WEBVTT - David Crosby: Don't Call It a Comeback

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<v Speaker 1>This is Alec Baldwin and you're listening to Here's the Thing,

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<v Speaker 1>and I feel that got here before, that I did

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<v Speaker 1>year before, and you know, it makes me wonder what's

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<v Speaker 1>going on? C S N and sometimes why. Some combination

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<v Speaker 1>of David Crosby, Stephen Stills and Graham Nash played together

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<v Speaker 1>for fifty years until two thousand sixteen, but always Crosby.

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<v Speaker 1>He's the constant in some of the greatest songs of

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<v Speaker 1>the twentieth century. His composition, harmonizing and non traditional guitar

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<v Speaker 1>tunings helped create the sound of the sixties and seventies.

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<v Speaker 1>It's a sound he honed with his first big act,

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<v Speaker 1>The Birds, turning counterculture anthems like Dylan's Tambourine Man into

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<v Speaker 1>mainstream hits. David Crosby is famous too for his addiction

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<v Speaker 1>to cocaine and heroin in the nineteen eighties. It almost

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<v Speaker 1>killed him, but even in his darkest moments, Crosby always

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<v Speaker 1>had people pulling him up, even some of the biggest

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<v Speaker 1>stars of the era. All Right, I am in the

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<v Speaker 1>middle of my lowest point of being a complete wasteerl

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<v Speaker 1>on hard drugs. Right, it's a bit of my phone rings. Yeah,

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<v Speaker 1>who's this. It's Townsend? I said, bullshit. He says, no,

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<v Speaker 1>it's Townsend. Listen, get off that stuff. Get the off

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<v Speaker 1>that stuff after watch the four letter words right now

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<v Speaker 1>you can let it rip. He really your podcasting, and

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<v Speaker 1>so he says, you know, fucking get your ship, you gotta.

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<v Speaker 1>You're fucking up, glad, quit that ship in my face.

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<v Speaker 1>Really seriously, I was like, who the fun my number?

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<v Speaker 1>I still haven't deciphered how this all happened. Well, it

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<v Speaker 1>made him think it would work working everybody else had failed.

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<v Speaker 1>Somebody put him up to it. I'm not sure work. No, No,

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<v Speaker 1>what worked was they sent me to prison in Texas

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<v Speaker 1>for a year. That worked. So that's what That was

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<v Speaker 1>a turning point for you. Yeah, it got me sober,

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<v Speaker 1>and you were largely or you were completely sober since then.

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<v Speaker 1>I was completely sober for fourteen and a half years.

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<v Speaker 1>Uh what happened with the prison? What year you were?

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<v Speaker 1>How old? I was born in forty and I was

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<v Speaker 1>deeply addicted and the only had already tried uh in

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<v Speaker 1>you know rehab places moment I think four or five

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<v Speaker 1>times failed. Ah, so the prison did it? You know?

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<v Speaker 1>Junk and free base, that's that's a prison you carry

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<v Speaker 1>around with you. You don't get to get out prison.

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<v Speaker 1>You get to get out, and I don't regret it

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<v Speaker 1>a bit. How were you treated by the inmate population

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<v Speaker 1>when you're imprisoned with a kind to you? Did they

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<v Speaker 1>dig you and admire you? A full range went all

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<v Speaker 1>the way from uh, I like your music man to

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<v Speaker 1>uh hey, rock star? How are you doing now? I

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<v Speaker 1>bet you wish you had some drugs, don't you? Hey? Ron?

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<v Speaker 1>Look over here, rock Star throwing up again? Some bit

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<v Speaker 1>was Texas and they didn't give me an aspect. They

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<v Speaker 1>didn't even have a meetings in the prison. And not

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<v Speaker 1>that you had no help at always crawled out of

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<v Speaker 1>there was bitter. It was bitter. But I woke up.

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<v Speaker 1>When you get out of prison, what do you do well? Like?

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<v Speaker 1>Like who comes around you? People come to you and

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<v Speaker 1>say let's get back to work? Or what's that like?

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<v Speaker 1>As soon as I woke up, I started writing again.

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<v Speaker 1>I'm a hugely lucky human being. Now I have a reason.

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<v Speaker 1>Here's a fact about writing and creating and drugs. The

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<v Speaker 1>more drugs I did, the less I wrote. And you

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<v Speaker 1>can plot the two curves and they crossed at a

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<v Speaker 1>certain point, you know, and I just kept the more

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<v Speaker 1>drugs identically stopped writing. And then about two years went by,

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<v Speaker 1>and then I woke up in prison remember who I was,

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<v Speaker 1>and started writing again. And since then it's been a

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<v Speaker 1>steady increase in a steady increase in quality. So I

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<v Speaker 1>can only draw one conclusion. Now this is gonna sound strange,

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<v Speaker 1>but you come from a nice family, were comfy, and

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<v Speaker 1>I got to go to good schools. I had a

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<v Speaker 1>rich uncle. My dad was a cinematographer and a very

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<v Speaker 1>good one. Not a warm and fuzzy guy, but technically excellent.

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<v Speaker 1>So yeah, I thought I wanted to be an actor.

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<v Speaker 1>You know what's really funny, man, most of the actors

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<v Speaker 1>I don't want to be musicians, And all the musicians

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<v Speaker 1>I know, because no matter what you're doing, you can

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<v Speaker 1>be doing anything, and music can be in your left

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<v Speaker 1>and therefore music will always have a more powerful place

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<v Speaker 1>in the lives of people than any film or TV.

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<v Speaker 1>Any debatable, but I think you got a lot of

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<v Speaker 1>evidence on your side there. Music. The way I look

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<v Speaker 1>at it, music all art can be and usually is

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<v Speaker 1>a lifting force, just as war drags humanity down and

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<v Speaker 1>makes brings out the very worst in US. So music

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<v Speaker 1>and art lift they're lifting force. They make things better,

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<v Speaker 1>and so I I kind of think, I kind of

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<v Speaker 1>think I'm probably the luckiest guy in the world. I

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<v Speaker 1>think I've got probably one of the best jobs. I

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<v Speaker 1>tried to acting. I'm not really good at it. You know,

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<v Speaker 1>I don't know why you'd want to act. If I

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<v Speaker 1>could do what you do, you could never You couldn't

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<v Speaker 1>get me off stage with a gun. I just would

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<v Speaker 1>play music if I could do what you do. It's

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<v Speaker 1>when I went to go see The Beatles Love. I

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<v Speaker 1>go to Vegas to go to see the Circus. So

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<v Speaker 1>the The Beatles Love, and what kits you in the beginning,

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<v Speaker 1>other than the really kind of groovy meshing of the

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<v Speaker 1>songs and the kind of overdubbing they did, was the

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<v Speaker 1>idea of that all of them were born during the war.

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<v Speaker 1>They were all war babies in London. They were and

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<v Speaker 1>you talk and talk, and the opening of the show

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<v Speaker 1>kind of tips how that affected them and how they

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<v Speaker 1>affected their lives and now they viewed their country and

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<v Speaker 1>so forth. You're a war baby, you were born during

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<v Speaker 1>the war. What was life like when you were a kid?

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<v Speaker 1>I remember my dad, I remember watching my dad at

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<v Speaker 1>a distance at you know where Burbank Airport is used

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<v Speaker 1>to be Douglas Field. I remember my dad climbing into

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<v Speaker 1>the belly of a B twenty four and flying away

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<v Speaker 1>to the war. I remember watching he was. They commissioned

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<v Speaker 1>directly into what was then the Army Air Corps because

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<v Speaker 1>he had this he was already an Academy award running,

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<v Speaker 1>you know, autographers. They put him right in the Air

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<v Speaker 1>Corps and put him in this twenty four that didn't

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<v Speaker 1>that was a camera plane, that's all it was. And

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<v Speaker 1>he went all over the world. He went every he

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<v Speaker 1>had every theater reddened there was. It was gone for

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<v Speaker 1>how long? Five years? Well, because he wasn't a bombing thing.

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<v Speaker 1>You know, he had to follow up bombers, but he

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<v Speaker 1>wasn't bombing, so he didn't get thirty five and out.

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<v Speaker 1>He he kept calling five years every major theater of

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<v Speaker 1>the war. And when he came back, what was he like?

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<v Speaker 1>You wouldn't ever talk about it. So life at home

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<v Speaker 1>when you were a child is with your mother. Yeah

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<v Speaker 1>at first, yeah, and then both of them. But my

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<v Speaker 1>dad just wasn't a real home body family guy. He

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<v Speaker 1>was off working. Yeah, and you go to boarding school

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<v Speaker 1>I did. Yeah, Kate, what was that black? What were

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<v Speaker 1>you like? Were you always mischievous? Always? And it got

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<v Speaker 1>me in a shipload of trouble. Why do you think,

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<v Speaker 1>I don't know, but it's definitely true. I got thrown

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<v Speaker 1>out of almost every school I was ever in, including Kate.

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<v Speaker 1>What was music in your life? Then? Music came early?

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<v Speaker 1>And well, uh, my mom sang in choirs. My dad

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<v Speaker 1>liked music. He could play a mantle in. My brother

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<v Speaker 1>played guitar. We used to There's an interesting thing when

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<v Speaker 1>when we were growing up in the fifties, when TV

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<v Speaker 1>started to really happen, we didn't have a TV, so

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<v Speaker 1>we sang folks songs out of the Fireside Book of

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<v Speaker 1>Folk Songs, and that was where it started. Did anybody

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<v Speaker 1>tell you then you could sing that? They say you're

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<v Speaker 1>a good singer. They did notice that I was singing

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<v Speaker 1>harmony when I was six, and huh, what's the first

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<v Speaker 1>instrument you played? Good to are my brother turned me

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<v Speaker 1>on to guitar when you were how old? I guess

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<v Speaker 1>maybe can what's the best time you think that. My

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<v Speaker 1>son is two and a half years so it's gonna

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<v Speaker 1>be three in June. He's obsessed with simulating playing the guitar.

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<v Speaker 1>He actually has a band with my wife. He calls

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<v Speaker 1>her Trista, and he's Mr Pants. Mr Pants. He'll turn

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<v Speaker 1>to my wife a little, I've got it on video.

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<v Speaker 1>He'll turn to my wife and Trista, what are we

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<v Speaker 1>gonna play now? He's two and a half. Don't let

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<v Speaker 1>him be a musician we wanted to be. It's terrible idea.

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<v Speaker 1>He'll never have a job. Actually let him. Do you

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<v Speaker 1>think that if you didn't? But when you say that,

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<v Speaker 1>do you think if you hadn't made it as big

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<v Speaker 1>as you made it, you wouldn't have stuck with it,

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<v Speaker 1>or you would have stayed with it just because you

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<v Speaker 1>loved it. I would because I love it. I love

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<v Speaker 1>it so much. Like I can't tell you I love

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<v Speaker 1>singing it. I'm good at it, but that's not really it.

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<v Speaker 1>It's there's a joy to singing in and of itself,

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<v Speaker 1>and it's it's an elevating thing. It's totally freaking wonderful.

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<v Speaker 1>It's very tough for me now, man, because really old

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<v Speaker 1>and getting on the road exhausting. Yeah, well, I beat

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<v Speaker 1>the crap out of me. Yeah, because you'd never get

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<v Speaker 1>more than four hours sleep in a row and then

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<v Speaker 1>in the middle of that you had an expansion joint

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<v Speaker 1>and blinking your way again, and you know, and you're

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<v Speaker 1>eating terrible food and restaurants. When when did you when

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<v Speaker 1>you left home? You didn't go to college. No, I

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<v Speaker 1>went one year and you went to UH City College

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<v Speaker 1>in Santa Barbara, which is now, oddly enough, the highest

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<v Speaker 1>rated city college in the country. It was interesting and good,

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<v Speaker 1>and I had one really good teacher hooked me up

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<v Speaker 1>about some really interesting things about semantics and the language.

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<v Speaker 1>And no, you weren't sending music then, No, no, not yet.

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<v Speaker 1>I was. I was bussing tables at the local coffeehouse

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<v Speaker 1>because as a bus boy they would let me sing

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<v Speaker 1>harmony with the guy who was being paid to sing.

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<v Speaker 1>And what was the first band you were in? Less

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<v Speaker 1>Baxter's Balladeers. Let's Baxter band leader. He had seen the

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<v Speaker 1>Christie Mittrels, which that guy who sparks we had. I

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<v Speaker 1>think he had three of them out their bands like that,

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<v Speaker 1>your all name the same, you know. Just it was

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<v Speaker 1>a commercial operation and was really onla but we was

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<v Speaker 1>put food on the table. My brother and I were

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<v Speaker 1>in that. And then I ran into Roger mcgwinn and

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<v Speaker 1>Gean Clark and where a tutor a bar at the

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<v Speaker 1>tributary and they were singing and it was good and

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<v Speaker 1>the songs were you know, James pretty good writer. And

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<v Speaker 1>so when those two have they had an act called

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<v Speaker 1>they have an act. We're just playing. They were just

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<v Speaker 1>in the bar. You know. Roger has been a musician

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<v Speaker 1>for a while and successful and played with other bands,

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<v Speaker 1>Lime Letters, Jad Mitchell Three, a bunch of different people,

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<v Speaker 1>so he knew what he was doing, and he knew

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<v Speaker 1>that Jean was chalented and that this stuff had value

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<v Speaker 1>because it sounded a lot like Beatles songs. And so

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<v Speaker 1>I started singing harmony to him. They said, what's your name?

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<v Speaker 1>And uh, that worked out really well. It was a

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<v Speaker 1>good band, simple good. Roger's extremely good, had taken Bob

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<v Speaker 1>Dylan songs and turning them into pop records. And you

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<v Speaker 1>covered Tambourine Man. Yeah, that was our first hit. Well,

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<v Speaker 1>what did you learn about bands in your first band?

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<v Speaker 1>What that experience thought? I learned that that I had

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<v Speaker 1>a lot to learn. I was just a young punk

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<v Speaker 1>and I really had no idea how to actually work

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<v Speaker 1>with the people and accomplished the aim that I wanted to.

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<v Speaker 1>I had an experience early on when I was young.

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<v Speaker 1>My mom took me to see a symphony orchestra in

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<v Speaker 1>a park free show there in that way, and they

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<v Speaker 1>tuned up and they got ready, and then he started

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<v Speaker 1>the piece and it was this huge, beautiful wave that

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<v Speaker 1>hit me. I didn't know anything was like that, you know,

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<v Speaker 1>symphony orchestra, hugely powerful thing, and it freaked me out.

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<v Speaker 1>And the thing I've realized, even as a kid, the

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<v Speaker 1>power came from they were roll doing me together. I

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<v Speaker 1>can't believe you just said that. It's the truth, and

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<v Speaker 1>it really and it penetrated. So I've always wanted to

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<v Speaker 1>be in a band always. I love cooperative effort. Competitive

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<v Speaker 1>effort winds up at war, cooperative effort winds up. I'm

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<v Speaker 1>watching Tom Petty's band playing a benefit and offriend was

0:13:18.880 --> 0:13:20.559
<v Speaker 1>with me. I turned him and I said, do you

0:13:20.600 --> 0:13:24.000
<v Speaker 1>see what I'm seeing? My friend said what? And I said,

0:13:24.000 --> 0:13:26.360
<v Speaker 1>they're all doing the same thing. At the same time,

0:13:27.880 --> 0:13:30.920
<v Speaker 1>I said, they're all in service to and feeding. You know,

0:13:31.000 --> 0:13:33.040
<v Speaker 1>in my business, not everybody's doing the same thing that

0:13:33.080 --> 0:13:34.839
<v Speaker 1>they're kind of doing their own thing, kind of jerking

0:13:34.880 --> 0:13:36.720
<v Speaker 1>off in the corner there. You know Patty's band was

0:13:36.800 --> 0:13:38.880
<v Speaker 1>doing the same thing. Yeah, it was really really, very

0:13:39.000 --> 0:13:41.600
<v Speaker 1>very cool. Do you find in a band does somebody

0:13:41.600 --> 0:13:43.600
<v Speaker 1>always need to be in charge? Does somebody need to

0:13:43.600 --> 0:13:46.480
<v Speaker 1>be the boss? It can go both ways. And the Birds,

0:13:46.880 --> 0:13:49.600
<v Speaker 1>Roger was definitely the leader of the band, and that

0:13:49.640 --> 0:13:52.319
<v Speaker 1>worked well. Yeah, he knew a lot more than we did,

0:13:52.760 --> 0:13:56.400
<v Speaker 1>and he's also an extremely talented guy and a good singer,

0:13:56.640 --> 0:14:00.120
<v Speaker 1>and so it wouldn't you know, I challenged it at

0:14:00.120 --> 0:14:02.800
<v Speaker 1>every turn, but he was the leader of the band

0:14:03.200 --> 0:14:05.320
<v Speaker 1>uh c s And why none of us was willing

0:14:05.320 --> 0:14:09.120
<v Speaker 1>to admit anybody else was the leader were it was

0:14:09.360 --> 0:14:13.520
<v Speaker 1>and probably still is one of the most competitive situations

0:14:13.520 --> 0:14:18.800
<v Speaker 1>in the history uh and not. He goes really just

0:14:18.920 --> 0:14:23.560
<v Speaker 1>that simple. And in spite of all the incredible success

0:14:23.640 --> 0:14:26.200
<v Speaker 1>you've had, I mean, who's when you think of people,

0:14:26.200 --> 0:14:29.680
<v Speaker 1>when you think of men harmonizing in a group, the

0:14:29.800 --> 0:14:31.920
<v Speaker 1>first people that come to mind of the three of you,

0:14:32.120 --> 0:14:34.280
<v Speaker 1>Why do you think that that didn't bring them any comforts?

0:14:35.600 --> 0:14:38.280
<v Speaker 1>I don't think that's what they went in for, and

0:14:38.320 --> 0:14:41.280
<v Speaker 1>I don't think they realized exactly how good it was.

0:14:41.680 --> 0:14:44.760
<v Speaker 1>We did really like each other when we started, and

0:14:44.800 --> 0:14:48.320
<v Speaker 1>we were thrilled, you know, by each other's songs. So

0:14:48.400 --> 0:14:50.920
<v Speaker 1>you leave the Birds and and and and Stills leaves

0:14:50.920 --> 0:14:55.000
<v Speaker 1>Buffalo Springfield and they bring you with them Springfield throw

0:14:55.080 --> 0:15:00.000
<v Speaker 1>fell apart left, which is kind of his m o uh.

0:15:00.120 --> 0:15:02.760
<v Speaker 1>Stephen was very appealing guitar player and singer. I mean,

0:15:02.760 --> 0:15:05.600
<v Speaker 1>it's really good. Remember how well he played acoustic guitar

0:15:05.640 --> 0:15:09.160
<v Speaker 1>back down beautiful, pretty stunning, And so I started hanging

0:15:09.160 --> 0:15:12.080
<v Speaker 1>out with him, and then Cass introduced me to the ground.

0:15:12.160 --> 0:15:15.200
<v Speaker 1>But when Nash leaves the Hollies, the Hollies are doing

0:15:15.320 --> 0:15:17.920
<v Speaker 1>very well, aren't they very successful? Why does he leave

0:15:17.920 --> 0:15:21.040
<v Speaker 1>the Hollies? I told him you did? I went to work,

0:15:21.240 --> 0:15:23.480
<v Speaker 1>I went to London. I told me she quit? And

0:15:23.880 --> 0:15:26.680
<v Speaker 1>how did you do that? We could quit? Why? Because

0:15:26.680 --> 0:15:29.680
<v Speaker 1>he could join us. He was at a very crux

0:15:29.760 --> 0:15:32.560
<v Speaker 1>point with the Hollies. They wanted to do an album

0:15:32.640 --> 0:15:35.520
<v Speaker 1>of Dylan covers. Now, there are bands that should do

0:15:35.640 --> 0:15:38.000
<v Speaker 1>Dylan covers and there are bands that should not do

0:15:38.320 --> 0:15:42.040
<v Speaker 1>Dyl covers. That was one of the bands that should

0:15:42.080 --> 0:15:44.880
<v Speaker 1>not do Dealing covers. And they were ignoring his songs.

0:15:45.440 --> 0:15:48.920
<v Speaker 1>He had already written A Lady at the Island, and

0:15:48.960 --> 0:15:52.640
<v Speaker 1>they didn't get it beautiful song. He had already been

0:15:52.720 --> 0:15:55.680
<v Speaker 1>right between the eyes. They didn't get it. He he

0:15:55.760 --> 0:15:59.720
<v Speaker 1>was already outgrowing them. So I walked in and said, hmmm,

0:16:00.240 --> 0:16:06.160
<v Speaker 1>this is pretty ordinary. And I was funnier than they were,

0:16:06.280 --> 0:16:08.240
<v Speaker 1>and I knew more than they did, and I did

0:16:08.240 --> 0:16:10.880
<v Speaker 1>it on purpose, and they'll probably never forgive me. But

0:16:10.920 --> 0:16:12.760
<v Speaker 1>it made a great sound, we the three of us,

0:16:12.800 --> 0:16:15.360
<v Speaker 1>when we heard each other saying it was, it was spectacular.

0:16:16.000 --> 0:16:18.920
<v Speaker 1>But bands get together and you're in love with each

0:16:18.920 --> 0:16:23.080
<v Speaker 1>other and fall wonderful and exciting, and then it devolves,

0:16:24.320 --> 0:16:27.560
<v Speaker 1>and forty years later it's turned on. A small machine

0:16:27.560 --> 0:16:29.480
<v Speaker 1>will play your heads and you don't even like each other.

0:16:31.040 --> 0:16:33.800
<v Speaker 1>You don't ride the same bus, you do not hang out,

0:16:34.040 --> 0:16:37.040
<v Speaker 1>and you are competing with the other guys. So it's

0:16:37.080 --> 0:16:40.280
<v Speaker 1>easier to do the touring and get on stage and

0:16:40.280 --> 0:16:41.800
<v Speaker 1>get that on and get that of it than it

0:16:41.880 --> 0:16:43.400
<v Speaker 1>is to be. You don't go into a studio anymore

0:16:43.400 --> 0:16:47.000
<v Speaker 1>because that's more intimate that died quicker. Yeah, the money

0:16:47.040 --> 0:16:48.960
<v Speaker 1>is still good on the road in a band like that,

0:16:49.560 --> 0:16:52.200
<v Speaker 1>you know uh that you you want to stay there.

0:16:52.440 --> 0:16:55.359
<v Speaker 1>It means big crowds, big places, big deal. You can continue,

0:16:55.760 --> 0:16:57.320
<v Speaker 1>But it got to pomer is no fun? Is it

0:16:57.400 --> 0:16:59.960
<v Speaker 1>about when it starts to crack, when it starts to ship?

0:17:00.560 --> 0:17:03.640
<v Speaker 1>Is it because of songwriting? No one's getting that too.

0:17:05.000 --> 0:17:06.919
<v Speaker 1>Wants to see my songs. I want my songs on

0:17:06.960 --> 0:17:11.119
<v Speaker 1>that album. Who's the decider? Did you guys acquiesced to producers? No?

0:17:11.400 --> 0:17:15.000
<v Speaker 1>We Uh, we always produced our records and uh and

0:17:15.080 --> 0:17:17.040
<v Speaker 1>are we had what we call the reality rule. You

0:17:17.560 --> 0:17:20.840
<v Speaker 1>come into the room, you know, just us, nobody else

0:17:21.000 --> 0:17:24.520
<v Speaker 1>and seeing each other's song, and they either liked it

0:17:24.640 --> 0:17:27.639
<v Speaker 1>they didn't and uh, if they liked it, you know,

0:17:27.720 --> 0:17:31.040
<v Speaker 1>then we start figured out how to sing it. And

0:17:31.080 --> 0:17:34.040
<v Speaker 1>these are hugely talented guys. Man, they came with a

0:17:34.040 --> 0:17:35.679
<v Speaker 1>lot of stuff. So before it was the four of you,

0:17:35.760 --> 0:17:38.399
<v Speaker 1>the three of you was basically pretty good. Yeah, it

0:17:38.480 --> 0:17:43.520
<v Speaker 1>was okay. You know. Uh. Neil's nickname is sometimes it's

0:17:43.680 --> 0:17:48.240
<v Speaker 1>CSN sometimes why you know, uh, and when it would

0:17:48.240 --> 0:17:50.719
<v Speaker 1>be c S and why it was a lot bigger that.

0:17:50.760 --> 0:17:53.240
<v Speaker 1>You've got to know that that's the reason to see

0:17:53.280 --> 0:17:56.800
<v Speaker 1>us and has always Neil's decision. Because if there's twenty

0:17:56.800 --> 0:17:59.000
<v Speaker 1>thousand people in the stadium, Neill put ten of them there.

0:18:00.359 --> 0:18:04.480
<v Speaker 1>That's the truth. And so he's he's the one that's

0:18:04.560 --> 0:18:07.800
<v Speaker 1>that's said, that's it's done. He doesn't want to do

0:18:07.840 --> 0:18:10.520
<v Speaker 1>that anymore. And I don't think he needs to to

0:18:10.680 --> 0:18:12.520
<v Speaker 1>see so I don't think you'll ever see it again

0:18:12.600 --> 0:18:14.880
<v Speaker 1>when you say he's sometimes and he comes and goes.

0:18:15.119 --> 0:18:16.719
<v Speaker 1>Is that his nature in all things? He just has

0:18:16.760 --> 0:18:19.840
<v Speaker 1>to tough time committing to anything. No, he's on his

0:18:19.880 --> 0:18:25.840
<v Speaker 1>own path and he does not relinquish that ever under

0:18:25.880 --> 0:18:30.480
<v Speaker 1>any circumstances. And uh, he does not want to be

0:18:30.520 --> 0:18:33.960
<v Speaker 1>dependent on anybody else and probably doesn't want to explain

0:18:34.040 --> 0:18:37.399
<v Speaker 1>the money. I don't know. I've never asked him, but

0:18:37.960 --> 0:18:41.280
<v Speaker 1>I know he I think you know I had to

0:18:41.320 --> 0:18:43.359
<v Speaker 1>come to this decision. It's a very hard decision, man,

0:18:43.400 --> 0:18:45.600
<v Speaker 1>This is a very hard time for us. I don't

0:18:45.600 --> 0:18:48.320
<v Speaker 1>know if you know this, but streaming pretty much destroyed

0:18:48.520 --> 0:18:53.119
<v Speaker 1>our earning power. It took half, at least half of

0:18:53.119 --> 0:18:56.120
<v Speaker 1>our earning power away from us because they folks, they

0:18:56.160 --> 0:19:00.480
<v Speaker 1>don't pay us for records anymore. And that's really sad. Huh.

0:19:01.040 --> 0:19:03.639
<v Speaker 1>They got that deal passes and they it's sort of

0:19:03.720 --> 0:19:05.840
<v Speaker 1>as if you worked your job and they paid you

0:19:05.840 --> 0:19:09.520
<v Speaker 1>a nickel for every two weeks. It's the proportion is

0:19:09.960 --> 0:19:17.880
<v Speaker 1>drastically tiny. So with Neil gone and CSN still earning,

0:19:18.040 --> 0:19:23.400
<v Speaker 1>but really frozen in place and really unpleasant I mean

0:19:24.240 --> 0:19:29.400
<v Speaker 1>incidents that I will not tell you about, but violently bad,

0:19:30.720 --> 0:20:03.080
<v Speaker 1>carefully chosen more h David Crosby is having a renaissance,

0:20:03.720 --> 0:20:07.400
<v Speaker 1>three solo albums over the past four years. We hear

0:20:07.440 --> 0:20:10.760
<v Speaker 1>about his new burst of creativity and why he thinks

0:20:10.760 --> 0:20:13.720
<v Speaker 1>Stills and Nash are still out there playing the hits

0:20:14.280 --> 0:20:19.600
<v Speaker 1>when we come back. I'm Alec Baldwin and you're listening

0:20:19.600 --> 0:20:59.560
<v Speaker 1>to Here's the Thing such a time before. That's Crosby

0:20:59.760 --> 0:21:03.919
<v Speaker 1>with Stills A Nash. We've heard about the band's disintegration,

0:21:04.280 --> 0:21:07.760
<v Speaker 1>but not what made it great? What was the best time?

0:21:07.920 --> 0:21:12.320
<v Speaker 1>Every time? Every time? For years at the beginning, every

0:21:12.359 --> 0:21:14.080
<v Speaker 1>time we'd go on stage, we would just kill it.

0:21:14.160 --> 0:21:17.440
<v Speaker 1>We could sing together. Nash is a fantastic HERMONI singer.

0:21:18.280 --> 0:21:21.560
<v Speaker 1>He absolutely hates my guts. That's not fun to work.

0:21:21.600 --> 0:21:26.879
<v Speaker 1>But why do you think that's that's the case. I

0:21:26.920 --> 0:21:28.840
<v Speaker 1>could tell you, but it would be personal. Stuff would

0:21:28.880 --> 0:21:31.080
<v Speaker 1>be better. It would be better if he told you, yeah,

0:21:31.160 --> 0:21:35.840
<v Speaker 1>because you know, uh he said, he said, he said

0:21:36.040 --> 0:21:38.919
<v Speaker 1>some unfortunate stuff happened in his life someone which is

0:21:38.920 --> 0:21:41.960
<v Speaker 1>his fault, some of which isn't uh and and he

0:21:42.040 --> 0:21:45.720
<v Speaker 1>blames me for it. And he mostly blames me because

0:21:45.720 --> 0:21:48.639
<v Speaker 1>I shot my mouth off about Neil's girlfriend and piste

0:21:48.680 --> 0:21:51.840
<v Speaker 1>off Neil, which ended to us, and that's my fault,

0:21:53.280 --> 0:21:57.399
<v Speaker 1>and it's it was so innocent, you know, I've finished

0:21:57.440 --> 0:21:59.680
<v Speaker 1>an interview like this and we shut the tape off

0:22:00.119 --> 0:22:02.040
<v Speaker 1>and I was walking down and he said, what do

0:22:02.080 --> 0:22:04.639
<v Speaker 1>you think it's needle few girlfriend? Man I said, oh,

0:22:04.680 --> 0:22:10.040
<v Speaker 1>I think she's a predator bamn on the net immediately. Wow.

0:22:10.640 --> 0:22:16.560
<v Speaker 1>And Niel says, okay, that's it, no more and uh,

0:22:16.640 --> 0:22:19.240
<v Speaker 1>I went on stern and he said, wow, do you

0:22:19.240 --> 0:22:21.119
<v Speaker 1>feel man? I said, I. I didn't have any right

0:22:21.200 --> 0:22:23.840
<v Speaker 1>to do that. It was I shot my mouth off,

0:22:24.480 --> 0:22:27.199
<v Speaker 1>and he's pissed at me, and so I want to

0:22:27.200 --> 0:22:30.040
<v Speaker 1>apologize to him and to morrow. I want to apologize, sir.

0:22:30.600 --> 0:22:33.160
<v Speaker 1>I'm not really in a position to judge other people.

0:22:33.240 --> 0:22:37.000
<v Speaker 1>I'm the one who wound up in prison. Yeah, but

0:22:37.160 --> 0:22:40.760
<v Speaker 1>you know, mist these days, everybody's just waiting to pound

0:22:40.840 --> 0:22:44.080
<v Speaker 1>you never you never, you never, uh you know, there's

0:22:44.119 --> 0:22:46.440
<v Speaker 1>no forgetting. I mean, everybody knows the story I guess

0:22:46.440 --> 0:22:48.679
<v Speaker 1>I was fighting for custody of my daughter and I

0:22:48.840 --> 0:22:52.240
<v Speaker 1>have to go to court and spend dollars just to

0:22:52.280 --> 0:22:54.119
<v Speaker 1>get my kid on the phone. You know, they're going

0:22:54.160 --> 0:22:55.879
<v Speaker 1>to coach the child how to answer the phone. She

0:22:55.920 --> 0:22:59.639
<v Speaker 1>was like eleven, and so I leave this message on

0:22:59.720 --> 0:23:02.399
<v Speaker 1>my order his voicemails screaming at my daughter on the phone.

0:23:02.400 --> 0:23:05.200
<v Speaker 1>I go go nuts because I've gone through all these

0:23:05.200 --> 0:23:07.560
<v Speaker 1>stages of that. Now what I did. I had this

0:23:07.600 --> 0:23:09.520
<v Speaker 1>great therapist say this to me. Once he goes, you

0:23:09.560 --> 0:23:12.600
<v Speaker 1>realize that none of what you suffered, no matter what

0:23:12.640 --> 0:23:16.320
<v Speaker 1>you felt was unfair, he said, you realize that none

0:23:16.320 --> 0:23:18.640
<v Speaker 1>of that would have happened if you hadn't left the message.

0:23:19.960 --> 0:23:21.520
<v Speaker 1>If you hadn't left the message, none of this would

0:23:21.520 --> 0:23:24.359
<v Speaker 1>have happened, regardless of what you think about them leaking

0:23:24.359 --> 0:23:26.200
<v Speaker 1>it to the press. But the point once that gets

0:23:26.240 --> 0:23:28.879
<v Speaker 1>out there on the internet, if you go online and

0:23:29.000 --> 0:23:32.040
<v Speaker 1>you read my Twitter feed or you go see any

0:23:32.040 --> 0:23:34.880
<v Speaker 1>of my social media, there's not a day goes by,

0:23:35.040 --> 0:23:37.920
<v Speaker 1>not one that someone doesn't throw that in my face.

0:23:37.960 --> 0:23:39.520
<v Speaker 1>They send me a message with that, they'll show me

0:23:39.560 --> 0:23:43.320
<v Speaker 1>a YouTube tape with a LinkedIn, so there's no forgetting anymore. No,

0:23:43.480 --> 0:23:45.640
<v Speaker 1>And it's the people that were up against your are

0:23:45.680 --> 0:23:51.000
<v Speaker 1>are very very good at at assaulting any vulnerability they

0:23:51.000 --> 0:23:53.040
<v Speaker 1>see in the people who criticize them. And we do

0:23:53.119 --> 0:23:55.440
<v Speaker 1>criticize them, both you and I do, because they are

0:23:55.480 --> 0:24:01.960
<v Speaker 1>doing a rotten job with this country. Uh. But his supporters,

0:24:02.080 --> 0:24:06.240
<v Speaker 1>um the level of vitriol against people like you that

0:24:06.240 --> 0:24:10.320
<v Speaker 1>that have a conscience and that loved this country, and

0:24:10.359 --> 0:24:13.360
<v Speaker 1>that really loved the constitution and really loved the idea

0:24:13.520 --> 0:24:19.200
<v Speaker 1>of a democracy which we no longer have. Uh, they're

0:24:19.359 --> 0:24:22.439
<v Speaker 1>very very hot to assault you. They want that. The

0:24:22.600 --> 0:24:28.840
<v Speaker 1>level of vitriol is indicative it's gone up, and I

0:24:28.880 --> 0:24:33.320
<v Speaker 1>think they're getting uncomfortable because he flux up every day

0:24:33.359 --> 0:24:35.600
<v Speaker 1>every day. But you've been political for a long time,

0:24:35.640 --> 0:24:38.760
<v Speaker 1>having always I mean I read online where you were

0:24:38.760 --> 0:24:40.879
<v Speaker 1>doing riffs on stage. I don't know if it was

0:24:40.960 --> 0:24:44.679
<v Speaker 1>Monterey or where were you. Risks about JFK's assassination. I

0:24:44.680 --> 0:24:47.399
<v Speaker 1>said it was an assassination. I said, the warring reports

0:24:47.400 --> 0:24:53.440
<v Speaker 1>a lot, and it is. It's absolutely not true. Uh.

0:24:53.680 --> 0:24:56.600
<v Speaker 1>But being an activist is kind of like you know,

0:24:56.960 --> 0:24:59.320
<v Speaker 1>I had heroes Man Seeker as a hero of mine,

0:24:59.400 --> 0:25:02.000
<v Speaker 1>Joan bys the hero of mine. These are people who

0:25:02.080 --> 0:25:06.280
<v Speaker 1>actually put their lives on the line. You know, Harry Belafani,

0:25:07.200 --> 0:25:10.440
<v Speaker 1>he walked from someone in Montgomery, arm in arm. It

0:25:10.560 --> 0:25:12.639
<v Speaker 1>was rifles and the bushes. Plenty of people wanted to go.

0:25:15.000 --> 0:25:18.240
<v Speaker 1>I did a documentary about music and activism, and he's

0:25:18.320 --> 0:25:22.000
<v Speaker 1>one of my heroes because he was very brave. I

0:25:22.040 --> 0:25:24.280
<v Speaker 1>wrote a book about it. That's why we made the documentary.

0:25:24.680 --> 0:25:26.480
<v Speaker 1>Working on a new book now and get him. Jeff

0:25:26.480 --> 0:25:29.760
<v Speaker 1>Benedict started out about politics, but I think it's going

0:25:29.800 --> 0:25:32.520
<v Speaker 1>to be about the whole United States of America and

0:25:32.600 --> 0:25:36.800
<v Speaker 1>democracy and what happened. What do you think it's gonna happen?

0:25:37.720 --> 0:25:40.920
<v Speaker 1>It's fascinating, man. I don't think we know. Okay, okay,

0:25:42.520 --> 0:25:46.840
<v Speaker 1>we didn't protect our democracy well enough. What's gonna happen?

0:25:48.640 --> 0:25:51.200
<v Speaker 1>I really don't know. I'm very encouraged by these kids.

0:25:52.000 --> 0:25:55.040
<v Speaker 1>I was very hugely encouraged. Got to keep them active,

0:25:55.600 --> 0:25:59.399
<v Speaker 1>don't let that fire die out. It's not gonna and

0:25:59.560 --> 0:26:02.600
<v Speaker 1>we don't. We're not in charge of them. They are

0:26:03.040 --> 0:26:07.840
<v Speaker 1>gonna do that, and they are pissed. Understand they're being

0:26:07.880 --> 0:26:13.840
<v Speaker 1>handed a world that's in deep danger ecologically and a

0:26:13.920 --> 0:26:18.199
<v Speaker 1>broken democracy. I don't think they don't know it. They're pissed.

0:26:18.359 --> 0:26:22.159
<v Speaker 1>My son is Piste. He's getting handed the short end

0:26:22.160 --> 0:26:23.800
<v Speaker 1>of the stick, and he knows that he's too smart

0:26:23.880 --> 0:26:27.440
<v Speaker 1>not to know it. They're not going to go away.

0:26:28.240 --> 0:26:31.440
<v Speaker 1>These kids are going to see some change. And all

0:26:31.440 --> 0:26:33.639
<v Speaker 1>the politicians things always been this way, and it's all

0:26:33.720 --> 0:26:36.119
<v Speaker 1>he canna be this way. Were close to the nozzle,

0:26:36.240 --> 0:26:39.359
<v Speaker 1>we can get the goodies. We're gonna run things. Uh.

0:26:40.040 --> 0:26:42.920
<v Speaker 1>The Women's March, the women of the United States of

0:26:42.960 --> 0:26:46.280
<v Speaker 1>America may save the United States of America. We need

0:26:46.280 --> 0:26:49.000
<v Speaker 1>more of them in Congress. Maybe Stormy Daniels is going

0:26:49.040 --> 0:26:52.000
<v Speaker 1>to save the country. Yeah. I thought it was interesting

0:26:52.400 --> 0:26:55.920
<v Speaker 1>that you saw everybody attack David Kid, that was the

0:26:56.440 --> 0:26:59.680
<v Speaker 1>leader of the Florida movement, becomes this lightning rod for

0:26:59.720 --> 0:27:02.800
<v Speaker 1>all these right wingers, especially Hannity, who I've always been,

0:27:02.840 --> 0:27:05.720
<v Speaker 1>you know, just just throttled Hannity whenever I can, because

0:27:05.720 --> 0:27:08.680
<v Speaker 1>he just because he drives me insane, because because first

0:27:08.680 --> 0:27:10.879
<v Speaker 1>of all, he has no talent none. I mean, as

0:27:10.960 --> 0:27:15.199
<v Speaker 1>much as I detest o'riley's positions and as much as

0:27:15.200 --> 0:27:19.040
<v Speaker 1>I'm sickened by the things that O'Riley did, at least O'Riley,

0:27:19.080 --> 0:27:22.080
<v Speaker 1>as a broadcaster had some talent I had. I had

0:27:22.240 --> 0:27:25.160
<v Speaker 1>a showdown with the with the o'relly. He was using

0:27:25.200 --> 0:27:26.919
<v Speaker 1>my song long time Going, and I found out, what

0:27:26.920 --> 0:27:29.160
<v Speaker 1>do you doing? He came out to a show CSN

0:27:29.200 --> 0:27:31.600
<v Speaker 1>show at out on Long Island, What's your name? And

0:27:31.880 --> 0:27:34.160
<v Speaker 1>at that place was Beachy Jones Beach. He came out

0:27:34.160 --> 0:27:37.040
<v Speaker 1>there and he was very you know how he is peacock.

0:27:37.160 --> 0:27:42.360
<v Speaker 1>You know, he's like very full of himself. H O'Riley,

0:27:42.560 --> 0:27:45.840
<v Speaker 1>Nice to meet you. And I said, Mr O'Riley, stop

0:27:45.960 --> 0:27:49.920
<v Speaker 1>using my song. And he said what I said, I

0:27:49.960 --> 0:27:52.600
<v Speaker 1>didn't give you permission. If you use my song anymore,

0:27:52.600 --> 0:27:55.080
<v Speaker 1>I'm going to see you. He said, why don't you

0:27:55.080 --> 0:27:57.280
<v Speaker 1>come on my show and talk about it. I said,

0:27:58.520 --> 0:28:01.679
<v Speaker 1>my son talking about I said, you bully. You just

0:28:01.760 --> 0:28:05.399
<v Speaker 1>interrupted me three words in I'm not gonna come. You

0:28:05.520 --> 0:28:08.680
<v Speaker 1>discussed me and he stopped. But I don't like him

0:28:08.680 --> 0:28:10.880
<v Speaker 1>at all. I don't like any of them because they're

0:28:10.920 --> 0:28:14.560
<v Speaker 1>they don't really even believe what they're ranting about. They're

0:28:14.640 --> 0:28:17.960
<v Speaker 1>ranting because it makes them money. That's how they pay out.

0:28:18.200 --> 0:28:21.080
<v Speaker 1>But you know, multimillion dollar settlements. But but but handed

0:28:21.080 --> 0:28:24.000
<v Speaker 1>the attacks this guy and a lot of people. He's

0:28:24.040 --> 0:28:26.960
<v Speaker 1>a good kid. That's why they attacked me. Because he's effective,

0:28:27.640 --> 0:28:30.520
<v Speaker 1>because it's working. He's believable. These people have they they

0:28:30.560 --> 0:28:36.440
<v Speaker 1>assassinate characters of leadership. They have a leadership assassination program. Yeah,

0:28:36.640 --> 0:28:38.520
<v Speaker 1>anybody on the other side is gonna was gonna get

0:28:38.520 --> 0:28:40.560
<v Speaker 1>an attraction and get anything done. They try to kill him,

0:28:40.600 --> 0:28:43.000
<v Speaker 1>They try to kill him. They don't like it. And

0:28:43.040 --> 0:28:45.680
<v Speaker 1>now I'm I'm tiny, I'm not really worth coming after,

0:28:45.760 --> 0:28:47.240
<v Speaker 1>but they do come after me. I'll give you a

0:28:47.240 --> 0:28:50.400
<v Speaker 1>birdec example, I shot my mouth off yesterday whenever was

0:28:50.680 --> 0:28:55.640
<v Speaker 1>his hotel? I said, burn, baby, burn, stupid and then

0:28:55.640 --> 0:29:01.400
<v Speaker 1>a guy dies. Fifty emails you are heartless, worthless son

0:29:01.440 --> 0:29:05.120
<v Speaker 1>of a bit. Somebody died and you loved it. I

0:29:05.200 --> 0:29:10.000
<v Speaker 1>don't love. Yeah, I don't want to be sometimes I

0:29:10.000 --> 0:29:15.200
<v Speaker 1>don't want any fifty like raging. I'm gonna kill you,

0:29:15.200 --> 0:29:19.959
<v Speaker 1>you low cheesy motherfucker. You can't communicate in the media

0:29:20.200 --> 0:29:22.480
<v Speaker 1>at all the way you thought you could have wanted

0:29:22.520 --> 0:29:26.800
<v Speaker 1>to carefully. Yeah, Because the place I go where I

0:29:26.840 --> 0:29:28.760
<v Speaker 1>can speak as long as I want to, and I'm

0:29:28.800 --> 0:29:32.640
<v Speaker 1>completely uncensored, and I'm welcome and nobody's is Howard Stern.

0:29:33.400 --> 0:29:36.120
<v Speaker 1>I Whenever I want to talk about something, I want

0:29:36.120 --> 0:29:38.440
<v Speaker 1>to talk about an issue, and something's bothering me, I

0:29:38.480 --> 0:29:42.080
<v Speaker 1>go on, Howard. It's the best. These are the nighttime shows.

0:29:42.280 --> 0:29:43.840
<v Speaker 1>Some of them are my friends. I like them. They

0:29:43.840 --> 0:29:46.760
<v Speaker 1>have their purpose promotionally, six minutes on the couch and out.

0:29:47.040 --> 0:29:49.240
<v Speaker 1>They have their function in the in the promotional world.

0:29:49.280 --> 0:29:51.760
<v Speaker 1>But Howard, it's a completely different thing. I have a

0:29:51.800 --> 0:29:55.440
<v Speaker 1>good conversation, and he's a kind guy. He's a really

0:29:55.480 --> 0:29:58.760
<v Speaker 1>interesting thing. You know what happened with Howard. He grew up.

0:29:59.520 --> 0:30:01.920
<v Speaker 1>He ard it be out being you know, hey, I'm

0:30:01.920 --> 0:30:06.040
<v Speaker 1>gonna have strippers on my radio shop, all right? Not

0:30:06.200 --> 0:30:10.280
<v Speaker 1>so shit. And then he kept encountering stuff and learning stuff,

0:30:10.320 --> 0:30:14.720
<v Speaker 1>and you watch him he matured. Eventually they realize Letterman

0:30:15.400 --> 0:30:17.960
<v Speaker 1>and Howard in their own way, they realized they're enough

0:30:19.000 --> 0:30:21.120
<v Speaker 1>them just sitting there talking to is enough. You don't

0:30:21.120 --> 0:30:23.280
<v Speaker 1>need any more of this crap looking. Howard learned a

0:30:23.320 --> 0:30:27.160
<v Speaker 1>lot and became smarter and became much He's a serious,

0:30:27.200 --> 0:30:30.080
<v Speaker 1>a serious guy to talk to. Now. I I feel

0:30:30.080 --> 0:30:32.240
<v Speaker 1>the same way you do. I felt completely free to

0:30:32.320 --> 0:30:36.640
<v Speaker 1>say pretty much anything. I honestly felt you say the

0:30:36.640 --> 0:30:40.040
<v Speaker 1>thing about the fire at Trump's building. But but don't

0:30:40.040 --> 0:30:43.160
<v Speaker 1>we all get pushed to the point where I mean,

0:30:43.200 --> 0:30:45.400
<v Speaker 1>there's things I almost hit send on Twitter that you

0:30:45.400 --> 0:30:48.800
<v Speaker 1>wouldn't believe, right right in line with what you said

0:30:48.840 --> 0:30:51.800
<v Speaker 1>about burdens. We get pushed to that point. Yeah, well

0:30:51.880 --> 0:30:55.440
<v Speaker 1>they make us mad exactly. You love this place. You

0:30:55.480 --> 0:30:57.800
<v Speaker 1>believed in this democracy all your life. You think it's

0:30:57.800 --> 0:30:59.560
<v Speaker 1>a great idea. We got taught it. We're going to

0:30:59.680 --> 0:31:02.360
<v Speaker 1>ruin everything, and well they're ruining it, you know, And

0:31:02.400 --> 0:31:06.120
<v Speaker 1>that's really bad. Uh, And yes, I get pissed and

0:31:06.160 --> 0:31:10.120
<v Speaker 1>everyone swhile I want to make a mistake. I'm made

0:31:10.120 --> 0:31:12.640
<v Speaker 1>a mistake that maybe there was one in one too.

0:31:13.200 --> 0:31:16.200
<v Speaker 1>You're supposed to smile. It was a joke. But why

0:31:16.240 --> 0:31:21.560
<v Speaker 1>why was it a joke? Because I made mistakes every day.

0:31:21.600 --> 0:31:24.040
<v Speaker 1>I'm sorry? Okay, can I get him now? I'm just

0:31:24.160 --> 0:31:26.560
<v Speaker 1>so earnest right now? Ye are I'm a little too earnest.

0:31:27.960 --> 0:31:30.080
<v Speaker 1>I want to ask you about your son. His name

0:31:30.080 --> 0:31:35.360
<v Speaker 1>is Raymond, James, Raymond James Raymond, and you were um separated.

0:31:35.400 --> 0:31:37.280
<v Speaker 1>You didn't see him for while he got reunited. Yeah,

0:31:37.320 --> 0:31:40.160
<v Speaker 1>his mom put him up for adoption, and when he

0:31:40.440 --> 0:31:44.400
<v Speaker 1>was just about to have his first child. His parents said, well,

0:31:44.440 --> 0:31:46.120
<v Speaker 1>you know, I shouldn't know what the genetic Sorry, should

0:31:46.120 --> 0:31:48.080
<v Speaker 1>find out who your dad is. So he tracked and

0:31:48.160 --> 0:31:50.440
<v Speaker 1>he found it and he said, no, no way. Oh

0:31:50.480 --> 0:31:53.600
<v Speaker 1>he didn't know how old was he at that point. Uh,

0:31:54.000 --> 0:31:58.480
<v Speaker 1>probably almost thirty, So he didn't know you were his father. No, No,

0:31:59.240 --> 0:32:02.600
<v Speaker 1>he did a one full thing, Alecky. Normally those meetups

0:32:02.600 --> 0:32:05.920
<v Speaker 1>go very badly. You know that somebody brings too much baggage.

0:32:06.120 --> 0:32:08.120
<v Speaker 1>How come you left me and mom? We weren't good

0:32:08.240 --> 0:32:13.120
<v Speaker 1>enough for you? Uh, it's usually bitter. It's usually a

0:32:13.200 --> 0:32:15.160
<v Speaker 1>better pill. Well, he came and he gave me a

0:32:15.160 --> 0:32:18.640
<v Speaker 1>clean slate. He gave me a chance to earn my

0:32:18.680 --> 0:32:21.920
<v Speaker 1>way into his life, which was one of the kindest

0:32:21.920 --> 0:32:24.400
<v Speaker 1>things anybody's ever done to me. And he and I

0:32:24.520 --> 0:32:29.280
<v Speaker 1>became very close and we write extremely well. Because he's

0:32:29.320 --> 0:32:32.280
<v Speaker 1>a better musician than I am. Anybody tells you it's

0:32:32.320 --> 0:32:36.160
<v Speaker 1>not genetic, haven't come talk. That's interesting, Yeah, that's interesting.

0:32:36.200 --> 0:32:39.800
<v Speaker 1>He's a wonderful musician, much better musician than I am.

0:32:39.800 --> 0:32:43.400
<v Speaker 1>In a really good writer. You still have your band together, CPR, Well,

0:32:43.440 --> 0:32:46.880
<v Speaker 1>that's that band has evolved now into the sky Trail space.

0:32:48.000 --> 0:32:49.720
<v Speaker 1>I am in two bands, The Lighthouse Band this when

0:32:49.720 --> 0:32:52.080
<v Speaker 1>I'm working with down John right now. It's an acoustic band,

0:32:52.880 --> 0:32:55.719
<v Speaker 1>mostly vocalst You here recording, Yeah, we're here recording right now.

0:32:55.720 --> 0:32:58.880
<v Speaker 1>We're making our second record. My other band, sky Trails Band,

0:32:58.920 --> 0:33:02.640
<v Speaker 1>that's CPO are me and Jeff pe Bar and my

0:33:02.680 --> 0:33:07.520
<v Speaker 1>son James Raymond and this jazz bass player from Estonia

0:33:07.920 --> 0:33:12.720
<v Speaker 1>named my Agen Young, really nice brilliant bass player. And

0:33:12.760 --> 0:33:17.040
<v Speaker 1>then Michelle Willis again because she's a stunning singer. She's

0:33:17.080 --> 0:33:21.400
<v Speaker 1>an amazing singer. But yeah, these two bands are the

0:33:21.400 --> 0:33:24.600
<v Speaker 1>results of being getting out of CSM and uh. And

0:33:24.680 --> 0:33:27.560
<v Speaker 1>it was a very tough decision because the streaming was

0:33:27.720 --> 0:33:31.440
<v Speaker 1>taken away half our money. The other half was live

0:33:31.440 --> 0:33:34.840
<v Speaker 1>performance with CSN and I couldn't do it anymore. And

0:33:34.960 --> 0:33:39.840
<v Speaker 1>so I quit. And are you just as happy or

0:33:39.840 --> 0:33:44.280
<v Speaker 1>do you miss? I'm so happy man? And n at all? Really,

0:33:44.320 --> 0:33:47.320
<v Speaker 1>these people are much better writers and much better singers

0:33:47.320 --> 0:33:50.360
<v Speaker 1>than those guys are. Now. These people still love it,

0:33:51.000 --> 0:33:53.680
<v Speaker 1>they love making music. They're not doing it for a paycheck,

0:33:53.760 --> 0:33:55.200
<v Speaker 1>They're doing it because they do. You think the other

0:33:55.200 --> 0:33:57.120
<v Speaker 1>two are really just doing it for a paycheck at

0:33:57.120 --> 0:33:59.440
<v Speaker 1>this point. Yeah, yeah, I think that's the only thing

0:33:59.440 --> 0:34:01.160
<v Speaker 1>they're doing. Are they gonna do? Do Do you think they're

0:34:01.160 --> 0:34:03.600
<v Speaker 1>gonna follow you and form another band and keep going there?

0:34:03.880 --> 0:34:06.480
<v Speaker 1>You know they're working. Stills was working with Judy Collins

0:34:06.640 --> 0:34:09.319
<v Speaker 1>has been a friend forever, and uh and Nash had

0:34:09.320 --> 0:34:11.759
<v Speaker 1>been not working. Were there people that you wanted to

0:34:11.760 --> 0:34:13.800
<v Speaker 1>play with? Like, was there a dream of somebody you

0:34:13.800 --> 0:34:15.120
<v Speaker 1>wanted to play with? You and get to play with?

0:34:15.520 --> 0:34:22.279
<v Speaker 1>Who'd you want to play with? Rony? Really? And why

0:34:22.280 --> 0:34:27.480
<v Speaker 1>didn't you? She was my old lady. I produced her

0:34:27.520 --> 0:34:34.440
<v Speaker 1>first record. She's arguably the finest singer songwriter of our times.

0:34:34.640 --> 0:34:38.520
<v Speaker 1>I think probably pretty definitely the best writer, even better

0:34:38.560 --> 0:34:41.560
<v Speaker 1>than Paul or either one of the Paul's or Randy,

0:34:41.760 --> 0:34:45.640
<v Speaker 1>or even better than than James Taylor, who was one

0:34:45.680 --> 0:34:48.560
<v Speaker 1>of my real heroes in life and and most people

0:34:48.600 --> 0:34:51.279
<v Speaker 1>will come down to it's her, Bob, and she's so

0:34:51.440 --> 0:34:55.600
<v Speaker 1>much better musician than Bob's was a great poet. She's

0:34:55.640 --> 0:34:59.560
<v Speaker 1>a great poet and a great musician. Stunning singer, which

0:34:59.600 --> 0:35:02.600
<v Speaker 1>is all over now because she got, she got had

0:35:02.640 --> 0:35:07.360
<v Speaker 1>a really bad thing happened to her. Um Dylan, But

0:35:07.440 --> 0:35:09.680
<v Speaker 1>I worked with him. What was that like? Was it

0:35:09.760 --> 0:35:13.960
<v Speaker 1>everything you hope they would be? Bob is such a

0:35:14.080 --> 0:35:17.640
<v Speaker 1>piece of work man. I went in and he says, Hi,

0:35:18.000 --> 0:35:21.759
<v Speaker 1>how you doing? And uh? And he kissed my wife's hand.

0:35:22.280 --> 0:35:26.719
<v Speaker 1>She's never washed it since um. And he says, come on,

0:35:26.800 --> 0:35:29.040
<v Speaker 1>let's go do it. And I said, Bobby, I haven't

0:35:29.080 --> 0:35:33.400
<v Speaker 1>heard the song yet. Oh come on. Because he loves

0:35:33.440 --> 0:35:35.520
<v Speaker 1>to get you out on the edge. He wants that

0:35:35.680 --> 0:35:39.600
<v Speaker 1>edge stuff. He wants it. So I said, Bob, you

0:35:39.719 --> 0:35:43.120
<v Speaker 1>got to sing me this song. So he says, okay,

0:35:43.320 --> 0:35:46.719
<v Speaker 1>He sings me this song. See okay, Now let's go

0:35:46.760 --> 0:35:49.400
<v Speaker 1>to it. So we go in the other room and

0:35:49.440 --> 0:35:55.960
<v Speaker 1>he does it completely different. He's such, he's really he's

0:35:55.960 --> 0:35:58.520
<v Speaker 1>a piece of work, trust me. And and I love

0:35:58.600 --> 0:36:01.279
<v Speaker 1>him and I'm I I get along great with him

0:36:01.280 --> 0:36:05.120
<v Speaker 1>because I don't butter his toast. You know. I think

0:36:05.200 --> 0:36:08.800
<v Speaker 1>that's that's comfortable for him people I'd love to work with.

0:36:08.880 --> 0:36:11.200
<v Speaker 1>Its still a bunch, man, but I think the younger

0:36:11.239 --> 0:36:13.839
<v Speaker 1>people still have a lot of joy in it. You know,

0:36:13.880 --> 0:36:17.360
<v Speaker 1>it's still really exciting for him. That produces a different

0:36:17.400 --> 0:36:37.960
<v Speaker 1>quality of music. Unquestionably, we had Beard back hold to

0:36:38.200 --> 0:36:50.719
<v Speaker 1>All God here in the night. That's a signal from

0:36:50.760 --> 0:37:10.120
<v Speaker 1>young good. That's answering something here exactly when we returned

0:37:10.320 --> 0:37:13.600
<v Speaker 1>some of the truly great questions you all submitted for

0:37:13.719 --> 0:37:16.719
<v Speaker 1>this legend of rock and roll and a few of

0:37:16.800 --> 0:37:21.879
<v Speaker 1>the less than great ones. I'm Alec Baldwin and you're

0:37:21.920 --> 0:37:43.759
<v Speaker 1>listening to Here's the thing, she shall be free. She

0:37:43.920 --> 0:37:58.040
<v Speaker 1>turns bo gates down this slope to the heart. We

0:37:58.120 --> 0:38:01.160
<v Speaker 1>have some questions that were posed by people on our

0:38:01.200 --> 0:38:03.080
<v Speaker 1>hears I think Twitter side. Yeah, we we you know,

0:38:03.120 --> 0:38:05.959
<v Speaker 1>we went on on our Twitter page and we asked

0:38:06.000 --> 0:38:07.600
<v Speaker 1>people and it really worked like a charm. We were

0:38:07.680 --> 0:38:09.400
<v Speaker 1>kind of amazed how many people are. We're gonna bring

0:38:09.440 --> 0:38:14.440
<v Speaker 1>me the questions, bring those in here. But uh is

0:38:14.440 --> 0:38:17.200
<v Speaker 1>that you, Adam? I want to pick us a couple

0:38:17.200 --> 0:38:19.919
<v Speaker 1>of these that I really really liked. One of them

0:38:20.040 --> 0:38:23.400
<v Speaker 1>is from a woman named Barbara Fisher, and she says

0:38:23.520 --> 0:38:27.120
<v Speaker 1>one of my all time favorite albums of yours is

0:38:27.200 --> 0:38:31.000
<v Speaker 1>Thousand Roads. Did you have any thoughts of what inspired

0:38:31.040 --> 0:38:34.360
<v Speaker 1>you to write these songs, especially Hero? Was this a generalization?

0:38:35.200 --> 0:38:38.239
<v Speaker 1>Was it a commendation on someone specific that inspired you?

0:38:38.960 --> 0:38:44.320
<v Speaker 1>I wish it were actually Hero. I'm not really sure

0:38:44.480 --> 0:38:47.960
<v Speaker 1>what I was talking about. What happened is I was

0:38:48.000 --> 0:38:50.440
<v Speaker 1>working on that set of words and Phil Collins heard him,

0:38:50.680 --> 0:38:55.879
<v Speaker 1>and uh, and he wrote the music and we as

0:38:55.920 --> 0:38:58.400
<v Speaker 1>the closest I came to you ever having a hit? Really,

0:38:58.920 --> 0:39:02.360
<v Speaker 1>uh uh? I never have hits because I write the

0:39:02.400 --> 0:39:05.399
<v Speaker 1>weird Ship. I'm not really sure what I was talking about.

0:39:05.440 --> 0:39:07.480
<v Speaker 1>I wish I could give you a clear and concise

0:39:07.560 --> 0:39:10.280
<v Speaker 1>answer what I was trying to say, but I'm not sure.

0:39:11.280 --> 0:39:15.560
<v Speaker 1>Bill Vora Nikos, and Bill, if I mangled your name,

0:39:15.600 --> 0:39:19.200
<v Speaker 1>I apologize, Bill Vora Nikos. I think this is a

0:39:19.239 --> 0:39:22.839
<v Speaker 1>funny question. Who was a rival artist or band during

0:39:22.880 --> 0:39:26.240
<v Speaker 1>the sixties or seventies that you couldn't stand or thoughts

0:39:26.320 --> 0:39:33.880
<v Speaker 1>sucked other than Jim Morrison? Do you think Jim Morrison sucked? Yeah? Absolutely?

0:39:33.920 --> 0:39:37.160
<v Speaker 1>Really poser? Really you thought he was not a good singer,

0:39:37.239 --> 0:39:38.920
<v Speaker 1>not a good singer? No? What? No? Why do you?

0:39:38.960 --> 0:39:40.840
<v Speaker 1>Oh my god, I don't think he's a good singer.

0:39:41.200 --> 0:39:42.800
<v Speaker 1>And when you say that, who is a good singer?

0:39:42.800 --> 0:39:45.600
<v Speaker 1>Do you? Yeah? I mean other than the three of you?

0:39:45.640 --> 0:39:52.120
<v Speaker 1>Who's a good singer? James Taylor? Wow, brilliant singer. He's

0:39:52.120 --> 0:39:55.160
<v Speaker 1>just more honest, more straightforward. What what what? What? What much

0:39:55.200 --> 0:39:59.520
<v Speaker 1>more talented. Wow, you know Morrison was a poser. Anybody

0:39:59.560 --> 0:40:01.480
<v Speaker 1>that wants up having a waiver their dick in the audience,

0:40:01.480 --> 0:40:04.000
<v Speaker 1>you know, it's like they're pretty desperate. He was opposer.

0:40:04.320 --> 0:40:09.200
<v Speaker 1>Trust me, I that band was no good. They never

0:40:09.239 --> 0:40:13.480
<v Speaker 1>swung ever, they didn't have a bass player. He played

0:40:13.719 --> 0:40:18.080
<v Speaker 1>terrible bass on a keyboard, really badly, and it was awful.

0:40:18.600 --> 0:40:21.040
<v Speaker 1>I don't like him. I never there were bands earlier

0:40:21.040 --> 0:40:22.759
<v Speaker 1>than that that I didn't like. Paul over here and

0:40:22.760 --> 0:40:24.839
<v Speaker 1>the readers, I mean, come on, I set the bar

0:40:24.920 --> 0:40:27.480
<v Speaker 1>pretty high. The people that I liked were Jimmy Hendrix

0:40:27.520 --> 0:40:30.440
<v Speaker 1>and Janis Joplin and Cass Elliott and Joni Mitchell and

0:40:30.560 --> 0:40:34.600
<v Speaker 1>Bob Dylan. That's those are your basic box set of

0:40:34.600 --> 0:40:36.319
<v Speaker 1>the greatest. Those are all my friends, and they are

0:40:36.360 --> 0:40:38.719
<v Speaker 1>all people that I think are really talented. No, I

0:40:38.719 --> 0:40:42.200
<v Speaker 1>didn't like the Doors worse at all. Well, we have

0:40:42.239 --> 0:40:44.920
<v Speaker 1>a woman here the question. I'm I'm motivated by you

0:40:44.920 --> 0:40:48.320
<v Speaker 1>because it was so blunt about Morrison. I'm so blunt

0:40:48.360 --> 0:40:53.120
<v Speaker 1>about this question. Her name is Renee Champagne. Now that's

0:40:53.120 --> 0:40:55.080
<v Speaker 1>that's a that's a cool name, Renee Champagne. But the

0:40:55.160 --> 0:40:58.200
<v Speaker 1>question is a terrible question. She says, what is the

0:40:58.400 --> 0:41:01.000
<v Speaker 1>most memorable moment of your we are so far and

0:41:01.120 --> 0:41:03.799
<v Speaker 1>why that's a terrible question question. And you get those

0:41:03.840 --> 0:41:07.399
<v Speaker 1>two your favorite and we try to explain to him.

0:41:07.400 --> 0:41:09.359
<v Speaker 1>And when you get into the good stuff, it's all

0:41:09.440 --> 0:41:12.720
<v Speaker 1>apples and orange its. There isn't a best. Clapton wasn't

0:41:12.760 --> 0:41:15.560
<v Speaker 1>better than Hendrix. Hendrick wasn't better than Clapton. I got

0:41:15.600 --> 0:41:18.040
<v Speaker 1>another one here that I really really liked. John Packer

0:41:18.320 --> 0:41:21.120
<v Speaker 1>is his name, our our contributor here from Twitter, John

0:41:21.120 --> 0:41:25.040
<v Speaker 1>Packers said. Hugh Masskela described how you helped him move

0:41:25.080 --> 0:41:28.399
<v Speaker 1>out of addiction and how that transformed his life. How

0:41:28.400 --> 0:41:31.840
<v Speaker 1>did he find you? Cass Elliott, the same person introduced

0:41:31.840 --> 0:41:34.600
<v Speaker 1>me to to Graham and one of my best friends

0:41:34.600 --> 0:41:38.800
<v Speaker 1>in the world, A truly wonderful woman. Yeah, she introduced

0:41:38.840 --> 0:41:40.799
<v Speaker 1>me to Hugh and he and I and she used

0:41:40.800 --> 0:41:43.360
<v Speaker 1>to hang out to get her a lot. Hughie was

0:41:43.640 --> 0:41:45.960
<v Speaker 1>very talented guy. He played on Rock and Roll Star.

0:41:46.520 --> 0:41:48.919
<v Speaker 1>That's his trumpet on Rock and Roll Star. I don't

0:41:48.920 --> 0:41:50.600
<v Speaker 1>want you to answer these questions, but I just want

0:41:50.600 --> 0:41:52.120
<v Speaker 1>to read them to you because they're so interesting to me.

0:41:52.480 --> 0:41:55.719
<v Speaker 1>Jeffrey Paris says, if you had six fingers instead of four,

0:41:55.920 --> 0:41:58.319
<v Speaker 1>what will be here from your guitar? Jeffrey Parrish used

0:41:58.360 --> 0:42:02.200
<v Speaker 1>to be the captain on my boat? Is somebody you know?

0:42:03.160 --> 0:42:05.239
<v Speaker 1>You know he's one of my best friends. If you

0:42:05.280 --> 0:42:07.080
<v Speaker 1>have six fingers on your hand rather than four, what

0:42:07.120 --> 0:42:10.960
<v Speaker 1>will be here from your guitar? Clapped it? Is he

0:42:11.040 --> 0:42:15.520
<v Speaker 1>somebody you admire? Hell? Yes, But more than his musicianship,

0:42:16.040 --> 0:42:21.279
<v Speaker 1>I admire his courage. What happened to him would have

0:42:21.360 --> 0:42:26.239
<v Speaker 1>put me back on top, and he didn't go. He

0:42:26.480 --> 0:42:32.600
<v Speaker 1>stayed sober in the face of that. My god, man,

0:42:33.360 --> 0:42:36.120
<v Speaker 1>that's courage. He's a very brave guy. And you know,

0:42:36.200 --> 0:42:38.160
<v Speaker 1>most people just have never really looked at it and

0:42:38.200 --> 0:42:40.880
<v Speaker 1>thought about what it must have taken from him. But

0:42:41.440 --> 0:42:44.000
<v Speaker 1>I admire his courage as much as I admire his

0:42:44.040 --> 0:42:45.840
<v Speaker 1>guitar playing. And I think he's an even better singer

0:42:45.880 --> 0:42:48.960
<v Speaker 1>than he's a guitar player. Three last questions. Gloria Bernstein,

0:42:48.960 --> 0:42:51.200
<v Speaker 1>who's a friend of mine? Gloria Bernstein wants to know

0:42:51.239 --> 0:42:55.799
<v Speaker 1>what's your favorite movie of your dad's. But the one

0:42:55.800 --> 0:42:58.840
<v Speaker 1>they got the Academy Award for is also a stunner.

0:42:59.239 --> 0:43:01.600
<v Speaker 1>It's called Tab and it was a black and White

0:43:02.320 --> 0:43:06.799
<v Speaker 1>Silent Movie. It's that far back. You ever visited him

0:43:06.840 --> 0:43:11.160
<v Speaker 1>on the set? Oh? Yeah, yeah, yeah, I wanted to

0:43:11.200 --> 0:43:16.120
<v Speaker 1>do your job. Man's I'm So Glass worked out well

0:43:16.120 --> 0:43:20.360
<v Speaker 1>from all of us society. It's not easy, man, for

0:43:20.400 --> 0:43:24.640
<v Speaker 1>every part in in film and TV, there's a thousand

0:43:24.920 --> 0:43:28.160
<v Speaker 1>people trying. One last question from me, what are five

0:43:28.200 --> 0:43:33.719
<v Speaker 1>albums you could never do without? Jonny's Blue Asia, Steely Dan,

0:43:34.280 --> 0:43:40.160
<v Speaker 1>my favorite band, Uh sad that he died. No, I'm

0:43:40.200 --> 0:43:43.480
<v Speaker 1>friends with Donald and Though and I gotta give two

0:43:43.560 --> 0:43:51.640
<v Speaker 1>to Steely Dan, Gaucho, Uh Peppers, Starry Pepper loved it.

0:43:52.040 --> 0:43:57.160
<v Speaker 1>A classical piece called Theme from Thomas Talas. Pretty fun. Williams,

0:43:58.400 --> 0:44:00.880
<v Speaker 1>you know about I'm the I'm the announcer for the

0:44:00.880 --> 0:44:03.640
<v Speaker 1>New York Philharmonic here on public radio. I love that.

0:44:04.400 --> 0:44:06.799
<v Speaker 1>How is your health and what recommendations do you have

0:44:06.840 --> 0:44:09.359
<v Speaker 1>to people, especially people in your business, to take better

0:44:09.400 --> 0:44:10.920
<v Speaker 1>care of their health. I think a lot about that

0:44:10.960 --> 0:44:12.839
<v Speaker 1>now what I might have done, I think you don't.

0:44:13.239 --> 0:44:16.440
<v Speaker 1>My health has always been a very serious issue. I

0:44:16.480 --> 0:44:19.120
<v Speaker 1>had hepatitis. See, I had to have a liver transplant.

0:44:19.680 --> 0:44:21.880
<v Speaker 1>I spent seventy two days in the hospital at U C.

0:44:22.000 --> 0:44:24.719
<v Speaker 1>L a before they saved my life. Oh is it

0:44:24.920 --> 0:44:30.560
<v Speaker 1>really pretty pretty terrible? I've been a diabetic for thirty years.

0:44:31.719 --> 0:44:34.759
<v Speaker 1>At least my doctor, who is a crusty old guy

0:44:35.040 --> 0:44:39.560
<v Speaker 1>at u c l A named Gary get Nick, you

0:44:39.640 --> 0:44:43.279
<v Speaker 1>got to do better with his diabetes. Okay, Gary, thank you?

0:44:43.480 --> 0:44:45.320
<v Speaker 1>How do I do that? He said? Eat less food?

0:44:45.760 --> 0:44:49.080
<v Speaker 1>I said, oh, Gary, you thinks it's so simple. Oh wow,

0:44:49.120 --> 0:44:51.040
<v Speaker 1>you cleared it right up for me. You were so

0:44:51.160 --> 0:44:57.279
<v Speaker 1>kind you ask eat less food. I mean it, you're

0:44:57.280 --> 0:45:01.520
<v Speaker 1>eating too much? Turns up. He is right. There's a

0:45:01.560 --> 0:45:04.000
<v Speaker 1>delay period between when you're actually full and when you

0:45:04.080 --> 0:45:07.160
<v Speaker 1>feel full. It's about twenty minutes, and you keep eating

0:45:07.200 --> 0:45:09.400
<v Speaker 1>because it tastes good. So what I do is I

0:45:09.719 --> 0:45:12.120
<v Speaker 1>order a bigler meal. I don't order sugar, but I

0:45:12.200 --> 0:45:14.319
<v Speaker 1>order a pretty regular meal, and then I eat half

0:45:14.320 --> 0:45:17.919
<v Speaker 1>of it. And I went from forty one seventy seven,

0:45:18.160 --> 0:45:21.080
<v Speaker 1>and I've been here for two years. Do you campaign

0:45:21.120 --> 0:45:25.480
<v Speaker 1>for people for candidates ever anymore? I'm very reticent about

0:45:25.520 --> 0:45:28.640
<v Speaker 1>it because they turn on you. I've been campaigning for

0:45:28.640 --> 0:45:32.360
<v Speaker 1>a friend of mine named Dana Steele down in Texas.

0:45:32.520 --> 0:45:34.479
<v Speaker 1>She's running from home for you. Now you live where

0:45:35.040 --> 0:45:39.040
<v Speaker 1>sent by Santa Barbara. I've been campaigning for Dana because

0:45:39.080 --> 0:45:41.800
<v Speaker 1>she's a friend and I know she's an honorable person

0:45:41.920 --> 0:45:44.320
<v Speaker 1>and she wants She's running for Congress in the thirty

0:45:44.320 --> 0:45:47.600
<v Speaker 1>six district in Texas, and I think she might win,

0:45:47.640 --> 0:45:50.920
<v Speaker 1>even though she's an uphill battle. Yeah, I do. Sometimes

0:45:50.920 --> 0:45:54.319
<v Speaker 1>if I know the character of the person, I'd love

0:45:54.360 --> 0:45:58.680
<v Speaker 1>it to man. You know I love this country. Man,

0:45:58.960 --> 0:46:00.959
<v Speaker 1>I'm not giving up. I'm not going to roll around

0:46:00.960 --> 0:46:02.440
<v Speaker 1>and put my pause in here. I Am going to

0:46:02.480 --> 0:46:06.400
<v Speaker 1>keep fighting until I am dead. The inexhaustible creative engine

0:46:06.719 --> 0:46:11.280
<v Speaker 1>that is David Crosby. He actually worked in film. Recently,

0:46:11.760 --> 0:46:14.520
<v Speaker 1>he and his son James wrote a song for the

0:46:14.560 --> 0:46:18.440
<v Speaker 1>documentary Little Pink House, about the human story behind the

0:46:18.480 --> 0:46:22.840
<v Speaker 1>Supreme Court's Keylo decision, where a town bulldozed a woman's

0:46:22.920 --> 0:46:26.799
<v Speaker 1>little pink house to make room for commercial development. They

0:46:26.800 --> 0:46:29.520
<v Speaker 1>put in a movie and they're trying to see if

0:46:29.520 --> 0:46:31.640
<v Speaker 1>they can qualify as for an Academy Award. Were trying

0:46:31.680 --> 0:46:35.600
<v Speaker 1>to course. I'm putting next to my dad, David Crosby.

0:46:35.760 --> 0:46:38.879
<v Speaker 1>He chose the music for today's program and there's both

0:46:39.040 --> 0:46:43.120
<v Speaker 1>joy and pain in it. This is Alec Baldwin and

0:46:43.160 --> 0:46:58.160
<v Speaker 1>you're listening to. Here's the thing. Seven weeks now sick

0:47:09.719 --> 0:47:17.400
<v Speaker 1>we shifts all the water. Very free, easy easy, you

0:47:17.520 --> 0:47:24.120
<v Speaker 1>know the way it's supposed to be. Simper on the

0:47:24.160 --> 0:47:35.440
<v Speaker 1>shoreline as be talking about, very free and easy