1
00:00:02,000 --> 00:00:05,800
Speaker 1: Welcome back to another episode of Alchemy. This filling in

2
00:00:05,880 --> 00:00:09,440
Speaker 1: for Kevin Pollock once again is me Cole Stratton. It's okay,

3
00:00:09,640 --> 00:00:11,840
Speaker 1: I don't know who I am either, but Kevin is

4
00:00:11,880 --> 00:00:14,159
Speaker 1: giving me his full blessing to get these episodes done

5
00:00:14,200 --> 00:00:16,599
Speaker 1: while he's away filming a few good men to the

6
00:00:16,640 --> 00:00:20,760
Speaker 1: search for Lieutenant Winebert's goal. So, without further ado, as

7
00:00:20,760 --> 00:00:22,680
Speaker 1: I think we're at the exact right amount of a due,

8
00:00:23,120 --> 00:00:26,159
Speaker 1: let's meet today's Alchemists in no particular order except the

9
00:00:26,239 --> 00:00:29,440
Speaker 1: particularity of it being written down this way. Let's say

10
00:00:29,440 --> 00:00:35,559
Speaker 1: hello to Chris Alvarado, Chris who put the Gladden Gladiatory

11
00:00:38,560 --> 00:00:41,120
Speaker 1: sitting next to or nowhere near Chris. It's audio, So

12
00:00:41,120 --> 00:00:43,720
Speaker 1: how would you know it's James Heeney, or at least

13
00:00:43,760 --> 00:00:45,479
Speaker 1: I think it is, as he shaved his mustache and

14
00:00:45,520 --> 00:00:47,800
Speaker 1: we don't know how to deal with it. James, if

15
00:00:47,800 --> 00:00:49,320
Speaker 1: you could have any sort of new facial hair or

16
00:00:49,360 --> 00:00:52,000
Speaker 1: haircut combo, what would it be. I would really like

17
00:00:52,120 --> 00:01:00,560
Speaker 1: to have a long wizard's beard beard like. It's gonna

18
00:01:00,600 --> 00:01:02,960
Speaker 1: be a long term goal. I I first, I mean

19
00:01:03,240 --> 00:01:05,399
Speaker 1: I wanted to go white because I want a wizard's

20
00:01:05,400 --> 00:01:09,160
Speaker 1: white like you know, I look like Handolf off the

21
00:01:09,200 --> 00:01:12,600
Speaker 1: gray or Gandalf the white. Great question, start with the

22
00:01:12,680 --> 00:01:17,600
Speaker 1: gray and then you know, button it with the whiteways,

23
00:01:17,640 --> 00:01:21,399
Speaker 1: like a good plan. Next up, she's a lady, Loo,

24
00:01:22,560 --> 00:01:27,400
Speaker 1: she's a lady Vanessa. That would have been fair. V

25
00:01:27,880 --> 00:01:29,680
Speaker 1: What would you throw at Tom Jones to break up

26
00:01:29,680 --> 00:01:34,800
Speaker 1: the endless baraga panties? Oh? An ice cube? He's pretty

27
00:01:34,840 --> 00:01:37,680
Speaker 1: hot up there. He'd probably appreciate it. That's cool to

28
00:01:37,760 --> 00:01:41,560
Speaker 1: be down, thanks, lady. Who can turn the world on

29
00:01:41,680 --> 00:01:46,720
Speaker 1: with a smile? Certainly not Joey Gray. Joey, who do

30
00:01:46,720 --> 00:01:48,520
Speaker 1: you think you can dunk on in this room? H?

31
00:01:48,720 --> 00:01:52,440
Speaker 1: Every person here, not a question, not a question. My

32
00:01:52,560 --> 00:01:55,600
Speaker 1: vertical is top notch. I think I can peek at

33
00:01:56,640 --> 00:02:02,320
Speaker 1: two three some of that. Well, that's pretty great. Everyone

34
00:02:02,400 --> 00:02:07,960
Speaker 1: is laying down, just killing it. And finally he's here

35
00:02:07,960 --> 00:02:15,080
Speaker 1: on the Craiglar c Craig. Please give everyone in this

36
00:02:15,160 --> 00:02:17,280
Speaker 1: room a catch phrase they need to use sometime during

37
00:02:17,320 --> 00:02:23,640
Speaker 1: this recording. Uh, Chris is will be bonga, Vanessa's will

38
00:02:23,680 --> 00:02:27,320
Speaker 1: be Uh. I don't think that's gonna work months. Senior

39
00:02:30,480 --> 00:02:37,760
Speaker 1: James's will be oh, cheerios. Uh, Joey's will be good

40
00:02:37,840 --> 00:02:44,040
Speaker 1: doing so tough, pretty good cor yours will be I'm

41
00:02:44,120 --> 00:02:50,960
Speaker 1: Cole Stretton. I'll try to work that right. Alright, pretty great.

42
00:02:51,200 --> 00:02:53,080
Speaker 1: Let's let's get to our first scene. Then. All of

43
00:02:53,120 --> 00:02:55,760
Speaker 1: today's scene suggestions were gathered from our listener emails. If

44
00:02:55,760 --> 00:02:57,919
Speaker 1: you'd like to submit yours, please write to the podcast

45
00:02:58,040 --> 00:03:01,600
Speaker 1: at your name here at alchemy this dot com. That's

46
00:03:01,639 --> 00:03:05,960
Speaker 1: your name here at alchemy this dot com. Alright, our

47
00:03:06,000 --> 00:03:09,000
Speaker 1: first scene comes from Matt, who wrote, Hello, Alchemists, I

48
00:03:09,040 --> 00:03:11,480
Speaker 1: really enjoy and appreciate the show. I wanted to offer

49
00:03:11,520 --> 00:03:13,440
Speaker 1: a scene suggestion that I know you could do amazing

50
00:03:13,440 --> 00:03:16,600
Speaker 1: things with. A new daytime judge show is presided over

51
00:03:16,639 --> 00:03:27,080
Speaker 1: by Marvin mckugh. Alrighty that comes from the recurring that

52
00:03:27,160 --> 00:03:29,400
Speaker 1: comes from Matt el So, thank you, Matt. So here

53
00:03:29,440 --> 00:03:31,560
Speaker 1: we go with our daytime judge show presided over by

54
00:03:31,560 --> 00:03:36,080
Speaker 1: Marvin mckugh. Alchemists, take it away and according to the

55
00:03:36,160 --> 00:03:39,680
Speaker 1: security deposit, he owes me seven and fifty dollars. Bull

56
00:03:39,960 --> 00:03:45,839
Speaker 1: Ship a real bull fucking ship. The personalities are out

57
00:03:45,840 --> 00:04:03,600
Speaker 1: of control, bull Ship. It's mcugh's do you all right

58
00:04:04,040 --> 00:04:09,360
Speaker 1: for Judge mckugh. Oh wait a minute, I'm in I'm

59
00:04:09,400 --> 00:04:12,200
Speaker 1: at home right now. I there's some way I'm supposed

60
00:04:12,200 --> 00:04:14,680
Speaker 1: to be, isn't there? So we we outfitted your home

61
00:04:14,960 --> 00:04:18,320
Speaker 1: to we outfitted your home to be a courtroom. Okay,

62
00:04:18,400 --> 00:04:20,279
Speaker 1: we just we found you so late to set that

63
00:04:20,320 --> 00:04:23,880
Speaker 1: we just decided just to do it here. Well that works, Okay.

64
00:04:23,880 --> 00:04:26,960
Speaker 1: What do we got on the docket today? I'm Marvin mckugh,

65
00:04:27,320 --> 00:04:31,360
Speaker 1: Judge Marvin mckugh. Can we sit down on it? Uh?

66
00:04:31,720 --> 00:04:34,800
Speaker 1: Mr mhugh. So here's the paperwork on today? Okay. We

67
00:04:34,880 --> 00:04:37,880
Speaker 1: have this gentleman here who believes this other person owes

68
00:04:37,960 --> 00:04:40,760
Speaker 1: him money. That's the short of it. Okay. And what's

69
00:04:40,760 --> 00:04:44,000
Speaker 1: your name, sir? My name is Jonathan Jonathan. How do

70
00:04:44,040 --> 00:04:51,039
Speaker 1: you spell that? Okay? Hold up? Hold up? So ready? Yes,

71
00:04:51,160 --> 00:04:54,640
Speaker 1: j O n A. Well, why have it? Why do

72
00:04:54,680 --> 00:04:56,800
Speaker 1: I have an H here? I'm not sure that's not

73
00:04:56,800 --> 00:05:00,280
Speaker 1: how I spell my name? Okay, So I would you

74
00:05:00,279 --> 00:05:03,080
Speaker 1: like me to finish it? Yes? J o en th

75
00:05:03,560 --> 00:05:06,320
Speaker 1: a M. So there is an H in there? Well,

76
00:05:06,960 --> 00:05:10,760
Speaker 1: I'm so sorry, your honor. Can I just say it

77
00:05:10,760 --> 00:05:14,479
Speaker 1: doesn't even have an A in his name? It's Jonathan Jonathan,

78
00:05:14,640 --> 00:05:17,039
Speaker 1: it's j O n th h owen or whatever. There's

79
00:05:17,040 --> 00:05:20,080
Speaker 1: not even there's no a. It's Jonathan. Can we get

80
00:05:20,120 --> 00:05:26,880
Speaker 1: already dealing with the lie or whatiff? Yes? My my

81
00:05:26,960 --> 00:05:29,840
Speaker 1: bailiff is armed. By the way, I expect nothing less

82
00:05:29,960 --> 00:05:32,919
Speaker 1: your honor. Um, Honestly, I'd like to just stick to

83
00:05:33,000 --> 00:05:36,400
Speaker 1: the rental agreement that we had when we moved in together. Okay,

84
00:05:36,480 --> 00:05:38,320
Speaker 1: And who did you move in with? That guy over

85
00:05:38,360 --> 00:05:44,000
Speaker 1: there who was talking? Yeah, okay, what's your name? Snail? Snail? Yeah?

86
00:05:44,120 --> 00:05:46,880
Speaker 1: How do you spell that? Just like it sounds alright?

87
00:05:47,240 --> 00:05:55,280
Speaker 1: S N A L L snail? And is that a

88
00:05:55,320 --> 00:05:58,560
Speaker 1: given name or a nickname, birth name? Birth name? Is

89
00:05:58,600 --> 00:06:01,800
Speaker 1: it from a particular ethnic group? Yes, it is. Can

90
00:06:01,880 --> 00:06:07,279
Speaker 1: you tell me the ethnic group? Gall French? Okay, Well,

91
00:06:07,360 --> 00:06:09,840
Speaker 1: I don't have a prejudice against that particular group, so

92
00:06:09,880 --> 00:06:14,159
Speaker 1: I guess they're okay. And what happened, Well, this is

93
00:06:14,200 --> 00:06:16,800
Speaker 1: what happened to your honor is he claims that the

94
00:06:16,839 --> 00:06:20,479
Speaker 1: security positive is his last month's But he threw a

95
00:06:20,520 --> 00:06:23,560
Speaker 1: party on the before he moved out and destroyed our apartment,

96
00:06:23,640 --> 00:06:28,640
Speaker 1: so that security part that should be surrender. Okay, this

97
00:06:28,800 --> 00:06:32,160
Speaker 1: lady's objecting. Hey, um, I was at the party and

98
00:06:32,200 --> 00:06:34,480
Speaker 1: it didn't ruin anything. It was the best party ever

99
00:06:34,680 --> 00:06:38,640
Speaker 1: in Stale and I really connected that night, and I

100
00:06:38,640 --> 00:06:40,600
Speaker 1: think we actually up the value of the apartment because

101
00:06:40,600 --> 00:06:42,120
Speaker 1: we did some art on the walls, and my art

102
00:06:42,160 --> 00:06:45,280
Speaker 1: on Instagram sales for like upwards of money. So you

103
00:06:45,360 --> 00:06:47,640
Speaker 1: have a lot of followers. I had a lot of followers. Yea,

104
00:06:47,640 --> 00:06:53,800
Speaker 1: I'm an influencer account my account. Okay, well, I think

105
00:06:53,839 --> 00:06:57,919
Speaker 1: I just I wiped your screen clear. I don't know

106
00:06:57,960 --> 00:07:01,200
Speaker 1: how I did that. I don't know. God, it's like

107
00:07:01,240 --> 00:07:07,560
Speaker 1: a magic man object object to the objection. Who's this guy?

108
00:07:07,680 --> 00:07:10,800
Speaker 1: I'm called Stratton? And uh I was at that party

109
00:07:10,800 --> 00:07:13,520
Speaker 1: and it was not the best party ever. Pay for you.

110
00:07:13,600 --> 00:07:15,960
Speaker 1: It was terrible for me. Veronica broke up with me,

111
00:07:16,000 --> 00:07:18,080
Speaker 1: and I just saw looking at the vinyl records in

112
00:07:18,080 --> 00:07:21,680
Speaker 1: the corner of the whole time. Wow. Wow. First of all,

113
00:07:21,800 --> 00:07:24,400
Speaker 1: Mr Stratton, hell of a catchphrase, by the way, thanks.

114
00:07:25,240 --> 00:07:27,240
Speaker 1: Second of all, can we enter that in the record?

115
00:07:27,600 --> 00:07:29,400
Speaker 1: Is this all being? Is this all on the record?

116
00:07:29,640 --> 00:07:35,760
Speaker 1: It's all being? I got it on the okay, good good?

117
00:07:36,280 --> 00:07:38,480
Speaker 1: This this room is getting really hot. It's like a

118
00:07:38,600 --> 00:07:41,160
Speaker 1: c we have in this or we can't turn on

119
00:07:41,160 --> 00:07:44,440
Speaker 1: the It sounds like meatballs is that meat balls, Well

120
00:07:44,480 --> 00:07:46,640
Speaker 1: they were meat ball I made beatballs three nights ago.

121
00:07:46,840 --> 00:07:52,240
Speaker 1: So linger oh, Judge mcew in the case of the

122
00:07:52,400 --> 00:07:56,440
Speaker 1: lingering meat balls taking the mystery show, I'd really like

123
00:07:56,560 --> 00:07:59,040
Speaker 1: to just settle this one up because he owes me seven.

124
00:08:00,520 --> 00:08:04,600
Speaker 1: I I mean I like to party as much as

125
00:08:04,640 --> 00:08:08,320
Speaker 1: the next person. Yes, I kill that. Sometimes it's just

126
00:08:08,360 --> 00:08:15,640
Speaker 1: after let's see your party. I mean, I know it

127
00:08:15,640 --> 00:08:18,840
Speaker 1: looks like the macarena, but it's really newly I know

128
00:08:21,120 --> 00:08:27,120
Speaker 1: real Judge McKell the right back. Okay, what the fund

129
00:08:27,200 --> 00:08:29,640
Speaker 1: is going on? What the fund is going on with

130
00:08:29,720 --> 00:08:32,600
Speaker 1: Judge mckuugh. Okay, how long we've been working together? Mckuugh,

131
00:08:33,280 --> 00:08:37,280
Speaker 1: I don't know us. Sixteen years, sixteen years, sixteen years

132
00:08:37,360 --> 00:08:41,559
Speaker 1: we've been working together. That sounds good. Yes, if that

133
00:08:41,920 --> 00:08:46,840
Speaker 1: length of time was a person, it could be driving

134
00:08:46,840 --> 00:08:49,560
Speaker 1: by now. It would be driving now. I'm Marvin's sister,

135
00:08:49,679 --> 00:08:53,640
Speaker 1: Hag Hello, Hello, do you know my sister? Hi? I've

136
00:08:53,640 --> 00:08:55,240
Speaker 1: met her before. I met her at the rap party

137
00:08:55,320 --> 00:08:57,480
Speaker 1: last year. And are you making eyes at me? Because

138
00:08:57,520 --> 00:09:00,320
Speaker 1: it's not gonna work looking at you while you're talking

139
00:09:01,200 --> 00:09:04,480
Speaker 1: whoa as a former title? Okay, I don't do that anymore. Okay,

140
00:09:04,520 --> 00:09:06,400
Speaker 1: I'm not I'm on senior. I don't have that power,

141
00:09:06,480 --> 00:09:08,719
Speaker 1: all right. I left for my own reason, and that's

142
00:09:08,720 --> 00:09:10,559
Speaker 1: for no one to jump. Why did you call my

143
00:09:10,679 --> 00:09:14,000
Speaker 1: brother into this office? Because so far all the tapes

144
00:09:14,040 --> 00:09:16,959
Speaker 1: were receiving right now or just him explaining dishes he's

145
00:09:17,000 --> 00:09:19,360
Speaker 1: made weeks ago. None of the cases get solved, and

146
00:09:19,400 --> 00:09:21,320
Speaker 1: I have to end out paying even more to the

147
00:09:21,360 --> 00:09:23,959
Speaker 1: individuals that come on scret part of me, sir. But

148
00:09:24,120 --> 00:09:26,920
Speaker 1: our ratings are higher than they've ever been here in

149
00:09:26,960 --> 00:09:29,480
Speaker 1: the numbers. Oh my god. You know, I've never looked

150
00:09:29,520 --> 00:09:32,199
Speaker 1: at how many toes do you have? Oh my god,

151
00:09:32,400 --> 00:09:43,800
Speaker 1: it's it's an odd number. Oh god, he's hitch choo cho.

152
00:09:44,600 --> 00:09:46,559
Speaker 1: We've been on the air for sixteen years. So I

153
00:09:47,040 --> 00:09:49,000
Speaker 1: don't see what the problem is. The problem is I

154
00:09:49,040 --> 00:09:51,400
Speaker 1: don't read the ratings. And that's something I realized right now.

155
00:09:51,880 --> 00:09:53,360
Speaker 1: I've been coming at you in a way that is

156
00:09:53,440 --> 00:09:57,280
Speaker 1: completely unjustified, and I need to Can I get a

157
00:09:57,280 --> 00:10:01,160
Speaker 1: photo apology? Can we do it in the courtroom? Let's go?

158
00:10:02,320 --> 00:10:09,359
Speaker 1: Where are we going? The case is a real bullshit,

159
00:10:10,120 --> 00:10:15,720
Speaker 1: you're out of order bullshit? All right, sit down in

160
00:10:15,760 --> 00:10:20,000
Speaker 1: my living room, I'm mcke. I got my producer here.

161
00:10:20,480 --> 00:10:23,680
Speaker 1: What's your name again? Raymond Steele? Raymond Steele? Somehow I

162
00:10:23,720 --> 00:10:28,600
Speaker 1: never knew that. Okay, I thought you looked like a Rick.

163
00:10:29,240 --> 00:10:31,600
Speaker 1: Thank you. There's a whole time I thought he was high.

164
00:10:31,640 --> 00:10:33,520
Speaker 1: Doesn't he look like a Rick? He looks like a

165
00:10:33,640 --> 00:10:38,360
Speaker 1: rick to me, or come here, let me touch your face.

166
00:10:40,040 --> 00:10:42,280
Speaker 1: Your hands are wet. He does look like he looks

167
00:10:42,320 --> 00:10:43,960
Speaker 1: like a rich You could just rule on it, and

168
00:10:43,960 --> 00:10:45,880
Speaker 1: he could be a Rick from now on. Okay, from

169
00:10:45,920 --> 00:10:50,000
Speaker 1: now on, your name is Rick. Hold what. I can't

170
00:10:50,040 --> 00:10:53,079
Speaker 1: be guilty. I got family, I guess, I guess some

171
00:10:53,160 --> 00:10:57,120
Speaker 1: little keytoes that I gotta take care of. Keto ke diets.

172
00:10:59,120 --> 00:11:03,480
Speaker 1: I'm running a whole circuit. I can't I can't leave. Well,

173
00:11:03,760 --> 00:11:05,200
Speaker 1: why do you why do you think you're here today

174
00:11:05,200 --> 00:11:08,079
Speaker 1: in my courtroom. I'm apologizing because I didn't read the ratings,

175
00:11:08,480 --> 00:11:10,480
Speaker 1: probably and I came down in a way that was

176
00:11:10,480 --> 00:11:13,480
Speaker 1: gonna appropriate. So you've been producing this show for sixteen years,

177
00:11:13,480 --> 00:11:17,880
Speaker 1: not realizing it's the number one show on television. Sounds

178
00:11:17,920 --> 00:11:22,000
Speaker 1: like an idiot to me. Bro, Look, I'm a dumb guy. Okay,

179
00:11:23,400 --> 00:11:25,120
Speaker 1: I'm a dumb guy. But I can't go to jail.

180
00:11:25,520 --> 00:11:31,000
Speaker 1: Lock him up. Well, all right, we got a vote.

181
00:11:31,040 --> 00:11:34,640
Speaker 1: What is going on? Lock him up, him up. Everyone's

182
00:11:34,640 --> 00:11:39,080
Speaker 1: saying to lock him up. The verdict is in. Judge

183
00:11:39,120 --> 00:11:49,520
Speaker 1: M said, Hey, what are you going for? I lied

184
00:11:50,080 --> 00:11:53,840
Speaker 1: about myself. Honestly, I lied about myself. I wasn't true

185
00:11:54,240 --> 00:11:57,160
Speaker 1: to me. That's the biggest crime. That's the biggest crime

186
00:11:57,160 --> 00:11:58,960
Speaker 1: you can commit. So it's a line for the bathroom,

187
00:11:59,080 --> 00:12:02,880
Speaker 1: or we just hanging down the hallway, line for the bathroom. Good, good,

188
00:12:02,920 --> 00:12:07,400
Speaker 1: good good. You know there are some rules around here. Yeah,

189
00:12:07,840 --> 00:12:10,960
Speaker 1: it's really we're gonna lock up two hours of in

190
00:12:11,080 --> 00:12:16,800
Speaker 1: house rules. Pick up after yourself, I mean personal rules always,

191
00:12:17,040 --> 00:12:19,920
Speaker 1: you know, keep a clean space. Look, you're gonna be

192
00:12:19,920 --> 00:12:22,080
Speaker 1: in a lot of trouble unless you make friends. Okay,

193
00:12:22,360 --> 00:12:24,640
Speaker 1: how do you do? I'm great friend, I'm great your friend.

194
00:12:24,720 --> 00:12:27,400
Speaker 1: Put your hand down. Sorry, I'm not your friend. I'm

195
00:12:27,440 --> 00:12:30,640
Speaker 1: your enemy. Okay, And I will hurt you, not as

196
00:12:30,720 --> 00:12:33,200
Speaker 1: much as I'm gonna hurt myself. I like to hear that.

197
00:12:33,200 --> 00:12:36,840
Speaker 1: That's the spirit. That's the spirit. So we're friends, We're not. Look,

198
00:12:37,080 --> 00:12:39,600
Speaker 1: as soon as we go to chow, people are going

199
00:12:39,640 --> 00:12:42,320
Speaker 1: to attack you. Okay physically, so I guess I gotta

200
00:12:42,320 --> 00:12:44,880
Speaker 1: get your back. You know you leave me alone. As

201
00:12:44,880 --> 00:12:47,360
Speaker 1: a matter of fact, don't look at me anymore. And

202
00:12:47,400 --> 00:12:50,199
Speaker 1: when I finished this sentence, we're done. You got it?

203
00:12:50,320 --> 00:12:54,040
Speaker 1: Chow time? Who's ready for meat? Bos hey? I think

204
00:12:54,040 --> 00:12:55,360
Speaker 1: you want to go in front of me and don't

205
00:12:55,400 --> 00:12:59,560
Speaker 1: talk to me. I feel like you before I have not.

206
00:13:00,000 --> 00:13:02,040
Speaker 1: I haven't seen you around. I was first daping. My

207
00:13:02,040 --> 00:13:04,000
Speaker 1: buddy here says it's really good show. Don't call me

208
00:13:04,040 --> 00:13:09,960
Speaker 1: your first you know you? Come on, I don't got friends.

209
00:13:10,000 --> 00:13:13,480
Speaker 1: He just claimbed you his friend, don claiming this guy

210
00:13:13,520 --> 00:13:15,360
Speaker 1: is not my friend. Thank you best you guys have

211
00:13:15,520 --> 00:13:19,559
Speaker 1: an energy. No, thank you, thank you. I can see it.

212
00:13:19,880 --> 00:13:24,640
Speaker 1: No like twin flames burning together. Oh that was beautiful, flock.

213
00:13:25,120 --> 00:13:27,440
Speaker 1: Looks like we're about to have another full scale prison

214
00:13:27,520 --> 00:13:30,439
Speaker 1: right right here and Marva mckugh's basement. Somebody going to

215
00:13:30,520 --> 00:13:34,760
Speaker 1: ship somebody, I think so I can give you the shift?

216
00:13:34,840 --> 00:13:38,400
Speaker 1: Should I throw something? Give me a ship? Thank you?

217
00:13:38,440 --> 00:13:40,760
Speaker 1: Get it all right? I'm gonna kill both you shuns

218
00:13:40,760 --> 00:13:53,079
Speaker 1: of bitches coming. Oh Jesus tell me my friends. Hells okay,

219
00:13:53,679 --> 00:13:58,320
Speaker 1: prison basement, We'll be right bad. What the hell is

220
00:13:58,360 --> 00:14:02,520
Speaker 1: going on, mckill. Look, most of those daytime judge shows

221
00:14:02,600 --> 00:14:07,000
Speaker 1: just do civil case. I do criminal cases and sentenced

222
00:14:07,000 --> 00:14:09,839
Speaker 1: them to serve time in my basement. You know, you're

223
00:14:09,840 --> 00:14:11,360
Speaker 1: one of the few Americans, if I can say this

224
00:14:11,400 --> 00:14:14,280
Speaker 1: out loud, that decided to take the judicial system into

225
00:14:14,320 --> 00:14:15,920
Speaker 1: their own hands, that's right, and put it in their

226
00:14:15,920 --> 00:14:19,640
Speaker 1: home and put a really not even a private prison,

227
00:14:19,680 --> 00:14:23,800
Speaker 1: a public prison inside the basement. Beautiful. I'm waving my

228
00:14:23,840 --> 00:14:28,640
Speaker 1: feet too. I'm doing it for the love of the country. Wow. Wow,

229
00:14:28,680 --> 00:14:31,760
Speaker 1: wow wow. You know, my daughter's here and she loves

230
00:14:31,800 --> 00:14:33,240
Speaker 1: the show, and she had just a couple of questions

231
00:14:33,240 --> 00:14:38,000
Speaker 1: that she wants to ask. If that's okay. What's your name? Delia?

232
00:14:39,120 --> 00:14:43,760
Speaker 1: Speak up, girl speaking. That's a beautiful name. Thank you,

233
00:14:44,280 --> 00:14:49,960
Speaker 1: my sisters, Amelia, Amelia Badla Okay. Um. Do you ever

234
00:14:50,080 --> 00:14:53,120
Speaker 1: think that you'll do a show on location other than

235
00:14:53,200 --> 00:14:56,280
Speaker 1: your house? Well, I don't know. The courtroom is in

236
00:14:56,360 --> 00:14:59,680
Speaker 1: my house, the jail's in my house. It just makes

237
00:14:59,680 --> 00:15:05,240
Speaker 1: sense to do it here. But I'm Amelia. Back in

238
00:15:05,280 --> 00:15:11,520
Speaker 1: the hall. Get question for the get back a question. Sorry,

239
00:15:11,560 --> 00:15:14,000
Speaker 1: you got one good girl and one naughty, naughty girl.

240
00:15:14,840 --> 00:15:16,920
Speaker 1: She's a good one. Go go for it, Go for him.

241
00:15:17,200 --> 00:15:20,640
Speaker 1: I asked the question already us ask it again. Maybe

242
00:15:22,000 --> 00:15:24,520
Speaker 1: if you were to have a location other than your

243
00:15:24,520 --> 00:15:27,800
Speaker 1: house to do this show, what would that location be

244
00:15:28,760 --> 00:15:33,960
Speaker 1: and why? WHOA that's good essay for him? All right, Well,

245
00:15:35,160 --> 00:15:37,920
Speaker 1: I guess I guess I'd take the show out to

246
00:15:37,960 --> 00:15:42,360
Speaker 1: the people, uh and have them vote on whether contestants

247
00:15:42,400 --> 00:15:45,640
Speaker 1: will live or die. Great? This has been a great

248
00:15:45,680 --> 00:15:48,040
Speaker 1: make a wish. Thank you, Marvin mugh. Oh wait, are

249
00:15:48,080 --> 00:15:51,840
Speaker 1: you terminally ill? No, but I'm pretending to be because

250
00:15:51,840 --> 00:15:57,760
Speaker 1: we all are. Want you ask my question, dad, question, Amelia,

251
00:15:58,360 --> 00:16:01,040
Speaker 1: what are you in for? Well? I left the car

252
00:16:01,120 --> 00:16:05,360
Speaker 1: when my dad was hiding. Just dad, girl, I mean

253
00:16:05,400 --> 00:16:08,240
Speaker 1: I didn't do anything really wrong. Welcome home, Welcome to

254
00:16:08,240 --> 00:16:10,120
Speaker 1: the Bad Girls class. This is where the bad girls live.

255
00:16:10,240 --> 00:16:15,720
Speaker 1: I think I've been put here by mistake. What Bad

256
00:16:15,760 --> 00:16:23,040
Speaker 1: Girls Club will be? Right? Bad? That's so many spinoff

257
00:16:24,240 --> 00:16:31,760
Speaker 1: I mean, that's what they do now, right alright. Scene

258
00:16:31,760 --> 00:16:34,520
Speaker 1: two comes from Chris, who wrote not that Chris, though different, Chris,

259
00:16:36,680 --> 00:16:40,520
Speaker 1: I love gris Elrondo, Hey Alchemists. While watching the classic

260
00:16:40,560 --> 00:16:43,840
Speaker 1: crime film The Usual Suspects with the inimitable Kevin Pollock. Yes,

261
00:16:43,920 --> 00:16:46,720
Speaker 1: that Kevin Pollock. An idea struck me. Imagine if the

262
00:16:46,760 --> 00:16:49,880
Speaker 1: lineup had gone very differently and the investigators had rounded

263
00:16:49,960 --> 00:16:53,960
Speaker 1: up a very different set of people. Anyway, I turned

264
00:16:54,000 --> 00:16:56,360
Speaker 1: into your show every week, and that you all managed

265
00:16:56,400 --> 00:16:58,360
Speaker 1: to do the show was one of the reasons I

266
00:16:58,400 --> 00:17:00,520
Speaker 1: became interested in improv and acting in the first place.

267
00:17:00,600 --> 00:17:02,000
Speaker 1: Keep up the good work, and I hope you're all

268
00:17:02,040 --> 00:17:06,359
Speaker 1: doing well. Chris Rudy, Rudy. So here we go with

269
00:17:06,480 --> 00:17:10,920
Speaker 1: a kind of alternative usual suspects lineup? How comes take

270
00:17:10,920 --> 00:17:14,480
Speaker 1: it away? Number one? Step forward? Yeah, say the line?

271
00:17:15,600 --> 00:17:18,240
Speaker 1: Are you gonna need all that food on the table?

272
00:17:18,480 --> 00:17:21,959
Speaker 1: Number two? Step forward? Line? Please you canna eat all

273
00:17:22,040 --> 00:17:25,720
Speaker 1: wet food? Finish the line? What's the last part? Or

274
00:17:25,720 --> 00:17:28,120
Speaker 1: are you gonna leave it on the table? You're gonna

275
00:17:28,119 --> 00:17:29,840
Speaker 1: eat food? Are you gonna leave it on the table?

276
00:17:29,960 --> 00:17:34,080
Speaker 1: Very good? Three step forward Hello, yes, line please? Are

277
00:17:34,119 --> 00:17:37,440
Speaker 1: you going to eat all of that food? Or are

278
00:17:37,560 --> 00:17:41,280
Speaker 1: you going to leave it on the table? For are

279
00:17:41,320 --> 00:17:45,520
Speaker 1: you gonna eat out of food? You can leave it

280
00:17:45,600 --> 00:17:49,960
Speaker 1: on the table. So I need these ringing a bell?

281
00:17:50,240 --> 00:17:53,760
Speaker 1: Can I get that again? Can I do it again again?

282
00:17:53,800 --> 00:17:57,720
Speaker 1: I want to take it to my addiction clear enough,

283
00:17:58,200 --> 00:18:01,480
Speaker 1: It was clear. Did you hear every word that I said? Yes, wonderful.

284
00:18:01,600 --> 00:18:03,480
Speaker 1: Number three, I don't know, man, I think I need

285
00:18:03,560 --> 00:18:05,280
Speaker 1: to hear it again. Okay, do you want do you

286
00:18:05,359 --> 00:18:10,000
Speaker 1: have any notes? Uh? If they could do it with conviction? Conviction? Okay,

287
00:18:10,119 --> 00:18:11,920
Speaker 1: And by the way, we thank you for coming down

288
00:18:11,960 --> 00:18:14,520
Speaker 1: to the station. I know this is traumatic. Traumatic. I

289
00:18:14,560 --> 00:18:16,040
Speaker 1: think you need to get to the bottom of this.

290
00:18:16,400 --> 00:18:19,440
Speaker 1: We appreciate it. Okay. Uh, just in real quick between

291
00:18:19,440 --> 00:18:21,920
Speaker 1: you and I. Anybody a front runner here between one

292
00:18:22,000 --> 00:18:26,199
Speaker 1: and four? I mean threes really got sounds good? Right?

293
00:18:26,600 --> 00:18:29,800
Speaker 1: Very actors? Studio? Yes? Yes, um, but yeah, I'm not

294
00:18:29,920 --> 00:18:33,080
Speaker 1: I'm not sure. I think it needs sounds good. Okay,

295
00:18:33,160 --> 00:18:36,359
Speaker 1: line up, We're gonna do this again with more conviction,

296
00:18:36,960 --> 00:18:40,680
Speaker 1: more conviction. Okay. Could I just say we are a

297
00:18:40,840 --> 00:18:46,040
Speaker 1: very unusual group of suspects. You cannot you cannot say that? Okay.

298
00:18:46,640 --> 00:18:52,560
Speaker 1: Number one, Uh, the same line. I'll give me one second. Um,

299
00:18:52,640 --> 00:18:54,720
Speaker 1: So you were saying that that the person who broke

300
00:18:54,760 --> 00:18:57,320
Speaker 1: into the home and then committed all those murders said

301
00:18:57,520 --> 00:18:58,920
Speaker 1: you can eat all this food, are gonna leave it

302
00:18:58,920 --> 00:19:00,919
Speaker 1: on the table. What else did they say? Well, they

303
00:19:01,000 --> 00:19:02,560
Speaker 1: just said that. But if they could do three in

304
00:19:02,600 --> 00:19:04,959
Speaker 1: a row, maybe I'd be able to hear it from

305
00:19:05,000 --> 00:19:09,920
Speaker 1: the variety. Yes, going around, Yes, so the same line

306
00:19:11,040 --> 00:19:13,920
Speaker 1: you say it once? Say, uh, why would you ask

307
00:19:13,960 --> 00:19:17,800
Speaker 1: if you're gonna say it once? This gut feeling? Well,

308
00:19:17,920 --> 00:19:21,280
Speaker 1: you were right, you were right. So go with three?

309
00:19:21,400 --> 00:19:23,920
Speaker 1: Want three takes s takes me whatever I want? Nice

310
00:19:23,960 --> 00:19:26,600
Speaker 1: and quick. Here we go whatever I want? Here we go? Alright? No,

311
00:19:26,720 --> 00:19:34,440
Speaker 1: not of whatever you want of the line? Okay, alright? Right? Um?

312
00:19:36,000 --> 00:19:45,280
Speaker 1: You kill good again? Um? You know I mean you

313
00:19:45,440 --> 00:19:49,240
Speaker 1: eat the table instead? Good? One more time? Please us

314
00:19:49,280 --> 00:19:55,560
Speaker 1: not in here. Um, it's not it's hot line. I

315
00:19:55,640 --> 00:19:58,960
Speaker 1: just don't crossing your skin and making my skin very good? Okay,

316
00:19:59,000 --> 00:20:01,879
Speaker 1: moving on number two. I gotta recorders in my meters.

317
00:20:02,000 --> 00:20:06,679
Speaker 1: That's all right? Do I need to do this again? Yes? Right?

318
00:20:08,800 --> 00:20:10,200
Speaker 1: Are you gonna eat all that food? Are you gonna

319
00:20:10,280 --> 00:20:12,000
Speaker 1: leave it on the table? Good? Give me another take?

320
00:20:13,200 --> 00:20:15,000
Speaker 1: Are you gonna eat all that food? Or are you

321
00:20:15,080 --> 00:20:16,960
Speaker 1: gonna leave it on the table? And this time just

322
00:20:17,040 --> 00:20:18,359
Speaker 1: throw it away? You know what I mean? We've got

323
00:20:18,440 --> 00:20:22,080
Speaker 1: that one right? Okay, you gonna eat all that food?

324
00:20:22,440 --> 00:20:26,640
Speaker 1: Leaving on the table? Very nice? Very nice. Okay, not yet? Okay.

325
00:20:26,680 --> 00:20:31,240
Speaker 1: Number three, Are you going to eat all that food?

326
00:20:31,480 --> 00:20:33,400
Speaker 1: Are you going to leave it on the table? Very nice?

327
00:20:33,440 --> 00:20:38,040
Speaker 1: Any notes, any justments? If he could really emphasize table

328
00:20:38,359 --> 00:20:41,840
Speaker 1: this time, because the guy right before he killed all

329
00:20:41,880 --> 00:20:44,000
Speaker 1: my friends in front of me, he really hit table hard.

330
00:20:45,720 --> 00:20:49,879
Speaker 1: Please emphasize table table. Okay, great? Yes? Are you going

331
00:20:49,960 --> 00:20:55,560
Speaker 1: to eat all of that food? Are or sorry? Reversed?

332
00:20:55,720 --> 00:20:58,959
Speaker 1: Or and are there for somebody? Okay, no problem? All right?

333
00:21:00,840 --> 00:21:03,000
Speaker 1: Are you going to eat all of that food? Or

334
00:21:03,560 --> 00:21:08,880
Speaker 1: are you going to leave it on the table? Very nice?

335
00:21:08,920 --> 00:21:10,560
Speaker 1: By the way, it is when you slow it down

336
00:21:10,600 --> 00:21:14,040
Speaker 1: as hard as to do or and are it is? Yeah? Yeah,

337
00:21:14,200 --> 00:21:18,120
Speaker 1: I was surprised that here. Yeah, I mean the killer

338
00:21:18,280 --> 00:21:20,520
Speaker 1: was able to do it pretty cleanly in the moment.

339
00:21:20,640 --> 00:21:22,560
Speaker 1: That's a great point. I think he was already warmed up.

340
00:21:22,680 --> 00:21:24,560
Speaker 1: That's a great point. That's a great point. Just give

341
00:21:24,640 --> 00:21:27,080
Speaker 1: us one more just for fun. Okay, have I been

342
00:21:27,119 --> 00:21:30,480
Speaker 1: eliminated from contention? Let me ask can I ask you

343
00:21:30,600 --> 00:21:33,960
Speaker 1: that we're gonna make our our final decision in just

344
00:21:34,040 --> 00:21:36,200
Speaker 1: the moment? All right? Just one more, one more take?

345
00:21:38,480 --> 00:21:41,320
Speaker 1: Are you going to eat all of that food? Or

346
00:21:41,880 --> 00:21:49,240
Speaker 1: are you going to leave it on the table. Very nice,

347
00:21:49,320 --> 00:21:53,960
Speaker 1: very nice? Okay, okay, number four, this is your big time.

348
00:21:54,040 --> 00:21:55,399
Speaker 1: You just let me know if I'm in the running

349
00:21:55,400 --> 00:21:58,600
Speaker 1: your big moment. Are you going to eat all that food?

350
00:21:59,760 --> 00:22:01,399
Speaker 1: Are are you going to leave it on the table?

351
00:22:04,000 --> 00:22:06,480
Speaker 1: Are you? Are you going to eat all that food?

352
00:22:06,840 --> 00:22:09,280
Speaker 1: Or are you going to leave it on the table?

353
00:22:09,920 --> 00:22:12,320
Speaker 1: And then this time, can you switch where or would

354
00:22:12,359 --> 00:22:16,040
Speaker 1: be in certain Are are you going to eat all

355
00:22:16,080 --> 00:22:19,680
Speaker 1: that Are you going to eat all that food? Are

356
00:22:19,880 --> 00:22:28,280
Speaker 1: you going to leave it's? Are you or you going

357
00:22:28,359 --> 00:22:31,560
Speaker 1: to eat all that food? Are you going to lean

358
00:22:31,640 --> 00:22:36,040
Speaker 1: on the table? She's a that's great? Are you this

359
00:22:36,160 --> 00:22:40,760
Speaker 1: is Are you single? I am now? Because yeah, I

360
00:22:40,960 --> 00:22:44,640
Speaker 1: wasn't before the murders, but now I'm yeah. I mean, okay,

361
00:22:44,640 --> 00:22:47,680
Speaker 1: I got two plates of bread for the lovely couple.

362
00:22:47,800 --> 00:22:49,159
Speaker 1: I'm sorry, I just said that. I don't even know

363
00:22:49,200 --> 00:22:53,640
Speaker 1: if you're in a relationship. The first date, fantastic first dates.

364
00:22:54,280 --> 00:22:56,160
Speaker 1: Well here at t J Fridays, we love first dates.

365
00:22:56,359 --> 00:22:59,879
Speaker 1: And this bread will be on the house. And if

366
00:23:00,440 --> 00:23:07,240
Speaker 1: imagine a house with bread on it, wearing bread, i't

367
00:23:07,240 --> 00:23:10,440
Speaker 1: even say anything. All right, Well, if you need anything,

368
00:23:10,480 --> 00:23:14,359
Speaker 1: my name is Taper. And taper. So just screen my

369
00:23:14,440 --> 00:23:16,560
Speaker 1: name out and I'll be sure to come over. Thanks

370
00:23:16,600 --> 00:23:20,000
Speaker 1: for two loaves. It's a lot. Thank you, though, You're welcome. Thanks,

371
00:23:21,200 --> 00:23:24,840
Speaker 1: this is going, this is great. I agree, And thanks

372
00:23:24,960 --> 00:23:26,800
Speaker 1: for letting me take that five minutes to go cry

373
00:23:26,840 --> 00:23:30,320
Speaker 1: in the bathroom about Mike. It's fine. I cried under

374
00:23:30,359 --> 00:23:32,800
Speaker 1: the table while you work on. Okay, great. I had

375
00:23:32,800 --> 00:23:36,639
Speaker 1: a bad childhood, but I'm doing okay. Oh you have

376
00:23:36,760 --> 00:23:42,400
Speaker 1: some bread on your face. Oh what soft skin face?

377
00:23:43,000 --> 00:23:47,320
Speaker 1: You have a pretty amazing touch it. Or you can

378
00:23:47,440 --> 00:23:49,680
Speaker 1: eat all this food or you're gonna leave it on

379
00:23:49,760 --> 00:23:57,159
Speaker 1: the table. Okay, so some waters here? There you go?

380
00:23:59,480 --> 00:24:04,119
Speaker 1: Are you sure? Sor so? Welcome back to the station.

381
00:24:05,040 --> 00:24:09,959
Speaker 1: This is unusual. This is unusual. I'm sorry to take

382
00:24:10,040 --> 00:24:13,120
Speaker 1: up so much of your line up time. Please, you've

383
00:24:13,160 --> 00:24:15,840
Speaker 1: been through a lot. I'm like bonga, you know what

384
00:24:15,920 --> 00:24:20,640
Speaker 1: I mean. It's a lot. So, uh you know the drill,

385
00:24:21,359 --> 00:24:23,760
Speaker 1: you know the drill. I can't believe. So we we

386
00:24:23,840 --> 00:24:26,320
Speaker 1: InCAR sorted the wrong person last time because obviously the

387
00:24:26,440 --> 00:24:30,040
Speaker 1: killer wouldn't know that line. But we nab these people

388
00:24:30,600 --> 00:24:37,320
Speaker 1: in that Uh where were they again? Sparking? Lot? Okay,

389
00:24:37,359 --> 00:24:39,680
Speaker 1: here we go, let's get right to it. I can't

390
00:24:39,680 --> 00:24:46,160
Speaker 1: believe it's the same line. I know this is good.

391
00:24:46,240 --> 00:24:48,200
Speaker 1: This is good though, this is good for everybody, I'm sure.

392
00:24:48,960 --> 00:24:54,120
Speaker 1: And I'm sorry about your date dying. I know it's

393
00:24:54,800 --> 00:24:58,479
Speaker 1: been rough. We get to this Number one. I mean,

394
00:24:58,480 --> 00:25:00,280
Speaker 1: I already know it's not Taper, but I'm that you

395
00:25:00,320 --> 00:25:03,320
Speaker 1: brought him in here to use. Does anyone need anything?

396
00:25:03,560 --> 00:25:06,200
Speaker 1: And maybe that's good, that's good Taper. It just just

397
00:25:06,240 --> 00:25:09,760
Speaker 1: sit in line for us real QUICKLYA um okay, um, hey,

398
00:25:09,760 --> 00:25:11,760
Speaker 1: you're gonna eat all that food or you're gonna leave

399
00:25:11,760 --> 00:25:14,679
Speaker 1: it on the table. Number two. I've been behind bars

400
00:25:14,720 --> 00:25:16,800
Speaker 1: ever since the last one. There's no way I could

401
00:25:16,840 --> 00:25:21,359
Speaker 1: have done this. We don't know that. Okay, what's the line?

402
00:25:22,280 --> 00:25:23,840
Speaker 1: I'm not going to repeat it. If you don't know what,

403
00:25:23,880 --> 00:25:27,040
Speaker 1: you're probably guilty. God, Okay, are you gonna eat all

404
00:25:27,080 --> 00:25:28,960
Speaker 1: this food? Are you gonna leave it on the table?

405
00:25:29,160 --> 00:25:31,399
Speaker 1: You think he didn't know it? Thank you. I just

406
00:25:31,480 --> 00:25:33,120
Speaker 1: wanted to make sure I got it right. I can't.

407
00:25:33,200 --> 00:25:36,240
Speaker 1: I just gotta I left my cats on attended at home.

408
00:25:37,920 --> 00:25:41,480
Speaker 1: You're not going to see them ever again. Okay. Number three, Hi, Hi, good,

409
00:25:41,880 --> 00:25:43,760
Speaker 1: good to be back. Welcome back, welcome back. Do you

410
00:25:43,840 --> 00:25:45,840
Speaker 1: want me to use the chair or not? Please use

411
00:25:45,880 --> 00:25:52,680
Speaker 1: the chair? Sorry? Line? Um, are you going to eat

412
00:25:52,680 --> 00:25:54,359
Speaker 1: all that food? Are you going to eat that food?

413
00:25:54,359 --> 00:25:56,040
Speaker 1: We're going to leave it on the table? Or are you?

414
00:25:56,400 --> 00:25:58,320
Speaker 1: Or are are you going to leave it on the table?

415
00:25:58,640 --> 00:26:00,399
Speaker 1: By the way, this is his head shot? Um, you

416
00:26:00,520 --> 00:26:02,920
Speaker 1: see here he did the Pirates of Penzan. Yeah, he's

417
00:26:02,920 --> 00:26:04,320
Speaker 1: just done a lot of stus of four and one.

418
00:26:05,880 --> 00:26:07,359
Speaker 1: Are you going to read to all of that food

419
00:26:07,720 --> 00:26:09,359
Speaker 1: or are you going to leave it on the table?

420
00:26:10,240 --> 00:26:12,680
Speaker 1: That's great? Hey, I'm planning to write a memoir based

421
00:26:12,720 --> 00:26:15,119
Speaker 1: on my experiences. Could you narrate the audiobook when it

422
00:26:15,200 --> 00:26:19,720
Speaker 1: comes out? I would love to be great? Okay, well, great, great, Okay,

423
00:26:19,840 --> 00:26:22,159
Speaker 1: last one not this one. This is a new one, okay,

424
00:26:22,440 --> 00:26:24,720
Speaker 1: and pretty suspicious if you ask me, I shouldn't be

425
00:26:24,800 --> 00:26:27,520
Speaker 1: saying that, but based on like the vibe I'm getting,

426
00:26:27,640 --> 00:26:31,520
Speaker 1: seems like a murderer. Okay, number four, you're going to

427
00:26:31,600 --> 00:26:34,200
Speaker 1: eat your food? Wh leave it on your table? So

428
00:26:34,320 --> 00:26:37,280
Speaker 1: what do you think it's a child? Huh? I don't know.

429
00:26:37,359 --> 00:26:40,520
Speaker 1: I think I need to hear it again. Noble, are

430
00:26:40,560 --> 00:26:42,639
Speaker 1: you going to eat out your food? Leave it on

431
00:26:42,720 --> 00:26:48,360
Speaker 1: a table, my skins crawling. It's it's creepy as hell.

432
00:26:48,480 --> 00:26:51,480
Speaker 1: I know, I know. Do you do you recognize this

433
00:26:51,640 --> 00:26:54,240
Speaker 1: child was the person who came in and shut up

434
00:26:54,280 --> 00:26:59,119
Speaker 1: that app Fridays. I can't get over the fact that

435
00:26:59,200 --> 00:27:08,000
Speaker 1: she has no pup. Yeah, yeah, she's food. I don't know.

436
00:27:08,200 --> 00:27:10,800
Speaker 1: I don't know if the food, I might leave it

437
00:27:10,880 --> 00:27:14,360
Speaker 1: on the table. Hold on, what did you just say?

438
00:27:15,160 --> 00:27:17,280
Speaker 1: I don't leave all the food. You know the food

439
00:27:17,280 --> 00:27:19,520
Speaker 1: will leave it on the table. See that for me

440
00:27:19,680 --> 00:27:24,240
Speaker 1: one more time. The actual line. Now, are you going

441
00:27:24,280 --> 00:27:26,760
Speaker 1: to eat all that food? Ship? Are you going to leave?

442
00:27:30,200 --> 00:27:34,960
Speaker 1: What's happening in the room? Thing? I know I must

443
00:27:35,000 --> 00:27:38,320
Speaker 1: have turned the mic off. Congratulations, I'm booking a book,

444
00:27:38,480 --> 00:27:41,680
Speaker 1: Thank you. That's that's good. Those could be good. Hey, Kurt,

445
00:27:41,760 --> 00:27:43,879
Speaker 1: I'm started to bring it to my office like this. Uh,

446
00:27:43,960 --> 00:27:45,480
Speaker 1: you know, been managing your career for a little bit

447
00:27:45,880 --> 00:27:49,480
Speaker 1: half a great time, but some bumps and roads on

448
00:27:49,560 --> 00:27:52,320
Speaker 1: my sidnes well here and none of us are perfect.

449
00:27:52,359 --> 00:27:55,680
Speaker 1: None of us are. And uh, it's hard to sell

450
00:27:55,760 --> 00:27:59,440
Speaker 1: you when a lot of your resume is line up work,

451
00:27:59,560 --> 00:28:01,359
Speaker 1: and it's our to explain that it's police line up

452
00:28:01,720 --> 00:28:03,760
Speaker 1: and it's also hard to explain that it doesn't really

453
00:28:03,800 --> 00:28:06,600
Speaker 1: pan out in a lot of work. So we're gonna

454
00:28:06,640 --> 00:28:08,960
Speaker 1: have to let you go. What We're gonna have to

455
00:28:09,000 --> 00:28:12,119
Speaker 1: cut you away like I just booked a memoir an audiobook.

456
00:28:12,480 --> 00:28:15,000
Speaker 1: I'm sorry, but you can't. I booked it in the room, Kurt,

457
00:28:15,040 --> 00:28:16,840
Speaker 1: You're not a You're not an actor. You can't do it.

458
00:28:16,960 --> 00:28:19,440
Speaker 1: I'm not a what actor? You can't do it? I

459
00:28:19,560 --> 00:28:21,680
Speaker 1: never claimed to be an actor. Well, I'm an actor.

460
00:28:22,720 --> 00:28:25,800
Speaker 1: You're saying it wrong, and you can't. You can't. Look

461
00:28:25,840 --> 00:28:27,680
Speaker 1: you've been insisting since the day I hired you that

462
00:28:27,720 --> 00:28:31,119
Speaker 1: it's pronounced A. And I'm not wrong, am I? Every

463
00:28:31,200 --> 00:28:34,440
Speaker 1: time I've tried to use that, people look at me strangely,

464
00:28:34,720 --> 00:28:37,480
Speaker 1: like I'm saying it wrong. Well, that's part of why

465
00:28:37,520 --> 00:28:40,440
Speaker 1: you're a bad actor. When you go down to Earth,

466
00:28:40,760 --> 00:28:43,920
Speaker 1: you're going to be an agent. Let's get the terminology

467
00:28:44,040 --> 00:28:54,040
Speaker 1: down right. Plus ten location actor? Okay, got it? Plus

468
00:28:54,160 --> 00:29:03,120
Speaker 1: ten location sorry, say again? Plus ten location actor plus

469
00:29:03,200 --> 00:29:07,360
Speaker 1: ten location hector? What am I saying? Why can't I

470
00:29:07,400 --> 00:29:10,240
Speaker 1: get this? Okay? One more? Say it three times? Give

471
00:29:10,280 --> 00:29:14,320
Speaker 1: me three three three three? No, the line? The line

472
00:29:14,920 --> 00:29:18,320
Speaker 1: plus ten plus ten I could send zap store down instead.

473
00:29:18,440 --> 00:29:24,280
Speaker 1: Oh no, please, I'm ready for it. Plus ten location

474
00:29:24,960 --> 00:29:28,440
Speaker 1: or yes he's got it going. Oh please let me

475
00:29:28,600 --> 00:29:30,640
Speaker 1: go down. Book. I'm telling you that I already booked

476
00:29:30,720 --> 00:29:32,720
Speaker 1: this gig. I mean there's a plus ten in it

477
00:29:32,840 --> 00:29:36,560
Speaker 1: for you location actor. Look, if you really think that

478
00:29:36,760 --> 00:29:39,840
Speaker 1: that's all that matters in this business, you have a touchment.

479
00:29:39,920 --> 00:29:43,880
Speaker 1: You don't run, no, I know, because it never comes

480
00:29:43,920 --> 00:29:47,600
Speaker 1: in it will. I'm telling you, I'm telling you I'm

481
00:29:47,640 --> 00:29:49,720
Speaker 1: doing an audiobook for God's sake. You know what showed

482
00:29:49,720 --> 00:29:52,360
Speaker 1: me the paperwork and I'll sign it. Okay, Well there's

483
00:29:52,360 --> 00:29:56,120
Speaker 1: no paperwork, Kurt, Kurt, because the man who offered it

484
00:29:56,240 --> 00:29:58,440
Speaker 1: to me pulled out a shotgun and killed all the

485
00:29:58,520 --> 00:30:01,440
Speaker 1: cops there in the room. But there was an audio

486
00:30:01,600 --> 00:30:07,640
Speaker 1: promise of an audio book. Well that's binding. There's audio problem.

487
00:30:07,800 --> 00:30:12,120
Speaker 1: Yes it is. It's binding. And look look I have

488
00:30:12,280 --> 00:30:17,760
Speaker 1: the memoir here. Hey baby, road Trip Times awesome? Yeah

489
00:30:17,880 --> 00:30:23,200
Speaker 1: what did you get? Audio book? Oh no, no, no,

490
00:30:23,400 --> 00:30:29,440
Speaker 1: this just I know. Just give it one sec. Okay,

491
00:30:30,160 --> 00:30:35,080
Speaker 1: you look beautiful. Okay, here we go. I was enjoying

492
00:30:35,120 --> 00:30:38,720
Speaker 1: a fine meal at t g I Fridays. The Hellapeno

493
00:30:38,800 --> 00:30:41,840
Speaker 1: Pappas had just arrived. We had each been served a

494
00:30:42,000 --> 00:30:45,840
Speaker 1: loaf of delicious French bread by our waiter, Taper, an

495
00:30:45,920 --> 00:30:52,000
Speaker 1: unusual name but a very handsome young boy, when to

496
00:30:52,160 --> 00:30:55,800
Speaker 1: my surprise I pulled out a shotgun and said, at

497
00:30:55,840 --> 00:30:58,440
Speaker 1: the top of my lungs, are you going to eat

498
00:30:58,480 --> 00:31:01,840
Speaker 1: all that food? Are or you going to be on

499
00:31:01,920 --> 00:31:05,280
Speaker 1: the table that out? I think that's I think that's

500
00:31:05,400 --> 00:31:09,040
Speaker 1: what was actually said. Watch your everyone real quick and

501
00:31:09,760 --> 00:31:13,760
Speaker 1: are or that's not right? What do you mean? That's

502
00:31:13,760 --> 00:31:18,239
Speaker 1: a shitty audio? Book? That is a shitty audio. Can

503
00:31:18,480 --> 00:31:20,360
Speaker 1: take your hand out of my face when you say

504
00:31:20,440 --> 00:31:24,960
Speaker 1: that I went out of this car. Mcqueues audio will

505
00:31:24,960 --> 00:31:35,640
Speaker 1: be right bad. And that's the good job guys, all right.

506
00:31:35,680 --> 00:31:39,400
Speaker 1: Our third and final scene coach from Spencer, who wrote, Hey, alchemists,

507
00:31:39,600 --> 00:31:41,560
Speaker 1: love the weird looks I get while laughing out loud

508
00:31:41,600 --> 00:31:44,760
Speaker 1: in a dead quiet workspace. So thanks for that. You

509
00:31:44,840 --> 00:31:47,600
Speaker 1: guys are super unique and mostly always entertaining. That feels

510
00:31:47,600 --> 00:31:51,360
Speaker 1: pretty bad, mostly except for the times that you really

511
00:31:51,400 --> 00:31:53,760
Speaker 1: blow it. Uh, none of you sound like you look

512
00:31:53,800 --> 00:31:56,400
Speaker 1: in your pictures. Don't take that What does that mean you?

513
00:31:56,920 --> 00:32:00,240
Speaker 1: I lived in Bend Oregan. That explains it old with

514
00:32:00,320 --> 00:32:03,120
Speaker 1: business and outdoorsman type. So my idea is this a

515
00:32:03,200 --> 00:32:05,400
Speaker 1: company has gone too far and sent their staff on

516
00:32:05,480 --> 00:32:09,080
Speaker 1: a team building excursion up Mount Everest, all of the

517
00:32:09,120 --> 00:32:11,960
Speaker 1: whom are not experienced mountaineers, a fact which the guys

518
00:32:12,120 --> 00:32:14,520
Speaker 1: quickly realize. Can't wait to see what you guys come

519
00:32:14,600 --> 00:32:21,360
Speaker 1: up with. Much love, Spencer Fuller from Bend, Oregon. It's dirty.

520
00:32:21,720 --> 00:32:24,680
Speaker 1: It's very dirty. It's dirty here or around. Up, everybody,

521
00:32:24,760 --> 00:32:28,680
Speaker 1: get to get up. This is a mountain face. It's

522
00:32:28,840 --> 00:32:32,080
Speaker 1: nothing like anything else. I'd like to if I may

523
00:32:32,280 --> 00:32:37,560
Speaker 1: high Diane, Um, could we turn this around? Yeah? Can

524
00:32:37,600 --> 00:32:41,360
Speaker 1: we turn around? I didn't fist the other wy what

525
00:32:43,360 --> 00:32:50,000
Speaker 1: what does he say? Underwear? Underwear? I know if it's

526
00:32:50,120 --> 00:32:53,640
Speaker 1: dirty here, it's just dirty. Yeah. This mountain fice is

527
00:32:53,880 --> 00:32:56,800
Speaker 1: tagging the walls of billions of human by Will you

528
00:32:56,880 --> 00:32:58,600
Speaker 1: just explain to us how this is going to help

529
00:32:58,720 --> 00:33:02,280
Speaker 1: us bond in the workplace. Last year, we just did

530
00:33:02,320 --> 00:33:04,440
Speaker 1: a ropes course in an improv class, and if you

531
00:33:04,480 --> 00:33:06,320
Speaker 1: didn't want to do the ropes course, you could watch

532
00:33:06,440 --> 00:33:09,560
Speaker 1: the ropes course, but you had to do the improv class.

533
00:33:09,880 --> 00:33:12,840
Speaker 1: But that was fun, It was all right. I remember

534
00:33:13,240 --> 00:33:17,880
Speaker 1: soup you're like soup. She had a catch friend, she

535
00:33:17,960 --> 00:33:23,120
Speaker 1: had a catch for Jesus Christ. She is serious. People

536
00:33:23,120 --> 00:33:25,120
Speaker 1: are gonna get skin to live up on this mountain.

537
00:33:26,480 --> 00:33:30,160
Speaker 1: We're not doing this's not let's not do that and

538
00:33:30,280 --> 00:33:32,320
Speaker 1: find your way back down by your lines. So I'm

539
00:33:32,360 --> 00:33:34,320
Speaker 1: not gonna help. The only way to get out of

540
00:33:34,360 --> 00:33:38,360
Speaker 1: the mountain is on top of it, right, so we

541
00:33:38,440 --> 00:33:41,080
Speaker 1: gotta work. It's a time to find out what waying

542
00:33:41,160 --> 00:33:44,880
Speaker 1: to do. Honestly, like the flight to Nepal was rough

543
00:33:45,040 --> 00:33:48,040
Speaker 1: enough to pickin with it with the transfer three times.

544
00:33:49,520 --> 00:33:51,200
Speaker 1: The only one who knows the path and the only

545
00:33:51,200 --> 00:33:53,680
Speaker 1: one who's going to supply. Okay, well I'm the only one.

546
00:33:55,360 --> 00:34:05,280
Speaker 1: Oh god, okay, okay, okay, Oh gosh, I got a

547
00:34:05,400 --> 00:34:09,920
Speaker 1: lot of what's going on. I got some colt our

548
00:34:10,000 --> 00:34:20,759
Speaker 1: guy just fell off where the dead just oh my

549
00:34:20,960 --> 00:34:27,080
Speaker 1: go okay, okay, okay, guys, guys, I'm I'm head of

550
00:34:27,160 --> 00:34:29,759
Speaker 1: creative right in the office. I'm head of creative, yes,

551
00:34:29,880 --> 00:34:34,400
Speaker 1: so just give me a second. Solutions right next to

552
00:34:34,480 --> 00:34:39,399
Speaker 1: the edge, get back, what do you mean? Okay? Yes,

553
00:34:39,800 --> 00:34:42,840
Speaker 1: and ahead of hr I'm just gonna remind us not

554
00:34:43,000 --> 00:34:45,200
Speaker 1: touch each other in a weird way. Um and and

555
00:34:45,320 --> 00:34:47,080
Speaker 1: think about our language, you know, and think about how

556
00:34:47,080 --> 00:34:50,000
Speaker 1: it makes people feel need to hold on to each other.

557
00:34:50,040 --> 00:34:54,880
Speaker 1: About you're pushing her, pushing her, I'm trying not to.

558
00:34:56,840 --> 00:35:03,960
Speaker 1: Guys like jeers. Stop saying that. That's annoying it. It's

559
00:35:04,040 --> 00:35:06,440
Speaker 1: just what's what I try to say, the stuff form

560
00:35:06,440 --> 00:35:09,720
Speaker 1: cursing my curse. Anyways? Have you seen my mommy and Danny?

561
00:35:10,719 --> 00:35:15,680
Speaker 1: What what is this kid doing here? My experience bring

562
00:35:15,760 --> 00:35:17,600
Speaker 1: me to all their trips. I'm home school. I think

563
00:35:17,640 --> 00:35:20,040
Speaker 1: it's this Debora's kids. She was sneaking him on the trip.

564
00:35:20,200 --> 00:35:25,440
Speaker 1: Oh god, God, Oh hey, guys, my skin? Help me?

565
00:35:25,480 --> 00:35:31,719
Speaker 1: How my skin is getting taken over? Oh? I thought

566
00:35:31,719 --> 00:35:35,480
Speaker 1: it was dead. The mountain they see the mountain? Wow?

567
00:35:36,560 --> 00:35:39,960
Speaker 1: Down to go all the way up? Wow? Is anyone

568
00:35:40,000 --> 00:35:42,000
Speaker 1: else common? When did I make me clean to jump down?

569
00:35:42,280 --> 00:35:46,800
Speaker 1: I don't think it was clear? Bring your kids one? Okay?

570
00:35:49,040 --> 00:35:50,800
Speaker 1: What do you mean? He just brought one key? I

571
00:35:50,880 --> 00:35:52,520
Speaker 1: have more, but I brought the one that I like

572
00:35:52,600 --> 00:35:54,960
Speaker 1: to travel with the vagueness of the ancients to stabbing me.

573
00:35:55,040 --> 00:35:57,040
Speaker 1: Don't even know how many keys. Don't know what you're saying?

574
00:35:57,960 --> 00:36:01,600
Speaker 1: Can you back up? Okay? I don't think can mountain.

575
00:36:06,440 --> 00:36:08,480
Speaker 1: You made it. It took me a little while. Accounts payable.

576
00:36:08,480 --> 00:36:11,719
Speaker 1: It's not an immediate thing. Oh God, darny Cheerios and

577
00:36:12,200 --> 00:36:15,200
Speaker 1: Gary are still up there. So and then this one

578
00:36:15,400 --> 00:36:18,440
Speaker 1: is when I thought I was a spider and then

579
00:36:21,160 --> 00:36:25,319
Speaker 1: of a giraffe. Okay, that doesn't help. Mul let's let's

580
00:36:25,480 --> 00:36:29,520
Speaker 1: put you know, ear muffs, put ear muffs. Okay, I

581
00:36:29,600 --> 00:36:32,000
Speaker 1: think we need to eat this child? What I think

582
00:36:32,040 --> 00:36:35,240
Speaker 1: we do? Eat me? You don't have the ear muffs

583
00:36:35,560 --> 00:36:39,759
Speaker 1: I did. You can hear them on tighter, put him

584
00:36:39,800 --> 00:36:43,279
Speaker 1: on tighter. I don't see an option because I'm not

585
00:36:43,320 --> 00:36:45,160
Speaker 1: gonna let you eat me. I'm not gonna let you

586
00:36:45,239 --> 00:36:49,200
Speaker 1: eat me. Obviously we're gonna eat the kid. Yeah, okay, okay,

587
00:36:49,320 --> 00:36:50,960
Speaker 1: I don't know. We had to make it through the

588
00:36:51,080 --> 00:36:53,360
Speaker 1: kive and if they fallen us, they fallen us. I

589
00:36:53,400 --> 00:36:55,719
Speaker 1: don't okay, but this seems like scary enough. I don't

590
00:36:55,800 --> 00:36:57,840
Speaker 1: understand why we also have to do trust falls. We

591
00:36:57,960 --> 00:36:59,560
Speaker 1: just fell out the side of a mountain, and now

592
00:36:59,560 --> 00:37:03,719
Speaker 1: you're expect Team Jacob gonna get down here. They saw me.

593
00:37:04,080 --> 00:37:05,440
Speaker 1: I think it was pretty clear that we had to

594
00:37:05,480 --> 00:37:07,960
Speaker 1: jump down and traveled and a little kai to eat

595
00:37:07,960 --> 00:37:10,840
Speaker 1: at the top. Didn't know explain it. It wasn't very clear.

596
00:37:11,440 --> 00:37:13,400
Speaker 1: We all thought we were falling to our dad. That's right,

597
00:37:13,480 --> 00:37:16,879
Speaker 1: I mean, hey, tiny bones are falling from the sky.

598
00:37:17,160 --> 00:37:24,080
Speaker 1: Oh no, he's beginning. He's riding vines the mountain show

599
00:37:24,160 --> 00:37:26,480
Speaker 1: and as all the other people. It's taken. We got

600
00:37:26,560 --> 00:37:30,200
Speaker 1: a mic into the gay kids stopped throwing those little

601
00:37:30,239 --> 00:37:33,960
Speaker 1: bones off the side. Where did you get those anyway?

602
00:37:34,200 --> 00:37:35,680
Speaker 1: Which gave it to me? She said, if I throw

603
00:37:35,760 --> 00:37:38,920
Speaker 1: them in the snow, I can see where did you

604
00:37:38,960 --> 00:37:40,719
Speaker 1: see the which she came to my dreams? And then

605
00:37:40,760 --> 00:37:46,560
Speaker 1: she was real, does she do it? Do it? Oh

606
00:37:46,640 --> 00:37:53,240
Speaker 1: my god? Hello Jacob, Hello, you've been throwing This one's

607
00:37:53,239 --> 00:37:58,240
Speaker 1: a spider, and this one if it was a giraffe. Yeah? Really,

608
00:37:58,480 --> 00:38:02,640
Speaker 1: I watched your names. Gary, please bring bind Are you

609
00:38:02,800 --> 00:38:05,480
Speaker 1: stuck on many? Help us get off the mountain. I'll

610
00:38:05,480 --> 00:38:11,799
Speaker 1: do anything. I'll do anything. Okay, let me we got

611
00:38:11,920 --> 00:38:15,280
Speaker 1: a micas all the supernatural forests on this mountain, okay,

612
00:38:15,480 --> 00:38:17,760
Speaker 1: ancient mountain. I feel like we can't move on unless

613
00:38:17,760 --> 00:38:20,759
Speaker 1: we're being honest. Diane. Yeah, you tell Donny that your

614
00:38:20,800 --> 00:38:22,480
Speaker 1: name is Deborah, and that feels weird. To me, I

615
00:38:22,560 --> 00:38:24,479
Speaker 1: don't care. And see that's what I'm saying. I don't

616
00:38:24,480 --> 00:38:26,840
Speaker 1: trust you have a boundary with him or dating this mountain.

617
00:38:26,840 --> 00:38:29,680
Speaker 1: If we don't trust detail and together, Okay, I trust you.

618
00:38:29,920 --> 00:38:31,640
Speaker 1: My middle name is Deborah, by the way, so it's

619
00:38:31,680 --> 00:38:33,360
Speaker 1: a half truth. Come, we gotta make it to the

620
00:38:33,400 --> 00:38:41,120
Speaker 1: bloody kid? Do you go to say yawning, Yeah, it's

621
00:38:43,200 --> 00:38:52,439
Speaker 1: it's got it's got over. We can reattention inside. Then

622
00:38:55,120 --> 00:39:01,000
Speaker 1: I have to I have to name called. The cave

623
00:39:01,120 --> 00:39:04,480
Speaker 1: is moving like a mice. Cave is moving like a maze.

624
00:39:05,440 --> 00:39:09,120
Speaker 1: Moment the echo changed in the sinking one. He did,

625
00:39:10,560 --> 00:39:14,400
Speaker 1: I'm losing a lot of blood, might not attach my

626
00:39:14,520 --> 00:39:17,759
Speaker 1: arm holding the arm. I don't want to hold the

627
00:39:17,880 --> 00:39:20,080
Speaker 1: arm anymore? Good trust? What happened to the other block?

628
00:39:20,480 --> 00:39:23,680
Speaker 1: Happened to the why do we do this? Why did

629
00:39:23,760 --> 00:39:25,919
Speaker 1: we do this? Why do we do this? I don't

630
00:39:26,000 --> 00:39:28,840
Speaker 1: like the echo. That doesn't match the voice. It doesn't

631
00:39:28,880 --> 00:39:33,800
Speaker 1: match the voice. Stop. I had a group for Napolis paintball,

632
00:39:33,880 --> 00:39:40,279
Speaker 1: and we're down here doing this, doing this. You're the guide. Oh,

633
00:39:40,880 --> 00:39:43,040
Speaker 1: you're the one who are a company hired. You're losing

634
00:39:43,080 --> 00:39:45,880
Speaker 1: a little color in the ice mine. I've given my

635
00:39:46,719 --> 00:39:50,640
Speaker 1: arm for this company, but I've also given a lot

636
00:39:50,719 --> 00:39:55,920
Speaker 1: of emotional body of creative. So he's very you know,

637
00:39:56,680 --> 00:39:58,520
Speaker 1: and I don't know which way is up and which

638
00:39:58,520 --> 00:40:01,320
Speaker 1: way is down anymore. And I'm feeling crazy and I

639
00:40:01,400 --> 00:40:06,560
Speaker 1: don't feel supported. You look at the woman. I don't

640
00:40:06,600 --> 00:40:08,560
Speaker 1: feel supported. He looks right at the woman like it's

641
00:40:08,600 --> 00:40:11,560
Speaker 1: my job to nurture him. I'm holding your arm. I

642
00:40:11,600 --> 00:40:14,920
Speaker 1: don't even know where my son is. It's raining bone. Okay,

643
00:40:16,000 --> 00:40:21,640
Speaker 1: you'll both get raisist. Then that's right, undercover boss. You guys,

644
00:40:24,880 --> 00:40:26,640
Speaker 1: did my arm really get cut off? Look we got

645
00:40:28,040 --> 00:40:33,959
Speaker 1: a right. You've eaten his leg down. It was very good,

646
00:40:34,200 --> 00:40:41,799
Speaker 1: but then didn't crunch, just like ship the knee from

647
00:40:41,840 --> 00:40:53,320
Speaker 1: a boy whose name is fleed, boy named go ahead

648
00:40:53,320 --> 00:40:59,160
Speaker 1: and take his knee, good good. I didn't know you

649
00:40:59,239 --> 00:41:03,440
Speaker 1: could slip me just that's the Carlos dried out. But

650
00:41:03,600 --> 00:41:06,880
Speaker 1: he is chewy, warm and riding. Now I need a

651
00:41:07,000 --> 00:41:11,160
Speaker 1: pen of little very tiny all right, Stacy, Look, this

652
00:41:11,600 --> 00:41:14,400
Speaker 1: is a Google retreat. We need you to act like

653
00:41:14,480 --> 00:41:16,279
Speaker 1: a teammate. That means you need to pretend to be

654
00:41:16,360 --> 00:41:18,880
Speaker 1: a grimlin and go eat the body parts of strangers

655
00:41:18,920 --> 00:41:23,279
Speaker 1: on this mountain. We're doing We're doing Gremlin or Gremlin Gremlin, okay,

656
00:41:23,320 --> 00:41:27,560
Speaker 1: because we've got two different water like Midnight Stacy, give

657
00:41:27,640 --> 00:41:33,000
Speaker 1: me a creepy voice. Creepier. That's a little better. Now,

658
00:41:33,080 --> 00:41:44,040
Speaker 1: go eat people, this is Google. Go fine, you're not mine.

659
00:41:44,200 --> 00:41:47,880
Speaker 1: That's not mine. It's gotta be this little boy. I mean,

660
00:41:49,680 --> 00:41:52,279
Speaker 1: I mean, it's pretty big cheerios. You're gonna have to

661
00:41:52,360 --> 00:41:56,480
Speaker 1: eat the child's that's very time. It's not that tiny.

662
00:42:04,560 --> 00:42:07,239
Speaker 1: Fantastically if you's go to rice. I love that they

663
00:42:07,239 --> 00:42:09,759
Speaker 1: were all bonding now, but we gotta make it through

664
00:42:09,840 --> 00:42:13,239
Speaker 1: here this seventeen trials. Each of us will fight individuals.

665
00:42:13,640 --> 00:42:16,319
Speaker 1: Have any of them are? Have we done any yet?

666
00:42:17,520 --> 00:42:21,040
Speaker 1: Into the cave the cave, it's gonna be a lot

667
00:42:21,120 --> 00:42:24,200
Speaker 1: of pressure. So the arm that doesn't count, losing child

668
00:42:24,239 --> 00:42:29,360
Speaker 1: doesn't clicking. You're going to rip the skin off here alright,

669
00:42:30,080 --> 00:42:32,000
Speaker 1: to be falling down. And he thought like it's going

670
00:42:32,040 --> 00:42:34,120
Speaker 1: to be a fun little room. I didn't. I did

671
00:42:34,200 --> 00:42:38,680
Speaker 1: not think it was going to be fun. Seventeen trials.

672
00:42:39,080 --> 00:42:41,640
Speaker 1: H my arm feels better, by the way, thank you

673
00:42:41,680 --> 00:42:45,600
Speaker 1: for at touching it. Will as my pubes. I used

674
00:42:45,600 --> 00:42:50,160
Speaker 1: this thread just to the record just to the record. Alright,

675
00:42:50,880 --> 00:42:53,759
Speaker 1: spool already I need just in case I'm the only

676
00:42:53,840 --> 00:42:56,799
Speaker 1: one repeat. I'm gonna go through these first. Alright, you're

677
00:42:56,800 --> 00:42:59,080
Speaker 1: gonna go through all seventeen trials. You'll see me on

678
00:42:59,120 --> 00:43:01,759
Speaker 1: the other side. Are all of our trials the same

679
00:43:02,239 --> 00:43:06,800
Speaker 1: old different old opinion on each other's imagions, impersonal tragedies? Alright?

680
00:43:07,680 --> 00:43:14,680
Speaker 1: Here you go first. Okay, are you worried about your

681
00:43:14,719 --> 00:43:17,279
Speaker 1: kid at all? I am. I'm worried about a lot

682
00:43:17,480 --> 00:43:22,560
Speaker 1: right now. Honestly, Oh, my head is swimming trials. I

683
00:43:22,680 --> 00:43:25,440
Speaker 1: just want to say thank you for the raise, no

684
00:43:25,560 --> 00:43:29,840
Speaker 1: problem that I'm not there yet. This is a crazy trip,

685
00:43:30,400 --> 00:43:32,960
Speaker 1: I know. But we do things hard at Google. Why

686
00:43:32,960 --> 00:43:35,280
Speaker 1: are you're putting us through this? Haven't we already proven

687
00:43:35,320 --> 00:43:38,440
Speaker 1: ourselves enough hardly? If you feel that way, go to

688
00:43:38,520 --> 00:43:45,759
Speaker 1: ask jeeves they're hiring. Okay, understood out and clear. Did

689
00:43:45,800 --> 00:43:49,200
Speaker 1: you hear that? I didn't hear anything? Maybe this is

690
00:43:49,360 --> 00:43:53,520
Speaker 1: my trial. What are you hearing? Hearing like moans and

691
00:43:53,640 --> 00:43:58,400
Speaker 1: crimes or I'm hearing whispers of I'm hearing words? What

692
00:43:58,520 --> 00:44:02,520
Speaker 1: kind of words? Scary words like like um, I should

693
00:44:02,520 --> 00:44:06,600
Speaker 1: be the boss? I should be the boss? Hamburgers I'm

694
00:44:06,640 --> 00:44:10,320
Speaker 1: hearing this, I should be the boss Hamburgers. What do

695
00:44:10,400 --> 00:44:12,400
Speaker 1: you think that means? You're the boss? But maybe I

696
00:44:12,440 --> 00:44:18,800
Speaker 1: should be the boss trials? So you Hamburgers. Maybe this

697
00:44:18,920 --> 00:44:21,880
Speaker 1: is a test to you know? Wait, is a trial

698
00:44:22,040 --> 00:44:27,160
Speaker 1: different from a test? Sort of what are we going

699
00:44:27,360 --> 00:44:31,200
Speaker 1: to do? Also? Are there too? So I know? Okay?

700
00:44:31,239 --> 00:44:34,280
Speaker 1: So just for clarifications sake, um, there are two Google

701
00:44:34,560 --> 00:44:38,400
Speaker 1: Google things happening here today, right, because I know that

702
00:44:38,520 --> 00:44:41,839
Speaker 1: the other person I saw Stacy from the other part

703
00:44:41,880 --> 00:44:45,160
Speaker 1: of campus earlier and she was with a different group.

704
00:44:45,280 --> 00:44:48,560
Speaker 1: She was getting into her crystals. Present to you. Now,

705
00:44:48,600 --> 00:44:50,400
Speaker 1: that's the only why I'm on a Mikey. You know

706
00:44:50,560 --> 00:44:55,120
Speaker 1: that from a bottom of my heart. The trial is done. Fantastic?

707
00:44:56,320 --> 00:45:00,239
Speaker 1: What just happened? Wait? Did you do your seventeen? Like? You? Not? About?

708
00:45:00,280 --> 00:45:07,560
Speaker 1: Of course? Does anyone have dependence? I didn't get any gold. No,

709
00:45:07,880 --> 00:45:10,279
Speaker 1: we were waiting do you finish the trial? He was

710
00:45:10,360 --> 00:45:14,160
Speaker 1: hearing he heard fantastic? What would he? Um? You should

711
00:45:14,200 --> 00:45:17,360
Speaker 1: be the boss? Why are you looking at me like that?

712
00:45:17,480 --> 00:45:22,319
Speaker 1: I don't know you sort of seed right, sounding like royalist? Seen? Um,

713
00:45:23,160 --> 00:45:25,120
Speaker 1: Now I wouldn't got any pendance of gold belt. We

714
00:45:25,160 --> 00:45:31,040
Speaker 1: haven't gotten any trial. I would I would welcome a trial. Okay,

715
00:45:31,040 --> 00:45:34,280
Speaker 1: are you ready for your trial? Yes, I'm Iva mckulle,

716
00:45:34,400 --> 00:45:43,520
Speaker 1: Judgeva mcculle. Welcome to my living room. Okay, So why

717
00:45:43,680 --> 00:45:46,640
Speaker 1: what brings you here today? Um? This is I suppose

718
00:45:47,160 --> 00:45:50,440
Speaker 1: from what I'm trying to glean the first of seventeen trials,

719
00:45:51,320 --> 00:45:53,359
Speaker 1: and I'm just trying to knock one out to get

720
00:45:53,400 --> 00:45:56,920
Speaker 1: an amulet or a belt. Um, so give it to

721
00:45:57,000 --> 00:45:59,560
Speaker 1: me and I'll volley back. I can give you this belt.

722
00:45:59,600 --> 00:46:02,640
Speaker 1: It's not my parents. I want to give me your belt. Sir.

723
00:46:03,160 --> 00:46:07,399
Speaker 1: You're gonna lose your job, you lose everything you hold, dear, Really,

724
00:46:09,280 --> 00:46:14,640
Speaker 1: my shows, congratulations, thank you. Um, but I'm just trying

725
00:46:14,680 --> 00:46:16,160
Speaker 1: to complete this. So if we could just wrap it

726
00:46:16,280 --> 00:46:19,440
Speaker 1: up with a verdict and I'll get the amulet or okay,

727
00:46:19,920 --> 00:46:21,840
Speaker 1: well i'd proclaim you free to move on to the

728
00:46:21,920 --> 00:46:29,719
Speaker 1: next trial. Beautiful amulet? You got one? I got one?

729
00:46:30,800 --> 00:46:33,480
Speaker 1: Where did you go? Um? It was a vortex thing.

730
00:46:33,680 --> 00:46:37,000
Speaker 1: Courtroom wrapped it up really quick. Your eyes are spinning

731
00:46:37,000 --> 00:46:39,960
Speaker 1: in your head. Oh well I was here. I was here,

732
00:46:40,600 --> 00:46:50,040
Speaker 1: heyte dreams will be right, bad ship, And that's alchemy. Yes, everybody,

733
00:46:51,080 --> 00:46:54,480
Speaker 1: let's take all of our alchemists. Chris Alvarado, thank you

734
00:46:55,200 --> 00:46:58,840
Speaker 1: very much. I thank you for being here. We love

735
00:46:58,880 --> 00:47:01,719
Speaker 1: when you're here. Of course I love being here. Vanessa Raglan,

736
00:47:02,200 --> 00:47:07,359
Speaker 1: thank you very much. I second the sentiments. Thanks. I'll

737
00:47:07,400 --> 00:47:12,960
Speaker 1: say you're welcome. If you're thanking me. I am just

738
00:47:13,480 --> 00:47:16,839
Speaker 1: I think probably the most thankful person in the room.

739
00:47:20,719 --> 00:47:24,360
Speaker 1: It sounded like everybody was. So it's your first of seventeen. Thanks,

740
00:47:24,560 --> 00:47:28,320
Speaker 1: thank you, well, thank you, thank you, thank you. And

741
00:47:28,640 --> 00:47:37,600
Speaker 1: Joey Greer, thanks to our engineer Doug Baby and our

742
00:47:37,680 --> 00:47:43,680
Speaker 1: post sound design artist Raphael Brito, producer Sophie Lichtman. And lastly,

743
00:47:43,760 --> 00:47:45,759
Speaker 1: I heart media, and I encourage all of you to

744
00:47:45,800 --> 00:47:47,640
Speaker 1: write a review, tell everyone you've ever met, get the

745
00:47:47,680 --> 00:47:49,799
Speaker 1: word out people, and write to us at your name

746
00:47:49,880 --> 00:47:52,759
Speaker 1: here at alchemy this dot com. That's your name here

747
00:47:52,880 --> 00:47:56,759
Speaker 1: at alchemy this dot com. Thanks for listening, everybody, Thank you,

748
00:47:57,120 --> 00:48:25,360
Speaker 1: Thank you so much. Me and and I pull and

749
00:48:25,520 --> 00:48:27,440
Speaker 1: I put all