1 00:00:04,840 --> 00:00:07,840 Speaker 1: Welcome to this week in Music History for the week 2 00:00:07,880 --> 00:00:11,640 Speaker 1: of June twenty third through the twenty ninth. I am 3 00:00:11,840 --> 00:00:14,440 Speaker 1: Harry Jacobs, and the fan noise you hear in the 4 00:00:14,480 --> 00:00:20,320 Speaker 1: background comes from only one place, from the lovely voice 5 00:00:20,360 --> 00:00:23,560 Speaker 1: of Lynn Hoffman, the host of Well, the host of 6 00:00:23,600 --> 00:00:26,400 Speaker 1: many things right, you're the host of music saved me. 7 00:00:26,800 --> 00:00:28,400 Speaker 2: Most importantly, Breakfast this. 8 00:00:28,440 --> 00:00:32,760 Speaker 1: Morning, Breakfast this morning. We're not involved. We are not 9 00:00:32,840 --> 00:00:36,640 Speaker 1: otherwise involved. The nature of our relationship is friendship. For 10 00:00:36,720 --> 00:00:39,839 Speaker 1: thirty years, music and comedy saved me. And we are 11 00:00:39,880 --> 00:00:44,400 Speaker 1: in parts unknown, Connecticut and I'm here on vacation and 12 00:00:44,640 --> 00:00:48,800 Speaker 1: Buzz is not available for the music history for today 13 00:00:48,840 --> 00:00:51,560 Speaker 1: on the twenty third of June. So I'm here, Lynn 14 00:00:51,640 --> 00:00:54,480 Speaker 1: is here, full belly from home Coook, Breakfast this morning. 15 00:00:55,000 --> 00:00:55,760 Speaker 1: Thank you so much. 16 00:00:55,880 --> 00:00:56,320 Speaker 2: You're welcome. 17 00:00:56,320 --> 00:00:57,400 Speaker 1: Are you ready to rock and roll? 18 00:00:57,480 --> 00:01:01,160 Speaker 2: I love pinch hitting for Buzz night now listen. 19 00:01:01,200 --> 00:01:03,360 Speaker 1: This is a bit of a hot rob because Smokey 20 00:01:03,440 --> 00:01:08,080 Speaker 1: Robinson's had some trouble of late, but in nineteen sixty five, 21 00:01:08,120 --> 00:01:11,600 Speaker 1: on the twenty third of June, they released tracks of 22 00:01:11,640 --> 00:01:15,600 Speaker 1: My Tears and this was a defining hit for Motown, 23 00:01:15,920 --> 00:01:18,600 Speaker 1: arguably just one of the great songs in Motown, right, 24 00:01:18,640 --> 00:01:19,440 Speaker 1: you know the song. 25 00:01:19,400 --> 00:01:24,319 Speaker 3: Of course, I'm probably one of like the godfathers of 26 00:01:24,360 --> 00:01:25,319 Speaker 3: the genre. 27 00:01:25,720 --> 00:01:29,959 Speaker 1: No question about that, an important figure in Motown history. 28 00:01:30,040 --> 00:01:35,440 Speaker 1: And hopefully all of the legal stuff, the stuff gets 29 00:01:35,640 --> 00:01:39,760 Speaker 1: figured out for Smokey, But there's that one in nineteen 30 00:01:39,800 --> 00:01:43,200 Speaker 1: sixty six. On June twenty third, What we have found, 31 00:01:43,720 --> 00:01:47,559 Speaker 1: Lynn is that there's never a week, and sometimes there's 32 00:01:47,600 --> 00:01:50,520 Speaker 1: never a day that there's not Beatles history of some 33 00:01:50,680 --> 00:01:56,320 Speaker 1: sort involved in our little episodes, and today is no exception. 34 00:01:56,680 --> 00:01:59,920 Speaker 1: And they kicked off their final world tour in Munich. 35 00:02:00,520 --> 00:02:04,160 Speaker 1: It marked the end of an era for Beatles live performances, 36 00:02:04,200 --> 00:02:07,280 Speaker 1: and it was an epic one and an important day 37 00:02:07,320 --> 00:02:08,040 Speaker 1: in music history. 38 00:02:08,600 --> 00:02:11,600 Speaker 3: Absolutely, I can't imagine that there wouldn't be a date 39 00:02:11,680 --> 00:02:14,720 Speaker 3: where you couldn't connect something musically back to the Beatles. 40 00:02:14,760 --> 00:02:17,040 Speaker 1: Every single week we've been doing this, I want to say, 41 00:02:17,040 --> 00:02:19,720 Speaker 1: we started doing this at the end of at the 42 00:02:19,800 --> 00:02:22,399 Speaker 1: end of the year in twenty four and every single week, 43 00:02:22,440 --> 00:02:26,840 Speaker 1: without failures, there's something Beatles relating. Nineteen seventy five, June 44 00:02:26,880 --> 00:02:30,680 Speaker 1: twenty third, Alice Cooper fell off stage in Vancouver. He 45 00:02:30,840 --> 00:02:32,960 Speaker 1: broke six ribs have you ever broken a rib? 46 00:02:33,280 --> 00:02:35,720 Speaker 2: No, but I hear it's horribly painful. 47 00:02:36,639 --> 00:02:39,240 Speaker 1: As they say where we come from, it's wicked painful 48 00:02:39,600 --> 00:02:43,080 Speaker 1: apparently to break a rib. And Alice busted six of 49 00:02:43,080 --> 00:02:47,320 Speaker 1: them to a dramatic moment in this theatrical rock career, 50 00:02:48,240 --> 00:02:50,360 Speaker 1: Big Day in nineteen seventy nine, on this day, this 51 00:02:50,400 --> 00:02:51,959 Speaker 1: is one of my favorite album. 52 00:02:52,160 --> 00:02:55,600 Speaker 2: No, it's not your favorite album. It's with my favorite. 53 00:02:55,240 --> 00:02:59,120 Speaker 1: Album, Breakfast in America by super Trap. You were looking 54 00:02:59,120 --> 00:03:01,960 Speaker 1: ahead on the cheef sheet you stole the thunder, So 55 00:03:02,240 --> 00:03:03,800 Speaker 1: Breakfast in America one of your favorites. 56 00:03:03,840 --> 00:03:05,679 Speaker 3: Well, I don't want to share it with anyone. Well, no, 57 00:03:05,960 --> 00:03:07,600 Speaker 3: I mean you got to share it something that's good. 58 00:03:07,639 --> 00:03:11,119 Speaker 3: But yeah, it's probably one of my all time, if 59 00:03:11,160 --> 00:03:13,560 Speaker 3: not the most. I mean it's right up there with 60 00:03:13,600 --> 00:03:14,359 Speaker 3: like Elo. 61 00:03:14,919 --> 00:03:20,680 Speaker 1: Yeah. So this album, Breakfast in America had the Logical 62 00:03:20,800 --> 00:03:24,560 Speaker 1: Song and the long Way Home, Take the Long Way Home. 63 00:03:24,600 --> 00:03:26,880 Speaker 1: It just it had a number of great songs. Breakfast 64 00:03:26,919 --> 00:03:29,720 Speaker 1: in America itself was a great song, a lot of hits, 65 00:03:30,240 --> 00:03:35,560 Speaker 1: especially for rock radio. On that one nineteen ninety, Gary 66 00:03:35,560 --> 00:03:38,760 Speaker 1: Busey purchased one of Buddy Holly's guitars at an auction 67 00:03:38,920 --> 00:03:41,640 Speaker 1: for almost almost a quarter of a million dollars two 68 00:03:41,720 --> 00:03:46,760 Speaker 1: hundred and forty thousand dollars a nod to Buddy Holly's 69 00:03:46,760 --> 00:03:51,160 Speaker 1: influence in Rock Right, big big deal for Gary Busey, 70 00:03:51,440 --> 00:03:54,160 Speaker 1: and he played Buddy Holly, played Buddy Holly any movie. 71 00:03:54,000 --> 00:03:57,680 Speaker 1: So not only did he get the guitar, but he 72 00:03:57,720 --> 00:03:59,960 Speaker 1: actually got to play Buddy in a movie. 73 00:04:00,360 --> 00:04:02,360 Speaker 2: I heard he use the money from the movie he 74 00:04:02,400 --> 00:04:03,360 Speaker 2: made to buy the guitar. 75 00:04:03,920 --> 00:04:04,960 Speaker 1: Oh, isn't that interesting? 76 00:04:05,400 --> 00:04:06,080 Speaker 2: I made that up? 77 00:04:07,720 --> 00:04:12,440 Speaker 1: Un gullable really on this day in twenty sixteen, led 78 00:04:12,480 --> 00:04:15,240 Speaker 1: Zeppelin long broken up. At the time, they were cleared 79 00:04:15,280 --> 00:04:19,440 Speaker 1: for plagiarizing Stairway to Heaven from a song by a 80 00:04:19,480 --> 00:04:23,520 Speaker 1: band named Spirit. They were really most well known for 81 00:04:23,560 --> 00:04:26,640 Speaker 1: a song called I Got a Line on You, and 82 00:04:26,680 --> 00:04:30,119 Speaker 1: there was a lawsuit about their song Stairway to Heaven 83 00:04:30,120 --> 00:04:36,400 Speaker 1: and Spirit's Taurus. It's a high profile trial and it 84 00:04:36,480 --> 00:04:40,240 Speaker 1: was upheld. They were clear to plagiarizing, upheld in twenty 85 00:04:40,279 --> 00:04:42,520 Speaker 1: twenty on appeal by Spirit. 86 00:04:42,640 --> 00:04:45,440 Speaker 2: So just recently that was that's crazy twenty Yeah, just 87 00:04:45,440 --> 00:04:47,440 Speaker 2: to COVID time. What do you think about that? 88 00:04:48,120 --> 00:04:48,599 Speaker 1: I think? 89 00:04:48,960 --> 00:04:51,560 Speaker 2: I mean, this isn't a little nitpicky it is. 90 00:04:51,920 --> 00:04:56,040 Speaker 1: Listen, as a guy who plays some music occasionally, I 91 00:04:56,120 --> 00:04:59,560 Speaker 1: think that it's easy to grab things and riffs and 92 00:04:59,600 --> 00:05:04,000 Speaker 1: things that you like when you're at the Led Zeppelin level, 93 00:05:04,080 --> 00:05:08,720 Speaker 1: When you're at the professional kind of level, it can 94 00:05:08,800 --> 00:05:11,720 Speaker 1: get messy. And I think that by and large, if 95 00:05:11,760 --> 00:05:15,559 Speaker 1: you can prove a pattern in terms of the chord 96 00:05:15,640 --> 00:05:20,200 Speaker 1: progression and the way a song is strummed or individual notes, 97 00:05:20,240 --> 00:05:24,720 Speaker 1: I mean, I don't know. I mean I get it. Listen. 98 00:05:24,960 --> 00:05:30,359 Speaker 1: Sting it gets paid by Diddy like two thousand dollars 99 00:05:30,400 --> 00:05:31,800 Speaker 1: a day. I don't know if he's still getting paid 100 00:05:31,800 --> 00:05:34,599 Speaker 1: with Ditty in jail, but for the ripping off every 101 00:05:34,640 --> 00:05:38,040 Speaker 1: breath you take, Diddy has to pay Sting two thousand 102 00:05:38,080 --> 00:05:40,280 Speaker 1: dollars a day in perpetuity. 103 00:05:40,320 --> 00:05:43,000 Speaker 2: Wait a minute, Wait a minute. I have never heard 104 00:05:43,000 --> 00:05:43,800 Speaker 2: that story. 105 00:05:43,880 --> 00:05:44,520 Speaker 1: That's true story. 106 00:05:44,720 --> 00:05:45,760 Speaker 2: I'm not sure that story. 107 00:05:45,800 --> 00:05:48,960 Speaker 1: I don't know Sting to Jesus day. 108 00:05:48,880 --> 00:05:52,360 Speaker 3: Although I wonder if he donates that money because anything 109 00:05:52,440 --> 00:05:52,920 Speaker 3: coming from. 110 00:05:52,880 --> 00:05:55,680 Speaker 1: Did Yeah, I don't know. It's icky, right, there's an 111 00:05:55,720 --> 00:06:00,520 Speaker 1: ick factor now with that. In nineteen sixty seven, the 112 00:06:00,520 --> 00:06:03,600 Speaker 1: Monkeys TV show, they won an Emmy for Outstanding Comedy 113 00:06:03,720 --> 00:06:08,640 Speaker 1: Series and they beat out Bewitched and get Smart. You 114 00:06:08,680 --> 00:06:11,080 Speaker 1: know the Monkeys? Are you fan of the Monkeys music? 115 00:06:11,320 --> 00:06:12,320 Speaker 2: Are you kidding me? 116 00:06:12,800 --> 00:06:16,440 Speaker 3: Toward Last Training to the Clarksville and like cheer up, 117 00:06:16,480 --> 00:06:17,880 Speaker 3: Sleepy Jean, and. 118 00:06:18,000 --> 00:06:21,360 Speaker 2: Yes, I mean I love the Monkeys? Are you kidding me? 119 00:06:21,400 --> 00:06:22,799 Speaker 2: I wanted to marry Davy Jones. 120 00:06:23,000 --> 00:06:25,679 Speaker 1: You and you're wearing Mickey Dolans's pork by hat today. 121 00:06:26,440 --> 00:06:27,279 Speaker 1: No one can see it. 122 00:06:27,400 --> 00:06:28,839 Speaker 2: He's the last remaining monkey. 123 00:06:30,040 --> 00:06:33,479 Speaker 1: He is, He's it, Okay, I did not realize that. 124 00:06:33,560 --> 00:06:36,760 Speaker 1: Well the Monkeys. I will tell you a little musical 125 00:06:36,760 --> 00:06:42,280 Speaker 1: fact about the Monkeys. The Monkeys musically were very underrated, 126 00:06:42,760 --> 00:06:45,080 Speaker 1: and when you look at things like Last Train to 127 00:06:45,080 --> 00:06:47,960 Speaker 1: clarks Field is a great example. You can look up 128 00:06:48,839 --> 00:06:52,080 Speaker 1: Louis Shelton, who played in the band the Wrecking Crew. 129 00:06:52,160 --> 00:06:54,400 Speaker 1: They were part of the band that backed up a 130 00:06:54,400 --> 00:06:59,680 Speaker 1: lot of these bands in the sixties. Musically, the Monkeys 131 00:06:59,680 --> 00:07:02,719 Speaker 1: were really, really great. They didn't play I mean they 132 00:07:02,839 --> 00:07:05,159 Speaker 1: played their own instruments when they went on tour, but 133 00:07:05,240 --> 00:07:08,839 Speaker 1: when they recorded The Wrecking Crew guys were backing them, 134 00:07:08,880 --> 00:07:12,200 Speaker 1: backing them up, and they they wrote those riffs. So 135 00:07:12,600 --> 00:07:15,760 Speaker 1: interesting story about the Monkeys. Let's see what else we 136 00:07:15,840 --> 00:07:17,760 Speaker 1: got here? In nineteen eighty four, Buzz and I are 137 00:07:17,800 --> 00:07:20,720 Speaker 1: both Springsteen fans. Born in the USA debuted at number 138 00:07:20,840 --> 00:07:26,040 Speaker 1: nine in the USA, and that really in nineteen eighty 139 00:07:26,080 --> 00:07:29,800 Speaker 1: four launched Bruce's career. Up to that point, Bruce had 140 00:07:30,000 --> 00:07:33,400 Speaker 1: had really good rock recognition, but in nineteen eighty four, 141 00:07:33,440 --> 00:07:36,239 Speaker 1: Born in the USA just sent him out into the ether. 142 00:07:36,600 --> 00:07:39,680 Speaker 2: Now was it really Born in the USA? 143 00:07:39,920 --> 00:07:43,480 Speaker 3: Or was it because he grabbed that beautiful woman in 144 00:07:43,520 --> 00:07:46,160 Speaker 3: the music video in nineteen eighty four onto the stage 145 00:07:46,160 --> 00:07:46,600 Speaker 3: with him? 146 00:07:46,640 --> 00:07:49,360 Speaker 1: The beautiful woman that he grabbed on stage in the 147 00:07:49,440 --> 00:07:51,360 Speaker 1: video for Dancing in the Dark was who? 148 00:07:51,560 --> 00:07:54,000 Speaker 2: Oh? That was dancing in the dark. See, I'm arch dark. 149 00:07:54,120 --> 00:07:55,560 Speaker 1: It's okay, But who was that? 150 00:07:56,480 --> 00:07:58,200 Speaker 2: Who are you asking me? I'm just like a quiz. 151 00:07:58,200 --> 00:08:00,000 Speaker 2: You're gonna give you away money that somebody listening. 152 00:08:00,120 --> 00:08:04,320 Speaker 1: You're sitting across me in Mickey Dolans's hat. Tell me 153 00:08:04,320 --> 00:08:07,640 Speaker 1: who Bruce Springsteen drags in the video in Dancing in 154 00:08:07,680 --> 00:08:09,200 Speaker 1: the Dark. Who was it? She's famous? 155 00:08:09,320 --> 00:08:11,480 Speaker 2: We're just Courtney Cox from Friends. 156 00:08:11,560 --> 00:08:13,560 Speaker 1: There you go. I could see I could see the 157 00:08:13,600 --> 00:08:15,480 Speaker 1: smoke coming out of your ears when you were trying 158 00:08:15,520 --> 00:08:17,640 Speaker 1: to think about that but yeah, Courtney Cox and dancing 159 00:08:17,680 --> 00:08:22,200 Speaker 1: in the dark and no You're not No, No. The 160 00:08:22,240 --> 00:08:23,640 Speaker 1: thing about Born in the USA is a lot of 161 00:08:23,640 --> 00:08:25,800 Speaker 1: people think it's a patriotic song. If you go see 162 00:08:25,880 --> 00:08:30,239 Speaker 1: him in concert, you see people waving their fists, holding 163 00:08:30,280 --> 00:08:34,400 Speaker 1: up the flags, and there's this patriotic feel to Born 164 00:08:34,440 --> 00:08:36,679 Speaker 1: in the USA. But the song Born in the USA, 165 00:08:36,720 --> 00:08:39,520 Speaker 1: if you listen to the lyrics, is about how a 166 00:08:39,640 --> 00:08:42,400 Speaker 1: Vietnam veteran is treated when he came home, or was 167 00:08:42,440 --> 00:08:44,959 Speaker 1: treated when he came home. And it's a sad It's 168 00:08:44,960 --> 00:08:48,360 Speaker 1: about as anti American as a song can get. Yet 169 00:08:48,679 --> 00:08:51,000 Speaker 1: everyone has co opted into. 170 00:08:50,720 --> 00:08:53,360 Speaker 2: A anthem for the USA. 171 00:08:53,280 --> 00:08:56,400 Speaker 1: An anthem for the USA. Yeah, anthem of the USA. 172 00:08:56,640 --> 00:08:59,400 Speaker 1: Let's go to June twenty fifth. We talked Buzz and 173 00:08:59,400 --> 00:09:03,319 Speaker 1: I about All You Need Is Love a couple of times, 174 00:09:03,360 --> 00:09:07,040 Speaker 1: and I know we've got another conversation coming up next 175 00:09:07,080 --> 00:09:11,080 Speaker 1: week on this on this very song, but All You 176 00:09:11,200 --> 00:09:14,880 Speaker 1: Need is Love, which is a monster of an anthem. 177 00:09:15,080 --> 00:09:20,800 Speaker 1: It was played live on something called Our World Global 178 00:09:21,000 --> 00:09:24,720 Speaker 1: Global TV broadcast. It was a big moment in sixties counterculture. 179 00:09:25,200 --> 00:09:28,959 Speaker 1: This song was, you know, about as anti war and 180 00:09:29,000 --> 00:09:31,319 Speaker 1: pro piece as you can get you know, think about 181 00:09:31,320 --> 00:09:34,400 Speaker 1: the words. All you need is love, That's. 182 00:09:34,280 --> 00:09:35,800 Speaker 2: All you need. I'm not. 183 00:09:36,120 --> 00:09:38,800 Speaker 3: I'm wondering if I'm giving you the love that Buzz 184 00:09:38,920 --> 00:09:41,160 Speaker 3: usually gives you on the shows like am I am 185 00:09:41,200 --> 00:09:42,800 Speaker 3: I doing his part justice? 186 00:09:43,000 --> 00:09:44,760 Speaker 1: Well, it's well, you know what it is, because there's 187 00:09:44,760 --> 00:09:46,360 Speaker 1: no one here to pick on me. You didn't call 188 00:09:46,400 --> 00:09:49,920 Speaker 1: me like music Maven or music God, or tease me 189 00:09:50,120 --> 00:09:51,240 Speaker 1: or throw any of those shots. 190 00:09:51,480 --> 00:09:54,240 Speaker 2: I can if you want, I mean all in good spirit. 191 00:09:54,480 --> 00:09:58,400 Speaker 1: I can't throw any age insults back to you, which 192 00:09:58,440 --> 00:10:02,520 Speaker 1: is generally my that's my act with that's my thing 193 00:10:02,559 --> 00:10:06,679 Speaker 1: with bus. No, that's not that's impossible. Yeah, but you're 194 00:10:06,720 --> 00:10:10,240 Speaker 1: a great co host and I appreciate that well. Thanks. 195 00:10:10,280 --> 00:10:12,959 Speaker 1: In nineteen eighty four, the woman who would become Bruce 196 00:10:12,960 --> 00:10:16,480 Speaker 1: Springsteen's wife joined the East Street Band on this day, 197 00:10:16,679 --> 00:10:20,760 Speaker 1: just before the tour kicked off. Patti Skialfa is her name. 198 00:10:21,040 --> 00:10:24,920 Speaker 1: He met her at a at a little bar called 199 00:10:24,960 --> 00:10:27,880 Speaker 1: the Stone Pony in Asbury Park, New Jersey, made famous 200 00:10:27,920 --> 00:10:30,520 Speaker 1: really by Bruce. A lot of the Jersey Shore guys 201 00:10:30,520 --> 00:10:33,360 Speaker 1: played there. But that's where Bruce and Patty met in 202 00:10:33,400 --> 00:10:35,240 Speaker 1: the back bar there. I saw him talk about it 203 00:10:35,280 --> 00:10:37,600 Speaker 1: on a CBS special one day and it's kind of 204 00:10:37,600 --> 00:10:41,280 Speaker 1: a sweet little story and they're married, continue to be 205 00:10:41,360 --> 00:10:44,480 Speaker 1: married for quite some time at this point. Three beautiful kids. 206 00:10:44,520 --> 00:10:49,560 Speaker 1: So two thousand and nine, Michael Jackson passed away at fifty. 207 00:10:49,840 --> 00:10:55,400 Speaker 1: This was a loss that was enormous to the music world. 208 00:10:56,280 --> 00:10:58,640 Speaker 1: It was also a time and I want to be 209 00:10:58,720 --> 00:11:03,040 Speaker 1: careful how I how I talk about this that the 210 00:11:03,880 --> 00:11:08,280 Speaker 1: you know, the the creep or the ick factor was 211 00:11:08,320 --> 00:11:12,400 Speaker 1: alive and well Michaels because of the you know, the 212 00:11:12,559 --> 00:11:16,760 Speaker 1: kids and the ranch, and it's you know, it's a 213 00:11:16,800 --> 00:11:20,120 Speaker 1: shame because his music. You know, I've got this, you 214 00:11:20,240 --> 00:11:22,840 Speaker 1: understand this about me. I've got this soft spot for pop, 215 00:11:22,880 --> 00:11:27,600 Speaker 1: always have and and loved his music. But that creep 216 00:11:27,679 --> 00:11:30,840 Speaker 1: factor I think hurt him for a lot of people. 217 00:11:31,960 --> 00:11:35,240 Speaker 3: Yeah, I mean it was clear that he had his 218 00:11:35,720 --> 00:11:38,640 Speaker 3: issues and whatever the demons were that he was fighting. 219 00:11:38,679 --> 00:11:41,640 Speaker 3: But the sad part is is that he's not here 220 00:11:41,720 --> 00:11:43,000 Speaker 3: to defend himself. 221 00:11:43,040 --> 00:11:44,839 Speaker 2: A and H. B. 222 00:11:46,480 --> 00:11:50,360 Speaker 3: As someone who's worked with documentary films that you know, 223 00:11:50,440 --> 00:11:54,160 Speaker 3: you can really skew whatever feeling you want in those 224 00:11:54,280 --> 00:11:57,920 Speaker 3: to try to make it something seem one way or another. 225 00:11:57,920 --> 00:12:02,240 Speaker 3: Song always really skeptical when I see things which I 226 00:12:02,240 --> 00:12:05,800 Speaker 3: saw on it, I mean, like to ban the songs 227 00:12:05,920 --> 00:12:09,760 Speaker 3: and or not. You know, we don't really know. There's 228 00:12:09,840 --> 00:12:13,800 Speaker 3: not been any trial, there's been no evidence presented. It's 229 00:12:13,880 --> 00:12:15,640 Speaker 3: all just hearsay an opinion. 230 00:12:16,000 --> 00:12:18,120 Speaker 1: I think banning of the music is over right at 231 00:12:18,120 --> 00:12:20,000 Speaker 1: this point. I mean we still hear it again. But 232 00:12:20,080 --> 00:12:22,440 Speaker 1: there was that period of time that people were. 233 00:12:22,400 --> 00:12:23,199 Speaker 2: It was theyck factor. 234 00:12:23,240 --> 00:12:25,559 Speaker 1: Yeah, yeah, yeah, Well they're working to play his music right, 235 00:12:25,880 --> 00:12:28,800 Speaker 1: interesting story there at anyway. And I have a friend 236 00:12:29,480 --> 00:12:31,240 Speaker 1: at some point if we ever get into the true 237 00:12:31,240 --> 00:12:33,760 Speaker 1: crime business here at Buzznight Media, I have a friend 238 00:12:33,800 --> 00:12:39,720 Speaker 1: who worked the Conrad Murray story. And Conrad Murray was 239 00:12:39,760 --> 00:12:44,160 Speaker 1: the doctor who injected Michael with propofaal best friend of 240 00:12:44,200 --> 00:12:47,200 Speaker 1: mine who worked at I won't say what brands, but 241 00:12:47,240 --> 00:12:50,120 Speaker 1: worked in law enforcement. He carried what they call an 242 00:12:50,160 --> 00:12:53,839 Speaker 1: iron key around his neck, and that is a little 243 00:12:53,920 --> 00:12:57,800 Speaker 1: USB thumb drive and you only get ten shots to 244 00:12:57,880 --> 00:13:00,760 Speaker 1: unlock it. And if you miss the past, like if 245 00:13:00,760 --> 00:13:04,200 Speaker 1: he were to lose that hard drive someone tried to 246 00:13:04,280 --> 00:13:07,880 Speaker 1: hack it, it automatically destructs. And the thought with that 247 00:13:07,920 --> 00:13:10,120 Speaker 1: iron the thought with the iron key was if you 248 00:13:10,160 --> 00:13:13,000 Speaker 1: bought one. You got yourself on a list. I remember saying. 249 00:13:13,040 --> 00:13:15,160 Speaker 1: When I saw it, I thought, oh, that's really cool. 250 00:13:15,160 --> 00:13:16,880 Speaker 1: I'm going to buy one. He said, don't buy it 251 00:13:16,920 --> 00:13:20,160 Speaker 1: from them, You'll end up on a list. Go to Amazon. 252 00:13:20,520 --> 00:13:24,320 Speaker 2: Oh my god, right, that's crazy cool, kind of. 253 00:13:24,280 --> 00:13:28,000 Speaker 1: A cool story. June twenty sixth, nineteen sixty four, the 254 00:13:28,080 --> 00:13:31,640 Speaker 1: Stones released their debut album in the US. This kicked 255 00:13:31,679 --> 00:13:35,600 Speaker 1: off their invasion on the American rock scene. And in 256 00:13:35,640 --> 00:13:40,280 Speaker 1: that day, Lynn, there were a couple camps of people. 257 00:13:40,360 --> 00:13:44,520 Speaker 1: There were the Stones people and there were the Beatles people. 258 00:13:46,240 --> 00:13:48,440 Speaker 1: I was in both camps. Did you have a favorite 259 00:13:48,440 --> 00:13:50,959 Speaker 1: when you were growing up? Did you enjoy this kind 260 00:13:50,960 --> 00:13:53,080 Speaker 1: of music or were you more listening to pop when 261 00:13:53,120 --> 00:13:53,679 Speaker 1: you were young. 262 00:13:54,040 --> 00:13:57,720 Speaker 3: I mean, I will say that my first decade on 263 00:13:57,760 --> 00:14:00,640 Speaker 3: the planet was in the best decade for music, which 264 00:14:00,679 --> 00:14:03,640 Speaker 3: is the seventies. And I only say this because when 265 00:14:03,679 --> 00:14:06,000 Speaker 3: I look back, those are the years that the bands 266 00:14:06,080 --> 00:14:09,040 Speaker 3: got in the studios with each other and played together 267 00:14:09,200 --> 00:14:11,600 Speaker 3: and there was like no better sound than when you know, 268 00:14:11,760 --> 00:14:14,840 Speaker 3: everyone was in a room looking at each other, vibing, you. 269 00:14:14,760 --> 00:14:15,800 Speaker 1: Know, playing live. 270 00:14:16,120 --> 00:14:17,199 Speaker 2: Yeah yeah. 271 00:14:17,240 --> 00:14:19,440 Speaker 3: And then eighties, of course, you know, it went through 272 00:14:19,480 --> 00:14:21,760 Speaker 3: the disco, and then in the eighties pop and all 273 00:14:21,800 --> 00:14:25,440 Speaker 3: you know, MTV. Right, So so I'd have to say 274 00:14:26,560 --> 00:14:28,800 Speaker 3: probably lean more towards the Beatles. 275 00:14:29,440 --> 00:14:31,560 Speaker 2: I know that sounds weird because they were No it 276 00:14:31,600 --> 00:14:33,960 Speaker 2: doesn't earlier, but no, it doesn't. 277 00:14:34,200 --> 00:14:36,600 Speaker 3: It seemed like everybody in the seventies and eighties were 278 00:14:37,520 --> 00:14:38,280 Speaker 3: inspired by that. 279 00:14:38,480 --> 00:14:46,320 Speaker 1: Yeah. In nineteen seventy seven, on this date, the twenty sixth, 280 00:14:46,520 --> 00:14:51,160 Speaker 1: Elvis played his last concert in Indianapolis. This was this 281 00:14:51,360 --> 00:14:55,000 Speaker 1: was about a month, a little less than a month 282 00:14:55,040 --> 00:14:59,680 Speaker 1: before his death. He died in August in nineteen seventy seven. 283 00:14:59,760 --> 00:15:03,400 Speaker 1: And this was this was bad Elvis. This was jumpsuit, 284 00:15:03,800 --> 00:15:10,760 Speaker 1: pork chop, sideburns, a lot of pharmaceuticals, a lot of 285 00:15:10,920 --> 00:15:13,160 Speaker 1: a lot of ick. Speaking of ick, there's a lot 286 00:15:13,160 --> 00:15:15,720 Speaker 1: of ick with fat, with fat Elvis. 287 00:15:16,440 --> 00:15:18,360 Speaker 3: Whenever I close my eyes, I always see him though, 288 00:15:18,360 --> 00:15:20,840 Speaker 3: in that black leather outfit from sixty eight. 289 00:15:21,120 --> 00:15:23,040 Speaker 1: We're going to talk about We're going to talk about 290 00:15:23,040 --> 00:15:25,160 Speaker 1: the sixty eight special in a minute, because it's coming up, 291 00:15:25,200 --> 00:15:28,640 Speaker 1: the anniversary of that's coming up. Wow, And and that's listen, 292 00:15:28,680 --> 00:15:30,520 Speaker 1: that's the good look in Elvis. Yeah, you know, even 293 00:15:30,640 --> 00:15:32,600 Speaker 1: even as a heterosexual guy. I can look at that 294 00:15:32,640 --> 00:15:35,520 Speaker 1: and go man, Elvis is a hot piece of even 295 00:15:35,560 --> 00:15:36,120 Speaker 1: sweaty Elvis. 296 00:15:36,240 --> 00:15:36,920 Speaker 2: Yeah. 297 00:15:37,040 --> 00:15:41,760 Speaker 1: Yeah. So in eighty nine, bon Jovi, his New Jersey 298 00:15:41,800 --> 00:15:45,800 Speaker 1: tour actually ended up in Moscow, and this was really 299 00:15:45,800 --> 00:15:51,760 Speaker 1: something that that solidified their global dominance. I I was 300 00:15:51,880 --> 00:15:54,680 Speaker 1: never a huge bon Jovi fan. I appreciate him. I 301 00:15:54,760 --> 00:15:58,440 Speaker 1: think he's a there's you know, arguably he's a great 302 00:15:58,480 --> 00:16:00,680 Speaker 1: guy and he's kind to everyone that to meet him. 303 00:16:01,200 --> 00:16:03,960 Speaker 1: Were you a bon Jovi? Are you a bonjo Yeah? 304 00:16:04,000 --> 00:16:05,880 Speaker 2: Come on, yeah, is that even a question. 305 00:16:06,000 --> 00:16:06,640 Speaker 1: It's not, it's not. 306 00:16:06,840 --> 00:16:09,960 Speaker 2: It was the hair and all the hair, and. 307 00:16:09,520 --> 00:16:11,120 Speaker 1: He's still a good looking guy. I just saw a 308 00:16:11,200 --> 00:16:13,720 Speaker 1: video of him at a wedding some years ago where 309 00:16:13,920 --> 00:16:16,080 Speaker 1: you know, the wedding band is playing Living on a 310 00:16:16,120 --> 00:16:18,880 Speaker 1: Prayer and they walk up to him as they're singing 311 00:16:18,920 --> 00:16:22,160 Speaker 1: his song and he's like, give me the microphone and 312 00:16:22,160 --> 00:16:24,240 Speaker 1: he goes up on stage to sing it. 313 00:16:24,360 --> 00:16:27,040 Speaker 2: Good good sport, Yes, definitely a good sport. 314 00:16:27,400 --> 00:16:31,720 Speaker 3: I've interviewed him quite a few times and always always willing. 315 00:16:31,520 --> 00:16:33,880 Speaker 1: To be a good guy and a handsome fellow. 316 00:16:34,200 --> 00:16:34,880 Speaker 2: Yeah. 317 00:16:35,120 --> 00:16:38,160 Speaker 1: Nineteen sixty eight June twenty seventh is the next day. 318 00:16:38,200 --> 00:16:40,280 Speaker 1: And here's where we come in to play with this 319 00:16:40,800 --> 00:16:44,640 Speaker 1: conversation about the comeback special, the sixty eight comeback special 320 00:16:44,680 --> 00:16:48,880 Speaker 1: for Elvis, the leather suit in Burbank, in front of 321 00:16:48,880 --> 00:16:53,040 Speaker 1: a TV audience. What we see on television is not 322 00:16:53,520 --> 00:16:56,120 Speaker 1: the way it happened, you know, because you've done television 323 00:16:56,160 --> 00:16:59,480 Speaker 1: for a long time. There's a lot of takes and retakes, 324 00:16:59,600 --> 00:17:03,680 Speaker 1: and there's a lot of downtime in television. Why is that? 325 00:17:03,720 --> 00:17:05,480 Speaker 1: Why is there so much it's called. 326 00:17:05,320 --> 00:17:06,120 Speaker 2: Hurry up and wait? 327 00:17:06,800 --> 00:17:10,159 Speaker 3: Yeah, well, just just so many moving parts and the 328 00:17:10,240 --> 00:17:13,160 Speaker 3: audience Usually when you're taping something like that, the audience 329 00:17:13,240 --> 00:17:15,200 Speaker 3: is part of the show. Although they think they're there 330 00:17:15,240 --> 00:17:18,000 Speaker 3: to watch the show, they really are, like they're working 331 00:17:18,680 --> 00:17:20,640 Speaker 3: as much as everyone on the sets. 332 00:17:20,400 --> 00:17:22,680 Speaker 1: Because they're being directed in the sense, went to applaud, 333 00:17:22,720 --> 00:17:25,320 Speaker 1: how to behave, how to respond, Yeah, all of that. 334 00:17:27,080 --> 00:17:32,600 Speaker 1: It gets taped in Burbank, and this leads to a 335 00:17:32,720 --> 00:17:37,480 Speaker 1: huge comeback for Elvis. And sadly nine years later was 336 00:17:38,200 --> 00:17:40,120 Speaker 1: you know, was when he died. But he looked good 337 00:17:40,119 --> 00:17:42,720 Speaker 1: in sixty eight, skinny in his leather suit, in that 338 00:17:42,800 --> 00:17:43,359 Speaker 1: red guitar. 339 00:17:43,560 --> 00:17:46,680 Speaker 3: And yeah, and if you catch the reinventing Elvis doc 340 00:17:47,119 --> 00:17:49,679 Speaker 3: it is. It's done by the guy who was in 341 00:17:49,800 --> 00:17:52,040 Speaker 3: charge at CBS at the time, so he tells the 342 00:17:52,080 --> 00:17:56,159 Speaker 3: whole story and it's just unbelievable, Like he was cut. 343 00:17:55,920 --> 00:17:58,320 Speaker 2: Off from Elvis, couldn't talk to him because of. 344 00:17:59,119 --> 00:18:03,520 Speaker 1: I watched it and I was just blown away by by. 345 00:18:03,440 --> 00:18:05,679 Speaker 3: It, right, and all the people who were at that 346 00:18:05,800 --> 00:18:09,080 Speaker 3: stage when they were filming it, you know, cut to 347 00:18:09,080 --> 00:18:12,240 Speaker 3: today they tell the story of being there and it's. 348 00:18:12,080 --> 00:18:15,040 Speaker 1: Pretty amazing to see him. Yeah, see him now. The 349 00:18:15,080 --> 00:18:19,359 Speaker 1: Almond Brothers did a series of a legendary run of 350 00:18:19,400 --> 00:18:23,520 Speaker 1: concerts at the film More East and West over the years, 351 00:18:23,600 --> 00:18:26,680 Speaker 1: and it was on this date in nineteen seventy one 352 00:18:27,520 --> 00:18:31,240 Speaker 1: that they closed the film More East. Almond Brothers played 353 00:18:31,240 --> 00:18:33,400 Speaker 1: that final show and a big. 354 00:18:33,200 --> 00:18:35,680 Speaker 2: Deal there, big deal, big deal. 355 00:18:35,800 --> 00:18:40,359 Speaker 3: One of my most favorite time spent working ever was 356 00:18:40,400 --> 00:18:41,440 Speaker 3: getting to work with him. 357 00:18:41,760 --> 00:18:44,239 Speaker 1: To Greg Almond, Yeah, oh no, will tell me what. 358 00:18:44,280 --> 00:18:45,600 Speaker 2: It was huge. It was so big. 359 00:18:45,720 --> 00:18:47,320 Speaker 3: I was working at A and E at the time, 360 00:18:47,720 --> 00:18:49,560 Speaker 3: and it was so big that he came in. It 361 00:18:49,600 --> 00:18:53,680 Speaker 3: was after he had had like he had livered transplant. 362 00:18:53,920 --> 00:18:55,240 Speaker 1: You know, he liked his booze. 363 00:18:55,440 --> 00:18:58,320 Speaker 3: Yeah, yeah, but he came in like just a few 364 00:18:58,359 --> 00:19:01,680 Speaker 3: months after that, which was amazing. But at the time 365 00:19:01,720 --> 00:19:04,000 Speaker 3: on A and E, the big show was Dog the 366 00:19:04,000 --> 00:19:04,640 Speaker 3: Bounty Hunter. 367 00:19:05,359 --> 00:19:06,600 Speaker 2: Yeah, and he happened. 368 00:19:06,359 --> 00:19:08,159 Speaker 3: To be at the studio that day, so him and 369 00:19:08,200 --> 00:19:10,879 Speaker 3: his wife then when she was still alive, and they 370 00:19:10,880 --> 00:19:14,000 Speaker 3: were waiting in my dressing room for Greg to finish, 371 00:19:14,119 --> 00:19:16,480 Speaker 3: because we would have them do the songs first in 372 00:19:16,520 --> 00:19:19,760 Speaker 3: the studio and then I would go in and reset 373 00:19:19,800 --> 00:19:20,840 Speaker 3: and we'd do the interview. 374 00:19:21,600 --> 00:19:24,280 Speaker 2: And he just wanted to meet him so bad, like 375 00:19:24,320 --> 00:19:27,480 Speaker 2: he didn't he wanted to meet No dog, Dog wanted 376 00:19:27,520 --> 00:19:28,119 Speaker 2: to meet Greg. 377 00:19:28,359 --> 00:19:31,280 Speaker 1: Oh yeah, oh yeah, yeah, yeah. It was like yeah, 378 00:19:31,400 --> 00:19:32,040 Speaker 1: big deal. 379 00:19:32,080 --> 00:19:34,439 Speaker 2: Lyne down the hall, you know it was. It was 380 00:19:34,480 --> 00:19:35,080 Speaker 2: pretty crazy. 381 00:19:35,200 --> 00:19:36,960 Speaker 1: Yeah. I had a little brush with Greg once and 382 00:19:37,160 --> 00:19:39,040 Speaker 1: I felt the same way. I thought, I need to meet, 383 00:19:39,200 --> 00:19:39,600 Speaker 1: I need. 384 00:19:39,440 --> 00:19:41,760 Speaker 2: To meet And what a sweet sweet. 385 00:19:41,440 --> 00:19:44,119 Speaker 1: Man I did. I wasn't able to get close to her. 386 00:19:44,240 --> 00:19:46,240 Speaker 1: I was backstage. It was everything. I just couldn't. He 387 00:19:46,720 --> 00:19:50,000 Speaker 1: was hurried buy me so but I'm sure the interview 388 00:19:50,040 --> 00:19:51,240 Speaker 1: was great, right, you enjoyed it? 389 00:19:51,320 --> 00:19:53,040 Speaker 2: Oh, my god, best best ever? 390 00:19:53,160 --> 00:19:53,800 Speaker 1: Yeah? I was. 391 00:19:53,880 --> 00:19:55,720 Speaker 2: I was one of the ones where I was really nervous. 392 00:19:55,920 --> 00:20:01,600 Speaker 1: Yeah. June twenty ninth, Mick Jagger Keith Richard's were arrested 393 00:20:02,080 --> 00:20:06,159 Speaker 1: and found guilty on drug charges in London. I didn't 394 00:20:06,520 --> 00:20:09,239 Speaker 1: research this completely, but I believe these charges are all 395 00:20:09,280 --> 00:20:10,520 Speaker 1: related to marijuana. 396 00:20:10,920 --> 00:20:15,960 Speaker 3: Oh okay, Well, during the police raid at Keith richards. 397 00:20:15,920 --> 00:20:18,359 Speaker 2: London mansion, I guess it was his home. 398 00:20:19,480 --> 00:20:24,520 Speaker 3: They were illegally possessing four tablets containing amphetamine sulfate and 399 00:20:25,160 --> 00:20:30,439 Speaker 3: methyl and fetamine hydrochloride. Keith Richard's charge with allowing his 400 00:20:30,480 --> 00:20:32,600 Speaker 3: house to be used for the purpose of smoking cannabis. 401 00:20:33,760 --> 00:20:35,400 Speaker 2: Jagger and Richards put not guilty. 402 00:20:37,800 --> 00:20:39,959 Speaker 3: But outside the court a crowd of young fans were 403 00:20:40,000 --> 00:20:41,639 Speaker 3: waiting to see the stars. But two of the men 404 00:20:41,720 --> 00:20:44,480 Speaker 3: were driven away into chauffeurd car into the back of 405 00:20:44,480 --> 00:20:48,359 Speaker 3: the building, and a third man was a charge with 406 00:20:48,440 --> 00:20:52,480 Speaker 3: possession of heroin. So maybe it was the drug dealers outside. 407 00:20:52,600 --> 00:20:55,800 Speaker 1: Oh gosh. So here's the thing. They weren't really arrested 408 00:20:55,800 --> 00:20:58,439 Speaker 1: for the cannabis. There was meth, some sort of methane 409 00:20:58,480 --> 00:21:00,320 Speaker 1: family some speed they were doing. There was more. 410 00:21:00,480 --> 00:21:03,800 Speaker 3: Yeah, because they were working all hours of the day 411 00:21:03,840 --> 00:21:05,480 Speaker 3: and night trying to get music downe. 412 00:21:05,480 --> 00:21:08,960 Speaker 1: Are you making excuses for the use of the amphetamine 413 00:21:09,000 --> 00:21:10,600 Speaker 1: for the upper Well. 414 00:21:10,600 --> 00:21:12,199 Speaker 3: I mean the thing I think the thing of at 415 00:21:12,240 --> 00:21:15,600 Speaker 3: the time was is they weren't a private residence, so like, 416 00:21:16,520 --> 00:21:19,600 Speaker 3: how do you go barge into someone's home and say 417 00:21:19,640 --> 00:21:20,520 Speaker 3: you can't do that? 418 00:21:20,640 --> 00:21:21,119 Speaker 2: Like that? 419 00:21:21,119 --> 00:21:24,400 Speaker 1: That was a constitutional issue for you, isn't it. You're 420 00:21:24,440 --> 00:21:26,879 Speaker 1: like like a cute version of Alan Levin. 421 00:21:28,080 --> 00:21:29,040 Speaker 2: I want to go that far. 422 00:21:29,080 --> 00:21:34,560 Speaker 1: In nineteen sixty eight, Pink Floyd did the first free 423 00:21:34,640 --> 00:21:38,479 Speaker 1: concert at Hyde Park in London. This was a big 424 00:21:38,600 --> 00:21:43,040 Speaker 1: deal for Pink Floyd, a big deal for their fans, 425 00:21:43,240 --> 00:21:48,159 Speaker 1: and a monster event in London's Hyph Park. First free concert, 426 00:21:49,160 --> 00:21:50,840 Speaker 1: Hi Park. Were you are you? Pink Floyd fan? 427 00:21:51,160 --> 00:21:51,480 Speaker 2: Huge? 428 00:21:51,720 --> 00:21:51,960 Speaker 1: Yeah? 429 00:21:52,200 --> 00:21:54,440 Speaker 2: Love, comfortably numb, Oh my gosh. 430 00:21:54,480 --> 00:21:57,280 Speaker 3: The first time I saw the Wall was I was 431 00:21:57,560 --> 00:22:02,040 Speaker 3: eighteen and I was at my friend's bar in Roanoak, Virginia, 432 00:22:02,600 --> 00:22:04,800 Speaker 3: and they made me a Long Island iced tea and 433 00:22:04,880 --> 00:22:06,800 Speaker 3: I had never I thought it was just a regular 434 00:22:06,960 --> 00:22:07,280 Speaker 3: iced tea. 435 00:22:07,320 --> 00:22:07,840 Speaker 2: I didn't know. 436 00:22:07,880 --> 00:22:09,800 Speaker 3: And he handed it to me and said good night, 437 00:22:10,520 --> 00:22:12,600 Speaker 3: And I watched the Wall and yeah. 438 00:22:12,520 --> 00:22:14,679 Speaker 1: The Long Island iced He is a giant trick. You know, 439 00:22:14,720 --> 00:22:17,679 Speaker 1: it's as you know, it's five shots or six shots. 440 00:22:17,480 --> 00:22:18,919 Speaker 1: It was ugly here you go. 441 00:22:19,000 --> 00:22:21,520 Speaker 2: Yeah, I woke up on my head was on the bar. 442 00:22:21,720 --> 00:22:24,800 Speaker 3: Yeah, but I managed to stay up for the whole movie. 443 00:22:24,960 --> 00:22:26,280 Speaker 2: For the wall, they tell me. 444 00:22:26,520 --> 00:22:31,040 Speaker 1: Okay, all right. In nineteen seventy four, Neil Young, Joni 445 00:22:31,160 --> 00:22:34,280 Speaker 1: Mitchell and the Eagles played at Wemley and this was 446 00:22:34,520 --> 00:22:39,840 Speaker 1: a monster folk rock kind of event in London. The 447 00:22:39,880 --> 00:22:42,639 Speaker 1: folk rock took over London for that event. It was 448 00:22:42,800 --> 00:22:46,320 Speaker 1: very well attended and you know a handful of people 449 00:22:46,359 --> 00:22:48,960 Speaker 1: that are very well recognized even to this day for 450 00:22:49,440 --> 00:22:53,720 Speaker 1: their contributions to folk and that kind of rock. 451 00:22:53,800 --> 00:22:55,679 Speaker 3: So I feel like Buzz would have a lot more 452 00:22:55,760 --> 00:22:57,119 Speaker 3: to speak of on this matter. 453 00:22:57,520 --> 00:23:00,520 Speaker 1: Yeah, listen, we're both fans of and we talked about 454 00:23:00,560 --> 00:23:03,359 Speaker 1: this in depth. Were both fans of the Eagles, were 455 00:23:03,400 --> 00:23:06,800 Speaker 1: both big Neil Young fans. I'm a monster Neil Young fan. 456 00:23:07,280 --> 00:23:12,240 Speaker 1: With Neil Young, I didn't appreciate him until I got older. 457 00:23:12,520 --> 00:23:14,480 Speaker 1: I might have just I might have been in my fifties. 458 00:23:14,480 --> 00:23:16,760 Speaker 1: It might have been like last eight nine years. 459 00:23:16,840 --> 00:23:19,280 Speaker 3: It was the port chop sideburns, right. It was like 460 00:23:19,320 --> 00:23:20,880 Speaker 3: the only other artists who could wear them. 461 00:23:21,119 --> 00:23:23,119 Speaker 1: It's it's very funny because you and I had this 462 00:23:23,119 --> 00:23:25,000 Speaker 1: discussion with Buzz the other day, we're trying to figure 463 00:23:25,040 --> 00:23:27,800 Speaker 1: out people with pork chop sideburns, and Buzz did say 464 00:23:28,680 --> 00:23:31,120 Speaker 1: Neil Young for it, and it's true, We'll take Neil 465 00:23:31,160 --> 00:23:35,520 Speaker 1: Young for the win. But just you know, a bunch 466 00:23:35,520 --> 00:23:40,040 Speaker 1: of amazing and wonderful songs that he's written, and I think, 467 00:23:40,080 --> 00:23:41,959 Speaker 1: I just think the guy's got the voice of an angel. 468 00:23:42,200 --> 00:23:44,679 Speaker 1: So and Joni Mitchell Court and Spark is one of 469 00:23:44,680 --> 00:23:47,480 Speaker 1: my favorite albums of all times. So all three of 470 00:23:47,480 --> 00:23:53,080 Speaker 1: those bands, Eagles, Neil Young and his band, and Joni Mitchell, 471 00:23:53,160 --> 00:23:55,760 Speaker 1: I just I adore all them. So that was it favor. 472 00:23:55,800 --> 00:23:57,000 Speaker 2: What's your favorite Eagle song? 473 00:23:58,080 --> 00:24:02,960 Speaker 1: You know, I think I want to say now And 474 00:24:03,040 --> 00:24:05,520 Speaker 1: it wasn't this way always because we played it so 475 00:24:05,640 --> 00:24:08,679 Speaker 1: much on the radio. But I have a tremendous appreciation 476 00:24:08,800 --> 00:24:12,120 Speaker 1: for Hotel California. Oh it's just epic. I love the 477 00:24:12,280 --> 00:24:16,760 Speaker 1: opening acoustic guitar. I love the guitar solo at the 478 00:24:16,840 --> 00:24:21,000 Speaker 1: end of it. But there are you know, pretty Maids 479 00:24:21,040 --> 00:24:23,120 Speaker 1: in a Row, which is kind of an obscure song. 480 00:24:23,520 --> 00:24:27,200 Speaker 1: I just adore Life in the fast Lane again being 481 00:24:27,240 --> 00:24:30,879 Speaker 1: a guitar geek, like I watched Joe Waltsh talk to 482 00:24:30,920 --> 00:24:33,760 Speaker 1: Paul Schaeffer about how he came up with the opening 483 00:24:33,960 --> 00:24:36,040 Speaker 1: for Life in the fast Lane, and he said it 484 00:24:36,080 --> 00:24:38,520 Speaker 1: was a warm up exercise he used to do backstage 485 00:24:38,560 --> 00:24:41,560 Speaker 1: before concerts, and someone heard it, someone from the band, 486 00:24:41,560 --> 00:24:44,080 Speaker 1: Glenn Frye or someone heard it and said we're going 487 00:24:44,160 --> 00:24:45,919 Speaker 1: to do something with that, and then the next thing, 488 00:24:45,920 --> 00:24:47,520 Speaker 1: you know, it's Life in the fast Lane. So I've 489 00:24:47,560 --> 00:24:48,959 Speaker 1: got a bunch of favorites. What about you. 490 00:24:49,400 --> 00:24:52,280 Speaker 3: I was just going to say it was a Hotel California, 491 00:24:53,040 --> 00:24:56,520 Speaker 3: hands down, But then New York Minute really, oh, one 492 00:24:56,600 --> 00:24:56,880 Speaker 3: of my. 493 00:24:57,160 --> 00:25:00,240 Speaker 1: All time all time and that's Henley their rendition, their 494 00:25:00,320 --> 00:25:05,479 Speaker 1: rendition of of of New York Minute, Henley's song is 495 00:25:05,520 --> 00:25:08,080 Speaker 1: so Good from Hell Freezes Over or one of the 496 00:25:08,080 --> 00:25:09,080 Speaker 1: live albums. 497 00:25:08,760 --> 00:25:10,400 Speaker 2: Right, yeah, yeah, it was definitely live. 498 00:25:12,000 --> 00:25:14,640 Speaker 1: You know. I just the Eagles are a band. It's 499 00:25:14,680 --> 00:25:16,880 Speaker 1: came on in the kitchen the other night, didn't like Peaceful, 500 00:25:16,880 --> 00:25:19,840 Speaker 1: Easy Feeling or Tequila Sunrise while we were all cooking 501 00:25:19,840 --> 00:25:23,159 Speaker 1: dinner and hanging out or watching you cook in the kitchen. 502 00:25:23,160 --> 00:25:25,160 Speaker 1: But one of the one of those songs came on, 503 00:25:25,200 --> 00:25:28,200 Speaker 1: and and and two of the three people in the 504 00:25:28,280 --> 00:25:31,240 Speaker 1: room went, oh my god, this song yeah, like it's 505 00:25:31,440 --> 00:25:32,320 Speaker 1: that's great. 506 00:25:32,119 --> 00:25:33,800 Speaker 2: So stands the testa teme. 507 00:25:34,040 --> 00:25:37,440 Speaker 1: It does. And and Linn Hoffman, I want to thank 508 00:25:37,480 --> 00:25:39,920 Speaker 1: you for sitting in for your sitting Think you sat 509 00:25:39,960 --> 00:25:43,200 Speaker 1: in for me because Buzz would normally be leading the parade, 510 00:25:43,359 --> 00:25:45,359 Speaker 1: or you sat in for Buzz who'd be sitting in 511 00:25:45,400 --> 00:25:49,159 Speaker 1: for me. Either way, you're here, Buzz is not and 512 00:25:49,200 --> 00:25:50,560 Speaker 1: you did a fantastic job. 513 00:25:50,600 --> 00:25:53,040 Speaker 2: Well, thank you, Harry Jacobs. I appreciate that. 514 00:25:53,200 --> 00:25:56,440 Speaker 1: Don't forget to tune in if you like our podcast, 515 00:25:56,960 --> 00:26:00,080 Speaker 1: tune in to Music Save Me and Comedy Save Me. 516 00:26:00,440 --> 00:26:03,440 Speaker 1: Lynn Hoffman hosts both of them, both of those shows 517 00:26:03,920 --> 00:26:06,240 Speaker 1: on the Buzz Night Media Network. 518 00:26:06,600 --> 00:26:09,800 Speaker 2: Yeah right, Yeah, we're one big, happy family, all right. 519 00:26:10,280 --> 00:26:12,840 Speaker 1: Anything you want to promote any upcoming episodes before I 520 00:26:12,880 --> 00:26:14,280 Speaker 1: let you go, anything coming up? 521 00:26:15,359 --> 00:26:17,800 Speaker 3: My goodness on Comedy Saved Me, we have coming up 522 00:26:17,880 --> 00:26:25,200 Speaker 3: Craig Shoemaker, Brett Ernst tom bergeron lots of stuff. 523 00:26:25,240 --> 00:26:28,320 Speaker 1: There's good stuff coming up. Yeah, so I appreciate that. 524 00:26:28,359 --> 00:26:29,800 Speaker 1: And Shoemaker's funny. 525 00:26:29,680 --> 00:26:31,280 Speaker 2: Oh my god, one of the funniest ever. 526 00:26:31,560 --> 00:26:33,879 Speaker 1: He's got a funny exercise that he has people. Do 527 00:26:34,040 --> 00:26:35,160 Speaker 1: you guys are gonna do it right? 528 00:26:35,280 --> 00:26:37,480 Speaker 2: Yes? We are okay, We're gonna have some fun. 529 00:26:37,640 --> 00:26:40,200 Speaker 1: It'll make you left comedy save me part of the 530 00:26:40,280 --> 00:26:45,520 Speaker 1: buzz Night media network right here on Ihearten anywhere you 531 00:26:45,560 --> 00:26:46,840 Speaker 1: get your podcast. Thank you, n