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Speaker 1: Who do you who? This is George, and don't skip

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Speaker 1: this announcement. Don't skip, don't skip because guess what, I

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Speaker 1: have two huge things to say and they are going

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Speaker 1: to make a global impact. One is that I George Severis,

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Speaker 1: co host of the podcast Stradio Lab, am headlining Brooklyn's

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Speaker 1: own Littlefield on July eighth. I'm going to be trying

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Speaker 1: out some new material, that's right, I'm going to be

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Speaker 1: doing stand up comedy, and if some of it bombs,

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Speaker 1: I'm never going to do it again. So this might

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Speaker 1: be your one chance to hear it. I would love

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Speaker 1: to see some glamour girls there. It would make me

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Speaker 1: feel so happy, and I would love for you to

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Speaker 1: buy tickets. The ticket link is in all my bios

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Speaker 1: across the internet. And then the second thing I wanted

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Speaker 1: to say is that we here at the podcast Tradio Lab,

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Speaker 1: are doing one of our famous Earnestness bonanzas for that's right,

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Speaker 1: the fourth of July, and we're doing it ironically because

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Speaker 1: we don't celebrate the holiday. So if you want to

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Speaker 1: get your questions in, please email us at Stradiolab at

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Speaker 1: gmail dot com. You can email us literally any question

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Speaker 1: and we will answer it earnestly, and let's say try

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Speaker 1: to do that by Oh, I don't know. Tuesday, June

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Speaker 1: twenty seventh. All right, enjoy the episode. Bye bye, okay.

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Speaker 2: Podcast starts now, what's up everyone, and welcome.

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Speaker 1: We haven't done to back recordings in so long. Yeah,

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Speaker 1: And I'm feeling energized in a way that is scary

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Speaker 1: because I feel like my confidence is above my skill level,

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Speaker 1: if that makes sense. Like I'm like starting at a

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Speaker 1: sprinting start, and yet I have not decided what I

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Speaker 1: want to say.

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Speaker 2: Not to be self deprecating right off the bat, also,

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Speaker 2: but I'm like podcasting, like is there even a skill level?

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Speaker 2: You know what I mean? Like like I feel like

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Speaker 2: like it's like it's not about our skill level, you know,

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Speaker 2: It's like it's just about like our vibe. Right, So,

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Speaker 2: like there's nothing to be afraid of. Mostly, Okay, I

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Speaker 2: have a story based on last episode that I want

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Speaker 2: to tell you please. So we were talking with Jamie

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Speaker 2: Loftis about nobody wants to work these days, and I

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Speaker 2: we were on such a theme that I didn't want

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Speaker 2: to break away, sure, but I had an audible if

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Speaker 2: real fans know, I had an audible oh, and then

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Speaker 2: I was like, no, yeah, this is not your time.

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Speaker 2: Don't tell your story.

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Speaker 1: By the way, you said, there's no skill to podcasting.

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Speaker 1: What you just described is the skill knowing when to

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Speaker 1: say what, knowing when to shut up, knowing when to

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Speaker 1: speak up, knowing the natural flow of a conversation and

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Speaker 1: going into it and doing backstroke, doing breaststroke, doing butterfly,

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Speaker 1: even doing an an i am as we used to

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Speaker 1: call it, where you do all four yes. And you

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Speaker 1: need to know when you are doing each stroke. And

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Speaker 1: by the way, the listener can't know that, oh, you

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Speaker 1: just switched from breaststroke to backstroke. It needs to be seamless.

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Speaker 1: You need to literally look like you're doing synchronized swimming

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Speaker 1: and in fact you're doing a highly choreographed dance.

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Speaker 2: Sure, no, you're right, Okay, I take it back. Podcasting

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Speaker 2: is one of the most skilled art forms you can have.

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Speaker 2: It's up there. It's certainly above writing.

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Speaker 1: It is number two, and the number one is playing

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Speaker 1: the organ at a church.

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Speaker 2: Yeah, and number three is painting.

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Speaker 1: That's right.

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Speaker 2: And coming in at number four ooh ooh, shoe design

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Speaker 2: and number five architecture hmmm, number six being a mayor

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Speaker 2: and number seven. Stage acting. Oh yeah, okay, of course

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Speaker 2: we're gonna stop at seven, as is professional to do.

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Speaker 1: Yeah, because number eight is really controversial.

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Speaker 2: It's true, but it's controversial.

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Speaker 1: Yeah, it's being a fascist dictator. Okay, So what were

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Speaker 1: you gonna say?

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Speaker 2: Anyway? What I was gonna say it was I went

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Speaker 2: on a trip recently, Yes, I and I. It was

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Speaker 2: a road trip, even.

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Speaker 1: In the gay campground.

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Speaker 2: Well, I was driving to the gay campground. Oh of

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Speaker 2: course those do go hand in hand. Yeah, because you

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Speaker 2: have to bring all your gear. Well, of course, and

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Speaker 2: so I went to We were stopping at a fast

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Speaker 2: food restaurant on the way to the gay campground, and

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Speaker 2: we were eating inside of the establishment, and this man

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Speaker 2: came in very very angry, and he was like holding

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Speaker 2: a drink and he was like slam the drink on

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Speaker 2: the counter and then starts spilling it around and he

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Speaker 2: was like, can I talk to the manager? And the

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Speaker 2: lady's like, yeah, I'm the manager, and he was like,

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Speaker 2: how hard is it to put on a top? How

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Speaker 2: hard is it to put the top on a drink?

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Speaker 2: And just starts yelling at her and he was like,

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Speaker 2: I spilled this drink all over my car, and now

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Speaker 2: I was spelling it all over your counter. And then

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Speaker 2: and he was like, I would do so much more

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Speaker 2: to you guys. You're lucky. I'm only spilling this on

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Speaker 2: the counter. And then he was like, but you know what,

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Speaker 2: I not because you're all kids. You're all kids, and

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Speaker 2: nobody knows how to fucking work. Nobody knows how to

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Speaker 2: work these days. And then one of the teenagers started

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Speaker 2: mocking him, which I thought was so irresponsible because I

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Speaker 2: was like, we are in Pennsylvania, Like, yes, he's reading violence,

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Speaker 2: he's threatening violence. And he was like, why don't you

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Speaker 2: cry about it? Why don't you cry about it? And

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Speaker 2: I was like, oh my god. And it was just

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Speaker 2: Mesh and I sitting in there, and we were completely silent,

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Speaker 2: of course, because we didn't want to escalate.

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Speaker 1: It was this man large and in a body shaming way,

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Speaker 1: I mean spiritually, did he have a large spirit.

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Speaker 2: He had a large spirit.

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Speaker 3: Uh.

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Speaker 2: He was intimidating. I would argue, and then he like

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Speaker 2: after getting mocked, then he got super mad and then

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Speaker 2: walked out. But as he was walking out, slammed his

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Speaker 2: hands on the door. The entire glass door. No shattered, No, yes,

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Speaker 2: it shattered. And he storms out and gets in his

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Speaker 2: car and dries away, and the teens follow him to

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Speaker 2: take pictures of the license plan.

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Speaker 1: And I was like, teens, stop wait, but but that

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Speaker 1: to me seems like the right thing to do.

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Speaker 2: Well, they should get the license plate, but don't go outside, don't.

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Speaker 3: Like.

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Speaker 2: I was like, do it from you can there's windows

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Speaker 2: in here.

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Speaker 1: Yeah, but he is already in the car.

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Speaker 3: Yeah.

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Speaker 1: You think he's gonna stop the car, get out and

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Speaker 1: sort of take their little heads and smash them together.

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Speaker 2: He could have. I was scared. I was scared, and

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Speaker 2: it was sort of a no one wants to work

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Speaker 2: these days taken to like the highest degree. Yeah, and

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Speaker 2: it really, you know, in a scary moment. I don't

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Speaker 2: know how you act, but the way I act is

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Speaker 2: pretty embarrassing because what I do is absolutely nothing. I

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Speaker 2: literally just like stay still, like and I'm like, just

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Speaker 2: be quiet and just let it all pass, because I'm

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Speaker 2: like as soon as someone's like hey, stop it, like

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Speaker 2: then I feel like it's like, well then fuck you too.

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Speaker 2: And so I was like sh like, just like everyone sh.

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Speaker 1: I will say. I do have, as you know, I

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Speaker 1: do have the instinct in me to participate in this Yes, yes,

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Speaker 1: not so much in physical violence yet, but I'm not

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Speaker 1: rolling it out.

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Speaker 2: Well, keep training, but exactly.

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Speaker 1: But when there is a sort of passive aggressive phone call,

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Speaker 1: you know, a conference call, where someone is raising their voice,

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Speaker 1: when someone accuses me of something that I don't necessarily

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Speaker 1: think i'm guilty of, I can get there. I can

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Speaker 1: get to the sort of woman calling customer service saying

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Speaker 1: I'm just confused. I can. I can get to that tone.

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Speaker 1: I need to make sure, though, that I am not

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Speaker 1: punching down it needs to I need to Basically, I

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Speaker 1: need to know that whoever I'm yelling at on their

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Speaker 1: W two form they're making more money than me. If

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Speaker 1: I'm sure of that, I will yell.

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Speaker 2: Yeah.

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Speaker 1: If I'm not sure of that, I won't. And I

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Speaker 1: think that is sort of not to use a a

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Speaker 1: loaded term, but it's sort of like being an ethical

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Speaker 1: care Yeah.

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Speaker 2: No, that's really smart.

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Speaker 1: You have to ask everyone how much they make and

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Speaker 1: only yell at people that make more than you.

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Speaker 2: I think that's so smart. I think that's really great.

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Speaker 1: I do think having said that, in no world would

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Speaker 1: the teens working at like a drive through on a

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Speaker 1: road trip ever be making more than me, because of

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Speaker 1: course I'm one of the most successful podcasters in the industry,

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Speaker 1: so it would never occur to me to threaten violence

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Speaker 1: to them or break glass or sort of start listing

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Speaker 1: Republican talking points about how they need to pull themselves

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Speaker 1: up from their bootstraps.

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Speaker 2: Yeah, it really did. When I leave New York City

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Speaker 2: sometimes I'm like, sometimes I think I'm unjustly judgmental of

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Speaker 2: you know, let's say Pennsylvania and.

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Speaker 1: Hey, you keep going back to Pennsylvania.

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Speaker 2: Well it wasn't Pennsylvania, and it felt very Pennsylvania.

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Speaker 1: Got it.

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Speaker 2: There was something about it that felt like very Everyone

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Speaker 2: is like isolated and everyone's angry, but for no like

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Speaker 2: they are in Pennsylvania so that their life is easy.

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Speaker 2: And I'm not talking about sweetheart, Yeah yeah, I'm talking

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Speaker 2: about like rural Pennsylvania. And I'm like, your life should

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Speaker 2: be simple, this is what you chose, or.

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Speaker 1: You are being so problematic right now I'm saying, well,

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Speaker 1: I feel like you need to go home and read

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Speaker 1: Hillbilly Elegy and then come back and have this conversation. Wow,

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Speaker 1: you think you can be You need to watch Glenn

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Speaker 1: close as what's her name Little Mama in the in

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Speaker 1: the big Mama.

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Speaker 2: I'm not sure which sugar mama.

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Speaker 3: She is some kind of mama in that that is

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Speaker 3: her name, Mema, mem Mama. I don't know if it's

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Speaker 3: mema or mama.

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Speaker 2: Okay, but it is it.

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Speaker 1: It is a drag your version than mama. She's not

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Speaker 1: just mama. No, It's just the point is, you know,

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Speaker 1: in that performance, you sort of get the pain of

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Speaker 1: the of the of the white working class in a

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Speaker 1: way that if you try to internalize, then maybe you

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Speaker 1: wouldn't be so rude to people from Pennsylvania.

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Speaker 2: I just I just don't know why you would be

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Speaker 2: so ready to fly completely off the handle at complete strangers.

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Speaker 2: And it really felt like, yeah, like like everyone there

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Speaker 2: was like it was just like there was a ten

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Speaker 2: energy where I was. It's a Friday, can we calm

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Speaker 2: down a little bit? Yeah, Like it's Friday. You have

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Speaker 2: a car and you got a soda, Like, let's chill

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Speaker 2: out a bit.

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Speaker 1: Yeah. You know, it's funny. It's like what you're describing

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Speaker 1: was the default for so many years. It's like a

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Speaker 1: man who of course has his own issues that have

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Speaker 1: not been let's say, work through in therapy. You know,

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Speaker 1: his therapy is yelling at teenagers at a at a

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Speaker 1: drive through, and I feel like we are surrounded by

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Speaker 1: the polar opposer. That would just people that have had

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Speaker 1: too much therapy, and their way of dealing with that

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Speaker 1: would have been like to bring an into mistic coordinator

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Speaker 1: to of the drive through so that they can have

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Speaker 1: like a single conversation with another human being. And it

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Speaker 1: is striking to be struck with the old version of

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Speaker 1: doing things.

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Speaker 2: Yeah, yeah, well I want to, I guess formally apologize

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Speaker 2: to everyone in Pennsylvania. I think I understand that you

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Speaker 2: do have struggle despite having peace and quiet. At the

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Speaker 2: same time, Well, you're it's funny because it's funny being

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Speaker 2: a back the whole peace and quiet.

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Speaker 1: I think it's so funny because you're seeing you're viewing,

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Speaker 1: which I understand you're viewing it from the perspective of

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Speaker 1: someone who lives in the city, where you're like, well,

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Speaker 1: to me, a rural area symbolizes peace and quiet because

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Speaker 1: I'm contrasting it to the city.

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Speaker 2: Yeah yeah, yeah.

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Speaker 1: Whereas to them, it's just like their daily life, like

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Speaker 1: they don't they don't look, they don't wake up every

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Speaker 1: day and they're like, wow, I'm like Resweatherspoon and Wild.

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Speaker 2: Well, maybe it's time to practice some gratitude and wake

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Speaker 2: up every day and say I'm like Resweatherspoon and while.

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Speaker 3: Yeah.

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Speaker 2: Okay, and maybe then you won't be screaming at teens.

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Speaker 3: But it's true that no one wants to work these days. Okay,

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Speaker 3: but well, judging it for me, I certainly don't know.

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Speaker 3: I certainly don't want to work these days.

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Speaker 2: No, I think I do think there's something about you know,

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Speaker 2: everything that has ever worked is crumbling.

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Speaker 1: Yeah, and well there are no institutions.

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Speaker 2: There's no institutions. Every big company is cutting, has taken

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Speaker 2: over all small business, and then it is also crumbling

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Speaker 2: inside of itsself. Yeah.

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Speaker 1: And it's like those teens are basically employed by you know,

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Speaker 1: Time Warner Walmart. Yeah, they are being paid in ketchup packets,

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Speaker 1: of course, So what do you want from them? No,

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Speaker 1: don't get me wrong, I'm team teen. Blood sugar is

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Speaker 1: dangerously high from all the ketchup.

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Speaker 2: I'm team teen. I just am surprised when other people aren't. Yeah.

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Speaker 1: But then the guy that was there that broke the door, Yeah,

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Speaker 1: teach me empathy. You know, he's been working at the

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Speaker 1: same place his whole life. Do you know who acquired it,

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Speaker 1: Peter Teel? Do you know he did as soon as

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Speaker 1: he acquired it, fired all people in the company.

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Speaker 2: Period, replace them with a robots.

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Speaker 3: Yeah.

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Speaker 1: Meanwhile, this man is a lifelong Republican voter. He has

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Speaker 1: this conflict in himself. He's like, I'm a lifelong Republican

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Speaker 1: voter because I hate unions, and yet Republicans are the

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Speaker 1: ones taking my jobs away. The cognitive dissonance of that

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Speaker 1: is so strong that he has to threaten violence to

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Speaker 1: teens otherwise he will collapse.

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Speaker 2: That's true, that's true.

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Speaker 1: At one point, do we have to respect that as

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Speaker 1: long as he's not actually doing physical violence? At one point?

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Speaker 1: Do we have to respect that it is his way

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Speaker 1: of coping.

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Speaker 3: Yeah?

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Speaker 2: Can I tell you a sad part of the story too.

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Speaker 1: Well, so far it's been real happy, so I can't

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Speaker 1: wait to hear this.

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Speaker 2: Well, there was a part of me that felt bad

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Speaker 2: for him after he broke the glass because I actually

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Speaker 2: think he just meant to slam the door and it yea,

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Speaker 2: he didn't mean it, and so it was like, oh no,

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Speaker 2: he like overstepped and he like now he actually looks

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Speaker 2: like a psychoe totally or he was like just sort

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Speaker 2: of an angry guy.

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Speaker 1: Well, there's also the I mean, it's so cinematic. It's

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Speaker 1: like doing something like that and then having that moment

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Speaker 1: of like, is this why I have become like I

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Speaker 1: thought I was righteously angry, And it's like you look

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Speaker 1: around and you're like, oh my god, I'm scaring these

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Speaker 1: teens and everyone's looking at me.

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Speaker 2: I'm destroying proper, destroying.

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Speaker 1: Property, which is more valuable than human life to someone

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Speaker 1: like him. It's true based on his political views that

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Speaker 1: I'm projecting onto him.

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Speaker 2: Of course. Well, I do want to wrap up our

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Speaker 2: intro because Okay, it's actually gone kind of long, and

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Speaker 2: I do want to say also for some reason, and

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Speaker 2: now I feel bad.

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Speaker 1: No, I'm I'm jokingly. I'm like, I knew you would

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Speaker 1: feel bad, and I knew it. I knew literally the

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Speaker 1: second I took it too far, I was like, oh,

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Speaker 1: he's gonna feel bad. I was jokingly poking fun at

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Speaker 1: your story. I was not. I was not like, seriously,

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Speaker 1: try to make her feel bad. You know what I mean.

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Speaker 2: I think it's powerful. Okay, No, I'm good.

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Speaker 1: Okay, we'll also bleep various parts of that story so

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Speaker 1: that you come out even.

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Speaker 2: Better, thank God. And I think we should bring in

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Speaker 2: our guests. Yes, I think such a powerful perspective on

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Speaker 2: this issue.

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Speaker 3: Yeah.

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Speaker 1: Well they asked us to bring that story up because

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Speaker 1: they were like, I have something to say about it.

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Speaker 1: They're like, all right, Like, I guess we'll make up

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Speaker 1: a story.

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Speaker 2: Make up some story about where I like come off

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Speaker 2: like really big city and like whatever. Please welcome to

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Speaker 2: the podcast. Peter Smith. Hello, boys, Wow, what an intro.

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Speaker 3: Hello listener.

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Speaker 1: So, Peter, I have a question for you, like sort

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Speaker 1: of what is your response to that story? My response,

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Speaker 1: Sam's counter response.

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Speaker 3: It was gorgeous to watch you both make amends at

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Speaker 3: the end. My response is that one the displaced rage,

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Speaker 3: that like a cup off the you know, the lid

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Speaker 3: being and then that being the thing that triggers this

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Speaker 3: man and that I feel I worry from what's going

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Speaker 3: on in his life. But also having a car and

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Speaker 3: a soft drink as a Midwesterner, that is the most

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Speaker 3: comfortable place in the world. That's my gender. Ultimately, it's

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Speaker 3: like driving with a big, big soft and just cruising

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Speaker 3: through the strip malls like that.

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Speaker 1: Yeah, and so when had is punctured, when you get

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Speaker 1: you are, you are in your safe zone, and suddenly

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Speaker 1: you spill the diet coke. You're saying, because you're in

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Speaker 1: such a place of ecstasy, that can make someone go

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Speaker 1: violent because it is the one moment they had to

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Speaker 1: themselves that day.

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Speaker 3: Yeah, and like this is apparently his only opportunity to

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Speaker 3: get back on whatever injustice is occurring to him. Yeah,

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Speaker 3: and that's pathetic ultimately. M m hmm. You know, Yeah,

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Speaker 3: that's somebody in need of some therapy or maybe a

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Speaker 3: different menu order. You know, maybe what he's been getting

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Speaker 3: is not making him. The dopamine isn't really working anymore.

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Speaker 1: You're saying the issue is with his order rather than

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Speaker 1: what happened.

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Speaker 3: Yeah, the demands are wrong. Perhaps we're misplaced demand.

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Speaker 1: Yeah, we're looking up potentially a seven up or a

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Speaker 1: mountain dew, something that could be able to alter his

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Speaker 1: brain chemistrine a different, more beneficial way.

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Speaker 3: Yes, is a spermicide?

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Speaker 2: Well, no one's talking about that.

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Speaker 3: They did when we were you know, maybe like years ago.

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Speaker 1: Yeah, spermicide. You know what a way to battle toxic masculinity?

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Speaker 3: Yeah, baby up on mountain sizzle it, no more, sperm

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Speaker 3: sizzle it with that yellow stuff. Yeah, yum, that's what

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Speaker 3: I'm here for. Wow, in the iHeart Radio studios. iHeart radio.

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Speaker 3: It's great to be here.

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Speaker 2: Yeah, well, yeah, your perceptions of the space.

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Speaker 3: The elevators are gay gay gay gay. Yeah, oh yeah,

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Speaker 3: now serving tenth floor. I walked in and oh, yes

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Speaker 3: you are.

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Speaker 1: And then as you're as you're walking out of the elevator,

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Speaker 1: it's like, okay, mama.

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Speaker 3: It's like go off.

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Speaker 2: I mean there literally is a runway from the elevator

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Speaker 2: to the reception.

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Speaker 3: Yes truly, which I was frozen. I walked off impressive

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Speaker 3: entrance and so I didn't move. And then also the

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Speaker 3: lights are motion activated, so I took a couple of pictures.

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Speaker 3: Yes you got because I said, this is a stunning entrance. Yeah,

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Speaker 3: and I love an entrance. And then I moved and

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Speaker 3: I don't really know what happened, Like different radio stations play. Yeah,

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Speaker 3: I was walking and it was impressive.

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Speaker 1: It's funny we've tried to explain on an air before

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Speaker 1: we can try again. I mean, it's sort of like

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Speaker 1: it is a motion activated walkway where every step you

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Speaker 1: take you hear a different audio cue.

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Speaker 2: Sort of like a different station.

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Speaker 1: I think, yes, a different station you know, to signify

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Speaker 1: the concept of iHeartRadio, the.

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Speaker 3: Radio, the radio, questerner hearing channel switch like that. I

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Speaker 3: was really calmed by.

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Speaker 1: I do think if it was up to us, potentially

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Speaker 1: we could do just one audio track of RuPaul saying,

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Speaker 1: come a girl, put some space and yo exactly.

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Speaker 2: That would actually be really help.

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Speaker 3: That would be fun. Is she here? Let's give her

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Speaker 3: the tip?

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Speaker 1: Oh, I'm sure. I mean, look at the space. This

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Speaker 1: is what our house looks like.

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Speaker 3: And I did watch that.

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Speaker 1: Yeah, Okay, here's my question for you, as someone who

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Speaker 1: recently took a photograph in an Instagram bait space. You know,

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Speaker 1: a space, the hallway, the hallway, it's like it's like

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Speaker 1: it's a space that is begging, begging to be instagram.

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Speaker 3: Yeah.

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Speaker 1: When you are in a space that is literally made

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Speaker 1: to be photographed shared, is it sort of chic er

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Speaker 1: cooler to pretend you don't notice it and scoff at

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Speaker 1: people who'd photograph it? Or is that a lost cause

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Speaker 1: and we all have to just be like, you know what,

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Speaker 1: we respect the workers that built this, you know ya

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Speaker 1: yo Kusama Infinity room, and therefore I shall take a

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Speaker 1: selfie inside of it.

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Speaker 3: Yeah, I think you know this is iHeart radio and

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Speaker 3: I'm in show business, and they've built this entrance to

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Speaker 3: sort of make a statement when you walk off the

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Speaker 3: elevator you're here right now. So yeah, I'm going to

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Speaker 3: take a picture right Yeah, And I don't have any

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Speaker 3: shame in that. Yeah, I think like a step in

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Speaker 3: repeat that you know, might be for brands that aren't

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Speaker 3: necessarily you know, Blackstone or some of these major corporate

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Speaker 3: for like you want to be photographed with right war

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Speaker 3: war bongers, of course. Yeah, I have no shame in.

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Speaker 1: That, in supporting a small business Kettle Chips exactly.

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Speaker 2: You know, Peter, One thing I think you do. I

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Speaker 2: think you have a good head on your shoulders around

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Speaker 2: the fact that you are in show business. I think

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Speaker 2: sometimes I like to pretend I'm not and that I'm

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Speaker 2: not even thinking about it, and I'm sort of like, yeah,

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Speaker 2: like I'm just it just happens, like I just happened

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Speaker 2: to be on stage. I just happened to be pursuing

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Speaker 2: this thing. I just happened to be here. And I

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Speaker 2: think you going in knowingly it's like something I can

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Speaker 2: learn from.

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Speaker 3: You know, there's no reason to be blase about really anything.

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Speaker 2: Well, you're talking to them.

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Speaker 3: Brothers. Yeah, you know, show business, you gotta be I

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Speaker 3: think you know you're aware. You were just talking about

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Speaker 3: Rue Paul. You know, business a hyper participant, you know,

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Speaker 3: love the woman, but that's a hyper participant.

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Speaker 2: Of course, of course.

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Speaker 3: Yes, but yeah, I think ultimately I think all of

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Speaker 3: America is in show business.

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Speaker 1: Well and now, well, yeah.

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Speaker 3: So you know, I'm just mostly aware of that.

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Speaker 1: Do you think that? Maybe then the issue is not

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Speaker 1: whether someone is or is not in show business, but

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Speaker 1: it's like the level of awareness one has about being

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Speaker 1: in show business. It's like, Okay, everyone in America is

439
00:21:25,480 --> 00:21:29,879
Speaker 1: in show business, and what is the healthiest level of

440
00:21:29,920 --> 00:21:31,159
Speaker 1: awareness to have about that?

441
00:21:31,720 --> 00:21:35,960
Speaker 3: Yeah? I don't know. Because if you have social media, yeah,

442
00:21:36,160 --> 00:21:40,480
Speaker 3: you ultimately have a channel for yourself, right, No matter

443
00:21:40,520 --> 00:21:43,480
Speaker 3: if you want to play coy and you know, post

444
00:21:43,560 --> 00:21:46,520
Speaker 3: things that are a dead rat yeah or whatever, you're

445
00:21:46,600 --> 00:21:51,000
Speaker 3: still making images for people to consume with a media

446
00:21:51,080 --> 00:21:55,440
Speaker 3: company helping you do that. Yes, so yeah, that takes

447
00:21:55,440 --> 00:21:57,680
Speaker 3: the fun out of it. And something I'm known to

448
00:21:57,720 --> 00:21:59,880
Speaker 3: do is gonna suck the fun out of certain thing.

449
00:22:01,400 --> 00:22:05,080
Speaker 1: Well, sometimes you have to as sometimes resistance because sometimes

450
00:22:05,080 --> 00:22:08,200
Speaker 1: fun is feels compulsory, and you're saying, well, what if

451
00:22:08,200 --> 00:22:10,800
Speaker 1: I don't want to have the signature cocktail at this

452
00:22:10,800 --> 00:22:14,159
Speaker 1: brand activation, maybe that can be a way to resist.

453
00:22:14,200 --> 00:22:17,439
Speaker 3: What if I don't want the cucumber bombay? You know,

454
00:22:17,480 --> 00:22:19,520
Speaker 3: maybe you have to bleep out the alcohol brand.

455
00:22:19,560 --> 00:22:23,280
Speaker 1: But no, no, no, I can say, you know what

456
00:22:23,320 --> 00:22:25,520
Speaker 1: they should have. I just thought of the most incredible

457
00:22:25,520 --> 00:22:26,760
Speaker 1: capitalist idea.

458
00:22:26,920 --> 00:22:27,480
Speaker 3: You know how.

459
00:22:29,760 --> 00:22:32,480
Speaker 1: Okay, you know how there are sponsors, there should be

460
00:22:32,520 --> 00:22:36,000
Speaker 1: anti sponsors where, for instance, Coca Cola pays you to

461
00:22:36,200 --> 00:22:37,280
Speaker 1: talk about pepsi.

462
00:22:38,080 --> 00:22:43,119
Speaker 3: Oh that happens though, do you with cocain pepsi? I

463
00:22:43,160 --> 00:22:44,440
Speaker 3: firmly believe that there's.

464
00:22:44,280 --> 00:22:46,439
Speaker 1: Like, isn't there some law against that? Where it's like.

465
00:22:47,200 --> 00:22:48,600
Speaker 3: There's a lot of laws, there's a lot.

466
00:22:48,480 --> 00:22:53,120
Speaker 1: Of started haven't followed followed one yet?

467
00:22:53,640 --> 00:22:54,000
Speaker 3: Yeah?

468
00:22:54,240 --> 00:22:56,720
Speaker 1: Okay, all right, So but because I think, you know,

469
00:22:56,760 --> 00:22:59,760
Speaker 1: it's funny we I would be so much more comfortable

470
00:23:00,119 --> 00:23:02,840
Speaker 1: being paid to ship on a brand than being paid

471
00:23:02,840 --> 00:23:04,479
Speaker 1: to promote one. And I actually think we could make

472
00:23:04,480 --> 00:23:05,920
Speaker 1: a lot of money on this podcast that way.

473
00:23:06,000 --> 00:23:07,919
Speaker 2: Oh yeah, and I'd mock anything.

474
00:23:07,640 --> 00:23:12,080
Speaker 3: Yes, But I think brands are saving money by making

475
00:23:12,119 --> 00:23:14,600
Speaker 3: people mock it on the internet. For free advertising.

476
00:23:14,640 --> 00:23:16,480
Speaker 1: Oh, that's a very that's a good point.

477
00:23:16,520 --> 00:23:21,080
Speaker 3: Yeah, because mocking is something for them, like mocking thing

478
00:23:21,119 --> 00:23:21,960
Speaker 3: you do naturally.

479
00:23:22,080 --> 00:23:25,040
Speaker 1: Okay, this actually points to an even darker sort of thing,

480
00:23:25,040 --> 00:23:28,160
Speaker 1: which is, let's go there, positivity is the thing you

481
00:23:28,800 --> 00:23:33,879
Speaker 1: pay for. It's like you are. Because let's say a

482
00:23:33,920 --> 00:23:39,800
Speaker 1: brand wants to be LGBTQ LGBTQ. Okay, hold on, Let's

483
00:23:39,800 --> 00:23:43,080
Speaker 1: say a brand wants to pay an LGBTQ influencer to

484
00:23:43,119 --> 00:23:46,159
Speaker 1: promote the brand. They are paying for positive for positivity

485
00:23:46,200 --> 00:23:49,240
Speaker 1: around that brand. But as you said, no one has

486
00:23:49,280 --> 00:23:50,720
Speaker 1: to pay for negativity because there's so much of it

487
00:23:50,800 --> 00:23:54,040
Speaker 1: out there. Now, here's a situation that creates It creates

488
00:23:54,080 --> 00:23:58,000
Speaker 1: a situation where so much positivity is artificial, it is

489
00:23:58,119 --> 00:24:01,960
Speaker 1: paid for, and it is not authentic, whereas negativity, mostly speaking,

490
00:24:02,160 --> 00:24:06,640
Speaker 1: is authentic. Then in turn, that creates an environment where

491
00:24:06,640 --> 00:24:11,520
Speaker 1: positivity is always something to be suspicious of because there

492
00:24:11,560 --> 00:24:15,040
Speaker 1: is so much artificial positivity, and that's why flop people

493
00:24:15,040 --> 00:24:19,040
Speaker 1: flocked to negativity even more, creating this vicious cycle of

494
00:24:19,119 --> 00:24:21,640
Speaker 1: inauthentic positivity and authentic negativity.

495
00:24:22,200 --> 00:24:25,359
Speaker 2: Wow, thoughts, I have thoughts. I think true, that's a

496
00:24:25,400 --> 00:24:29,040
Speaker 2: genius statement, Yeah.

497
00:24:28,400 --> 00:24:31,440
Speaker 3: I should we wrap boys.

498
00:24:31,560 --> 00:24:36,320
Speaker 2: Yeah, this has been Stradio Lab. Check us out on

499
00:24:36,440 --> 00:24:39,639
Speaker 2: iHeart wherever you get your iHeart podcasts.

500
00:24:39,240 --> 00:24:41,120
Speaker 1: With an ice cold glass of pepsi.

501
00:24:42,440 --> 00:24:45,960
Speaker 3: Yeah, or bud light or budd Light, bud Light, bud pepsi.

502
00:24:46,720 --> 00:24:47,640
Speaker 2: Oh, they should make that.

503
00:24:47,760 --> 00:24:49,560
Speaker 1: Oh no, they should should.

504
00:24:50,800 --> 00:24:53,080
Speaker 3: I'm trying to imagine it. No, it wouldn't be good.

505
00:24:53,600 --> 00:24:54,880
Speaker 1: What is your ideal beverage?

506
00:24:56,880 --> 00:24:58,920
Speaker 3: You're staring for the listeners at home. George is staring

507
00:24:59,000 --> 00:25:03,919
Speaker 3: straight into my eyes and that question my ideal beverage? Uh,

508
00:25:03,960 --> 00:25:08,040
Speaker 3: you know, I like there's this. I don't know this

509
00:25:08,080 --> 00:25:09,800
Speaker 3: is ideal, but right now, this is what's coming to

510
00:25:09,840 --> 00:25:15,000
Speaker 3: my brain. There's an alcohol called parano okay, which is

511
00:25:15,040 --> 00:25:20,520
Speaker 3: like a finally a bidder. Oh I love that. Yeah. Yeah,

512
00:25:21,359 --> 00:25:25,280
Speaker 3: it's not uzzo, but it has and when you mix

513
00:25:25,320 --> 00:25:27,960
Speaker 3: it with water, it's like this bright green and then

514
00:25:28,000 --> 00:25:30,080
Speaker 3: when you mix it with water it becomes this kind

515
00:25:30,119 --> 00:25:34,399
Speaker 3: of cloudy. Yeah. So the fact that it kind of

516
00:25:35,119 --> 00:25:39,080
Speaker 3: is magical. And also I like the taste of that

517
00:25:39,920 --> 00:25:43,720
Speaker 3: flavor with a little eyes so the sun shining, Oh

518
00:25:43,800 --> 00:25:49,000
Speaker 3: my god. That is a beverage or a giant diet

519
00:25:49,040 --> 00:25:52,480
Speaker 3: coke from any fast food restaurant. That's the McDonald's. I

520
00:25:52,520 --> 00:25:55,320
Speaker 3: like their the chemistry the best.

521
00:25:55,520 --> 00:25:58,840
Speaker 1: I think it's like gun to my head, a diet

522
00:25:58,880 --> 00:26:02,960
Speaker 1: coke specific, thickly in the cup holder of a movie

523
00:26:02,960 --> 00:26:05,560
Speaker 1: theater seat m specific.

524
00:26:05,640 --> 00:26:08,040
Speaker 2: That's the ideal. Yeah, it has to Context is everything.

525
00:26:08,080 --> 00:26:10,480
Speaker 1: Context is everything, and actually that's something we forget as

526
00:26:10,520 --> 00:26:12,639
Speaker 1: a society, and that's why there's a crisis of negativity

527
00:26:12,640 --> 00:26:14,199
Speaker 1: and and authentic positivity.

528
00:26:14,200 --> 00:26:16,159
Speaker 2: Well, the context is stripped of the Internet, as we

529
00:26:16,200 --> 00:26:17,520
Speaker 2: all know exactly.

530
00:26:17,080 --> 00:26:19,960
Speaker 1: It's absolutely I mean, context collapse is literally the number

531
00:26:19,960 --> 00:26:22,679
Speaker 1: one issue facing our nation, and literally Joe Biden refuses

532
00:26:22,720 --> 00:26:23,360
Speaker 1: to talk about it.

533
00:26:23,440 --> 00:26:24,480
Speaker 2: Wake up, sleepy, Joe.

534
00:26:25,000 --> 00:26:28,840
Speaker 3: Yeah, did you take your adderall? Baby? Doctor Jill pop

535
00:26:28,840 --> 00:26:29,520
Speaker 3: in those adderalls?

536
00:26:29,800 --> 00:26:32,600
Speaker 1: I was on the drug cocktail that Joe Biden is on,

537
00:26:32,640 --> 00:26:35,840
Speaker 1: I would die. Well yeah, well, but you'd also finished

538
00:26:35,840 --> 00:26:39,040
Speaker 1: that novel because you're alive. Because that's right.

539
00:26:39,080 --> 00:26:41,040
Speaker 3: It would have the opposite effect for him, it brings

540
00:26:41,080 --> 00:26:43,600
Speaker 3: him to life, evan essence, and for me it kills me.

541
00:26:43,720 --> 00:26:47,119
Speaker 2: Yes, well, should we do our first, Like, okay, why not?

542
00:26:47,880 --> 00:26:52,400
Speaker 2: Because I actually have something regarding with podcasting being a skill. Again,

543
00:26:53,040 --> 00:26:54,960
Speaker 2: regarding diet coke and our topic that I want to

544
00:26:55,000 --> 00:27:02,040
Speaker 2: get to. Oh, okay, great, Okay, Peter. Our first segment

545
00:27:02,080 --> 00:27:03,800
Speaker 2: is called straight Shooters, and in this segment we ask

546
00:27:03,840 --> 00:27:05,840
Speaker 2: you a series of rapid fire questions to gain your

547
00:27:05,840 --> 00:27:08,679
Speaker 2: familiarity with and complicity in straight culture. It's basically this

548
00:27:08,720 --> 00:27:10,960
Speaker 2: thing or this other thing. And the only rule is

549
00:27:11,000 --> 00:27:12,960
Speaker 2: you can't ask any follow up questions or we will

550
00:27:13,040 --> 00:27:16,400
Speaker 2: be so furious you will not hear the end of it.

551
00:27:16,520 --> 00:27:21,680
Speaker 2: I swear, got it perfect, okay, George, by kick ass off.

552
00:27:21,880 --> 00:27:28,119
Speaker 1: I would love to Peter being blurbed by Zadi Smith

553
00:27:28,720 --> 00:27:30,400
Speaker 1: or using the whole lemon, even the.

554
00:27:30,359 --> 00:27:33,920
Speaker 3: Pith, using the whole lemon, even the pith. Wow, Peter

555
00:27:34,800 --> 00:27:39,200
Speaker 3: t mobile or g Unit g unit wearing white pants

556
00:27:39,240 --> 00:27:41,879
Speaker 3: after labor day or wearing no shirt under your blazer.

557
00:27:41,960 --> 00:27:42,920
Speaker 1: But it's not a sleigh.

558
00:27:43,000 --> 00:27:44,200
Speaker 3: White pants after labor day?

559
00:27:44,920 --> 00:27:46,880
Speaker 2: Let him cook or let them eat cake?

560
00:27:47,680 --> 00:27:49,399
Speaker 3: Let them eat cake?

561
00:27:50,560 --> 00:27:51,679
Speaker 1: Aw, that's cute.

562
00:27:51,840 --> 00:27:54,639
Speaker 3: Or oh I'm sure, Oh I'm sure?

563
00:27:54,880 --> 00:27:58,520
Speaker 2: Whoa cured meats? Or impure thoughts?

564
00:28:02,680 --> 00:28:06,600
Speaker 1: Impure thoughts being arrested for listening to Limp biscuit or

565
00:28:06,600 --> 00:28:09,360
Speaker 1: being hospitalized for being too limp wristed.

566
00:28:11,600 --> 00:28:14,680
Speaker 3: Being hospitalized for being too limp wristed.

567
00:28:15,080 --> 00:28:19,360
Speaker 2: Okay, every rose has its thorn or Christ the Savior

568
00:28:19,480 --> 00:28:20,159
Speaker 2: is born.

569
00:28:23,119 --> 00:28:27,800
Speaker 3: Those are sort of synonyms. But Christ the Savior is born. Wow,

570
00:28:28,359 --> 00:28:30,199
Speaker 3: can I say something gone rotial? Please?

571
00:28:30,520 --> 00:28:31,399
Speaker 1: One thousand doves?

572
00:28:31,480 --> 00:28:32,520
Speaker 2: I fully agree that.

573
00:28:32,560 --> 00:28:35,320
Speaker 1: So we rank everyone from a zero to one thousand doves.

574
00:28:36,040 --> 00:28:39,800
Speaker 1: I was literally gonna say, you know, you were floating.

575
00:28:41,800 --> 00:28:44,240
Speaker 1: You were floating in the nine hundred to one thousand range.

576
00:28:44,560 --> 00:28:47,360
Speaker 1: But here's what really did it for me? Please, So

577
00:28:47,400 --> 00:28:50,320
Speaker 1: we have confident answer for each one. We're moving along.

578
00:28:50,920 --> 00:28:53,480
Speaker 1: Peter decides for the last one, they're gonna make a

579
00:28:53,480 --> 00:28:53,960
Speaker 1: little joke.

580
00:28:54,280 --> 00:28:57,160
Speaker 3: Yeah, Jesus Christ is a joke or meaning both being

581
00:28:57,160 --> 00:28:59,320
Speaker 3: synonyms being synonyms.

582
00:28:59,360 --> 00:29:03,600
Speaker 1: Right, yeah, exactly, No, but you know a little commentary,

583
00:29:03,720 --> 00:29:06,040
Speaker 1: you know what I mean? Question after you are, no questions,

584
00:29:06,040 --> 00:29:09,960
Speaker 1: of course, after you are you're answering each one confidently.

585
00:29:10,160 --> 00:29:11,320
Speaker 1: And then with the last one, and by the way,

586
00:29:11,320 --> 00:29:12,800
Speaker 1: you didn't even know it was the last one, but

587
00:29:12,880 --> 00:29:15,440
Speaker 1: you suspected. This is one where I want to well,

588
00:29:15,480 --> 00:29:17,680
Speaker 1: you have such a sense of arc exactly.

589
00:29:17,800 --> 00:29:18,760
Speaker 3: I can hear in your voices.

590
00:29:18,840 --> 00:29:21,160
Speaker 2: Yeah, yeah, yeah, well and I listened to.

591
00:29:21,080 --> 00:29:22,040
Speaker 3: The I know your flow.

592
00:29:22,280 --> 00:29:25,080
Speaker 2: Oh you know well, And I was thinking even like

593
00:29:25,400 --> 00:29:28,160
Speaker 2: you know, that segment of course is performance based. It's

594
00:29:28,200 --> 00:29:30,880
Speaker 2: it's not about right or wrong. It's about how what

595
00:29:30,920 --> 00:29:35,360
Speaker 2: your feelings are. And I think what you nailed was

596
00:29:35,840 --> 00:29:38,840
Speaker 2: giving us actually a beautiful tone to your voice that

597
00:29:38,960 --> 00:29:41,520
Speaker 2: I feel like, you know these comedians to come on here,

598
00:29:44,720 --> 00:29:46,240
Speaker 2: and you I was like, you know, thank you for

599
00:29:46,320 --> 00:29:48,760
Speaker 2: understanding this segment is a song, right, and it needs

600
00:29:49,000 --> 00:29:50,800
Speaker 2: it needs to be treated with respects and aria.

601
00:29:51,080 --> 00:29:54,160
Speaker 3: Yeah, you put time into this. Yes, I don't know

602
00:29:54,160 --> 00:29:54,600
Speaker 3: how much.

603
00:29:55,400 --> 00:29:56,200
Speaker 1: Fifteen minutes.

604
00:29:56,280 --> 00:29:57,800
Speaker 3: Yeah, you didn't have to see.

605
00:29:57,640 --> 00:29:58,600
Speaker 2: You fifteen minutes too.

606
00:29:58,880 --> 00:29:59,120
Speaker 1: Yeah.

607
00:29:59,280 --> 00:30:00,920
Speaker 2: Every time, I'm like, it's just give me fifteen.

608
00:30:01,480 --> 00:30:03,760
Speaker 3: I'm imagining it's your sort of morning pages, like you

609
00:30:03,800 --> 00:30:04,720
Speaker 3: wake up and you're.

610
00:30:04,560 --> 00:30:08,440
Speaker 1: Like Tupperware, yeah exactly, or.

611
00:30:08,360 --> 00:30:10,440
Speaker 3: Tupper you know something something like that, or Jesseware.

612
00:30:10,520 --> 00:30:13,920
Speaker 1: It is actually, Wow, I see that's a pro Oh temper,

613
00:30:14,160 --> 00:30:16,280
Speaker 1: write that down, Tupperware. I might have done that one before.

614
00:30:16,680 --> 00:30:22,120
Speaker 3: Sure, well you'll never tell out repeat Wow.

615
00:30:22,480 --> 00:30:23,880
Speaker 1: I mean it is true that it's a good way

616
00:30:23,920 --> 00:30:26,120
Speaker 1: to get the creative juices flowing. Maybe that's my book

617
00:30:26,480 --> 00:30:29,120
Speaker 1: is teaching everywhere everyone how to do straight shooters as

618
00:30:29,160 --> 00:30:31,760
Speaker 1: a way to uh be creative.

619
00:30:31,840 --> 00:30:32,520
Speaker 2: I'm gonna be honest.

620
00:30:32,560 --> 00:30:34,240
Speaker 3: It doesn't sound like a book, but it does sound

621
00:30:34,920 --> 00:30:36,320
Speaker 3: have you seen some of the books out there?

622
00:30:38,200 --> 00:30:41,040
Speaker 2: It does sound like sort of a speaking lecture series.

623
00:30:41,120 --> 00:30:42,120
Speaker 1: Oh even more lucrative.

624
00:30:42,240 --> 00:30:44,120
Speaker 2: Yeah. I think then you don't even have to write

625
00:30:44,120 --> 00:30:46,840
Speaker 2: the book show up yeah, yeah, zoom, like.

626
00:30:46,800 --> 00:30:48,320
Speaker 3: You don't have to have in person. Yeah.

627
00:30:48,360 --> 00:30:51,080
Speaker 1: If you were employed.

628
00:30:50,960 --> 00:30:54,200
Speaker 3: As if I end there, if I was, what would

629
00:30:54,200 --> 00:30:55,040
Speaker 3: happen if you.

630
00:30:55,000 --> 00:30:57,760
Speaker 1: Were employed as a sort of speaker of corporate events?

631
00:30:57,800 --> 00:31:01,760
Speaker 1: What do you think you're would be? What story would

632
00:31:01,760 --> 00:31:06,240
Speaker 1: you tell to inspire the middle level managers? Adam Morgan Stanley.

633
00:31:05,840 --> 00:31:10,959
Speaker 3: Wow, I would tell the story of Jesus Christ.

634
00:31:10,960 --> 00:31:12,800
Speaker 2: Oh that's good, That's really good.

635
00:31:13,760 --> 00:31:17,880
Speaker 3: I would tell like a personal story anything like.

636
00:31:18,760 --> 00:31:20,800
Speaker 2: I mean, what I'm thinking is like, how would you

637
00:31:21,000 --> 00:31:24,480
Speaker 2: use your expertise to inspire them to continue their way?

638
00:31:24,560 --> 00:31:24,760
Speaker 3: Yeah?

639
00:31:24,760 --> 00:31:27,520
Speaker 1: You know what I would do? What I would say?

640
00:31:27,720 --> 00:31:30,320
Speaker 1: You know, as someone who grew up between two cultures,

641
00:31:30,720 --> 00:31:34,560
Speaker 1: I I've always been an outsider in America. I feel

642
00:31:34,560 --> 00:31:36,680
Speaker 1: like I'm Greek in Greece, I feel like I'm American.

643
00:31:37,200 --> 00:31:42,240
Speaker 1: You think that is a handicap, it's your superpower.

644
00:31:42,920 --> 00:31:46,520
Speaker 3: It's always the superpower. Any handicap is always going to

645
00:31:46,520 --> 00:31:49,800
Speaker 3: be your superpower. Yeah, yeah, yeah, But I think I

646
00:31:49,840 --> 00:31:54,320
Speaker 3: would probably just go up, make them all get into line,

647
00:31:54,400 --> 00:31:57,200
Speaker 3: single file, huh. And I'd probably look them dead in

648
00:31:57,200 --> 00:32:01,239
Speaker 3: the eyes and I would say, money's not real. You

649
00:32:01,280 --> 00:32:06,040
Speaker 3: do is fantasy. Yeah, and that's where we we we

650
00:32:06,080 --> 00:32:08,400
Speaker 3: meet in this space of fantasy, and I lose.

651
00:32:09,400 --> 00:32:10,440
Speaker 2: That's actually kind of powerful.

652
00:32:10,480 --> 00:32:12,680
Speaker 1: That could be so powerful that a you would never

653
00:32:12,720 --> 00:32:16,440
Speaker 1: be invited back exactly and be a violent and there

654
00:32:16,440 --> 00:32:20,479
Speaker 1: once brought it down a violent I'm thinking Ridley Scott's

655
00:32:20,520 --> 00:32:24,600
Speaker 1: the Last Duel, a sort of violent sword based fight

656
00:32:24,720 --> 00:32:29,080
Speaker 1: would happen. I think that the clipboard woman that brought

657
00:32:29,080 --> 00:32:31,480
Speaker 1: you in would actually get you home safely, but someone

658
00:32:31,480 --> 00:32:32,240
Speaker 1: else would die.

659
00:32:32,400 --> 00:32:36,080
Speaker 3: She'd be like that was really cool. Speakers normally like

660
00:32:36,120 --> 00:32:39,040
Speaker 3: that we had, you know, I wouldn't even know who

661
00:32:39,040 --> 00:32:41,120
Speaker 3: came last week, and then I should need to be

662
00:32:41,120 --> 00:32:44,000
Speaker 3: saying this, but thanks for speaking up. I think that

663
00:32:44,040 --> 00:32:51,040
Speaker 3: way too, And then on the chest she's like goodbye.

664
00:32:51,640 --> 00:32:53,480
Speaker 1: She's like, by the way, come to my impress show.

665
00:32:55,320 --> 00:32:55,520
Speaker 3: Yeah.

666
00:32:56,320 --> 00:32:59,560
Speaker 2: Wow, Yeah, I'm trying to think what my inspirational talk

667
00:32:59,600 --> 00:33:06,040
Speaker 2: would be oh you know what. Okay, yeah, okay, Mine

668
00:33:06,040 --> 00:33:09,240
Speaker 2: would actually be inspired by the Pennsylvania story. And I

669
00:33:09,240 --> 00:33:11,520
Speaker 2: think it would be you know.

670
00:33:11,600 --> 00:33:13,720
Speaker 3: Shut down, not saying anything.

671
00:33:14,080 --> 00:33:15,520
Speaker 2: And I think I would be sort of like, like,

672
00:33:15,640 --> 00:33:17,360
Speaker 2: I think it's important that you said, like, you know,

673
00:33:17,440 --> 00:33:21,560
Speaker 2: they're comparing or I keep comparing them to me and

674
00:33:21,560 --> 00:33:23,760
Speaker 2: saying like I say, like you should be grateful for.

675
00:33:23,760 --> 00:33:25,160
Speaker 1: The centering yourself.

676
00:33:25,280 --> 00:33:28,600
Speaker 2: Yeah, And I think, you know, that would be sort

677
00:33:28,640 --> 00:33:31,520
Speaker 2: of my lesson to teach, like empathy, empathy and not

678
00:33:31,560 --> 00:33:35,680
Speaker 2: even that, but like, think about what you have that

679
00:33:35,840 --> 00:33:38,400
Speaker 2: someone else would value that you don't value because you

680
00:33:38,400 --> 00:33:40,680
Speaker 2: see it every day. Every day I wake up and

681
00:33:40,720 --> 00:33:43,880
Speaker 2: I say, thank god, I have a coffee shop right there.

682
00:33:44,440 --> 00:33:46,440
Speaker 2: Thank god. My apartment is so small and all the

683
00:33:46,480 --> 00:33:48,160
Speaker 2: apartments are so small so that I can walk around

684
00:33:48,160 --> 00:33:51,040
Speaker 2: this damn city. Thank God I don't need to fix

685
00:33:51,120 --> 00:33:53,000
Speaker 2: up a car and to drive around and I can

686
00:33:53,040 --> 00:33:54,880
Speaker 2: just sort of stroll. And yes, I get yelled down

687
00:33:54,840 --> 00:33:56,560
Speaker 2: on the street, but it's better than getting yelled at

688
00:33:56,840 --> 00:33:57,920
Speaker 2: in a Wendy's.

689
00:33:59,160 --> 00:33:59,320
Speaker 3: You know.

690
00:33:59,360 --> 00:34:01,600
Speaker 1: I do think we sort of described the three possible

691
00:34:01,640 --> 00:34:05,760
Speaker 1: types of corporate speakers. One can be it's like human

692
00:34:05,840 --> 00:34:09,839
Speaker 1: centered empathy with Sam's take. With my take, it's more

693
00:34:10,040 --> 00:34:15,040
Speaker 1: just like anything you do immediately commercialized, immediately make it

694
00:34:15,040 --> 00:34:17,560
Speaker 1: into a product. It's like your identity, that's a product.

695
00:34:18,320 --> 00:34:22,000
Speaker 1: And then with Peter it's the more sort of radical

696
00:34:22,040 --> 00:34:25,439
Speaker 1: approach where you are it's the person getting up and

697
00:34:25,680 --> 00:34:27,520
Speaker 1: ripping up their piece of paper that they have prepared

698
00:34:27,520 --> 00:34:29,480
Speaker 1: and they're like, you know what, actually I do have

699
00:34:29,520 --> 00:34:30,160
Speaker 1: something to say.

700
00:34:30,320 --> 00:34:32,440
Speaker 2: It's kind of always the end of the film, you know,

701
00:34:32,600 --> 00:34:33,600
Speaker 2: or the climax of the film.

702
00:34:33,680 --> 00:34:37,279
Speaker 3: Yeah, credits were all when I leave Morgan Stanley. Yeah,

703
00:34:37,360 --> 00:34:38,160
Speaker 3: well it's difficult for you.

704
00:34:38,239 --> 00:34:40,280
Speaker 1: Every time you enter a room, credits start to roll.

705
00:34:41,120 --> 00:34:43,480
Speaker 3: And I sing, I sing the final song. You have

706
00:34:43,600 --> 00:34:45,520
Speaker 3: so much gravitize that people are like, well, this must

707
00:34:45,560 --> 00:34:47,719
Speaker 3: be the final scene. And then I take the mic

708
00:34:47,760 --> 00:34:55,480
Speaker 3: and I sing, yeah a Thousand Doves. Sam instagrammed the

709
00:34:55,560 --> 00:35:00,000
Speaker 3: Thousand Doves remix when it came out years ago, Yeah,

710
00:35:00,239 --> 00:35:01,600
Speaker 3: and I was like, oh, I haven't listened to this.

711
00:35:02,520 --> 00:35:06,279
Speaker 3: It's incredible. Yeah, every time I play it, I'm like,

712
00:35:06,400 --> 00:35:07,280
Speaker 3: thank God for Sam.

713
00:35:07,360 --> 00:35:10,040
Speaker 2: Wow, that actually makes me feel so good because I

714
00:35:10,120 --> 00:35:12,719
Speaker 2: was also so moved by that song. It is so good.

715
00:35:13,239 --> 00:35:19,759
Speaker 3: The original on the Chromatica of course whatever I don't

716
00:35:19,880 --> 00:35:21,279
Speaker 3: care for, it doesn't speak to me. Skip it.

717
00:35:21,320 --> 00:35:22,160
Speaker 2: One of my least favorites.

718
00:35:22,280 --> 00:35:24,160
Speaker 3: Yeah, on the remix, the only one I listened to

719
00:35:24,280 --> 00:35:26,880
Speaker 3: from that so iconic, the Little Sense solo. Are you

720
00:35:27,000 --> 00:35:27,400
Speaker 3: kidding me?

721
00:35:27,680 --> 00:35:28,440
Speaker 2: So? Lol?

722
00:35:30,200 --> 00:35:36,560
Speaker 1: So, and yet no one wants to listen to Signs

723
00:35:36,600 --> 00:35:41,920
Speaker 1: from Above after all these years the one literally and

724
00:35:42,000 --> 00:35:44,640
Speaker 1: I'm I have been alone in this fight for years.

725
00:35:44,920 --> 00:35:48,360
Speaker 1: I keep expecting it is so perfectly calibrated to be

726
00:35:48,640 --> 00:35:52,080
Speaker 1: a sort of camp hit, and yet no one's biting.

727
00:35:52,800 --> 00:35:54,640
Speaker 1: No one is biting because her.

728
00:35:54,560 --> 00:35:57,360
Speaker 3: Lyrics are already sort of mad libs. Sure, it's like

729
00:35:57,480 --> 00:36:07,600
Speaker 3: mental health, queer cars and leather downtown. Mental health, queer

730
00:36:07,640 --> 00:36:08,760
Speaker 3: cars and leather downtown.

731
00:36:08,840 --> 00:36:09,239
Speaker 1: That's her.

732
00:36:09,920 --> 00:36:12,400
Speaker 3: So sign from Above was this like what is this

733
00:36:12,600 --> 00:36:17,560
Speaker 3: math metaphor? Right? Yeah, it's like she's clearly talking about

734
00:36:17,600 --> 00:36:20,640
Speaker 3: something else, like some sort of parapola. I don't know,

735
00:36:20,719 --> 00:36:21,959
Speaker 3: but it just doesn't work.

736
00:36:22,160 --> 00:36:25,759
Speaker 1: It's so you know, it's crazy because it really guess what,

737
00:36:25,840 --> 00:36:28,520
Speaker 1: there's a pot for every lid and Lady Gaga and

738
00:36:28,640 --> 00:36:32,000
Speaker 1: Me found her pot. Lady Goga and Nelton John found

739
00:36:32,040 --> 00:36:33,000
Speaker 1: their pot finally.

740
00:36:33,480 --> 00:36:36,080
Speaker 3: Wow, right, it was the that's them two on it.

741
00:36:36,239 --> 00:36:38,560
Speaker 1: Yeah, well that's the other thing is like Lady Gaga's

742
00:36:38,600 --> 00:36:42,080
Speaker 1: going off, she's screaming, she's losing her voice. All were like,

743
00:36:42,120 --> 00:36:45,160
Speaker 1: all right, fine, and that's ober. Then this continue is

744
00:36:45,360 --> 00:36:49,239
Speaker 1: and Elton John comes in truly, like on the Joe

745
00:36:49,280 --> 00:36:56,480
Speaker 1: Biden Drug Cocktail, he is like flying on cloud nine.

746
00:36:57,120 --> 00:36:58,440
Speaker 2: His voice is so funny.

747
00:36:58,800 --> 00:37:01,480
Speaker 3: It's so funny, and yet no one even thinks it's

748
00:37:01,520 --> 00:37:04,439
Speaker 3: fun No one talks about it. It's like, how can

749
00:37:04,480 --> 00:37:07,759
Speaker 3: you put out something so legitimately insane into the world

750
00:37:07,840 --> 00:37:09,040
Speaker 3: and have it make no impact?

751
00:37:09,160 --> 00:37:09,239
Speaker 2: It?

752
00:37:09,320 --> 00:37:09,640
Speaker 1: Really?

753
00:37:09,920 --> 00:37:12,920
Speaker 2: I mean no, you're completely right, I mean fully convinced.

754
00:37:12,960 --> 00:37:14,640
Speaker 2: This is the best argument I've ever heard justice for

755
00:37:14,719 --> 00:37:15,440
Speaker 2: Sign from Above.

756
00:37:15,520 --> 00:37:18,440
Speaker 1: But it's like someone someone is there's dark money there

757
00:37:18,480 --> 00:37:19,359
Speaker 1: that is suppressing it.

758
00:37:19,920 --> 00:37:23,000
Speaker 2: Yeah, they paid, they paid negative influencers to ship talk

759
00:37:23,040 --> 00:37:24,200
Speaker 2: it and get it to disappeared.

760
00:37:24,239 --> 00:37:27,040
Speaker 1: Oh my god, it's that. It's that negativity we're talking about.

761
00:37:27,160 --> 00:37:29,240
Speaker 1: Someone finally found a way to make it lucrative.

762
00:37:29,640 --> 00:37:32,360
Speaker 3: It's like that song was like this is Everyone's like,

763
00:37:32,400 --> 00:37:35,319
Speaker 3: do we keep it? It's like, you know what we

764
00:37:35,360 --> 00:37:38,000
Speaker 3: can do to keep it is put Elton John on it. Yeah,

765
00:37:38,040 --> 00:37:41,360
Speaker 3: and then it's become something because it's really not anything.

766
00:37:41,400 --> 00:37:42,600
Speaker 3: I couldn't he tell you the tune.

767
00:37:42,760 --> 00:37:45,839
Speaker 2: I actually can't think of how it goes when I was.

768
00:37:48,080 --> 00:37:48,520
Speaker 3: That's it.

769
00:37:50,320 --> 00:37:52,880
Speaker 2: And I know no no no no no no no.

770
00:37:53,239 --> 00:37:54,040
Speaker 1: Then nothing there?

771
00:37:54,440 --> 00:37:58,920
Speaker 3: Oh sure, sure sure Elton John, Elton.

772
00:37:58,719 --> 00:37:59,320
Speaker 2: John from you.

773
00:38:01,320 --> 00:38:05,200
Speaker 3: Oh okay, yeah, I don't care for this.

774
00:38:05,600 --> 00:38:08,120
Speaker 1: I'm hired to write Duke Bug musical Lady Gaga and

775
00:38:08,160 --> 00:38:09,560
Speaker 1: the opening track is signed.

776
00:38:09,400 --> 00:38:15,680
Speaker 3: From about and the title and take that as the improvin.

777
00:38:15,880 --> 00:38:17,719
Speaker 2: I mean, there's definitely she kind of wanted that to

778
00:38:17,719 --> 00:38:18,640
Speaker 2: be the title that I am.

779
00:38:18,840 --> 00:38:22,040
Speaker 1: I'm telling you, I genuinely feel more connected to her

780
00:38:22,040 --> 00:38:25,000
Speaker 1: because I'm like only you and I understand this. All right,

781
00:38:25,400 --> 00:38:29,399
Speaker 1: Enough about me, Peter, I would like to get into

782
00:38:29,400 --> 00:38:29,800
Speaker 1: the topic.

783
00:38:30,200 --> 00:38:30,759
Speaker 3: I love it.

784
00:38:30,880 --> 00:38:31,919
Speaker 2: I would love that as well.

785
00:38:32,200 --> 00:38:32,799
Speaker 3: Let's go there.

786
00:38:32,920 --> 00:38:37,040
Speaker 1: Would you like to tell us what topic you brought

787
00:38:37,080 --> 00:38:40,319
Speaker 1: forth and potentially even a few words about what to

788
00:38:40,440 --> 00:38:41,240
Speaker 1: you makes it straight?

789
00:38:41,480 --> 00:38:47,680
Speaker 3: Okay, folks, my topic for today is the food. The

790
00:38:47,800 --> 00:38:52,359
Speaker 3: rap I gave a little closer to that rap. That's

791
00:38:52,360 --> 00:38:57,239
Speaker 3: the Shakespeare, that's the addiction. Uh, A few words about it?

792
00:38:57,520 --> 00:39:01,920
Speaker 3: Why I think it's straight? I think straightness is a lie, right,

793
00:39:02,320 --> 00:39:05,600
Speaker 3: And I think raps are ultimately a lie, and that

794
00:39:05,680 --> 00:39:09,840
Speaker 3: there's a lot of branding and marketing around the topic

795
00:39:09,960 --> 00:39:15,160
Speaker 3: that ultimately it's a sandwich or ultimately it's a burrito.

796
00:39:16,280 --> 00:39:21,200
Speaker 3: The word itself is an American invention, of course, to

797
00:39:21,320 --> 00:39:26,600
Speaker 3: erase any kind of flatbread culture anywhere. Wow, So I

798
00:39:26,640 --> 00:39:28,759
Speaker 3: just think they're lies. I will say this right off

799
00:39:28,760 --> 00:39:31,839
Speaker 3: the bat. I had and made one yesterday and it

800
00:39:31,920 --> 00:39:36,720
Speaker 3: was delicious. I'm sure it's still I felt straight eating it. Yeah,

801
00:39:37,600 --> 00:39:40,680
Speaker 3: because I think there's something about this. I think there's

802
00:39:40,680 --> 00:39:45,399
Speaker 3: a health there's a hotel attached to it, but that's

803
00:39:45,440 --> 00:39:48,920
Speaker 3: also a lie. Well, yes, of course, because it's like

804
00:39:49,040 --> 00:39:52,239
Speaker 3: three pieces of you asortioned into one giant piece of.

805
00:39:52,440 --> 00:39:55,719
Speaker 1: I like the central theme being dishonesty. It's like it's

806
00:39:55,760 --> 00:39:58,560
Speaker 1: just the health part is a lie. The idea that

807
00:39:58,600 --> 00:39:59,839
Speaker 1: it's a new thing is a lie.

808
00:40:00,600 --> 00:40:04,319
Speaker 3: Yeah, it's a way to still make sandwiches, but yeah,

809
00:40:05,360 --> 00:40:08,320
Speaker 3: give variety with the least amount of you know, storage

810
00:40:08,320 --> 00:40:11,719
Speaker 3: space totally, because it's just this flat thing that then

811
00:40:11,760 --> 00:40:13,799
Speaker 3: you can make twelve raps out of.

812
00:40:15,120 --> 00:40:17,440
Speaker 1: You would even call something a rap that's such a

813
00:40:17,480 --> 00:40:21,600
Speaker 1: function forward name for something. I mean, think of how

814
00:40:21,760 --> 00:40:25,320
Speaker 1: beautiful a word burrito is, or even sandwich, which is

815
00:40:25,360 --> 00:40:28,440
Speaker 1: an American word. Pretty beautiful word.

816
00:40:29,239 --> 00:40:30,480
Speaker 2: I love the American language.

817
00:40:30,560 --> 00:40:35,680
Speaker 1: Yeah, okase idea, see souvlaki.

818
00:40:36,080 --> 00:40:36,560
Speaker 3: There we go.

819
00:40:36,760 --> 00:40:40,520
Speaker 2: Oh, rap rap rap rap.

820
00:40:40,280 --> 00:40:43,680
Speaker 3: Rap and not a rap Like again you said Shakespeare training.

821
00:40:43,800 --> 00:40:46,160
Speaker 3: I love a cashmere wrap over my shoulders. Well, of

822
00:40:46,200 --> 00:40:49,640
Speaker 3: course that's not a lie. I love a wrap skirt. Yeah,

823
00:40:49,719 --> 00:40:54,000
Speaker 3: fabric just draped around heaven, yes, Diane von Furstenberg. Yeah,

824
00:40:54,200 --> 00:40:58,320
Speaker 3: not straight at all. The food where it's named after,

825
00:40:58,960 --> 00:41:02,239
Speaker 3: like the physicality of it that I don't.

826
00:41:02,160 --> 00:41:05,040
Speaker 1: Well because it's also like, guess what if you're relying

827
00:41:05,080 --> 00:41:08,680
Speaker 1: on describing something based on like how it's made rather

828
00:41:08,719 --> 00:41:12,960
Speaker 1: than the actual taste of it, It's like, well it's food. Ye, No,

829
00:41:13,160 --> 00:41:17,240
Speaker 1: you shouldn't be focusing on how it's like shaped.

830
00:41:18,239 --> 00:41:21,200
Speaker 2: Well. I have to say our listeners are very critical people,

831
00:41:21,760 --> 00:41:25,600
Speaker 2: and they are so smart and getting smarter every day. Yeah,

832
00:41:26,239 --> 00:41:28,840
Speaker 2: some of them, I feel would be saying, isn't a

833
00:41:28,920 --> 00:41:30,720
Speaker 2: rap just a sandwich that's been queered?

834
00:41:32,080 --> 00:41:33,600
Speaker 1: Whoa see?

835
00:41:33,640 --> 00:41:37,400
Speaker 3: I think the straight part of it is like, ultimately

836
00:41:38,200 --> 00:41:43,560
Speaker 3: sandwich has an honesty to it, and like at our

837
00:41:43,640 --> 00:41:45,640
Speaker 3: core level, we're all queer.

838
00:41:45,719 --> 00:41:49,360
Speaker 2: A rap is a sandwich that is closeted, yeah, exactly.

839
00:41:49,760 --> 00:41:53,279
Speaker 1: Or it's a sandwich that has been queered, but the

840
00:41:53,320 --> 00:41:56,480
Speaker 1: person doing the queering is that gay bachelor.

841
00:41:57,480 --> 00:42:00,960
Speaker 3: Yeah, like the person doing the queering is not you know,

842
00:42:02,239 --> 00:42:05,400
Speaker 3: like you watch drag, you're watching all stars like Missus

843
00:42:05,440 --> 00:42:08,319
Speaker 3: Kasha Davis, you know at lunch, just like I'm just

844
00:42:08,320 --> 00:42:10,880
Speaker 3: gonna have the rap. I'm just gonna get some of

845
00:42:10,920 --> 00:42:12,560
Speaker 3: the sound and then just just the wrap, you know,

846
00:42:12,719 --> 00:42:15,000
Speaker 3: thinking it's kind of a lighter spelled l I t

847
00:42:15,160 --> 00:42:20,720
Speaker 3: e of course. Yeah, and to me that is there's

848
00:42:20,800 --> 00:42:23,680
Speaker 3: something shameful about course, like, oh I have to eat

849
00:42:23,719 --> 00:42:26,960
Speaker 3: this in order to be it's a backwards shame. You

850
00:42:27,000 --> 00:42:29,879
Speaker 3: know who's never had a rap Heidi en closet, that's

851
00:42:29,920 --> 00:42:30,319
Speaker 3: for sure.

852
00:42:30,960 --> 00:42:33,440
Speaker 2: You're okay, I get it. It's also a rap is

853
00:42:33,440 --> 00:42:37,600
Speaker 2: to fit into sort of a patriarchal body standard. It's

854
00:42:37,600 --> 00:42:43,120
Speaker 2: to sort of I reply your like gender role, like

855
00:42:43,200 --> 00:42:45,040
Speaker 2: I want to be looking like this. I need to

856
00:42:45,040 --> 00:42:48,680
Speaker 2: be like this, whereas a sandwich is like live and

857
00:42:48,760 --> 00:42:49,160
Speaker 2: let live.

858
00:42:49,440 --> 00:42:53,840
Speaker 1: Yeah, well it's also a female coded It's like a

859
00:42:53,960 --> 00:42:56,719
Speaker 1: rap is a girl sandwich and then you.

860
00:42:56,719 --> 00:43:00,600
Speaker 3: Have like buffalo chicken wraps, which then it's like, okay,

861
00:43:02,280 --> 00:43:04,920
Speaker 3: just give everybody health care, you know what I.

862
00:43:04,960 --> 00:43:08,560
Speaker 1: Mean, Yeah, give everybody healthcare and just get popcorn chicken,

863
00:43:08,640 --> 00:43:08,840
Speaker 1: you know.

864
00:43:09,440 --> 00:43:14,200
Speaker 3: Or I think there's conflict with what you're saying about

865
00:43:14,320 --> 00:43:18,080
Speaker 3: it being gendered. M m, and that, like it's true.

866
00:43:18,160 --> 00:43:21,320
Speaker 3: But then now we're at this post plus where the

867
00:43:21,400 --> 00:43:25,440
Speaker 3: rap needs to be barbecued chicken, which doesn't necessarily have

868
00:43:25,480 --> 00:43:28,200
Speaker 3: to have a gender, but that is being marketed to

869
00:43:28,520 --> 00:43:31,879
Speaker 3: you know, big boys, like you can eat barbecue chicken,

870
00:43:31,920 --> 00:43:35,239
Speaker 3: but you can't have that on a sandwich, right, it

871
00:43:35,320 --> 00:43:37,680
Speaker 3: needs to be not a burrito, but ultimately it is

872
00:43:37,719 --> 00:43:41,759
Speaker 3: a burrito. Yeah, like a breakfast burrito. No one's getting

873
00:43:41,760 --> 00:43:42,640
Speaker 3: a breakfast wrap.

874
00:43:44,000 --> 00:43:46,000
Speaker 1: So it's gendered in the sense that it was start.

875
00:43:46,080 --> 00:43:51,160
Speaker 3: It's like eating disorder. Yeah, but now most men have

876
00:43:51,200 --> 00:43:53,439
Speaker 3: eating disorders too. That's still a straight man.

877
00:43:54,000 --> 00:43:57,760
Speaker 1: But the fact that that it was created as a

878
00:43:57,760 --> 00:44:03,920
Speaker 1: act of gendering sort of infiltrates the entire environment with violence.

879
00:44:03,920 --> 00:44:08,279
Speaker 1: It's like a rap is meant to be female, and

880
00:44:08,400 --> 00:44:10,640
Speaker 1: yet everything that is done to it makes it less

881
00:44:10,680 --> 00:44:16,160
Speaker 1: and less of a clearly defined gender. And the and

882
00:44:16,200 --> 00:44:20,439
Speaker 1: the violence of that spills out into the entire culinary industry, and.

883
00:44:20,400 --> 00:44:25,000
Speaker 3: Most wraps i've had ultimately spill. Yes, like at the end,

884
00:44:25,760 --> 00:44:27,360
Speaker 3: it's going to be a mess in your hands.

885
00:44:27,640 --> 00:44:29,640
Speaker 1: Okay, that's actually a really good point.

886
00:44:29,760 --> 00:44:32,040
Speaker 2: It a promise doesn't come true.

887
00:44:32,080 --> 00:44:34,319
Speaker 1: It doesn't come yeah, exactly, because the promise of the

888
00:44:34,400 --> 00:44:36,319
Speaker 1: rap on a just sort of literal level is like, well,

889
00:44:36,320 --> 00:44:39,240
Speaker 1: it sounds like it would be clean because it is wrapped,

890
00:44:39,640 --> 00:44:43,440
Speaker 1: whereas a sandwich it's leaking from every which way. Sure,

891
00:44:44,600 --> 00:44:46,799
Speaker 1: but if anything, at the end, the wrap is the

892
00:44:46,840 --> 00:44:50,400
Speaker 1: biggest disappointment of all, which because it's gonna like splurge

893
00:44:50,400 --> 00:44:51,520
Speaker 1: out where you least expect it.

894
00:44:51,640 --> 00:44:55,040
Speaker 3: Yeah, like the man in whatever fast food you were

895
00:44:55,080 --> 00:44:59,799
Speaker 3: at it an, the tension is gonna come out, you know,

896
00:45:00,239 --> 00:45:03,359
Speaker 3: the closet. You will at some point the closet will leak.

897
00:45:03,600 --> 00:45:09,320
Speaker 2: No, you're totally right sidebar. I have a riff. It's

898
00:45:09,160 --> 00:45:17,959
Speaker 2: a riff alert, rip alert. So imagine if the man

899
00:45:18,160 --> 00:45:20,640
Speaker 2: came in and was yelling at the employees and then

900
00:45:21,200 --> 00:45:25,399
Speaker 2: slammed the door and then glass shattered, and and I said, sir,

901
00:45:25,840 --> 00:45:27,239
Speaker 2: this is a Wendy's.

902
00:45:30,239 --> 00:45:34,440
Speaker 1: Wow. You lived, I've never lived the sir, this is

903
00:45:34,480 --> 00:45:35,080
Speaker 1: a Wendys.

904
00:45:35,360 --> 00:45:37,640
Speaker 3: Wow, now you have, Now I have, You've put that

905
00:45:37,680 --> 00:45:40,240
Speaker 3: on your body's it's.

906
00:45:40,120 --> 00:45:41,920
Speaker 2: So lived and when I say it now, it'll feel

907
00:45:41,960 --> 00:45:43,400
Speaker 2: so different than whenever anyone.

908
00:45:43,160 --> 00:45:46,080
Speaker 3: Else does it. It's yours, it's mine. The body keeps

909
00:45:46,080 --> 00:45:46,399
Speaker 3: the score.

910
00:45:46,520 --> 00:45:52,239
Speaker 1: Body, including when you're eating a rap, calories count.

911
00:45:52,320 --> 00:45:58,000
Speaker 2: So okay, okay. A rap also is like, you know,

912
00:45:58,000 --> 00:46:00,239
Speaker 2: when there's like fake stuff to do for the environ

913
00:46:00,680 --> 00:46:05,080
Speaker 2: Like sometimes I feel like like almost recycling, Like I'm like,

914
00:46:05,080 --> 00:46:06,920
Speaker 2: like we all know that it's fake, and doesn't they

915
00:46:06,920 --> 00:46:09,440
Speaker 2: don't do it right in New York, especially New York especially,

916
00:46:09,480 --> 00:46:11,200
Speaker 2: and they I would love if they did, don't get

917
00:46:11,200 --> 00:46:14,200
Speaker 2: me wrong. But it's like we perform recycling and then

918
00:46:14,239 --> 00:46:16,960
Speaker 2: they all put it in the same place. That's almost

919
00:46:17,000 --> 00:46:19,799
Speaker 2: what a rap is. It's it's like performing health conscious

920
00:46:20,040 --> 00:46:22,240
Speaker 2: when really it's the same.

921
00:46:22,239 --> 00:46:25,720
Speaker 3: And the stomach is like this is still flower water

922
00:46:26,600 --> 00:46:28,719
Speaker 3: and some stuff that was in a sandwich.

923
00:46:29,280 --> 00:46:32,799
Speaker 1: Well, it's also like there's a sort of literalness of

924
00:46:32,880 --> 00:46:36,920
Speaker 1: like the bread is thin, so yo be thin, Like

925
00:46:37,080 --> 00:46:40,719
Speaker 1: it's so fucking stupid, and then people just mind they're like, oh,

926
00:46:40,800 --> 00:46:44,000
Speaker 1: well it's thin, it's so thin. This bread could not

927
00:46:44,040 --> 00:46:47,440
Speaker 1: be more thinner. They've pressed it down. It's so thin. Yeah,

928
00:46:47,719 --> 00:46:53,440
Speaker 1: is that what a rap is? It's just bread, but yeah,

929
00:46:53,520 --> 00:46:55,880
Speaker 1: that has But it's bread in the sense that it

930
00:46:55,920 --> 00:46:59,920
Speaker 1: is glutenous. You know, it's sure. It's the thing that is. Yes,

931
00:47:00,040 --> 00:47:03,319
Speaker 1: it's a thing that is enveloping the ingredients. So in

932
00:47:03,360 --> 00:47:04,960
Speaker 1: this if it's a sandwich, it's the bread.

933
00:47:05,120 --> 00:47:07,880
Speaker 2: You know what I find with raps it never tastes

934
00:47:08,120 --> 00:47:11,960
Speaker 2: like even I don't think it. The flavors don't go

935
00:47:12,160 --> 00:47:14,840
Speaker 2: well together. I feel like it never feels like a

936
00:47:14,880 --> 00:47:17,960
Speaker 2: complete piece. It always feels artificial to me when I'm

937
00:47:17,960 --> 00:47:21,840
Speaker 2: eating it. And sandwich, I'm like this, this feels complete.

938
00:47:22,160 --> 00:47:24,319
Speaker 2: But a rap I'm always like, no, like and when

939
00:47:24,320 --> 00:47:26,960
Speaker 2: I have a burrito, yes, this clicks for me, But

940
00:47:26,960 --> 00:47:29,080
Speaker 2: a rap, I'm always like, huh uh, this is not clicking.

941
00:47:29,360 --> 00:47:31,239
Speaker 1: Do you want to know why? Yeah, here's the thing

942
00:47:31,280 --> 00:47:35,120
Speaker 1: with raps, And one of the central lies is like

943
00:47:35,160 --> 00:47:36,880
Speaker 1: you think of a rap as like especially if you're

944
00:47:36,880 --> 00:47:38,719
Speaker 1: trying to be health conscious. Oh, it's fresh. Oh it

945
00:47:38,760 --> 00:47:43,000
Speaker 1: has like crunchy lettuce in it. Whatever. Guess what. Guess

946
00:47:43,000 --> 00:47:45,480
Speaker 1: what is at the crux of the rap's success from

947
00:47:45,480 --> 00:47:48,120
Speaker 1: a business perspective, that's right. That can that it can

948
00:47:48,160 --> 00:47:49,799
Speaker 1: be made ahead of time and put in a little

949
00:47:49,800 --> 00:47:52,520
Speaker 1: of a tree. You can't do that with a grilled cheese.

950
00:47:52,719 --> 00:47:54,360
Speaker 1: You can't just make a bunch of grilled cheese and

951
00:47:54,360 --> 00:47:57,000
Speaker 1: put them on an in of a tree. But a

952
00:47:57,400 --> 00:47:59,640
Speaker 1: you can just you can just make like forty seven

953
00:47:59,680 --> 00:48:02,080
Speaker 1: raps in the morning and they'll just be there.

954
00:48:02,239 --> 00:48:02,640
Speaker 3: Yeah.

955
00:48:02,680 --> 00:48:06,759
Speaker 1: Wow, So when you bite into it, in contrast to

956
00:48:06,800 --> 00:48:10,560
Speaker 1: literally any other sandwich, you are biting into week old ingredients.

957
00:48:11,400 --> 00:48:12,440
Speaker 1: It is wow.

958
00:48:12,600 --> 00:48:14,640
Speaker 2: That actually does speak to also the efficiency of a

959
00:48:14,719 --> 00:48:19,600
Speaker 2: rap exactly, which, as we know, is peak straight peak capitalists. Yeah,

960
00:48:19,640 --> 00:48:22,880
Speaker 2: it's also like, even like now that I'm seeing the

961
00:48:22,960 --> 00:48:26,839
Speaker 2: rap being eaten, I'm seeing a woman rushing to the office. Yeah,

962
00:48:26,880 --> 00:48:28,719
Speaker 2: and she's like, I can eat this while I run.

963
00:48:28,880 --> 00:48:32,319
Speaker 3: Yeah, she's in peril. There's so many forces working against her,

964
00:48:32,360 --> 00:48:35,440
Speaker 3: and she's like, well, maybe if I eat this skinny food,

965
00:48:35,640 --> 00:48:38,600
Speaker 3: I will be and then yeah. Yeah.

966
00:48:38,640 --> 00:48:40,960
Speaker 1: And sometimes it's sometimes it doesn't even have to do

967
00:48:41,000 --> 00:48:42,880
Speaker 1: with the physical body. It doesn't have to do with

968
00:48:42,960 --> 00:48:44,399
Speaker 1: like being on a diet or body just more fan

969
00:48:44,480 --> 00:48:47,120
Speaker 1: it just has to do with control, like spiritual control.

970
00:48:47,880 --> 00:48:50,280
Speaker 1: It's like, you can't be in control if you're eating bread,

971
00:48:50,400 --> 00:48:52,640
Speaker 1: but you can be in control if you're eating a

972
00:48:52,800 --> 00:48:54,960
Speaker 1: green spinach coated tortilla.

973
00:48:55,040 --> 00:48:57,480
Speaker 2: Yeah, yeah, spinach coated.

974
00:48:58,320 --> 00:48:58,920
Speaker 1: Well, love that.

975
00:48:59,000 --> 00:49:01,440
Speaker 3: Yeah, And like the spinach ya raps, it is like

976
00:49:01,640 --> 00:49:03,960
Speaker 3: such what when you but they're green?

977
00:49:04,120 --> 00:49:06,760
Speaker 1: Yeah, they're green when you get to pretty much vegetable,

978
00:49:06,800 --> 00:49:09,120
Speaker 1: when you get to the point of dying bread green.

979
00:49:09,320 --> 00:49:14,120
Speaker 1: To feel safe, you certainly you need to return to religion.

980
00:49:14,280 --> 00:49:18,279
Speaker 2: Well, okay, you need to go on a wild style hike. Yeah.

981
00:49:18,320 --> 00:49:20,360
Speaker 3: I love how much you talk about wild. Well you

982
00:49:20,400 --> 00:49:23,840
Speaker 3: know what I've ever heard. Yeah, it's like Reese Witherspoon

983
00:49:23,880 --> 00:49:25,920
Speaker 3: and wilds can come into this conversation.

984
00:49:26,000 --> 00:49:27,080
Speaker 1: You know, you know what I think.

985
00:49:27,120 --> 00:49:28,520
Speaker 3: Actually I appreciate.

986
00:49:29,600 --> 00:49:32,239
Speaker 1: First of all, thank you. It really is unclear how

987
00:49:32,280 --> 00:49:34,480
Speaker 1: many people appreciate it, but I'm glad that we know

988
00:49:34,520 --> 00:49:36,680
Speaker 1: at least one on the record. I will say one

989
00:49:36,719 --> 00:49:39,759
Speaker 1: more thing about the movie Wild. I think there should

990
00:49:39,800 --> 00:49:43,680
Speaker 1: be a sort of Birthright style trip for high strung

991
00:49:43,719 --> 00:49:47,600
Speaker 1: women and gay men where they get to do wild

992
00:49:48,239 --> 00:49:50,960
Speaker 1: to sort of regroup. Is it the Appalachian Trail, It's

993
00:49:51,040 --> 00:49:52,480
Speaker 1: the Pacific Cress Trail.

994
00:49:53,360 --> 00:49:57,680
Speaker 3: I know, Yeah, my brother has hiked that. Really, now

995
00:49:57,760 --> 00:50:01,600
Speaker 3: everyone's on this trail because Wetherspoon digit now it's all

996
00:50:01,640 --> 00:50:09,799
Speaker 3: overrunning stomping the vegetation, so ultimately caused some deforestation. But

997
00:50:09,800 --> 00:50:13,440
Speaker 3: but Capital B, I'm so glad she brings you so

998
00:50:13,520 --> 00:50:15,560
Speaker 3: much joy and that performance does.

999
00:50:15,719 --> 00:50:18,400
Speaker 1: It's a great war. Do you think you would ever

1000
00:50:18,440 --> 00:50:20,279
Speaker 1: do wild.

1001
00:50:21,120 --> 00:50:26,320
Speaker 3: Hike hike without cameras, no cameras or cameras a journal Yeah, okay,

1002
00:50:26,640 --> 00:50:31,880
Speaker 3: with like that becoming ip for a film, Yeah, yeah,

1003
00:50:32,719 --> 00:50:33,760
Speaker 3: sure I would.

1004
00:50:35,000 --> 00:50:37,400
Speaker 1: If there was, you would do it only a package.

1005
00:50:37,440 --> 00:50:40,080
Speaker 3: There was only you go on this. Okay, you're gonna

1006
00:50:40,120 --> 00:50:43,440
Speaker 3: get a streaming films streaming film, I.

1007
00:50:43,480 --> 00:50:45,720
Speaker 2: Can say where you don't need a theatrical release.

1008
00:50:47,160 --> 00:50:50,720
Speaker 3: No, that's I want people in their homes.

1009
00:50:50,760 --> 00:50:53,080
Speaker 1: Not eligible for the Academy Awards. No, no, no, no, no,

1010
00:50:53,200 --> 00:50:54,640
Speaker 1: I don't need that Academy Awards.

1011
00:50:54,719 --> 00:50:57,480
Speaker 3: You know the secret of the Academy Awards. No anti union,

1012
00:50:57,840 --> 00:51:02,480
Speaker 3: Well it was created literally to distract from it. Was

1013
00:51:02,520 --> 00:51:04,759
Speaker 3: like what's his name?

1014
00:51:04,840 --> 00:51:05,120
Speaker 1: Louis B.

1015
00:51:05,239 --> 00:51:08,640
Speaker 3: Maya was like, I want you guys to you lot

1016
00:51:08,719 --> 00:51:10,920
Speaker 3: boys to build my house in Malibu, and they're like,

1017
00:51:11,160 --> 00:51:13,719
Speaker 3: we're not doing that. We only make sets for you

1018
00:51:13,760 --> 00:51:15,840
Speaker 3: and we can't. You can't use our labor, like wherever

1019
00:51:15,880 --> 00:51:17,680
Speaker 3: you want, we have a union. And then he was like,

1020
00:51:17,760 --> 00:51:20,480
Speaker 3: what's a union? And then he found out and he

1021
00:51:20,560 --> 00:51:22,400
Speaker 3: was like, I hate that, and he was like, I

1022
00:51:22,400 --> 00:51:23,920
Speaker 3: hope the actors don't do that. And he was like,

1023
00:51:23,960 --> 00:51:25,759
Speaker 3: so in order for the actors not to do that,

1024
00:51:25,840 --> 00:51:30,160
Speaker 3: I'm going to invent this like Academy Secret Special Club

1025
00:51:30,920 --> 00:51:34,239
Speaker 3: so that actors don't get in that. They are aspirational want,

1026
00:51:34,360 --> 00:51:36,960
Speaker 3: you know, to be acknowledged. One thing an actor wants

1027
00:51:37,000 --> 00:51:40,440
Speaker 3: is for anyone to say good job. So created that

1028
00:51:40,560 --> 00:51:42,960
Speaker 3: club in order for actors to not make their own

1029
00:51:43,000 --> 00:51:46,320
Speaker 3: club that would then give them any rights or power

1030
00:51:46,440 --> 00:51:50,760
Speaker 3: or whatever. So, huh, that's the Academy Awards. What's base function?

1031
00:51:51,360 --> 00:51:52,879
Speaker 3: Origin story is that?

1032
00:51:53,360 --> 00:51:55,319
Speaker 1: Huh? Yeah? From then on top of that is that

1033
00:51:55,360 --> 00:51:56,520
Speaker 1: Belly of Pair was raw.

1034
00:51:56,719 --> 00:51:59,960
Speaker 3: As every time? Every time? What was she around for?

1035
00:52:00,280 --> 00:52:00,680
Speaker 2: What was it?

1036
00:52:00,880 --> 00:52:04,040
Speaker 1: L I think it's the only nomination who won in

1037
00:52:04,160 --> 00:52:07,080
Speaker 1: that year. I literally think I mustn't.

1038
00:52:08,600 --> 00:52:12,799
Speaker 2: Yeah, I had something I wanted to bring up. Both

1039
00:52:12,840 --> 00:52:17,600
Speaker 2: of you expressed being diet coke stands and in my mind,

1040
00:52:17,719 --> 00:52:21,760
Speaker 2: a diet coke is a close sibling.

1041
00:52:21,880 --> 00:52:22,560
Speaker 3: To the rap.

1042
00:52:22,920 --> 00:52:25,240
Speaker 2: Yes, I feel the woman that's running for the business,

1043
00:52:25,239 --> 00:52:28,040
Speaker 2: meaning has the wrap in one hand and the diet coke.

1044
00:52:28,000 --> 00:52:28,399
Speaker 3: In the other.

1045
00:52:28,520 --> 00:52:29,760
Speaker 1: If it's nineteen ninety eight.

1046
00:52:30,360 --> 00:52:33,040
Speaker 2: In my mind, it's always ninety niney okay, And you're right,

1047
00:52:33,080 --> 00:52:36,439
Speaker 2: and you're right, and you're right. Yeah, And I guess

1048
00:52:36,480 --> 00:52:40,000
Speaker 2: I just want to know how you square with that emotionally.

1049
00:52:41,080 --> 00:52:44,520
Speaker 1: Loaded you know, things are messy.

1050
00:52:48,000 --> 00:52:51,600
Speaker 3: Femininity is not a monolith, you know, eating disorders or

1051
00:52:51,640 --> 00:52:55,600
Speaker 3: not a monolith. True, true, So to that, I say,

1052
00:52:56,880 --> 00:52:59,080
Speaker 3: I think, honestly, my deal with diet coke is, like,

1053
00:52:59,120 --> 00:53:01,680
Speaker 3: I know how unhalth it is. It really isn't a

1054
00:53:01,800 --> 00:53:05,920
Speaker 3: health there's a lack of health consciousness it and anything.

1055
00:53:05,960 --> 00:53:09,600
Speaker 3: It's like throwing things to the throwing my body in

1056
00:53:09,640 --> 00:53:12,280
Speaker 3: any cell that might turn to cancer to the wind.

1057
00:53:12,840 --> 00:53:13,160
Speaker 1: Yeah.

1058
00:53:13,239 --> 00:53:15,719
Speaker 3: Yeah, I don't drink it like well, this isn't gonna

1059
00:53:15,760 --> 00:53:20,400
Speaker 3: make me, you know, any larger than any of that phobic.

1060
00:53:20,880 --> 00:53:25,160
Speaker 3: I drink it like this is delicious. It's battery acid.

1061
00:53:25,560 --> 00:53:26,880
Speaker 2: Yeah, and.

1062
00:53:28,400 --> 00:53:31,600
Speaker 3: Gives me a little pep. Sure sure, even though at

1063
00:53:31,600 --> 00:53:33,320
Speaker 3: this at this point in my life, the pep is

1064
00:53:33,400 --> 00:53:34,520
Speaker 3: kind of smoothed over.

1065
00:53:34,719 --> 00:53:34,919
Speaker 1: Yeah.

1066
00:53:35,040 --> 00:53:39,000
Speaker 3: Yeah, but yeah, I don't equate the two. I can

1067
00:53:39,040 --> 00:53:41,719
Speaker 3: see how they would be equated, Yes, but that mentality

1068
00:53:41,760 --> 00:53:43,640
Speaker 3: and psychology of the woman getting a die coke and

1069
00:53:43,640 --> 00:53:48,480
Speaker 3: the rap is not this woman pointing out myself my psychology.

1070
00:53:49,280 --> 00:53:52,239
Speaker 1: I do think that the difference between nineties and twenty

1071
00:53:52,239 --> 00:53:54,400
Speaker 1: twenty three is actually relevant here because I think in

1072
00:53:54,440 --> 00:53:57,520
Speaker 1: the nineties they were related. It's like, you get a rap,

1073
00:53:57,520 --> 00:54:00,280
Speaker 1: you get a salad with dressing on the side, cops alid,

1074
00:54:00,280 --> 00:54:03,839
Speaker 1: no bacon, You get a dia coke. You know, Okay,

1075
00:54:03,920 --> 00:54:06,919
Speaker 1: you go about your day. Now it actually has become

1076
00:54:06,960 --> 00:54:10,000
Speaker 1: accepted the dia coke is poison. So the equivalent of

1077
00:54:10,040 --> 00:54:12,600
Speaker 1: that now would be like a kombucha. It would be

1078
00:54:12,680 --> 00:54:15,160
Speaker 1: like the new fake thing it would be, or it

1079
00:54:15,160 --> 00:54:17,520
Speaker 1: would be like a natural ginger ale with pulp.

1080
00:54:17,840 --> 00:54:18,000
Speaker 3: You know.

1081
00:54:18,080 --> 00:54:21,080
Speaker 1: It's like the new fake healthy thing would be something

1082
00:54:21,160 --> 00:54:23,600
Speaker 1: different that you would pair with a wrap a die coke.

1083
00:54:23,640 --> 00:54:27,160
Speaker 1: If anything has been like reclaimed by the unhealthy identified

1084
00:54:27,239 --> 00:54:28,600
Speaker 1: yes as a treat.

1085
00:54:28,760 --> 00:54:31,719
Speaker 3: Interesting myself included like Lisa Renna getting iced tea all

1086
00:54:31,760 --> 00:54:35,000
Speaker 3: the time. Oh yeah, icey, I'll just have a nice tea.

1087
00:54:35,080 --> 00:54:38,400
Speaker 3: It's always the just yes, Miss Davis, I'll just have

1088
00:54:38,400 --> 00:54:40,399
Speaker 3: the wrap, Lisa Renna, I'll just have a nice take

1089
00:54:41,320 --> 00:54:43,440
Speaker 3: just It's like I'm not eating any I'm not consuming anything.

1090
00:54:43,640 --> 00:54:46,800
Speaker 3: I'm just gonna have this thing and pretend like I'm consuming.

1091
00:54:46,400 --> 00:54:47,760
Speaker 2: Something that is so genus.

1092
00:54:47,840 --> 00:54:51,520
Speaker 1: That is the that is the group of food that

1093
00:54:51,560 --> 00:54:52,279
Speaker 1: we are talking about.

1094
00:54:52,320 --> 00:54:54,920
Speaker 3: It's just foods I'm just gonna have.

1095
00:54:55,400 --> 00:54:58,000
Speaker 1: And in fact, some brand called just.

1096
00:54:59,440 --> 00:55:04,799
Speaker 2: Juiced if not there should be Yeah, no, no, this.

1097
00:55:04,800 --> 00:55:08,280
Speaker 1: Is like, this is a huge revelation. It's the just

1098
00:55:08,280 --> 00:55:10,279
Speaker 1: just and if And I honestly think it could even

1099
00:55:10,280 --> 00:55:12,160
Speaker 1: be applied to other things.

1100
00:55:13,080 --> 00:55:16,319
Speaker 2: I do it with my coffee order, like I'm very like,

1101
00:55:16,480 --> 00:55:18,040
Speaker 2: I'll just have a black coffee.

1102
00:55:18,200 --> 00:55:20,960
Speaker 3: I'll just have a just at simple. I do not

1103
00:55:21,040 --> 00:55:23,759
Speaker 3: stir any pot. I don't. It's so easy for you.

1104
00:55:23,800 --> 00:55:27,080
Speaker 3: I'm just aren't I making your life easier? Yeah? Yeah,

1105
00:55:27,200 --> 00:55:29,120
Speaker 3: you're trying to be skinny and simple.

1106
00:55:29,280 --> 00:55:29,600
Speaker 2: Yeah.

1107
00:55:29,640 --> 00:55:32,799
Speaker 1: And of course in that statement, in saying just, you

1108
00:55:32,840 --> 00:55:36,359
Speaker 1: are basically expressing judgment for everyone else who has come

1109
00:55:36,400 --> 00:55:38,239
Speaker 1: before you, and after you're like, well, I'm not like

1110
00:55:38,280 --> 00:55:39,320
Speaker 1: this trucking freaks.

1111
00:55:39,600 --> 00:55:42,000
Speaker 2: Well, it's also it's very like you know, in an

1112
00:55:42,080 --> 00:55:45,640
Speaker 2: essay putting like obviously blank, where it's like, no, you

1113
00:55:45,640 --> 00:55:47,520
Speaker 2: have to make the argument to show why it's obvious.

1114
00:55:47,560 --> 00:55:50,719
Speaker 2: You can't say obviously, like you shouldn't say just you

1115
00:55:50,760 --> 00:55:51,359
Speaker 2: should just be.

1116
00:55:51,520 --> 00:55:56,520
Speaker 3: Easy, and it just does. George is a great point.

1117
00:55:56,560 --> 00:55:59,680
Speaker 3: It does, It makes you, It makes others, yeah, have

1118
00:55:59,760 --> 00:56:02,440
Speaker 3: bad behavior and you do not do.

1119
00:56:02,440 --> 00:56:04,600
Speaker 1: You know what's interesting Sometimes people who use the just

1120
00:56:04,840 --> 00:56:08,960
Speaker 1: but actually be difficult. And I'll give you wielding that.

1121
00:56:09,120 --> 00:56:12,399
Speaker 1: Here's an example ordering off menu. Something that you think

1122
00:56:12,480 --> 00:56:15,880
Speaker 1: is simple. Let's say you want a single slice of

1123
00:56:15,920 --> 00:56:19,560
Speaker 1: tomato cut into quarters with a little olive oil. That

1124
00:56:19,719 --> 00:56:21,719
Speaker 1: sounds simple because it's something that you know you can

1125
00:56:21,719 --> 00:56:23,920
Speaker 1: make very simply. But you're at a restaurant that's not

1126
00:56:23,960 --> 00:56:25,600
Speaker 1: on the menu. You will say to the meta, Oh,

1127
00:56:25,640 --> 00:56:27,760
Speaker 1: I'll just have one slice of tomato cut into quarters

1128
00:56:27,760 --> 00:56:28,399
Speaker 1: with some olive oil.

1129
00:56:29,320 --> 00:56:32,000
Speaker 3: Can I just have like a tomatoes, just like a

1130
00:56:32,040 --> 00:56:35,200
Speaker 3: tomato with olive oil and maybe some salter. Yeah, and

1131
00:56:35,200 --> 00:56:36,680
Speaker 3: actually no salt, just olive oil.

1132
00:56:36,680 --> 00:56:36,759
Speaker 2: On.

1133
00:56:37,280 --> 00:56:40,719
Speaker 1: You're at just the point adding inventing a new menuetum

1134
00:56:40,960 --> 00:56:43,799
Speaker 1: especial only for one table your own. I mean, how

1135
00:56:43,800 --> 00:56:45,680
Speaker 1: are they going to price and how are they going

1136
00:56:45,680 --> 00:56:49,000
Speaker 1: to the system whose job is that? And you are

1137
00:56:49,719 --> 00:56:52,880
Speaker 1: doing all of that wild gas lighting the service worker

1138
00:56:54,480 --> 00:56:58,520
Speaker 1: into thinking that you are in fact being not difficult,

1139
00:56:58,880 --> 00:57:00,720
Speaker 1: that you are not not only you're not being difficult,

1140
00:57:00,719 --> 00:57:02,920
Speaker 1: you are being easier than the average person who would

1141
00:57:03,000 --> 00:57:04,520
Speaker 1: order oh, I don't know the.

1142
00:57:04,560 --> 00:57:07,239
Speaker 3: Salmon, yeah, anything that the chef is.

1143
00:57:07,520 --> 00:57:08,720
Speaker 1: It's very sinister.

1144
00:57:09,640 --> 00:57:17,000
Speaker 2: Wow, you know, weaponizing just but there's also it's hard

1145
00:57:17,040 --> 00:57:19,040
Speaker 2: to order off on you in general without weaponizing it,

1146
00:57:19,040 --> 00:57:21,240
Speaker 2: because it's also you can weaponize like I'm sorry, I'm

1147
00:57:21,240 --> 00:57:23,480
Speaker 2: being so difficult, but I'll have like you can also

1148
00:57:23,520 --> 00:57:25,840
Speaker 2: weaponize self awareness in a way where I'm like, well,

1149
00:57:25,840 --> 00:57:29,000
Speaker 2: that's not making it any easier. You're just like aware

1150
00:57:29,040 --> 00:57:30,280
Speaker 2: that you're being an asshole.

1151
00:57:31,280 --> 00:57:34,520
Speaker 1: You know, I'm so guilty of that. Oh it's really bad.

1152
00:57:34,720 --> 00:57:37,240
Speaker 1: And you can hear yourself doing it. You're like, this

1153
00:57:37,280 --> 00:57:39,520
Speaker 1: is so lame, like to be talking to this poor

1154
00:57:39,560 --> 00:57:42,200
Speaker 1: person who's had to deal with like the dumbest people

1155
00:57:42,240 --> 00:57:44,440
Speaker 1: all day, and then you're doing a whole act of

1156
00:57:44,520 --> 00:57:46,920
Speaker 1: like sorry, and then I'm like one of these Brooklyn people.

1157
00:57:47,600 --> 00:57:49,400
Speaker 1: It's like, just fucking put your order and you want

1158
00:57:49,440 --> 00:57:51,800
Speaker 1: oat milk, say it, just just say it.

1159
00:57:51,800 --> 00:57:52,480
Speaker 3: It's back there.

1160
00:57:52,800 --> 00:57:55,240
Speaker 2: Just order Yeah, you want, Yeah, don't be a wrap,

1161
00:57:55,320 --> 00:57:57,400
Speaker 2: be a sandwich, be honest with what you want.

1162
00:57:57,280 --> 00:58:00,439
Speaker 3: And if anything, ordering a tomato with olive oil. By

1163
00:58:00,440 --> 00:58:02,880
Speaker 3: saying like I know that this is not on many

1164
00:58:03,040 --> 00:58:05,720
Speaker 3: and I know that this is a special ask, but

1165
00:58:07,040 --> 00:58:09,680
Speaker 3: do you think that this is possible? Has a level

1166
00:58:09,680 --> 00:58:12,960
Speaker 3: of self awareness, and it does a way for them

1167
00:58:13,000 --> 00:58:14,800
Speaker 3: to be like, no, we can't do that, instead of

1168
00:58:14,840 --> 00:58:18,320
Speaker 3: like you'll do this because it's easy, and you'll.

1169
00:58:18,120 --> 00:58:20,080
Speaker 2: Just question, just really helpful.

1170
00:58:20,720 --> 00:58:23,680
Speaker 3: Instead a director that would always say just do it,

1171
00:58:23,600 --> 00:58:25,440
Speaker 3: it would be like gives a suggestion, I would kind

1172
00:58:25,440 --> 00:58:28,400
Speaker 3: of question, just do it, Just just do it. And

1173
00:58:28,440 --> 00:58:32,040
Speaker 3: it's like the just what is that just that simplifies

1174
00:58:32,120 --> 00:58:36,680
Speaker 3: things and makes somebody seem difficulty?

1175
00:58:38,480 --> 00:58:40,120
Speaker 1: Well, it's basically you know what it's saying. It's and

1176
00:58:40,200 --> 00:58:44,440
Speaker 1: especially in that instance, it's like basically it's strong a

1177
00:58:44,480 --> 00:58:46,440
Speaker 1: line and saying, well this is easy for me, why

1178
00:58:46,480 --> 00:58:47,200
Speaker 1: isn't easy for you?

1179
00:58:47,600 --> 00:58:48,040
Speaker 2: Just do it?

1180
00:58:49,000 --> 00:58:50,760
Speaker 3: Just do it? Nike?

1181
00:58:51,120 --> 00:58:53,520
Speaker 1: I was about I mean, I was about to say

1182
00:58:53,720 --> 00:58:56,520
Speaker 1: talk about the American people. Do you think Nike just

1183
00:58:57,800 --> 00:58:59,160
Speaker 1: feminine coded as a word?

1184
00:59:00,120 --> 00:59:00,400
Speaker 3: Need me?

1185
00:59:00,600 --> 00:59:02,680
Speaker 1: No, you can't even see him so small. I missed

1186
00:59:02,720 --> 00:59:06,200
Speaker 1: it as a tortilla. But then Nike took that, made

1187
00:59:06,200 --> 00:59:10,680
Speaker 1: it into sports, made it into masculinity. What's that about.

1188
00:59:11,560 --> 00:59:13,840
Speaker 1: It's like, it's easy, do it, just do it, just

1189
00:59:13,880 --> 00:59:14,960
Speaker 1: do it, just do it.

1190
00:59:15,560 --> 00:59:16,480
Speaker 3: What's stopping you?

1191
00:59:16,680 --> 00:59:18,840
Speaker 2: Yeah, oh, only you are stopping you.

1192
00:59:19,040 --> 00:59:21,200
Speaker 3: Oh you you're the problem.

1193
00:59:21,440 --> 00:59:22,320
Speaker 2: I guess you're bad.

1194
00:59:22,480 --> 00:59:26,760
Speaker 1: Yeah, exactly, huh Nike, we blame victims. Cool?

1195
00:59:27,200 --> 00:59:28,480
Speaker 2: Oh really progressive?

1196
00:59:29,480 --> 00:59:33,400
Speaker 1: Wow? Cool branding inclusive, really inclusive. Wow.

1197
00:59:33,600 --> 00:59:35,680
Speaker 2: Yeah. Okay, so I guess that's normal now, So I

1198
00:59:35,680 --> 00:59:36,360
Speaker 2: guess that's the thing.

1199
00:59:36,520 --> 00:59:41,280
Speaker 1: Okay, cool, all right, that's kind of blase boys.

1200
00:59:43,520 --> 00:59:46,240
Speaker 2: Me thinks, nikeith going on the naughty list, Sam is

1201
00:59:46,240 --> 00:59:48,080
Speaker 2: bringing back me things you, missy.

1202
00:59:48,240 --> 00:59:48,760
Speaker 3: I love that.

1203
00:59:49,520 --> 00:59:52,400
Speaker 2: Here for it to do it and then you to

1204
00:59:52,480 --> 00:59:55,800
Speaker 2: have it be explained really hurt. And I did need that,

1205
00:59:55,880 --> 01:00:00,520
Speaker 2: and I did appreciate you being honest with me. But baby,

1206
01:00:00,560 --> 01:00:03,080
Speaker 2: did that make me feel? Yes, embarrassed.

1207
01:00:03,600 --> 01:00:06,320
Speaker 1: Not everyone has learned about the methinks movement, but that's.

1208
01:00:06,240 --> 01:00:09,120
Speaker 2: I was sort of this was an me too, me

1209
01:00:09,200 --> 01:00:09,840
Speaker 2: thinks movement.

1210
01:00:09,960 --> 01:00:10,680
Speaker 3: Yeah.

1211
01:00:10,720 --> 01:00:13,680
Speaker 2: I was gonna see if Peter like responded positively or

1212
01:00:13,680 --> 01:00:14,320
Speaker 2: negatively to it.

1213
01:00:14,480 --> 01:00:18,920
Speaker 3: Me thinks, Yeah, I responded, I'm here. Yeah, he thinks

1214
01:00:18,960 --> 01:00:24,439
Speaker 3: it does. Yeah, you have to. It needs to be practiced. Yeah.

1215
01:00:24,680 --> 01:00:26,800
Speaker 3: In fact, when you say it, methinks it because I

1216
01:00:26,800 --> 01:00:30,120
Speaker 3: immediately think like, okay, baby Yoda, Like I am sounding

1217
01:00:30,120 --> 01:00:32,000
Speaker 3: like baby Yoda. But when you said it, you've said

1218
01:00:32,000 --> 01:00:34,800
Speaker 3: it enough times that I can hear that you're past

1219
01:00:34,880 --> 01:00:38,840
Speaker 3: that face, right, and the placement in your voice is

1220
01:00:38,880 --> 01:00:40,920
Speaker 3: fully confident, And it just washed over me and I

1221
01:00:40,960 --> 01:00:44,320
Speaker 3: accepted it. It wasn't until George called you out that

1222
01:00:44,400 --> 01:00:46,360
Speaker 3: I then He's like, right, you did say me thinks

1223
01:00:47,120 --> 01:00:48,520
Speaker 3: you don't usually say that.

1224
01:00:49,360 --> 01:00:52,640
Speaker 1: I was attempting to do the opposite. I was attempting

1225
01:00:52,640 --> 01:00:55,160
Speaker 1: to be like, don't he's not weird. This is the thing,

1226
01:00:55,240 --> 01:00:58,080
Speaker 1: you know, But in fact I was projecting my own

1227
01:00:58,120 --> 01:00:59,520
Speaker 1: I was like, well, if I heard someone say me

1228
01:00:59,520 --> 01:01:02,160
Speaker 1: thinks I would think it's weird, but you're probably more

1229
01:01:03,480 --> 01:01:04,320
Speaker 1: progressive than I.

1230
01:01:04,680 --> 01:01:06,880
Speaker 3: No, it's actually the opposite. I spent all last year

1231
01:01:07,040 --> 01:01:10,840
Speaker 3: trying to justify Shakespearean language. So someone saying me thinks,

1232
01:01:10,880 --> 01:01:18,240
Speaker 3: I'm like, sure, that's real. A non trying to say,

1233
01:01:18,520 --> 01:01:24,520
Speaker 3: make a lasso alas you know, seem authentic. Me thinks,

1234
01:01:24,640 --> 01:01:28,080
Speaker 3: rolling off Sam's tongue. I'm like, yes, me thinks is

1235
01:01:28,160 --> 01:01:35,160
Speaker 3: very me thinks me think she don't protest too much?

1236
01:01:35,320 --> 01:01:39,760
Speaker 2: Yeah, wow, did Shakespearean language get into your day to

1237
01:01:39,840 --> 01:01:42,120
Speaker 2: day life? And was it frustrating?

1238
01:01:43,560 --> 01:01:45,160
Speaker 3: It was? It didn't get into my day to day life.

1239
01:01:45,160 --> 01:01:49,360
Speaker 3: But I did get good at reading it translating it quickly.

1240
01:01:49,680 --> 01:01:54,560
Speaker 3: But I don't know. I didn't say anything. I sometimes

1241
01:01:54,560 --> 01:01:58,080
Speaker 3: switched verbs and nouns around, which is annoying.

1242
01:01:58,120 --> 01:02:01,080
Speaker 1: Now that's Yoda, and then it gets yoda.

1243
01:02:00,640 --> 01:02:02,520
Speaker 3: Which is a place. You know, maybe there's shame in

1244
01:02:02,520 --> 01:02:03,480
Speaker 3: me around this Yoda.

1245
01:02:04,280 --> 01:02:06,720
Speaker 2: Well and the like.

1246
01:02:06,720 --> 01:02:08,560
Speaker 1: By the way, I'm not doing Yoda. I'm doing Shakespeare.

1247
01:02:09,280 --> 01:02:12,920
Speaker 3: But Shakespeare ultimately, Yoda ultimately is a you know, Shakespeare.

1248
01:02:12,960 --> 01:02:15,920
Speaker 1: Well, everything is Shakespeare, Shakespeare, especially Wild.

1249
01:02:16,040 --> 01:02:20,680
Speaker 3: Especially wild as you like it. Woman in the Woods, Yeah, Ney,

1250
01:02:20,760 --> 01:02:23,800
Speaker 3: next Day more. Yeah Reese. I don't know. Has Reese

1251
01:02:23,840 --> 01:02:27,840
Speaker 3: done Shakespeare? She did Oscar Wild, right, I don't think

1252
01:02:27,880 --> 01:02:30,000
Speaker 3: she would important to being earnest. Didn't she do that?

1253
01:02:30,000 --> 01:02:31,520
Speaker 1: That sounds like her, But I don't know if she

1254
01:02:31,560 --> 01:02:33,160
Speaker 1: could fully do Shakespeare. I'm sorry.

1255
01:02:33,160 --> 01:02:35,400
Speaker 3: At this point, I think her brand is passed past.

1256
01:02:35,440 --> 01:02:40,760
Speaker 3: She's an American woman, she's black, staring down boots.

1257
01:02:40,360 --> 01:02:42,120
Speaker 2: Boots War.

1258
01:02:43,080 --> 01:02:47,280
Speaker 1: She is the ultimate American woman had for that. Yes,

1259
01:02:46,960 --> 01:02:48,720
Speaker 1: she's worked tireless.

1260
01:02:48,880 --> 01:02:49,520
Speaker 2: There was a struggle.

1261
01:02:50,040 --> 01:02:54,640
Speaker 3: Yeah, we saw Wild. That was that was a pivoting

1262
01:02:54,800 --> 01:02:56,720
Speaker 3: she walked, We walked the line.

1263
01:02:57,600 --> 01:03:01,640
Speaker 1: No, So so here's the thing. She won the Oscar

1264
01:03:01,680 --> 01:03:04,000
Speaker 1: for Walk the Line, but as with many women who

1265
01:03:04,000 --> 01:03:08,160
Speaker 1: win the Oscar halle Berry, you know, it didn't result

1266
01:03:08,200 --> 01:03:11,880
Speaker 1: in more prestige opportunity. So after Walk the Line, it

1267
01:03:11,920 --> 01:03:13,640
Speaker 1: was flop after flop after flop. It was this movie

1268
01:03:13,680 --> 01:03:16,520
Speaker 1: called Vanity Fair. It was like bad rom coms, like

1269
01:03:16,560 --> 01:03:20,840
Speaker 1: this means War. It was like weird sort of Oscar

1270
01:03:20,880 --> 01:03:24,160
Speaker 1: baiting movies that then never actually panned out. And so

1271
01:03:24,320 --> 01:03:27,960
Speaker 1: Wild has this meta narrative of like Reese Witherspoon, the

1272
01:03:28,000 --> 01:03:30,280
Speaker 1: actress is also walking her way back to the woman

1273
01:03:30,280 --> 01:03:31,080
Speaker 1: her mother raised her.

1274
01:03:31,240 --> 01:03:34,440
Speaker 3: Yeah, okay, hell yeah, and she bought the and she

1275
01:03:34,600 --> 01:03:36,080
Speaker 3: bought her production.

1276
01:03:36,520 --> 01:03:39,520
Speaker 1: Yeah yeah, in my mind, she's like exactly. She it

1277
01:03:39,560 --> 01:03:41,200
Speaker 1: was the first thing she produced. Yeah, I mean, I

1278
01:03:41,200 --> 01:03:42,120
Speaker 1: don't know if it was the first thing, but it

1279
01:03:42,120 --> 01:03:45,120
Speaker 1: was the first, you know, big success. And sure enough

1280
01:03:45,160 --> 01:03:47,600
Speaker 1: she got her second Oscar nomination for it for acting

1281
01:03:47,760 --> 01:03:48,240
Speaker 1: for acting.

1282
01:03:49,360 --> 01:03:50,800
Speaker 2: Yeah, so there you go.

1283
01:03:50,920 --> 01:03:51,400
Speaker 1: So there you go.

1284
01:03:51,560 --> 01:03:52,360
Speaker 3: Still haven't seen it?

1285
01:03:52,640 --> 01:03:57,520
Speaker 2: Oh you go, you are gonna love it. Oh my goodness.

1286
01:03:57,920 --> 01:04:01,560
Speaker 3: I will watch it soon. Yeah, back, but haven't yet.

1287
01:04:01,680 --> 01:04:03,560
Speaker 2: It's on Max. Yeah, it's on Max.

1288
01:04:03,600 --> 01:04:06,440
Speaker 3: Isn't it terrible? What's a thought? Isn't it terrible?

1289
01:04:06,680 --> 01:04:07,439
Speaker 2: It's so bad?

1290
01:04:08,240 --> 01:04:10,000
Speaker 3: Do you think it's I'd love to work for you, Max,

1291
01:04:10,040 --> 01:04:12,160
Speaker 3: But also I think it's terrible what you've done.

1292
01:04:12,360 --> 01:04:15,800
Speaker 2: I do you think it's like? Sometimes I think when

1293
01:04:15,840 --> 01:04:18,720
Speaker 2: there's change, of course, people mock it. Like I remember

1294
01:04:18,760 --> 01:04:21,520
Speaker 2: the iPad coming out and people were like, this is

1295
01:04:21,520 --> 01:04:23,360
Speaker 2: such a stupid name. This is such a stupid name.

1296
01:04:23,400 --> 01:04:25,520
Speaker 2: There was once a mad TV sketch about an iPad

1297
01:04:25,560 --> 01:04:29,040
Speaker 2: and blah blah blah blah blah. And then literally three

1298
01:04:29,080 --> 01:04:31,360
Speaker 2: months later everyone was just like, yeah, it's on the iPad,

1299
01:04:31,440 --> 01:04:34,920
Speaker 2: like iPad, iPad. I don't even get me started. She

1300
01:04:35,040 --> 01:04:36,920
Speaker 2: was presented to us and we're like, what the hell

1301
01:04:37,080 --> 01:04:40,040
Speaker 2: was this? Okay, and then years later we're like, oh,

1302
01:04:40,080 --> 01:04:42,280
Speaker 2: of course do a lipa. Yeah, we love her and

1303
01:04:42,320 --> 01:04:42,960
Speaker 2: we love her name.

1304
01:04:43,120 --> 01:04:45,960
Speaker 3: Yeah, and this makes sense. She's talented.

1305
01:04:46,400 --> 01:04:49,960
Speaker 2: Do you think we will normalize Max as our society

1306
01:04:50,000 --> 01:04:50,600
Speaker 2: tends to do.

1307
01:04:50,600 --> 01:04:52,320
Speaker 3: Obviously, Well, of course you will.

1308
01:04:52,360 --> 01:04:56,480
Speaker 1: But I do worry about the strength of the HBO brand.

1309
01:04:56,640 --> 01:04:59,760
Speaker 1: It's been diluted. Yeah, it's been diluted too much. And

1310
01:05:00,280 --> 01:05:02,720
Speaker 1: I think, you know we're talking here mere days after

1311
01:05:02,760 --> 01:05:05,680
Speaker 1: the Succession finale. I think Succession will go down in

1312
01:05:05,760 --> 01:05:10,720
Speaker 1: history as the last prestige HBO drama. Yeah, you're We're

1313
01:05:10,760 --> 01:05:13,320
Speaker 1: never gonna have something like that again. Everything is just

1314
01:05:13,320 --> 01:05:14,080
Speaker 1: gonna be on Max.

1315
01:05:14,280 --> 01:05:14,680
Speaker 3: Yeah.

1316
01:05:15,160 --> 01:05:15,200
Speaker 2: No.

1317
01:05:15,400 --> 01:05:18,320
Speaker 3: When I opened the app, I was like, oh, is gone.

1318
01:05:19,120 --> 01:05:21,520
Speaker 3: And no matter how hard they try to bring it back,

1319
01:05:21,600 --> 01:05:25,320
Speaker 3: I've already had that experience and like moment of grief.

1320
01:05:26,760 --> 01:05:29,400
Speaker 1: And so it's done. It's a problem. The grief is constant.

1321
01:05:29,480 --> 01:05:34,720
Speaker 3: Yeah, like Trump won America, the illusion shattered. No matter

1322
01:05:34,760 --> 01:05:38,000
Speaker 3: how many adderalls Joe Biden takes, I'd be like, oh right,

1323
01:05:38,600 --> 01:05:39,480
Speaker 3: we're about America.

1324
01:05:39,800 --> 01:05:43,160
Speaker 1: Yeah yeah, yeah, No, the damage, I mean it's like

1325
01:05:43,200 --> 01:05:46,480
Speaker 1: and just like that, right, the damage will never be undone.

1326
01:05:46,520 --> 01:05:49,480
Speaker 3: That was the Yeah, the whistle, that was the Yeah,

1327
01:05:49,640 --> 01:05:50,720
Speaker 3: the Canary and the gold Mine.

1328
01:05:51,560 --> 01:05:53,160
Speaker 1: Yeah.

1329
01:05:53,200 --> 01:05:55,320
Speaker 2: Well, should we do our final segment?

1330
01:05:55,400 --> 01:05:56,760
Speaker 1: Well, I do want to sort of I'm like, do

1331
01:05:56,800 --> 01:05:58,960
Speaker 1: we have anything more to say about wrapsh or is

1332
01:05:59,000 --> 01:06:00,080
Speaker 1: it a wrap on raps or is it.

1333
01:06:00,040 --> 01:06:00,760
Speaker 3: Wrap on wraps?

1334
01:06:03,680 --> 01:06:08,800
Speaker 1: Well well well, well, well well well I do want

1335
01:06:08,840 --> 01:06:11,320
Speaker 1: I know, just because it's like the most famous rap.

1336
01:06:11,360 --> 01:06:14,040
Speaker 1: I want to get. Chicken seas a rap from publics

1337
01:06:14,160 --> 01:06:17,800
Speaker 1: is really delicious. Yeah, we just there is something that

1338
01:06:17,840 --> 01:06:20,919
Speaker 1: will always be there. Yes, it's almost like I don't

1339
01:06:20,920 --> 01:06:22,480
Speaker 1: want to say it's the exception that proves a rule

1340
01:06:22,480 --> 01:06:24,280
Speaker 1: because that's not exactly what I mean. But it's like

1341
01:06:25,680 --> 01:06:27,760
Speaker 1: the chicken sees are rap. The perfection of a Chicken

1342
01:06:27,800 --> 01:06:30,960
Speaker 1: seas rap is what has allowed all the rest of

1343
01:06:31,000 --> 01:06:35,360
Speaker 1: the stuff to go unmanaged for so long. You know

1344
01:06:35,360 --> 01:06:35,680
Speaker 1: what I mean.

1345
01:06:35,720 --> 01:06:37,960
Speaker 2: I have no experience with this wrap. What I've never

1346
01:06:38,040 --> 01:06:39,160
Speaker 2: had this wrap in my entire life.

1347
01:06:39,160 --> 01:06:42,120
Speaker 3: If you're ever near a publix okay below the Mason

1348
01:06:42,160 --> 01:06:44,280
Speaker 3: Dixon line, you were going to get a Chicken seas

1349
01:06:44,320 --> 01:06:46,280
Speaker 3: a rap and it's going to be good.

1350
01:06:46,560 --> 01:06:48,840
Speaker 2: Well I can't wait for that day. It sounds good

1351
01:06:48,880 --> 01:06:50,160
Speaker 2: now that you're describing.

1352
01:06:49,760 --> 01:06:53,800
Speaker 3: It like you know that is Yeah, raps are straight,

1353
01:06:53,920 --> 01:06:58,040
Speaker 3: but straight people do exist and there is validity in

1354
01:06:58,080 --> 01:07:01,800
Speaker 3: their experience. Of course, so Chicken Caesar rap being an

1355
01:07:01,800 --> 01:07:04,200
Speaker 3: authentic like, oh, there is something good about this. I

1356
01:07:04,240 --> 01:07:08,040
Speaker 3: think it's because it's a salad in a fake sand.

1357
01:07:07,920 --> 01:07:11,400
Speaker 1: Well, and that's a big part of raps. It is

1358
01:07:11,480 --> 01:07:14,280
Speaker 1: like get the salad. I mean, you know, imagine like

1359
01:07:14,320 --> 01:07:16,720
Speaker 1: a rap that has like quinoa and cherry tomatoes and

1360
01:07:16,760 --> 01:07:20,240
Speaker 1: it's like fall. It's like you are taking a salad

1361
01:07:20,280 --> 01:07:22,600
Speaker 1: and you're like, what if this was handheld? Yeah, you

1362
01:07:22,600 --> 01:07:25,240
Speaker 1: don't need your little plastic for it. That's gonna break

1363
01:07:25,400 --> 01:07:27,120
Speaker 1: as you are preparing for the big board meeting.

1364
01:07:27,240 --> 01:07:31,080
Speaker 3: I've done that. We all have ocean plastic.

1365
01:07:31,160 --> 01:07:36,959
Speaker 2: Yeah, yeah, yeah, wow. Well, you know it's like we say,

1366
01:07:37,200 --> 01:07:39,200
Speaker 2: sometimes the greatest feeling in the world is when a

1367
01:07:39,240 --> 01:07:41,320
Speaker 2: straight guy is like super nice to you for no reason.

1368
01:07:42,520 --> 01:07:44,400
Speaker 2: And that's maybe what the Chicken Caesar rap is.

1369
01:07:45,080 --> 01:07:45,480
Speaker 1: Mm hmm.

1370
01:07:47,880 --> 01:07:51,320
Speaker 3: Yeah. I'll say yes in the spirit of show business

1371
01:07:51,360 --> 01:07:54,080
Speaker 3: and moving things along and say yes and.

1372
01:07:53,960 --> 01:07:56,360
Speaker 2: It's okay if you disagree. We can end on a cliffhanger.

1373
01:07:56,400 --> 01:08:00,000
Speaker 1: And more on Chicken Caesar wraps next.

1374
01:07:59,760 --> 01:08:04,439
Speaker 2: Time, when Peter Smith returns for Stradio Lab Part two,

1375
01:08:04,600 --> 01:08:05,160
Speaker 2: Part two.

1376
01:08:07,560 --> 01:08:09,840
Speaker 3: What's the name of the Chromatica remix album? Isn't there

1377
01:08:09,840 --> 01:08:11,520
Speaker 3: a name? Or is it just remix down of Romatica?

1378
01:08:11,560 --> 01:08:14,560
Speaker 3: Donn of stradiolabeh Stradia Lab too, Don of Stradia Lab.

1379
01:08:14,640 --> 01:08:17,439
Speaker 1: Yeah, I'm nervous about you leaving. I just because I

1380
01:08:17,439 --> 01:08:22,639
Speaker 1: feel like you're an infinite well of wisdom.

1381
01:08:22,760 --> 01:08:23,360
Speaker 2: It's true.

1382
01:08:23,600 --> 01:08:25,280
Speaker 3: And as soon as you leave, there's a bottom down there.

1383
01:08:25,280 --> 01:08:29,200
Speaker 3: I'll tell you there's a deep But she's done it.

1384
01:08:31,320 --> 01:08:33,880
Speaker 1: Yeah, but you know what, it's not goodbye, it's to

1385
01:08:33,880 --> 01:08:36,479
Speaker 1: be continued. It's we have the dawn of Peter Smith,

1386
01:08:36,760 --> 01:08:40,160
Speaker 1: Don of Peter Smith coming. Yeah, George, will you introduce

1387
01:08:40,200 --> 01:08:43,200
Speaker 1: our final segment? I would be honored to do that.

1388
01:08:44,200 --> 01:08:45,920
Speaker 2: Before you do, I also have one more thought. Sorry

1389
01:08:45,920 --> 01:08:47,919
Speaker 2: to cut Sorry to set you up and then immediately

1390
01:08:47,920 --> 01:08:52,519
Speaker 2: cut you off. It's I think it's really symbolic that

1391
01:08:52,600 --> 01:08:56,599
Speaker 2: we're having a discussion on wraps while in Midtown at

1392
01:08:56,680 --> 01:08:58,519
Speaker 2: lunchtime on a two show day for.

1393
01:08:58,479 --> 01:09:00,439
Speaker 1: You both, not on a two show day. There's a

1394
01:09:00,439 --> 01:09:03,080
Speaker 1: two show day for you both while there is a

1395
01:09:03,200 --> 01:09:05,800
Speaker 1: literal half of a breakfast brito on the table that

1396
01:09:05,880 --> 01:09:06,599
Speaker 1: I had this morning.

1397
01:09:06,640 --> 01:09:10,240
Speaker 2: I think we are. This discussion is so lived in

1398
01:09:11,080 --> 01:09:12,280
Speaker 2: it almost is scaring me.

1399
01:09:12,520 --> 01:09:15,519
Speaker 1: Yeah. Well, there is something about Midtown where here's the

1400
01:09:15,520 --> 01:09:19,240
Speaker 1: other thing with the rap sorry last thing in some environments,

1401
01:09:19,280 --> 01:09:21,080
Speaker 1: it is the safest thing to get, and that's what

1402
01:09:21,120 --> 01:09:24,400
Speaker 1: we forget. It's like, yes, if you're if you're at

1403
01:09:24,680 --> 01:09:28,519
Speaker 1: a beautiful artisanal sandwich place in Portland, Oregon, yeah you're

1404
01:09:28,520 --> 01:09:30,599
Speaker 1: not gonna get the chicken Caesar rap. We're gonna get

1405
01:09:30,600 --> 01:09:34,000
Speaker 1: something a little more sophisticated, a little more funky sour

1406
01:09:34,080 --> 01:09:38,360
Speaker 1: nough uh you know, an Aoli siracha.

1407
01:09:38,640 --> 01:09:38,880
Speaker 3: Sure.

1408
01:09:39,800 --> 01:09:44,240
Speaker 1: But if you are in a midtown Peta mange, the

1409
01:09:44,400 --> 01:09:47,840
Speaker 1: rap is it's like it's it's shining gold in the

1410
01:09:47,880 --> 01:09:49,639
Speaker 1: vitrines and it's.

1411
01:09:49,600 --> 01:09:53,160
Speaker 3: Visual sandwich as you can't get that inside. Yeah, we're like,

1412
01:09:53,200 --> 01:09:56,040
Speaker 3: oh there's lettuce in there. Yeah, I'll just have that.

1413
01:09:56,360 --> 01:09:59,519
Speaker 1: Yeah, yeah, you know, and just like that and just

1414
01:09:59,600 --> 01:10:04,320
Speaker 1: like that. So in midtown, basically, the Chicken Caesar rap

1415
01:10:04,520 --> 01:10:08,320
Speaker 1: is the Madonna, the Lady Gaga, but everywhere else she

1416
01:10:08,439 --> 01:10:12,040
Speaker 1: is sort of the two day Lub, which no disrespect,

1417
01:10:12,240 --> 01:10:15,320
Speaker 1: no no, no, no, no, no disrespect, no disrespect none

1418
01:10:15,560 --> 01:10:16,160
Speaker 1: at all.

1419
01:10:16,680 --> 01:10:21,519
Speaker 2: Okay, now I feel like we can do our final segment, Peter.

1420
01:10:21,680 --> 01:10:23,600
Speaker 1: Our final segment is called shout Outs, and in this

1421
01:10:23,680 --> 01:10:27,000
Speaker 1: segment we pay homage to the classic straight tradition of

1422
01:10:27,040 --> 01:10:30,160
Speaker 1: the radio shout out, thank TRL think Z one hundred.

1423
01:10:30,320 --> 01:10:33,439
Speaker 1: You are shouting out to your squad back home, something

1424
01:10:33,479 --> 01:10:38,479
Speaker 1: that is making you say, yas mama. So do you

1425
01:10:38,479 --> 01:10:39,120
Speaker 1: want to go first?

1426
01:10:39,160 --> 01:10:39,320
Speaker 3: Ma'am?

1427
01:10:39,600 --> 01:10:41,200
Speaker 1: Wow, I can go first if.

1428
01:10:41,040 --> 01:10:41,479
Speaker 2: You have one.

1429
01:10:41,479 --> 01:10:50,280
Speaker 1: Please? Okay, what's up, ladies and gentlemen. That's right, I'm binary.

1430
01:10:50,640 --> 01:10:55,560
Speaker 1: I want to give a shout out to the performer,

1431
01:10:56,040 --> 01:11:00,439
Speaker 1: actress and musician Bridget Everett. You know, well, here's what

1432
01:11:00,479 --> 01:11:02,760
Speaker 1: I'll say. And people often ask me, who's the best

1433
01:11:02,760 --> 01:11:05,280
Speaker 1: performer you've ever seen live? And I say, in a

1434
01:11:05,320 --> 01:11:08,479
Speaker 1: dive bar in San Francisco in approximately twenty thirteen, twenty fourteen,

1435
01:11:08,800 --> 01:11:11,000
Speaker 1: Ridgard Everett did a stage dive to an audience of

1436
01:11:11,040 --> 01:11:15,360
Speaker 1: approximately twelve people, and it changed my life forever. I

1437
01:11:15,400 --> 01:11:19,840
Speaker 1: think you could literally pinpoint that moment is when I

1438
01:11:19,880 --> 01:11:22,360
Speaker 1: decided that I would attempt to one day have a

1439
01:11:22,360 --> 01:11:27,639
Speaker 1: gay podcast. Even she is perhaps the most talented woman alive.

1440
01:11:28,280 --> 01:11:30,920
Speaker 1: And if you are not watching her show on HBO,

1441
01:11:31,280 --> 01:11:33,360
Speaker 1: the one thing, by the way, now that I sort

1442
01:11:33,360 --> 01:11:35,880
Speaker 1: of chat on Max, the one thing that is worthy

1443
01:11:35,920 --> 01:11:39,000
Speaker 1: of the HBO brand on that platform, I highly re

1444
01:11:39,120 --> 01:11:43,160
Speaker 1: encourage you to go press play, sit back, and Honey,

1445
01:11:43,200 --> 01:11:46,040
Speaker 1: get ready for your heartstrings to be tug tug tugged

1446
01:11:46,080 --> 01:11:48,519
Speaker 1: like it is Sarah Burrella's playing her little guitar, because

1447
01:11:49,000 --> 01:11:50,960
Speaker 1: you will not be the same after you finish.

1448
01:11:51,520 --> 01:12:02,439
Speaker 2: Woo woo, wow, beautiful Wow. I am a struggling Let's think,

1449
01:12:02,600 --> 01:12:08,680
Speaker 2: Let's think, let's think. Okay, what's up, freaks, losers and perverts.

1450
01:12:08,720 --> 01:12:10,840
Speaker 2: I would like to give a huge shout out to

1451
01:12:11,160 --> 01:12:13,759
Speaker 2: waiting for like a week to do all your grooming

1452
01:12:13,840 --> 01:12:17,800
Speaker 2: things and then doing them all at once, Like I

1453
01:12:17,880 --> 01:12:20,519
Speaker 2: just kind of let myself go in every which direction,

1454
01:12:20,920 --> 01:12:24,120
Speaker 2: and then yesterday I was like, now let's whip it

1455
01:12:24,160 --> 01:12:27,160
Speaker 2: all back into shape. I'm cutting my nails, I'm shaving

1456
01:12:27,200 --> 01:12:30,600
Speaker 2: my face, I'm having a deep cleansing shower, and I

1457
01:12:30,640 --> 01:12:33,679
Speaker 2: feel like a completely different person. Sometimes it's so helpful

1458
01:12:33,720 --> 01:12:36,840
Speaker 2: to go to the brink and then claw your way

1459
01:12:36,880 --> 01:12:41,320
Speaker 2: back to polite society and to see, you know what

1460
01:12:41,479 --> 01:12:43,960
Speaker 2: is artifice and what is real? Find out who the

1461
01:12:44,000 --> 01:12:46,760
Speaker 2: real you is. It is Reese Witherspoon wild, but from

1462
01:12:46,800 --> 01:12:50,800
Speaker 2: your own home. I love saving all the grooming for

1463
01:12:50,880 --> 01:12:54,880
Speaker 2: one day, and I love when I have shaved but

1464
01:12:54,960 --> 01:12:56,080
Speaker 2: don't like to shave.

1465
01:12:56,680 --> 01:13:01,040
Speaker 3: Xoxo, say woo taking a shower can be wild.

1466
01:13:02,640 --> 01:13:04,200
Speaker 1: If you don't have time to take a hike, take a.

1467
01:13:04,120 --> 01:13:05,479
Speaker 2: Shower, take a long shower.

1468
01:13:05,600 --> 01:13:07,439
Speaker 3: Yeah, Pacific Crest, Yeah you can.

1469
01:13:07,600 --> 01:13:09,360
Speaker 1: Yeah, you can shower. You're atle bit way back to

1470
01:13:09,400 --> 01:13:10,479
Speaker 1: the woman your mother ads here.

1471
01:13:12,120 --> 01:13:16,040
Speaker 2: You can try, you can try, Okay, whatever you're ready?

1472
01:13:16,120 --> 01:13:23,880
Speaker 3: Okay. Yeah. Hey, our heart radio listeners, this is Peter

1473
01:13:24,160 --> 01:13:27,920
Speaker 3: and I'm coming with a shout out today. Cigarettes that

1474
01:13:28,000 --> 01:13:30,559
Speaker 3: I recently bought on Sunday haven't brought it back in

1475
01:13:31,120 --> 01:13:35,400
Speaker 3: six months. Sunday I said, Yes, eighty percent of America

1476
01:13:35,439 --> 01:13:38,599
Speaker 3: is shallow breathing. When I take a cigarette inhale, I

1477
01:13:38,640 --> 01:13:44,720
Speaker 3: take a long, deep, deep inhale and a big cathartic exhale,

1478
01:13:45,000 --> 01:13:48,280
Speaker 3: and that is making me go, yes, mama, to living

1479
01:13:48,360 --> 01:13:51,560
Speaker 3: my life. Yes, you may hear a little tickle on

1480
01:13:51,600 --> 01:13:56,120
Speaker 3: the back of my throat, a little irritation caused by

1481
01:13:56,479 --> 01:14:01,040
Speaker 3: cancerous chemicals, but you know what, that catharus is brought

1482
01:14:01,120 --> 01:14:04,639
Speaker 3: on by that little stick of cancer. Nothing like it.

1483
01:14:04,960 --> 01:14:08,839
Speaker 3: So folks, go out there, get yourself a box of smokes.

1484
01:14:09,640 --> 01:14:11,160
Speaker 3: Puff puff pass.

1485
01:14:11,640 --> 01:14:13,520
Speaker 1: Wow.

1486
01:14:14,040 --> 01:14:14,960
Speaker 2: What an endorsement.

1487
01:14:15,200 --> 01:14:18,040
Speaker 3: Yeah, you know that was the top of my head.

1488
01:14:18,320 --> 01:14:22,920
Speaker 2: I love the I mean diet coke cigarettes, it's giving star.

1489
01:14:23,439 --> 01:14:23,960
Speaker 1: Yeah.

1490
01:14:24,360 --> 01:14:28,120
Speaker 3: Being actually regular coke is star. Marilyn Monroe drink a

1491
01:14:28,120 --> 01:14:29,559
Speaker 3: Coca Cola on set every day.

1492
01:14:30,000 --> 01:14:31,479
Speaker 2: Really yeah wow.

1493
01:14:31,520 --> 01:14:33,759
Speaker 3: If you're inter exex sometimes you just drink Coca cola.

1494
01:14:34,080 --> 01:14:37,200
Speaker 1: Really A little tip for this, right that down, girls,

1495
01:14:37,439 --> 01:14:38,400
Speaker 1: A little tip.

1496
01:14:38,920 --> 01:14:40,400
Speaker 2: I didn't know. I'm learning every day.

1497
01:14:40,479 --> 01:14:44,200
Speaker 3: No solids, just sugar. Yeah. Well, that's a great thing

1498
01:14:44,240 --> 01:14:44,840
Speaker 3: for me to end on.

1499
01:14:45,160 --> 01:14:47,080
Speaker 2: Yeah, I love that. Well, thank you so much for

1500
01:14:47,120 --> 01:14:50,280
Speaker 2: doing the podcast. It's been a true delight and I

1501
01:14:50,280 --> 01:14:54,680
Speaker 2: can't wait for the dawn of Peter Smith's Stradio lab gorgeous.

1502
01:14:54,800 --> 01:14:56,840
Speaker 3: Thank you so much for having me the folks at home.

1503
01:14:57,360 --> 01:14:58,120
Speaker 3: I hope you're well.

1504
01:14:58,960 --> 01:15:01,120
Speaker 2: Bye bye thin By