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Speaker 1: I was spending time hanging out with cam Rupert Grint. Yes,

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Speaker 1: cam Rupert Grint, small small small, Here comes Haze and

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Speaker 1: Sean whoa, whoa. If you want to do so, you've

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Speaker 1: been like singing it a lot, Yeah, in private and

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Speaker 1: like yeah, uh like in places that I can hear.

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Speaker 1: What do you mean? Places that I can hear? What

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Speaker 1: the fuck does that mean? Just like around me? So

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Speaker 1: maybe you're doing it. Maybe you're doing it other.

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Speaker 2: Places, places that I can hear well, So like you

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Speaker 2: old you can hear a place you drive in, like

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Speaker 2: an ocean, places that I can hear. I'm just trying

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Speaker 2: to think of a location that makes a.

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Speaker 1: Sound, okay, like a rock music like club or like

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Speaker 1: almost any other place has like music playing that you

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Speaker 1: can hear it. That's not the point. My point is

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Speaker 1: you have been trying I know what that's the place

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Speaker 1: you make of course it does it as speakers. It's

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Speaker 1: like part of the place. It's part of the building.

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Speaker 3: The sound is part of the building.

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Speaker 2: When Hayes says, of course it does, he's just buying

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Speaker 2: time to come up with his stupid argument.

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Speaker 1: This is, this is my point. If you want to

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Speaker 1: do the song, what do you mean if you want

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Speaker 1: to sing it, like re record it, you can just

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Speaker 1: do that. You don't have to like prove to me

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Speaker 1: that you can sing it. I don't.

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Speaker 2: I like the song. It's a nice song. I'm like

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Speaker 2: singing along with it, enjoying myself. Can you not yuck

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Speaker 2: my yems today?

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Speaker 1: I'm not as we begin to encourage you not Yeah,

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Speaker 1: I'm actually encouraging You're you're encouraging me to have different gems. No,

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Speaker 1: I'm just encouraging you to do it because you don't

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Speaker 1: like it, and I'm straight forward way I actually I

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Speaker 1: think it's totally fine. Well I would have fooled.

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Speaker 4: I wouldn't say I don't want it, funny way showing

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Speaker 4: totally fine. Oh okay, well good then I will continue

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Speaker 4: enjoy the opportunity. If you want to record a version

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Speaker 4: of the song for us to do.

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Speaker 1: You can do that. I don't you just want to

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Speaker 1: sing over it?

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Speaker 2: You're you know, what you're doing is like you're projecting

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Speaker 2: apparently do.

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Speaker 1: You want to record a version of the song? I

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Speaker 1: mean you want to record it? Is that what this

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Speaker 1: is about? I hadn't thought of that. I would prefer

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Speaker 1: that you don't. But okay, so that's that that's the

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Speaker 1: opposite of what I say, I'm encouraging you to do it.

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Speaker 2: If you want, you're encouraging me to do it, so

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Speaker 2: that it feels weird if I say I don't want

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Speaker 2: you to because you're like, well, I would have been

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Speaker 2: cool with you doing it, and it's like, but I

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Speaker 2: don't want to do it.

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Speaker 1: You don't want me to either.

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Speaker 2: No, but it's a it's a it's like a weird

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Speaker 2: It's like, uh, I'm trying to think of a good

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Speaker 2: example of like what the reverse of this.

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Speaker 1: Would be.

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Speaker 2: Where I go like, okay, uh, it's basically okay, uh, heyes,

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Speaker 2: I would be okay with you sleeping with my wife,

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Speaker 2: and then you go, oh, I'm not interested in that,

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Speaker 2: and then I go okay, but could I do that?

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Speaker 1: Right?

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Speaker 2: But you go like, well no, I don't want that,

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Speaker 2: And then I'm like, oh, pretty rude.

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Speaker 1: I just said it was cool with me, right, But

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Speaker 1: I didn't bring it up. You brought up me being

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Speaker 1: able to sing the song. I didn't bring it up. Well, okay,

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Speaker 1: you said do you want to do it?

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Speaker 2: And I said, oh, because yeah, because I don't want

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Speaker 2: But it would have been the equival like bringing it

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Speaker 2: up all the time. Me, Brady, I'm down for a swap. Hey,

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Speaker 2: Just so you know, I'm down for a swap. Okay,

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Speaker 2: it's no skin off my nose. I guess if if Hey,

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Speaker 2: I'm cool with a swap.

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Speaker 1: If if I had been going around saying singing, uh

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Speaker 1: huh that I wanted to sleep with your wife, the fuck?

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Speaker 1: Did you just say it was a hypothetical, Hayes, I said,

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Speaker 1: if I used the word if that's the hypothetical, work

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Speaker 1: you swallowed it.

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Speaker 2: That was the quietest part, and then the disturbing part

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Speaker 2: was very loud.

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Speaker 1: That was breast. That was bread. Did you see what

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Speaker 1: bread for? That was the levels? Bread? Did the levels?

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Speaker 1: Are you manipulating the levels?

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Speaker 3: I'm not manipulating.

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Speaker 1: Breck and have us say whatever we want.

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Speaker 3: I can have it sound, you can.

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Speaker 1: Pick and choose what words are being said.

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Speaker 3: I can't exactly do that. Just so you know, you

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Speaker 3: can turn down you respect my craft that much, you.

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Speaker 1: Can turn my mic off.

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Speaker 3: That's true for some of them. I would want that.

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Speaker 1: Well. I hate that.

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Speaker 2: You know, we've we've gone into a very interesting discussion

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Speaker 2: with the one guest who visibly uncomfortable when we don't

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Speaker 2: introduce them right away. The guests, who I would say

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Speaker 2: is the most just like Jesus Christ when we're doing

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Speaker 2: our things, well, I.

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Speaker 5: Want to give people value. They come through the door,

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Speaker 5: they want as much of me as they can get.

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Speaker 1: That's true. We put the asses in the seats. Let's

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Speaker 1: get the fucking main show on stage. Exactly.

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Speaker 5: How many times have you seen an opening act and

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Speaker 5: you're just like, when does the headliner come in?

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Speaker 1: Fair? Fair enough? Okay, Well we've got him. And it's

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Speaker 1: Hollywood Handbook.

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Speaker 5: The Insider's Guide to Making.

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Speaker 1: Friends and having buddies, Doing deals and doing deals in

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Speaker 1: the red line, doing deals and spinning wheels.

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Speaker 5: Doing deals and spinning wheels in the red lined carpets

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Speaker 5: of the back show of the Show.

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Speaker 1: Tom, welcome back. Thank you for having me back to

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Speaker 1: the show. You look like you're in sort of an

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Speaker 1: upbeat phase, like your ascendant, your ship's coming in.

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Speaker 5: Uh, the ship came in and you were about to

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Speaker 5: get on board.

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Speaker 1: Oh wow, bitch, hey that we had some stuff that

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Speaker 1: we wanted to do today. One other things, throw it out, Brett.

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Speaker 1: We had some fun stuff about like Brett needs a

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Speaker 1: nickname for his band, and stuff like that, but like

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Speaker 1: then you said that you had a show that you

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Speaker 1: needed to do. Yeah, and so.

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Speaker 5: It's half show, half prospectus, like an audio perspectus.

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Speaker 1: Okay, it's a pitch deck. It's a pitch deck.

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Speaker 5: I've been workshopping some things, and I've been thinking about

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Speaker 5: the big pictures with things, and it's enough enough of

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Speaker 5: this small time podcast stuff.

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Speaker 1: Uh huh uh.

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Speaker 5: And I kept thinking of I kept coming back to, like,

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Speaker 5: how do you get the real money in this business?

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Speaker 1: In the podcast business. Yeah, in the show business, in

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Speaker 1: show business, so not podcast. Now you've brought Martha Kelly here,

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Speaker 1: I just wanted, like, I feel like I should mention that. Yeah,

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Speaker 1: I'm a little uncomfortable with the fact that you didn't

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Speaker 1: bring it up. Uh huh. Is it is welcome to

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Speaker 1: the show. Martha Kelly, although she is the one person

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Speaker 1: who is very comfortable not being introduced, probably would be

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Speaker 1: okay with us.

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Speaker 6: Never I would be totally fine with just sitting here

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Speaker 6: quietly for an hour with Bosh now.

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Speaker 1: But when Martha, when Tom brings Martha in, I was like, Okay,

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Speaker 1: this is a money play, Like we're.

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Speaker 5: Yeah, needed some needed some some star paler.

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Speaker 1: Yes, we're going for like cash.

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Speaker 6: I thought maybe he was doing it to prank you,

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Speaker 6: and that I wasn't in on the prank yet.

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Speaker 1: Well, let's wait and see it.

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Speaker 2: Let's find out what I thought when I said when

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Speaker 2: I saw you in the doorway, I said, this guy

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Speaker 2: finally sold out.

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Speaker 5: Hey man, they're buying. I'm selling.

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Speaker 1: That's what I'm learning.

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Speaker 5: You know enough of this DIY in thee Horseshit threw

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Speaker 5: half my life away trying to have cred.

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Speaker 1: Yeah, fuck that so punk rock damage.

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Speaker 5: I said to myself, Hollywood Handbook, it's it's it's a thing.

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Speaker 5: I'm a part of it. I am the third host of.

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Speaker 1: The show and maybe the first.

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Speaker 5: How can we monetize this thing to where it just

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Speaker 5: it's money goes, you know what I mean? Let's make

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Speaker 5: get so money baby. Yeah, and they don't and we

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Speaker 5: don't even know it. But now we do know, and

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Speaker 5: we would know it. That's the difference. We are so

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Speaker 5: money and now we know it.

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Speaker 1: Yeah, we finally know it. So I don't want you

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Speaker 1: to be the guy bye in the PG thirteen movie

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Speaker 1: that Everybody's Really Open is gonna make it.

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Speaker 2: I want you to be the guy in the rated

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Speaker 2: R movie you're a bad man, Tom Sharplin, You're a

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Speaker 2: bad bad man.

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Speaker 1: Thank you. I appreciate that. What's that from? I don't know? Okay,

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Speaker 1: crated r So I said to myself getting naked.

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Speaker 5: Who made the most money in this comedy biz going?

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Speaker 5: And I kept one word kept coming into my mind,

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Speaker 5: marijuana logs.

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Speaker 6: It is?

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Speaker 1: I think it is? Bring it in. I got something?

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Speaker 1: What is this? Bubble Gum could?

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Speaker 5: Now we're gonna tour. We're gonna tour Hollywood Handbook, And

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Speaker 5: I got script? I trance, I had the Triumpher comic transcribed.

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Speaker 5: It is in script form. Now here's your script?

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Speaker 1: Is this bubblegum could? Here's your script? Wow? This is

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Speaker 1: so many pages. It's not scripted in a traditional way.

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Speaker 5: No, well this is what happens when you order a

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Speaker 5: script from Fiver.

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Speaker 1: Okay, so you had this is really the entire episode.

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Speaker 5: The entire episode costs me sixty dollars for each script.

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Speaker 5: For each one, Well, Kevin is charging what's fiver?

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Speaker 3: I thought? No, I thought five was five dollars.

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Speaker 1: I thought that starts at five.

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Speaker 5: Even the ninety nine cents store, they sell things that

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Speaker 5: cost more than ninety nine cents at it right.

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Speaker 1: Oh man, right, Hey.

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Speaker 7: Hey guys, chef Kevin here, I'm just gonna jump in

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Speaker 7: Tom and say you got your money's worth great.

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Speaker 1: Thank you.

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Speaker 5: So, look, you can take it or leave it. This

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Speaker 5: is a business proposition, Sean. You don't have to do

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Speaker 5: two fucking things with this. You just say go and

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Speaker 5: then you don't know you're not even in it.

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Speaker 1: Oh okay, it seems like my name's in it a lot.

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Speaker 5: No, I'll be playing Sean on this. Okay, Martha will

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Speaker 5: play Hayes.

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Speaker 1: Sounds good. They spelled James gun with three ends.

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Speaker 5: Look it was sixty dollars.

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Speaker 1: Yeah, it was on the other side of the globe.

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Speaker 1: The person that did this. Oh wow, now that is

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Speaker 1: making me feel sick.

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Speaker 5: You can take it or leave it, you say, right now,

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Speaker 5: I'm out. Then wait, I shred these things and we

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Speaker 5: never do it.

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Speaker 1: Wait wait, wait, So it's it's a transcription of both

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Speaker 1: our commentary and the episode itself. Yeah, and the actual performance. Yeah,

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Speaker 1: but it's not. Oh, it does say clip pauses and

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Speaker 1: clip resumes. Okay, that's helpful.

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Speaker 5: Well, Kevin was supposed to organize this in script form

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Speaker 5: and he didn't do it.

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Speaker 2: Okay, I gotta say reading the text. Blose portion of

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Speaker 2: this it holds up.

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Speaker 7: I do want to say, Tom, I did spend six

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Speaker 7: hours editing this last night because the person obviously had

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Speaker 7: never heard of the podcasts, and my page two got

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Speaker 7: everything wrong. Sure, so the time I would have spent

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Speaker 7: scripting it, I spent writing.

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Speaker 5: It, and you couldn't. You couldn't download final draft.

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Speaker 7: I do have final draft, but I was just so

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Speaker 7: perplexed by it's.

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Speaker 5: A cutting paste, the errors. It's a cutt and paste,

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Speaker 5: and you have to do a couple spacing issues and

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Speaker 5: it would be perfectly formatted. But it's a word document. Now, well,

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Speaker 5: you always do things off word documents. That's fine.

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Speaker 1: The double sided printing is also very disoriented.

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Speaker 5: Okay, that's penny wise, Kevin. The double side printing.

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Speaker 1: Hace makes waste.

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Speaker 2: Kevin, you saved a little bit of time not reformatting

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Speaker 2: for final draft, but now you're wasting the time of

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Speaker 2: all these big money players.

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Speaker 5: Foolish, poundfulish. Thank you, thank you, Brett.

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Speaker 1: Okay, so you are going to read this with Martha.

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Speaker 5: Martha you you want to play Hayes, I'll play Sean.

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Speaker 8: Yeah.

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Speaker 6: I would love to have a question. I should have

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Speaker 6: asked you before to ask Tom, so if you, if

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Speaker 6: Sean and Hayes approve of this and give us the license.

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Speaker 6: Is the idea that you and I tour and we

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Speaker 6: perform this live.

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Speaker 2: Yeah, and I love it, but not just you guys, right,

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Speaker 2: you would license it.

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Speaker 5: You go to a different city and it's Chris Gethard

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Speaker 5: is playing Hayes, and uh, Samuel French and Joe Firestone

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Speaker 5: is Sean and that's New York. And then you go

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Speaker 5: down to the by you and it's a gambit Wendell

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Speaker 5: Pearce Wendel pears and we could just have this running.

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Speaker 5: It'd be like your mom and Mia, your your marijuana logs.

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Speaker 5: The checks will just show up.

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Speaker 1: What happens in the marijuana logs.

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Speaker 5: I didn't see it. I just think they talked about marijuana.

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Speaker 1: Bubblegum, cush. Okay, oh boy, all right, I can hear

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Speaker 1: a little bit of this. Do you want to start

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Speaker 1: at the beginning? Yes? All right? So I don't just

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Speaker 1: watch you do it?

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Speaker 5: Give notes please on performance?

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Speaker 1: Okay? All right, where do I start?

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Speaker 6: I listened to it again last night for I think

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Speaker 6: the fourth time, and I loved it. It's going to

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Speaker 6: be great. This episode that you guys did. I'm not

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Speaker 6: saying I'm going to be great playing you Hayes, but

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Speaker 6: certainly the material is strong.

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Speaker 1: And this is how marthas sale. And so now I'm

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Speaker 1: having the experience of being on the other end of

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Speaker 1: a Martha pitch. I'm getting greased and I know I am,

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Speaker 1: but I don't care, you know, because.

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Speaker 6: That's how good I am.

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Speaker 1: Yeah.

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Speaker 2: Yeah, yeah, I'm being handled and I can feel it,

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Speaker 2: but I'm being handled with care and I appreciate it.

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Speaker 3: Okay, Just to be clear, I have no part in this, right.

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Speaker 1: No, you're gonna play Kevin, Okay, yeah, Kevin is that's right? Kevin?

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Speaker 6: Isn't this who's playing? Sorry, who's playing mosh But you

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Speaker 6: said Moshie and then.

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Speaker 1: You're in character already. Who couldn't remember dude's name?

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Speaker 6: I can't wait, all right, okay, sorry method acting.

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Speaker 1: Okay, here we go. I will be sean. Someone should

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Speaker 1: play the intro song, okay, because it talks about playing

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Speaker 1: the song and then it'll be like an immersive experience.

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Speaker 1: I don't know why I'm doing this. I've totally given

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Speaker 1: up control of the show, but I guess quality is

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Speaker 1: still important to me.

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Speaker 5: Yeah, you care and we need your notes on this.

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Speaker 1: Okay.

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Speaker 5: So I guess if I say, if I start play

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Speaker 5: the song, yeah, play the song.

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Speaker 6: Okay, okay, keep playing the songs. We have so much

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Speaker 6: to do. We're just gonna start during the songs.

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Speaker 1: Okay. And what page is that? Okay, that's the you

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Speaker 1: put this whole thing together? This is like, here we go.

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Speaker 5: Okay, I got you. Seriously, what page is it?

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Speaker 1: It's the first he's gotten them all mixed up. You've

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Speaker 1: just been like fumbling mix my page with the pages.

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Speaker 1: I don't think so, yeah, you got it. Okay, here

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Speaker 1: we go.

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Speaker 5: So I say say that again, Martha, you got to

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Speaker 5: start the song again.

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Speaker 1: Oh my god, this is huge. I think I might

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Speaker 1: have to recast you. Martha. This is you're the one.

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Speaker 6: I blew it.

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Speaker 1: No, that's my script. Why do I even have a script?

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Speaker 6: Okay, okay, keep playing the song. We have so much

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Speaker 6: to do. We're just going to start during the song.

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Speaker 1: Okay. Where am I Tom? I'm serious? Where am I?

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Speaker 6: Well, it's.

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Speaker 1: On the other side, yes, on the other side of.

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Speaker 6: It.

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Speaker 1: We're starting out again.

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Speaker 5: I'll do this. It was me, it was Hayes, it

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Speaker 5: was Kevin and we were about.

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Speaker 1: And so the read on i'll do this already is

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Speaker 1: completely wrong. It's not i'll do this, it's i'll do this, right,

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Speaker 1: that's how you said it.

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Speaker 2: I don't know i'll do that. You said it's too confident.

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Speaker 2: I mean, yeah, you.

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Speaker 1: Said i'll do I said we're just gonna start doing

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Speaker 1: this song. You said i'll do this. It was me,

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Speaker 1: it was Hayes, it was Kevin. It's like that. Yeah.

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Speaker 5: Okay, oh, it's that part of the show. Okay, I gotcha.

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Speaker 5: I'd like to jump to this Missus Batman stuff. Honestly,

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Speaker 5: I feel like this is is the meat of it.

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Speaker 1: Hey, yeah, so you don't you're abandoning doing the beginning.

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Speaker 5: All right, we're just gonna make it.

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Speaker 1: What if people haven't heard this episode?

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Speaker 5: All right, we start at the beginning. I'm sorry, play

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Speaker 5: the intro again?

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Speaker 1: Oh no, did you lose the page?

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Speaker 6: No, I'm just I'm not confident about my performing.

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Speaker 1: You're you're the best far in zone.

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Speaker 5: Man, I'm wearing too many hats on this. Apparently I'm

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Speaker 5: wearing too many hats.

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Speaker 1: I agree. But now I'm ready, now minute. Now, I'm

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Speaker 1: gonna bend.

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Speaker 5: Still are this thing and do a thing, walk over

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Speaker 5: the monitor, watch my own performance.

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Speaker 6: Okay, keep playing the song. We have so much to do.

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Speaker 6: We're just gonna start during the song.

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Speaker 1: All do this.

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Speaker 5: It was me, it was Hayes, it was Kevin, and

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Speaker 5: we were about to do something really exciting.

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Speaker 6: So this is a huge episode of our show. Sorry

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Speaker 6: that we're still kind of riding a little high.

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Speaker 5: The adrenaline is still kind of dumping through. Did you

350
00:19:04,840 --> 00:19:08,080
Speaker 5: say dumping or pumping? You must have said pumping. I

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00:19:08,080 --> 00:19:09,520
Speaker 5: couldn't picture you say dumping.

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Speaker 1: You could say dumping. That's something I'm known to say.

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Speaker 1: Have you heard this episode? Do you know which one is?

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Speaker 1: You had it commissioned. This is one that fans like

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00:19:23,320 --> 00:19:25,479
Speaker 1: a lot. So you just heard that. This was like

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00:19:25,600 --> 00:19:27,560
Speaker 1: maybe you saw it on like a year endless.

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Speaker 5: I saw it on the subreddit.

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Speaker 1: Okay, and so you just immediately sent the file to

359
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Speaker 1: me him.

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Speaker 5: I thought it was a chance of money.

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Speaker 7: I will say, Tom, it did say pumping, but I

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00:19:43,480 --> 00:19:46,399
Speaker 7: had to re listen to it several times yesterday, Okay,

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Speaker 7: and I changed it to dumping because it sounds like

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Speaker 7: that's what John said.

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Speaker 5: The adrenaline is still kind of dumping through.

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Speaker 1: My poe. Where is the person from I might have said,

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Speaker 1: Dumpling did read it all right?

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Speaker 5: The adrenaline is still kind of dumpling my body because

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00:20:01,760 --> 00:20:05,119
Speaker 5: we let's just say, to give you context for what

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Speaker 5: you're about to hear. We've always been big fans of

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00:20:07,960 --> 00:20:09,880
Speaker 5: movies and stuff like that, and a lot of time

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Speaker 5: a big director will, after their greatest movie comes out

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Speaker 5: on DVD or whatever, they'll kind of do a commentary

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Speaker 5: of where they talk about what was going through on

375
00:20:20,280 --> 00:20:24,960
Speaker 5: a commentary on it, where they a commentary on it

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Speaker 5: where they talk about what was going through their head

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Speaker 5: at certain points and how it came out with a

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Speaker 5: certain shot.

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Speaker 1: They came up with a certain shot.

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Speaker 5: Can I take ownership of this a little bit? No,

381
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Speaker 5: I can't play with it.

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Speaker 1: Why would you?

383
00:20:41,760 --> 00:20:43,280
Speaker 2: I guess if you're going to play with it, make

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Speaker 2: it better or at least still makes sense.

385
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Speaker 1: Okay.

386
00:20:47,520 --> 00:20:49,760
Speaker 5: A lot of times a big director will, like after

387
00:20:49,840 --> 00:20:54,240
Speaker 5: their greatest movie comes out on DVD or whatever, they'll kind.

388
00:20:54,000 --> 00:20:56,080
Speaker 1: Of do a commentary commentary.

389
00:20:56,560 --> 00:20:59,679
Speaker 5: They'll do a kind of they'll they'll do kind of

390
00:20:59,680 --> 00:21:02,639
Speaker 5: a comentarry on it where they talk about what was

391
00:21:02,760 --> 00:21:05,960
Speaker 5: going through their head at certain points and how they

392
00:21:05,960 --> 00:21:09,080
Speaker 5: came up with a certain shot, or the script changed

393
00:21:09,119 --> 00:21:13,040
Speaker 5: on that thing. How the script got checked? Okay, I can't.

394
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Speaker 1: Where was you asked? You can't what you can't read?

395
00:21:16,760 --> 00:21:18,800
Speaker 1: I can't And this wasn't a good idea for an

396
00:21:18,840 --> 00:21:19,600
Speaker 1: episode for you.

397
00:21:19,800 --> 00:21:22,520
Speaker 5: I can't play you. I'm stepping aside.

398
00:21:22,560 --> 00:21:23,440
Speaker 7: Tom. Do you want me to do it?

399
00:21:23,960 --> 00:21:24,920
Speaker 1: My DNA? Now?

400
00:21:25,040 --> 00:21:30,400
Speaker 5: Can you please? Can you be Seawn in this episode?

401
00:21:30,760 --> 00:21:36,720
Speaker 1: Yes, start from the beginning. Maybe you can be Kevin Bright.

402
00:21:36,800 --> 00:21:37,240
Speaker 1: You're out.

403
00:21:39,520 --> 00:21:41,080
Speaker 3: I'm the only one who's been doing it right.

404
00:21:41,640 --> 00:21:49,359
Speaker 1: Kevin's not in that. Bret just takes a shot across

405
00:21:49,400 --> 00:21:49,680
Speaker 1: the PA.

406
00:21:57,440 --> 00:22:00,320
Speaker 6: Okay, keep playing the song. We have so much to do.

407
00:22:00,400 --> 00:22:01,480
Speaker 6: We're just going to start.

408
00:22:02,760 --> 00:22:05,560
Speaker 7: I'll do this. It was me, it was Kevin, and

409
00:22:05,600 --> 00:22:07,400
Speaker 7: we were about to do something really exciting.

410
00:22:08,440 --> 00:22:10,720
Speaker 6: So this is a huge episode of our show.

411
00:22:12,119 --> 00:22:14,800
Speaker 1: Hayes ail, whoa.

412
00:22:14,280 --> 00:22:18,119
Speaker 6: Whoa, sorry that we're still kind of writing a little high.

413
00:22:18,320 --> 00:22:20,600
Speaker 1: Sorry. I know Hayes doesn't like when I sing along

414
00:22:20,640 --> 00:22:21,000
Speaker 1: with it.

415
00:22:21,200 --> 00:22:24,840
Speaker 6: Well as Hayes right now, I approve it.

416
00:22:25,400 --> 00:22:27,920
Speaker 1: Well, yes, that's exactly what I said before. So that's

417
00:22:27,920 --> 00:22:31,600
Speaker 1: a very good one. I send it to Fiver and

418
00:22:31,640 --> 00:22:34,119
Speaker 1: get the transcriptive. I know what you said, where is

419
00:22:34,160 --> 00:22:38,760
Speaker 1: the person from who transcribed this? Do you know another country?

420
00:22:39,280 --> 00:22:41,399
Speaker 1: You can't even say what country it was. You're not

421
00:22:41,520 --> 00:22:42,240
Speaker 1: allowed to say.

422
00:22:42,320 --> 00:22:45,159
Speaker 2: Yeah these days, just say another country end up been

423
00:22:45,200 --> 00:22:45,720
Speaker 2: hot water.

424
00:22:48,040 --> 00:22:50,080
Speaker 5: Yeah, I don't want to get canceled.

425
00:22:50,680 --> 00:22:53,919
Speaker 1: Okay, do you want to, Kevin? Do you want to

426
00:22:53,960 --> 00:22:56,200
Speaker 1: just do the big wine and we'll see if we'll

427
00:22:56,200 --> 00:22:58,119
Speaker 1: see if anyone can do like the big wine.

428
00:22:58,920 --> 00:23:01,159
Speaker 5: Just because I do business with another country, I'm going

429
00:23:01,240 --> 00:23:02,040
Speaker 5: to get canceled.

430
00:23:02,920 --> 00:23:05,680
Speaker 1: Yeah, you say the name of the country. Man, You're done.

431
00:23:06,480 --> 00:23:11,120
Speaker 1: You're cooked. You can't win because if you say I'm

432
00:23:11,119 --> 00:23:12,480
Speaker 1: not going down like this.

433
00:23:13,000 --> 00:23:17,440
Speaker 2: It's like if you don't pronounce it right, fucking find

434
00:23:17,480 --> 00:23:18,880
Speaker 2: a new line of work, buddy.

435
00:23:19,080 --> 00:23:24,439
Speaker 7: Yeah, which the Okay, so the adrenaline is still kind

436
00:23:24,440 --> 00:23:27,399
Speaker 7: of dumpling through my body because we well, let's just

437
00:23:27,480 --> 00:23:29,680
Speaker 7: say to give you context for what you're about to hear.

438
00:23:30,160 --> 00:23:32,840
Speaker 7: We have always been fans of movies and stuff like that,

439
00:23:32,920 --> 00:23:35,000
Speaker 7: and a lot of times the big director will after

440
00:23:35,040 --> 00:23:37,560
Speaker 7: the greatest movie comes out on TVD or whatever.

441
00:23:38,320 --> 00:23:43,480
Speaker 5: This is, he's just yeah, he's nailing, he's the words,

442
00:23:43,520 --> 00:23:45,000
Speaker 5: but he's not being shown.

443
00:23:45,440 --> 00:23:47,760
Speaker 7: You're right, they'll kind of do a commentary on it

444
00:23:47,840 --> 00:23:52,520
Speaker 7: where they talk about what was going on at certain points.

445
00:23:55,720 --> 00:23:59,879
Speaker 5: If I become shown Batman, let's jump to missus batman

446
00:24:00,119 --> 00:24:04,680
Speaker 5: kind of you, it's page Well, you didn't number the

447
00:24:04,720 --> 00:24:06,720
Speaker 5: pages either, so there.

448
00:24:06,600 --> 00:24:08,840
Speaker 2: Are no page members because I was curious how many

449
00:24:08,880 --> 00:24:09,400
Speaker 2: pages total?

450
00:24:09,680 --> 00:24:12,520
Speaker 5: Forty one forty one, So I guess, Oh my god,

451
00:24:12,680 --> 00:24:14,160
Speaker 5: we have just.

452
00:24:14,200 --> 00:24:17,280
Speaker 2: One shy of or too shy I guess of my

453
00:24:17,320 --> 00:24:19,200
Speaker 2: favorite movie.

454
00:24:21,000 --> 00:24:23,880
Speaker 1: It's one shy of my second favorite movie, and too

455
00:24:23,920 --> 00:24:28,080
Speaker 1: shy of my favorite movie. That's right, and one shy

456
00:24:28,119 --> 00:24:30,800
Speaker 1: in the other direction of my third favorite.

457
00:24:30,400 --> 00:24:32,640
Speaker 3: Movie, or shy of your favorite president.

458
00:24:33,760 --> 00:24:37,360
Speaker 5: What if we go? Third page says clip rezooms.

459
00:24:36,800 --> 00:24:40,480
Speaker 2: Eighteen over my fourth favorite movie.

460
00:24:42,000 --> 00:24:45,920
Speaker 1: It's your favorite movie favorite? Yeah, movie forty three. Okay,

461
00:24:46,960 --> 00:24:50,120
Speaker 1: that's his favorite. Okay, favorite is forty two. My third

462
00:24:50,160 --> 00:24:52,600
Speaker 1: favorite this is forty forty. His fourth favorite is the

463
00:24:52,680 --> 00:25:00,200
Speaker 1: number twenty three. Yes, Wood Hampbock, wholy Wood Hampbuck Okay, okay,

464
00:25:00,200 --> 00:25:01,840
Speaker 1: clip resume Clipper Zooms.

465
00:25:02,560 --> 00:25:04,639
Speaker 5: Let's let them off of the hook, and we'll explain

466
00:25:04,720 --> 00:25:07,200
Speaker 5: a little bit about ourselves.

467
00:25:07,240 --> 00:25:10,600
Speaker 6: Yes, about our deal. Sean and I this is Sean,

468
00:25:10,680 --> 00:25:11,119
Speaker 6: and I'm.

469
00:25:11,000 --> 00:25:12,879
Speaker 5: Hayes I'm Sean, that's Hayes.

470
00:25:13,480 --> 00:25:16,800
Speaker 6: We have done Hollywood basically pretty much all of it.

471
00:25:17,119 --> 00:25:18,840
Speaker 1: The whole ship bangs.

472
00:25:19,880 --> 00:25:22,920
Speaker 6: What what would we be best known for, like a

473
00:25:23,080 --> 00:25:26,600
Speaker 6: comic con crowd? Well, for me, I obviously played in

474
00:25:26,680 --> 00:25:28,720
Speaker 6: the original series Missus Batman.

475
00:25:29,440 --> 00:25:34,719
Speaker 5: Ah clip pauses, Yeah, Okay, let's go to clip back

476
00:25:34,720 --> 00:25:35,520
Speaker 5: to clipper zooms.

477
00:25:36,760 --> 00:25:40,119
Speaker 1: Okay, we're skipping over this whole part, skipping over the commentary. Okay,

478
00:25:40,240 --> 00:25:42,760
Speaker 1: it's slowing us down. How are you going to do

479
00:25:42,880 --> 00:25:45,880
Speaker 1: this on stage? Like? How does this work?

480
00:25:46,119 --> 00:25:50,480
Speaker 5: Okay, We're going to double It'll be double spalding gray.

481
00:25:50,560 --> 00:25:54,920
Speaker 5: Two desks boom boom a double spalding. Yeah, forty five

482
00:25:55,000 --> 00:25:57,840
Speaker 5: degree angles at opposite edges of the stage.

483
00:25:58,680 --> 00:26:00,639
Speaker 1: One is Hayes, one is Sean.

484
00:26:01,480 --> 00:26:05,120
Speaker 5: Those are the commentary ones, okay, and the spot lights

485
00:26:05,119 --> 00:26:07,080
Speaker 5: will go down on those every once the lights will

486
00:26:07,080 --> 00:26:09,000
Speaker 5: just go black, and then the middle of it we

487
00:26:09,119 --> 00:26:12,960
Speaker 5: recreate comic con. And then when it's time for the commentary,

488
00:26:13,040 --> 00:26:16,159
Speaker 5: the middle of stage just goes dead black and then

489
00:26:16,200 --> 00:26:17,840
Speaker 5: the spotlights go down on the two.

490
00:26:17,800 --> 00:26:21,400
Speaker 1: Desks are these and is it two different performers where

491
00:26:21,400 --> 00:26:24,040
Speaker 1: there's like commentary commentary Shoan, No, you.

492
00:26:24,119 --> 00:26:25,240
Speaker 5: Run over to the desk.

493
00:26:25,320 --> 00:26:30,320
Speaker 2: Real, is there a visual component to switching other than

494
00:26:30,359 --> 00:26:31,920
Speaker 2: the location is the performer?

495
00:26:32,040 --> 00:26:34,720
Speaker 1: There's a hat, That's what I was going to suggest.

496
00:26:35,480 --> 00:26:37,760
Speaker 6: I don't know if I can run over because I'm

497
00:26:37,840 --> 00:26:39,640
Speaker 6: still getting over ankle surgery.

498
00:26:39,840 --> 00:26:40,960
Speaker 1: Okay, then you're out.

499
00:26:45,720 --> 00:26:47,560
Speaker 6: What if I ride a scooter over?

500
00:26:48,840 --> 00:26:50,959
Speaker 5: Okay, I like that, one of those ones that are

501
00:26:51,280 --> 00:26:52,280
Speaker 5: littering the streets.

502
00:26:52,560 --> 00:26:54,280
Speaker 1: That's what I do, scooty CUTI.

503
00:26:55,080 --> 00:26:59,680
Speaker 5: Wow, did you heard your angle tripping over one of

504
00:26:59,720 --> 00:27:02,840
Speaker 5: those scooters that somebody just dropped on the sidewalk.

505
00:27:03,880 --> 00:27:07,120
Speaker 6: I don't want to I don't want to bash millennials

506
00:27:07,200 --> 00:27:10,840
Speaker 6: and get okay boomered, So I'll just say it's a

507
00:27:10,920 --> 00:27:14,760
Speaker 6: long term injury that started before those scooters. But those

508
00:27:14,800 --> 00:27:16,120
Speaker 6: scooters didn't help.

509
00:27:16,359 --> 00:27:20,199
Speaker 1: Okay, Wow, they're okay boomering people out there. Yeah they are.

510
00:27:20,440 --> 00:27:21,359
Speaker 6: It's it hurts.

511
00:27:21,760 --> 00:27:23,480
Speaker 5: So we'll get you a scooter that's perfect.

512
00:27:23,680 --> 00:27:25,360
Speaker 6: I don't want to put any pressure.

513
00:27:25,400 --> 00:27:27,480
Speaker 1: She'll have to if it's one of those, she'll have to,

514
00:27:27,640 --> 00:27:30,040
Speaker 1: like every time she wants to go across the stage,

515
00:27:30,080 --> 00:27:32,119
Speaker 1: she'll have to scan a QR code.

516
00:27:33,160 --> 00:27:35,240
Speaker 6: I can do that faster than I can run.

517
00:27:35,560 --> 00:27:38,280
Speaker 1: Okay, Okay, so faster than you can run over the

518
00:27:38,320 --> 00:27:41,400
Speaker 1: part of the stage. You'll scan the QR code, ride

519
00:27:41,520 --> 00:27:44,600
Speaker 1: the scooter, and then end the ride, lock it, and

520
00:27:44,640 --> 00:27:46,359
Speaker 1: then you have to take a picture of it showing

521
00:27:46,440 --> 00:27:49,320
Speaker 1: that you parked it okay, like not in the right

522
00:27:49,400 --> 00:27:52,520
Speaker 1: of way, and then like sit down, it's sorry. That's

523
00:27:52,640 --> 00:27:57,240
Speaker 1: faster than then running with the what the ankle surgery?

524
00:27:58,240 --> 00:28:01,960
Speaker 6: What about a furniture doll and someone else moves me.

525
00:28:02,440 --> 00:28:05,520
Speaker 1: Or a hand hand cart, Yeah, where you just kind

526
00:28:05,520 --> 00:28:08,280
Speaker 1: of lean up against the back of it and kind

527
00:28:08,280 --> 00:28:10,920
Speaker 1: of elector stuff. Yeah, and a teamster just kind of

528
00:28:11,000 --> 00:28:13,000
Speaker 1: rolls you along. As long as we have that's a

529
00:28:13,160 --> 00:28:15,800
Speaker 1: union job. You can't just have anybody moving on that.

530
00:28:15,920 --> 00:28:18,280
Speaker 5: Yeah, right, so you might have to fill out some

531
00:28:18,400 --> 00:28:23,080
Speaker 5: paperwork like a requisition to get the team start to

532
00:28:23,240 --> 00:28:23,639
Speaker 5: move you.

533
00:28:24,760 --> 00:28:27,080
Speaker 2: Yeah, there's going to be paperwork involved. I mean, we're

534
00:28:27,960 --> 00:28:30,440
Speaker 2: have insurance, you're gonna have right. That could be a

535
00:28:30,520 --> 00:28:32,399
Speaker 2: Kevin thing, honestly, I mean, my dad can help. I

536
00:28:32,520 --> 00:28:33,399
Speaker 2: was just about to say that.

537
00:28:33,480 --> 00:28:41,520
Speaker 5: Is when do you take over the company? So next

538
00:28:41,640 --> 00:28:46,640
Speaker 5: year you're you're basically the king of mid the Midwest

539
00:28:46,720 --> 00:28:52,640
Speaker 5: insurance biz. Yeah, rich one's always just laugh. They make

540
00:28:52,720 --> 00:28:54,480
Speaker 5: like they're not rolling in it. They're don't.

541
00:28:54,680 --> 00:28:59,120
Speaker 1: Yeah, yeah, I guess so it is funny to them.

542
00:29:01,160 --> 00:29:02,880
Speaker 5: The best part of this whole thing right now, Sean,

543
00:29:02,920 --> 00:29:05,560
Speaker 5: and you said we, you're in. I know you just betrayed.

544
00:29:06,800 --> 00:29:10,800
Speaker 1: You said we in regard to this project. Oh yeah, okay,

545
00:29:13,720 --> 00:29:15,280
Speaker 1: we got him, Martha, he's hooked.

546
00:29:16,320 --> 00:29:18,880
Speaker 6: We have to make this work, you guys. I'm unemployed

547
00:29:19,040 --> 00:29:20,760
Speaker 6: and I don't want to put the pressure on you,

548
00:29:20,880 --> 00:29:22,280
Speaker 6: but we have to make it work.

549
00:29:22,320 --> 00:29:27,240
Speaker 1: Okay, okay, yeah, so we'll get you starting a podcast.

550
00:29:28,160 --> 00:29:28,560
Speaker 6: What's up?

551
00:29:29,160 --> 00:29:32,240
Speaker 1: I believe you started your own podcast, right, it went?

552
00:29:32,640 --> 00:29:37,360
Speaker 6: It went poorly, and we close shot tenth up before

553
00:29:37,400 --> 00:29:39,760
Speaker 6: a tenth episode. We got in an argument and we

554
00:29:40,520 --> 00:29:41,200
Speaker 6: shut it down.

555
00:29:41,800 --> 00:29:45,280
Speaker 1: Wow wow. Yeah. And you get in a lot of arguments,

556
00:29:45,720 --> 00:29:47,080
Speaker 1: friendship ending arguments.

557
00:29:48,080 --> 00:29:50,840
Speaker 6: I mean over the course of my life, for sure,

558
00:29:52,120 --> 00:29:55,480
Speaker 6: within the last couple of years, only one more, only one.

559
00:29:55,720 --> 00:29:58,760
Speaker 6: But in the my life as a whole, you could

560
00:29:58,800 --> 00:30:02,480
Speaker 6: say quite a bit. M hm, Tom, please don't don't

561
00:30:02,560 --> 00:30:05,920
Speaker 6: cut me out of this based on this information.

562
00:30:05,720 --> 00:30:07,680
Speaker 1: Fire brand, Yeah kind of.

563
00:30:08,200 --> 00:30:11,440
Speaker 5: I'm all in now on you. The hand cart thing

564
00:30:11,920 --> 00:30:14,640
Speaker 5: won me over. That's what I was looking for It

565
00:30:14,720 --> 00:30:17,480
Speaker 5: was like a Willy Wonka thing. I just wanted you

566
00:30:17,560 --> 00:30:19,920
Speaker 5: to say a thing that showed me you want to.

567
00:30:20,200 --> 00:30:22,400
Speaker 1: Fire Brand made me think of Russell Brand. Would he

568
00:30:22,600 --> 00:30:27,040
Speaker 1: be a better hates him saying the handcart thing won

569
00:30:27,160 --> 00:30:29,600
Speaker 1: me over? It made me think of that to the

570
00:30:29,760 --> 00:30:34,440
Speaker 1: tune of the song MM the handker thing won me over?

571
00:30:35,000 --> 00:30:37,920
Speaker 1: So is Russell Brand thinking of things like that? Is

572
00:30:38,000 --> 00:30:44,040
Speaker 1: that the way his mind works? Well? No, his mind

573
00:30:44,200 --> 00:30:47,920
Speaker 1: is pretty laser focused on the fact that corporations are

574
00:30:48,000 --> 00:30:52,440
Speaker 1: not people. He would say something like your emperor Bush

575
00:30:55,320 --> 00:30:58,120
Speaker 1: and it'd be like, we got a new emperor, now, rat,

576
00:30:58,160 --> 00:31:00,720
Speaker 1: Would you like to share what's on your phone? As

577
00:31:00,760 --> 00:31:02,040
Speaker 1: we're doing the show?

578
00:31:02,480 --> 00:31:05,560
Speaker 3: Before I think I had any part getting paid to

579
00:31:05,680 --> 00:31:05,920
Speaker 3: do the.

580
00:31:06,000 --> 00:31:09,760
Speaker 5: Show, you would think just straight off, you'd be like,

581
00:31:09,840 --> 00:31:12,240
Speaker 5: this room is there's like a who's who in this room?

582
00:31:12,560 --> 00:31:14,400
Speaker 5: I did I got the best seat in the house.

583
00:31:16,240 --> 00:31:17,360
Speaker 5: It's restless already.

584
00:31:18,760 --> 00:31:22,720
Speaker 1: Martha is talking about she's drowning, she's unemployed, texting much,

585
00:31:22,800 --> 00:31:24,880
Speaker 1: and you're saying, like, look what I can get away

586
00:31:24,920 --> 00:31:28,000
Speaker 1: with severing ties with all of her closest friends. I'm

587
00:31:28,040 --> 00:31:32,960
Speaker 1: gonna say on their show together, Martha, I'm gonna cry

588
00:31:33,040 --> 00:31:33,440
Speaker 1: for help.

589
00:31:33,720 --> 00:31:35,760
Speaker 5: You can start spending some money now because this thing

590
00:31:35,880 --> 00:31:39,160
Speaker 5: is gonna happen. Just start spending like we're in Like

591
00:31:39,280 --> 00:31:40,600
Speaker 5: this thing blew up already.

592
00:31:40,720 --> 00:31:42,600
Speaker 1: That's what got her in this problem in the first place.

593
00:31:42,920 --> 00:31:45,360
Speaker 6: You guys are not going to replace me with Russell

594
00:31:45,440 --> 00:31:46,040
Speaker 6: brand right.

595
00:31:46,320 --> 00:31:47,520
Speaker 1: I don't think we can get him yet.

596
00:31:48,360 --> 00:31:49,360
Speaker 6: I don't think that he.

597
00:31:49,400 --> 00:31:51,360
Speaker 1: Would be either.

598
00:31:51,920 --> 00:31:54,560
Speaker 6: Neither one of us is a great actor. But I'm

599
00:31:54,840 --> 00:31:57,280
Speaker 6: an American and that should count for something.

600
00:31:58,000 --> 00:32:02,440
Speaker 1: And he used to you this is like so actually

601
00:32:02,840 --> 00:32:03,440
Speaker 1: a great point.

602
00:32:04,040 --> 00:32:06,640
Speaker 5: Don't mention what other countries from We have.

603
00:32:06,720 --> 00:32:09,920
Speaker 1: All these other country guys coming to play Spider Man

604
00:32:10,840 --> 00:32:14,320
Speaker 1: and like Superman and stuff. We should get to play

605
00:32:14,720 --> 00:32:24,240
Speaker 1: Arthur Americans an American play Arthur. Finally, Martha, mar.

606
00:32:25,800 --> 00:32:29,720
Speaker 6: This is maybe the greatest opportunity I've ever had.

607
00:32:29,800 --> 00:32:36,760
Speaker 1: And instead of reading the script exactly word for word,

608
00:32:37,200 --> 00:32:41,840
Speaker 1: someone can play Sean and then Martha gets to sort

609
00:32:41,880 --> 00:32:44,080
Speaker 1: of do it backdoor pilot. Martha.

610
00:32:44,360 --> 00:32:48,200
Speaker 6: Okay, wait, am I supposed to improvise that? I can't.

611
00:32:48,480 --> 00:32:49,560
Speaker 6: I'm not a good improvise.

612
00:32:49,680 --> 00:32:50,320
Speaker 1: Can you change?

613
00:32:50,640 --> 00:32:55,120
Speaker 2: I know it's like just just clink some scotch, you know, uh,

614
00:32:55,880 --> 00:32:58,960
Speaker 2: like on the rocks and then you know, yeah, yeah,

615
00:32:59,000 --> 00:32:59,320
Speaker 2: there you go.

616
00:32:59,560 --> 00:33:00,960
Speaker 1: And then I'm I mean that sounds like you're doing

617
00:33:01,000 --> 00:33:03,320
Speaker 1: a toast, but he could do that. That's the kind

618
00:33:03,400 --> 00:33:05,720
Speaker 1: of thing he would do in Arthur would Martha?

619
00:33:05,760 --> 00:33:07,200
Speaker 5: Would you are Martha?

620
00:33:07,560 --> 00:33:10,360
Speaker 6: Okay, this is going to be terrible, I'm already, but

621
00:33:10,520 --> 00:33:11,000
Speaker 6: you're like a.

622
00:33:12,320 --> 00:33:15,760
Speaker 1: You're like a gadabout Yeah. You feel almost no shame

623
00:33:15,760 --> 00:33:22,720
Speaker 1: because you're such an incorrigible cad so and you don't

624
00:33:22,760 --> 00:33:24,880
Speaker 1: have to do a voice or anything. That's the Marthe

625
00:33:25,160 --> 00:33:28,640
Speaker 1: element of it. Okay, but you do have to behave

626
00:33:28,840 --> 00:33:30,920
Speaker 1: exactly as Arthur would.

627
00:33:32,200 --> 00:33:36,360
Speaker 6: I'm gonna get fired, but I'll try. I can do

628
00:33:36,520 --> 00:33:37,040
Speaker 6: this part.

629
00:33:37,680 --> 00:33:39,640
Speaker 1: M mm hmm.

630
00:33:40,400 --> 00:33:43,080
Speaker 5: Okay. Action action and action.

631
00:33:44,440 --> 00:33:47,640
Speaker 1: Like reader, reader in where are we starting?

632
00:33:47,800 --> 00:33:50,520
Speaker 5: Clip rezooms? And you say, missus Batman had been.

633
00:33:50,680 --> 00:33:55,760
Speaker 6: Okay, missus Batman has been played exclusively by women?

634
00:33:57,560 --> 00:34:01,360
Speaker 1: What he would say? Birds? Right?

635
00:34:02,000 --> 00:34:06,280
Speaker 6: Missus, missus Batman has been played exclusively by birds. This

636
00:34:06,480 --> 00:34:07,320
Speaker 6: is a different time.

637
00:34:07,440 --> 00:34:09,520
Speaker 1: You'd probably have a comment about birds too.

638
00:34:11,080 --> 00:34:17,400
Speaker 6: Missus Batman had had been played exclusively by birds. I

639
00:34:17,480 --> 00:34:24,080
Speaker 6: can't think of anything. I've been drinking a lot and blotto.

640
00:34:24,360 --> 00:34:28,560
Speaker 1: I'm your three s sheets to the wind, three three shoots.

641
00:34:28,280 --> 00:34:31,800
Speaker 6: To the wind. This was a different time, missus Batman

642
00:34:32,960 --> 00:34:36,560
Speaker 6: was a bloke then, yes about that. Yes, I'm glad

643
00:34:36,600 --> 00:34:43,879
Speaker 6: it's birds now we didn't know? Uh yes, what else?

644
00:34:44,560 --> 00:34:48,759
Speaker 5: Well for me, I guess people don't know me necessarily

645
00:34:48,880 --> 00:34:52,600
Speaker 5: by my name Sean Clements. They probably know me as

646
00:34:52,640 --> 00:34:57,360
Speaker 5: the renegade cowboy journalist takes blose. He was sort of

647
00:34:57,400 --> 00:35:00,440
Speaker 5: a clownish cowboy who would try to get a big scoop.

648
00:35:01,320 --> 00:35:04,799
Speaker 5: When he got a surprising answer to question, he would explode.

649
00:35:05,719 --> 00:35:08,440
Speaker 1: So I feel like, now that Martha has such a

650
00:35:08,600 --> 00:35:13,919
Speaker 1: clear take on the character, we got to do something with. Yeah,

651
00:35:15,000 --> 00:35:20,439
Speaker 1: this guy, yeah, is there like a hmm? Tom, how

652
00:35:20,520 --> 00:35:32,200
Speaker 1: do you feel about playing eldest? No? So I become sure, Okay,

653
00:35:32,760 --> 00:35:34,360
Speaker 1: all right, I think you've been drinking.

654
00:35:34,960 --> 00:35:38,600
Speaker 5: Okay, all right, yeah, okay.

655
00:35:40,440 --> 00:35:46,279
Speaker 2: Or he's clean. Yeah, but but then why are they

656
00:35:46,320 --> 00:35:48,640
Speaker 2: having so much trouble getting him too the Greek? Okay, yeah,

657
00:35:48,760 --> 00:35:51,080
Speaker 2: maybe he's he's elapsed.

658
00:35:54,320 --> 00:35:57,040
Speaker 1: And he's pretty drunk. And forgetting Sarah Marshall.

659
00:35:56,800 --> 00:35:59,080
Speaker 2: Okay, yeah, then never because he spells on the shirt

660
00:35:59,200 --> 00:36:00,640
Speaker 2: and then she's about the shirt.

661
00:36:00,719 --> 00:36:04,680
Speaker 5: Okay, do you want me to do it as Elvis Snow.

662
00:36:05,840 --> 00:36:08,040
Speaker 1: I'm pretty sure we just said that. I was just

663
00:36:08,160 --> 00:36:09,560
Speaker 1: asking one.

664
00:36:09,480 --> 00:36:11,360
Speaker 5: More time to see if you really wanted me to

665
00:36:11,440 --> 00:36:12,400
Speaker 5: do it as Elvias Snow.

666
00:36:14,520 --> 00:36:16,160
Speaker 1: I mean, it'd be one thing if you like had

667
00:36:16,200 --> 00:36:18,480
Speaker 1: a vision for this going in, Like you know, you're like,

668
00:36:18,840 --> 00:36:22,719
Speaker 1: I'm hearing like disappointment that this wasn't going But you

669
00:36:22,840 --> 00:36:26,439
Speaker 1: don't know what the show is. You've clearly never heard

670
00:36:26,480 --> 00:36:30,440
Speaker 1: the episode. You didn't know what page to start on.

671
00:36:32,080 --> 00:36:34,640
Speaker 1: I saw it on Vulture. They like this one a

672
00:36:34,719 --> 00:36:35,440
Speaker 1: lot on Vulture.

673
00:36:35,719 --> 00:36:40,400
Speaker 5: Jesse David Folks h Yeah, And when JDF ways in

674
00:36:40,520 --> 00:36:42,239
Speaker 5: on an episode, I jump all over it.

675
00:36:42,320 --> 00:36:45,320
Speaker 1: I don't necessarily listen to it. Then I start telling people,

676
00:36:45,520 --> 00:36:47,359
Speaker 1: did you hear this episode? It's a good one.

677
00:36:48,840 --> 00:36:51,120
Speaker 5: It's one of the top ten podcasts of the week.

678
00:36:51,880 --> 00:36:54,640
Speaker 1: JDF Jesus damn funny.

679
00:36:57,040 --> 00:36:59,680
Speaker 5: Okay, let's all do it as Alvia Snow. Then I

680
00:36:59,840 --> 00:37:02,840
Speaker 5: also did a movie that kind of got stepped on

681
00:37:02,960 --> 00:37:07,880
Speaker 5: a little bit, but it was called Troy Story. It

682
00:37:08,080 --> 00:37:11,800
Speaker 5: was before Toy Story, but that was the night the

683
00:37:11,920 --> 00:37:15,120
Speaker 5: Trojan horse would come to life and kiss the Queen.

684
00:37:16,280 --> 00:37:21,840
Speaker 2: But don't we don't need an accent, okay, because finally

685
00:37:21,920 --> 00:37:23,720
Speaker 2: we're gonna let an American playout.

686
00:37:23,880 --> 00:37:27,480
Speaker 5: Okay, Greg good, Okay, so I should have the inflection,

687
00:37:27,719 --> 00:37:29,600
Speaker 5: but straight us.

688
00:37:29,880 --> 00:37:32,560
Speaker 2: It's really what we've sort of landed on with Martha

689
00:37:32,920 --> 00:37:35,000
Speaker 2: is that we just replaced one or two words.

690
00:37:35,640 --> 00:37:39,279
Speaker 5: Okay, So I'll back it up a little bit. I

691
00:37:39,400 --> 00:37:44,040
Speaker 5: also did a film film that kind of got mucked

692
00:37:44,080 --> 00:37:44,319
Speaker 5: up a.

693
00:37:44,400 --> 00:37:51,279
Speaker 9: Little bites yep, but it was called Troy Story. It

694
00:37:51,480 --> 00:37:56,279
Speaker 9: was a bit before Toy Story. But at that night

695
00:37:56,440 --> 00:37:57,360
Speaker 9: the Trojan Horse.

696
00:37:58,960 --> 00:38:02,839
Speaker 1: We said it the same way both times, and it's

697
00:38:03,080 --> 00:38:06,520
Speaker 1: but it was that at night the Trojan Horse, you

698
00:38:06,640 --> 00:38:11,279
Speaker 1: skip like four words. I'm liking this. Should Hayes play Sean? Yeah?

699
00:38:11,760 --> 00:38:14,920
Speaker 5: Can you play Sean for a little. I'm not feeling

700
00:38:14,960 --> 00:38:16,080
Speaker 5: the character of Sean.

701
00:38:16,239 --> 00:38:19,759
Speaker 1: Okay, but like all right, so here's what I don't

702
00:38:19,800 --> 00:38:21,520
Speaker 1: want to do. I don't want to be like acting

703
00:38:21,640 --> 00:38:25,080
Speaker 1: against Martha, Like I feel like that's a trap with

704
00:38:25,320 --> 00:38:27,840
Speaker 1: No I'm just like thrown out there on stage to

705
00:38:27,960 --> 00:38:32,560
Speaker 1: get just like have my ass blown off by Martha. Yeah,

706
00:38:33,120 --> 00:38:36,359
Speaker 1: you know, so I need something to be what if

707
00:38:36,400 --> 00:38:38,759
Speaker 1: you True West did it? Maybe you give yourself a

708
00:38:38,840 --> 00:38:44,160
Speaker 1: bit of business. Okay, can I be eating something. Yeah,

709
00:38:44,280 --> 00:38:47,360
Speaker 1: well that's often the solution for an actor.

710
00:38:47,560 --> 00:38:50,320
Speaker 6: Do you want to borrow this business?

711
00:38:51,880 --> 00:38:54,200
Speaker 1: Oh yeah, okay, well then it seems like you could

712
00:38:54,200 --> 00:39:00,400
Speaker 1: be starting would be like that was like a hacking

713
00:39:00,520 --> 00:39:05,040
Speaker 1: me going for my brandy sniffer. Okay, should be a

714
00:39:05,120 --> 00:39:11,520
Speaker 1: Martha the Flame. I love your ship, I love your stuff.

715
00:39:13,120 --> 00:39:16,200
Speaker 1: I'm a probably your biggest fan. Believe it or not.

716
00:39:19,719 --> 00:39:28,279
Speaker 1: That one didn't do it for me. Really, there has

717
00:39:28,360 --> 00:39:30,640
Speaker 1: to be some kind of like other character, Like it's

718
00:39:30,719 --> 00:39:34,320
Speaker 1: not working with just Shaana Hayes. Obviously we have something

719
00:39:34,400 --> 00:39:35,000
Speaker 1: with Martha.

720
00:39:35,480 --> 00:39:37,480
Speaker 7: Could b play guitar could be like a musical.

721
00:39:37,680 --> 00:39:44,560
Speaker 1: Oh, he could be Guitarthur' that's what it is. It's

722
00:39:44,680 --> 00:39:47,120
Speaker 1: more Arthur's and that I love.

723
00:39:47,440 --> 00:39:52,120
Speaker 5: Okay, So am I not? I'm not in this now anymore?

724
00:39:53,920 --> 00:39:58,440
Speaker 1: That yes, no, no, he could be She's Martha, he's Guitarthur.

725
00:39:58,600 --> 00:40:03,360
Speaker 1: You're Tom Sharthur. Okay, So you want me to like

726
00:40:03,480 --> 00:40:07,000
Speaker 1: do like me like like you are. Everyone is playing

727
00:40:07,040 --> 00:40:10,040
Speaker 1: a variation on Arthur. We were looking like we found

728
00:40:10,080 --> 00:40:12,200
Speaker 1: something that works, and we were trying to like, like,

729
00:40:12,360 --> 00:40:16,120
Speaker 1: what's it like like a new thing, and instead we

730
00:40:16,200 --> 00:40:21,080
Speaker 1: should just like stick with it. Okay, okay, what key

731
00:40:21,200 --> 00:40:21,600
Speaker 1: is this? Said?

732
00:40:22,480 --> 00:40:42,879
Speaker 5: F someone has to start reading yep, and you want

733
00:40:43,080 --> 00:40:46,719
Speaker 5: to add to your most famous credit and lean into

734
00:40:46,760 --> 00:40:52,279
Speaker 5: the audience and say missus Batman and you just feel

735
00:40:52,360 --> 00:40:53,600
Speaker 5: the wave of adulation.

736
00:40:55,160 --> 00:41:08,600
Speaker 1: Rupert Grant, Small, all small, small, small, keep going. I

737
00:41:08,800 --> 00:41:12,560
Speaker 1: chickened out. I can't do this. I just don't have it.

738
00:41:13,080 --> 00:41:18,279
Speaker 1: I thought it was a stage shine you thought, I mean,

739
00:41:18,360 --> 00:41:20,800
Speaker 1: how did it go? Was it gonna go on stage?

740
00:41:21,560 --> 00:41:23,279
Speaker 1: You got a nice thing going. It was like that

741
00:41:23,400 --> 00:41:27,800
Speaker 1: William Shatner Ben Folds album. Okay, it was like that.

742
00:41:28,120 --> 00:41:31,720
Speaker 5: Yeah, okay, not as good, but yeah, okay, keep playing,

743
00:41:31,840 --> 00:41:35,719
Speaker 5: keep playing. I was also in the movie that kind

744
00:41:35,760 --> 00:41:37,960
Speaker 5: of got stepped on a little bit, but it was

745
00:41:38,080 --> 00:41:40,520
Speaker 5: called Troy Story.

746
00:41:40,800 --> 00:41:45,000
Speaker 10: The Common People And then you say hello love, Hello, Hello, Hello,

747
00:41:45,760 --> 00:41:46,680
Speaker 10: what we got here?

748
00:41:47,280 --> 00:41:47,440
Speaker 1: Right?

749
00:41:48,040 --> 00:41:49,160
Speaker 5: Who killed my brother?

750
00:41:50,520 --> 00:41:50,560
Speaker 11: So?

751
00:41:52,840 --> 00:41:55,839
Speaker 1: Okay, keep going all this stuff about you. Ever see

752
00:41:55,840 --> 00:41:56,239
Speaker 1: the trip?

753
00:41:58,600 --> 00:42:01,800
Speaker 2: I watch that clip from the Better Not have a

754
00:42:01,920 --> 00:42:04,760
Speaker 2: cane off? No, you better not get into a cane

755
00:42:04,840 --> 00:42:09,000
Speaker 2: off with me. The whole podcast game is just caning off.

756
00:42:10,480 --> 00:42:12,840
Speaker 2: Look Tom Reddit, because it takes him three hours to

757
00:42:12,920 --> 00:42:20,520
Speaker 2: bust just a bunch of guys caning off on Mike's

758
00:42:21,080 --> 00:42:22,120
Speaker 2: that's a little freakd thing.

759
00:42:23,560 --> 00:42:24,120
Speaker 1: What if I do?

760
00:42:24,239 --> 00:42:26,879
Speaker 5: Sean as as Brad, it's.

761
00:42:26,800 --> 00:42:29,319
Speaker 1: Such a miss opportunity. You were just about to get

762
00:42:29,360 --> 00:42:32,080
Speaker 1: to a part about kissing the Queen, which is like

763
00:42:32,440 --> 00:42:33,160
Speaker 1: the most.

764
00:42:33,120 --> 00:42:38,239
Speaker 5: Play like a fake Oasis sounding thing. Could you look

765
00:42:38,239 --> 00:42:40,759
Speaker 5: an Oasis knockoff? It's the only thing he can do.

766
00:42:47,719 --> 00:42:50,040
Speaker 5: But that was the night the Trojan Hawks would come

767
00:42:50,080 --> 00:42:55,000
Speaker 5: to life and kiss the Queen, Helen of Troy. And

768
00:42:55,120 --> 00:42:57,680
Speaker 5: that was obviously a good idea because now they made

769
00:42:57,680 --> 00:43:00,000
Speaker 5: a bunch of very successful movies.

770
00:42:59,760 --> 00:43:02,120
Speaker 1: That are like that. And when you act out kissing

771
00:43:02,200 --> 00:43:02,840
Speaker 1: the Queen.

772
00:43:04,920 --> 00:43:06,880
Speaker 5: Like that, is that what kissing is like?

773
00:43:09,040 --> 00:43:13,680
Speaker 1: Mm hmmmmm.

774
00:43:16,680 --> 00:43:21,239
Speaker 6: Oh sorry, Okay, So one reason today is kind of

775
00:43:21,360 --> 00:43:23,319
Speaker 6: exciting for us is they announce a lot.

776
00:43:23,239 --> 00:43:25,000
Speaker 1: Of is right exciting for us?

777
00:43:25,280 --> 00:43:29,040
Speaker 6: Okay, so one reason today is right exciting for us

778
00:43:29,920 --> 00:43:33,600
Speaker 6: is they announce a lot of stuff at Comic Con.

779
00:43:34,480 --> 00:43:35,600
Speaker 1: Yeah, what's their stuff?

780
00:43:38,120 --> 00:43:40,320
Speaker 5: This is the space to do it?

781
00:43:43,080 --> 00:43:43,960
Speaker 1: They say rubbish.

782
00:43:44,280 --> 00:43:49,560
Speaker 6: Yes, yes, they announced a lot of rubbish at Comic Con.

783
00:43:52,120 --> 00:43:56,600
Speaker 1: You could say, you get chuffed, yeah, say one reason

784
00:43:56,719 --> 00:43:57,760
Speaker 1: we're right cheffed today?

785
00:43:57,840 --> 00:44:04,360
Speaker 6: Yeah, So one reason we're right today is they announce

786
00:44:04,440 --> 00:44:07,000
Speaker 6: a lot of rubbish comic com con.

787
00:44:07,480 --> 00:44:12,520
Speaker 1: Yeah, what do they call comic con? Just like the

788
00:44:12,680 --> 00:44:20,280
Speaker 1: Castle or something? Sorry, yeah, well Buckingham about that? Well, Jesus,

789
00:44:20,600 --> 00:44:23,400
Speaker 1: I have something planned for the episode. Yeah, he had

790
00:44:23,440 --> 00:44:26,480
Speaker 1: this whole thing. I really feel worse for Bod for that.

791
00:44:26,600 --> 00:44:30,320
Speaker 1: He really like brought him. I guess you feel like

792
00:44:30,320 --> 00:44:35,040
Speaker 1: because you spent money, that like your thing takes priority. Yeah,

793
00:44:35,120 --> 00:44:39,239
Speaker 1: but Bosh did come in with something. Can Bosh be

794
00:44:39,360 --> 00:44:39,799
Speaker 1: in the show?

795
00:44:40,400 --> 00:44:42,600
Speaker 6: Yeah? Would you let us take Bosh on the road?

796
00:44:43,760 --> 00:44:46,080
Speaker 1: Uh? Only if he drives?

797
00:44:47,200 --> 00:44:49,839
Speaker 5: I would let him Tom Yeah, oh no, of course

798
00:44:49,920 --> 00:44:50,840
Speaker 5: that goes to that thing.

799
00:44:51,560 --> 00:44:59,200
Speaker 1: With a dog drive. Of course you have to be

800
00:44:59,280 --> 00:45:03,000
Speaker 1: able to drive. Could what if?

801
00:45:03,160 --> 00:45:06,160
Speaker 5: What if the stage just goes black now and then

802
00:45:06,280 --> 00:45:08,000
Speaker 5: just like lowered down on a platform?

803
00:45:08,160 --> 00:45:12,040
Speaker 1: Is Bosh? I can tell you in advance that you

804
00:45:12,160 --> 00:45:15,680
Speaker 1: will get criticized online if you do that. For putting

805
00:45:15,719 --> 00:45:16,120
Speaker 1: a dog in.

806
00:45:16,120 --> 00:45:18,680
Speaker 5: Front of an audience, what's that?

807
00:45:20,040 --> 00:45:23,319
Speaker 1: Because people got bad. We did it once. We had

808
00:45:23,400 --> 00:45:25,200
Speaker 1: him come out at one of our live shows as

809
00:45:25,200 --> 00:45:26,680
Speaker 1: a treat for the audience, and then it was like,

810
00:45:26,760 --> 00:45:30,960
Speaker 1: don't make Bosh be on stage. You're not supposed to

811
00:45:31,000 --> 00:45:33,200
Speaker 1: make your dog be anywhere. You're supposed to just follow

812
00:45:33,239 --> 00:45:38,080
Speaker 1: them around in nature. So so you got canceled for

813
00:45:38,160 --> 00:45:43,680
Speaker 1: bringing Bosh on stage. Unfortunately, yes, did do this?

814
00:45:45,400 --> 00:45:47,160
Speaker 5: Was it a stamp like across your forehead?

815
00:45:49,520 --> 00:45:51,640
Speaker 1: Yeah? My forehead if I'm lucky.

816
00:45:54,960 --> 00:45:57,319
Speaker 5: So, now Bosh is on stage, he gets lowered down.

817
00:45:57,360 --> 00:45:58,719
Speaker 5: We're just going to take a chance with it.

818
00:46:00,080 --> 00:46:09,880
Speaker 1: Get to Mosha at Oh, Bosh could be Moshashee whoa handbook?

819
00:46:10,400 --> 00:46:12,200
Speaker 1: Whoaly handbook?

820
00:46:15,520 --> 00:46:18,120
Speaker 5: So we jump forward now to when.

821
00:46:20,640 --> 00:46:21,439
Speaker 1: When when?

822
00:46:22,520 --> 00:46:26,720
Speaker 5: When Mosh is on stage? Let's bring out our friend

823
00:46:27,040 --> 00:46:30,320
Speaker 5: Moshe Kasher. Can we jump to that top of the page.

824
00:46:31,239 --> 00:46:36,080
Speaker 6: Okay, so let's bring out our friend. Wait, so let's

825
00:46:36,120 --> 00:46:43,840
Speaker 6: bring out our mate, Moshe Kasher Mosha Moshe please? Hey man.

826
00:46:45,520 --> 00:46:56,560
Speaker 12: Hey Hi Hi Hi Arthur, Hi, hey him.

827
00:46:57,880 --> 00:47:04,640
Speaker 6: Oh, Well, this is what I'm saying. We're just meeting Nye.

828
00:47:06,719 --> 00:47:11,760
Speaker 1: Okay, hey, so Martha, you do have to like improvise

829
00:47:11,840 --> 00:47:13,560
Speaker 1: a little bit off of what he's doing. And so

830
00:47:13,680 --> 00:47:15,879
Speaker 1: when he says hey, you could just also say like, hey,

831
00:47:15,960 --> 00:47:22,480
Speaker 1: bo he got it, okay, hey.

832
00:47:20,840 --> 00:47:22,880
Speaker 6: Boche, Well this is what I'm saying.

833
00:47:23,600 --> 00:47:30,319
Speaker 1: Well, this is what I'm saying, Hey, hey mo hi, Hey,

834
00:47:31,239 --> 00:47:39,279
Speaker 1: give me the keys I'm grabbing. Yeah, yes, so I

835
00:47:39,640 --> 00:47:45,560
Speaker 1: have some stuff to talk about. So Brett needs a nickname.

836
00:47:47,239 --> 00:47:51,520
Speaker 1: I'm willing to sell a one, Yeah, Brett. So I

837
00:47:51,600 --> 00:47:55,240
Speaker 1: guess we can maybe initiate this premise within the show.

838
00:47:55,840 --> 00:47:59,319
Speaker 1: Is that possible within the stage show that Brett need.

839
00:48:00,000 --> 00:48:03,799
Speaker 2: I'm not gonna talk about one thing he can't really read. Yeah,

840
00:48:04,640 --> 00:48:07,120
Speaker 2: so if you introduce him, he's just gonna talk about

841
00:48:07,160 --> 00:48:07,520
Speaker 2: what he wants.

842
00:48:07,560 --> 00:48:10,239
Speaker 1: He says it's because he has like predator eyes, that

843
00:48:10,360 --> 00:48:14,480
Speaker 1: his eyes are like too close together for hunting prey. Yeah,

844
00:48:14,960 --> 00:48:17,759
Speaker 1: they're in the front. I think I can't see why that.

845
00:48:18,120 --> 00:48:21,840
Speaker 1: I do think it's good casting to have bos I

846
00:48:22,160 --> 00:48:24,120
Speaker 1: do think it will cause some problems in terms of

847
00:48:24,200 --> 00:48:27,120
Speaker 1: actually recreating the show because he's not gonna do this shit.

848
00:48:28,520 --> 00:48:31,840
Speaker 1: He's not a fan of Hollywood Handbook or this episode.

849
00:48:32,880 --> 00:48:33,000
Speaker 11: Uh.

850
00:48:34,239 --> 00:48:36,440
Speaker 1: He does want to talk about what he wants to

851
00:48:36,440 --> 00:48:38,520
Speaker 1: talk about. He doesn't want to read whether he can

852
00:48:38,640 --> 00:48:40,279
Speaker 1: or not. Well, could it be just kind of like

853
00:48:40,360 --> 00:48:43,600
Speaker 1: a that changes every night, that part of the show,

854
00:48:43,800 --> 00:48:46,040
Speaker 1: the Bosch part of the show. I can almost guarantee

855
00:48:46,040 --> 00:48:46,520
Speaker 1: you it would.

856
00:48:46,960 --> 00:48:48,960
Speaker 5: But if it's just it's gonna be like like these

857
00:48:49,000 --> 00:48:50,000
Speaker 5: are the headlines.

858
00:48:51,040 --> 00:48:51,520
Speaker 1: What do you mean?

859
00:48:52,440 --> 00:48:54,760
Speaker 5: It's just like, what's in the news. What's in the news?

860
00:48:54,880 --> 00:48:56,280
Speaker 5: Is that what Bosh is gonna says?

861
00:48:57,520 --> 00:48:59,279
Speaker 1: I get to see him doing some of that. Yeah,

862
00:48:59,760 --> 00:49:03,120
Speaker 1: what else is going on these days? Well, you guys

863
00:49:03,160 --> 00:49:05,719
Speaker 1: see this, You guys see this. Uh, you see these

864
00:49:05,760 --> 00:49:10,440
Speaker 1: people get canceled out here, people get canceled. When do

865
00:49:10,560 --> 00:49:14,440
Speaker 1: people become like TV shows? Is he going to be

866
00:49:14,600 --> 00:49:17,480
Speaker 1: like political? I get it, Yeah, I get it. When

867
00:49:17,520 --> 00:49:23,000
Speaker 1: Becker gets canceled, he might get political.

868
00:49:23,480 --> 00:49:27,839
Speaker 5: Okay, Like, where's he on the spectrum of politics?

869
00:49:28,600 --> 00:49:31,359
Speaker 1: Ah? You know, there's a wonderful quote that I love

870
00:49:31,719 --> 00:49:38,160
Speaker 1: with my friends and family. I'm a socialist at the

871
00:49:38,239 --> 00:49:45,560
Speaker 1: state level, I'm a Democrat at the government level, I'm

872
00:49:45,600 --> 00:49:49,080
Speaker 1: a Republican, and at the highest levels of the world,

873
00:49:49,360 --> 00:50:00,560
Speaker 1: I'm a libertarian. That's a quote. It's a quote. He is.

874
00:50:00,920 --> 00:50:05,800
Speaker 1: His politics are interesting. He's so heavily influenced by his

875
00:50:05,920 --> 00:50:07,160
Speaker 1: friend and boss Tony.

876
00:50:09,840 --> 00:50:16,160
Speaker 2: Hmm okay, it's just like so much of it is

877
00:50:16,400 --> 00:50:21,240
Speaker 2: obvious that he's parody parenting Tony and his beliefs.

878
00:50:22,560 --> 00:50:28,320
Speaker 1: Uh. And let's face it, Tony is part of the problem.

879
00:50:33,640 --> 00:50:38,960
Speaker 1: I just I hope he doesn't walk in. Hey, you guys, mind,

880
00:50:39,000 --> 00:50:40,520
Speaker 1: if my friend Tony comes out.

881
00:50:41,160 --> 00:50:45,520
Speaker 5: Who's gonna play Tony? He's gonna play Tony.

882
00:50:45,600 --> 00:50:54,959
Speaker 1: There's no plague to be like. I don't want Hey,

883
00:50:58,080 --> 00:50:58,800
Speaker 1: Hi Tony.

884
00:50:59,520 --> 00:50:59,719
Speaker 11: Hey.

885
00:50:59,840 --> 00:51:04,359
Speaker 1: So look, hey, here's the deal. So, Okay, you want

886
00:51:04,400 --> 00:51:07,960
Speaker 1: to tax me ten billion dollars, Okay, that's fine, But

887
00:51:08,080 --> 00:51:09,799
Speaker 1: if you could tax me one hundred billion dollars? Now

888
00:51:09,840 --> 00:51:11,600
Speaker 1: I was starting to look like, wait a minute, how

889
00:51:11,680 --> 00:51:15,799
Speaker 1: much money do I have left? I mean, let's really

890
00:51:15,840 --> 00:51:18,480
Speaker 1: think about that. Okay, Tony, do you really think about that?

891
00:51:18,760 --> 00:51:22,040
Speaker 1: You don't have that much? Did you think? I certainly

892
00:51:22,080 --> 00:51:25,520
Speaker 1: won't if you dode freaking crazy taxes, And if you

893
00:51:25,600 --> 00:51:28,200
Speaker 1: tax one hundred billion dollars, then I gotta start going counting,

894
00:51:28,280 --> 00:51:32,640
Speaker 1: going any Wait a minute, Tony, I mean your business,

895
00:51:33,040 --> 00:51:38,320
Speaker 1: uh huh is ho digging digging holes? Business is good businesses.

896
00:51:38,480 --> 00:51:42,640
Speaker 1: You don't have hundreds of billions of dollars from like holes.

897
00:51:42,840 --> 00:51:47,920
Speaker 1: I got these two rats. I got two rats and

898
00:51:48,040 --> 00:51:51,040
Speaker 1: they work. Are they employees or they're like part of

899
00:51:51,280 --> 00:51:55,760
Speaker 1: dead as a freaking door nail brother? Two dead rats

900
00:51:56,719 --> 00:51:59,840
Speaker 1: and more where that came from? So don't tell me

901
00:51:59,880 --> 00:52:02,000
Speaker 1: I don't have ten billion dollars. Okay, so maybe you

902
00:52:02,000 --> 00:52:04,719
Speaker 1: should say, like, if you tax me one rat? Oh yeah, done,

903
00:52:04,760 --> 00:52:06,920
Speaker 1: I've got to start looking Hey, wait a minute, how

904
00:52:07,000 --> 00:52:11,399
Speaker 1: much rats left? What up? What up? I've been listening

905
00:52:11,440 --> 00:52:14,160
Speaker 1: to show again, Hayes, I took a little break, needed

906
00:52:14,200 --> 00:52:19,680
Speaker 1: a break. I've been checking it out. What did you

907
00:52:19,760 --> 00:52:23,520
Speaker 1: listen to while you were taking a break? Oh? Uh,

908
00:52:24,440 --> 00:52:37,719
Speaker 1: come down, wow, Tony, come boys wow? All right? Uh?

909
00:52:38,120 --> 00:52:43,479
Speaker 1: Well banks for coming in, Tony. Yeah all right, Hey, Bosh,

910
00:52:44,360 --> 00:52:50,759
Speaker 1: time and money. Gosh to go to work. Okay, So

911
00:52:51,000 --> 00:52:53,160
Speaker 1: I feel like we're getting away from triumphant Comic Con

912
00:52:53,800 --> 00:52:54,400
Speaker 1: a little bit?

913
00:52:54,719 --> 00:52:54,919
Speaker 7: Yeah?

914
00:52:56,320 --> 00:52:59,040
Speaker 1: Is this not working? This thing? Is this show? Oh?

915
00:52:59,280 --> 00:52:59,480
Speaker 12: God?

916
00:53:00,160 --> 00:53:03,440
Speaker 1: Going great? Are you kidding me? This is okay? I

917
00:53:03,520 --> 00:53:06,200
Speaker 1: thought it was. I thought it was. It's going great? Good?

918
00:53:06,480 --> 00:53:08,000
Speaker 5: Yeah, I thought it was. I didn't want to say

919
00:53:08,000 --> 00:53:12,360
Speaker 5: out loud that I thought it was going great. I

920
00:53:12,480 --> 00:53:15,160
Speaker 5: feel like I lost my place in this a little bit.

921
00:53:16,080 --> 00:53:19,680
Speaker 1: Okay, Okay, Well, there was an opportunity for you to

922
00:53:21,080 --> 00:53:23,359
Speaker 1: sort of assert your place in it, which is when

923
00:53:23,440 --> 00:53:28,040
Speaker 1: we started, you were assigned a role that you were

924
00:53:28,640 --> 00:53:32,800
Speaker 1: first unable to find on the page, and then pages

925
00:53:32,840 --> 00:53:34,799
Speaker 1: were not numbered to be fair, and then you were

926
00:53:34,880 --> 00:53:38,400
Speaker 1: skipping huge chunks of words. That's true as you were

927
00:53:38,440 --> 00:53:41,160
Speaker 1: reading it. So I think that was the time to

928
00:53:41,280 --> 00:53:47,600
Speaker 1: really say, like, this is Tom's show, Tom's project, and

929
00:53:47,840 --> 00:53:50,680
Speaker 1: now I'm not sure what the place is. Oh, you

930
00:53:50,760 --> 00:53:53,279
Speaker 1: were offered Tom Sharthur. Yeah, you didn't really seem to

931
00:53:53,320 --> 00:53:57,120
Speaker 1: be enthusiastic about that. In small doses, I think your

932
00:53:57,200 --> 00:54:00,520
Speaker 1: mean impression of me works okay, But when you have

933
00:54:00,600 --> 00:54:02,399
Speaker 1: big chunks of text like this, I think it does

934
00:54:02,480 --> 00:54:04,920
Speaker 1: actually become too en even more so than the real

935
00:54:05,000 --> 00:54:05,480
Speaker 1: version of me.

936
00:54:07,400 --> 00:54:08,600
Speaker 5: Does that hurt when I do that?

937
00:54:10,120 --> 00:54:10,319
Speaker 1: Huh?

938
00:54:10,760 --> 00:54:14,280
Speaker 5: Seriously, drop all this ship? When I do that impression?

939
00:54:15,280 --> 00:54:16,279
Speaker 1: We love getting real?

940
00:54:16,320 --> 00:54:18,520
Speaker 5: Does it hurt? Yeah, let's get real. Let's get real.

941
00:54:18,680 --> 00:54:20,319
Speaker 1: My favorite parts of the show are when we get

942
00:54:20,360 --> 00:54:22,960
Speaker 1: really real. Does it hurt?

943
00:54:26,800 --> 00:54:28,879
Speaker 5: Because also, I'll stop it, I'll never do it again.

944
00:54:29,000 --> 00:54:32,120
Speaker 5: You just say it hurts, I'll never know. Okay, good

945
00:54:32,600 --> 00:54:34,640
Speaker 5: because I was gonna probably keep doing it anyway.

946
00:54:35,360 --> 00:54:37,040
Speaker 1: And does it hurt? So I want to get real

947
00:54:37,080 --> 00:54:38,120
Speaker 1: about like the when when.

948
00:54:38,160 --> 00:54:38,440
Speaker 6: Do you like?

949
00:54:38,480 --> 00:54:39,240
Speaker 5: When I do Brett?

950
00:54:41,280 --> 00:54:43,839
Speaker 3: I know I haven't even heard it, and I know it's.

951
00:54:44,440 --> 00:54:45,800
Speaker 5: Again He's Brett.

952
00:54:49,840 --> 00:54:50,640
Speaker 1: Damn. That's good.

953
00:54:52,520 --> 00:54:54,480
Speaker 5: That doesn't hurt though. You've got a great voice.

954
00:54:54,680 --> 00:54:58,840
Speaker 3: Oh yeah, it's great, Beatles.

955
00:55:00,120 --> 00:55:02,880
Speaker 1: Can I talk about something realizing Brent? Brent could do

956
00:55:02,960 --> 00:55:05,160
Speaker 1: a mean Bill Simmons, Yeah, it's true.

957
00:55:05,239 --> 00:55:07,760
Speaker 8: I mean if you look at it's like Bill Russell.

958
00:55:07,840 --> 00:55:10,160
Speaker 8: I mean it's like you gotta talk about a guy

959
00:55:10,200 --> 00:55:12,360
Speaker 8: like Bill that beer was a thug. Mean, come on,

960
00:55:14,080 --> 00:55:16,880
Speaker 8: I mean we think Kendrick Perkins, I mean, Kendrick Perkins

961
00:55:17,000 --> 00:55:20,400
Speaker 8: was the top tad big bed of the twenty first century.

962
00:55:20,840 --> 00:55:24,880
Speaker 1: Come on, I mean, really, can I say something that

963
00:55:25,000 --> 00:55:28,000
Speaker 1: hurts me a little bit? What's that when Martha talks

964
00:55:28,080 --> 00:55:30,920
Speaker 1: like sarcastically about how she loves about how she loves

965
00:55:31,000 --> 00:55:33,680
Speaker 1: the show, about how she like listens to the show

966
00:55:33,840 --> 00:55:36,400
Speaker 1: and she's such a fan, and thing like it's.

967
00:55:36,640 --> 00:55:40,040
Speaker 6: You've never sarcastically talked about me, And it's this like

968
00:55:40,160 --> 00:55:41,480
Speaker 6: it's this exact thing.

969
00:55:42,880 --> 00:55:46,680
Speaker 1: Like this is this is what do you guys think

970
00:55:46,719 --> 00:55:50,200
Speaker 1: really happened with Epstein? Oh you're sorry? I thought you

971
00:55:51,080 --> 00:55:53,520
Speaker 1: I thought you had left. So this is a Tony

972
00:55:53,640 --> 00:55:57,640
Speaker 1: thing too. The weird thing about the way Tony talks

973
00:55:57,680 --> 00:56:01,759
Speaker 1: about it is Tony says that nothing happens this play

974
00:56:01,840 --> 00:56:06,040
Speaker 1: his day the guy off himself. Where were you digging

975
00:56:06,080 --> 00:56:10,080
Speaker 1: around for? Out of that? I can find anything out

976
00:56:10,120 --> 00:56:15,719
Speaker 1: of that? I say, sleeping dogs lie, just freaking the

977
00:56:15,800 --> 00:56:20,080
Speaker 1: guy you know was unhappy obviously, And let's just leave alone.

978
00:56:20,520 --> 00:56:21,960
Speaker 1: And we're going through flight logs.

979
00:56:22,480 --> 00:56:29,560
Speaker 5: What do you go find, Tody? You ever see good Fellas? Yeah,

980
00:56:30,400 --> 00:56:31,200
Speaker 5: that's a great movie.

981
00:56:32,840 --> 00:56:36,640
Speaker 1: Oh yeah, the rewatch value. You like the rewatch value.

982
00:56:36,800 --> 00:56:41,239
Speaker 1: Oh that's so rewatchable. Oh good Fellas is so rewatchable.

983
00:56:41,840 --> 00:56:48,120
Speaker 1: The part we're still opening part Oh Boogie Knights.

984
00:56:47,920 --> 00:56:50,720
Speaker 5: Oh yeah, Boogie Knights, the fire or the fire crackers?

985
00:56:51,400 --> 00:56:59,560
Speaker 1: Oh you must Oh he's freaking wang when he shows

986
00:56:59,719 --> 00:57:02,319
Speaker 1: way all time.

987
00:57:03,760 --> 00:57:06,879
Speaker 5: And I mean Kyrie had never had a chance at Boston, right.

988
00:57:07,520 --> 00:57:14,560
Speaker 10: Hell on, I'm palm sarmpling, all right, go for it.

989
00:57:14,840 --> 00:57:18,320
Speaker 10: This this actually makes me happy. Welcome to the best show.

990
00:57:19,760 --> 00:57:20,600
Speaker 1: I'm like, I'm.

991
00:57:20,760 --> 00:57:21,720
Speaker 5: Shockingly into this.

992
00:57:22,880 --> 00:57:25,600
Speaker 1: This is making me feel better about myself.

993
00:57:26,040 --> 00:57:27,280
Speaker 5: Keep going, pase, I could listen to.

994
00:57:27,280 --> 00:57:36,000
Speaker 1: An hour of that. I brought a script. Frown script.

995
00:57:41,040 --> 00:57:44,160
Speaker 3: Am I anywhere in the in the I like it?

996
00:57:44,400 --> 00:57:48,680
Speaker 1: Okay, I like him. You're doing something with your cheeks

997
00:57:48,680 --> 00:57:53,280
Speaker 1: that he doesn't really do. Yeah, I don't look, keep

998
00:57:53,320 --> 00:57:53,760
Speaker 1: going with it.

999
00:57:55,640 --> 00:57:57,880
Speaker 3: I don't know what to say. That's the problem.

1000
00:57:59,400 --> 00:58:02,840
Speaker 5: Thanks for I've only done the show eighty times. I

1001
00:58:03,040 --> 00:58:08,760
Speaker 5: can't find an an in on me yet. Hey, do

1002
00:58:08,800 --> 00:58:12,880
Speaker 5: you guys hear a Revolver? It's probably the best Beatles album.

1003
00:58:12,920 --> 00:58:14,880
Speaker 5: A lot of people say Sergeant Pepper is the best.

1004
00:58:15,320 --> 00:58:16,280
Speaker 5: I think it's Revolver.

1005
00:58:18,600 --> 00:58:22,160
Speaker 1: WHOA, this is a hot take. It's like staring in

1006
00:58:22,200 --> 00:58:28,080
Speaker 1: a mirror. Well, so we got to figure out. I mean,

1007
00:58:28,120 --> 00:58:31,640
Speaker 1: how do we get you even sixty dollars back? Yeah?

1008
00:58:32,800 --> 00:58:33,920
Speaker 1: I guess that's where we're at.

1009
00:58:34,360 --> 00:58:35,160
Speaker 5: You know, I don't know.

1010
00:58:35,840 --> 00:58:38,600
Speaker 1: I mean what I found with a script like this,

1011
00:58:38,840 --> 00:58:41,240
Speaker 1: if you do want to perform it, is it if

1012
00:58:41,320 --> 00:58:46,640
Speaker 1: you could kind of mention quip uh huh, that might

1013
00:58:46,800 --> 00:58:49,920
Speaker 1: get you forty dollars.

1014
00:58:51,040 --> 00:58:53,760
Speaker 2: Okay, and then maybe the other twenties you could get

1015
00:58:53,840 --> 00:58:54,640
Speaker 2: in ticket sales.

1016
00:58:55,320 --> 00:58:57,280
Speaker 5: Okay, we could do.

1017
00:58:58,160 --> 00:59:00,880
Speaker 6: We could do a Salta gets to a meet and

1018
00:59:00,960 --> 00:59:02,280
Speaker 6: greet after the.

1019
00:59:02,360 --> 00:59:09,400
Speaker 1: Show, silver circle, gold circle like Patreon kind of that's

1020
00:59:09,440 --> 00:59:13,200
Speaker 1: a good idea. Would you do it? Or you would

1021
00:59:13,880 --> 00:59:14,960
Speaker 1: you sell tickets to it?

1022
00:59:16,400 --> 00:59:19,480
Speaker 6: Would I participate in the meet and greet? If Bosh

1023
00:59:19,600 --> 00:59:22,480
Speaker 6: would go, I won't go if he goes. Not not

1024
00:59:22,640 --> 00:59:24,439
Speaker 6: that I wouldn't want to do it with just Tom,

1025
00:59:24,520 --> 00:59:27,840
Speaker 6: but we could get That isn't what I meant.

1026
00:59:28,440 --> 00:59:29,480
Speaker 1: No, I get it. I get it.

1027
00:59:32,800 --> 00:59:33,160
Speaker 6: Guys.

1028
00:59:34,040 --> 00:59:36,040
Speaker 7: Is there any chance we can keep reading it? I

1029
00:59:36,160 --> 00:59:38,400
Speaker 7: know it sounds made up, but I did spend six

1030
00:59:38,480 --> 00:59:40,600
Speaker 7: hours yesterday rewriting this entire thing.

1031
00:59:40,720 --> 00:59:43,320
Speaker 1: Well, the show is over, We're out of time. Okay.

1032
00:59:43,480 --> 00:59:46,120
Speaker 7: Well, I have a special special message to play. Should

1033
00:59:46,160 --> 00:59:46,560
Speaker 7: I play that?

1034
00:59:47,480 --> 00:59:52,080
Speaker 1: Yeah? A special message? What is this special? Miss? Pople

1035
00:59:52,080 --> 00:59:54,520
Speaker 1: are just freelancing?

1036
00:59:54,720 --> 00:59:57,400
Speaker 5: Yeah, I freelanced and I don't like it.

1037
00:59:58,240 --> 01:00:02,080
Speaker 1: Okay, here we go on, hayes keV. What's that?

1038
01:00:02,680 --> 01:00:05,960
Speaker 11: It's Mosha Kasher and I just wanted to drop you

1039
01:00:06,000 --> 01:00:09,160
Speaker 11: a line and let you know that Tom did tell

1040
01:00:09,240 --> 01:00:12,320
Speaker 11: me about what he was proposing to you today. He

1041
01:00:12,440 --> 01:00:16,120
Speaker 11: told me about the read. I'm delighted. I'm tickled to

1042
01:00:16,240 --> 01:00:20,840
Speaker 11: hear that you guys are taking this thing and bringing

1043
01:00:20,880 --> 01:00:23,000
Speaker 11: it to that next level. I know Tom's trying to

1044
01:00:23,000 --> 01:00:24,280
Speaker 11: convince you to take it on the road, and I

1045
01:00:24,360 --> 01:00:26,400
Speaker 11: want you to know you have my full blessing on that,

1046
01:00:26,640 --> 01:00:30,040
Speaker 11: my full bless at the beginning that I can do

1047
01:00:31,080 --> 01:00:35,160
Speaker 11: just to make some of the true blessings that I

1048
01:00:35,480 --> 01:00:39,120
Speaker 11: was gifted as a result of recording that podcast that

1049
01:00:39,240 --> 01:00:43,200
Speaker 11: fateful day at Comic Con. The kind of blessings I

1050
01:00:43,240 --> 01:00:46,280
Speaker 11: received from that, if they could be spilled over onto you, God,

1051
01:00:46,360 --> 01:00:48,240
Speaker 11: I would be so happy to hear about that.

1052
01:00:50,040 --> 01:00:52,040
Speaker 1: I obviously, you guys know what's happened to me since

1053
01:00:52,120 --> 01:00:53,360
Speaker 1: we taped that episode.

1054
01:00:54,080 --> 01:00:57,200
Speaker 11: A lot of stuff, casting, my own stuff, writing my

1055
01:00:57,280 --> 01:01:00,400
Speaker 11: own stuff, development deals, development deal with Amazon. I mean,

1056
01:01:00,480 --> 01:01:01,800
Speaker 11: I don't want to go into all of it, but

1057
01:01:01,920 --> 01:01:05,080
Speaker 11: it is Amazon and Quibi that I've got development deals out.

1058
01:01:05,120 --> 01:01:06,080
Speaker 1: But I don't want to go into that.

1059
01:01:07,080 --> 01:01:09,720
Speaker 11: And the fact that I've been so successful as a

1060
01:01:09,800 --> 01:01:13,600
Speaker 11: result of that episode is no reflection on YouTube or

1061
01:01:13,680 --> 01:01:16,120
Speaker 11: your talent. Sometimes it just happens like that.

1062
01:01:16,240 --> 01:01:17,160
Speaker 1: It'd be like that, you know.

1063
01:01:17,280 --> 01:01:21,880
Speaker 11: It's like I am essentially the Lena Waithe of that project.

1064
01:01:22,360 --> 01:01:24,320
Speaker 11: What happened to her as a result of Master of

1065
01:01:24,400 --> 01:01:27,200
Speaker 11: None is what happened to me as a result of

1066
01:01:28,000 --> 01:01:30,560
Speaker 11: this episode. And that doesn't mean anything about the other

1067
01:01:30,640 --> 01:01:34,080
Speaker 11: creative minds involved in Master of None, obviously, And this

1068
01:01:34,160 --> 01:01:36,640
Speaker 11: doesn't mean anything about you. Just because nothing's come to

1069
01:01:36,760 --> 01:01:41,200
Speaker 11: you doesn't mean something can't. And that's why I really

1070
01:01:41,280 --> 01:01:43,600
Speaker 11: do want you guys to tom what you're doing. I

1071
01:01:43,760 --> 01:01:47,640
Speaker 11: just want to tell you it's an act of kindness.

1072
01:01:47,720 --> 01:01:52,560
Speaker 11: Thank you and Martha a huge fan, and Sean Hayes, truly,

1073
01:01:52,760 --> 01:01:55,680
Speaker 11: I want you to take this thing and go with it.

1074
01:01:55,840 --> 01:02:00,880
Speaker 11: You know, take those blessings that I've gotten and turn

1075
01:02:00,960 --> 01:02:04,840
Speaker 11: them into gold for yourself. That's that's the plot to

1076
01:02:04,920 --> 01:02:08,040
Speaker 11: Rumpel Still Skin. That is the story Rumpel Still Skin.

1077
01:02:08,560 --> 01:02:12,640
Speaker 11: He took blessings and he turned them into gold, and

1078
01:02:12,920 --> 01:02:15,080
Speaker 11: that is the plot to the story Rumpel Still Skin.

1079
01:02:15,400 --> 01:02:18,000
Speaker 11: And I think you two, I hope that you both

1080
01:02:18,080 --> 01:02:21,160
Speaker 11: become the Rumple and the still Skin of your own story.

1081
01:02:22,040 --> 01:02:28,400
Speaker 11: Because listen, success in Hollywood it's not a sprint. Yeah no,

1082
01:02:28,520 --> 01:02:31,320
Speaker 11: it's a marathon. It's a marathon, not a sprint. So

1083
01:02:31,920 --> 01:02:36,200
Speaker 11: you guys, stop sprinting, you know, get get prepared, start

1084
01:02:36,240 --> 01:02:39,080
Speaker 11: training for that marathon. Okay, because this tour is going

1085
01:02:39,160 --> 01:02:41,440
Speaker 11: to be a beautiful one, but a long one, and

1086
01:02:41,520 --> 01:02:48,960
Speaker 11: you're gonna come in first. So seriously, Sean Hays, just

1087
01:02:49,080 --> 01:02:51,840
Speaker 11: all the best n opportunities to end Monday at the

1088
01:02:51,920 --> 01:02:55,440
Speaker 11: Netflix offices. You know that Kevin and I are like

1089
01:02:55,640 --> 01:02:57,360
Speaker 11: just pitching a little thing about working with.

1090
01:02:57,400 --> 01:02:57,800
Speaker 1: The two of you.

1091
01:02:58,360 --> 01:03:03,680
Speaker 11: It's not really at any rate. Seriously, God bless God

1092
01:03:04,400 --> 01:03:07,200
Speaker 11: the bless for both of you, and God bless the

1093
01:03:07,240 --> 01:03:12,600
Speaker 11: Hollywood Handbook, and God bless everybody. Lena and I we

1094
01:03:12,880 --> 01:03:15,880
Speaker 11: do send our best and are well wished.

1095
01:03:15,880 --> 01:03:16,280
Speaker 1: At least.

1096
01:03:16,360 --> 01:03:19,360
Speaker 11: We're in Milan right now shooting a little movie. And

1097
01:03:19,840 --> 01:03:22,400
Speaker 11: I actually I did just get called a set. So

1098
01:03:22,800 --> 01:03:26,160
Speaker 11: Lena uh sends her best. I obviously send my love

1099
01:03:26,240 --> 01:03:29,680
Speaker 11: and respect and gotta go keep the scene for Fast

1100
01:03:29,720 --> 01:03:34,200
Speaker 11: and Furious. Well, but remember what I said, Marathon. You

1101
01:03:34,240 --> 01:03:37,480
Speaker 11: guys are marathon runners, baby, Okay, so me the blessings

1102
01:03:37,800 --> 01:03:41,280
Speaker 11: spill upon you, annoint you with the holy oil of success.

1103
01:03:41,720 --> 01:03:45,280
Speaker 11: Kevin see a Monday, Martha, huge fan, Tom stop, bless

1104
01:03:45,320 --> 01:03:48,280
Speaker 11: you you are a man. Sean Hayes. Hey, you know what,

1105
01:03:48,440 --> 01:03:51,560
Speaker 11: don't give up, never give up, Do not give up

1106
01:03:51,880 --> 01:03:55,400
Speaker 11: your talented guys. Okay, yeah, yeah, I'll be right there, Okay,

1107
01:03:55,560 --> 01:03:58,800
Speaker 11: coming right now, coming, Okay, gotta run, okay, bye bye.

1108
01:04:00,800 --> 01:04:01,040
Speaker 6: Shit.

1109
01:04:01,280 --> 01:04:04,600
Speaker 1: Wow, that was really nice. That was really nice. It's

1110
01:04:04,720 --> 01:04:07,680
Speaker 1: just a shame that I heard it after the whole

1111
01:04:07,760 --> 01:04:09,520
Speaker 1: project like totally apart.

1112
01:04:09,960 --> 01:04:12,360
Speaker 2: We do need to pull that up to some extent.

1113
01:04:12,720 --> 01:04:14,280
Speaker 2: I feel like we could stick that in the middle.

1114
01:04:14,320 --> 01:04:15,960
Speaker 2: People might stick around for the rest of the show.

1115
01:04:16,160 --> 01:04:19,760
Speaker 1: Yeah like that. Yeah, that would be cool. We could

1116
01:04:19,760 --> 01:04:23,720
Speaker 1: plug that in. But as it is, it's like the

1117
01:04:23,880 --> 01:04:27,680
Speaker 1: day after someone playing a recording being like, hey, guys,

1118
01:04:27,720 --> 01:04:34,680
Speaker 1: good luck with the Challenger. Yeah, it's the voicemail that

1119
01:04:34,880 --> 01:04:40,760
Speaker 1: was left on the NASA headquarters answering machine. Yeah.

1120
01:04:41,680 --> 01:04:43,520
Speaker 2: Hey, I know you're going to do a great launch.

1121
01:04:43,720 --> 01:04:46,080
Speaker 2: It's gonna be so fun, have fun in space.

1122
01:04:46,440 --> 01:04:52,480
Speaker 1: All of it just it's really a shame.

1123
01:04:53,000 --> 01:04:55,520
Speaker 6: Yeah, guys, I have a question.

1124
01:04:56,120 --> 01:04:57,919
Speaker 1: Okay, when do you get to leave? Yeah?

1125
01:04:58,680 --> 01:05:03,120
Speaker 6: No, when would it be okay with all of you?

1126
01:05:03,280 --> 01:05:07,120
Speaker 6: Would you consider giving me the license to get this

1127
01:05:07,800 --> 01:05:11,120
Speaker 6: show that we just did transcribed and take.

1128
01:05:11,000 --> 01:05:13,560
Speaker 1: That on the road and see this is the Martha play.

1129
01:05:13,720 --> 01:05:17,120
Speaker 1: And I have always heard that that this is how

1130
01:05:17,160 --> 01:05:19,320
Speaker 1: it works, and I can see it happening to me,

1131
01:05:19,520 --> 01:05:27,640
Speaker 1: and again I don't mind somehow, Yeah, it's odd. It's

1132
01:05:27,800 --> 01:05:31,280
Speaker 1: so transparent that it's charming. It's like how they you

1133
01:05:32,320 --> 01:05:35,440
Speaker 1: hear that the experience of drowning is actually very peaceful,

1134
01:05:36,480 --> 01:05:41,160
Speaker 1: like just being like held underwater until like the like

1135
01:05:41,280 --> 01:05:44,160
Speaker 1: the feeling stops like that is what it feels like

1136
01:05:44,760 --> 01:05:46,360
Speaker 1: negotiating with Martha.

1137
01:05:48,920 --> 01:05:51,600
Speaker 2: Yeah, obviously, if you want to make a transcript of

1138
01:05:51,720 --> 01:05:54,480
Speaker 2: the episode where we were reading a transcript for some

1139
01:05:54,680 --> 01:05:58,800
Speaker 2: parts of it, often repeating them, and then Tony.

1140
01:05:58,560 --> 01:05:59,280
Speaker 1: The kat came in.

1141
01:06:01,480 --> 01:06:07,080
Speaker 2: And you can do that, I guess, just where are

1142
01:06:07,120 --> 01:06:10,080
Speaker 2: you going to keep all the money? That would be

1143
01:06:10,160 --> 01:06:14,040
Speaker 2: my question to you, because that is solid.

1144
01:06:14,800 --> 01:06:18,880
Speaker 6: What would I would use part of it? Of course,

1145
01:06:19,000 --> 01:06:25,560
Speaker 6: to compensate Tom for the original idea sixty the sixty

1146
01:06:25,640 --> 01:06:29,920
Speaker 6: dollars for this script, and then maybe another like thirty

1147
01:06:30,040 --> 01:06:33,520
Speaker 6: to forty just for the licensing because it was your idea.

1148
01:06:33,720 --> 01:06:35,320
Speaker 1: So can you round up to one hundred?

1149
01:06:35,520 --> 01:06:40,040
Speaker 6: Like just sixty plus thirty is ninety? But sure, Okay,

1150
01:06:40,840 --> 01:06:43,919
Speaker 6: that seems a little like I'm being manipulated.

1151
01:06:44,200 --> 01:06:45,800
Speaker 5: No, no, I'm just trying to get because there was

1152
01:06:45,880 --> 01:06:48,720
Speaker 5: sixty plus. There's like a little attack on a little

1153
01:06:48,760 --> 01:06:49,880
Speaker 5: service thing at.

1154
01:06:49,800 --> 01:06:53,800
Speaker 6: Fiver Oh okay, do you want me to make it

1155
01:06:53,880 --> 01:06:54,400
Speaker 6: one hundred?

1156
01:06:54,440 --> 01:06:56,320
Speaker 1: And like, no, no, no, I'm not.

1157
01:06:56,440 --> 01:06:58,080
Speaker 5: I'm not going to be a pig about this. One

1158
01:06:58,120 --> 01:07:02,120
Speaker 5: hundred even would be great, okay, and then I'll take that.

1159
01:07:02,320 --> 01:07:04,440
Speaker 5: Then that'll be kind of a victory again for me,

1160
01:07:05,000 --> 01:07:06,480
Speaker 5: Tom wins again.

1161
01:07:06,720 --> 01:07:09,520
Speaker 1: What's next for you? To? What isn't next for me?

1162
01:07:11,400 --> 01:07:13,640
Speaker 5: Coming back on this show is probably one of the

1163
01:07:13,760 --> 01:07:15,760
Speaker 5: things that will never be asked back.

1164
01:07:18,240 --> 01:07:22,080
Speaker 1: I get it. Yeah, let's be fair, Tom, you were

1165
01:07:22,240 --> 01:07:23,600
Speaker 1: you were asked in this case.

1166
01:07:23,720 --> 01:07:26,720
Speaker 5: I'm hurt by Brett's impression with me. I don't want

1167
01:07:26,760 --> 01:07:27,240
Speaker 5: to come back.

1168
01:07:28,080 --> 01:07:32,640
Speaker 1: Everything about it go great, you can say bye and

1169
01:07:32,720 --> 01:07:36,640
Speaker 1: the Tomboys well, let me just is that what you're

1170
01:07:36,680 --> 01:07:41,400
Speaker 1: doing boy Ham