WEBVTT - SuburbaKnight Act 1

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<v Speaker 1>All right, So on the count of three, we're gonna

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<v Speaker 1>do table reads Suburbanite Ready one, two, three.

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<v Speaker 2>Tailory, suburba that's pretty good Suburbanite written by Nick Banister.

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<v Speaker 2>Exterior Walter's Antiques and Curio Day. A modest old antique

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<v Speaker 2>store signs in the window display sale forty percent off.

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<v Speaker 2>Everything must go. Interior Walter's Antiques and Curio Day. Walter Fortyes,

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<v Speaker 2>wrinkled clothes, tired eyes, three days, double stands amidst a

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<v Speaker 2>sea of junk, dated furniture, bookcases, cabinets full of cameras,

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<v Speaker 2>rotary phones and old radios, stacks of dusty books, cases

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<v Speaker 2>of worn vinyl, racks of old clothes, and, strangely, an

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<v Speaker 2>occasional broad sort or two. It's where forgotten things go

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<v Speaker 2>to die. Walter walks around the shop with a price gun,

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<v Speaker 2>mindlessly stamps sales stickers on every item in the place.

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<v Speaker 2>Propped in the corner is a complete suit of armor

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<v Speaker 2>with an exaggerated cudpiecet covered in spikes. Walter swipes a

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<v Speaker 2>sales sticker right on the tip. The bell dings and

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<v Speaker 2>the door swings open.

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<v Speaker 3>A customer enters, Taia Walker to Walt's Antiques if we

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<v Speaker 3>don't have it, it didn't exist.

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<v Speaker 2>The man ignores the cheerful breeding.

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<v Speaker 4>Yeah you got phone charges.

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<v Speaker 2>Walter smiles insincerely. Interior Walter's Antique Securio Day. At the

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<v Speaker 2>big old cash register, Walter rings up the man's meager purchase.

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<v Speaker 3>That'll be twenty seven fifty Christ for that. It's an antique.

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<v Speaker 3>It has history.

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<v Speaker 4>Oh is that why I cost so much?

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<v Speaker 5>That is why it's worth so much.

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<v Speaker 4>Fuck it's junk. How do you fight out?

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<v Speaker 2>Walter forces a resigned smiles. Service workers know well. Sure.

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<v Speaker 2>Walter takes the man's money and he exits. The bell dings.

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<v Speaker 2>Walter opens the cash drawer and puts in the five

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<v Speaker 2>taped to the cast register as a photo of Walter

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<v Speaker 2>and his dad in front of the store. Behind them,

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<v Speaker 2>a banner reads Walt in Son's Antiques Grand Opening. Walter's

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<v Speaker 2>slams the cast registers shut. Interior Walter's House Bedroom Night.

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<v Speaker 2>A So Bad It's Good horror film from the nineteen

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<v Speaker 2>eighties plays in an old TV propped in the dresser.

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<v Speaker 2>The title card Succubus Summer three. The beginning on the

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<v Speaker 2>TV A succubus and a flowy white nightgown undresses in

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<v Speaker 2>front of another man. He resists her until we see

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<v Speaker 2>her eyes glow and shimmer. Then all free will fades

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<v Speaker 2>away and he has pulled to her uncontrollably. Walter lies

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<v Speaker 2>on top of the covers in his pajamas, covered in

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<v Speaker 2>a stack of papers and bills. Walter's wife, Samantha forties

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<v Speaker 2>kind forgiving patient, reads a romance novel with a steamy

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<v Speaker 2>image of a shirtless, muscular, long haired man who rescues

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<v Speaker 2>a busty female pirate on a sailboat on the cover.

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<v Speaker 2>She stops reading and looks at Walter, but he doesn't

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<v Speaker 2>even feel her gaze. She sighs and slams her book

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<v Speaker 2>close on the TV. The trashy movie is faded, replaced

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<v Speaker 2>by the interior of a local TV studio. A tacki

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<v Speaker 2>trailer park set is the centerpiece, where a middle aged

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<v Speaker 2>redneck and a cowboy shirt and a bulow tie sits

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<v Speaker 2>in a cheap lawn chair in front of a small

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<v Speaker 2>portable TV. Bobby Joe Williams fifties tracks open a cold one.

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<v Speaker 2>It takes a long drink.

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<v Speaker 6>Welcome back to terror Vision. I'm still your host. Bobby

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<v Speaker 6>Joe Williams my ready for tonight's viewing A sucker Bus

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<v Speaker 6>Summer three. At the beginning, hey had eleven dead body,

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<v Speaker 6>seven gallons.

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<v Speaker 4>Of blood, wisp letter, one axe to.

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<v Speaker 6>The head, one dead cat, two nicked titties.

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<v Speaker 5>I gave it a four.

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<v Speaker 6>Out of a possible five buckets of blood, an instant

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<v Speaker 6>American classic.

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<v Speaker 2>Walter looks up from a handful of bills.

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<v Speaker 5>Look at this guy.

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<v Speaker 3>He knows exactly who he is, but he's not beared

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<v Speaker 3>up to his eyeballs and debt anxious for the sweet

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<v Speaker 3>relief of death.

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<v Speaker 2>Samantha sighs loudly again.

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<v Speaker 7>So it went well today?

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<v Speaker 3>Oh get out way you still can sam No, I'm serious.

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<v Speaker 3>Take me in two, go somewhere nice, start a new

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<v Speaker 3>life without this.

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<v Speaker 2>He points to himself.

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<v Speaker 7>I can't I love Walter. I refuse to abandon him.

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<v Speaker 2>She nuzzles his shoulder tenderly. Walter wraps his arm around her.

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<v Speaker 7>How can I help?

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<v Speaker 5>Do you have a gun?

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<v Speaker 7>Walter? I don't want to talk about money or the

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<v Speaker 7>store anymore tonight.

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<v Speaker 2>She grabs the remote and turns off the TV. Bobby

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<v Speaker 2>Joe's smirking face vanishes with up lip. She leans over

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<v Speaker 2>and kisses his neck. Maybe a fire. She turns his

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<v Speaker 2>face toward hers, kisses him. Walter goes back to the documents.

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<v Speaker 5>What's wrong, I'm sorry. I want to I just I

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<v Speaker 5>have so much on my mind.

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<v Speaker 7>Well let me take your mind.

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<v Speaker 4>Enough of it.

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<v Speaker 2>She kisses him again, deeper this time. He kisses her back.

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<v Speaker 2>She touches his chest, but he stops, sighs.

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<v Speaker 5>Sam.

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<v Speaker 2>She sighs, resigns herself.

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<v Speaker 1>It's fine, it happens to guy's your age.

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<v Speaker 2>Walter gobsmacked.

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<v Speaker 7>I still love you, though, though, What.

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<v Speaker 5>Do you mean though?

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<v Speaker 2>The phone rings hold on? He answers it.

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<v Speaker 5>Yeah, I'm barely older than you. You know what, shit,

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<v Speaker 5>I'll be right there.

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<v Speaker 2>Sam looks up from the bed, worried. What is it?

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<v Speaker 5>Something's wrong with the store.

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<v Speaker 4>I gotta go now.

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<v Speaker 5>I'm sorry.

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<v Speaker 2>He kisses her on the cheek. Walter throws on pants

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<v Speaker 2>in his shirt. He heads out the door.

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<v Speaker 3>My Age.

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<v Speaker 2>Exterior Walter's Antiques and Curio Night. Walter pulls up to

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<v Speaker 2>the store.

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<v Speaker 3>I'm sorry, I can'd I go back to that my age?

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<v Speaker 3>I hated that.

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<v Speaker 2>I don't like my age either.

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<v Speaker 5>But yeah, you're right.

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<v Speaker 2>He kisses her on the cheek. Walter throws on pants

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<v Speaker 2>and a shirt. He heads out the door.

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<v Speaker 4>My age, genius, that was the difference you got you.

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<v Speaker 2>Do it again. Nextterior Walter's Antiques and Curio Night, Walter

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<v Speaker 2>pulls up to the storefront and gets out of his car.

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<v Speaker 2>Walter sees a locksmith and a banker wrapping a thick

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<v Speaker 2>chain around the store's front door handles. The locksmith closes

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<v Speaker 2>a comically large lock in the chain.

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<v Speaker 5>Hey, what are you doing.

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<v Speaker 4>We're taking possession of our property, mister cano.

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<v Speaker 2>Walter glares at him.

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<v Speaker 3>Okay, so I'm a little behind. Everyone's a little behind.

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<v Speaker 3>It's a recession.

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<v Speaker 4>Your rent is four months late.

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<v Speaker 5>Yeah, that's pretty behind.

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<v Speaker 2>The banker in locksmith walk away.

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<v Speaker 5>Get wait wait wait, wait, wait wait wait.

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<v Speaker 2>Walter yanks out his check book, faded, old and hard used.

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<v Speaker 5>How much stoy are you?

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<v Speaker 4>Yeah? She fees penalties and such dodges.

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<v Speaker 2>The banker shows Walter the number. We only see Walter's reaction.

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<v Speaker 5>Oh you who, very sorry for saying.

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<v Speaker 4>That, As I said, will be taken.

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<v Speaker 2>What's sows? They walk away again.

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<v Speaker 5>How much do weave? But unlock till morning?

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<v Speaker 2>Exterior Walter's House Night, Samantha's car pulls into the driveway.

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<v Speaker 2>She sees a moving van parked along the sidewalk. Moving

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<v Speaker 2>men are unloading boxes, lots of boxes, and bringing them inside.

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<v Speaker 2>Interior Walter's house, living room night. Samantha enters Walter. She

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<v Speaker 2>gets her first look at the inside and drops her keys. Walter,

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<v Speaker 2>the house is a fucking disaster. The entire contents of

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<v Speaker 2>the shop are now inside the Canok family home. Stacks

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<v Speaker 2>of junk, rows of shit, piles.

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<v Speaker 4>Of what the fock.

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<v Speaker 2>Walter peaks his head around the corner in the kitchen.

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<v Speaker 2>He struggles to hold the landline received to his ears.

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<v Speaker 2>The cable is stretched to its limit.

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<v Speaker 3>Hay aye, you're home early, Walter. One second, yes, missus Brewster,

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<v Speaker 3>I'd be happy to ship it to you free shipping. No,

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<v Speaker 3>absolutely not.

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<v Speaker 2>It's Walter retreats further into the kitchen. Sam hangs back

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<v Speaker 2>and inspects what used to be her house. She acts

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<v Speaker 2>and mindedly looks through some junk and disbelief. Interior of

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<v Speaker 2>the kitchen day. The kitchen is in much the same

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<v Speaker 2>condition as the rest of the downstairs, overrun with all

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<v Speaker 2>manner of junk. Mia eighteen a goth rebel type, dark

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<v Speaker 2>haired and dressed to the toe in shades of black

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<v Speaker 2>and gray, pulls the phone cord like a rope towards her,

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<v Speaker 2>while her father struggles to talk into it as it

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<v Speaker 2>runs away from his face.

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<v Speaker 4>Dad, I need the phone.

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<v Speaker 2>He covers the receiver.

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<v Speaker 5>I need to make this sale.

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<v Speaker 3>Mia.

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<v Speaker 2>He goes back to the phone.

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<v Speaker 3>Sorry, missus Brewster, I missus Brewster, could you hold on

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<v Speaker 3>one second?

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<v Speaker 2>Sam follows Walter into the kitchen. She finds a medieval

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<v Speaker 2>mace on her kitchen counter and holds it up quizzically.

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<v Speaker 5>How did that get there?

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<v Speaker 3>That should be an ancient curier, not mid century kitchen appliances.

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<v Speaker 2>He laughs to himself. No one else is amused. Mia

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<v Speaker 2>tugs on the phone cord. Walter tug's back.

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<v Speaker 3>Oh Dad, missus Brewster, can I can I call you back?

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<v Speaker 5>And just one Hello? It's dead.

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<v Speaker 2>Mia tugs the phone free of his grasp. She holds

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<v Speaker 2>it to her ear as she leaves.

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<v Speaker 5>Two hours.

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<v Speaker 3>I was the phone with her for a fifty dollars sale, Walter,

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<v Speaker 3>what happened to our house?

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<v Speaker 2>Walter? Size you noticed?

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<v Speaker 5>Huh?

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<v Speaker 4>Notice Walter?

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<v Speaker 3>The bank foreclosed on the shop. If I didn't take

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<v Speaker 3>some of the inventory, they Sam gets it.

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<v Speaker 7>Your dad's shop.

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<v Speaker 2>Walter struggles for words.

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<v Speaker 4>Sorry, sorry, I'm sorry, Jack, I was late turning my page.

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<v Speaker 2>Yeah, don't let it happen. I'm sorry.

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<v Speaker 5>Apologies.

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<v Speaker 2>Walter struggles for words.

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<v Speaker 3>I just couldn't let them board it off like some

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<v Speaker 3>common thrifts Walter.

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<v Speaker 2>Sam moves closer to Walter.

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<v Speaker 7>It's just a bunch of junk, Babe.

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<v Speaker 1>Your dad wouldn't want you to be burdened with his Okay,

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<v Speaker 1>you don't have to carry.

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<v Speaker 7>It for him.

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<v Speaker 5>No, no, it's not I'm not carrying it for him.

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<v Speaker 5>This was him. I can't.

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<v Speaker 1>She sighs, all right, until you can get the shop again.

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<v Speaker 1>Until then, just make me a promise, anything, Promise me

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<v Speaker 1>you'll keep this fucking thing out of my kitchen.

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<v Speaker 2>Sam thrusts the mason Walter's arms. He doesn't expect the weight,

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<v Speaker 2>and it drops to the floor, him along with it.

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<v Speaker 2>Poor interior Walter's house bedroom night, Walter sits up right

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<v Speaker 2>awake besides a sleeping Sam. He looks up from his

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<v Speaker 2>stack of invoices and checks the clock on the bedside table,

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<v Speaker 2>two thirty. He sighs. He looks over it. Sam. He

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<v Speaker 2>brushes a strand of hair off her sleeping face and

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<v Speaker 2>notices the romance novel The One with a Hunky Sailor.

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<v Speaker 2>Walter picks it up and examines it.

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<v Speaker 5>Hmm.

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<v Speaker 2>He moves to get out of bed. Interior Walter's House, bathroom, night,

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<v Speaker 2>Walter flips the light on. He leans into the mirror

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<v Speaker 2>and takes a hard look at the person looking back

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<v Speaker 2>at him. He runs his hands over his face, stretches

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<v Speaker 2>the skin, looks at the bags under his eyes, his

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<v Speaker 2>receding hairline damage control. He takes his shirt off. He

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<v Speaker 2>looks at his chest, sucks in his gut, tries to

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<v Speaker 2>show off his dad bod. But it ain't what it

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<v Speaker 2>used to be. He pulls his pants open and looks

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<v Speaker 2>at his dick.

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<v Speaker 3>This is all make believe people, just an actor playing

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<v Speaker 3>a role. That's all that's happening here.

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<v Speaker 2>We call on what we know, I guess. He lets

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<v Speaker 2>his gut loose and shakes his head in disgust. Walter

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<v Speaker 2>sighs and flips the light off. Interior Walter's House, living room, Night.

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<v Speaker 2>Walter navigates all the junk and finds a cardboard box

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<v Speaker 2>labeled let's get Medieval on their asses. He rolls his eyes,

0:11:58.200 --> 0:12:01.320
<v Speaker 2>me uh. He drops the heavy mat into the cardboard box.

0:12:01.760 --> 0:12:04.120
<v Speaker 2>He turns and takes it all in. He takes a

0:12:04.160 --> 0:12:10.480
<v Speaker 2>deep breath, exhales fuck. Interior, Walter's House, Living Room, Night.

0:12:11.240 --> 0:12:14.439
<v Speaker 2>Walter collapses into his desk's chair. He taps on the

0:12:14.480 --> 0:12:16.720
<v Speaker 2>desk for a second before he grabs the TV remote

0:12:16.760 --> 0:12:18.880
<v Speaker 2>and flips on an even older model TV than the

0:12:18.880 --> 0:12:19.640
<v Speaker 2>one upstairs.

0:12:20.200 --> 0:12:24.720
<v Speaker 4>Do you suffer from a rectile dysfunction? Decreased libido, sudden

0:12:24.760 --> 0:12:27.000
<v Speaker 4>mood swings? Try Viagara?

0:12:27.120 --> 0:12:31.160
<v Speaker 2>Walter shuts off the TV. Interior Walter's House, living Room, Night.

0:12:31.880 --> 0:12:34.559
<v Speaker 2>Walter is asleep at his desk, drooling on a stack

0:12:34.600 --> 0:12:44.440
<v Speaker 2>of bills, just checking. Lightning flashes outside the window, then thunder.

0:12:44.920 --> 0:12:51.400
<v Speaker 2>A woman screams, Oh, that did something in my body.

0:12:54.120 --> 0:12:57.400
<v Speaker 2>Walter wakes with a start. He gets his bearings confused.

0:12:57.800 --> 0:13:00.160
<v Speaker 2>He goes to the window and looks out, searching for

0:13:00.200 --> 0:13:03.640
<v Speaker 2>the screen. It rains hard. The rest of the neighborhood

0:13:03.640 --> 0:13:06.400
<v Speaker 2>is quiet, except for the house across the street. Two

0:13:06.480 --> 0:13:09.440
<v Speaker 2>women in raincoats load furniture from inside the house into

0:13:09.440 --> 0:13:13.439
<v Speaker 2>an unmarked truck. Walter leans forward gets a closer look

0:13:14.120 --> 0:13:17.760
<v Speaker 2>what the After the furniture is loaded, the figures carry

0:13:17.760 --> 0:13:21.560
<v Speaker 2>out what looks like two body bags. Lightning strikes again

0:13:21.800 --> 0:13:24.480
<v Speaker 2>reveals a third figure who wears a dark coat and

0:13:24.559 --> 0:13:27.680
<v Speaker 2>sticks to the shadows. The figure yanks out the for

0:13:27.760 --> 0:13:29.640
<v Speaker 2>sale sign in the yard and tosses it into the

0:13:29.640 --> 0:13:32.840
<v Speaker 2>bag of a truck. The figure senses he's being watched

0:13:33.000 --> 0:13:37.120
<v Speaker 2>and looks right at Walter. Shit. Walter quickly shuts the curtains.

0:13:37.440 --> 0:13:40.320
<v Speaker 2>He chuckles to himself at how silly he's being. He

0:13:40.400 --> 0:13:43.319
<v Speaker 2>steals one last glance back at the dark house, still

0:13:43.400 --> 0:13:48.720
<v Speaker 2>unsure of what he saw. Exterior Walter's house. Day, Walter

0:13:48.880 --> 0:13:52.040
<v Speaker 2>exits the house carrying a handmade yard sign. It reads

0:13:52.280 --> 0:13:56.559
<v Speaker 2>Walter's Antiques and Curio Open. The paper boy rides by

0:13:56.600 --> 0:13:58.959
<v Speaker 2>and knocks over the sign with a well thrown newspaper.

0:13:59.080 --> 0:14:03.440
<v Speaker 2>Hey Walter looks over and sees his neighbor Andy early thirties,

0:14:03.800 --> 0:14:06.680
<v Speaker 2>a large manchild that wears an old bands shirt stretched

0:14:06.720 --> 0:14:08.960
<v Speaker 2>over his beer belly, waves and walks over.

0:14:09.679 --> 0:14:10.400
<v Speaker 4>Morning Walt.

0:14:10.679 --> 0:14:11.440
<v Speaker 5>Morning Andy.

0:14:11.640 --> 0:14:14.440
<v Speaker 2>Walter watches as a construction crew works on the stripped

0:14:14.480 --> 0:14:15.840
<v Speaker 2>down house across the street.

0:14:16.240 --> 0:14:18.840
<v Speaker 5>New neighbors. I guess the Maitland's finally caved.

0:14:19.200 --> 0:14:22.920
<v Speaker 2>Walter thinks, you know, it's weird, though they moved out

0:14:22.960 --> 0:14:25.680
<v Speaker 2>in a big hurry last night in the rain.

0:14:26.200 --> 0:14:27.760
<v Speaker 5>I never even saw the Maitland's leave.

0:14:28.160 --> 0:14:29.160
<v Speaker 4>You know what else is weird?

0:14:29.400 --> 0:14:31.480
<v Speaker 7>I've been bourping up with tastes like spinach all day.

0:14:31.720 --> 0:14:33.840
<v Speaker 2>I don't think I've had spinach, and like, I don't

0:14:33.840 --> 0:14:39.480
<v Speaker 2>know what. Just then, a trio of pastel colored joggers

0:14:39.720 --> 0:14:43.120
<v Speaker 2>Nancy forties, Diane forties, and Karen thirties jogged by the men.

0:14:43.840 --> 0:14:46.600
<v Speaker 2>They're all very attractive, clad head to toe an active

0:14:46.600 --> 0:14:48.320
<v Speaker 2>were looking to get noticed.

0:14:49.000 --> 0:14:51.280
<v Speaker 4>Hi, Diane creep.

0:14:52.800 --> 0:14:56.960
<v Speaker 2>They jog on what An expensive car roars down the street,

0:14:57.120 --> 0:14:59.520
<v Speaker 2>pulls into the driveway of the stripped down house across

0:14:59.560 --> 0:15:04.080
<v Speaker 2>the way. Everyone turns to the expensive sounding engine. Time

0:15:04.160 --> 0:15:09.560
<v Speaker 2>slows down. The car door opens, and outsteps Richard Surrandon forties,

0:15:09.920 --> 0:15:12.800
<v Speaker 2>very handsome in dress pants and a white dress shirt

0:15:12.840 --> 0:15:15.840
<v Speaker 2>with several top buttons undone to reveal his chiseled chest.

0:15:16.240 --> 0:15:19.920
<v Speaker 2>All very fashionable and expensive. He throws on his blazer

0:15:20.000 --> 0:15:23.640
<v Speaker 2>like a runway model. Still in slow motion, Andy and

0:15:23.680 --> 0:15:27.840
<v Speaker 2>Walter's mouths hangopen. The jogger's all slow in turn, jogging

0:15:27.880 --> 0:15:31.000
<v Speaker 2>backwards to get a better view. Diane trips and hits

0:15:31.000 --> 0:15:33.040
<v Speaker 2>the ground bolts back up awkwardly.

0:15:34.160 --> 0:15:36.480
<v Speaker 7>Who is that?

0:15:36.480 --> 0:15:37.080
<v Speaker 2>That is?

0:15:38.520 --> 0:15:41.200
<v Speaker 4>Om man?

0:15:42.640 --> 0:15:45.600
<v Speaker 2>Richard sees the group watching him and waves. He excuses

0:15:45.680 --> 0:15:46.960
<v Speaker 2>himself and crosses the street.

0:15:47.200 --> 0:15:50.400
<v Speaker 5>Oh god, he's coming over. Okay, just keep smiling.

0:15:50.800 --> 0:15:55.440
<v Speaker 8>I thought i'd introduce myself. Richard, Richard Sarandon Walter.

0:15:56.080 --> 0:15:56.920
<v Speaker 5>This one's Andy.

0:15:57.240 --> 0:15:59.760
<v Speaker 2>Richard extends his hand for a handshake, but before Walter

0:15:59.760 --> 0:16:02.680
<v Speaker 2>can shake it, Diane dervines and puts her fingertips in

0:16:02.760 --> 0:16:03.440
<v Speaker 2>Richard's hand.

0:16:04.840 --> 0:16:06.360
<v Speaker 7>Chante, oh.

0:16:13.280 --> 0:16:17.560
<v Speaker 4>Don't, oh my.

0:16:19.200 --> 0:16:26.720
<v Speaker 2>Richard kisses her hand. Diane giggles. Whoa, that was awesome?

0:16:27.560 --> 0:16:29.400
<v Speaker 4>What did he say? I have no idea?

0:16:30.080 --> 0:16:31.240
<v Speaker 2>Walter clears his throat.

0:16:32.080 --> 0:16:33.720
<v Speaker 3>So why, I guess we have you to thank for

0:16:33.720 --> 0:16:36.600
<v Speaker 3>getting rid of that old eyesore? How did you manage

0:16:36.600 --> 0:16:37.840
<v Speaker 3>you get the maitlands to sell?

0:16:38.560 --> 0:16:40.720
<v Speaker 4>I wanted it, so I bought it.

0:16:40.800 --> 0:16:44.440
<v Speaker 2>Richard glares at Diane, and I always get what I want.

0:16:46.160 --> 0:16:48.600
<v Speaker 2>The other women fan themselves.

0:16:48.240 --> 0:16:49.080
<v Speaker 4>Which reminds me.

0:16:49.600 --> 0:16:52.280
<v Speaker 8>Next weekend, everyone in the neighborhood is invited for a

0:16:52.280 --> 0:16:57.520
<v Speaker 8>little get together at the house, food, drinks, entertainment next

0:16:57.560 --> 0:16:59.520
<v Speaker 8>weekend with the house, I'll be.

0:16:59.480 --> 0:17:01.280
<v Speaker 4>There, delightful.

0:17:01.640 --> 0:17:04.199
<v Speaker 2>One of the construction workers yells over to Richard. He

0:17:04.240 --> 0:17:05.520
<v Speaker 2>turns and shouts.

0:17:05.160 --> 0:17:07.720
<v Speaker 4>Back, must be off, wonderful meeting.

0:17:08.280 --> 0:17:12.440
<v Speaker 2>Richard heads back across the street. Oh yummy, Diane's fitbit

0:17:12.520 --> 0:17:13.920
<v Speaker 2>deep since she heads back off.

0:17:14.119 --> 0:17:16.600
<v Speaker 5>I mean he was all right, I guess.

0:17:18.800 --> 0:17:21.080
<v Speaker 2>Walter watches Richard as he slings his coat over his

0:17:21.080 --> 0:17:24.800
<v Speaker 2>shoulder and heads inside the house. Interior Walter's House, living

0:17:24.840 --> 0:17:28.879
<v Speaker 2>room day. Walter organizes some items in the store. The

0:17:28.960 --> 0:17:31.760
<v Speaker 2>doorbell rings. Mia bounced down the stairs.

0:17:32.480 --> 0:17:33.040
<v Speaker 1>I got it.

0:17:33.320 --> 0:17:37.000
<v Speaker 2>She opens the door. Her friend Kai eighteen non binary

0:17:37.119 --> 0:17:38.120
<v Speaker 2>is on the other side.

0:17:38.720 --> 0:17:39.080
<v Speaker 1>Bye.

0:17:39.880 --> 0:17:42.399
<v Speaker 2>Mia tries to quickly slip out, but Walter stops.

0:17:42.480 --> 0:17:44.400
<v Speaker 5>Hey, Hey, hey, where are you off to in such

0:17:44.400 --> 0:17:44.800
<v Speaker 5>a hurry?

0:17:45.160 --> 0:17:47.159
<v Speaker 7>Ugh, just don't want to hang at Kies.

0:17:47.520 --> 0:17:51.119
<v Speaker 3>Well, aren't you gonna induce Well, well, aren't you going

0:17:51.200 --> 0:17:52.480
<v Speaker 3>to introduce us all the Kai?

0:17:53.320 --> 0:17:54.040
<v Speaker 4>Uh No.

0:17:54.359 --> 0:17:57.000
<v Speaker 2>She tries again to leave, but again Walter stops her.

0:17:57.160 --> 0:18:03.480
<v Speaker 4>Mia stop, turn explain what hi mister Kay?

0:18:03.680 --> 0:18:06.240
<v Speaker 5>You must be Kai. I have heard so much about you.

0:18:06.359 --> 0:18:07.959
<v Speaker 4>Happy, all right, let's go.

0:18:08.119 --> 0:18:10.880
<v Speaker 2>Mia pushes Kai out the door and hurry, Hey, was all.

0:18:10.800 --> 0:18:11.760
<v Speaker 7>That stuff in there?

0:18:11.800 --> 0:18:14.000
<v Speaker 4>Just a bunch of junk my dad's collecting.

0:18:14.320 --> 0:18:17.440
<v Speaker 2>Mia slams the door behind her. Sam comes down the stairs.

0:18:18.040 --> 0:18:20.040
<v Speaker 5>Who was that our daughter?

0:18:20.320 --> 0:18:24.560
<v Speaker 3>I'm pretty sure she's embarrassed on me, embarrassed of all this.

0:18:25.400 --> 0:18:27.520
<v Speaker 2>Sam moves closer to him, embraces Walter.

0:18:28.400 --> 0:18:30.120
<v Speaker 7>She's a teenager, she'll get over it.

0:18:30.160 --> 0:18:32.640
<v Speaker 5>No, I just don't get it. I used to be cool.

0:18:33.119 --> 0:18:34.399
<v Speaker 5>I was in a freaking band.

0:18:34.480 --> 0:18:37.800
<v Speaker 7>Remember you were in a kid rock cover band.

0:18:38.080 --> 0:18:42.480
<v Speaker 5>He was cool for a while. I mean, what happened?

0:18:43.119 --> 0:18:43.760
<v Speaker 7>You grew up?

0:18:44.119 --> 0:18:47.240
<v Speaker 5>Well? I hate it. Well, at least my taste got better.

0:18:48.280 --> 0:18:50.320
<v Speaker 3>Well, I'm sorry. I can't go back because this is

0:18:50.359 --> 0:18:53.960
<v Speaker 3>I'm hitting at her now? Right or no? When I

0:18:54.000 --> 0:18:58.840
<v Speaker 3>say taste got better? Am I referring to her right

0:18:59.200 --> 0:19:08.359
<v Speaker 3>to oh kid rock? That I did it correctly?

0:19:09.320 --> 0:19:11.600
<v Speaker 2>Sam moves closer to him, embraces Walter.

0:19:12.280 --> 0:19:14.080
<v Speaker 7>She's a teenager, she'll get over it.

0:19:14.800 --> 0:19:17.480
<v Speaker 5>I just don't get it. I used to be cool.

0:19:18.080 --> 0:19:19.399
<v Speaker 5>I was in a freaking band.

0:19:19.560 --> 0:19:22.280
<v Speaker 4>Remember you were in a kid rock cover band.

0:19:22.480 --> 0:19:26.639
<v Speaker 5>He was cool for a while. I mean, what happened?

0:19:27.240 --> 0:19:27.920
<v Speaker 7>You grew up?

0:19:28.240 --> 0:19:29.360
<v Speaker 5>Well? I hate it.

0:19:29.680 --> 0:19:34.840
<v Speaker 3>At least my taste got better well, Sam kisses him.

0:19:35.280 --> 0:19:36.000
<v Speaker 7>How's business?

0:19:36.560 --> 0:19:38.680
<v Speaker 2>Walter gestures broadly at the empty store.

0:19:39.359 --> 0:19:41.000
<v Speaker 7>Want to close up?

0:19:41.040 --> 0:19:44.240
<v Speaker 5>Early. Does this mean you're not mad at me anymore?

0:19:45.040 --> 0:19:45.399
<v Speaker 4>Oh?

0:19:45.440 --> 0:19:46.480
<v Speaker 7>I wouldn't go that far.

0:19:48.080 --> 0:19:51.280
<v Speaker 1>But if I'm gonna be the sugar mama in this relationship,

0:19:51.920 --> 0:19:53.760
<v Speaker 1>you gotta start putting out fair.

0:19:54.760 --> 0:19:58.080
<v Speaker 2>Walter nods as he kisses her passionately. She undoes his

0:19:58.080 --> 0:19:59.360
<v Speaker 2>pants and reaches insides.

0:20:02.880 --> 0:20:06.119
<v Speaker 5>Oh again, this is a character in her reading.

0:20:06.240 --> 0:20:08.160
<v Speaker 2>She finds nothing. How's that?

0:20:10.119 --> 0:20:10.800
<v Speaker 3>I dare you?

0:20:11.920 --> 0:20:15.000
<v Speaker 2>Walter nods as he kisses her passionately. She undoes his

0:20:15.080 --> 0:20:19.200
<v Speaker 2>pants and reaches inside. They kiss. Sam's hand feels around

0:20:19.200 --> 0:20:22.639
<v Speaker 2>in search of something that isn't quite there? What's wrong

0:20:22.920 --> 0:20:23.720
<v Speaker 2>Walter's size?

0:20:24.920 --> 0:20:29.360
<v Speaker 3>Nothing, I'm just maybe I'm just tired. I haven't been sleeping.

0:20:30.359 --> 0:20:31.680
<v Speaker 3>I guess I have a lot on my mind.

0:20:31.800 --> 0:20:32.840
<v Speaker 2>Sam steps back.

0:20:33.400 --> 0:20:36.879
<v Speaker 7>Isn't me Walter? Is everything all right here?

0:20:37.200 --> 0:20:38.359
<v Speaker 2>She points to her body.

0:20:38.680 --> 0:20:42.280
<v Speaker 4>This, Oh god, yes, I just then, what Walter?

0:20:44.000 --> 0:20:47.120
<v Speaker 1>Ever since you took over the store? I mean, we

0:20:47.320 --> 0:20:50.000
<v Speaker 1>haven't you know.

0:20:50.040 --> 0:20:52.760
<v Speaker 5>I just don't want to let you down this whole thing.

0:20:54.119 --> 0:20:56.679
<v Speaker 5>I'm just scared. I'm not the man you thought you married.

0:20:58.160 --> 0:20:59.800
<v Speaker 7>Well, you're a bigger idiot than I.

0:21:00.359 --> 0:21:01.280
<v Speaker 4>But he laughs.

0:21:01.680 --> 0:21:02.800
<v Speaker 2>She kisses him.

0:21:03.440 --> 0:21:06.120
<v Speaker 7>I love you, Okay, I know.

0:21:07.920 --> 0:21:10.080
<v Speaker 1>Now sell some of this junk so I can have

0:21:10.200 --> 0:21:11.440
<v Speaker 1>my house back, please.

0:21:11.840 --> 0:21:16.960
<v Speaker 2>She heads upstairs. Interior Walter's house living room night. Walter

0:21:17.040 --> 0:21:20.560
<v Speaker 2>sits on the couch, bleary eyed. He hasn't slept. He

0:21:20.560 --> 0:21:23.040
<v Speaker 2>flips through yet another stack of bills while he talks

0:21:23.040 --> 0:21:23.720
<v Speaker 2>on the phone.

0:21:24.080 --> 0:21:27.040
<v Speaker 3>Okay, well, just let that one bounce and I'll see

0:21:27.040 --> 0:21:29.760
<v Speaker 3>if I can sell my car or a kidney or something.

0:21:30.800 --> 0:21:31.200
<v Speaker 5>Thanks.

0:21:31.440 --> 0:21:33.720
<v Speaker 2>He hangs up, and we see the foreclosure bill. He

0:21:33.760 --> 0:21:37.080
<v Speaker 2>looks over. He sighs and rubs his eyes. Looks up

0:21:37.080 --> 0:21:40.600
<v Speaker 2>at the TV. Terror vision with Bobby Joe Williams is

0:21:40.640 --> 0:21:43.640
<v Speaker 2>on again. He's propped up in his favorite lawn chair,

0:21:43.920 --> 0:21:46.240
<v Speaker 2>a case of cheap beer almost empty beside him.

0:21:46.880 --> 0:21:50.399
<v Speaker 6>I'm Bobby Joe Williams reminding you that there are twenty

0:21:50.440 --> 0:21:53.760
<v Speaker 6>four hours in a day and twenty four beers in

0:21:53.800 --> 0:21:54.200
<v Speaker 6>a case.

0:21:55.200 --> 0:21:57.280
<v Speaker 4>Coincidence, I think not.

0:21:58.680 --> 0:22:01.760
<v Speaker 2>The final segment of the film starts to play. Lightning

0:22:01.800 --> 0:22:05.120
<v Speaker 2>strikes over an old mansion surrounded in fog. Wolves how

0:22:05.800 --> 0:22:15.000
<v Speaker 2>a scream outside. Walter listens. Jarred, Walter grabs an antique

0:22:15.040 --> 0:22:19.680
<v Speaker 2>spyglass like a pirate. Walter's pov through spyglass, A light

0:22:19.720 --> 0:22:22.520
<v Speaker 2>pops on upstairs in Richard's house. The new windows are

0:22:22.600 --> 0:22:28.800
<v Speaker 2>large and modern. The house glows from within red. Another scream.

0:22:28.960 --> 0:22:40.200
<v Speaker 2>The screams of terror become screams of pleasure. The screams

0:22:40.240 --> 0:22:48.640
<v Speaker 2>of terror become screams of pleasure, voracious, loud, raw sex.

0:22:48.680 --> 0:22:50.720
<v Speaker 4>Phayze, buddy, get a room.

0:22:50.760 --> 0:22:55.080
<v Speaker 3>Walter mutters, well, another room.

0:22:55.440 --> 0:22:59.280
<v Speaker 2>More screams. Walter looks through the spyglass again. The red

0:22:59.280 --> 0:23:02.760
<v Speaker 2>glow inside storts things. Walter watches as a large figure

0:23:02.960 --> 0:23:07.280
<v Speaker 2>too large to be a man, with horns and what

0:23:07.400 --> 0:23:11.280
<v Speaker 2>the fuck? Metal music flares, crash zooms on the action.

0:23:11.960 --> 0:23:15.080
<v Speaker 2>The figure rips off her head. The woman's body slumps

0:23:15.119 --> 0:23:17.879
<v Speaker 2>to the floor. Blood sprays the windows of the figure

0:23:17.920 --> 0:23:21.080
<v Speaker 2>devours and kisses the several head before casually tossing it

0:23:21.119 --> 0:23:23.760
<v Speaker 2>over the shoulder. It laps up the spring blood.

0:23:24.040 --> 0:23:25.080
<v Speaker 5>She says, fuck.

0:23:25.280 --> 0:23:27.920
<v Speaker 2>He looks again. The figure in the window looks right

0:23:27.960 --> 0:23:31.680
<v Speaker 2>back at Walter. Its eyes glow fiercely red, illuminating more

0:23:31.680 --> 0:23:36.040
<v Speaker 2>of its demonic face and torso. It smirks. The room

0:23:36.119 --> 0:23:41.080
<v Speaker 2>goes dark. The phone rings. Walter hesitates, but finally answers it.

0:23:41.880 --> 0:23:42.200
<v Speaker 4>Hello.

0:23:43.080 --> 0:23:44.520
<v Speaker 2>Silence for several moments.

0:23:46.080 --> 0:23:50.639
<v Speaker 4>Who's there? It isn't nice to spy Walter.

0:23:50.800 --> 0:23:55.200
<v Speaker 2>Click, The line goes dead. Walter hangs up. He looks

0:23:55.240 --> 0:23:58.080
<v Speaker 2>back toward Richard's house and sees the front door swinging open.

0:23:58.440 --> 0:24:01.920
<v Speaker 2>Closer branches sway if disturbed. The wind chime at the

0:24:01.960 --> 0:24:06.280
<v Speaker 2>front porch clings and clangs. Walter looks petrified. He turns.

0:24:06.840 --> 0:24:12.600
<v Speaker 2>The demon is inside his house, Walter screams. Interior Walter's House,

0:24:12.720 --> 0:24:15.960
<v Speaker 2>living room, night. Walter screams as he wakes up on

0:24:15.960 --> 0:24:19.320
<v Speaker 2>the couch. He looks around quickly confused.

0:24:20.359 --> 0:24:20.639
<v Speaker 6>Fuck.

0:24:20.960 --> 0:24:24.080
<v Speaker 2>Walter collapses back in the couch. Something jabs him in

0:24:24.119 --> 0:24:27.320
<v Speaker 2>the back. He reaches back and yanks it out. It's

0:24:27.320 --> 0:24:33.040
<v Speaker 2>the spyglass. Walter can't believe it. Interior Walter's House, Bedroom night.

0:24:33.800 --> 0:24:36.160
<v Speaker 2>Walter bursts in the door and heads for Sam, asleep

0:24:36.200 --> 0:24:36.560
<v Speaker 2>in bed.

0:24:36.720 --> 0:24:40.240
<v Speaker 4>Sam, it isn't he okay?

0:24:40.520 --> 0:24:43.240
<v Speaker 2>Sam jumps out of bed, her eyes still closed him. Mom,

0:24:45.000 --> 0:24:48.200
<v Speaker 2>it's Richard who the new neighbor.

0:24:48.520 --> 0:24:50.640
<v Speaker 5>He's a monster something?

0:24:50.720 --> 0:24:51.959
<v Speaker 4>What Walter?

0:24:52.119 --> 0:24:53.879
<v Speaker 5>When I saw him kill someone?

0:24:54.320 --> 0:24:57.679
<v Speaker 2>Look? Walter drags Sam over to the window. He throws

0:24:57.720 --> 0:25:00.240
<v Speaker 2>open the blinds to see Richard's house, but the house

0:25:00.320 --> 0:25:01.280
<v Speaker 2>is quiet, dark.

0:25:01.800 --> 0:25:02.720
<v Speaker 7>What am I looking at?

0:25:03.000 --> 0:25:06.120
<v Speaker 2>Walter's searches. The window to Richard's room is dark.

0:25:06.280 --> 0:25:09.800
<v Speaker 5>Well, no, no, it was right there. There was blood everywhere.

0:25:10.040 --> 0:25:12.040
<v Speaker 7>Oh my god, Walter, you were asleep.

0:25:12.760 --> 0:25:15.160
<v Speaker 2>It was just a dream. It wasn't a dream, Sam

0:25:15.280 --> 0:25:15.959
<v Speaker 2>Sam laughs.

0:25:18.800 --> 0:25:24.160
<v Speaker 7>Jesus, oh, Jesus, you've got me good. I think I'm

0:25:24.160 --> 0:25:25.080
<v Speaker 7>out about a heart attack.

0:25:25.320 --> 0:25:26.280
<v Speaker 5>I'm calling the police.

0:25:26.440 --> 0:25:28.399
<v Speaker 2>Walter heads for the landline on the dresser.

0:25:29.080 --> 0:25:30.520
<v Speaker 7>Walter, you know you can't.

0:25:30.640 --> 0:25:33.600
<v Speaker 2>Walter picks up the phone and dials. Mia stumbles to

0:25:33.640 --> 0:25:35.159
<v Speaker 2>the doorway rubs her eyes.

0:25:35.480 --> 0:25:37.159
<v Speaker 7>Are you guys fighting again?

0:25:37.760 --> 0:25:41.639
<v Speaker 4>No, Walter, stop, I know.

0:25:41.560 --> 0:25:42.280
<v Speaker 5>What I saw.

0:25:42.560 --> 0:25:44.000
<v Speaker 2>The other end of the line picks up.

0:25:44.760 --> 0:25:45.240
<v Speaker 5>Yeah.

0:25:45.520 --> 0:25:49.440
<v Speaker 3>Look, I'd like to report a decapitation.

0:25:51.680 --> 0:25:58.320
<v Speaker 2>End of Act one. Nice job on the