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Speaker 1: Dear listeners of Hollywood Land, does it feel like you're

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Speaker 1: stuck in limbo? Standing under a flickering street light at

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Speaker 1: the corner of Hollywood and True Crime, waiting for the

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Speaker 1: next episode of hollywood Land to drop. I got you.

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Speaker 1: Welcome to Hollywoodland, the Rap Party. What's happened in my

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Speaker 1: fellow movie geeks, your true crime freaks, You guys just

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Speaker 1: like me, like your movie history served up with the

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Speaker 1: side of grit and grime. This, of course, is the

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Speaker 1: place where we do that. We dig up these stories

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Speaker 1: that are often lost a history. They're buried in the

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Speaker 1: corner of the cutting room floor, stories that maybe they

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Speaker 1: didn't want told, the very same stories that have now

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Speaker 1: made you the most dangerous person at the party. I'm

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Speaker 1: your host, Zeth Lundy, writer, showrunner and good doctor, here

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Speaker 1: at Double Elvis and today in the Hollywood Land Rap Party,

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Speaker 1: talking about AI. We're talking about bringing actors back to

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Speaker 1: the screen long after they have left us, about Val Kilmer,

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Speaker 1: Brandon Lee and the greatest movie soundtracks of all time.

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Speaker 1: And on that very topic, I've got your voicemails, your texts,

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Speaker 1: your emails, and more so, come on, everybody, let's park

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Speaker 1: you know We really haven't talked all that much about

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Speaker 1: AI on this show, about the potential impacts that AI

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Speaker 1: will have and is already having on the movie industry,

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Speaker 1: And that's probably by design because for me personally, AI

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Speaker 1: is like that Love Story show that Jake is obsessed with.

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Speaker 1: If you guys have listened to us talk over in

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Speaker 1: the exclusive section of the after Party, you know what

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Speaker 1: I'm talking about. But it's like that show Love Story.

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Speaker 1: I just can't be bothered to care it. Like I

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Speaker 1: find AI to be boring, like creatively boring. And perhaps

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Speaker 1: that makes me ignorant or naive to the true potential

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Speaker 1: and true repercussions of AI. Not that I don't understand

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Speaker 1: or don't get the ways in which it is potentially

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Speaker 1: beneficial and harmful, because I do. But it's just like

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Speaker 1: when it comes to creative stuff, you know, like making

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Speaker 1: movies or music or art, my impulse, my reflex, is

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Speaker 1: that it's a lazy way to get things done, and

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Speaker 1: it can't even do those things well. Like we know

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Speaker 1: that AI can't write. AI cannot write the way that

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Speaker 1: I write, can't write the way Jake writes, or the

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Speaker 1: way James Elroy writes, or the way Tony Morrison wrote,

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Speaker 1: you know you see this sort of thing all the

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Speaker 1: time online on social media posts, or at least I do.

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Speaker 1: I'm curious if you guys like me can spot something

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Speaker 1: that's written by AI like a mile away. You know,

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Speaker 1: there's so many dead giveaways. The most telling, in my

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Speaker 1: eyes is just how self serious it reads, how poetic

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Speaker 1: it thinks it is. But it's not poetic, it's just slop.

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Speaker 1: I'm sure this is a similar reaction that people had

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Speaker 1: when CGI was first introduced into the movie industry, and

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Speaker 1: then also when editors went from working with real film

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Speaker 1: on these giant Steambeck flatbeds, you know, marking the tape,

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Speaker 1: cutting it up with a razor, splicing it, which by

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Speaker 1: the way, was the method I was taught in film

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Speaker 1: school to now working with digital software. I am ninety

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Speaker 1: nine percent sure that no one making feature films is

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Speaker 1: cutting on a Steambeck anymore. But this is all part

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Speaker 1: of a larger age old argument, you know, analog versus digital,

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Speaker 1: the pencil versus the typewriter, the typewriter versus the computer.

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Speaker 1: But like everything in our societal, cultural, and creative evolution,

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Speaker 1: things change, and AI is likely here to stay. Our

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Speaker 1: guy David Lynch, the Great David Lynch. Before he died,

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Speaker 1: he was asked what he thought about AI, and he

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Speaker 1: said that he thought it was an incredible tool for

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Speaker 1: creativity and form genes to help creativity. He said, quote,

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Speaker 1: I'm sure with all these things, if money is the

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Speaker 1: bottom line, there'd be a lot of sadness and despair

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Speaker 1: and horror. But I'm hoping better times are coming unquote.

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Speaker 1: So I guess maybe the takeaway here is to be hopeful,

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Speaker 1: like David Lynch, that better times are coming, and to

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Speaker 1: look at this all glass half full, like you know

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Speaker 1: that AI could potentially help us with those better times.

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Speaker 1: I bring this up now because I've been thinking a

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Speaker 1: lot about the actors who have passed on, actors like

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Speaker 1: are subject this week, Brandon Lee, and how AI has

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Speaker 1: become this tool to bring these actors back to life,

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Speaker 1: so to speak, or it's potentially has the potential to

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Speaker 1: be this tool, you know, to digitally resurrect them on

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Speaker 1: the screen. Which sidebar, Guys, whatever happened to holograms? Are

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Speaker 1: those still a thing? Remember that Roy Orbison hologram tour.

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Speaker 1: I know at least one of you guys out there,

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Speaker 1: one of you discos saw that tour and wrote into

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Speaker 1: us about it at some point are called in anyway?

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Speaker 1: I digress on that to get back on track here.

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Speaker 1: Recently it was announced that an AI version of the

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Speaker 1: late Val Kilmer is going to play a large part

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Speaker 1: in an upcoming film This Is for Real Okay. Back

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Speaker 1: in twenty twenty, Val Kilmer was cast as Father Finton,

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Speaker 1: a Catholic priest and Native American spiritualist, in a film

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Speaker 1: called As Deep as the Grave, which is based on

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Speaker 1: a true story about the Southwestern archaeologists on an excavation

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Speaker 1: in Arizona to trace the history of the Navajo people.

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Speaker 1: Production on this film was delayed numerous times due to

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Speaker 1: COVID and I'm also guessing due to the strikes that

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Speaker 1: happened in Hollywood, and then you know, Val Kilmer got sick.

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Speaker 1: He ultimately never made it to set and he passed away.

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Speaker 1: The director, Court Vorhees contemplated recasting Kilmer's role, but he

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Speaker 1: said that the character was written for Val Kilmer, that

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Speaker 1: it drew on his Native American heritage, and so Vorhees

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Speaker 1: was able to get permission from Kilmer's estate, as well

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Speaker 1: as his son and daughter for an AI version of

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Speaker 1: Val Kilmer to appear in this film. This is where

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Speaker 1: David Lynch's POV comes into the conversation that AI can

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Speaker 1: potentially be a tool for machines to help with creativity,

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Speaker 1: because it sounds like the other option for the director

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Speaker 1: would have been more cost prohibitive and that he would

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Speaker 1: have had to recast, you know, find a different actor,

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Speaker 1: cast that actor, delay the production even longer, incur all

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Speaker 1: these other costs, whereas the choice to use AI was

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Speaker 1: not only cost effective, but it gets him as close

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Speaker 1: to his first choice to the real Val Kilmer that

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Speaker 1: he's ever going to get, so in a way, to

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Speaker 1: look at it through his eyes, the director's eyes, this

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Speaker 1: is a best of both worlds scenario. The AI generated

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Speaker 1: Val Kilmer will reportedly be featured in a significant part

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Speaker 1: of the film, they said, and it will also use

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Speaker 1: his voice obviously, or an AI version of his voice.

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Speaker 1: Kilmer's character in the film has tuberculosis, which mirrors you know,

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Speaker 1: the actor's actual condition when he was suffering from throat

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Speaker 1: cancer at the end of his life. Now, this isn't

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Speaker 1: the first time the AI has been used in conjunction

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Speaker 1: with Val Kilmer in a film. A few years back,

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Speaker 1: when he reprised his role as iceman in this memorable

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Speaker 1: cameo in Top Gun Maverick. Val Kilmer had lost his

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Speaker 1: ability to speak due to the cancer in his throat,

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Speaker 1: so he worked with a UK based company called Sonantik,

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Speaker 1: which used archival audio of his voice along with AI

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Speaker 1: technology to digitally recreate his voice. I don't know if

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Speaker 1: you knew that, but the voice that you heard Val

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Speaker 1: Kilmer's voice in Top Gun Maverick was technically not him

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Speaker 1: actually speaking into a microphone. It was it was enhanced

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Speaker 1: with AI. The voice enhancement, the voice recreation thing seems

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Speaker 1: to be a big play at the moment. There's this

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Speaker 1: new Red Hot Chili Peppers documentary on Netflix called The

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Speaker 1: Rise of the Red Hot Chili Peppers, which uses AI

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Speaker 1: to recreate the voice of the band's founding guitar, HELLEL. Slovak,

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Speaker 1: who died back in nineteen eighty eight. I believe the

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Speaker 1: recent Anthony Bourdain documentary Roadrunner also used AI to recreate

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Speaker 1: his voice, and there was this docuseries on Netflix from

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Speaker 1: a few months ago I believe, called Churchill at War,

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Speaker 1: which used AI to recreate Churchill's voice. There was also

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Speaker 1: some controversy a year or two back over how or

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Speaker 1: if AI was used in Brady Corbet's film The Brutalist.

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Speaker 1: I think mainly because Corbet was such a loud proponent

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Speaker 1: of working practically. You know, he was shooting on VistaVision.

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Speaker 1: He was one of the Hollywood creatives pushing back against

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Speaker 1: the tide of digital manipulation. So this fact or this

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Speaker 1: speculation was used against him and against the film during

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Speaker 1: the competitive awards season. That was a year or two ago.

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Speaker 1: And I'm not here to debate the ends and the

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Speaker 1: outs and the what have yous of The Brutalists, but

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Speaker 1: this AI stuff, guys, it's creeping in okay. AI was

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Speaker 1: used to visually de age everyone from Robert de Niro

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Speaker 1: and Martin Scorsese's The Irishman to Tom Hanks and Robert

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Speaker 1: Zemeckis's Here, to Harrison Ford in James Mangold's Indiana Jones

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Speaker 1: and The Dial of Destiny. And speaking of James Mangold,

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Speaker 1: he also reportedly used AI to digitally place Timothy Schalome's

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Speaker 1: face over the face of a stumpman on her motorcycle,

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Speaker 1: and the Bob Dylan bill pick a complete unknown. The

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Speaker 1: results from this de aging technology, as we know, have

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Speaker 1: been mixed. I did not know this is not d aging,

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Speaker 1: but I did not know they swapped out a stumpman's

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Speaker 1: face in a complete unknown, So good on them there.

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Speaker 1: When it comes to de aging, Harrison Ford's younger self

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Speaker 1: looked pretty good in Dial of Destiny. I gotta say,

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Speaker 1: but I've said many times before that the de aging

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Speaker 1: of De Niro and The Irishman is, in my eyes

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Speaker 1: like the one bad mark on an otherwise incredible film.

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Speaker 1: I mean, thirty years prior, Scorsese would have just hired

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Speaker 1: a younger actor to play the younger de Niro. It's

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Speaker 1: what he did in Goodfellas. And I can't believe that

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Speaker 1: the choice was made to d age de Niro so

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Speaker 1: that they could save a few bucks on production on

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Speaker 1: like this Val Kilmer film. You know, allegedly the budget

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Speaker 1: spiked on The Irishman from one hundred and twenty five

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Speaker 1: million to one hundred and forty million just so they

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Speaker 1: could do the de aging thing. So that's like an

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Speaker 1: additional fifteen million dollars to dage three actors to Niro,

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Speaker 1: Joe Peshi and al Pacino. Couldn't they have spent far

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Speaker 1: less money than fifteen million bucks by hiring three unknown

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Speaker 1: actors to play the younger versions. Probably right, So why

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Speaker 1: this choice? I'm fascinated by this. I'm fascinated when a

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Speaker 1: director like Martin Scorsese, who is known for his very

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Speaker 1: practical style for the most part. I mean, I'm not

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Speaker 1: including Hugo in this conversation, but I'm fascinated. You know

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Speaker 1: that why he makes this kind of choice? Is it?

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Speaker 1: Is it him? Is it the studio? Is the financers?

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Speaker 1: Are they concerned that someone watching a three hour epic

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Speaker 1: on their TV at home on Netflix is going to

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Speaker 1: get confused if some unknown actor is playing a younger

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Speaker 1: de Niro? So it's just worth the risk of how

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Speaker 1: de Niro looks dahed by AI, so that everyone knows

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Speaker 1: they're looking at DeNiro. Perhaps perhaps that's the reason. And

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Speaker 1: this also makes me wonder if AI was a thing

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Speaker 1: back in nineteen ninety three, when Brandon Lee was tragically

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Speaker 1: killed on the set of The Crow. I wonder if

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Speaker 1: they would have used AI to finish his coverage. I'm

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Speaker 1: going to say absolutely, because at the time, with the

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Speaker 1: tech that they had, what they did was that they

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Speaker 1: had his stunt double Chad Steleski, who, by the way,

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Speaker 1: Chad Steleski famous stunt man. He was Keanu's double on

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Speaker 1: the Matrix and he went on to direct I believe,

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Speaker 1: all of the John Wick films so far. But Chad

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Speaker 1: Steleski filmed Brandon Lee's remaining scenes and then they used

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Speaker 1: the digital technology available at the time to superimpose Brandon's

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Speaker 1: face over Chad Stileski's face. But again the double edged

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Speaker 1: sword of AI, I'm guessing they did only what they

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Speaker 1: had to do in order to make the film work

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Speaker 1: back in nineteen ninety three, like to get by, and

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Speaker 1: I feel like with AI, the temptation is there to

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Speaker 1: do too much, Like they would have been they would

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Speaker 1: have made more scenes, more AI scenes with Brandon Lee,

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Speaker 1: and then they maybe would have flown a little too

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Speaker 1: close to the sun with that, right, That's what I'm thinking.

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Speaker 1: Who knows, man, But I do know this, and I

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Speaker 1: have a confession to make. I know Alison over in

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Speaker 1: Patreon is like, WTF, dude, But I have never I've

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Speaker 1: never seen The Crow, not until this week. I'm watching

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Speaker 1: it this week. I'm going to tell you, when I

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Speaker 1: think about it, I'm going to get into the lore,

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Speaker 1: the legacy it's placed in this really fascinating pre MCU

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Speaker 1: era of comic book films and films based on graphic novels.

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Speaker 1: I think that a lot of comic book fans waited

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Speaker 1: years for the MCU effect to happen. But I think

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Speaker 1: it also forever changed our relationship with comic book adaptations,

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Speaker 1: and it kind of left these smaller, more niche comic

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Speaker 1: adaptations in the dust a bit. But I'm getting ahead

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Speaker 1: of myself. I'm going to get into all of that

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Speaker 1: this Friday here in Hollywood Lands in the screening room,

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Speaker 1: when I do a deep dive into the nineteen ninety

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Speaker 1: three film The Crow. And then next week on Monday,

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Speaker 1: we are officially into April. I mean we are technically today,

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Speaker 1: Happy April, by the way, but next week is the

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Speaker 1: first full week of April. So we're going to get

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Speaker 1: into what I'm calling our Superheroes and the Supernatural month,

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Speaker 1: and we're kicking it off with an episode on George Reeves,

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Speaker 1: the first actor to play Superman and a live action

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Speaker 1: TV show back in the nineteen fifties. May be thinking like, uh,

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Speaker 1: George Reeves, I don't really know who this guy is.

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Speaker 1: I don't really care he was this black and white

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Speaker 1: TV actor whatever, But believe me when I tell you

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Speaker 1: this episode, our episode gets into this incredible mystery surrounding

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Speaker 1: George reeves sudden and violent death at the age of

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Speaker 1: forty five. The episode is the team here at Double

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Speaker 1: levis at a killer job. With the sound design. It's

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Speaker 1: just a classic Hollywood mystery from the Golden age. So

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Speaker 1: do not miss out on that George Reeves episode. You

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Speaker 1: know what's not a mystery, your favorite movie soundtracks. I've

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Speaker 1: got lots and lots of answers from you guys to

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Speaker 1: last week's question of the Week, and I'm going to

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Speaker 1: get into them right after this, So stay put. I'll

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Speaker 1: be right back. Oky Dopey, Smokey, We're back. And for

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Speaker 1: those of you listening to us on a podcast player

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Speaker 1: app maybe Apple or Spotify or iHeart or tune in

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Speaker 1: or whatever, did you just hear like a shit ton

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Speaker 1: of ads? Are you sick of ads? You do know

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Speaker 1: that you don't have to live like that, right, you

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Speaker 1: don't have to suffer through all these ads, or you

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Speaker 1: don't have to skip ahead like thirty seconds at a time.

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Speaker 1: And they know shit, you skipped ahead too. Far and

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Speaker 1: you got to go back. Look, I've been there, Okay,

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Speaker 1: done that. It's a whole thing. But I just want

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Speaker 1: you to know, all of you who complain about hearing

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Speaker 1: too many ads, we hear you, and we have a solution.

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Speaker 1: It is called Disgraceland All Access. You can become a

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Speaker 1: member of Disgraceland All Access. You can get AD free

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Speaker 1: listening not only for every Hollywood Land episode, but also

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Speaker 1: for every Disgraceland episode, our sister show, just five bucks

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Speaker 1: a month, every new episode, every episode in the archive

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Speaker 1: is AD free. But you also get the exclusive bonus

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Speaker 1: section of the Disgraceland after Party every week. That's when

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Speaker 1: I jump on Mike over there with Jake and we

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Speaker 1: get into some kind of shenanigans. It's always provocative, it's

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Speaker 1: always insightful, it's always a good time. It's always just

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Speaker 1: a lot of fun. All you gotta do to join

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Speaker 1: is visit disgracelampod dot com right there on the homepage.

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Speaker 1: You can sign up via Apple Podcasts or Patreon. Now,

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Speaker 1: if you do it via Patreon, you can sync that

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Speaker 1: all Access feed from Patreon to the podcast player that

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Speaker 1: you're currently using. So, like I use Apple Podcasts, but

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Speaker 1: I'm amn All Access member through Patreon, so my Patreon

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Speaker 1: feed goes right to my Apple Podcasts app so it's

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Speaker 1: all right there for me. And the reason I'm a

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Speaker 1: Patreon member instead of Apple Podcasts member is that via

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Speaker 1: Patreon you can also bump yourself up to our video tier,

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Speaker 1: which is ten bucks a month, and that gets you

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Speaker 1: our monthly video podcast. This film should be played loud,

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Speaker 1: which is all about the great, great music from some

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Speaker 1: of our favorite movies, and you can only watch that

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Speaker 1: there on Patreon. For those of you who are already

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Speaker 1: members of All Access, whether it's on Apple Podcasts or

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Speaker 1: on Patreon, thank you. I appreciate all you guys, all

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Speaker 1: of us here at Double Elvis appreciate you. And believe

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Speaker 1: me when I say we've got lots of really exciting

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Speaker 1: new stuff planned this year for everybody listening. Pretty soon

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Speaker 1: it's gonna all start happening. I think. I think next

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Speaker 1: week maybe you're gonna start finding out. I probably shouldn't

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Speaker 1: say anything, but I get really excited about this kind

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Speaker 1: of thing, and it's hard for me. I'm really really

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Speaker 1: bad at secrets. Guys, don't tell me your secrets, because

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Speaker 1: someone's gonna find out and you know what, Jake's not

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Speaker 1: even like listening to this anyway, So like you know,

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Speaker 1: I'll tell you, no, actually I won't tell you, but

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Speaker 1: just believe me, it's gonna be fucking awesome. So hanging there.

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Speaker 1: Thanks for riding with us, and thank you all for

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Speaker 1: reaching out getting in touch. Last week I asked you

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Speaker 1: guys what your favorite movie soundtrack of all time is?

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Speaker 1: And I got a ton of great responses, like this

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Speaker 1: voicemail from the eight six five.

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Speaker 2: Thank you.

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Speaker 3: I'm listening to the Hollywood for this episode and you're

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Speaker 3: asking what is the best soundtrack movie soundtrack all the time?

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Speaker 4: And I'm sure I'm not.

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Speaker 3: The only person that's going to answer this. But Judgment

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Speaker 3: Nights in nineteen ninety three, the movie with Koobaddion Junior

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00:18:13,440 --> 00:18:17,480
Speaker 3: and Amilia Sdez. I believe Dennis Leary at the height

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00:18:17,560 --> 00:18:21,320
Speaker 3: of his name, anyway, that soundtrack was an absolute banger,

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Speaker 3: metal rock with hip hop. I mean, do you have

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Speaker 3: like Dala Soul on there, you had Slayer and Iced Tea,

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Speaker 3: you had Sonic Houston, Cyprus Hill, like just some absolute bangers.

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Speaker 3: I remember me and my friends used to listen to

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Speaker 3: soundtrack over and over and over again. Anyway, keep up

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Speaker 3: the good work, and I'm excited to hear what other

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Speaker 3: soundtracks people come up with.

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Speaker 1: Hey man, awesome choice here Judgment Night nineteen ninety three.

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Speaker 1: You know, we used to make great things, man, And

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Speaker 1: I know you know what I mean when I say

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Speaker 1: that we used to make soundtracks that were novel in

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Speaker 1: their own right, and that they were curated for the film.

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Speaker 1: Like this wasn't just a bunch of killer tunes that

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Speaker 1: were chosen from a music you know, music history or

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Speaker 1: music library to communicate the themes of the movie and

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Speaker 1: all that. This was an entire album of new songs

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Speaker 1: that brought together rock bands and hip hop artists or

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Speaker 1: hip hop groups. You mentioned De La Soul. They did

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00:19:20,200 --> 00:19:22,960
Speaker 1: a track with Teenage Fan Club on here, Slayer and

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00:19:23,160 --> 00:19:27,040
Speaker 1: Iced Tea do one together, Living Color and Run, dmc helmet,

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00:19:27,080 --> 00:19:29,960
Speaker 1: and House of Pain. Remember House of Pain. This happens

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00:19:30,280 --> 00:19:34,239
Speaker 1: a few years after Public Enemy and Anthrax teamed up

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Speaker 1: for Bring the Noise. By the way, but do we

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00:19:37,440 --> 00:19:39,480
Speaker 1: even get this sort of thing anymore? And I don't

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00:19:39,520 --> 00:19:41,800
Speaker 1: just mean the mashing up of two genres just for

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00:19:41,840 --> 00:19:45,399
Speaker 1: the hell of it, But there was serious intention here. Okay,

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Speaker 1: say what you want about the songs themselves, but I'd

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Speaker 1: hazard a guess that the Judgment Nights soundtrack did a

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Speaker 1: lot to bridge the gap between genres, or maybe better

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00:19:55,920 --> 00:19:59,240
Speaker 1: put bridge the gap between fans of the genres. You know,

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Speaker 1: I've talked about this before, but back in the past.

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Speaker 1: You guys, remember, back in the day, if you were

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00:20:03,920 --> 00:20:06,360
Speaker 1: on DMC fan, you weren't a teenage fan club fan

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00:20:06,720 --> 00:20:10,159
Speaker 1: or vice versa. Why those battle lines were drawn, I

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00:20:10,160 --> 00:20:13,919
Speaker 1: don't know. I think the more enlightened of us at

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00:20:13,960 --> 00:20:17,320
Speaker 1: the time, we're realizing before too long that those walls

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Speaker 1: were dumb, and this soundtrack really went a long ways

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00:20:20,880 --> 00:20:24,159
Speaker 1: to drive that point home. So thanks again to the

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Speaker 1: eight six' five here for shouting Out Judgment Night. Matt

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Speaker 1: let's check out this voicemail from the three to one.

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00:20:30,920 --> 00:20:37,040
Speaker 5: Zero, heyz this Is lily From, Roland, california just responding

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00:20:37,080 --> 00:20:43,080
Speaker 5: to the episode from last week about favorite movie soundtrack and,

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00:20:43,800 --> 00:20:47,919
Speaker 5: MAN i have a couple in, mine BUT i Think

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00:20:48,160 --> 00:20:54,120
Speaker 5: adventureland is my. Favorite also that movie is so, Underrated

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00:20:54,640 --> 00:20:57,880
Speaker 5: BUT i mean the soundtrack really just has so many amazing,

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00:20:57,920 --> 00:21:01,560
Speaker 5: songs like from The, replacements all The Undergod, Bowey New York,

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00:21:01,640 --> 00:21:05,439
Speaker 5: Ball Big, STAR i, mean just, incredible AND i just

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00:21:05,520 --> 00:21:10,320
Speaker 5: love that movie so. MUCH i discovered it a kind

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00:21:10,320 --> 00:21:14,119
Speaker 5: of a formative place in my life and it just

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00:21:14,160 --> 00:21:16,399
Speaker 5: has stuck with me ever. Since and also it's just

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00:21:16,400 --> 00:21:21,720
Speaker 5: such an underrated movie all, around great, cast just great, cinematography.

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00:21:21,800 --> 00:21:25,679
Speaker 5: EVERYTHING i love that movie so. Much but some of

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Speaker 5: my other picks for Best soundtrack Were Empire, Records Pump

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00:21:31,040 --> 00:21:35,280
Speaker 5: up The, Volume pretty In, Pink Donny, Darko Twenty Century,

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00:21:35,320 --> 00:21:38,399
Speaker 5: women and of Course Almost, famous which is also one

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00:21:38,400 --> 00:21:41,679
Speaker 5: of my other favorite. Movies thank, you as always for the.

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00:21:41,800 --> 00:21:47,280
Speaker 5: Content your episodes are the highlight of my, week AND

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00:21:48,280 --> 00:21:51,760
Speaker 5: i really love hearing perspectives from other cinephiles, Too AND

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00:21:52,280 --> 00:21:52,640
Speaker 5: i just.

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00:21:52,600 --> 00:21:53,439
Speaker 1: Love movies more than.

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00:21:53,480 --> 00:21:55,080
Speaker 5: Anything All, right take, Care.

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Speaker 1: Lily thanks so much for. THAT i really appreciate you calling,

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00:21:57,800 --> 00:22:00,720
Speaker 1: in And i'm really glad you're enjoying the. Show so

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00:22:00,840 --> 00:22:03,480
Speaker 1: Much to unpack here in your, CALL i want to

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00:22:03,520 --> 00:22:06,640
Speaker 1: start With Almost. Famous Almost famous is one of my favorite,

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00:22:06,840 --> 00:22:10,480
Speaker 1: soundtracks one of my favorite movies. Period it's not just

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00:22:10,560 --> 00:22:13,120
Speaker 1: the songs that they, choose but how they use, them

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00:22:13,160 --> 00:22:15,879
Speaker 1: like is It? SPARKS i think from The Who's? Tommy

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00:22:16,520 --> 00:22:20,640
Speaker 1: the instrumental they play When williams discovering his sister's record

387
00:22:20,680 --> 00:22:23,800
Speaker 1: collection and he puts the record, on and how when

388
00:22:24,040 --> 00:22:27,159
Speaker 1: that song hits that heavy groove it cuts to him

389
00:22:27,160 --> 00:22:29,480
Speaker 1: as a teenager walking in such a badass. Move but

390
00:22:29,520 --> 00:22:31,720
Speaker 1: that's the kind of thing we do on Our patreon video.

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00:22:31,720 --> 00:22:33,600
Speaker 1: Podcast this film should be played loud as we talk

392
00:22:33,640 --> 00:22:36,840
Speaker 1: about these moments in movies like. This that's that WHENEVER

393
00:22:36,840 --> 00:22:39,960
Speaker 1: i hear that, song that scene is just seared in my.

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00:22:40,000 --> 00:22:42,120
Speaker 1: Brain this is also the movie WHERE i Heard Tiny

395
00:22:42,240 --> 00:22:45,119
Speaker 1: dancer for the first. Time that that scene still chokes

396
00:22:45,160 --> 00:22:47,760
Speaker 1: me up WHEN i watch. It but even cooler is

397
00:22:47,760 --> 00:22:50,320
Speaker 1: that you get all these other songs written for the,

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00:22:50,359 --> 00:22:52,680
Speaker 1: movie for the, band for the for the fake Band,

399
00:22:52,720 --> 00:22:56,159
Speaker 1: stillwater and they kick ass like Fever, dog like come On.

400
00:22:56,280 --> 00:23:00,000
Speaker 1: Man that song rules co written of course By Camera

401
00:23:00,160 --> 00:23:02,280
Speaker 1: crow and his wife at the, Time Nancy wilson Of.

402
00:23:02,359 --> 00:23:05,359
Speaker 1: HEART i Think Peter frampton maybe wrote co wrote some

403
00:23:05,359 --> 00:23:08,440
Speaker 1: of these as. Well it's just the best adventure. LANDS

404
00:23:08,520 --> 00:23:10,880
Speaker 1: i have not seen that, god probably since it came,

405
00:23:10,920 --> 00:23:14,399
Speaker 1: out which was a while ago, now BUT i REALLY

406
00:23:14,680 --> 00:23:16,760
Speaker 1: i remember really liking. It i've forgotten all about the.

407
00:23:16,800 --> 00:23:19,199
Speaker 1: Soundtrack but all these groups you, mentioned you know the,

408
00:23:19,240 --> 00:23:23,280
Speaker 1: Replacements Big, Star Velvet, underground Lou Reed. BOWIE i mean

409
00:23:23,720 --> 00:23:26,160
Speaker 1: you can't go wrong with any of. Those so appreciate

410
00:23:26,280 --> 00:23:30,160
Speaker 1: You lily calling in and letting us, know And rock

411
00:23:30,200 --> 00:23:32,840
Speaker 1: And roller to, You. Matt we got a message from

412
00:23:32,880 --> 00:23:34,760
Speaker 1: down under Here. Melbourne can you play that for?

413
00:23:34,840 --> 00:23:35,719
Speaker 4: Us it?

414
00:23:35,800 --> 00:23:39,520
Speaker 2: Is this is stage calling from the Three month eighty

415
00:23:39,520 --> 00:23:43,480
Speaker 2: three At, Melbourne. Australia you're talking about, soundtracks obviously The

416
00:23:43,840 --> 00:23:49,640
Speaker 2: crow is it all? Timer especially Burn by The cure fantastic.

417
00:23:49,680 --> 00:23:51,760
Speaker 3: Song i've got a couple of different.

418
00:23:51,480 --> 00:23:53,480
Speaker 2: Nominations not that there's anything wrong with The.

419
00:23:53,560 --> 00:23:55,800
Speaker 3: Crow Jane exa.

420
00:23:55,920 --> 00:24:00,680
Speaker 2: And was heavily into grunge. Music The seattle Sound, singles

421
00:24:00,920 --> 00:24:04,160
Speaker 2: the soundtrack of the nineteen ninety Two Cameron crow film

422
00:24:04,440 --> 00:24:08,520
Speaker 2: is a really good. One some Killer Paul westsburg tracks on.

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00:24:08,560 --> 00:24:13,840
Speaker 2: That but my favorite all time soundtrack is the original

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00:24:13,840 --> 00:24:18,600
Speaker 2: soundtrack recording Of Apocalypse, now The Francis Ford coppler, film

425
00:24:18,840 --> 00:24:21,600
Speaker 2: Or copla as he's known In. America, SORRY i couldn't have.

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00:24:21,720 --> 00:24:24,760
Speaker 2: IT i completely lucked out on this one BECAUSE i

427
00:24:24,800 --> 00:24:28,520
Speaker 2: found this cassette tape of the soundtrack To Apocalypse.

428
00:24:28,560 --> 00:24:30,840
Speaker 3: Now it is almost.

429
00:24:30,520 --> 00:24:36,160
Speaker 2: It's literally eighty percent of the audio track of the

430
00:24:36,200 --> 00:24:40,720
Speaker 2: actual motion. Picture so, yeah it literally starts off with the,

431
00:24:40,800 --> 00:24:45,800
Speaker 2: doors the helicopter blades wearing over the top of the

432
00:24:45,920 --> 00:24:50,200
Speaker 2: end by the, doors and it rolls Into Martin Sheen's. Saigon,

433
00:24:50,680 --> 00:24:54,000
Speaker 2: Shit i'm still only At saigon or the Classic Robert

434
00:24:54,080 --> 00:24:59,359
Speaker 2: Uval Kernel kilgore. Stuff love the podcast and look forward

435
00:24:59,400 --> 00:25:00,399
Speaker 2: to hearing.

436
00:25:00,440 --> 00:25:05,000
Speaker 1: More psyched to hear from you In, Melbourne Steve, RIGHT

437
00:25:05,040 --> 00:25:06,680
Speaker 1: i think that's what you. Said your name. Is the

438
00:25:07,040 --> 00:25:09,720
Speaker 1: call got a little fuzzy there, occasionally but hope all

439
00:25:09,880 --> 00:25:13,000
Speaker 1: is well down under. Mate had to look this one. Up,

440
00:25:13,040 --> 00:25:15,919
Speaker 1: ACTUALLY i looked it up on discogs and found. IT

441
00:25:15,960 --> 00:25:18,560
Speaker 1: i found the cassette you're talking. About this is Wild,

442
00:25:18,680 --> 00:25:23,199
Speaker 1: man a cassette full of dialogue and scenes from the

443
00:25:23,200 --> 00:25:27,040
Speaker 1: film and also the synth heavy score THAT i Believe

444
00:25:27,560 --> 00:25:32,040
Speaker 1: coppola created with his, Father Carmine. Coppola this score reminds

445
00:25:32,080 --> 00:25:35,560
Speaker 1: me Of Wendy carlos's score For The shining as, well

446
00:25:35,600 --> 00:25:38,159
Speaker 1: which came out around the same. Time just you, know

447
00:25:38,320 --> 00:25:42,879
Speaker 1: very minimal and electro and. Eerie and this also reminds.

448
00:25:42,920 --> 00:25:44,960
Speaker 1: ME i don't know how old you, are but WHEN

449
00:25:44,960 --> 00:25:47,080
Speaker 1: i was a. Kid you could get these records or

450
00:25:47,119 --> 00:25:49,159
Speaker 1: cassettes that were like it was like the movie that

451
00:25:49,280 --> 00:25:52,600
Speaker 1: was reduced to like forty five minutes or. Whatever there

452
00:25:52,600 --> 00:25:54,760
Speaker 1: was one For Star wars THAT i, had AND i

453
00:25:54,760 --> 00:25:56,159
Speaker 1: would listen to it WHEN i went to bed at.

454
00:25:56,240 --> 00:25:59,960
Speaker 1: Night it featured the score of the film and sound

455
00:26:00,040 --> 00:26:03,440
Speaker 1: effects of you, know playing out these set pieces playing

456
00:26:03,440 --> 00:26:06,360
Speaker 1: out via sound. Effects but it was essentially a narrator

457
00:26:06,480 --> 00:26:11,200
Speaker 1: narrating the movie almost like this like book, version audiobook

458
00:26:11,240 --> 00:26:13,719
Speaker 1: version of, it something they don't do. Anymore but your

459
00:26:13,800 --> 00:26:16,520
Speaker 1: message reminded me of. THAT i hadn't thought about that in.

460
00:26:16,600 --> 00:26:19,800
Speaker 1: Years AND i also watched a big chunk Of apocalypse

461
00:26:19,840 --> 00:26:24,480
Speaker 1: now again recently When Robert duvall, died and such an incredible,

462
00:26:24,760 --> 00:26:27,760
Speaker 1: movie incredible piece of. Art so was the documentary about

463
00:26:27,760 --> 00:26:30,080
Speaker 1: the making of that movie By koppola's. Wife it's Called

464
00:26:30,119 --> 00:26:33,080
Speaker 1: hearts Of. Darkness if you haven't seen. That thanks again

465
00:26:33,200 --> 00:26:36,480
Speaker 1: so much From colin down under and leaving the. Voicemail appreciate,

466
00:26:36,520 --> 00:26:38,800
Speaker 1: You thanks for. Listening thanks for getting. Involved Like James

467
00:26:38,840 --> 00:26:41,840
Speaker 1: brown once, said you, know get, up get into, it get.

468
00:26:41,880 --> 00:26:44,639
Speaker 1: Involved text here on this subject from the seven to

469
00:26:44,720 --> 00:26:49,000
Speaker 1: eighty five says hey there or, Sorry Hi, There brooks From,

470
00:26:49,119 --> 00:26:52,600
Speaker 1: kansas easy choices for the favorite movie soundtrack and an

471
00:26:52,640 --> 00:26:58,000
Speaker 1: obscure honorable. Mention the Dragon BALL Z return Of COOLER

472
00:26:58,520 --> 00:27:02,359
Speaker 1: tv movie soundtrack from The automation. Dub funimation needed to

473
00:27:02,400 --> 00:27:06,960
Speaker 1: appeal To American westernized, audiences so they decided to dip

474
00:27:07,000 --> 00:27:10,879
Speaker 1: into new metal With Disturbed finger, Eleven Drowning pool and

475
00:27:10,960 --> 00:27:14,639
Speaker 1: Deaf tones featuring change in The house Of flies to

476
00:27:14,720 --> 00:27:20,040
Speaker 1: the sequence Of Goku going super Cyn Also Purple rain

477
00:27:20,240 --> 00:27:23,000
Speaker 1: easy choice given the direction of the soundtrack when paired

478
00:27:23,040 --> 00:27:25,840
Speaker 1: to the movie and the pulp fiction soundtrack was a

479
00:27:25,880 --> 00:27:29,239
Speaker 1: new venture to explore film. Soundtracks when viewing it for

480
00:27:29,280 --> 00:27:32,359
Speaker 1: the first time as a fifteen year old in high, School,

481
00:27:33,359 --> 00:27:37,440
Speaker 1: BROOKS i don't know anything About Dragon BALL, z SO

482
00:27:37,520 --> 00:27:40,760
Speaker 1: i cannot speak to that at, all but sounds Rad

483
00:27:40,880 --> 00:27:45,520
Speaker 1: i'm stoked that you're Stoked Purple. Rain of, course this

484
00:27:45,640 --> 00:27:48,400
Speaker 1: might be the greatest soundtrack. Ever AND i don't care

485
00:27:48,440 --> 00:27:51,119
Speaker 1: if you say it's cheating because technically it's an, album

486
00:27:51,200 --> 00:27:54,439
Speaker 1: but it's also a. Soundtrack but it qualifies in my

487
00:27:54,520 --> 00:27:57,560
Speaker 1: mind as a, soundtrack and what makes it even stronger

488
00:27:58,240 --> 00:28:01,960
Speaker 1: as the greatest? Soundtrack can it is that it's, objectively,

489
00:28:02,880 --> 00:28:10,040
Speaker 1: okay Objectively prince's greatest album right. Now, LOOK i will

490
00:28:10,119 --> 00:28:13,840
Speaker 1: ride For Dirty mind And sign of The times all day,

491
00:28:13,880 --> 00:28:19,560
Speaker 1: long But Purple rain is just, seismic, right speaking of

492
00:28:19,560 --> 00:28:23,040
Speaker 1: seismic pulp. Fiction the soundtrack same as, You, BROOKS i

493
00:28:23,119 --> 00:28:26,159
Speaker 1: was around the same. AGE i was maybe sixteen going on.

494
00:28:26,200 --> 00:28:28,199
Speaker 1: SEVENTEEN i guess when that came out AND i had

495
00:28:28,240 --> 00:28:31,360
Speaker 1: the same. REACTION i bought that ON. CD i love

496
00:28:31,440 --> 00:28:34,840
Speaker 1: the snippets of dialogue throughout and just the thoughtful, again

497
00:28:34,880 --> 00:28:37,119
Speaker 1: the curation of songs that a lot of songs THAT

498
00:28:37,160 --> 00:28:39,800
Speaker 1: i didn't know or songs THAT i was now hearing

499
00:28:39,800 --> 00:28:43,280
Speaker 1: in a different. Context such a huge moment for soundtracks

500
00:28:43,560 --> 00:28:46,200
Speaker 1: at the, time for. Sure Thanks brooks so much for

501
00:28:46,440 --> 00:28:49,600
Speaker 1: getting in touch. Here next text on the same subject

502
00:28:49,640 --> 00:28:54,120
Speaker 1: is from the three to. Three it says favorite movie.

503
00:28:54,200 --> 00:28:56,560
Speaker 1: Soundtracks the first movie soundtrack that came to mind Is.

504
00:28:56,640 --> 00:28:59,680
Speaker 1: Grease how can anyone not like this one in my?

505
00:28:59,760 --> 00:29:03,120
Speaker 1: Set second Is Urban. Cowboy i'm a metal, head so

506
00:29:03,200 --> 00:29:05,959
Speaker 1: these are not my typical genres at, all but they

507
00:29:06,000 --> 00:29:09,080
Speaker 1: are at the top of my. List three oh three

508
00:29:09,600 --> 00:29:12,400
Speaker 1: the number of times that you're the one THAT i

509
00:29:12,440 --> 00:29:17,520
Speaker 1: want just randomly pops into my head is. Staggering. STAGGERING

510
00:29:17,600 --> 00:29:21,360
Speaker 1: i don't know That i've ever sat down and purposely

511
00:29:21,400 --> 00:29:24,400
Speaker 1: put that song. On i'm, SORRY i don't know The

512
00:29:24,400 --> 00:29:28,200
Speaker 1: grease soundtrack as well as you. Do but for whatever,

513
00:29:28,240 --> 00:29:32,480
Speaker 1: reason that song does not leave my, head and probably

514
00:29:32,520 --> 00:29:35,800
Speaker 1: once a week it rears its. Head and for a

515
00:29:35,880 --> 00:29:38,920
Speaker 1: REASON i just do not. Understand you also Mentioned Urban.

516
00:29:38,960 --> 00:29:41,160
Speaker 1: Cowboy you got The John travolta thing going on here

517
00:29:41,440 --> 00:29:43,680
Speaker 1: that of, course that's a double album. Soundtrack you got

518
00:29:43,720 --> 00:29:44,960
Speaker 1: to give it up for those you don't see that.

519
00:29:45,000 --> 00:29:48,480
Speaker 1: Often you, Know Saturday Night fever Another travolta film double album,

520
00:29:48,520 --> 00:29:52,120
Speaker 1: Soundtrack Urban. Cowboy let's bring those. Back let's bring back

521
00:29:52,160 --> 00:29:57,720
Speaker 1: the curated intentional novel soundtracks Like Judgment, night and let's

522
00:29:57,760 --> 00:30:01,120
Speaker 1: also bring back the double. Album so, okay you guys with,

523
00:30:01,200 --> 00:30:03,520
Speaker 1: me let's go got to shout Out this text from

524
00:30:03,520 --> 00:30:06,720
Speaker 1: the two oh seven represent just Says The crow is

525
00:30:06,800 --> 00:30:09,960
Speaker 1: absolutely the best soundtrack ever two oh. Seven i'm going

526
00:30:10,040 --> 00:30:12,960
Speaker 1: to get into that more On friday here in the screening,

527
00:30:13,040 --> 00:30:15,560
Speaker 1: Room so come on back and check that. Out the

528
00:30:15,680 --> 00:30:18,760
Speaker 1: nine to two to oh texted in favorite soundtrack for

529
00:30:18,880 --> 00:30:22,720
Speaker 1: me Is The crow followed By Natural Born. Killers Trent

530
00:30:22,760 --> 00:30:26,360
Speaker 1: resnor took that insane movie and cranked it. Up, unfortunately

531
00:30:26,600 --> 00:30:30,360
Speaker 1: The Latest tron was an amazing soundtrack looking for an original,

532
00:30:30,440 --> 00:30:35,920
Speaker 1: plot absolutely awful disappointment for the anticipation nine to. Two.

533
00:30:36,000 --> 00:30:39,520
Speaker 1: OH i love The Natural Born killer. SOUNDTRACK i agree with.

534
00:30:39,560 --> 00:30:43,320
Speaker 1: You Trent, resnor WHO i believe sort of supervised that whole,

535
00:30:43,360 --> 00:30:46,760
Speaker 1: thing really did an incredible. Job he really Matched Oliver,

536
00:30:46,840 --> 00:30:52,280
Speaker 1: stones just totally out of control, style visual style with that.

537
00:30:52,320 --> 00:30:56,080
Speaker 1: SOUNDTRACK i remember SEEING i remember viscerally seeing that movie

538
00:30:56,080 --> 00:30:59,600
Speaker 1: in the theater and, UH i had never seen anything

539
00:30:59,600 --> 00:31:01,440
Speaker 1: like that before or heard anything like that. Before it was.

540
00:31:01,480 --> 00:31:03,960
Speaker 1: Great AND i have not seen the Latest tron, movie

541
00:31:03,960 --> 00:31:06,640
Speaker 1: BUT i have heard some of the. SOUNDTRACK i really

542
00:31:06,720 --> 00:31:09,959
Speaker 1: really liked the single the name Is Escaping.

543
00:31:10,000 --> 00:31:10,080
Speaker 2: Me.

544
00:31:10,120 --> 00:31:13,200
Speaker 1: Now i've really liked a lot Of Nine Inch nails

545
00:31:13,240 --> 00:31:15,440
Speaker 1: stuff from the last like what fifteen years or, so

546
00:31:15,560 --> 00:31:20,800
Speaker 1: like copy of a copy came back, Haunted Like trent's

547
00:31:20,840 --> 00:31:24,200
Speaker 1: really in this LIKE i don't, know, man he's in

548
00:31:24,200 --> 00:31:26,960
Speaker 1: this like pop phase right, now AND i love. It

549
00:31:26,960 --> 00:31:29,400
Speaker 1: it's still the nine Is nails, via but the hooks

550
00:31:29,400 --> 00:31:31,800
Speaker 1: are so, Hooky So i'm there for it nine to.

551
00:31:31,800 --> 00:31:31,920
Speaker 2: Two.

552
00:31:32,000 --> 00:31:34,000
Speaker 1: Oh my guess IS i wouldn't be there for the

553
00:31:34,040 --> 00:31:36,560
Speaker 1: movie like, You but maybe Someday i'll check that. Out

554
00:31:36,880 --> 00:31:40,560
Speaker 1: text here from the nine to seven to oh favorite movie,

555
00:31:40,600 --> 00:31:43,480
Speaker 1: SOUNDTRACK i, mean the big chill is kind of obvious

556
00:31:43,560 --> 00:31:47,000
Speaker 1: as well as the, Commitments but, HONESTLY i have to

557
00:31:47,040 --> 00:31:50,840
Speaker 1: go With RepU, Man, yes nine to SEVEN. Oo Repo

558
00:31:50,960 --> 00:31:53,480
Speaker 1: man one of my favorite films of all. Time i've

559
00:31:53,480 --> 00:31:56,440
Speaker 1: got that soundtrack on, vinyl one of my favorite. Soundtracks

560
00:31:56,840 --> 00:32:00,800
Speaker 1: where else are you gonna? Hear OMBRE? Secreto? Okay The

561
00:32:01,160 --> 00:32:06,320
Speaker 1: spanish version of a Secret agent man played by The.

562
00:32:06,360 --> 00:32:10,280
Speaker 1: Plugs this is p L u G. Z this is

563
00:32:10,320 --> 00:32:12,720
Speaker 1: the band that the very same year this came out eighty,

564
00:32:12,760 --> 00:32:17,560
Speaker 1: four they famously or infamously Backed Bob dylan On letterman

565
00:32:18,040 --> 00:32:22,000
Speaker 1: to play some songs from his recent Album. Infidels this

566
00:32:22,280 --> 00:32:26,360
Speaker 1: wild cowpunk interpretation of his, songs which if you guys

567
00:32:26,880 --> 00:32:29,880
Speaker 1: don't know, this go check this. Out Bob dylan with

568
00:32:29,920 --> 00:32:33,400
Speaker 1: The plugs On. Letterman it's wild jumping off that just

569
00:32:33,440 --> 00:32:36,520
Speaker 1: a tangent real. Quick one of my favorite, Artists Daniel,

570
00:32:36,560 --> 00:32:40,800
Speaker 1: Romano canadian. Artists he's got a band Called The. Outfit Their.

571
00:32:40,880 --> 00:32:44,520
Speaker 1: KILLER i think it was DURING. Covid Daniel romano released

572
00:32:45,080 --> 00:32:51,520
Speaker 1: a ton of albums digitally DURING, covid AND i think

573
00:32:51,520 --> 00:32:52,720
Speaker 1: it was just a lot of stuff that he had

574
00:32:52,720 --> 00:32:54,320
Speaker 1: recorded over the years that it built up that he

575
00:32:54,400 --> 00:32:56,320
Speaker 1: released or. Whatever maybe he was just making it all DURING.

576
00:32:56,320 --> 00:32:59,200
Speaker 1: Covid but at some point he put out a record

577
00:32:59,720 --> 00:33:04,959
Speaker 1: that covers the Entire infidel's, album The Bob Dylan, album

578
00:33:05,480 --> 00:33:08,120
Speaker 1: imagining it as if The plugs were covering the entire.

579
00:33:08,160 --> 00:33:10,760
Speaker 1: Album so It's Daniel romano and his band and it's,

580
00:33:10,840 --> 00:33:15,120
Speaker 1: uh it's it's, wicked wicked. Cool it's definitely worth checking.

581
00:33:15,160 --> 00:33:17,479
Speaker 1: Out how DID i get? There how DID i get

582
00:33:17,480 --> 00:33:20,400
Speaker 1: To Daniel romano from? Requaman oh The plugs? Right, okay

583
00:33:20,840 --> 00:33:23,640
Speaker 1: thanks for Texting in nine to, Seven oh jumping over

584
00:33:23,680 --> 00:33:27,200
Speaker 1: here to the eight oh. Three the eight oh three

585
00:33:27,240 --> 00:33:30,480
Speaker 1: says favorite movie soundtracks The Big chill And gross point.

586
00:33:30,560 --> 00:33:33,640
Speaker 1: Blank one has every feel good song for The boomers

587
00:33:34,080 --> 00:33:36,080
Speaker 1: THAT i grew up listening to the first fifteen years

588
00:33:36,120 --> 00:33:38,360
Speaker 1: of my, life and the other has all my favorites

589
00:33:38,400 --> 00:33:41,320
Speaker 1: from the second fifteen years of my. Life soundtracks are

590
00:33:41,360 --> 00:33:44,280
Speaker 1: some of my favorite ways to collect. MUSIC i love,

591
00:33:44,320 --> 00:33:46,880
Speaker 1: THAT i love THAT i. Love it's also a way

592
00:33:46,920 --> 00:33:50,240
Speaker 1: to collect. Time one of the REASONS i like collecting

593
00:33:50,920 --> 00:33:54,959
Speaker 1: records is there they're like time, capsules you, know especially

594
00:33:55,000 --> 00:33:58,560
Speaker 1: when you open one up and you find someone has

595
00:33:59,040 --> 00:34:01,960
Speaker 1: stuck sort of like a a used record that you

596
00:34:02,000 --> 00:34:04,040
Speaker 1: find in someone stuff like a newspaper clipping in there or.

597
00:34:04,040 --> 00:34:05,680
Speaker 1: SOMETHING i don't, know but there's something about. It it's

598
00:34:05,680 --> 00:34:07,760
Speaker 1: like a time. Capsule AND i feel, like you, know

599
00:34:07,840 --> 00:34:11,760
Speaker 1: soundtracks like this sort of stamp these moments of time

600
00:34:12,239 --> 00:34:14,719
Speaker 1: in our lives that you go back. To and the

601
00:34:14,760 --> 00:34:17,600
Speaker 1: movies certainly do that for you as, well but the

602
00:34:17,640 --> 00:34:19,960
Speaker 1: soundtracks really do. Too so eight oh THREE i agree with.

603
00:34:20,000 --> 00:34:24,040
Speaker 1: You there another message on this. Subject let's. See this

604
00:34:24,080 --> 00:34:27,239
Speaker 1: is an email From jason in the eight four or.

605
00:34:27,320 --> 00:34:30,560
Speaker 1: Five jason said to me the greatest soundtracks are a

606
00:34:30,600 --> 00:34:34,560
Speaker 1: tie BETWEEN A touch Of evil and A Clockwork, orange

607
00:34:35,440 --> 00:34:39,000
Speaker 1: and then he, Writes, fargo sorry. CHEATING i don't know

608
00:34:39,000 --> 00:34:41,480
Speaker 1: why that's, Cheating. JASON i don't think you're cheating at.

609
00:34:41,520 --> 00:34:44,600
Speaker 1: All touch Of evil Was Henry, Mancini so you're talking

610
00:34:44,640 --> 00:34:47,880
Speaker 1: about scores. Here touch Of evil, is of, Course Orson

611
00:34:47,920 --> 00:34:54,320
Speaker 1: wells's incredible film noir film With Charlton heston And Janet

612
00:34:54,400 --> 00:34:58,239
Speaker 1: lee And Henry mancini score and Then Clockwork orange is

613
00:34:58,280 --> 00:35:01,400
Speaker 1: Another Wendy carlos score who also did The shining WHO

614
00:35:01,440 --> 00:35:03,200
Speaker 1: i was talking. About both of those Are kubrick. Films

615
00:35:03,440 --> 00:35:07,480
Speaker 1: Thanks jason for shouting out some scored soundtracks. Here i've

616
00:35:07,480 --> 00:35:10,399
Speaker 1: got a text here from the three to one zero

617
00:35:11,040 --> 00:35:14,040
Speaker 1: that hits on this. Subject and also last week in

618
00:35:14,160 --> 00:35:17,480
Speaker 1: the Screening room we Covered Vertigo haws thatth really enjoyed

619
00:35:17,480 --> 00:35:20,640
Speaker 1: the episode About hitchcock and your observations About. Vertigo my

620
00:35:20,800 --> 00:35:24,000
Speaker 1: Favorite hitchcock Film my favorite movie soundtrack is from the

621
00:35:24,040 --> 00:35:28,880
Speaker 1: nineteen ninety Six Bernardo bertolucci Film Stealing. Beauty it's a

622
00:35:28,880 --> 00:35:31,719
Speaker 1: great coming of age romance set in The tuscan countryside

623
00:35:31,719 --> 00:35:35,120
Speaker 1: in which Liv tyler makes her film. Debut the soundtrack

624
00:35:35,200 --> 00:35:38,520
Speaker 1: is very eclectic and Includes Glory box By portashead as

625
00:35:38,520 --> 00:35:40,759
Speaker 1: well As John Lee Hooker's Annie may and a great

626
00:35:40,880 --> 00:35:43,880
Speaker 1: version Of My Baby Just cares For me By Nina.

627
00:35:44,080 --> 00:35:47,360
Speaker 1: Simone check it out if you're not, Familiar Gail, GAIL

628
00:35:47,400 --> 00:35:50,400
Speaker 1: i am not familiar with this. SOUNDTRACK i actually have

629
00:35:50,440 --> 00:35:52,040
Speaker 1: not seen this film. EITHER i know about, it BUT

630
00:35:52,080 --> 00:35:55,200
Speaker 1: i haven't seen. It but you are speaking my. Language

631
00:35:55,239 --> 00:36:00,200
Speaker 1: portishead the best. MAN i love love Love, portishead those

632
00:36:00,239 --> 00:36:04,720
Speaker 1: first two, records especially especially their first, record so, Special Johnny,

633
00:36:04,719 --> 00:36:07,839
Speaker 1: Hooker Nina. SIMONE i, mean say no, more this is

634
00:36:07,880 --> 00:36:09,239
Speaker 1: this is. GREAT i got to check out what else

635
00:36:09,280 --> 00:36:12,719
Speaker 1: is on, This so thank You gail for shouting that. Out,

636
00:36:12,840 --> 00:36:14,959
Speaker 1: matt you know, what before we, uh before we wrap

637
00:36:15,000 --> 00:36:17,400
Speaker 1: this up, here there's one more VOICEMAIL i want to

638
00:36:17,400 --> 00:36:20,640
Speaker 1: play speaking Of, vertigo and this is going to tie

639
00:36:20,680 --> 00:36:24,080
Speaker 1: into uh things that are that are relevant to our interest.

640
00:36:24,160 --> 00:36:27,560
Speaker 1: Here so can you play this voicemail from the five

641
00:36:27,600 --> 00:36:27,759
Speaker 1: to one?

642
00:36:27,880 --> 00:36:31,680
Speaker 4: Three, Hey, zef this is A curtis from the five one.

643
00:36:31,760 --> 00:36:36,920
Speaker 4: Three you're talking about seeing. Herdigo what's funny is is

644
00:36:36,960 --> 00:36:41,520
Speaker 4: that for the last couple of, times as you mentioned a,

645
00:36:41,600 --> 00:36:44,880
Speaker 4: film the old, film it's been On.

646
00:36:45,360 --> 00:36:48,600
Speaker 6: Turner classic movies like that. Week so maybe you've got

647
00:36:48,640 --> 00:36:51,840
Speaker 6: a listener who was a producer AT. Gcm but the

648
00:36:51,920 --> 00:36:55,080
Speaker 6: other thing is is THAT i KNEW i Saw vertigo

649
00:36:55,120 --> 00:36:57,000
Speaker 6: a long time, ago BUT i couldn't remember.

650
00:36:57,040 --> 00:37:02,560
Speaker 4: It BUT i remember that BEFORE i Saw, VERTIGO i

651
00:37:02,600 --> 00:37:08,440
Speaker 4: saw Mel Brooks's High, anxiety and SO i had to

652
00:37:08,520 --> 00:37:12,440
Speaker 4: laugh about. THAT i Watched vertigo all over again, yesterday

653
00:37:12,880 --> 00:37:15,640
Speaker 4: and it brought back a lot of memories from the

654
00:37:15,640 --> 00:37:18,440
Speaker 4: first TIME i saw, it and especially the colors and

655
00:37:18,480 --> 00:37:18,759
Speaker 4: how they.

656
00:37:18,800 --> 00:37:21,520
Speaker 3: Pop that was a wicked, story, man it was a wicked.

657
00:37:21,600 --> 00:37:24,680
Speaker 4: STORY i thought it could have ended. DIFFERENT i thought

658
00:37:24,680 --> 00:37:25,160
Speaker 4: it could.

659
00:37:24,960 --> 00:37:29,839
Speaker 6: Have ended where she threw him over the you, know up.

660
00:37:29,760 --> 00:37:31,960
Speaker 4: In the bell tower and. EVERYTHING i think got a,

661
00:37:32,040 --> 00:37:35,520
Speaker 4: man got a bit for. Shit but keep doing what you're, doing,

662
00:37:35,560 --> 00:37:38,439
Speaker 4: man love your fucking podcast and keep.

663
00:37:38,480 --> 00:37:42,719
Speaker 1: On, Curtis hell, Yeah vertigo And hell yeah Mel Brooks High.

664
00:37:42,719 --> 00:37:45,719
Speaker 1: Anxiety for those of you who don't, know Mel brooks

665
00:37:45,719 --> 00:37:48,279
Speaker 1: made this Film High anxiety in the late. Seventies it's

666
00:37:48,320 --> 00:37:52,120
Speaker 1: His hitchcock spoof or His hitchcock. Parody Blazing saddles And

667
00:37:52,160 --> 00:37:54,279
Speaker 1: Young frankenstein get a lot of the love from mel

668
00:37:54,280 --> 00:37:57,440
Speaker 1: brooks output in the nineteen, seventies and rightly. So But

669
00:37:57,600 --> 00:38:01,200
Speaker 1: High anxiety is totally, awesome so, funny especially if you're

670
00:38:01,200 --> 00:38:04,880
Speaker 1: A hitchcock. Fan, CURTIS i swear To, God i'm not

671
00:38:05,040 --> 00:38:09,680
Speaker 1: being controlled by the deep pockets AT, tcm Although jake

672
00:38:09,680 --> 00:38:12,760
Speaker 1: AND i have threatened to go on THAT tcm cruise. Before,

673
00:38:13,160 --> 00:38:14,560
Speaker 1: jake what's, Up why don't we doing. That by the,

674
00:38:14,560 --> 00:38:17,640
Speaker 1: way it's just a, coincidence. Man THOUGH i will say

675
00:38:17,640 --> 00:38:21,040
Speaker 1: THAT tcm has a killer slate of programming on any given.

676
00:38:21,120 --> 00:38:24,600
Speaker 1: Day BUT i love your take on How vertigo could have.

677
00:38:24,840 --> 00:38:27,960
Speaker 1: ENDED i think its ending is very of its, time

678
00:38:28,040 --> 00:38:31,279
Speaker 1: and a revisionist take on that would be. Great like you,

679
00:38:31,320 --> 00:38:34,799
Speaker 1: Know scotty conquers his, fear finally he gets to the

680
00:38:34,800 --> 00:38:37,640
Speaker 1: top of that bell tower and then she throws him. Off.

681
00:38:38,640 --> 00:38:40,399
Speaker 1: Damn that would be a. Twist that would be. Great

682
00:38:40,520 --> 00:38:43,560
Speaker 1: so here's the, Thing, curtis you have inspired next week's

683
00:38:43,680 --> 00:38:47,400
Speaker 1: question of The, week which is as, follows what movie

684
00:38:47,520 --> 00:38:53,479
Speaker 1: ending would you? Change what movie is perfect until it's.

685
00:38:53,600 --> 00:38:55,600
Speaker 1: Ending and by the, Way, Curtis i'm not saying that

686
00:38:55,600 --> 00:38:58,480
Speaker 1: you Think vertigo needs a different, ending but your call

687
00:38:58,520 --> 00:39:01,160
Speaker 1: just made me think about this in. General so, guys

688
00:39:01,280 --> 00:39:03,880
Speaker 1: let me know what movie ending would you change and

689
00:39:03,920 --> 00:39:07,000
Speaker 1: thus make the movie even? Better call or text me

690
00:39:07,520 --> 00:39:11,120
Speaker 1: six one seven nine oh six six six three, eight

691
00:39:11,680 --> 00:39:13,880
Speaker 1: leave me a, voicemail send me a. Text you can

692
00:39:13,920 --> 00:39:17,759
Speaker 1: also email Me disgrace lampod at gmail dot, com hit

693
00:39:17,800 --> 00:39:20,680
Speaker 1: me up on the socials at disgrace Lam, pod or

694
00:39:21,200 --> 00:39:23,480
Speaker 1: if you're a member Of disgraceland all access over In.

695
00:39:23,520 --> 00:39:26,479
Speaker 1: Patreon leave me message in the. Chat and while you're doing,

696
00:39:26,520 --> 00:39:28,839
Speaker 1: That i'm going to take a quick. Break so hang.

697
00:39:29,040 --> 00:39:42,240
Speaker 1: Tight all, right, gang it's time for the recommendations section

698
00:39:42,520 --> 00:39:45,320
Speaker 1: of The Rap. Party this is WHEN i talk about

699
00:39:45,600 --> 00:39:49,120
Speaker 1: What i've been listening, to watching reading for the last

700
00:39:49,160 --> 00:39:51,160
Speaker 1: week or. So first THING i want to tell you

701
00:39:51,200 --> 00:39:54,520
Speaker 1: guys about is, uh it's a cool dab. Moment SO

702
00:39:54,960 --> 00:39:57,200
Speaker 1: i was WATCHING tv the other. Night it was a school.

703
00:39:57,280 --> 00:40:01,440
Speaker 1: Night we had just Watched jeffer and we were flipping

704
00:40:01,480 --> 00:40:05,600
Speaker 1: around And psycho comes, on and yes it was ON,

705
00:40:05,719 --> 00:40:08,239
Speaker 1: Tcm and don't come at me with THE tcm conspiracy, theories,

706
00:40:08,320 --> 00:40:10,839
Speaker 1: right it's not a. Thing i'm not getting paid off

707
00:40:10,840 --> 00:40:15,080
Speaker 1: by big turning classic. Movies, anyways we Hit psycho and

708
00:40:15,200 --> 00:40:17,719
Speaker 1: it's like fifteen to twenty minutes into the, movie so

709
00:40:18,120 --> 00:40:21,280
Speaker 1: you Know mary And crane character, gantly she's already fled

710
00:40:21,320 --> 00:40:23,319
Speaker 1: with the, money and we hit it at the scene

711
00:40:23,320 --> 00:40:26,120
Speaker 1: where she's trading her car for a different car at the.

712
00:40:26,120 --> 00:40:29,759
Speaker 1: Dealership my kids went to. Bed it was, LIKE i don't,

713
00:40:29,760 --> 00:40:33,640
Speaker 1: know it was like eight thirty or fifteen. Whatever it

714
00:40:33,680 --> 00:40:36,600
Speaker 1: was my oldest, daughter my oldest doughter is gonna Be

715
00:40:36,600 --> 00:40:39,880
Speaker 1: she's me seventeen in a couple of, weeks which blows my.

716
00:40:39,920 --> 00:40:42,479
Speaker 1: Mind but that's a whole other. Story she was sitting

717
00:40:42,480 --> 00:40:44,799
Speaker 1: there watching it with. Me she got really into, It

718
00:40:45,239 --> 00:40:47,240
Speaker 1: like she's watching it even though she missed the. Beginning

719
00:40:47,280 --> 00:40:50,319
Speaker 1: she's watching it and she's not on her, phone which is,

720
00:40:50,560 --> 00:40:52,359
Speaker 1: Like i've said this before And i'll say it, again

721
00:40:52,440 --> 00:40:56,000
Speaker 1: like you know when your kids are really into, something

722
00:40:56,000 --> 00:41:00,279
Speaker 1: when they completely forget about their mobile. Devices so she's

723
00:41:00,280 --> 00:41:02,000
Speaker 1: got her phone down and she's really into. IT i

724
00:41:02,000 --> 00:41:04,840
Speaker 1: could tell she's into. It and at some POINT i paused.

725
00:41:04,840 --> 00:41:07,360
Speaker 1: It she can see on the pause. Thing she's, like,

726
00:41:07,360 --> 00:41:09,160
Speaker 1: oh there's still an hour, left like and it was

727
00:41:09,200 --> 00:41:11,200
Speaker 1: a school, night you, know it was like nine. O'clock

728
00:41:11,280 --> 00:41:13,000
Speaker 1: she was, like, Well i'm going to hang out till

729
00:41:13,000 --> 00:41:15,520
Speaker 1: like nine thirty and watch a little bit more of.

730
00:41:15,520 --> 00:41:18,600
Speaker 1: This so we're watching. It she's still off her, phone

731
00:41:18,640 --> 00:41:22,439
Speaker 1: still totally into. It she was fun watching it through

732
00:41:22,480 --> 00:41:26,239
Speaker 1: her eyes because she's trying to piece together what's. Happening she's, like,

733
00:41:26,320 --> 00:41:28,600
Speaker 1: oh is he is he going to do? This is

734
00:41:28,600 --> 00:41:31,319
Speaker 1: he going to do? That is his? Mother and it

735
00:41:31,400 --> 00:41:34,000
Speaker 1: was just, Great like she was so baffled about what,

736
00:41:34,160 --> 00:41:37,719
Speaker 1: like did not pick up on what was going. On

737
00:41:38,640 --> 00:41:42,480
Speaker 1: so we get to nine thirty and she's, like she's,

738
00:41:42,520 --> 00:41:44,400
Speaker 1: Like i'm so into, THIS i can't. Stop so she

739
00:41:44,480 --> 00:41:47,239
Speaker 1: stayed up until ten and finished the movie with, me

740
00:41:47,760 --> 00:41:51,799
Speaker 1: and she loved. It she loved the. Ending she agreed with.

741
00:41:51,840 --> 00:41:53,560
Speaker 1: Me we talked about it. Briefly at the. END i

742
00:41:54,200 --> 00:41:56,200
Speaker 1: gave her my opinion THAT i didn't think they needed

743
00:41:56,239 --> 00:42:00,560
Speaker 1: to explain Why Norman bates was the way he. Was

744
00:42:00,600 --> 00:42:02,239
Speaker 1: it's kind of better if it's just, like you, know

745
00:42:02,400 --> 00:42:05,319
Speaker 1: the guy's off his nut or. Whatever but she loved,

746
00:42:05,320 --> 00:42:06,759
Speaker 1: it and she was, like HAVE i ever HAVE i

747
00:42:06,760 --> 00:42:08,920
Speaker 1: ever seen A hitchcock movie? Before AND i was, LIKE

748
00:42:08,960 --> 00:42:11,680
Speaker 1: i think you Saw Rear window with us before and

749
00:42:11,719 --> 00:42:14,480
Speaker 1: she was, like oh, yeah she's like remembering Seeing Rear.

750
00:42:14,520 --> 00:42:17,080
Speaker 1: Window but it was like this great. Moment and we

751
00:42:17,080 --> 00:42:19,080
Speaker 1: talked about it the next morning before school. Too it

752
00:42:19,120 --> 00:42:21,920
Speaker 1: was just a it's an incredible. MOMENT i, mean she's almost.

753
00:42:21,920 --> 00:42:24,760
Speaker 1: Seventeen this is a black and white movie from nineteen.

754
00:42:24,840 --> 00:42:28,840
Speaker 1: Sixty going back to my conversation About hitchcock last, WEEK i,

755
00:42:28,840 --> 00:42:31,640
Speaker 1: mean the guy just was so good at making a

756
00:42:31,680 --> 00:42:35,600
Speaker 1: movie that here we, are you, know sixty plus years,

757
00:42:35,680 --> 00:42:39,720
Speaker 1: later and it's still holding the attention of a generation

758
00:42:39,840 --> 00:42:43,080
Speaker 1: that has a much much shorter attention. Span and never

759
00:42:43,120 --> 00:42:45,560
Speaker 1: mind that like half of this movie is, silent just

760
00:42:45,760 --> 00:42:49,120
Speaker 1: so little dialogue in so many stretches of the. Film

761
00:42:49,600 --> 00:42:51,600
Speaker 1: so that was a really, cool LIKE i, Said dad

762
00:42:51,680 --> 00:42:55,200
Speaker 1: moment for. Me And i'm already thinking about Which hitchcock

763
00:42:55,239 --> 00:42:57,839
Speaker 1: Movie i'm going to try to show her next now

764
00:42:57,840 --> 00:43:01,160
Speaker 1: that she's on board The hitchcock train. Here but what's

765
00:43:01,239 --> 00:43:04,160
Speaker 1: also really cool about The hitchcock thing is That i'm

766
00:43:04,200 --> 00:43:07,480
Speaker 1: still reading that huge biography On Stanley KUBRICK i mentioned last,

767
00:43:07,480 --> 00:43:10,439
Speaker 1: week AND i was reading through the section about him

768
00:43:10,440 --> 00:43:14,280
Speaker 1: making his adaptation Of. Lolita it was talking the book

769
00:43:14,320 --> 00:43:16,680
Speaker 1: was talking about The Hayes code and how the code

770
00:43:16,719 --> 00:43:19,400
Speaker 1: was unraveling as the fifties gave way to the, sixties

771
00:43:20,000 --> 00:43:22,839
Speaker 1: and it calls Out psycho for being such a huge

772
00:43:22,880 --> 00:43:26,120
Speaker 1: moment in, film not only because of its, violence but

773
00:43:26,160 --> 00:43:29,279
Speaker 1: also because it's depiction of, Sex, like you, know don't

774
00:43:29,280 --> 00:43:32,040
Speaker 1: forget how shocking it was to See Jane lee in

775
00:43:32,120 --> 00:43:35,239
Speaker 1: her bra in that opening. Scene and then of COURSE

776
00:43:35,280 --> 00:43:37,160
Speaker 1: i knew this About. PSYCHO i knew that it was

777
00:43:37,160 --> 00:43:39,760
Speaker 1: like pushing boundaries at a time when the code was falling.

778
00:43:39,800 --> 00:43:42,960
Speaker 1: Apart but WHAT i did not know was that it

779
00:43:43,000 --> 00:43:46,400
Speaker 1: was the first film to ever show a toilet. Bowl

780
00:43:47,360 --> 00:43:50,240
Speaker 1: can you believe that there's that scene in the motel

781
00:43:50,320 --> 00:43:53,040
Speaker 1: room when she rips up the note that has to

782
00:43:53,080 --> 00:43:54,840
Speaker 1: do with the money and she flushes it down the,

783
00:43:54,840 --> 00:43:56,400
Speaker 1: toilet or she thinks she flushes it all down the.

784
00:43:56,440 --> 00:44:00,720
Speaker 1: Toilet that was the first time a toilet bowl nineteen

785
00:44:00,800 --> 00:44:05,440
Speaker 1: sixty have been shown in a movie because of The hayes. Code.

786
00:44:05,719 --> 00:44:09,840
Speaker 1: Unbelievable the MORE i read This kubrick, book by the,

787
00:44:09,840 --> 00:44:13,440
Speaker 1: way the more fascinating it. Becomes i'm at The Doctor

788
00:44:13,520 --> 00:44:16,960
Speaker 1: strangelove era, now So i'm almost halfway through the. Book

789
00:44:17,760 --> 00:44:20,600
Speaker 1: but it's wild to find out that While kubrick was

790
00:44:20,600 --> 00:44:23,319
Speaker 1: a struggling filmmaker early on with a wife and a young,

791
00:44:23,400 --> 00:44:27,480
Speaker 1: family that he would play chess or poker for, hours

792
00:44:27,640 --> 00:44:30,360
Speaker 1: hours and hours and hours of chess and poker to

793
00:44:30,480 --> 00:44:34,120
Speaker 1: make money and to make ends, meet because he certainly

794
00:44:34,160 --> 00:44:36,640
Speaker 1: was not making money from his movies for quite some.

795
00:44:36,800 --> 00:44:41,000
Speaker 1: Time and then also through a relationship he made with

796
00:44:41,080 --> 00:44:43,439
Speaker 1: one of the guys that he regularly played chess with

797
00:44:44,200 --> 00:44:47,600
Speaker 1: this person was apparently a person of interest for THE,

798
00:44:47,680 --> 00:44:51,160
Speaker 1: fbi and so THE fbi opened a file On kubrick

799
00:44:51,520 --> 00:44:54,560
Speaker 1: around nineteen sixty due to his association with this. GUY

800
00:44:55,040 --> 00:44:56,759
Speaker 1: i don't know who this guy. WAS i don't know

801
00:44:56,800 --> 00:44:58,480
Speaker 1: If i'd do some digging around IF i can figure it.

802
00:44:58,520 --> 00:45:02,760
Speaker 1: Out but it's all very very, fascinating very. Intriguing also

803
00:45:03,040 --> 00:45:06,719
Speaker 1: this past WEEKEND i Saw. Anaconda this is that new

804
00:45:06,840 --> 00:45:10,360
Speaker 1: meta version of that Ice cube j low quote unquote

805
00:45:10,400 --> 00:45:12,560
Speaker 1: horror film about the giant snake from back in the.

806
00:45:12,680 --> 00:45:15,959
Speaker 1: Nineties is that when that came, Out. Anaconda this one

807
00:45:16,280 --> 00:45:18,960
Speaker 1: is With Jack black And Paul, rudd and it's like

808
00:45:19,040 --> 00:45:23,279
Speaker 1: meta in, that like these guys decide to go make

809
00:45:23,320 --> 00:45:26,000
Speaker 1: their own updated version of the Movie. Anaconda they go

810
00:45:26,080 --> 00:45:28,040
Speaker 1: to the jungle to do this or. Whatever it's. Comedy

811
00:45:28,480 --> 00:45:32,000
Speaker 1: it was not, great, okay by any, stretch which is

812
00:45:32,000 --> 00:45:34,480
Speaker 1: too bad BECAUSE i Love Jack black AND i Love Paul. Rudd,

813
00:45:34,719 --> 00:45:38,560
Speaker 1: however it featured a five star performance by Steves. On

814
00:45:39,440 --> 00:45:42,560
Speaker 1: Steves on just killing it in this movie as the

815
00:45:42,560 --> 00:45:45,360
Speaker 1: straight man who isn't trying to be, funny but he's so.

816
00:45:45,520 --> 00:45:48,400
Speaker 1: FUNNY i feel like Steves on hasn't been making the

817
00:45:48,400 --> 00:45:50,719
Speaker 1: greatest choices, lately or maybe he hasn't been getting the best,

818
00:45:50,760 --> 00:45:52,920
Speaker 1: offers but or Maybe i've just missed the stuff that

819
00:45:52,920 --> 00:45:55,480
Speaker 1: he's been. In But i've always loved, him and it's

820
00:45:55,520 --> 00:45:57,719
Speaker 1: great to see him just totally killing it in this.

821
00:45:57,840 --> 00:46:01,520
Speaker 1: Movie you, know the final third of the movie gets

822
00:46:01,520 --> 00:46:04,200
Speaker 1: to WHERE i wanted the whole movie to be from the.

823
00:46:04,239 --> 00:46:08,279
Speaker 1: Start it gets. It it finally hits this level of

824
00:46:08,400 --> 00:46:11,560
Speaker 1: absurdity and just stays there for the last. Third BUT

825
00:46:11,600 --> 00:46:13,400
Speaker 1: i wish the whole thing had bit as absurd as

826
00:46:13,440 --> 00:46:15,759
Speaker 1: the last the last third, was so it's not really

827
00:46:15,760 --> 00:46:18,359
Speaker 1: worth getting into at length. Here that, said you could

828
00:46:18,360 --> 00:46:21,200
Speaker 1: do a lot worse for randomly putting on something on

829
00:46:21,239 --> 00:46:23,600
Speaker 1: some night when you're looking for something mindless to. Watch

830
00:46:24,120 --> 00:46:25,520
Speaker 1: one other THING i want to tell you guys about

831
00:46:25,640 --> 00:46:29,959
Speaker 1: is this New Jimmy hendrix box, set the expanded box

832
00:46:29,960 --> 00:46:33,600
Speaker 1: set expanded version of his Album bold As. Love this

833
00:46:33,680 --> 00:46:38,000
Speaker 1: is the Second Jimmy Hendrix experience, album Probably pound For

834
00:46:38,120 --> 00:46:42,799
Speaker 1: pounds my Favorite Jimmy experience. ALBUM i THINK i could

835
00:46:42,840 --> 00:46:46,000
Speaker 1: make the case For Electric Lady land as, well but you, know,

836
00:46:46,120 --> 00:46:48,000
Speaker 1: again you're kind of cheating there because it's a double.

837
00:46:48,000 --> 00:46:51,399
Speaker 1: Album But bold Is love is just it. RULES i love.

838
00:46:51,440 --> 00:46:54,120
Speaker 1: It the title track in particular has always been a

839
00:46:54,120 --> 00:46:58,160
Speaker 1: favorite of. Mine it features my favorite guitar solo of all.

840
00:46:58,239 --> 00:47:01,800
Speaker 1: Time the solo is so lyrical and, melodic and it

841
00:47:02,239 --> 00:47:04,600
Speaker 1: takes the song's melody and just sends it into the,

842
00:47:04,600 --> 00:47:07,759
Speaker 1: stratosphere and it almost seems magical the way that the

843
00:47:07,800 --> 00:47:11,240
Speaker 1: whole thing plays. Out you, know it's obviously this magical

844
00:47:11,320 --> 00:47:14,560
Speaker 1: take or numerous takes in the, studio but the way

845
00:47:14,560 --> 00:47:17,040
Speaker 1: that the song, evolves and it does so in a

846
00:47:17,120 --> 00:47:19,960
Speaker 1: very compact short amount of, time it's JUST i love,

847
00:47:20,000 --> 00:47:23,439
Speaker 1: it just WHAT i love about. Music, obviously those three

848
00:47:23,440 --> 00:47:26,400
Speaker 1: guys The Jimmy hendricks experience were onto something truly special

849
00:47:26,880 --> 00:47:28,920
Speaker 1: for a few short. Years BUT i was reminded of

850
00:47:29,080 --> 00:47:31,240
Speaker 1: my Friend. Carl matt AND i have a Friend carl

851
00:47:31,640 --> 00:47:33,360
Speaker 1: who we used to make music, with and he used to,

852
00:47:33,360 --> 00:47:35,440
Speaker 1: say like he used to be, like, MAN i really

853
00:47:35,480 --> 00:47:37,920
Speaker 1: want to know where that solo goes when the song fades.

854
00:47:37,920 --> 00:47:40,880
Speaker 1: Out bold Is, love, right Because jimmy's like on fire

855
00:47:40,920 --> 00:47:42,799
Speaker 1: there at the end of the, song and then the

856
00:47:42,840 --> 00:47:45,200
Speaker 1: song fades, out and it's, like you, know you do

857
00:47:45,280 --> 00:47:47,799
Speaker 1: wonder how much longer was the? Take, like was did

858
00:47:47,840 --> 00:47:50,239
Speaker 1: he keep? Going was it? Good was it not? Good

859
00:47:50,280 --> 00:47:52,719
Speaker 1: like did they fade out just for time constraints or.

860
00:47:52,719 --> 00:47:56,960
Speaker 1: Whatever so this new box set that The Hendrix estate

861
00:47:57,040 --> 00:48:01,640
Speaker 1: released has a bunch of out from the, sessions and

862
00:48:01,719 --> 00:48:04,719
Speaker 1: it has an early take of the Song bold Is,

863
00:48:04,800 --> 00:48:08,520
Speaker 1: love which doesn't Answer carl's question exactly because it's not

864
00:48:09,719 --> 00:48:12,399
Speaker 1: the actual take from the, record just without the fade,

865
00:48:12,440 --> 00:48:15,440
Speaker 1: Out but it gives you this other perspective on the

866
00:48:15,480 --> 00:48:18,480
Speaker 1: tune because it's an instrumental version of the, song, right

867
00:48:18,920 --> 00:48:21,880
Speaker 1: all the chord changes haven't actually been figured out. Yet

868
00:48:22,080 --> 00:48:24,399
Speaker 1: While Noel writing And Mitch mitchell are like holding down

869
00:48:24,560 --> 00:48:27,600
Speaker 1: the fort, There jimmy's just like he's just like all

870
00:48:27,600 --> 00:48:30,200
Speaker 1: over the fret. Board he's like, experimenting trying things. Out

871
00:48:30,400 --> 00:48:32,560
Speaker 1: he's got a clean. Tone then he hits the fuzz

872
00:48:32,560 --> 00:48:35,480
Speaker 1: pedal at some. Time at one point you can Hear

873
00:48:35,560 --> 00:48:39,560
Speaker 1: jimmy like yelling in the, background like really feeling. It

874
00:48:39,560 --> 00:48:43,080
Speaker 1: it really rules and it's just so much. Fun if

875
00:48:43,080 --> 00:48:45,360
Speaker 1: you love this song as much AS i, do check this.

876
00:48:45,440 --> 00:48:47,960
Speaker 1: OUT i haven't dug into a ton of this box set,

877
00:48:48,280 --> 00:48:51,080
Speaker 1: yet but it does seem to have a lot of

878
00:48:51,120 --> 00:48:53,160
Speaker 1: takes like, this a lot of instrumental takes while they

879
00:48:53,160 --> 00:48:56,560
Speaker 1: were still working out the. Songs that's really really fun to.

880
00:48:56,640 --> 00:48:59,000
Speaker 1: Hear as a lot of some like studio banter as,

881
00:48:59,000 --> 00:49:01,319
Speaker 1: well which is always. Cool all, right now it is

882
00:49:01,760 --> 00:49:03,920
Speaker 1: yaw turn all. Right what have you been listening? To

883
00:49:04,160 --> 00:49:06,000
Speaker 1: what have you been? Watching what have you been? Reading

884
00:49:06,239 --> 00:49:08,319
Speaker 1: what should we all check? Out hit me up and

885
00:49:08,440 --> 00:49:12,560
Speaker 1: let me know six one seven nine oh six six

886
00:49:12,760 --> 00:49:16,239
Speaker 1: six three eight do. That and while you're doing, It

887
00:49:16,440 --> 00:49:18,840
Speaker 1: i'm gonna take one more quick. Break but don't nobody go.

888
00:49:18,960 --> 00:49:33,600
Speaker 1: Nowhere i'll be back in a. Flash all, right all

889
00:49:33,640 --> 00:49:36,839
Speaker 1: you cats and, Kittens thank, You thank, You thank you

890
00:49:37,040 --> 00:49:41,719
Speaker 1: as always for, listening for being, here for, calling, in, texting, emailing,

891
00:49:41,840 --> 00:49:45,359
Speaker 1: dming however you do. IT i love to hear from

892
00:49:45,400 --> 00:49:48,000
Speaker 1: you week to, week so keep it. UP i mentioned

893
00:49:48,040 --> 00:49:50,560
Speaker 1: earlier that we got some rad stuff in store for.

894
00:49:50,600 --> 00:49:53,640
Speaker 1: You it's all coming down the pike super, fast so

895
00:49:53,760 --> 00:49:55,680
Speaker 1: strap in and get. Ready we're about to shift up

896
00:49:55,719 --> 00:49:59,920
Speaker 1: a gear. Here and speaking again of this week's, theme movies,

897
00:50:00,040 --> 00:50:03,759
Speaker 1: soundtracks don't forget that if you love movie, soundtracks that's

898
00:50:03,760 --> 00:50:06,920
Speaker 1: basically What jake AND i do over in Our patreon

899
00:50:07,000 --> 00:50:11,440
Speaker 1: exclusive video, podcast this film should be played. Loud the

900
00:50:11,480 --> 00:50:14,520
Speaker 1: most recent episode was all about the soundtrack To The Big,

901
00:50:14,640 --> 00:50:17,480
Speaker 1: lebowski and the episode it's going to come out later

902
00:50:17,480 --> 00:50:20,239
Speaker 1: this month is all about the soundtrack To High. Fidelity

903
00:50:20,640 --> 00:50:22,600
Speaker 1: it's not all we talk, about but that's what the

904
00:50:22,640 --> 00:50:25,600
Speaker 1: show is built. Around you, know killer, soundtracks needle, drops

905
00:50:26,160 --> 00:50:29,399
Speaker 1: scores from our favorite FILMS i. Mentioned you can sign

906
00:50:29,520 --> 00:50:32,920
Speaker 1: up at disgracelampod dot. Com you can also go straight

907
00:50:32,960 --> 00:50:37,040
Speaker 1: to the, source straight To Patreon patreon dot com slash

908
00:50:37,080 --> 00:50:41,240
Speaker 1: disgraceland and that'll take you. There as the staple singers once.

909
00:50:41,440 --> 00:50:45,680
Speaker 1: Said as for next week's question of the, week remember

910
00:50:45,800 --> 00:50:50,640
Speaker 1: it is what movie ending would you? Change what movie

911
00:50:50,719 --> 00:50:54,400
Speaker 1: is nearly perfect except for that damn? Ending inquiring minds

912
00:50:54,480 --> 00:50:57,960
Speaker 1: want to know six one seven nine oh six six

913
00:50:58,120 --> 00:51:01,400
Speaker 1: six three. Eight lea mea voicemails me a, text disgrace

914
00:51:01,480 --> 00:51:04,279
Speaker 1: lampod at gmail dot, com hit me up in the

915
00:51:04,360 --> 00:51:08,279
Speaker 1: chat over in All Access, Patreon give me a, holler,

916
00:51:08,320 --> 00:51:10,919
Speaker 1: guys and PERHAPS i will play your voicemail or read

917
00:51:10,920 --> 00:51:14,680
Speaker 1: your message in next week's rap. Party with that, said

918
00:51:15,360 --> 00:51:18,759
Speaker 1: let's recap Now number. One first of all right now

919
00:51:18,800 --> 00:51:21,759
Speaker 1: in Your Hollywood land, feed our episode On Brandon. Lee

920
00:51:22,360 --> 00:51:24,920
Speaker 1: number two coming at you This. Friday we've got a

921
00:51:24,960 --> 00:51:27,280
Speaker 1: new episode of The Screening, room and it's all about

922
00:51:27,480 --> 00:51:30,760
Speaker 1: the nineteen ninety four Film The, crow directed By Alex

923
00:51:30,840 --> 00:51:35,040
Speaker 1: preuis and Starring Brandon, Lee Ernie, Hudson David, Patrick, kelly

924
00:51:35,080 --> 00:51:38,480
Speaker 1: and many. More number. Three next week On, monday we

925
00:51:38,560 --> 00:51:41,840
Speaker 1: begin Our superheroes in The supernatural month with a fully

926
00:51:41,880 --> 00:51:46,080
Speaker 1: scripted and sound design episode On George. Reeves number. Four

927
00:51:46,480 --> 00:51:49,880
Speaker 1: over in our sister Show, Disgraceland jake just dropped a

928
00:51:50,000 --> 00:51:53,080
Speaker 1: very special episode all about the artists we're going to

929
00:51:53,160 --> 00:51:56,120
Speaker 1: be covering in twenty twenty, six along with a peakback

930
00:51:56,239 --> 00:51:59,200
Speaker 1: how the show got, started where we're, going some listener

931
00:51:59,239 --> 00:52:03,000
Speaker 1: favorites and. More go over to The disgraceland feed to hear.

932
00:52:03,160 --> 00:52:07,879
Speaker 1: That and, now in honor of this week's, episode here's

933
00:52:07,880 --> 00:52:11,400
Speaker 1: What america was watching at the movies In march nineteen ninety,

934
00:52:11,440 --> 00:52:14,319
Speaker 1: three the month That Brandon lee was tragically shot and

935
00:52:14,400 --> 00:52:21,240
Speaker 1: killed while on the set Of The. Crow number One Falling,

936
00:52:21,280 --> 00:52:26,799
Speaker 1: down directed By Joel. Schumacher number Two Teenage, Mutant, Ninja

937
00:52:26,840 --> 00:52:31,200
Speaker 1: turtles three directed By Stuart Gillard gert. Says number three

938
00:52:31,320 --> 00:52:34,080
Speaker 1: S The Crying game By robert directed By Neil. Jordan

939
00:52:34,160 --> 00:52:38,160
Speaker 1: The Incredible Journey Number. Seve number Four Mark day directed

940
00:52:38,160 --> 00:52:42,360
Speaker 1: By errold rams, Six number five direct Olmore. Bound The

941
00:52:42,400 --> 00:52:46,080
Speaker 1: Incredible journey At Errold dave directed By Dwayne dunnoine over Two.

942
00:52:46,360 --> 00:52:52,080
Speaker 1: Alive number Six fire in The sky was directed By robert.

943
00:52:50,640 --> 00:52:55,960
Speaker 1: L number, Seven Quit talking And Start.

944
00:52:56,280 --> 00:52:56,720
Speaker 6: Mixing