WEBVTT - School of Golf Architecture: Linksland with George Waters

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<v Speaker 1>Welcome to another edition of the Fried Egg Podcast and

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<v Speaker 1>to the latest installment of the School of Golf Architecture.

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<v Speaker 1>This episode focuses on terrain, specifically on links Land, and

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<v Speaker 1>my guest is George Waters, the manager of Green Section

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<v Speaker 1>Education for the USGA. So it's obviously a hectic time

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<v Speaker 1>in the world and in our homes right now. But

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<v Speaker 1>George made a lot of time for me and gave

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<v Speaker 1>me a lot of help in putting together this episode,

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<v Speaker 1>and I'm really grateful for that. So give him a

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<v Speaker 1>follow at g Waters Golf on Twitter and check out

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<v Speaker 1>his brilliant book Sand and Golf, How Terrain Shapes the Game.

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<v Speaker 1>It's a good one, all right, Let's get to it.

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<v Speaker 2>The fried Egg requires a different technique. What you need

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<v Speaker 2>to do is actually square the face so it'll dig

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<v Speaker 2>down underneath that bad lie and propel that ball right

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<v Speaker 2>out onto the green.

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<v Speaker 3>Here's it's a Playing out of a buried lion of

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<v Speaker 3>bunker is completely different than playing out of a night

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<v Speaker 3>and clean lion of green side balk.

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<v Speaker 1>You need to be aggressive on any show weather it's

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<v Speaker 1>sitting cleanly for its Friday eggs.

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<v Speaker 4>Well, we've all faked it. The dreaded fried egg.

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<v Speaker 1>Not to be feared, though it's actually a pretty easy

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<v Speaker 1>shot to hit. The basic features of a golf course

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<v Speaker 1>the varied ground, the sandy hazards, the closely cropped grass

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<v Speaker 1>sometimes bordered by longer grasses and shrubs. These weren't theorized

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<v Speaker 1>in the abstract agreed upon by some committee. Instead, they

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<v Speaker 1>were invented by the terrain itself, and that terrain was Lynxland.

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<v Speaker 1>For a long time, golf and the Lynxland were inextricable,

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<v Speaker 1>but as the game grew more popular, it moved inland

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<v Speaker 1>to other types of terrain. The courses built on the

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<v Speaker 1>heathlands and parklands of England, Europe and the United States

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<v Speaker 1>emulated the natural features of the seaside links, contours, bunkers, fairways, roughs.

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<v Speaker 1>The Lynksland can be seen as the first and most

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<v Speaker 1>influential golf architect In this installment of the School of

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<v Speaker 1>Golf Architecture, we turn our attention to sandy coastal terrain

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<v Speaker 1>and learn what we can from it. Lynxland begins with

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<v Speaker 1>a collision between sea and rock, which creates sand. From there,

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<v Speaker 1>the wind takes over, moving the sand and dispersing it

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<v Speaker 1>into beaches. When grains of sand run into obstacles, they

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<v Speaker 1>come to rest in hummocks. The longer these little landforms survive,

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<v Speaker 1>the more vegetation they can support. Turf grasses like bent

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<v Speaker 1>and fescue take hold, The rumpled topography becomes stronger, more

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<v Speaker 1>fixed in place. This is how golf friendly system of

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<v Speaker 1>sand dunes comes to be. I lifted this narrative from

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<v Speaker 1>a book called Sand and Golf, How Terrain Shapes the Game.

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<v Speaker 1>It's a study of sandy, windy coastal landscapes, how they

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<v Speaker 1>gave rise to golf, and how they might continue to

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<v Speaker 1>inspire golf court design. The book's author, George Waters, has

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<v Speaker 1>spent years walking and examining the links katting at Royal

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<v Speaker 1>Dornic and working on sandy sites at barn Google Dunes

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<v Speaker 1>and Pinehurst Number Two. He's currently the Manager of Green

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<v Speaker 1>Section Education for the USGA, and his writing can be

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<v Speaker 1>found on USGA dot org and in the USGA Green

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<v Speaker 1>Section Record Today. He's my teacher that our subject is

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<v Speaker 1>the links land. You know. One of the things that

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<v Speaker 1>really struck me in your book was how the early

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<v Speaker 1>history of golf architecture was so connected to the types

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<v Speaker 1>of land that golf courses were built on. Could you

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<v Speaker 1>tell me a little bit about that.

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<v Speaker 3>I mean, to me, the starting point is that it

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<v Speaker 3>is kind of the golf itself is a product of

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<v Speaker 3>that particular landscape, speaking specifically about the sort of coastal

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<v Speaker 3>sandy dune landscape, because it was there that people found

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<v Speaker 3>areas of closely cropped grass growing naturally. I mean, a

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<v Speaker 3>lot of the cool season grasses that we see used,

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<v Speaker 3>you know, around the world and temperate or cooler climates

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<v Speaker 3>are naturally occurring. In those coastal dune landscapes of the

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<v Speaker 3>United Kingdom and Ireland, you had the presence of naturally

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<v Speaker 3>occurring sandy hazards. It would eventually become what we know

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<v Speaker 3>as bunkers, but at the time, you know, a natural

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<v Speaker 3>occurrence in coastal dune landscapes is these areas where the

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<v Speaker 3>vegetation has been stripped away either by animal activity or

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<v Speaker 3>by just the force of the wind, or you know,

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<v Speaker 3>various factors. And so you have this landscape sort of

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<v Speaker 3>of grassy areas dotted with exposed sand, dotted with sort

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<v Speaker 3>of clumps of longer grass, and you know, little meandering

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<v Speaker 3>streams that make their way through it. And so the

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<v Speaker 3>golf courses, we know it, and the game kind of

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<v Speaker 3>evolved to fit that, right, I mean, the game is

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<v Speaker 3>a product of the existence of that landscape and the

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<v Speaker 3>fact that that landscape was considered at the time not

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<v Speaker 3>to be of much use for anything because it was

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<v Speaker 3>you know, poor agricultural land and was largely just treated

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<v Speaker 3>as common land open for grazing and archery and whatever

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<v Speaker 3>else folks wanted to do. I think they harvested sort

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<v Speaker 3>of the hay from the grassy areas at times. So

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<v Speaker 3>the fact that you had this type of landscape that existed,

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<v Speaker 3>the fact that it was available for recreational use, is

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<v Speaker 3>what kind of gave rise to the game in those

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<v Speaker 3>landscapes in the first place. And then you see, you

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<v Speaker 3>have this sort of idea of closely cropped areas that

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<v Speaker 3>you're playing through and avoiding these various naturally occurring hazards.

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<v Speaker 3>And then, you know, as the game becomes sort of formalized,

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<v Speaker 3>and as the idea of a golf course becomes a

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<v Speaker 3>more formal thing, you start to see those elements, you know,

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<v Speaker 3>refined and then manipulated to an increaseing degree to fit

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<v Speaker 3>you know, what might be enjoyable for the game. And

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<v Speaker 3>whether those scenarios you know, sort of evolved naturally at first,

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<v Speaker 3>where there was a natural arrangement of things that people

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<v Speaker 3>found desirable, and then people got to thinking, like, wow,

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<v Speaker 3>it was cool that we had this situation with this

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<v Speaker 3>hazard and the green behind it, you know over there,

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<v Speaker 3>that could be something that we could replicate. But obviously

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<v Speaker 3>their ability to replicate, you know, their ability to manipulate

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<v Speaker 3>the landscape to any great degree, at least in the

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<v Speaker 3>early days, was pretty limited, and so you know, they

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<v Speaker 3>kind of had to take things as they found it.

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<v Speaker 3>But you had those sort of fundamental elements of tightly

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<v Speaker 3>growing vegetation, sand, some streams, and then some sort of

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<v Speaker 3>areas of scruffier, longer rough and or shrubbery. And of

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<v Speaker 3>course you had the wind, which is you know, sort

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<v Speaker 3>of an inherent aspect of coastal do landscapes, because the

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<v Speaker 3>coastal dunes wouldn't really be there if it wasn't for

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<v Speaker 3>the wind to deposit and move that sand around in

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<v Speaker 3>the first place. So they kind of go together, and

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<v Speaker 3>that becomes sort of a fundamental aspect of the game.

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<v Speaker 1>From there, where did golf move and how did architecture

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<v Speaker 1>evolve along with it?

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<v Speaker 3>Golf moved from the links in a variety of different directions,

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<v Speaker 3>but I think where you really see it taking root

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<v Speaker 3>is where people found landscapes that were reminiscent of what

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<v Speaker 3>they could find in the coastal dunes. And at least

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<v Speaker 3>when you're talking about the United Kingdom and Ireland, the

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<v Speaker 3>big demonstration case that golf could move inland away from

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<v Speaker 3>the coastal dunes and be really successful was the heathlands

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<v Speaker 3>around London, which had much of the same vegetation as

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<v Speaker 3>was found in the coastal dunes. Again a sandy area,

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<v Speaker 3>and you see heather in those coastal dunes as well,

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<v Speaker 3>but in greater quantities in the heathland areas, again an

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<v Speaker 3>area that wasn't seen as being especially agriculturally productive or valuable.

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<v Speaker 3>And so you know, Bernard Darwin talks about it in

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<v Speaker 3>one of his essays is that I think he describes

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<v Speaker 3>it as the star of sand and heather proved that

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<v Speaker 3>that inland golf could be not just a copy of

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<v Speaker 3>coastal links golf, but you know, the genuine article, and

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<v Speaker 3>I think that that was a big move. Now, there

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<v Speaker 3>were some complications that came with that, where you're starting

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<v Speaker 3>to talk about things that sort of coastal dune, coastal

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<v Speaker 3>links architects didn't really have to deal with. Large scale

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<v Speaker 3>tree removal becomes something that you're contending with. You're dealing

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<v Speaker 3>with soils that don't drain as well. I mean, you're

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<v Speaker 3>kind of you're past that sort of wind blown sand

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<v Speaker 3>and you're into, you know, areas that have had trees

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<v Speaker 3>growing on them potentially for a very long time. You've

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<v Speaker 3>got organic matter in the soil. It's a different quality.

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<v Speaker 3>There's still well draining soils, but certainly different. But you

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<v Speaker 3>see these old pictures of the construction of Saint George's Hill,

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<v Speaker 3>which is a hairy colt course there outside London, and

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<v Speaker 3>that I mean the amount of tree stumps and everything.

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<v Speaker 3>So it's the process is certainly becoming more complicated and

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<v Speaker 3>becoming much more like what we would think of as

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<v Speaker 3>modern golf course architecture, where it's really got to be

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<v Speaker 3>planned out in advance, because you're clearing, because you're doing

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<v Speaker 3>some earth moving.

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<v Speaker 4>I mean, there's a lot more there's a lot more

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<v Speaker 4>moving parts.

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<v Speaker 3>But certainly, I think as time went on, you know,

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<v Speaker 3>as our ability to manipulate the landscape increased, continually, you know,

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<v Speaker 3>our ability to do so affordably increased. You saw a

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<v Speaker 3>sort of less regard for site stuitability for a time period,

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<v Speaker 3>I would say, and more of a more of a

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<v Speaker 3>focus on we want the golf course here, because we're

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<v Speaker 3>doing a development.

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<v Speaker 4>We can fix whatever.

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<v Speaker 3>There's no landscape that we can't fix and turn it

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<v Speaker 3>into a golf course, regardless of you know, what's naturally there,

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<v Speaker 3>whether it's a swamp, whether it's rock, whether it's super hilly.

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<v Speaker 3>And I think when you as we've seen down the road,

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<v Speaker 3>while there are examples of really exceptional courses that have

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<v Speaker 3>been built on really difficult sites and challenging sites, there

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<v Speaker 3>are some limits to that, and certainly the sk of

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<v Speaker 3>the architect is going to be a big, a big

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<v Speaker 3>factor in that. But there are some things that are

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<v Speaker 3>just really really difficult to overcome. And there's sort of

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<v Speaker 3>only so much that you the possibility exists to manufacture

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<v Speaker 3>a golf course from just about anything. But you know,

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<v Speaker 3>there's only so many possibilities that are within a person's

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<v Speaker 3>own mind for what you can manufacture versus what's suggested

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<v Speaker 3>to you by the natural landscape. Well, if the natural

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<v Speaker 3>landscape is unsuitable for what you're trying to do. Those

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<v Speaker 3>suggestions and those cues from the landscape aren't going to

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<v Speaker 3>be there, and so you often get, you know, I

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<v Speaker 3>think a formulaic result where it's just Okay, we're just

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<v Speaker 3>going to we're doing this again, regardless of what's there.

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<v Speaker 1>That's well put. And it links back to the conversation

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<v Speaker 1>that I had for the first part of the School

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<v Speaker 1>of Golf Architecture series with Blake Conan, where one of

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<v Speaker 1>the ideas that we settled on was that taking your

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<v Speaker 1>cues from the place of the golf course tends to

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<v Speaker 1>lead to a lot more uniqueness in the end than

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<v Speaker 1>trying to impose your own vision on a piece of land,

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<v Speaker 1>simply because mother nature tends to be more creative and

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<v Speaker 1>more resourceful in its creativity than man does.

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<v Speaker 3>Yeah, and just more accidental. I mean, you know, I

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<v Speaker 3>think it's just that that was something that struck me

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<v Speaker 3>about studying, you know, spending a lot of time studying

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<v Speaker 3>links golf courses, is that there was an awful lot

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<v Speaker 3>of features out there that are just there because they're there,

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<v Speaker 3>and there's not really you know, there's not really a

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<v Speaker 3>rhyme or reason or necessarily like a structure to it,

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<v Speaker 3>but that that sort of element of randomness and the

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<v Speaker 3>willingness slash inability to modify that, but the willingness to

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<v Speaker 3>embrace it and the inability to wipe it away, I

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<v Speaker 3>think really created this sort of you've heard the term

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<v Speaker 3>infinite variety, Well, those courses have it because there's just

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<v Speaker 3>so much going on in terms of topography, in terms

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<v Speaker 3>of hazard location, the nature of the hazards, especially in

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<v Speaker 3>the older days, when you see what some of those

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<v Speaker 3>hazards look like, you know, when they'd have little sections

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<v Speaker 3>revetted trying to support a bunker that had been eroding,

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<v Speaker 3>but the rest of it was kind of wild. You

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<v Speaker 3>had that full range of variety in almost every shot,

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<v Speaker 3>and so stance and lie and everything were always going

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<v Speaker 3>to be different every time that you played a hole,

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<v Speaker 3>which you know was going to be a factor and

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<v Speaker 3>really kind of kept those designs fresh. And when you

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<v Speaker 3>play those courses again and again and again. And I've

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<v Speaker 3>been fortunate to spend a lot of time on a

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<v Speaker 3>few really great lengths courses and play them a lot

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<v Speaker 3>in a lot of different conditions, and part of what

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<v Speaker 3>keeps them so interesting is that the ground is so

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<v Speaker 3>irregular that even if you hit the ball the same

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<v Speaker 3>all the time, which I definitely don't, you're still never

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<v Speaker 3>going to end up in exactly.

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<v Speaker 4>The same spot.

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<v Speaker 3>In an uphill lie versus a downhill lie is going

0:12:49.960 --> 0:12:51.320
<v Speaker 3>to change how you're going to be able to play

0:12:51.320 --> 0:12:53.600
<v Speaker 3>the hole, and it's going to bring different things into play,

0:12:53.679 --> 0:12:58.040
<v Speaker 3>and so it really is always different, and that element

0:12:58.080 --> 0:13:01.920
<v Speaker 3>of randomness is just really hard to build. And Mother

0:13:02.040 --> 0:13:05.040
<v Speaker 3>nature is just really good at leaving these sort of

0:13:05.160 --> 0:13:07.640
<v Speaker 3>I think Bob Ross call them these happy little accidents.

0:13:07.679 --> 0:13:09.880
<v Speaker 3>I mean, that's kind of the features that you find

0:13:10.480 --> 0:13:12.600
<v Speaker 3>in nature that you can kind of work from that

0:13:12.720 --> 0:13:15.120
<v Speaker 3>just are really hard to pull out of your own

0:13:15.160 --> 0:13:16.720
<v Speaker 3>mind and just create.

0:13:17.559 --> 0:13:20.560
<v Speaker 1>I love that we've gotten Bob ross mantra in here.

0:13:21.800 --> 0:13:27.560
<v Speaker 1>That's perfect. So let's get really basic here. What are

0:13:27.640 --> 0:13:34.680
<v Speaker 1>the fundamental advantages of designing golf courses on Link's land.

0:13:35.640 --> 0:13:39.239
<v Speaker 3>I mean, I think the first big one is drainage

0:13:39.440 --> 0:13:42.280
<v Speaker 3>and the fact that you know, in most cases, the

0:13:42.320 --> 0:13:45.480
<v Speaker 3>soils drain really really well. And that's not to say

0:13:45.480 --> 0:13:49.040
<v Speaker 3>that every Link site doesn't have its wet spots that

0:13:49.080 --> 0:13:52.600
<v Speaker 3>they don't need drainage installed. They do certainly in sort

0:13:52.600 --> 0:13:55.800
<v Speaker 3>of the modern context where people are looking for pretty

0:13:55.800 --> 0:13:59.560
<v Speaker 3>consistent performance. But you know, drainage allows you to be

0:14:00.559 --> 0:14:03.480
<v Speaker 3>a lot more free with what the landscape offers because

0:14:03.520 --> 0:14:06.600
<v Speaker 3>you don't need to worry about draining every little wrinkle

0:14:06.640 --> 0:14:09.800
<v Speaker 3>and pocket or the other side of that is grading

0:14:09.880 --> 0:14:14.080
<v Speaker 3>everything out so that everything surface flows smoothly from across

0:14:14.120 --> 0:14:17.680
<v Speaker 3>a hole into a basin whatever it might be, which

0:14:17.800 --> 0:14:20.840
<v Speaker 3>very quickly kind of gives a landscape a pretty, you know,

0:14:20.880 --> 0:14:23.520
<v Speaker 3>a manipulated look to it. When you need to start

0:14:23.560 --> 0:14:26.280
<v Speaker 3>doing all that kind of grating, it's hard to make

0:14:26.320 --> 0:14:28.840
<v Speaker 3>it look like you never did anything.

0:14:29.480 --> 0:14:31.400
<v Speaker 4>So being able to kind of take.

0:14:31.240 --> 0:14:34.520
<v Speaker 3>The site as it is because of that drainage is

0:14:34.600 --> 0:14:38.120
<v Speaker 3>really beneficial. The fact that the sites just tend to

0:14:38.160 --> 0:14:41.240
<v Speaker 3>be you know, wrinkled and more imperfect. I mean, that's

0:14:41.280 --> 0:14:44.440
<v Speaker 3>just the nature of sandy soils and how they're deposited

0:14:44.560 --> 0:14:47.240
<v Speaker 3>is that they aren't typically just smooth.

0:14:47.320 --> 0:14:48.400
<v Speaker 4>It's they're going.

0:14:48.200 --> 0:14:51.480
<v Speaker 3>To have arrived where they are, either by wind action

0:14:51.720 --> 0:14:55.200
<v Speaker 3>or by flooding, or by glacial deposition, whatever it is.

0:14:55.760 --> 0:14:59.640
<v Speaker 3>They tend to just kind of arrive in an inconsistent fashion,

0:15:00.200 --> 0:15:02.160
<v Speaker 3>which gives you that sort of unique you know, like

0:15:02.200 --> 0:15:05.400
<v Speaker 3>we talked about those unique irregular features that you just

0:15:05.440 --> 0:15:08.840
<v Speaker 3>don't often find in a lot of other places, and

0:15:08.880 --> 0:15:12.080
<v Speaker 3>you can leave them alone because you don't necessarily.

0:15:11.520 --> 0:15:13.920
<v Speaker 4>Need to worry about the drainage at every little.

0:15:13.920 --> 0:15:16.120
<v Speaker 3>Hollow kind of becoming a bird bath like you might

0:15:16.200 --> 0:15:19.080
<v Speaker 3>on heavier soil, where you're going to have the grass

0:15:19.120 --> 0:15:19.640
<v Speaker 3>isn't going to.

0:15:19.600 --> 0:15:22.120
<v Speaker 4>Perform well in every little low spot, whatever it might be.

0:15:23.280 --> 0:15:26.640
<v Speaker 3>Then obviously, the benefit of drainage beyond the type of

0:15:26.640 --> 0:15:30.680
<v Speaker 3>shapes that you're able to create and leave alone. Another

0:15:30.680 --> 0:15:35.480
<v Speaker 3>big benefit is just you know, firmer, bouncier better golf

0:15:35.520 --> 0:15:39.880
<v Speaker 3>conditions during more of the year as a result, and

0:15:39.920 --> 0:15:43.160
<v Speaker 3>then the options that opens up in terms of you know, well,

0:15:43.160 --> 0:15:45.960
<v Speaker 3>now running shots are more practical. I mean, if you

0:15:46.040 --> 0:15:50.440
<v Speaker 3>have really soft conditions, even if you have open approaches

0:15:50.480 --> 0:15:54.120
<v Speaker 3>and all of these opportunities for different types of shots,

0:15:54.800 --> 0:15:57.000
<v Speaker 3>if the conditions don't support it, then the shots don't

0:15:57.040 --> 0:15:59.680
<v Speaker 3>make sense and people don't play them, I mean unless

0:15:59.680 --> 0:16:00.440
<v Speaker 3>they're just.

0:16:00.400 --> 0:16:01.400
<v Speaker 4>Trying to have fun with it.

0:16:02.400 --> 0:16:04.120
<v Speaker 3>But I mean that's the beauty of sort of the

0:16:04.160 --> 0:16:06.600
<v Speaker 3>firmness that you find on links, courses and so forth,

0:16:06.720 --> 0:16:08.800
<v Speaker 3>is that you know you're not playing bump and run

0:16:08.840 --> 0:16:11.280
<v Speaker 3>shots just as some sort of a you know, an

0:16:11.320 --> 0:16:14.320
<v Speaker 3>aesthetic desire to play golf like the olden days, like

0:16:14.360 --> 0:16:18.280
<v Speaker 3>it is actually necessary and a more effective way of

0:16:18.320 --> 0:16:21.280
<v Speaker 3>getting close to the hole because the ground is firm,

0:16:21.360 --> 0:16:23.480
<v Speaker 3>because the hole is playing down wind, whatever it is,

0:16:24.280 --> 0:16:27.880
<v Speaker 3>they become a necessary aspect of the game as opposed

0:16:27.920 --> 0:16:30.880
<v Speaker 3>to sort of a novelty, and really, firmness is what

0:16:30.960 --> 0:16:33.320
<v Speaker 3>makes that happen. Firmness and wind is what really makes

0:16:33.360 --> 0:16:33.840
<v Speaker 3>that happen.

0:16:34.560 --> 0:16:37.440
<v Speaker 1>And let's dig into that a little bit. The mixture

0:16:37.520 --> 0:16:42.600
<v Speaker 1>of contour, firmness and wind seems to be so central

0:16:42.640 --> 0:16:45.320
<v Speaker 1>in your mind to compelling golf. You know, your buck

0:16:45.400 --> 0:16:49.920
<v Speaker 1>sand and golf keeps returning to those ideas contour, firmness

0:16:49.920 --> 0:16:54.160
<v Speaker 1>and wind, and so aside from making bump and run

0:16:54.160 --> 0:16:57.480
<v Speaker 1>shots more available, or perhaps as a result of making

0:16:57.520 --> 0:17:00.720
<v Speaker 1>bump and run shots more available, what do the factors

0:17:00.760 --> 0:17:06.240
<v Speaker 1>of contour, firmness and wind bring to golf architecture? How

0:17:06.280 --> 0:17:09.360
<v Speaker 1>do they make the golf courses different and in your

0:17:09.400 --> 0:17:11.879
<v Speaker 1>mind more interesting, more fun to play?

0:17:13.080 --> 0:17:15.479
<v Speaker 3>I mean, I think that that variety is kind of

0:17:15.520 --> 0:17:19.760
<v Speaker 3>the underpinning answer to that question. There's just more ways

0:17:19.760 --> 0:17:23.240
<v Speaker 3>to play the shots and more reasons to play the

0:17:23.359 --> 0:17:27.440
<v Speaker 3>same basic shot differently. I mean, like we talked about earlier,

0:17:27.880 --> 0:17:31.160
<v Speaker 3>even from the same basic location in a Links fairway,

0:17:31.200 --> 0:17:33.800
<v Speaker 3>you can have very different lies. And if you've got

0:17:33.800 --> 0:17:38.160
<v Speaker 3>the combination of an uphill lie into the wind, that's

0:17:38.160 --> 0:17:40.960
<v Speaker 3>really going to change the thought process behind that shot

0:17:41.119 --> 0:17:44.280
<v Speaker 3>versus a flat lie with the wind behind or a

0:17:44.320 --> 0:17:46.560
<v Speaker 3>flat lie with no wind. They're going to be very

0:17:46.560 --> 0:17:50.840
<v Speaker 3>different kind of shots and just they get your thinking differently, which,

0:17:50.920 --> 0:17:53.399
<v Speaker 3>as you know, the more that you're thinking in golf,

0:17:53.440 --> 0:17:57.080
<v Speaker 3>the tougher the game becomes. So you have that changeability

0:17:57.119 --> 0:17:58.800
<v Speaker 3>of you know, the wind is not always going to

0:17:58.800 --> 0:18:01.199
<v Speaker 3>be the same intensity, the wind is not always going

0:18:01.240 --> 0:18:02.359
<v Speaker 3>to come from the same direction.

0:18:03.080 --> 0:18:04.320
<v Speaker 4>When you get enough.

0:18:04.119 --> 0:18:06.560
<v Speaker 3>Contour happening at a place like you find on a

0:18:06.560 --> 0:18:09.480
<v Speaker 3>Links course, that's going to change every time that you're

0:18:09.520 --> 0:18:13.639
<v Speaker 3>experiencing it. And then firmness is what, you know, really

0:18:13.640 --> 0:18:17.160
<v Speaker 3>what drives that. And then the sort of inevitable movement

0:18:17.200 --> 0:18:21.080
<v Speaker 3>of your ball, either through the air or after impact

0:18:21.160 --> 0:18:23.639
<v Speaker 3>as a result of the wind or as a result

0:18:23.720 --> 0:18:26.879
<v Speaker 3>of the contour is going to be very very different,

0:18:27.359 --> 0:18:30.920
<v Speaker 3>a very different thought process to kind of analyze than

0:18:30.960 --> 0:18:34.560
<v Speaker 3>the kind of yardage golf that you find to be

0:18:34.720 --> 0:18:37.840
<v Speaker 3>much more common, certainly in most of the United States

0:18:38.400 --> 0:18:41.840
<v Speaker 3>and in most inland sites. Once you have to really

0:18:41.880 --> 0:18:44.359
<v Speaker 3>start to think about the rollout of the ball after

0:18:44.440 --> 0:18:48.480
<v Speaker 3>it lands, then you find yourself really studying a lot

0:18:48.560 --> 0:18:51.760
<v Speaker 3>more of the contours because they're relevant if you're hitting

0:18:51.800 --> 0:18:52.760
<v Speaker 3>to a yardage.

0:18:52.440 --> 0:18:54.080
<v Speaker 4>In the middle of the green or wherever it might be,

0:18:54.880 --> 0:18:57.040
<v Speaker 4>the contouring that's in the approach and around the green

0:18:57.080 --> 0:18:57.600
<v Speaker 4>and so forth.

0:18:57.640 --> 0:19:01.119
<v Speaker 3>I mean, you might be aware of it from a

0:19:01.160 --> 0:19:04.520
<v Speaker 3>visual standpoint, or something might look cool or whatever it is,

0:19:04.600 --> 0:19:06.960
<v Speaker 3>but if it's not really a factor in the shot,

0:19:07.000 --> 0:19:09.119
<v Speaker 3>it's not going to weigh into your mind so much.

0:19:09.160 --> 0:19:11.760
<v Speaker 3>I mean, it's kind of window dressing as you're hitting

0:19:11.760 --> 0:19:14.120
<v Speaker 3>over it, you know, at least in your mind's eye.

0:19:14.160 --> 0:19:16.600
<v Speaker 3>As far as the plan shot, I mean, whether you

0:19:16.720 --> 0:19:19.000
<v Speaker 3>end up, you know, executing the shot that you plan

0:19:19.119 --> 0:19:21.680
<v Speaker 3>is obviously a different story. But it's not a part

0:19:21.680 --> 0:19:23.600
<v Speaker 3>of the thought process in the same way that it

0:19:23.680 --> 0:19:27.280
<v Speaker 3>is on links courses, on heathling courses, on these sort

0:19:27.280 --> 0:19:31.000
<v Speaker 3>of sandy windy firm sites. And that's not to say

0:19:31.040 --> 0:19:34.880
<v Speaker 3>that you know, links courses can place soft I mean,

0:19:34.920 --> 0:19:37.960
<v Speaker 3>people shouldn't have the illusion that links courses or heathling

0:19:38.000 --> 0:19:41.240
<v Speaker 3>courses are always toasty firm. I mean, if it rains

0:19:41.280 --> 0:19:44.880
<v Speaker 3>and rains and rains, those courses play soft. But even

0:19:44.920 --> 0:19:47.640
<v Speaker 3>that is sort of on the continuum of it's interesting

0:19:47.680 --> 0:19:49.320
<v Speaker 3>to play, you know, one of those.

0:19:49.160 --> 0:19:51.720
<v Speaker 4>Courses when you can actually hit and hold shots on

0:19:51.760 --> 0:19:52.280
<v Speaker 4>the greens.

0:19:52.359 --> 0:19:53.840
<v Speaker 3>I mean, you wouldn't want to do it all the time,

0:19:53.920 --> 0:19:56.720
<v Speaker 3>but in the context of playing a course that's often firm,

0:19:57.320 --> 0:19:59.280
<v Speaker 3>to play it soft once in a while, it's kind

0:19:59.280 --> 0:20:02.080
<v Speaker 3>of interesting to see, like, wow, this is really these

0:20:02.080 --> 0:20:04.879
<v Speaker 3>shots are all really really different than what I'm used to.

0:20:05.880 --> 0:20:10.200
<v Speaker 1>So, given these playing dynamics, what kinds of golf course

0:20:10.280 --> 0:20:14.480
<v Speaker 1>designs became native to the Link's land. So we've already

0:20:14.520 --> 0:20:18.320
<v Speaker 1>talked about like the infinite variety of natural courses on

0:20:18.440 --> 0:20:22.800
<v Speaker 1>suitable sites, right, but what kinds of strategic traits did

0:20:22.800 --> 0:20:26.119
<v Speaker 1>the holes take on as they evolved out of this

0:20:26.720 --> 0:20:27.919
<v Speaker 1>sandy coastal terrain.

0:20:28.440 --> 0:20:28.960
<v Speaker 4>And there's a.

0:20:28.920 --> 0:20:31.399
<v Speaker 3>Couple of things that I think are sort of, you know,

0:20:31.480 --> 0:20:35.760
<v Speaker 3>while not absolutely uniform, that I think are consistent among

0:20:36.240 --> 0:20:39.960
<v Speaker 3>the sort of best examples of links golf. And I

0:20:40.000 --> 0:20:42.040
<v Speaker 3>think obviously you know, the one that jumps out to

0:20:42.080 --> 0:20:44.280
<v Speaker 3>a lot of people's wit, and I think that was

0:20:44.400 --> 0:20:47.840
<v Speaker 3>very much, you know, a direct consequence of the environment

0:20:47.840 --> 0:20:52.080
<v Speaker 3>in which they're playing. You're talking about very variable winds

0:20:52.119 --> 0:20:54.800
<v Speaker 3>in terms of strength and in terms of direction. Anybody

0:20:54.800 --> 0:20:56.640
<v Speaker 3>that spent a lot of time over there knows that

0:20:57.320 --> 0:20:59.560
<v Speaker 3>the wind seems to come from, you know, whatever they

0:20:59.560 --> 0:21:04.440
<v Speaker 3>call for. It changes with regularity, and so you need

0:21:04.480 --> 0:21:08.280
<v Speaker 3>to have that flexibility built into that just to accommodate

0:21:08.600 --> 0:21:12.800
<v Speaker 3>that kind of constantly changing and pretty impactful dynamic. On

0:21:12.840 --> 0:21:16.840
<v Speaker 3>most links courses. The other aspect is that firm ground factor.

0:21:16.880 --> 0:21:19.280
<v Speaker 3>I mean, the ball runs out a lot more on

0:21:19.359 --> 0:21:22.439
<v Speaker 3>those courses, and so shots that are offline are going

0:21:22.480 --> 0:21:25.879
<v Speaker 3>to travel further offline, and that can be desirable, but

0:21:25.920 --> 0:21:28.680
<v Speaker 3>at the same time, you know, you don't want everything

0:21:29.040 --> 0:21:32.680
<v Speaker 3>running off into some sort of a heavy rough type situation.

0:21:32.880 --> 0:21:35.160
<v Speaker 3>So I think you see the width kind of built

0:21:35.160 --> 0:21:39.080
<v Speaker 3>into things on account of those factors. Another thing that

0:21:39.160 --> 0:21:42.000
<v Speaker 3>you'll see is open approaches to a lot of the greens.

0:21:42.119 --> 0:21:45.600
<v Speaker 3>You're not going to see a ton of you know,

0:21:45.760 --> 0:21:50.320
<v Speaker 3>totally closed off green surrounds that really require the aerial shot.

0:21:50.480 --> 0:21:54.080
<v Speaker 3>Number one, because the courses would have been pretty firm

0:21:54.119 --> 0:21:57.880
<v Speaker 3>at the time. The opportunity to hold those shots is limited,

0:21:58.240 --> 0:22:00.480
<v Speaker 3>and especially with the equipment that they were probably using

0:22:00.560 --> 0:22:04.280
<v Speaker 3>at the time. In addition, with the wind again, when

0:22:04.320 --> 0:22:05.120
<v Speaker 3>you're playing.

0:22:04.880 --> 0:22:07.040
<v Speaker 4>Down wind, hard downwind.

0:22:07.200 --> 0:22:11.120
<v Speaker 3>Those sort of totally you know, putting green completely encircled

0:22:11.119 --> 0:22:14.919
<v Speaker 3>with bunker type situations are really really tough. So you

0:22:15.000 --> 0:22:17.000
<v Speaker 3>see a lot of open approaches that give you the

0:22:17.000 --> 0:22:20.199
<v Speaker 3>opportunity to skip the ball up, mostly out of necessity.

0:22:20.640 --> 0:22:23.479
<v Speaker 3>The benefit of that is, you know, for good players,

0:22:23.480 --> 0:22:25.879
<v Speaker 3>it gives them options during these kind of tough conditions,

0:22:26.440 --> 0:22:29.200
<v Speaker 3>and for the average golfer, for the beginning golfer, for

0:22:29.720 --> 0:22:32.840
<v Speaker 3>you know, anybody with a slower swing speed, you have

0:22:32.880 --> 0:22:36.840
<v Speaker 3>an opportunity to play these great courses pretty effectively without

0:22:36.920 --> 0:22:40.720
<v Speaker 3>needing to really hit these high, soft landing shots that

0:22:40.840 --> 0:22:43.000
<v Speaker 3>can be so difficult for most people, you know, just

0:22:43.040 --> 0:22:47.120
<v Speaker 3>really aren't in most people's repertoire. And so I think

0:22:47.160 --> 0:22:50.120
<v Speaker 3>that's one of the really positive offshoots of that. Now,

0:22:50.160 --> 0:22:52.400
<v Speaker 3>the other side of that coin a little bit is

0:22:52.440 --> 0:22:55.439
<v Speaker 3>that you know, there's some really great moments in links

0:22:55.480 --> 0:22:58.720
<v Speaker 3>golf where you do get that green that forces you

0:22:58.800 --> 0:23:01.320
<v Speaker 3>to put the ball into the air, you know, Postage Stamp.

0:23:01.359 --> 0:23:04.040
<v Speaker 3>I mean, there's plenty of these sort of famous examples

0:23:04.119 --> 0:23:06.240
<v Speaker 3>of these holes that really force you to hit the

0:23:06.240 --> 0:23:08.200
<v Speaker 3>ball up into the air, put it at the mercy

0:23:08.200 --> 0:23:10.240
<v Speaker 3>of the wind, try to land it on a small

0:23:10.320 --> 0:23:13.640
<v Speaker 3>target and the tight you know, tight hazards, and those

0:23:13.680 --> 0:23:17.320
<v Speaker 3>provide some great moments. But it's the fact that they're

0:23:17.600 --> 0:23:20.560
<v Speaker 3>special and unique in the context of having been able

0:23:20.560 --> 0:23:23.160
<v Speaker 3>to play a lot of open approaches that makes them

0:23:23.200 --> 0:23:26.160
<v Speaker 3>really interesting. If you had links courses that were eighteen

0:23:26.200 --> 0:23:29.639
<v Speaker 3>approach shots like the Postage Stamp, it's not going to

0:23:29.640 --> 0:23:32.680
<v Speaker 3>be very enjoyable for just about anybody.

0:23:32.760 --> 0:23:33.280
<v Speaker 4>So you see the.

0:23:33.280 --> 0:23:35.919
<v Speaker 3>Open approaches, I think you also see a lot of

0:23:36.960 --> 0:23:40.920
<v Speaker 3>hazards placed in approaches. You know, rather than being kind

0:23:40.960 --> 0:23:43.640
<v Speaker 3>of right up against the front of the green, they're

0:23:43.640 --> 0:23:45.840
<v Speaker 3>going to be twenty yards short, they're going to be

0:23:45.920 --> 0:23:48.919
<v Speaker 3>forty yards short. And you know, if you look at

0:23:48.920 --> 0:23:50.880
<v Speaker 3>those on an aerial or something, or you know, look

0:23:50.880 --> 0:23:53.000
<v Speaker 3>at them on Google Earth, you think, to somebody that

0:23:53.119 --> 0:23:56.240
<v Speaker 3>isn't totally familiar with playing golf in those kind of courses,

0:23:56.800 --> 0:23:58.760
<v Speaker 3>they seem like they're out of play. Why is there

0:23:58.760 --> 0:24:01.240
<v Speaker 3>a bunker thirty yards the green forty yards sort of

0:24:01.280 --> 0:24:03.280
<v Speaker 3>the green or why there's so many of them like that,

0:24:03.760 --> 0:24:06.000
<v Speaker 3>And the reason again is because it becomes a real

0:24:06.040 --> 0:24:09.200
<v Speaker 3>issue for playing those running approach shots where you need

0:24:09.240 --> 0:24:12.800
<v Speaker 3>to kind of just hurdle the approach hazard and have

0:24:12.880 --> 0:24:14.560
<v Speaker 3>it kind of run out and reach the green, and

0:24:14.600 --> 0:24:17.160
<v Speaker 3>so it kind of becomes, you know, a very interesting

0:24:17.280 --> 0:24:19.920
<v Speaker 3>challenge of trying to gauge that enough.

0:24:19.680 --> 0:24:21.800
<v Speaker 4>To cover but not fly it too far that it

0:24:21.840 --> 0:24:22.440
<v Speaker 4>goes through.

0:24:23.480 --> 0:24:25.119
<v Speaker 3>And it also just because of the nature of the

0:24:25.200 --> 0:24:28.320
<v Speaker 3>landscape there, approach hazards work really well on a lot

0:24:28.359 --> 0:24:32.200
<v Speaker 3>of those courses because the links aren't super hilly. In

0:24:32.240 --> 0:24:34.280
<v Speaker 3>a lot of I mean plenty of the more famous

0:24:34.320 --> 0:24:36.960
<v Speaker 3>Irish courses, yeah you see more in the way of

0:24:37.080 --> 0:24:39.399
<v Speaker 3>roll to the ground, but a lot of you know,

0:24:39.520 --> 0:24:42.359
<v Speaker 3>Eastern Scotland, England, even a bunch of the West of

0:24:42.400 --> 0:24:44.760
<v Speaker 3>Scotland links don't.

0:24:44.520 --> 0:24:47.280
<v Speaker 4>Have a ton of roll to the ground.

0:24:47.359 --> 0:24:51.119
<v Speaker 3>It's more wrinkle and so something that appears in the

0:24:51.160 --> 0:24:55.119
<v Speaker 3>approach can be a really interesting visual challenge because you

0:24:55.160 --> 0:24:59.199
<v Speaker 3>don't often see very well the ground beyond it. It

0:24:59.240 --> 0:25:01.600
<v Speaker 3>becomes really a touch and feel kind of thing, and

0:25:01.640 --> 0:25:03.199
<v Speaker 3>it becomes an experience kind of thing.

0:25:03.200 --> 0:25:04.600
<v Speaker 4>Where you need to kind of learn.

0:25:04.480 --> 0:25:06.480
<v Speaker 3>The shot and play the whole bunch of times in

0:25:06.520 --> 0:25:09.440
<v Speaker 3>a lot of different conditions to cope with those hazards,

0:25:09.440 --> 0:25:12.000
<v Speaker 3>which is a really neat aspect of things. And I

0:25:12.000 --> 0:25:15.360
<v Speaker 3>think that visual, you know, that sort of visual deception

0:25:15.560 --> 0:25:20.400
<v Speaker 3>factor is another kind of characteristic of the landscape itself,

0:25:20.440 --> 0:25:24.400
<v Speaker 3>where because of the flatishness and the kind of all

0:25:24.480 --> 0:25:28.119
<v Speaker 3>the sea of wrinkles can become kind of tough to decipher,

0:25:28.600 --> 0:25:30.440
<v Speaker 3>you know, even for people that have played the courses

0:25:30.440 --> 0:25:34.800
<v Speaker 3>a lot. And so the best Links architects used that

0:25:35.040 --> 0:25:38.080
<v Speaker 3>to their benefit, where they'd hide a little swale short

0:25:38.080 --> 0:25:40.200
<v Speaker 3>of the green that you know, actually allows the green

0:25:40.240 --> 0:25:43.240
<v Speaker 3>to seem closer than it really is the absence of

0:25:43.280 --> 0:25:45.760
<v Speaker 3>a backdrop, so it gets to be really tough to

0:25:45.840 --> 0:25:49.399
<v Speaker 3>kind of gauge, you know, exactly how far away something is.

0:25:50.359 --> 0:25:56.080
<v Speaker 3>All those tricks work really well on a kind of flatish, open,

0:25:56.680 --> 0:25:59.040
<v Speaker 3>wrinkled plane, and I think that those are some of

0:25:59.040 --> 0:26:03.520
<v Speaker 3>the characteristics that were really central to Links design.

0:26:04.680 --> 0:26:08.639
<v Speaker 1>And it's like you can't just analyze these courses or

0:26:08.840 --> 0:26:12.680
<v Speaker 1>know what they are by looking at Google Earth and

0:26:13.320 --> 0:26:16.560
<v Speaker 1>charting out the angles or where you think the shots

0:26:16.600 --> 0:26:18.199
<v Speaker 1>are going. To go, because you really have to be

0:26:18.320 --> 0:26:21.240
<v Speaker 1>on the ground and see how the shots play along

0:26:21.280 --> 0:26:25.400
<v Speaker 1>the ground in order to determine what the hazards mean in.

0:26:25.400 --> 0:26:27.600
<v Speaker 3>A lot of different conditions too. I mean, I you know,

0:26:27.720 --> 0:26:30.520
<v Speaker 3>I joke that when I first got to Dorna, you know,

0:26:30.600 --> 0:26:33.119
<v Speaker 3>I bought a yardage guide, figured well, this is going

0:26:33.200 --> 0:26:35.719
<v Speaker 3>to be this will be an invaluable resource out here.

0:26:35.760 --> 0:26:39.040
<v Speaker 3>And what I learned pretty quickly was that studying the

0:26:39.119 --> 0:26:42.719
<v Speaker 3>course kind of in plan view, I mean, aside from

0:26:42.760 --> 0:26:45.719
<v Speaker 3>getting to know sort of the basic locations of the hazards,

0:26:46.359 --> 0:26:50.000
<v Speaker 3>it wasn't really very useful. And knowing the yardages from

0:26:50.040 --> 0:26:53.960
<v Speaker 3>different points was, you know, again not terribly useful because

0:26:54.320 --> 0:26:57.720
<v Speaker 3>because the wind was so different all the time, because

0:26:57.760 --> 0:27:00.520
<v Speaker 3>the firmness of the ground, you know, was variable. There

0:27:00.520 --> 0:27:02.480
<v Speaker 3>were days when it would be really firm, kind of

0:27:02.520 --> 0:27:04.520
<v Speaker 3>firm it had just rained, and it was playing softer.

0:27:05.760 --> 0:27:09.960
<v Speaker 4>A lot of that plan view information on links courses.

0:27:09.640 --> 0:27:13.360
<v Speaker 3>Is really of limited use and it really just becomes

0:27:14.640 --> 0:27:17.000
<v Speaker 3>kind of a study of the landscape and a study

0:27:17.000 --> 0:27:20.280
<v Speaker 3>of the contours and a learning process of how do

0:27:20.359 --> 0:27:24.359
<v Speaker 3>shots react off of different features? And that's all going

0:27:24.400 --> 0:27:26.720
<v Speaker 3>to change based on the conditions, it's going to change

0:27:26.720 --> 0:27:30.080
<v Speaker 3>based on how you're playing that day. And so, you know,

0:27:30.119 --> 0:27:33.880
<v Speaker 3>even though they've got range finders and yardages on every

0:27:33.920 --> 0:27:38.359
<v Speaker 3>sprinkler on these courses now, it's still very much a

0:27:38.400 --> 0:27:39.720
<v Speaker 3>game of touch and feel.

0:27:39.760 --> 0:27:40.440
<v Speaker 4>Even today.

0:27:40.960 --> 0:27:42.359
<v Speaker 3>You know, you can see these courses that have just

0:27:42.359 --> 0:27:44.440
<v Speaker 3>sort of one hundred and fifty yard post out there,

0:27:44.520 --> 0:27:45.160
<v Speaker 3>and that's all the.

0:27:45.119 --> 0:27:46.160
<v Speaker 4>Information that you get.

0:27:46.359 --> 0:27:48.680
<v Speaker 3>It's really all the information that you need because there's

0:27:48.800 --> 0:27:52.439
<v Speaker 3>so much everything else is so variable that for the

0:27:52.560 --> 0:27:55.960
<v Speaker 3>vast majority of golfers, I mean, unless you're really dialed in.

0:27:55.640 --> 0:27:57.880
<v Speaker 4>On how well you're hitting the ball and how.

0:27:57.600 --> 0:28:00.720
<v Speaker 3>What your distances are, it gets to be pretty touch

0:28:00.760 --> 0:28:04.520
<v Speaker 3>and feel within ten twenty yard increments for sure, and

0:28:04.560 --> 0:28:07.000
<v Speaker 3>depending on the conditions, it can be you know, even

0:28:07.080 --> 0:28:11.080
<v Speaker 3>wider increments than that. So it really becomes a study

0:28:11.160 --> 0:28:14.440
<v Speaker 3>of the landscape much more so than a study of

0:28:14.480 --> 0:28:16.720
<v Speaker 3>the sort of plan view layout.

0:28:17.720 --> 0:28:22.320
<v Speaker 1>Right now, Are there some drawbacks to building and maintaining

0:28:22.400 --> 0:28:24.480
<v Speaker 1>golf on sandy terrain?

0:28:25.640 --> 0:28:28.479
<v Speaker 3>Yeah, I mean, I you know, depending on the nature

0:28:28.560 --> 0:28:31.879
<v Speaker 3>of the sand. I mean, there are certainly stands that

0:28:31.920 --> 0:28:36.480
<v Speaker 3>are difficult to maintain turf on because they drained so quickly.

0:28:37.119 --> 0:28:39.800
<v Speaker 3>I don't know that that's like a totally common problem,

0:28:39.800 --> 0:28:42.479
<v Speaker 3>but I've certainly heard of some well known places that

0:28:42.520 --> 0:28:45.360
<v Speaker 3>have struggled in the early going just to kind of

0:28:45.400 --> 0:28:47.800
<v Speaker 3>get a turf going and get a little bit of

0:28:48.440 --> 0:28:52.720
<v Speaker 3>receptivity in it. From a construction standpoint, you know, I

0:28:52.800 --> 0:28:55.960
<v Speaker 3>think one of the challenges that you know, certainly we

0:28:56.080 --> 0:28:59.360
<v Speaker 3>encountered at barm Google that that has kind of shaped

0:28:59.400 --> 0:29:02.200
<v Speaker 3>the way that they approach to building abandoned is the

0:29:02.200 --> 0:29:05.400
<v Speaker 3>fact that stuff can literally blow away between the time

0:29:05.440 --> 0:29:07.320
<v Speaker 3>that you build it and the time that you grasp it.

0:29:08.320 --> 0:29:11.160
<v Speaker 3>I mean that malleability can be a little bit of

0:29:11.160 --> 0:29:13.320
<v Speaker 3>a double edged sword. I mean, the good thing is

0:29:13.320 --> 0:29:15.959
<v Speaker 3>that it's easy to kind of put things back together

0:29:16.000 --> 0:29:19.040
<v Speaker 3>in most cases, but you know, it's not something anybody

0:29:19.080 --> 0:29:21.160
<v Speaker 3>wants to see where you just, you know, have this

0:29:21.200 --> 0:29:23.280
<v Speaker 3>whole perfect and ready to go and then it's just

0:29:23.640 --> 0:29:27.000
<v Speaker 3>scoured away by the wind. That would be the certainly

0:29:27.040 --> 0:29:30.240
<v Speaker 3>one of the complexities from construction side.

0:29:30.880 --> 0:29:34.480
<v Speaker 1>Yeah, and there seems to be a danger that when

0:29:34.520 --> 0:29:39.000
<v Speaker 1>you install a golf course on a piece of sandy

0:29:39.040 --> 0:29:44.240
<v Speaker 1>ground that the stability that the construction lends to the

0:29:44.280 --> 0:29:47.320
<v Speaker 1>site will completely change the character of the site, and

0:29:47.400 --> 0:29:49.800
<v Speaker 1>suddenly you'll get all sorts of things growing in the

0:29:49.800 --> 0:29:52.719
<v Speaker 1>ground that might not normally have grown in the ground.

0:29:53.560 --> 0:29:56.240
<v Speaker 3>There's a few different ways to look at that, I'd say,

0:29:57.040 --> 0:29:59.640
<v Speaker 3>you know, if you look at that from the standpoint

0:29:59.760 --> 0:30:02.360
<v Speaker 3>of of what a links course might have looked like

0:30:02.440 --> 0:30:07.080
<v Speaker 3>in the eighteen hundreds versus today, you'll see a lot

0:30:07.120 --> 0:30:09.960
<v Speaker 3>more stability in the landscape as a product of the

0:30:09.960 --> 0:30:13.360
<v Speaker 3>golf course and the fact that either one just having

0:30:13.440 --> 0:30:17.160
<v Speaker 3>the turf and having the maintained turf there does something

0:30:17.160 --> 0:30:19.520
<v Speaker 3>to stabilize the landscape and kind of take some of

0:30:19.560 --> 0:30:22.560
<v Speaker 3>that moving sand out of play, which changes the character

0:30:22.600 --> 0:30:24.840
<v Speaker 3>of the landscape and kind of lends itself towards some

0:30:25.480 --> 0:30:29.440
<v Speaker 3>succession of shrubs and trees and so forth. And number two,

0:30:30.080 --> 0:30:32.840
<v Speaker 3>the golf course is there. People are invested in having

0:30:32.840 --> 0:30:36.880
<v Speaker 3>it there, and so you get things like these videos

0:30:36.920 --> 0:30:40.320
<v Speaker 3>these days on social media of these kind of wind

0:30:40.360 --> 0:30:42.880
<v Speaker 3>and sandstorms that you get at Vally on Onion in

0:30:42.920 --> 0:30:46.160
<v Speaker 3>these places where it's just you know, sand covering fairways

0:30:46.200 --> 0:30:49.320
<v Speaker 3>and on and on that's not seen as desirable. So

0:30:49.440 --> 0:30:52.080
<v Speaker 3>certainly they're cleaning up after those kind of events. They're

0:30:52.080 --> 0:30:55.280
<v Speaker 3>building coastal defenses to kind of keep the courses put,

0:30:55.920 --> 0:30:59.200
<v Speaker 3>which is very sensible. But the cost of that, or that,

0:30:59.360 --> 0:31:01.000
<v Speaker 3>you know, the impact of that, is that you do

0:31:02.160 --> 0:31:05.960
<v Speaker 3>disconnect that link's landscape a little bit from the sea

0:31:06.360 --> 0:31:10.240
<v Speaker 3>through those efforts, because a dynamic landscape and a fixed

0:31:10.240 --> 0:31:13.680
<v Speaker 3>element like a golf course don't you know, necessarily go

0:31:13.800 --> 0:31:17.440
<v Speaker 3>perfectly hand in hand, especially when that dynamism is is

0:31:17.520 --> 0:31:19.520
<v Speaker 3>just you know, right there on the margins of the

0:31:19.520 --> 0:31:22.720
<v Speaker 3>two things. And so the other side of that coin, though,

0:31:22.840 --> 0:31:28.040
<v Speaker 3>is that, you know, you get places where invasive vegetation

0:31:28.160 --> 0:31:30.600
<v Speaker 3>has already populated an area.

0:31:30.400 --> 0:31:31.720
<v Speaker 4>Which is very common.

0:31:31.880 --> 0:31:34.320
<v Speaker 3>I mean, you see places like Oregon where gorse was

0:31:34.720 --> 0:31:39.120
<v Speaker 3>introduced to try to stabilize those dunes, you know, back

0:31:39.160 --> 0:31:41.080
<v Speaker 3>in the day, because the blowing sand was seen as

0:31:41.120 --> 0:31:44.280
<v Speaker 3>a nuisance, not as a as a cool aspect of

0:31:44.640 --> 0:31:49.360
<v Speaker 3>coastal dune environments. And so you know, in the process

0:31:49.440 --> 0:31:53.560
<v Speaker 3>of building band and dunes, you're removing a lot of

0:31:53.560 --> 0:31:57.520
<v Speaker 3>that invasive vegetation, you're keeping it out, You're taking steps

0:31:57.560 --> 0:31:59.960
<v Speaker 3>to preserve and kind of maintain some of these more

0:32:00.160 --> 0:32:02.240
<v Speaker 3>natural environments. And I think you see more and more

0:32:02.280 --> 0:32:05.080
<v Speaker 3>of that now on a lot of links courses in

0:32:05.120 --> 0:32:08.080
<v Speaker 3>the UK and Ireland and over here where they're making

0:32:08.120 --> 0:32:11.600
<v Speaker 3>more of an effort to remove some of the symptoms

0:32:11.640 --> 0:32:15.000
<v Speaker 3>of that stability, get some more moving sand in the

0:32:15.080 --> 0:32:17.880
<v Speaker 3>landscape in places where they can afford to have it,

0:32:18.600 --> 0:32:22.120
<v Speaker 3>increase some of the ecological value, bring back some of

0:32:21.840 --> 0:32:24.640
<v Speaker 3>the elements of the courses that would have been there.

0:32:24.800 --> 0:32:26.440
<v Speaker 4>You know, in a more dynamic time.

0:32:28.360 --> 0:32:30.880
<v Speaker 3>So I think as we look at it going forward,

0:32:30.880 --> 0:32:33.760
<v Speaker 3>I think with the greater awareness of ecology and the

0:32:33.800 --> 0:32:37.040
<v Speaker 3>places that these courses have, you know, in the greater

0:32:37.080 --> 0:32:40.400
<v Speaker 3>ecosystem and the specialness of the landscapes that they occupy,

0:32:41.320 --> 0:32:43.880
<v Speaker 3>you're going to see more of the golf course being

0:32:43.880 --> 0:32:48.160
<v Speaker 3>there actually helping to restore and at times preserve some

0:32:48.320 --> 0:32:50.320
<v Speaker 3>of what it would have been lost otherwise.

0:32:59.480 --> 0:33:03.240
<v Speaker 1>The subtile of George's book is how terrain shapes the game.

0:33:04.040 --> 0:33:06.760
<v Speaker 1>In talking with him, I think I came to understand

0:33:06.840 --> 0:33:11.120
<v Speaker 1>better what that phrase means. The Lynxland wasn't just a

0:33:11.160 --> 0:33:15.360
<v Speaker 1>first arena for our stick and ball pastime. It defined golf.

0:33:16.000 --> 0:33:19.920
<v Speaker 1>It gave the sport its original ethos, not only golfer

0:33:20.040 --> 0:33:24.200
<v Speaker 1>versus golfer, but also both of them versus nature. An

0:33:24.200 --> 0:33:28.680
<v Speaker 1>ethos of local pride rooted in unique landscapes of Musselborough

0:33:28.800 --> 0:33:33.320
<v Speaker 1>versus Saint Andrews, an ethos of the varied, the unpredictable,

0:33:33.840 --> 0:33:40.520
<v Speaker 1>the creative, the individualistic, the adventurous. Here's how George himself

0:33:40.520 --> 0:33:44.600
<v Speaker 1>puts it in the epilogue of Sand and Golf. Sandy

0:33:44.680 --> 0:33:48.400
<v Speaker 1>terrain allows golfers of all ages and abilities to enjoy

0:33:48.440 --> 0:33:51.280
<v Speaker 1>the game in their own way, making it much easier

0:33:51.320 --> 0:33:53.360
<v Speaker 1>for the game to grow and play a lasting role

0:33:53.400 --> 0:33:57.320
<v Speaker 1>in people's lives. Golf on sandy terrain can be extremely challenging,

0:33:57.400 --> 0:34:01.520
<v Speaker 1>but mostly it is about fun, creativity, studying the landscape,

0:34:01.840 --> 0:34:04.880
<v Speaker 1>coping with bad bounces, and relishing the good ones. It

0:34:04.920 --> 0:34:07.479
<v Speaker 1>is about enjoying a golf course as part of nature,

0:34:07.920 --> 0:34:13.200
<v Speaker 1>complete with irregularities and imperfections, rather than detracting from the experience.

0:34:13.719 --> 0:34:18.080
<v Speaker 1>Those imperfections make the game more interesting and somehow more real.

0:34:19.400 --> 0:34:22.760
<v Speaker 1>As golf migrated away from the links land, golfers tended

0:34:22.760 --> 0:34:26.040
<v Speaker 1>to forget these pains and pleasures, along with the temperament

0:34:26.120 --> 0:34:30.960
<v Speaker 1>needed to receive both. Again, terrain shapes the game, and

0:34:31.000 --> 0:34:34.400
<v Speaker 1>when the terrain is softer, more manufactured, and more predictable,

0:34:34.920 --> 0:34:38.080
<v Speaker 1>our ideas about the sport we play on it shift accordingly.

0:34:38.880 --> 0:34:41.600
<v Speaker 1>We expect help from the ground and from those who

0:34:41.680 --> 0:34:45.000
<v Speaker 1>shape and maintain it. We ask for a fair test

0:34:45.320 --> 0:34:49.200
<v Speaker 1>of mechanical skill. There are those who enjoy this version

0:34:49.239 --> 0:34:52.120
<v Speaker 1>of golf, and there's nothing wrong with that. But there

0:34:52.120 --> 0:34:55.560
<v Speaker 1>are others who find the links land and its ethos irresistible.

0:34:56.320 --> 0:34:58.600
<v Speaker 1>The problem is not many of us live by the sea,

0:34:58.760 --> 0:35:01.680
<v Speaker 1>or by inland, sandhill, or anywhere near a course that

0:35:01.800 --> 0:35:05.239
<v Speaker 1>uses sandy terrain to full advantage. So I leave you

0:35:05.320 --> 0:35:09.319
<v Speaker 1>with this question, if we so desire, what can we

0:35:09.400 --> 0:35:13.000
<v Speaker 1>do and what can our local courses do to recapture

0:35:13.040 --> 0:35:17.520
<v Speaker 1>some of the character and spirit of links golf. Now

0:35:17.560 --> 0:35:21.040
<v Speaker 1>I actually posed this question, at least the agronomic side

0:35:21.040 --> 0:35:23.360
<v Speaker 1>of it to George. His answer ended up on the

0:35:23.400 --> 0:35:25.759
<v Speaker 1>cutting room floor, but I will include it in the

0:35:25.800 --> 0:35:28.319
<v Speaker 1>post I make for this episode on the Frida egg

0:35:28.360 --> 0:35:31.440
<v Speaker 1>dot com. Also, if you have your own thoughts about

0:35:31.440 --> 0:35:34.319
<v Speaker 1>this subject, reach out to us on Twitter. You'll find

0:35:34.360 --> 0:35:37.440
<v Speaker 1>the fried egg at the Friday Egg with underscores between

0:35:37.480 --> 0:35:41.680
<v Speaker 1>each word. Me Garrett Morrison at g Ford Golf and

0:35:41.840 --> 0:35:45.640
<v Speaker 1>George Waters at g Waters Golf. Let's keep the discussion

0:35:45.680 --> 0:36:09.040
<v Speaker 1>going