Speaker 1: Welcome to the iHeartRadio and Coast to Coast AM paranormal
Speaker 1: podcast network. Now get ready for us Strange Things with
Speaker 1: Joshua P.
Speaker 2: Warre.
Speaker 3: Welcome to our podcast. Please be aware the thoughts and
Speaker 3: opinions expressed by the host are their thoughts and opinions
Speaker 3: only and do not reflect those of iHeartMedia, iHeartRadio, Coast
Speaker 3: to Coast AM, employees of Premiere Networks, or their sponsors
Speaker 3: and associates. We would like to encourage you to do
Speaker 3: your own research and discover the subject matter for yourself.
Speaker 2: Ready to be amazed by the wizard of Weird. This
Speaker 2: is a strange thing just Wimmen's Joshua Warna.
Speaker 1: I am Joshua pe Warren, and each week on this show,
Speaker 1: I'll be bringing you brand new mind gloving content, news exercises,
Speaker 1: and weird experiments you can do at home, and a
Speaker 1: lot more. On this edition of the show, how to
Speaker 1: I Am making a radionics time camera. Yeah you heard
Speaker 1: me right, a radionics time camera. This is one of
Speaker 1: those shows that is going to force me to challenge
Speaker 1: myself because this is an elaborate topic. It's one of
Speaker 1: the most fascinating topics in the entire world. But in
Speaker 1: order for me to dig into it, I am going
Speaker 1: to have to use some technical wording.
Speaker 2: We'll call it.
Speaker 1: I don't want to go so far as jargon, but
Speaker 1: some technical wording in order to talk about the nuts
Speaker 1: and bolts of the experiment that I've been doing it.
Speaker 1: And some of you are more comfortable with that kind
Speaker 1: of terminology than others, but bear with me. I'll do
Speaker 1: my best to keep this as simple as possible. Let
Speaker 1: me just start by saying that one of my earlier shows,
Speaker 1: episode thirty four, was called The Last Werewolf and Time
Speaker 1: Travel Cameras, And if you haven't listened to that, please
Speaker 1: go back find episode thirty four of this show. You
Speaker 1: will not be disappointed. So I'm not going to go
Speaker 1: too deep into that particular edition of the show. But
Speaker 1: one thing I talked about was the so called chronovisor
Speaker 1: And just to give you a quick recap, apparently, and
Speaker 1: as a matter of fact, there is a website here
Speaker 1: called the Lyntonian dot com that gives a nice overview.
Speaker 1: Sometime in the early nineteen sixties, supposedly a group of
Speaker 1: respected Italian physicist, engineers, and mathematicians led by this Benedictine
Speaker 1: friar created this device called the Kronovisor working at the Vatican,
Speaker 1: and the friar, whose name was Ernetti, claimed the machine
Speaker 1: could look into the past and bring back recordings of
Speaker 1: historic events, just like a television, and it had very
Speaker 1: similar components to a television, but apparently according to them,
Speaker 1: and this was written about in a book, which is
Speaker 1: how we know the whole story, a book that is
Speaker 1: in French. I have a copy of it somewhere, even
Speaker 1: though I don't read French. But these images were supposedly
Speaker 1: captured from the past and could appear in the form
Speaker 1: of holographs, so that you could even rotate them to
Speaker 1: view these images from different perspectives. So we're talking about
Speaker 1: things like going back and witnessing the birth or the
Speaker 1: crucifixion of Christ. And according to this book and the
Speaker 1: legend surrounding this Kronovisor project, it was deemed so powerful,
Speaker 1: so dangerous in a sense because of its ability to
Speaker 1: potentially rewrite history, that it was either destroyed and the
Speaker 1: plans will probably never be be revived, or it was
Speaker 1: locked away in the most secret possible spot at the Vatican,
Speaker 1: the Vatican where it remains to this day, it is
Speaker 1: still sometimes used by them. I don't think we'll ever
Speaker 1: know whether or not to believe that story, however, And
Speaker 1: this is just one thing that is pretty pretty amazing.
Speaker 1: There was an Italian magazine at one point that wrote
Speaker 1: an article about that story, and they published a picture
Speaker 1: that they claimed was a picture of the face of
Speaker 1: Jesus Christ that was captured using the chronovisor And if
Speaker 1: you want to see that picture, I currently have it
Speaker 1: posted on my website. If you go to Joshua Pwarren
Speaker 1: dot com and click the link to the Curiosity Shop,
Speaker 1: scroll down and you will see a variety of interesting images.
Speaker 1: One of them says chronovisor pick, and there you will
Speaker 1: see what they claim is a picture of the real
Speaker 1: face of Jesus captured using the chronovisor so. Now, I
Speaker 1: have heard that story for many years, and that seemed
Speaker 1: like something that was that would be great for some
Speaker 1: kind of a science fiction movie. But it gave me
Speaker 1: no way of putting my hands onto some tools to
Speaker 1: try to figure out how to create such a thing.
Speaker 1: But there is this other project that I had heard
Speaker 1: about for decades, which is totally separate but very similar
Speaker 1: and more in my Willhouse and that is the idea
Speaker 1: of a radionics time camera. And now you should know
Speaker 1: this if you listen to this show. But by radionics,
Speaker 1: some people call it psionics. We're talking about using symbols
Speaker 1: and symbolic language to create thought forms that you project
Speaker 1: into reality, often through something like a wishing machine, to
Speaker 1: create some tangible outcome. So it's a simple way of
Speaker 1: hacking reality. If you want to watch videos about this,
Speaker 1: the place to go is Wishingmachine Project dot com. Wishingmachine
Speaker 1: Project dot com. Well, I have heard for decades about
Speaker 1: these scientists who develop what is known as the radionics
Speaker 1: time camera. I'm gonna give you more details in a minute,
Speaker 1: but this would be considered just like the chronovisor the
Speaker 1: Holy Grail perhaps ICs and psionics experiments. We're talking about
Speaker 1: creating a type of camera that you load unexposed filmen
Speaker 1: and by setting radionically a location and a time, then
Speaker 1: it's able to develop an image of what was happening
Speaker 1: at that location at that time. So it could almost
Speaker 1: be used like a real crystal ball. Again, look at
Speaker 1: the power of seeing the past as it actually happened,
Speaker 1: possibly viewing historical secrets related to things like buried treasure,
Speaker 1: or even looking into the future to see who's going
Speaker 1: to win at the super Bowl before you go to
Speaker 1: the sports book in Vegas and place your bet. Now,
Speaker 1: the question would become, well, how do these things actually work?
Speaker 1: If they do work, we know that wishing machines and
Speaker 1: radionics boxes are mind powered, and so could these simply
Speaker 1: be mental imprints that the operator is the one actually
Speaker 1: traveling through time mentally and using the machine in order
Speaker 1: to capture an image of what was found there, almost
Speaker 1: like a remote viewer.
Speaker 2: Well, that may be because the mind is a time machine.
Speaker 2: You know.
Speaker 1: I've talked about this before, how that when you have
Speaker 1: a memory, what you're doing is mentally traveling through time
Speaker 1: to the past.
Speaker 2: And then if you.
Speaker 1: Start imagining how you're going you know, what you're going
Speaker 1: to have for lunch tomorrow, Well you're time traveling into
Speaker 1: the future and possible future avenues. So that said, let
Speaker 1: me get very specific with you and tell you that.
Speaker 2: There was this.
Speaker 1: Publication that would come out sometimes in the early nineteen nineties.
Speaker 1: I have one in my hands right now, and it's
Speaker 1: a catalog that was published by a company in Hancock,
Speaker 1: Wisconsin here in the United States called Lord Industries and
Speaker 1: it's spelled lor Apostrophe d Lord Industries Limited New Age Alternatives.
Speaker 1: I don't really know anything about who they were, but
Speaker 1: they had these just amazing catalogs that also incorporated a
Speaker 1: lot of articles about these extremely bizarre topics related to
Speaker 1: the esoteric and metaphysical and psychicing. So here is one
Speaker 1: article that appeared often in this catalog. It has a
Speaker 1: picture of a radionics box which used to be called
Speaker 1: by most people. They used to call them a black box.
Speaker 1: And here's what it says. A mysterious looking device occupied
Speaker 1: the center of the big research lab just outside of Oxford, England.
Speaker 1: George Delaire, head of the huge laboratory complex, and several
Speaker 1: technicians were busily making last minute adjustments to some of
Speaker 1: the dials that covered the apparatus. With a final nod
Speaker 1: of approval, doctor Delaire inserted a piece of ordinary photographic
Speaker 1: film into an opening in the device, and after a
Speaker 1: few moments, removed a picture, a picture of his wife
Speaker 1: and himself on their wedding day thirty years before. Now
Speaker 1: that's the opening to this piece and probably one of
Speaker 1: the first times that I heard about this concept, and
Speaker 1: since then, over the years, occasionally I have had people
Speaker 1: contact me, people who are true students of radionics and
Speaker 1: psionics and wishing machines, and say, I've heard this story
Speaker 1: about this time machine, this you know, radionics time camera
Speaker 1: that would allow you to take pictures of things that
Speaker 1: happened in the past, if not the future. What's the
Speaker 1: deal there? Well, I have been looking into it more
Speaker 1: and more over the years, and when we come back,
Speaker 1: I'm going to tell you a little bit more about
Speaker 1: the real story here of who these people were who
Speaker 1: were creating these supposed time cameras. And then this is
Speaker 1: something I've been putting off for a long time because
Speaker 1: I just knew it was I wanted to do it.
Speaker 2: If I was going to do it, I wanted to
Speaker 2: do it right.
Speaker 1: I finally have been. I figured out a plan for
Speaker 1: how to put together a possible radionics time camera, and
Speaker 1: I've been doing some experiments and so far I have
Speaker 1: had some very interesting results. I'm going to explain to
Speaker 1: you step by step what I've been doing and teach
Speaker 1: you how you can start experimenting with this yourself. All right, Yeah,
Speaker 1: it's one of those shows and if you like this
Speaker 1: kind of show, hey, it's free content. So if you
Speaker 1: want me to keep doing it, you got to support
Speaker 1: the show. And that's why when you go to Joshua
Speaker 1: P Warren dot com and you visit that curiosity shop, hey,
Speaker 1: buy something cool for yourself or a loved one, something
Speaker 1: you want find anywhere else in the world, because that's
Speaker 1: the kind of unique goods that you'll find there. And also,
Speaker 1: when you're on the website, go to the homepage, take
Speaker 1: two seconds sign up for my free and spam free
Speaker 1: e newsletter. You just put your email address in their
Speaker 1: hit submit, and instantaneously you will receive an automated email
Speaker 1: from me with links to all kinds of free goodies
Speaker 1: like a free online good luck charm, some money, magic tips,
Speaker 1: experiments that you can do, like instructions on how to
Speaker 1: build aura glasses for next to nothing in your kitchen
Speaker 1: that will allow you to start seeing into the spiritual realm.
Speaker 1: All that and more is at Joshua Pwarren dot com.
Speaker 1: I am Joshua pe Warren, and you are listening to
Speaker 1: Strange Things on the iHeartRadio and Coast to Coast AM
Speaker 1: Paranormal podcast Network.
Speaker 2: And I will be right back.
Speaker 1: Welcome back to Strange Things on the iHeartRadio and Coast
Speaker 1: to Coast AM Paranormal Podcast Network. I am your host,
Speaker 1: the Wizard of Weird, Joshua P. Warren, beaming into your
Speaker 1: wormhole brain from my studio in Sin City, Las Vegas, Nevada,
Speaker 1: where every day is golden and every night is silver.
Speaker 2: Zietato zume. And here's something that I must tell.
Speaker 1: You before I forget, because this is well, it's kind
Speaker 1: of a big deal. I just realized the other day
Speaker 1: that if you go to Strangethingsshow dot com Strange Thingsshow
Speaker 1: dot com, then you will find, of course links to
Speaker 1: different platforms where you can listen to this show. Right
Speaker 1: at the top is iHeart, and of course you also
Speaker 1: could just go directly to iHeart You don't have to
Speaker 1: go through Strange thingshow dot com. But regardless, go to
Speaker 1: iHeart search for Coast to Coast AM or my name
Speaker 1: and you should find it. And now when you bring
Speaker 1: up a show, below the description of the show, there
Speaker 1: is a new little icon that says transcript and you
Speaker 1: can click that button and boom, there is a written
Speaker 1: transcript of every word in the show, and going all
Speaker 1: the way back to episode one in October of twenty twenty. Now,
Speaker 1: I don't know just how accurate the transcript is because
Speaker 1: I haven't had a chance yet to really dig into it.
Speaker 1: But this is amazing because I have had people contact
Speaker 1: me over the years saying, hey, do you have a
Speaker 1: transcript of the show, especially if we have someone who
Speaker 1: has hearing problems, and I've said no that I don't.
Speaker 1: Some people have made their own transcripts of the show.
Speaker 1: But now apparently if you go there and I don't
Speaker 1: know if this is going to be permanent or I mean,
Speaker 1: you can copy this right now and paste it into
Speaker 1: a document and save it send it to yourself in
Speaker 1: an email.
Speaker 2: It's amazing.
Speaker 1: So now I'm like, oh boy, I hope I didn't
Speaker 1: say something that I wouldn't want to see in writing.
Speaker 1: But you know, I started out my career as a writer,
Speaker 1: and even though I don't write as many books anymore,
Speaker 1: you know, I've published over twenty books. I still have
Speaker 1: felt like that podcasting for me is a form of writing.
Speaker 1: When I'm sitting here and talking to you, it's like
Speaker 1: I'm just writing off the top of my head. Now, sure,
Speaker 1: I've got prep that I've done, just like I would
Speaker 1: for a book, whether it's personal research or whatever. But
Speaker 1: see this is what's happened to our technology. All forms
Speaker 1: of media are are merging together into this indistinguishable thing
Speaker 1: called information, and you can access the same information using
Speaker 1: different different ways. So again I think only iHeart is
Speaker 1: offering that right now, and so anytime, any how, any
Speaker 1: way you can access iHeart through download the iHeart app
Speaker 1: whatever it is. That's where you can find the transcripts
Speaker 1: of the show. So that that was a nice surprise. Also,
Speaker 1: before I continue talking about the time camera, you know
Speaker 1: if any of you listening out there happened to know
Speaker 1: anything about who this company or what this company, Lord
Speaker 1: Industries was back at let's see, it was box one
Speaker 1: fifty six, which they say was Highway G and Aspen
Speaker 1: Ava in Hancock, Pennsylvania. Listen, Hancock, Wisconsin, zip code five
Speaker 1: four nine four three. Let me know if you know
Speaker 1: anything about what this company really was and uh and
Speaker 1: what ended up happening to the company, because they did
Speaker 1: publish a lot of really great stuff. All right, back
Speaker 1: to the story at hand. So now when it comes
Speaker 1: to the question of who was this man del r
Speaker 1: And by the way, that name is spelled d E. Okay,
Speaker 1: it's three words, D E L A W. R R
Speaker 1: just like the beginning of my last name. George Delair,
Speaker 1: he apparently was also working on projects with his wife,
Speaker 1: Marjorie Delair, but he was not the only person working
Speaker 1: on this concept of creating a radionic camera. If you
Speaker 1: go to Radionic's Spectracom, which is a website, they talked
Speaker 1: some about how that really the first person who started
Speaker 1: making big waves was a woman in the USA, uh,
Speaker 1: doctor Ruth Drown, and then George and Marjorie Delaire in
Speaker 1: England both invented a version of a radionic camera. They
Speaker 1: think that doctor Ruth Brown was the first, the very
Speaker 1: first one to do it, and it says she discovered
Speaker 1: this amazing technique by connecting an unexposed photographic plate to
Speaker 1: a radionic instrument using a wire, and when the photographic
Speaker 1: plate was developed, the organ that the radionic instrument was
Speaker 1: tuned to would appear on the film without the use
Speaker 1: of any sort of light while the photo was being taken.
Speaker 1: So she's looking at this as a form of almost
Speaker 1: like X ray looking inside the human body. Says that
Speaker 1: she was conducting all of these experiments connect a patient
Speaker 1: directly to the radiotic instrument, put the rate for a
Speaker 1: specific organ on the tuning dials, and when she did
Speaker 1: this outside of the organ, the organ would be photographed.
Speaker 1: She could even use a blood spot from the patient
Speaker 1: as a witness and do the same thing. She used
Speaker 1: this camera for diagnosing medical conditions. Many times her photograph
Speaker 1: showed the same condition in a patient as was later
Speaker 1: found by conventional medical X rays. She even received a
Speaker 1: patent for her Drown camera in Britain in nineteen thirty nine.
Speaker 1: But the thing is, it says that Drown camera was
Speaker 1: not purely a mechanical piece of equipment like a traditional camera.
Speaker 1: It required the use of some sort of psychicability on
Speaker 1: doctor Drown's part to make the camera work. Not surprisingly,
Speaker 1: she was persecuted by the FDA starting in nineteen fifty
Speaker 1: one and they threw her in prison. So doctor Drown
Speaker 1: was never able again to take photographs with the Drown
Speaker 1: camera after her release, and within a few months she died.
Speaker 1: Now was she just a quack like so many others
Speaker 1: have been accused of being, like doctor Abrams or Phil
Speaker 1: ham Reich.
Speaker 2: I don't know.
Speaker 1: But let's see what that says about George Delawa, the
Speaker 1: guy I mentioned to begin with on the other side
Speaker 1: of the Atlantic George Marjorie Deloire were doing similar things.
Speaker 1: In nineteen fifty eight, George Delaire received a patent for
Speaker 1: a camera that operated similar to the one doctor Drown invented,
Speaker 1: but looked totally different. Also, like the Drown camera, it
Speaker 1: could not work without the intent of the operator or
Speaker 1: someone in close proximity with psychic abilities. Delaware called it
Speaker 1: the Mark one camera, and he took thousands of pictures
Speaker 1: with this camera. Says they were able to photograph the
Speaker 1: growing fetus and a pregnant woman with only a spot
Speaker 1: of the pregnant woman's blood. On one occasion, they photographed
Speaker 1: the contents of the stomach of a sick cow using
Speaker 1: only a drop of the cow's blood, et cetera, et cetera.
Speaker 1: And then, of course he started doing these exceptional photos
Speaker 1: where he would well, he would take pictures.
Speaker 2: Of past events, and.
Speaker 1: It says here he in nineteen fifty nine he was
Speaker 1: able to take the photograph of his wedding day in
Speaker 1: nineteen twenty nine using a spot of blood of himself
Speaker 1: and his wife along with the intent my wedding day,
Speaker 1: and it showed two dark human like shapes. So now
Speaker 1: here's the thing I don't know exactly what happened to
Speaker 1: George Dela Wi and I have not seen this picture
Speaker 1: I've searched, and I have not seen the picture that
Speaker 1: has shows his supposed wedding from thirty years before. I'm
Speaker 1: looking right now at a picture of the supposed fetus,
Speaker 1: and yes, it does have the shape of a fetus,
Speaker 1: but it's you know, it's.
Speaker 2: Not that clear. So look, I don't know.
Speaker 1: Whether or not we should believe all of these stories
Speaker 1: about these types of people, but I sure wanted to
Speaker 1: experiment with this concept for myself because it seems like
Speaker 1: that anytime somebody starts making some progress with radionics that
Speaker 1: eventually they get shut down. So I started thinking about
Speaker 1: the best way that I might be able to do
Speaker 1: this in this day and age. Now I'll preface by
Speaker 1: saying that I started experimenting with photography when I was
Speaker 1: a teenager, to the point where I eventually bought what's
Speaker 1: called a medium format camera similar to a hastleblog. Some
Speaker 1: of you will know what I'm talking about, which took
Speaker 1: some you know, serious photographic skills to get the right
Speaker 1: exposure and the right f stops. And you know, I
Speaker 1: had a light meter, and again I don't want to
Speaker 1: get too technical here, but you know, before I was
Speaker 1: twenty years old, I was already shooting and editing sixteen
Speaker 1: millimeter film motion picture film. But at one point, when
Speaker 1: I was in my early twenties, I obtained what was
Speaker 1: a type of Curelean camera which allows you to get
Speaker 1: an image of the electrical charge that comes from someone's hand.
Speaker 1: So basically, you would take somebody's finger, say, and put
Speaker 1: it on top of an undeveloped photographic plate, and then
Speaker 1: you would pass a current through that person's body and
Speaker 1: then develop the image, and you would have like this
Speaker 1: blue or reddish corona of light around the person's finger.
Speaker 1: And this was a way that you might be possibly
Speaker 1: capturing a photographic image of the person's energy filled or
Speaker 1: astral body, or a theic body.
Speaker 2: That was the idea.
Speaker 1: But because I was exposed to that, it made me
Speaker 1: think just recently about how I might be able to
Speaker 1: adapt a similar method to the radionic time camera. And
Speaker 1: the world has moved on, by and large so far
Speaker 1: past using film exposure and film developing. Then I realized
Speaker 1: that nowadays the easiest way to do such a thing
Speaker 1: would be to take advantage of an old fashioned polaroid camera.
Speaker 1: And depending on how old you are, I'm sure you know.
Speaker 1: If you're in your forties, I guarantee you owned a
Speaker 1: polaroid camera at some point when you were younger, or
Speaker 1: at least we're around them. But if you are younger
Speaker 1: than that and you don't know exactly what a polaroid
Speaker 1: camera is, well, I have one in my hands that
Speaker 1: I just bought for this experiment, and this is one
Speaker 1: of the old polaroid one step cameras that takes the
Speaker 1: six hundred film. I adapted this polaroid camera into my
Speaker 1: radionics time camera experience, and I'm going to tell you
Speaker 1: what I got when we come back.
Speaker 2: I'm Joshua P.
Speaker 1: Warren. You're listening to Strange Things on the iHeart Radio
Speaker 1: and Coast to Coast I am Paranormal Podcast Network, and
Speaker 1: I will be back after these important messages.
Speaker 2: Welcome back to.
Speaker 1: Strange Things on the iHeart Radio and Coast Coach AM
Speaker 1: Paranormal Podcast Network. I'm your host, Joshua pe Warren, and
Speaker 1: this is the show where.
Speaker 2: The unusual becomes usual.
Speaker 1: Now don't worry if what I'm about to describe to
Speaker 1: you doesn't make perfect sense, because I shot a video
Speaker 1: of myself going through this technique, and I'm going to
Speaker 1: tell you how you can go and watch this video
Speaker 1: as well, which makes things much much clearer. That video
Speaker 1: is almost fourteen minutes long.
Speaker 2: So okay.
Speaker 1: So basically, if you were going to try to reproduce
Speaker 1: something similar to what I've described, then probably the most
Speaker 1: obvious technique would be to go into a dark room
Speaker 1: and I'm in a dark dark room, no windows, no light,
Speaker 1: and bring your wishing machine in there, your radionics machine.
Speaker 1: It's got your input plate, your output plate, and your
Speaker 1: tuning knobs, and then you would represent what you were
Speaker 1: wanting to photograph on your input plate, tune the machine,
Speaker 1: and then take a piece of unexposed film and either
Speaker 1: lay that onto the output plate for minutes or hours,
Speaker 1: or connect a wire from the output plate to the
Speaker 1: unexposed film and let us sit there for a while.
Speaker 1: And then when you're done, you would take that piece
Speaker 1: of film, and then you would need to go through
Speaker 1: the developing process, which could be kind of elaborate because
Speaker 1: you need a variety of chemicals and containers, and you
Speaker 1: you're working in the dark, and you need to know
Speaker 1: what you're doing. You need to have some space you
Speaker 1: don't want to knock anything over and spill it. You
Speaker 1: don't want to wait too long, you got, I mean like,
Speaker 1: there's a lot, there's a lot to be done. So
Speaker 1: I felt the simpler solution was to use an old
Speaker 1: fashioned polaroid camera, the kind that I had, you know,
Speaker 1: thirty years ago. And I actually found one on eBay
Speaker 1: that was in an estate, a collector's estate, and it's
Speaker 1: an absolutely perfect condition. It looks like it was never used.
Speaker 1: And the cool thing about a polaroid camera is, Okay,
Speaker 1: basically what happens is when you buy the camera, it
Speaker 1: has to flash and all that, but it does not
Speaker 1: have a battery. You go out and you buy these
Speaker 1: film packs, so and they're sealed up, and I have
Speaker 1: right in front of me. I've been using color six
Speaker 1: hundred film. So each pack has eight unexposed pieces of
Speaker 1: film in it. You take your film pack out and
Speaker 1: there is a little black piece of cardboard on top
Speaker 1: of it.
Speaker 2: You open the.
Speaker 1: Camera, you slide the film pack into the camera, and
Speaker 1: then you open the top section of the camera and
Speaker 1: it spits out that piece of cardboard. And now when
Speaker 1: you take a picture. I can't remember if I have
Speaker 1: any film left in this one or not. But if so,
Speaker 1: listen listen Nope, okay, it makes that famous sound. That sound,
Speaker 1: but I guess this card or this film pack is empty.
Speaker 1: Let's see, there we go. Did you hear it that time?
Speaker 1: That famous sound? And what's so great about it is
Speaker 1: the film pack. It's got a battery in it that
Speaker 1: operates the flash, that operates the mechanics of the camera,
Speaker 1: and all the developing chemicals are already sealed inside of
Speaker 1: the picture. So when you when you take a photograph,
Speaker 1: what happens is it just spits the picture out between
Speaker 1: a couple of rollers, and those rollers squeeze the chemicals
Speaker 1: that are inside of this picture and it develops everything.
Speaker 1: And so you don't have to actually deal with the chemicals.
Speaker 1: The chemicals are all stored inside the piece of polaroid film.
Speaker 1: Hopefully that makes sense. And so what this means is
Speaker 1: that you can go in into a dark room with
Speaker 1: your polaroid camera. You can take your pack of Polaroid film.
Speaker 1: You can open your pack of polaroid film in the
Speaker 1: dark room, and then you can take that piece of
Speaker 1: black cardboard off the top. You can expose this piece
Speaker 1: of unexposed polaroid film to whatever you want by using
Speaker 1: a flash bulb or a flash pack, and then after
Speaker 1: you've exposed it, you stick it into the camera and
Speaker 1: then the camera will spit it out and it'll develop
Speaker 1: within ten or fifteen minutes.
Speaker 2: And that's something that's kind of interesting.
Speaker 1: This shows you how our perception of time has changed,
Speaker 1: because I've asked a couple people like you remember developing
Speaker 1: polaroid cameras camera film back the day, how long do
Speaker 1: you think that that took? And they would say, oh,
Speaker 1: about three minutes. Nope, it takes ten to fifteen minutes
Speaker 1: for a polaroid picture to develop. And you see, now
Speaker 1: we're so impatient that we've lost that track of time,
Speaker 1: and that seems like forever to wait ten or fifteen minutes.
Speaker 1: So what I did, for example, is I went into
Speaker 1: I have a closet at my house that's big, and
Speaker 1: it has no light whatsoever. It's just like a dark room,
Speaker 1: and I took the camera in there.
Speaker 2: I took the.
Speaker 1: Polar weight film and the first thing I did was
Speaker 1: just open the pack. I took the unexposed film pack,
Speaker 1: and I put an amethyst necklace on it that I own,
Speaker 1: nice purple amethyst with a chain. I hit it with
Speaker 1: a film flash because I bought a little film flash
Speaker 1: thing from Amazon. It wasn't much twenty thirty bucks. Exposed
Speaker 1: it for about well, it's you know, maybe a thousandth
Speaker 1: of a second, and you want to hold it up
Speaker 1: a few feet away. And then I popped the film
Speaker 1: into the Polaroid camera. It spit it out, and here
Speaker 1: I got, in fifteen minutes a nice, beautiful portrayal of
Speaker 1: my amethyst necklace. And so I say, okay, well, this
Speaker 1: obviously is working. This is how I can expose a
Speaker 1: piece of film without having to get my hands all
Speaker 1: dirty with chemicals.
Speaker 2: So then I took a coin.
Speaker 1: I chose a Canadian coin because it had some nice
Speaker 1: angles on it, even though I'm an American.
Speaker 2: And I did the same thing.
Speaker 1: I took out a piece of unexposed film in the
Speaker 1: dark room, just using I'm just feeling my way through this.
Speaker 1: And by the way, they make these things called loading
Speaker 1: bags that you can also use if you don't have
Speaker 1: a completely dark space where you put everything inside. It's
Speaker 1: a light sealed, a light proof sealed bag, and you
Speaker 1: can work inside that you still can't see what you're doing.
Speaker 1: But anyway, so I took this Canadian coin, I put
Speaker 1: it on there on the piece of unexposed film, hit
Speaker 1: it with the flash bulb, and then I put the
Speaker 1: piece of unexposed film into the camera and here goes.
Speaker 1: It spits out a nice picture of the silhouette.
Speaker 2: Of the Canadian coin.
Speaker 1: So I have illustrated that this method is a good
Speaker 1: method for developing, for taking an unexposed piece of film
Speaker 1: and hitting it manually in a very hands on direct
Speaker 1: way and developing it without all the chemical mess. So
Speaker 1: now I go, okay, now I'm ready to move on
Speaker 1: to more radionics type stuff. So this time I said,
Speaker 1: I'm not going to use my flash Instead, I am
Speaker 1: going to do the same thing, except I'm going to
Speaker 1: take that Canadian coin and I'm going to put it
Speaker 1: on the input plate of a wishing machine. I'm going
Speaker 1: to tune that machine, and then I'm going to take
Speaker 1: an unexposed piece of film and put it on the
Speaker 1: output plate of the machine and just let it sit
Speaker 1: there for I think maybe about a half an hour. Now,
Speaker 1: there is a little red light on this particular machine
Speaker 1: I was using, so I put a piece of black
Speaker 1: tape over it to cover that up, but this film
Speaker 1: is so sensitive there was still a little bit of
Speaker 1: the red light that got through. Regardless, I never exposed
Speaker 1: the actual coin to any type of light, and there's
Speaker 1: no reason there should have been an image of that
Speaker 1: coin that could somehow pass through this wishing machine onto
Speaker 1: the output plate. And yet when I developed it, holy cow,
Speaker 1: there is an image on the developed photo that looks
Speaker 1: very much like the shape of the coin, so much
Speaker 1: so that, as you can see in the video, if
Speaker 1: I actually put the coin on top of the piece
Speaker 1: of film, it matches up perfectly. Let me go ahead
Speaker 1: and tell you where to watch this video. By the way,
Speaker 1: if you go to Joshua Pwarren dot com and then
Speaker 1: you scroll down same as I told you to do
Speaker 1: for the chronavisor pick, you'll see at some point, actually
Speaker 1: right now, it's below the cronavisor pick. It says click
Speaker 1: here for the time camera experiment. Click here for the
Speaker 1: time camera experiment. You click that link, it will take
Speaker 1: you to this fourteen minute video and you will see
Speaker 1: me going through this entire process and showing you exactly
Speaker 1: how to do this. So now at this point I'm
Speaker 1: feeling pretty inspired, Like, Okay, I know that this is
Speaker 1: an authentic way of developing a picture directly on the film,
Speaker 1: using traditional methods of photography. And now it looks like
Speaker 1: I may be making some headway with getting something to
Speaker 1: develop that is going through the machine radionically without a
Speaker 1: traditional light exposure. So now it's time to move on
Speaker 1: to the more serious experiment. Here. I thought about as
Speaker 1: an omah to George Delaire, trying to see if I
Speaker 1: could get a photograph from my wedding, which was, let's see,
Speaker 1: how long ago was that twenty eight years ago? Or no, no,
Speaker 1: it was I got Well, Lauren and I've been together
Speaker 1: for twenty eight years, but I think I got married
Speaker 1: like eighteen years ago. So anyway, regardless, I thought to myself, well,
Speaker 1: you know what, why don't why don't I try to
Speaker 1: do something that's even more exotic, something that I wasn't
Speaker 1: there for, something that I there's less of a chance
Speaker 1: that I could influence mentally. What's a historic incident that
Speaker 1: happened that everybody would know about, that was documented very
Speaker 1: well the place the time. And I thought, how about, well,
Speaker 1: I grew up in North Carolina. How about when they're
Speaker 1: right brothers had their first airplane flight Kitty Hawk, North Carolina.
Speaker 1: It took place at ten thirty ten thirty five am
Speaker 1: on December seventeenth of nineteen oh three. There in Kitty Hawk,
Speaker 1: North Carolina. There's the Right Brothers National Memorial in kill
Speaker 1: Devil Hills, North Carolina, showing you exactly where it happened.
Speaker 1: So I go, I'm gonna plug that information into the
Speaker 1: machine and see if I can get a picture of
Speaker 1: something that happened long before I was born, the Right
Speaker 1: Brothers First Flight. I'll tell you what I got when
Speaker 1: we come back, and I've got something else cool to
Speaker 1: share with you. I'm Joshua Pee Warren. You're listening to
Speaker 1: Strange Things on the iHeartRadio and Coast to Coast AM
Speaker 1: Paranormal Podcast Network, and I will be right back. Welcome
Speaker 1: back to the final segment of this edition of Strange
Speaker 1: Things of the iHeartRadio and Coast to Coast AM Paranormal
Speaker 1: Podcast Network.
Speaker 2: I am your host, Joshua P. Warren.
Speaker 1: And here you go. Oh, I thought I was going
Speaker 1: to get that sound, that polaroids sound again.
Speaker 2: There it is. I don't know if you can hear
Speaker 2: that or not.
Speaker 1: I like that sound, all right, So here's what I did.
Speaker 1: I took a piece of paper and I wrote on
Speaker 1: it Right Brothers first powered flight ten thirty five am,
Speaker 1: December seventeenth, nineteen oh three, Kitty Hawk, North Carolina, and
Speaker 1: I put the GPS coordinates. I took that piece of
Speaker 1: paper with that information and I put it on the
Speaker 1: input plate of my radionics box in a dark room.
Speaker 1: And then I opened a fresh pack of Polaroid film.
Speaker 1: I removed the piece of cardboard from the top. I
Speaker 1: took the very first unexposed piece of film and I
Speaker 1: laid it face down on the output plate of the
Speaker 1: machine and left it there for two hours. Afterward, I
Speaker 1: took the film pack, I inserted it into the Polaroid camera.
Speaker 1: The Polaroid camera spit it out fifteen minutes later. It
Speaker 1: was developed and it was black. There was nothing on it,
Speaker 1: just as one would expect. I tried this a couple
Speaker 1: more times, and I was able to get some shadowy forms,
Speaker 1: but nothing that I could conclusively say was an image
Speaker 1: of the Right Brothers at Kitty Hawk having their first flight.
Speaker 1: You can imagine how shocking it would be to capture
Speaker 1: something like that, And at one point I even said,
Speaker 1: you know what, let me just try doing this and
Speaker 1: here I am in this dark room, and I said,
Speaker 1: why don't I just skip the radionics machine, the wishing
Speaker 1: machine altogether, And I just took an unexposed piece of
Speaker 1: polaroid film, held it to my forehead, to my third eye,
Speaker 1: and I sat there thinking about the pictures that I've
Speaker 1: seen of the Right brothers doing this, seeing if I
Speaker 1: could project something from my head onto the film, which
Speaker 1: would also be like an impossible feat supposedly, even though
Speaker 1: there are plenty of people who used to claim they could.
Speaker 2: Do this same thing.
Speaker 1: I popped it in and developed, and I did not
Speaker 1: have any kind of discernible image.
Speaker 2: So here's where I am at this point.
Speaker 1: I think it is certainly possible that I have made
Speaker 1: some headway radionically capturing an image from an object on
Speaker 1: the input plate of a machine to the output plate
Speaker 1: and therefore an unexposed piece of film. That is a
Speaker 1: big enough deal. Even if that could be done, that
Speaker 1: defies everything we know about how photography is supposed to work.
Speaker 1: But I have not yet been able to actually get
Speaker 1: a picture of something that happened at another point.
Speaker 2: In space time.
Speaker 1: And my purpose here, because this is the work in progress,
Speaker 1: is to tell you this technique that I'm using, and
Speaker 1: to allow you to know that even if you don't
Speaker 1: have any extensive photo developing experience, you may still be
Speaker 1: able to take this method that I've described to you,
Speaker 1: which is the cleanest, simplest method of doing this, and
Speaker 1: you may be able to tweak this by using different
Speaker 1: types of machines, different types of exposures, like maybe it
Speaker 1: needs to go a longer period of time, a shorter
Speaker 1: period of time, maybe it needs to be tuned in
Speaker 1: a different way. There are so many variables here that
Speaker 1: you just have to experiment. So what I'm doing here
Speaker 1: is is giving you a setup that you can use
Speaker 1: that I believe is well. I've given you pearls, So
Speaker 1: now it's up to you to take the time to
Speaker 1: you know, if you're like me, to do it yourself.
Speaker 1: From here, continue experimenting. People who listen to this show,
Speaker 1: like Ron or doctor Molder. I'm giving you potential gold,
Speaker 1: so that if I drop dead tonight, at least this
Speaker 1: is out there for the possible good of humankind.
Speaker 2: This is an.
Speaker 1: Approach that can be taken in order to try to
Speaker 1: make something like a time camera. And let me reiterate
Speaker 1: that if anything I've said about this technique seems unclear
Speaker 1: to you. Go to Joshua P. Warren dot com. Go
Speaker 1: to the Curiosity Shop. There is a link there below
Speaker 1: the coronavisor pick that says click here for the time
Speaker 1: Camera experiment, And when you do that, it's going to
Speaker 1: take you to a video that says time Camera radionics,
Speaker 1: psionics wishing machine. If there is any problem, if you
Speaker 1: go there and that link is not working, well, then
Speaker 1: keep trying. I will make sure that it is fixed.
Speaker 1: I have a reason for telling you that, because you know,
Speaker 1: there are some wacky things that are happening in the
Speaker 1: world of technology these days.
Speaker 2: And it comes to this though.
Speaker 1: I mean, one of the things that I really think
Speaker 1: is fascinating is this sort of almost impossible task of
Speaker 1: trying to understand if this technique works in any way whatsoever.
Speaker 1: How much of it is the radionics box acting as
Speaker 1: a piece of technology that is capable of developing a
Speaker 1: piece of film using something other than the photons of light,
Speaker 1: versus acting as a transmitter for some psychic imagery that
Speaker 1: you have. That again, it's your brain that's doing the
Speaker 1: work here, and you're just using the machine as a
Speaker 1: tool to get an image of the work, so that
Speaker 1: if I were to see the right brothers, it would
Speaker 1: be because I was psychically seeing them all those years
Speaker 1: ago and then just using this technique to develop the image.
Speaker 1: It reminded me that my birthday was October twenty fifth,
Speaker 1: and on my birthday, I read this very interesting news
Speaker 1: story that was published at WLOS dot com, which is
Speaker 1: the news station there in Asheville, North Carolina, where I
Speaker 1: was born, and it says, oh, come on, all right,
Speaker 1: psychic medium finds human remains while searching for missing team.
Speaker 1: Stuff like this kind of gives you a renewed faith
Speaker 1: and the idea that there is something very tangible to
Speaker 1: psychic phenomena. The story actually originates from j Maine. That's
Speaker 1: a place in Maine. Apparently, says it's like something from
Speaker 1: a movie. A psychic medium stumbles upon human remains, but
Speaker 1: this was real and it happened while the woman was
Speaker 1: looking for a long time missing teenager in Maine. Teenager
Speaker 1: was named Kimberly Moreau says here for the police, this
Speaker 1: scenario is just unheard of. That's what they're claiming here.
Speaker 1: Sergeant said it was great to happen, but not something
Speaker 1: we rely on Kimberly Moreau. This team went missing in
Speaker 1: May of nineteen eighty six, and they've followed countless tips
Speaker 1: ever since, trying to figure out fine to trying to
Speaker 1: figure out what happened here. And then there's a psychic
Speaker 1: medium named Laurencia Borgeaux. I guess I'm pronouncing that right,
Speaker 1: And Laurencia Borgeaux says, this is the first case I
Speaker 1: worked on. Borgeaux says she has been an intuitive her
Speaker 1: entire life, but she's been working sort of training to
Speaker 1: become a psychic medium. She said, I built up my
Speaker 1: skill set in order to tune into a location, or
Speaker 1: into the person, or into a perpetrator. See, this would
Speaker 1: be interesting to take somebody like that and put her
Speaker 1: in front of one of these wishing machines in a
Speaker 1: dark room with some kind of a wire from her
Speaker 1: head to the input plate connected to that undeveloped piece
Speaker 1: of film. She says she's been able to narrow in
Speaker 1: on search spots on a map, and she likes to
Speaker 1: use a pendulum and yes or no questions. I've talked
Speaker 1: about that technique on the show before. She says she
Speaker 1: gets visions sometimes to draw people or locations. She said
Speaker 1: she heard a voice tell her to go to a
Speaker 1: bowling alley in connection with the Moreau case, and she
Speaker 1: knew it was significant she heard it a second time.
Speaker 1: She said, it was very obvious when I heard it
Speaker 1: a second time, and so she went over there and
Speaker 1: she started looking around, and it looks like the teenager's
Speaker 1: dad may have even been there trying to work with her.
Speaker 1: And it says, sure enough, we felt strongly, and when
Speaker 1: we went there, we found a body. Bargeaux said she
Speaker 1: spotted boots and a jacket coming out of the ground. Says, quote,
Speaker 1: I saw what looked like a stick sticking out of
Speaker 1: the ground. So I went and grabbed it and pulled
Speaker 1: it out and it was a bone end quote very emotional,
Speaker 1: long day. And so the funny thing is they say
Speaker 1: this is exciting that they've discovered a body, but now
Speaker 1: they're still trying to figure out whose remains were found.
Speaker 1: They don't think it was the remains of the girl necessarily,
Speaker 1: But how do you like that for some validity to
Speaker 1: psychic phenomena? The clock has got us. Take a deep breath,
Speaker 1: if you can close your eyes, and let's enjoy the
Speaker 1: good fortune tone that's it for this edition of the show.
Speaker 1: Follow me at Joshua P.
Speaker 2: Warren.
Speaker 1: Plus visit Joshuapwarren dot com to sign up for my
Speaker 1: free E newsletter to receive a free instant gift, and
Speaker 1: check out the cool stuff in the Curiosity Shop. All
Speaker 1: at Joshuapwarren dot com. I have a fun one lined
Speaker 1: up for you next time, I promise. So please tell
Speaker 1: all your friends to subscribe to this show and to
Speaker 1: always remember the Golden Rule. Thank you for listening, thank
Speaker 1: you for your interest and support. Thank you for staying curious,
Speaker 1: and I will talk to you again soon. You've been
Speaker 1: listening to Strange Things on the iHeartRadio and Coast to
Speaker 1: Coast AM Paranormal Podcast Network.
Speaker 3: Well, if you like this episode of Strange Things, wait
Speaker 3: till you hear the next one. Thank you for listening
Speaker 3: to the iHeartRadio and Coast to Coast AM Paranormal Podcast Network.