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Speaker 1: I had like lean back this ship with number one

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Speaker 1: forty seven weeks. They have freestyles or something. And ye

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Speaker 1: know the Grammys. Let's listen. We love the Grammys. I

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Speaker 1: want to win one this year. But I finally went again.

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Speaker 1: Got joey rch Yeah, they gotta get me right, I

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Speaker 1: got like you. I should have won that flat out,

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Speaker 1: should have won like all the way up.

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Speaker 2: Let's get it.

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Speaker 3: Sorry, huh, let's get it. Let's get it started. Well

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Speaker 3: that was that? Would I let the flag man? Yeah? Yeah?

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Speaker 3: What up? Y'artist is Joe cracked the dawn? You know

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Speaker 3: who it is? Oh, go ahead, you got some more

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Speaker 3: a ka I had parties.

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Speaker 1: Joe cracked the dawn. A knack of Jada.

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Speaker 3: What's up, dude? It is your boy, Jada. This is

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Speaker 3: the Joe and Jada Show.

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Speaker 4: Every show legendary, every show icony, and we continue to

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Speaker 4: crush them. When you think of today's guests, that's right.

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Speaker 4: Remember I just told you every show legendary, every show iconic.

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Speaker 4: Those are the key words. You think of today's guests,

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Speaker 4: you think of a crossover problem. Somebody who took that

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Speaker 4: Latin trap lane and turned it into a highway. I

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Speaker 4: think Kansas City roots, Puerto Rican hustle, punchlines in two languages.

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Speaker 4: Listen to that show punchlines and two languages, a catalog

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Speaker 4: heavy enough to talk back to whoever.

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Speaker 3: You know what I mean?

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Speaker 4: You think multi platinum plates, La Grammy, weight.

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Speaker 3: In the flow, so cold to make your favorite wrapper.

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Speaker 4: Bundle up, ladies and gentlemen, give it up.

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Speaker 3: I'm gonna need to cut that and use that for

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Speaker 3: an intro something. Brother, how doing normally? I just get

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Speaker 3: to the case.

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Speaker 1: But the shoes you got on, I'm trying to figure

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Speaker 1: out that on the record, like.

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Speaker 3: You cool with shoes. I got my days for me

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Speaker 3: to be honest, I'm a very. I'm a very. I'm

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Speaker 3: a very being in my house, you know, because I

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Speaker 3: see you with the with with the dock holes and

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Speaker 3: if you just did he box down the street with

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Speaker 3: the docles.

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Speaker 1: I wear shoes under arrest, nigga, like if I'm locked

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Speaker 1: up or I gotta.

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Speaker 3: Go to like an award ship of sucker says I

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Speaker 3: got comfortable, Yeah, yes, comfortable. It's comfortable too, yo yo tey,

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Speaker 3: you got sneakers on. I'm just saying, I'm I'm just

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Speaker 3: trying to ask me if I'm not wearing all these shoes.

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Speaker 3: I'm always New Balance stuff. That's that's one hundred percent.

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Speaker 3: I saw that.

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Speaker 1: I saw you get big money with New Balance. I

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Speaker 1: love you know it's comfortable. That's comfortable, comfortable. You know

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Speaker 1: it's time for my sneaky to come out. I think

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Speaker 1: it's time for me to call that we've been hold.

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Speaker 1: It's been a hole. So I think now I'm gonna

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Speaker 1: make the call and that you know, we gotta drop

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Speaker 1: that t yes, the red joint. You know, we have

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Speaker 1: always one nice moment, stop front, give it to the people,

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Speaker 1: give it, come on. I have always been very very

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Speaker 1: impressed by your skills, by your flows. You never do

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Speaker 1: the same ship twice. Appreciate your collaborations. Tell us about

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Speaker 1: your upbringing. How'd you get into Latin rap? Do you

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Speaker 1: consider Reggord Torneto or Latin rap?

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Speaker 3: Sah if we go by the like, you know, technically

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Speaker 3: I don't do that many thrones, but like you have

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Speaker 3: to me, you're more like a rapper. So you're like

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Speaker 3: a Latin rapper, but like more than just the thing,

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Speaker 3: like you know Latino like on our side, I think

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Speaker 3: like in the thing, like American music. You guys get

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Speaker 3: boxed in like if he's a rapper, you can't do

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Speaker 3: a dance hall. It was like, it's the very us.

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Speaker 3: We have to do everything like we have to You

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Speaker 3: do dance hall, afro b we gotta do trap, we

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Speaker 3: gotta do rap, we gotta like the fans are gonna

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Speaker 3: open to hear what you have to offer.

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Speaker 1: Like another man, I'm very impressed by your music, brother,

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Speaker 1: because you know, you know what's crazy.

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Speaker 4: Great analogy. That was a great analogy. Yeah, but you

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Speaker 4: know what's crazy. First of all, Joe and Jada the

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Speaker 4: number one showing the game. Come on, come on, I

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Speaker 4: don't give a fuck where you are.

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Speaker 3: I'm home.

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Speaker 1: I took the night off right. First of all, I

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Speaker 1: ain't want my wife to feel like I'm doing too

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Speaker 1: much because it's Sancho paid, Jada were Sancho paid. And

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Speaker 1: then I get back and I know the fighters on,

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Speaker 1: so I'm like, man, should I pull up on a

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Speaker 1: fight like you know, I might be doing too much.

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Speaker 3: So I didn't want to get beef in the cribs.

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Speaker 3: I just threw it very.

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Speaker 1: And I seen you walking this Zander the body man,

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Speaker 1: he's a tough guy, and then you walking in boots.

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Speaker 3: So every time I see us some ship like that

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Speaker 3: or I'm there. I feel like Joe and Jada's record.

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Speaker 1: I don't know if I'm delusion to about that, but

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Speaker 1: when I see it, I said, Dann, they can't escape

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Speaker 1: us for nothing.

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Speaker 3: This motherfucker.

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Speaker 1: Well, you walked in Xander and he walking boots. How

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Speaker 1: do you know boots? And you could tell me how

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Speaker 1: you know Xander?

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Speaker 4: Oh, they reached out to these people and you just

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Speaker 4: knew he just shut out to my man, Harrio, I

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Speaker 4: always knew I got an artist stuff.

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Speaker 3: From his same part of Philly, Germantown.

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Speaker 1: Man from you've seen that ship, you know Philly is

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Speaker 1: you've seen the comments because you'll like to look at

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Speaker 1: comments now you love Oh don't Philly now that nigga

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Speaker 1: from here?

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Speaker 3: He on the block over here. Don't play with me,

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Speaker 3: you know what I'm saying. How do you know Xander

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Speaker 3: like that? Man? I know Zenda for a while. Man,

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Speaker 3: I've seen him, you know, grow as a fighter, and

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Speaker 3: that's my brother in law. Every time I get a

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Speaker 3: chance to walk out with him, see him of fight life,

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Speaker 3: I go, Man. I love when seeing my friends doing

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Speaker 3: amazing things, you know, saying being boxing, being baseball, being

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Speaker 3: basketball reminds me of he's scared of nobody. He's a dog.

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Speaker 3: Boy's a dog. He's a dog. He's a young fighter.

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Speaker 3: He has his whole career ahead of him. He's he's

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Speaker 3: the dog. The dog.

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Speaker 1: He swagged out he coming there on that bullship. But

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Speaker 1: you know he had you know, he didn't have to

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Speaker 1: fight that fight. You know, I guess he got the experience.

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Speaker 1: Guy has b harn. I think I would have I

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Speaker 1: would have ran away from the guy. I think I

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Speaker 1: wouldn't have ducked him a little bit more. I would

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Speaker 1: have been like, no, no, no, let me go another

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Speaker 1: weight class or something. Because the guy, the guy boots.

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Speaker 1: Guys like boots, they can't even get fights. They's so good,

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Speaker 1: and people like you know, people was avoiding from now

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Speaker 1: the sporting that fight. So it was an amazing fight

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Speaker 1: was amazing. It was a great aod fight.

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Speaker 3: The fight of the year.

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Speaker 1: If it would have lasted a little bit long, would

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Speaker 1: have been a fight of the year. You know, Ship,

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Speaker 1: they got busy, they got both fighters. They were really great,

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Speaker 1: but both of you guys at the whole people and

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Speaker 1: I said, oh, Ship, Monday, I.

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Speaker 3: Saw Jaden when when I walked in the what's it

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Speaker 3: called the backstage? I said, oh, snap, we want to

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Speaker 3: go to the show on Monday. And I said, no,

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Speaker 3: that's hot man, and man, you nasty like my upbringings.

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Speaker 3: My upbringings.

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Speaker 1: Yeah, I want to know how do you get into

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Speaker 1: Latin rap? Who was some of your inspirations so Spanish?

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Speaker 1: And it because you definitely got English inspiration, yeah, undred percent,

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Speaker 1: because all you do is rap in Spanish. But your

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Speaker 1: floats and everything and what you talked about is really

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Speaker 1: English rap ship.

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Speaker 3: Yes. I was raised in the States, man. I got

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Speaker 3: to port I was like ten. My dad was in

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Speaker 3: the military. Like I moved around. My whole family from

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Speaker 3: New York, my parents, from my grandma lived in where

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Speaker 3: everywhere my grandma was in Red Hook I got. I

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Speaker 3: got cousins. I got like one hundred Collins over here.

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Speaker 3: I got twelve uncles and honest, but like I moved

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Speaker 3: on as a kid. I didn't know Spanish until I

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Speaker 3: was like ten. You know, there was time here, something there.

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Speaker 3: But my dad retired from the army, so like I

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Speaker 3: didn't have to do anything in the States anymore. You

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Speaker 3: want to go back home, So I was talking about

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Speaker 3: in Puerto Rico, learn Spanish watching nobilis speaking God over there.

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Speaker 1: One thing that's uh a default the Puerto Rico for

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Speaker 1: the most part is it's America. But they don't speak

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Speaker 1: English over there like they should, oh you know, but

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Speaker 1: not now they's starting.

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Speaker 3: Yeah, all the schools, you know. It was like I'd

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Speaker 3: be like, yo, you got and you gotta like American

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Speaker 3: people finding put Rico buy a house over here. So

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Speaker 3: you're like, you know, you got all the restaurants, establishments.

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Speaker 3: You know, they required you to be about ling going

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Speaker 3: out too.

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Speaker 1: But such when the reggae tone ship started, they offered

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Speaker 1: me the biggest bag in the world, Atlantic Records for

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Speaker 1: me to make a reggae tone album. I was trying

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Speaker 1: to tell them I don't speak Spanish like that, so

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Speaker 1: my ship going to sound whack. It's just no way

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Speaker 1: around it. It wasn't like I didn't want to do

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Speaker 1: it with the right producer at the moment you would

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Speaker 1: have li but still my flow, my ship wouldn't have been.

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Speaker 3: It wouldn't have been. I think you would you know,

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Speaker 3: made some shap, you could have made some shake little,

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Speaker 3: make some ship. Yeah, it wouldn't have been like that

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Speaker 3: rapper at the end of the day man, don't I

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Speaker 3: know a lot of rappers that they would do. They

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Speaker 3: would wrap on top of rap beasts and then they

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Speaker 3: would just switch the beat out. Don't after yeah, especially

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Speaker 3: you know wrapped, it would be half and half.

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Speaker 1: Don't explain it too much because you're giving me ideas

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Speaker 1: right now.

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Speaker 3: Like IgE to a lot of you know and candle

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Speaker 3: a lot of you know those after their father beat

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Speaker 3: a lot of times it will be half wrapped and half.

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Speaker 1: I used to be with her their father, yea, before

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Speaker 1: he was in church, you know, the man, the man,

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Speaker 1: the man crew out there and then went.

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Speaker 3: Into the.

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Speaker 1: He became a pastor and so now he goes to

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Speaker 1: jails and everything and shout out to her father.

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Speaker 3: I haven't seen him in years. I used to hang

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Speaker 3: out with him the point the community at the prime,

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Speaker 3: like when they were that's that's that's one of my

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Speaker 3: favorite ra's. I went to Dago's wedding, I was.

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Speaker 1: I went to Thayer's wedding and there goes more like, well,

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Speaker 1: there goes the black reggae.

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Speaker 3: He's from the black.

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Speaker 1: Hood out there. You know, it's a whole black hood

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Speaker 1: out there. His son is named Hall them and some

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Speaker 1: ship like he was the Afro lot. He was the

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Speaker 1: first Afro.

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Speaker 3: Lot, you know, I think who accepted and said ya.

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Speaker 3: It was crazy because like if you consider the age

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Speaker 3: he started popping off like it wasn't a twenty four,

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Speaker 3: twenty six, he was thirty like high. You feel me?

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Speaker 3: You want to know that's crazy. I didn't notice that.

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Speaker 1: You already know when it's a real moment, you need

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Speaker 1: a real bottle. That's why we rock with eighteen hundred tequila.

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Speaker 3: Y'all heard me. These people are making tequila for eleven generations.

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Speaker 3: That's right, eleven. That's a legacy. That's OG's status. Oh j.

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00:12:16,679 --> 00:12:19,959
Speaker 3: They were the first to introduce and Naho set the

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Speaker 3: standard before most of these brands even.

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Speaker 4: Existed, and you could taste the difference for real. The

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Speaker 4: eighteen hundred crystallino in Reprisodo is what we've been on. Lady,

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Speaker 4: move clean eleviy, no burn, no rough edges, just a

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Speaker 4: premium pour that speaks for itself. You know, when it's

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Speaker 4: something that is just built right, that's what this is.

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Speaker 3: Real talk, That's just what it is.

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Speaker 1: It's always around for the best nights, the wins, the celebrations,

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Speaker 1: to remember that night's story.

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Speaker 4: Whether you're keeping it low key with the crew, or

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Speaker 4: you're pulling up to a big event. Eighteen hundred fits

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Speaker 4: every seven. It ain't trying too hard. It's just that

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Speaker 4: hundred tequila, real legacy, real smooth.

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Speaker 1: That's the move, true, true, true. What hip hop with

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Speaker 1: such a young sport? Right Like I'm watching the BT

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Speaker 1: Awards and I say, NAS come out if you listen

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Speaker 1: to them lyrics, and Nas was twenty to twenty four

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Speaker 1: years old. The ship he was spending on, if I

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Speaker 1: ruled the world like the youth, they really had something

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Speaker 1: the same.

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Speaker 3: You know.

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Speaker 1: That's why I love the song you got with Xander

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Speaker 1: in the video said it's encouraging the kids, letting them

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Speaker 1: know if you could dream about it, it's possible. Tell

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Speaker 1: us about that and why it was important to you

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Speaker 1: to do like a motivational song like that.

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Speaker 3: All right, So me, I'm very conscious that I got

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Speaker 3: you know, I got my song, my eight year music

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Speaker 3: that it's just you know, I do it thinking about

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Speaker 3: the show because my shows were like there's full blown

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Speaker 3: mosh pittures. They're like very high energy. So I strategically

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Speaker 3: do these songs repealing and beg go happen. It's not

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Speaker 3: saying so it's just a hype song t me as

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Speaker 3: an artist, you know, I do feel the responsibility, you know,

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Speaker 3: to go dig a little bit deeper. You know, you

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Speaker 3: know they got you got kids listening. I got people

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Speaker 3: who don't want to be jumping in mospits, who really

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Speaker 3: want to sit down while they're driving the work times,

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Speaker 3: like going into nine to five. What could I what

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Speaker 3: could I record to help help them, you know, getting

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Speaker 3: a better mood to you know, go to work. What

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Speaker 3: could I record to make this baseball player want to

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Speaker 3: put this song in is you know, is as that back?

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Speaker 3: What can I do like to make these athletes, you know,

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Speaker 3: getting the zone? Because I was extreamming, like I used,

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Speaker 3: I used music to you know, to get into that

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Speaker 3: you know that that that zone. And that's what I

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Speaker 3: think about. I do music all the time. So I

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Speaker 3: got songs like Goro. I think that's when I started

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Speaker 3: popping off my music. When I dropped a solo mixtape,

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Speaker 3: it was just straight progress music, you know, motivational music,

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Speaker 3: and like there was a space in the in the

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Speaker 3: genre and that music that people really didn't open up

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Speaker 3: like that. So when I started doing that, like you

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Speaker 3: just created this this crazy, you know, cold fan base.

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Speaker 3: People wanted to listen to music for other reasons. You know,

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Speaker 3: I still do my igno manship, but like who else

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Speaker 3: come up.

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Speaker 1: With with how long you been you've been signed putting

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Speaker 1: out music professionally?

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Speaker 3: And who else was that batch? It came around the

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Speaker 3: times you you was coming that class. My class is

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Speaker 3: the class Benito bad who Cloud, oh man, he was

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Speaker 3: rocking too, you know, and the things that it's cool

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Speaker 3: to see all them casts like going crazy because Benito

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Speaker 3: the game a lot of ship all he d like this,

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Speaker 3: he does like this, Nigga's super hopping. Let me tell

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Speaker 3: you something.

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Speaker 1: This guy whatever boom Yo, listen, this guy bad Buddy,

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Speaker 1: Let me tell you something because it was and there's

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Speaker 1: no disrespect to nobody because I love everybody, but it

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Speaker 1: was at that point it was a battle of Annuel

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Speaker 1: or Sooner J Balvin.

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Speaker 3: Everybody was putting out hits.

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Speaker 1: But I don't know what the fuck Bad Bunny did

295
00:16:15,720 --> 00:16:19,000
Speaker 1: that made him a fucking bat man or some ship

296
00:16:19,080 --> 00:16:20,960
Speaker 1: that Nigga threw the sign up on top of that

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Speaker 1: building and that No, they all had hits. They all

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Speaker 1: was throwing off platdom ship. Everybody was big music and

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Speaker 1: that nigga just took off like a superhero.

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Speaker 3: I don't you know it helps a lot with him,

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00:16:32,880 --> 00:16:36,040
Speaker 3: Like he could literally be in a studio solo and

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00:16:36,120 --> 00:16:38,760
Speaker 3: come out with that. He produces os fust ship, he

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00:16:38,800 --> 00:16:42,880
Speaker 3: produces all you mean, his own beats that he did

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00:16:43,040 --> 00:16:45,680
Speaker 3: those beats like you know, like wow, yeah, he's he's

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00:16:45,840 --> 00:16:48,920
Speaker 3: like musically he's nice. And that's that's probably the big

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Speaker 3: reason his team is amazing, just really really talented.

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Speaker 1: That we having a debate last night. We're going to

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Speaker 1: dinner with a couple of friends and they debating fuck it,

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Speaker 1: jay Z no no no Slow my partner, right, they

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Speaker 1: debating jay Z or Drake, And you know, my man

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Speaker 1: is like yo, Drake been doing this for twenty years

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Speaker 1: straight and still got young kids love it.

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Speaker 3: Hope come out with something. The older guys are gonna

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Speaker 3: love it, But what about the youth? Is a good debate,

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Speaker 3: But it's hard to keep, you know, once you get

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Speaker 3: this to a certain level, to keep on delivering, like

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00:17:27,200 --> 00:17:29,240
Speaker 3: you know, come bet in those places. You know what

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00:17:29,359 --> 00:17:31,639
Speaker 3: else could he do? Can I sousa joint and just

319
00:17:31,680 --> 00:17:34,800
Speaker 3: went bo came Puerto Rican and made that sound commercial

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Speaker 3: like constantly raising the bar is difficult at that level,

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Speaker 3: you know. So that's that's that's that's very that's hard.

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Speaker 1: I wouldn't say just raising the bar, raising the bar

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Speaker 1: or something you gotta do. So like Kim he got

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Speaker 1: this classic so on why when he did that that

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Speaker 1: was to be Jada was raising the bar. I think

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Speaker 1: the thing you you hit on first was actually right

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Speaker 1: right because.

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Speaker 3: Rick rosson could have signed d J.

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00:18:01,920 --> 00:18:04,639
Speaker 1: Keller was begging me yo, sign him, sign him, sign him,

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Speaker 1: sign him, sign him when he had hustling right, I

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00:18:08,160 --> 00:18:12,080
Speaker 1: honestly didn't think Rick ross was going to have a

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Speaker 1: long career because that was like at the.

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00:18:15,600 --> 00:18:18,800
Speaker 3: Time, that sound was like what was going on at

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00:18:18,840 --> 00:18:20,320
Speaker 3: the time. I didn't think you think.

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Speaker 1: I thought Rick Ross was gonna have ten albums, one

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00:18:23,840 --> 00:18:25,680
Speaker 1: of the greatest rappers of all times.

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00:18:25,720 --> 00:18:28,600
Speaker 3: This is at hell though, that happens, and so you

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Speaker 3: gotta respect guys with me with an artist.

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Speaker 1: Artists might come up with one head, two hits, right,

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00:18:35,359 --> 00:18:38,320
Speaker 1: and then I'm just like, and then when they come

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00:18:38,359 --> 00:18:40,920
Speaker 1: out again and they come up with another hit, another head,

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00:18:41,000 --> 00:18:45,080
Speaker 1: and then they come up with another I said, I'm like,

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Speaker 1: they trying to stay This ain't the saying bit stop

344
00:18:48,680 --> 00:18:51,160
Speaker 1: my nigga. The motherfuckers want that long? Would you think

345
00:18:51,280 --> 00:18:54,959
Speaker 1: has that that juice? Like nowadays and like modern rappers

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00:18:55,000 --> 00:18:56,040
Speaker 1: and you know what hip hop?

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Speaker 3: Right now? You asked me a funny question because I

348
00:18:59,760 --> 00:19:02,840
Speaker 3: don't really know aboudy who's here in five years is

349
00:19:02,880 --> 00:19:07,920
Speaker 3: still gonna be Drake is still gonna be from Drake?

350
00:19:08,760 --> 00:19:13,760
Speaker 3: He did this better ready coming up? I can't really,

351
00:19:13,880 --> 00:19:19,000
Speaker 3: y'all honestly tell you right now? Don who don Toliver

352
00:19:19,200 --> 00:19:22,639
Speaker 3: or something? I think it is really good fires fire,

353
00:19:23,200 --> 00:19:26,919
Speaker 3: like if we're going that way, I really ranked artists

354
00:19:27,920 --> 00:19:31,600
Speaker 3: ask me a question that we can't even answer. Could

355
00:19:31,640 --> 00:19:34,560
Speaker 3: you answer it? Kiss? Like who's the young nigga that

356
00:19:34,640 --> 00:19:37,760
Speaker 3: is gonna be on my giant off of albums? Like

357
00:19:37,800 --> 00:19:40,439
Speaker 3: when I hear like artists really like digging into albums

358
00:19:40,480 --> 00:19:43,159
Speaker 3: and doing like good question? Why are you looking at

359
00:19:43,200 --> 00:19:44,879
Speaker 3: me like I'm trying to listen.

360
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Speaker 1: We gotta be able to say no, jay Z, y'all

361
00:19:49,440 --> 00:19:53,160
Speaker 1: eminem right now, we don't have that type of selection.

362
00:19:53,359 --> 00:19:55,040
Speaker 3: Or maybe I'm just old and I don't know who

363
00:19:55,119 --> 00:19:56,520
Speaker 3: the hottest younger? Why would you think?

364
00:19:56,600 --> 00:19:56,639
Speaker 5: What?

365
00:19:56,680 --> 00:19:56,720
Speaker 3: What?

366
00:19:56,880 --> 00:19:56,920
Speaker 5: What?

367
00:19:57,040 --> 00:19:59,240
Speaker 3: Why is the reason why why can't your name other.

368
00:19:59,160 --> 00:20:02,719
Speaker 1: Rappers, you need to put quality out, like you're absolutely

369
00:20:02,840 --> 00:20:05,560
Speaker 1: right right now. My money's on the old guys. My

370
00:20:05,680 --> 00:20:08,159
Speaker 1: money's on me, my money's on him, my money's on

371
00:20:08,280 --> 00:20:12,440
Speaker 1: French Montana, my money's on TI. His album is really hot,

372
00:20:13,000 --> 00:20:16,720
Speaker 1: and for some reason, everybody step back. They let the

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Speaker 1: youth run with it for like ten years or whatever,

374
00:20:20,280 --> 00:20:23,119
Speaker 1: and then they're like, Okay, these motherfuckers don't want to

375
00:20:23,200 --> 00:20:24,199
Speaker 1: deliver classics.

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00:20:24,680 --> 00:20:26,520
Speaker 3: Then we got to come back out and deliver. You

377
00:20:26,680 --> 00:20:30,320
Speaker 3: think that sometimes maybe I think sometimes like you know,

378
00:20:30,520 --> 00:20:34,120
Speaker 3: the media puts out so much information that you think

379
00:20:34,160 --> 00:20:36,320
Speaker 3: that's the only information that's out there. And then you're like,

380
00:20:37,480 --> 00:20:40,399
Speaker 3: I mean, back down before I start, you know, like

381
00:20:40,520 --> 00:20:43,439
Speaker 3: maybe that's not what's really happening. You feel me like, oh,

382
00:20:43,520 --> 00:20:45,800
Speaker 3: this is the most hard like popping ours right now.

383
00:20:45,840 --> 00:20:48,159
Speaker 3: But maybe it's not happening. Maybe you're doing better, Like

384
00:20:48,280 --> 00:20:51,080
Speaker 3: you know, I feel like you know the media really

385
00:20:51,240 --> 00:20:53,960
Speaker 3: like you know, you know what I do over You

386
00:20:54,359 --> 00:20:57,719
Speaker 3: know what I do is I go off for energy. Right,

387
00:20:57,960 --> 00:21:00,399
Speaker 3: So let me let me tell you what a hit.

388
00:21:00,880 --> 00:21:04,800
Speaker 3: What do you think it hit is? I think a

389
00:21:05,000 --> 00:21:07,879
Speaker 3: hit is something that you you can see visibly in

390
00:21:08,040 --> 00:21:10,320
Speaker 3: shows that's that's the one thing you can't fake. You can't.

391
00:21:10,440 --> 00:21:12,480
Speaker 3: You can't pay someone to go to your show. You

392
00:21:12,560 --> 00:21:15,520
Speaker 3: can't even I know, I know people artists. I wouldn't

393
00:21:15,560 --> 00:21:17,800
Speaker 3: go to their shows even if they pay you. Feeling,

394
00:21:17,880 --> 00:21:22,399
Speaker 3: what do you think they hit undeniable? You hear it,

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00:21:22,520 --> 00:21:26,000
Speaker 3: it makes something that you just know when when you

396
00:21:26,160 --> 00:21:28,359
Speaker 3: hear it, you feel it. I narrowed it down to

397
00:21:28,480 --> 00:21:31,440
Speaker 3: a feeling, a feeling, That's what I just said. So

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00:21:31,760 --> 00:21:32,679
Speaker 3: if you if you.

399
00:21:32,800 --> 00:21:35,600
Speaker 1: Right now they play that spending that ship, you're like,

400
00:21:35,720 --> 00:21:38,640
Speaker 1: oh ship, that's that ship, Or if you heard Lean

401
00:21:38,760 --> 00:21:41,640
Speaker 1: back when it first came out it made you feel

402
00:21:41,680 --> 00:21:45,119
Speaker 1: like a hit is actually a feeling. It's not just

403
00:21:45,880 --> 00:21:49,640
Speaker 1: this style of music or this success is if that record,

404
00:21:50,000 --> 00:21:52,840
Speaker 1: if you feel like playing that ship over and over again,

405
00:21:53,960 --> 00:21:56,680
Speaker 1: that that makes it a hit, right.

406
00:21:57,080 --> 00:21:59,280
Speaker 3: Yeah, But you know it's crazy too. I think it was.

407
00:21:59,400 --> 00:22:04,480
Speaker 3: It was for y'all because, like producing wise, there's a

408
00:22:04,560 --> 00:22:06,520
Speaker 3: lot of stuff that y'all did for the first time.

409
00:22:06,840 --> 00:22:09,040
Speaker 3: So like when when it's hard turn now, we just

410
00:22:09,080 --> 00:22:13,120
Speaker 3: were like recycling stuff that has already it's very hard

411
00:22:13,200 --> 00:22:16,040
Speaker 3: to to really for be a racer. I don't have

412
00:22:16,119 --> 00:22:19,880
Speaker 3: to do y'all done, so mustard.

413
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453
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Speaker 1: Know an artist that I really studied. I would have

454
00:24:17,440 --> 00:24:20,640
Speaker 1: never did lean Back if it wasn't for missing right. Yeah,

455
00:24:21,080 --> 00:24:23,440
Speaker 1: I studied it because you like, is that your bitch when?

456
00:24:23,480 --> 00:24:27,200
Speaker 1: And then then then then then is that your bitchin?

457
00:24:27,240 --> 00:24:31,040
Speaker 1: And then with and I was like noticing because when

458
00:24:31,240 --> 00:24:33,080
Speaker 1: I was coming up, I don't know if he knew,

459
00:24:33,760 --> 00:24:38,240
Speaker 1: but when I was coming up, I was figuring it out.

460
00:24:38,680 --> 00:24:39,560
Speaker 3: So I'm I'm you know.

461
00:24:39,680 --> 00:24:42,280
Speaker 1: My first song was called flow Joe, but I didn't know.

462
00:24:42,600 --> 00:24:44,879
Speaker 1: I already had to hit formula, but I hit it

463
00:24:44,960 --> 00:24:47,480
Speaker 1: by mistake. So it's like you gotta flow Joe.

464
00:24:47,600 --> 00:24:48,560
Speaker 3: You gotta gotta guy.

465
00:24:48,640 --> 00:24:52,280
Speaker 1: You gotta flow Joe, you gotta So it's the repetitiveness.

466
00:24:52,880 --> 00:24:55,280
Speaker 1: So with lean Back, I purposely when I was making

467
00:24:55,320 --> 00:24:58,600
Speaker 1: that hook, I said lean back, lean back, lean back,

468
00:24:58,600 --> 00:25:00,680
Speaker 1: because I said, all right, I'm gonna say make it rain,

469
00:25:00,840 --> 00:25:02,800
Speaker 1: make it rain, make it rain, so that you could

470
00:25:03,320 --> 00:25:06,840
Speaker 1: I didn't know that coming up in the game, but

471
00:25:07,000 --> 00:25:10,440
Speaker 1: I learned that from Missy because Milly Missy would always

472
00:25:10,920 --> 00:25:13,320
Speaker 1: make hooks like that. They keep that people could sing,

473
00:25:13,400 --> 00:25:17,200
Speaker 1: a little kid to sing whatever. She always reinvented herself.

474
00:25:17,240 --> 00:25:19,840
Speaker 1: We beat you all to a lot of ship because

475
00:25:20,680 --> 00:25:23,240
Speaker 1: we heard eminem for the first time. Hi my name,

476
00:25:23,320 --> 00:25:27,920
Speaker 1: Miss Niggas was like, Yo, don't fuck is that that

477
00:25:28,040 --> 00:25:30,879
Speaker 1: ship was like the aliens came down like Wimby and

478
00:25:30,960 --> 00:25:34,440
Speaker 1: Ship or you know him Jay.

479
00:25:35,400 --> 00:25:37,760
Speaker 3: You know, it was nothing like him and the Lots

480
00:25:37,800 --> 00:25:41,080
Speaker 3: when they were young, you know, the Lots and that,

481
00:25:41,880 --> 00:25:44,360
Speaker 3: Like it was like that ship was. So we got

482
00:25:44,440 --> 00:25:48,040
Speaker 3: the experience. There was a lot of things firsthand. And

483
00:25:48,200 --> 00:25:50,560
Speaker 3: the music. I think people theme for music because it

484
00:25:50,640 --> 00:25:54,240
Speaker 3: was way more. It was not accessible, like no, you

485
00:25:54,400 --> 00:25:59,359
Speaker 3: have to literally go get the little mixtape or online

486
00:25:59,400 --> 00:26:02,920
Speaker 3: and tap ninety four in the tape area there.

487
00:26:02,960 --> 00:26:05,639
Speaker 1: But like the c jay Z dropped the album on

488
00:26:05,840 --> 00:26:08,720
Speaker 1: nine eleven, Bro and Niggas went and bought the album

489
00:26:08,840 --> 00:26:13,880
Speaker 1: in physical buildings came down, Like you know, how hard

490
00:26:13,960 --> 00:26:16,080
Speaker 1: is that for somebody saying, oh, ship, they blew the

491
00:26:16,119 --> 00:26:18,720
Speaker 1: buildings up. Yo, let's go by the jay Z album.

492
00:26:19,080 --> 00:26:24,680
Speaker 3: It's crazy you went and bought the album. You bought

493
00:26:24,720 --> 00:26:27,680
Speaker 3: it on nine eleven. I was in the house on

494
00:26:27,880 --> 00:26:31,520
Speaker 3: that eleven. I was in Alaska. Man, your two time

495
00:26:31,560 --> 00:26:33,920
Speaker 3: a fella. You went and bought it. You was in Alaska.

496
00:26:34,080 --> 00:26:38,960
Speaker 3: I remember the exactcause anous. You know that means you

497
00:26:39,040 --> 00:26:42,760
Speaker 3: know war, you know, so like I remember seeing that

498
00:26:42,960 --> 00:26:46,000
Speaker 3: saying they gonna send that said that, but you know

499
00:26:46,200 --> 00:26:48,920
Speaker 3: he's very very very horrible. Mask. I remember the exact

500
00:26:48,960 --> 00:26:52,920
Speaker 3: same on last and the city came back. My man

501
00:26:53,000 --> 00:26:56,359
Speaker 3: had full flax rest of peace up his true story.

502
00:26:56,880 --> 00:26:57,040
Speaker 3: You know.

503
00:26:57,200 --> 00:26:59,840
Speaker 1: Now, I say, you know, I'm like the forest gonna

504
00:26:59,880 --> 00:27:03,359
Speaker 1: hear hip hop. I've been everywhere you could think of, larist,

505
00:27:03,440 --> 00:27:07,560
Speaker 1: dump of hip hop. I've been everywhere you could think of.

506
00:27:07,840 --> 00:27:10,239
Speaker 3: I was there. What's the most craziest place you you've been?

507
00:27:10,280 --> 00:27:14,040
Speaker 3: On stage? You said, he how am I here? Yeah?

508
00:27:14,440 --> 00:27:17,840
Speaker 3: All the last of that he did show that. Yeah,

509
00:27:18,200 --> 00:27:21,600
Speaker 3: I gotta I gotta say Africa like their shows. I

510
00:27:21,680 --> 00:27:25,160
Speaker 3: did in Africa that if they were social media today,

511
00:27:25,680 --> 00:27:28,600
Speaker 3: it would break a record. Like it was like as

512
00:27:28,680 --> 00:27:29,840
Speaker 3: far as I could see.

513
00:27:29,800 --> 00:27:33,879
Speaker 1: Human beings, nigga, I mean the buildings, the roofs, the floors,

514
00:27:34,480 --> 00:27:35,880
Speaker 1: the windows.

515
00:27:35,960 --> 00:27:39,159
Speaker 3: The fucking soccer. What is that the football where you

516
00:27:39,280 --> 00:27:43,440
Speaker 3: kicked de feet the field go through. Niggas is on that,

517
00:27:44,040 --> 00:27:45,439
Speaker 3: Niggas on the light. Niggas.

518
00:27:45,640 --> 00:27:49,800
Speaker 1: It's just out of control, my nigga, Like, I mean, like, well,

519
00:27:49,800 --> 00:27:53,640
Speaker 1: you're just like, Yo, this ship is unbelievable and you're

520
00:27:53,720 --> 00:27:57,760
Speaker 1: ripping it down. I would say Africa, Africa, no phone,

521
00:27:58,000 --> 00:28:01,000
Speaker 1: most that gendary, it was no way, none of that.

522
00:28:01,200 --> 00:28:05,400
Speaker 1: So it's like, you know, for one time, I would

523
00:28:05,400 --> 00:28:08,960
Speaker 1: pretty much live in Africa for like two years, meaning

524
00:28:09,880 --> 00:28:13,680
Speaker 1: over here. So what happens is you stay stayed a lot.

525
00:28:14,800 --> 00:28:17,840
Speaker 1: But what happened is you could go to Equatorial Guinea.

526
00:28:17,880 --> 00:28:18,639
Speaker 1: They speak nothing, but.

527
00:28:19,320 --> 00:28:20,879
Speaker 3: You know, I got, I got, I got for the

528
00:28:20,960 --> 00:28:24,240
Speaker 3: show there, just started doing to go. It's beautiful and

529
00:28:24,359 --> 00:28:29,280
Speaker 3: they all speak Spanish. Whole Africa, the whole country. When

530
00:28:29,320 --> 00:28:32,800
Speaker 3: you meet the girl is my the other smile and

531
00:28:33,040 --> 00:28:35,920
Speaker 3: uh and let's see that in the middle of Africa,

532
00:28:36,119 --> 00:28:40,160
Speaker 3: like that's their names. You know me today and they

533
00:28:40,280 --> 00:28:43,960
Speaker 3: playing South soun ship. It's the craziest ship you ever see.

534
00:28:44,000 --> 00:28:47,280
Speaker 3: I used to go there. I used to go over there.

535
00:28:47,680 --> 00:28:52,800
Speaker 3: Group an be performing me this that yeah hotel I

536
00:28:52,920 --> 00:28:55,120
Speaker 3: met and Fat Joe's the rapper.

537
00:28:55,200 --> 00:28:59,360
Speaker 1: That ship was lit every New Year. But the point

538
00:28:59,520 --> 00:29:02,440
Speaker 1: is I've been to some shit, you know what I'm saying.

539
00:29:02,440 --> 00:29:04,560
Speaker 1: It was really really, really really weird. I went one

540
00:29:04,680 --> 00:29:07,320
Speaker 1: time I thought that was nobody was there. I went

541
00:29:07,400 --> 00:29:10,680
Speaker 1: to tangoneer. That's the furthest shit to go. A plane

542
00:29:10,760 --> 00:29:13,800
Speaker 1: gotta take a break. The plane gotta take a break,

543
00:29:13,880 --> 00:29:20,800
Speaker 1: my nigga sho the plane lanes like eighteen out, nigga eighteen.

544
00:29:20,920 --> 00:29:23,000
Speaker 1: I was in that shit of land in the smack

545
00:29:23,080 --> 00:29:25,200
Speaker 1: in the middle. You could be in suit dad, nigg

546
00:29:25,200 --> 00:29:28,520
Speaker 1: you don't know where that ship pitch black and they

547
00:29:28,640 --> 00:29:31,440
Speaker 1: start throwing that they put the gas in that bitch

548
00:29:31,840 --> 00:29:32,120
Speaker 1: and they.

549
00:29:32,040 --> 00:29:35,920
Speaker 3: Ain't going another five. That's the furthest place I ever been, right,

550
00:29:36,040 --> 00:29:39,640
Speaker 3: So I go, just to describe the whole shit. We

551
00:29:39,800 --> 00:29:41,719
Speaker 3: get out. They got a bunch of trucks for us,

552
00:29:41,760 --> 00:29:46,920
Speaker 3: We get the gas the airport and they racing. They

553
00:29:47,080 --> 00:29:50,160
Speaker 3: racing like a president is here. Some shit back. So

554
00:29:50,320 --> 00:29:52,680
Speaker 3: some guy's going to work. It's like six in the morning,

555
00:29:52,760 --> 00:29:55,200
Speaker 3: the sun's coming up, and they almost hit him. So

556
00:29:55,320 --> 00:29:57,400
Speaker 3: he back to the fuck he sees me. He's like, yo,

557
00:29:57,680 --> 00:29:59,560
Speaker 3: fat Joe, what's up. That's why I knew I was

558
00:29:59,640 --> 00:30:04,000
Speaker 3: fading when I went that fucking ball away and the

559
00:30:04,120 --> 00:30:06,360
Speaker 3: first nigga at six in the morning almost got hit

560
00:30:06,440 --> 00:30:09,120
Speaker 3: with the colls like yo, joey crack old ship. I said,

561
00:30:09,160 --> 00:30:14,160
Speaker 3: oh shit, I'm famous. I'm all the way far to me.

562
00:30:15,080 --> 00:30:18,160
Speaker 3: And so that night I went to do the show.

563
00:30:19,280 --> 00:30:22,600
Speaker 3: It was so quiet. I came out the back of

564
00:30:22,720 --> 00:30:25,200
Speaker 3: the thing and I'm going around the stadium and he

565
00:30:25,360 --> 00:30:29,240
Speaker 3: was like, nobody was quiet as shit. And I made

566
00:30:29,360 --> 00:30:32,120
Speaker 3: one turn that might have been three hundred thousand, bigga,

567
00:30:35,440 --> 00:30:37,400
Speaker 3: but you couldn't see that. I was scared. I thought

568
00:30:37,440 --> 00:30:40,080
Speaker 3: I had a note show. You know where I fucked

569
00:30:40,160 --> 00:30:43,640
Speaker 3: it was terrible for me. Was Columbia, Colombia.

570
00:30:43,800 --> 00:30:47,920
Speaker 1: I went to Columbia and one time and my wife's Columbia,

571
00:30:48,160 --> 00:30:52,240
Speaker 1: and you know, I got an l story with that one.

572
00:30:52,320 --> 00:30:56,320
Speaker 1: But yo, the promoter oneed, Yo, listen, let me tell

573
00:30:56,360 --> 00:30:59,480
Speaker 1: you something. The shows was not fool my nigga. They

574
00:30:59,560 --> 00:31:02,080
Speaker 1: rent this stadiums and it was like five hundred people,

575
00:31:02,160 --> 00:31:05,480
Speaker 1: one thousand people, and the ship was twenty seeded. Weenas

576
00:31:06,000 --> 00:31:08,840
Speaker 1: Dan Nigga was time my man like. He was like

577
00:31:08,880 --> 00:31:10,520
Speaker 1: because he paid me a lot of money. And I

578
00:31:10,560 --> 00:31:13,120
Speaker 1: went out there and it was it didn't work. I

579
00:31:13,160 --> 00:31:15,400
Speaker 1: don't know if he ain't promoted right or fat Jo

580
00:31:15,400 --> 00:31:16,560
Speaker 1: ain't big in Colombia.

581
00:31:16,760 --> 00:31:23,840
Speaker 3: In America is Argentina. The place where they accept like

582
00:31:23,920 --> 00:31:27,400
Speaker 3: the most is Argentina. And Chile because they got they

583
00:31:27,440 --> 00:31:31,800
Speaker 3: do a lot of losers like dirty, you know, educated

584
00:31:31,880 --> 00:31:34,480
Speaker 3: and you know in Mexico too. The other day I

585
00:31:34,560 --> 00:31:36,360
Speaker 3: went to had to show a message. I think it

586
00:31:36,440 --> 00:31:40,800
Speaker 3: was like six sixty thousand, but next to us was

587
00:31:40,840 --> 00:31:43,080
Speaker 3: like a fifty thousand arena and it was it was

588
00:31:43,120 --> 00:31:47,239
Speaker 3: seeing it was a chemical romance. Two days in a row,

589
00:31:47,480 --> 00:31:51,840
Speaker 3: fifty thousand Mexico. They'd be going to imagine go fuck

590
00:31:51,880 --> 00:31:56,760
Speaker 3: with hip hop? Yeah, wants to go because they're very rap.

591
00:31:57,160 --> 00:32:00,440
Speaker 3: I went to Colombia. It was crazy because you know,

592
00:32:01,080 --> 00:32:03,320
Speaker 3: my family over there. They probably thinking like I'm a

593
00:32:03,360 --> 00:32:05,600
Speaker 3: big rap star. When they showed up to the show,

594
00:32:05,720 --> 00:32:10,280
Speaker 3: the niggas is probably like, what the fuck happened the saxophone.

595
00:32:10,680 --> 00:32:19,280
Speaker 3: The saxophone started saying yeah, like yo, this demo, it

596
00:32:19,520 --> 00:32:22,760
Speaker 3: wasn't rocket me. I was like, so the promoter, I

597
00:32:22,880 --> 00:32:25,040
Speaker 3: see him, he screaming on the work and so I

598
00:32:25,160 --> 00:32:25,520
Speaker 3: walk in.

599
00:32:25,720 --> 00:32:27,880
Speaker 1: I'm like, you know cause he spent a lot of money,

600
00:32:28,320 --> 00:32:31,360
Speaker 1: he said. I said, Yo, Pappy kept my soul to

601
00:32:31,480 --> 00:32:35,360
Speaker 1: shut and look at myself. Get that year heaven Dot

602
00:32:36,520 --> 00:32:40,440
Speaker 1: get up one of the new bott cong guntry. But

603
00:32:40,560 --> 00:32:41,840
Speaker 1: then this cool look.

604
00:32:42,160 --> 00:32:45,160
Speaker 3: It's like this nigga was telling me he wants to

605
00:32:45,240 --> 00:32:48,360
Speaker 3: put a bat up my ass with spikes and fucking

606
00:32:48,480 --> 00:32:53,480
Speaker 3: with my I would have been right there Monday. You

607
00:32:53,560 --> 00:32:55,280
Speaker 3: had the money, you had the money. You have the

608
00:32:55,320 --> 00:32:59,920
Speaker 3: money already, and he paid me the bag the hotel.

609
00:33:00,280 --> 00:33:02,640
Speaker 3: Top of that line. Nigga that rich called in the

610
00:33:02,720 --> 00:33:06,080
Speaker 3: whole floor a reenus. This nigga was tight and he

611
00:33:06,200 --> 00:33:10,160
Speaker 3: took a al like millions, and that nigga was talking craze,

612
00:33:10,960 --> 00:33:14,480
Speaker 3: like stupid, crazy like yo, nigga, I killed nigga. I

613
00:33:14,600 --> 00:33:16,560
Speaker 3: turned this, I said, He said, I said, you finished?

614
00:33:16,560 --> 00:33:17,960
Speaker 3: He said yeah. I said, man, you should go to

615
00:33:18,040 --> 00:33:21,680
Speaker 3: Hollywood and write scripts, because if you think I'll give

616
00:33:21,720 --> 00:33:24,920
Speaker 3: a fuck about what you're saying, you got me fucked up.

617
00:33:25,960 --> 00:33:28,800
Speaker 1: That didn't look at me, he said, oh, I said, man,

618
00:33:29,120 --> 00:33:31,560
Speaker 1: you care, You damn give a fuck about what you saying.

619
00:33:31,680 --> 00:33:31,960
Speaker 3: Nigga.

620
00:33:32,400 --> 00:33:35,040
Speaker 1: It is what it is the craziest. Let me turn it,

621
00:33:35,360 --> 00:33:38,400
Speaker 1: let me finish the story. The next day we go

622
00:33:38,560 --> 00:33:44,280
Speaker 1: to like Maddy Yank my Daughter. Yeah, bogotap, But the

623
00:33:44,400 --> 00:33:45,760
Speaker 1: next show was Meddy Yank.

624
00:33:47,400 --> 00:33:51,520
Speaker 3: My Daughter. This is like power. That's all I'm gonna say.

625
00:33:51,560 --> 00:33:52,600
Speaker 3: It was like power.

626
00:33:52,760 --> 00:33:55,320
Speaker 1: The TV show. My daughter goes to school with a girl.

627
00:33:55,880 --> 00:33:59,280
Speaker 1: They best friends. Her father says, come to my house

628
00:33:59,320 --> 00:33:59,960
Speaker 1: in Columbia.

629
00:34:00,160 --> 00:34:02,320
Speaker 3: When you were over there. We in Miami. This guy

630
00:34:02,440 --> 00:34:04,120
Speaker 3: wear suits every day. Nice guy.

631
00:34:06,360 --> 00:34:10,719
Speaker 1: I got four cops. This my security taking me around Columbia.

632
00:34:11,760 --> 00:34:16,400
Speaker 1: They stopping Niggo. What's the address? I said, you know,

633
00:34:16,640 --> 00:34:21,120
Speaker 1: thirty nine thirty three. Nah my guy, it's a mistake, Joe.

634
00:34:21,560 --> 00:34:23,520
Speaker 1: I said, no, I'm mistake. What do you mean that's

635
00:34:23,680 --> 00:34:26,880
Speaker 1: that's that's that's my friend up there. No, no, no, no,

636
00:34:27,000 --> 00:34:30,480
Speaker 1: there's no way you going to the house. Then Nigga

637
00:34:30,680 --> 00:34:32,960
Speaker 1: was dawn of all downs of Colombia.

638
00:34:33,880 --> 00:34:36,520
Speaker 3: We went up there. He had million dollar horses, foss

639
00:34:36,560 --> 00:34:37,560
Speaker 3: of finos. Nigga.

640
00:34:37,880 --> 00:34:41,120
Speaker 1: They was doing shows, horses. Then niggas just making a

641
00:34:41,280 --> 00:34:44,080
Speaker 1: suit so big. They had ladies doing the sun court.

642
00:34:44,120 --> 00:34:47,880
Speaker 1: You're like, you know them niggas. The cops stood at

643
00:34:47,920 --> 00:34:51,600
Speaker 1: the bottom. They were scared to go up. The police

644
00:34:51,719 --> 00:34:53,040
Speaker 1: was scared to go to the house.

645
00:34:54,040 --> 00:34:55,960
Speaker 3: So I come back. I come back to the hotel

646
00:34:56,040 --> 00:35:00,879
Speaker 3: to save Nigga. Get them out of reve Well, you're

647
00:35:01,040 --> 00:35:07,200
Speaker 3: five niggas in the lobby. I said, don't say got

648
00:35:07,280 --> 00:35:08,239
Speaker 3: you yo. I'm like.

649
00:35:09,920 --> 00:35:16,279
Speaker 1: Families saidy for what I say, I sady, I don't

650
00:35:16,360 --> 00:35:19,680
Speaker 1: mean it. Fun, I don't mean it. Listen, I said, no, no, no,

651
00:35:19,800 --> 00:35:23,800
Speaker 1: what happened? No no, no, no, siety, sady. This nigga

652
00:35:23,840 --> 00:35:27,440
Speaker 1: by mistake, just my daughter and his daughter. He happened

653
00:35:27,480 --> 00:35:31,960
Speaker 1: to be that nigga. Yo, we in Miami. This guy's

654
00:35:32,000 --> 00:35:34,360
Speaker 1: a bit well anyway, he's a great guy. I'm just

655
00:35:34,440 --> 00:35:38,360
Speaker 1: saying that happened in Colombia. Let me tell you some

656
00:35:38,600 --> 00:35:42,280
Speaker 1: something I seen the other day that that made me cry.

657
00:35:42,680 --> 00:35:44,880
Speaker 1: It made me tear, but at the same time, I

658
00:35:45,000 --> 00:35:49,000
Speaker 1: was really happy for him, but it made me sad too.

659
00:35:49,239 --> 00:35:52,120
Speaker 1: I'm gonna tell you what Evis is one of the

660
00:35:52,280 --> 00:35:56,719
Speaker 1: legends of all legends. Like Steven wants, I had just

661
00:35:56,800 --> 00:36:00,439
Speaker 1: the way to explain it to you. And he showed

662
00:36:00,520 --> 00:36:02,840
Speaker 1: up with Alex Sensation in the middle of La Bella

663
00:36:03,360 --> 00:36:07,160
Speaker 1: and started You saw that last week was performing.

664
00:36:06,680 --> 00:36:08,160
Speaker 3: The literal doing.

665
00:36:10,640 --> 00:36:14,759
Speaker 1: And the whole hood like Stevie one that decided to

666
00:36:14,840 --> 00:36:18,080
Speaker 1: pull up on Harlem, pull a fucking piano out and

667
00:36:18,160 --> 00:36:22,560
Speaker 1: started crazy like That's what happened in Puerto Rico. Tito,

668
00:36:22,680 --> 00:36:26,640
Speaker 1: the Nevis Patty LaBelle Stevie Wonder whatever went to the

669
00:36:26,880 --> 00:36:31,719
Speaker 1: middle of the hood and ripped it down, never been

670
00:36:31,800 --> 00:36:35,160
Speaker 1: seen before South ever history.

671
00:36:35,600 --> 00:36:38,360
Speaker 3: So I'm looking because it was like a mentor to me.

672
00:36:38,480 --> 00:36:40,520
Speaker 1: I loved Tito, and I'm looking at it made me

673
00:36:40,640 --> 00:36:46,040
Speaker 1: feel like, for one, we better appreciate Tito Nervis for

674
00:36:46,200 --> 00:36:49,960
Speaker 1: two years. Man, it getting no right, And so I'm

675
00:36:50,040 --> 00:36:53,600
Speaker 1: like it scared me. At the same time I was happy.

676
00:36:54,120 --> 00:36:57,160
Speaker 1: I was like, wow, like, you know, one day we're

677
00:36:57,160 --> 00:36:58,960
Speaker 1: going to get a phone call that the legends of

678
00:36:59,000 --> 00:37:00,560
Speaker 1: all legends passed the way No.

679
00:37:00,800 --> 00:37:04,839
Speaker 3: Got for bid, God forbid. Yeah. Yeah, you were trying

680
00:37:04,880 --> 00:37:07,480
Speaker 3: to health now we want everybody. Yeah, yeah, that's what

681
00:37:07,719 --> 00:37:11,759
Speaker 3: you're in there. It made you there's a lot of

682
00:37:12,760 --> 00:37:15,480
Speaker 3: the there's a lot of old legends out man. It's

683
00:37:15,520 --> 00:37:17,200
Speaker 3: gonna happen. Man, it's a lot of a lot of

684
00:37:17,239 --> 00:37:18,120
Speaker 3: old legends out you.

685
00:37:18,200 --> 00:37:20,719
Speaker 1: Know, because you think about even in English, we think

686
00:37:20,800 --> 00:37:23,360
Speaker 1: about certain legends that's still here that we take for

687
00:37:23,480 --> 00:37:26,000
Speaker 1: granted that if they passed away, you'd be like, yo.

688
00:37:26,880 --> 00:37:31,960
Speaker 3: Yeah, now you feel getting the Latin grammy. Man, that

689
00:37:32,200 --> 00:37:33,960
Speaker 3: was it was a blessing. You know. The funny thing

690
00:37:34,120 --> 00:37:37,000
Speaker 3: is like, okay, I was down for the ground, ready

691
00:37:37,000 --> 00:37:43,040
Speaker 3: for Beneatha to develop, developed, produce that yeah, developed, developed.

692
00:37:43,200 --> 00:37:48,120
Speaker 1: Mark Anthony's that's my little Man for Africans, it's closed

693
00:37:48,200 --> 00:37:53,279
Speaker 1: every time. See line that's all one two three, Yes,

694
00:37:53,640 --> 00:37:55,440
Speaker 1: he's flash shout out to develop.

695
00:37:55,520 --> 00:37:59,520
Speaker 3: That's my sister. So we made the song. It was

696
00:37:59,560 --> 00:38:02,040
Speaker 3: nominated for the Grammy. But I had I had I

697
00:38:02,120 --> 00:38:04,800
Speaker 3: had twins that same week, So in my mind, I

698
00:38:04,960 --> 00:38:08,520
Speaker 3: forgot about the Grammys. So I had the twins. I

699
00:38:08,600 --> 00:38:12,840
Speaker 3: think we were all there were two months and I

700
00:38:12,920 --> 00:38:16,360
Speaker 3: see you because they were bornrematurely. So I was just

701
00:38:16,440 --> 00:38:18,880
Speaker 3: every day going to the hospital, every day, working up,

702
00:38:18,880 --> 00:38:22,120
Speaker 3: going to hospital, working up in real life, love real life.

703
00:38:22,200 --> 00:38:25,360
Speaker 3: So I wake up and I see my Instagram flooding

704
00:38:25,400 --> 00:38:28,279
Speaker 3: and my phone flooded, said you got a Grammy. I said,

705
00:38:28,280 --> 00:38:32,200
Speaker 3: oh what that Grammy? Boom, And like Dad asked me,

706
00:38:32,239 --> 00:38:34,520
Speaker 3: if I wanted to go, you know, to the Grammysime,

707
00:38:34,560 --> 00:38:36,400
Speaker 3: I could have, you know, but like I said, no,

708
00:38:36,520 --> 00:38:40,800
Speaker 3: I can't leave my girl. You know. That was like

709
00:38:40,920 --> 00:38:42,920
Speaker 3: it was even like a thought in my head, and

710
00:38:43,080 --> 00:38:44,880
Speaker 3: my mind's like I've been a few times like that

711
00:38:45,040 --> 00:38:48,960
Speaker 3: ain't gonna happen and boom, But I didn't. I wouldn't

712
00:38:49,480 --> 00:38:53,080
Speaker 3: you wish you no never never never. Those are my

713
00:38:53,160 --> 00:38:55,600
Speaker 3: Grammy babies, Like you know, I wouldn't have been in edit.

714
00:38:56,440 --> 00:38:59,320
Speaker 3: I got nominated for like six seven Grammys. Man, I

715
00:38:59,400 --> 00:39:04,640
Speaker 3: never won ship. Man, it's like a revolving door. Yeah,

716
00:39:04,760 --> 00:39:08,719
Speaker 3: you lost the ready I tell you, like out my

717
00:39:08,840 --> 00:39:13,040
Speaker 3: nigga bad Like it's hard to like Grammy Grammy, Like

718
00:39:13,160 --> 00:39:15,400
Speaker 3: you know when you got that got you guys competing

719
00:39:15,480 --> 00:39:20,560
Speaker 3: against m J. Yeah, feeling like this is this is.

720
00:39:21,239 --> 00:39:24,960
Speaker 1: Sometimes we got nominated. We was MJ, and you was

721
00:39:25,040 --> 00:39:27,160
Speaker 1: shocked that we lost. I lost to like the Black

722
00:39:27,200 --> 00:39:30,600
Speaker 1: Coped Peas before they had the White Girl. The ship

723
00:39:30,760 --> 00:39:35,640
Speaker 1: was just unjust Joe Flag.

724
00:39:38,600 --> 00:39:41,040
Speaker 3: What was what was the song? Was the song I had?

725
00:39:41,160 --> 00:39:41,919
Speaker 3: Like lean Back?

726
00:39:42,040 --> 00:39:44,800
Speaker 1: This ship was number one forty seven weeks. The niggas

727
00:39:45,000 --> 00:39:47,680
Speaker 1: came to the niggas, they had freestyles or something, and

728
00:39:50,280 --> 00:39:52,880
Speaker 1: you know the Grammys. Let's listen, we love the Grammys.

729
00:39:52,920 --> 00:39:55,400
Speaker 1: I want to win one this year, but I finally win.

730
00:39:55,560 --> 00:39:59,200
Speaker 1: Give me an honorary something a button, nigga, like, give

731
00:39:59,239 --> 00:40:00,839
Speaker 1: me an eye wonder granby.

732
00:40:00,600 --> 00:40:03,000
Speaker 3: Butt, give me a gold button.

733
00:40:03,040 --> 00:40:05,720
Speaker 1: There's something because yo, my man, that's just his number,

734
00:40:05,960 --> 00:40:10,839
Speaker 1: Like I you're gonna get me an honorary or not. Yeah,

735
00:40:10,880 --> 00:40:13,000
Speaker 1: they gotta get me, right, they just gotta give me

736
00:40:13,120 --> 00:40:16,359
Speaker 1: an honorary. A make up call, I got like two.

737
00:40:16,440 --> 00:40:18,839
Speaker 1: I should have won that flat out. Should have won

738
00:40:19,080 --> 00:40:19,960
Speaker 1: like all the way up.

739
00:40:20,200 --> 00:40:24,040
Speaker 3: Let's get it, huh, let's get it. Let's get it started.

740
00:40:24,600 --> 00:40:35,719
Speaker 3: Well that was the flag man, Nah, that ship get

741
00:40:35,800 --> 00:40:39,640
Speaker 3: it started, Disney movie. Still. I remember I went to

742
00:40:39,680 --> 00:40:40,839
Speaker 3: see my man in jail.

743
00:40:40,960 --> 00:40:43,480
Speaker 1: That ship played on the radio, and every that ship

744
00:40:43,560 --> 00:40:44,920
Speaker 1: played on ten ten wins.

745
00:40:45,000 --> 00:40:48,279
Speaker 3: I'm dripping up to State. Yeah they started. I put

746
00:40:48,360 --> 00:40:53,920
Speaker 3: the standard, State said, let's get this started. What that's when?

747
00:40:53,960 --> 00:40:57,520
Speaker 3: You know that ship? You know what? When recipees? I

748
00:40:57,600 --> 00:41:02,359
Speaker 3: finally got to see the Michael Jacks some movie fucking phenomenon.

749
00:41:02,920 --> 00:41:06,080
Speaker 1: And you're gonna love it. Oh man, you're gonna love it.

750
00:41:06,160 --> 00:41:08,279
Speaker 1: It's incredible. If you love Michael, you're gonna love this.

751
00:41:08,400 --> 00:41:10,560
Speaker 3: I'll be scared to watch Michael stove, so I'll be

752
00:41:10,640 --> 00:41:13,879
Speaker 3: I'll be may they be trying. Yeah, that's it. That's

753
00:41:14,120 --> 00:41:14,880
Speaker 3: that's it. You know.

754
00:41:15,280 --> 00:41:18,560
Speaker 1: Uh, you know Clive Davis rest in peace, his fe

755
00:41:18,680 --> 00:41:21,520
Speaker 1: news today the many of you die, they start trying

756
00:41:21,560 --> 00:41:24,000
Speaker 1: to throw ship on you. I had to tell somebody

757
00:41:24,600 --> 00:41:30,879
Speaker 1: who's a real a real dude, not just a real dude. Well,

758
00:41:31,160 --> 00:41:34,240
Speaker 1: we call him the Loves. The nickname is the Loves

759
00:41:34,960 --> 00:41:39,080
Speaker 1: and super of the realist dude. And we just talked

760
00:41:39,120 --> 00:41:42,000
Speaker 1: and ship and he starts saying, you hear what they

761
00:41:42,160 --> 00:41:44,560
Speaker 1: trying to say about Clive Davis and this, and now

762
00:41:44,560 --> 00:41:47,320
Speaker 1: I said, Yo, listen, love you and this guy is

763
00:41:48,040 --> 00:41:52,000
Speaker 1: the dawn. I said, love you. If you wasn't talking

764
00:41:52,160 --> 00:41:54,360
Speaker 1: like that while he was alive, let's not talk about

765
00:41:54,400 --> 00:41:58,000
Speaker 1: him like that. Man, he caught himself so fast as

766
00:41:58,040 --> 00:42:00,160
Speaker 1: he's the realist of the said, Yo, you know what yo?

767
00:42:00,640 --> 00:42:00,799
Speaker 3: Right?

768
00:42:01,600 --> 00:42:04,160
Speaker 1: He said, I just I went for the hype of it.

769
00:42:04,320 --> 00:42:09,160
Speaker 1: I said, nah, be because you know where MJ's same ship.

770
00:42:09,320 --> 00:42:12,840
Speaker 1: Anybody could do. Let me tell you something, And I

771
00:42:12,880 --> 00:42:14,760
Speaker 1: don't want to give people ideas, but I'll.

772
00:42:14,640 --> 00:42:15,240
Speaker 3: Tell you something.

773
00:42:16,120 --> 00:42:21,480
Speaker 1: You can go with a little bag to anybody's I

774
00:42:21,560 --> 00:42:23,800
Speaker 1: could go right now. Let's just say Nicky Jam. I

775
00:42:23,880 --> 00:42:26,040
Speaker 1: can go to Boston where he was raised and pay

776
00:42:26,239 --> 00:42:29,719
Speaker 1: ten crackheads that lived up there for them to talk

777
00:42:29,760 --> 00:42:32,560
Speaker 1: shit about Nicky Jam, his mother, his father's this, and

778
00:42:32,680 --> 00:42:33,719
Speaker 1: make a documentary.

779
00:42:34,400 --> 00:42:37,920
Speaker 3: That's any way you go, brother, you go to my projects.

780
00:42:37,960 --> 00:42:41,000
Speaker 1: You thrown two dollars a shit pack of chicken wings,

781
00:42:41,360 --> 00:42:43,759
Speaker 1: niggasould be like fuck fat Joe. He was telling his

782
00:42:43,880 --> 00:42:48,640
Speaker 1: mother's allegbian. You can't go by what these people say.

783
00:42:48,880 --> 00:42:51,880
Speaker 1: You gotta love the person for what you love them.

784
00:42:52,160 --> 00:42:58,600
Speaker 1: What happened, Honorary, Yeah, geesh man, God damn man. But

785
00:42:59,280 --> 00:43:01,520
Speaker 1: my point is they say bas shit, But you'll love

786
00:43:01,560 --> 00:43:03,600
Speaker 1: the movie if it's not like a good you know,

787
00:43:03,960 --> 00:43:07,920
Speaker 1: and you know you're gonna love that. Michael Jackson, it

788
00:43:08,040 --> 00:43:10,600
Speaker 1: was really great. His nephew really played the hell of

789
00:43:10,680 --> 00:43:14,520
Speaker 1: a role. It was really inspiration. It was really really dope.

790
00:43:14,840 --> 00:43:15,719
Speaker 1: You know, I fuck with it.

791
00:43:15,960 --> 00:43:21,880
Speaker 3: You ever see Michael Jackson conson I never met Michael Jackson, Like,

792
00:43:21,960 --> 00:43:25,160
Speaker 3: I probably pee on myself if I saw Michael Jacksonville

793
00:43:25,320 --> 00:43:28,640
Speaker 3: fucking life. I show you something else, huh had to

794
00:43:28,719 --> 00:43:31,560
Speaker 3: be something else like Michael MJ concert back back in

795
00:43:31,640 --> 00:43:32,080
Speaker 3: the day.

796
00:43:32,640 --> 00:43:37,120
Speaker 1: Fucking concert MJ. And anyway, you know, I sampled him.

797
00:43:37,400 --> 00:43:39,600
Speaker 1: I did this song dedicated to my mother. He said,

798
00:43:39,719 --> 00:43:41,400
Speaker 1: free cleared the sample.

799
00:43:41,560 --> 00:43:43,799
Speaker 3: Same thing. They was like, yo, Michael Jackson said, he's

800
00:43:43,840 --> 00:43:47,360
Speaker 3: a fan. Cleared the ship and one day the Maria

801
00:43:47,480 --> 00:43:50,399
Speaker 3: sample I use I couldn't fucking believe for free.

802
00:43:50,600 --> 00:43:57,080
Speaker 2: That's crazy, Doctor Dre Queen Latifa. Michael Jackson, I know

803
00:43:57,200 --> 00:44:00,759
Speaker 2: they all rich, uh and recently the big ye estate.

804
00:44:01,400 --> 00:44:04,200
Speaker 2: I sampled them and they was like, yo, your money,

805
00:44:04,320 --> 00:44:05,359
Speaker 2: No good fat Joe.

806
00:44:05,680 --> 00:44:13,880
Speaker 3: I'm about to say some stuff. Shoot no that you

807
00:44:14,000 --> 00:44:19,080
Speaker 3: might not a begire No. That was crazy.

808
00:44:19,160 --> 00:44:23,720
Speaker 1: But Mike Michael Jackson spire I was crying. I watched

809
00:44:23,760 --> 00:44:28,560
Speaker 1: his funeral. I was in uh Albania. I had a

810
00:44:28,640 --> 00:44:32,920
Speaker 1: showing Albania and my dough must have been opened my hotel.

811
00:44:33,080 --> 00:44:35,520
Speaker 1: Watching the funeral, I'm crying. All my friends looked at me.

812
00:44:35,640 --> 00:44:39,439
Speaker 1: They thought like something like they've never seen Joe Krack cry.

813
00:44:40,320 --> 00:44:42,400
Speaker 1: So they looking like, oh ship, and I'm looking at

814
00:44:42,520 --> 00:44:43,080
Speaker 1: MJ's fit.

815
00:44:43,200 --> 00:44:44,279
Speaker 3: It was that.

816
00:44:44,680 --> 00:44:47,440
Speaker 1: That was like nine to eleven when they said Michael

817
00:44:47,520 --> 00:44:52,440
Speaker 1: Jackson died. I pulled the truck over almost near Yankins.

818
00:44:52,480 --> 00:44:52,920
Speaker 3: I'm up there.

819
00:44:52,960 --> 00:44:56,239
Speaker 1: I was visiting my son Ryan up there by that.

820
00:44:57,160 --> 00:45:00,920
Speaker 1: What's that ship? That the sore grass or what saw milk?

821
00:45:01,440 --> 00:45:03,480
Speaker 1: So I'm up near there. They say that, And when

822
00:45:03,520 --> 00:45:07,320
Speaker 1: I pull over and I checked every radio station like

823
00:45:08,600 --> 00:45:11,239
Speaker 1: there's a radio station had caught ten ten wins that

824
00:45:11,320 --> 00:45:13,680
Speaker 1: they only play the news, they don't play a record,

825
00:45:13,760 --> 00:45:16,720
Speaker 1: they don't even play a melody. Them niggas have Michael

826
00:45:16,800 --> 00:45:20,920
Speaker 1: Jackson on the Italian Red radio station, Michael the Spanish,

827
00:45:21,040 --> 00:45:24,359
Speaker 1: The Death of That, That's the He's done every fuck

828
00:45:26,280 --> 00:45:29,480
Speaker 1: first and thought I didn't believe it, So then I

829
00:45:29,560 --> 00:45:32,799
Speaker 1: start changing. Then I walked in the restaurant they eat

830
00:45:32,840 --> 00:45:35,839
Speaker 1: dinner after and they playing Michael Jackson and the Entice.

831
00:45:36,040 --> 00:45:36,440
Speaker 3: It was like.

832
00:45:40,520 --> 00:45:44,880
Speaker 6: Joe and jadashow dot time we got new merch fresh

833
00:45:45,000 --> 00:45:48,759
Speaker 6: off the Prestons. Go get it big out of Big

834
00:45:49,600 --> 00:45:52,279
Speaker 6: Bow Joe and jadensshow dot tim.

835
00:45:52,360 --> 00:45:55,279
Speaker 3: You can get the little code for a T shirt

836
00:45:55,320 --> 00:45:56,279
Speaker 3: with the hoodies at.

837
00:45:56,440 --> 00:45:58,640
Speaker 1: It's my favorite right there. I need an extra large

838
00:45:58,960 --> 00:46:01,600
Speaker 1: showing Jada's show dot com. Go there and get it.

839
00:46:09,800 --> 00:46:11,960
Speaker 3: Talking about him, like what what what? What did you

840
00:46:12,080 --> 00:46:14,360
Speaker 3: guys like here? Listen to you y'all was growing up

841
00:46:14,400 --> 00:46:20,719
Speaker 3: in sixteen fourteen fifteen, Jada ill.

842
00:46:20,200 --> 00:46:25,160
Speaker 7: I was on Kane and krs I, Kim Hell only

843
00:46:25,280 --> 00:46:28,520
Speaker 7: only Only Rapper, No No, also off R and B,

844
00:46:28,760 --> 00:46:39,280
Speaker 7: Luther Jackson, Addie LaBelle, Stephanie Mills whispers basically everything whatever

845
00:46:39,320 --> 00:46:40,360
Speaker 7: my mom's listening to.

846
00:46:44,160 --> 00:46:46,799
Speaker 3: The first music that I ever heard, so of course

847
00:46:47,400 --> 00:46:49,400
Speaker 3: definitely it's like I should host the host sam and

848
00:46:49,600 --> 00:46:51,160
Speaker 3: know my princes vision job.

849
00:46:51,800 --> 00:46:56,799
Speaker 1: I heard Spanish music, but never really enjoy Spanish music

850
00:46:56,880 --> 00:46:59,839
Speaker 1: growing up, unless it was like saucing. Now I suck,

851
00:47:00,040 --> 00:47:05,439
Speaker 1: it's still very like do MESSI had aught that laugh

852
00:47:05,640 --> 00:47:09,560
Speaker 1: on all that ship was ringing. But I grew up

853
00:47:09,560 --> 00:47:14,000
Speaker 1: in the whole black neighborhood, so it wasn't until I

854
00:47:14,080 --> 00:47:17,879
Speaker 1: went to high school that I met a Spanish dude

855
00:47:18,640 --> 00:47:21,920
Speaker 1: that lived in the all Puerto Rican neighbor I didn't

856
00:47:22,000 --> 00:47:25,600
Speaker 1: know they had the other side of it where I'm

857
00:47:25,640 --> 00:47:28,719
Speaker 1: the one Spanish nigga running around. I met the one

858
00:47:29,120 --> 00:47:33,920
Speaker 1: black dude running around the Spanish statement South soud all

859
00:47:34,000 --> 00:47:35,719
Speaker 1: over they got the food I get over there and

860
00:47:35,760 --> 00:47:41,319
Speaker 1: niggas I get nigga black. And I met the fact

861
00:47:41,480 --> 00:47:45,160
Speaker 1: Joe by that neighborhood over there, like oh ship, you

862
00:47:45,280 --> 00:47:48,440
Speaker 1: got a black guy that talks to y'all from here, Papa,

863
00:47:48,600 --> 00:47:51,000
Speaker 1: what you're talking about? And so that's where I learned

864
00:47:51,400 --> 00:47:55,000
Speaker 1: Hector Lovemo and I learned all the all the Southie

865
00:47:55,040 --> 00:47:58,520
Speaker 1: grades to Willie Colows, all of them. That's where I

866
00:47:58,680 --> 00:48:01,840
Speaker 1: learned South and music because they was black that it

867
00:48:02,000 --> 00:48:05,400
Speaker 1: was just it was just before there was no Instagram,

868
00:48:05,480 --> 00:48:07,520
Speaker 1: my nigga. So it was just like I grew up

869
00:48:07,560 --> 00:48:10,360
Speaker 1: in the black neighborhood and then I went to a

870
00:48:10,440 --> 00:48:13,319
Speaker 1: place that I didn't even know exist where it's all

871
00:48:13,440 --> 00:48:17,200
Speaker 1: Puerto Rican. So when I went there, they blasted South

872
00:48:17,320 --> 00:48:19,160
Speaker 1: something nigga did the sauce over there.

873
00:48:19,239 --> 00:48:21,120
Speaker 3: It was no English over there. And when you and

874
00:48:21,920 --> 00:48:24,640
Speaker 3: Jimmy Pun Pun Pun from.

875
00:48:26,200 --> 00:48:29,000
Speaker 1: That before you guys the Porto Rican, no no, I

876
00:48:29,040 --> 00:48:30,960
Speaker 1: already had an album out already.

877
00:48:31,000 --> 00:48:33,680
Speaker 3: I was finishing my second album. You know how I ambled,

878
00:48:33,840 --> 00:48:35,759
Speaker 3: sambled the twins joint there, I did a joint well,

879
00:48:36,719 --> 00:48:39,520
Speaker 3: I think it was Apple or Spotify, and they asked

880
00:48:39,560 --> 00:48:43,840
Speaker 3: me to do a and I I think, yeah, we

881
00:48:44,120 --> 00:48:46,359
Speaker 3: did something. I think we did something with that. Did

882
00:48:46,400 --> 00:48:48,319
Speaker 3: you go in Spanish with the dead in the middle?

883
00:48:49,000 --> 00:48:51,239
Speaker 3: Did you do that? I didn't. I didn't do it.

884
00:48:51,280 --> 00:48:52,680
Speaker 3: I didn't do I didn't. I didn't get that. I

885
00:48:52,719 --> 00:48:56,360
Speaker 3: didn't do it. I did that. That's you should have

886
00:48:56,440 --> 00:49:00,800
Speaker 3: did that, Hin hinted, and you should have did that.

887
00:49:00,920 --> 00:49:07,319
Speaker 3: Ship right quick gave it to the biggas well. Pun

888
00:49:08,680 --> 00:49:11,439
Speaker 3: He met me, so I was like a mini star.

889
00:49:11,880 --> 00:49:15,080
Speaker 1: I was on the rise, right, So if you looked

890
00:49:15,080 --> 00:49:18,440
Speaker 1: at me, you was like, well, because it flows you

891
00:49:18,560 --> 00:49:20,239
Speaker 1: the way I do is like you gotta show me.

892
00:49:20,400 --> 00:49:24,000
Speaker 1: So it's like I had one hit in the hood.

893
00:49:24,080 --> 00:49:27,480
Speaker 1: Then I'm finishing my second album. And so it was

894
00:49:27,600 --> 00:49:30,480
Speaker 1: like the final day that I was finishing my album.

895
00:49:30,600 --> 00:49:32,480
Speaker 1: So I come, I go in to Bodegga. I come

896
00:49:32,520 --> 00:49:34,920
Speaker 1: out and some niggas are rapping, and pun is just

897
00:49:35,120 --> 00:49:37,319
Speaker 1: big guy. He said, yo, yo yo, let me rap,

898
00:49:37,440 --> 00:49:37,919
Speaker 1: let me wrap.

899
00:49:38,000 --> 00:49:41,240
Speaker 3: So I'm like, fuck, is this nigga gonna wrap about?

900
00:49:41,760 --> 00:49:44,640
Speaker 3: And my god, he started.

901
00:49:48,120 --> 00:49:50,080
Speaker 1: And then he stops. And so he's going like a

902
00:49:50,160 --> 00:49:53,080
Speaker 1: hundred miles. I think you driving a Ferrari. Sit him,

903
00:49:56,000 --> 00:49:59,759
Speaker 1: snatch the moon off the sky and blow the sun

904
00:49:59,880 --> 00:50:04,360
Speaker 1: of way. Me and my niggas playing boy hawk Cross.

905
00:50:05,800 --> 00:50:08,719
Speaker 1: I had a Lexus four hundred. I opened the door

906
00:50:08,880 --> 00:50:11,960
Speaker 1: so fast, and I said, sit down, please, sit in

907
00:50:12,040 --> 00:50:14,880
Speaker 1: the car, Get in the car please. So I was

908
00:50:15,000 --> 00:50:17,560
Speaker 1: there behind the scenes when I saw what Puff Daddy

909
00:50:17,640 --> 00:50:21,320
Speaker 1: did with Biggie. So the fact that that that he

910
00:50:21,520 --> 00:50:23,680
Speaker 1: was dumb nice, I knew I was gonna make him

911
00:50:23,719 --> 00:50:27,160
Speaker 1: like a Spanish Biggie A fasace on him and all that.

912
00:50:27,280 --> 00:50:31,439
Speaker 3: So I already knew this guy, nigg this is gonna

913
00:50:31,440 --> 00:50:31,919
Speaker 3: be the one.

914
00:50:32,520 --> 00:50:36,800
Speaker 1: So he sits in the car, you know, we drive

915
00:50:37,000 --> 00:50:39,440
Speaker 1: and he tells me his life story in about twenty

916
00:50:39,560 --> 00:50:42,160
Speaker 1: minutes and then he was like, yo me because you know,

917
00:50:42,239 --> 00:50:45,920
Speaker 1: we already was a crew. So Terror Squad was already

918
00:50:48,719 --> 00:50:51,960
Speaker 1: had a very street presence in the Bronx and all that.

919
00:50:52,200 --> 00:50:54,360
Speaker 1: So he tells me so he was a real nigga

920
00:50:54,760 --> 00:50:57,920
Speaker 1: that never really had a crew. So when he's with me,

921
00:50:58,040 --> 00:51:00,640
Speaker 1: he's like, yo, Terror Squad, they're gonna be with me.

922
00:51:00,920 --> 00:51:03,640
Speaker 3: Like I tell them what to do. I said, nigga,

923
00:51:03,640 --> 00:51:09,319
Speaker 3: ain't gonna love you. He said wow, because he knew

924
00:51:09,360 --> 00:51:09,880
Speaker 3: what that was.

925
00:51:11,040 --> 00:51:14,560
Speaker 1: He seen what so he was like he was born

926
00:51:14,640 --> 00:51:18,000
Speaker 1: into an army. Like then do whatever he tell him

927
00:51:18,040 --> 00:51:21,520
Speaker 1: to do. And he's crazy. So he was like, Yo,

928
00:51:21,719 --> 00:51:23,920
Speaker 1: I'm gonna have all these crazy niggas up under me.

929
00:51:24,000 --> 00:51:26,759
Speaker 1: I was like, yeah, you're going, and then we just

930
00:51:26,880 --> 00:51:31,200
Speaker 1: became brothers right on the spy. It's really weird because

931
00:51:31,280 --> 00:51:34,319
Speaker 1: I come up from the streets where I never really

932
00:51:34,400 --> 00:51:36,520
Speaker 1: trusted people, you know what I mean, Like a lot

933
00:51:36,560 --> 00:51:37,480
Speaker 1: of people let me down.

934
00:51:37,520 --> 00:51:39,800
Speaker 3: The bad people in the streets and the drug gameer

935
00:51:39,960 --> 00:51:41,719
Speaker 3: was niggah.

936
00:51:41,800 --> 00:51:44,160
Speaker 1: It was the worst of the worst of the worst

937
00:51:44,239 --> 00:51:48,800
Speaker 1: of the worst, most deceptive niggas, the most manipulating niggas,

938
00:51:48,800 --> 00:51:52,239
Speaker 1: the biggest lies you've ever seen in your life. To this, this, this,

939
00:51:52,440 --> 00:51:55,600
Speaker 1: and then I gotta be the guy who tells me

940
00:51:55,719 --> 00:52:00,520
Speaker 1: his life story. Vulnerable and trust is me from the

941
00:52:00,640 --> 00:52:02,480
Speaker 1: first second I meet him, because the type of shit

942
00:52:02,520 --> 00:52:05,239
Speaker 1: he was telling me, you don't tell her nothing, right.

943
00:52:05,320 --> 00:52:07,240
Speaker 1: So I'm looking at him, I'm like, yo, this nigga.

944
00:52:07,360 --> 00:52:10,120
Speaker 1: Nigga was like, Yo, we're going to be brothers, right,

945
00:52:10,760 --> 00:52:12,520
Speaker 1: You're going to be my big brother. I said, yeah,

946
00:52:12,520 --> 00:52:14,480
Speaker 1: I'm gonna be your big brother. And we was just tight,

947
00:52:14,600 --> 00:52:18,520
Speaker 1: like it was unseparable, me and him, you know, unseparable

948
00:52:18,800 --> 00:52:22,000
Speaker 1: in peace. Pun Man, How did that feel like you

949
00:52:22,120 --> 00:52:24,160
Speaker 1: when you was in Puerto Rico and you heard Big

950
00:52:24,239 --> 00:52:25,080
Speaker 1: pun for the first time?

951
00:52:25,120 --> 00:52:27,360
Speaker 3: You do, he was bought equal, you know what's crazy?

952
00:52:27,600 --> 00:52:30,719
Speaker 3: Like me? Since okay, I was a big you know,

953
00:52:31,239 --> 00:52:33,040
Speaker 3: I was in the States my whole life, ten years

954
00:52:33,080 --> 00:52:36,120
Speaker 3: old in the Puerto Rico, did no Spanish, so I

955
00:52:36,320 --> 00:52:40,600
Speaker 3: had to learn Spanish first, and then so when I

956
00:52:40,719 --> 00:52:42,239
Speaker 3: was in pert Rico like I was going vacage. I

957
00:52:42,280 --> 00:52:44,520
Speaker 3: would be seeing at three Tito, We're seeing young Dad,

958
00:52:44,680 --> 00:52:48,600
Speaker 3: Dagle Dawn, you know. But I didn't know about you

959
00:52:48,680 --> 00:52:53,120
Speaker 3: know baby. I think Lingo and Lidco had Big Punt.

960
00:52:53,600 --> 00:52:56,719
Speaker 3: I had to learn Spanish first, completely learn Spanish, and

961
00:52:56,960 --> 00:53:00,200
Speaker 3: then I would go back and study. You know, oh

962
00:53:00,440 --> 00:53:04,799
Speaker 3: damn big pun Okay, this boom boom. But as a kid,

963
00:53:05,040 --> 00:53:07,600
Speaker 3: like you know, that was different because he was popping

964
00:53:07,640 --> 00:53:08,800
Speaker 3: like I was. I was in the States, it was

965
00:53:08,840 --> 00:53:11,440
Speaker 3: popping for the Latino. I was like, you know, for

966
00:53:11,680 --> 00:53:13,440
Speaker 3: fork on them like I would have to, you know,

967
00:53:14,200 --> 00:53:17,440
Speaker 3: go back and listen again. But Big Punning like he

968
00:53:17,640 --> 00:53:21,600
Speaker 3: always was popping because he had commercial songs. He has

969
00:53:21,680 --> 00:53:23,720
Speaker 3: songs that wing like I was. I was not lasting.

970
00:53:23,760 --> 00:53:25,600
Speaker 3: You were here, you would hear Big Puny your feeling

971
00:53:25,680 --> 00:53:29,520
Speaker 3: like you know, but knowing he was, I was fau.

972
00:53:29,719 --> 00:53:32,279
Speaker 3: We didn't have a lot of like Puerto Rican, Puerto

973
00:53:32,360 --> 00:53:35,239
Speaker 3: Rican representation that were like that would be so you know,

974
00:53:36,040 --> 00:53:38,360
Speaker 3: put the flag on my back, you know, and about it.

975
00:53:38,480 --> 00:53:40,120
Speaker 3: You know. So it was you know, you you know him,

976
00:53:40,400 --> 00:53:41,239
Speaker 3: it was it was dope.

977
00:53:41,800 --> 00:53:45,320
Speaker 1: Know what's crazy is the first I'd never forget the

978
00:53:45,440 --> 00:53:47,680
Speaker 1: first time I because I used to be scared to fly.

979
00:53:48,520 --> 00:53:50,600
Speaker 3: Yeah, I got over thet me like two years ago.

980
00:53:50,680 --> 00:53:53,719
Speaker 1: I was terrified. So I never used to go to

981
00:53:53,800 --> 00:53:59,760
Speaker 1: Puerto Rico. Why we selling double platinum a bunch of times?

982
00:54:01,160 --> 00:54:01,480
Speaker 5: D R.

983
00:54:02,440 --> 00:54:07,960
Speaker 3: Yeah, yeah, you fire fire. You've been in Latin America

984
00:54:08,120 --> 00:54:13,359
Speaker 3: like like, oh, imagining Argentina. I don't really. I never

985
00:54:13,440 --> 00:54:18,640
Speaker 3: really did Latin America like that a few tires. I

986
00:54:18,760 --> 00:54:22,239
Speaker 3: mean I was experienced, like there you show me up,

987
00:54:23,920 --> 00:54:31,359
Speaker 3: you lest your yeah mon yeah when they say mon

988
00:54:31,480 --> 00:54:35,719
Speaker 3: that guy, yeah yeah, that nigga crazy right here? Let

989
00:54:35,800 --> 00:54:37,680
Speaker 3: me yeah.

990
00:54:40,719 --> 00:54:46,160
Speaker 1: Yeah yeah, let me act with the bodies in Puerto Rico.

991
00:54:46,239 --> 00:54:49,200
Speaker 1: They never say fat Bobby the matter fact.

992
00:54:49,040 --> 00:54:50,160
Speaker 3: Joe Man.

993
00:54:50,239 --> 00:54:53,520
Speaker 8: They said, oh yeah, five new comedy, said Fin Yo

994
00:54:54,600 --> 00:54:59,799
Speaker 8: yo new come me Beta, Oh yes, new comedy, said

995
00:55:00,360 --> 00:55:05,760
Speaker 8: Joe my name is five yeah nobody, And Joe.

996
00:55:05,880 --> 00:55:14,160
Speaker 3: The Mega said the five five in Mellow five crazy.

997
00:55:14,280 --> 00:55:20,880
Speaker 1: But with me, you know, I seen, you know, I

998
00:55:20,920 --> 00:55:23,880
Speaker 1: don't want to repeat myself, but I seen, like the birth.

999
00:55:24,360 --> 00:55:28,000
Speaker 1: I remember, I went to Orchid Beach one day, right,

1000
00:55:28,080 --> 00:55:30,120
Speaker 1: So every Sunday we would go to Orchid Beach and

1001
00:55:30,239 --> 00:55:32,439
Speaker 1: there was a guy standing there. He had all these

1002
00:55:32,640 --> 00:55:36,279
Speaker 1: chains on and they was like, yo, that's that's the

1003
00:55:36,400 --> 00:55:38,560
Speaker 1: Puerto Rican rap. He's the nigga.

1004
00:55:38,640 --> 00:55:40,960
Speaker 3: Yeah. I was like, really from Puerto Rico. It was

1005
00:55:41,080 --> 00:55:45,760
Speaker 3: Vico c Yeah, so Vico. He was at the Orchid

1006
00:55:45,800 --> 00:55:48,000
Speaker 3: Beach with a bunch of chains on and he was

1007
00:55:48,080 --> 00:55:50,319
Speaker 3: that niggro. He was like a Jada kiss over there

1008
00:55:50,840 --> 00:55:56,280
Speaker 3: and over here, came over here. I seen him before

1009
00:55:56,280 --> 00:55:59,480
Speaker 3: I even rap, Like I seen him, you know, make

1010
00:56:00,880 --> 00:56:04,400
Speaker 3: Puerto Rican rap, you know more worldwide. Yeah, he is

1011
00:56:04,400 --> 00:56:07,920
Speaker 3: probably one of the first ones the ridge. I was swimming.

1012
00:56:08,000 --> 00:56:11,040
Speaker 3: He was a swimmer. Yeah, I was a pro swimmer. Bro.

1013
00:56:12,239 --> 00:56:15,080
Speaker 3: I was too good at the wrong SPORTY made no money.

1014
00:56:15,640 --> 00:56:18,600
Speaker 3: Swimming don't make no money. Have you ever been to

1015
00:56:18,680 --> 00:56:24,719
Speaker 3: a swimming You're like, I never heard free. I never

1016
00:56:24,840 --> 00:56:29,320
Speaker 3: heard a swimmer hosting the club. Y'all swimming only swimming

1017
00:56:29,360 --> 00:56:32,279
Speaker 3: making breads. Michael Fels got that. You got that endorsement money,

1018
00:56:32,320 --> 00:56:37,000
Speaker 3: But like it does you know, help you be more disciplined,

1019
00:56:37,360 --> 00:56:42,000
Speaker 3: you know, being being good, Like swimming is a very

1020
00:56:42,120 --> 00:56:45,759
Speaker 3: tough sport. It requires you know, physical mental. Do you

1021
00:56:45,880 --> 00:56:48,680
Speaker 3: train like seven hours a day? Probably you're doing it

1022
00:56:49,239 --> 00:56:49,640
Speaker 3: because we.

1023
00:56:49,719 --> 00:56:52,200
Speaker 1: Always fucked up. We always chose the wrong ship. So

1024
00:56:52,400 --> 00:56:55,800
Speaker 1: in the hood, the black kids are fucking playing ball.

1025
00:56:56,400 --> 00:57:00,720
Speaker 1: They get we playing handballting.

1026
00:56:59,320 --> 00:57:04,359
Speaker 3: No money on it, and like, hey boy, now three

1027
00:57:04,400 --> 00:57:08,319
Speaker 3: sports baseball, basketball and boxing. Man, you can you can

1028
00:57:08,400 --> 00:57:13,120
Speaker 3: make bread. You don't make that, Brad, there's other league baseball, boxing, Yeah,

1029
00:57:13,440 --> 00:57:17,880
Speaker 3: you can make In New York, we played Hamble. Niggas

1030
00:57:18,040 --> 00:57:22,280
Speaker 3: get no money in Hamble. Motherfucker, duncan get money. They

1031
00:57:22,400 --> 00:57:24,920
Speaker 3: this that they got the Ruckert They got that dad

1032
00:57:25,760 --> 00:57:30,480
Speaker 3: Campbell Sports and my dad played that camball. Yeah, fucking look,

1033
00:57:30,920 --> 00:57:35,080
Speaker 3: Uncle Willie was a everyone's a handball master cam artist.

1034
00:57:35,120 --> 00:57:37,760
Speaker 1: Your uncle will come on every time I talk about him,

1035
00:57:37,920 --> 00:57:40,560
Speaker 1: some scanning listener, Uncle, I love you to death.

1036
00:57:41,200 --> 00:57:43,240
Speaker 3: Uncle will was so good at hamball.

1037
00:57:43,600 --> 00:57:46,720
Speaker 1: He would go to like Brooklyn Queens and loose two

1038
00:57:46,840 --> 00:57:49,880
Speaker 1: games for like fifty dollars and then play the nigga

1039
00:57:49,920 --> 00:57:51,280
Speaker 1: for five or gis.

1040
00:57:52,800 --> 00:57:54,000
Speaker 3: Uncle will is the same.

1041
00:57:54,640 --> 00:57:57,560
Speaker 1: I only seen him lose one time, like a real

1042
00:57:58,440 --> 00:58:01,600
Speaker 1: He tried to win and the motherfucker some white dude

1043
00:58:01,640 --> 00:58:03,600
Speaker 1: out in Queens beat him for the bat. There was

1044
00:58:03,640 --> 00:58:09,480
Speaker 1: a bigger scammer than them. Nigga every Saturday and Sunday

1045
00:58:09,520 --> 00:58:14,920
Speaker 1: would go Queens Brooklyn, the Bronx. He would go wherever

1046
00:58:15,240 --> 00:58:17,480
Speaker 1: they and they used to bet five hundred dollars in

1047
00:58:17,600 --> 00:58:19,960
Speaker 1: hand boy, he used to bust they ass every that

1048
00:58:20,120 --> 00:58:26,480
Speaker 1: was actually part of his job. Nigga too, I bring

1049
00:58:26,640 --> 00:58:28,920
Speaker 1: back home three hundred. You know, back in them days,

1050
00:58:29,440 --> 00:58:32,200
Speaker 1: nobody believes me when you did comport that with two dollars.

1051
00:58:32,840 --> 00:58:35,040
Speaker 1: If you win one hundred and fifty dollars ship like that,

1052
00:58:35,200 --> 00:58:36,800
Speaker 1: that was big time. I remember one time they most

1053
00:58:36,880 --> 00:58:39,320
Speaker 1: fucked us up because they knew the fix was in.

1054
00:58:39,480 --> 00:58:42,760
Speaker 1: He lost too on purpose. Hit the nigga for like threere.

1055
00:58:42,840 --> 00:58:46,320
Speaker 1: He beat him so bad. Nigga, n get the money, run,

1056
00:58:46,680 --> 00:58:47,280
Speaker 1: go go go go.

1057
00:58:49,520 --> 00:58:53,760
Speaker 3: Fuck you walk get the bucket. No, I'm telling you

1058
00:58:54,120 --> 00:58:56,360
Speaker 3: that ship was crazy. Uncle Will was dead nice and

1059
00:58:56,440 --> 00:58:59,200
Speaker 3: no handboy, all.

1060
00:58:59,080 --> 00:59:02,560
Speaker 4: The real ones out keeping it eighteen hundred.

1061
00:59:03,880 --> 00:59:05,160
Speaker 3: What's in the future for you?

1062
00:59:05,360 --> 00:59:05,520
Speaker 8: Man?

1063
00:59:05,640 --> 00:59:08,240
Speaker 3: What you're working on? Album? Man? We got we just

1064
00:59:08,360 --> 00:59:10,840
Speaker 3: dropping on a course. So we dropped a different album

1065
00:59:10,880 --> 00:59:12,600
Speaker 3: and I got the trap song, got the rap songs.

1066
00:59:12,640 --> 00:59:15,200
Speaker 3: We have a freestyle joint that's going crazy right now.

1067
00:59:15,360 --> 00:59:21,800
Speaker 3: Freestyle freestyle, nice beauty Torett, Yeah, freestyle smart, smart. I said, Man,

1068
00:59:21,840 --> 00:59:24,680
Speaker 3: the last time I heard SOMETHINGE do that line, I've

1069
00:59:24,680 --> 00:59:26,200
Speaker 3: been like a good two years trying to get the

1070
00:59:26,280 --> 00:59:28,960
Speaker 3: perfect because to do that, it's not the same thing

1071
00:59:29,040 --> 00:59:31,560
Speaker 3: like a rap. You know, you got to release knock

1072
00:59:31,680 --> 00:59:35,840
Speaker 3: into it with me. I need that, Okay, calid and

1073
00:59:36,000 --> 00:59:40,680
Speaker 3: sample Steve b Okay, Okay, so we we I tried that.

1074
00:59:41,360 --> 00:59:44,960
Speaker 3: It's dope, but the freestyle is going hard. It's one

1075
00:59:45,000 --> 00:59:47,680
Speaker 3: of the most hardest songs on the album. We got

1076
00:59:47,720 --> 00:59:56,160
Speaker 3: the DeLux coming soon Netflix of course, low dig of course. Yo.

1077
00:59:56,280 --> 00:59:59,919
Speaker 1: Why this is a hundred Why niggas got to get that? Yeah,

1078
01:00:00,120 --> 01:00:06,240
Speaker 1: you just gotta get nasty. Yeah, yeallo, hollo bro eighteen

1079
01:00:07,120 --> 01:00:10,840
Speaker 1: courser I'm gonna drop a couple of month bother this year.

1080
01:00:12,080 --> 01:00:15,680
Speaker 1: Ray Mersey Boom in the chest, Ray Mercer.

1081
01:00:15,800 --> 01:00:18,120
Speaker 3: That's a hit. Boy. I'm gonna drop a few more

1082
01:00:18,200 --> 01:00:20,960
Speaker 3: joints this year. You know, I got some more you know,

1083
01:00:21,040 --> 01:00:23,840
Speaker 3: American Collapse, you know, trying to you know, keep on

1084
01:00:24,000 --> 01:00:26,720
Speaker 3: building that bridge, you know, all like that. Yeah, I

1085
01:00:26,760 --> 01:00:29,040
Speaker 3: think it's all about doing the correct collab. You know,

1086
01:00:29,120 --> 01:00:31,840
Speaker 3: you got collapse. That that word collapse that don't I

1087
01:00:31,960 --> 01:00:34,280
Speaker 3: love the joint with you in future was it originally

1088
01:00:34,520 --> 01:00:37,280
Speaker 3: your song? First? Did it? I dropped that first? They

1089
01:00:37,320 --> 01:00:40,920
Speaker 3: went crazy stupid, and I said, man, we got opportunities

1090
01:00:40,960 --> 01:00:43,920
Speaker 3: that my team said were opportunities in the future, which

1091
01:00:43,920 --> 01:00:46,080
Speaker 3: you guys say we're doing. That's that's one of the

1092
01:00:46,160 --> 01:00:51,680
Speaker 3: songs that and it gets the soccer and you know

1093
01:00:51,760 --> 01:00:55,480
Speaker 3: it's my neighbor in Miami building. He's killing them and

1094
01:00:56,520 --> 01:01:01,560
Speaker 3: my guy got fire fire in my building. My man

1095
01:01:01,640 --> 01:01:03,920
Speaker 3: and he be with his family and his wife is

1096
01:01:03,960 --> 01:01:06,520
Speaker 3: a good friend. He's like, he lives in my building.

1097
01:01:07,840 --> 01:01:12,680
Speaker 3: The African. Yeah, he has a white wife with blue eyes.

1098
01:01:15,040 --> 01:01:15,439
Speaker 3: For nothing.

1099
01:01:15,480 --> 01:01:17,320
Speaker 1: One I'm talking about, the one I'm told I got

1100
01:01:17,400 --> 01:01:22,439
Speaker 1: a whole family. Maybe I'm blowing. I'm messy. The black

1101
01:01:22,560 --> 01:01:25,400
Speaker 1: dude that got he got a hundred million followers. He's

1102
01:01:25,520 --> 01:01:29,080
Speaker 1: killing them, niggas rich. He's saying, Yo, your man hit

1103
01:01:29,160 --> 01:01:29,720
Speaker 1: another one.

1104
01:01:29,840 --> 01:01:34,120
Speaker 3: This he lives in my building. Guys in Miami, I

1105
01:01:34,240 --> 01:01:41,640
Speaker 3: think it was in Boppi in France. French. He's African French. Yes,

1106
01:01:46,160 --> 01:01:46,680
Speaker 3: Now he's.

1107
01:01:51,920 --> 01:01:55,160
Speaker 1: Find the soccer player that lives in all he got kidding,

1108
01:01:55,160 --> 01:01:56,880
Speaker 1: the one I'm told I told me old story. He

1109
01:01:56,920 --> 01:02:03,080
Speaker 1: got kiddingapped by his own brother in Africa. You know

1110
01:02:03,160 --> 01:02:12,920
Speaker 1: it's my name, okay, and they ag't killing him right now?

1111
01:02:14,800 --> 01:02:18,000
Speaker 3: That's my god. Yeah, the beast. That's that's what you

1112
01:02:18,200 --> 01:02:18,760
Speaker 3: talking about.

1113
01:02:18,800 --> 01:02:22,880
Speaker 1: He told me, Oh, I ain't the only nigga got

1114
01:02:22,960 --> 01:02:23,960
Speaker 1: kidnapped in Africa.

1115
01:02:24,000 --> 01:02:29,080
Speaker 3: They kidnapped him his old brother. You are kiss yes,

1116
01:02:29,360 --> 01:02:34,040
Speaker 3: shout out to talk about shout him, my man. That's

1117
01:02:34,480 --> 01:02:37,520
Speaker 3: listen to myself. That's a hoop. That's a hooper. He's

1118
01:02:37,560 --> 01:02:40,440
Speaker 3: a hooper, right, you go crazy, nigga go. You know,

1119
01:02:40,520 --> 01:02:42,440
Speaker 3: I don't know nothing about football soccer.

1120
01:02:42,600 --> 01:02:42,760
Speaker 4: You know.

1121
01:02:42,800 --> 01:02:45,880
Speaker 3: All I know is every time I see him, everybody

1122
01:02:46,000 --> 01:02:49,760
Speaker 3: be bugging like yo, that niggas nigga yos. He's the

1123
01:02:49,960 --> 01:02:51,919
Speaker 3: I'm like, but I don't know you know what I'm saying.

1124
01:02:52,000 --> 01:02:53,520
Speaker 3: So what you want me to do? He's just the

1125
01:02:53,680 --> 01:02:56,560
Speaker 3: nicest guy in the world. His wife's the nicest lady.

1126
01:02:57,040 --> 01:02:59,640
Speaker 3: The kids a beautiful, beautiful family. I hung out with

1127
01:02:59,720 --> 01:03:02,560
Speaker 3: him a bunch of times on the yacht that came.

1128
01:03:02,680 --> 01:03:04,440
Speaker 3: I hung out with him. Damn. I don't even know

1129
01:03:04,560 --> 01:03:07,480
Speaker 3: his name. What's his name? Talking about? Poke about? Pokemon

1130
01:03:09,200 --> 01:03:14,680
Speaker 3: is a good guy? Skip what take me play for?

1131
01:03:14,960 --> 01:03:16,439
Speaker 3: We didn't call me Bobby on the boat.

1132
01:03:17,040 --> 01:03:21,880
Speaker 1: He's playing for French. I don't know he's not playing now, Well,

1133
01:03:21,920 --> 01:03:24,920
Speaker 1: why Rich is telling me, Oh, so that's.

1134
01:03:24,800 --> 01:03:25,480
Speaker 3: The wrong nigga.

1135
01:03:25,520 --> 01:03:30,760
Speaker 1: The guy I'm talking about, guy's talking about still killing

1136
01:03:34,520 --> 01:03:39,280
Speaker 1: Oh he ain't killing them like that, no more something

1137
01:03:39,400 --> 01:03:43,120
Speaker 1: steroids or something. And then now that he came back,

1138
01:03:43,200 --> 01:03:49,400
Speaker 1: he ain't got the fluidity like that. Wow, Rich is

1139
01:03:49,480 --> 01:03:51,800
Speaker 1: lying to me. Rich, keep telling me your man is

1140
01:03:51,960 --> 01:03:54,960
Speaker 1: killing me. Show me a nigga making the kid Me

1141
01:03:55,080 --> 01:03:57,800
Speaker 1: lying to me, Yo, your man's World Cup killing them

1142
01:03:57,880 --> 01:04:03,360
Speaker 1: niggas right that maybe he's here saw worlke up any

1143
01:04:03,440 --> 01:04:06,640
Speaker 1: team in the world. You don't got to be front row.

1144
01:04:06,840 --> 01:04:10,400
Speaker 1: It don't got to be nothing. But I need them though, Okay, thank.

1145
01:04:10,280 --> 01:04:14,360
Speaker 3: You, you need to go ahead. It's right, right, experience

1146
01:04:14,360 --> 01:04:16,480
Speaker 3: at least one game. But that's the story. But you know,

1147
01:04:16,520 --> 01:04:19,520
Speaker 3: I got a jersey. I don't even a soccer game

1148
01:04:20,200 --> 01:04:24,600
Speaker 3: I want to go to. Just No, there's no you're

1149
01:04:24,640 --> 01:04:27,919
Speaker 3: never going to see in a basket. Maybe I can't

1150
01:04:27,920 --> 01:04:30,640
Speaker 3: even say not even like the next basket, nae basketball.

1151
01:04:30,680 --> 01:04:35,200
Speaker 3: That's like where the real like Boise fans fucked up.

1152
01:04:35,280 --> 01:04:37,960
Speaker 3: It's crazy, I tell you, ware. The only you guys

1153
01:04:38,440 --> 01:04:43,360
Speaker 3: I experienced. That was the U M Championship game.

1154
01:04:43,440 --> 01:04:47,880
Speaker 1: Will half the crowd is the other college half the

1155
01:04:47,960 --> 01:04:52,240
Speaker 1: crowd with thatsh college basketballs?

1156
01:04:53,000 --> 01:04:58,480
Speaker 3: No, No, the football. No, it was like seventy was

1157
01:04:58,520 --> 01:04:59,240
Speaker 3: with us that night.

1158
01:04:59,360 --> 01:05:01,919
Speaker 1: That ship was I've never been to that like where

1159
01:05:02,320 --> 01:05:04,360
Speaker 1: half the crowd is half the crowd they going for

1160
01:05:04,480 --> 01:05:05,520
Speaker 1: everything that ship.

1161
01:05:05,680 --> 01:05:08,920
Speaker 3: That was exciting. But that's how locked like Team Columbia

1162
01:05:09,040 --> 01:05:14,080
Speaker 3: game or one of those joints. That's just remember like

1163
01:05:14,080 --> 01:05:16,280
Speaker 3: there's a lot of those people like that are here

1164
01:05:16,320 --> 01:05:18,560
Speaker 3: in the US that haven't been back home in a while,

1165
01:05:19,200 --> 01:05:22,280
Speaker 3: so they'd be going there like that's not going crazy.

1166
01:05:22,400 --> 01:05:25,480
Speaker 3: Piece of I bought a jersey on fly fucking soccer,

1167
01:05:25,640 --> 01:05:28,680
Speaker 3: I don't know what team, and I bought some sneakers

1168
01:05:28,720 --> 01:05:31,320
Speaker 3: to Magic and I'm gonna wear that. You need Yeah, yeah,

1169
01:05:31,520 --> 01:05:34,960
Speaker 3: you rock that. We got to rock that people one time.

1170
01:05:35,200 --> 01:05:39,240
Speaker 9: You know what I'm saying, Cup, well, cup cracks all

1171
01:05:39,280 --> 01:05:42,080
Speaker 9: right this time, Yo, check this out. This ain't that

1172
01:05:42,760 --> 01:05:45,360
Speaker 9: and ain't this It's cracking kids, God damn to give

1173
01:05:45,400 --> 01:05:45,680
Speaker 9: it up.

1174
01:05:46,080 --> 01:05:52,840
Speaker 3: And oh yeah, the fire