1 00:00:04,000 --> 00:00:05,760 Speaker 1: The way I'm feeling these days, I am ready for 2 00:00:05,800 --> 00:00:08,080 Speaker 1: a fight. But anyway, yeah, it was, it was. It 3 00:00:08,160 --> 00:00:08,960 Speaker 1: was hard for her. 4 00:00:09,200 --> 00:00:12,520 Speaker 2: If you did Special Horses together. And I'm not giving 5 00:00:12,520 --> 00:00:15,720 Speaker 2: anybody any fucking ideas, but if you and I did 6 00:00:15,760 --> 00:00:18,880 Speaker 2: Special Wars together, who would drop out first? I think 7 00:00:18,920 --> 00:00:19,239 Speaker 2: I would. 8 00:00:19,360 --> 00:00:19,720 Speaker 1: You would. 9 00:00:20,040 --> 00:00:25,239 Speaker 2: Teresa Judais is and always will be just good fucking. 10 00:00:24,960 --> 00:00:26,560 Speaker 1: TV no matter what she's doing. 11 00:00:26,720 --> 00:00:30,639 Speaker 2: Period. And then you fucked up twice, Jesse, Jay, you 12 00:00:30,640 --> 00:00:31,840 Speaker 2: fucked it up twice. 13 00:00:32,120 --> 00:00:37,120 Speaker 1: I gotta tell you, this episode for me was pure enjoyment. 14 00:00:37,320 --> 00:00:38,520 Speaker 1: I've watched it three times. 15 00:00:38,640 --> 00:00:39,160 Speaker 2: No, you did. 16 00:00:40,560 --> 00:00:43,760 Speaker 1: It's amazing. Angel the new girl, she came in and 17 00:00:43,760 --> 00:00:45,720 Speaker 1: called her breath tart. I mean, she's brand new. We 18 00:00:45,760 --> 00:00:47,760 Speaker 1: don't really know much about her, but we know that 19 00:00:47,800 --> 00:01:00,480 Speaker 1: she thinks Stacy's breath is tart, like this is poor Stacy? 20 00:01:02,840 --> 00:01:03,520 Speaker 2: Is it recording? 21 00:01:05,000 --> 00:01:05,280 Speaker 1: Hello? 22 00:01:06,200 --> 00:01:09,040 Speaker 2: Are you sure you have a one hundred recording? Rap 23 00:01:09,040 --> 00:01:12,240 Speaker 2: Aports Reality? Welcome. My name is Michael. 24 00:01:11,959 --> 00:01:14,160 Speaker 1: Rappaport and I'm Keeby Rappaport. 25 00:01:13,800 --> 00:01:17,120 Speaker 2: And this is rap Aports Reality. A retake. This is 26 00:01:17,200 --> 00:01:21,760 Speaker 2: take two oh no full transparency. Uh, this is rap 27 00:01:21,760 --> 00:01:25,080 Speaker 2: Ports Reality, the podcast where Kibi my wife and I 28 00:01:25,200 --> 00:01:29,600 Speaker 2: discuss all things reality TV, a lot of things popular culture, 29 00:01:29,640 --> 00:01:33,880 Speaker 2: and a few curated gems about our relationship. If you 30 00:01:33,959 --> 00:01:37,160 Speaker 2: never listen to rap ports Reality, ask yourself why. If 31 00:01:37,160 --> 00:01:40,759 Speaker 2: you've never listened to rap ports Reality, welcome, subscribe, rate review. 32 00:01:40,800 --> 00:01:43,160 Speaker 2: I know everybody says subscribe, rate review, but this is 33 00:01:43,200 --> 00:01:47,080 Speaker 2: a newer podcast. Subscribing rating or in reviewing does help. And 34 00:01:47,240 --> 00:01:51,320 Speaker 2: make sure you follow us on Instagram at rap aports 35 00:01:51,360 --> 00:01:56,800 Speaker 2: Reality full transparency. And I'll just take responsibility because I 36 00:01:56,840 --> 00:02:02,000 Speaker 2: am the quote unquote tech person. We recorded this podcast 37 00:02:02,160 --> 00:02:07,880 Speaker 2: a few moments ago, and unfortunately we are re recording 38 00:02:07,880 --> 00:02:12,160 Speaker 2: this podcast. I get asked all the time, Michael Rappaport, 39 00:02:13,320 --> 00:02:15,680 Speaker 2: if I'm doing a podcast, do you have any advice? 40 00:02:15,880 --> 00:02:18,560 Speaker 2: And the first piece of advice that I tell anybody 41 00:02:18,600 --> 00:02:22,600 Speaker 2: is make sure the recording is fucking recording. And I 42 00:02:22,720 --> 00:02:26,920 Speaker 2: broke rule number one of podcasting, where my wife and 43 00:02:26,960 --> 00:02:30,480 Speaker 2: I just did a fantastic podcast, not that this isn't 44 00:02:30,480 --> 00:02:31,399 Speaker 2: gonna be fantasm. 45 00:02:31,120 --> 00:02:32,919 Speaker 1: I turned in a really great performance. 46 00:02:33,280 --> 00:02:34,280 Speaker 2: It's a great episode. 47 00:02:34,280 --> 00:02:36,040 Speaker 1: We're gonna redo it, see if I can do it again. 48 00:02:36,080 --> 00:02:36,799 Speaker 1: I'm not sure. 49 00:02:36,840 --> 00:02:38,639 Speaker 2: We don't even need to share this with you guys. 50 00:02:38,680 --> 00:02:40,200 Speaker 2: But I just wanted to share it with you guys 51 00:02:40,200 --> 00:02:43,000 Speaker 2: to show you number one how great HEB and I are. 52 00:02:43,400 --> 00:02:46,200 Speaker 2: And number two, if you have a cousin, a nephew, 53 00:02:46,720 --> 00:02:50,359 Speaker 2: a friend that wants to start a podcast, remind them 54 00:02:50,360 --> 00:02:54,000 Speaker 2: that Michael Rappaport said, rule number one, two, three, four 55 00:02:54,040 --> 00:02:57,960 Speaker 2: and five is to make sure you're recording the recording 56 00:02:58,040 --> 00:03:02,680 Speaker 2: of the episode. That being said, Babe, where do we start? 57 00:03:02,720 --> 00:03:04,480 Speaker 2: Where do we restart this episode? Do you want to 58 00:03:04,520 --> 00:03:06,280 Speaker 2: start with Special Forces? 59 00:03:06,760 --> 00:03:10,679 Speaker 1: Yeah, let's start there, babe. You know, the other day 60 00:03:10,760 --> 00:03:14,240 Speaker 1: when we were watching that last episode, the idea that 61 00:03:14,280 --> 00:03:19,239 Speaker 1: we only get one at a time is so disappointing. 62 00:03:19,480 --> 00:03:21,799 Speaker 2: I know, nineteen ninety nine. 63 00:03:21,800 --> 00:03:23,560 Speaker 1: Totally we're gonna wait till next week? 64 00:03:23,760 --> 00:03:26,600 Speaker 2: Is it two thousand and four? I get it. I 65 00:03:26,639 --> 00:03:28,880 Speaker 2: get it. It probably is better for the business of 66 00:03:30,040 --> 00:03:33,079 Speaker 2: Special Forces in Fox TV, And I get it. And 67 00:03:33,240 --> 00:03:35,720 Speaker 2: I feel like streaming is good, and I feel like, uh, 68 00:03:35,880 --> 00:03:40,760 Speaker 2: you know, consuming everything is where we are And normally 69 00:03:40,880 --> 00:03:43,320 Speaker 2: sometimes me and you will be watching something and I'll say, Babe, 70 00:03:43,360 --> 00:03:45,520 Speaker 2: let's let's ration it out so we don't watch the 71 00:03:45,680 --> 00:03:50,880 Speaker 2: entire series of the entire season asap and I normally wouldn't, 72 00:03:51,720 --> 00:03:56,160 Speaker 2: but Special Forces with Gia Judae and Teresa Judae is 73 00:03:56,200 --> 00:03:59,320 Speaker 2: so fricking good. And the fact that they kept us 74 00:03:59,360 --> 00:04:02,440 Speaker 2: on the edge of our seat and we have to wait. 75 00:04:02,360 --> 00:04:04,520 Speaker 1: Until next week. That's crazy. 76 00:04:04,720 --> 00:04:09,360 Speaker 2: We are doing spoiler alerts. Gia and Teresa Judice are 77 00:04:09,400 --> 00:04:13,920 Speaker 2: on Special Forces. Week two, Episode two. There was a 78 00:04:14,000 --> 00:04:18,239 Speaker 2: challenge on Special Forces where they needed to fight. Listen, 79 00:04:18,279 --> 00:04:19,800 Speaker 2: if you're gonna do combat, you're gonna be in a 80 00:04:19,839 --> 00:04:23,919 Speaker 2: Special Force, you need to have your fighting skills downpack. 81 00:04:24,400 --> 00:04:26,720 Speaker 2: They do this every season where they pair people up 82 00:04:27,279 --> 00:04:28,919 Speaker 2: and you got to duke it out. They give you 83 00:04:28,960 --> 00:04:30,760 Speaker 2: a head gear. Why they don't give you the head 84 00:04:30,800 --> 00:04:32,559 Speaker 2: gear to cover your nose, I have no idea. 85 00:04:32,880 --> 00:04:35,560 Speaker 1: Yeah, but this season they're doing something new. They're bringing 86 00:04:35,760 --> 00:04:39,440 Speaker 1: couples in, like duos in like it's Teresa and her daughter. 87 00:04:39,520 --> 00:04:42,000 Speaker 1: And then there's the Tara Lipinski. 88 00:04:43,400 --> 00:04:47,479 Speaker 2: Tarleapinsky's on Traders Traders, but she kind of came in. 89 00:04:47,600 --> 00:04:50,200 Speaker 2: I will say this, I will give you a little 90 00:04:50,240 --> 00:04:54,280 Speaker 2: Traders dirt. Tara Lepinsky, in my opinion, came in as 91 00:04:54,320 --> 00:04:56,560 Speaker 2: a couple with Johnny Weir. I'm just gonna leave it 92 00:04:56,600 --> 00:04:56,920 Speaker 2: at that. 93 00:04:57,080 --> 00:04:58,560 Speaker 1: Interesting I'm just gonna. 94 00:04:58,400 --> 00:05:01,799 Speaker 2: Leave it at that. Johnny Weir obviously another Olympic champion, 95 00:05:03,440 --> 00:05:06,400 Speaker 2: Marcus Jordan and Larsa Pippen came in as a couple 96 00:05:06,400 --> 00:05:10,480 Speaker 2: of traders, that's true. And tar Lepinsky and Johnny Weir, 97 00:05:11,320 --> 00:05:14,000 Speaker 2: in my humble opinion, and I'm just gonna leave it 98 00:05:14,040 --> 00:05:17,120 Speaker 2: at this, came in as a couple on the new season. 99 00:05:18,640 --> 00:05:20,279 Speaker 2: They're both on the show. That's just my opinion. 100 00:05:20,320 --> 00:05:22,720 Speaker 1: Okay, okay, But I was back to the Special Forces. 101 00:05:22,960 --> 00:05:25,640 Speaker 1: I think that's something new on this show because we 102 00:05:25,680 --> 00:05:28,240 Speaker 1: have a married couple and then we have Teresa and 103 00:05:28,240 --> 00:05:28,920 Speaker 1: her daughter. 104 00:05:28,760 --> 00:05:30,960 Speaker 2: An ex football player and a gymnas can't remember their name, 105 00:05:31,000 --> 00:05:35,640 Speaker 2: no disrespect. Yes, you're never gonna top Teresa and Gee, 106 00:05:35,680 --> 00:05:38,000 Speaker 2: you never gonna have a mother daughter duo? Can you 107 00:05:38,040 --> 00:05:39,360 Speaker 2: top that? I don't know who would be on it. 108 00:05:39,440 --> 00:05:41,520 Speaker 1: I don't know, but I'm saying I think that Marge 109 00:05:41,520 --> 00:05:44,000 Speaker 1: and Marge Senior there, but she couldn't do Marge Senior 110 00:05:44,040 --> 00:05:46,520 Speaker 1: couldn't be on that show. They could do Traders together. 111 00:05:46,560 --> 00:05:49,560 Speaker 2: Maybe Donna Kelson one of those goon suns. I don't 112 00:05:49,560 --> 00:05:52,920 Speaker 2: think Donna Kels's is gonna be on Special Forces. Shout 113 00:05:52,920 --> 00:05:56,479 Speaker 2: out to Donna Kels, another one coincidentally of my castmates 114 00:05:56,920 --> 00:05:57,560 Speaker 2: from Traders. 115 00:05:57,600 --> 00:05:59,200 Speaker 1: She's itching to talk about it. 116 00:06:01,839 --> 00:06:06,479 Speaker 2: I'm just gonna say this, babe. I cannot wait. And 117 00:06:06,800 --> 00:06:10,240 Speaker 2: there's gonna be a lot to discuss about Trader season four. 118 00:06:10,360 --> 00:06:12,520 Speaker 1: Oh, We're going to go over every single episode on 119 00:06:12,520 --> 00:06:13,040 Speaker 1: this podcast. 120 00:06:13,080 --> 00:06:15,240 Speaker 2: We're going to go of every every single episode. Things 121 00:06:15,279 --> 00:06:16,800 Speaker 2: that made it, things that didn't. 122 00:06:16,520 --> 00:06:18,279 Speaker 1: Make it, things that you did that I told you 123 00:06:18,320 --> 00:06:18,720 Speaker 1: not to. 124 00:06:18,640 --> 00:06:22,360 Speaker 2: Do, behind the scenes, behind the behind the scenes, buying, 125 00:06:22,480 --> 00:06:27,279 Speaker 2: the scenes in the hotel, all of it. All of 126 00:06:27,839 --> 00:06:30,719 Speaker 2: it will be revealed when Traders love that. 127 00:06:31,040 --> 00:06:33,920 Speaker 1: I'm not pressing you for anything that I'm because it's 128 00:06:34,040 --> 00:06:36,479 Speaker 1: like one of my favorite shows. I would say my 129 00:06:36,640 --> 00:06:40,600 Speaker 1: top And I haven't pressed you on anything really because 130 00:06:40,600 --> 00:06:41,920 Speaker 1: I don't and I know you're itching. 131 00:06:43,000 --> 00:06:44,599 Speaker 2: I'm not going to say shit, No you're not. 132 00:06:44,720 --> 00:06:46,320 Speaker 1: We don't want to get But I am going to say. 133 00:06:46,240 --> 00:06:51,200 Speaker 2: Shit about Special Forces this season where they were doing 134 00:06:51,200 --> 00:06:54,719 Speaker 2: the boxing, they were doing the fighting, the combat, and 135 00:06:55,160 --> 00:06:57,880 Speaker 2: Gia was set to go out there and Spa and 136 00:06:58,000 --> 00:07:00,960 Speaker 2: Gia was ready. She was scared shit as I would 137 00:07:00,960 --> 00:07:04,440 Speaker 2: be same, because you're doing a show you don't want 138 00:07:04,440 --> 00:07:07,000 Speaker 2: to get punched in the face on TV. You don't 139 00:07:07,000 --> 00:07:09,360 Speaker 2: want to get punched in the face. In general, most 140 00:07:09,440 --> 00:07:13,480 Speaker 2: people haven't fought somebody in that kind of setting where 141 00:07:13,480 --> 00:07:15,360 Speaker 2: you stand in front of each other, there's no running 142 00:07:15,640 --> 00:07:17,200 Speaker 2: and you're like, you're gonna fight for it. It might 143 00:07:17,280 --> 00:07:20,400 Speaker 2: even be forty five seconds, thirty seconds, or a minute. Yeah, 144 00:07:20,440 --> 00:07:23,000 Speaker 2: that's a crazy feeling if you've never done that. Like 145 00:07:23,040 --> 00:07:26,400 Speaker 2: I did that one time boxing. One time, I sparred 146 00:07:26,400 --> 00:07:29,280 Speaker 2: somebody in the movie No when I was training to 147 00:07:29,320 --> 00:07:32,680 Speaker 2: do Mighty Ephordity, and I sparred it, and I sparred 148 00:07:32,680 --> 00:07:34,640 Speaker 2: a guy that was way better than me to prevent 149 00:07:34,920 --> 00:07:38,880 Speaker 2: myself from getting hurt. Wow, So when you're sparring, I 150 00:07:38,920 --> 00:07:42,040 Speaker 2: suggest you spar somebody that's better than you. That way, 151 00:07:42,040 --> 00:07:44,560 Speaker 2: they don't hurt you. You see what I'm saying. I 152 00:07:44,560 --> 00:07:47,440 Speaker 2: see they have skill, they have skilt skill, so like 153 00:07:47,640 --> 00:07:50,560 Speaker 2: you don't accidentally get hurt. And I accidentally wound up 154 00:07:50,800 --> 00:07:53,120 Speaker 2: giving the guy that was better than me a bloody nose, 155 00:07:53,640 --> 00:07:55,960 Speaker 2: and I was like, oh, no, I'm in trouble because 156 00:07:56,000 --> 00:08:00,760 Speaker 2: I just anyway, and right before Gea was about to 157 00:08:00,760 --> 00:08:02,600 Speaker 2: go out there and duke it out with one of 158 00:08:02,600 --> 00:08:04,720 Speaker 2: the other cast mats Teresa said. 159 00:08:05,320 --> 00:08:08,480 Speaker 1: She said, I'm out. I can't watch my daughter, No, 160 00:08:08,600 --> 00:08:12,840 Speaker 1: my kid. I can't watch my kid fight and watch 161 00:08:13,200 --> 00:08:16,480 Speaker 1: I was hoping she would have said daughter like how 162 00:08:16,520 --> 00:08:18,840 Speaker 1: she says it, but she said my kid, which I 163 00:08:18,840 --> 00:08:20,600 Speaker 1: was disappointed. It would have been great if she said 164 00:08:20,600 --> 00:08:23,119 Speaker 1: my daughter. But she walked off, she took off the band. 165 00:08:23,240 --> 00:08:25,920 Speaker 1: She forfeited the whole game. She said, I won't watch that, 166 00:08:26,360 --> 00:08:29,440 Speaker 1: which that's the reason why I brought up couples, Like, 167 00:08:29,480 --> 00:08:31,240 Speaker 1: if you and I were on together, I don't think 168 00:08:31,320 --> 00:08:35,959 Speaker 1: you'd want to see somebody beat the crap out of me, babe, 169 00:08:36,000 --> 00:08:38,640 Speaker 1: But you know, it take a lot for them to 170 00:08:38,679 --> 00:08:40,800 Speaker 1: get me. I'd be ready. I'm ready for a fight. 171 00:08:41,960 --> 00:08:43,719 Speaker 1: The way I'm feeling these days, I am ready for 172 00:08:43,760 --> 00:08:46,080 Speaker 1: a fight. But anyway, yeah, it was. It was. It 173 00:08:46,120 --> 00:08:46,920 Speaker 1: was hard for her. 174 00:08:47,200 --> 00:08:50,439 Speaker 2: If you did Special Forces together. And I'm not giving 175 00:08:50,520 --> 00:08:53,679 Speaker 2: anybody any fucking ideas, but if you and I did 176 00:08:53,720 --> 00:08:56,839 Speaker 2: Special Forces together, who would drop out? First? I think 177 00:08:56,880 --> 00:08:57,240 Speaker 2: I would? 178 00:08:57,320 --> 00:09:01,680 Speaker 1: You would? You would for sure? I have you know. 179 00:09:01,800 --> 00:09:03,600 Speaker 1: I was an athlete, I was a gymnast. I have 180 00:09:03,640 --> 00:09:04,520 Speaker 1: a lot of discipline. 181 00:09:05,000 --> 00:09:07,439 Speaker 2: It's not even the gymnast mental. 182 00:09:08,400 --> 00:09:12,400 Speaker 1: I have like strong mental fortitude. Yes, I can take it. 183 00:09:12,480 --> 00:09:16,760 Speaker 2: Although do you think In last week's Special Forces and 184 00:09:16,800 --> 00:09:19,880 Speaker 2: again spoiler alert because if you're not watching Special Forces 185 00:09:19,880 --> 00:09:24,439 Speaker 2: and you're behind trust me, shame on you. But there 186 00:09:24,480 --> 00:09:27,040 Speaker 2: was a challenge where they were in a mock airplane 187 00:09:27,320 --> 00:09:29,880 Speaker 2: and they had to go into water, submerge underwater. Yeah, 188 00:09:30,000 --> 00:09:33,560 Speaker 2: Teresa freaked out by the way, and Ga before the fight. 189 00:09:33,679 --> 00:09:36,440 Speaker 2: Gia had to save Teresa from feeling like she was 190 00:09:36,480 --> 00:09:39,040 Speaker 2: gonna drown. I don't make light of it, right because 191 00:09:39,080 --> 00:09:42,240 Speaker 2: the great uh Eva, Marcel even Barcel like, she got 192 00:09:42,240 --> 00:09:43,480 Speaker 2: herself so ghacked up. 193 00:09:45,559 --> 00:09:47,400 Speaker 1: She made it. She did it right, she did the thing. 194 00:09:47,400 --> 00:09:48,880 Speaker 1: But when she came out of the water, she said 195 00:09:48,920 --> 00:09:52,480 Speaker 1: I did it and then proceeded to flail about panic 196 00:09:52,520 --> 00:09:55,240 Speaker 1: and almost drown literally, I mean the way her body 197 00:09:55,280 --> 00:09:58,840 Speaker 1: looked thought it was not funny. This is the thing 198 00:09:58,880 --> 00:09:59,640 Speaker 1: about the show. 199 00:09:59,400 --> 00:09:59,920 Speaker 2: That scares me. 200 00:10:00,160 --> 00:10:02,400 Speaker 1: Their insurance for the show must be through the roof. 201 00:10:02,480 --> 00:10:03,640 Speaker 1: I mean, I don't even know. 202 00:10:03,559 --> 00:10:05,880 Speaker 2: Because they have all sorts of medical people in all 203 00:10:06,000 --> 00:10:06,480 Speaker 2: kinds of day. 204 00:10:06,520 --> 00:10:09,280 Speaker 1: She's like seventeen people in the water divers to say, 205 00:10:09,520 --> 00:10:12,520 Speaker 1: I get that was still that was very close. What happened, 206 00:10:13,120 --> 00:10:15,800 Speaker 1: by the way, when we're spoiling this, I really think 207 00:10:15,840 --> 00:10:18,400 Speaker 1: if I was listening and spoiling, I have to add 208 00:10:18,400 --> 00:10:22,439 Speaker 1: that even though we're giving it away, you're not gonna 209 00:10:22,440 --> 00:10:24,400 Speaker 1: believe it when you see it, even though we told 210 00:10:24,440 --> 00:10:26,760 Speaker 1: you when you go to watch it, you're not gonna 211 00:10:26,760 --> 00:10:28,560 Speaker 1: feel like we spoiled it, because you're not gonna believe 212 00:10:28,600 --> 00:10:30,120 Speaker 1: your eyes when you see some of the things these 213 00:10:30,160 --> 00:10:30,760 Speaker 1: people are doing. 214 00:10:30,800 --> 00:10:36,160 Speaker 2: And Teresa Judais is and always will be just good fucking. 215 00:10:35,880 --> 00:10:37,480 Speaker 1: TV no matter what she's doing. 216 00:10:37,640 --> 00:10:38,080 Speaker 2: Period. 217 00:10:38,200 --> 00:10:40,600 Speaker 1: I'm bummed that she left because I knew she had 218 00:10:40,720 --> 00:10:44,319 Speaker 1: many more good episodes ahead of her. But I understand 219 00:10:44,360 --> 00:10:46,679 Speaker 1: I wouldn't want to see my daughter be punching your 220 00:10:46,720 --> 00:10:47,600 Speaker 1: daughter my daughter. 221 00:10:48,280 --> 00:10:52,839 Speaker 2: I am surprised, but not surprised that she left. I 222 00:10:52,880 --> 00:10:55,160 Speaker 2: feel like it will be the best thing for Gia, 223 00:10:55,280 --> 00:10:58,240 Speaker 2: not only on the show, but in life. She needs 224 00:10:58,320 --> 00:11:01,560 Speaker 2: to cut the cord. They have an ridibly close uh. 225 00:11:01,720 --> 00:11:05,439 Speaker 2: Some say, we don't say it, Some say dysfunctional relationships, 226 00:11:05,480 --> 00:11:07,080 Speaker 2: some say codependent relationships. 227 00:11:07,120 --> 00:11:09,200 Speaker 1: Some say Greg Gardens, we don't say that. 228 00:11:09,240 --> 00:11:12,120 Speaker 2: We don't say that. And Gia couldn't be sweeter and 229 00:11:12,160 --> 00:11:16,880 Speaker 2: more lovable and likable and just humble and just what 230 00:11:17,040 --> 00:11:17,520 Speaker 2: a daughter. 231 00:11:17,760 --> 00:11:21,000 Speaker 1: She's a beautiful door. Then she's beautiful. She loves her mom. 232 00:11:21,400 --> 00:11:23,320 Speaker 1: I get that she's had to grow up early. Both 233 00:11:23,320 --> 00:11:24,319 Speaker 1: her parents went away. 234 00:11:24,520 --> 00:11:30,120 Speaker 2: I woke up this morning and I know people like, 235 00:11:30,120 --> 00:11:31,640 Speaker 2: what are you talking about? And the people that are going, 236 00:11:31,640 --> 00:11:33,800 Speaker 2: what are you talking about? You should know what we're 237 00:11:33,800 --> 00:11:36,760 Speaker 2: talking about. We're singing Gia's smash hit what she wrote 238 00:11:37,000 --> 00:11:38,439 Speaker 2: about her sadness in a front. 239 00:11:39,760 --> 00:11:40,240 Speaker 1: Or thirteen. 240 00:11:40,400 --> 00:11:44,600 Speaker 2: I was all so sad. Miles Jordan play the clip 241 00:11:44,640 --> 00:11:45,600 Speaker 2: of Gia's song. 242 00:11:45,559 --> 00:11:49,079 Speaker 3: Waking up in the morning thinking about so many things. 243 00:11:49,480 --> 00:11:52,640 Speaker 3: I just wish things would get better. I'm trying to 244 00:11:52,640 --> 00:11:55,120 Speaker 3: get rid of them, but not this seems to stay 245 00:11:55,120 --> 00:12:01,760 Speaker 3: the same. Woke up in the morning, close song, walking 246 00:12:01,880 --> 00:12:05,120 Speaker 3: into school, thinking of one is going happen next? 247 00:12:05,520 --> 00:12:08,520 Speaker 2: Oh, that's the song. That's the song anyway, And you 248 00:12:08,520 --> 00:12:10,520 Speaker 2: could play the clip of that song and not have 249 00:12:10,600 --> 00:12:12,680 Speaker 2: to get the rights because no one owns the rights 250 00:12:12,679 --> 00:12:15,640 Speaker 2: of that song. It's not on Spotify, it's not on Apple. 251 00:12:16,320 --> 00:12:19,080 Speaker 2: That is a New Jersey real house riser of New 252 00:12:19,160 --> 00:12:22,360 Speaker 2: Jersey hit, a hit that never made it to the 253 00:12:22,440 --> 00:12:28,840 Speaker 2: charts anyway. Special Forces Teresa Judais, Juicy Jesse Smoley is just. 254 00:12:29,000 --> 00:12:31,360 Speaker 1: That's where that's what triggers you, That's where it goes 255 00:12:31,400 --> 00:12:32,080 Speaker 1: downhill for me. 256 00:12:32,440 --> 00:12:34,440 Speaker 2: You got, I said, babe, why are you getting? 257 00:12:34,679 --> 00:12:36,719 Speaker 1: I know you like you stopped me from my eyes. 258 00:12:36,720 --> 00:12:37,400 Speaker 2: I paused it. 259 00:12:37,679 --> 00:12:39,680 Speaker 1: I know, but like sometimes I just have to like 260 00:12:39,720 --> 00:12:42,240 Speaker 1: get let the gas out, because like I don't know 261 00:12:42,280 --> 00:12:45,719 Speaker 1: how we're gonna sit and watch this person on the 262 00:12:45,880 --> 00:12:50,320 Speaker 1: show still talk about something that it's obvious to everybody 263 00:12:50,360 --> 00:12:52,520 Speaker 1: that it's not it's made up, and he's still gonna 264 00:12:52,559 --> 00:12:55,920 Speaker 1: double down, triple down, and we have to watch this 265 00:12:56,000 --> 00:12:59,760 Speaker 1: guy and it just insenses me. And I don't know 266 00:12:59,800 --> 00:13:02,959 Speaker 1: why there's a sense of justice that's not being met here. 267 00:13:04,640 --> 00:13:05,840 Speaker 1: And I don't think it's good TV. 268 00:13:06,240 --> 00:13:08,120 Speaker 2: It's like the thing we think it is good TV. 269 00:13:08,280 --> 00:13:10,280 Speaker 1: It's like the thing with reality TV where I say, 270 00:13:10,320 --> 00:13:13,120 Speaker 1: I want my housewives to be crazy, but not fifty 271 00:13:13,200 --> 00:13:13,720 Speaker 1: one to fifty. 272 00:13:13,800 --> 00:13:16,120 Speaker 2: The reason why I think it's good TV because he's 273 00:13:16,160 --> 00:13:20,480 Speaker 2: he's so polarizing and we want to see him fail. 274 00:13:20,520 --> 00:13:23,280 Speaker 2: And he failed this water challenge. He did it, but 275 00:13:23,400 --> 00:13:26,079 Speaker 2: fucked up twice, and you start because he was mister advice. 276 00:13:26,160 --> 00:13:29,160 Speaker 2: He was like it's gonna be okay. Eva, we got this, Eva, 277 00:13:30,360 --> 00:13:33,240 Speaker 2: and then you fucked up twice, Jesse, Yeah, Juicy j 278 00:13:33,400 --> 00:13:36,400 Speaker 2: you fucked it up twice. And I just think about 279 00:13:36,880 --> 00:13:39,280 Speaker 2: right now, I think about when I was a guest 280 00:13:39,280 --> 00:13:42,160 Speaker 2: hosting the Wendy Williams Show, and I think about how 281 00:13:42,240 --> 00:13:46,360 Speaker 2: much fun I was having during the Juicy Jesse Smoley thing, 282 00:13:46,679 --> 00:13:49,199 Speaker 2: and how much fun I would have right now if 283 00:13:49,200 --> 00:13:51,359 Speaker 2: I was guest hosting the Wendy Williams. 284 00:13:51,000 --> 00:13:54,400 Speaker 1: Show talking about him, because it was too much fun. 285 00:13:54,920 --> 00:13:58,000 Speaker 2: It's never ending fun. So I'm like, babe, enjoy how 286 00:13:58,040 --> 00:13:58,839 Speaker 2: fucking nuts. 287 00:13:58,960 --> 00:14:02,400 Speaker 1: I don't know why, I really, it really takes me 288 00:14:02,480 --> 00:14:02,840 Speaker 1: out of it. 289 00:14:14,840 --> 00:14:18,920 Speaker 2: Shifting to one of the great premiere episodes ever, I 290 00:14:18,920 --> 00:14:20,440 Speaker 2: don't know if the season is going to be able 291 00:14:20,480 --> 00:14:24,040 Speaker 2: to sustain it. The Real Housewives of Potomac is back, 292 00:14:24,680 --> 00:14:28,240 Speaker 2: and the first episode was not only award winning the 293 00:14:28,400 --> 00:14:30,880 Speaker 2: first segment, the first I think it was sixteen to 294 00:14:31,040 --> 00:14:34,400 Speaker 2: seventeen minute segment. The opening segment of this season was 295 00:14:34,560 --> 00:14:40,000 Speaker 2: damn gold because Lagron Dame was released from prison and 296 00:14:40,040 --> 00:14:44,440 Speaker 2: everybody's happy about that. It was dramatic she was seeing 297 00:14:44,520 --> 00:14:46,640 Speaker 2: although you don't really see her coming out of prison. 298 00:14:47,400 --> 00:14:49,560 Speaker 1: You heard the voice of her coming out. 299 00:14:49,680 --> 00:14:53,720 Speaker 2: And of course the women were articulating or their feelings, 300 00:14:53,760 --> 00:14:57,320 Speaker 2: their fears, and their humor. Because these women, I was 301 00:14:57,360 --> 00:15:00,000 Speaker 2: going to say, these these women, even in the darkest time, 302 00:15:00,200 --> 00:15:03,760 Speaker 2: when Legrondame's coming out of prison, they're making jokes because 303 00:15:04,000 --> 00:15:09,320 Speaker 2: they Ashley the Great Ashley Darby, she quoted Lagrondame when 304 00:15:09,320 --> 00:15:12,520 Speaker 2: she said she's Thomas Jefferson's conquedbine, and they had a 305 00:15:12,520 --> 00:15:16,120 Speaker 2: little chuckle about that, because remember when Lagrondame got arrested, 306 00:15:16,160 --> 00:15:19,000 Speaker 2: she one of the things that she said, amongst other things, 307 00:15:19,280 --> 00:15:23,080 Speaker 2: is that I'm Thomas Jefferson's concubine. Still nobody knows. 308 00:15:23,280 --> 00:15:26,960 Speaker 1: Why why she would say that, or so Uncle Ben 309 00:15:27,640 --> 00:15:30,560 Speaker 1: the black Bill Gates is also Thomas Jefferson. I didn't 310 00:15:30,600 --> 00:15:36,320 Speaker 1: get it. Nobody understands what she meant. It's amazing. I 311 00:15:36,320 --> 00:15:41,240 Speaker 1: got to tell you, this episode for me was pure enjoyment. 312 00:15:41,400 --> 00:15:44,239 Speaker 1: I've watched it three times. I know you did, because 313 00:15:44,520 --> 00:15:48,640 Speaker 1: I have laughed out loud, guffaw, guffaw over these women, 314 00:15:49,200 --> 00:15:54,520 Speaker 1: especially our girl Stacy. If you guys recall last season, 315 00:15:54,560 --> 00:15:59,360 Speaker 1: Stacy was in a sort of unrequited relationship with TJ. 316 00:16:00,680 --> 00:16:01,880 Speaker 1: And now we find. 317 00:16:01,560 --> 00:16:04,560 Speaker 2: Out and there were allegations, allegations, and they're playing out 318 00:16:04,560 --> 00:16:05,000 Speaker 2: in this season. 319 00:16:05,080 --> 00:16:07,200 Speaker 1: I think they're playing out and I don't think they're allegations. 320 00:16:07,200 --> 00:16:09,840 Speaker 1: I mean, he's doubling down on Instagram that it really happens. 321 00:16:09,920 --> 00:16:11,080 Speaker 1: She paid him to be. 322 00:16:11,040 --> 00:16:12,400 Speaker 2: Do we follow him on Instagram? 323 00:16:12,560 --> 00:16:14,080 Speaker 1: Don't I think you did? Yes? 324 00:16:14,280 --> 00:16:15,680 Speaker 2: Oh, we need to make sure we follow this. 325 00:16:15,760 --> 00:16:19,000 Speaker 1: There are allegations that he was paid, she paid him 326 00:16:19,040 --> 00:16:22,080 Speaker 1: to be on the show, and she's sticking with it. 327 00:16:22,240 --> 00:16:24,560 Speaker 1: She's not going to stop, and they want to get 328 00:16:24,600 --> 00:16:26,080 Speaker 1: to the heart of the matter, and they're not going 329 00:16:26,160 --> 00:16:30,080 Speaker 1: to let it go because he's saying it, she's saying it. 330 00:16:30,160 --> 00:16:33,600 Speaker 1: And now, to add insult to injuryes, she's back with 331 00:16:33,640 --> 00:16:37,240 Speaker 1: her husband conveniently, and they think that the divorce with 332 00:16:37,280 --> 00:16:41,920 Speaker 1: her husband was also a storyline, alleged divorce. 333 00:16:42,520 --> 00:16:50,000 Speaker 2: And with all that going on, more allegations, accusations which 334 00:16:50,000 --> 00:16:52,800 Speaker 2: have taken a dark turn. I think this is now 335 00:16:52,840 --> 00:16:58,880 Speaker 2: bullying about Stacy's breath. I personally will never speak on 336 00:16:59,040 --> 00:17:02,040 Speaker 2: a woman's breath with one of these women. If we 337 00:17:02,120 --> 00:17:03,760 Speaker 2: ever met a housewife and they had bad breath, I 338 00:17:03,760 --> 00:17:05,840 Speaker 2: wouldn't say anything. About it. Now, I will speak on 339 00:17:05,880 --> 00:17:06,919 Speaker 2: a motherfucker's breath. 340 00:17:07,400 --> 00:17:09,520 Speaker 1: But I have to say you both of us are 341 00:17:09,600 --> 00:17:14,240 Speaker 1: hyper focused on breath. Like you tell me if you did. 342 00:17:14,240 --> 00:17:19,120 Speaker 2: You see Twitter, there's a whole thing about her breath memes. 343 00:17:19,119 --> 00:17:21,680 Speaker 1: It's so mean though, like it's terrible. It's I mean, 344 00:17:21,720 --> 00:17:24,440 Speaker 1: the whole show. They must have said. I think Angel 345 00:17:24,480 --> 00:17:26,920 Speaker 1: the new girl, she came in and called her breath tart. 346 00:17:26,960 --> 00:17:28,760 Speaker 1: I mean, she's brand new. We don't really know much 347 00:17:28,760 --> 00:17:31,760 Speaker 1: about her, but we know that she thinks Stacy's breath 348 00:17:31,840 --> 00:17:34,280 Speaker 1: is tart, like this is poor Stacy. 349 00:17:34,440 --> 00:17:38,800 Speaker 2: I'm curious did Ashley mention because Ashley. 350 00:17:38,440 --> 00:17:40,560 Speaker 1: Started She started it when she when they had little 351 00:17:40,560 --> 00:17:43,199 Speaker 1: exchange at the dress shop and she left, she was like, 352 00:17:43,240 --> 00:17:45,120 Speaker 1: you gotta fix that breath interconfessional. 353 00:17:45,560 --> 00:17:47,840 Speaker 2: But I don't know, And I would love to speak 354 00:17:47,840 --> 00:17:51,000 Speaker 2: to the great Ashley Darby and ask her, did you 355 00:17:51,040 --> 00:17:53,479 Speaker 2: bring up the breath first or did you bring up 356 00:17:53,480 --> 00:17:56,000 Speaker 2: the breath after she started mentioning your singing, Because the 357 00:17:56,000 --> 00:17:59,280 Speaker 2: way it was edited, you see Stacy talk about her singing, 358 00:17:59,320 --> 00:18:02,680 Speaker 2: and then in the professional you see Ashley mentioned the breath, 359 00:18:02,680 --> 00:18:04,960 Speaker 2: and I wonder did the producer say, did you hear 360 00:18:05,000 --> 00:18:07,320 Speaker 2: what she said about her you're singing, and then she 361 00:18:07,440 --> 00:18:10,000 Speaker 2: responded with the breath and then the breath, the breath. 362 00:18:10,119 --> 00:18:12,640 Speaker 1: I don't think so, because I think the breath really 363 00:18:12,680 --> 00:18:17,399 Speaker 1: stinks because everybody said it. I mean, and the editors. 364 00:18:17,440 --> 00:18:18,680 Speaker 1: By the way, babe, what do you think about the 365 00:18:18,800 --> 00:18:22,720 Speaker 1: editors showing Stacy walking into Giselle's house and burping, and 366 00:18:22,760 --> 00:18:24,679 Speaker 1: then they reshowed it, and then they reshowed it, so 367 00:18:24,760 --> 00:18:27,600 Speaker 1: everyone's doubling down. I mean, do the producers think she 368 00:18:27,640 --> 00:18:28,479 Speaker 1: has bad breath? 369 00:18:29,240 --> 00:18:32,000 Speaker 2: I think maybe this is not fair, but I would 370 00:18:32,040 --> 00:18:36,400 Speaker 2: suggest Stacy, listen, people love you, people get you, drive 371 00:18:36,400 --> 00:18:40,040 Speaker 2: people crazy. If you want to control this narrative, what 372 00:18:40,200 --> 00:18:42,840 Speaker 2: I would do, get a good floss, get a good floss, 373 00:18:43,440 --> 00:18:46,000 Speaker 2: tongue scraper, a tongue scraper, and I would start looking 374 00:18:46,040 --> 00:18:50,040 Speaker 2: for endorsements. Like I was told I had bad breath. 375 00:18:50,080 --> 00:18:52,760 Speaker 2: I got this tongue scraper. It changed my life. I 376 00:18:52,840 --> 00:18:55,040 Speaker 2: was told I had bad breath. I got this toothpaste. 377 00:18:55,040 --> 00:18:58,000 Speaker 2: It changed I would do the whole mouth kit. You 378 00:18:58,080 --> 00:19:00,520 Speaker 2: get a tongue scraper, gets lost listering. 379 00:19:00,640 --> 00:19:02,040 Speaker 1: She should be in a Listering commercial. 380 00:19:03,440 --> 00:19:06,520 Speaker 2: You know. Once I realized my I had breath issues. 381 00:19:06,920 --> 00:19:09,040 Speaker 2: I did bup up up by and I'm thinking of 382 00:19:09,200 --> 00:19:13,600 Speaker 2: fourfold campaign. We're talking floss, a tongue scraper. 383 00:19:13,640 --> 00:19:16,439 Speaker 1: Toothbrush, toothpaste, and mouthwash. 384 00:19:16,760 --> 00:19:18,120 Speaker 2: Yep, fivefold campaign. 385 00:19:18,160 --> 00:19:18,560 Speaker 1: There you go. 386 00:19:19,720 --> 00:19:22,120 Speaker 2: Control this fucking narrative because I don't want to see 387 00:19:22,240 --> 00:19:26,359 Speaker 2: anymore here anymore. It's too much. It was painful, it's mean, 388 00:19:26,920 --> 00:19:30,000 Speaker 2: and I know she's kooky, but it's mean. It is 389 00:19:30,080 --> 00:19:30,800 Speaker 2: fucking mean. 390 00:19:30,920 --> 00:19:34,160 Speaker 1: It's helpful if it's true. Okay, it's helpful. 391 00:19:34,480 --> 00:19:37,280 Speaker 2: Maybe one comment would have been fine, because then the Gray. 392 00:19:37,080 --> 00:19:40,120 Speaker 1: Girls can't they can't turn away a good joke. I mean, 393 00:19:40,160 --> 00:19:42,199 Speaker 1: this is why I love the show. They beat, They 394 00:19:43,200 --> 00:19:45,600 Speaker 1: beat a joke and this is what I love. I 395 00:19:45,640 --> 00:19:46,840 Speaker 1: love it pure comedy. 396 00:19:46,960 --> 00:19:50,000 Speaker 2: And Ashley Darby Man and then Giselle went on Watch 397 00:19:50,040 --> 00:19:52,760 Speaker 2: What Happens Live and the breath came up again. 398 00:19:52,920 --> 00:19:53,199 Speaker 1: I know. 399 00:19:53,359 --> 00:19:54,520 Speaker 2: And that's months later. 400 00:19:54,960 --> 00:19:57,920 Speaker 1: I know, I know, poor Stacy. 401 00:19:58,080 --> 00:20:02,040 Speaker 2: I feel bad, even though Stacey to me is kookie KOOKI. 402 00:20:01,920 --> 00:20:04,520 Speaker 1: I mean, she is a character, and you know it's needed, 403 00:20:04,720 --> 00:20:07,720 Speaker 1: but I think every good housewife is different, you know 404 00:20:07,720 --> 00:20:08,120 Speaker 1: what I mean. 405 00:20:08,560 --> 00:20:13,199 Speaker 2: She's one of the kookiest characters that's ever been on Bravo. 406 00:20:13,359 --> 00:20:15,439 Speaker 1: Yeah, but we were saying that about Teresa, remember we 407 00:20:15,440 --> 00:20:18,560 Speaker 1: were watching special before, like, Wow, she's just herself, like 408 00:20:18,640 --> 00:20:22,879 Speaker 1: this is she's like an anomaly. Like she her behavior, 409 00:20:22,960 --> 00:20:25,600 Speaker 1: her thoughts, the way she thinks, what she comes well, 410 00:20:25,640 --> 00:20:28,480 Speaker 1: how things come out of her mouth. Stacy's the same way. 411 00:20:29,280 --> 00:20:32,879 Speaker 2: It's a great opening episode of the Real Housewives of 412 00:20:32,920 --> 00:20:35,840 Speaker 2: Potomac and that fucking Ashley and that Giselle they have 413 00:20:36,119 --> 00:20:38,159 Speaker 2: they are in their prime of being a housewife. And 414 00:20:38,200 --> 00:20:40,800 Speaker 2: when I say the prime of being in their housewife, 415 00:20:41,400 --> 00:20:44,200 Speaker 2: they have figured out all the tricks. They're veterans, yes, 416 00:20:44,240 --> 00:20:46,600 Speaker 2: And I say that with all due respects. They've done it. 417 00:20:46,760 --> 00:20:50,000 Speaker 2: They've both been ran through the fucking ringer. They've both 418 00:20:50,040 --> 00:20:55,960 Speaker 2: had darts, little knives, everything thrown at them, beefs, online 419 00:20:55,960 --> 00:20:59,520 Speaker 2: slanner campaigns, highs, lows, and now they're like, oh no, 420 00:20:59,600 --> 00:21:00,080 Speaker 2: I got it. 421 00:21:00,320 --> 00:21:03,280 Speaker 1: Now they're on the sweet spot, on the sweet spot. 422 00:21:03,359 --> 00:21:06,399 Speaker 1: So when we talk about the sweet spot, I was 423 00:21:06,400 --> 00:21:08,560 Speaker 1: going to ask you, we've talked about this before with 424 00:21:08,640 --> 00:21:12,040 Speaker 1: other shows, And when they get into an area where 425 00:21:12,080 --> 00:21:17,720 Speaker 1: they're veterans, yes, and it's almost like actors yes that 426 00:21:18,960 --> 00:21:21,840 Speaker 1: know that the camera's there. Yes, they know how to 427 00:21:22,040 --> 00:21:23,320 Speaker 1: be themselves. 428 00:21:23,480 --> 00:21:25,800 Speaker 2: Yes, but they're also I. 429 00:21:25,800 --> 00:21:29,280 Speaker 1: Don't dare I say acting, Yes, that's the sweet spot. 430 00:21:29,359 --> 00:21:32,639 Speaker 2: It's like, yes, Ashley's clearly aware of where the camera 431 00:21:32,760 --> 00:21:35,199 Speaker 2: is and this is a good thing. Yes, she's clearly 432 00:21:35,200 --> 00:21:39,560 Speaker 2: aware of being in the moment yep and performing within. 433 00:21:39,760 --> 00:21:44,480 Speaker 2: It's like a good actor, it's a great reality TV performer. 434 00:21:44,840 --> 00:21:47,879 Speaker 2: And years and years of experience, hours and hours in 435 00:21:47,920 --> 00:21:50,240 Speaker 2: front of the camera, you'll get to that point where 436 00:21:50,280 --> 00:21:54,359 Speaker 2: you're you can be in the moment and also aware 437 00:21:54,400 --> 00:21:57,080 Speaker 2: of the camera. And I remember, you know, as an actor. 438 00:21:57,080 --> 00:21:59,280 Speaker 2: I remember one time when I was young, I heard 439 00:21:59,320 --> 00:22:02,639 Speaker 2: someone say something about Matt Dillon. They were like, and 440 00:22:02,680 --> 00:22:04,760 Speaker 2: he knows where he's very aware of the camera. And 441 00:22:04,800 --> 00:22:06,600 Speaker 2: I was like, what do you mean like and they 442 00:22:06,640 --> 00:22:09,920 Speaker 2: explain that to me. But as an actor, like when 443 00:22:09,960 --> 00:22:13,840 Speaker 2: I first started acting, like I didn't know the difference 444 00:22:13,840 --> 00:22:16,560 Speaker 2: between a long shot, a close up, a wide shot 445 00:22:16,600 --> 00:22:18,440 Speaker 2: where there's a way to pace yourself, there's a way 446 00:22:18,440 --> 00:22:22,080 Speaker 2: to perform to the camera away from the camera. If 447 00:22:22,080 --> 00:22:24,080 Speaker 2: the cameras across the street and it's a wide shot, 448 00:22:24,119 --> 00:22:27,800 Speaker 2: why go crazy crazy art? Or maybe do go crazy 449 00:22:27,800 --> 00:22:31,800 Speaker 2: crazy art? Because it could be like a rehearsal. Ashley Giselle, 450 00:22:32,240 --> 00:22:35,560 Speaker 2: these women on Potomac right now, the veterans, they have 451 00:22:35,640 --> 00:22:38,119 Speaker 2: figured it out totally. They're in the pocket. 452 00:22:37,840 --> 00:22:40,440 Speaker 1: Totally, you know. I would add that it's a special 453 00:22:40,520 --> 00:22:46,040 Speaker 1: skill reality TV. Yes, act the presentational being, because I 454 00:22:46,080 --> 00:22:48,800 Speaker 1: was going to say in commercials, it's a different kind 455 00:22:48,800 --> 00:22:52,120 Speaker 1: of skill, like I wasn't acting in thirty seconds. It's 456 00:22:52,200 --> 00:22:55,080 Speaker 1: like a trick that you learn to be in front 457 00:22:55,080 --> 00:22:58,560 Speaker 1: of the camera sort of disappear and make the subject 458 00:22:58,640 --> 00:23:01,280 Speaker 1: the thing that you're selling and with humor and everything. 459 00:23:01,960 --> 00:23:04,680 Speaker 1: And I feel like it's really a special skill. These 460 00:23:04,720 --> 00:23:08,119 Speaker 1: women in reality TV, Ashley especially has a down I 461 00:23:08,119 --> 00:23:10,000 Speaker 1: would love to see her act. I think she'd be 462 00:23:10,040 --> 00:23:10,639 Speaker 1: a great act I. 463 00:23:10,640 --> 00:23:14,359 Speaker 2: Think she'd be on a sitcom tent. I think she 464 00:23:14,400 --> 00:23:16,160 Speaker 2: could do it because she's got the face, and she's 465 00:23:16,200 --> 00:23:30,360 Speaker 2: got the humor and one hundred percent as far as 466 00:23:30,440 --> 00:23:35,640 Speaker 2: real life acting, Rapper ports reality. We went on a 467 00:23:35,760 --> 00:23:39,359 Speaker 2: rare trip to the movie theater to go see Dwayne 468 00:23:39,400 --> 00:23:42,080 Speaker 2: the Rock Johnson's new film, Very rare. 469 00:23:41,960 --> 00:23:43,720 Speaker 1: Because I was on the road with you in Providence 470 00:23:43,760 --> 00:23:46,040 Speaker 1: and we went to like a foreign theater, which is 471 00:23:46,080 --> 00:23:49,120 Speaker 1: different for us. Cineplex Cineplex. We had no idea where 472 00:23:49,119 --> 00:23:49,800 Speaker 1: we were going. 473 00:23:49,640 --> 00:23:52,479 Speaker 2: With I think it was twenty three. This is like 474 00:23:52,800 --> 00:23:53,960 Speaker 2: a mall within the mall. 475 00:23:54,040 --> 00:23:56,280 Speaker 1: It was a mall within a mall, sure, and it 476 00:23:56,359 --> 00:24:01,080 Speaker 1: was completely empty at twelve eleven o'clock show. 477 00:24:01,000 --> 00:24:04,080 Speaker 2: Twelve o'clock show the Poor movie Business on Friday. Now, 478 00:24:04,080 --> 00:24:06,400 Speaker 2: I don't expect it to be packed, but I've never 479 00:24:06,440 --> 00:24:08,880 Speaker 2: seen anything like this. This is the second time we've 480 00:24:08,880 --> 00:24:11,919 Speaker 2: been to a movie theater, in a giant theater, screen 481 00:24:11,960 --> 00:24:16,400 Speaker 2: out it's still the Rock. Yeah, and there was four 482 00:24:16,440 --> 00:24:18,679 Speaker 2: of us. And when I say four, I mean Kibi, 483 00:24:18,960 --> 00:24:21,040 Speaker 2: me and two other dudes were in the theater going 484 00:24:21,040 --> 00:24:26,720 Speaker 2: to see Smashing Machine, which his performance is incredible. It's 485 00:24:26,760 --> 00:24:28,080 Speaker 2: truly an incredible. 486 00:24:27,960 --> 00:24:30,160 Speaker 1: It really really is. And the longer time that's passed 487 00:24:30,200 --> 00:24:33,800 Speaker 1: and I more I think about it, same with Emily Blunt. Excellent, 488 00:24:33,920 --> 00:24:36,920 Speaker 1: excellent performances by both of them will surely be nominated 489 00:24:36,920 --> 00:24:37,920 Speaker 1: for Academy Awards and. 490 00:24:37,880 --> 00:24:41,320 Speaker 2: They should absolutely be nominated. And what it's about, it's 491 00:24:41,320 --> 00:24:45,760 Speaker 2: about a real life early days MMA UFC Fighter MMA 492 00:24:45,880 --> 00:24:48,760 Speaker 2: is Mixed Martial Arts UFC is the brand. I know. 493 00:24:48,800 --> 00:24:51,359 Speaker 2: You just taught me that, Yes, yeah, and it's like 494 00:24:51,640 --> 00:24:55,520 Speaker 2: basketball is the what they played, The NBA is the brand, 495 00:24:56,480 --> 00:24:59,080 Speaker 2: UFC is the brand. MMA is what they do. This 496 00:24:59,119 --> 00:25:02,960 Speaker 2: guy named Mark and this guy is one of the 497 00:25:03,160 --> 00:25:06,480 Speaker 2: sort of pioneers of MMA and he was This. 498 00:25:07,119 --> 00:25:09,840 Speaker 1: Is before it wasn't even in the US right where 499 00:25:09,840 --> 00:25:10,320 Speaker 1: they even. 500 00:25:10,320 --> 00:25:12,040 Speaker 2: It was just starting to sniff around the US, but 501 00:25:12,040 --> 00:25:14,960 Speaker 2: it was in like Japan and they certainly weren't streaming 502 00:25:15,040 --> 00:25:18,280 Speaker 2: and you get the fights on VHS and it was 503 00:25:18,440 --> 00:25:20,760 Speaker 2: but this guy had drug promise, he had drug issues. 504 00:25:20,760 --> 00:25:23,160 Speaker 2: But he's like this gentle giant similar to the Rock 505 00:25:23,680 --> 00:25:28,199 Speaker 2: and he's going through this emotional Catharsis of drugs and 506 00:25:28,359 --> 00:25:31,040 Speaker 2: wanting to be a champion and never being beaten, and 507 00:25:31,080 --> 00:25:33,600 Speaker 2: then he gets beat It's a very very very good movie. 508 00:25:33,640 --> 00:25:37,359 Speaker 2: It's directed by Benny Saftie of the Safti Brothers, the 509 00:25:37,680 --> 00:25:41,600 Speaker 2: duo who directed On Cut Gems excellent and now the 510 00:25:41,640 --> 00:25:44,200 Speaker 2: other brother has a movie coming out with Timothy Shamalama 511 00:25:44,280 --> 00:25:48,280 Speaker 2: Ding Dong Timothy Shamalay. They split up for now and 512 00:25:49,119 --> 00:25:51,600 Speaker 2: this movie is very very good. It's a little long, 513 00:25:52,480 --> 00:25:55,640 Speaker 2: it's a little thin of story, but I highly recommend 514 00:25:55,680 --> 00:25:58,439 Speaker 2: seeing it. Apparently this was a huge flop at the 515 00:25:58,440 --> 00:26:01,359 Speaker 2: box office, and we get attack. We count attest because 516 00:26:01,400 --> 00:26:02,360 Speaker 2: we went to the theater. 517 00:26:02,760 --> 00:26:04,960 Speaker 1: It was twelve o'clock on a Friday, get ten. 518 00:26:04,840 --> 00:26:05,440 Speaker 2: People in there. 519 00:26:05,560 --> 00:26:07,160 Speaker 1: I know that flop. 520 00:26:07,640 --> 00:26:10,960 Speaker 2: Four people flop, huh. But I think it'll wind up 521 00:26:10,960 --> 00:26:14,280 Speaker 2: making its money and being a success because Emily Blunt 522 00:26:14,800 --> 00:26:17,000 Speaker 2: and The Rock should definitely get nominated. The Rock will 523 00:26:17,000 --> 00:26:19,639 Speaker 2: definitely get nominated, and whether or not he wins Best Actor, 524 00:26:19,960 --> 00:26:21,320 Speaker 2: he'll definitely win some award. 525 00:26:21,440 --> 00:26:24,240 Speaker 1: He should because he was born to play this part. 526 00:26:24,400 --> 00:26:27,600 Speaker 2: Very very very good. It's not like a rock performance. 527 00:26:27,640 --> 00:26:31,600 Speaker 2: He's very very very good in this film. I have 528 00:26:31,720 --> 00:26:34,679 Speaker 2: to I know we've discussed it off, Mike Babe. I 529 00:26:34,800 --> 00:26:38,480 Speaker 2: have to say again, I do not think the movie 530 00:26:38,520 --> 00:26:44,080 Speaker 2: business is helping itself in twenty twenty five by making 531 00:26:44,200 --> 00:26:47,880 Speaker 2: us wait thirty minutes the movie starts at twelve. Show 532 00:26:47,880 --> 00:26:50,720 Speaker 2: a trailer, maybe show another trailer. Remind everybody to just 533 00:26:50,760 --> 00:26:52,919 Speaker 2: shut your phones and be quiet, and let's get the 534 00:26:52,920 --> 00:26:56,920 Speaker 2: show run. I shouldn't we the movie fans worldwide shouldn't 535 00:26:56,920 --> 00:26:59,240 Speaker 2: have to sit there for twenty five twenty I. 536 00:26:59,200 --> 00:27:00,760 Speaker 1: Think it was twenty seven minutes. 537 00:27:00,880 --> 00:27:03,919 Speaker 2: Yeah, of trailer after trailer and horror movies, and. 538 00:27:03,880 --> 00:27:06,680 Speaker 1: The Railers never matched the movie or going to see either. 539 00:27:06,720 --> 00:27:10,320 Speaker 1: It's always something well right now. I think the movies 540 00:27:10,320 --> 00:27:12,560 Speaker 1: that people do go see are horror movies. That's why 541 00:27:12,560 --> 00:27:13,680 Speaker 1: there's so many being made. 542 00:27:13,720 --> 00:27:15,760 Speaker 2: Okay, but I'm going to see The Rock and it's 543 00:27:15,800 --> 00:27:17,919 Speaker 2: an MMA movie. Show me some mme trills that can 544 00:27:17,960 --> 00:27:19,600 Speaker 2: make it makes sense. I don't want to be in 545 00:27:19,640 --> 00:27:21,800 Speaker 2: the movie theater and have to see some movie about 546 00:27:22,480 --> 00:27:26,080 Speaker 2: black phones and killing people and the zombies killed so. 547 00:27:26,119 --> 00:27:28,040 Speaker 1: Dark and it doesn't really set you in the tone 548 00:27:28,080 --> 00:27:30,560 Speaker 1: to watch the movie or I mean, I get viscerally 549 00:27:30,840 --> 00:27:34,480 Speaker 1: upset once the movie started. By the way, all my 550 00:27:34,600 --> 00:27:35,520 Speaker 1: candy's gone for. 551 00:27:35,480 --> 00:27:36,920 Speaker 2: One, which is a big problem. 552 00:27:37,000 --> 00:27:39,480 Speaker 1: It's a big problem. And I'm like in a bad 553 00:27:39,520 --> 00:27:42,760 Speaker 1: mood because I've just watched gore and blood and stuff 554 00:27:42,760 --> 00:27:43,480 Speaker 1: that I didn't want to see. 555 00:27:43,480 --> 00:27:46,119 Speaker 2: I didn't come to see that. But you got the candies, guy. 556 00:27:46,040 --> 00:27:47,399 Speaker 1: I know, but this time you got a little. I 557 00:27:47,440 --> 00:27:48,760 Speaker 1: had to calm me down. I had to say hey, 558 00:27:48,840 --> 00:27:51,000 Speaker 1: because you were cussing out the screen, going what the 559 00:27:51,000 --> 00:27:52,040 Speaker 1: fuck and the da da da. 560 00:27:52,040 --> 00:27:53,159 Speaker 2: But it's too much, I know. 561 00:27:53,280 --> 00:27:55,400 Speaker 1: But you know we're going to enjoy the day. 562 00:27:55,680 --> 00:27:59,480 Speaker 2: It's not okay, but I'm scheduling the day. The movie itself, 563 00:27:59,480 --> 00:28:01,520 Speaker 2: it looked at it two hours and five minutes long. 564 00:28:01,560 --> 00:28:03,800 Speaker 2: That was the running time of Smashing Machine, which I 565 00:28:04,080 --> 00:28:07,960 Speaker 2: suggest everybody go see. You get to the movie ten 566 00:28:07,960 --> 00:28:11,600 Speaker 2: minutes before then. It starts at twelve and then no, no, 567 00:28:11,720 --> 00:28:13,720 Speaker 2: it doesn't start at twelve. The rock comes on in 568 00:28:13,760 --> 00:28:16,080 Speaker 2: a half. It's just like I'm just saying, in the 569 00:28:16,080 --> 00:28:18,399 Speaker 2: movie business in this day and age, they need to 570 00:28:18,400 --> 00:28:21,560 Speaker 2: treat it like it's twenty twenty five. People's attention spans. 571 00:28:21,560 --> 00:28:23,399 Speaker 2: I don't think trailers are what they used to be. 572 00:28:23,440 --> 00:28:25,919 Speaker 2: They don't lure you back into the theater. They annoy you. 573 00:28:26,040 --> 00:28:27,959 Speaker 2: They make me not not want to go to the 574 00:28:27,960 --> 00:28:30,119 Speaker 2: theater if I have to sit through that shit. That 575 00:28:30,240 --> 00:28:31,960 Speaker 2: being said, I. 576 00:28:31,960 --> 00:28:34,760 Speaker 1: Wonder if that's how the movie theaters make money too, 577 00:28:34,840 --> 00:28:38,880 Speaker 1: by showing ads. I because I don't understand how these 578 00:28:38,920 --> 00:28:40,120 Speaker 1: businesses are staying open. 579 00:28:40,360 --> 00:28:42,840 Speaker 2: I don't either. Yeah, it was so it was. 580 00:28:42,840 --> 00:28:46,360 Speaker 1: So desolate in there. Even the I wanted to get 581 00:28:46,360 --> 00:28:48,440 Speaker 1: a water and the water thing was locked up, you know, 582 00:28:48,520 --> 00:28:50,480 Speaker 1: like the which is crazy. Where all the drinks are 583 00:28:50,520 --> 00:28:52,440 Speaker 1: you take them? And I had to wait How many 584 00:28:52,520 --> 00:28:54,479 Speaker 1: five minutes for the manager to come unlock it. 585 00:28:54,880 --> 00:28:57,560 Speaker 2: Yes, and the fact that they're locking up water at 586 00:28:57,560 --> 00:28:59,920 Speaker 2: the concession. The people are stealing waters at the. 587 00:29:00,440 --> 00:29:03,160 Speaker 1: I just think that they don't open up totally because 588 00:29:03,160 --> 00:29:05,640 Speaker 1: it's not really open up because there's no customers. 589 00:29:05,280 --> 00:29:09,320 Speaker 2: No babe, those waters that were like in general population. 590 00:29:09,920 --> 00:29:12,080 Speaker 2: I think they locked them up because people steal them. 591 00:29:12,200 --> 00:29:12,920 Speaker 1: Oh that's sad. 592 00:29:14,160 --> 00:29:16,880 Speaker 2: I mean, we're not at fucking right AID, right, That's 593 00:29:16,880 --> 00:29:19,800 Speaker 2: what it felt like. We're at a movie theater road right. 594 00:29:19,840 --> 00:29:22,320 Speaker 1: Some people in the country that are listening or places 595 00:29:22,360 --> 00:29:24,400 Speaker 1: around the world wouldn't understand that when you go to 596 00:29:24,520 --> 00:29:27,360 Speaker 1: CVS or Rite aid or the drug store, everything is 597 00:29:27,400 --> 00:29:30,320 Speaker 1: locked up. In New York City, you go into a 598 00:29:30,360 --> 00:29:33,120 Speaker 1: drug store and you have to press a button to 599 00:29:33,160 --> 00:29:34,200 Speaker 1: get your toothpaste. 600 00:29:34,720 --> 00:29:38,000 Speaker 2: Shout out to Stacy. Shout out to say, Stacey. 601 00:29:38,000 --> 00:29:42,600 Speaker 1: Of your toothpaste. Right, Oh, poor Stacy. Listen. You know 602 00:29:42,640 --> 00:29:44,920 Speaker 1: what I'm very conscious in that I'm older. We've been 603 00:29:44,960 --> 00:29:47,840 Speaker 1: flossing and talking about how bad it smells tm I, 604 00:29:47,960 --> 00:29:50,600 Speaker 1: but when you get older, you really got to do 605 00:29:50,680 --> 00:29:54,200 Speaker 1: that flossing because the floss if you've waited a day 606 00:29:54,520 --> 00:29:57,440 Speaker 1: the first yes, you got it, the smell that could 607 00:29:57,480 --> 00:29:59,880 Speaker 1: come out, as you know, and I'm very conscious of it. 608 00:30:00,040 --> 00:30:02,080 Speaker 1: A lot of times. I can't smell my own breast. 609 00:30:02,480 --> 00:30:04,080 Speaker 2: I know the bad Baby, you don't have smell. 610 00:30:04,280 --> 00:30:06,520 Speaker 1: I have had bad breath before. I know it because 611 00:30:06,520 --> 00:30:07,200 Speaker 1: I could taste it. 612 00:30:07,280 --> 00:30:10,680 Speaker 2: I think that's post coffee. Baby. You're blessed. You're not 613 00:30:10,720 --> 00:30:15,080 Speaker 2: a smell person. You don't. We wouldn't listen, babe. You 614 00:30:15,080 --> 00:30:16,200 Speaker 2: you're a person that does not. 615 00:30:16,440 --> 00:30:18,040 Speaker 1: You're like, we wouldn't be together if you smell. Go 616 00:30:18,040 --> 00:30:20,160 Speaker 1: ahead say it. That's just a weird thing to say. 617 00:30:20,320 --> 00:30:23,040 Speaker 2: No, I'm sorry. I don't think it is a weird 618 00:30:23,080 --> 00:30:23,480 Speaker 2: thing to say. 619 00:30:23,560 --> 00:30:24,720 Speaker 1: Human beings have smells. 620 00:30:24,800 --> 00:30:25,640 Speaker 2: I get it, I think. 621 00:30:25,920 --> 00:30:27,760 Speaker 1: But I sometimes will be like, oh my gosh, I 622 00:30:27,840 --> 00:30:30,200 Speaker 1: smell smell under my arm and you're like nothing, and 623 00:30:30,240 --> 00:30:32,560 Speaker 1: it's a little something. I'm over said. I was talking 624 00:30:32,600 --> 00:30:35,360 Speaker 1: to my mom about this, babe. She said, you were 625 00:30:35,400 --> 00:30:37,600 Speaker 1: so annoying as a little girl, because you'd get in 626 00:30:37,640 --> 00:30:40,280 Speaker 1: the car, you know, she'd pick me up from Jim 627 00:30:40,680 --> 00:30:42,480 Speaker 1: and I would I get in the car and be like, 628 00:30:43,400 --> 00:30:45,800 Speaker 1: you smell like my mom. I would say that to 629 00:30:45,840 --> 00:30:49,600 Speaker 1: your mouth, she said it was I would smell, but like, 630 00:30:50,040 --> 00:30:53,040 Speaker 1: there's no smell. But I had a thing where I'm like, 631 00:30:53,080 --> 00:30:55,520 Speaker 1: do you smell that? And she's like, that's your burger 632 00:30:55,640 --> 00:30:58,360 Speaker 1: king that I've just picked up. Like I just had 633 00:30:58,400 --> 00:31:00,000 Speaker 1: a thing. I was obsessed with smell. 634 00:31:00,080 --> 00:31:02,560 Speaker 2: Else, I don't have a good sense of smell. 635 00:31:02,680 --> 00:31:04,840 Speaker 1: That's what I'm saying. I don't trust you because your 636 00:31:04,920 --> 00:31:06,240 Speaker 1: nose is always blocked up. 637 00:31:06,960 --> 00:31:10,000 Speaker 2: Babe, I've known you thirty years. You're not a smelly person. 638 00:31:10,080 --> 00:31:10,880 Speaker 1: I wouldn't trust you. 639 00:31:11,240 --> 00:31:14,480 Speaker 2: You wouldn't be this far along if you were smelly. 640 00:31:14,680 --> 00:31:17,479 Speaker 2: I told her this once before, when I was single, 641 00:31:17,720 --> 00:31:20,240 Speaker 2: I was dating. I went on a date or two 642 00:31:20,240 --> 00:31:25,160 Speaker 2: with this one, funny, nice, pretty, and then a smell 643 00:31:25,320 --> 00:31:29,040 Speaker 2: was exposed. This happened twice, and I was like, that's it. 644 00:31:29,120 --> 00:31:31,959 Speaker 2: I've heard these stories and I don't I didn't have 645 00:31:32,000 --> 00:31:34,080 Speaker 2: the ball, Like I was thinking like should I tell 646 00:31:34,120 --> 00:31:36,440 Speaker 2: this person? Should I not tell? And I don't want 647 00:31:36,440 --> 00:31:39,000 Speaker 2: to tell you. I just I'm just gonna leave it 648 00:31:39,000 --> 00:31:41,360 Speaker 2: at that. Yeah, but it was so bad, and I 649 00:31:41,440 --> 00:31:44,600 Speaker 2: was like, now, if I was more mature, I might 650 00:31:44,600 --> 00:31:45,640 Speaker 2: do it in a gentle way. 651 00:31:45,840 --> 00:31:48,720 Speaker 1: I don't think you could tell a woman, well, look. 652 00:31:48,600 --> 00:31:50,360 Speaker 2: What they just did to Stacey on realized I was 653 00:31:50,400 --> 00:31:50,840 Speaker 2: a potona. 654 00:31:50,880 --> 00:31:52,720 Speaker 1: That's why I'm telling you. I think they helped. 655 00:31:52,440 --> 00:31:54,080 Speaker 2: Her one hundred percent. 656 00:31:54,120 --> 00:31:55,080 Speaker 1: They made for a good show. 657 00:31:55,360 --> 00:31:57,120 Speaker 2: They made for a good show. I feel like it 658 00:31:57,160 --> 00:31:59,040 Speaker 2: needs to stop, though, and I don't feel like it's 659 00:31:59,040 --> 00:32:00,240 Speaker 2: going to be the end of it. And I will 660 00:32:00,240 --> 00:32:03,680 Speaker 2: tell you right now at the reunion, it'll come up 661 00:32:03,720 --> 00:32:06,920 Speaker 2: and hopefully it'll be like I've improved it. I took he. 662 00:32:09,000 --> 00:32:10,920 Speaker 1: I don't want to see who's gonna judge her? 663 00:32:11,040 --> 00:32:12,480 Speaker 2: You know what, it's gonna come up. You. 664 00:32:12,720 --> 00:32:15,880 Speaker 1: All I can think about, though, is that she has 665 00:32:15,960 --> 00:32:18,440 Speaker 1: bad breath. And then we see her in the beginning 666 00:32:18,440 --> 00:32:22,640 Speaker 1: of the episode having dinner meeting her ex husband now 667 00:32:22,880 --> 00:32:26,040 Speaker 1: the husband she's back together with, and I couldn't help 668 00:32:26,080 --> 00:32:27,000 Speaker 1: but think. 669 00:32:27,000 --> 00:32:28,360 Speaker 2: He looks like he stinks too. 670 00:32:29,000 --> 00:32:30,600 Speaker 1: Yeah, but I was like, do you think they broke 671 00:32:30,680 --> 00:32:32,400 Speaker 1: up because he thought she had bad breath? 672 00:32:32,560 --> 00:32:35,160 Speaker 2: No, because he probably got the same. He looks he 673 00:32:35,360 --> 00:32:37,680 Speaker 2: sound it just he looks like his shit just bites it. 674 00:32:37,840 --> 00:32:38,360 Speaker 2: It's just weird. 675 00:32:38,400 --> 00:32:40,920 Speaker 1: The whole thing is just too much. Anyway, Are you 676 00:32:40,960 --> 00:32:42,800 Speaker 1: thinking way too much about Stacy's breath? 677 00:32:43,160 --> 00:32:45,600 Speaker 2: We didn't bring it up. I know, but it's like 678 00:32:45,720 --> 00:32:48,400 Speaker 2: they are harping on it. And then I mean the 679 00:32:48,440 --> 00:32:52,800 Speaker 2: memes on Twitter were rough. They were rough, and I 680 00:32:52,840 --> 00:32:55,160 Speaker 2: mean I get when people, you know, talk shit and 681 00:32:55,200 --> 00:32:57,280 Speaker 2: they have fun, but I mean, this is going on. Yeah, 682 00:32:57,320 --> 00:32:57,800 Speaker 2: I don't know. 683 00:32:57,840 --> 00:33:00,400 Speaker 1: I mean, if she's really sensitive, this could really send 684 00:33:00,400 --> 00:33:00,760 Speaker 1: her over. 685 00:33:00,840 --> 00:33:03,000 Speaker 2: I mean that's the good thing is is that it's 686 00:33:03,000 --> 00:33:03,680 Speaker 2: a simple fix. 687 00:33:03,800 --> 00:33:06,760 Speaker 1: Yes, you can fix it because you have to take 688 00:33:06,840 --> 00:33:09,440 Speaker 1: money off of it, Stacy. We've given even great advice. 689 00:33:09,720 --> 00:33:13,440 Speaker 1: One call your manager. Yeah, call the manager. 690 00:33:13,560 --> 00:33:15,320 Speaker 2: Yes, we are on your side, and we're talking at 691 00:33:15,360 --> 00:33:20,680 Speaker 2: five tier program again. Flossing tongue, scraper, toothbrush, toothpaste, and 692 00:33:20,680 --> 00:33:23,600 Speaker 2: then we're talking about some mouth mouth. You could be 693 00:33:23,600 --> 00:33:26,880 Speaker 2: making money hand over fist. Anyway, tell a friend who 694 00:33:26,920 --> 00:33:29,920 Speaker 2: tell a friend about Rappaport's Reality. Even though we had 695 00:33:30,000 --> 00:33:33,040 Speaker 2: to re record this episode, it is a fantastic episode. 696 00:33:33,080 --> 00:33:35,320 Speaker 2: Make sure you subscribe, rate and review. Make sure you 697 00:33:35,360 --> 00:33:39,760 Speaker 2: follow us on Instagram at wrap Aport's Reality. 698 00:33:39,960 --> 00:33:45,760 Speaker 1: Love you Baby, Love you babe.