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Speaker 1: Look man, oh I see you? Why why oh one?

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Speaker 1: Look over there? How is that culture? Yes? Goodness ding

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Speaker 1: lost culture race is calling and I've already had it

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Speaker 1: with Bow and I've had it a copa. I've had

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Speaker 1: it with him today. Why are you forgetting wires? I

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Speaker 1: normally I'm on top of my wires and my chords.

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Speaker 1: I don't know, you know what, We don't have to

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Speaker 1: get into it everything. There's there's a lot of set

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Speaker 1: up and we're doing this in a very unusual way already.

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Speaker 1: But I T L D R. Boone forgot his charger

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Speaker 1: to his computer and now his computer is dead as

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Speaker 1: Marilyn Monroe, and we can barely even do the podcast tonight.

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Speaker 1: We had to we had to figure out how to

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Speaker 1: use a zoom That's okay, zoom interface, we should the

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Speaker 1: zoom interface we're using and listen, that's us both growing

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Speaker 1: and changing and learning new ways to record, learning new ways.

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Speaker 1: And we have to apologize to you, the listener, the reader.

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Speaker 1: We were a little buzzed. That's fine, and that's fine, um,

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Speaker 1: thank you for listening to the chaos. That was the

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Speaker 1: first part of our two part two hundredth episodes Spectacular,

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Speaker 1: where we count down the top two hundred culture moments

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Speaker 1: in culture history. We Matt made us a cocktail um which,

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Speaker 1: in this loose definition is a red Bull and vodka.

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Speaker 1: I did. I literally kept sort of referring to it

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Speaker 1: as a cocktail. It was a Red Bull vodka. But

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Speaker 1: here's the tail. I'm yeah. I leaned on it for

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Speaker 1: us and we only finished about half of those drinks

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Speaker 1: and we were flippy FILOPPI yeah loosao. I felt. Really

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Speaker 1: you can listen back to it. You have the audio.

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Speaker 1: We're slurring through the episode, the pacing. We just have

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Speaker 1: to quickly say, Matt and I really thought we could

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Speaker 1: count down all two hundred things in under two hours.

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Speaker 1: Can you believe that that is something that we thought

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Speaker 1: was logistically feasible, us saying two hundred things, all giving

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Speaker 1: them like some sort of cultural do like speaking about

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Speaker 1: them a little bit, and getting to the end. No way,

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Speaker 1: No way. This just shows that we have a lot

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Speaker 1: to learn about podcasting. We have so much to learn,

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Speaker 1: and we thank you for being there with us on

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Speaker 1: the way to grow, on the way to grow, On

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Speaker 1: the way to grow. And if this episode were to

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Speaker 1: have a title, it would be called on the Way

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Speaker 1: to should we call this episode this two part episode

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Speaker 1: um two D spectacular? Yes, just those two words two

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Speaker 1: hundred spectacular part one in part two two? Well? Or

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Speaker 1: should we say? And I always feel it's good to

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Speaker 1: say in the title what the episode is. So maybe

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Speaker 1: it's top two hundred moments of culture spectacular. Yes, I

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Speaker 1: like that, or two hundred the two hundred colon the

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Speaker 1: two hundred greatest moments in culture parentheses our two hundred episode.

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Speaker 1: I love that, And I really am in no position

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Speaker 1: to push back on whatever you propose, I I do,

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Speaker 1: I really do. I love that. So it's two hundred

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Speaker 1: colon The top two hundred moments in culture history. Parentheses

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Speaker 1: are two hundred of part one, and we have we

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Speaker 1: oh yeah, we need the word spectacular in There are

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Speaker 1: two D episodes spectacular part one. Should it be this

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Speaker 1: in parentheses? Hear me out in caps spectacular colon two

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Speaker 1: hundred colon The top two hundred moments in pop culture

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Speaker 1: history parentheses are two hundred episode Part one, Part one.

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Speaker 1: So the very like, it's very like themed to the

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Speaker 1: to the number two hundred. The double colon is the

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Speaker 1: only thing that's tripping me up. It is not done.

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Speaker 1: I think it's spectacular colon and then what do you say,

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Speaker 1: m dash the top two hundred moments in culture history

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Speaker 1: parentheses are two hundred spectacular part one close parentheses. Okay, yeah, alright,

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Speaker 1: that's really good epic. That's like amazing movie. It's yes,

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Speaker 1: it gives me like Disney Vines where it's now the

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Speaker 1: titles are just in word and it's an adjective like

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Speaker 1: Tangled Frozen. You know, well, yes, it's I feel that

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Speaker 1: when I say it's like a Basil Erman movie, I

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Speaker 1: actually immediately understand that he's sort of called many of

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Speaker 1: his movies by like one word or two words, Rouge Australia.

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Speaker 1: What I mean is it has the grand of a

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Speaker 1: Bosler movie. It totally it stylistically says Basil Erman to me.

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Speaker 1: And that's all I really want. Like in Romeo and Juliet,

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Speaker 1: the and is plus and that's how you know it's

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Speaker 1: huge and that's how that that's his little signature. And

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Speaker 1: mulan Rouge has an exclamation point. Yes in Australia is

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Speaker 1: in like big white letter. It's amazing. It's an amazing

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Speaker 1: fun And then, um, what else grape Gatsby has Carrie

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Speaker 1: Mulligan Mulligan special. I never, I never, I never saw it.

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Speaker 1: You know what's unfortunate for Carrie Mulligan what she didn't

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Speaker 1: make the list? She didn't she did not make the list.

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Speaker 1: And you know what's interesting about Carrie Mulligan. I sometimes

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Speaker 1: think and feel that you used to have as your

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Speaker 1: Twitter bio. I am as pretty as Carrie Mulligan. Please

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Speaker 1: can firm you want to know something? It's still my

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Speaker 1: Tinder bio and I'm still on Tinder. Isn't that like

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Speaker 1: you're still on the very straight tender. I would say

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Speaker 1: it's pretty gay, is it? Well, I guess I just

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Speaker 1: mean like to me, like, yeah, it's like it's like

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Speaker 1: through the male gaze. It's like very much like a

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Speaker 1: breeding ground for like that straight guy who has a

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Speaker 1: picture at Machu Pichu. Yes, you know what I mean

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Speaker 1: at Machu Pichu down Boots. It's actually really culture number

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Speaker 1: twenty the gays down Boots. Um. You know it's funny

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Speaker 1: you get you get all types there. Yeah, I would

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Speaker 1: imagin types of queers. International. Really it's really an international site. Um.

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Speaker 1: And speaking of international international, we have for you a

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Speaker 1: list not just of the top one hundred best things

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Speaker 1: in pop culture. But it's two hundred because this is

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Speaker 1: famously as you may have in for our two episode

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Speaker 1: or a second part of what is a two episode

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Speaker 1: spectacular celebration. And today what do we have today? We

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Speaker 1: have the top one moments in culture history. So we

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Speaker 1: we finished our first half of this. Number one oh

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Speaker 1: one was, of course Furbies. Yeah, Furbies. We touched on

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Speaker 1: how furbies were a real toy that sort of stormed

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Speaker 1: the moment and definitely took center stage. And those girls

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Speaker 1: were absolutely in stores, but then they were as soon

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Speaker 1: as they were in, they were gone because they were

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Speaker 1: selling like hotcakes. And we tease this at the end

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Speaker 1: of the last episode, the last the first half of this,

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Speaker 1: we said, number one is going to blow your socks off,

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Speaker 1: and you will have no choice but to agree No.

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Speaker 1: Number one is culture and you're going to have to

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Speaker 1: agree on that one. You're gonna have to concur on

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Speaker 1: that one. You're gonna have to um not in approval

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Speaker 1: on that one. Yes, you're gonna have to coastline and

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Speaker 1: that one. Yeah, And so what do you say we

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Speaker 1: get keep going with our top one hundred. This is unbelievable.

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Speaker 1: I can't believe this unbelievable Top one hundred moments of culture. Yes, yes, okay, Matt,

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Speaker 1: let's kick it off with number one. Alright, Number one

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Speaker 1: hundred is Tia and Tamara Maori. We all remember these twins,

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Speaker 1: sister sisters, the sister sisters themselves. I got my own mind,

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Speaker 1: do my own stuff in my own time. Oh come on.

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Speaker 1: And also, not only were Tia and Tamara amazing, but

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Speaker 1: this also brought to us the Harry Harry who you know,

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Speaker 1: some people they knew prior to this. This is really

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Speaker 1: the culture that influenced her. Us to Jack. Oh yes,

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Speaker 1: I mean Jack. You got to see her full glory

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Speaker 1: and she built up the goodwill and her time, and

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Speaker 1: sister sister, I feel like for our generation, for us,

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Speaker 1: you know, stupid millennials. But now we get to follow

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Speaker 1: her on Twitter and see all of her tweets and

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Speaker 1: they're so funny. And but you think you can textualize

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Speaker 1: that against Jack Harry on sister sister, I feel that,

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Speaker 1: And you know, actually, what I'm realizing is that Tia

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Speaker 1: and Tamara are number one hundred and culture. Really, Jack

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Speaker 1: Harry actually deserves her spot here. So we're actually gonna

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Speaker 1: call it this rule number one hundred sister sister, moment moment, sorry,

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Speaker 1: not rule. This is famously something else moment number one sister, Sister,

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Speaker 1: It's not just and tomorrow, although we love tomorrow on

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Speaker 1: the road to marry on the rail. Alright, So this

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Speaker 1: is an example of us taking too long on one

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Speaker 1: item of culture and we have to keep going. So

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Speaker 1: Number bowen is Briefe by Taylor Swift amazing breath Now,

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Speaker 1: can you elaborate on what makes the song so amazing? Well,

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Speaker 1: this song is amazing because it's really it's just guitar.

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Speaker 1: There might be some percussion on it, but it's her.

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Speaker 1: It's a duet with Colby Kela on the beautiful song

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Speaker 1: about breaking up, growing from the breakup, growing from separation.

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Speaker 1: It's a gorgeous song. I really love it from Fearless

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Speaker 1: and from Fearless arguably her best album. Well that's an

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Speaker 1: argument that we could have, but you know, it's her

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Speaker 1: one of two albums that is one best album at

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Speaker 1: best at boubum. The Grammys to sort of assign value

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Speaker 1: on award is very kind of capitalist of you. Anyway,

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Speaker 1: moving on to number it is of course Breathe too,

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Speaker 1: am by An analyx now if I might, I just

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Speaker 1: didn't take the floor here. This song was good before

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Speaker 1: the Code Black episode of Grey's Anatomy, and then it

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Speaker 1: became culture because of the Code Black episode of Grey's Anatomy.

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Speaker 1: Thank you very much. When Mr Kyle Chandler first said,

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Speaker 1: exploded ass all over that hospital, which at the time

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Speaker 1: was called Seattle Grace has now got other names. But honey,

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Speaker 1: when Miss Meredith Gray had to fly all the way

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Speaker 1: back because of the explosion of Miss Chandler, holy hell.

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Speaker 1: And you know the soundtrack of that moment was an

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Speaker 1: analyc singing breath Breathe, just breathe amazing. Okay, Matt's what's

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Speaker 1: number number is? Of course Breathe by Faith Hill. I mean,

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Speaker 1: incredible song, the number one Breathe. It's it edged out

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Speaker 1: in and now like and Taylor Swift by a Hair.

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Speaker 1: I would say this song Breathe is It's really iconic

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Speaker 1: because it's got that sort of thing a song does

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Speaker 1: where it starts with the same lyric as it ends with.

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Speaker 1: If you gets me that the course is explosive. It's

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Speaker 1: my favorite kind of country song where she just lets

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Speaker 1: it go in there. Hard song to sing secretly, hard

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Speaker 1: song to because of the suppossed that part. It's like

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Speaker 1: a transition into your head voice from like a belt.

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Speaker 1: Also not for nothing, but Faith Hill epic in that

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Speaker 1: video which she's in the dress kind of dancing around

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Speaker 1: the like, um, what's it like? The like is it

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Speaker 1: a field? It's not a field, it's like a It's like, um,

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Speaker 1: what the hell is that's? It's like a stone guard

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Speaker 1: a stone field? Is that what they? I don't know,

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Speaker 1: but miss faith Hill she was. She knew because it

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Speaker 1: was on her call sheet, all right, and I don't know.

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Speaker 1: Was it the top Breathe or Breathe by Michelle Branch

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Speaker 1: and one and only ron Com movie trailer song. It's

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Speaker 1: unfortunately the best brief. We we spoke too soon. If

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Speaker 1: I just bread fill the space between, oh know, everything

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Speaker 1: is all right? Wow. Hotel Paper a huge record. She

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Speaker 1: had many huge records, such as The Spirit Room, such

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Speaker 1: as you know Hotel Paper. Hotel Paper was a room

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Speaker 1: for squares her or was that John May the male

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Speaker 1: Michelle Brand? I get people with guitars mixed up. Um,

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Speaker 1: but yes, she was iconic, and we just really quickly

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Speaker 1: talk about Michelle Branch wrote The Spirit Room when she

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Speaker 1: was seventeen, like come on, Billie Eilish, come on Lord vibes,

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Speaker 1: come on Lord vibe, come on, Lord Mind, come on,

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Speaker 1: Lord Mind. Thank you. I've mind more like Lord Mind,

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Speaker 1: which you need to write an amazing I'll met seventeen

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Speaker 1: Michelle Branch breathe one amazing song. Another song where you

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Speaker 1: just belt and then you gotta pull back. Oh, is

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Speaker 1: it incredible? And also we don't hear enough covers of this.

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Speaker 1: Kelly Clarkson, I'm looking at you, Kelly Oki all right,

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Speaker 1: and so we're moving on to number ninety five. Talked

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Speaker 1: about an amazing young woman who had an impact on

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Speaker 1: the culture. It's Taylor Momson Ingrinch. Oh, she was the

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Speaker 1: most amazing Cindy Lou. And to think of what you

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Speaker 1: are doing when you are assigned the role of Cindy Lhu,

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Speaker 1: an iconic woman in culture, and to bring her to

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Speaker 1: the screen and do her just justice. I mean, I'm

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Speaker 1: giving a standing ovation. I'm giving a standing ovation. Speaking

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Speaker 1: of Hayte the Hill, she ended up singing a faith

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Speaker 1: Hill song where she Christmas written by Ms. Mariah, which

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Speaker 1: Matt Rodgers wastes no time in teaching the children about

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Speaker 1: that fact. I always teach the kids that whenever they

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Speaker 1: come to one of my performances, I make sure to

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Speaker 1: tell them. You know, Mariah Carey actually she wrote where

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Speaker 1: are You Christmas? And Faith Hill sang it, and then

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Speaker 1: Taylor Momson, I'm sorry, but acted it because she acted

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Speaker 1: the hell out of this role. She acted the hell

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Speaker 1: out of this role. When Cindy l who is supposed

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Speaker 1: to be sad, you are sad. And then she grew

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Speaker 1: up to play a mean teenager in Gossip Girl. Wow,

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Speaker 1: she really she was a versatile one. And then of

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Speaker 1: course she was in the band pretty Reckless, Pretty Reckless.

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Speaker 1: Never forget a Perez Hilton favorite. Oh my god, that

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Speaker 1: two thou seven two eight, What a time. It was

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Speaker 1: Taylor Momson's peak and we sent her a lot of Now,

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Speaker 1: speaking of this film, number ninety four is where are

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Speaker 1: You Christmas? From the film which we have discussed, which

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Speaker 1: we have discussed, well, we should actually make the distinction.

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Speaker 1: Grinch is the title of the animated version of it.

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Speaker 1: It's my title, It's Matts title. But the full title

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Speaker 1: of the Jim Carey Classic, Jim Carrey, Christine Baranski Classic,

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Speaker 1: Taylor Momson classic is how the grin stool Christmas, right,

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Speaker 1: I just shortened it from my own purposes to um.

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Speaker 1: But this song is amazing. I mean, you know, it's

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Speaker 1: about a young girl sort of confronting the fact that

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Speaker 1: as she gets older, the meaning of Christmas changes, and

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Speaker 1: sort of as a comparison to life and how as

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Speaker 1: you get older, you know things, they don't lose their meaning,

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Speaker 1: but they change their meaning. And it's about the unknown

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Speaker 1: and what's going to happen as you grow older. If

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Speaker 1: Christmas changes, will I change to? What else will change?

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Speaker 1: A beautiful song, a beautiful sentiment, and only the number

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Speaker 1: one songwriter Mariah Carey could have written it. Absolutely, And

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Speaker 1: you know it's a beautiful, gorgeous lyric. What my life

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Speaker 1: is changing, I'm rearranging, rearranging amazing. You see it, Yeah,

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Speaker 1: you see it? Thank you. Now let's go to ninety three.

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Speaker 1: Number ninety three is Jim Carrey as Grinch and the

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Speaker 1: film Grinch. This performance was culture Christmas, culture christ this culture.

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Speaker 1: He was giving you everything. He was giving you slapstick,

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Speaker 1: he was giving you some voice comedy. Absolutely, he was

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Speaker 1: giving you hours in the makeup chair, painful hours in

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Speaker 1: the makeup chair. And I'm sorry, but if Meryl Streep

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Speaker 1: is going to get nominated for as many Oscars as

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Speaker 1: she has. Where is Jim Carrey's nomination for Grinch? And

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Speaker 1: I'm being sort of you know, your come on, you know,

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Speaker 1: silly about this, but also in a real way, where

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Speaker 1: is even one Oscar nomination for Jim are and his

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Speaker 1: many solid performance sexism in Hollywood? I think it's sexism

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Speaker 1: towards green Bean esque comedic actors, and it has to

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Speaker 1: stop right now, say it's sexism towards white male actors.

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Speaker 1: It's sexism towards white male actors. To have Jim Carrey

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Speaker 1: go nomination list. He deserved a nomination for a tune

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Speaker 1: of Sunshine. I want to say he deserved nominations for

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Speaker 1: the following films Eternal Sunshine, The Seminal Grin, the Mask,

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Speaker 1: No Liar, Liar, Okay, Truman, Yes he should have at

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Speaker 1: least four Thank you queen okay for Truman Show, for

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Speaker 1: the queers to love Truman Show. That's how you know

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Speaker 1: it's a real work, real piece of work. This was

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Speaker 1: a real work. Now we have the next one here,

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Speaker 1: and this is one of my favorite rules of all.

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Speaker 1: Number ninety two, The birth of Yang Important moment this.

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Speaker 1: I wanted to take this moment off the left, and

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Speaker 1: I said, you have to leave it on because the

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Speaker 1: birth of bowen Yang was a moment in culture. We

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Speaker 1: would not have both. Can everyone that's listening right now

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Speaker 1: understand you you don't the fact that you are given

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Speaker 1: bo Yang and you have to understand that and stop

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Speaker 1: being so stupid because the bow and Yang is a

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Speaker 1: gift in this world and he has come to this

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Speaker 1: amazing place and he's going very far, and the birth

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Speaker 1: of bow and Yang is a moment in culture. And

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Speaker 1: you sitting at home understand that your life would be

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Speaker 1: completely different without and you would be listening to this

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Speaker 1: right now. No, you would be listening to this. And

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Speaker 1: you all know that Matt Rodgers is the joy is

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Speaker 1: not my son. And all this, especially when it comes

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Speaker 1: to this post, this brings us culture number. Rule of

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Speaker 1: culture number. That don't impress me much. What was this?

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Speaker 1: This was a Shia Twains I'm not I'm so sorry,

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Speaker 1: no Twain song. I got her visually mixed up with

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Speaker 1: faith um and I'm so sorry. This also kind of

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Speaker 1: took This video also took place kind of like in

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Speaker 1: the desert. Yes, Trug remember and the Leopard, but I

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Speaker 1: mean Shnaia. We're not talking about Shania now, because Shania

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Speaker 1: now is a little is a little wild. But we're

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Speaker 1: talking about the song that don't impress them me much,

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Speaker 1: or the moment that don't impress them You'll notice that

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Speaker 1: I wrote here that don't impress much. I didn't say

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Speaker 1: a song. I didn't necessary necessarily say a video. I

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Speaker 1: said that don't impress me much. And that's because that

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Speaker 1: don't impress on me much. I believe it's a movement

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Speaker 1: beyond just the song I think that don't impress them

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Speaker 1: me much became something like I don't think so, honey.

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Speaker 1: You know it's actually rot a culture Number thirteen that

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Speaker 1: don't impress on me much is the original I don't

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Speaker 1: think so, honey. And it's such an amazing time to

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Speaker 1: announce bone and I will be doing a show called

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Speaker 1: that don't impress on Me much, and it will not happen.

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Speaker 1: We're not doing it. We're not doing especially, not a thing. Um.

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Speaker 1: I gotta say. The reason I love that don't impress

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Speaker 1: them me much is it's an answer. So many times

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Speaker 1: in life people are put like putting forth questions yes,

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Speaker 1: and it puts the onus on you to come up

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Speaker 1: with the answer. But the question is so your Brad

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Speaker 1: Pitt and the answer that don't impress me, and it's

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Speaker 1: it actually is more about It says more about you

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Speaker 1: than it does about the other person. Because this other

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Speaker 1: person could be doing something impressive. It just don't impressive.

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Speaker 1: And so honestly, whenever I see anyone stepping up to

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Speaker 1: me and trying to give me grief, I just say,

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Speaker 1: I look at them in the eyes, I maybe pat

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Speaker 1: them on the shoulder, and I say that don't impress them.

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Speaker 1: And you should try it at home. You try it

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Speaker 1: next time your parents are getting at you. Try it

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Speaker 1: next time your boyfriend hasn't cleaned the dishes, or maybe

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Speaker 1: if he does clean the dishes, just say that don't

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Speaker 1: impress on me much. It's the original. I don't think

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Speaker 1: it is. Move on to number ninety, which is Obama election.

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Speaker 1: Who could down? Who could forget? But there were two, right, well,

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Speaker 1: there was two Obama elections. And I think that that

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Speaker 1: this moment a moment of culture. Number ninety Obama election

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Speaker 1: is when you really understand his election as as less

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Speaker 1: of a moment and as a singular cultural shift and

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Speaker 1: event I see you know what I mean. I just

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Speaker 1: feel that Barack Obama is an amazing man and culture

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Speaker 1: and he had to be on the list. You have

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Speaker 1: to be on the list. So when you say Obama

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Speaker 1: Obama election, you mean the election and re election of Obama. Yes,

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Speaker 1: the election into the cultural consciousness of Obama. Yes. Um,

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Speaker 1: what I'm really saying is the two election that I'm

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Speaker 1: talking about, the moment when he got I mean, you

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Speaker 1: can't beat that. No. Do you remember where you were?

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Speaker 1: I was in the East Village. I remember people in

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Speaker 1: New York City running out into the streets cheering, and

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Speaker 1: I was like, this is beautiful. And I had just

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Speaker 1: moved there, like you. I'm as an Union Square and

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Speaker 1: I remember being so elated that he was elected. And

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Speaker 1: I remember running down the halls and it was n

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Speaker 1: y U. So everyone was heading to Union Square in

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Speaker 1: Square and there were these like every other like dorm room.

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Speaker 1: There was like one conservative kid like sitting in his

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Speaker 1: bedroom like crying, like because his parents had obviously scared

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Speaker 1: the daylights out of him that like if Obama got elected,

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Speaker 1: they were gonna lose other money or whatever. Well, it's

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Speaker 1: wonderful that it was so funny the pendulum swung the

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Speaker 1: other way in such a crazy destructive manner. No, eight

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Speaker 1: years later, Well, here's the thing. If you remember how

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Speaker 1: good you felt when that happened, put that energy towards November.

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Speaker 1: Biden to the White House. Joe, we love Joe Biden,

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Speaker 1: I said. I said to myself. I was like, you

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Speaker 1: know what words I don't want to hear anymore. We

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Speaker 1: need to restore the soul of America. I'm like, this

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Speaker 1: is the most garbage, like nothing of a like placation

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Speaker 1: I've ever heard. This is a battle for the soul

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Speaker 1: of America. But which is another way of saying to

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Speaker 1: me that like, uh, this is not our country, right that,

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Speaker 1: like anytime something terrible happens when it comes to Trump

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Speaker 1: and or racism or both, it's like this isn't our kind.

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Speaker 1: It's like, no, this is our country. And you're saying

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Speaker 1: that we're restoring the soul of America is like kind

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Speaker 1: of not to use this word. It is like that's

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Speaker 1: a similar type of gas line where you're like this,

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Speaker 1: this is not the America. I know that we're better

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Speaker 1: than this. It's like maybe we're not. Like, first of all,

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Speaker 1: let's break it down into three parts, right, restore. The

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Speaker 1: word restore means to return to or like sort of

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Speaker 1: like uh, rebuild in a similar fashion to what we've experienced.

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Speaker 1: So that to me is saying we'd like to return

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Speaker 1: to something. And I think we've been establishing in the

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Speaker 1: past couple of years that America is not something to

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Speaker 1: be returned to, it's something to progress into. But okay,

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Speaker 1: so then when you start restore the soul, the soul

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Speaker 1: to me is a dog whistle because it's like a

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Speaker 1: little bit slightly religious imagery. And also it says something

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Speaker 1: about like the soul, like the ancestor like within. Like again,

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Speaker 1: it's this like kind of bullshit that reverts back to

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Speaker 1: a prior and again, this is not what American needs

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Speaker 1: to do. American needs to grass and move forward. And

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Speaker 1: then you say of America, which gives people this like

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Speaker 1: false sense of duty. So really in every single part

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Speaker 1: of that slogan is bullshit. And um anyway, so we

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Speaker 1: love Joe, Thank you Joe Biden free um and anyway,

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Speaker 1: So anyway, yes, number ninety is the Obama election. I

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Speaker 1: just want to say a point. I really quickly just

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Speaker 1: we blasted through the Grinch series, the Grine trio. Christie

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Speaker 1: Branski did not make the list. She did not make

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Speaker 1: the list. She she never looked hot. Her hottest actress

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Speaker 1: in Hollywood at the time. I believe she was on Maxim,

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Speaker 1: So I believe she was on Maxim, g Q, Vogue,

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Speaker 1: all of it. She was. She had the hottest woman

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Speaker 1: titles um, but she did not make the list. Who

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Speaker 1: did make the list is number eighty nine. This is

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Speaker 1: when Nick Jones got adult hot. Remember this, I remember

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Speaker 1: that's talking about this. When was adult hot for you?

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Speaker 1: I think it was around the time when he was

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Speaker 1: releasing the song Jealous. It was a realization for me

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Speaker 1: that not only was Nick jonas a man now, but

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Speaker 1: he was a hot man and I, unfortunately was powerless

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Speaker 1: to whatever was going on. And it's that kind of

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Speaker 1: thing where it's like, what he really was a kid

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Speaker 1: one day and then was not the next, and it

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Speaker 1: was it was it was really like a quantum leap.

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Speaker 1: There was no transition, yeah, because it's jarring, right. It's

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Speaker 1: sort of like one minute he's like a cute kid

424
00:23:25,760 --> 00:23:28,080
Speaker 1: in the band, and then it turned you turn around

425
00:23:28,080 --> 00:23:32,640
Speaker 1: and he's like not only like sort of a sex object,

426
00:23:32,760 --> 00:23:36,760
Speaker 1: but like explicitly sexual and performing sort of his own

427
00:23:36,840 --> 00:23:40,400
Speaker 1: sexuality for gay men in a way, which is like

428
00:23:40,840 --> 00:23:43,120
Speaker 1: it was such an assault, but one that I welcomed.

429
00:23:44,240 --> 00:23:47,560
Speaker 1: I I welcomed it. Two, there was a very interesting

430
00:23:47,560 --> 00:23:49,800
Speaker 1: discourse around when there was a photo of him on

431
00:23:49,880 --> 00:23:53,200
Speaker 1: some yacht wearing short swim trunks and like looking sort

432
00:23:53,240 --> 00:23:56,480
Speaker 1: of thick in the thighs and everyone saying daddy, daddy, daddy,

433
00:23:56,560 --> 00:23:58,840
Speaker 1: and everyone just being like, wait a minute, this is

434
00:23:58,880 --> 00:24:01,120
Speaker 1: not like thick, like or people calling thick and people

435
00:24:01,119 --> 00:24:04,800
Speaker 1: calling him daddy. So it's like we're not there quite yet,

436
00:24:05,080 --> 00:24:09,359
Speaker 1: and we're and I think that's when the term thick

437
00:24:09,440 --> 00:24:12,720
Speaker 1: got a little bit, you know, common deer. Let's say, So,

438
00:24:12,720 --> 00:24:15,000
Speaker 1: so you think he wasn't actually thick and people were

439
00:24:15,000 --> 00:24:17,920
Speaker 1: calling him thick? Yeah, I gotta say, that's that's my thought.

440
00:24:18,160 --> 00:24:20,960
Speaker 1: I think in that picture he what happened was he

441
00:24:21,000 --> 00:24:24,400
Speaker 1: was wearing a two small bathing and he did look

442
00:24:24,440 --> 00:24:27,920
Speaker 1: like a little love handily. It's a it's an optical illusion, yes,

443
00:24:28,119 --> 00:24:30,760
Speaker 1: in a way that I will say, understanding that the

444
00:24:30,760 --> 00:24:33,280
Speaker 1: bathing suit was too small turned me on in a

445
00:24:33,320 --> 00:24:35,800
Speaker 1: way I can't even describe. We're not saying that it

446
00:24:35,800 --> 00:24:38,880
Speaker 1: wouldn't turn anybody on it was appropriating the word thick.

447
00:24:39,359 --> 00:24:41,320
Speaker 1: I didn't say that. I didn't say the word appropriate.

448
00:24:41,520 --> 00:24:44,000
Speaker 1: It's just um, then what are you trying? The word

449
00:24:44,000 --> 00:24:46,719
Speaker 1: got started to get moneyed a little. I see, I see.

450
00:24:46,800 --> 00:24:49,840
Speaker 1: So you're saying, save thick for thick, save thick for thick. Okay,

451
00:24:49,880 --> 00:24:53,080
Speaker 1: I understand. Regardless of Nick jonas Um made the list,

452
00:24:53,200 --> 00:24:55,160
Speaker 1: made the list. He made the list here and let's

453
00:24:55,160 --> 00:24:57,920
Speaker 1: go to number eight eight. This this was a moment culture.

454
00:24:58,240 --> 00:25:03,240
Speaker 1: This is the hairstyle of the Rachel. Huge moment. I mean,

455
00:25:03,359 --> 00:25:06,760
Speaker 1: women everywhere were so taken by Jennifer Anderson as Rachel

456
00:25:06,840 --> 00:25:09,040
Speaker 1: and her hairstyle that they said, I want to get

457
00:25:09,040 --> 00:25:11,880
Speaker 1: the Rachel. I have a question for you, gone, did

458
00:25:11,880 --> 00:25:14,280
Speaker 1: the Rachel have to exist in order for the Karen

459
00:25:14,359 --> 00:25:17,280
Speaker 1: haircut to exist? You know the Karen haircut. It's very

460
00:25:17,359 --> 00:25:19,399
Speaker 1: ka sort of like yeah, that kiss and sort of

461
00:25:19,400 --> 00:25:21,560
Speaker 1: like who called it like like a waterfall in the

462
00:25:21,600 --> 00:25:24,960
Speaker 1: front and scissors in the back? Yes, um that I

463
00:25:24,960 --> 00:25:27,119
Speaker 1: think Sudy said that one time. She said that that

464
00:25:27,160 --> 00:25:29,359
Speaker 1: hairstyles like a waterfall in the front, like a front

465
00:25:29,359 --> 00:25:32,160
Speaker 1: bank that's like a cascade, and knives in the back

466
00:25:32,280 --> 00:25:37,080
Speaker 1: like dangerous porcafine back. I don't think that one had

467
00:25:37,119 --> 00:25:39,560
Speaker 1: to walk so the other could run. Um, but I

468
00:25:39,600 --> 00:25:42,880
Speaker 1: do think that they occupy a similar space where they're

469
00:25:42,880 --> 00:25:46,400
Speaker 1: so iconic they earn a name, and so I think

470
00:25:46,400 --> 00:25:50,520
Speaker 1: they're iconic sisters. But the Rachel was at a moment

471
00:25:50,960 --> 00:25:53,520
Speaker 1: and here's the thing, does the Karen still sort of exist?

472
00:25:54,720 --> 00:25:57,520
Speaker 1: I feel like the symbol for like like in names

473
00:25:57,560 --> 00:26:00,360
Speaker 1: when someone is being a Karen, or when it's like

474
00:26:00,359 --> 00:26:04,320
Speaker 1: like you have Patrick from SpongeBob acting a Karen and

475
00:26:05,680 --> 00:26:07,760
Speaker 1: they put on the keke Oslin here on Patrick. Yes

476
00:26:07,760 --> 00:26:10,920
Speaker 1: they do. Yeah, Okay, so that's actually really interesting. Um.

477
00:26:10,960 --> 00:26:13,800
Speaker 1: I feel my thing is like they're both asymmetrical. Rachel

478
00:26:13,800 --> 00:26:16,879
Speaker 1: and the Karen are both asymmetrical, and they're both like

479
00:26:17,000 --> 00:26:20,560
Speaker 1: bad and they're both they're both wild and they both

480
00:26:20,560 --> 00:26:23,600
Speaker 1: got the highlights, and it's just their similarities. It's a

481
00:26:23,600 --> 00:26:25,800
Speaker 1: really really do share a family. And now I am

482
00:26:25,840 --> 00:26:29,520
Speaker 1: fully laughing thinking about the Karen hairstyle and how really

483
00:26:29,600 --> 00:26:32,280
Speaker 1: stupid it is. I had an art teacher who had

484
00:26:32,320 --> 00:26:34,840
Speaker 1: that and it was just like, do you think No,

485
00:26:35,000 --> 00:26:37,920
Speaker 1: I'm not gonna say anything crazy. I'm just saying it's

486
00:26:37,960 --> 00:26:42,119
Speaker 1: like it's almost like someone who is toying with our

487
00:26:42,160 --> 00:26:44,760
Speaker 1: sexuality a little bit. It's like sort of like putting

488
00:26:44,800 --> 00:26:48,920
Speaker 1: on a hairstyle that's like audacious. Listen, you can make

489
00:26:48,920 --> 00:26:51,840
Speaker 1: the argument that to have a Kiren is to queer

490
00:26:52,000 --> 00:26:55,439
Speaker 1: hairstyle a little bit. It definitely is something. It's queering

491
00:26:55,480 --> 00:26:58,840
Speaker 1: hair in a way you wouldn't get that if you weren't,

492
00:26:59,400 --> 00:27:01,679
Speaker 1: if you weren't by nature a little queer, and that

493
00:27:01,800 --> 00:27:04,960
Speaker 1: you wanted to try out weird things, you know. Bell

494
00:27:05,040 --> 00:27:08,760
Speaker 1: Hooks has described queerness as wanting to try out weird things,

495
00:27:09,280 --> 00:27:12,320
Speaker 1: to try out weird things, and that is what the

496
00:27:12,400 --> 00:27:15,520
Speaker 1: Karen embodies and what There's a difference between having the

497
00:27:15,560 --> 00:27:19,480
Speaker 1: Karen hair and being a Karen and behind we should Yes,

498
00:27:19,840 --> 00:27:23,520
Speaker 1: and Karen's come in all shapes and sizes and genders,

499
00:27:23,560 --> 00:27:28,320
Speaker 1: but karen haircut is very specific. Yeah, and it is

500
00:27:28,320 --> 00:27:30,400
Speaker 1: a little queer, I would agree. And I also think

501
00:27:30,560 --> 00:27:34,760
Speaker 1: it's actually really our number eighty seven, which is describing

502
00:27:34,800 --> 00:27:40,320
Speaker 1: things as cool. Now, I have always thought about this, Yes,

503
00:27:40,720 --> 00:27:42,760
Speaker 1: where did cool come from? And when did it start?

504
00:27:42,800 --> 00:27:45,800
Speaker 1: I wonder did they were they sing in the seventies, sixties, fifties,

505
00:27:45,800 --> 00:27:49,040
Speaker 1: Where did but do you remember where you were when

506
00:27:49,040 --> 00:27:51,040
Speaker 1: you learned the word cool and what I meant. I

507
00:27:51,080 --> 00:27:53,960
Speaker 1: think that honestly, it's one of those words. It kind

508
00:27:53,960 --> 00:27:56,480
Speaker 1: of cool kind of reminds me of like the word sucks,

509
00:27:56,520 --> 00:27:58,159
Speaker 1: where it's like I knew I wasn't supposed to use

510
00:27:58,160 --> 00:28:00,000
Speaker 1: it until it was a certain age, like you weren't

511
00:28:00,000 --> 00:28:02,159
Speaker 1: supposed to use no. I think that I was, But

512
00:28:02,240 --> 00:28:04,400
Speaker 1: it's like it kind of reminds me of that same

513
00:28:04,400 --> 00:28:07,120
Speaker 1: thing where it's like I knew I was. I knew

514
00:28:07,160 --> 00:28:11,000
Speaker 1: I had like my own opinions on the world when

515
00:28:11,040 --> 00:28:13,040
Speaker 1: I was able to be like, I think that's cool.

516
00:28:13,520 --> 00:28:17,120
Speaker 1: Like when I could describe something that I deemed to

517
00:28:17,160 --> 00:28:19,600
Speaker 1: my taste as cool, I was like, Wow, I have

518
00:28:19,760 --> 00:28:24,480
Speaker 1: like sort of ownership over my own opinions, and you

519
00:28:24,480 --> 00:28:27,040
Speaker 1: know what I'm saying. I would say that this moment

520
00:28:27,080 --> 00:28:30,840
Speaker 1: describing things as cool as really an individual moment from

521
00:28:30,880 --> 00:28:33,800
Speaker 1: every day. It comes for different people at different times, exactly.

522
00:28:33,800 --> 00:28:35,520
Speaker 1: I don't think we have to track it back to

523
00:28:35,560 --> 00:28:38,400
Speaker 1: when people started using it. I just feel like when

524
00:28:38,440 --> 00:28:41,840
Speaker 1: you discover for yourself what the word cool means and

525
00:28:41,880 --> 00:28:43,600
Speaker 1: that you know how to use it, like that is

526
00:28:43,640 --> 00:28:46,320
Speaker 1: a cultural moment. I just think, think about it. Like

527
00:28:47,040 --> 00:28:50,600
Speaker 1: in order to describe it's almost like so the word

528
00:28:50,720 --> 00:28:55,320
Speaker 1: cool would mean um on the on the sort of

529
00:28:55,520 --> 00:28:59,680
Speaker 1: side of being cold. And to describe that as something

530
00:28:59,720 --> 00:29:03,280
Speaker 1: that is good or valuable that is so interesting to me,

531
00:29:03,960 --> 00:29:06,360
Speaker 1: Like it had to start somewhere like, hey, that's cool,

532
00:29:06,600 --> 00:29:09,480
Speaker 1: Like it's not hot, although you would call something hot

533
00:29:09,640 --> 00:29:13,520
Speaker 1: to say good, isn't it interesting? It's very interesting. We

534
00:29:13,520 --> 00:29:18,400
Speaker 1: don't talk about thermo political things in this. We don't

535
00:29:18,400 --> 00:29:20,600
Speaker 1: talk about the political things in this ONEK you do

536
00:29:20,640 --> 00:29:22,920
Speaker 1: you remember where you were? I had a kid in

537
00:29:22,960 --> 00:29:25,120
Speaker 1: the fourth grade when I just moved to America. His

538
00:29:25,200 --> 00:29:29,440
Speaker 1: name was Shane Collins, and he he was putting forth

539
00:29:30,680 --> 00:29:35,040
Speaker 1: the claim that he had invented the word tight, like

540
00:29:35,320 --> 00:29:40,440
Speaker 1: using tight. The word tight was invented um right outside

541
00:29:40,440 --> 00:29:44,040
Speaker 1: of Bush Gardens, um in Tampa Bay in the year

542
00:29:44,160 --> 00:29:48,960
Speaker 1: nineteen seventy nine, thank you. And it's important that we

543
00:29:49,040 --> 00:29:53,160
Speaker 1: say that it was invented by a m kid named

544
00:29:53,200 --> 00:29:56,360
Speaker 1: John David. John David, And it was said to his

545
00:29:56,480 --> 00:30:00,080
Speaker 1: two friends, Trevor and Tyler, and he was talking thing

546
00:30:00,160 --> 00:30:03,800
Speaker 1: about the tigers at Bush Gardens. He was he was saying, though,

547
00:30:03,880 --> 00:30:09,000
Speaker 1: these tigers are tight, and actually, um, there was an

548
00:30:09,000 --> 00:30:14,440
Speaker 1: earthquake and no one was hurt, but the culture was changed.

549
00:30:16,000 --> 00:30:21,280
Speaker 1: Was there an actual earthquake that registered? There was a

550
00:30:21,320 --> 00:30:25,239
Speaker 1: sort of cultural earthquake. There was, And even though there

551
00:30:25,240 --> 00:30:27,120
Speaker 1: was a cultur rollers quake, it did not make the list.

552
00:30:27,320 --> 00:30:29,080
Speaker 1: It did not make the list. Words tight did not

553
00:30:29,160 --> 00:30:31,560
Speaker 1: make the list. Now number eighty six, I don't know

554
00:30:31,600 --> 00:30:33,920
Speaker 1: about I love this. I put this on. It is

555
00:30:34,280 --> 00:30:37,400
Speaker 1: Matt Rogers wearing a harness on game show, a harness

556
00:30:37,400 --> 00:30:41,360
Speaker 1: over a shirt, and that is queer. Actually was had

557
00:30:41,360 --> 00:30:43,040
Speaker 1: a lot to do with me not wanting to appear

558
00:30:43,080 --> 00:30:47,400
Speaker 1: shirtless on camera. It um, but I'm happy that sort

559
00:30:47,440 --> 00:30:51,240
Speaker 1: of you know, the harness was at least something. It

560
00:30:51,280 --> 00:30:53,200
Speaker 1: looked good. You know, I've never really been like a

561
00:30:53,280 --> 00:30:56,760
Speaker 1: harness type of you don't have to be. No one's

562
00:30:56,800 --> 00:30:59,400
Speaker 1: forcing it. I've worned, I've worn it a couple of times.

563
00:31:00,040 --> 00:31:02,719
Speaker 1: Doesn't it doesn't feel right on me. But for in

564
00:31:02,720 --> 00:31:05,880
Speaker 1: that moment, I'll do a jock strap. Oh, we everyone

565
00:31:05,920 --> 00:31:07,680
Speaker 1: loves everyone should try to wear a drop strap. I

566
00:31:07,680 --> 00:31:10,360
Speaker 1: think it's great. Try sleeping in one. Oh, it's really

567
00:31:10,360 --> 00:31:14,640
Speaker 1: make you feel fabulous, make you feel fabulous. The moment

568
00:31:14,920 --> 00:31:17,320
Speaker 1: of Matt Rogers wearing a harness on Game Show that

569
00:31:17,400 --> 00:31:20,400
Speaker 1: I think is wonderful that it all culminated towards was

570
00:31:20,440 --> 00:31:22,920
Speaker 1: the gift that's being widely used now of Matt, which

571
00:31:23,040 --> 00:31:29,200
Speaker 1: is him saying um used widely used. It's you saying

572
00:31:29,360 --> 00:31:32,040
Speaker 1: I'm attracted to you, let's have let's have sexual intercourse.

573
00:31:32,120 --> 00:31:35,240
Speaker 1: Oh it's I'm horny, I'm so horny, let's go have

574
00:31:35,320 --> 00:31:39,120
Speaker 1: sexual intercourse. So that actually was a note from Quimby

575
00:31:39,160 --> 00:31:42,760
Speaker 1: because I said, I'm so horny, let's go fuck, and

576
00:31:42,800 --> 00:31:44,920
Speaker 1: they said, hey, we have to take out the word fuck.

577
00:31:45,000 --> 00:31:46,520
Speaker 1: And I was like, Okay, well I don't want to

578
00:31:46,560 --> 00:31:49,239
Speaker 1: say I'm so horny, let's go have sex. So I

579
00:31:49,320 --> 00:31:52,080
Speaker 1: was like, let's say I'm so horny, let's go have

580
00:31:52,120 --> 00:31:57,160
Speaker 1: sexual intercourse, which I think is what adds value to that.

581
00:31:57,280 --> 00:31:59,920
Speaker 1: Thank you. I had to save it. I would have

582
00:32:00,040 --> 00:32:05,520
Speaker 1: preferred to have just said and that have been the clue. Anyway,

583
00:32:05,520 --> 00:32:07,280
Speaker 1: watch Game Show. If you don't know what we're understanding,

584
00:32:07,720 --> 00:32:09,880
Speaker 1: If you don't understand what we're talking about, watch please

585
00:32:09,880 --> 00:32:12,480
Speaker 1: watch Games Show. Please go seek at this gift. I

586
00:32:12,520 --> 00:32:14,040
Speaker 1: think you can use it in so many album Get

587
00:32:14,040 --> 00:32:24,280
Speaker 1: this gift. Get this gif um. Okay, So number eighty

588
00:32:24,320 --> 00:32:27,440
Speaker 1: five is something I can agree with. It is Stockard

589
00:32:27,520 --> 00:32:31,280
Speaker 1: Channing as Rizzo in Greece. There are worse things I

590
00:32:31,320 --> 00:32:35,720
Speaker 1: could do, Then put Stockard Channing on the list. She

591
00:32:36,480 --> 00:32:39,640
Speaker 1: is iconic in this movie. Huge, in this movie, I

592
00:32:39,680 --> 00:32:43,400
Speaker 1: mean Rizzo, what an iconic character in film and musical theater,

593
00:32:43,560 --> 00:32:47,600
Speaker 1: in culture. Look at me, I'm Sandra d like the

594
00:32:47,960 --> 00:32:53,000
Speaker 1: classic bullying song. She is so good at being mean

595
00:32:53,440 --> 00:32:56,800
Speaker 1: and like cold and removed but remaining like a ball. Yes,

596
00:32:57,120 --> 00:33:00,840
Speaker 1: she is one of a kind. And Stockard sang there

597
00:33:00,840 --> 00:33:02,880
Speaker 1: are worse things I could do. She's sang there are

598
00:33:02,880 --> 00:33:05,760
Speaker 1: worst things I could do. She gave it body, she

599
00:33:05,760 --> 00:33:08,479
Speaker 1: she knew how to sing, and she was acting first.

600
00:33:09,040 --> 00:33:11,640
Speaker 1: And let's just say other people have tried to sing.

601
00:33:11,680 --> 00:33:13,760
Speaker 1: There are worse things I could do, and they've done well,

602
00:33:14,520 --> 00:33:18,000
Speaker 1: but it's not the Stockard, and I guarantee it's one

603
00:33:18,000 --> 00:33:20,400
Speaker 1: of those things where we will never hear a version

604
00:33:20,520 --> 00:33:24,160
Speaker 1: like that. And that's not necessarily because it was she

605
00:33:24,240 --> 00:33:25,920
Speaker 1: got the best voice of all time or whatever, but

606
00:33:26,000 --> 00:33:30,080
Speaker 1: she's just iconically musically acting that song huge. It's a

607
00:33:30,160 --> 00:33:33,920
Speaker 1: perfect marriage, double helix of acting and singing, and she

608
00:33:33,960 --> 00:33:37,560
Speaker 1: got a hickey from KNICKI famously, famously let's keep going,

609
00:33:37,640 --> 00:33:39,560
Speaker 1: Let's keep going. Number eighty four. This is a moment

610
00:33:39,560 --> 00:33:43,320
Speaker 1: in culture, the Twilight Zone Tower of Terror. I mean

611
00:33:43,880 --> 00:33:47,760
Speaker 1: that is culture. You cannot get closer to a cultural

612
00:33:47,800 --> 00:33:51,880
Speaker 1: moment that deserves its spot at number eighty four. I mean,

613
00:33:52,000 --> 00:33:55,160
Speaker 1: come on, it soared to number eighty four on this.

614
00:33:55,760 --> 00:33:58,200
Speaker 1: I can't really think of more iconic theme park culture

615
00:33:58,200 --> 00:34:00,880
Speaker 1: than that damn building that has been struck by lightning,

616
00:34:00,920 --> 00:34:03,840
Speaker 1: and inside are the screams of people plummeting an elevator,

617
00:34:03,880 --> 00:34:07,640
Speaker 1: and iconic merging of story and theme park attraction, iconic

618
00:34:07,720 --> 00:34:16,520
Speaker 1: merging of um, what's his name? Sterling? Sterling's voice, that

619
00:34:17,000 --> 00:34:21,040
Speaker 1: iconic voice that I could listen to that voice another dimension.

620
00:34:21,120 --> 00:34:23,360
Speaker 1: I heard something. I think Rod Slings got a hot voice.

621
00:34:23,440 --> 00:34:26,080
Speaker 1: I mean I can see that. I think he was hot. Honestly,

622
00:34:26,120 --> 00:34:27,560
Speaker 1: it's that kind of hot voice where it's like it's

623
00:34:27,560 --> 00:34:29,640
Speaker 1: a little bit nerdy, And that's how you know it

624
00:34:29,680 --> 00:34:32,680
Speaker 1: would sound really like like hot and horny during sex,

625
00:34:32,760 --> 00:34:35,799
Speaker 1: because like, I don't think a masculine voice on the

626
00:34:35,800 --> 00:34:38,360
Speaker 1: other end is always with a way to go. Sometimes,

627
00:34:38,520 --> 00:34:42,640
Speaker 1: like you want to hear someone going for it wouldn't

628
00:34:42,680 --> 00:34:47,640
Speaker 1: be tough like this. Oh no, oh no, I don't

629
00:34:47,640 --> 00:34:51,400
Speaker 1: like that. Actually, no, don't say my name is hardest

630
00:34:51,440 --> 00:34:54,200
Speaker 1: on game shoe. Oh my god, Oh my god. What

631
00:34:54,320 --> 00:34:56,799
Speaker 1: does that sound like that you're doing? It sounds like

632
00:34:59,040 --> 00:35:03,080
Speaker 1: it kind of sounds it sounds like it's some some character.

633
00:35:03,320 --> 00:35:11,160
Speaker 1: It sounds like, okay, that like that, rod stop Okay.

634
00:35:11,320 --> 00:35:15,360
Speaker 1: Number eighty three a huge moment in culture. Hillary Duff,

635
00:35:15,440 --> 00:35:20,080
Speaker 1: Let's say it together. I'm sorry, Hillary Duff, Lizzie McGuire

636
00:35:20,520 --> 00:35:23,960
Speaker 1: and more. You know what I love about Hillary Duff.

637
00:35:24,120 --> 00:35:27,920
Speaker 1: She will not stay silent because I remember when covid

638
00:35:27,960 --> 00:35:30,480
Speaker 1: first broke out, she would She just posted a bunch

639
00:35:30,520 --> 00:35:33,919
Speaker 1: of stuff on Instagram stories. Remember this, everybody, She was like, Hey,

640
00:35:33,960 --> 00:35:36,400
Speaker 1: are you fucking idiots going out to bars? Stay the

641
00:35:36,440 --> 00:35:39,680
Speaker 1: fuck home. She like, she has the shortest views and

642
00:35:39,760 --> 00:35:42,279
Speaker 1: she's not afraid to let it light up. I mean,

643
00:35:42,520 --> 00:35:44,800
Speaker 1: one of the only celebrities that hugged us at Vulture

644
00:35:44,800 --> 00:35:50,160
Speaker 1: Fest of her own volition. Also iconically on Younger she

645
00:35:50,400 --> 00:35:54,279
Speaker 1: is Lizzie McGuire. She was the biggest pop star of

646
00:35:54,360 --> 00:35:57,080
Speaker 1: like those Disney girls at the time. When she came

647
00:35:57,120 --> 00:36:01,440
Speaker 1: at she said so yesterday and she said, come Clean

648
00:36:01,840 --> 00:36:05,319
Speaker 1: Clean the iconic theme song to the Hills. Oh my god,

649
00:36:05,360 --> 00:36:11,520
Speaker 1: wait now the Hills was Yes. Um started a feud

650
00:36:11,520 --> 00:36:14,600
Speaker 1: with Faye Dunaway when she was what fifteen years old? Yeah?

651
00:36:14,680 --> 00:36:16,839
Speaker 1: What have you done today? What have you done today?

652
00:36:16,880 --> 00:36:19,000
Speaker 1: What were you doing at fifteen? Not? Certainly not starting

653
00:36:19,000 --> 00:36:24,560
Speaker 1: a feud with the old Hollywood icon Fade Dunaway. Yeah,

654
00:36:24,600 --> 00:36:26,560
Speaker 1: certainly not and also not for nothing. But she was

655
00:36:26,600 --> 00:36:29,359
Speaker 1: carrying on feuds with Faye Dunaway and Lindsay Lohan at

656
00:36:29,360 --> 00:36:33,400
Speaker 1: the same time. That that is iconic. That is literally

657
00:36:33,440 --> 00:36:36,200
Speaker 1: her saying, I want the biggest mess that's in her

658
00:36:36,280 --> 00:36:39,919
Speaker 1: seventies and the biggest of mess that's my young under

659
00:36:40,000 --> 00:36:43,719
Speaker 1: fifteen ass age. Let's start a feud with Start a feud, bitch,

660
00:36:43,760 --> 00:36:48,640
Speaker 1: and I'll still end up on a premium cable sitcom,

661
00:36:48,760 --> 00:36:52,759
Speaker 1: Yes and Multicam, and you will still listen. You will

662
00:36:52,800 --> 00:36:57,200
Speaker 1: still listen to my dance records. Have you ever been

663
00:36:57,200 --> 00:37:00,080
Speaker 1: on Molly while Coming? While Come Clean is playing a

664
00:37:00,120 --> 00:37:02,399
Speaker 1: remix of Coming? Have I ever been on Molly while

665
00:37:02,440 --> 00:37:04,640
Speaker 1: Come Clean? As everybody else I have been around you

666
00:37:04,719 --> 00:37:08,320
Speaker 1: when this happens, when it's unbelievable, it's safe to dance

667
00:37:08,640 --> 00:37:13,560
Speaker 1: on masks again, and you are able to maybe be

668
00:37:13,640 --> 00:37:18,759
Speaker 1: on ecstasy. Come come clean, Coming clean, Coming clean. When

669
00:37:18,760 --> 00:37:21,279
Speaker 1: she goes with that part apart from somewhere, she goes,

670
00:37:21,880 --> 00:37:32,719
Speaker 1: I'm coming Hilary Duff came on the record and we

671
00:37:32,800 --> 00:37:36,840
Speaker 1: all just kept dancing. I'm sorry, just the beginning that song.

672
00:37:37,360 --> 00:37:41,480
Speaker 1: Let's go back back to the beginning, and then she

673
00:37:41,560 --> 00:37:48,000
Speaker 1: goes back to the sun stars all alive, so stupid.

674
00:37:49,000 --> 00:37:50,719
Speaker 1: Hillary Duff is telling us to go back to the

675
00:37:50,760 --> 00:37:53,399
Speaker 1: beginning of time, and that's how she starts her song

676
00:37:53,480 --> 00:37:56,520
Speaker 1: about love. That's that's an acid trip. It's a mom

677
00:37:56,640 --> 00:37:59,879
Speaker 1: it's it's it's it's rolling, it's every drug experience. Let's

678
00:37:59,880 --> 00:38:02,480
Speaker 1: go back back to the beginning, back to the sun,

679
00:38:02,600 --> 00:38:07,839
Speaker 1: the stars all aligned, A huge song, a poet and

680
00:38:07,880 --> 00:38:11,399
Speaker 1: I mean so yesterday, the metamorphosis the album Huge, Come on,

681
00:38:11,800 --> 00:38:14,960
Speaker 1: I'm actually like shaking, shaking um and number eighty two

682
00:38:14,960 --> 00:38:17,319
Speaker 1: will have me continue to be shaking. And that is

683
00:38:17,760 --> 00:38:22,320
Speaker 1: super based by Nicki Minaj. Iconically our origin story, iconically

684
00:38:22,360 --> 00:38:26,040
Speaker 1: our origin origin story, matten Eyes origin story. As friends,

685
00:38:26,280 --> 00:38:28,360
Speaker 1: our friendship is founded on in our identities as barbs.

686
00:38:28,400 --> 00:38:33,400
Speaker 1: People forget that super Base really locked it in Song

687
00:38:33,480 --> 00:38:36,080
Speaker 1: of the Summer. It was clearly the song of the Summer,

688
00:38:36,080 --> 00:38:39,040
Speaker 1: and I remember hearing it and like checking in with you,

689
00:38:39,120 --> 00:38:41,400
Speaker 1: like did you hear this one? Because it is deep

690
00:38:41,400 --> 00:38:43,399
Speaker 1: in the album. It is a bonus track. It wasn't

691
00:38:43,440 --> 00:38:46,000
Speaker 1: even on her album, it was it was a bonus

692
00:38:46,000 --> 00:38:49,319
Speaker 1: track or swild bonus track. Taylor Swift sang it on

693
00:38:49,360 --> 00:38:53,080
Speaker 1: a radio show and Nicki Minaj credits Taylor Swift with

694
00:38:53,200 --> 00:38:56,920
Speaker 1: the super Base moment, and that's an iconic moment in

695
00:38:57,000 --> 00:38:59,399
Speaker 1: culture for Taylor Swift to say, I like the song

696
00:38:59,480 --> 00:39:02,600
Speaker 1: super Bay, And then the world turned their attention to

697
00:39:02,600 --> 00:39:05,320
Speaker 1: super Base and they had realized what Nikki had created

698
00:39:05,360 --> 00:39:08,560
Speaker 1: on that one, which is I think the best pop

699
00:39:08,680 --> 00:39:12,920
Speaker 1: wraps off of the past since two thousand as the

700
00:39:12,960 --> 00:39:19,239
Speaker 1: century so far, esther esther, Dean hook hooks, and a

701
00:39:19,360 --> 00:39:23,719
Speaker 1: video that matched the sonic moment that Ice Motorcycle, are

702
00:39:23,719 --> 00:39:26,640
Speaker 1: you getting the pink lepper body suit and all the

703
00:39:26,680 --> 00:39:30,000
Speaker 1: guys in the peptobysmal pool. I mean, it's unbelievable, It's

704
00:39:30,000 --> 00:39:32,160
Speaker 1: so good. It's a huge moment, a moment, a moment,

705
00:39:32,160 --> 00:39:36,120
Speaker 1: a moment that was Nikki's beginning really um number eighty one,

706
00:39:36,200 --> 00:39:39,160
Speaker 1: speaking of the ladies, good luck book in that stage,

707
00:39:39,400 --> 00:39:43,200
Speaker 1: speak of Rihanna to Sierra, who could forget this Twitter fight?

708
00:39:43,600 --> 00:39:45,759
Speaker 1: Can you get into what you tell the story? This

709
00:39:45,920 --> 00:39:48,239
Speaker 1: story is I don't know the specifics, but Sierra was

710
00:39:48,239 --> 00:39:50,919
Speaker 1: on Fashion Police and the picture of Rihanna came on,

711
00:39:51,440 --> 00:39:54,759
Speaker 1: and Sierra took umbrage with the fact that Rihanna has

712
00:39:54,800 --> 00:39:57,480
Speaker 1: not been kind to her at certain award shows or

713
00:39:57,520 --> 00:40:01,040
Speaker 1: events or concerts. Something She said she'd route to her restaurant,

714
00:40:01,120 --> 00:40:03,720
Speaker 1: route to herd a restaurant even better. So Rihanna catches

715
00:40:03,719 --> 00:40:06,319
Speaker 1: the wind of this and then tweets at Sierra, UM,

716
00:40:06,480 --> 00:40:09,400
Speaker 1: I mean I mean my bad seeds and I forget

717
00:40:09,440 --> 00:40:14,520
Speaker 1: to tip you savage, and then Sierra said. Sierra said,

718
00:40:14,600 --> 00:40:16,160
Speaker 1: I don't have time for this. I'm about to get

719
00:40:16,200 --> 00:40:20,120
Speaker 1: on stage, and then Rihanna said the famous words more

720
00:40:20,520 --> 00:40:24,799
Speaker 1: fatality words. Good luck booking that stage you speak of,

721
00:40:24,960 --> 00:40:27,919
Speaker 1: I mean good luck booking that stage you speak of,

722
00:40:29,360 --> 00:40:31,839
Speaker 1: just the word choice. I mean you can't beat that

723
00:40:32,560 --> 00:40:35,120
Speaker 1: good luck booking that stage you speak And let's not

724
00:40:35,600 --> 00:40:40,839
Speaker 1: gloss over the savagery of oh my bad seed, did

725
00:40:40,880 --> 00:40:43,080
Speaker 1: I forget I forget to tip you because you must

726
00:40:43,120 --> 00:40:46,319
Speaker 1: have been the absolute waitress. Don't go on fashion please

727
00:40:46,320 --> 00:40:49,120
Speaker 1: and talk about me. I didn't get in your business.

728
00:40:50,160 --> 00:40:55,359
Speaker 1: Good luck booking that stage. You speak up. It's amazing,

729
00:40:55,560 --> 00:40:59,040
Speaker 1: it's it's the most savage. You should have known that

730
00:40:59,080 --> 00:41:03,240
Speaker 1: she was going to release a lingeree line called Savage Frenzy.

731
00:41:03,280 --> 00:41:05,840
Speaker 1: And also, didn't she tell you that she was a savage?

732
00:41:05,880 --> 00:41:09,440
Speaker 1: Didn't she tell you in that tweet that shook the

733
00:41:09,680 --> 00:41:13,360
Speaker 1: standems before they were real, before stands, before stand culture

734
00:41:13,360 --> 00:41:18,520
Speaker 1: really took shape. Number eighty Michelle Williams and Anne Hathaway

735
00:41:18,640 --> 00:41:20,560
Speaker 1: scenes and Broke Back Mountain. We're not going to talk

736
00:41:20,560 --> 00:41:22,560
Speaker 1: about the men. Enough has been set, enough has been said,

737
00:41:22,680 --> 00:41:24,879
Speaker 1: enough has not been said about the ladies have broke

738
00:41:24,960 --> 00:41:33,200
Speaker 1: back Jack nasty, Jack nasty that scene Fish, There's really

739
00:41:33,200 --> 00:41:36,080
Speaker 1: not much to be said. I mean, Anna Hathaway, I

740
00:41:36,200 --> 00:41:38,840
Speaker 1: wasn't like We've talked about this on blank Check famously

741
00:41:39,320 --> 00:41:43,359
Speaker 1: David Simson and Griffin Newman's podcast. But that's like the

742
00:41:43,400 --> 00:41:46,440
Speaker 1: Anne's first kind of Prestigi role after Princess Diaries, after

743
00:41:46,480 --> 00:41:49,000
Speaker 1: Ellen enchanted. It was a surprise to see her doing

744
00:41:49,040 --> 00:41:52,040
Speaker 1: something like this. Yes, and she's like Conican at that

745
00:41:52,160 --> 00:41:54,960
Speaker 1: last phone call when she calls Heath up and tells

746
00:41:55,239 --> 00:41:58,320
Speaker 1: him what happened to Jake, Joel and Hall. Unreal Michelle

747
00:41:58,320 --> 00:42:01,719
Speaker 1: talk about Michelle. I mean, Michelle is amazing every frame

748
00:42:01,760 --> 00:42:04,000
Speaker 1: of this movie. She's incredible. And she has that amazing

749
00:42:04,000 --> 00:42:08,360
Speaker 1: scene where she sees them kiss, totally silent reaction of that,

750
00:42:09,000 --> 00:42:11,680
Speaker 1: and then the confrontation scene at the end of the

751
00:42:11,719 --> 00:42:16,359
Speaker 1: movie when she says Jack Twiss, Jack nasty, you don't

752
00:42:16,360 --> 00:42:19,000
Speaker 1: go up there to fish and she throws the plates

753
00:42:19,000 --> 00:42:22,400
Speaker 1: and screaming, oh my god. I feel like they recreated

754
00:42:22,440 --> 00:42:25,239
Speaker 1: this scene of her watching them kiss. In the new

755
00:42:25,280 --> 00:42:29,000
Speaker 1: show Love Victor. Wow. And you know, Bowen and I

756
00:42:29,040 --> 00:42:32,600
Speaker 1: have just watched, well, I watched every episode. Bow and

757
00:42:32,640 --> 00:42:35,640
Speaker 1: watched the last episode and was impressed. I was very impressed.

758
00:42:35,680 --> 00:42:39,120
Speaker 1: I was also very stunned. That's true. But um, there's

759
00:42:39,160 --> 00:42:41,640
Speaker 1: a moment at the end of the season that sort

760
00:42:41,640 --> 00:42:44,759
Speaker 1: of calls back to Brokeback Mountain and I won't say

761
00:42:44,840 --> 00:42:46,920
Speaker 1: what it is, but I will do this. I'm going

762
00:42:46,960 --> 00:42:50,239
Speaker 1: to shout out the lead actress from Love Victor. Her

763
00:42:50,280 --> 00:42:53,680
Speaker 1: name is Rachel Hilson. This girl is a talent, Yes,

764
00:42:54,000 --> 00:42:56,040
Speaker 1: she is a talent and Bowen. You can even see

765
00:42:56,400 --> 00:42:59,439
Speaker 1: I all I got were like maybe five minutes total

766
00:42:59,480 --> 00:43:01,279
Speaker 1: with her, even like I don't even think you saw

767
00:43:01,280 --> 00:43:04,000
Speaker 1: her speak much. But no, I didn't see you speak much,

768
00:43:04,000 --> 00:43:07,200
Speaker 1: but her acting it hit me like a ton of breakfast.

769
00:43:07,280 --> 00:43:10,520
Speaker 1: She is a select She is so good. This I'm

770
00:43:10,560 --> 00:43:13,320
Speaker 1: telling you like Love Victor and also Anna Ortiz is

771
00:43:13,440 --> 00:43:16,959
Speaker 1: queen and everyone's good. And honestly, I liked Love Victor

772
00:43:17,120 --> 00:43:20,040
Speaker 1: and I'll talk about it on another episode of the pod,

773
00:43:20,440 --> 00:43:22,520
Speaker 1: but there's more to be said about it anyway. Okay,

774
00:43:22,840 --> 00:43:26,320
Speaker 1: Number seventy nine, Taylor Swift turning around to see large

775
00:43:26,320 --> 00:43:29,120
Speaker 1: crowd cheering. Now, this is a This is like a

776
00:43:29,120 --> 00:43:32,759
Speaker 1: common motif, and Matt's clapping. I'm clapping because it's what

777
00:43:32,800 --> 00:43:36,360
Speaker 1: would we There would be so much less to enjoy

778
00:43:36,360 --> 00:43:38,440
Speaker 1: in the world if Taylor Swift didn't turn around to

779
00:43:38,480 --> 00:43:40,600
Speaker 1: see crowds and look the way she looks. You wouldn't

780
00:43:40,640 --> 00:43:44,640
Speaker 1: get the you know, sixth single off of the album

781
00:43:44,719 --> 00:43:46,759
Speaker 1: music video that's just the concert footage, you know what

782
00:43:46,760 --> 00:43:49,279
Speaker 1: I'm talking about, And all her albums she has the

783
00:43:49,360 --> 00:43:51,960
Speaker 1: sixth single, Once the Cycle has died Down, she releases

784
00:43:52,000 --> 00:43:54,840
Speaker 1: in a music video quote unquote that's just the concert footage,

785
00:43:54,840 --> 00:43:56,279
Speaker 1: and half of it is just be a roll of

786
00:43:56,320 --> 00:43:58,920
Speaker 1: her turning around to be surprised that the audience is

787
00:43:58,920 --> 00:44:01,760
Speaker 1: there and smiling. Also, if you've ever seen her in concert,

788
00:44:01,840 --> 00:44:04,279
Speaker 1: she does still do it to an extent. Did she

789
00:44:04,320 --> 00:44:07,160
Speaker 1: do a reputation tour. Reputation tour, she was kind of

790
00:44:07,200 --> 00:44:09,960
Speaker 1: like in a moody, So she was famously in a

791
00:44:10,000 --> 00:44:12,919
Speaker 1: mood during Reputation and she was not like necessarily looking

792
00:44:12,920 --> 00:44:14,880
Speaker 1: around and smiling at the crowd, although you did get

793
00:44:14,920 --> 00:44:17,479
Speaker 1: a few moments throughout that she was happy that we came,

794
00:44:18,120 --> 00:44:20,160
Speaker 1: but mostly she was in like kind of a sour

795
00:44:20,239 --> 00:44:23,280
Speaker 1: mood during reputation, um, which I think was the brand.

796
00:44:23,400 --> 00:44:25,959
Speaker 1: But then you know she was back to turning around

797
00:44:25,960 --> 00:44:30,520
Speaker 1: and smiling during the Lover era, and um, I guess

798
00:44:30,520 --> 00:44:33,520
Speaker 1: we're not getting a Lover tour. She is rescheduling it

799
00:44:33,560 --> 00:44:35,600
Speaker 1: to next year. She was doing she was doing Lover

800
00:44:35,760 --> 00:44:38,680
Speaker 1: festivals in different cities. I will be seeing that. I'll

801
00:44:38,719 --> 00:44:41,080
Speaker 1: be because I loved Tay. And when she turns around

802
00:44:41,080 --> 00:44:42,960
Speaker 1: to see a crowd, like she's surprised every single time

803
00:44:43,000 --> 00:44:45,319
Speaker 1: and happy that everyone showed up, like it never happened before.

804
00:44:45,920 --> 00:44:48,799
Speaker 1: That was brand culture for me. But what is the

805
00:44:48,920 --> 00:44:51,600
Speaker 1: seminal moment of it. We know it is her in

806
00:44:51,640 --> 00:44:54,520
Speaker 1: the beginning of the after Welcome to New York, of course,

807
00:44:54,800 --> 00:44:58,800
Speaker 1: turning around Peak Peek in that like teal sequined letter jacket,

808
00:44:58,880 --> 00:45:01,719
Speaker 1: letterman jacket and just being like, oh my god, hi

809
00:45:01,920 --> 00:45:07,000
Speaker 1: six people like Hue so at nine by the time

810
00:45:07,080 --> 00:45:09,000
Speaker 1: she had gotten to that level, it's like she was

811
00:45:09,040 --> 00:45:11,960
Speaker 1: turning around and like she was like but it was

812
00:45:12,000 --> 00:45:14,319
Speaker 1: a little bit less like I'm shocked you came, and

813
00:45:14,320 --> 00:45:16,319
Speaker 1: it was like, I'm so happy you guys are here.

814
00:45:16,560 --> 00:45:19,560
Speaker 1: It was that it was the white girl version of

815
00:45:19,600 --> 00:45:22,480
Speaker 1: Michael Jackson popping up from the stage and people in

816
00:45:22,480 --> 00:45:26,520
Speaker 1: like Budapest like fainting for like and like screaming for like,

817
00:45:26,600 --> 00:45:28,879
Speaker 1: you know, seven minutes straight. It's the white girl version

818
00:45:28,880 --> 00:45:32,719
Speaker 1: of Beyonce popping up, rising from you know, a hydraulic

819
00:45:32,800 --> 00:45:35,879
Speaker 1: system and everyone losing their minds as she glares at

820
00:45:35,920 --> 00:45:38,960
Speaker 1: everybody in her beautiful, intense way, the white girl version

821
00:45:38,960 --> 00:45:42,200
Speaker 1: of as Taylor Swift turning around over her shoulder being like, hey, y'ah,

822
00:45:42,239 --> 00:45:44,520
Speaker 1: so glad you guys are And also this was also

823
00:45:44,640 --> 00:45:48,600
Speaker 1: the really this is the beginning slash peek of iconic

824
00:45:48,640 --> 00:45:51,960
Speaker 1: Taylor Swift white girl stomp. Once she would sort of

825
00:45:52,080 --> 00:45:55,640
Speaker 1: stop from one area of the stage to another, and

826
00:45:55,640 --> 00:45:57,840
Speaker 1: that was the extent of the corio, and that was

827
00:45:57,880 --> 00:45:59,600
Speaker 1: just kind of it. And then our reputation there was

828
00:45:59,600 --> 00:46:02,520
Speaker 1: like actually a lot of dancing, but the white girl

829
00:46:02,600 --> 00:46:06,840
Speaker 1: stomp was never more happening during tell her stuff behaviors

830
00:46:06,880 --> 00:46:09,280
Speaker 1: on stage, chiefly her turning around to see a crowd

831
00:46:09,280 --> 00:46:12,799
Speaker 1: and being shocked that culture moment and culture. Let's move

832
00:46:12,840 --> 00:46:18,319
Speaker 1: on this, and it is Marcia Cross on Desperate huge

833
00:46:18,320 --> 00:46:21,680
Speaker 1: Brint camp I feel that this was the character that

834
00:46:21,760 --> 00:46:25,680
Speaker 1: is most identifiable. I would say the visual like picture

835
00:46:25,719 --> 00:46:27,480
Speaker 1: I have in my mind of Desper house Wives is

836
00:46:27,560 --> 00:46:31,520
Speaker 1: of um Marcia Cross as Brie and the sort of

837
00:46:31,760 --> 00:46:35,319
Speaker 1: energy I feel of what I remember it is, of course,

838
00:46:35,360 --> 00:46:38,520
Speaker 1: but the image is Brive Anti camp In in a

839
00:46:38,680 --> 00:46:45,120
Speaker 1: tight bun bringing a huge dish with Rex. Wow, that's

840
00:46:45,120 --> 00:46:47,160
Speaker 1: so funny that you think of the tight bun. I

841
00:46:47,160 --> 00:46:49,400
Speaker 1: think of that like a little swoop like sort of

842
00:46:49,480 --> 00:46:52,600
Speaker 1: miss Honey from the hair that she had that like

843
00:46:52,680 --> 00:46:56,640
Speaker 1: suburban freak. She had that And for some reason the

844
00:46:56,760 --> 00:46:58,600
Speaker 1: scene that I keep thinking back to it, there's several

845
00:46:58,640 --> 00:46:59,800
Speaker 1: scenes that I think back to when I think of

846
00:46:59,840 --> 00:47:02,600
Speaker 1: death for Housewives. But one of them is season two premier.

847
00:47:02,680 --> 00:47:06,040
Speaker 1: This is after Rex dies and she's just standing outside

848
00:47:06,080 --> 00:47:10,440
Speaker 1: her house with like a huge dish or something, and

849
00:47:10,800 --> 00:47:12,680
Speaker 1: the other wives scheme where they're like, whe are you okay?

850
00:47:12,840 --> 00:47:16,040
Speaker 1: She they would want this, and they're like, no, we're okay.

851
00:47:16,080 --> 00:47:18,960
Speaker 1: Do you need anything? She's like, well, what a waste?

852
00:47:19,040 --> 00:47:21,320
Speaker 1: And she like throws away up giant dish and it's like, oh,

853
00:47:21,400 --> 00:47:26,200
Speaker 1: Marcia Cross, that is the moment, Marcia Marcia Eva, I'm

854
00:47:26,200 --> 00:47:29,840
Speaker 1: gonna give some props to Terry. I would give Terry props.

855
00:47:29,840 --> 00:47:34,640
Speaker 1: I would give Terry props. I mean Lynette's Gavo or Felicity,

856
00:47:34,719 --> 00:47:36,920
Speaker 1: are we gonna give her props? I give them all props,

857
00:47:36,960 --> 00:47:38,560
Speaker 1: but I don't give any of them as much props

858
00:47:38,560 --> 00:47:41,279
Speaker 1: as Nicola. Nicola who offered to slap to the face

859
00:47:41,320 --> 00:47:43,440
Speaker 1: while on set. I never forget that, and had to

860
00:47:43,480 --> 00:47:47,120
Speaker 1: be electrocuted to die. She was electric well, she died

861
00:47:47,160 --> 00:47:49,879
Speaker 1: like four different ways in an episode, but um, which

862
00:47:49,920 --> 00:47:52,640
Speaker 1: was kind of iconic, to be honest with you. But yeah.

863
00:47:52,719 --> 00:47:56,040
Speaker 1: Interestingly enough, when I was thinking about Desperate Housewives for

864
00:47:56,080 --> 00:47:58,320
Speaker 1: this list and I know you agree. I just felt

865
00:47:58,400 --> 00:48:02,160
Speaker 1: it's Marcia. It's the Marsha Show. It's Marcia when she

866
00:48:02,360 --> 00:48:04,600
Speaker 1: iconically screamed out in grief when she found out in

867
00:48:04,640 --> 00:48:06,880
Speaker 1: the last episode that Rex had died of the first season.

868
00:48:08,120 --> 00:48:11,320
Speaker 1: The moment, the like pearl clutching moment. This was like

869
00:48:11,320 --> 00:48:13,400
Speaker 1: back when Desperate House was was like the first scripted

870
00:48:13,400 --> 00:48:15,759
Speaker 1: show to make a splash after like years and years

871
00:48:15,800 --> 00:48:18,360
Speaker 1: of reality, right, And I remember, like the moment was

872
00:48:18,760 --> 00:48:20,360
Speaker 1: that dinner party scene where she and Rex had just

873
00:48:20,360 --> 00:48:23,080
Speaker 1: gotten into a fight, and then like they're all the

874
00:48:23,120 --> 00:48:25,680
Speaker 1: couples are sharing funny stories about their significant others and

875
00:48:25,680 --> 00:48:27,560
Speaker 1: then you know what I'm talking about, Rex cries when

876
00:48:27,600 --> 00:48:35,399
Speaker 1: he ejaculates, huge, unbelievable the clutch. It's actually real culture.

877
00:48:35,480 --> 00:48:44,920
Speaker 1: Number nine when cry cries was clutch. And now we're

878
00:48:44,920 --> 00:48:49,040
Speaker 1: gonna move on to number seventy seven, which is Monique

879
00:48:49,560 --> 00:48:52,400
Speaker 1: and Mariah in the final scene of Precious. You know

880
00:48:53,120 --> 00:48:57,240
Speaker 1: this writer, Jeffrey Fletcher is his name, won the Oscar

881
00:48:57,280 --> 00:49:00,400
Speaker 1: for Adapted Screenplay for this film. And you one that

882
00:49:00,680 --> 00:49:03,279
Speaker 1: disputes that you could win an Oscar for the scene

883
00:49:03,560 --> 00:49:07,760
Speaker 1: the scene alone. Oh my god, they got Monique the Oscar.

884
00:49:08,040 --> 00:49:10,239
Speaker 1: I mean, she won the Oscar walking in the door

885
00:49:10,320 --> 00:49:13,120
Speaker 1: with this one. And also Gabbarett is incredible in the

886
00:49:13,160 --> 00:49:18,400
Speaker 1: incredible and Mariah is put some on miss White's come on,

887
00:49:18,600 --> 00:49:22,560
Speaker 1: come on, miss White, come on, Miss Weiss. She really

888
00:49:22,719 --> 00:49:27,400
Speaker 1: grounded the scene and the three of them were stunning.

889
00:49:27,440 --> 00:49:30,040
Speaker 1: This was an incredible scene, one of the best scenes

890
00:49:30,120 --> 00:49:33,080
Speaker 1: I think, I'll say of this century. I have to

891
00:49:33,440 --> 00:49:36,120
Speaker 1: I have to think that Mariah is aware of the

892
00:49:36,320 --> 00:49:40,120
Speaker 1: diametric sort of opposite of her, Like she's getting such

893
00:49:40,160 --> 00:49:44,200
Speaker 1: a grounded scene in like such a like the polar

894
00:49:44,200 --> 00:49:47,200
Speaker 1: opposite in terms of a person from Mariah Carey, right,

895
00:49:47,200 --> 00:49:51,160
Speaker 1: like a social worker. Yeah, who's just sitting there like hey,

896
00:49:51,239 --> 00:49:54,239
Speaker 1: like all right. It's honestly weird though that she's It's

897
00:49:54,320 --> 00:49:56,480
Speaker 1: it's interesting to see her capable of such a grounds.

898
00:49:56,760 --> 00:49:59,040
Speaker 1: It was amazing. And also to be honest with you,

899
00:49:59,080 --> 00:50:02,640
Speaker 1: like you think no part of her is like tipped

900
00:50:02,680 --> 00:50:04,560
Speaker 1: off by Monique that she should be bigger, you know

901
00:50:04,600 --> 00:50:07,000
Speaker 1: what I mean. She really understands her function in the movie.

902
00:50:07,320 --> 00:50:11,280
Speaker 1: And it's a great supporting performance. And you know that

903
00:50:11,280 --> 00:50:14,960
Speaker 1: that whole moment is it's so vivid, it's so good.

904
00:50:14,960 --> 00:50:17,759
Speaker 1: This scene is amazing, and you know, if you want

905
00:50:17,760 --> 00:50:19,839
Speaker 1: to see actresses tearing it up, it is a hard

906
00:50:19,840 --> 00:50:21,799
Speaker 1: story to watch, but it's also you know, I think

907
00:50:21,800 --> 00:50:26,600
Speaker 1: that's amazing. Um, precious, you must, you must, let's keep going.

908
00:50:26,719 --> 00:50:31,279
Speaker 1: This is number when it was revealed and Frozen that

909
00:50:31,360 --> 00:50:36,440
Speaker 1: it was about sisters and not man. This was iconic

910
00:50:36,840 --> 00:50:40,080
Speaker 1: feminism because when you hear love in a Disney film,

911
00:50:40,080 --> 00:50:44,040
Speaker 1: you think, oh, heterosexual couple, romantic, but no, this is

912
00:50:44,080 --> 00:50:46,960
Speaker 1: the love of sisters. This is the love of sisters

913
00:50:47,000 --> 00:50:50,120
Speaker 1: and it runs deep, and only the love of sisters

914
00:50:50,120 --> 00:50:52,160
Speaker 1: could save them in the end. Actually, if you watch

915
00:50:52,239 --> 00:50:56,440
Speaker 1: and remember I think you're Anna, I'm Alsta. Yes that

916
00:50:56,520 --> 00:50:59,480
Speaker 1: is true. But which I've thought of this many times.

917
00:50:59,480 --> 00:51:02,200
Speaker 1: I would there be the Ana in some way? Why

918
00:51:02,400 --> 00:51:05,239
Speaker 1: she just gets to live. I have not seen Frozen two.

919
00:51:05,280 --> 00:51:08,600
Speaker 1: I should say Frozen too literally sucks and I say

920
00:51:08,600 --> 00:51:12,440
Speaker 1: it on the record, Okay, but Anna feels like she's

921
00:51:12,440 --> 00:51:14,640
Speaker 1: She's the one who's living the most life and Elsa's

922
00:51:14,680 --> 00:51:17,200
Speaker 1: the one who's put upon, which I I'm fine with beings.

923
00:51:17,360 --> 00:51:21,560
Speaker 1: But Elsa has the incredible she has the incredible talent

924
00:51:21,640 --> 00:51:25,120
Speaker 1: within and she has the unbelievable power of all the

925
00:51:25,200 --> 00:51:27,799
Speaker 1: stars and all the weather and all the moon and

926
00:51:27,840 --> 00:51:30,200
Speaker 1: the universe within her. And when she learns to let

927
00:51:30,200 --> 00:51:32,799
Speaker 1: it free and control it, she is unstoppable. So it

928
00:51:32,840 --> 00:51:35,560
Speaker 1: doesn't matter that Anna is off having fun, but you

929
00:51:35,640 --> 00:51:38,520
Speaker 1: are Anna and everywhere you are Christin Bell that and

930
00:51:38,680 --> 00:51:43,759
Speaker 1: just like Kristin Bell, I will figure it out. Let's

931
00:51:43,800 --> 00:51:48,000
Speaker 1: keep going. Number seventy five is Tina Turners Eighties come Back.

932
00:51:49,000 --> 00:51:51,319
Speaker 1: This was a moment because you know that she did

933
00:51:51,360 --> 00:51:53,239
Speaker 1: not have an easy time of it with Mr Ike.

934
00:51:53,800 --> 00:51:56,279
Speaker 1: And also, can we say we need to stop with

935
00:51:56,320 --> 00:51:59,160
Speaker 1: the Ike Turner and Tina Turner jokes. So let's just

936
00:51:59,200 --> 00:52:02,279
Speaker 1: say that I was never I'm always like I that's

937
00:52:02,280 --> 00:52:05,279
Speaker 1: a pro cluture for me. Whenever someone casually is like, oh, like,

938
00:52:05,400 --> 00:52:07,279
Speaker 1: I'm going to be the tire Tina, I'm like, wait

939
00:52:07,280 --> 00:52:11,400
Speaker 1: a minute. No. Also, he was her monster and brutalizer.

940
00:52:12,120 --> 00:52:15,759
Speaker 1: Tina Turner, We love you. The eighties come back, The

941
00:52:15,800 --> 00:52:17,480
Speaker 1: eighties come back? What's love got to do with it?

942
00:52:17,719 --> 00:52:24,279
Speaker 1: The iconic care simpler, the best everything, just the end

943
00:52:24,440 --> 00:52:34,160
Speaker 1: to end, simply the best with the best, Yes, the best. Honestly,

944
00:52:34,200 --> 00:52:37,400
Speaker 1: she is a wild vocalist power and you know what

945
00:52:37,440 --> 00:52:38,880
Speaker 1: I wanted to do for my birthday when I came

946
00:52:38,920 --> 00:52:40,920
Speaker 1: to New York, what I wanted to go see t

947
00:52:41,800 --> 00:52:43,680
Speaker 1: You know, we were we got tickets to to see what.

948
00:52:43,800 --> 00:52:45,759
Speaker 1: We had tickets to see Tina And it was that week,

949
00:52:45,800 --> 00:52:47,880
Speaker 1: I think it was three days before and then they

950
00:52:47,920 --> 00:52:49,799
Speaker 1: closed it down and who knows if it will even

951
00:52:49,800 --> 00:52:54,439
Speaker 1: open again now it's closed. Until we kept talking about

952
00:52:54,520 --> 00:52:58,560
Speaker 1: anti culture this, let's speaking of Broadway. This is rule

953
00:52:58,640 --> 00:53:06,480
Speaker 1: number seventy four. An Ariana Grande from Wicked and Unbelievable,

954
00:53:06,560 --> 00:53:09,160
Speaker 1: Unbelievable and somehow like the vote, the Ariana Granny vocal

955
00:53:09,200 --> 00:53:16,080
Speaker 1: runs worked when she goes from the lass favorite Yeah

956
00:53:16,440 --> 00:53:20,360
Speaker 1: you did it? That was hell and that look of

957
00:53:20,480 --> 00:53:23,000
Speaker 1: joy on her face right before she hit the note,

958
00:53:23,080 --> 00:53:25,279
Speaker 1: and also she had gone we can't tell about it,

959
00:53:25,320 --> 00:53:27,080
Speaker 1: but she had gone through something tough a cop few

960
00:53:27,160 --> 00:53:30,960
Speaker 1: days prior, and then was on that show right after

961
00:53:31,000 --> 00:53:34,080
Speaker 1: the news of that dropped and slayd that song down

962
00:53:34,160 --> 00:53:36,719
Speaker 1: and to watch her get so happy like before she

963
00:53:36,760 --> 00:53:38,160
Speaker 1: was singing it, and while she was singing it, I

964
00:53:38,160 --> 00:53:41,120
Speaker 1: was like, this is a triumphant moment. And it was

965
00:53:41,239 --> 00:53:43,800
Speaker 1: kind of like, you know, Bernardette Peter singing Hello, Dolly,

966
00:53:43,840 --> 00:53:46,800
Speaker 1: It's like, Okay, a child of Broadway has returned. Oh, yes,

967
00:53:47,400 --> 00:53:50,240
Speaker 1: she has returned to the stage, miss star of thirteen

968
00:53:50,719 --> 00:53:52,840
Speaker 1: and now number seventy three, and I talk about her

969
00:53:52,880 --> 00:53:57,120
Speaker 1: return to the stage. Missy Elliott revealed Katie Perry's super

970
00:53:57,120 --> 00:54:00,239
Speaker 1: Bowl performance. It was a reveal. I do want to

971
00:54:00,280 --> 00:54:03,279
Speaker 1: point out that Matt Rodgers wrote in Ruvealed she was

972
00:54:03,320 --> 00:54:09,200
Speaker 1: revealed when Missy Elliott was revealed during Katy Perry had

973
00:54:09,239 --> 00:54:11,920
Speaker 1: the Super Bowl and that giant Katie was wearing. That

974
00:54:11,960 --> 00:54:15,560
Speaker 1: giant oversized like literally every single one of Katy Perry's

975
00:54:15,560 --> 00:54:18,360
Speaker 1: outfits of us both were hideous like like, which is

976
00:54:18,719 --> 00:54:20,560
Speaker 1: totally consistent with the rest of her career. And I

977
00:54:20,560 --> 00:54:22,600
Speaker 1: say that in the most loving way. And we gotta say,

978
00:54:22,600 --> 00:54:25,040
Speaker 1: I mean, Katy kind of nailed the performances. I watched

979
00:54:25,080 --> 00:54:26,920
Speaker 1: it the other day. Literally, I don't really know what

980
00:54:26,960 --> 00:54:28,719
Speaker 1: else you would want from a Super Bowl performance. I

981
00:54:28,719 --> 00:54:31,479
Speaker 1: think hers was amazing. Oh the girls have done amazing. Girls.

982
00:54:31,680 --> 00:54:35,680
Speaker 1: I have very few notes for the girls. Um, but Missy,

983
00:54:35,920 --> 00:54:38,840
Speaker 1: Missy showing up, get your freak on, is that what

984
00:54:38,880 --> 00:54:40,480
Speaker 1: they did? Know that they your freak gun and work

985
00:54:40,520 --> 00:54:44,120
Speaker 1: it and work it. Um and then lose control huge.

986
00:54:44,920 --> 00:54:48,080
Speaker 1: Do you remember lose control when that would come on

987
00:54:48,120 --> 00:54:51,000
Speaker 1: at school dances? Clear the floor, Clear the floor, I

988
00:54:51,000 --> 00:54:53,400
Speaker 1: gotta I'm sorry to bring up ecstasy again. Go ahead.

989
00:54:54,120 --> 00:54:56,880
Speaker 1: That has to be a sick out experience. I probably experienced,

990
00:54:56,880 --> 00:55:00,520
Speaker 1: not lose control that past that Dutch when Paris that

991
00:55:00,640 --> 00:55:02,640
Speaker 1: Dutch comes on and you're on Molly. I think I

992
00:55:02,680 --> 00:55:04,200
Speaker 1: turned to you. I was with you one time when

993
00:55:04,239 --> 00:55:06,600
Speaker 1: this happened to one time, the time that's happened that

994
00:55:06,600 --> 00:55:08,040
Speaker 1: I can remember, I turned to you and I was like,

995
00:55:08,440 --> 00:55:11,239
Speaker 1: mean Girls is an amazing movie. Yeah, that's what I said.

996
00:55:11,480 --> 00:55:14,040
Speaker 1: I'm sure that you did, and I'm sure I agree

997
00:55:14,080 --> 00:55:17,560
Speaker 1: to because I'm I'm I'm rolling and I can only

998
00:55:17,560 --> 00:55:19,960
Speaker 1: think of Rachel McAdams being carried out by all these

999
00:55:20,040 --> 00:55:24,040
Speaker 1: jocks onto the field. Truly, I'm kind of we're actually

1000
00:55:24,040 --> 00:55:30,440
Speaker 1: going to get to that later. Two is Fergie singing Italian.

1001
00:55:31,400 --> 00:55:33,920
Speaker 1: This was a moment of culture and it's worth seeing

1002
00:55:34,000 --> 00:55:37,160
Speaker 1: the movie nine just to watch Bergie sing the Italian.

1003
00:55:37,200 --> 00:55:39,280
Speaker 1: And it is a joke to me that the Oscar

1004
00:55:39,360 --> 00:55:41,960
Speaker 1: nominee from that is Penelope Cruz, who was great, but

1005
00:55:42,040 --> 00:55:45,040
Speaker 1: she wasn't. Fergie singing the Italian as a as a

1006
00:55:45,480 --> 00:55:49,600
Speaker 1: you know, sort of prostitute down by the river. Do

1007
00:55:49,600 --> 00:55:52,440
Speaker 1: you feel like Fergie outperformed Dayla tay Lewis. Listen to

1008
00:55:52,440 --> 00:55:55,399
Speaker 1: me and look me in the eyes. Yes, I do think.

1009
00:55:55,640 --> 00:56:00,240
Speaker 1: I think she was a shining light. And let's just say,

1010
00:56:00,320 --> 00:56:06,759
Speaker 1: Daniel day Lewis, he did not hold a candle to Saratagin.

1011
00:56:07,760 --> 00:56:10,960
Speaker 1: Italian is a crazy ass. If you want to know

1012
00:56:11,040 --> 00:56:16,600
Speaker 1: about the love is Psycho. I remember watching uh interview

1013
00:56:16,680 --> 00:56:19,560
Speaker 1: with her about the movie and she goes, well, you

1014
00:56:19,600 --> 00:56:23,280
Speaker 1: know what, I was singing the Italian. My character Sarta Gina.

1015
00:56:23,640 --> 00:56:27,080
Speaker 1: She sings the Italian so many times, and so every

1016
00:56:27,120 --> 00:56:29,759
Speaker 1: time I said the Italian, I wanted it to be

1017
00:56:29,800 --> 00:56:33,799
Speaker 1: a different sort of meaning. Like you know, when you

1018
00:56:33,840 --> 00:56:36,880
Speaker 1: say the Italian, it's like the love of food, the

1019
00:56:36,960 --> 00:56:40,640
Speaker 1: love of sex, the love of coature, the love of

1020
00:56:41,080 --> 00:56:45,480
Speaker 1: the Italian men. You know, it's so many things that

1021
00:56:45,560 --> 00:56:48,560
Speaker 1: come with being Italian. And so if you listen, every

1022
00:56:48,560 --> 00:56:51,400
Speaker 1: time I'm singing the Italian, I'm singing about loving a

1023
00:56:51,480 --> 00:56:55,520
Speaker 1: different part of being Italian. And I was like, my

1024
00:56:55,760 --> 00:56:58,120
Speaker 1: jaw is on the floor, and not only the words,

1025
00:56:58,160 --> 00:57:02,800
Speaker 1: but you re enacting, well, I actually can embody. Literally

1026
00:57:02,880 --> 00:57:05,319
Speaker 1: when I was right now, I was her in my

1027
00:57:05,400 --> 00:57:08,640
Speaker 1: mind's eye, I saw myself as first. It makes sense,

1028
00:57:08,880 --> 00:57:12,040
Speaker 1: It makes you being a vessel for Fergie makes complete

1029
00:57:12,040 --> 00:57:14,719
Speaker 1: sense to me. Do you remember the iconic glass note?

1030
00:57:15,840 --> 00:57:21,520
Speaker 1: Do it? No? I can't, And she's like belting her

1031
00:57:22,640 --> 00:57:25,800
Speaker 1: big old tits off what I walked out of nine.

1032
00:57:27,120 --> 00:57:29,480
Speaker 1: I stayed for the Italian. I stayed for Kate Hudson.

1033
00:57:29,520 --> 00:57:32,000
Speaker 1: I think it was first. You didn't even see Marian

1034
00:57:33,600 --> 00:57:36,080
Speaker 1: even saw spiel Lauran. I think I just maybe it

1035
00:57:36,160 --> 00:57:40,520
Speaker 1: was good. I just left before like the end. I

1036
00:57:40,560 --> 00:57:43,080
Speaker 1: was just like I saw what I came to see.

1037
00:57:43,080 --> 00:57:44,560
Speaker 1: I saw the women. I went out. I saw it

1038
00:57:44,600 --> 00:57:46,680
Speaker 1: two times in theaters, once on a date. It was

1039
00:57:46,720 --> 00:57:48,240
Speaker 1: like the third date I had ever been on in

1040
00:57:48,280 --> 00:57:53,080
Speaker 1: my life. Oh my god. And so this is this

1041
00:57:53,120 --> 00:57:55,280
Speaker 1: is just it feels like a betrayal for me that

1042
00:57:55,360 --> 00:57:58,040
Speaker 1: you did that. It's me and Sudy's favorite film. I

1043
00:57:58,120 --> 00:58:02,040
Speaker 1: know it is. It's so bad. I just I want

1044
00:58:02,040 --> 00:58:05,080
Speaker 1: to I just want to gay culture. It's gay culture.

1045
00:58:05,200 --> 00:58:09,280
Speaker 1: But it was also like good La Luna. It's Sophia,

1046
00:58:09,400 --> 00:58:12,840
Speaker 1: she's a hundred, I know singing. Kate Hudson has amazing hair,

1047
00:58:12,960 --> 00:58:18,320
Speaker 1: and she goes and it's such a it's such a performance, Kate.

1048
00:58:18,320 --> 00:58:20,800
Speaker 1: It's never looked better in a movie. Wait now, I

1049
00:58:20,800 --> 00:58:22,440
Speaker 1: feel like while you're here, we have to have to

1050
00:58:22,440 --> 00:58:24,360
Speaker 1: watch it, and we also have to continue. Let's go.

1051
00:58:24,760 --> 00:58:30,480
Speaker 1: Number seventy one is Normany. I mean, Normany has really

1052
00:58:30,480 --> 00:58:32,400
Speaker 1: stormed into the scene, and she has stormed right onto

1053
00:58:32,440 --> 00:58:34,040
Speaker 1: the list, right onto the list. But you and I

1054
00:58:34,120 --> 00:58:36,200
Speaker 1: were talking, you know, you and I not to get

1055
00:58:36,200 --> 00:58:37,520
Speaker 1: pat ourselves too much on the back, but you know

1056
00:58:37,640 --> 00:58:41,280
Speaker 1: we've been saying, we've been saying, guys, the actual star

1057
00:58:41,400 --> 00:58:45,960
Speaker 1: a Fifth Harmony is Normany La Cabello, who you know,

1058
00:58:46,360 --> 00:58:47,600
Speaker 1: has doing a lot of it, is going through a

1059
00:58:47,640 --> 00:58:50,120
Speaker 1: lot of growth. And despite her you know, very anti

1060
00:58:50,160 --> 00:58:54,439
Speaker 1: black past, she's now putting the work in with very

1061
00:58:54,480 --> 00:58:56,920
Speaker 1: anti black past and is now putting the working with

1062
00:58:57,000 --> 00:59:00,920
Speaker 1: Mr Mendez and they are doing whatever they can to

1063
00:59:00,920 --> 00:59:03,520
Speaker 1: to to to do right by by everybody and everything.

1064
00:59:03,560 --> 00:59:06,080
Speaker 1: We don't even want to talk about Camilla during it's

1065
00:59:06,720 --> 00:59:09,200
Speaker 1: you and let's just say Normandy. We've been talking about

1066
00:59:09,200 --> 00:59:11,760
Speaker 1: her for years. Normany. It was always the best answer

1067
00:59:11,760 --> 00:59:13,840
Speaker 1: in fifth, Fifth Harmony. If you look at the work

1068
00:59:13,920 --> 00:59:18,120
Speaker 1: video Normany is turning it out from home. She is

1069
00:59:18,320 --> 00:59:21,040
Speaker 1: crawling up and down that damn bulldozer. And then when

1070
00:59:21,080 --> 00:59:25,440
Speaker 1: you got my motivation, it was do you remember where

1071
00:59:25,480 --> 00:59:27,800
Speaker 1: you were? Do I remember where I was? I remember

1072
00:59:27,840 --> 00:59:30,040
Speaker 1: that day so vividly. I don't remember where I was,

1073
00:59:30,600 --> 00:59:34,360
Speaker 1: but I remember that it was constant watching of the

1074
00:59:34,440 --> 00:59:37,640
Speaker 1: video Capital m moment, talk about a moment in culture,

1075
00:59:38,280 --> 00:59:47,160
Speaker 1: motivation video, just just calling forth these cultural visuals, paying

1076
00:59:47,160 --> 00:59:51,160
Speaker 1: her respects to Beyonce. And here we thought that out

1077
00:59:51,200 --> 00:59:53,800
Speaker 1: of all the girl group sort of b players, that

1078
00:59:53,840 --> 00:59:56,439
Speaker 1: we already had the number one motivation when Kelly Rowland

1079
00:59:56,520 --> 00:59:59,120
Speaker 1: came out with motivation, and then Normany came out with

1080
00:59:59,160 --> 01:00:02,160
Speaker 1: her own motive vation and she said, uh, look out

1081
01:00:02,200 --> 01:00:04,920
Speaker 1: for us girls who are not the lead singer of

1082
01:00:04,920 --> 01:00:07,520
Speaker 1: the group with the second lead vocalist vocal Okay, look

1083
01:00:07,520 --> 01:00:10,080
Speaker 1: out for us too. And we we gotta say Motivation

1084
01:00:10,120 --> 01:00:12,720
Speaker 1: by Kelly Roland is this fantastic another bop but just

1085
01:00:12,760 --> 01:00:18,400
Speaker 1: didn't make the list because it didn't make didn't make it.

1086
01:00:18,520 --> 01:00:20,880
Speaker 1: What did make the list is another song number seventy

1087
01:00:21,280 --> 01:00:25,120
Speaker 1: get Out of My Way by Kylie Minogue, I mean

1088
01:00:25,160 --> 01:00:28,680
Speaker 1: from the Aphrodite album, Huge album, This is a huge

1089
01:00:28,680 --> 01:00:32,480
Speaker 1: album and this song the video go on about this

1090
01:00:32,680 --> 01:00:37,760
Speaker 1: the video you got all these gay men, these upside

1091
01:00:37,760 --> 01:00:42,200
Speaker 1: down triangle men running around. I talked about their silhouettes.

1092
01:00:42,200 --> 01:00:45,560
Speaker 1: They're they're just like beefy up top top heavy, broad shoulder,

1093
01:00:45,640 --> 01:00:50,480
Speaker 1: just like fucking voguing the house down, the light projection

1094
01:00:50,600 --> 01:00:55,080
Speaker 1: designs and then the chairs. Kylie Minogue in a red outfit,

1095
01:00:55,160 --> 01:00:58,480
Speaker 1: just walking up to this cliff, this golden lit cliff

1096
01:00:59,200 --> 01:01:02,840
Speaker 1: during the bridge. It's an incredible song. Goddess. She was

1097
01:01:02,880 --> 01:01:07,160
Speaker 1: feeling her goddess iconography there and this moment, this moment

1098
01:01:07,240 --> 01:01:09,800
Speaker 1: on the list is indicative of a much larger career

1099
01:01:09,880 --> 01:01:12,600
Speaker 1: that is Kylie Minogue, and we do respect. I'm gonna

1100
01:01:12,600 --> 01:01:15,280
Speaker 1: say something to you. You need to get more into Kylie.

1101
01:01:15,720 --> 01:01:17,600
Speaker 1: You need to get into the back catalog. I'm actually

1102
01:01:17,600 --> 01:01:21,000
Speaker 1: surprised this it took this long to come up because

1103
01:01:21,000 --> 01:01:22,440
Speaker 1: you don't know that much Kylie. It would that be

1104
01:01:22,480 --> 01:01:25,160
Speaker 1: fair to say I don't have like a deeper You

1105
01:01:25,160 --> 01:01:27,960
Speaker 1: know who loves Kylie is Lewis Forte and Grand like

1106
01:01:28,040 --> 01:01:30,760
Speaker 1: all the l A gays like I love Kylie Minogue

1107
01:01:30,800 --> 01:01:33,720
Speaker 1: and I just have this sort of I don't know

1108
01:01:33,880 --> 01:01:36,080
Speaker 1: I don't know who fills the space where Kylie Minogue

1109
01:01:36,080 --> 01:01:39,040
Speaker 1: needs to go. Here's what you do. Start out looking

1110
01:01:39,240 --> 01:01:42,400
Speaker 1: searching for her interviews. She there was no more charming,

1111
01:01:42,840 --> 01:01:46,200
Speaker 1: deep pop diva interviews than she. She's second to maybe

1112
01:01:46,240 --> 01:01:48,880
Speaker 1: share like in terms of being charismatic in interviews, and

1113
01:01:48,880 --> 01:01:50,439
Speaker 1: like once you see them in an interview, like yes,

1114
01:01:50,520 --> 01:01:52,040
Speaker 1: I love you, I will follow you to the end

1115
01:01:52,080 --> 01:01:54,840
Speaker 1: of the earth. Kindie, there so great interviews And just

1116
01:01:54,960 --> 01:01:59,080
Speaker 1: listen to X listen to I mean just everything Kylie

1117
01:01:59,200 --> 01:02:01,880
Speaker 1: listened to. I mean Golden I think is a great record.

1118
01:02:02,480 --> 01:02:05,120
Speaker 1: She but like, but Guy Brandham said, wow, Gaga when

1119
01:02:05,160 --> 01:02:08,200
Speaker 1: she released Chromatica gave us a Kylie Minogga record, Like

1120
01:02:08,400 --> 01:02:11,000
Speaker 1: that is like the ethos of Kylie just giving you

1121
01:02:11,560 --> 01:02:23,240
Speaker 1: dance anthems down boots. Okay, let's keep going. Let's talk

1122
01:02:23,280 --> 01:02:25,320
Speaker 1: about number sixty nine. You don't have howork to do

1123
01:02:25,400 --> 01:02:30,280
Speaker 1: for this. No, the discovery of penicillin antibiotics huge. We

1124
01:02:30,360 --> 01:02:32,720
Speaker 1: could not be where we are in the pout them.

1125
01:02:32,880 --> 01:02:35,320
Speaker 1: I don't think that I could have come back from

1126
01:02:35,360 --> 01:02:38,080
Speaker 1: so many sicknesses that I have had had it not

1127
01:02:38,120 --> 01:02:41,280
Speaker 1: been for antibiotics. And I just want to shout out

1128
01:02:41,320 --> 01:02:43,720
Speaker 1: to all the doctors right now, and we are thinking

1129
01:02:43,760 --> 01:02:45,720
Speaker 1: of you. We're thinking of you. Let's keep going. Um,

1130
01:02:46,200 --> 01:02:48,640
Speaker 1: this is number sixty. This is an iconic moment. I'm

1131
01:02:48,680 --> 01:02:51,680
Speaker 1: so happy you put on thank you when Ash Armelion

1132
01:02:51,920 --> 01:02:55,360
Speaker 1: evolved into because this is truly the loss of innocence.

1133
01:02:55,520 --> 01:02:57,520
Speaker 1: This is the loss of innocen. This is saying goodbye,

1134
01:02:57,680 --> 01:02:59,800
Speaker 1: This is saying goodbye. And you know, if you remember

1135
01:02:59,800 --> 01:03:02,840
Speaker 1: from a show, Charmelion was not very nice to Ash,

1136
01:03:02,920 --> 01:03:05,400
Speaker 1: did not follow his orders. No, but it's crazy because

1137
01:03:05,400 --> 01:03:08,320
Speaker 1: it's like this is actually there's a much deeper meeting

1138
01:03:08,400 --> 01:03:11,000
Speaker 1: here because the char Mander was really sweet, so sweet

1139
01:03:11,080 --> 01:03:13,680
Speaker 1: charm We never would have seen this coming. There's lots

1140
01:03:13,680 --> 01:03:15,480
Speaker 1: of it is since But you know what else this is,

1141
01:03:15,560 --> 01:03:19,240
Speaker 1: This is a model of a toxic relationship. Yes, and

1142
01:03:19,360 --> 01:03:22,320
Speaker 1: it was really it was Ash let him mature too quickly,

1143
01:03:22,880 --> 01:03:25,480
Speaker 1: and it was it was it was really what it

1144
01:03:25,600 --> 01:03:29,480
Speaker 1: was was overtraining and it was abuse. It was abuse.

1145
01:03:29,600 --> 01:03:32,480
Speaker 1: It was overtraining abuse. It happens all the time. And

1146
01:03:32,920 --> 01:03:35,479
Speaker 1: because when you remember that Charis Art was even worse

1147
01:03:35,480 --> 01:03:38,560
Speaker 1: than Charmelion in terms of being so cocky, not listening

1148
01:03:38,560 --> 01:03:42,320
Speaker 1: to Ash, flying away from battles when ashe needed him

1149
01:03:42,320 --> 01:03:45,000
Speaker 1: the most. And then you know later on, I think

1150
01:03:45,000 --> 01:03:47,640
Speaker 1: it was in the Joe to League that Ash gives

1151
01:03:47,720 --> 01:03:51,160
Speaker 1: up Charis are Ultimately he realizes they both be better off.

1152
01:03:51,360 --> 01:03:54,000
Speaker 1: But that very Brilli and Andrew moment, very brill and

1153
01:03:54,040 --> 01:03:56,960
Speaker 1: Andrew moment from Desperate Housewives. But this is um that

1154
01:03:57,040 --> 01:03:58,640
Speaker 1: was the moment that they saw each other as equals.

1155
01:03:59,000 --> 01:04:00,800
Speaker 1: Was when Ash was able to let chars Are go,

1156
01:04:00,880 --> 01:04:03,840
Speaker 1: and Chars I respected that from Ash. Honestly, it's a

1157
01:04:03,880 --> 01:04:06,440
Speaker 1: huge moment. Ultimately, it's this is one of the most

1158
01:04:06,600 --> 01:04:10,160
Speaker 1: I think it's the most painful relationship in the Pokemon universe.

1159
01:04:10,360 --> 01:04:12,760
Speaker 1: I think so. And an amazing arc and an amazing arc.

1160
01:04:12,800 --> 01:04:20,560
Speaker 1: Amazing arc. Thank you number sixty seven. When w ah

1161
01:04:20,600 --> 01:04:24,680
Speaker 1: and A Star Is Born this I was with you

1162
01:04:24,680 --> 01:04:27,960
Speaker 1: the day the trailer dropped. Yea, And to say, I

1163
01:04:28,000 --> 01:04:30,680
Speaker 1: think I googled it every day from when I saw

1164
01:04:30,720 --> 01:04:32,600
Speaker 1: the trailer to when the movie came out. I was

1165
01:04:32,640 --> 01:04:35,080
Speaker 1: so excited for A Star is Born and it did

1166
01:04:35,120 --> 01:04:38,280
Speaker 1: not disappoint. And to know that not only was that

1167
01:04:38,400 --> 01:04:41,600
Speaker 1: amazing moment in trailer history, it was an amazing moment

1168
01:04:41,640 --> 01:04:44,400
Speaker 1: in cinema history in a way that made me forget.

1169
01:04:44,520 --> 01:04:46,720
Speaker 1: Like it made me because for a while I was like,

1170
01:04:46,720 --> 01:04:49,439
Speaker 1: there's not gonna be like a melodramatic movie. It's gonna

1171
01:04:49,520 --> 01:04:53,480
Speaker 1: rock us on a cultural level like this. Uh like

1172
01:04:53,760 --> 01:04:56,360
Speaker 1: since you know I was thinking this thing years ago,

1173
01:04:56,360 --> 01:04:57,800
Speaker 1: I was like, there's not gonna be like a My

1174
01:04:57,840 --> 01:05:00,760
Speaker 1: Heart Will Go On. Yeah. I think that what we

1175
01:05:00,840 --> 01:05:03,040
Speaker 1: had there was the closest thing we were going to

1176
01:05:03,120 --> 01:05:05,080
Speaker 1: get to like my Heart Will Go On moment, where

1177
01:05:05,200 --> 01:05:09,040
Speaker 1: like a ballad like that was really from the soul

1178
01:05:09,080 --> 01:05:11,080
Speaker 1: of a movie and had to only be for that movie,

1179
01:05:11,160 --> 01:05:15,440
Speaker 1: like really crossed over, although we did have Let It Go. Actually,

1180
01:05:15,440 --> 01:05:17,520
Speaker 1: you know what, It's weird because I always think of

1181
01:05:17,560 --> 01:05:21,040
Speaker 1: like the moment of ballads from movies being huge hits

1182
01:05:21,080 --> 01:05:25,600
Speaker 1: as very Yester Year, but The Star Is Born both

1183
01:05:25,600 --> 01:05:29,600
Speaker 1: had huge Oscar winning songs that were huge mainstream hits.

1184
01:05:29,760 --> 01:05:32,680
Speaker 1: I think Shallow was one of Lady Gaga's biggest records ever.

1185
01:05:32,760 --> 01:05:36,400
Speaker 1: I think it. I think it has like one trillion

1186
01:05:36,520 --> 01:05:39,440
Speaker 1: stream Yeah, it's like a really crazy amount of streams. Um,

1187
01:05:40,360 --> 01:05:46,480
Speaker 1: you're right, You're right, one trillions. It's real culture number

1188
01:05:46,560 --> 01:05:52,640
Speaker 1: eighty three streams on Spotify. But you know, it's like

1189
01:05:52,760 --> 01:05:54,240
Speaker 1: my heart will go on. I don't want to miss

1190
01:05:54,240 --> 01:05:57,080
Speaker 1: the thing. It's like all these like huge, sweeping melo

1191
01:05:57,120 --> 01:05:59,600
Speaker 1: dramatic songs. Yeah, I thought they were like a thing

1192
01:05:59,640 --> 01:06:03,600
Speaker 1: of the past. Spit then here here Gaga, Nadina go okay,

1193
01:06:03,600 --> 01:06:07,680
Speaker 1: Oh my God. Number sixty six Kelly Clarkson singing Natural

1194
01:06:07,720 --> 01:06:10,320
Speaker 1: Woman on American Idol. I have to give you the

1195
01:06:10,320 --> 01:06:14,440
Speaker 1: floor on this. So there were a lot of performances

1196
01:06:14,440 --> 01:06:17,880
Speaker 1: that were big moments for Kelly on American Idol, and

1197
01:06:17,880 --> 01:06:20,520
Speaker 1: Bowen had suggested that we put Kelly Clarkson winning American

1198
01:06:20,560 --> 01:06:22,480
Speaker 1: Idol on the Culture List. But the thing is, it

1199
01:06:22,520 --> 01:06:25,200
Speaker 1: was a foregone conclusion that she would win early on

1200
01:06:25,280 --> 01:06:27,720
Speaker 1: in the season when she sang a natural woman, because

1201
01:06:27,720 --> 01:06:30,760
Speaker 1: she hit this whistletone note. She was rocking a tie

1202
01:06:30,800 --> 01:06:33,360
Speaker 1: and a little hat. She was so addressed like a

1203
01:06:33,360 --> 01:06:36,280
Speaker 1: little businessman. What was the theme that week? This theme

1204
01:06:36,320 --> 01:06:39,400
Speaker 1: was sixties and she's saying natural woman and it was

1205
01:06:39,440 --> 01:06:42,240
Speaker 1: so she was twenty years old. It was well beyond

1206
01:06:42,240 --> 01:06:44,640
Speaker 1: her years. And I said, this is not only going

1207
01:06:44,680 --> 01:06:46,400
Speaker 1: to be a star in the Winner of the Show,

1208
01:06:46,440 --> 01:06:49,440
Speaker 1: but this is going to be someone in my life.

1209
01:06:49,880 --> 01:06:52,400
Speaker 1: And she has remained so And I'm looking right now

1210
01:06:52,880 --> 01:06:56,680
Speaker 1: at her vinyl, her meaning of like designed vinyl and

1211
01:06:56,760 --> 01:07:00,320
Speaker 1: she just want an Emmy, a daytime Emmy for talk host.

1212
01:07:00,360 --> 01:07:04,320
Speaker 1: Halfway got Halfway? Do you got? And Kelly, I've known

1213
01:07:04,320 --> 01:07:06,520
Speaker 1: it from the beginning. I love you. You're a moment

1214
01:07:06,520 --> 01:07:10,040
Speaker 1: of culture. Do you have anything to add, how emotionally

1215
01:07:10,080 --> 01:07:14,760
Speaker 1: ambassy you pay tribute like this lover her. She's a

1216
01:07:14,800 --> 01:07:17,480
Speaker 1: moment of Kelly so much. And you know Kelly was

1217
01:07:17,800 --> 01:07:20,080
Speaker 1: you know Kelly earlier on and the last episode was

1218
01:07:20,800 --> 01:07:22,480
Speaker 1: kind of involved in the moment of culture of Matt

1219
01:07:22,520 --> 01:07:25,000
Speaker 1: and I being on the view that she she was

1220
01:07:25,040 --> 01:07:26,440
Speaker 1: the reason we were there. She was the reason we

1221
01:07:26,440 --> 01:07:29,680
Speaker 1: were there. She wasn't the culture that day. It was us.

1222
01:07:29,760 --> 01:07:33,520
Speaker 1: The culture was us. And um that gentleman who went

1223
01:07:33,600 --> 01:07:36,880
Speaker 1: to go to the concert, but we don't speak of him. Uh,

1224
01:07:37,000 --> 01:07:39,520
Speaker 1: let's move on. Kelly's number sixty six, but number sixty

1225
01:07:39,560 --> 01:07:45,480
Speaker 1: five is Sailor Moon. This iconic young woman took the

1226
01:07:45,560 --> 01:07:48,560
Speaker 1: morning time by storm in my house, in your house.

1227
01:07:49,200 --> 01:07:53,640
Speaker 1: Sailor Moon, um Usagi, Serena, whatever you wanna call her,

1228
01:07:54,480 --> 01:07:57,240
Speaker 1: but just did the world around her gave us the

1229
01:07:57,240 --> 01:08:02,920
Speaker 1: magical girl archetype in anime in manga. Um uh, what

1230
01:08:03,000 --> 01:08:06,440
Speaker 1: a what a heroic girl fighting evil by moonlight, winning

1231
01:08:06,480 --> 01:08:08,760
Speaker 1: love by daylight, never running from a real fight. This

1232
01:08:08,840 --> 01:08:13,640
Speaker 1: is the one named Sailor Moon and the transformation sequences Sailor, Venus, Sailor,

1233
01:08:13,640 --> 01:08:16,280
Speaker 1: Mercury Sailor, Mars Sailer, Jupiter Dream. I could go on

1234
01:08:16,360 --> 01:08:20,320
Speaker 1: and the Sailor stars the series. You had the Search

1235
01:08:20,360 --> 01:08:22,640
Speaker 1: for your Love, you had Sailor, Neptune Sailor. You're in

1236
01:08:22,680 --> 01:08:28,280
Speaker 1: a Sailor Pluto iconic. Queer characters, queer cultured trans characters

1237
01:08:29,080 --> 01:08:31,320
Speaker 1: a huge thing, a huge part of the culture. I

1238
01:08:31,360 --> 01:08:33,280
Speaker 1: just remember watching Sailor Moon in the morning, and it

1239
01:08:33,320 --> 01:08:34,759
Speaker 1: was so early when I had to go to school

1240
01:08:34,760 --> 01:08:36,720
Speaker 1: that it was still dark out, so it was like

1241
01:08:36,800 --> 01:08:39,240
Speaker 1: watching a like a primetime show, but before school. I

1242
01:08:39,240 --> 01:08:41,000
Speaker 1: remember it was so early in the morning that it

1243
01:08:41,040 --> 01:08:42,639
Speaker 1: was on. It was it had to be on, like

1244
01:08:42,640 --> 01:08:46,000
Speaker 1: like it was always dark outside or maybe it was raining.

1245
01:08:46,080 --> 01:08:48,519
Speaker 1: I don't know. I was young. Um, okay, so we're

1246
01:08:48,520 --> 01:08:51,759
Speaker 1: moving on to number sixty four. This is Parker Posey

1247
01:08:51,920 --> 01:08:55,960
Speaker 1: and Josie and the pussy Cats iconic. When she walks

1248
01:08:56,000 --> 01:08:59,479
Speaker 1: down the stairs to her own party. Why do you do?

1249
01:08:59,720 --> 01:09:05,160
Speaker 1: What could do to me? Baby? Shaking my convdence, driving

1250
01:09:05,240 --> 01:09:09,240
Speaker 1: me crazy? You know if I could, I'd do anything

1251
01:09:09,439 --> 01:09:13,200
Speaker 1: for you so good And she is just sort of

1252
01:09:13,280 --> 01:09:16,280
Speaker 1: letting her body sway. It's incredible, I mean. And that

1253
01:09:16,360 --> 01:09:20,479
Speaker 1: movie really is like comedically like so huge. You had

1254
01:09:20,479 --> 01:09:25,160
Speaker 1: Parker Posey, you had a Eugene Levee, Cameo, Alan, Alan Cumming,

1255
01:09:25,240 --> 01:09:30,759
Speaker 1: Missy Piles, Rosario Richel could of course, yes, became Donald

1256
01:09:30,760 --> 01:09:34,040
Speaker 1: Faison and what's his name? Freck and meyerck and Meyer.

1257
01:09:34,120 --> 01:09:37,000
Speaker 1: We love one of my crushes Green. It was like

1258
01:09:37,360 --> 01:09:39,519
Speaker 1: of the time, like so perfect. But then you had

1259
01:09:39,600 --> 01:09:41,479
Speaker 1: like the Christopher guest flavor and there with Parker and

1260
01:09:41,479 --> 01:09:44,960
Speaker 1: with Eugene, and I just remember that movie influence. We've

1261
01:09:44,960 --> 01:09:46,760
Speaker 1: talked about this before, but that movie has influenced me

1262
01:09:46,800 --> 01:09:49,479
Speaker 1: so much. Oh it's also well ahead of its time

1263
01:09:49,520 --> 01:09:50,920
Speaker 1: in terms of what it was saying and what it

1264
01:09:51,000 --> 01:09:57,840
Speaker 1: was exploring. Now. Number sixty three is Yohaugenberg inventing movable type? Well,

1265
01:09:57,880 --> 01:09:59,880
Speaker 1: we certainly wouldn't be here. It certainly wouldn't be easy

1266
01:10:00,000 --> 01:10:02,320
Speaker 1: to live life with that what he had done. Imagine

1267
01:10:02,320 --> 01:10:06,479
Speaker 1: having to read a handwritten book. Thank you not my

1268
01:10:06,520 --> 01:10:09,599
Speaker 1: favorite Gutenberg. That would be Steve Gutenberg. Would love Steve

1269
01:10:09,640 --> 01:10:12,200
Speaker 1: Gutenberg didn't make the list. You know who did make

1270
01:10:12,200 --> 01:10:16,639
Speaker 1: the list is number sixty two. Robin. We love Robin.

1271
01:10:17,080 --> 01:10:20,479
Speaker 1: Robin has created some of the most amazing music of

1272
01:10:20,520 --> 01:10:22,840
Speaker 1: our time. And I would actually say the song that

1273
01:10:22,960 --> 01:10:25,400
Speaker 1: defines our generation the most is Dancing on My Dancing

1274
01:10:25,400 --> 01:10:29,439
Speaker 1: on My Own. Absolutely, there's pathos, there's a beat, their suffering,

1275
01:10:29,479 --> 01:10:32,880
Speaker 1: there's joy. And you know, one of my fondest memories

1276
01:10:32,920 --> 01:10:36,120
Speaker 1: is of going to the Robin Honey concert at Barclay Center, Yes,

1277
01:10:36,200 --> 01:10:39,599
Speaker 1: with my sister Matt Rodgers and Josh and and Josh

1278
01:10:39,600 --> 01:10:44,479
Speaker 1: and Mo and Dave, and we brought poppers and when

1279
01:10:44,479 --> 01:10:46,719
Speaker 1: the poppers hit at a Robber at a Robin concert,

1280
01:10:46,960 --> 01:10:48,920
Speaker 1: they hit and I saw it so hard. I saw

1281
01:10:48,960 --> 01:10:51,680
Speaker 1: him that vogueing, the fastest vogue I've ever seen in

1282
01:10:51,720 --> 01:10:54,599
Speaker 1: my life. I was really filling myself with that Robin concert.

1283
01:10:54,640 --> 01:10:57,360
Speaker 1: And how could you not, I mean, that was that

1284
01:10:57,439 --> 01:10:59,759
Speaker 1: was one of the best summers ever, honestly, and also

1285
01:11:00,000 --> 01:11:03,240
Speaker 1: it was just such last summer. Oh my god, it's

1286
01:11:03,280 --> 01:11:07,960
Speaker 1: so that was a great summer. No, I'm so sad.

1287
01:11:08,080 --> 01:11:10,960
Speaker 1: I will have great summers. We'll have great summers anyway.

1288
01:11:11,080 --> 01:11:13,200
Speaker 1: Robin provided us with that moment and so much more.

1289
01:11:13,200 --> 01:11:17,080
Speaker 1: And I remember her in singing show Me Love, and

1290
01:11:17,200 --> 01:11:20,519
Speaker 1: that is longevity right there. Yes, come on Swedish pop

1291
01:11:21,120 --> 01:11:25,280
Speaker 1: Icon to be celebrated. Number sixty one, Hey clown Jester,

1292
01:11:25,560 --> 01:11:30,000
Speaker 1: you have done it again constantly for the circus. This

1293
01:11:30,200 --> 01:11:33,040
Speaker 1: is the Michelle Obama meme replaced with words clown and

1294
01:11:33,120 --> 01:11:35,640
Speaker 1: jester and circus. Look it up. Look it up and

1295
01:11:35,720 --> 01:11:38,600
Speaker 1: of course foolishly and doing it and doing it foolishly.

1296
01:11:39,280 --> 01:11:42,360
Speaker 1: It's perfect. It's just a good meme. It's great, and

1297
01:11:42,400 --> 01:11:47,360
Speaker 1: it's a culture momentum. Number sixty is Feud, Bay and Joan.

1298
01:11:47,960 --> 01:11:49,960
Speaker 1: Where is the next series of Feud? So I looked

1299
01:11:50,000 --> 01:11:52,160
Speaker 1: into this. They were they were going to do Diana

1300
01:11:52,200 --> 01:11:54,599
Speaker 1: and Charles um and then they were going to call

1301
01:11:54,640 --> 01:11:58,840
Speaker 1: it something else and it lost the Feud name like

1302
01:11:58,920 --> 01:12:03,519
Speaker 1: the pre colon really and then Ryan Murphy sciences Netflix deal,

1303
01:12:04,120 --> 01:12:07,920
Speaker 1: so then I think Feud is contractually bound to FX.

1304
01:12:08,400 --> 01:12:10,200
Speaker 1: So now that he's on Netflix, he's like, I don't

1305
01:12:10,240 --> 01:12:11,840
Speaker 1: know when I'll be able to do Feud again, but

1306
01:12:11,880 --> 01:12:13,639
Speaker 1: I would love to do foot again when I can.

1307
01:12:14,040 --> 01:12:18,280
Speaker 1: So we it's it's indefinitely just done. But feud, what

1308
01:12:18,360 --> 01:12:21,160
Speaker 1: we had a feud? Isn't that sad? That is a

1309
01:12:21,200 --> 01:12:22,960
Speaker 1: bummer because I actually thought that feud was one of

1310
01:12:23,000 --> 01:12:27,280
Speaker 1: the better Ryan Murphy too, Yeah, and you know whatever,

1311
01:12:27,360 --> 01:12:29,160
Speaker 1: But I thought Bettie and Joan was great, even though

1312
01:12:29,200 --> 01:12:30,880
Speaker 1: the writing is like, I love Betty and Johan and

1313
01:12:30,960 --> 01:12:32,880
Speaker 1: I need a little bit of over the top writing

1314
01:12:32,960 --> 01:12:38,519
Speaker 1: like that sometimes. I mean, the last episode of spoiler Alert, Um,

1315
01:12:38,600 --> 01:12:42,920
Speaker 1: Jessica Lang is Joan Crawford hallucinating all of you know,

1316
01:12:43,160 --> 01:12:47,519
Speaker 1: the the old Hollywood people who tormented her. Um so good.

1317
01:12:47,640 --> 01:12:49,800
Speaker 1: She's truly good in it, and honestly, had it not

1318
01:12:50,280 --> 01:12:53,400
Speaker 1: been for big little lies in nicole Um, that was

1319
01:12:53,439 --> 01:12:54,920
Speaker 1: a crazy year. It was a crazy yer and we're

1320
01:12:54,920 --> 01:12:57,679
Speaker 1: actually gonna talk about it in a second. Fifty nine

1321
01:12:57,840 --> 01:13:01,760
Speaker 1: is S Club seven. I mean, these two these young

1322
01:13:01,800 --> 01:13:05,280
Speaker 1: girls hot sort of like, you know, trying to be

1323
01:13:05,320 --> 01:13:06,960
Speaker 1: the new group of the moment and succeeding there for

1324
01:13:07,000 --> 01:13:09,120
Speaker 1: a little bit because it was Simon. It was some.

1325
01:13:09,880 --> 01:13:13,639
Speaker 1: It was not Simons, Miss Fuller, Simon Fuller signing them

1326
01:13:13,640 --> 01:13:15,960
Speaker 1: and this is hot off the success of the Spice Girls.

1327
01:13:16,600 --> 01:13:20,840
Speaker 1: You know, S Clip seven as club party. Um never

1328
01:13:20,880 --> 01:13:24,719
Speaker 1: had a dream come true. All that just really songs

1329
01:13:24,760 --> 01:13:26,240
Speaker 1: for the moment, for the moment, and we can all

1330
01:13:26,240 --> 01:13:28,680
Speaker 1: remember that moment, sort of like wishing we had like

1331
01:13:28,720 --> 01:13:31,320
Speaker 1: a boyfriend or a girlfriend at the time, and sort

1332
01:13:31,360 --> 01:13:35,120
Speaker 1: of like you know, so soda pop fantasies. Yes, yeah,

1333
01:13:35,160 --> 01:13:38,679
Speaker 1: that's how I think of them. Number I can Barely

1334
01:13:38,720 --> 01:13:41,760
Speaker 1: see is a little bit of a different fantasy of

1335
01:13:41,800 --> 01:13:44,799
Speaker 1: a soft drink or something you could drink. The invention

1336
01:13:44,840 --> 01:13:48,000
Speaker 1: of ice coffee. I can't live without it. Me neither

1337
01:13:48,120 --> 01:13:52,800
Speaker 1: love the stuff moving forward? Fifty seven is I mean,

1338
01:13:52,880 --> 01:13:58,240
Speaker 1: for me, this is Desperate Housewives, but make it even

1339
01:13:58,320 --> 01:14:02,840
Speaker 1: richer and prestige and with an oscar Worthy director and

1340
01:14:03,160 --> 01:14:06,360
Speaker 1: real A list talent behind the camera. I identify as

1341
01:14:06,439 --> 01:14:09,599
Speaker 1: Reese and big little lies I have. I guess I'm

1342
01:14:09,640 --> 01:14:11,599
Speaker 1: a Shelene. We've never really figured out what I am.

1343
01:14:11,800 --> 01:14:17,639
Speaker 1: I feel you're celest, but with power, you're so lest

1344
01:14:17,680 --> 01:14:20,880
Speaker 1: when she's in the courtroom. What do we think of

1345
01:14:20,920 --> 01:14:24,280
Speaker 1: Season two? I don't hate season two as much as

1346
01:14:24,320 --> 01:14:28,960
Speaker 1: everyone else does, but but I would say that I

1347
01:14:29,000 --> 01:14:32,559
Speaker 1: would rather have big little lies than not having, Like

1348
01:14:32,720 --> 01:14:35,759
Speaker 1: I'm if at the end of the season I'm mad

1349
01:14:35,800 --> 01:14:39,320
Speaker 1: because there was too much pulpe on my drama about

1350
01:14:39,680 --> 01:14:43,920
Speaker 1: like rich A list actresses. It's like, that's fine. I'd

1351
01:14:44,000 --> 01:14:46,400
Speaker 1: rather like, yeah, you know, how many seasons of Big

1352
01:14:46,400 --> 01:14:48,640
Speaker 1: Bang thirty like have been on. We can get a

1353
01:14:48,640 --> 01:14:51,040
Speaker 1: few seasons a bit little lies. I don't really ever

1354
01:14:51,120 --> 01:14:54,200
Speaker 1: understand when people are like, we don't need a third season.

1355
01:14:54,240 --> 01:14:58,040
Speaker 1: It's like, yeah, I don't need, like I don't need

1356
01:14:58,080 --> 01:15:02,000
Speaker 1: another a million dollars, but want it like thank you,

1357
01:15:02,080 --> 01:15:03,680
Speaker 1: And it's the same, am bib little Ice. Season three

1358
01:15:03,720 --> 01:15:06,040
Speaker 1: would be the equivalent of a million dollars. You know

1359
01:15:06,080 --> 01:15:08,080
Speaker 1: what they didn't do enough in season two, which they

1360
01:15:08,240 --> 01:15:10,080
Speaker 1: also didn't do enough in season one, was not enough

1361
01:15:10,080 --> 01:15:13,240
Speaker 1: Marion Marion Dungey. Well, I thought that she would be

1362
01:15:13,240 --> 01:15:16,080
Speaker 1: a bigger part exactly what's what I'm saying. But she wasn't. Yeah,

1363
01:15:16,479 --> 01:15:19,479
Speaker 1: she wasn't. And she also was iconically in Private Practice

1364
01:15:19,479 --> 01:15:21,479
Speaker 1: to spin off when it was a backdoor pilot, and

1365
01:15:21,479 --> 01:15:24,240
Speaker 1: then they recast her with miss Audre McDonald, who unfortunately

1366
01:15:24,320 --> 01:15:27,640
Speaker 1: did not make the list. Um let's keep going. But

1367
01:15:27,640 --> 01:15:30,559
Speaker 1: who did make the list? Number fifties six Deb Wilson

1368
01:15:30,640 --> 01:15:33,439
Speaker 1: on Mad TV, one of the best sketch performers of

1369
01:15:33,439 --> 01:15:35,320
Speaker 1: all time. In my opinion, you put her up there

1370
01:15:35,360 --> 01:15:38,240
Speaker 1: with Gilda. Oh. I mean, she pops on the screen

1371
01:15:38,320 --> 01:15:41,360
Speaker 1: like no other and the choices are out of control,

1372
01:15:41,560 --> 01:15:46,479
Speaker 1: but they are welcome. Let's just I'm truly rattling these

1373
01:15:46,520 --> 01:15:50,679
Speaker 1: off yet, Whitney Houston beneath a Latifa harri Fa Sharifa Jackson,

1374
01:15:50,960 --> 01:15:54,599
Speaker 1: you had prehistoric prehistoric, I mean you had yes, prest

1375
01:15:54,800 --> 01:15:57,720
Speaker 1: Clamazon Huntress is a d she was She was like

1376
01:15:57,760 --> 01:16:01,679
Speaker 1: the she was Mariah. She was this default commercial parody voice.

1377
01:16:01,680 --> 01:16:05,600
Speaker 1: She was the cssily strong of that TV um she

1378
01:16:05,600 --> 01:16:08,479
Speaker 1: she did so much, she did so much incredible. Oh

1379
01:16:08,479 --> 01:16:11,920
Speaker 1: she did Diana Ross in a crazy Halloween theme sketch.

1380
01:16:12,040 --> 01:16:15,120
Speaker 1: If people remember where she bit Michael McDonald's nipple off.

1381
01:16:16,960 --> 01:16:19,719
Speaker 1: I love mat TV so much as people know Deborah

1382
01:16:19,720 --> 01:16:24,320
Speaker 1: Wilson like popped in a way. I love her and

1383
01:16:24,479 --> 01:16:27,719
Speaker 1: I agree. I mean, this is a seminal artist artists.

1384
01:16:27,800 --> 01:16:34,120
Speaker 1: And speaking of artists, number five, Brandy Cinderella, this is

1385
01:16:34,160 --> 01:16:37,400
Speaker 1: the definitive telling of Rogers and Hammerstein. Thank you. And

1386
01:16:37,479 --> 01:16:40,240
Speaker 1: you had an Asian male lead in the nineties, Are

1387
01:16:40,240 --> 01:16:43,120
Speaker 1: you kidding me? She had biracial parents and it was

1388
01:16:43,200 --> 01:16:45,160
Speaker 1: just it was it was a Victor Garber and Whoopi

1389
01:16:45,240 --> 01:16:50,000
Speaker 1: Goldberg and like it was just a completely colored blind cast.

1390
01:16:50,120 --> 01:16:51,680
Speaker 1: Not that that even had anything to do with it.

1391
01:16:51,720 --> 01:16:54,320
Speaker 1: I remember being little and not even thinking about it

1392
01:16:54,400 --> 01:16:56,880
Speaker 1: was just like amazing to watch. And Whitney was the

1393
01:16:56,920 --> 01:17:02,320
Speaker 1: godmother of course, the Whitney Houston impossible things all happening.

1394
01:17:05,280 --> 01:17:08,560
Speaker 1: I mean, come on, and Brandy iconic sitting all on

1395
01:17:08,680 --> 01:17:10,519
Speaker 1: in her little corner, on her own little chair, sin

1396
01:17:10,880 --> 01:17:14,080
Speaker 1: in her chair, and did you ever see like the

1397
01:17:14,200 --> 01:17:16,920
Speaker 1: interview footage or like the footage of them staying together

1398
01:17:16,960 --> 01:17:21,519
Speaker 1: at the in the studios. It's just beautiful and well

1399
01:17:21,560 --> 01:17:24,120
Speaker 1: that was Brandi's idol, that was Brandie's idol, and like,

1400
01:17:24,200 --> 01:17:26,559
Speaker 1: but you could see that Whitney was pushing her because

1401
01:17:26,600 --> 01:17:30,080
Speaker 1: she knew she was capable. And look, you had a

1402
01:17:30,120 --> 01:17:37,840
Speaker 1: gay dad, Victor Garber, huge and married to Berna, I mean, iconic,

1403
01:17:37,960 --> 01:17:41,240
Speaker 1: burna dead getting a big part like that. We like ever,

1404
01:17:41,280 --> 01:17:42,960
Speaker 1: my mom said to me, that's Brenda Deett Peters and

1405
01:17:42,960 --> 01:17:45,200
Speaker 1: I was like, I don't know that, but I do

1406
01:17:45,320 --> 01:17:46,479
Speaker 1: know that. I want to know more, you know what

1407
01:17:46,479 --> 01:17:48,679
Speaker 1: I mean. I was like, I'm actually interested in hearing

1408
01:17:48,680 --> 01:17:51,640
Speaker 1: more about this Bernadette Peters because there's something going on.

1409
01:17:51,800 --> 01:17:53,400
Speaker 1: That was my first exposure to Berna Dead, I think

1410
01:17:53,400 --> 01:17:56,160
Speaker 1: I would imagine. So yeah, so I'm moving forward. We

1411
01:17:56,160 --> 01:17:59,439
Speaker 1: have a number fifty four. This is iconic Jurassic Park.

1412
01:18:00,439 --> 01:18:02,920
Speaker 1: Think about all the culture that Jurassic Park has given us.

1413
01:18:02,960 --> 01:18:04,840
Speaker 1: I mean, not only do we have Laura during staring

1414
01:18:04,920 --> 01:18:07,200
Speaker 1: up and wonder at what we then realized later was

1415
01:18:07,240 --> 01:18:09,600
Speaker 1: a c G I dinosaur. There wasn't even anything for

1416
01:18:09,600 --> 01:18:11,360
Speaker 1: her to look at, talk about acting talking about it.

1417
01:18:11,400 --> 01:18:15,559
Speaker 1: Then you've got I mean, Beaty Wong serving up iconic

1418
01:18:15,640 --> 01:18:18,840
Speaker 1: fish villain. You got that t Rex, another villain in

1419
01:18:18,880 --> 01:18:23,280
Speaker 1: the film, very big, very mean, the raptors extremely nasty,

1420
01:18:24,120 --> 01:18:28,320
Speaker 1: and we had the most handsome creation of all as

1421
01:18:28,439 --> 01:18:35,080
Speaker 1: dr Ian dr Ian Malcolm, Thank you Mr Jeff, Mr

1422
01:18:35,200 --> 01:18:38,800
Speaker 1: Jeff Goldbloom. And we have sex icon's icon. You had

1423
01:18:38,840 --> 01:18:43,519
Speaker 1: the iconic little cartoons train of DNA narrating how the

1424
01:18:43,560 --> 01:18:46,000
Speaker 1: park came to be, talking about the amber, talking about

1425
01:18:46,000 --> 01:18:48,720
Speaker 1: the MS Dinosaur theme Park. They sat down and they

1426
01:18:48,720 --> 01:18:50,960
Speaker 1: wrote Dinosaur Theme Park, of Course, which is a novel. First,

1427
01:18:51,000 --> 01:18:53,800
Speaker 1: thank you Michael crist Then we had Steven Spielberg making

1428
01:18:53,840 --> 01:18:56,200
Speaker 1: into the amazing moment. And then we have the theme

1429
01:18:56,240 --> 01:19:00,960
Speaker 1: parks everywhere nationwide, I mean internationally, Girl Dress Park. Now

1430
01:19:00,960 --> 01:19:05,200
Speaker 1: we have Jurassic World. The movies are um trying something new,

1431
01:19:06,000 --> 01:19:08,360
Speaker 1: but they do give us Bryce Dallas Howard out running

1432
01:19:08,360 --> 01:19:11,880
Speaker 1: a t Rex in her heels. That and then in

1433
01:19:11,880 --> 01:19:15,280
Speaker 1: the second movie a ponytail. Chaotic good, chaotic. This is

1434
01:19:15,320 --> 01:19:18,439
Speaker 1: the definition of chaotic good. Absolutely, it's actually real culture.

1435
01:19:18,520 --> 01:19:25,400
Speaker 1: Number seventy Bryce Dallas Howard is the definition of chaotic good.

1436
01:19:25,560 --> 01:19:29,679
Speaker 1: Thank you, Let's move on. Number fifty three is Dr Meridian.

1437
01:19:29,920 --> 01:19:32,640
Speaker 1: We just watched this film. I haven't seen any I

1438
01:19:32,680 --> 01:19:35,559
Speaker 1: haven't seen a lot of streamocrafy, I have not seen

1439
01:19:35,600 --> 01:19:37,519
Speaker 1: a Streat Macro film since he passed away. Oh, you

1440
01:19:37,560 --> 01:19:39,640
Speaker 1: need to watch Batman Forever and Batman and Robin in

1441
01:19:39,640 --> 01:19:42,719
Speaker 1: a double feature. Because Nicole Kidman as Dr Chase Meridian

1442
01:19:42,840 --> 01:19:45,720
Speaker 1: is not what you remember. She is driven only by

1443
01:19:45,720 --> 01:19:48,799
Speaker 1: her sexual impulses. In the film, she has iconic Veronica

1444
01:19:48,880 --> 01:19:51,280
Speaker 1: l hair. She rings the bat symbol, which means that

1445
01:19:51,360 --> 01:19:53,800
Speaker 1: something is happening just so she can get make it

1446
01:19:53,840 --> 01:19:55,880
Speaker 1: on a roof, so that she can like you know,

1447
01:19:56,120 --> 01:20:01,280
Speaker 1: sort of position him. She is lashing her movies around

1448
01:20:01,800 --> 01:20:05,120
Speaker 1: like she is driven wild by her own wiles. And

1449
01:20:05,160 --> 01:20:09,800
Speaker 1: this was she's a psychotherapist. This is Val Kilmer Batman, Batan,

1450
01:20:09,800 --> 01:20:12,519
Speaker 1: I'm sorry to say, I mean not even close. Who

1451
01:20:12,520 --> 01:20:14,840
Speaker 1: do you think it's the hottest? How does Batman? I mean,

1452
01:20:15,040 --> 01:20:17,160
Speaker 1: if if to be to be totally honest with you,

1453
01:20:17,240 --> 01:20:21,720
Speaker 1: the hottest Batman, flat out period is Christian. You have

1454
01:20:21,720 --> 01:20:24,400
Speaker 1: a body like that, George Clooney, You didn't see the body.

1455
01:20:24,439 --> 01:20:26,760
Speaker 1: Well he wasn't even trying, George Clooney. Now he was

1456
01:20:26,800 --> 01:20:28,599
Speaker 1: like mad to be there. Yeah, yeah, of course he

1457
01:20:28,640 --> 01:20:31,719
Speaker 1: wasn't even happy about being there. God, Batman and Robin

1458
01:20:31,880 --> 01:20:35,479
Speaker 1: is truly truly crazy. It's one of the most insane

1459
01:20:35,520 --> 01:20:38,960
Speaker 1: movies ever. But we're gonna talk about it a bit, Okay.

1460
01:20:38,960 --> 01:20:42,240
Speaker 1: So number five two is The Sims? What would be

1461
01:20:42,240 --> 01:20:44,120
Speaker 1: without the Sims? One of the best selling games of

1462
01:20:44,160 --> 01:20:48,040
Speaker 1: all time. Um, you know you could live out all

1463
01:20:48,040 --> 01:20:51,000
Speaker 1: your fantasies on the Sims. You could. I did feel

1464
01:20:51,120 --> 01:20:54,320
Speaker 1: rich playing the Sims after Rosebud, of course, after the

1465
01:20:54,400 --> 01:20:57,560
Speaker 1: rosebed Cheat. But you know, to live out your fantasies

1466
01:20:57,600 --> 01:21:01,679
Speaker 1: by building as big of a house as you wanted. Um,

1467
01:21:01,760 --> 01:21:03,599
Speaker 1: I felt rich. I've never felt did you ever do

1468
01:21:03,680 --> 01:21:08,360
Speaker 1: the code to get unlimited money? Yeah? Rosebud, Rosebud always, always, always,

1469
01:21:08,439 --> 01:21:11,519
Speaker 1: And you know it was fun too. In sequels, you know,

1470
01:21:12,560 --> 01:21:14,920
Speaker 1: there's aspirations that you can work with, and it was

1471
01:21:14,960 --> 01:21:17,240
Speaker 1: fun to sort of, you know, make my character the

1472
01:21:17,280 --> 01:21:20,439
Speaker 1: mayor of sim City. That's incredible, thank you. See I

1473
01:21:20,520 --> 01:21:22,960
Speaker 1: was like a really coach tycoon person. But I feel

1474
01:21:23,000 --> 01:21:25,120
Speaker 1: that the Sims arened its place here because I even

1475
01:21:25,120 --> 01:21:27,040
Speaker 1: played the Sims as well. And to sort of watch

1476
01:21:27,080 --> 01:21:31,080
Speaker 1: my characters quote unquote interact was very formidable for me.

1477
01:21:31,360 --> 01:21:34,920
Speaker 1: For not formidable, it was formative and formidable. And I

1478
01:21:34,920 --> 01:21:36,360
Speaker 1: don't know my words, but I do in my heart.

1479
01:21:36,439 --> 01:21:40,719
Speaker 1: Let's keep going, um, let's keep going. Number one speech.

1480
01:21:40,960 --> 01:21:43,320
Speaker 1: The world is ship. The world is bullshit. The world

1481
01:21:43,320 --> 01:21:46,240
Speaker 1: is bullshit. This is bullshit, she said, and she was right.

1482
01:21:46,320 --> 01:21:49,479
Speaker 1: She was right, and she said, go with yourself, Go

1483
01:21:49,560 --> 01:21:53,760
Speaker 1: with yourself, Go with yourself. Isn't that beautiful? Honestly she

1484
01:21:53,840 --> 01:21:56,559
Speaker 1: only looks crazy at the time, but now looking back,

1485
01:21:56,840 --> 01:21:59,919
Speaker 1: ahead of her time, ahead of her time, go with yourself.

1486
01:22:00,000 --> 01:22:01,519
Speaker 1: Don't go with what this industry wants you to do.

1487
01:22:01,600 --> 01:22:04,759
Speaker 1: Go with yourself and what like also like what eighteen

1488
01:22:04,800 --> 01:22:08,280
Speaker 1: at the time, young Michelle branch Age, Billie eilish Age,

1489
01:22:08,320 --> 01:22:11,639
Speaker 1: Kate bush Age, smart ass, smart as girl. And moving

1490
01:22:11,680 --> 01:22:16,320
Speaker 1: forward we have another incredible ass number fifty Lucy Lou

1491
01:22:16,800 --> 01:22:20,760
Speaker 1: Flip your goddamn hair and Charlie's Angels too, of course

1492
01:22:20,800 --> 01:22:25,400
Speaker 1: Cameron who then flipped her hair to Luke to great success.

1493
01:22:25,479 --> 01:22:28,280
Speaker 1: Luke Wilson, who was hot and hot, but also Matt

1494
01:22:28,360 --> 01:22:30,240
Speaker 1: LeBlanc was also hot in that movie, and so was

1495
01:22:30,240 --> 01:22:33,920
Speaker 1: Sam rockwell so with Samuel Rockwall, Tom Green with Drew

1496
01:22:33,920 --> 01:22:36,640
Speaker 1: Berrymore's loving not hot in the movie, but you know,

1497
01:22:36,640 --> 01:22:39,920
Speaker 1: he served, he served a purpose. He was goofy, definitely goofy.

1498
01:22:40,120 --> 01:22:44,080
Speaker 1: I love Charlie's Angels me too, Oh my god, like

1499
01:22:44,160 --> 01:22:46,080
Speaker 1: a really well directed movie. And the writing is so

1500
01:22:46,120 --> 01:22:48,400
Speaker 1: fun and it's really that's I mean, it did what

1501
01:22:48,439 --> 01:22:50,040
Speaker 1: the new one didn't do, which is it went for

1502
01:22:50,080 --> 01:22:52,760
Speaker 1: the fun and the jokes and the sort of campiness,

1503
01:22:52,760 --> 01:22:55,439
Speaker 1: which is this idea that there would be a Charlie's Angels.

1504
01:22:55,479 --> 01:22:57,320
Speaker 1: You have to blow that up. You have to blow

1505
01:22:57,360 --> 01:22:59,320
Speaker 1: that up. And the music and the soundtrack and Charlie's

1506
01:22:59,320 --> 01:23:02,760
Speaker 1: Angeles is all like seminies classics, mostly like it's like

1507
01:23:02,960 --> 01:23:06,639
Speaker 1: it's like a tribute to the original Charlie's Angels. It's

1508
01:23:06,720 --> 01:23:09,760
Speaker 1: so good. It's so good. I also think it understood

1509
01:23:09,800 --> 01:23:12,519
Speaker 1: something that the New Charlie's Angels didn't, which is like

1510
01:23:12,560 --> 01:23:14,960
Speaker 1: the Charlie's the New Charlie's Angels like what I like

1511
01:23:15,040 --> 01:23:17,160
Speaker 1: about the old Charlie's Angels. And maybe there's something weird

1512
01:23:17,160 --> 01:23:19,400
Speaker 1: about me saying this, but I like that they were

1513
01:23:19,439 --> 01:23:22,679
Speaker 1: like overtly sexual, that they were like really in control

1514
01:23:22,720 --> 01:23:24,800
Speaker 1: of their sexuality, and this new one sort of had

1515
01:23:24,840 --> 01:23:28,360
Speaker 1: like almost like a chip on its shoulder about like feminism. Yeah,

1516
01:23:28,400 --> 01:23:30,760
Speaker 1: like it was just like, no, they're not sexual, they're

1517
01:23:30,800 --> 01:23:34,120
Speaker 1: just they're just soldiers. And it's like okay, and I

1518
01:23:34,160 --> 01:23:37,280
Speaker 1: mean yes, but also that doesn't like, let's not shame

1519
01:23:37,360 --> 01:23:41,200
Speaker 1: the movie that came first and the like female production

1520
01:23:41,200 --> 01:23:43,240
Speaker 1: team that put it together, and like, you know, but

1521
01:23:43,320 --> 01:23:45,879
Speaker 1: it's it's the third wave. I feel like Charlie's Angels,

1522
01:23:45,880 --> 01:23:49,880
Speaker 1: the McGee to the two McGee movies was very third

1523
01:23:49,880 --> 01:23:51,280
Speaker 1: wave feminist in the way that it was like they

1524
01:23:51,280 --> 01:23:54,880
Speaker 1: were empowered because of their sexuality in spite of it anyway,

1525
01:23:56,640 --> 01:23:59,080
Speaker 1: were it was amazing and Lucy Little we stand and

1526
01:23:59,120 --> 01:24:01,880
Speaker 1: now we're in the top fifty, number forty nine and

1527
01:24:02,080 --> 01:24:04,760
Speaker 1: Vogue and Salt and Pepper collabing on what a man.

1528
01:24:05,120 --> 01:24:07,320
Speaker 1: I mean, come on, come on, I mean this is

1529
01:24:07,360 --> 01:24:13,639
Speaker 1: a huge moment um like maybe best singing girl group

1530
01:24:13,680 --> 01:24:15,720
Speaker 1: of all time and Vogue I think so. And then

1531
01:24:16,120 --> 01:24:19,040
Speaker 1: but just the moment, it's a perfect marriage. Um, no

1532
01:24:19,080 --> 01:24:21,280
Speaker 1: one is compromised on the song and you know, you

1533
01:24:21,360 --> 01:24:24,280
Speaker 1: get you know, he's so crazy. I think I want

1534
01:24:24,320 --> 01:24:28,240
Speaker 1: to have your baby. I mean, like perfect, like seamless

1535
01:24:28,280 --> 01:24:32,040
Speaker 1: into it's drenched, so good, drenched in goodness. Come on,

1536
01:24:32,280 --> 01:24:36,960
Speaker 1: here we go. Number Billy Porter's curtain hat. You can't

1537
01:24:36,960 --> 01:24:39,559
Speaker 1: say much about this and then iconic other than iconic,

1538
01:24:39,600 --> 01:24:42,679
Speaker 1: and watch the video of it opening. It's very funny.

1539
01:24:42,680 --> 01:24:45,439
Speaker 1: It is very indicative of Billy Porter's fashion sense, which

1540
01:24:45,439 --> 01:24:48,160
Speaker 1: is a whole moment, and it's represented here on the

1541
01:24:48,280 --> 01:24:52,040
Speaker 1: littlest of the top two. Let's keep going. Number is

1542
01:24:52,200 --> 01:24:55,400
Speaker 1: God Warrior. You came to my mind. I saw her.

1543
01:24:55,439 --> 01:24:57,720
Speaker 1: I went to go see her at our station. You

1544
01:24:57,760 --> 01:25:00,080
Speaker 1: came to my mind. You came to my mind. A

1545
01:25:00,160 --> 01:25:04,000
Speaker 1: slee the God Warrior speech from wife Swap. It's beautiful.

1546
01:25:05,080 --> 01:25:06,720
Speaker 1: We saw Bob the drag queen to a lip thing

1547
01:25:06,800 --> 01:25:09,080
Speaker 1: to it. That was the next level. It broke it

1548
01:25:09,160 --> 01:25:10,840
Speaker 1: all open from me. And I went home that night

1549
01:25:10,840 --> 01:25:13,680
Speaker 1: and I watched I saw Bob do it at a Barracuda,

1550
01:25:13,960 --> 01:25:15,880
Speaker 1: went home, watched it and I was like, I maybe

1551
01:25:15,960 --> 01:25:18,680
Speaker 1: even texted you. I was like, this is an incredible thing. Oh,

1552
01:25:18,800 --> 01:25:21,000
Speaker 1: it's an incredible moment in television history. And now did

1553
01:25:21,040 --> 01:25:23,760
Speaker 1: you know that she's like repentance, yes, and she's like

1554
01:25:24,120 --> 01:25:28,120
Speaker 1: very woke. Yeah, she like she celebrates lgbt Q and

1555
01:25:28,360 --> 01:25:30,599
Speaker 1: like and like she's like I think she's down with

1556
01:25:30,640 --> 01:25:34,040
Speaker 1: like like the uprising too, and like black Lives Matter.

1557
01:25:34,080 --> 01:25:36,360
Speaker 1: I think I love that. I think she's like fully

1558
01:25:36,400 --> 01:25:38,280
Speaker 1: like repentant and she's like go on the opposite, Well,

1559
01:25:38,680 --> 01:25:41,360
Speaker 1: I mean to see yourself be that, to see what

1560
01:25:41,479 --> 01:25:44,720
Speaker 1: you think is a normal thing be blown up and

1561
01:25:44,760 --> 01:25:48,479
Speaker 1: like become such a crazy moment in history. Maybe she

1562
01:25:48,600 --> 01:25:52,800
Speaker 1: had some good uh re educated, but it doesn't always happen.

1563
01:25:52,840 --> 01:25:55,400
Speaker 1: But like I just think the I'm gonna I'm gonna

1564
01:25:55,400 --> 01:26:03,200
Speaker 1: blow out the mic. She's not a Christian. Amazing, she's

1565
01:26:03,240 --> 01:26:08,439
Speaker 1: not a Christian. Oh my god, it's tainted all right.

1566
01:26:08,520 --> 01:26:12,120
Speaker 1: Number forty six is Fergie singing the national anthem. Of course,

1567
01:26:12,160 --> 01:26:14,760
Speaker 1: she capped it off with let's play some basketball. She

1568
01:26:15,240 --> 01:26:19,320
Speaker 1: makes it on lest twice a huge feed. I think

1569
01:26:20,920 --> 01:26:22,800
Speaker 1: she was. She she did the jazzy rendition of the

1570
01:26:22,880 --> 01:26:27,280
Speaker 1: national jazzy rendition and we love I. I don't think

1571
01:26:27,320 --> 01:26:29,200
Speaker 1: it's actually that embarrassing for her. I think she like,

1572
01:26:29,800 --> 01:26:31,600
Speaker 1: she need not be embarrassed. She took us by the

1573
01:26:31,640 --> 01:26:33,000
Speaker 1: shoulders and she was like, you're gonna listen to me

1574
01:26:33,000 --> 01:26:34,560
Speaker 1: saying the national now, and she and I'm gonna do

1575
01:26:34,600 --> 01:26:36,080
Speaker 1: it my way and it's gonna be a moment. And

1576
01:26:36,120 --> 01:26:37,560
Speaker 1: you know what we're talking about it right now. You

1577
01:26:37,600 --> 01:26:40,040
Speaker 1: know we're not talking about right now the All Star Game.

1578
01:26:40,200 --> 01:26:43,120
Speaker 1: We're not talking about anyone else's version of that now

1579
01:26:43,360 --> 01:26:48,320
Speaker 1: we have them except Fergie. Yes, okay, you're right, numbers

1580
01:26:48,400 --> 01:26:53,519
Speaker 1: pretending to America's next. So of course this is the

1581
01:26:53,920 --> 01:26:56,040
Speaker 1: You really are the tyra historian of the two of us,

1582
01:26:56,120 --> 01:26:57,920
Speaker 1: and not really, I didn't. I didn't even watch that

1583
01:26:58,000 --> 01:27:01,439
Speaker 1: top model that much. But of course we know the moments,

1584
01:27:01,479 --> 01:27:06,680
Speaker 1: and the moments are you know, um Eva and all

1585
01:27:06,800 --> 01:27:09,880
Speaker 1: all the famous winners, all the famous winters, all of

1586
01:27:09,920 --> 01:27:13,320
Speaker 1: them but you remember this moment, right She's she's sitting

1587
01:27:13,360 --> 01:27:15,559
Speaker 1: down with the girls on a chair. She's like, I'm

1588
01:27:15,600 --> 01:27:19,600
Speaker 1: really I don't feel good anyway. Um okay, I just

1589
01:27:19,680 --> 01:27:22,200
Speaker 1: wanted to talk to you guys about this challenge. But

1590
01:27:22,320 --> 01:27:24,639
Speaker 1: I'm I'm sorry. I'm sorry, guys, I'm just so tired, okay.

1591
01:27:24,680 --> 01:27:26,519
Speaker 1: And then she gets up and then all of a sudden,

1592
01:27:27,240 --> 01:27:32,320
Speaker 1: trips over herself and eats ship on the carpet of

1593
01:27:32,400 --> 01:27:35,840
Speaker 1: this room as the girls freak out, and you just

1594
01:27:36,040 --> 01:27:37,720
Speaker 1: you have to listen to these screams because of the

1595
01:27:37,760 --> 01:27:45,360
Speaker 1: girls were like it's incredible, and ty were just like

1596
01:27:45,960 --> 01:27:48,840
Speaker 1: flips her bodies and she lands on her shoulders and

1597
01:27:48,920 --> 01:27:51,000
Speaker 1: like you're not sure if she's seizing or if she's fainting.

1598
01:27:51,479 --> 01:27:54,600
Speaker 1: And then someone get her water, get her water, and

1599
01:27:54,640 --> 01:27:56,760
Speaker 1: then she gets up and then of course famous she goes,

1600
01:27:57,600 --> 01:28:05,880
Speaker 1: you gonna learn about my God, it's so relentless acting. Well,

1601
01:28:06,160 --> 01:28:07,800
Speaker 1: let's just go right into our next time, which was

1602
01:28:07,880 --> 01:28:11,599
Speaker 1: number forty four Banks pretending to have rabies on Tyra.

1603
01:28:12,280 --> 01:28:13,800
Speaker 1: So this is when she took her acting to the

1604
01:28:13,880 --> 01:28:15,840
Speaker 1: next level and pretended that she was bitten by a

1605
01:28:15,920 --> 01:28:18,360
Speaker 1: dog who gave her rabies. Foamed at the mouth live

1606
01:28:18,400 --> 01:28:21,080
Speaker 1: on stage during an interview and collapsed and roared at

1607
01:28:21,120 --> 01:28:23,320
Speaker 1: her guests like she was a dog, barked to the camera.

1608
01:28:24,439 --> 01:28:27,679
Speaker 1: And so entire's mind, having rabies is turning into a dog.

1609
01:28:27,840 --> 01:28:30,560
Speaker 1: That's what she was telegraphing. Yes, And the fact that

1610
01:28:30,680 --> 01:28:32,760
Speaker 1: she took a sip from her from her like water

1611
01:28:32,840 --> 01:28:36,759
Speaker 1: bottle and filled herself with like foam and then pretended

1612
01:28:36,800 --> 01:28:38,400
Speaker 1: to foam at the mouth and turn into a dog

1613
01:28:38,479 --> 01:28:42,240
Speaker 1: and growl at guests. I don't understand. She deserved the Emmy.

1614
01:28:42,280 --> 01:28:47,040
Speaker 1: She won the damn day. And I'm gonna have to

1615
01:28:47,120 --> 01:28:49,280
Speaker 1: agree with that one. And gonna have to say number

1616
01:28:49,320 --> 01:28:53,559
Speaker 1: forty three is rate the Franklin's Gowns interview, the iconic

1617
01:28:53,680 --> 01:28:57,120
Speaker 1: sit down that Aretha did when she released her Diva

1618
01:28:57,360 --> 01:29:00,560
Speaker 1: Covers album and she was asked about Ello Swift and

1619
01:29:00,640 --> 01:29:06,680
Speaker 1: she said, okay, gowns, beautiful gownswn and just watch it.

1620
01:29:06,880 --> 01:29:08,880
Speaker 1: Just watch. I mean, you know, if most of you

1621
01:29:09,000 --> 01:29:12,240
Speaker 1: know by now on that one that's from that interview,

1622
01:29:12,600 --> 01:29:15,280
Speaker 1: that's a book of lies and trash. Just what that is,

1623
01:29:15,720 --> 01:29:18,360
Speaker 1: that is nothing but lies and trash. That is a

1624
01:29:18,520 --> 01:29:23,000
Speaker 1: book of lies and trash and of course, Sissy's baby,

1625
01:29:23,040 --> 01:29:27,000
Speaker 1: Sissy's baby. I mean Aretha Franklin, the grand dam of music,

1626
01:29:27,439 --> 01:29:31,160
Speaker 1: as far as I'm concerned, holding her, holding her place

1627
01:29:31,720 --> 01:29:34,280
Speaker 1: and just not having any of it from this interviewer.

1628
01:29:34,479 --> 01:29:38,680
Speaker 1: Aretha was a talent and moving forward before we have

1629
01:29:40,720 --> 01:29:45,200
Speaker 1: lose voice. This is that deep voice, deeper than that,

1630
01:29:45,840 --> 01:29:49,560
Speaker 1: this is the deep like it's just a gorgeous I

1631
01:29:49,640 --> 01:29:53,439
Speaker 1: can't even do it. She has an iconic grasp. Has

1632
01:29:53,520 --> 01:29:57,000
Speaker 1: she really done a lot after House and Sand and fog? No,

1633
01:29:57,520 --> 01:30:00,320
Speaker 1: she was on Gray's Anatomy, she was on Think, She's

1634
01:30:00,320 --> 01:30:02,639
Speaker 1: been on some shows in sort of the streaming era

1635
01:30:02,880 --> 01:30:05,000
Speaker 1: era that we're not that we're just not thinking of that.

1636
01:30:05,120 --> 01:30:08,439
Speaker 1: We love Shara. I love Shara. I'm trying to think

1637
01:30:08,520 --> 01:30:10,680
Speaker 1: like I think she was in one iconic thing, but

1638
01:30:10,760 --> 01:30:12,880
Speaker 1: it's like not jumping out to now I know, how's

1639
01:30:12,920 --> 01:30:14,800
Speaker 1: it saying in vog is pretty iconic. She had the

1640
01:30:14,840 --> 01:30:17,400
Speaker 1: Oscar nom, she had the Oscar No. But it's a

1641
01:30:17,439 --> 01:30:19,120
Speaker 1: shame to me that she hasn't worked more because she's

1642
01:30:19,240 --> 01:30:23,120
Speaker 1: iconic and like beautiful someone who you've seen pictures of

1643
01:30:23,160 --> 01:30:24,920
Speaker 1: her from when she was young. Yes, gorgeous, but I'm

1644
01:30:24,920 --> 01:30:28,880
Speaker 1: saying like she's aged into her beauty. Yeah, she was

1645
01:30:28,960 --> 01:30:32,320
Speaker 1: like a screen goddess. Um. Okay, So speaking of goddesses

1646
01:30:32,600 --> 01:30:36,760
Speaker 1: number forty one, Greek mythology, I mean, so many young

1647
01:30:36,840 --> 01:30:39,880
Speaker 1: girls are in these stories, Yes, a lot of young girls.

1648
01:30:39,960 --> 01:30:44,040
Speaker 1: We learn about Zeus, we learned about rapist. Zeus is

1649
01:30:44,040 --> 01:30:47,519
Speaker 1: a rapist. Really, so many Zeus babies are products of rape.

1650
01:30:48,240 --> 01:30:50,840
Speaker 1: I'm sorry to have to read this again. Yes, I'm

1651
01:30:50,840 --> 01:30:52,400
Speaker 1: sorry to bring the mood down, but it's true. But

1652
01:30:52,520 --> 01:30:54,160
Speaker 1: like I just want to say, I have nothing to

1653
01:30:54,200 --> 01:30:56,360
Speaker 1: do with my ancestors. I apologize for them and I

1654
01:30:56,479 --> 01:30:59,080
Speaker 1: denounced them. Thank you, thank you for taking accountability. But

1655
01:30:59,200 --> 01:31:01,960
Speaker 1: I feel like Greek mythology, if you, if you're really

1656
01:31:02,000 --> 01:31:04,280
Speaker 1: dug into Greek mythology, you learned about the human condition

1657
01:31:04,360 --> 01:31:06,759
Speaker 1: and you look about the darkness and the light and humanity.

1658
01:31:06,880 --> 01:31:08,960
Speaker 1: And that's what we try to do, an entertainment exposed

1659
01:31:09,000 --> 01:31:11,160
Speaker 1: the darkness and the light. So thank you, greet thank you.

1660
01:31:11,760 --> 01:31:15,000
Speaker 1: Now we have number forty The opening piano A Thousand

1661
01:31:15,120 --> 01:31:18,640
Speaker 1: Miles by Vanessa Carlton. You know it, you'll love it.

1662
01:31:24,920 --> 01:31:27,960
Speaker 1: It's a comedic beat and white checks. It's if you

1663
01:31:28,080 --> 01:31:31,720
Speaker 1: ever hear it, it is it I think is. I

1664
01:31:31,840 --> 01:31:33,840
Speaker 1: honestly think if that came on and we were on Molly,

1665
01:31:33,920 --> 01:31:37,840
Speaker 1: we would flip a ship. It's transportive, Yes, it is.

1666
01:31:38,040 --> 01:31:39,720
Speaker 1: It takes you back to another I remember the first

1667
01:31:39,720 --> 01:31:41,000
Speaker 1: time I heard it. I was in the car on

1668
01:31:41,080 --> 01:31:44,360
Speaker 1: the way to Catechism to study, to study the Catholic

1669
01:31:44,439 --> 01:31:47,280
Speaker 1: religion on a Tuesday night. And I was in the

1670
01:31:47,360 --> 01:31:49,320
Speaker 1: car and I was like, we I can't get out

1671
01:31:49,320 --> 01:31:51,760
Speaker 1: of the car. I have to know what's happening with

1672
01:31:51,880 --> 01:31:53,760
Speaker 1: the song. When the strength come in, You're like, I

1673
01:31:54,400 --> 01:31:58,080
Speaker 1: it has its damn close in me and I con

1674
01:31:58,320 --> 01:32:02,080
Speaker 1: niconic song, I hanic song. And yes, I was in

1675
01:32:02,120 --> 01:32:03,800
Speaker 1: the car. It was on Radio Disney and I was like,

1676
01:32:03,960 --> 01:32:08,400
Speaker 1: this is a huge, huge Vanessa Vansa And then that

1677
01:32:08,520 --> 01:32:11,479
Speaker 1: really was you forget like because that song was so huge.

1678
01:32:11,560 --> 01:32:13,760
Speaker 1: It feels one hit wonderous. But she also brought to

1679
01:32:13,800 --> 01:32:16,000
Speaker 1: you with white Houses and she brought a tea with

1680
01:32:16,160 --> 01:32:21,800
Speaker 1: ordinary day. Yes, we love Vanessa. I love Vanessa. I

1681
01:32:21,880 --> 01:32:25,679
Speaker 1: believe she was on Broadway. I think she wasn't beautiful, beautiful,

1682
01:32:25,760 --> 01:32:28,880
Speaker 1: she wasn't beautiful, and you know what she she edged

1683
01:32:28,920 --> 01:32:31,280
Speaker 1: out a lot of competition. She edged out Robin. She

1684
01:32:31,479 --> 01:32:35,040
Speaker 1: edged out, I mean Aretha, Yeah, I mean, but she

1685
01:32:35,240 --> 01:32:38,920
Speaker 1: didn't get to the heights of number thirty nine. Little mix,

1686
01:32:39,040 --> 01:32:41,880
Speaker 1: hey singing black Magic. So this is a part of

1687
01:32:41,880 --> 01:32:43,720
Speaker 1: culture that you didn't know about until I told you

1688
01:32:44,000 --> 01:32:46,040
Speaker 1: yesterday because we were listening to a little Mix and

1689
01:32:46,120 --> 01:32:48,600
Speaker 1: you were playing the bop of Bob's thinking about you.

1690
01:32:48,840 --> 01:32:51,760
Speaker 1: What it was, it was, have you do you think

1691
01:32:51,800 --> 01:32:54,880
Speaker 1: about us? Think about us? I'm sorry I mistitled think

1692
01:32:54,880 --> 01:32:57,080
Speaker 1: about us? And I was like, put on black Magic

1693
01:32:57,120 --> 01:32:59,160
Speaker 1: and you said, well, no, they hate singing black Man,

1694
01:32:59,479 --> 01:33:02,120
Speaker 1: even though I like black Magic, said when I was like,

1695
01:33:02,840 --> 01:33:05,000
Speaker 1: they don't like black Magic? And then he was like

1696
01:33:05,120 --> 01:33:06,439
Speaker 1: what And I was like, have you ever seen the

1697
01:33:06,479 --> 01:33:09,320
Speaker 1: YouTube video of them being so over singing black Magic?

1698
01:33:09,680 --> 01:33:11,200
Speaker 1: And then we came back and we watched it and

1699
01:33:11,280 --> 01:33:13,920
Speaker 1: it's shoe Jesse and Nelson in particular hates black Magic.

1700
01:33:14,280 --> 01:33:16,519
Speaker 1: And there's a it's like this clip of the many

1701
01:33:16,600 --> 01:33:19,639
Speaker 1: times they've sung it. They clearly hate doing it. They're

1702
01:33:19,680 --> 01:33:22,160
Speaker 1: doing it acoustic, they hate it. And then there's a

1703
01:33:22,439 --> 01:33:24,160
Speaker 1: clip at the end which is them all in quarantine

1704
01:33:24,240 --> 01:33:26,479
Speaker 1: drinking wine together doing like an instant live or something.

1705
01:33:26,640 --> 01:33:30,320
Speaker 1: You're doing a great addressing and go ahead, Oh no,

1706
01:33:31,080 --> 01:33:33,160
Speaker 1: here we go. This next question is what's the song

1707
01:33:33,240 --> 01:33:40,320
Speaker 1: you hate doing the most? Black Magic? Black Magic? And

1708
01:33:40,400 --> 01:33:42,160
Speaker 1: they're like, oh, yeah, you don't really, you really don't

1709
01:33:42,200 --> 01:33:44,240
Speaker 1: like black magic and just I've never really locked it

1710
01:33:44,360 --> 01:33:49,719
Speaker 1: to be on it, Jesse. I love iconic and black Magic,

1711
01:33:49,800 --> 01:33:52,840
Speaker 1: And although I do think that if we had to

1712
01:33:52,880 --> 01:33:54,400
Speaker 1: sing it every night, we'd have to, we'd be really

1713
01:33:54,439 --> 01:33:57,280
Speaker 1: sick of yeah, for sure. But okay, their harmonies only

1714
01:33:57,360 --> 01:34:00,960
Speaker 1: sing that's not acoustic are unreal. And the music video,

1715
01:34:01,080 --> 01:34:05,439
Speaker 1: I think it's amaster the Crown. That number thirty eight

1716
01:34:07,439 --> 01:34:11,439
Speaker 1: Desperate Halfwives. Now I was a little bit questioning this one.

1717
01:34:11,600 --> 01:34:13,880
Speaker 1: You could have reordered it. You could put marsh Across

1718
01:34:13,920 --> 01:34:16,200
Speaker 1: above Alfrey. But I think it's right that al Free

1719
01:34:16,280 --> 01:34:20,400
Speaker 1: is up here because White Betty Apple White, and she

1720
01:34:20,720 --> 01:34:24,280
Speaker 1: iconically had two sons, one of which was a killer

1721
01:34:25,000 --> 01:34:28,280
Speaker 1: and the other which was locked in the basement she

1722
01:34:28,400 --> 01:34:30,000
Speaker 1: thought was the killer, but was actually the other son

1723
01:34:30,040 --> 01:34:32,080
Speaker 1: who it was her son Matthew, who was the hot one,

1724
01:34:32,920 --> 01:34:35,720
Speaker 1: very hot actor, crazy hot. He was also on True

1725
01:34:35,760 --> 01:34:39,160
Speaker 1: Blood and you see him have sex many times. That's perfect.

1726
01:34:39,400 --> 01:34:43,080
Speaker 1: He has sex with Routina Wesley's character Tera Routina, Oh

1727
01:34:43,160 --> 01:34:47,200
Speaker 1: my God, to gorgeous Routina on the list. Routina is

1728
01:34:47,479 --> 01:34:49,559
Speaker 1: one of the best actors we've had in tele I'm

1729
01:34:49,560 --> 01:34:52,760
Speaker 1: gonna say right now, Routina, we apologize you were an

1730
01:34:52,800 --> 01:34:57,400
Speaker 1: honorable mention. You and Nicoletus are honorable mention Routina, Routina,

1731
01:34:57,600 --> 01:35:01,600
Speaker 1: and also Anna Paquin's gap and Quand's gap and she

1732
01:35:01,680 --> 01:35:04,920
Speaker 1: made it work. And the iconic gay sex scene on

1733
01:35:05,240 --> 01:35:08,600
Speaker 1: True Blood between Alexander Skarsgard and Ryan Quanton. Thank you,

1734
01:35:08,800 --> 01:35:09,960
Speaker 1: thank you. Oh no, no, no no. But I just

1735
01:35:10,000 --> 01:35:11,479
Speaker 1: want to say before we move on, Alfree Woder on

1736
01:35:11,520 --> 01:35:16,160
Speaker 1: Disperate Housewives, just great work. I mean nominated, I mean nominated.

1737
01:35:16,200 --> 01:35:19,559
Speaker 1: The acting is so restrained and like you can tell,

1738
01:35:19,680 --> 01:35:22,840
Speaker 1: there's a darkness behind whoever this character is. And she

1739
01:35:23,240 --> 01:35:27,519
Speaker 1: just pursed lips a free worder can act her ass

1740
01:35:27,600 --> 01:35:30,720
Speaker 1: off her personal lips. And also, please, if you want

1741
01:35:30,760 --> 01:35:33,880
Speaker 1: more Alfrey, go see Heart and Souls. Y um okay.

1742
01:35:34,280 --> 01:35:37,880
Speaker 1: Number thirty seven Murder on a Stupid Bitch Express. This

1743
01:35:38,320 --> 01:35:40,799
Speaker 1: is come on, Matt, what is it? It's the iconic,

1744
01:35:42,040 --> 01:35:47,040
Speaker 1: iconic two part episode of our very favorite podcast hosted

1745
01:35:47,280 --> 01:35:52,479
Speaker 1: by Mazie Rodman and Theta Hamill and I have never

1746
01:35:52,640 --> 01:35:55,200
Speaker 1: laughed so hard so soon until the beginning of a

1747
01:35:55,280 --> 01:36:00,200
Speaker 1: podcast episode. It starts off with an improvised transactions and

1748
01:36:00,320 --> 01:36:03,400
Speaker 1: somehow it works. It works. Oh, you've never seen it.

1749
01:36:03,800 --> 01:36:06,160
Speaker 1: Okay for people who don't know improv at this point,

1750
01:36:06,200 --> 01:36:09,160
Speaker 1: who can't be doing transactions. You can't be doing transaction scenes,

1751
01:36:09,200 --> 01:36:11,519
Speaker 1: but Macy and they to make it work so well.

1752
01:36:11,720 --> 01:36:15,360
Speaker 1: I mean, Joel Kim Booster has said, um that you

1753
01:36:15,479 --> 01:36:18,080
Speaker 1: are the Macy of this podcast. You're you're, you're, you're,

1754
01:36:18,240 --> 01:36:20,880
Speaker 1: you are sort of the the joy, the chaotic good

1755
01:36:21,080 --> 01:36:23,720
Speaker 1: that's just running him up. Yes, and I am sort

1756
01:36:23,720 --> 01:36:26,120
Speaker 1: of the straight man who has to straightment against everything.

1757
01:36:26,160 --> 01:36:29,639
Speaker 1: And I've never been more flattered that first. I'm also flattered.

1758
01:36:30,240 --> 01:36:33,400
Speaker 1: I think NIPA Wars is a superior podcast in every way.

1759
01:36:33,439 --> 01:36:35,599
Speaker 1: I would say it's better than ours. Please listen too

1760
01:36:35,920 --> 01:36:38,880
Speaker 1: to qualify. I'm sorry, and no I would I wouldn't disagree.

1761
01:36:38,960 --> 01:36:41,000
Speaker 1: And also I would say, Joel Kim Booster, thank you

1762
01:36:41,080 --> 01:36:43,280
Speaker 1: so much, but you didn't make the lists. You didn't

1763
01:36:43,800 --> 01:36:47,800
Speaker 1: not this time. Number thirty six. Evia Lungoria saying, hi,

1764
01:36:47,960 --> 01:36:54,640
Speaker 1: heleronic acid. I've never been struck by a cosmetics, a

1765
01:36:54,680 --> 01:36:57,880
Speaker 1: skincare commercial. In my life. Her energy has inspired me

1766
01:36:57,960 --> 01:37:03,679
Speaker 1: from the beginning gil at least down to high leronic acid. Yeah,

1767
01:37:03,720 --> 01:37:05,400
Speaker 1: I mean I've been inspired every step by the way.

1768
01:37:05,439 --> 01:37:07,640
Speaker 1: She's the queen of one liners. And this is, in

1769
01:37:07,720 --> 01:37:09,639
Speaker 1: its own way a one liner. A queen of Corpus

1770
01:37:09,720 --> 01:37:12,759
Speaker 1: Christie Texas, Thank you, Queen of Corpus Christie. Even number

1771
01:37:12,880 --> 01:37:17,840
Speaker 1: thirty five documentaries about important subjects such as global warming,

1772
01:37:18,040 --> 01:37:21,200
Speaker 1: such as whales, such as um, the way that um

1773
01:37:22,240 --> 01:37:24,599
Speaker 1: you can go from being a waitress in the Wrongs

1774
01:37:24,680 --> 01:37:30,000
Speaker 1: to becoming congresswoman, the youngest congresswoman. Yes, And you know,

1775
01:37:30,479 --> 01:37:33,479
Speaker 1: there are so many documentaries out there, and we we

1776
01:37:33,640 --> 01:37:36,280
Speaker 1: would suggest that if you are someone who you know,

1777
01:37:36,360 --> 01:37:37,960
Speaker 1: it's not easy for you to read a book, but

1778
01:37:38,080 --> 01:37:40,040
Speaker 1: you want to learn, you can watch the documentary. I

1779
01:37:40,080 --> 01:37:44,120
Speaker 1: would say in a lot of ways, Matt Rogers famously

1780
01:37:44,160 --> 01:37:46,920
Speaker 1: more of a documentary watcher. I'm famously kind of I

1781
01:37:47,040 --> 01:37:49,080
Speaker 1: read a little bit more books than Matt. But I

1782
01:37:49,120 --> 01:37:51,640
Speaker 1: could say Matt is maybe in general more informed than

1783
01:37:51,680 --> 01:37:53,719
Speaker 1: I am on certain subjects, and it's because he watches

1784
01:37:53,720 --> 01:37:55,800
Speaker 1: The Doctor. Lately, I've been watching a lot of documentaries

1785
01:37:55,840 --> 01:37:58,640
Speaker 1: and absorbing a lot of new information, which is new

1786
01:37:58,720 --> 01:37:59,920
Speaker 1: for me. I usually just kind of live in my

1787
01:38:00,000 --> 01:38:02,479
Speaker 1: own world, but now that I'm in quarantine, I've actually

1788
01:38:02,560 --> 01:38:04,879
Speaker 1: been branching out in terms of my interests and educating.

1789
01:38:06,080 --> 01:38:07,760
Speaker 1: I love I want you to school my ass on

1790
01:38:07,840 --> 01:38:12,719
Speaker 1: Jeffrey Epstein whenever I could. Um, okay, so number thirty

1791
01:38:12,800 --> 01:38:17,920
Speaker 1: four Rachel from thousand six. We had mean girls, we

1792
01:38:17,960 --> 01:38:20,360
Speaker 1: had wedding crashes, we had the notebook. We had read

1793
01:38:20,439 --> 01:38:24,639
Speaker 1: by eye that this is like right around family Stone,

1794
01:38:25,400 --> 01:38:27,000
Speaker 1: and it ended yes, And I made sure to look

1795
01:38:27,080 --> 01:38:28,880
Speaker 1: up when Family Stone came out. Family Stone was two

1796
01:38:28,920 --> 01:38:32,200
Speaker 1: thousand five. I want to see what a run of

1797
01:38:32,280 --> 01:38:35,960
Speaker 1: movies like, like I could do everything a moment though,

1798
01:38:36,040 --> 01:38:38,360
Speaker 1: for an actor who deserved, who like fully rose to

1799
01:38:38,400 --> 01:38:41,080
Speaker 1: the occasion on every single on every single level, every

1800
01:38:41,080 --> 01:38:44,519
Speaker 1: single time. I think. It's like I remember at the

1801
01:38:44,600 --> 01:38:47,600
Speaker 1: time being a fucking teenager and being like, Wow, this

1802
01:38:47,960 --> 01:38:51,360
Speaker 1: is huge, And I don't know why I'm so obsessed

1803
01:38:51,400 --> 01:38:53,400
Speaker 1: with this actress. I was going on she had star quality,

1804
01:38:53,400 --> 01:38:55,880
Speaker 1: star quality. I was going on her. I AMDB every

1805
01:38:56,040 --> 01:38:58,320
Speaker 1: damn day, commenting on the damn message boards, being like

1806
01:38:58,439 --> 01:39:00,439
Speaker 1: I love Red macn you were a super fan. I

1807
01:39:00,479 --> 01:39:02,280
Speaker 1: haven't really shared this with you. I was. I used

1808
01:39:02,280 --> 01:39:04,720
Speaker 1: to go on Canadian Queen, Canadian Queen. I always I

1809
01:39:04,760 --> 01:39:06,880
Speaker 1: would go in all the IMDb message boards because back

1810
01:39:06,880 --> 01:39:08,679
Speaker 1: in the day you had at the bottom of every

1811
01:39:08,760 --> 01:39:12,599
Speaker 1: profile message boards, and I would go to the ones

1812
01:39:12,640 --> 01:39:15,720
Speaker 1: of like Sean Hayes and I'd be like, guys, do

1813
01:39:15,840 --> 01:39:18,719
Speaker 1: we think Sean Hayes is really gay? Like I would

1814
01:39:18,800 --> 01:39:21,840
Speaker 1: like start up these these conversations. Oh my god, you

1815
01:39:21,880 --> 01:39:23,760
Speaker 1: were a little troll. I was a little troll. I

1816
01:39:23,840 --> 01:39:26,320
Speaker 1: was a little you know, a little reply guy, little

1817
01:39:26,400 --> 01:39:29,200
Speaker 1: keyboard worry. But you love miss Rachel. I loved Miss

1818
01:39:29,280 --> 01:39:32,000
Speaker 1: Rachel so much. And what a string of hits in

1819
01:39:32,080 --> 01:39:34,640
Speaker 1: this in this time period, she really nailed it. What

1820
01:39:34,720 --> 01:39:36,280
Speaker 1: do you have to say about Rachel? What do I

1821
01:39:36,320 --> 01:39:39,360
Speaker 1: have to say about Rachel? She has that like iconic

1822
01:39:39,600 --> 01:39:43,120
Speaker 1: just like intangible quality. And I mean during this time

1823
01:39:43,200 --> 01:39:45,920
Speaker 1: it was when you talk about like great comedic performances,

1824
01:39:46,040 --> 01:39:47,960
Speaker 1: you can't really do much better than Regina George and

1825
01:39:48,040 --> 01:39:51,880
Speaker 1: your girls. She also fully carried Red Eye the whole time,

1826
01:39:52,120 --> 01:39:55,320
Speaker 1: like and it was really kind of it got me

1827
01:39:55,400 --> 01:39:56,840
Speaker 1: in the movie theater for a movie like that, which

1828
01:39:56,840 --> 01:39:58,479
Speaker 1: I never would go to, like a thriller like that

1829
01:39:59,160 --> 01:40:02,360
Speaker 1: awesome Wedding Crashers. She's so winning and like you're so

1830
01:40:02,560 --> 01:40:05,120
Speaker 1: rooting for them to get together because she's incredible. And

1831
01:40:05,240 --> 01:40:09,960
Speaker 1: then also the Notebook is you know, polpy, but she

1832
01:40:10,240 --> 01:40:14,120
Speaker 1: is giving you romantic drama lead thank you and okay,

1833
01:40:14,280 --> 01:40:16,880
Speaker 1: Wedding Crashers like so charming and like, yeah, her and

1834
01:40:16,920 --> 01:40:19,280
Speaker 1: Owen Wilson, it's like I'm on you like white Unrice,

1835
01:40:19,439 --> 01:40:21,360
Speaker 1: like oh my god, Like I'm like that's hot. I

1836
01:40:21,479 --> 01:40:25,320
Speaker 1: want like this is pulling me in the Notebook. I

1837
01:40:25,360 --> 01:40:28,080
Speaker 1: didn't know this, but during filming her and Ryan Gosling

1838
01:40:28,240 --> 01:40:30,479
Speaker 1: hated each other. Yes, I couldn't stand each other. And

1839
01:40:30,680 --> 01:40:32,920
Speaker 1: then they started dating when the movie came out. Yeah,

1840
01:40:32,920 --> 01:40:34,960
Speaker 1: when it came like but he like tried to get

1841
01:40:35,000 --> 01:40:36,920
Speaker 1: her replaced. I think he was like, it's other her

1842
01:40:37,000 --> 01:40:41,360
Speaker 1: or me, and they were like no, Rachel McAdams. And

1843
01:40:41,479 --> 01:40:44,800
Speaker 1: of course the famous moment in the filming stone, I

1844
01:40:44,840 --> 01:40:50,439
Speaker 1: don't care what you think. Of course you do small

1845
01:40:50,520 --> 01:40:53,000
Speaker 1: work work, and it's so shocking to me. The her

1846
01:40:53,040 --> 01:40:55,960
Speaker 1: Oscar nominationist for Spotlight, a movie where she doesn't do

1847
01:40:56,160 --> 01:41:00,840
Speaker 1: much since she's good. She listens to Michael Syrol Creighton, Um,

1848
01:41:01,200 --> 01:41:03,880
Speaker 1: but you said something to me recently where you were

1849
01:41:03,920 --> 01:41:09,120
Speaker 1: Like her performance as Regina George like did influence female

1850
01:41:09,200 --> 01:41:13,520
Speaker 1: behavior in generation? It did it? It and its specifically

1851
01:41:13,840 --> 01:41:21,160
Speaker 1: influenced what girls thought was dominant social media. Her literally,

1852
01:41:21,280 --> 01:41:26,479
Speaker 1: her vocal delivery, her inflections, her state of being, the

1853
01:41:26,600 --> 01:41:32,240
Speaker 1: way she carried herself all trickled down to actual girls

1854
01:41:32,400 --> 01:41:36,640
Speaker 1: trying on the sort of visage of mean girl in

1855
01:41:36,720 --> 01:41:38,560
Speaker 1: a way that like, I don't know, I didn't go

1856
01:41:38,560 --> 01:41:40,000
Speaker 1: to school in the eighties or the nineties, but it's

1857
01:41:40,000 --> 01:41:42,200
Speaker 1: like that didn't really happened, like after Heather's came out,

1858
01:41:42,240 --> 01:41:45,400
Speaker 1: you know. It's like Rachel like like Regina George is like, no,

1859
01:41:45,560 --> 01:41:47,240
Speaker 1: it's that thing. It's like a blessing and a curse

1860
01:41:47,320 --> 01:41:50,200
Speaker 1: because you have people like that who are so good

1861
01:41:50,720 --> 01:41:52,599
Speaker 1: that you want to be like them, and when they're

1862
01:41:52,640 --> 01:41:56,479
Speaker 1: playing someone mean, it's like that's the thing. It's like,

1863
01:41:56,640 --> 01:41:59,080
Speaker 1: I mean, that's literally kind of what the movie is about.

1864
01:41:59,160 --> 01:42:02,200
Speaker 1: It's about idole, where ship amongst peers or amongst people

1865
01:42:02,280 --> 01:42:05,479
Speaker 1: that are like attainable to be around and become and

1866
01:42:05,680 --> 01:42:08,880
Speaker 1: so what you'll do to become that and I think

1867
01:42:08,920 --> 01:42:12,720
Speaker 1: it weirdly played. It played out um for people that

1868
01:42:12,760 --> 01:42:14,559
Speaker 1: were too young to understand what was going on. That's

1869
01:42:14,560 --> 01:42:17,559
Speaker 1: the impact of I mean, she's incredible, incredible, Um Alright,

1870
01:42:17,680 --> 01:42:23,360
Speaker 1: number thirty three, we have Lemonade. Remember when we didn't

1871
01:42:23,400 --> 01:42:25,040
Speaker 1: know what this was going to be. That it was

1872
01:42:25,200 --> 01:42:27,960
Speaker 1: just her in the in the in the dreads and

1873
01:42:28,080 --> 01:42:30,640
Speaker 1: like we had just like the album art, just the

1874
01:42:30,640 --> 01:42:33,800
Speaker 1: album right was heard in a six inch like set up. Yeah,

1875
01:42:33,840 --> 01:42:36,320
Speaker 1: and the world the word Lemonade. It was actually it

1876
01:42:36,400 --> 01:42:40,360
Speaker 1: was don't Hurt Yourself, Yeah it was. And so she

1877
01:42:40,520 --> 01:42:42,600
Speaker 1: was just had the title Lemonade, and it was like

1878
01:42:43,120 --> 01:42:46,240
Speaker 1: is it like a purple range real film, like is

1879
01:42:46,320 --> 01:42:49,040
Speaker 1: it a collection of music videos? Is it an album?

1880
01:42:49,200 --> 01:42:51,200
Speaker 1: Is it? What is it? Is it going to be short? Long?

1881
01:42:51,640 --> 01:42:55,559
Speaker 1: And it ended up being you know, uh, like long

1882
01:42:55,800 --> 01:43:01,519
Speaker 1: form music video art piece. And it was tree and

1883
01:43:02,960 --> 01:43:07,360
Speaker 1: like a tribute to like Yoruba tribal motif like it was,

1884
01:43:08,080 --> 01:43:10,840
Speaker 1: and like we're recording this on the eve, not on

1885
01:43:10,880 --> 01:43:12,800
Speaker 1: the evel. Black is King is about to come out

1886
01:43:13,400 --> 01:43:16,360
Speaker 1: her next visual album, inspired by her time working on

1887
01:43:16,439 --> 01:43:19,639
Speaker 1: The Lion King. Like you know, Lemonade is a huge culture,

1888
01:43:20,479 --> 01:43:25,560
Speaker 1: huge culture and like really just I would say, in

1889
01:43:25,680 --> 01:43:27,920
Speaker 1: many ways a response to the times as well, and

1890
01:43:28,600 --> 01:43:32,280
Speaker 1: as well as being a personal reflection and almost like

1891
01:43:32,320 --> 01:43:36,080
Speaker 1: a personal explanation. Yeah, and a way to sort of,

1892
01:43:36,320 --> 01:43:42,280
Speaker 1: um cinematically tell her story. I put it in quotes

1893
01:43:42,800 --> 01:43:46,799
Speaker 1: because you never really know what's true. But the beautiful

1894
01:43:46,800 --> 01:43:50,000
Speaker 1: thing about Lemonade is like she like it did serve

1895
01:43:50,040 --> 01:43:52,280
Speaker 1: as an explanation as to why she was staying with

1896
01:43:52,400 --> 01:43:55,320
Speaker 1: jay Z, but in a way like she'd fully closed

1897
01:43:55,320 --> 01:43:57,200
Speaker 1: herself off at that point in terms of like not

1898
01:43:57,439 --> 01:43:59,720
Speaker 1: doing any press, and it was like she kept it

1899
01:44:00,080 --> 01:44:04,559
Speaker 1: private while also publicly publicly controlling what the public saw,

1900
01:44:04,640 --> 01:44:10,519
Speaker 1: like I mean, the narrative around them and remaining queen. Incredible, incredible. Um, Okay,

1901
01:44:10,600 --> 01:44:14,280
Speaker 1: So number thirty two we have Disney Weddings in real

1902
01:44:14,360 --> 01:44:18,479
Speaker 1: life and the Disney Plus show What has Happened this Week?

1903
01:44:18,760 --> 01:44:21,840
Speaker 1: So this week I got into l A and you know,

1904
01:44:22,800 --> 01:44:25,280
Speaker 1: we were sitting around and we were thinking of something

1905
01:44:25,320 --> 01:44:28,960
Speaker 1: to watch, and then we put on Disney Plus went

1906
01:44:29,080 --> 01:44:32,759
Speaker 1: to the show. Disney Spairytail Weddings. Season one was on Freeform.

1907
01:44:32,840 --> 01:44:37,559
Speaker 1: Season two was on Disney Plus. And I can't even

1908
01:44:37,600 --> 01:44:39,479
Speaker 1: really put this into words Matt, can you help, Like,

1909
01:44:39,560 --> 01:44:42,920
Speaker 1: what is the special about this show? It's camp, yes,

1910
01:44:44,280 --> 01:44:49,519
Speaker 1: it's stock footage of Disney locations. It's character driven. Yes,

1911
01:44:49,960 --> 01:44:52,120
Speaker 1: it's really about the characters who appeared on the show

1912
01:44:52,200 --> 01:44:54,240
Speaker 1: and why they want to get married. And you are

1913
01:44:54,400 --> 01:44:56,479
Speaker 1: laughing at them in the beginning, but then by the

1914
01:44:56,640 --> 01:44:59,400
Speaker 1: end you are crying with them because you are just

1915
01:44:59,520 --> 01:45:03,919
Speaker 1: so moved. And it's purity, it's pure, and it's truly

1916
01:45:04,240 --> 01:45:08,760
Speaker 1: commercial budget. It's budget. It's a budget. It's purity. It's

1917
01:45:08,880 --> 01:45:14,040
Speaker 1: good intentions meets commercial masturbation in a way that it's

1918
01:45:14,120 --> 01:45:17,480
Speaker 1: just like I think it's funny because it's so manipulative,

1919
01:45:17,720 --> 01:45:19,960
Speaker 1: but I respect that about it, but you still enjoy

1920
01:45:20,120 --> 01:45:24,400
Speaker 1: in spite of that, and look like, you know, it's

1921
01:45:24,439 --> 01:45:26,479
Speaker 1: these people who are getting married in the Disney parks

1922
01:45:26,520 --> 01:45:29,400
Speaker 1: around on a Disney cruise or any Disney property at

1923
01:45:29,439 --> 01:45:31,320
Speaker 1: like six in the morning or two in the morning

1924
01:45:31,400 --> 01:45:34,200
Speaker 1: when the park's closed, are closed so that no one

1925
01:45:34,240 --> 01:45:37,200
Speaker 1: else is around, because of the parks used to be

1926
01:45:37,320 --> 01:45:39,880
Speaker 1: open every single day of the week at many hours

1927
01:45:39,960 --> 01:45:42,240
Speaker 1: the day. But you know, just to see these people

1928
01:45:42,400 --> 01:45:46,400
Speaker 1: like be go on this journey, I've never seen anything

1929
01:45:46,439 --> 01:45:49,160
Speaker 1: like it. I've never seen anything like a beat out

1930
01:45:49,240 --> 01:45:51,320
Speaker 1: lemonade by and the beat out lemonade by Beyond Site

1931
01:45:51,360 --> 01:45:53,680
Speaker 1: by one spot. Apologies to her, but you know who

1932
01:45:53,680 --> 01:45:57,439
Speaker 1: didn't make the list at all? Adele Um number thirty one,

1933
01:45:57,920 --> 01:46:01,800
Speaker 1: Wendy Williams fainting huge when she was dressed as the

1934
01:46:01,880 --> 01:46:05,200
Speaker 1: Statue of Liberty and took that humble I think we

1935
01:46:05,360 --> 01:46:08,400
Speaker 1: all had to ask what's going on? What's going and

1936
01:46:08,520 --> 01:46:11,240
Speaker 1: she was fine. She was fine, And Wendy's had a

1937
01:46:11,280 --> 01:46:13,360
Speaker 1: lot of moments. Let's just get that out of the way.

1938
01:46:13,560 --> 01:46:16,680
Speaker 1: I'm I mean, let's just say she said more problematic

1939
01:46:16,760 --> 01:46:19,920
Speaker 1: and done more problematic things than good. But we love

1940
01:46:20,000 --> 01:46:24,200
Speaker 1: her and we respect her, and we thank her for

1941
01:46:24,280 --> 01:46:27,400
Speaker 1: her recent apologies about what she said that guys should

1942
01:46:27,400 --> 01:46:32,479
Speaker 1: stop quote dressing up as us, and we just in her.

1943
01:46:32,560 --> 01:46:37,280
Speaker 1: In that very apology, she iconically misused the term beau vivan.

1944
01:46:37,600 --> 01:46:39,360
Speaker 1: She thought, you know, I don't know what it means.

1945
01:46:39,400 --> 01:46:41,920
Speaker 1: I don't know French. But when I hear the words boiv,

1946
01:46:42,120 --> 01:46:45,240
Speaker 1: I think, um, I think, you know, do whatever you want.

1947
01:46:45,280 --> 01:46:48,200
Speaker 1: I forget what it was. But she fully makes up

1948
01:46:48,240 --> 01:46:51,000
Speaker 1: a definition for bone. Well, I don't believe that Wendy

1949
01:46:51,040 --> 01:46:53,760
Speaker 1: Williams does even a second of research where she gets

1950
01:46:53,800 --> 01:46:55,679
Speaker 1: on stage, and I think that's actually how I wanted

1951
01:46:55,720 --> 01:46:58,080
Speaker 1: to stay. I don't want Wendy Williams to change. I

1952
01:46:58,160 --> 01:47:01,880
Speaker 1: wanted to remain her having a understanding of all the

1953
01:47:02,000 --> 01:47:04,680
Speaker 1: things that she talks about. I think that's actually better

1954
01:47:04,800 --> 01:47:08,120
Speaker 1: because it's more reflective of how people actually talk. That's true,

1955
01:47:08,240 --> 01:47:10,000
Speaker 1: and I am actually behind what I'm saying. Thank you,

1956
01:47:10,400 --> 01:47:15,000
Speaker 1: um number thirty, Why did you do that? Why do

1957
01:47:16,280 --> 01:47:19,720
Speaker 1: that do all that? To me? You said in the

1958
01:47:19,760 --> 01:47:21,720
Speaker 1: car the other day. God has never gone harder on

1959
01:47:21,760 --> 01:47:24,080
Speaker 1: the song, never gone harder. I mean we were this

1960
01:47:24,520 --> 01:47:27,400
Speaker 1: sprang from the notion that I before, which is like God,

1961
01:47:27,439 --> 01:47:29,840
Speaker 1: it never goes, never pulls back. She's never settled on

1962
01:47:29,920 --> 01:47:33,160
Speaker 1: her song, but she has never like gone full maximalist

1963
01:47:33,640 --> 01:47:35,760
Speaker 1: as she has on Why did You do that? Never?

1964
01:47:36,320 --> 01:47:39,400
Speaker 1: I don't think we've ever seen a second verse ripped

1965
01:47:39,439 --> 01:47:46,000
Speaker 1: into with such passion as because I have that I

1966
01:47:46,520 --> 01:47:48,560
Speaker 1: and then that ends in the iconic what are you

1967
01:47:48,640 --> 01:47:54,200
Speaker 1: doing it? I mean like it's just it's so unhinged

1968
01:47:54,640 --> 01:47:57,000
Speaker 1: and was such an effective part of the movie because

1969
01:47:57,040 --> 01:47:59,000
Speaker 1: you got in a second what kind of popstar? She

1970
01:47:59,040 --> 01:48:01,880
Speaker 1: had become. Later on, Diane Warren, the writer of the s,

1971
01:48:02,040 --> 01:48:03,720
Speaker 1: would say, actually, it wasn't supposed to be a joke.

1972
01:48:03,760 --> 01:48:05,280
Speaker 1: It was supposed to be a real good pop song.

1973
01:48:05,560 --> 01:48:08,240
Speaker 1: And here's the thing, she's so wrong and so right

1974
01:48:08,280 --> 01:48:10,240
Speaker 1: at the same time, which makes it a major success

1975
01:48:10,400 --> 01:48:13,280
Speaker 1: for me. Thank you and her iconic orange hair. Why

1976
01:48:13,320 --> 01:48:15,000
Speaker 1: did you do that? Is a roor shock test of

1977
01:48:15,080 --> 01:48:18,679
Speaker 1: pop music? And I mean we got Alcoball would saying,

1978
01:48:18,720 --> 01:48:22,400
Speaker 1: ladies and gentlemen, Ali and you had Generosatano stage manager

1979
01:48:22,439 --> 01:48:26,519
Speaker 1: at SNL going Alecan five four three. I mean it

1980
01:48:26,640 --> 01:48:29,759
Speaker 1: was a moment and your family, my family, my family.

1981
01:48:29,880 --> 01:48:35,600
Speaker 1: The next is number twenty nine, season two finale. The

1982
01:48:35,760 --> 01:48:37,880
Speaker 1: amount of things that were happening in the grays Anatomy

1983
01:48:37,920 --> 01:48:40,280
Speaker 1: season two finale, it just made you appreciate what had

1984
01:48:40,320 --> 01:48:42,880
Speaker 1: been done all season long and the way that it

1985
01:48:43,040 --> 01:48:46,599
Speaker 1: closed some loops and stories left others open. He had

1986
01:48:46,680 --> 01:48:50,160
Speaker 1: Sandra Oh running to Preston Brook's hand and just doing

1987
01:48:50,160 --> 01:48:54,599
Speaker 1: a ballet the ballerina pose and just like staying there. Meanwhile,

1988
01:48:54,680 --> 01:48:58,559
Speaker 1: we have the death of um Danny. Danny had just happened,

1989
01:48:58,600 --> 01:49:01,120
Speaker 1: and is he making the realization that she needs to

1990
01:49:01,200 --> 01:49:06,679
Speaker 1: quit being a surgeon and leaving the cut right to well,

1991
01:49:06,760 --> 01:49:09,400
Speaker 1: I guess that puts an end citive. Yep. They leave,

1992
01:49:09,520 --> 01:49:14,280
Speaker 1: and then the iconic moment with Meredith Gray looking at Dr.

1993
01:49:14,360 --> 01:49:18,200
Speaker 1: Derek Shepard and the veterinarian played by Chris o'donald Finn

1994
01:49:18,240 --> 01:49:22,080
Speaker 1: Dandridge Wow, and they Finn Dandred and they both say

1995
01:49:22,240 --> 01:49:25,200
Speaker 1: Meredith as if they want the hair to come with them,

1996
01:49:25,320 --> 01:49:28,160
Speaker 1: and she just iconically looks up to this guy to

1997
01:49:28,360 --> 01:49:31,960
Speaker 1: those final notes of Chasing Cars by snow Patrol. And

1998
01:49:32,479 --> 01:49:34,760
Speaker 1: that was the moment that I knew that culture was

1999
01:49:34,840 --> 01:49:36,920
Speaker 1: for me. That was the moment that I nu culture

2000
01:49:37,040 --> 01:49:40,760
Speaker 1: was for me. I remember texting all my friends and

2001
01:49:40,880 --> 01:49:42,800
Speaker 1: I were calling him in it. And that was back

2002
01:49:42,840 --> 01:49:45,040
Speaker 1: in the day of minutes. It's been like, dude, you

2003
01:49:45,080 --> 01:49:49,120
Speaker 1: watch Grazon and God, I mean there, it doesn't get

2004
01:49:49,160 --> 01:49:51,559
Speaker 1: more two thousand six than that. I have to say

2005
01:49:51,960 --> 01:49:55,280
Speaker 1: that was a moment in time, and it's at twenty nine.

2006
01:49:55,360 --> 01:49:57,880
Speaker 1: It could very easily be higher. This is when it's

2007
01:49:57,880 --> 01:50:00,840
Speaker 1: starting to get tough. Yes, this is when it starts

2008
01:50:00,840 --> 01:50:02,360
Speaker 1: to get tough. And we are almost two hours in

2009
01:50:02,439 --> 01:50:03,840
Speaker 1: and I'm realizing now we're going to have to do

2010
01:50:03,960 --> 01:50:07,400
Speaker 1: a third episode of this. No, that's just the way

2011
01:50:07,439 --> 01:50:08,920
Speaker 1: it's going to have to be. And I'm sorry to

2012
01:50:08,960 --> 01:50:12,240
Speaker 1: our producers. You're gonna have to text me because we're

2013
01:50:12,280 --> 01:50:14,479
Speaker 1: not gonna We're gonna literally it's about to be a

2014
01:50:14,520 --> 01:50:18,320
Speaker 1: two hour episode. We can blast, No, we can't, Okay,

2015
01:50:18,400 --> 01:50:24,680
Speaker 1: all right, Number twenty eight, We're rain on rain on

2016
01:50:24,840 --> 01:50:28,600
Speaker 1: Me was a moment in culture that just happened. But

2017
01:50:28,800 --> 01:50:31,720
Speaker 1: you can't. It's here's what I think. It's ore, enough

2018
01:50:31,840 --> 01:50:35,519
Speaker 1: is enough, no more tears. It's yes, you're so right.

2019
01:50:36,200 --> 01:50:38,160
Speaker 1: That's all I have to say. I mean, rain on

2020
01:50:38,320 --> 01:50:43,360
Speaker 1: me when when we have Rainami tsunami in the same

2021
01:50:44,000 --> 01:50:47,120
Speaker 1: song as Ariana Grande is transition up in the end

2022
01:50:47,160 --> 01:50:51,400
Speaker 1: of the bridge. There's so much going on here. I'd

2023
01:50:51,520 --> 01:50:54,400
Speaker 1: rather redrive. But at least I'm alive. Rain on Me,

2024
01:50:54,800 --> 01:50:57,439
Speaker 1: rain on Me, water like misery. It's coming down on me.

2025
01:50:58,040 --> 01:51:01,800
Speaker 1: The a moment in culture, the duo that is Ariana

2026
01:51:01,840 --> 01:51:04,240
Speaker 1: and Gaga. I can I just say. I feel like

2027
01:51:04,280 --> 01:51:05,760
Speaker 1: we're doing great and I feel like we can just

2028
01:51:06,000 --> 01:51:10,960
Speaker 1: blast that. There is no way. What do you mean?

2029
01:51:11,160 --> 01:51:12,720
Speaker 1: There is no way? And you're wasting time here. We're

2030
01:51:12,760 --> 01:51:14,360
Speaker 1: gonna get to twenty five and then we're gonna stop

2031
01:51:16,479 --> 01:51:21,680
Speaker 1: number seven. Pumpkins spinning on New York. Go ahead, talk

2032
01:51:21,720 --> 01:51:24,720
Speaker 1: about this. This has been. This has been like the

2033
01:51:25,080 --> 01:51:27,599
Speaker 1: feud all season long and Flavor of Love season one,

2034
01:51:27,960 --> 01:51:31,160
Speaker 1: Pumpkin in New York just hating each other, New York

2035
01:51:31,200 --> 01:51:33,759
Speaker 1: waving a knife and Pumpkins face in the kitchen every

2036
01:51:33,840 --> 01:51:39,400
Speaker 1: day calling Pumpkin ugly, you know, all this stuff. Pumpkin

2037
01:51:39,439 --> 01:51:43,599
Speaker 1: gets eliminated, and New York is just tearing into her

2038
01:51:43,600 --> 01:51:48,400
Speaker 1: as she's doing her goodbye hugs, um, and then she's

2039
01:51:48,439 --> 01:51:52,439
Speaker 1: and then Pumpkins hugging Hoops, the eventual winner of a

2040
01:51:52,439 --> 01:51:55,040
Speaker 1: Flavor of Love season one. Hoops is telling her not

2041
01:51:55,160 --> 01:51:56,960
Speaker 1: to listen, not to engage with New York. New York

2042
01:51:56,960 --> 01:51:59,720
Speaker 1: is over there screaming at Pumpkin and telling her ugly

2043
01:51:59,800 --> 01:52:04,920
Speaker 1: she is, and of course it all escalates when Pumpkin says, actually,

2044
01:52:04,920 --> 01:52:07,040
Speaker 1: I could slap the ship out of you, and the

2045
01:52:07,280 --> 01:52:12,160
Speaker 1: iconic tamber on New York saying do it, slap me, bitch,

2046
01:52:12,520 --> 01:52:16,320
Speaker 1: and then the lugie that gets hopped and lands right

2047
01:52:16,360 --> 01:52:21,640
Speaker 1: on New York's chin and the just and they're propelling

2048
01:52:22,280 --> 01:52:26,559
Speaker 1: that that New York that just as like you see

2049
01:52:26,720 --> 01:52:29,720
Speaker 1: her soul sort of and her body goes with it.

2050
01:52:30,600 --> 01:52:35,160
Speaker 1: It's motherfucking do you see that, bitch? Fucking spit my

2051
01:52:35,280 --> 01:52:39,960
Speaker 1: motherfucking fifth witch. I will take you out. What a

2052
01:52:40,240 --> 01:52:45,600
Speaker 1: moment it was, truly, it started something. It started a

2053
01:52:45,640 --> 01:52:50,040
Speaker 1: conversation amongst reality show villains past and presence in the future,

2054
01:52:50,280 --> 01:52:53,160
Speaker 1: and it said, this is the bar. Come see me

2055
01:52:53,439 --> 01:52:55,200
Speaker 1: up here, Come see me up here, because you weren't

2056
01:52:55,240 --> 01:52:57,800
Speaker 1: even sure who was the villain in that situation, but

2057
01:52:58,000 --> 01:53:00,320
Speaker 1: we know it was New York, and you know you

2058
01:53:00,479 --> 01:53:02,840
Speaker 1: love New York. I had not heard of New York

2059
01:53:03,120 --> 01:53:06,200
Speaker 1: until the tim and I heard of Tiffany Pollard until

2060
01:53:06,240 --> 01:53:08,040
Speaker 1: this bit happened. Everyone at school is talking about. I

2061
01:53:08,080 --> 01:53:10,000
Speaker 1: was like, I have to go to someone's house, who

2062
01:53:10,040 --> 01:53:11,760
Speaker 1: has cable, who has beach one, and I have to

2063
01:53:11,800 --> 01:53:13,840
Speaker 1: watch this to the point where I would go on

2064
01:53:13,920 --> 01:53:15,599
Speaker 1: business trips with my dad just so I could stay

2065
01:53:15,600 --> 01:53:18,840
Speaker 1: in the hotel room and watch marathons. A flavor of

2066
01:53:18,920 --> 01:53:22,160
Speaker 1: love that is deep, this one. I was like, I

2067
01:53:22,320 --> 01:53:25,080
Speaker 1: was obsessed with New York. This is huge. I mean,

2068
01:53:25,200 --> 01:53:27,599
Speaker 1: I get it well because I'm taking my time talking

2069
01:53:27,640 --> 01:53:29,760
Speaker 1: about New York. Because I guess we're doing a third episode. No,

2070
01:53:29,920 --> 01:53:31,280
Speaker 1: we are. What do what do you have to say

2071
01:53:31,320 --> 01:53:33,080
Speaker 1: about New York? What do I say about New York?

2072
01:53:33,080 --> 01:53:37,160
Speaker 1: I mean an original, someone that I think was probably

2073
01:53:37,280 --> 01:53:39,840
Speaker 1: destined to become famous in the Star and got there.

2074
01:53:40,280 --> 01:53:44,920
Speaker 1: And I think that ultimately with New York, what you

2075
01:53:45,080 --> 01:53:50,640
Speaker 1: have is someone who usurped even Flavor and she I

2076
01:53:50,760 --> 01:53:53,439
Speaker 1: think is omar Rosa esque in this fashion, because I

2077
01:53:53,520 --> 01:53:55,519
Speaker 1: believe that by the time omar Rosa is dead, she'll

2078
01:53:55,520 --> 01:53:58,560
Speaker 1: be more famous in Villainous than Donald too. I have.

2079
01:53:58,720 --> 01:54:00,960
Speaker 1: I want to That's an amazing, amazing prediction. I want

2080
01:54:00,960 --> 01:54:02,599
Speaker 1: to see really quickly that New York. I mean all

2081
01:54:02,640 --> 01:54:06,000
Speaker 1: a Flavor of Love seasons wanted to fill the transphobic

2082
01:54:06,200 --> 01:54:07,920
Speaker 1: you know, insult you look like a man. You look

2083
01:54:07,960 --> 01:54:10,280
Speaker 1: like man. Even New York at some points was was

2084
01:54:10,360 --> 01:54:14,160
Speaker 1: saying this to people. Pumpkin Um not excluded, but the

2085
01:54:14,240 --> 01:54:17,160
Speaker 1: season two reunion of Flavor of Love, New York shows

2086
01:54:17,240 --> 01:54:22,320
Speaker 1: up your Boots, Buck, wild Um and Delicious all going

2087
01:54:22,600 --> 01:54:25,519
Speaker 1: crazy as soon as they see New York at the reunion,

2088
01:54:25,600 --> 01:54:30,360
Speaker 1: and then Boots especially being like screaming at New York,

2089
01:54:30,439 --> 01:54:32,040
Speaker 1: you look like a drag queen. You look like a

2090
01:54:32,120 --> 01:54:35,440
Speaker 1: drag queen. Instead of being offended, New York goes yes,

2091
01:54:35,600 --> 01:54:40,720
Speaker 1: and It's fabulous, embraces it. Yes and it's fabulous, does

2092
01:54:40,760 --> 01:54:43,520
Speaker 1: not like see it as a queer queer was like yes,

2093
01:54:43,600 --> 01:54:47,200
Speaker 1: and and and It's fabulous. Queer icon erect a statue

2094
01:54:47,280 --> 01:54:48,920
Speaker 1: of New York in front of stone Wall. Thank you,

2095
01:54:49,560 --> 01:54:53,120
Speaker 1: and now for the last one for this episode number

2096
01:54:53,160 --> 01:54:58,760
Speaker 1: twenty six, Assa Edwards versus shut Up and Drive. To

2097
01:54:58,840 --> 01:55:01,640
Speaker 1: shut up and drive and and to know that they

2098
01:55:02,280 --> 01:55:04,760
Speaker 1: both won the lip sync at the end after truly

2099
01:55:04,840 --> 01:55:07,520
Speaker 1: deserving to the look on Tatiana's face and she realized

2100
01:55:07,520 --> 01:55:09,920
Speaker 1: that she wanted to look on and they realized they

2101
01:55:09,920 --> 01:55:12,360
Speaker 1: both want to look one's face. The look on Fifie's face,

2102
01:55:12,440 --> 01:55:16,560
Speaker 1: the face crack. Honestly, this was a moment in time.

2103
01:55:16,640 --> 01:55:19,760
Speaker 1: It was two queens who were going for it out

2104
01:55:19,800 --> 01:55:21,960
Speaker 1: of the joy of being dragged. Means they both had

2105
01:55:22,040 --> 01:55:25,880
Speaker 1: nothing to lose. Flips kicks, twirls. Hair. There was so

2106
01:55:26,000 --> 01:55:28,400
Speaker 1: much good hair in that performance. I think one of

2107
01:55:28,480 --> 01:55:30,920
Speaker 1: the best lip syncs of all time because he had

2108
01:55:31,040 --> 01:55:32,840
Speaker 1: Tatiana in the white get up and illicit and like

2109
01:55:32,880 --> 01:55:36,680
Speaker 1: the black version with the similar hair. Visual opposites, visual opposites,

2110
01:55:36,680 --> 01:55:39,800
Speaker 1: and then they both got brought back into the competition.

2111
01:55:39,880 --> 01:55:42,320
Speaker 1: It was so satisfying. And to have Fifi leave, to

2112
01:55:42,400 --> 01:55:46,120
Speaker 1: have them both vote for Fifi unbelievable. When All Stars

2113
01:55:46,280 --> 01:55:48,840
Speaker 1: was All Stars. Oh my god, that is the lip

2114
01:55:48,880 --> 01:55:51,040
Speaker 1: sync to show someone. If you want to show someone

2115
01:55:51,160 --> 01:55:54,040
Speaker 1: how a lip sync is turned on, that is the

2116
01:55:54,080 --> 01:55:58,040
Speaker 1: one to do. Okay. So that is part two of

2117
01:55:58,560 --> 01:56:05,640
Speaker 1: Spectacular Tops in culture History. Parentheses are two. Part two.

2118
01:56:06,280 --> 01:56:07,920
Speaker 1: There will be a part three, which was a twist

2119
01:56:08,040 --> 01:56:11,400
Speaker 1: that was even revealed to us during the episode. And

2120
01:56:11,760 --> 01:56:13,560
Speaker 1: how are you feeling about it? I think we're gonna

2121
01:56:13,560 --> 01:56:17,160
Speaker 1: have a conversation with um head of Content Haunts executive

2122
01:56:17,160 --> 01:56:21,040
Speaker 1: producer Anna Engineer Doug about scheduling. You know, I did

2123
01:56:21,080 --> 01:56:23,440
Speaker 1: not anticipate a third part to this. I mean I

2124
01:56:23,560 --> 01:56:25,320
Speaker 1: didn't think I thought we'd get all this stunnen in

2125
01:56:25,360 --> 01:56:29,480
Speaker 1: one episode. Do you remember the days, Remember the days

2126
01:56:29,520 --> 01:56:31,400
Speaker 1: of us thinking we could fly through this in one episode,

2127
01:56:31,440 --> 01:56:33,960
Speaker 1: but we're just too chatter boxing in Oh my God.

2128
01:56:34,080 --> 01:56:35,440
Speaker 1: By the time this is over, it will be on

2129
01:56:35,600 --> 01:56:37,720
Speaker 1: Iconic Feed. And now I think that when we have

2130
01:56:37,800 --> 01:56:39,920
Speaker 1: the twenty five in their own episode, we can spend

2131
01:56:39,960 --> 01:56:43,400
Speaker 1: my time. And it's about the readers. It's about the readers,

2132
01:56:43,920 --> 01:56:46,240
Speaker 1: five divided by one twenty. Let's say that's a that's

2133
01:56:46,240 --> 01:56:49,480
Speaker 1: a two hour episode. That is okay, Like I can't

2134
01:56:49,480 --> 01:56:52,200
Speaker 1: do the math right now, but let's just this. This

2135
01:56:52,280 --> 01:56:55,360
Speaker 1: is what has not changed. Number one is number one

2136
01:56:55,480 --> 01:56:57,880
Speaker 1: is still number one reason And we're gonna look at

2137
01:56:57,920 --> 01:57:00,160
Speaker 1: the list and we're gonna see if every thing is

2138
01:57:00,200 --> 01:57:03,080
Speaker 1: in its right place. Yes, because actually it's it's actually

2139
01:57:03,120 --> 01:57:05,320
Speaker 1: a kind of iconic what can happen. Things can be

2140
01:57:05,680 --> 01:57:08,800
Speaker 1: nothing can be taken from, but things from the top

2141
01:57:08,880 --> 01:57:11,560
Speaker 1: twenty five can change and can be even taken out

2142
01:57:11,640 --> 01:57:14,160
Speaker 1: and new things at it in Yeah, and you'd be

2143
01:57:14,280 --> 01:57:17,080
Speaker 1: surprised how much you forget. And that's actually culture, it's

2144
01:57:17,160 --> 01:57:20,000
Speaker 1: ruler culture number six. You'd be surprised how much do

2145
01:57:20,080 --> 01:57:24,280
Speaker 1: you forget? I can't wait. I'm honestly very happy you

2146
01:57:24,320 --> 01:57:26,760
Speaker 1: made this call. I should never doubt your judgment. This

2147
01:57:26,920 --> 01:57:29,800
Speaker 1: is gonna be huge. And before the clock stike strikes

2148
01:57:29,840 --> 01:57:31,600
Speaker 1: two hours, we're going to finish out with a song

2149
01:57:31,640 --> 01:57:34,120
Speaker 1: and we're gonna see you tomorrow. And that song is

2150
01:57:36,040 --> 01:57:38,560
Speaker 1: I Get you Away You want to go? You know

2151
01:57:38,800 --> 01:57:41,880
Speaker 1: what I mean, I gotta rad. That's more than a

2152
01:57:42,040 --> 01:57:52,400
Speaker 1: limousine got my hell got go from zero sixty three

2153
01:57:52,520 --> 01:57:56,960
Speaker 1: point that baby, you got the key. Shut up and

2154
01:57:57,120 --> 01:58:04,280
Speaker 1: drive drive drive, drive, shut up and drive drive Charrow

2155
01:58:07,440 --> 01:58:07,480
Speaker 1: h