WEBVTT - The Mind of Émilie du Châtelet (Part 1)

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<v Speaker 1>Welcome to Noble Blood, a production of iHeartRadio and Grim

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<v Speaker 1>and Mild from Aaron Mankie Listener discretion advised circa seventeen

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<v Speaker 1>forty five, the rising French painter Maryanne Noir received a

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<v Speaker 1>commission a portrait of a noblewoman. Was not an unusual assignment,

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<v Speaker 1>but her setter was an unusual noble woman. In the

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<v Speaker 1>finished portrait, Marianne's subject is seated in an ornate chair

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<v Speaker 1>with the perfect posture expected from one of her noble class.

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<v Speaker 1>She wears a loose fitting robe of o'l'annglis in a

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<v Speaker 1>deep blue, lined with fur on the bodice and lace

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<v Speaker 1>on the sleeves. A diamond brooch is pinned to the

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<v Speaker 1>ribbon around her throat, and the woman's cheeks are flushed

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<v Speaker 1>with a deep rouge. Her head is turned slightly to

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<v Speaker 1>the right and she smiles slightly at the viewer. At

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<v Speaker 1>first glance, it might be a depiction of any wealthy

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<v Speaker 1>noble woman, but the details of the portrait are where

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<v Speaker 1>we can see the woman's complexity. The table where she's

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<v Speaker 1>resting her elbow is holding an open book, loose pages

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<v Speaker 1>of a manuscript and an orry, a mechanical model of

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<v Speaker 1>the solar system. In the woman's left hand, she holds

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<v Speaker 1>a white carnation, probably signaling its traditional associations with pure

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<v Speaker 1>love and motherhood, or its nature as a hybrid cultivated

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<v Speaker 1>through human science. In the woman's right hand, if you

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<v Speaker 1>look closely, you can see she's holding a compass, the

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<v Speaker 1>tool of the mathematician. In eighteenth century French portraiture, the

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<v Speaker 1>positioning of the compass symbolized different fields. Holding the points

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<v Speaker 1>straight up signified abstractions, whiles represented the measurement of the

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<v Speaker 1>earth and matter. Here, our sitter holds the points of

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<v Speaker 1>the compass horizontally, an indication of her ability in both areas.

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<v Speaker 1>The portrait is of a woman named Emilie du Chatelais,

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<v Speaker 1>who was not only a mathematician, but also a philosopher, physicist, writer, translator,

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<v Speaker 1>and yes, noble woman. The compass, and to be clear,

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<v Speaker 1>I'm talking about a compass that is used to draw

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<v Speaker 1>a circle, not a navigational compass. The compass is a

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<v Speaker 1>particularly potent symbol in her life. In seventeen forty, a

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<v Speaker 1>few short years before she commissioned this portrait, Emily garnered

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<v Speaker 1>great recognition within the scientific community after winning a debate

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<v Speaker 1>with the Secretary of the Academy of Sciences, Jean Jacques

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<v Speaker 1>Dortu de Moraine. When the publication of her book featured

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<v Speaker 1>a correct rebuttal to the Secretary's argument that forces proportional

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<v Speaker 1>to velocity, she advised him not to draw a metaphorical

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<v Speaker 1>epi against her. He responded, I implore you to observe

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<v Speaker 1>that it would not be an epi. A compass suffices

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<v Speaker 1>that is quite enough to check the strikes of a fan.

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<v Speaker 1>He meant to dismiss Emily for her femininity, but in

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<v Speaker 1>her portrait, portrayed holding both a compass and a flower,

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<v Speaker 1>Emily shows the viewer that she's capable of being a

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<v Speaker 1>woman and being right. I'm Dana Schwartz, and this is

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<v Speaker 1>noble blood. In the early nineteenth century, many years after

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<v Speaker 1>Emily de Chatelet's death, a story began to circulate that

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<v Speaker 1>explained how she became a woman of science. The story

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<v Speaker 1>comes to a simple conclusion, she was just born that way.

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<v Speaker 1>According to a French pamphlet of Famous Women, a servant

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<v Speaker 1>in the home of three year old Emily attempted to

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<v Speaker 1>improvise a toy out of a mathematical compass for the

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<v Speaker 1>girl closing the wooden tool and dressing it to look

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<v Speaker 1>like a doll. Instead of accepting the gift as it was,

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<v Speaker 1>the little baron studied the figure and undressed it. With

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<v Speaker 1>this strange tool in hand, at just three years old,

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<v Speaker 1>she intuited its purpose and used it to make a

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<v Speaker 1>perfect circle. This undoubtedly false anecdote tells us more about

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<v Speaker 1>how history constructs identity than it does anything about Emily herself.

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<v Speaker 1>As her biographer Judith Zincer points out, this framing presents

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<v Speaker 1>Emily as a quote prodigy anomaly, unlike any other female.

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<v Speaker 1>In reality, we know very little about the early life

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<v Speaker 1>of Emily d Chatelas. We can say with certainty that

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<v Speaker 1>she was born on December seventeenth, seventeen o six in

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<v Speaker 1>the Parisian parish of Saint Roche. She was the only

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<v Speaker 1>girl of six children, though two of her brothers would

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<v Speaker 1>die very young. At her birth, her father gifted her

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<v Speaker 1>the minor title of barone de Prouli, though it would

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<v Speaker 1>automatically go to his eldest son upon his death. Her

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<v Speaker 1>father was the breezily named Louis Nicolau de Tonee de Bretois,

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<v Speaker 1>a baron of a lesser noble family that had seen

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<v Speaker 1>a recent rise in status thanks to the favor of

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<v Speaker 1>Louis the fourteenth. Emily's grandfather was one of the king's

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<v Speaker 1>most successful courtiers, and while his elder sons followed in

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<v Speaker 1>his ambitious footsteps, Emily's father, Louis Nicolas, was perfectly happy

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<v Speaker 1>just riding his dad's coat tails. He was given titles

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<v Speaker 1>that came with privileges but no responsibilities, like being one

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<v Speaker 1>of the King's quote first gentlemen of the bedchambers. That

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<v Speaker 1>was a job that entailed watching the king use the

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<v Speaker 1>toilet and keeping him company as he enjoyed his tea

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<v Speaker 1>each morning. As one of the king's favorites, Louis Nicholas

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<v Speaker 1>enjoyed certain other privileges, such as being sent away on

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<v Speaker 1>diplomatic missions to cover up scandalous affairs. The greatest of

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<v Speaker 1>such was his affair with a young Italian financier married

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<v Speaker 1>to a Parisian official, in which he ultimately refused to

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<v Speaker 1>claim paternity of the child he helped conceive. The King

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<v Speaker 1>sent the woman to a convent in disgrace. As an adult,

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<v Speaker 1>Emilie defended her illegitimate sister's claim to inheritance against her

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<v Speaker 1>cousin's attempts to silence the by then fifty year old woman.

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<v Speaker 1>Emilie was successful, and Parisian courts awarded her half sister

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<v Speaker 1>a settlement. Eventually into Louis Nicolaus's forties, both the king

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<v Speaker 1>and Louis Nicolas's family were fed up with his behavior,

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<v Speaker 1>and it was arranged for him to marry twenty seven

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<v Speaker 1>year old Gabrielle Ann Defoulats. While the Riteaus were still

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<v Speaker 1>considered new blood, the Foulats were elite members of the court.

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<v Speaker 1>Gabrielle's mother was a lady in waiting to Queen Anne

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<v Speaker 1>of Austria, and her father was a grand marshal of

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<v Speaker 1>the king's army. In a memoir written by one of

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<v Speaker 1>Emily's younger cousins, Gabrielle is described as an exceptionally beautiful

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<v Speaker 1>woman who was strict and superstitious, but well read in

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<v Speaker 1>both theology and astronomy. Emily's father also had intellectual interests,

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<v Speaker 1>and he hosted a salon in the family home each Thursday.

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<v Speaker 1>Louis Nicolas's salon drew big names from Parisian society, including

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<v Speaker 1>the memoirrist San Simon, the secretary of the French Academy

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<v Speaker 1>of Sciences Fontanelle, and one Voltaire himself. It's possible that

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<v Speaker 1>Emily and her future collaborator and lover, Voltaire, might have

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<v Speaker 1>met at one of these salons when Emily was just

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<v Speaker 1>a child, but Voltaire actually dates their first meeting two

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<v Speaker 1>years later. Emily's education was most likely typical for girls

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<v Speaker 1>of her status. She would have had a governess who

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<v Speaker 1>taught her basic reading, writing, and arithmetic, as well as

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<v Speaker 1>of course, how to be well mannered and recite her prayers.

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<v Speaker 1>When she was a little older, around seven or eight,

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<v Speaker 1>evidence points to the possibility that she received a pe

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<v Speaker 1>period of convent education. One of the major teaching orders

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<v Speaker 1>for girls of the time described their responsibility as quote

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<v Speaker 1>to teach the little girls Christian piety, the virtues and

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<v Speaker 1>good morals, and the works and exercises appropriate to their

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<v Speaker 1>sex end quote. In Emily's first completed intellectual work, a

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<v Speaker 1>translation and expansion of English philosopher Bernard Mandeville's social commentary

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<v Speaker 1>The Fables of the Bees, Emily dedicates space in her

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<v Speaker 1>introduction to critiquing the state of girls education, She began

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<v Speaker 1>writing a bit hyperbolically, quote, let us reflect a bit

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<v Speaker 1>why at no time in the course of so many centuries,

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<v Speaker 1>a good tragedy, a good poem, a respected tale, a

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<v Speaker 1>beautiful painting, a good book of physics has ever come

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<v Speaker 1>from the hand of a woman. Why do these creatures,

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<v Speaker 1>whose understanding appears, and all things equal to that of men,

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<v Speaker 1>seem to be stopped by an invisible force on this

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<v Speaker 1>side of a barrier. I leave it to naturalists to

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<v Speaker 1>find a physical explanation. But until that happens, women will

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<v Speaker 1>be entitled to protest against their education. As for me,

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<v Speaker 1>I confess that if I were king, I would wish

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<v Speaker 1>to make this scientific experiment. I would reform an abuse

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<v Speaker 1>that cuts out, so to speak, half of humanity. I

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<v Speaker 1>would allow women to share in all the rights of humanity,

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<v Speaker 1>and most of all those of the mind. In an

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<v Speaker 1>earlier draft, she had explicitly stated quote if I were king,

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<v Speaker 1>I would establish secondary schools for women end quote. Emily

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<v Speaker 1>was vigilant about her own education as an adult, making

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<v Speaker 1>up for lost years with tutors once she could hire

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<v Speaker 1>them on her own. Secondary school for women was at

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<v Speaker 1>this point just a fantasy. By the time Emily was

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<v Speaker 1>fifteen or sixteen, potential marriages were already being negotiated. The

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<v Speaker 1>lucky man would ultimately be Florent Claude, Marquis du Chetlais.

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<v Speaker 1>In the eyes of society, he was a great match.

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<v Speaker 1>He was older thirty four to her eighteen, a colonel

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<v Speaker 1>in the King's army, and a member of one of

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<v Speaker 1>France's oldest noble lines. The Duchetlas were one of the

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<v Speaker 1>few families who could trace their lineage back to the

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<v Speaker 1>twelfth century princes who fought in the Crusades. From their

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<v Speaker 1>marriage alliance, Emily gained new status and privileges, while her

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<v Speaker 1>husband gained much needed money. As summed up by one

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<v Speaker 1>Versailles courtier, Monsieur le Marquis de is a man of

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<v Speaker 1>the highest rank, but is not rich. The marriage alliance

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<v Speaker 1>was understood as exactly that an alliance. Neither Emily nor

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<v Speaker 1>her husband would have been conditioned to have any romantic

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<v Speaker 1>ideas about their union. However, the pair was luckier than many.

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<v Speaker 1>They were not in love, no, but they maintained a

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<v Speaker 1>respectful and supportive relationship. Florent Claude was not an intellectual

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<v Speaker 1>like his wife, but nonetheless he supported her pursuits steadfastly.

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<v Speaker 1>He proudly boasted of her work to the court of

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<v Speaker 1>Lorraine and took her book Institutions de Physique to the

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<v Speaker 1>printer on her behalf. Quote happily I am sure of

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<v Speaker 1>Monsieur de Chatelais, Emily once wrote to an associate, he

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<v Speaker 1>is the most respectable and most estimable man I know.

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<v Speaker 1>He was also away on on military campaigns more often

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<v Speaker 1>than not, which left Emily plenty of time and space

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<v Speaker 1>to explore both her intellectual and amorous passions. Emilie understood

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<v Speaker 1>her responsibility as a wife was to carry on her

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<v Speaker 1>husband's very prestigious family, noble line, or, as she plainly

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<v Speaker 1>called it, quote, the propagation of the species. The couple's

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<v Speaker 1>first child, a daughter, was born almost exactly a year

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<v Speaker 1>after their marriage. Their son and heir, Florent Louis, was

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<v Speaker 1>born a year later. Emili gave birth to a third child,

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<v Speaker 1>a son, in seventeen thirty three, but he would die

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<v Speaker 1>within his first year. Emili spoke about his death objectively,

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<v Speaker 1>calling it quote one of the misfortunes of motherhood, but

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<v Speaker 1>she also expressed her surprise at the extent of her

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<v Speaker 1>distress and anger in the dinner when her set cataloged

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<v Speaker 1>amongst her possessions after her own death, twelve place settings

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<v Speaker 1>are still accompanied by a single gilded babyspoon. When her

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<v Speaker 1>living son was old enough, Emily took his education upon

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<v Speaker 1>herself after realizing his tutors were not up to her standards,

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<v Speaker 1>and though she rallied for better girls' schooling, Emily did

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<v Speaker 1>not teach her daughter the same way. Her daughter received

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<v Speaker 1>the traditional convent education and married well young. Perhaps if

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<v Speaker 1>Emily had been king in the late seventeen twenties and

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<v Speaker 1>early seventeen thirties, when her children were still very young,

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<v Speaker 1>Emily lived the typical life of a young noble woman,

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<v Speaker 1>engaging in what she would later call Leschaux's frivou. Such frivolity,

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<v Speaker 1>as she believed, led to quote the neglect of my

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<v Speaker 1>mind and understanding. Her daily routine, as established through her letters,

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<v Speaker 1>went something like this. Each morning, her lady's maid would

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<v Speaker 1>wake her by drawing the heavy curtains that lined her bedpost,

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<v Speaker 1>and she'd take her preferred breakfast of coffee with cream

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<v Speaker 1>and a roll, then would begin the long process of dressing,

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<v Speaker 1>powdering her hair, and applying rouge and mouche. The rest

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<v Speaker 1>of the morning was spent receiving visitors followed by a

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<v Speaker 1>trip to Paris's botanical gardens with her good friend, the

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<v Speaker 1>Duchesta Saint Pierre, before returning home to dress for the theater.

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<v Speaker 1>At six. Nights would be spent at friends homes or

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<v Speaker 1>at one of Paris's many special events, like the annual

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<v Speaker 1>opera ball, for which Emilie had a custom yellow silk

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<v Speaker 1>domino mask. She could not handle alcohol and thus avoided it,

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<v Speaker 1>but she adored food and gambling. It was a world of,

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<v Speaker 1>in her words, late nights and excesses. What's particularly interesting

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<v Speaker 1>about Emily's critique is that it's not moralizing or religious.

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<v Speaker 1>These excesses and frivolities were not universally bad, in her opinion,

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<v Speaker 1>but rather bad for her. We do not know what

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<v Speaker 1>eventually sparked her shift in priorities. As she later explained,

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<v Speaker 1>it was quote by chance that she encountered people who think,

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<v Speaker 1>and through them came to the key realization that she

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<v Speaker 1>too was a thinking creature. It would be years before

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<v Speaker 1>she realized her full potential and published her own work,

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<v Speaker 1>but by the early seventeen thirties a seed had been planted.

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<v Speaker 1>In her discourse on Happiness. She would go on to

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<v Speaker 1>explain that because women have been quote condemned to be

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<v Speaker 1>excluded from warolitics, and diplomacy, she had to seek glory

0:17:03.800 --> 0:17:08.600
<v Speaker 1>through another avenue. The answer for Emily was to seek

0:17:08.760 --> 0:17:16.000
<v Speaker 1>glory through science and philosophy. In seventeen thirty three, at

0:17:16.040 --> 0:17:20.600
<v Speaker 1>age twenty six, Emili returned to Parisian society after the

0:17:20.600 --> 0:17:24.760
<v Speaker 1>birth of her third child. While she still indulged in

0:17:24.800 --> 0:17:29.040
<v Speaker 1>her frivolities, her main focus now was on her new

0:17:29.160 --> 0:17:34.359
<v Speaker 1>lessons in advanced geometry with the mathematician and future president

0:17:34.480 --> 0:17:38.719
<v Speaker 1>of the Academy of Sciences montpertut While it was not

0:17:39.040 --> 0:17:43.800
<v Speaker 1>uncommon for noble women to take on tutors, Emily was

0:17:43.960 --> 0:17:49.119
<v Speaker 1>certainly the most enthusiastic of her tutor's clients. She was

0:17:49.240 --> 0:17:52.720
<v Speaker 1>known to wait in her carriage outside of his favorite

0:17:52.760 --> 0:17:56.560
<v Speaker 1>cafe so their lesson could begin as soon as he

0:17:56.680 --> 0:18:01.639
<v Speaker 1>was finished. Women were, of course, not allowed inside those spaces.

0:18:02.440 --> 0:18:07.159
<v Speaker 1>Emily became the subject of Parisian gossip, believed to be

0:18:07.280 --> 0:18:10.800
<v Speaker 1>covering up an affair with her tutor under the guise

0:18:10.920 --> 0:18:15.720
<v Speaker 1>of behaving as an eager student. These rumors were likely

0:18:15.840 --> 0:18:19.960
<v Speaker 1>born out of a previous scandal, an affair she did

0:18:20.000 --> 0:18:24.920
<v Speaker 1>have with a military officer that allegedly ended with him

0:18:25.680 --> 0:18:29.840
<v Speaker 1>and another woman and Emily with a bottle of pills.

0:18:30.480 --> 0:18:34.840
<v Speaker 1>While that affair was real, the truth of its dramatic

0:18:35.040 --> 0:18:39.560
<v Speaker 1>ending is unknown. With her tutor, however, her passion was

0:18:39.800 --> 0:18:45.639
<v Speaker 1>solely for mathematics. Speaking of affairs, it's time to bring

0:18:45.680 --> 0:18:50.159
<v Speaker 1>out our guest star of the episode. It was in

0:18:50.200 --> 0:18:54.840
<v Speaker 1>the spring of seventeen thirty three that Emili became re

0:18:54.920 --> 0:18:59.159
<v Speaker 1>acquainted with Voltaire. While the pair had briefly met in

0:18:59.280 --> 0:19:03.280
<v Speaker 1>adulthood in seventeen twenty nine, their meeting on an April

0:19:03.400 --> 0:19:07.199
<v Speaker 1>night in seventeen thirty three in Saint Pierre's opera Box

0:19:07.560 --> 0:19:13.000
<v Speaker 1>marked the true beginning of their relationship. While Voltaire looms

0:19:13.240 --> 0:19:18.879
<v Speaker 1>large in our cultural imagination, Emily's attraction to him wasn't

0:19:18.920 --> 0:19:23.800
<v Speaker 1>a given. For one, the large looming man was actually

0:19:23.920 --> 0:19:29.320
<v Speaker 1>quite small. He stood at approximately five to three compared

0:19:29.400 --> 0:19:33.200
<v Speaker 1>to Emily's five to six, and he was described by

0:19:33.280 --> 0:19:37.960
<v Speaker 1>contemporaries as so slight he appeared as if he had consumption.

0:19:38.840 --> 0:19:42.679
<v Speaker 1>Their difference in stature was accompanied by a difference in

0:19:42.920 --> 0:19:47.520
<v Speaker 1>status as well. Emily had married into one of France's

0:19:47.600 --> 0:19:53.080
<v Speaker 1>oldest noble families, while Voltaire belonged strictly to the bourgeoisie.

0:19:53.960 --> 0:19:57.639
<v Speaker 1>There was also the matter of his tempestuous relationship with

0:19:57.680 --> 0:20:02.000
<v Speaker 1>the King's government and religious authority, which often led to

0:20:02.200 --> 0:20:07.119
<v Speaker 1>self imposed exiles to avoid arrest. At the same time,

0:20:07.280 --> 0:20:14.360
<v Speaker 1>Voltaire was polite, witty, wealthy, famous, and utterly enchanted by Emily.

0:20:15.119 --> 0:20:18.560
<v Speaker 1>He later told a friend quote, there is a lady

0:20:18.680 --> 0:20:23.320
<v Speaker 1>in Paris named Emily who, in imagination and in reason

0:20:23.880 --> 0:20:26.760
<v Speaker 1>surpasses the men who like to think they know a

0:20:26.760 --> 0:20:30.280
<v Speaker 1>lot about the one and the other. The two would

0:20:30.320 --> 0:20:36.080
<v Speaker 1>maintain years of friendship and intellectual collaboration before sex and

0:20:36.280 --> 0:20:40.600
<v Speaker 1>love became involved. We can't know exactly what the two

0:20:40.840 --> 0:20:44.159
<v Speaker 1>spoke about that first night at the opera box, but

0:20:44.400 --> 0:20:49.160
<v Speaker 1>over the course of their long conversation, Voltaire offered to

0:20:49.320 --> 0:20:52.720
<v Speaker 1>lend Emily a book. A few weeks after that meeting,

0:20:53.160 --> 0:20:56.040
<v Speaker 1>he sent her a note explaining that he had fallen

0:20:56.160 --> 0:21:00.240
<v Speaker 1>ill following a recent move and regretted that he could

0:21:00.240 --> 0:21:04.679
<v Speaker 1>not bring her the book he promised. He flirtatiously suggested

0:21:04.880 --> 0:21:09.240
<v Speaker 1>she visit him to pick it up, but playfully noted quote,

0:21:09.640 --> 0:21:12.199
<v Speaker 1>I have more desire to see you than you have

0:21:12.400 --> 0:21:17.600
<v Speaker 1>to console me. His evaluation of the disparity in their

0:21:17.680 --> 0:21:23.439
<v Speaker 1>immediate feelings would prove evident even once their courtship began.

0:21:24.240 --> 0:21:28.439
<v Speaker 1>He once told their friend Abie de Sad, uncle to

0:21:28.760 --> 0:21:34.360
<v Speaker 1>that Sad incidentally, that Emily was a quote tyrant, because

0:21:34.400 --> 0:21:38.720
<v Speaker 1>one must pay tribute by speaking of metaphysics before speaking

0:21:38.800 --> 0:21:43.800
<v Speaker 1>of love. Strangely, no letters have survived between Emily and

0:21:44.000 --> 0:21:49.960
<v Speaker 1>Voltaire themselves. Information regarding their intimate friendship is pulled from

0:21:50.040 --> 0:21:55.840
<v Speaker 1>their descriptions to third parties. Emily did begin to visit

0:21:56.000 --> 0:22:01.040
<v Speaker 1>Voltaire throughout the summer of seventeen thirty three July, accompanied

0:22:01.080 --> 0:22:05.400
<v Speaker 1>by her friend Saint Pierre and her lover. One such night,

0:22:05.600 --> 0:22:10.440
<v Speaker 1>Voltaire's three guests played cards while he began to compose

0:22:10.520 --> 0:22:16.360
<v Speaker 1>his verse a pistol on Calumny defending Emily from Parisian gossip.

0:22:16.840 --> 0:22:21.760
<v Speaker 1>The poem begins quote, Listen to me, respectable Emily. You

0:22:21.840 --> 0:22:25.760
<v Speaker 1>are beautiful. Thus half of humankind will be your enemy.

0:22:26.200 --> 0:22:31.280
<v Speaker 1>You possess a sublime genius. You will be feared. In

0:22:31.320 --> 0:22:35.639
<v Speaker 1>October of the same year, Voltaire enlisted Emily's help working

0:22:35.640 --> 0:22:40.160
<v Speaker 1>on his new play about Mexican history. Today in the

0:22:40.280 --> 0:22:45.840
<v Speaker 1>National Library of Russia, where Voltaire's personal library resides. Thanks

0:22:45.880 --> 0:22:49.600
<v Speaker 1>to Catherine the Great's purchase. After his death, One can

0:22:49.680 --> 0:22:53.280
<v Speaker 1>still find Emily's notes in the margins of his copy

0:22:53.440 --> 0:22:58.199
<v Speaker 1>of the History of the Conquest of Mexico. At the

0:22:58.280 --> 0:23:02.480
<v Speaker 1>same time, Emily made progress in her own studies. A

0:23:02.600 --> 0:23:07.040
<v Speaker 1>letter from Voltaire to his friend Sad, written in November

0:23:07.480 --> 0:23:11.159
<v Speaker 1>tells us that Emily had recently learned English in only

0:23:11.320 --> 0:23:16.520
<v Speaker 1>fifteen days. She had enlisted an Irish military officer as

0:23:16.560 --> 0:23:22.400
<v Speaker 1>her tutor, and after five lessons she could read fluently truthfully,

0:23:22.600 --> 0:23:26.480
<v Speaker 1>he confessed to his friend Madame du Chatelais Is a prodigy.

0:23:27.160 --> 0:23:31.840
<v Speaker 1>She had also likely begun new mathematics lessons with her

0:23:31.880 --> 0:23:38.080
<v Speaker 1>tutor's new protege, Claiat. Clairot's style of instruction was more

0:23:38.119 --> 0:23:42.040
<v Speaker 1>in line with Emily's thinking, and Emily would later use

0:23:42.200 --> 0:23:46.760
<v Speaker 1>his lessons to teach her son. Most importantly, the two

0:23:46.800 --> 0:23:51.359
<v Speaker 1>shared a passion and excitement for mathematics that her former

0:23:51.400 --> 0:23:55.719
<v Speaker 1>tutor did not. In the seventeen forties, while she worked

0:23:55.720 --> 0:24:01.200
<v Speaker 1>on her translation of Newton's Principia, it was her new tutor, Clairot,

0:24:01.600 --> 0:24:05.520
<v Speaker 1>with whom she checked her calculations. By that time, she

0:24:05.600 --> 0:24:09.440
<v Speaker 1>had surpassed the skills of her first teacher who had

0:24:09.520 --> 0:24:14.600
<v Speaker 1>struggled with Newton's calculus. An incident in the spring of

0:24:14.760 --> 0:24:19.239
<v Speaker 1>seventeen thirty four would be a major turning point in

0:24:19.400 --> 0:24:24.680
<v Speaker 1>both Emily and Voltaire's relationship and respectively, their personal lives.

0:24:25.359 --> 0:24:30.920
<v Speaker 1>In April, Voltaire's letrece Philosophique was published without royal sanction

0:24:31.520 --> 0:24:36.640
<v Speaker 1>and therefore illegally in France. By May third, a warrant

0:24:36.840 --> 0:24:40.440
<v Speaker 1>was out for his arrest. He knew this was coming.

0:24:40.840 --> 0:24:45.159
<v Speaker 1>The essays featured veiled mockery of the church, but he

0:24:45.200 --> 0:24:50.600
<v Speaker 1>went forward with publication despite warnings from friends. Voltaire began

0:24:50.680 --> 0:24:54.680
<v Speaker 1>to move from place to place and planned to go

0:24:54.840 --> 0:24:59.880
<v Speaker 1>into exile if necessary, comparing himself to Calvin and Ovid.

0:25:00.960 --> 0:25:05.600
<v Speaker 1>A local officer presented in order for Voltaire's arrest. Personally,

0:25:05.760 --> 0:25:10.760
<v Speaker 1>to Emily, she wrote with distress to sad, envisioning quote

0:25:10.840 --> 0:25:14.200
<v Speaker 1>my best friend with horrible health in prison, where he

0:25:14.280 --> 0:25:18.080
<v Speaker 1>will surely die of sadness if illness doesn't kill him.

0:25:18.320 --> 0:25:21.919
<v Speaker 1>She began to actively defend Voltaire to the government and

0:25:22.040 --> 0:25:26.760
<v Speaker 1>found an ally in her husband, The marquis known Chill Guy,

0:25:27.560 --> 0:25:31.560
<v Speaker 1>was fond of Voltaire despite his relationship with his wife,

0:25:32.000 --> 0:25:35.879
<v Speaker 1>and he would continue to protect the trouble prone philosopher

0:25:36.000 --> 0:25:40.920
<v Speaker 1>for many years to come. Authorities ultimately awarded the Marquis

0:25:40.960 --> 0:25:46.359
<v Speaker 1>and Marquise du Chatelas the quote official authorization to sequester

0:25:46.680 --> 0:25:53.760
<v Speaker 1>Voltaire basically supervised house arrest. Exiled from Paris, Voltaire moved

0:25:53.920 --> 0:25:58.119
<v Speaker 1>to the du Chatelas estate in Champagne. Writing to his

0:25:58.320 --> 0:26:04.199
<v Speaker 1>closest correspondent, Voltaire praised quote, Emily renders good offices to

0:26:04.240 --> 0:26:07.439
<v Speaker 1>her friends with the same vivacity that she learned the

0:26:07.560 --> 0:26:11.800
<v Speaker 1>languages of mathematics, and when she has rendered all the

0:26:11.880 --> 0:26:17.440
<v Speaker 1>services imaginable, she believes she has done nothing. Resuming her

0:26:17.480 --> 0:26:20.800
<v Speaker 1>own life in Paris, Emily found herself at a loss,

0:26:21.280 --> 0:26:24.960
<v Speaker 1>as she explained Tosad in July, quote, I am not

0:26:25.160 --> 0:26:28.480
<v Speaker 1>accustomed to living without him, nor to the thought of

0:26:28.560 --> 0:26:33.440
<v Speaker 1>losing him without recourse. That would poison all the sweetness

0:26:33.600 --> 0:26:39.000
<v Speaker 1>of my life. She faced two more losses in quick succession.

0:26:39.680 --> 0:26:43.680
<v Speaker 1>First the death of her infant son, whom he already mentioned,

0:26:44.359 --> 0:26:47.959
<v Speaker 1>and then her tutor went to Basle with his mentor

0:26:48.040 --> 0:26:54.000
<v Speaker 1>without warning, and her lessons ceased. Paris suddenly lost its luster,

0:26:54.640 --> 0:26:59.359
<v Speaker 1>and she made the decision to join Voltaire in Champagne.

0:27:00.880 --> 0:27:05.400
<v Speaker 1>By the fall, the pair fell into a routine of cohabitation.

0:27:06.280 --> 0:27:10.760
<v Speaker 1>They both referred to the estate as my hermitage and

0:27:10.960 --> 0:27:15.880
<v Speaker 1>considered it a place devoted to intellect. For the next year,

0:27:16.080 --> 0:27:20.720
<v Speaker 1>Emily spent her time between Paris and Champagne, between a

0:27:20.760 --> 0:27:25.919
<v Speaker 1>life of society and a life of study. Their romantic

0:27:26.040 --> 0:27:31.200
<v Speaker 1>relationship must have begun during this period, because in May

0:27:31.400 --> 0:27:35.800
<v Speaker 1>of seventeen thirty five, Emily refers to Voltaire as more

0:27:35.840 --> 0:27:39.959
<v Speaker 1>than a friend for the first time. Reminiscing on her

0:27:40.000 --> 0:27:44.760
<v Speaker 1>time in Champagne, she reflected that she had tasted the

0:27:44.800 --> 0:27:48.879
<v Speaker 1>happiness of living in the country with my lover. After

0:27:49.000 --> 0:27:52.080
<v Speaker 1>much internal debate, she came to the decision that she

0:27:52.119 --> 0:27:56.680
<v Speaker 1>would leave Paris for good, becoming a full time resident

0:27:56.920 --> 0:28:02.359
<v Speaker 1>at the hermitage. Friends advice against such a drastic move

0:28:02.840 --> 0:28:06.560
<v Speaker 1>and didn't believe she was capable of abandoning her beloved

0:28:06.640 --> 0:28:12.920
<v Speaker 1>Parisian lifestyle. Her response was decisive, quote, I love Voltaire

0:28:13.040 --> 0:28:16.199
<v Speaker 1>enough to sacrifice all that I could find pleasurable and

0:28:16.320 --> 0:28:20.000
<v Speaker 1>agreeable in Paris, for the happiness of living with him

0:28:20.040 --> 0:28:23.560
<v Speaker 1>without dangers, and the pleasure of tearing him away in

0:28:23.640 --> 0:28:28.320
<v Speaker 1>spite of himself from his imprudences and his destiny. In

0:28:28.400 --> 0:28:32.920
<v Speaker 1>the summer of seventeen thirty five, her servants packed her bags.

0:28:35.359 --> 0:28:38.600
<v Speaker 1>That's the end of part one of our story about

0:28:38.680 --> 0:28:42.480
<v Speaker 1>Emily du Cheplay, but keep listening after a brief sponsor

0:28:42.560 --> 0:28:48.080
<v Speaker 1>break to hear about a particularly interesting conversation that shaped

0:28:48.160 --> 0:28:59.920
<v Speaker 1>Emily's life. Emily's decision to leave Paris for the country

0:29:00.440 --> 0:29:04.800
<v Speaker 1>was supported by a figure from her childhood, Fontanelle, her

0:29:04.840 --> 0:29:09.520
<v Speaker 1>father's associate and former secretary of the Academy of Sciences.

0:29:10.120 --> 0:29:14.160
<v Speaker 1>On June fifteenth, Emilie went for a two hour walk

0:29:14.160 --> 0:29:17.400
<v Speaker 1>in the Tuillery Garden with the then seventy eight year

0:29:17.400 --> 0:29:21.800
<v Speaker 1>old writer. Bringing up her dilemma, he responded in a

0:29:21.800 --> 0:29:27.120
<v Speaker 1>way she would understand as a fellow mathematician. He said, quote,

0:29:27.520 --> 0:29:31.880
<v Speaker 1>it is only a question of calculating, and wisdom always

0:29:31.960 --> 0:29:35.800
<v Speaker 1>holds the counters in her hand. It was that very

0:29:35.920 --> 0:29:39.479
<v Speaker 1>night she made her decision to leave. When she wrote

0:29:39.520 --> 0:29:43.520
<v Speaker 1>her discourse on Happiness in the late seventeen forties, she

0:29:43.560 --> 0:29:57.840
<v Speaker 1>would repeat that advice word for word. Noble Blood is

0:29:57.880 --> 0:30:02.280
<v Speaker 1>a production of iHeartRadio and Grimm and Mild from Aaron Mankey.

0:30:02.840 --> 0:30:06.640
<v Speaker 1>Noble Blood is hosted by me Dana Schwartz, writers for

0:30:06.680 --> 0:30:11.720
<v Speaker 1>Noble Blood are Hannah Johnston, Hannah Zwick, Paul Jaffey, Natasha Laski,

0:30:11.840 --> 0:30:15.840
<v Speaker 1>and me Dana Schwartz. The show is edited and produced

0:30:15.880 --> 0:30:20.720
<v Speaker 1>by Jesse Funk and Nomes Griffin, with supervising producer rima

0:30:20.880 --> 0:30:25.240
<v Speaker 1>Il Kaali and executive producers Aaron Manke, Trevor Young, and

0:30:25.320 --> 0:30:30.840
<v Speaker 1>Matt Frederick. For more podcasts from iHeartRadio, visit the iHeartRadio app,

0:30:31.120 --> 0:30:34.560
<v Speaker 1>Apple Podcasts, or wherever you listen to your favorite shows.