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Speaker 1: Welcome back to another episode of Alchemy. It this this covid

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Speaker 1: N I'm your whole with Kevin Pollock. Yes that look

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Speaker 1: if you know, why the hell did you asked me?

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Speaker 1: But I digress. Let's mean a Rochamis shower, no particular

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Speaker 1: old saying love James ny keft caffeine. Everyone has a price.

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Speaker 1: So how much would I have to pay you to

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Speaker 1: never have a cup of coffee again? Uh? Pick a number? God,

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Speaker 1: oh god, hundred thousand dollars would probably do it. But

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Speaker 1: if I have seventy dollars to never have coffee again? Man,

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Speaker 1: I was wondering if you do this, because then I

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Speaker 1: would have just gone up to a hundred and fifty thousand. Yeah,

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Speaker 1: I'd take seventy thousand, Okay, I don't. I don't know.

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Speaker 1: Backed by popular demands, Patrick Rowlin pr least fave day job.

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Speaker 1: At least favorite day job. I think would have to

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Speaker 1: be um the post office. Uh dogs, there's walking, there's weather.

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Speaker 1: Uh not just the post office. You were on foot.

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Speaker 1: It sounds like, yeah, yeah, letter carrying, that's that's got

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Speaker 1: to be the worst. Like no, but Patrick, you're just

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Speaker 1: saying hypothetically, And Kevin thinks this actually happened to you

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Speaker 1: in my correct here. Yes, yeah, no, I I did

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Speaker 1: work at the post office. I was not a letter carrier.

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Speaker 1: I worked indoors. So while you worked indoors, you were

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Speaker 1: laughing at the letter carriers. That's what I'm hearing. We

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Speaker 1: all did. We sat on our throne of bags of

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Speaker 1: boxes and laughed and laughed with our good knees. That's

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Speaker 1: all true. And thank you very much for coming back. Patrick.

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Speaker 1: Look at she's back. It's Caroline Cotter. Who's poop? Is it? Anyway?

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Speaker 1: Favorite mannaise based dish, Jesus Christ, I didn't like mannaise

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Speaker 1: until I'm sorry. I would like to answer this with

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Speaker 1: my least favorite dish is James's tuna pasta. Have been

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Speaker 1: trying to talk to everybody about like, actually, I've had

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Speaker 1: multiple nightmares about. So I'll answer your question with the opposite,

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Speaker 1: and that my least favorite is something I've never had before.

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Speaker 1: Appreciate that we talked about it during an episode opening

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Speaker 1: whether or not that was a good idea to suggest

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Speaker 1: to you, and we're very very thankful that you did

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Speaker 1: not fall for that. We felt, but James insisted if

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Speaker 1: you put it in a cooler with ice you know

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Speaker 1: it's gonna be fine for a five hour, five day trip,

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Speaker 1: but you know you gotta refresh the ice. Sure, it

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Speaker 1: seems like a lot of one a lot of work.

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Speaker 1: Ladies and gentlemen, We've got some sweet crissalvarado for you.

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Speaker 1: One dish, no pish. What's the one dish you make

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Speaker 1: that Jessica looks forward to the most. Honestly, the answer

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Speaker 1: is nothing. And here's the deal. She's a great she's

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Speaker 1: a great cook. I help out with much as I

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Speaker 1: can or whatever. She's so good. Um, but she did

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Speaker 1: just say to me, like two days ago. We're sitting

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Speaker 1: on the couch and she says, I want you to

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Speaker 1: make one dinner in September. So challenge. I'm gonna do that.

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Speaker 1: I don't know what that dish is gonna be, and

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Speaker 1: I don't know I'm gonna I'm gonna send you a

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Speaker 1: recipe for a great one beautiful, beautiful, super super super simple.

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Speaker 1: And last, but check your crack for crack. If you

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Speaker 1: think of late, it's Joey Greer freaking a box. What's

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Speaker 1: it gonna take to get you into a Cadillac today? Oh? Man?

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Speaker 1: Uh at what year? That's my question? Two yeah, Yeah,

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Speaker 1: what do they got money? Carlos in Yeah, I try

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Speaker 1: to Cadillac Monte Carlo. I don't is it the Monte Carlo? Yeah,

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Speaker 1: there's no cadillact Monty Carlo. What's the Monte Carlo? I

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Speaker 1: don't know. Look it up, man, it's not a fucking Catillac.

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Speaker 1: I think it is. No. I think he's furiously googling

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Speaker 1: right now. That is such a Google face. What the hell?

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Speaker 1: Speaking of which, watch this documentary. I think it's HBO Max.

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Speaker 1: Uh Social Dilemma. Oh, I saw it. It's the scariest

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Speaker 1: fucking horror story I've ever wanted talking about why I'm

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Speaker 1: not on Instagram? Um, why I never we understood. We

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Speaker 1: understood that I've never been on Facebook and couldn't be

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Speaker 1: happier after watching that fucking documentary. All right, let's do

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Speaker 1: a damn show. Almost all of our scene suggestions have

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Speaker 1: gathered from your listener emails or from our Patreon v

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Speaker 1: i P is. To become a patron v i P

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Speaker 1: supporter of the show and enjoy exclusive content and all

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Speaker 1: the other perks, just head on over to patreon dot

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Speaker 1: com slash alchemy this if you'd like to submit a

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Speaker 1: scene suggest by old timey email. Please write to the

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Speaker 1: podcast at your name here at alcove this dot com.

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Speaker 1: That's your name here. Scene one comes from Peyton v

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Speaker 1: I P. Nicholas mock Our returning v I P. Scene suggestion,

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Speaker 1: who wrote, Hi, Kevin, I just want to write in

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Speaker 1: to say that I'm so happy that there is still

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Speaker 1: entertainment that can be enjoyed by the whole family. Often

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Speaker 1: we sit down with my wife and our kids to

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Speaker 1: relish content that is just too good to be passed by.

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Speaker 1: So thank the heavens for two seasons of Cobra Kai. Yeah. Anyway,

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Speaker 1: here's my scene suggestion. It's typical Tuesday at the company

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Speaker 1: that suggests scenes that one can book if you want

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Speaker 1: to make a scene at the restaurant or airport of

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Speaker 1: your choice, Love Nicholas. So it's not um, it's not

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Speaker 1: one of our longer it's it's two and a half ages,

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Speaker 1: so both you and your wife can memorize it pretty easily. Um, okay, okay,

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Speaker 1: now and this is and frankly this is this is package.

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Speaker 1: So it's not much, not much, but but you get

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Speaker 1: to it. We could go through B and see. I

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Speaker 1: don't know how how good of actors you are. I

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Speaker 1: don't know. I want to see I want to see

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Speaker 1: B and C. Honey, Oh yeah, we would get to that.

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Speaker 1: But like there's a progression. That's why it's called the alphabets.

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Speaker 1: We have to do a first otherwise. Why that's why

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Speaker 1: it's called the alphabet. I didn't know that. Hey, the

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Speaker 1: more you don't know that, Hey, stick with me. Like

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Speaker 1: you teach me things, I teach you things. I didn't

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Speaker 1: tell you anything. I'm so dumb. No, baby, you taught

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Speaker 1: me that. You have a very quick way of getting

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Speaker 1: upset about alphabets. Okay, you're right, that's true. I do

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Speaker 1: You're right. Okay, now listen. I don't want to interrupt here.

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Speaker 1: But based on what I've just seen, yeah, I do

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Speaker 1: have an experimental scene where there's experimental, there's a status,

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Speaker 1: A status shift occurs. Sounds like an improv exercise? What

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Speaker 1: it sounds like an improv? Yeah. We took some classes

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Speaker 1: that a local Discovery Zone, Yes, you know Discovery Zone.

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Speaker 1: It was taught by a man named Patty Snacks. All right, everybody,

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Speaker 1: I want you to get up on stage. I want

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Speaker 1: the couple to get up on stage. Everybody. Then he

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Speaker 1: said the couple. Well, and we're the only ones in

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Speaker 1: the class right on the stage. Okay, what's gonna happen

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Speaker 1: in this improv scene? I'm going to give you a script.

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Speaker 1: I'm gonna give you this script. Yeah yeah, yeah, yeah yeah. Okay,

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Speaker 1: Now what I'm getting have you do? Is it the

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Speaker 1: middle of the improv scene? I want you to switch

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Speaker 1: the script? And but I'm sorry, Mr Snacks, Yes, Mr Snacks,

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Speaker 1: I'm sorry to interrupt the I've rented this hall until

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Speaker 1: two thirty. It's the Discovery Center. Sure, okay, I am

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Speaker 1: understandser and yes I know is I think I don't know?

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Speaker 1: I mean, this is a one on one so I guess. Yeah,

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Speaker 1: he's illustrating what we're trying to learn. That's what's next.

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Speaker 1: I'm sorry, but we're going to have to tear up

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Speaker 1: the contract we have with you rent in the space.

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Speaker 1: But but I'm a I'm a renowned improv teacher. Maybe maybe,

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Speaker 1: but here's the Discoveries and we don't give a shit

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Speaker 1: about that. Okay. What we care about is making a rent,

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Speaker 1: and right now you're not feeling that void. I'm sorry. Well,

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Speaker 1: the word of mouth is really important to once I

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Speaker 1: get this person, look that's a really sad story. I

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Speaker 1: don't know how that's relevance to what's going on here.

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Speaker 1: I don't know. They stayed in character, right, I guess

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Speaker 1: I don't know. You don't know, and that's why you're here,

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Speaker 1: look Um, you're here at scenes to be seen, all right? Yeah? Okay,

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Speaker 1: now again, A might be a good fit for you,

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Speaker 1: b and see okay, or if you want to go experimental,

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Speaker 1: you let me know. It's whatever you're comfortable with. Okay.

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Speaker 1: You know I'm feeling experiment mental. And I love you

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Speaker 1: so much. Uh. I was talking to you saying, Ny

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Speaker 1: it's okay. Um, if you have one second here, I

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Speaker 1: could call in my big time actors to kind of

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Speaker 1: give you a small rundown of what the scene might

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Speaker 1: look like. Sure, we have got a babysitter for the week,

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Speaker 1: so we didn't know how long it would take and

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Speaker 1: I had to book it. Like just some stress about that.

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Speaker 1: So I just kind of overshot or maybe not, I

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Speaker 1: don't know. Okay, give me one second, Hey, Tracy, the

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Speaker 1: boys are the boys in? Oh? Yeah they are. Do

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Speaker 1: you want me to send them inside? Yes? Please? You

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Speaker 1: got it? Hey, Tommy, I'm so excited to do this

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Speaker 1: scene for these people. Just tell me, are we doing

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Speaker 1: scene A, B or C? Oh boy? Uh, we're doing

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Speaker 1: experiment to fuck me. It's okay, it's okay, it's okay.

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Speaker 1: Where's your scene, partner? I just got back fu me

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Speaker 1: tell me what we're gonna do here? Good good, alright?

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Speaker 1: Fellas fellas? Uh, these are the Carlyles Carlin. These are

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Speaker 1: the fellas is here? If if I may, is it

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Speaker 1: Mr and Mrs Carlin? Yeah, I know you you. I

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Speaker 1: mean I've seen you in films before. They're both pretty famous.

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Speaker 1: Please worked for the Christopher Walking, But I don't know who.

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Speaker 1: It seems like he's trying to like about impression of

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Speaker 1: him or Anny Barbarino doing Ralph Macho from the Karate Kids. Yes, yes, exactly,

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Speaker 1: that's I think the same. Those are the many levels

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Speaker 1: you can expect here at seem to be seen, all right,

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Speaker 1: Why an't we doing It's the same? So here you go.

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Speaker 1: Take this script. Okay, okay, take this one. I'm gonna

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Speaker 1: do it. I'm gonna take the pot of crap pants. No.

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Speaker 1: Mr and Mrs Carlyle. Character description and breakdown is very

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Speaker 1: important to any role. Um, so so uh, he's chosen

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Speaker 1: the role of Mr. Crap Pants, probably based on the

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Speaker 1: character's breakdown he finds something that resonates with him. Um

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Speaker 1: so is that right, Mr Walking? It is? It is,

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Speaker 1: And in fact, I have crap your pants. Huh, actor,

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Speaker 1: that's why we work so well together. I really want

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Speaker 1: to see the movie you we're in. Yeah, what is it?

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Speaker 1: I like what we'll see. We're both, you know, cinephiles.

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Speaker 1: So just name one, just one. I don't want to

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Speaker 1: I don't want to name them all all. It's a

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Speaker 1: long list. I said, just name one. I said, just okay, okay,

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Speaker 1: I said, Tracy, can you bring us my teas place? Yes,

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Speaker 1: coming in right away. All right, you're gonna love this

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Speaker 1: ize tea. It's peach. No, I'm not a big peach guy,

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Speaker 1: and I don't know if you are, but it goes

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Speaker 1: nicely with this tea. All right, So you're gonna have

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Speaker 1: your t You're gonna watch this scene. You're gonna make

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Speaker 1: a choice today. Whatever I gotta do to get you

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Speaker 1: into a scene today, I'm gonna do. Could be a be,

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Speaker 1: could be a c could be experimental. I don't know.

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Speaker 1: I'm looking for you to to turn heads at the

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Speaker 1: Starbucks I'm looking at you to get to get gasps

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Speaker 1: at a train stop. All right, whatever it is, wherever

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Speaker 1: you want to go. Tracy coming in. Okay, here's the tea.

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Speaker 1: Here's the tea. Thank you, Tracy, Tracy, Tracy Camery. Tell them,

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Speaker 1: tell them both your IMDb rating right now. My star

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Speaker 1: rating right now is up two d and sixteen points

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Speaker 1: sixteen points up. So what's the number. It's okay, it

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Speaker 1: doesn't matter about that. It's already shooting up up from two.

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Speaker 1: It's up two. That's like a shooting stoff. Is it

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Speaker 1: was like a cartoon voice or what? Sure? I play

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Speaker 1: at car dudes too? Just one? Well it was it's

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Speaker 1: a well it's a commercial. Uh, I know you you

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Speaker 1: taught me improv. Oh my god, what is your name? Um?

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Speaker 1: Don't say it was this spot or something? Mr? The hell?

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Speaker 1: Was it snack? We never got the full class. I

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Speaker 1: was actually I was actually this is my just I

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Speaker 1: was wearing a Kevin po mask and my character was. Now, look,

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Speaker 1: I understand this bank took a risk giving me this

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Speaker 1: loan for a scene to be seen. I can't. I can't.

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Speaker 1: It's not it's not working the way I thought it

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Speaker 1: was gonna work. I'm sorry, did you come in here

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Speaker 1: today to give the money back? That doesn't seem like

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Speaker 1: a yes, it's like more like I want to give

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Speaker 1: the money back. I just can't. You just dropped by

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Speaker 1: to let me know things weren't working out so well. Yeah, yeah,

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Speaker 1: so sort of like like like a head's up, heads up, right, right,

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Speaker 1: But you understand we're not actually a bank banking. I know,

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Speaker 1: I know, I know, And that's why. That's that's why,

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Speaker 1: that's why I wanted to do So there's no doovers

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Speaker 1: or give me backs or that kind of thing. You

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Speaker 1: take money from us, you make payments, so you don't.

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Speaker 1: It's just you listen, sir, if I may. When I

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Speaker 1: pitched the idea to you, you thought it was a

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Speaker 1: great business idea as well. Yeah. I threw in a

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Speaker 1: couple of grant of my own money and and and

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Speaker 1: I know that, and that's why I need you to

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Speaker 1: know that I am seeking the top actors right now,

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Speaker 1: come on board for example. I am so I got people, right, Okay,

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Speaker 1: Well that's that's that's good for me. Are you all right?

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Speaker 1: Christ Yeah, Gus, it's just simple business idea. Yeah, it's

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Speaker 1: still a great idea. But you gotta understand when you

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Speaker 1: take money from us and then you come back in

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Speaker 1: here and I see, uh I got a family. I

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Speaker 1: got a family, right, well, you had a fam. I'm

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Speaker 1: so sorry to interrupt, but just think is closing in

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Speaker 1: five minutes and um he's blocking me in, so just

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Speaker 1: if you can hurry it up. Yeah, yeah, sure, sure, sure, thanks.

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Speaker 1: I'm so sorry. I'm so sorry. No, not at all.

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Speaker 1: Is there any uh tuna salad? Uh pasta left? Mr Keller? Look,

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Speaker 1: I booked a scene with you, with me and my wife. Okay,

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Speaker 1: now she's been held in Guantanamo Bay. Okay, I did

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Speaker 1: not know that that was We're going to be terrorists

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Speaker 1: at the airport. Okay. We decided and you said, don't

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Speaker 1: look at the script until you're there and just read.

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Speaker 1: You need to have fresh eyes. You need to have

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Speaker 1: fresh eyes with that look whatever. I need my wife back, Okay,

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Speaker 1: show there. You're you're looking at it through the wrong lens,

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Speaker 1: my man. So lenses are on cameras, and cameras make movies. Okay,

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Speaker 1: I know all about that. Now, the lens on what

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Speaker 1: you're looking at this situation is through a victim's lens.

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Speaker 1: And I'm telling you she's made it to the big time.

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Speaker 1: You can send her letters in Quantanamo Bay, can you know?

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Speaker 1: I can't. No, I can't. There's no communication. Look, there

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Speaker 1: are no refunds here, Sir, did a great job. I look,

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Speaker 1: either you give me a refund or you give me

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Speaker 1: a new scene to get her out. Card card please.

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Speaker 1: I think there's been a misunderstanding. Ye hear that. Every

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Speaker 1: day from at least a half dozen people, there's been

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Speaker 1: a misunderstanding. You see. Hold on, just take a look

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Speaker 1: at this here. This is a script from the scene

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Speaker 1: that was doing with my usin. You got that paraphernalia? No, no,

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Speaker 1: this is a script we were We were at the

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Speaker 1: airport and we're trying to just you know, soldier. What

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Speaker 1: is that? Yeah? The dame said it was a screw

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Speaker 1: Look at this? Oh my god? When to contact the CIA?

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Speaker 1: Right now? Looks like we got intel on where this

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Speaker 1: terror cell is from. Like seen seen, this is the CIA. Hello, Hi,

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Speaker 1: Field Agent Mercer? How are you? Oh? I'm good? How

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Speaker 1: are you? You miss the Ultimate Frisbee game last Weneight?

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Speaker 1: I know? I know. Look, I'm calling working. They got

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Speaker 1: your work in they do you know where I'm at?

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Speaker 1: You know where I'm at all the time. That's right,

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Speaker 1: I don't got you're following me. I'm in the CIA.

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Speaker 1: So I'm in the CIA. Looks looks I got some

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Speaker 1: that Who are you talking to? Huh? Who are you

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Speaker 1: talking to? Watch the film? Okay, well, it's just I'm

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Speaker 1: on a work call. I'm watching the cinema. I'm on

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Speaker 1: a work call. Go, we'll continue watching the cinema. Let

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Speaker 1: me talk. So no, no, I'm here. I'm in the CIA,

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Speaker 1: so just go. Okay, I'm gonna listen. This is a

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Speaker 1: pressing national security issue. Looks like I got some intel

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Speaker 1: in a terror cell that was over at the airport

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Speaker 1: that we snagged up. And uh, I don't know if

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Speaker 1: you want to run this for me scene to scene?

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Speaker 1: Can you check in the database? Everything popping in to see?

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Speaker 1: Watching my computer, I'm on the other side of my house. Okay,

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Speaker 1: you're at the headquarters headquarters. Hey baby, you're back. Honey. No,

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Speaker 1: I'm trying to you know, I'm working from home right

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Speaker 1: now because I'm in the CIA. But I like the booty. Honey,

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Speaker 1: Stop what I'm saying. What do you want? Um? So,

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Speaker 1: I'm I'm I got I saw a commercial on the

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Speaker 1: television and it's for the PlayStation five, okay, and it's

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Speaker 1: got the game with the people. And I was wondering

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Speaker 1: if you know, um if um, if you could um

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Speaker 1: if I could get a PlayStation five with the game. Yes, yeah,

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Speaker 1: that's fine. We'll get it for your birthday, for your

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Speaker 1: birthday next week. Use the bathroom. Sounds like a scrap

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Speaker 1: in his pants. Use the bathroom. No, No, I'm in CIA,

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Speaker 1: so I can take the right now. Okay, honey, stuff,

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Speaker 1: I'm yes, he's training, he's in the CIA. I'm in

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Speaker 1: the CIA. I just need to go to my Okay,

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Speaker 1: so that was too grunde cold bruise with almond milk

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Speaker 1: in the name? Was Mr Carlos that you said? Yes, yes, yes,

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Speaker 1: yes carl with k Okay, Okay, terrific. We'll call anyone

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Speaker 1: is done. I'm sure you will. If it gets done.

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Speaker 1: If someone doesn't cause a thing, that's right. But if

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Speaker 1: you don't make this happen fast, then we're there's gonna

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Speaker 1: be a problem. Could you give us one second, honey?

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Speaker 1: Can I speak to you over here for a second. Yeah,

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Speaker 1: I know, I'm doing an improv and you have dorov

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Speaker 1: the point are going to a scene place. We paid

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Speaker 1: five thousand dollars for a scene. Why are you improvising it?

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Speaker 1: Are you doing line? Yeah? We already put in our orders,

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Speaker 1: so this isn't the line. No, this is the part

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Speaker 1: of the Starbucks where you pick up the fucking drinks. Whoa,

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Speaker 1: whoa easy, you gonna hold those two cups? You're gonna

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Speaker 1: make these guy dame espressos with Hell's going on? Man? Hello? Yes, Sean?

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Speaker 1: You yes, so you're gonna make these espressos. He's gonna

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Speaker 1: hold these two cups of the carlisles. That is this? Hello, Sean?

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Speaker 1: Are you deaf? What is happening? I think Sean? I

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Speaker 1: think Sean is in shock or something. He's no standing

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Speaker 1: there with this is crazy. Man, Hey, Sean, I'm sorry, man,

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Speaker 1: I kind of talk to you in my office. I

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Speaker 1: know you guys. Where's the coffee? Sean? I'm asking you that, buddy,

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Speaker 1: you're holding the two cups for the cold You're asking amazing,

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Speaker 1: I'm asking you, man, I didn't I got the order? Yeah? Yeah,

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Speaker 1: I guess you. You took the order and then you

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Speaker 1: just stood there drawing the espression machine. Sean. Hold on,

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Speaker 1: we're gonna have to let you go. We're gonna are

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Speaker 1: you Josh, Josh, Dude, you're my brother in law. Dude,

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Speaker 1: and I made a mistake. Dude, Look I married your sister. sEH.

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Speaker 1: I'm sorry, just just it's gonna say a word in

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Speaker 1: here out I don't I don't need this, man, I

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Speaker 1: don't need this. You're out. Look at those two people,

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Speaker 1: and that's what they've seen one. Now, God is seen one.

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Speaker 1: I have seen one. I'm in the c I A

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Speaker 1: C two comes from Kens, who wrote, Hello, welcome. It's

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Speaker 1: my husband and I listen to your podcast a lot

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Speaker 1: on our way to and from oh B appointments. I'm

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Speaker 1: currently thirty two weeks pregnant, which got me thinking of

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Speaker 1: a scene. Which is the worst possible time for someone

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Speaker 1: to go into labor. Ps. My husband got me into

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Speaker 1: this podcast and loves it. He doesn't know I sent

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Speaker 1: this in. I think it would be funny for him

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Speaker 1: to find out that I did. If you actually pick

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Speaker 1: this one, Stay healthy sincerely, Ken's now full disclosure, this

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Speaker 1: is from a couple of months ago. Oh my god,

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Speaker 1: she already gave birth, So Ken's if you're listening, please

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00:22:46,119 --> 00:22:48,840
Speaker 1: right back to us with any updates and sorry for

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Speaker 1: my tardedness regarding your email. But here we go, Jordan

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Speaker 1: or Huber, I did okay? Yeah? Oh did you both?

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Speaker 1: I mean I already wanted to do order him. Yeah,

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Speaker 1: I'm looking plate ending. Oh my god, thank god you're

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Speaker 1: out here. Is there any way we can snag this?

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Speaker 1: My wife is about to give birth and we don't

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Speaker 1: have a car. That's not how overworks, sir, there's no

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Speaker 1: snagging and you, gentlemen, I just have the name Steve.

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Speaker 1: That's my name. My name is Steve. Okay, I can

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Speaker 1: only take one Steve. Well, my wife's name is Steve,

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Speaker 1: and I'd really like it if you take my wife. Steve.

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Speaker 1: Did you call my name? I was inside, I was

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Speaker 1: trying to go to the bathroom. Do you just say

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Speaker 1: my name? Stephenie? Yes, Stephenie. You're gonna need to get

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Speaker 1: sack in the back seat of this car. Whoa hold?

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Speaker 1: Hold on? Is this when you or not? Does somebody

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Speaker 1: want some water? Maybe some life savers? We need to like,

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Speaker 1: can we clarify who's getting in this car? One Stevie

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Speaker 1: can get him. I'm a businessman, uh, Steve, you seem

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Speaker 1: to be well dressed. I run businesses. I'm a businesswoman,

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Speaker 1: and I'm about to give birth. I think I'm about

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Speaker 1: to go into late right, hasn't start? Yeah, at the

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Speaker 1: super pool, I know about labor right now? About now,

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Speaker 1: I gotta I gotta workforce underneath me. Steve, how about

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Speaker 1: you just cool? I could technically take you all, but

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Speaker 1: you would have to order up the car while we're driving.

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Speaker 1: So as long as you agree with that, everybody hop

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Speaker 1: on it. I mean, hold on a second. Earlier you

381
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Speaker 1: were saying you can only take one, Steve, and now

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Speaker 1: you're bringing the rules for some reason. I look, I

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00:24:24,200 --> 00:24:29,200
Speaker 1: don't feel comfortable into an uber. You're out. It was

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Speaker 1: gonna be too crowded with him. I don't. I don't

385
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Speaker 1: feel great about about getting in the super Great I'm

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Speaker 1: gonna walk there. Okay, wait, see what up? What up? Hey? Hey? Buy?

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00:24:40,440 --> 00:24:44,800
Speaker 1: So that was weird, that's crazy. You know, there's those

388
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Speaker 1: leather shoes. Don't look like you walk a lot of them.

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00:24:47,960 --> 00:24:50,040
Speaker 1: Probably mean joining your desk we're driving around. So that's

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Speaker 1: the sign of a true money man coming coming from

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Speaker 1: a guy who's got cufflings the size of you know,

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Speaker 1: big ones. Yeah, what do you mean big ones? A

393
00:25:00,359 --> 00:25:04,040
Speaker 1: little bit if it's not too much trouble. Could we

394
00:25:04,080 --> 00:25:08,879
Speaker 1: go to our uberpool first? Uh? And whatever you're because

395
00:25:08,920 --> 00:25:12,080
Speaker 1: your wife's given birth the uberpool right now, we don't know.

396
00:25:12,280 --> 00:25:15,560
Speaker 1: It's just l I know, I just they're They're probably

397
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Speaker 1: not going to drop us off first because we're kind

398
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Speaker 1: of you know, Jim here who was in the car,

399
00:25:19,960 --> 00:25:24,320
Speaker 1: are already definitely is our earmarked for our first drop off. Now, Jim,

400
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Speaker 1: we can't ask you given that this uh lady, I

401
00:25:28,920 --> 00:25:34,119
Speaker 1: don't wanna assuve. I am bursting at the scenes with

402
00:25:34,200 --> 00:25:36,960
Speaker 1: a child coming out of my ears. You don't want

403
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Speaker 1: to assume, Okay, please, these are modern times. I don't

404
00:25:41,400 --> 00:25:45,119
Speaker 1: want to be accused of anything. So this woman uh

405
00:25:45,440 --> 00:25:47,119
Speaker 1: is about to get like that. You don't have to

406
00:25:47,200 --> 00:25:51,000
Speaker 1: say it like you decided. Well, that's what I mean.

407
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Speaker 1: It's like the boss, but I want to be I'm

408
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Speaker 1: also want I want to be their friend. No, me too,

409
00:25:55,520 --> 00:25:57,000
Speaker 1: me too, But I also don't want to be their

410
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Speaker 1: friend because I'm their boss. And then you know what

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Speaker 1: I mean. Well, Jesus, is that what they mean by crowning?

412
00:26:01,760 --> 00:26:10,320
Speaker 1: Put that away? Will all the hospital Jim boe. So

413
00:26:10,400 --> 00:26:12,920
Speaker 1: I guess what I'm asking is so you buy you

414
00:26:13,080 --> 00:26:15,640
Speaker 1: buy low? You sell high? Is that right? Exactly? Well?

415
00:26:15,760 --> 00:26:17,879
Speaker 1: You can you can flip that too, you can you

416
00:26:17,960 --> 00:26:22,359
Speaker 1: can buy high and sell low, right right, because like

417
00:26:22,600 --> 00:26:24,840
Speaker 1: a lot of business goes down with you when you

418
00:26:24,920 --> 00:26:27,199
Speaker 1: think about business and numbers, you don't Are there two

419
00:26:27,320 --> 00:26:30,800
Speaker 1: kids in there? What's happening? I don't know. We wanted

420
00:26:30,840 --> 00:26:35,399
Speaker 1: to see. I think there might be a second baby.

421
00:26:36,119 --> 00:26:39,479
Speaker 1: I mean I can't technically go fast. This is awkward.

422
00:26:39,560 --> 00:26:43,800
Speaker 1: We have the same business card. Alright, Alright, I guess

423
00:26:44,240 --> 00:26:47,520
Speaker 1: I guess I'll go to your office which is my office. Okay,

424
00:26:48,240 --> 00:26:52,080
Speaker 1: that's crazy, you know, Um, this is so fucking nuts.

425
00:26:52,440 --> 00:26:55,879
Speaker 1: Would you have to get a business coffee, business dinner? Uh?

426
00:26:56,359 --> 00:27:00,240
Speaker 1: Sometimes I used to start with the business lunch, but um,

427
00:27:00,560 --> 00:27:02,439
Speaker 1: you know what, it has been a weird day. How

428
00:27:02,480 --> 00:27:04,920
Speaker 1: does it already have a sweater on? Come on, that's

429
00:27:04,920 --> 00:27:09,000
Speaker 1: a lot of hell. I don't think this is mine.

430
00:27:09,200 --> 00:27:16,000
Speaker 1: I don't think this woman. You're right to come in

431
00:27:16,040 --> 00:27:20,879
Speaker 1: to check a fraternity test. Mr Steve Steve, Steve Stevens,

432
00:27:21,160 --> 00:27:26,120
Speaker 1: that name Steves, just me, Mr Stevens, Mr Steves. Uh yeah,

433
00:27:26,200 --> 00:27:28,879
Speaker 1: I mean it's not uncommon for fathers to do this

434
00:27:29,000 --> 00:27:34,159
Speaker 1: behind their wives back. Because doctor we have a gentleman

435
00:27:34,240 --> 00:27:37,159
Speaker 1: named Jim who says he was supposed to be the

436
00:27:37,200 --> 00:27:39,880
Speaker 1: same appointment. Um, he was in in Uber with these

437
00:27:39,960 --> 00:27:42,480
Speaker 1: two and some. I don't know the whole story, but

438
00:27:42,560 --> 00:27:47,520
Speaker 1: he might be the father so covered in I heard that.

439
00:27:48,560 --> 00:27:49,840
Speaker 1: So when we bring him in, I'll do a little

440
00:27:49,880 --> 00:27:51,280
Speaker 1: swabby and I'll put it in the machine to see

441
00:27:51,320 --> 00:27:54,200
Speaker 1: what comes up. But Mr Stevis, Uh, I'm not tuff.

442
00:27:54,200 --> 00:27:55,639
Speaker 1: It's gonna be Jim because he's a he looks like

443
00:27:55,680 --> 00:27:58,080
Speaker 1: he's covered in juice. But you're saying that the child

444
00:27:58,160 --> 00:28:01,360
Speaker 1: was covered in heron and for me, it was not hair.

445
00:28:01,520 --> 00:28:03,600
Speaker 1: There's a very different oh fur as different than hair.

446
00:28:03,680 --> 00:28:06,159
Speaker 1: Oh fuck me, I'm a goddamn doctor. You know what

447
00:28:06,600 --> 00:28:09,040
Speaker 1: you know? Stevis? Can I see you in my office

448
00:28:09,119 --> 00:28:11,720
Speaker 1: for a second? Sorry, Mrs Stevie's was it? I didn't

449
00:28:11,720 --> 00:28:13,520
Speaker 1: mean to ease up, Carl. Could I talk to you

450
00:28:13,600 --> 00:28:15,879
Speaker 1: for a second? Yeah, just give us a moment if

451
00:28:15,880 --> 00:28:19,080
Speaker 1: you were Mrs Stevies, So sorry, be right back. Yeah, Carl,

452
00:28:19,119 --> 00:28:21,200
Speaker 1: what the funk with the language in front of the customers?

453
00:28:21,440 --> 00:28:22,840
Speaker 1: What did I'm high as hell? What do you want

454
00:28:22,880 --> 00:28:25,680
Speaker 1: me to do? Oh? That's great, that's great. You come in.

455
00:28:25,760 --> 00:28:27,960
Speaker 1: You get high by yourself. I'm yaked out of my

456
00:28:28,040 --> 00:28:29,760
Speaker 1: goddamn mine. You're not going to turn the rest of

457
00:28:29,880 --> 00:28:32,359
Speaker 1: us on with your yak. What do you get turned out?

458
00:28:32,359 --> 00:28:33,679
Speaker 1: How you get turned out? I don't know that, dude. Look,

459
00:28:33,720 --> 00:28:36,159
Speaker 1: do you want some blow or not? I do? Okay,

460
00:28:36,680 --> 00:28:39,840
Speaker 1: I can hear you, Jim, Hey, hey, j I'm the

461
00:28:39,960 --> 00:28:43,000
Speaker 1: nurse here. Yeah. So I just um, thank you for

462
00:28:43,080 --> 00:28:46,640
Speaker 1: filling out the form series of great insurance. So, so

463
00:28:46,800 --> 00:28:49,320
Speaker 1: here's what here's what I want to figure out. You

464
00:28:49,480 --> 00:28:52,600
Speaker 1: had slept with this woman before you saw her in

465
00:28:52,720 --> 00:28:59,360
Speaker 1: the uber? Is that correct? So sleeping with if? I

466
00:28:59,400 --> 00:29:02,400
Speaker 1: don't know, it's weird term to you that you have

467
00:29:02,720 --> 00:29:06,040
Speaker 1: sex with her. Yeah, yeah, yeah, yeah, we did it.

468
00:29:06,160 --> 00:29:13,840
Speaker 1: We bow okay. And do you know her husband, Steve? Steve?

469
00:29:13,960 --> 00:29:17,360
Speaker 1: Yeah yeah, yeah, you know him? Yeah, yeah, yeah, I know.

470
00:29:17,760 --> 00:29:21,960
Speaker 1: It's because because the doctor is about to do oppraternity test.

471
00:29:23,160 --> 00:29:25,480
Speaker 1: If it's you, it's going to be weird. Oh boy,

472
00:29:26,840 --> 00:29:31,040
Speaker 1: you're covered in juice. Yeah, I got hair, wet ass pants. Yeah.

473
00:29:31,920 --> 00:29:33,240
Speaker 1: Why don't I do this? Why don't I put you

474
00:29:33,400 --> 00:29:36,840
Speaker 1: in and Steve in the same room? And this is

475
00:29:36,840 --> 00:29:42,120
Speaker 1: a little very Mari Povich of you. But okay, yeah,

476
00:29:42,200 --> 00:29:44,840
Speaker 1: we'll do the we'll do the seafood platter, and we'll

477
00:29:44,840 --> 00:29:48,600
Speaker 1: also do the m so I wasna I was gonna

478
00:29:48,640 --> 00:29:54,120
Speaker 1: say seafood platter. So you're ordering for both of you, yes,

479
00:29:54,960 --> 00:29:56,239
Speaker 1: but if you want to order for both of us

480
00:29:56,240 --> 00:30:01,280
Speaker 1: as well, he can. He's a business ceo of this menu.

481
00:30:05,040 --> 00:30:06,920
Speaker 1: All right, let's take it to town. Let's do the

482
00:30:06,960 --> 00:30:11,960
Speaker 1: seafood platters, do the just the meats here. Thank god

483
00:30:12,000 --> 00:30:16,360
Speaker 1: you're in here. These guys. These guys are on drugs. Jim. Well,

484
00:30:16,400 --> 00:30:23,320
Speaker 1: it's a hospital, assume everybody. They call it yack. Oh

485
00:30:23,440 --> 00:30:26,080
Speaker 1: my god, I heard about that stuff. I don't want

486
00:30:26,120 --> 00:30:30,040
Speaker 1: my wife be here. I don't want my my my baby. Yeah,

487
00:30:30,280 --> 00:30:34,320
Speaker 1: you see my baby. Yeah. Cute, cute, he's very cute.

488
00:30:36,160 --> 00:30:38,360
Speaker 1: I think it looks pretty cute, pretty cute. Looks like

489
00:30:38,400 --> 00:30:41,560
Speaker 1: a cheap a cobra. Okay, I don't know about that.

490
00:30:41,640 --> 00:30:43,440
Speaker 1: I think he looks a little bit like John Legend.

491
00:30:43,520 --> 00:30:46,600
Speaker 1: If he look like me, I don't, I don't. I

492
00:30:46,600 --> 00:30:50,040
Speaker 1: don't think that happens. Hey, Look, that happens a lot.

493
00:30:50,160 --> 00:30:53,360
Speaker 1: Do you think all babies look like their fathers? They don't.

494
00:30:54,160 --> 00:30:57,440
Speaker 1: It's like, you know, look skip a generation, you know,

495
00:30:58,560 --> 00:31:01,080
Speaker 1: like it's like you know, being having red hair or

496
00:31:01,680 --> 00:31:07,320
Speaker 1: or I would know about that. I just and I said,

497
00:31:07,400 --> 00:31:09,640
Speaker 1: you know, take half of it and then get out

498
00:31:09,680 --> 00:31:11,800
Speaker 1: of my line Jeu, and I never sell her again.

499
00:31:12,440 --> 00:31:14,600
Speaker 1: I mean having business partners and stuff, you know, you

500
00:31:14,720 --> 00:31:17,360
Speaker 1: can't just can't just say, hey, we're going to sign

501
00:31:17,400 --> 00:31:19,920
Speaker 1: this lease on this business together and sorry just for

502
00:31:20,000 --> 00:31:21,480
Speaker 1: the drink order. Can you just let me know so

503
00:31:21,560 --> 00:31:22,960
Speaker 1: I can go. I've been just kind of here for

504
00:31:23,120 --> 00:31:27,040
Speaker 1: like an hour. Sure, But that's like the core of it,

505
00:31:27,200 --> 00:31:29,800
Speaker 1: is that right where you just really got to navigate

506
00:31:29,840 --> 00:31:32,920
Speaker 1: those waters when you say core, here's what I see

507
00:31:33,080 --> 00:31:37,960
Speaker 1: core communication organization. We have sparklingers still or just let

508
00:31:38,000 --> 00:31:44,040
Speaker 1: me know, like waters beer seltzer, let's do two martini's

509
00:31:44,120 --> 00:31:46,520
Speaker 1: up dry all of I don't want those alves wet

510
00:31:46,560 --> 00:31:47,720
Speaker 1: at all. So there's a way to code them and

511
00:31:47,760 --> 00:31:50,000
Speaker 1: wax and drop them in there so they're dry, and

512
00:31:50,560 --> 00:31:54,640
Speaker 1: let's do Jim, Mr Jim Grey, thank you so much,

513
00:31:54,720 --> 00:31:59,360
Speaker 1: thank you, miss miss miss What are your initials? U

514
00:31:59,760 --> 00:32:06,200
Speaker 1: S S S You only have to yeah, I mean,

515
00:32:06,280 --> 00:32:09,160
Speaker 1: I mean you have a middle name name or maybe no,

516
00:32:11,200 --> 00:32:12,720
Speaker 1: maybe you don't have a last name. So I do

517
00:32:12,920 --> 00:32:14,640
Speaker 1: I do? I do have a last name. I don't

518
00:32:14,640 --> 00:32:17,360
Speaker 1: have a middle name. I don't think it's that unusual. Oh,

519
00:32:17,440 --> 00:32:19,280
Speaker 1: I'm just asking SS. I'm gonna look that up on

520
00:32:19,320 --> 00:32:24,440
Speaker 1: the down exchange one second, can I put this in?

521
00:32:25,680 --> 00:32:27,000
Speaker 1: I don't know. Do you want to hear how well

522
00:32:27,040 --> 00:32:30,360
Speaker 1: you're stock stra It sounds like it's not me, you're

523
00:32:30,400 --> 00:32:34,840
Speaker 1: just using my initials. I don't have any stock called SS.

524
00:32:35,640 --> 00:32:38,480
Speaker 1: This thing is shuping high. You should because it's shop

525
00:32:38,520 --> 00:32:41,560
Speaker 1: and high. Now is the time to buy right now?

526
00:32:42,160 --> 00:32:46,480
Speaker 1: By hi, by hi? So how close are you and

527
00:32:46,560 --> 00:32:50,560
Speaker 1: your wife? Like is it like like uh until death

528
00:32:50,640 --> 00:32:54,640
Speaker 1: does us part? Or like you know, you know, honestly,

529
00:32:54,720 --> 00:32:58,120
Speaker 1: I I don't. I don't think that we're really that

530
00:32:58,480 --> 00:33:03,400
Speaker 1: close at all. Honestly, I married her because she kind

531
00:33:03,400 --> 00:33:06,440
Speaker 1: of tricked me into this with the baby. Okay, that's

532
00:33:06,560 --> 00:33:09,160
Speaker 1: that's that's just we don't bullshit. And that thing doesn't

533
00:33:09,160 --> 00:33:10,600
Speaker 1: even look like me. It doesn't even look like a

534
00:33:11,280 --> 00:33:13,080
Speaker 1: first off, it's not a thing. It's a it's an

535
00:33:13,120 --> 00:33:19,160
Speaker 1: adorable John legend sing t. Yeah. Some people like they

536
00:33:19,240 --> 00:33:21,760
Speaker 1: have a condition where like the teeth growing its fing

537
00:33:21,840 --> 00:33:25,840
Speaker 1: it's called them them Paris disease. Okay, and it's the

538
00:33:25,960 --> 00:33:29,720
Speaker 1: very of your teeth are pretty sharp. Oh so I

539
00:33:29,760 --> 00:33:31,880
Speaker 1: say you welcome over there, and tell your manager you're around,

540
00:33:31,880 --> 00:33:34,920
Speaker 1: because you just bought two eight four shares at a

541
00:33:35,080 --> 00:33:42,360
Speaker 1: very high price. I regret that. Um, I really shouldn't

542
00:33:42,360 --> 00:33:44,480
Speaker 1: have done that. That was like my life savings. And

543
00:33:44,600 --> 00:33:46,720
Speaker 1: it seems like it can only go down from here.

544
00:33:46,880 --> 00:33:49,560
Speaker 1: And honestly, honestly, let's get those drinks in and let's

545
00:33:49,600 --> 00:33:52,440
Speaker 1: get that seafood platter out. Okay, thank you, sony. So

546
00:33:52,760 --> 00:33:57,840
Speaker 1: this is so what I'm thinking is, you know, we push,

547
00:33:57,960 --> 00:33:59,680
Speaker 1: we push, we push, and we're trying to build this

548
00:33:59,760 --> 00:34:02,160
Speaker 1: big this is brand because right now it's about branding

549
00:34:03,960 --> 00:34:07,480
Speaker 1: exactly right now, It's like I see green arrows pointing

550
00:34:07,560 --> 00:34:11,000
Speaker 1: up right right, right arrows. Part of me, I'm a

551
00:34:11,040 --> 00:34:17,759
Speaker 1: little the point. What's going on? So? Um so in

552
00:34:17,880 --> 00:34:21,000
Speaker 1: quarter in quarter two? What is going on? You are

553
00:34:21,160 --> 00:34:25,120
Speaker 1: stumbling through this? I can't help but I think that

554
00:34:25,320 --> 00:34:29,000
Speaker 1: maybe I'm trapped inside of a scene to scene this

555
00:34:29,360 --> 00:34:33,800
Speaker 1: this this seems like a long come where's my wife?

556
00:34:34,840 --> 00:34:37,479
Speaker 1: I don't know I got here when you guys got here?

557
00:34:37,800 --> 00:34:48,440
Speaker 1: I no, you've already come out come out. Okay, so

558
00:34:48,719 --> 00:34:53,480
Speaker 1: obviously you know your wife. Actually I'm not your wife.

559
00:34:53,560 --> 00:35:04,440
Speaker 1: I'm the renound British accent. Um, you all know me.

560
00:35:08,560 --> 00:35:15,720
Speaker 1: I'll try something, trying something new. Who funded this this scene?

561
00:35:16,480 --> 00:35:18,399
Speaker 1: I didn't buy a scene. I never asked me part

562
00:35:18,440 --> 00:35:20,839
Speaker 1: of a scene. I've been nine months of my life

563
00:35:20,920 --> 00:35:24,239
Speaker 1: with with you British accent. All right, we're just gonna

564
00:35:24,360 --> 00:35:25,960
Speaker 1: just sign us the least form. This is an uber

565
00:35:26,000 --> 00:35:29,320
Speaker 1: commercial you are part of. So we're gonna cut this

566
00:35:30,800 --> 00:35:33,920
Speaker 1: two year spot. We're gonna cut this up into chunks

567
00:35:34,760 --> 00:35:36,560
Speaker 1: and then we're gonna just kind of let it out

568
00:35:36,600 --> 00:35:42,800
Speaker 1: as like a YouTube. I'm not I'm not a businessman. Yeah, no,

569
00:35:42,960 --> 00:35:48,800
Speaker 1: you're not. I'm sorry you told me to bring my

570
00:35:49,080 --> 00:35:55,399
Speaker 1: manager out and so um, here he is Steve. I asked,

571
00:35:55,520 --> 00:36:00,640
Speaker 1: don't want to share with you and scene you've been

572
00:36:00,680 --> 00:36:03,000
Speaker 1: part of the scene to seeing Steve, I'm not a

573
00:36:03,080 --> 00:36:08,480
Speaker 1: business man, I'm an actor. Well I booked this cameo

574
00:36:08,640 --> 00:36:14,400
Speaker 1: on cameo A oh did you actually sell I mean

575
00:36:14,520 --> 00:36:16,759
Speaker 1: use your life savings somebody? Yeah, I did that. I

576
00:36:16,920 --> 00:36:20,080
Speaker 1: did that. Yeah, And I'm not really a table I'm

577
00:36:20,200 --> 00:36:27,040
Speaker 1: organ freeman and that is seen too. No, and scene

578
00:36:34,080 --> 00:36:36,799
Speaker 1: scene three comes from patron v I P. Chris, who wrote,

579
00:36:36,880 --> 00:36:39,759
Speaker 1: high miss thank you for all the laughs during these

580
00:36:39,800 --> 00:36:44,560
Speaker 1: crazy times. The new episodes make Tuesdays and Thursdays that

581
00:36:44,719 --> 00:36:55,960
Speaker 1: much easier to get through. Scene suggestion road rage stay Chris, mhm,

582
00:36:57,640 --> 00:37:04,880
Speaker 1: goddamn it? What is it? Is? Tailgating me? Oh? Come on, no, No,

583
00:37:05,480 --> 00:37:07,959
Speaker 1: he's doing it on purpose, doesn't he see the baby

584
00:37:08,040 --> 00:37:10,200
Speaker 1: on board sign? Mario? Are you okay back there? Do

585
00:37:10,239 --> 00:37:14,160
Speaker 1: you want the snacks? Um? I want to go fish

586
00:37:14,400 --> 00:37:16,759
Speaker 1: and I want flaming you. Okay, let me just get

587
00:37:16,840 --> 00:37:18,960
Speaker 1: that in the back here. Look, if he's tailing you,

588
00:37:19,120 --> 00:37:22,359
Speaker 1: just pull off. Let him go ahead. Alright, alright, that's

589
00:37:22,400 --> 00:37:23,960
Speaker 1: what I'm gonna do. I'll be the better man and

590
00:37:24,040 --> 00:37:26,800
Speaker 1: just let him pass me. Look at this asshole pulling

591
00:37:26,920 --> 00:37:30,879
Speaker 1: over like I'm gonna go around him. Fuck you, buddy, Yeah,

592
00:37:31,520 --> 00:37:34,279
Speaker 1: tell him? I mean, come on, what kind of a

593
00:37:34,360 --> 00:37:40,719
Speaker 1: bullshit I'm pulling over right behind him? Up? Honey, behind us?

594
00:37:41,360 --> 00:37:43,200
Speaker 1: Well then, honey, then just pull a little further down,

595
00:37:43,320 --> 00:37:44,759
Speaker 1: just go into this ravine. I mean, if I go

596
00:37:44,920 --> 00:37:47,080
Speaker 1: much further, it's going to be the ravine I know,

597
00:37:47,320 --> 00:37:51,319
Speaker 1: going to the ravine. Alright, alright, are going to the ravine. Now,

598
00:37:51,440 --> 00:37:54,080
Speaker 1: who is before we'll drive on this thing. How do

599
00:37:54,200 --> 00:37:59,759
Speaker 1: you cut in the back? Honey? Okay, in the back, yeah, more,

600
00:38:00,200 --> 00:38:06,319
Speaker 1: you know, just on my phone. All right, we'll tell

601
00:38:06,400 --> 00:38:09,600
Speaker 1: social media. I said, hello, JR. I'm going to ravene

602
00:38:09,640 --> 00:38:16,200
Speaker 1: over this guy's head. Do it. They're they're they're turtle.

603
00:38:16,360 --> 00:38:20,960
Speaker 1: They're turtle tossing, the turtle rolling. Oh my gosh, we're

604
00:38:21,040 --> 00:38:29,080
Speaker 1: tumbling head over. Just okay, okay, honey, just drive through

605
00:38:29,120 --> 00:38:32,799
Speaker 1: this jungle. Okay, drive the jungle. Drive. I don't even

606
00:38:32,840 --> 00:38:36,279
Speaker 1: know where we're going. Just drive. Just d We're not

607
00:38:36,400 --> 00:38:39,919
Speaker 1: on the GPS anymore. Good, we're off the grid. He's

608
00:38:39,920 --> 00:38:46,239
Speaker 1: still going, he's still going. Oh my god, good, I'm

609
00:38:46,320 --> 00:38:49,600
Speaker 1: going as fast as I can. As fucking guys, unbelievable.

610
00:38:49,719 --> 00:38:54,920
Speaker 1: I turtle tossed his ass. Not you gotta keep going

611
00:38:55,000 --> 00:38:59,200
Speaker 1: through the jungle. I'm looking at your insurance policy here,

612
00:38:59,239 --> 00:39:02,600
Speaker 1: and you are covered for a turtle toss. But it

613
00:39:02,920 --> 00:39:06,879
Speaker 1: does look like you tumbled as well as that correct, well,

614
00:39:06,960 --> 00:39:09,919
Speaker 1: it was it was. It started as a turtle toss,

615
00:39:10,000 --> 00:39:12,759
Speaker 1: but it turned into a barrel rule. Uh and did

616
00:39:12,840 --> 00:39:15,600
Speaker 1: you tumble little There was a barrel rule. Well, the

617
00:39:15,680 --> 00:39:19,200
Speaker 1: barrel rule was was the tumble. That was the style tumble.

618
00:39:19,280 --> 00:39:26,719
Speaker 1: There was no HM, so there was no tumble. No,

619
00:39:27,040 --> 00:39:33,319
Speaker 1: the barrel rule was the tumble. So there was a tumble. Yes,

620
00:39:33,440 --> 00:39:36,920
Speaker 1: there was a tumble. Yes, So let me get this straight.

621
00:39:37,239 --> 00:39:40,319
Speaker 1: You were following this guy and he starts the pull over,

622
00:39:40,480 --> 00:39:43,960
Speaker 1: so you disliked the pull over yourself. Yeah. I wasn't

623
00:39:43,960 --> 00:39:46,759
Speaker 1: gonna fall for his bullshit. He's gonna pull over and

624
00:39:46,840 --> 00:39:49,680
Speaker 1: let me go around fuck that. Yeah. Yeah, we here

625
00:39:49,719 --> 00:39:52,840
Speaker 1: at the Progressive Insurance we don't sign too brightly on

626
00:39:52,960 --> 00:39:54,880
Speaker 1: people pulling over. So you did the right thing and

627
00:39:54,960 --> 00:39:57,960
Speaker 1: doing that. Now, I see here in the papers here

628
00:39:58,040 --> 00:40:01,400
Speaker 1: that you also did a turtle toss. That correct. I

629
00:40:01,520 --> 00:40:03,880
Speaker 1: engaged in the turtle toss that turned into more of

630
00:40:03,920 --> 00:40:08,359
Speaker 1: a barrel roll. But but Mr Dicka, uh, your sub

631
00:40:08,440 --> 00:40:11,920
Speaker 1: sandwich here for you? There? All right? This? Yeah, there

632
00:40:11,960 --> 00:40:14,719
Speaker 1: you go? All right, all right, I'm gonna eat this

633
00:40:14,920 --> 00:40:18,399
Speaker 1: while I damn that smells good. Oh it's the best.

634
00:40:18,520 --> 00:40:21,680
Speaker 1: That's the best that all this city can offer. Bet.

635
00:40:23,160 --> 00:40:25,440
Speaker 1: I really just honestly think the whole problem was that

636
00:40:25,560 --> 00:40:28,719
Speaker 1: he shot this turtle shell at us. It's either a

637
00:40:28,760 --> 00:40:30,839
Speaker 1: green shell of red shall of blue shell. I don't

638
00:40:30,880 --> 00:40:33,200
Speaker 1: know what it is, but anything after I was hit

639
00:40:33,239 --> 00:40:35,040
Speaker 1: with a shell, I don't think it's my fault. So

640
00:40:35,200 --> 00:40:38,319
Speaker 1: you did tumble them? Yes, I tumbled. I I admit

641
00:40:38,440 --> 00:40:40,520
Speaker 1: I tumbled. It was a barrel roll, but none of them.

642
00:40:40,800 --> 00:40:43,160
Speaker 1: It's like the Domino effect. You get shot with a shell,

643
00:40:44,320 --> 00:40:49,239
Speaker 1: it's a turtle toss. What it wasn't my fault. This

644
00:40:49,360 --> 00:40:53,440
Speaker 1: should affect my insurance. I mean, it is your fault, sir.

645
00:40:53,600 --> 00:40:57,640
Speaker 1: You're driving and uh, let's see, I'm looking at the

646
00:40:57,920 --> 00:41:01,240
Speaker 1: domino effecture and it looks if you're right, domino effect

647
00:41:01,600 --> 00:41:04,040
Speaker 1: I mean, by the book means you get turtle tossed

648
00:41:04,280 --> 00:41:07,240
Speaker 1: to barrel roll. I mean, now, let me get this straight.

649
00:41:07,400 --> 00:41:10,000
Speaker 1: Was there a baby on board of this vehicle that

650
00:41:10,120 --> 00:41:13,200
Speaker 1: you were pursuing into the ravine? I mean defined baby,

651
00:41:14,360 --> 00:41:19,719
Speaker 1: small person, loose neck, no teeth. Yeah, yeah, it was

652
00:41:19,800 --> 00:41:23,120
Speaker 1: one of them old Google Gaga thing. Alright, that's all right,

653
00:41:23,160 --> 00:41:26,560
Speaker 1: that's a double points for that. Now this is very important.

654
00:41:26,640 --> 00:41:29,040
Speaker 1: I can't be stressed out enough. Was it a green

655
00:41:29,320 --> 00:41:32,440
Speaker 1: or red turtle shell that you shot at the aforementioned

656
00:41:32,640 --> 00:41:38,800
Speaker 1: vehicle ship? Hu? Did you notice? Um? But we just

657
00:41:38,920 --> 00:41:42,960
Speaker 1: kind of bought like a discount pack from the emporium.

658
00:41:43,520 --> 00:41:47,440
Speaker 1: So it's it's a variety of colors. You never know

659
00:41:47,560 --> 00:41:52,520
Speaker 1: what's gonna come out. Yeah, oh yeah, aporium. They can

660
00:41:52,560 --> 00:41:54,279
Speaker 1: be very tricky. They're not, you know, on the up

661
00:41:54,360 --> 00:41:59,120
Speaker 1: and up like we are here acause aggressive insurance. So

662
00:42:00,239 --> 00:42:02,920
Speaker 1: one would the color of the turtle shell matter if

663
00:42:02,960 --> 00:42:07,200
Speaker 1: I may, Well, green is a very earthy color. Red

664
00:42:07,680 --> 00:42:11,400
Speaker 1: signifies anger, and yellow, well, that's just kind of passive,

665
00:42:11,480 --> 00:42:13,839
Speaker 1: and we want more of a red because, as I said,

666
00:42:13,880 --> 00:42:16,560
Speaker 1: aggressive rather insurance. We don't know what I just remember

667
00:42:16,719 --> 00:42:19,919
Speaker 1: the Turtle Show was written. Oh all right, that makes

668
00:42:19,960 --> 00:42:22,360
Speaker 1: my pick work easy. I just don't understand what I

669
00:42:22,400 --> 00:42:25,120
Speaker 1: can be able to afford this. I thought we had insurance.

670
00:42:26,040 --> 00:42:28,320
Speaker 1: We did have insurance, but it doesn't cover talk, it

671
00:42:28,400 --> 00:42:33,000
Speaker 1: doesn't cover it doesn't cover tumbles, it doesn't it doesn't

672
00:42:33,040 --> 00:42:35,800
Speaker 1: cover you know what. This saddles it. I want to go.

673
00:42:36,160 --> 00:42:38,600
Speaker 1: I want to go get some turtle shells, you know,

674
00:42:38,719 --> 00:42:42,279
Speaker 1: I know more, Mr Nice Dad, Yeah, welcome to the

675
00:42:42,360 --> 00:42:49,479
Speaker 1: Turtle Emporium. How canna help you? Hi? I've never owned

676
00:42:49,520 --> 00:42:51,920
Speaker 1: a turtle shell, but like so I'd like to give

677
00:42:52,200 --> 00:42:57,239
Speaker 1: that kind of take it easy. I'm just I'm not

678
00:42:57,360 --> 00:42:59,200
Speaker 1: very good at aiming. So I've heard that the Red

679
00:42:59,280 --> 00:43:03,640
Speaker 1: Shells will you know, track and and you know, hit

680
00:43:03,760 --> 00:43:07,960
Speaker 1: the car that you're trying to hit. If if it's

681
00:43:08,000 --> 00:43:09,800
Speaker 1: a car you're trying to hit, maybe you're trying to

682
00:43:09,880 --> 00:43:11,920
Speaker 1: hit it, dear, you know what I mean, what you

683
00:43:12,120 --> 00:43:14,759
Speaker 1: hit with this is up to you. Here's what I'm

684
00:43:14,760 --> 00:43:18,200
Speaker 1: gonna say. Well, we gotta we gotta buyer on that

685
00:43:18,320 --> 00:43:28,160
Speaker 1: Red Turtle shell c I A, hello, I'm sorry, that's

686
00:43:28,160 --> 00:43:31,200
Speaker 1: all good. Listen, we gotta sell on that Red Turtle

687
00:43:31,239 --> 00:43:33,160
Speaker 1: Show that we marked. So it looks like we're gonna

688
00:43:33,200 --> 00:43:41,200
Speaker 1: trace that again. Stop stop, probably pause on the video game.

689
00:43:41,280 --> 00:43:44,160
Speaker 1: I'll join you in a second. Um. I'm just working

690
00:43:44,239 --> 00:43:46,680
Speaker 1: from home right now, so I have to Um, my

691
00:43:46,880 --> 00:43:50,040
Speaker 1: tracker is in behind my secret bookshelf because I'm in

692
00:43:50,040 --> 00:43:53,560
Speaker 1: the CIA, so I'm gonna see I So just like,

693
00:43:53,680 --> 00:43:57,520
Speaker 1: let me give me a second and I'll stop. So

694
00:43:57,719 --> 00:44:03,279
Speaker 1: hypothetically speaking, you know, if a Red Show were to

695
00:44:03,480 --> 00:44:07,120
Speaker 1: shoot towards a vehicle, yeah, it would hit it. You

696
00:44:07,160 --> 00:44:08,920
Speaker 1: don't need much experience, you don't need much and this

697
00:44:09,040 --> 00:44:14,359
Speaker 1: is this is legal, right, I'm a I just want

698
00:44:14,400 --> 00:44:17,759
Speaker 1: to protect myself while I'm driving, right, and it is

699
00:44:17,880 --> 00:44:20,759
Speaker 1: legal to protect yourself. You got a family, okay, I

700
00:44:20,880 --> 00:44:23,719
Speaker 1: have a I have a beautiful wife, and and one

701
00:44:23,760 --> 00:44:29,520
Speaker 1: of those things with the bobbily heads by a baby,

702
00:44:29,520 --> 00:44:34,000
Speaker 1: baby baby you need at a baby? Thank you? Yeah,

703
00:44:34,080 --> 00:44:36,120
Speaker 1: I got. I feel like I just don't even know

704
00:44:36,160 --> 00:44:37,320
Speaker 1: what I do with a green show. I think I

705
00:44:37,360 --> 00:44:41,640
Speaker 1: would just be shooting it off. And it's not listen.

706
00:44:42,000 --> 00:44:44,080
Speaker 1: If you want a green show, that's that's if you're

707
00:44:44,120 --> 00:44:45,759
Speaker 1: on on on on the golf course. You know what

708
00:44:45,800 --> 00:44:48,960
Speaker 1: I mean. You got a golf cart. Thank you. Now

709
00:44:49,040 --> 00:44:54,879
Speaker 1: you're talking my language. It's gonna be cash. I mean,

710
00:44:55,600 --> 00:44:59,480
Speaker 1: that's so strange. I usually I mean the entire baby's

711
00:44:59,560 --> 00:45:04,399
Speaker 1: college fund. I don't understand. I mean that was a kid.

712
00:45:05,480 --> 00:45:07,160
Speaker 1: Just think of it like this. We've only been putting

713
00:45:07,200 --> 00:45:09,880
Speaker 1: money into his college fund for about a year. That

714
00:45:10,200 --> 00:45:14,279
Speaker 1: was seventy grand I don't understand. And it's and this

715
00:45:15,000 --> 00:45:17,760
Speaker 1: is important, like what what good is a college fund

716
00:45:18,560 --> 00:45:21,239
Speaker 1: for a baby we don't even have anymore? Oh my god,

717
00:45:21,360 --> 00:45:25,400
Speaker 1: he even said that, I don't know. Hey, FBI C

718
00:45:25,600 --> 00:45:27,000
Speaker 1: I A. I don't know what you're doing here at

719
00:45:27,000 --> 00:45:29,880
Speaker 1: my emporium. I sell legit goods here. Okay, we're the

720
00:45:29,960 --> 00:45:34,200
Speaker 1: c I a look, I don't know what you want

721
00:45:34,239 --> 00:45:35,520
Speaker 1: for me. What do you want? You want to you

722
00:45:35,560 --> 00:45:39,640
Speaker 1: want to buy Jackie jacket here? Jacket is clearly covering

723
00:45:39,719 --> 00:45:42,399
Speaker 1: up a gigantic turtle shell behind it. You're not even

724
00:45:42,440 --> 00:45:47,239
Speaker 1: doing a good job of disguising any of them. We're

725
00:45:47,280 --> 00:45:49,120
Speaker 1: not even supposed to be here. We're not even supposed

726
00:45:49,120 --> 00:45:51,279
Speaker 1: to be here. Yes, I got a whole case of

727
00:45:51,960 --> 00:45:55,440
Speaker 1: t s is that need to be put in the

728
00:45:55,560 --> 00:45:59,279
Speaker 1: illegal shed. Oh he said illegal? He said illegal. No, No,

729
00:46:01,360 --> 00:46:06,359
Speaker 1: hold on, you said illegal. Go with them? Handcuff this guy.

730
00:46:06,440 --> 00:46:08,640
Speaker 1: You said it. No, But I mean like ill, like

731
00:46:08,760 --> 00:46:16,720
Speaker 1: it's ill people. Yeah, you gotta go to man now. Look, okay,

732
00:46:16,880 --> 00:46:19,000
Speaker 1: we all see the mission and a man in black,

733
00:46:19,120 --> 00:46:22,919
Speaker 1: right and mission men black. When he goes he talks

734
00:46:22,920 --> 00:46:24,480
Speaker 1: to Steve Bushemy or whoever the all that is, he

735
00:46:24,520 --> 00:46:27,480
Speaker 1: shoots him in the head. Remember that was it Steve Bushey?

736
00:46:27,560 --> 00:46:32,879
Speaker 1: Who was it? Okay, hear me out. I'm gonna start

737
00:46:32,920 --> 00:46:34,920
Speaker 1: with the title first, if you don't mind, and then

738
00:46:34,920 --> 00:46:37,279
Speaker 1: I'm gonna get to the pitch because I think you're

739
00:46:37,280 --> 00:46:40,000
Speaker 1: gonna see what I see just by me sharing the

740
00:46:40,120 --> 00:46:48,080
Speaker 1: title of the film. Uh, Mission men in Buck, Tom

741
00:46:48,120 --> 00:46:52,280
Speaker 1: Cruise movie, Mission men in Black? Is there a colon

742
00:46:52,360 --> 00:46:57,480
Speaker 1: in there? What do you think? I think maybe they're

743
00:46:58,400 --> 00:47:02,000
Speaker 1: colin Yeah, calling after the mission colin men in Black.

744
00:47:02,560 --> 00:47:04,720
Speaker 1: Let me just make sure I'm hearing this right, Mission

745
00:47:04,800 --> 00:47:11,840
Speaker 1: men Black? Right? Well no, so, of course no. So

746
00:47:12,640 --> 00:47:16,000
Speaker 1: you mentioned the Mission Impossible movies and you're familiar with

747
00:47:16,120 --> 00:47:20,439
Speaker 1: you men in Black. You brought that up. Yeah, you're

748
00:47:20,480 --> 00:47:24,360
Speaker 1: the we're the movie studio, you're the creative Ye you

749
00:47:24,520 --> 00:47:26,520
Speaker 1: told us. You just for like the first twenty minutes

750
00:47:26,840 --> 00:47:29,200
Speaker 1: NonStop about how much you love the Mission Impossible series

751
00:47:29,760 --> 00:47:33,080
Speaker 1: and Men in Black and Men in Black. So imagine

752
00:47:33,760 --> 00:47:37,920
Speaker 1: Mission men in Black? What am I imagine? What is it?

753
00:47:39,560 --> 00:47:41,000
Speaker 1: Let me let me I think I know what he's

754
00:47:41,000 --> 00:47:43,879
Speaker 1: talking about. He's talking about like, uh, you know, men

755
00:47:43,960 --> 00:47:49,120
Speaker 1: of the Cloth, we're black and uh yeah, it feels

756
00:47:49,200 --> 00:47:52,040
Speaker 1: like you, Jack, are on a completely different page than

757
00:47:52,080 --> 00:47:54,920
Speaker 1: the rest of the kind of movie executives here. And

758
00:47:55,040 --> 00:47:57,480
Speaker 1: I gets him, though, But he gets him. That's good.

759
00:47:59,040 --> 00:48:04,319
Speaker 1: We need that good. Yeah, that's good business. That's good business. Okay, Well,

760
00:48:04,360 --> 00:48:11,080
Speaker 1: he also greenlit that movie Curtains Curtains, Curtains in my Shoe. Yeah,

761
00:48:11,120 --> 00:48:14,359
Speaker 1: I mean that was a flop, but I mean we've

762
00:48:14,480 --> 00:48:18,000
Speaker 1: all had flops. Yeah, I mean I got a second

763
00:48:18,120 --> 00:48:21,720
Speaker 1: pitch in the chamber if you want to jump to that. Okay,

764
00:48:22,840 --> 00:48:25,520
Speaker 1: this is a sports film. I mean was the first

765
00:48:25,560 --> 00:48:27,319
Speaker 1: one of pits. Really, I mean that was just gonna

766
00:48:27,320 --> 00:48:30,560
Speaker 1: be threw a title out there and then expect, like

767
00:48:30,680 --> 00:48:32,960
Speaker 1: all fairness, I'm gonna take DIBs on that first one

768
00:48:33,040 --> 00:48:37,640
Speaker 1: before we even hear the second. I'll talk to Jack

769
00:48:38,440 --> 00:48:41,560
Speaker 1: after this. I like to really dangle that title out

770
00:48:41,600 --> 00:48:44,960
Speaker 1: there first, and if if there's nibbles on that, on

771
00:48:45,080 --> 00:48:49,560
Speaker 1: that bait, then you know, I know that on that pulp,

772
00:48:51,080 --> 00:49:03,640
Speaker 1: follow that pool. So here's another floater ready. God you babe,

773
00:49:03,640 --> 00:49:05,719
Speaker 1: I guess you're not working from home today? Huh your day?

774
00:49:05,719 --> 00:49:09,440
Speaker 1: You have a day off? Finally listen, Well, not every day.

775
00:49:09,560 --> 00:49:13,759
Speaker 1: It's kind of you wanted a movie. Yeah, okay, we're

776
00:49:13,760 --> 00:49:18,480
Speaker 1: gonna watch a movie. Yeah you brought Okay, Yeah, we're

777
00:49:18,520 --> 00:49:23,480
Speaker 1: gonna watch Curtains. Curtains in my Shoe. That movie sucks?

778
00:49:24,880 --> 00:49:28,719
Speaker 1: What that movie sucks? Honey, it's my day off. You

779
00:49:28,840 --> 00:49:32,560
Speaker 1: said it yourself. How would you ever have seen this

780
00:49:32,680 --> 00:49:35,800
Speaker 1: movie with that I'm in the c I A. Okay,

781
00:49:36,280 --> 00:49:41,040
Speaker 1: you're what I said? Yeah, I'm in the c I A.

782
00:49:41,520 --> 00:49:46,239
Speaker 1: All right, do you love child? What are you? Why

783
00:49:46,239 --> 00:49:48,640
Speaker 1: are you jumping to that? Yes? Of course, and it

784
00:49:48,840 --> 00:49:53,759
Speaker 1: is our child? But have you not yes? Get over here?

785
00:49:53,800 --> 00:50:04,200
Speaker 1: Get over here? You he's furry. Yeah, like okay, Linda,

786
00:50:04,239 --> 00:50:06,279
Speaker 1: thanks for coming in today. I'm just going over all

787
00:50:06,400 --> 00:50:10,359
Speaker 1: your test results. You've just done an incredible work. We're

788
00:50:10,440 --> 00:50:13,959
Speaker 1: very pleased. I'm not sure we've had this uh sort

789
00:50:14,000 --> 00:50:17,480
Speaker 1: of numbers before. I just had one follow up question.

790
00:50:17,680 --> 00:50:21,200
Speaker 1: Is there any scenario in life where you would say

791
00:50:21,360 --> 00:50:24,959
Speaker 1: the following words, I'm in the c I A. Because

792
00:50:25,040 --> 00:50:26,840
Speaker 1: that's going to be a bit of a deal breaker

793
00:50:26,960 --> 00:50:37,279
Speaker 1: for us. Um, any scenario at all? Anything come to

794
00:50:37,400 --> 00:50:41,959
Speaker 1: mind off the top of my head. No, um, let's

795
00:50:42,040 --> 00:50:46,520
Speaker 1: let's go all around your head. Not just okay, um.

796
00:50:48,040 --> 00:50:50,239
Speaker 1: I can't think of why I would ever say that.

797
00:50:50,400 --> 00:50:53,319
Speaker 1: Unless I got frost. You would be compelled and kind

798
00:50:53,360 --> 00:50:59,640
Speaker 1: of spat it out, you know, I mean, so frustration

799
00:51:00,080 --> 00:51:05,959
Speaker 1: would be really So that's any scenario you just got frustrated? Yeah,

800
00:51:06,160 --> 00:51:10,640
Speaker 1: I mean yes, if you want to, sir, you got

801
00:51:10,760 --> 00:51:15,399
Speaker 1: like six seven red shells headed towards the building right now,

802
00:51:16,080 --> 00:51:21,440
Speaker 1: right now, save yourselves, send yourself okay, now, don't come

803
00:51:21,520 --> 00:51:27,640
Speaker 1: through the building. Now, don't worry about Okay, Sean, I

804
00:51:27,800 --> 00:51:30,320
Speaker 1: have your next appointment is going to be some of

805
00:51:30,360 --> 00:51:34,680
Speaker 1: the cast members from Okay, Sean, I can hear you

806
00:51:34,719 --> 00:51:37,439
Speaker 1: making sound effects on the intercom um. So I'm gonna

807
00:51:37,520 --> 00:51:40,760
Speaker 1: send in, uh, some of our next the next appointment

808
00:51:40,800 --> 00:51:42,560
Speaker 1: you have. These are some of the cast members from

809
00:51:42,920 --> 00:51:46,440
Speaker 1: Curtain Curtain Shoe, So I think they might be good

810
00:51:46,480 --> 00:51:49,280
Speaker 1: for some scene to scene. It is called curtin Curlton

811
00:51:49,400 --> 00:51:52,880
Speaker 1: in my shoe. I am so sorry. I'll send them

812
00:51:52,880 --> 00:51:55,799
Speaker 1: in right now. Also, bring some tea, Please bring some tea. Yes,

813
00:51:56,560 --> 00:52:03,000
Speaker 1: thank you? He hi there. Wow, what an honor. I

814
00:52:03,040 --> 00:52:04,719
Speaker 1: don't know if you've heard me earlier, but I'm working

815
00:52:04,760 --> 00:52:08,840
Speaker 1: on a new script, a new script. Lots of pepews

816
00:52:08,960 --> 00:52:15,520
Speaker 1: and some it. Wow. You are gorgeous. First of all.

817
00:52:16,239 --> 00:52:21,640
Speaker 1: Thank you. So maybe we could work together seen to

818
00:52:21,719 --> 00:52:26,160
Speaker 1: be seen? I do not know. I must How do

819
00:52:26,280 --> 00:52:30,120
Speaker 1: you say? Seeing from you? You'll know to understand the

820
00:52:32,840 --> 00:52:40,040
Speaker 1: how do you say what is happening? You're aware of theater? Well,

821
00:52:40,120 --> 00:52:42,120
Speaker 1: let me ask you a question, Bill, how important is

822
00:52:42,160 --> 00:52:44,680
Speaker 1: this meeting, because to me, if it's not that important,

823
00:52:44,719 --> 00:52:47,920
Speaker 1: I say, go in with like an accent, like I

824
00:52:48,440 --> 00:52:53,960
Speaker 1: don't know French, Belgium, just fun with you know what

825
00:52:54,040 --> 00:52:56,399
Speaker 1: I mean? I could, but I know sometimes my friend

826
00:52:56,520 --> 00:53:01,279
Speaker 1: it waffles. It can even to Jamaican. I think that's

827
00:53:01,360 --> 00:53:08,640
Speaker 1: hilarious and that's the live aspect. And yeah, yeah, yes, yeah,

828
00:53:09,640 --> 00:53:14,279
Speaker 1: I don't I don't know e e yeah, I'll do

829
00:53:14,400 --> 00:53:25,560
Speaker 1: you say this is I d yes, yes, m hmm,

830
00:53:28,440 --> 00:53:34,160
Speaker 1: okay that type of work. Invitamen texual this company meet you.

831
00:53:35,120 --> 00:53:36,480
Speaker 1: What's it gonna take to get you to be one

832
00:53:36,480 --> 00:53:42,439
Speaker 1: of my actors? Do you want to meet Christopher Walkin? Oh? Yeah?

833
00:53:44,160 --> 00:53:46,920
Speaker 1: What do you want to meet Kevin Polk? Yes? That

834
00:53:47,120 --> 00:53:52,640
Speaker 1: Kevin Polk. Can I meet them blow at the same time?

835
00:53:53,360 --> 00:53:57,879
Speaker 1: You know what? For you? Because I want you so badly? Yeah? Hey,

836
00:53:57,960 --> 00:54:03,439
Speaker 1: can you can you get a Kevin Ristopher place? Oh? Ship,

837
00:54:03,560 --> 00:54:06,560
Speaker 1: I hate the wrong sorry building as an inter con

838
00:54:06,640 --> 00:54:12,480
Speaker 1: system if you pressed, he's American inter coun system. Can

839
00:54:12,560 --> 00:54:15,279
Speaker 1: we get Christopher and Kevin in place? Yes, it's coming

840
00:54:15,320 --> 00:54:20,920
Speaker 1: in right now, sir. And hey, um, great team, thank you, no,

841
00:54:21,600 --> 00:54:32,400
Speaker 1: thank you? Hey? What's going on? Christopher? Yeah? They know

842
00:54:32,480 --> 00:54:35,799
Speaker 1: who you are, Chris. What's going on you guys? Oh

843
00:54:35,840 --> 00:54:40,600
Speaker 1: my god, Kevin Chris, Uh, this is I don't need

844
00:54:40,640 --> 00:54:42,680
Speaker 1: to say who he is obviously a very famous actor.

845
00:54:42,680 --> 00:54:45,239
Speaker 1: I'm trying to get him on board and I'm hoping

846
00:54:45,280 --> 00:54:47,839
Speaker 1: maybe you guys could share your experience with how it's

847
00:54:47,880 --> 00:54:49,600
Speaker 1: been working here at seem to be seen. What do

848
00:54:49,719 --> 00:54:51,720
Speaker 1: we need to say to get you into Cadillac today.

849
00:54:53,480 --> 00:54:57,239
Speaker 1: I want to say that I think Kevin Publock you

850
00:54:57,320 --> 00:55:07,000
Speaker 1: are amazing, but uh, what you say it? I want

851
00:55:07,040 --> 00:55:11,440
Speaker 1: to know what your favorite movie is? A man, I

852
00:55:11,600 --> 00:55:14,360
Speaker 1: like the one where you are the judge Lord of

853
00:55:14,480 --> 00:55:17,720
Speaker 1: New York. You'll play some kind of king of the City,

854
00:55:18,800 --> 00:55:21,800
Speaker 1: King of New York. It has the guy from the

855
00:55:22,160 --> 00:55:26,560
Speaker 1: show in it, and Westley Snipes and Cowboy Cutters. I

856
00:55:26,640 --> 00:55:33,279
Speaker 1: think you're talking about Legion man. No, I cannot get

857
00:55:33,320 --> 00:55:38,080
Speaker 1: past this voice. It's something about it that reminds me

858
00:55:38,200 --> 00:55:43,000
Speaker 1: of someone I once to know. I haven't we Christopher

859
00:55:43,680 --> 00:55:46,399
Speaker 1: has an effect on people. I mean, Kevin, you've worked

860
00:55:46,480 --> 00:55:49,879
Speaker 1: Chriss for a long time. Yeah, this is what he does.

861
00:55:49,960 --> 00:55:53,080
Speaker 1: He gets inside your head and uh, you know, if

862
00:55:53,160 --> 00:55:56,040
Speaker 1: we work together, that's something you'll just get used to

863
00:55:56,200 --> 00:55:59,160
Speaker 1: on a daily basis, and I hope this is not

864
00:55:59,320 --> 00:56:02,040
Speaker 1: a deal break or for you, but uh, you know,

865
00:56:02,280 --> 00:56:07,719
Speaker 1: he's got his own way of thinking and speaking. I'm sorry, guys,

866
00:56:07,760 --> 00:56:12,759
Speaker 1: I can't do this anymore. Look, whoa god, I can't

867
00:56:12,800 --> 00:56:16,680
Speaker 1: do it either anymore. I'm going on. You're never gonna

868
00:56:16,719 --> 00:56:19,359
Speaker 1: believe this. But I'm not Christopher Walking. What the fund

869
00:56:19,480 --> 00:56:24,400
Speaker 1: is happening. I'm an improv teacher and I just I

870
00:56:24,520 --> 00:56:27,320
Speaker 1: came in with my when I came for the interview,

871
00:56:27,400 --> 00:56:29,840
Speaker 1: and I did an Actually I couldn't keep up. And

872
00:56:30,040 --> 00:56:36,680
Speaker 1: I'm from your rifle company. It's a scene. Man, Oh jem,

873
00:56:36,880 --> 00:56:40,080
Speaker 1: why why would you call me in for this? I

874
00:56:40,160 --> 00:56:44,799
Speaker 1: could be making videos for cameo right now. Look, that's

875
00:56:44,840 --> 00:56:48,279
Speaker 1: something I gotta tell you all. Oh no, don't don't know.

876
00:56:48,880 --> 00:56:51,759
Speaker 1: Come on, C I A I'm C. I bring it down,

877
00:56:53,760 --> 00:57:01,200
Speaker 1: red shells everywhere. Let's go here you go, okay, I'm

878
00:57:01,640 --> 00:57:05,920
Speaker 1: a back up, Thank you, thank you. So what you're

879
00:57:05,960 --> 00:57:08,840
Speaker 1: saying is, if you're in in a moment of stress

880
00:57:09,160 --> 00:57:13,000
Speaker 1: and attention in the field, you're just going to repeat it,

881
00:57:13,960 --> 00:57:17,000
Speaker 1: say I'm C. I in my understanding, that's how the

882
00:57:17,160 --> 00:57:24,240
Speaker 1: radio works. So yes, repeat and um, I mean if

883
00:57:24,280 --> 00:57:28,800
Speaker 1: you're one of us, sure, if you're undercover then maybe

884
00:57:28,920 --> 00:57:31,160
Speaker 1: not not as much. So is this like the most

885
00:57:31,280 --> 00:57:33,600
Speaker 1: important thing about being in the CIA, because that's the

886
00:57:33,680 --> 00:57:36,520
Speaker 1: only interview question you've asked me so far. Yeah, as

887
00:57:36,560 --> 00:57:38,880
Speaker 1: it turns out, it's the one that will will keep

888
00:57:38,920 --> 00:57:44,280
Speaker 1: you alive in the field. It we're going to go

889
00:57:44,440 --> 00:57:48,400
Speaker 1: the other way, but I'm trying to keep you alive

890
00:57:48,480 --> 00:57:50,000
Speaker 1: in the field, is what I'm trying. That's why I

891
00:57:50,080 --> 00:57:54,760
Speaker 1: keep hammering this point home. So if you if you

892
00:57:54,880 --> 00:57:58,240
Speaker 1: want to work here and you want to stay alive,

893
00:57:59,520 --> 00:58:03,760
Speaker 1: then you need to say anything. Really, but I'm see

894
00:58:03,800 --> 00:58:07,160
Speaker 1: I am let's work. Let's let's workshop some other things

895
00:58:07,200 --> 00:58:10,400
Speaker 1: you might say. So, so they get your order wrong,

896
00:58:10,880 --> 00:58:13,000
Speaker 1: and they give you the food, it's in the bag,

897
00:58:13,080 --> 00:58:15,520
Speaker 1: You get back in the car, you get home, you

898
00:58:15,640 --> 00:58:18,760
Speaker 1: open up the to go order and it's completely fucking wrong,

899
00:58:18,960 --> 00:58:34,880
Speaker 1: and you say, what, No, that's our show today. Oh

900
00:58:35,000 --> 00:58:37,280
Speaker 1: my god, it's all the timing. Did you learn a

901
00:58:37,280 --> 00:58:43,400
Speaker 1: little something there, James. Oh. Let's thank all of our

902
00:58:43,440 --> 00:58:49,640
Speaker 1: alchemists please, starting with returning champion Patrick Rowlands, thank you

903
00:58:49,760 --> 00:58:52,400
Speaker 1: so much for joining us once again. And where can

904
00:58:52,520 --> 00:58:57,440
Speaker 1: folks find you and or yourn. You can find me

905
00:58:57,560 --> 00:59:02,200
Speaker 1: on the social media's under Patrick Rowland. Also my an

906
00:59:02,360 --> 00:59:06,440
Speaker 1: independent sketching improp troop uh three pet comedy put that

907
00:59:06,560 --> 00:59:09,480
Speaker 1: up on the social media as well. All right, Patrick,

908
00:59:09,520 --> 00:59:11,400
Speaker 1: thank you and also thank you for not correcting me

909
00:59:11,840 --> 00:59:13,880
Speaker 1: each and every one of the thirty seven times I

910
00:59:13,960 --> 00:59:18,080
Speaker 1: mispronounced your last name. So it's Roland. Let go of

911
00:59:18,120 --> 00:59:23,080
Speaker 1: the W because I just hammering that fucking W. James,

912
00:59:23,240 --> 00:59:31,560
Speaker 1: heeny uh hi, it's not he Uh. Where should folks

913
00:59:31,600 --> 00:59:34,120
Speaker 1: find you and thank you for being here? Uh? Well,

914
00:59:34,320 --> 00:59:37,760
Speaker 1: you could find me at uh. If you want video

915
00:59:37,880 --> 00:59:41,040
Speaker 1: game news, go to game Front on YouTube and every

916
00:59:41,640 --> 00:59:43,320
Speaker 1: week I have a show called Hot Off the Press

917
00:59:43,320 --> 00:59:46,320
Speaker 1: Start and it's a fun video game news show that

918
00:59:46,520 --> 00:59:50,880
Speaker 1: is awesome. Mhm uh. If you go to Chris slash

919
00:59:51,320 --> 00:59:55,200
Speaker 1: or hyphen Alvarado dot com, is there a listening to

920
00:59:55,320 --> 00:59:59,400
Speaker 1: that to a link to that what James just mentioned, Well,

921
00:59:59,480 --> 01:00:01,320
Speaker 1: his website it's down there. So if there's a link

922
01:00:01,400 --> 01:00:05,720
Speaker 1: from your website to this, then yes there is. Oh excellent.

923
01:00:06,120 --> 01:00:08,440
Speaker 1: And Chris, what else can folks hope to get from

924
01:00:08,560 --> 01:00:12,800
Speaker 1: Chris hyphen Alvarado dot com at Chris dash Alvarado dot com.

925
01:00:13,520 --> 01:00:16,040
Speaker 1: You can read a little bit about me my bio. Okay, okay,

926
01:00:16,080 --> 01:00:18,320
Speaker 1: where I am and why I'm not just the all

927
01:00:18,360 --> 01:00:21,480
Speaker 1: American boy next door. N you can uh, you can

928
01:00:21,480 --> 01:00:23,480
Speaker 1: see little photo gallon. I mean you want to see

929
01:00:23,520 --> 01:00:27,240
Speaker 1: my reel A real is a compilation of video work

930
01:00:27,320 --> 01:00:30,120
Speaker 1: I've done. It's there. You want to contact your boy,

931
01:00:30,200 --> 01:00:33,160
Speaker 1: you want to learn about improv classes, It's all there.

932
01:00:33,600 --> 01:00:36,520
Speaker 1: Do you want to listen to Joey Greers good Night

933
01:00:36,720 --> 01:00:39,720
Speaker 1: Sketch comedy album. It's also linked on my web page.

934
01:00:39,800 --> 01:00:43,880
Speaker 1: Point is Anything you want? It's there. Chris dash Alvarado

935
01:00:44,240 --> 01:00:50,120
Speaker 1: dot com. Nice Caroline Connor, thank you so very very much.

936
01:00:50,200 --> 01:00:51,920
Speaker 1: How long do you think you'll hunker down at your

937
01:00:51,960 --> 01:00:56,840
Speaker 1: current location? I have no idea. It's up to the pandemic. Yeah,

938
01:00:57,600 --> 01:01:03,000
Speaker 1: could be a week, could be five years. Sure I

939
01:01:03,160 --> 01:01:06,840
Speaker 1: did it. Yeah? And uh, what has been your favorite

940
01:01:06,920 --> 01:01:11,800
Speaker 1: meal since you've been there so far? Um? Honestly, bagels?

941
01:01:11,920 --> 01:01:16,600
Speaker 1: I love bagels. Yeah, and New Jersey has tight asked bagels.

942
01:01:17,600 --> 01:01:20,360
Speaker 1: Also known for their dinners. Do you have a favorite

943
01:01:20,400 --> 01:01:23,880
Speaker 1: Do you have a favorite diner? The Summit Diner in

944
01:01:24,040 --> 01:01:27,120
Speaker 1: some of New Jersey is a classic diner. Check it out,

945
01:01:27,200 --> 01:01:32,520
Speaker 1: it's old, It's good the end. Thank you for sharing.

946
01:01:32,600 --> 01:01:34,440
Speaker 1: Last time I was therea eight at one called state

947
01:01:34,560 --> 01:01:42,240
Speaker 1: Line state Line Diner. You ever been there, Joey Graham No, okay, thanks,

948
01:01:42,720 --> 01:01:45,280
Speaker 1: Well that's our show. Let's thank our oh d waite, Joey,

949
01:01:45,320 --> 01:01:47,040
Speaker 1: is there's something you want to share with every anyone?

950
01:01:47,400 --> 01:01:50,160
Speaker 1: I did? I think I was thinking of a Kope

951
01:01:50,160 --> 01:01:57,320
Speaker 1: Deville Cadillac, but the Monte Carlo is a Chrysler. Chrysler

952
01:01:57,400 --> 01:02:00,560
Speaker 1: Monte Carlo. Yeah, not to be, but it see it's

953
01:02:00,600 --> 01:02:03,400
Speaker 1: a hard see yeah, So I mean my mind goes

954
01:02:03,480 --> 01:02:07,080
Speaker 1: where it goes, and then we get it out of

955
01:02:07,120 --> 01:02:10,920
Speaker 1: the gutter eventually. Let's thank our engineering producer to the stars,

956
01:02:11,040 --> 01:02:18,280
Speaker 1: Mr Dutban. Fine, folks that I heart media. I'm your host,

957
01:02:18,320 --> 01:02:21,080
Speaker 1: Kevin Pollack reminding you that we love you and appreciate you.

958
01:02:21,200 --> 01:02:23,400
Speaker 1: Please continue to write to us, write a review, make

959
01:02:23,480 --> 01:02:26,400
Speaker 1: James happy, and look out for each other and put

960
01:02:26,440 --> 01:03:01,040
Speaker 1: on a damn mask until next time. Three