1 00:00:00,240 --> 00:00:03,320 Speaker 1: Hello the Internet, and welcome to season four, Episode five 2 00:00:03,400 --> 00:00:07,280 Speaker 1: of The Daily Zi Geist. Uh it's the season finale, 3 00:00:07,320 --> 00:00:11,719 Speaker 1: you guys, and we're talking about November third, two thousand seventeen. 4 00:00:11,760 --> 00:00:15,360 Speaker 1: My name is Jack O'Brien, A K. Potatoes O'Brien, and 5 00:00:15,440 --> 00:00:18,000 Speaker 1: I am joined as always by my co host, Mr 6 00:00:18,040 --> 00:00:22,560 Speaker 1: Miles Great, Mr Boy Miles A K. Young Bookery, and 7 00:00:22,680 --> 00:00:26,200 Speaker 1: we are thrilled to be joined in our third seat 8 00:00:26,400 --> 00:00:32,120 Speaker 1: by uh a hilarious stand up, a great writer, a 9 00:00:32,159 --> 00:00:36,800 Speaker 1: fashion icon Riley Silverman. Hello, do I need an A 10 00:00:36,960 --> 00:00:38,919 Speaker 1: K A as well? Or is that just like you thing? 11 00:00:39,000 --> 00:00:41,600 Speaker 1: I mean on the spot? Hit hit me one, the 12 00:00:41,680 --> 00:00:45,760 Speaker 1: next doctor boom, yeah, the next doctor. Yeah, I love it. Ryle. 13 00:00:45,880 --> 00:00:50,879 Speaker 1: What's something from your search history that, uh you you 14 00:00:50,920 --> 00:00:53,760 Speaker 1: believe is revealing about who you are as a human being. 15 00:00:53,840 --> 00:00:56,880 Speaker 1: I have been doing a deep dive into random flirtatious 16 00:00:56,920 --> 00:00:59,440 Speaker 1: gifts because I am I am entering into a long 17 00:00:59,440 --> 00:01:02,800 Speaker 1: distance lation ship with someone and that's been the primary 18 00:01:02,840 --> 00:01:05,200 Speaker 1: means of are flirting is is gifts. So it's a 19 00:01:05,200 --> 00:01:08,880 Speaker 1: lot of like very specific TV show references or emotional 20 00:01:08,959 --> 00:01:11,520 Speaker 1: feelings in gift form. And so I think my history 21 00:01:11,560 --> 00:01:14,120 Speaker 1: is just full of weird gifts a lot of Mary 22 00:01:14,160 --> 00:01:16,520 Speaker 1: Louise Parker from the TV show Weeds. Frinking ice coffee 23 00:01:16,520 --> 00:01:18,120 Speaker 1: seems to be like the number one gift set of 24 00:01:18,160 --> 00:01:21,520 Speaker 1: our relationship? Are you all Weeds fans? Well, yeah, and 25 00:01:21,560 --> 00:01:24,360 Speaker 1: Mary Louise Parker has this weird and we like she 26 00:01:24,400 --> 00:01:26,960 Speaker 1: and I both read on this has this weird like 27 00:01:27,160 --> 00:01:29,920 Speaker 1: iconic status amongst like queer women, even though she is 28 00:01:30,400 --> 00:01:32,880 Speaker 1: very tragical head of resexual it. But she's just been 29 00:01:32,880 --> 00:01:36,160 Speaker 1: in a bunch of different queer like projects or adjacent 30 00:01:36,200 --> 00:01:38,320 Speaker 1: to things. And also it's just she just has that 31 00:01:38,400 --> 00:01:41,200 Speaker 1: kind of vibe to her. So, yeah, there's something great 32 00:01:41,200 --> 00:01:44,560 Speaker 1: about her and Weeds in particular, she just really like 33 00:01:44,840 --> 00:01:49,280 Speaker 1: exudes a palpable sexuality. Yeah, and then like they embraced it, 34 00:01:49,320 --> 00:01:51,880 Speaker 1: like all the flyers and all the flyers, all the 35 00:01:52,000 --> 00:01:57,800 Speaker 1: like posters and billboards were always her dominate trixiek dealers 36 00:01:58,080 --> 00:01:59,960 Speaker 1: she covered in like weed and one of them, Yeah, 37 00:02:00,000 --> 00:02:02,440 Speaker 1: remember that billboard bare If you're asking me, do you 38 00:02:02,720 --> 00:02:04,800 Speaker 1: do you make your own gifts? I don't know how, 39 00:02:04,880 --> 00:02:07,559 Speaker 1: And I'm okay with that. Okay, I know it's really easy, 40 00:02:07,640 --> 00:02:09,680 Speaker 1: Evan told, and like really easy. A couple times I've 41 00:02:09,720 --> 00:02:11,639 Speaker 1: wanted something in gift for him and someone's kind of 42 00:02:11,639 --> 00:02:13,040 Speaker 1: like arrogant about it, like you can just make it, 43 00:02:13,080 --> 00:02:15,359 Speaker 1: And I'm like, like, for me, it feels like when 44 00:02:15,360 --> 00:02:16,920 Speaker 1: someone's like you could change your own oil, I'm like, 45 00:02:16,960 --> 00:02:19,160 Speaker 1: you don't tell me how to live right right? Like 46 00:02:19,160 --> 00:02:20,960 Speaker 1: why would I do that when someone is already doing 47 00:02:20,960 --> 00:02:23,640 Speaker 1: that somewhere. I just like, gifts exist for a reason. 48 00:02:23,639 --> 00:02:25,000 Speaker 1: I'm like, I don't want to have to track down 49 00:02:25,000 --> 00:02:27,120 Speaker 1: the footage that I'm looking for to make the gift, 50 00:02:27,200 --> 00:02:28,680 Speaker 1: Like that's the thing, Like that would be harder for 51 00:02:28,720 --> 00:02:30,720 Speaker 1: me than just hoping someone has the gift. That makes 52 00:02:30,760 --> 00:02:34,720 Speaker 1: me feel really sad because I sometimes go through painstaking 53 00:02:34,800 --> 00:02:37,440 Speaker 1: lengths to make the right gift of like just very 54 00:02:37,520 --> 00:02:40,040 Speaker 1: specific things that that's really for an audience of one. 55 00:02:40,240 --> 00:02:42,520 Speaker 1: That should make you happy. Man, you are making love 56 00:02:42,639 --> 00:02:45,560 Speaker 1: possible between two human beings, Like I guess if someone 57 00:02:45,600 --> 00:02:47,880 Speaker 1: really wants like a very specific part of like one 58 00:02:47,919 --> 00:02:50,800 Speaker 1: line Tom Sizemore said, and saving private Ryan as a gift, 59 00:02:51,000 --> 00:02:53,160 Speaker 1: That's how I expressed my Actually she and I got 60 00:02:53,160 --> 00:02:58,440 Speaker 1: together all Riley, what is something you believe to be overrated? 61 00:02:58,960 --> 00:03:01,000 Speaker 1: I think I believe it'd be over rated is the 62 00:03:01,040 --> 00:03:03,560 Speaker 1: horror film Sleepaway Camp. I'm tired of hearing about it. 63 00:03:03,560 --> 00:03:06,040 Speaker 1: I know we're out of Halloween now, but I'm tired 64 00:03:06,080 --> 00:03:09,080 Speaker 1: of hearing says gender people tell me how shocking the 65 00:03:09,160 --> 00:03:11,799 Speaker 1: ending of Sleepaway Camp was. Yeah, transgender people exist. You 66 00:03:11,800 --> 00:03:13,720 Speaker 1: can get over it, like if you were a kid 67 00:03:13,760 --> 00:03:16,080 Speaker 1: and you were shocked then and you can remember just 68 00:03:16,120 --> 00:03:19,519 Speaker 1: being shocked in fine, but it's two thousand seventeen. We exist, 69 00:03:19,560 --> 00:03:21,480 Speaker 1: some women have penises. Get over it. I'm tired of 70 00:03:21,520 --> 00:03:24,600 Speaker 1: hearing about it. So the ending of Sleepaway Camp, the 71 00:03:24,680 --> 00:03:29,760 Speaker 1: big twist is a reveal that the villain was a 72 00:03:29,800 --> 00:03:32,320 Speaker 1: trans woman. A trans woman got it. And it's part 73 00:03:32,360 --> 00:03:34,440 Speaker 1: of an era of filmmaking that is kind of referred 74 00:03:34,440 --> 00:03:37,800 Speaker 1: to as like trans panic, which is essentially like this. 75 00:03:38,000 --> 00:03:40,800 Speaker 1: It's you've got like you got your Silence of the Lands, 76 00:03:41,000 --> 00:03:43,880 Speaker 1: You've got your dressed to kill, You've got even like 77 00:03:43,960 --> 00:03:46,880 Speaker 1: ace Ventura Pet Detective. There's a whole era of these 78 00:03:46,920 --> 00:03:50,520 Speaker 1: movies where trans people or someone who is like a 79 00:03:50,560 --> 00:03:53,640 Speaker 1: bad movie version of a trans person is is presented 80 00:03:53,840 --> 00:03:56,440 Speaker 1: as this like psychotic killer. And then it's like, oh, 81 00:03:56,480 --> 00:03:59,560 Speaker 1: all trans people are disturbed and threatening to us. And 82 00:03:59,640 --> 00:04:01,360 Speaker 1: danger us and it really kind of contributes to a 83 00:04:01,440 --> 00:04:03,520 Speaker 1: lot of the prentice against us and violence against us. 84 00:04:03,800 --> 00:04:05,640 Speaker 1: And it's also just like really like at this point, 85 00:04:05,720 --> 00:04:08,920 Speaker 1: it's just it's done. Stop doing it that way, right, Yeah, Yeah, 86 00:04:09,040 --> 00:04:12,240 Speaker 1: for sure, I feel really Sleepaway Camp is a movie 87 00:04:12,240 --> 00:04:14,680 Speaker 1: that came out. I was no, no, it's like eighties 88 00:04:14,720 --> 00:04:18,160 Speaker 1: like okay, okay, but now people are It's one of 89 00:04:18,240 --> 00:04:20,280 Speaker 1: the ones that always comes up in conversations about like 90 00:04:20,320 --> 00:04:23,920 Speaker 1: horror movies with twist endings, and the only twist like 91 00:04:23,960 --> 00:04:26,240 Speaker 1: that's like bulsion. It's like, can we swear? I just 92 00:04:26,240 --> 00:04:30,479 Speaker 1: swear like you we we demand it. Um, Yeah, you 93 00:04:30,480 --> 00:04:32,840 Speaker 1: haven't hit your quality yet. You have about thirteen mortgage 94 00:04:32,839 --> 00:04:36,320 Speaker 1: Oh it's gonna happen. One for every doctor. What's something 95 00:04:36,600 --> 00:04:41,320 Speaker 1: you believe to be underrated Joan Cusack Joan Cusa, thank you. 96 00:04:41,360 --> 00:04:44,719 Speaker 1: I think John is the superior Cusack sibling. Yeah. I've 97 00:04:44,720 --> 00:04:46,480 Speaker 1: been having a lot of Actually I wasn't even sure 98 00:04:46,520 --> 00:04:49,200 Speaker 1: this counted is underrated or overrated. But I think there's 99 00:04:49,240 --> 00:04:51,320 Speaker 1: a point where we collectively got over John Cusack and 100 00:04:51,320 --> 00:04:53,280 Speaker 1: we haven't wanted to admit it as a culture. I 101 00:04:53,320 --> 00:04:54,640 Speaker 1: think because like there was a point where he was 102 00:04:54,680 --> 00:04:56,440 Speaker 1: like the king of like a certain kind of movie. 103 00:04:56,600 --> 00:04:59,680 Speaker 1: And I asked, I asked today on Facebook about John Cusack. 104 00:04:59,720 --> 00:05:01,640 Speaker 1: I was, when did we get over him? People, we're not. 105 00:05:01,720 --> 00:05:03,839 Speaker 1: And then I was like, name the last John Cusack 106 00:05:03,880 --> 00:05:06,000 Speaker 1: movie you saw that, Like you can name off top 107 00:05:06,040 --> 00:05:07,520 Speaker 1: of your head that you were excited about. And they're 108 00:05:07,560 --> 00:05:10,040 Speaker 1: always like hottub time Machine, which is like seven years ago, 109 00:05:11,000 --> 00:05:16,000 Speaker 1: kind of making fun of Yeah, um yeah Joan. And 110 00:05:16,120 --> 00:05:19,240 Speaker 1: you know, Joan is like a good utility character actress. 111 00:05:19,320 --> 00:05:21,000 Speaker 1: I think that she should be in more things, and 112 00:05:21,040 --> 00:05:23,080 Speaker 1: I think she's always people kind of forget how great 113 00:05:23,080 --> 00:05:25,479 Speaker 1: she is an Adam's Family Values as Debbie. That's like 114 00:05:25,520 --> 00:05:30,560 Speaker 1: pretty much. And then uh, anyway, that's my favorite line 115 00:05:30,560 --> 00:05:32,920 Speaker 1: when they go see Uncle Fester and she's completely taken 116 00:05:32,920 --> 00:05:35,880 Speaker 1: over his mind. Also, I had a mad crush on 117 00:05:35,880 --> 00:05:38,400 Speaker 1: her once. She was in the movie Toys. Yeah, Toys 118 00:05:38,440 --> 00:05:40,320 Speaker 1: is also let's go ahead but out in the underrated 119 00:05:40,720 --> 00:05:43,960 Speaker 1: Toys is due for a renaissance, Like it is such 120 00:05:44,000 --> 00:05:47,200 Speaker 1: a weird, bizarre little movie. Have you never seen it? 121 00:05:47,760 --> 00:05:49,840 Speaker 1: I did when I was a child. It's got Dumbledore, 122 00:05:50,160 --> 00:05:52,600 Speaker 1: It's got L L cool j. It's got Robin Williams. 123 00:05:52,600 --> 00:05:56,800 Speaker 1: It's got Joan Cusack. It's like this bizarre, weird movie 124 00:05:56,839 --> 00:05:59,960 Speaker 1: that's like and it kind of like pre predicts draw 125 00:06:00,480 --> 00:06:03,440 Speaker 1: like basically like little kids like being able to fight 126 00:06:03,480 --> 00:06:05,760 Speaker 1: wars just from there the safety and comfort of their 127 00:06:05,839 --> 00:06:08,440 Speaker 1: video game chair. Right. I loved it too. And also 128 00:06:08,640 --> 00:06:11,960 Speaker 1: I've mentioned this. This is a complete aside, but in 129 00:06:11,960 --> 00:06:14,320 Speaker 1: in Toys, l cool J doesn't like his food touching 130 00:06:14,720 --> 00:06:16,760 Speaker 1: and he says that a lot it infected my mind 131 00:06:16,760 --> 00:06:18,640 Speaker 1: as a kid, and I that's why to this day, 132 00:06:18,680 --> 00:06:21,120 Speaker 1: I don't like salad on my plate with other things 133 00:06:21,120 --> 00:06:22,800 Speaker 1: like if I have salt has been a separate plate. 134 00:06:22,920 --> 00:06:25,240 Speaker 1: Thank you all cool Ja, Thank you toys. And you 135 00:06:25,279 --> 00:06:26,800 Speaker 1: came in. When I came in, you were camouflaged as 136 00:06:26,839 --> 00:06:31,799 Speaker 1: a couch exactly. I ordered a mannate sandwich. So he'sn't 137 00:06:31,800 --> 00:06:34,280 Speaker 1: really working out for us. That is multiple toys references 138 00:06:34,440 --> 00:06:39,360 Speaker 1: on this podcast a toys podcast, all right, I'll take it. Uh, 139 00:06:39,520 --> 00:06:41,679 Speaker 1: there's enough things happening in toys that I could probably 140 00:06:41,720 --> 00:06:44,159 Speaker 1: do a podcast and like spend each episode like ten 141 00:06:44,200 --> 00:06:46,360 Speaker 1: minutes of that movie. It is a bizarre Okay, that's 142 00:06:46,360 --> 00:06:49,320 Speaker 1: all the toys. I'm sorry. And esthetically it was beautiful, 143 00:06:49,360 --> 00:06:52,600 Speaker 1: like the set design. I'm just I'm all about toys movie. 144 00:06:52,640 --> 00:06:53,840 Speaker 1: Let me look right now, you got it right in 145 00:06:53,880 --> 00:06:55,240 Speaker 1: front of them. Yeah, because I was just looking at 146 00:06:55,320 --> 00:06:59,880 Speaker 1: Joe cues X. That's a very very Levinson kind of 147 00:06:59,920 --> 00:07:03,719 Speaker 1: like twisted dark comedy vibe. Another occasionally great hot and 148 00:07:03,760 --> 00:07:08,000 Speaker 1: cold director. All Right, I believe that people both know 149 00:07:08,160 --> 00:07:11,640 Speaker 1: you Riley by now and know a lot about the 150 00:07:11,640 --> 00:07:16,240 Speaker 1: movie Toys. Uh So, real quick, before getting to the 151 00:07:16,320 --> 00:07:19,840 Speaker 1: stories the daily zeitgeist, we are trying to take a 152 00:07:19,880 --> 00:07:21,800 Speaker 1: sample of the ideas that are out there changing in 153 00:07:21,800 --> 00:07:24,800 Speaker 1: the world, whether you're looking or not. We talked about 154 00:07:24,800 --> 00:07:28,960 Speaker 1: the politics and the news. We also talk about movies 155 00:07:29,120 --> 00:07:33,560 Speaker 1: and supermarket tabloids. Uh so, uh yeah, we're just trying 156 00:07:33,560 --> 00:07:37,640 Speaker 1: to take the temperature of what's affecting the national shared consciousness. 157 00:07:38,160 --> 00:07:41,480 Speaker 1: Uh And before we get into it, uh, Riley, we 158 00:07:41,560 --> 00:07:45,200 Speaker 1: try to sample the zeitgeist, but sometimes we take the 159 00:07:45,200 --> 00:07:50,160 Speaker 1: opportunity to correct the zeitgeist. And you touched in you 160 00:07:50,160 --> 00:07:53,360 Speaker 1: are over under on like some trans myths. But are 161 00:07:53,360 --> 00:07:56,320 Speaker 1: there any other trans myths that you didn't get to 162 00:07:56,520 --> 00:08:01,119 Speaker 1: that are just uh annoying to you as a trans woman, 163 00:08:01,240 --> 00:08:05,240 Speaker 1: Like in terms of how trans people are treated or 164 00:08:05,240 --> 00:08:09,360 Speaker 1: portrayed in movies, TV, etcetera. Yeah, I think the big 165 00:08:09,400 --> 00:08:12,400 Speaker 1: one still is this idea of like that it's okay 166 00:08:12,440 --> 00:08:14,720 Speaker 1: to cast a sis male actor to play a trans 167 00:08:14,720 --> 00:08:16,280 Speaker 1: woman in a movie that seems to be the biggest, 168 00:08:16,320 --> 00:08:19,760 Speaker 1: most prevailing and still happening thing it feels like. And 169 00:08:19,840 --> 00:08:22,280 Speaker 1: I think I think there's this myth that I think 170 00:08:22,280 --> 00:08:24,360 Speaker 1: people still kind of see a trans woman as a 171 00:08:24,360 --> 00:08:26,760 Speaker 1: man who wanted to become a woman, as opposed to 172 00:08:26,840 --> 00:08:28,840 Speaker 1: a woman who was born and misidentified as a man. 173 00:08:29,320 --> 00:08:32,280 Speaker 1: I think most people when they try to imagine themselves 174 00:08:32,480 --> 00:08:36,240 Speaker 1: as trans or to understand the trans experience, go oh, 175 00:08:36,240 --> 00:08:37,680 Speaker 1: I don't know what I would be like if I 176 00:08:37,720 --> 00:08:39,840 Speaker 1: wanted to be the other gender. But the way I 177 00:08:39,880 --> 00:08:41,920 Speaker 1: think the better way to view what being trans is 178 00:08:41,960 --> 00:08:44,480 Speaker 1: like is imagine you are the gender you are right now, 179 00:08:44,679 --> 00:08:46,880 Speaker 1: but no one believes you, or like no one sees 180 00:08:46,920 --> 00:08:49,240 Speaker 1: it but you. That's what being trans is like. Like 181 00:08:49,280 --> 00:08:52,200 Speaker 1: I've always identified, I've always seen myself as as a girl, 182 00:08:52,320 --> 00:08:55,520 Speaker 1: as a woman my whole life, and as a kid 183 00:08:55,640 --> 00:08:57,920 Speaker 1: people saw as a boy. So it was like that frustrating, 184 00:08:57,960 --> 00:08:59,840 Speaker 1: like how does that? How does no one else see 185 00:08:59,840 --> 00:09:02,360 Speaker 1: that is like that's very different than like going boy, 186 00:09:02,360 --> 00:09:04,240 Speaker 1: I wish sure like to be a girl, if that 187 00:09:04,280 --> 00:09:08,760 Speaker 1: makes sense. So that going into casting, when you keep 188 00:09:08,800 --> 00:09:11,640 Speaker 1: casting men to play trans women, you're basically casting men 189 00:09:11,679 --> 00:09:14,480 Speaker 1: to play women. And so then there's always this like 190 00:09:15,280 --> 00:09:20,800 Speaker 1: um argument about it where people will say something like, well, 191 00:09:20,840 --> 00:09:23,440 Speaker 1: any actress, you will play any role, and like it 192 00:09:23,480 --> 00:09:26,240 Speaker 1: only seems to get applied to that particular kind of topic. 193 00:09:26,800 --> 00:09:29,720 Speaker 1: But I think that like that's it's still kind of 194 00:09:29,760 --> 00:09:31,880 Speaker 1: predicates stuff. Only the idea that being trans like costing 195 00:09:31,960 --> 00:09:34,680 Speaker 1: you can put on and like you would never unless 196 00:09:34,679 --> 00:09:37,800 Speaker 1: you were trying to make a specific point about identity 197 00:09:37,920 --> 00:09:40,559 Speaker 1: or gender, you would never cast a sis man to 198 00:09:40,600 --> 00:09:42,840 Speaker 1: play a says woman in something, unless you're doing something 199 00:09:42,880 --> 00:09:45,600 Speaker 1: like Louis Anderson on Baskets where it's like kind of 200 00:09:46,559 --> 00:09:49,080 Speaker 1: meant to mean something or be like it's like kind 201 00:09:49,080 --> 00:09:50,480 Speaker 1: of just kind of like a bit of like a 202 00:09:50,480 --> 00:09:54,079 Speaker 1: storytelling thing happening with that. You you wouldn't just randomly 203 00:09:54,120 --> 00:09:56,640 Speaker 1: do that. So it's it's got to be viewed more 204 00:09:56,720 --> 00:09:58,720 Speaker 1: like that, And I think that's the number one issue 205 00:09:58,760 --> 00:10:01,920 Speaker 1: because what happens with that then people see, let's say 206 00:10:02,000 --> 00:10:05,079 Speaker 1: Jared Letto or Eddie Redmain playing a trans woman and 207 00:10:05,160 --> 00:10:07,040 Speaker 1: something and then they go, oh yeah, and so then 208 00:10:07,040 --> 00:10:10,439 Speaker 1: when they like people would say instance data trans woman 209 00:10:11,120 --> 00:10:14,440 Speaker 1: and then like other people find out because typically the 210 00:10:14,520 --> 00:10:16,760 Speaker 1: argument about trans woman's like this, like like why we 211 00:10:16,800 --> 00:10:20,240 Speaker 1: get murdered at higher rates is this idea that we 212 00:10:20,480 --> 00:10:23,679 Speaker 1: are tricking people into thinking that we're women and then 213 00:10:23,679 --> 00:10:25,120 Speaker 1: they I found out used to be a guy. Like 214 00:10:25,200 --> 00:10:28,679 Speaker 1: That's that's why that point of view is so destructive 215 00:10:29,320 --> 00:10:32,719 Speaker 1: because it implies that way of a history that we're 216 00:10:32,800 --> 00:10:35,040 Speaker 1: hiding as opposed to being ourselves and our true identity. 217 00:10:35,520 --> 00:10:37,559 Speaker 1: And I know, like a lot of like this is 218 00:10:37,559 --> 00:10:39,920 Speaker 1: like Jen Richards, who is a transactress and a really 219 00:10:39,960 --> 00:10:42,640 Speaker 1: really good advocate for this kind of stuff, talks about 220 00:10:42,640 --> 00:10:45,680 Speaker 1: like men that she's dated who knew she was trans 221 00:10:45,679 --> 00:10:48,360 Speaker 1: but didn't want to be public with relationship because they 222 00:10:48,360 --> 00:10:49,920 Speaker 1: didn't want their friends. I think she was like dating, 223 00:10:49,960 --> 00:10:52,079 Speaker 1: like like they were doting, like Jared Letto or whatever, 224 00:10:52,160 --> 00:10:53,880 Speaker 1: like they go and want friends, think that I'm dating 225 00:10:53,920 --> 00:10:55,560 Speaker 1: Dallas fires Club and that kind of thing, and that 226 00:10:55,600 --> 00:10:59,480 Speaker 1: can lead to murders and violence against us, and especially 227 00:10:59,480 --> 00:11:02,240 Speaker 1: people transform of color, who are usually much more marginalized 228 00:11:02,280 --> 00:11:05,760 Speaker 1: by society. Um, and this is I know, a laugh right, 229 00:11:06,040 --> 00:11:10,720 Speaker 1: Um no, but it's but very valuable, I think. And really, yeah, 230 00:11:10,760 --> 00:11:15,360 Speaker 1: that that is something that hadn't totally occurred to me. 231 00:11:15,760 --> 00:11:17,560 Speaker 1: And the whole thing is like, I don't think men 232 00:11:17,640 --> 00:11:20,280 Speaker 1: really do kill trans women when they find out that 233 00:11:20,320 --> 00:11:23,120 Speaker 1: we're trans. Like the portrayal is, I think they kill 234 00:11:23,200 --> 00:11:25,040 Speaker 1: us when they when their friends find out that we're 235 00:11:25,520 --> 00:11:27,920 Speaker 1: I think it's less less their discovery of us and 236 00:11:28,000 --> 00:11:30,560 Speaker 1: more the shame of being caught quote unquote. Well that's 237 00:11:30,600 --> 00:11:32,520 Speaker 1: interesting because I feel like even growing up right like 238 00:11:32,600 --> 00:11:35,640 Speaker 1: on like this shitty talk shows like Jerry Springer, you 239 00:11:35,679 --> 00:11:39,320 Speaker 1: would constantly see that happen where a woman would reveal 240 00:11:39,360 --> 00:11:43,440 Speaker 1: their gender identity and then the dude just flips out. 241 00:11:43,520 --> 00:11:46,319 Speaker 1: And I think that, yeah, that that that that exact 242 00:11:46,360 --> 00:11:48,679 Speaker 1: thing sort of embodies that sort of same sentiment of 243 00:11:48,679 --> 00:11:49,880 Speaker 1: of just sort of like, oh well, no, I'm on 244 00:11:49,880 --> 00:11:52,720 Speaker 1: this show knowing so to reaffirm my masculinity, I'm gonna 245 00:11:53,440 --> 00:11:54,840 Speaker 1: you know what I mean. You know It's funny is 246 00:11:54,840 --> 00:11:57,559 Speaker 1: when I was still a young and like closeted comic 247 00:11:57,679 --> 00:11:59,760 Speaker 1: living in Ohio, I had some friends who end up 248 00:11:59,760 --> 00:12:01,839 Speaker 1: getting book to do a segment on the Jerry Springer 249 00:12:01,880 --> 00:12:04,480 Speaker 1: Show and it was fake and they just cast people 250 00:12:04,520 --> 00:12:06,600 Speaker 1: to play the people that were on the thing, and 251 00:12:06,640 --> 00:12:09,400 Speaker 1: they actually wanted me to play a young man who 252 00:12:09,679 --> 00:12:11,719 Speaker 1: found out that his girlfriend he was cheating on his 253 00:12:11,760 --> 00:12:14,280 Speaker 1: other trans and like, I'm like, oh my god, I'm 254 00:12:14,280 --> 00:12:15,960 Speaker 1: so glad to go do that. Like I'm so glad. 255 00:12:16,200 --> 00:12:18,160 Speaker 1: I Like, I just I kind of feeling that driving 256 00:12:18,160 --> 00:12:20,120 Speaker 1: to Chicago to do with Jerry Springer Show wasn't the 257 00:12:20,200 --> 00:12:22,640 Speaker 1: best thing to do for my career. And I'm like, 258 00:12:22,720 --> 00:12:24,240 Speaker 1: to this day, I'm like, I'm so glad that it's 259 00:12:24,280 --> 00:12:30,240 Speaker 1: like not footage of me somewhere, like yeah, um, well, 260 00:12:30,280 --> 00:12:34,560 Speaker 1: this has been very enlightening. Mostly that the Jerry Springer 261 00:12:34,640 --> 00:12:38,280 Speaker 1: Show is fake. I never could have seen that coming, right. 262 00:12:38,960 --> 00:12:41,440 Speaker 1: People are surprised also, I mean, if if you ever 263 00:12:41,440 --> 00:12:45,240 Speaker 1: seen an actual fist fight, that's not how people think, right, Um, 264 00:12:45,280 --> 00:12:48,199 Speaker 1: and uh, just really quickly, I mean you mentioned how 265 00:12:48,600 --> 00:12:52,840 Speaker 1: high the murder rate is for trans people. That's something 266 00:12:52,840 --> 00:12:55,040 Speaker 1: that when I when I found out that, I mean, 267 00:12:55,240 --> 00:13:01,679 Speaker 1: it's basically the most dangerous demogra ethic to we have 268 00:13:01,720 --> 00:13:03,199 Speaker 1: the highest murder rates and we have one of the 269 00:13:03,240 --> 00:13:05,160 Speaker 1: highest suicide rates, and that's the thing that gets used 270 00:13:05,200 --> 00:13:08,079 Speaker 1: against us, which is really unfair and like really destructive. 271 00:13:08,440 --> 00:13:10,760 Speaker 1: People try to use our suicide rates against us to 272 00:13:10,920 --> 00:13:13,800 Speaker 1: like imply that we're mentally ill and like disturbed. But 273 00:13:13,880 --> 00:13:16,240 Speaker 1: it's more that we have high suicide rates because we're 274 00:13:16,240 --> 00:13:20,040 Speaker 1: so frequently persecuted by society. Like I remember somebody who 275 00:13:20,120 --> 00:13:21,920 Speaker 1: was making the argument trying to imply that we were 276 00:13:21,920 --> 00:13:25,480 Speaker 1: like disturbed, was like, oh, it's the same rates as 277 00:13:25,520 --> 00:13:27,640 Speaker 1: Holocaust survivors. And I'm like, well, that's not a mentally 278 00:13:27,640 --> 00:13:30,480 Speaker 1: ilk group. The Holocaust survirus survived the Holocaust. That's your 279 00:13:30,559 --> 00:13:33,520 Speaker 1: that's you, that's your baseline. Then look at the look 280 00:13:33,559 --> 00:13:36,960 Speaker 1: at what was happening happening to us, Like it's just uh, 281 00:13:37,320 --> 00:13:39,120 Speaker 1: it's it's really important bring us up right now because 282 00:13:39,280 --> 00:13:42,360 Speaker 1: November is actually Transgender Awareness Month, because we actually do 283 00:13:42,400 --> 00:13:46,040 Speaker 1: on November twenty around the world, there's International trans Day 284 00:13:46,040 --> 00:13:48,400 Speaker 1: of Remembrance, and what we do is we literally just 285 00:13:48,480 --> 00:13:51,560 Speaker 1: read the names of our community members and our family 286 00:13:51,559 --> 00:13:53,480 Speaker 1: members who have been murdered in the last year. And 287 00:13:53,520 --> 00:13:56,440 Speaker 1: it's like a somber and like really empowerful. And so 288 00:13:56,559 --> 00:13:58,640 Speaker 1: if you if you're a person who is interested in 289 00:13:58,679 --> 00:14:01,280 Speaker 1: being like a good ally to the trans community or 290 00:14:01,360 --> 00:14:03,840 Speaker 1: like really kind of understanding the weight of what we 291 00:14:03,920 --> 00:14:07,000 Speaker 1: face every every day. Uh find out when one of 292 00:14:07,040 --> 00:14:09,720 Speaker 1: these visuals is happening in your town, like like Holly, 293 00:14:09,800 --> 00:14:11,480 Speaker 1: would we do it at the West Hollywood Library And 294 00:14:11,480 --> 00:14:13,640 Speaker 1: there's lots of security, So I just don't don't come 295 00:14:13,679 --> 00:14:16,120 Speaker 1: to you want with your kick, but yeah, in March 296 00:14:16,240 --> 00:14:18,040 Speaker 1: with us, we would like to have support and how 297 00:14:18,080 --> 00:14:22,120 Speaker 1: people know that we're not alone in those That's awesome. Thanks, Um, 298 00:14:22,160 --> 00:14:26,080 Speaker 1: I'll be funny from now one, all right, us to promise. 299 00:14:26,480 --> 00:14:30,280 Speaker 1: Uh so let's move on to the stories real quick. 300 00:14:30,280 --> 00:14:35,400 Speaker 1: Before our break, we wanted to mention that Osama bin 301 00:14:35,440 --> 00:14:41,920 Speaker 1: Laden's computer files were released onto the Internet and uh 302 00:14:42,280 --> 00:14:46,680 Speaker 1: we were able to see the file names and uh 303 00:14:46,720 --> 00:14:51,440 Speaker 1: they were occasionally really funny. Um, oh my god. There 304 00:14:51,520 --> 00:14:57,200 Speaker 1: was a lot of crocheting videos. Uh. There were a 305 00:14:57,200 --> 00:15:02,200 Speaker 1: lot of children's movies ants Are You Sage? Uh, Ice Age, 306 00:15:02,400 --> 00:15:06,920 Speaker 1: Dawn of the Dinosaurs and cars. Uh Ann's Fields especially 307 00:15:06,920 --> 00:15:09,680 Speaker 1: fun to me because well he's not as fun anymore, 308 00:15:09,720 --> 00:15:11,640 Speaker 1: but Woody Allen is the lead in that movie. So 309 00:15:11,680 --> 00:15:13,560 Speaker 1: I love the idea that of bin Laden is watching 310 00:15:13,600 --> 00:15:16,080 Speaker 1: this movie that's like a very like stereotypical Jewish man. 311 00:15:18,800 --> 00:15:20,720 Speaker 1: Obviously we'll get to go out on a little bit later, 312 00:15:20,760 --> 00:15:24,960 Speaker 1: but yeah, we always do. We always do get to 313 00:15:25,040 --> 00:15:27,920 Speaker 1: Woody Allen a little later. Uh. Some of the crocheting 314 00:15:28,280 --> 00:15:32,760 Speaker 1: videos the Art of Crochet, how to Crochet a basket stripe, 315 00:15:32,800 --> 00:15:38,040 Speaker 1: Crochet Beaniecap, and Crochet Star. Uh. Probably this uh kind 316 00:15:38,040 --> 00:15:42,440 Speaker 1: of most mind bending file that was on his hard 317 00:15:42,560 --> 00:15:46,640 Speaker 1: drive was he had loose change the like nine eleven 318 00:15:46,680 --> 00:15:50,400 Speaker 1: Truther or conspiracy was viewing for any stoner in college, 319 00:15:50,440 --> 00:15:54,680 Speaker 1: like whoa, what if? Right? Which it's must have been 320 00:15:54,720 --> 00:15:57,880 Speaker 1: like a way more extreme version of how Chuck Berry 321 00:15:58,000 --> 00:16:00,440 Speaker 1: must have felt when he watched back to the future 322 00:16:00,560 --> 00:16:05,000 Speaker 1: for the first time, just him seeing someone else take 323 00:16:05,120 --> 00:16:09,880 Speaker 1: credit for his his damn work. Um. And I mean 324 00:16:09,920 --> 00:16:13,880 Speaker 1: some people are saying that, uh, you know, a lot 325 00:16:13,920 --> 00:16:16,520 Speaker 1: of this could have been of children who were with 326 00:16:16,600 --> 00:16:21,720 Speaker 1: him in the compound, or his wives or you know, 327 00:16:22,040 --> 00:16:24,080 Speaker 1: any of the people who were in there. But some 328 00:16:24,120 --> 00:16:27,120 Speaker 1: of it was like erotica. There was one file called 329 00:16:27,680 --> 00:16:36,080 Speaker 1: s Dot Gift, I believe many sas and poor Uh 330 00:16:36,120 --> 00:16:41,160 Speaker 1: it's actually just merely his Parker dreaking ice coffee though exactly. Uh, 331 00:16:41,200 --> 00:16:46,040 Speaker 1: you just gotta search skiff and see see what's out there. Uh. 332 00:16:46,120 --> 00:16:50,640 Speaker 1: And there was also eight bit video games that were 333 00:16:50,720 --> 00:16:55,240 Speaker 1: like adult video games from back in like the like eighties, 334 00:16:55,440 --> 00:16:58,320 Speaker 1: like Pixelated Nude Women, where you would just do like 335 00:16:58,520 --> 00:17:02,280 Speaker 1: the most menial task like raw around to reveal this 336 00:17:02,360 --> 00:17:06,520 Speaker 1: non human woman. Yeah, it's a yeah, just like Larry 337 00:17:06,560 --> 00:17:09,480 Speaker 1: that was the big like eight bit porn game when 338 00:17:09,520 --> 00:17:13,000 Speaker 1: we were where it was like King's Quest but getting 339 00:17:13,040 --> 00:17:15,840 Speaker 1: laid in exactly. It just shows you, man, it must 340 00:17:15,840 --> 00:17:18,640 Speaker 1: have been boring as fun to be in that compound hiding. 341 00:17:19,200 --> 00:17:22,760 Speaker 1: You know. I wonder if, like just if the crocheting videos, 342 00:17:22,760 --> 00:17:24,560 Speaker 1: if I don't know, maybe bin Laden was really trying 343 00:17:24,600 --> 00:17:26,960 Speaker 1: to step up his crochet game. Maybe it's what he thought. 344 00:17:27,080 --> 00:17:29,359 Speaker 1: How did they make those vests? They have those vests 345 00:17:29,400 --> 00:17:31,320 Speaker 1: in those yeah little know in fact those are all 346 00:17:31,320 --> 00:17:34,440 Speaker 1: homespun by bin Laden himself. Uh. And like yeah, I 347 00:17:34,480 --> 00:17:36,879 Speaker 1: think he's just funny. Like there was Final Fantasy Games, 348 00:17:37,080 --> 00:17:40,159 Speaker 1: so there's there was something for everyone. If you like porn, 349 00:17:40,240 --> 00:17:42,879 Speaker 1: you're a nine eleven truther, we're all finding that maybe 350 00:17:42,880 --> 00:17:45,359 Speaker 1: we have something in common with Oshama. Yeah, it's just 351 00:17:45,400 --> 00:17:47,240 Speaker 1: funny to think that when he was watching all those 352 00:17:47,280 --> 00:17:52,359 Speaker 1: documentaries wondering like where bin Laden was, Uh, he knew 353 00:17:52,480 --> 00:17:57,120 Speaker 1: himself that the answer was in Pakistan, masturbating to eat 354 00:17:57,160 --> 00:18:00,119 Speaker 1: bit representations of naked women. It's a good life. It's 355 00:18:00,119 --> 00:18:02,359 Speaker 1: a good life, I guess. So it's a proud life. 356 00:18:03,000 --> 00:18:05,640 Speaker 1: All Right, We're gonna take a quick break and we'll 357 00:18:05,680 --> 00:18:17,199 Speaker 1: be right back. And we're back. So I wanted to 358 00:18:17,240 --> 00:18:21,000 Speaker 1: talk a little bit about what's being called the Weinstein effect, Uh, 359 00:18:21,160 --> 00:18:28,720 Speaker 1: sort of the spreading realization that, uh, famous men, a 360 00:18:28,760 --> 00:18:33,280 Speaker 1: lot of famous men are fucking creeps. Uh. We've got 361 00:18:33,320 --> 00:18:40,600 Speaker 1: Spacey Ratner Toeback Hoffman, uh Dustin Hoffman. Uh apparently on 362 00:18:40,640 --> 00:18:43,040 Speaker 1: a TV movie. Did we talk about that yesterday? On 363 00:18:43,040 --> 00:18:49,440 Speaker 1: a TV movie? Sexually harassed as seventeen year old young woman? Uh, 364 00:18:49,560 --> 00:18:54,320 Speaker 1: Jeremy Piven Price from Amazon, Halpern, who was the head 365 00:18:54,320 --> 00:18:59,359 Speaker 1: of politics at ABC News. And George H. W. Bush 366 00:18:59,359 --> 00:19:03,119 Speaker 1: even though he was brought out at the Houston Astros. 367 00:19:03,200 --> 00:19:05,760 Speaker 1: Was it like game three or something? Yeah, one of 368 00:19:05,720 --> 00:19:07,680 Speaker 1: them though the first page. They're still cool with them, 369 00:19:08,440 --> 00:19:11,080 Speaker 1: just like they were still cool with that Gurio game. 370 00:19:11,640 --> 00:19:17,560 Speaker 1: A little slanty gesture that I'm not bitter. Uh, but yeah, 371 00:19:17,840 --> 00:19:22,560 Speaker 1: cool Houston, nice work. Uh So, yeah, it seems like 372 00:19:22,600 --> 00:19:25,200 Speaker 1: there's never been a time when the world was more 373 00:19:25,280 --> 00:19:31,720 Speaker 1: receptive to women calling out powerful men who have abused them. Uh. 374 00:19:31,760 --> 00:19:37,160 Speaker 1: But nobody's really talking about the most powerful man uh, 375 00:19:37,200 --> 00:19:41,680 Speaker 1: Donald Trump, unless you count the people and Donald Jrs. 376 00:19:41,840 --> 00:19:44,800 Speaker 1: Mentions every time he gloats about a new Hollywood big 377 00:19:44,800 --> 00:19:48,800 Speaker 1: wig getting named. But yeah, Trump's accusers have told The 378 00:19:48,840 --> 00:19:51,960 Speaker 1: New York Times this week that, uh, they feel like 379 00:19:52,000 --> 00:19:54,919 Speaker 1: the country has forgotten them, and they have good reason 380 00:19:55,040 --> 00:19:59,280 Speaker 1: to feel that way. Uh. And it's probably worth just 381 00:19:59,640 --> 00:20:03,960 Speaker 1: remind finding people what he's been accused of. Kissing Miss 382 00:20:04,040 --> 00:20:09,520 Speaker 1: USA pageant competitor on the mouth, um when she was 383 00:20:10,040 --> 00:20:13,800 Speaker 1: not looking for that, groping fellow passenger on a flight 384 00:20:14,040 --> 00:20:18,320 Speaker 1: several decades ago, kissing receptionist working in Trump Tower in 385 00:20:18,359 --> 00:20:22,560 Speaker 1: two thousand five, groping contestant on The Apprentice in two 386 00:20:22,640 --> 00:20:27,720 Speaker 1: thousand seven. And then we have him bragging about how 387 00:20:28,040 --> 00:20:32,200 Speaker 1: he grabs women by the pussy. Uh and he doesn't 388 00:20:32,240 --> 00:20:34,879 Speaker 1: even have to ask, because when you're a star, that 389 00:20:35,040 --> 00:20:39,000 Speaker 1: just let you do it on tape. Uh. So yeah, 390 00:20:39,080 --> 00:20:43,720 Speaker 1: I don't know, it's a it is interesting that he 391 00:20:43,960 --> 00:20:48,040 Speaker 1: is apparently not like this isn't even being brought up. 392 00:20:48,119 --> 00:20:51,040 Speaker 1: Really for the most part, as people are talking about 393 00:20:51,119 --> 00:20:56,640 Speaker 1: these the Hollywood elites who are being kind of taken down, 394 00:20:56,800 --> 00:21:00,679 Speaker 1: well it's you know, Weinstein goes down him because his 395 00:21:00,840 --> 00:21:04,320 Speaker 1: entire industry rejected him. They said, yo, funk that this 396 00:21:04,359 --> 00:21:06,080 Speaker 1: is bullshit. We we can't have you be a part 397 00:21:06,080 --> 00:21:09,320 Speaker 1: of this. So that that's how Weinstein has to Actually 398 00:21:09,480 --> 00:21:12,840 Speaker 1: that's that's he actually experiences some form of a rejection 399 00:21:12,920 --> 00:21:15,800 Speaker 1: or punishment. Trump, on the other hand, when that Grabbed 400 00:21:15,840 --> 00:21:17,719 Speaker 1: by the Pussy tape came out, there were maybe a 401 00:21:17,760 --> 00:21:20,600 Speaker 1: couple of people who dropped their endorsements of him, but 402 00:21:20,720 --> 00:21:24,000 Speaker 1: there was no across the board GOP saying, you know, 403 00:21:24,119 --> 00:21:26,959 Speaker 1: this is not cool. We're not about this. Get rid 404 00:21:27,000 --> 00:21:28,520 Speaker 1: of them, because if you really think about it, if 405 00:21:28,560 --> 00:21:31,760 Speaker 1: they did that, Hillary Clinton would have won most likely 406 00:21:31,840 --> 00:21:34,879 Speaker 1: when considering the how narrowly Trump won. If the GOP 407 00:21:35,080 --> 00:21:36,359 Speaker 1: really came out and said, you know, this is not 408 00:21:36,440 --> 00:21:38,159 Speaker 1: what the party is about. We can't have someone like 409 00:21:38,200 --> 00:21:41,040 Speaker 1: disrepresenting us, especially not to be president, that would have 410 00:21:41,080 --> 00:21:42,760 Speaker 1: been a real problem for them. And I think it 411 00:21:42,800 --> 00:21:46,120 Speaker 1: also shows like partisanship has this kind of a lot 412 00:21:46,160 --> 00:21:49,280 Speaker 1: to do with why that is because even now Republicans 413 00:21:49,280 --> 00:21:52,840 Speaker 1: are still very reluctant to call Trump out for any 414 00:21:53,040 --> 00:21:55,719 Speaker 1: number of things that he's done. Is but the only 415 00:21:55,720 --> 00:21:57,159 Speaker 1: it seemed like the only people that are willing to 416 00:21:57,160 --> 00:21:59,720 Speaker 1: say anything are the people who have nothing left to gain, 417 00:22:00,040 --> 00:22:03,040 Speaker 1: which are the outgoing like congressmen and senators. Those need 418 00:22:03,080 --> 00:22:05,400 Speaker 1: to be the only people who because they're not they're 419 00:22:05,440 --> 00:22:08,680 Speaker 1: not affected by whether or not the GOP power structure crumbles. 420 00:22:08,800 --> 00:22:10,639 Speaker 1: They're just now they're willing to say something. Do you 421 00:22:10,680 --> 00:22:14,560 Speaker 1: need something too about liberal groups being more willing to 422 00:22:14,640 --> 00:22:16,639 Speaker 1: kind of eat or like, there's always the argument that 423 00:22:16,680 --> 00:22:18,960 Speaker 1: liberals like will devour own tails when it comes to 424 00:22:19,040 --> 00:22:21,920 Speaker 1: like social justice things like that, So I wonder that's 425 00:22:21,920 --> 00:22:24,080 Speaker 1: part of it. Like I think that liberals are much 426 00:22:24,080 --> 00:22:28,160 Speaker 1: more willing to be publicly divisive amongst ourselves, and so 427 00:22:28,640 --> 00:22:31,120 Speaker 1: with someone like Weinstein or whatever, no matter how much 428 00:22:31,119 --> 00:22:34,040 Speaker 1: money he's donated, like our candidates or whatever, we're still like, like, 429 00:22:34,080 --> 00:22:37,080 Speaker 1: we will tear down our idols all the time, and 430 00:22:37,240 --> 00:22:39,720 Speaker 1: sometimes to our detriment. To where we can't like win 431 00:22:39,720 --> 00:22:42,680 Speaker 1: elections is easily because we can't rally behind a common figure. 432 00:22:42,720 --> 00:22:45,960 Speaker 1: Like I always say that Republicans or like conservatives will 433 00:22:46,640 --> 00:22:48,760 Speaker 1: rally behind the like ten percent of things they do 434 00:22:48,800 --> 00:22:52,520 Speaker 1: agree on, whereas liberals we will always like terry to 435 00:22:52,680 --> 00:22:54,520 Speaker 1: or apart about the temper cent we don't agree right in. 436 00:22:54,600 --> 00:22:56,800 Speaker 1: And that's like, that's what I saw last year at 437 00:22:56,800 --> 00:23:00,800 Speaker 1: the election, to even outside of the sexual harassment stuff. It. Yeah, 438 00:23:00,800 --> 00:23:03,560 Speaker 1: and I do wonder that that's a really good point. 439 00:23:03,600 --> 00:23:06,920 Speaker 1: And I also wonder if, like I had read this 440 00:23:07,480 --> 00:23:11,480 Speaker 1: article that was really sort of deep dive into a 441 00:23:11,520 --> 00:23:16,119 Speaker 1: single community in Colorado, uh and sort of how the 442 00:23:16,160 --> 00:23:22,040 Speaker 1: two thousand sixteen election went down there. And one of 443 00:23:22,080 --> 00:23:25,200 Speaker 1: the most surprising things was there was this group of 444 00:23:25,840 --> 00:23:29,639 Speaker 1: women called Women for Trump that really got involved in 445 00:23:29,680 --> 00:23:34,760 Speaker 1: the community, uh, you know, doing voter outreach and um, 446 00:23:35,320 --> 00:23:39,280 Speaker 1: they actually formed the day after the Access Hollywood tape 447 00:23:39,320 --> 00:23:44,280 Speaker 1: came out. And there uh point or like their thesis 448 00:23:44,359 --> 00:23:47,439 Speaker 1: was that they were tired of the liberal media telling 449 00:23:47,480 --> 00:23:51,320 Speaker 1: them how they were supposed to feel about, you know, 450 00:23:51,440 --> 00:23:54,919 Speaker 1: sexual politics. And well that's part of the Trump effect 451 00:23:54,920 --> 00:23:58,399 Speaker 1: in general. I Trump Trump has figured out how to 452 00:23:58,600 --> 00:24:03,679 Speaker 1: play conservative fatigue over liberal outrage like a fiddle, and 453 00:24:03,720 --> 00:24:08,159 Speaker 1: so he continually while in office and even beforehand, would 454 00:24:08,200 --> 00:24:11,399 Speaker 1: say inflammatory things that people will get up in arms about, 455 00:24:11,480 --> 00:24:15,840 Speaker 1: oftentimes very rightfully so. But because it happens so often, 456 00:24:15,960 --> 00:24:18,160 Speaker 1: he can do it so frequently and on so many 457 00:24:18,240 --> 00:24:21,600 Speaker 1: topics that everybody who reacts to it, people who who 458 00:24:21,840 --> 00:24:23,920 Speaker 1: have any sort of inclination of like I'm tired of 459 00:24:23,920 --> 00:24:27,120 Speaker 1: the PC police or whatever, can go, yeah, we're sick 460 00:24:27,119 --> 00:24:28,959 Speaker 1: of hearing about it. We're tired of and so they 461 00:24:29,000 --> 00:24:31,400 Speaker 1: almost like revel in the way that he baits us 462 00:24:31,440 --> 00:24:32,879 Speaker 1: and the way that he taunts us. And it's this 463 00:24:32,960 --> 00:24:35,840 Speaker 1: frustrating thing as a person who cares about als with 464 00:24:35,880 --> 00:24:37,879 Speaker 1: justice or a person who cares about like rights and 465 00:24:38,160 --> 00:24:40,880 Speaker 1: equality of like, well, we can't just let things go. 466 00:24:41,960 --> 00:24:44,600 Speaker 1: But we also, I don't know yet how we even 467 00:24:44,680 --> 00:24:48,320 Speaker 1: react to stuff without also then making it worse for us, 468 00:24:48,560 --> 00:24:50,880 Speaker 1: Like it's it's such a frustrating game of chess. And 469 00:24:50,880 --> 00:24:54,440 Speaker 1: and yeah, it's easy to do because whether it's allegations 470 00:24:54,440 --> 00:24:59,879 Speaker 1: of sexual assault or obstruction of justice or whatever it 471 00:24:59,920 --> 00:25:02,560 Speaker 1: is is it's just another thing again that people it's 472 00:25:02,560 --> 00:25:05,320 Speaker 1: easy if you are Trump supporters just say oh there, well, 473 00:25:05,320 --> 00:25:07,320 Speaker 1: that's just another thing they're trying to like what is 474 00:25:07,320 --> 00:25:09,520 Speaker 1: it this week, what's the big Trump complete this week? 475 00:25:09,800 --> 00:25:12,440 Speaker 1: And it's easy to just to dismiss it like outright, 476 00:25:12,680 --> 00:25:14,560 Speaker 1: and I think again because like the sort of part 477 00:25:14,640 --> 00:25:16,160 Speaker 1: is an angle of it all too. It's it's hard 478 00:25:16,200 --> 00:25:19,040 Speaker 1: to to sort of embrace that or or to embrace 479 00:25:19,080 --> 00:25:21,040 Speaker 1: the truth and say, oh, this is this is really wrong. 480 00:25:21,320 --> 00:25:24,080 Speaker 1: And if you also look like the women who supported Trump, 481 00:25:24,359 --> 00:25:26,800 Speaker 1: I think he got sixty one percent of the white 482 00:25:26,800 --> 00:25:29,720 Speaker 1: women without college degree vote, and that is a group 483 00:25:30,000 --> 00:25:32,680 Speaker 1: who just if you look at polling, like on a continuum, 484 00:25:32,680 --> 00:25:36,000 Speaker 1: they're growing more conservative in the in the in recent years. 485 00:25:36,640 --> 00:25:38,959 Speaker 1: So to even have, like you know, to to have 486 00:25:39,040 --> 00:25:41,399 Speaker 1: that group of women as your supporter base, that's not 487 00:25:41,440 --> 00:25:43,600 Speaker 1: going to do much for him to be held to 488 00:25:43,680 --> 00:25:47,399 Speaker 1: any any form of anything that resembles accountability. Didn't Trump 489 00:25:47,480 --> 00:25:52,960 Speaker 1: get most of the white women, of white women, of 490 00:25:53,320 --> 00:25:57,160 Speaker 1: white women, white women overall, yeah, of overall, and white 491 00:25:57,160 --> 00:25:59,480 Speaker 1: women without college degrees, and that's that the one without 492 00:25:59,520 --> 00:26:01,560 Speaker 1: college agree he is the one that is continually getting 493 00:26:01,560 --> 00:26:04,560 Speaker 1: more conservative. And again I think even now we don't 494 00:26:04,600 --> 00:26:08,359 Speaker 1: talk about the misconduct after the fact, because at the 495 00:26:08,400 --> 00:26:11,320 Speaker 1: end of the day, he was elected president and so 496 00:26:11,920 --> 00:26:15,560 Speaker 1: that basically the America co signed that and said, well, 497 00:26:15,640 --> 00:26:17,920 Speaker 1: I guess that's not a problem because it was enough 498 00:26:17,920 --> 00:26:20,240 Speaker 1: for him to become president and a lot of the 499 00:26:20,240 --> 00:26:22,760 Speaker 1: stuff that was being rallied against him got dropped, Like 500 00:26:22,880 --> 00:26:26,080 Speaker 1: the case the underage assault case that he was that 501 00:26:26,119 --> 00:26:29,440 Speaker 1: was like being built up and like it was going 502 00:26:29,520 --> 00:26:31,359 Speaker 1: to courts, and then he got elected. I don't think 503 00:26:31,359 --> 00:26:33,000 Speaker 1: anyone thought he was gonna win, and so he had 504 00:26:33,040 --> 00:26:35,800 Speaker 1: like court dates set and then the day he was elected, 505 00:26:35,880 --> 00:26:38,119 Speaker 1: then like suddenly that disappeared because the victim didn't want 506 00:26:38,119 --> 00:26:40,359 Speaker 1: to come forward anymore. Right, I should have said that 507 00:26:40,400 --> 00:26:44,399 Speaker 1: those uh examples, they are just the examples that people 508 00:26:44,440 --> 00:26:48,359 Speaker 1: are still willing to kind of accuse him of. Um. 509 00:26:48,400 --> 00:26:50,800 Speaker 1: And that's kind of the thing with the Weinstein Weinstein 510 00:26:50,840 --> 00:26:53,159 Speaker 1: case too, is that Weinstein's case, it's not like it 511 00:26:53,200 --> 00:26:55,439 Speaker 1: just happened overnight, Like Ronan Farrell had like a like 512 00:26:55,440 --> 00:26:58,080 Speaker 1: a months and months long investigation into this that he 513 00:26:58,080 --> 00:26:59,960 Speaker 1: could come forward. And I think, like that's the problems 514 00:27:00,000 --> 00:27:02,080 Speaker 1: you with the Trump stuff is like we have these 515 00:27:02,080 --> 00:27:04,480 Speaker 1: scattered reports to come forward. We don't have anybody who's 516 00:27:04,480 --> 00:27:06,679 Speaker 1: just going like, here are all the things that we 517 00:27:06,760 --> 00:27:10,840 Speaker 1: need to say, you know, um, and I guess during 518 00:27:10,840 --> 00:27:13,560 Speaker 1: the election, many people did come out to accuse Trump 519 00:27:13,760 --> 00:27:17,120 Speaker 1: of sexual harassment, and at the time, at every rally 520 00:27:17,240 --> 00:27:18,840 Speaker 1: is like, oh, these people are lying. They're just trying 521 00:27:18,880 --> 00:27:21,440 Speaker 1: to smear me for the campaign, and it was it 522 00:27:21,480 --> 00:27:24,480 Speaker 1: wasn't taken seriously because if again from a partisan angle, 523 00:27:24,600 --> 00:27:27,280 Speaker 1: it just seems like it's like a smear, like if 524 00:27:27,320 --> 00:27:29,840 Speaker 1: you believe in the conspiratory liste, Like, oh, whould they 525 00:27:29,840 --> 00:27:32,000 Speaker 1: pay to say this this week? Is the mentality of 526 00:27:32,080 --> 00:27:34,840 Speaker 1: some people who were so dismissive of these accusations. And 527 00:27:34,840 --> 00:27:36,800 Speaker 1: he plays in those conpiracy theory things all the time. 528 00:27:36,920 --> 00:27:39,880 Speaker 1: So yeah, and I mean, I guess just to play 529 00:27:39,880 --> 00:27:42,960 Speaker 1: a devil's advocate. Uh. The whole country kind of by 530 00:27:43,080 --> 00:27:46,680 Speaker 1: by the end of the Lewinsky scandal was kind of 531 00:27:46,720 --> 00:27:49,439 Speaker 1: ready to move on and we're like, yeah, okay, we 532 00:27:49,480 --> 00:27:52,000 Speaker 1: get it. He got a blowjob from an intern. Uh, 533 00:27:52,359 --> 00:27:54,640 Speaker 1: you know, let's move on. And he's doing a good 534 00:27:54,720 --> 00:27:57,480 Speaker 1: job and the economy is strong. Uh when when it 535 00:27:57,560 --> 00:28:01,800 Speaker 1: was a Democrat, Uh, that that's handle just Uh. I 536 00:28:01,840 --> 00:28:05,640 Speaker 1: talked about how the movie American Beauty, Uh, well, when 537 00:28:05,640 --> 00:28:09,080 Speaker 1: I first saw it, I was, you know, an adolescent kid, 538 00:28:09,119 --> 00:28:12,800 Speaker 1: and so it wasn't as creepy to me, um, because 539 00:28:12,920 --> 00:28:16,080 Speaker 1: I was younger than the like high school girl that 540 00:28:16,160 --> 00:28:19,320 Speaker 1: Kevin Spacey was lusting after, the same thing with the 541 00:28:19,400 --> 00:28:22,879 Speaker 1: Lewinsky affair, like she was like twenty two or something 542 00:28:23,040 --> 00:28:25,359 Speaker 1: that you know, someone was talking about recently on a 543 00:28:25,359 --> 00:28:27,960 Speaker 1: Facebook thread that I was in and about how different 544 00:28:28,200 --> 00:28:30,399 Speaker 1: I think we would have viewed that entire affair in 545 00:28:30,880 --> 00:28:33,840 Speaker 1: seventeen versus in the mid nineties when it happened, because 546 00:28:33,960 --> 00:28:36,480 Speaker 1: to think about how phillinized Monica Lewinsky was by the 547 00:28:36,560 --> 00:28:38,840 Speaker 1: culture when she really was just a young kid who 548 00:28:38,880 --> 00:28:41,520 Speaker 1: was like seduced by her very very very powerful boss. 549 00:28:41,920 --> 00:28:44,040 Speaker 1: And like how like you know, Lensky has said that 550 00:28:44,080 --> 00:28:45,880 Speaker 1: like for a long time, like her mom wouldn't let 551 00:28:45,880 --> 00:28:47,360 Speaker 1: her close the door watches going in the bathroom because 552 00:28:47,360 --> 00:28:48,880 Speaker 1: she's afraid she would kill herself. Like it was like 553 00:28:48,920 --> 00:28:51,640 Speaker 1: that she was being tormented by the media and just 554 00:28:51,680 --> 00:28:55,560 Speaker 1: like being viciously bullied all the time and now and 555 00:28:55,640 --> 00:28:57,440 Speaker 1: if I think that if if she came forward, she 556 00:28:57,480 --> 00:29:00,120 Speaker 1: would get at least a little bit more respect, at 557 00:29:00,160 --> 00:29:02,440 Speaker 1: least have a camp that was way more on her 558 00:29:02,520 --> 00:29:05,400 Speaker 1: side than before it really hope, So you know, I 559 00:29:05,440 --> 00:29:08,880 Speaker 1: mean who knows, but well, yeah, and I think again too, 560 00:29:09,000 --> 00:29:12,800 Speaker 1: with the fact that with Trump being elected president, that 561 00:29:12,800 --> 00:29:16,040 Speaker 1: that only reaffirms his worldview that well, look, I can 562 00:29:16,080 --> 00:29:17,880 Speaker 1: do that and it's it's not a problem, and you 563 00:29:17,880 --> 00:29:20,480 Speaker 1: can see that, and how he's like rolling back Obama 564 00:29:20,520 --> 00:29:24,040 Speaker 1: era sexual assault guidelines or transgender bands and things like that. 565 00:29:24,320 --> 00:29:27,280 Speaker 1: Getting elected is like the worst thing for someone who 566 00:29:27,320 --> 00:29:30,400 Speaker 1: has done something the kinds of accusations he has facing him, 567 00:29:30,680 --> 00:29:32,920 Speaker 1: and yeah, been being electable, Like there's no reason for 568 00:29:32,960 --> 00:29:36,440 Speaker 1: you to think that there's anything wrong with anything you've done. Yeah, 569 00:29:36,440 --> 00:29:38,600 Speaker 1: he thinks that he's been proven completely right, right, and 570 00:29:38,680 --> 00:29:43,560 Speaker 1: it's almost an he won on a because tour college. 571 00:29:43,560 --> 00:29:46,400 Speaker 1: He didn't win by popular vote, but like he doesn't 572 00:29:46,400 --> 00:29:49,360 Speaker 1: always seem to really want to believe that or understand that, 573 00:29:49,400 --> 00:29:51,280 Speaker 1: and so he in his mind thinks, like I am 574 00:29:51,320 --> 00:29:53,360 Speaker 1: on the pulse of the American people, and they believe 575 00:29:53,400 --> 00:29:55,640 Speaker 1: what I believe, and or at least that's what he's 576 00:29:55,680 --> 00:29:59,200 Speaker 1: telling himself. So I want to talk about one of 577 00:29:59,280 --> 00:30:05,480 Speaker 1: these accusations that is isn't getting as many headlines because 578 00:30:05,520 --> 00:30:10,760 Speaker 1: the person is not uh that famous, but the publisher 579 00:30:10,840 --> 00:30:16,840 Speaker 1: of the magazine Art Forum, uh his name is Knight Landisman. 580 00:30:17,520 --> 00:30:22,400 Speaker 1: Uh is being accused of sexually harassing a young woman 581 00:30:22,480 --> 00:30:27,880 Speaker 1: named Amanda Schmidt. Um, and the details are really pretty 582 00:30:27,920 --> 00:30:33,320 Speaker 1: gross uh and horrifying. And uh, I don't know. So 583 00:30:33,960 --> 00:30:38,240 Speaker 1: art Forum is apparently the the magazine in the art world. 584 00:30:38,280 --> 00:30:41,920 Speaker 1: It's kind of like where where people go to, you know, 585 00:30:42,040 --> 00:30:47,960 Speaker 1: decide if artist is worth a damn And um, I 586 00:30:48,000 --> 00:30:51,560 Speaker 1: think I assumed that the art world was like progressive 587 00:30:51,840 --> 00:30:54,840 Speaker 1: when it comes to the sexual politics, just based on 588 00:30:55,400 --> 00:30:59,480 Speaker 1: the content of you know, what cutting edge avant got 589 00:30:59,760 --> 00:31:03,440 Speaker 1: gard art is about. And yeah, I thought it was 590 00:31:03,680 --> 00:31:07,680 Speaker 1: all like Maud from Big Lebowski. And you know, it 591 00:31:07,720 --> 00:31:12,600 Speaker 1: turns out it's still got a lot of problems. Um. 592 00:31:13,280 --> 00:31:18,320 Speaker 1: This uh feminists critique of art history called why haven't 593 00:31:18,360 --> 00:31:23,720 Speaker 1: there been any Great women artists? And uh, it's just 594 00:31:23,760 --> 00:31:27,200 Speaker 1: this amazing essay that examines the history of sexism in 595 00:31:27,240 --> 00:31:30,840 Speaker 1: the history of art. Uh. The writer talks about all 596 00:31:30,840 --> 00:31:34,040 Speaker 1: the different ways that institutionalized sexism made it so that 597 00:31:34,720 --> 00:31:41,160 Speaker 1: women like couldn't be considered great, couldn't practice the art form, 598 00:31:41,240 --> 00:31:44,240 Speaker 1: like they weren't allowed to paint nude models because it 599 00:31:44,280 --> 00:31:48,840 Speaker 1: was deemed unladylike just excelling at a single skill was 600 00:31:48,880 --> 00:31:54,000 Speaker 1: deemed unladylike parents weren't gonna let their daughters be painters. Um. 601 00:31:54,600 --> 00:31:58,080 Speaker 1: So she just makes this argument that uh, you know 602 00:31:58,640 --> 00:32:01,360 Speaker 1: that question, which I think was being asked more when 603 00:32:01,440 --> 00:32:04,600 Speaker 1: she wrote it. She wrote the essay in which I 604 00:32:04,640 --> 00:32:06,920 Speaker 1: probably should have set up. Okay, yeah, I thought you 605 00:32:06,960 --> 00:32:09,280 Speaker 1: were saying that this guy who got who stepped down, 606 00:32:09,400 --> 00:32:12,360 Speaker 1: was the one who published it. Like, well, there's plenty 607 00:32:12,360 --> 00:32:15,959 Speaker 1: of examples of of monstrous men who have been vocally 608 00:32:15,960 --> 00:32:18,920 Speaker 1: in support of feminism until they get caught being a harasser. Right, 609 00:32:19,080 --> 00:32:22,720 Speaker 1: so I guess it's just And actually the editor in 610 00:32:22,800 --> 00:32:28,120 Speaker 1: chief of the magazine has stepped down. It is a woman, 611 00:32:28,160 --> 00:32:31,000 Speaker 1: and she just was like, I can't you know, support 612 00:32:31,200 --> 00:32:37,200 Speaker 1: this uh magazine, this publication anymore. Um. But it's it's 613 00:32:37,280 --> 00:32:41,720 Speaker 1: interesting to me to kind of examine, like to take 614 00:32:41,760 --> 00:32:45,120 Speaker 1: another look at the art world and you know all 615 00:32:45,120 --> 00:32:47,920 Speaker 1: the ways that even though it is sort of this 616 00:32:48,000 --> 00:32:53,400 Speaker 1: cutting edge cultural thing, uh, you know, it has been 617 00:32:53,920 --> 00:32:58,880 Speaker 1: very dominated by white men, just as much as you know, 618 00:32:59,720 --> 00:33:04,200 Speaker 1: other industries and like Wall Street and ship like that. Um. 619 00:33:04,240 --> 00:33:06,880 Speaker 1: You know, there there's this group called the Guerrilla Girls, 620 00:33:07,160 --> 00:33:10,400 Speaker 1: and they've been working sort of anonymously for years too, 621 00:33:11,240 --> 00:33:13,920 Speaker 1: basically exposed, as they say, and they're in they're like 622 00:33:13,960 --> 00:33:16,880 Speaker 1: mission statement, like gender and ethnic bias as well as 623 00:33:16,920 --> 00:33:20,680 Speaker 1: corruption and everything from politics, art, film, pop culture. So 624 00:33:20,760 --> 00:33:23,480 Speaker 1: one of the campaigns they did was throwing up stickers 625 00:33:23,560 --> 00:33:28,440 Speaker 1: about the lack of uh, one person exhibitions that were 626 00:33:28,440 --> 00:33:32,000 Speaker 1: put on by female artists in New York. So the 627 00:33:32,040 --> 00:33:34,800 Speaker 1: Guggenheim didn't have any, the Metropolitan didn't have any, the 628 00:33:34,840 --> 00:33:37,720 Speaker 1: Modern had one, and the Whitney didn't have any. And 629 00:33:37,720 --> 00:33:41,120 Speaker 1: then in TWI, in terms of women who are having 630 00:33:41,160 --> 00:33:44,360 Speaker 1: one person exhibitions in in the top New York City museums, 631 00:33:44,400 --> 00:33:47,600 Speaker 1: the Guggenheim had one, the Metropolitan had one, the Modern 632 00:33:47,680 --> 00:33:50,400 Speaker 1: had two, and the Whitney had one. So even in 633 00:33:50,800 --> 00:33:54,200 Speaker 1: what is the thirty years, that is incremental change. You know, 634 00:33:54,520 --> 00:33:56,200 Speaker 1: my dad is an artist, which is why I'm sort 635 00:33:56,200 --> 00:33:59,400 Speaker 1: of waxing on about this, and and he's and he's 636 00:33:59,480 --> 00:34:02,040 Speaker 1: a he's black man, so he's sort of had to 637 00:34:02,120 --> 00:34:04,840 Speaker 1: confront the art world head on and things like this. Uh, 638 00:34:04,880 --> 00:34:08,600 Speaker 1: you know, the power still concentrated in men's hands, but also, uh, 639 00:34:08,640 --> 00:34:11,839 Speaker 1: there a lot of the collectors they still value men's work. 640 00:34:11,920 --> 00:34:14,080 Speaker 1: By far. So they and essentially collectors are the ones 641 00:34:14,080 --> 00:34:16,200 Speaker 1: that assigned the value to art because they're telling you 642 00:34:16,200 --> 00:34:18,640 Speaker 1: what they what they think this piece is worth paying for. 643 00:34:19,160 --> 00:34:21,719 Speaker 1: And now in the last twenty years, there are more 644 00:34:21,760 --> 00:34:24,200 Speaker 1: female curators and that's a step in the direction, but 645 00:34:24,280 --> 00:34:27,440 Speaker 1: there's still very much a huge problem of representation, like 646 00:34:27,480 --> 00:34:30,920 Speaker 1: within the art world. Um, and I guess you know, 647 00:34:31,880 --> 00:34:34,000 Speaker 1: who knows what it's going to take to break that. 648 00:34:34,040 --> 00:34:35,799 Speaker 1: And I think even when you think about in the 649 00:34:35,880 --> 00:34:38,080 Speaker 1: article and asks like who are the great women artists? 650 00:34:38,080 --> 00:34:41,200 Speaker 1: I'm not a huge art expert, but if if you 651 00:34:41,239 --> 00:34:43,560 Speaker 1: asked me to say, name an artist, I would probably 652 00:34:43,560 --> 00:34:46,279 Speaker 1: say a male artist immediately, you know, or even if 653 00:34:46,320 --> 00:34:48,640 Speaker 1: you asked young kids, they say like Shepherd Ferry or 654 00:34:48,719 --> 00:34:51,319 Speaker 1: Banksy or something like that. You know, if if you 655 00:34:51,320 --> 00:34:54,720 Speaker 1: said name a prolific female artist, I would have trouble. 656 00:34:54,719 --> 00:34:58,560 Speaker 1: I would say Georgia O'Keeffe and then I would begin 657 00:34:58,680 --> 00:35:01,640 Speaker 1: really having to think then, like, you know, I couldn't 658 00:35:01,680 --> 00:35:03,200 Speaker 1: just list them down like that. And I think that 659 00:35:03,320 --> 00:35:06,279 Speaker 1: is also very indicative of kind of what even the 660 00:35:06,400 --> 00:35:09,240 Speaker 1: people who might not be totally into the art scene, 661 00:35:09,560 --> 00:35:13,000 Speaker 1: that how little exposure we actually have. Two female artists 662 00:35:13,000 --> 00:35:17,319 Speaker 1: in general. Yeah, the the fact that collectors, you know, 663 00:35:18,000 --> 00:35:22,880 Speaker 1: the rest of society sort of bleeding into how artists 664 00:35:22,880 --> 00:35:25,920 Speaker 1: are valued in that way, like the fact that you know, 665 00:35:26,880 --> 00:35:30,479 Speaker 1: many of the richest people in the world are still 666 00:35:30,560 --> 00:35:34,799 Speaker 1: white men, is probably has a huge effect on that. 667 00:35:35,120 --> 00:35:37,120 Speaker 1: Um I was gonna say that. The other thing is 668 00:35:37,160 --> 00:35:40,319 Speaker 1: too is not unlike like comedy or or any sort 669 00:35:40,360 --> 00:35:42,480 Speaker 1: of entertainment kind of thing. A lot of it is 670 00:35:42,480 --> 00:35:44,799 Speaker 1: is who you know and who knows you to bring 671 00:35:44,840 --> 00:35:47,200 Speaker 1: you into the fold. And that sends to be people 672 00:35:47,280 --> 00:35:51,680 Speaker 1: tend to have this like intrinsic bias about like there's 673 00:35:51,719 --> 00:35:55,840 Speaker 1: a term for it, but basically like oh, I know 674 00:35:55,960 --> 00:35:57,960 Speaker 1: these guys, I'm gonna bring them in, you know, and 675 00:35:57,960 --> 00:35:59,600 Speaker 1: that like that's like there was an article just came 676 00:35:59,600 --> 00:36:01,719 Speaker 1: out this week about the lack of people of color, 677 00:36:01,800 --> 00:36:04,279 Speaker 1: especially women of color, in the writer's room and television 678 00:36:04,320 --> 00:36:06,399 Speaker 1: and how I think right now was something like less 679 00:36:06,400 --> 00:36:09,520 Speaker 1: than four percent of writers for TV shows are people 680 00:36:09,520 --> 00:36:12,239 Speaker 1: of color. And how like like on Hulu, of all 681 00:36:12,320 --> 00:36:14,440 Speaker 1: of whose original series, not a single writer as a 682 00:36:14,480 --> 00:36:17,040 Speaker 1: person of color, and like that's that's like a huge, 683 00:36:17,680 --> 00:36:22,080 Speaker 1: huge gap in representation. And it's because so much of 684 00:36:22,120 --> 00:36:24,560 Speaker 1: like TV. Right. Again, the industry you would think from 685 00:36:24,600 --> 00:36:27,600 Speaker 1: service value is super liberal and super inclusive, but when 686 00:36:27,600 --> 00:36:29,440 Speaker 1: you actually look at the numbers, they don't hold it 687 00:36:29,520 --> 00:36:34,560 Speaker 1: upright because, like art, it has gatekeepers that you have 688 00:36:34,640 --> 00:36:38,080 Speaker 1: to get past. And I guess all industries have gatekeepers, 689 00:36:38,200 --> 00:36:40,880 Speaker 1: but some are just easier to get TV and movies 690 00:36:41,120 --> 00:36:44,279 Speaker 1: especially like you need a shipload of money to make 691 00:36:44,320 --> 00:36:46,719 Speaker 1: those things. And so unless you're one of like an 692 00:36:46,719 --> 00:36:49,720 Speaker 1: anomaly of a person who can start on YouTube completely 693 00:36:49,719 --> 00:36:52,759 Speaker 1: self started, and then and just by virtue of your 694 00:36:52,800 --> 00:36:55,640 Speaker 1: audience being so big, they pull you into the mainstream 695 00:36:55,680 --> 00:37:00,239 Speaker 1: like Ray has exactly. Uh great, we're gonna take a 696 00:37:00,520 --> 00:37:12,799 Speaker 1: quick break and we'll be right back, and we're back. Uh. 697 00:37:12,880 --> 00:37:15,279 Speaker 1: And we should acknowledge that the three of us are 698 00:37:15,320 --> 00:37:20,160 Speaker 1: not like experts on art by any means. Our superproducer 699 00:37:20,280 --> 00:37:24,160 Speaker 1: Nick Stump pointed out that there is a great artist 700 00:37:24,360 --> 00:37:30,680 Speaker 1: name Louis Bourgeois. Uh and uh, she actually came came 701 00:37:30,719 --> 00:37:34,560 Speaker 1: around like around the time of Jackson Pollock and Mark Rothko, 702 00:37:34,920 --> 00:37:39,960 Speaker 1: and she thought that Uh. She pointed out that surrealists 703 00:37:40,080 --> 00:37:43,279 Speaker 1: made women the object of their art, and she was 704 00:37:43,320 --> 00:37:47,239 Speaker 1: trying to make women the subject of art. But that 705 00:37:47,400 --> 00:37:50,840 Speaker 1: is Uh, that's a big change, and I didn't realize 706 00:37:50,840 --> 00:37:54,359 Speaker 1: how big a change it was before uh that conversation. 707 00:37:54,600 --> 00:37:57,560 Speaker 1: So get off my back, Nick, I mean mail gay 708 00:37:57,680 --> 00:38:05,439 Speaker 1: as a term comes from from art. Comeat bo show. Um. 709 00:38:05,520 --> 00:38:09,960 Speaker 1: So in our remaining time, I wanted to talk about 710 00:38:10,000 --> 00:38:14,320 Speaker 1: Donald Trump's sleep schedule, you guys, um, and just sleep 711 00:38:14,360 --> 00:38:21,120 Speaker 1: in general, because so he Bragg's constantly about only needing 712 00:38:21,360 --> 00:38:26,560 Speaker 1: four hours of sleep a night, um, which I guess 713 00:38:26,600 --> 00:38:29,560 Speaker 1: Margaret Thatcher was the same way, she said she only 714 00:38:29,600 --> 00:38:31,720 Speaker 1: needed four hours of sleep at night. I think Obama 715 00:38:31,840 --> 00:38:33,000 Speaker 1: was too. I think that was something he came aout 716 00:38:33,080 --> 00:38:36,520 Speaker 1: during his presidency. Yeah. Well, I think a lot of 717 00:38:37,040 --> 00:38:42,000 Speaker 1: presidents don't get that much sleep, but Trump, like forever 718 00:38:42,120 --> 00:38:46,520 Speaker 1: has said like why he barely needs that much sleep? Um. 719 00:38:46,680 --> 00:38:49,680 Speaker 1: But if you look at his tweets before people started 720 00:38:49,680 --> 00:38:53,800 Speaker 1: taking his phone away, when he like left the Oval 721 00:38:53,840 --> 00:38:57,359 Speaker 1: office at night, like went up to bed, Uh, he 722 00:38:57,440 --> 00:39:02,759 Speaker 1: did send out some of his more erratic I guess 723 00:39:02,760 --> 00:39:06,160 Speaker 1: you could say tweets uh in the middle of the 724 00:39:06,320 --> 00:39:10,319 Speaker 1: night like Uh. That there was also the so there 725 00:39:10,480 --> 00:39:13,160 Speaker 1: was first of all, the despite the constant negative press 726 00:39:13,400 --> 00:39:17,440 Speaker 1: cove Fay Fay tweets came out of the title the 727 00:39:17,560 --> 00:39:23,560 Speaker 1: night Uh there was Uh did crooked Hillary helped disgusting 728 00:39:23,800 --> 00:39:27,080 Speaker 1: check out sex tape and passed Alicia and become a 729 00:39:27,160 --> 00:39:30,480 Speaker 1: US citizens so she could use her in the debate. Um. 730 00:39:30,880 --> 00:39:33,520 Speaker 1: And you know, a bunch of you know, a bunch 731 00:39:33,520 --> 00:39:37,839 Speaker 1: of hateful stuff about Megan Kelly. Uh. And you know, 732 00:39:37,920 --> 00:39:40,239 Speaker 1: he he just a lot a lot of his most 733 00:39:40,280 --> 00:39:45,720 Speaker 1: famous Twitter tirades from during the election came and afterwards too, yeah, 734 00:39:45,760 --> 00:39:51,880 Speaker 1: after you and UM. It's just interesting because it seems 735 00:39:51,960 --> 00:39:58,280 Speaker 1: like I don't know, I wonder what, like if there's 736 00:39:58,360 --> 00:40:02,440 Speaker 1: something about you know, the fact that he doesn't sleep 737 00:40:02,800 --> 00:40:06,279 Speaker 1: is is strange, Like he's sort of almost this alternate 738 00:40:06,520 --> 00:40:12,920 Speaker 1: type of person who like lives by this alternate sleep schedule. Um. 739 00:40:13,000 --> 00:40:16,640 Speaker 1: And that there are like, for instance, there's there's a 740 00:40:16,680 --> 00:40:21,120 Speaker 1: type of I guess most dolphins, but they're in particular 741 00:40:21,160 --> 00:40:25,680 Speaker 1: these spinner dolphins that I saw when I went to 742 00:40:25,760 --> 00:40:29,560 Speaker 1: Hawaii back in June. I saw like we were out 743 00:40:29,600 --> 00:40:31,520 Speaker 1: on a boat and these dolphins came up and were 744 00:40:31,560 --> 00:40:35,879 Speaker 1: like playing and uh, you know, swimming alongside the boat. 745 00:40:36,160 --> 00:40:38,560 Speaker 1: And the captain of the boat was like, yeah, they're 746 00:40:38,640 --> 00:40:42,560 Speaker 1: sleep Actually they just never sleep like we do because 747 00:40:42,560 --> 00:40:46,080 Speaker 1: they would get eaten or drown. Uh, So they sleep 748 00:40:46,120 --> 00:40:48,400 Speaker 1: with like one part of their brain at a time, 749 00:40:48,840 --> 00:40:53,839 Speaker 1: And um, I don't know. Experts on human sleep talk 750 00:40:53,920 --> 00:40:58,320 Speaker 1: about how you know, you don't fall one to sleep 751 00:40:58,360 --> 00:41:01,800 Speaker 1: and then like wake up one percent. There are moments 752 00:41:01,800 --> 00:41:05,080 Speaker 1: of like partial sleep. Parts of the brain can go 753 00:41:05,200 --> 00:41:10,680 Speaker 1: offline for periods of a few seconds to thirty seconds. Um, 754 00:41:10,719 --> 00:41:14,280 Speaker 1: there are things called micro sleep where you just slip 755 00:41:14,360 --> 00:41:18,880 Speaker 1: up and you know. They've actually studied people who are 756 00:41:18,920 --> 00:41:24,480 Speaker 1: like train engineers and found that they are like will 757 00:41:24,680 --> 00:41:28,120 Speaker 1: occasionally be asleep when they thought they were awake the 758 00:41:28,160 --> 00:41:31,600 Speaker 1: whole time. A lot of people, Uh have you even 759 00:41:31,640 --> 00:41:35,040 Speaker 1: been seen to fall asleep for three to five seconds 760 00:41:35,160 --> 00:41:38,640 Speaker 1: and just not realize it at all and then swear 761 00:41:38,719 --> 00:41:43,520 Speaker 1: up and down that they were awake the whole time. So, UM, 762 00:41:43,560 --> 00:41:47,440 Speaker 1: I don't know. It's just worrying to me to to 763 00:41:47,480 --> 00:41:51,080 Speaker 1: think about this idea that, Um, we have a guy 764 00:41:51,239 --> 00:41:54,960 Speaker 1: who twenty four hours a day has access to a 765 00:41:55,000 --> 00:41:59,759 Speaker 1: button that can end the world, and uh, you know, 766 00:42:00,080 --> 00:42:04,239 Speaker 1: at night he appears to become this different, uh sort 767 00:42:04,239 --> 00:42:11,279 Speaker 1: of less responsible version, which is tough to become like 768 00:42:11,560 --> 00:42:15,000 Speaker 1: more erratic and less responsible. But um, you know this 769 00:42:15,080 --> 00:42:18,960 Speaker 1: guy who like never sleeps, and I don't know that 770 00:42:19,239 --> 00:42:22,120 Speaker 1: people have studied that much, these people who only need 771 00:42:22,360 --> 00:42:25,959 Speaker 1: four hours of sleep at night. But um, I also 772 00:42:26,000 --> 00:42:28,560 Speaker 1: wonder too if he actually has that condition or if 773 00:42:28,600 --> 00:42:31,239 Speaker 1: he saw it somewhere and thought that's impressive. He makes 774 00:42:31,320 --> 00:42:33,520 Speaker 1: himself only sleep four hours so he can pract about it, 775 00:42:33,520 --> 00:42:35,480 Speaker 1: and his body is like raggedly going, what are you 776 00:42:35,560 --> 00:42:38,440 Speaker 1: doing to us? Well? Could it could explain like when 777 00:42:38,440 --> 00:42:41,240 Speaker 1: he goes off prompter in speeches and he just starts 778 00:42:41,280 --> 00:42:45,319 Speaker 1: doing his trump freestyle jazz. Uh, just like stream of 779 00:42:45,320 --> 00:42:49,000 Speaker 1: consciousness talking like in some fugue state the entire time. Yeah. 780 00:42:49,040 --> 00:42:52,120 Speaker 1: And I mean a lot of people point to different 781 00:42:52,120 --> 00:42:58,880 Speaker 1: behaviors as being similar to dementia, and lack of sleep 782 00:42:59,040 --> 00:43:03,560 Speaker 1: is really connect did to Alzheimer's And it's a like 783 00:43:03,680 --> 00:43:08,919 Speaker 1: to uh kind of symbiotic relationship or whatever. The bad 784 00:43:09,040 --> 00:43:16,040 Speaker 1: version of symbiotic is where parasitic relationship, where Alzheimer's both 785 00:43:16,160 --> 00:43:19,640 Speaker 1: causes and is caused by lack of sleep, and so 786 00:43:19,960 --> 00:43:24,400 Speaker 1: it's you know, just a vicious cycle. Uh. So I 787 00:43:24,440 --> 00:43:26,839 Speaker 1: don't know, it's I don't I don't have any solutions 788 00:43:27,719 --> 00:43:29,440 Speaker 1: to it, but it's just something I guess to keep 789 00:43:29,480 --> 00:43:32,400 Speaker 1: an eye on, like the time stamps on his tweets 790 00:43:32,440 --> 00:43:36,000 Speaker 1: and uh, you know, general Kelly, if you're listening, like 791 00:43:36,040 --> 00:43:39,080 Speaker 1: I know you do, Uh, maybe just keep an eye 792 00:43:39,120 --> 00:43:42,360 Speaker 1: on him. The biggest trump is the lack of compromise 793 00:43:42,400 --> 00:43:44,400 Speaker 1: with the sleeping So you don't know what Kelly can 794 00:43:44,440 --> 00:43:47,160 Speaker 1: come in and compromise his sleep better, right, right exactly, 795 00:43:47,880 --> 00:43:50,040 Speaker 1: remember anyone who hates his presidency more than him. That's 796 00:43:50,040 --> 00:43:51,640 Speaker 1: the thing. It's weird about it, Like, I just I 797 00:43:51,680 --> 00:43:53,600 Speaker 1: don't like at this point, I'm like, how bad is 798 00:43:53,600 --> 00:43:55,399 Speaker 1: your ego that you just need to stay here because 799 00:43:55,400 --> 00:43:57,040 Speaker 1: you really don't want to be here. You're mad at 800 00:43:57,040 --> 00:44:00,480 Speaker 1: everything all the time. It's and the answer is so bad. 801 00:44:00,719 --> 00:44:04,839 Speaker 1: His ego is so bad. Riley, thank you so much 802 00:44:04,880 --> 00:44:08,440 Speaker 1: for joining us. Thanks for a lot of fun um. 803 00:44:08,480 --> 00:44:11,839 Speaker 1: Where can people follow you? On Twitter? I am at 804 00:44:11,920 --> 00:44:15,279 Speaker 1: Riley J. Silverman And if you go on Facebook, I 805 00:44:15,360 --> 00:44:17,759 Speaker 1: have a Facebook page Rally Silverman. And I'm also Raley 806 00:44:17,800 --> 00:44:21,279 Speaker 1: Silverman on Instagram. And I am the head writer for 807 00:44:21,360 --> 00:44:24,280 Speaker 1: a podcast called International Waters on the Maxi Fun Network, 808 00:44:24,360 --> 00:44:27,600 Speaker 1: and I'm a writer for sci Fi Wires fangirls page awesome. 809 00:44:28,000 --> 00:44:31,319 Speaker 1: That sounds those all sound wonderful. Uh, Miles, where can 810 00:44:31,320 --> 00:44:33,880 Speaker 1: people find you? You can find me on Twitter and 811 00:44:33,920 --> 00:44:36,759 Speaker 1: Instagram at Miles of Gray and you know, shout out 812 00:44:36,800 --> 00:44:38,759 Speaker 1: to Dan O'Brien corrected me the other day. I said 813 00:44:39,080 --> 00:44:42,759 Speaker 1: attorney generals, and I yes, I am aware, and it 814 00:44:42,880 --> 00:44:45,560 Speaker 1: is attorneys general. But in the thick of it, you 815 00:44:45,640 --> 00:44:48,719 Speaker 1: just you just don't want to say something. My favorite 816 00:44:48,719 --> 00:44:50,120 Speaker 1: one of those people who get mad when you call 817 00:44:50,200 --> 00:44:54,360 Speaker 1: it Whopper Juniors instead of Wopper's Junior. And I'm like, Grammer, 818 00:44:54,400 --> 00:45:00,200 Speaker 1: you shouldn't meaning that is fucking awesome. Um, It's just 819 00:45:00,600 --> 00:45:03,960 Speaker 1: like attorneys general, is not. It's just fun to say. 820 00:45:04,200 --> 00:45:06,560 Speaker 1: And so like Grammar, nerds just like to know. And 821 00:45:06,600 --> 00:45:08,920 Speaker 1: I knew exactly and I know that and I felt 822 00:45:08,920 --> 00:45:11,600 Speaker 1: small when I got called out. So you won this time, Dawn. 823 00:45:12,360 --> 00:45:14,400 Speaker 1: You can follow me at Jack Underscore O b r 824 00:45:14,480 --> 00:45:18,520 Speaker 1: I e n Jack Underscore O'Brien. Uh. You can follow 825 00:45:18,640 --> 00:45:23,960 Speaker 1: us at the Daily Zeitgeist on Instagram, uh, and you 826 00:45:24,000 --> 00:45:27,200 Speaker 1: can follow us on Twitter at Daily Zeitgeist. You can 827 00:45:27,840 --> 00:45:31,640 Speaker 1: uh go to our web page Daily Zeitgeist dot com 828 00:45:31,800 --> 00:45:37,800 Speaker 1: for some footnotes. We uh some footnotes. That was fun, 829 00:45:38,520 --> 00:45:41,799 Speaker 1: not bad. Thank you. We just drop me singing that 830 00:45:41,880 --> 00:45:46,360 Speaker 1: into every episode we have that isolated dropped. Um. Yeah, 831 00:45:46,480 --> 00:45:52,000 Speaker 1: we have links to every fact that we've cited, and 832 00:45:52,440 --> 00:45:54,480 Speaker 1: we won't have links to the stuff we made up. 833 00:45:54,560 --> 00:45:57,839 Speaker 1: So that's how you tell the different Uh No, most 834 00:45:57,880 --> 00:46:00,759 Speaker 1: of what we said it's factual. We're we intended it 835 00:46:00,800 --> 00:46:03,920 Speaker 1: to be. And so you can find all sourcing for 836 00:46:04,120 --> 00:46:08,279 Speaker 1: all of the factual information we talked about today. Uh, 837 00:46:08,600 --> 00:46:10,959 Speaker 1: that's going to do it for today. Uh And we'll 838 00:46:10,960 --> 00:46:14,319 Speaker 1: be back Monday with episode one of season five. Have 839 00:46:14,400 --> 00:46:18,920 Speaker 1: a great weekend everyone, Bye.