music, so that was the closest thing to like class.

0:27:10.160 --> 0:27:14.080
<v Speaker 3>You know, your face is like a it's like a godfather,

0:27:14.720 --> 0:27:17.480
<v Speaker 3>yeah to so many people, absolutely, you know what I mean.

0:27:17.640 --> 0:27:21.320
<v Speaker 3>And he has he has the space and the infrastructure

0:27:21.359 --> 0:27:24.159
<v Speaker 3>and the information you know what I mean, And he

0:27:24.359 --> 0:27:29.280
<v Speaker 3>does not mind paying it forward by studios. Like after

0:27:29.320 --> 0:27:31.520
<v Speaker 3>I played for him, he just called me out of

0:27:31.520 --> 0:27:32.840
<v Speaker 3>the blue one day and had me play for him

0:27:32.880 --> 0:27:36.920
<v Speaker 3>on a Christmas thing. But this Christmas thing he was

0:27:36.960 --> 0:27:39.080
<v Speaker 3>doing for these people, rich people in the hills that

0:27:39.160 --> 0:27:41.720
<v Speaker 3>they do every year, and he performs and he's like,

0:27:41.760 --> 0:27:44.080
<v Speaker 3>I want you to sing a couple of songs as well. Fine,

0:27:44.160 --> 0:27:46.119
<v Speaker 3>and so you know, by the time, I kind of

0:27:46.200 --> 0:27:49.520
<v Speaker 3>over exaggerate anytime I talk about Babyface. So by the

0:27:49.560 --> 0:27:52.240
<v Speaker 3>time the message got back to my parents, I was like, yeah,

0:27:52.280 --> 0:27:54.800
<v Speaker 3>Babyface called me. He said, most amazing singer's ever heard

0:27:54.880 --> 0:27:56.760
<v Speaker 3>his fife. He said, there's no way he could do

0:27:56.800 --> 0:28:01.240
<v Speaker 3>this Christmas thing without me. I played the very beethoven Ish.

0:28:02.560 --> 0:28:10.560
<v Speaker 3>He thinks my fingers are magic. But you know, he's

0:28:10.760 --> 0:28:13.960
<v Speaker 3>he's that. He's that guy that you would you would

0:28:14.080 --> 0:28:17.840
<v Speaker 3>love and approval from that you would love, uh, some

0:28:18.160 --> 0:28:23.600
<v Speaker 3>encouragement from, and that's gonna fuel you to just do whatever.

0:28:24.080 --> 0:28:24.960
<v Speaker 5>Absolutely man.

0:28:25.280 --> 0:28:27.879
<v Speaker 6>I mean knowing that the underdogs came from under his

0:28:27.960 --> 0:28:30.639
<v Speaker 6>wing as well. And it was like some of the

0:28:30.720 --> 0:28:32.639
<v Speaker 6>first guys that I actually worked with when I started

0:28:32.680 --> 0:28:34.600
<v Speaker 6>doing R and B. Just kind of let me know that,

0:28:34.720 --> 0:28:37.160
<v Speaker 6>like I had a lot to learn from the source

0:28:37.400 --> 0:28:38.960
<v Speaker 6>of like where they even learned a lot of what

0:28:39.080 --> 0:28:42.720
<v Speaker 6>they do from and and and he really genuinely taught

0:28:42.760 --> 0:28:44.520
<v Speaker 6>me a lot. And at that time, you know, I

0:28:44.640 --> 0:28:47.080
<v Speaker 6>was really close with Arianna. I'm still close with her

0:28:47.120 --> 0:28:49.000
<v Speaker 6>to this day. But she was working on her first

0:28:49.040 --> 0:28:52.760
<v Speaker 6>album and I had thrown like a little party at

0:28:52.800 --> 0:28:55.200
<v Speaker 6>the studio, you know, just real chill and played her

0:28:55.280 --> 0:28:57.840
<v Speaker 6>some records. And next thing we knew, we were doing

0:28:57.960 --> 0:29:01.320
<v Speaker 6>like half of her first album. And I pulled baby

0:29:01.360 --> 0:29:02.880
<v Speaker 6>Face in because I knew she was kind of doing

0:29:02.920 --> 0:29:05.360
<v Speaker 6>like a nineties theme, and it just.

0:29:05.400 --> 0:29:06.040
<v Speaker 5>Really worked out.

0:29:06.120 --> 0:29:09.400
<v Speaker 6>It just became like a really cool Eventually we did

0:29:09.520 --> 0:29:13.080
<v Speaker 6>like four or five songs on that on that first album,

0:29:13.160 --> 0:29:14.600
<v Speaker 6>and it went really well.

0:29:15.520 --> 0:29:29.520
<v Speaker 1>She yes was facing and.

0:29:30.320 --> 0:29:33.520
<v Speaker 6>Tony Dixon, Yeah, and I mean Tony Honestly, I spent

0:29:33.560 --> 0:29:36.160
<v Speaker 6>a lot of time working with Tony Dixon. Man. I

0:29:36.280 --> 0:29:38.160
<v Speaker 6>really got to give him his flowers because he's like

0:29:38.560 --> 0:29:41.200
<v Speaker 6>just an amazing producer and a good human. And he

0:29:41.760 --> 0:29:44.320
<v Speaker 6>would always talk about the cautionary tales of being in

0:29:44.520 --> 0:29:46.760
<v Speaker 6>R and B and all of the things that he's seen,

0:29:47.200 --> 0:29:48.960
<v Speaker 6>and I mean just kind of learning from from the

0:29:49.040 --> 0:29:51.680
<v Speaker 6>experiences that he's been around, kind of helped me steer

0:29:51.680 --> 0:29:53.760
<v Speaker 6>away from a lot of things that he was in

0:29:53.800 --> 0:29:54.520
<v Speaker 6>the trenches with us.

0:29:54.680 --> 0:30:00.200
<v Speaker 2>Absolutely, it's funny you said that because he's he gave

0:30:00.240 --> 0:30:02.320
<v Speaker 2>you his example of what he's been around. Because Tony

0:30:02.480 --> 0:30:05.560
<v Speaker 2>is a guy who kind of stands back. He watched

0:30:06.680 --> 0:30:09.560
<v Speaker 2>everything going on exactly. So like Tony just wasn't the

0:30:09.600 --> 0:30:12.320
<v Speaker 2>guy who was jumping in it, exactly. He's just that's

0:30:12.440 --> 0:30:13.479
<v Speaker 2>not that, it's not his thing.

0:30:13.520 --> 0:30:17.400
<v Speaker 1>He'd be like, get out of here. Don't get out

0:30:17.400 --> 0:30:18.520
<v Speaker 1>of here, guys, you know what I mean.

0:30:18.600 --> 0:30:21.520
<v Speaker 2>Like and but he's been able to move in his

0:30:21.720 --> 0:30:26.560
<v Speaker 2>business without being caught up. Absolutely, I mean in whatever situations,

0:30:27.240 --> 0:30:28.160
<v Speaker 2>because there are a lot of them.

0:30:28.720 --> 0:30:29.920
<v Speaker 5>He should do this really cool thing.

0:30:30.000 --> 0:30:32.400
<v Speaker 6>I mean I only participated once or twice, but he

0:30:32.560 --> 0:30:35.040
<v Speaker 6>have like like once, I want to say, every couple

0:30:35.080 --> 0:30:36.800
<v Speaker 6>of months he would he would do like a suit

0:30:36.880 --> 0:30:39.160
<v Speaker 6>day when we would coming to the studio, everybody being

0:30:39.240 --> 0:30:40.200
<v Speaker 6>suits making music.

0:30:40.520 --> 0:30:41.600
<v Speaker 5>I thought that was so cool.

0:30:46.680 --> 0:30:51.880
<v Speaker 1>Also a photographer. Now that's where the money has taken you.

0:30:53.640 --> 0:31:01.400
<v Speaker 1>It was tight. I love also putting the young fellas

0:31:01.440 --> 0:31:02.000
<v Speaker 1>onto something.

0:31:02.200 --> 0:31:04.000
<v Speaker 5>Yeah, exactly, you used to go to these events. You

0:31:04.040 --> 0:31:06.160
<v Speaker 5>know what I'm saying. I'm definitely a big street with you.

0:31:06.280 --> 0:31:07.480
<v Speaker 5>You know what I'm saying. So it was fun to,

0:31:07.840 --> 0:31:08.760
<v Speaker 5>you know, switch it up.

0:31:12.920 --> 0:31:14.760
<v Speaker 3>Because he didn't invite us to suit that he didn't

0:31:14.760 --> 0:31:16.760
<v Speaker 3>invite us to suit that he know I got them suits.

0:31:16.840 --> 0:31:20.080
<v Speaker 1>Come on, you know I got that gassed haveing Steve Harvey,

0:31:20.280 --> 0:31:23.040
<v Speaker 1>the original Steve Harvey. Though Steve Harvey suits were awesome.

0:31:23.400 --> 0:31:26.960
<v Speaker 5>Yeah, man, what absolutely no, I definitely agree.

0:31:27.000 --> 0:31:27.560
<v Speaker 1>You know what's funny.

0:31:28.880 --> 0:31:31.680
<v Speaker 5>You know there's this old picture. It was my color purple.

0:31:32.640 --> 0:31:35.360
<v Speaker 6>They did the big premiere for the Broadway play, and

0:31:35.800 --> 0:31:37.440
<v Speaker 6>I told my mom I wanted color.

0:31:37.520 --> 0:31:40.960
<v Speaker 5>Yeah, yeah, color color purple.

0:31:42.240 --> 0:31:42.680
<v Speaker 1>But but.

0:31:45.320 --> 0:31:47.800
<v Speaker 5>I wanted I wanted to be in a zoop suit man.

0:31:48.240 --> 0:31:50.840
<v Speaker 5>But the closest thing I could find was Steve Harvey.

0:31:51.520 --> 0:31:52.640
<v Speaker 5>So there's a picture of me.

0:31:53.400 --> 0:31:53.800
<v Speaker 1>I got it.

0:31:55.640 --> 0:32:02.800
<v Speaker 5>Please pull it up to the Steve Harvey purple pinstripe

0:32:02.840 --> 0:32:04.720
<v Speaker 5>suit like it was bad.

0:32:04.920 --> 0:32:05.959
<v Speaker 1>Let me tell you something.

0:32:06.080 --> 0:32:06.880
<v Speaker 4>It was a bad look for me.

0:32:06.960 --> 0:32:10.400
<v Speaker 3>But the Steve Harveys was a great's day was listen,

0:32:10.960 --> 0:32:11.720
<v Speaker 3>Eve fly.

0:32:13.240 --> 0:32:20.800
<v Speaker 1>No trash back then, it was it was not I'm

0:32:20.840 --> 0:32:22.320
<v Speaker 1>not gonna let you do this to Steve. I'm not

0:32:22.360 --> 0:32:25.720
<v Speaker 1>gonna let you do this right now. Steve ben had

0:32:25.760 --> 0:32:28.080
<v Speaker 1>it super fly ball head.

0:32:28.160 --> 0:32:30.800
<v Speaker 5>Steve is fly, but I mean hair.

0:32:31.280 --> 0:32:31.840
<v Speaker 1>Steve was.

0:32:34.120 --> 0:32:37.480
<v Speaker 3>He had his own line, Jay, he had his own

0:32:38.040 --> 0:32:41.760
<v Speaker 3>his own line. That's how holded he was. I walked

0:32:41.800 --> 0:32:45.280
<v Speaker 3>into a warehouse nothing but Steve suits I picked out,

0:32:45.320 --> 0:32:46.000
<v Speaker 3>like six up.

0:32:46.120 --> 0:32:49.479
<v Speaker 1>This is personal? Really is personal?

0:32:49.760 --> 0:32:50.120
<v Speaker 5>What's up?

0:32:50.280 --> 0:32:53.400
<v Speaker 2>Because those were the part of the closet that I

0:32:53.480 --> 0:32:56.080
<v Speaker 2>told him he had to burn When I started what

0:32:57.080 --> 0:33:00.400
<v Speaker 2>the sick Steve Harvey suss In there said, let him go.

0:33:00.800 --> 0:33:03.360
<v Speaker 1>You didn't have to tell him that. See this thing.

0:33:06.400 --> 0:33:08.680
<v Speaker 3>I held onto the suits a little too long. It's okay,

0:33:08.840 --> 0:33:13.000
<v Speaker 3>it's okay. You know, appreciation for they had sentimental value.

0:33:13.320 --> 0:33:14.240
<v Speaker 1>Yeah, I get it.

0:33:14.560 --> 0:33:18.680
<v Speaker 3>Steve told me personally, right these suits are for you

0:33:18.800 --> 0:33:21.280
<v Speaker 3>and you could have fit a twenty inch rim into

0:33:21.400 --> 0:33:23.080
<v Speaker 3>one of them pants legs.

0:33:23.160 --> 0:33:25.080
<v Speaker 1>Man, that's how we was waiting.

0:33:26.400 --> 0:33:28.880
<v Speaker 3>It's a lot going on. I don't like the disappointment

0:33:28.920 --> 0:33:31.440
<v Speaker 3>on some of your faces, like this is this is

0:33:31.520 --> 0:33:32.800
<v Speaker 3>how we was trapping back then.

0:33:33.160 --> 0:33:35.960
<v Speaker 1>Absolutely, man, Like you could definitely have an A K

0:33:36.160 --> 0:33:36.840
<v Speaker 1>forty seven.

0:33:38.280 --> 0:33:42.280
<v Speaker 5>The definitely trapping.

0:33:42.600 --> 0:33:46.320
<v Speaker 3>They said you just started listing credits, man, that they

0:33:46.400 --> 0:33:49.560
<v Speaker 3>first got out of control, you know, just starting with

0:33:49.640 --> 0:33:52.640
<v Speaker 3>the Ariana Grande. You know, of course, you know, a

0:33:52.840 --> 0:33:57.440
<v Speaker 3>good friend of ours, Harmony Samuels, sharing company with.

0:33:58.000 --> 0:34:01.400
<v Speaker 5>He's a great He's a legend.

0:34:02.640 --> 0:34:04.400
<v Speaker 1>I would I would like.

0:34:04.480 --> 0:34:08.919
<v Speaker 3>For you too, if you don't mind, Yeah, just start

0:34:09.000 --> 0:34:12.480
<v Speaker 3>listing some of some of the credits if you don't work.

0:34:12.719 --> 0:34:17.080
<v Speaker 6>Yeah, you know, started with Arianna and then I think,

0:34:17.160 --> 0:34:19.480
<v Speaker 6>you know, we really went through a nice R and

0:34:19.640 --> 0:34:23.000
<v Speaker 6>B moment. So then I think from there it was

0:34:23.080 --> 0:34:31.160
<v Speaker 6>like l m A you know, Chris Brown, uh, and

0:34:31.239 --> 0:34:34.560
<v Speaker 6>then you know, Drake has been a really big one tie.

0:34:34.440 --> 0:34:35.400
<v Speaker 5>Dollars something.

0:34:36.760 --> 0:34:38.320
<v Speaker 1>Because we have multiple records.

0:34:40.280 --> 0:34:46.360
<v Speaker 6>Drake has definitely been been an amazing addition. Yeah, gold Roses,

0:34:47.160 --> 0:34:54.200
<v Speaker 6>I did pipe down in the Bible, yeah, man, certified, Yeah, certified, certified.

0:34:54.280 --> 0:34:55.840
<v Speaker 1>What is your What did y'all record that? Y'all like

0:34:55.880 --> 0:34:57.040
<v Speaker 1>the Bahamas or so?

0:34:57.280 --> 0:35:02.880
<v Speaker 6>Yeah, So that whole story was interesting, man, because all right,

0:35:02.920 --> 0:35:04.520
<v Speaker 6>so love All, which is one of the records I

0:35:04.560 --> 0:35:07.480
<v Speaker 6>didn't name, was one of the first songs that that

0:35:07.640 --> 0:35:17.040
<v Speaker 6>we did forgot so many, but that was one of

0:35:17.040 --> 0:35:17.879
<v Speaker 6>the joints we did.

0:35:19.440 --> 0:35:20.040
<v Speaker 1>A while ago.

0:35:20.600 --> 0:35:22.200
<v Speaker 5>It was like it was like the first song, I'm.

0:35:22.040 --> 0:35:23.920
<v Speaker 1>Sorry, let me start you back at the beginning, how

0:35:24.000 --> 0:35:27.359
<v Speaker 1>do you get to drink? Boy?

0:35:28.160 --> 0:35:31.560
<v Speaker 5>I got a shout out to my boy Wonder.

0:35:33.080 --> 0:35:36.360
<v Speaker 6>Boy Wonder is definitely easily one of my you know,

0:35:37.040 --> 0:35:40.359
<v Speaker 6>biggest mentors right now, especially because you know, I'm working

0:35:40.400 --> 0:35:42.360
<v Speaker 6>with him very closely on a lot of big projects.

0:35:42.840 --> 0:35:45.600
<v Speaker 5>And boy Wondered just kind of he just took a

0:35:45.640 --> 0:35:49.000
<v Speaker 5>liking to christ and I. He's so nice.

0:35:49.000 --> 0:35:50.440
<v Speaker 1>He's one of the nicest humans on the planet.

0:35:51.280 --> 0:35:52.920
<v Speaker 5>And he just you know, started working with us.

0:35:52.960 --> 0:35:55.480
<v Speaker 6>And you know, he was working on a management situation

0:35:55.560 --> 0:35:58.640
<v Speaker 6>around that time called Island Management, and you know, shout

0:35:58.680 --> 0:36:01.960
<v Speaker 6>out to Simon and and e K. They came in

0:36:02.280 --> 0:36:04.359
<v Speaker 6>and offered us a deal to start working with them,

0:36:04.400 --> 0:36:07.160
<v Speaker 6>and they're very connected to Drake and his whole team.

0:36:07.760 --> 0:36:10.680
<v Speaker 6>And you know, that was after we did Gold Roses

0:36:10.760 --> 0:36:13.080
<v Speaker 6>kind of naturally just vibing with some of their producers, yea,

0:36:13.600 --> 0:36:17.960
<v Speaker 6>And over time, you know, things were being sent around

0:36:18.080 --> 0:36:21.239
<v Speaker 6>to Drake's team and Love All was one of the

0:36:21.239 --> 0:36:23.760
<v Speaker 6>first songs that came out of it from the Certified

0:36:23.800 --> 0:36:27.239
<v Speaker 6>lover Boy album and the whole album it leaked at first,

0:36:27.719 --> 0:36:29.680
<v Speaker 6>so that was a part of the first batch of records.

0:36:29.760 --> 0:36:31.359
<v Speaker 6>But he loved that song so much and it had

0:36:31.400 --> 0:36:34.680
<v Speaker 6>gotten so much love online from the league, he decided

0:36:34.719 --> 0:36:37.040
<v Speaker 6>to keep it and you know, flew me out to

0:36:37.080 --> 0:36:39.200
<v Speaker 6>Bahamas to to kind of start cooking up some more

0:36:39.239 --> 0:36:41.440
<v Speaker 6>stuff and you know, to really kind of be around

0:36:41.560 --> 0:36:44.680
<v Speaker 6>him and kind of absorb his energy and like who

0:36:44.719 --> 0:36:45.719
<v Speaker 6>he is as a human being.

0:36:46.200 --> 0:36:47.480
<v Speaker 1>Made it really.

0:36:47.400 --> 0:36:50.560
<v Speaker 6>Possible to then go back to La and like start

0:36:50.680 --> 0:36:53.759
<v Speaker 6>really crafting records that kind of matched his vibe, you know,

0:36:54.360 --> 0:36:56.400
<v Speaker 6>And it was such a blessing. But a lot of

0:36:56.480 --> 0:36:59.160
<v Speaker 6>it all happened in La but Bahamas was like more

0:36:59.239 --> 0:37:00.960
<v Speaker 6>so research me than anything else we.

0:37:01.000 --> 0:37:01.600
<v Speaker 5>Made to music.

0:37:02.000 --> 0:37:04.439
<v Speaker 1>And had you ever been before, No, it's my first time.

0:37:04.840 --> 0:37:04.960
<v Speaker 1>You know.

0:37:05.040 --> 0:37:06.759
<v Speaker 6>I don't really travel for fun a lot. I'm a

0:37:06.800 --> 0:37:09.080
<v Speaker 6>bit of a workaholic and if I am traveling, it's

0:37:09.160 --> 0:37:11.399
<v Speaker 6>usually for work. So but that was one of those

0:37:11.400 --> 0:37:14.560
<v Speaker 6>situations where I was working, but we were also vibing,

0:37:14.760 --> 0:37:16.560
<v Speaker 6>you know. And it was like during COVID too, so

0:37:16.600 --> 0:37:18.520
<v Speaker 6>I was a little afraid of like doing too much,

0:37:18.600 --> 0:37:20.800
<v Speaker 6>but we're definitely just chilling by the beach, kicking it.

0:37:20.920 --> 0:37:21.959
<v Speaker 1>So that's cool.

0:37:22.360 --> 0:37:26.800
<v Speaker 3>Then you started to mention another you know, another certified homie,

0:37:27.280 --> 0:37:30.399
<v Speaker 3>super gifted tid dollar you'd use but you're about to say,

0:37:30.440 --> 0:37:31.040
<v Speaker 3>tie dollar.

0:37:30.920 --> 0:37:33.640
<v Speaker 5>Sign to dollar Sign. Yeah, Ty Dollar.

0:37:33.760 --> 0:37:36.920
<v Speaker 6>I mean he's like my monster, my brother, you know

0:37:36.960 --> 0:37:39.320
<v Speaker 6>what I'm saying. He's really held it down. And I

0:37:39.360 --> 0:37:41.560
<v Speaker 6>started playing some of my music. Yeah, yeah, I started

0:37:41.600 --> 0:37:44.160
<v Speaker 6>playing some of my music early on when he was

0:37:44.239 --> 0:37:46.640
<v Speaker 6>working on his album featuring Ti dollar Sign. I was

0:37:46.680 --> 0:37:49.520
<v Speaker 6>doing some stuff on that and he just really took

0:37:49.560 --> 0:37:51.520
<v Speaker 6>a liking to the music and always spoke so much

0:37:51.920 --> 0:37:54.400
<v Speaker 6>power into what I was doing as an artist. And

0:37:54.520 --> 0:37:56.400
<v Speaker 6>that was a really cool moment for me, because a

0:37:56.480 --> 0:37:58.000
<v Speaker 6>lot of artists, when you know, they know that you're

0:37:58.000 --> 0:38:00.440
<v Speaker 6>a producer songwriter, kind of liked it keep you in

0:38:00.520 --> 0:38:00.920
<v Speaker 6>that place.

0:38:01.000 --> 0:38:04.319
<v Speaker 5>But he always like, let me know, he.

0:38:04.360 --> 0:38:06.439
<v Speaker 1>Thought he thought cold.

0:38:06.480 --> 0:38:08.960
<v Speaker 5>So I was really cool, and and I was.

0:38:09.000 --> 0:38:11.719
<v Speaker 6>I was about to put my project out independently, you know,

0:38:13.400 --> 0:38:16.120
<v Speaker 6>and you know, I met with Sean Barron to see

0:38:16.160 --> 0:38:18.200
<v Speaker 6>if he knew any like A and RS and maybe

0:38:18.239 --> 0:38:20.080
<v Speaker 6>I could hire for a little bit just to kind

0:38:20.120 --> 0:38:22.160
<v Speaker 6>of get some things together and like put a good

0:38:22.200 --> 0:38:24.360
<v Speaker 6>marketing team around what I was doing independently. And he

0:38:24.480 --> 0:38:27.160
<v Speaker 6>was like, listen, we got a venture we're doing right now.

0:38:27.400 --> 0:38:30.000
<v Speaker 6>And you know, at that time, Baby Keem and Kendrick

0:38:30.040 --> 0:38:31.920
<v Speaker 6>were like just dropping their stuff together, and I was like.

0:38:31.920 --> 0:38:33.920
<v Speaker 5>We've never seen that in R and P.

0:38:35.880 --> 0:38:36.440
<v Speaker 1>That's a good dude.

0:38:36.719 --> 0:38:38.880
<v Speaker 6>What if that kind of happened where you kind of

0:38:38.920 --> 0:38:41.719
<v Speaker 6>cross pollinating, you know, both worlds and and kind of

0:38:41.760 --> 0:38:44.719
<v Speaker 6>like creating a platform and a bit of a co

0:38:44.880 --> 0:38:48.319
<v Speaker 6>sign essentially in the space. And I mean it's it's

0:38:48.400 --> 0:38:50.640
<v Speaker 6>you know, proving to be pretty successful, man. And I'm

0:38:50.680 --> 0:38:53.440
<v Speaker 6>excited to keep putting these records out because it definitely

0:38:53.480 --> 0:38:55.359
<v Speaker 6>means a lot to me. Being on stage is such

0:38:55.400 --> 0:38:57.760
<v Speaker 6>a big part of what I do, coming from Broadway,

0:38:58.160 --> 0:39:01.000
<v Speaker 6>so like, I'm definitely excited to get out the studio.

0:39:00.760 --> 0:39:03.120
<v Speaker 1>A bit and get back on the stage. I want

0:39:03.120 --> 0:39:03.359
<v Speaker 1>to see.

0:39:03.840 --> 0:39:04.360
<v Speaker 5>I'm excited.

0:39:04.400 --> 0:39:05.920
<v Speaker 1>Man. Would you rather have.

0:39:07.880 --> 0:39:10.160
<v Speaker 2>If you had to choose, which you don't because you're

0:39:10.239 --> 0:39:13.520
<v Speaker 2>talented in all these spaces, which one would mean the

0:39:13.640 --> 0:39:17.879
<v Speaker 2>most to you? A number one record, a number one movie,

0:39:18.000 --> 0:39:19.080
<v Speaker 2>or I number one TV show?

0:39:21.680 --> 0:39:25.200
<v Speaker 3>I think a number one record, yeah, because yeah, I've

0:39:25.200 --> 0:39:28.359
<v Speaker 3>been on a number one TV show before. I think

0:39:28.920 --> 0:39:32.640
<v Speaker 3>a number one record would be special because of just

0:39:32.719 --> 0:39:35.759
<v Speaker 3>how much work I've put into it, you know, like

0:39:36.080 --> 0:39:38.040
<v Speaker 3>I was signed my first deal at thirteen, you know,

0:39:38.520 --> 0:39:40.879
<v Speaker 3>twenty nine now, you know, it's been a long time

0:39:40.960 --> 0:39:44.840
<v Speaker 3>of like cooking up records and stopping and starting and

0:39:45.120 --> 0:39:48.040
<v Speaker 3>trying to figure it out and surviving through production and

0:39:48.120 --> 0:39:51.399
<v Speaker 3>songwriting and finally getting my shot right now just really

0:39:51.480 --> 0:39:54.200
<v Speaker 3>means a lot to me. And knowing that I have

0:39:54.320 --> 0:39:56.840
<v Speaker 3>fans who have literally grown up with me, you know,

0:39:57.400 --> 0:39:58.799
<v Speaker 3>I want to do that for them just as much

0:39:58.840 --> 0:40:00.080
<v Speaker 3>as I want to do it for me, because know

0:40:00.120 --> 0:40:02.439
<v Speaker 3>they've been rooting from the sidelines and wondering, like what's

0:40:02.480 --> 0:40:05.840
<v Speaker 3>going on, you know, Like, so I'm really hoping for that.

0:40:06.200 --> 0:40:07.160
<v Speaker 3>I'm gonna work hard for it.

0:40:08.360 --> 0:40:11.960
<v Speaker 1>I love. Yeah. No, that number one record is just

0:40:12.520 --> 0:40:14.520
<v Speaker 1>because there's so many more things that are connected to that.

0:40:14.640 --> 0:40:16.800
<v Speaker 5>It's just different and it's your story.

0:40:16.880 --> 0:40:20.800
<v Speaker 1>I mean, I'm a writer, you know, it's the direct

0:40:20.840 --> 0:40:21.640
<v Speaker 1>connection to you.

0:40:22.000 --> 0:40:23.239
<v Speaker 5>It's yeah, it's not.

0:40:23.280 --> 0:40:26.400
<v Speaker 3>A character, it's not a it's not it's not an

0:40:26.600 --> 0:40:28.680
<v Speaker 3>ensemble cast. It's exactly any of that.

0:40:29.080 --> 0:40:34.400
<v Speaker 1>It's a direct line to you, my soul, Yeah, in

0:40:34.520 --> 0:40:37.880
<v Speaker 1>your true artistry and individuality. Exactly.

0:40:38.040 --> 0:40:40.239
<v Speaker 2>Yes, it's to the music that's it's really the only

0:40:40.760 --> 0:40:43.160
<v Speaker 2>way you can do that absolutely and have that is

0:40:43.239 --> 0:40:45.000
<v Speaker 2>to you know, go to the artist route with it.

0:40:45.600 --> 0:40:47.840
<v Speaker 2>I just always wonder, you know, when you know we

0:40:48.040 --> 0:40:52.520
<v Speaker 2>have triple threats on the show, you know, Twisted.

0:40:52.560 --> 0:40:54.440
<v Speaker 6>I definitely want to keep acting, and I mean this

0:40:54.600 --> 0:40:57.279
<v Speaker 6>is the year where I'm like definitely getting back to it.

0:40:57.600 --> 0:41:00.600
<v Speaker 6>I've just been like I wanted to approaching on this

0:41:00.760 --> 0:41:05.279
<v Speaker 6>next run with more tools, like learning Meisner, like like

0:41:05.480 --> 0:41:08.520
<v Speaker 6>just like really studying and like coming back with the

0:41:08.560 --> 0:41:09.160
<v Speaker 6>ability to.

0:41:09.360 --> 0:41:11.880
<v Speaker 5>Cry on command and and just do different things.

0:41:12.120 --> 0:41:12.279
<v Speaker 1>You know.

0:41:12.719 --> 0:41:15.839
<v Speaker 6>Meisner is a technique in acting. It's like a cousin

0:41:15.920 --> 0:41:18.560
<v Speaker 6>to method acting. And I think it's important now for

0:41:18.680 --> 0:41:22.880
<v Speaker 6>me to really step into a space that's that's all encompassing.

0:41:22.960 --> 0:41:24.920
<v Speaker 6>You know, like when you see Denzel play a character,

0:41:24.960 --> 0:41:28.239
<v Speaker 6>you forget it's Denzel, you know, Robert Downie Junior specifically,

0:41:28.360 --> 0:41:31.040
<v Speaker 6>you forget it's Roberts sometimes, you know. And and I

0:41:31.160 --> 0:41:33.400
<v Speaker 6>want that ability to kind of dive into characters.

0:41:33.440 --> 0:41:34.600
<v Speaker 1>And that's my deeper level.

0:41:35.320 --> 0:41:37.640
<v Speaker 6>I don't know exactly what they study, but I just

0:41:37.800 --> 0:41:41.000
<v Speaker 6>know that it's just a style of acting that that

0:41:41.200 --> 0:41:41.880
<v Speaker 6>I'm just because.

0:41:41.640 --> 0:41:45.040
<v Speaker 1>The method acting is literally you coming as that character.

0:41:44.960 --> 0:41:47.680
<v Speaker 6>You're coming in and it's it is Now, it's not that,

0:41:47.920 --> 0:41:50.360
<v Speaker 6>but it's just it's just the art of being, you know.

0:41:50.600 --> 0:41:52.120
<v Speaker 6>It's it's it's it's the art of being because I

0:41:52.160 --> 0:41:54.960
<v Speaker 6>think there's so much thinking that goes into acting, and

0:41:55.160 --> 0:41:57.759
<v Speaker 6>and I feel like just kind of listening more is

0:41:57.800 --> 0:42:00.800
<v Speaker 6>like a big thing that I've always struggle within acting

0:42:01.280 --> 0:42:04.840
<v Speaker 6>because I'm so line focused and worried about my faces

0:42:04.920 --> 0:42:06.960
<v Speaker 6>and what my body language is doing and things like that.

0:42:07.400 --> 0:42:09.759
<v Speaker 6>So I think now it's just like being, you know,

0:42:10.440 --> 0:42:13.480
<v Speaker 6>and genuinely being in that scene and and just not

0:42:13.560 --> 0:42:15.759
<v Speaker 6>being afraid to fuck up and just have more fun.

0:42:16.040 --> 0:42:16.200
<v Speaker 7>You know.

0:42:16.640 --> 0:42:19.920
<v Speaker 6>But Misner is pretty pretty next level. So I'm still learning,

0:42:20.000 --> 0:42:21.960
<v Speaker 6>you know, still getting it locked in. But that's one

0:42:21.960 --> 0:42:23.160
<v Speaker 6>of the things I've been trying to just kind of

0:42:23.200 --> 0:42:24.680
<v Speaker 6>like put in my pocket so I can come through

0:42:24.719 --> 0:42:25.840
<v Speaker 6>it and go crazy.

0:42:25.920 --> 0:42:30.560
<v Speaker 1>And she studied, crush, you studied. I have not study.

0:42:34.000 --> 0:42:35.560
<v Speaker 1>I have a lot of book away.

0:42:35.800 --> 0:42:35.960
<v Speaker 7>You have.

0:42:37.680 --> 0:42:41.239
<v Speaker 1>The book is going to kill me. You know.

0:42:41.320 --> 0:42:43.520
<v Speaker 3>I have a lot of great methods that I used

0:42:43.600 --> 0:42:53.680
<v Speaker 3>to approach my acting. You know, he's amazing. You've seen Okay,

0:42:53.760 --> 0:42:54.959
<v Speaker 3>I mean, you know, I mean.

0:42:55.000 --> 0:42:58.120
<v Speaker 1>You talk about TV one BT you know what I'm saying,

0:42:58.840 --> 0:43:05.719
<v Speaker 1>v H one and the didn't tell.

0:43:08.120 --> 0:43:10.920
<v Speaker 3>You know, but I mean, I just finished the movie

0:43:11.760 --> 0:43:15.719
<v Speaker 3>which was a really really cool movie and it was

0:43:17.040 --> 0:43:19.480
<v Speaker 3>it was the cool It was directed by Robin Gibbons,

0:43:19.920 --> 0:43:26.799
<v Speaker 3>which was really cool because she's an act guitar absolutely

0:43:27.400 --> 0:43:35.239
<v Speaker 3>like that's that's despion, Like her choices are infinite, you

0:43:35.320 --> 0:43:37.440
<v Speaker 3>know what I mean. And so we have been in

0:43:37.480 --> 0:43:40.880
<v Speaker 3>a play together uh many moons back, but this was

0:43:40.960 --> 0:43:43.799
<v Speaker 3>different because she was actually you know, it's it's hard

0:43:43.880 --> 0:43:50.600
<v Speaker 3>to know if a great actor can can lead actors

0:43:50.680 --> 0:43:53.600
<v Speaker 3>into great acting, you know what I mean, because every

0:43:53.640 --> 0:43:57.000
<v Speaker 3>great player ain't a great coach, you know what I'm saying.

0:43:57.040 --> 0:44:01.040
<v Speaker 3>They don't necessarily have the gift of distributing information and

0:44:01.160 --> 0:44:04.080
<v Speaker 3>not correctly anyway, you know what I'm saying. And that

0:44:04.280 --> 0:44:07.560
<v Speaker 3>journey was crazy because it's like, as I'm dancing and

0:44:08.200 --> 0:44:11.399
<v Speaker 3>into different choices and here comes this other really cool

0:44:11.480 --> 0:44:14.320
<v Speaker 3>perspective like, oh, I didn't think about that, but you

0:44:14.400 --> 0:44:17.359
<v Speaker 3>have a director who understands like it can also show

0:44:17.400 --> 0:44:20.239
<v Speaker 3>you an example and I was getting there and can

0:44:20.480 --> 0:44:22.680
<v Speaker 3>show you like what do you think about here?

0:44:22.719 --> 0:44:25.160
<v Speaker 1>What do you think about being right here, and I'm like, oh,

0:44:25.239 --> 0:44:28.560
<v Speaker 1>that's nice. Let's do that exactly. You know what I'm saying.

0:44:28.840 --> 0:44:30.880
<v Speaker 5>Now, let's play like now you haven't pun that was

0:44:30.920 --> 0:44:32.719
<v Speaker 5>a vacation. Yeah, we having a good time.

0:44:41.880 --> 0:44:42.040
<v Speaker 1>You know.

0:44:42.239 --> 0:44:44.359
<v Speaker 3>I'm looking at you, You're looking at my piano. It's

0:44:44.440 --> 0:44:47.960
<v Speaker 3>just unlimited, man, It's unlimited how you can make music now,

0:44:48.880 --> 0:44:54.360
<v Speaker 3>you know. And since it's so unlimited, we understand you

0:44:54.520 --> 0:44:58.560
<v Speaker 3>got some understanding of where a lot of this music has.

0:44:58.480 --> 0:45:01.000
<v Speaker 1>Comfortable come from.

0:45:01.080 --> 0:45:03.600
<v Speaker 8>And absolutely you got artists that you love and you

0:45:03.719 --> 0:45:11.040
<v Speaker 8>grew up on and protect producers and I let you know, Leon,

0:45:11.160 --> 0:45:12.280
<v Speaker 8>we just want to know your.

0:45:13.960 --> 0:45:21.840
<v Speaker 7>Top five, your top five? What we want to know

0:45:22.200 --> 0:45:30.560
<v Speaker 7>top five? Leon's top five R and B autists? Oh wow,

0:45:32.000 --> 0:45:33.520
<v Speaker 7>R and B songs?

0:45:34.360 --> 0:45:37.800
<v Speaker 4>Who are they? Who are the top five?

0:45:43.480 --> 0:45:51.960
<v Speaker 5>Leon? Come on, brother, that was beautiful.

0:45:52.040 --> 0:45:52.200
<v Speaker 3>Man.

0:45:53.200 --> 0:45:54.520
<v Speaker 1>I think you drew it a little bit.

0:45:54.640 --> 0:45:54.799
<v Speaker 7>Man.

0:45:58.239 --> 0:45:58.560
<v Speaker 1>Damn.

0:45:58.840 --> 0:46:01.960
<v Speaker 6>All right, so my top that's pretty easy. That's that's

0:46:02.040 --> 0:46:05.360
<v Speaker 6>that's super easy. Stevie Wonder if it's.

0:46:05.280 --> 0:46:18.520
<v Speaker 5>Magic just the artist, just the artist, like yeah, like

0:46:18.640 --> 0:46:20.719
<v Speaker 5>this man here we go.

0:46:21.040 --> 0:46:27.680
<v Speaker 6>Yeah, all right, cool, So Stevie Wonder, Marvin Gaye, Prince

0:46:28.880 --> 0:46:33.200
<v Speaker 6>Michael Jackson, Damn, and then I'm gonna I'm gonna try

0:46:33.200 --> 0:46:35.000
<v Speaker 6>to find a new school D'Angelo.

0:46:35.960 --> 0:46:41.960
<v Speaker 5>Yes, that's my top five straight. I'm just basing it

0:46:42.000 --> 0:46:42.880
<v Speaker 5>off of what I listened to you.

0:46:43.880 --> 0:46:47.040
<v Speaker 3>You ain't no way you not making good music, Ain't

0:46:47.160 --> 0:46:51.680
<v Speaker 3>no way. Now with that top five, you have no choice.

0:46:52.120 --> 0:46:56.360
<v Speaker 3>Absolutely ship, impeccable taste, impeccable taste.

0:46:57.560 --> 0:46:58.680
<v Speaker 1>Parlor of the gods.

0:46:59.120 --> 0:47:00.239
<v Speaker 5>Man, appreciate at you.

0:47:01.520 --> 0:47:02.839
<v Speaker 1>What about your song? What about your song?

0:47:03.239 --> 0:47:07.120
<v Speaker 5>See the songs. I'm gonna do some deep cuts.

0:47:10.120 --> 0:47:10.279
<v Speaker 7>Now.

0:47:10.719 --> 0:47:13.360
<v Speaker 6>If it's Magic by Stevie Wonder. It's just one of

0:47:13.400 --> 0:47:16.200
<v Speaker 6>those records that I just started going back to. It's

0:47:16.320 --> 0:47:18.400
<v Speaker 6>very simple, it's just him and a harp, just vibe now.

0:47:19.880 --> 0:47:22.920
<v Speaker 6>But it's just so dope, like how he wrote that,

0:47:23.120 --> 0:47:26.160
<v Speaker 6>and we have so many songs about about love, and

0:47:26.239 --> 0:47:27.000
<v Speaker 6>this was about life.

0:47:27.080 --> 0:47:28.719
<v Speaker 5>I thought that was really tight, you know what I'm saying.

0:47:29.440 --> 0:47:32.280
<v Speaker 5>Marvin Gaye, what's going on? Once again?

0:47:32.560 --> 0:47:35.719
<v Speaker 6>A record that like talked about life like things that

0:47:35.760 --> 0:47:37.759
<v Speaker 6>were going on at his time. I thought that was

0:47:37.800 --> 0:47:42.160
<v Speaker 6>really special. Sam Cook, Change is Gonna Come? I felt

0:47:42.239 --> 0:47:45.840
<v Speaker 6>like that once again was like talking about something like

0:47:46.000 --> 0:47:50.120
<v Speaker 6>really like taking us there, you know, a studied man.

0:47:52.440 --> 0:47:54.080
<v Speaker 6>And then this is a is off the cuff one.

0:47:54.160 --> 0:47:57.200
<v Speaker 6>But Prince he has this album called Dirty Mind of course,

0:47:57.320 --> 0:47:59.520
<v Speaker 6>and like record head Head.

0:47:59.360 --> 0:48:01.760
<v Speaker 5>Is one of my favorite Prince records because it's just nasty.

0:48:02.320 --> 0:48:04.720
<v Speaker 1>You could tell Prince was up there just viving.

0:48:05.960 --> 0:48:07.759
<v Speaker 6>I feel like he was just at the crib going

0:48:07.840 --> 0:48:11.600
<v Speaker 6>crazy or wherever he was, but at the crib just five,

0:48:11.680 --> 0:48:15.400
<v Speaker 6>and I thought that was really dope. And then.

0:48:17.120 --> 0:48:18.600
<v Speaker 5>Michael Jackson human nature.

0:48:19.800 --> 0:48:23.800
<v Speaker 3>Listen, let me tell you something that human nature timeless.

0:48:24.239 --> 0:48:26.440
<v Speaker 3>It's you can't get away from it.

0:48:26.600 --> 0:48:27.239
<v Speaker 1>You really can't.

0:48:27.360 --> 0:48:32.360
<v Speaker 3>Human nature has been in the top five for countless

0:48:32.880 --> 0:48:36.000
<v Speaker 3>people who've come on the army, you know.

0:48:36.320 --> 0:48:39.080
<v Speaker 6>Quincy says, you know, we're always chasing chills, you know.

0:48:39.520 --> 0:48:40.760
<v Speaker 6>And that's one of those records.

0:48:40.840 --> 0:48:44.799
<v Speaker 5>Man, Like the first time you hear it, like bro,

0:48:45.040 --> 0:48:46.760
<v Speaker 5>like yeah, always get.

0:48:49.800 --> 0:48:55.520
<v Speaker 1>G man. Okay, all right, you've dazzled with me, young man.

0:48:57.400 --> 0:48:58.560
<v Speaker 1>Is that great feeling games planning?

0:48:58.640 --> 0:48:59.920
<v Speaker 5>I think it might be he was.

0:49:00.640 --> 0:49:02.719
<v Speaker 1>I put nothing past Greg feeling games.

0:49:02.760 --> 0:49:06.319
<v Speaker 5>Greg is actually a really good friend of Babyfaces. How

0:49:06.400 --> 0:49:09.200
<v Speaker 5>we know, Bro. He would come out of studio and

0:49:09.360 --> 0:49:12.440
<v Speaker 5>just like tell the stories, like guy, the stories Man.

0:49:12.320 --> 0:49:18.480
<v Speaker 1>Were the coolest guy. You know. He thought that Juvenile

0:49:19.120 --> 0:49:20.520
<v Speaker 1>was saying Greg filling games.

0:49:20.600 --> 0:49:27.440
<v Speaker 2>Yeah, I'm no, lie, I'm I'm eighteen years old and

0:49:27.560 --> 0:49:30.960
<v Speaker 2>I'm in the studio with Babyface in Greg feeling Games.

0:49:31.000 --> 0:49:33.040
<v Speaker 2>And he thought that they were saying his name or

0:49:33.680 --> 0:49:40.719
<v Speaker 2>back then up and I said, no, sir, no, sir,

0:49:41.360 --> 0:49:45.880
<v Speaker 2>he yo, I don't I don't know, sir, juvenile.

0:49:45.840 --> 0:49:45.920
<v Speaker 1>But.

0:49:47.480 --> 0:49:57.240
<v Speaker 5>There's no way. Yeah, my boy was a wilent.

0:49:59.360 --> 0:50:08.759
<v Speaker 1>Y'all would never listen to that record the same again next, Yeah, Greg,

0:50:08.800 --> 0:50:16.400
<v Speaker 1>you gotta stop this year. Now, that's crazy. This is

0:50:16.520 --> 0:50:20.000
<v Speaker 1>out of control, I promise the guys saying Greg feeling gangs.

0:50:20.080 --> 0:50:25.600
<v Speaker 1>Yeah on the record. I just never forgot that. That's

0:50:26.160 --> 0:50:30.600
<v Speaker 1>buddy we gotta have on the podcast when he comes.

0:50:30.719 --> 0:50:37.719
<v Speaker 3>Absolutely, there's a rumor going on that Jason started, that's great.

0:50:38.640 --> 0:50:41.200
<v Speaker 1>Okay, alright, le okay, you think you you think you

0:50:41.560 --> 0:50:45.160
<v Speaker 1>got all your ship together? What's up? We going? We're

0:50:45.160 --> 0:50:48.080
<v Speaker 1>gonna do an R and B voltron. I don't know

0:50:48.120 --> 0:50:48.960
<v Speaker 1>what that is, but let's go.

0:50:50.120 --> 0:50:52.360
<v Speaker 5>Okay. Oh like if we could get a bit like

0:50:52.440 --> 0:50:53.160
<v Speaker 5>a band together.

0:50:53.200 --> 0:50:56.200
<v Speaker 1>That's no, it's not a band, that's all right. I

0:50:56.280 --> 0:51:01.240
<v Speaker 1>don't know, man, okay, young man, young.

0:51:01.160 --> 0:51:12.760
<v Speaker 4>Man, vault it was transformers, No, it's it was five lions.

0:51:13.200 --> 0:51:20.680
<v Speaker 3>Oh okay, five machine lions got red, black, blue, yellow, and.

0:51:22.280 --> 0:51:25.200
<v Speaker 1>I said black, black, blue, yellow, red, and white. It

0:51:25.280 --> 0:51:29.239
<v Speaker 1>was a white green green and they all were on

0:51:29.360 --> 0:51:32.080
<v Speaker 1>their own lion machines and everybody. And there were five

0:51:32.080 --> 0:51:34.320
<v Speaker 1>people that operated the lions, and they would go and

0:51:34.440 --> 0:51:37.360
<v Speaker 1>fight evil all throughout the universe. And then when they

0:51:37.400 --> 0:51:41.560
<v Speaker 1>came against the big monster, they would form a big

0:51:41.760 --> 0:51:43.879
<v Speaker 1>line the big person that looked like a human being.

0:51:44.480 --> 0:51:47.160
<v Speaker 1>All the lions. Two lines with the arms, got another

0:51:47.360 --> 0:51:51.000
<v Speaker 1>two lines was it was defeat, and the middle line

0:51:51.120 --> 0:51:55.800
<v Speaker 1>was the body. It's not that those I know in

0:51:55.880 --> 0:51:58.480
<v Speaker 1>the middle lines. The middle line was the body and

0:51:58.600 --> 0:52:00.200
<v Speaker 1>they had a sword drop.

0:52:00.880 --> 0:52:05.759
<v Speaker 3>Anyway, word the Vultron is you putting your superhero r

0:52:05.840 --> 0:52:08.480
<v Speaker 3>and b artists together where you're getting the vocal from,

0:52:08.840 --> 0:52:12.160
<v Speaker 3>the performance style, the styling, and the passion.

0:52:12.400 --> 0:52:15.040
<v Speaker 1>Here we go. Who are you getting the vocal from

0:52:16.239 --> 0:52:19.440
<v Speaker 1>for your Vultron transformer?

0:52:21.800 --> 0:52:32.799
<v Speaker 6>The vocal from, I would say Jasmine Sullivan right now, yeah, yeah, okay.

0:52:32.680 --> 0:52:36.160
<v Speaker 3>Okay, yep, yep, yep, all right, I'll see what you're doing.

0:52:37.320 --> 0:52:43.680
<v Speaker 3>Performance style, performance style, on that stage. I would have

0:52:43.719 --> 0:52:50.520
<v Speaker 3>to say Prince for sure, absolutely, because he takes from everybody.

0:52:50.800 --> 0:52:54.560
<v Speaker 3>FREDI stare James Brown and he's also playing all those instruments. Yeah,

0:52:54.600 --> 0:52:57.479
<v Speaker 3>if I could get that with the James Jasmine Sullivan voice.

0:52:58.040 --> 0:53:03.280
<v Speaker 1>What else? All right? What else? How you feel styling?

0:53:03.800 --> 0:53:04.240
<v Speaker 5>Styling?

0:53:04.360 --> 0:53:10.440
<v Speaker 1>Steve drip? Huh, disrespect the drip, Steve? I love you.

0:53:12.080 --> 0:53:14.120
<v Speaker 6>That's interesting. His R and B has went through some

0:53:14.200 --> 0:53:16.800
<v Speaker 6>waves styling wise. I'm trying to think, who's really been consistent,

0:53:19.960 --> 0:53:22.520
<v Speaker 6>you know what I say, somebody who's been consistent through

0:53:22.600 --> 0:53:26.279
<v Speaker 6>multiple generations. Beyonce, let's go. I really feel like I'm

0:53:26.280 --> 0:53:29.319
<v Speaker 6>trying to just build build a real strong move here,

0:53:29.520 --> 0:53:29.800
<v Speaker 6>let's go.

0:53:30.080 --> 0:53:35.800
<v Speaker 1>I like, I like, let's go, let's go. Okay, alright, alright,

0:53:35.880 --> 0:53:37.640
<v Speaker 1>watch yourself now, all right? Okay.

0:53:38.239 --> 0:53:38.359
<v Speaker 2>Uh.

0:53:39.640 --> 0:53:43.040
<v Speaker 1>The passion of the artists, part of the artists.

0:53:43.280 --> 0:53:48.840
<v Speaker 5>Passion mm hmm hm hmm. Yeah, that's James Brown.

0:53:53.880 --> 0:53:54.240
<v Speaker 1>Passion.

0:53:54.360 --> 0:53:57.040
<v Speaker 5>So passion because half the time we didn't even know what.

0:53:57.280 --> 0:53:59.680
<v Speaker 1>He was talking about, bro, and we didn't care.

0:53:59.840 --> 0:54:03.000
<v Speaker 5>We give a fun because of the passion we really

0:54:03.120 --> 0:54:05.520
<v Speaker 5>cared about, Like how he delivered it.

0:54:05.920 --> 0:54:07.400
<v Speaker 1>He said chicken change.

0:54:08.640 --> 0:54:13.120
<v Speaker 5>Ticket DAGs what, no idea what it means? But like

0:54:13.320 --> 0:54:17.640
<v Speaker 5>yo and felt gun, don't do no damn squealing. No

0:54:18.239 --> 0:54:20.279
<v Speaker 5>you heard him, you heard it, but you heard him.

0:54:20.680 --> 0:54:21.560
<v Speaker 1>Rappers heard him.

0:54:21.719 --> 0:54:23.080
<v Speaker 5>You rappers heard him, And.

0:54:24.920 --> 0:54:28.960
<v Speaker 1>No damn squealing. I ain't saying no names. I ain't

0:54:29.000 --> 0:54:32.120
<v Speaker 1>saying no names. I ain't saying no names. I ain't

0:54:32.160 --> 0:54:33.640
<v Speaker 1>saying no name. Where you was?

0:54:34.520 --> 0:54:35.240
<v Speaker 5>Who was weird?

0:54:36.080 --> 0:54:36.719
<v Speaker 3>What you did?

0:54:37.560 --> 0:54:43.520
<v Speaker 1>Don't say? She ain't sharing.

0:54:43.719 --> 0:54:52.359
<v Speaker 5>No, you're saying, of course that's beautiful. Man.

0:54:52.400 --> 0:54:56.319
<v Speaker 1>So this segment, what's it's called? I ain't saying, can

0:54:56.360 --> 0:55:00.320
<v Speaker 1>you tell us a story? Funny? Fun up? Okay, funny

0:55:00.440 --> 0:55:05.960
<v Speaker 1>and fucked up? All right? The only rule is Leon Thomas.

0:55:06.239 --> 0:55:08.960
<v Speaker 2>I cannot say no names. And I just said both

0:55:09.000 --> 0:55:11.200
<v Speaker 2>of your names. You got two first names? Or is

0:55:11.239 --> 0:55:12.000
<v Speaker 2>that two last names?

0:55:12.040 --> 0:55:16.280
<v Speaker 1>What you got? Because you could be Thomas Leon too, Thomas.

0:55:16.360 --> 0:55:22.160
<v Speaker 3>You could be Thomas Leon Leon, Thomas Leon came through here.

0:55:22.239 --> 0:55:23.520
<v Speaker 3>Man shook this the whole thing.

0:55:24.080 --> 0:55:27.479
<v Speaker 1>Man, she got crazy. You know your first and last,

0:55:27.840 --> 0:55:30.960
<v Speaker 1>your last and first either one? Just don't say theirs?

0:55:31.280 --> 0:55:31.960
<v Speaker 5>Okay, got you?

0:55:32.200 --> 0:55:34.640
<v Speaker 1>So this is all that? Are you ready?

0:55:34.920 --> 0:55:35.600
<v Speaker 5>I'm ready yet?

0:55:35.920 --> 0:55:43.040
<v Speaker 1>This is Leon Thomas Leon Leon the Victorious man himself,

0:55:43.640 --> 0:55:48.160
<v Speaker 1>the Lion King himself show up as the color of purple.

0:55:48.239 --> 0:55:48.480
<v Speaker 3>Go on.

0:55:48.600 --> 0:55:52.560
<v Speaker 1>Now I ain't saying no names.

0:55:53.040 --> 0:55:57.400
<v Speaker 6>Okay, So this was my first ever production session with

0:55:57.520 --> 0:56:00.760
<v Speaker 6>a really huge artist. And they get to the studio

0:56:01.960 --> 0:56:04.680
<v Speaker 6>and we're working hard on the record. We finally get

0:56:04.719 --> 0:56:08.120
<v Speaker 6>to the point where they're about to record and while

0:56:08.160 --> 0:56:14.480
<v Speaker 6>they're singing, they'll stop and all I hear is they

0:56:14.560 --> 0:56:16.719
<v Speaker 6>start doing push ups in between every take.

0:56:17.560 --> 0:56:17.759
<v Speaker 1>Dang.

0:56:18.040 --> 0:56:22.439
<v Speaker 6>I was like, man, this is this is something else,

0:56:22.520 --> 0:56:25.479
<v Speaker 6>but I'm talking about like intense push ups.

0:56:25.600 --> 0:56:29.800
<v Speaker 5>Man. Throughout the entire session, we had to cut like

0:56:30.360 --> 0:56:33.280
<v Speaker 5>breathing out of some of some of the lines.

0:56:33.920 --> 0:56:38.719
<v Speaker 6>But yeah, just really just like going going, And I

0:56:38.840 --> 0:56:41.320
<v Speaker 6>was like wow, And it was my first time ever, like,

0:56:41.440 --> 0:56:44.560
<v Speaker 6>you know, producing you know, a big artist, and it

0:56:44.680 --> 0:56:46.759
<v Speaker 6>was definitely different for me, to be honest with you, Yeah,

0:56:47.000 --> 0:56:48.880
<v Speaker 6>but it was kind of cool because the show.

0:56:48.800 --> 0:56:50.800
<v Speaker 5>Is I mean that finished journey. Yeah it matters you

0:56:50.840 --> 0:56:52.399
<v Speaker 5>feel me. Might take some hints.

0:56:53.040 --> 0:56:54.759
<v Speaker 1>I like that, of course you do.

0:56:57.600 --> 0:56:57.880
<v Speaker 6>Like that.

0:56:58.400 --> 0:57:01.000
<v Speaker 3>Take some hits show because I was I was intense

0:57:01.120 --> 0:57:03.000
<v Speaker 3>and listen because after about you know, you have to

0:57:03.080 --> 0:57:04.560
<v Speaker 3>get to twenty five thirty.

0:57:04.760 --> 0:57:07.400
<v Speaker 1>Yeah, yeah, whatever you got to do after that. And

0:57:07.560 --> 0:57:09.680
<v Speaker 1>but the crazy thing is it actually opens up the

0:57:09.760 --> 0:57:10.680
<v Speaker 1>vocal course too. Though.

0:57:11.440 --> 0:57:13.360
<v Speaker 2>It opens up when you're doing your push ups and

0:57:13.360 --> 0:57:15.480
<v Speaker 2>ship it opens up your voice, you know what I mean,

0:57:15.520 --> 0:57:17.200
<v Speaker 2>because you're pushing, You're pushing through.

0:57:17.320 --> 0:57:19.040
<v Speaker 1>You know what I'm saying. It's exercise. I was just

0:57:19.200 --> 0:57:21.000
<v Speaker 1>doing it to make sure. I just want to be

0:57:22.320 --> 0:57:24.680
<v Speaker 1>this nigga here, just want to You can take your

0:57:24.680 --> 0:57:28.680
<v Speaker 1>shirt that's from a Testavie, right, got you listening? Everybody

0:57:28.840 --> 0:57:30.600
<v Speaker 1>not taking their shirt off at the show man?

0:57:31.000 --> 0:57:31.560
<v Speaker 5>You know why not?

0:57:34.400 --> 0:57:36.880
<v Speaker 3>We're gonna sell something on man, tell you on that

0:57:37.960 --> 0:57:41.400
<v Speaker 3>to tell you that melody is a titty you you go,

0:57:42.480 --> 0:57:43.840
<v Speaker 3>you don't enjoy one of them.

0:57:44.640 --> 0:57:47.920
<v Speaker 1>You understand what I'm saying. Come on, I love it.

0:57:48.120 --> 0:57:48.600
<v Speaker 5>I love it.

0:57:49.640 --> 0:57:51.200
<v Speaker 1>Mockers for real.

0:57:51.800 --> 0:57:53.680
<v Speaker 5>Leon something my brother.

0:57:54.040 --> 0:57:59.440
<v Speaker 3>Thank you man, Thank you bro, Thank you for for

0:57:59.600 --> 0:58:02.640
<v Speaker 3>represent man. You know what I'm saying. Thank you for

0:58:02.880 --> 0:58:06.200
<v Speaker 3>just like you know, everything about you is solid.

0:58:06.240 --> 0:58:06.360
<v Speaker 7>Man.

0:58:06.480 --> 0:58:07.480
<v Speaker 5>Yeah, I appreciate it.

0:58:07.480 --> 0:58:09.320
<v Speaker 2>And you could have taken your music in a whole

0:58:09.600 --> 0:58:11.760
<v Speaker 2>bunch of different directions, but you stayed true to this

0:58:11.920 --> 0:58:13.800
<v Speaker 2>R and B thing. Man, You know what I mean,

0:58:13.840 --> 0:58:15.960
<v Speaker 2>because you had You've had the opportunity to go to

0:58:16.720 --> 0:58:19.280
<v Speaker 2>other genres of music because of what you what you

0:58:19.600 --> 0:58:24.360
<v Speaker 2>worked for and were afforded by being in that space. Absolutely,

0:58:24.360 --> 0:58:26.120
<v Speaker 2>you could have clearly been like, yeah, yeah, I'm about

0:58:26.120 --> 0:58:29.600
<v Speaker 2>to go do and took this immense and amazing talent

0:58:29.720 --> 0:58:33.880
<v Speaker 2>that you had and took it somewhere else, but you

0:58:33.960 --> 0:58:35.080
<v Speaker 2>stayed true to R and B.

0:58:35.240 --> 0:58:38.360
<v Speaker 1>Bro Man, and we commend you for that, man.

0:58:38.240 --> 0:58:38.560
<v Speaker 5>Thank you.

0:58:39.080 --> 0:58:40.800
<v Speaker 6>I mean, it's a genre that I love, I grew

0:58:40.920 --> 0:58:44.840
<v Speaker 6>up in, you know, and it's a it's really the

0:58:45.040 --> 0:58:48.640
<v Speaker 6>art of storytelling, you know. So I genuinely want to

0:58:48.680 --> 0:58:51.080
<v Speaker 6>continue to do R and B and find new ways

0:58:51.160 --> 0:58:53.000
<v Speaker 6>to add some of the elements that I've taken from

0:58:53.200 --> 0:58:55.080
<v Speaker 6>some of the other genres I've worked in and mix

0:58:55.160 --> 0:58:55.320
<v Speaker 6>them in.

0:58:55.480 --> 0:58:57.480
<v Speaker 5>But yeah, R and B is always going to be

0:58:57.720 --> 0:58:58.520
<v Speaker 5>be home base for me.

0:58:59.000 --> 0:58:59.400
<v Speaker 1>Thank you for that.

0:58:59.520 --> 0:59:03.160
<v Speaker 3>And thank you Army Money. Army Money podcast is always

0:59:03.200 --> 0:59:04.560
<v Speaker 3>home for you, that love.

0:59:04.520 --> 0:59:06.920
<v Speaker 5>Man, Thank you so much for sharing your platform you

0:59:07.040 --> 0:59:07.560
<v Speaker 5>need from us.

0:59:07.720 --> 0:59:11.160
<v Speaker 1>We show up. I love it, we show up and.

0:59:11.200 --> 0:59:13.200
<v Speaker 5>We cheer for real man, Thank for it.

0:59:13.440 --> 0:59:17.280
<v Speaker 1>Thanks likewise, Yeah, it's it's about it.

0:59:17.480 --> 0:59:22.320
<v Speaker 3>It's about continuing to to to establish maintain that bridge

0:59:23.200 --> 0:59:25.720
<v Speaker 3>you know what I'm saying, Like, it's important that we

0:59:25.840 --> 0:59:26.680
<v Speaker 3>are all connected.

0:59:27.240 --> 0:59:28.880
<v Speaker 1>Absolutely, it's important that.

0:59:29.240 --> 0:59:31.200
<v Speaker 3>You know what I'm saying, that the things we've learned

0:59:31.240 --> 0:59:34.120
<v Speaker 3>and whatever fuel we have to feed into you to

0:59:34.360 --> 0:59:36.200
<v Speaker 3>keep this thing going at a level that we do

0:59:36.360 --> 0:59:38.440
<v Speaker 3>that it is important for us to do that.

0:59:39.560 --> 0:59:40.480
<v Speaker 5>I really appreciate it.

0:59:40.520 --> 0:59:42.080
<v Speaker 6>I mean, obviously, I've been a fan of y'all for

0:59:42.160 --> 0:59:45.120
<v Speaker 6>a long time, you know, so, I mean just even

0:59:45.200 --> 0:59:46.720
<v Speaker 6>being here and kicking it. I mean, we've met a

0:59:46.760 --> 0:59:48.640
<v Speaker 6>bunch of you know, a bunch of times in the past,

0:59:48.760 --> 0:59:50.640
<v Speaker 6>but you know, this really means a lot to me.

0:59:50.760 --> 0:59:52.520
<v Speaker 1>So thank you, man. I appreciate bro.

0:59:52.720 --> 0:59:53.680
<v Speaker 5>I like, it's love.

0:59:54.360 --> 0:59:58.600
<v Speaker 1>That's a young man right there. Your grandmam say, do

0:59:58.680 --> 1:00:01.560
<v Speaker 1>you know that nice young man? You should be more

1:00:01.800 --> 1:00:04.520
<v Speaker 1>like him. That's who you should be like with your

1:00:04.600 --> 1:00:06.560
<v Speaker 1>raggedy ass ladies and gentlemen.

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<v Speaker 5>Name is.

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<v Speaker 3>And this is the R and B Money podcast, the

1:00:10.560 --> 1:00:15.640
<v Speaker 3>authority on all things R and B. His name is

1:00:15.800 --> 1:00:19.040
<v Speaker 3>Leon Thomas. His name is Leon Thomas. His name is

1:00:19.200 --> 1:00:20.720
<v Speaker 3>Leon Thomas.

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<v Speaker 1>And he's a superstar. Thank you, Thank you, appreciate you.

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<v Speaker 3>R and B Money.

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<v Speaker 1>R and B Money is a production of the Black

1:00:32.840 --> 1:00:37.560
<v Speaker 1>Effect Podcast Network. For more podcasts from iHeartRadio, visit the

1:00:37.720 --> 1:00:41.520
<v Speaker 1>iHeartRadio app, Apple Podcasts, or wherever you listen to your

1:00:41.560 --> 1:00:42.320
<v Speaker 1>favorite shows.

1:00:42.800 --> 1:00:46.000
<v Speaker 2>Don't forget to subscribe to and Radar Show and you

1:00:46.080 --> 1:00:49.320
<v Speaker 2>can connect with us on social media at Jay Valentine

1:00:49.640 --> 1:00:50.640
<v Speaker 2>and at the Real Tank.

1:00:51.080 --> 1:00:55.760
<v Speaker 1>For the extended episode, subscribe to YouTube dot com or

1:00:56.000 --> 1:00:57.400
<v Speaker 1>slash r and b Money