WEBVTT - David Bromberg

0:00:08.600 --> 0:00:12.520
<v Speaker 1>Welcome, Welcome, Welcome back to the Bob left Such Podcast.

0:00:13.119 --> 0:00:18.119
<v Speaker 1>My guest today is the one and only David Bromberg. David,

0:00:18.760 --> 0:00:22.560
<v Speaker 1>you're having what is billed as your final concert April

0:00:22.640 --> 0:00:26.400
<v Speaker 1>tenth at the Beacon. How and why is it your

0:00:26.440 --> 0:00:27.160
<v Speaker 1>final show?

0:00:28.840 --> 0:00:36.640
<v Speaker 2>Well, I'm seventy eight, and there's a lot of parts

0:00:36.680 --> 0:00:40.040
<v Speaker 2>about touring that are hard on this seventy eight year

0:00:40.080 --> 0:00:44.839
<v Speaker 2>old body, and so I felt I kind of had

0:00:44.880 --> 0:00:50.680
<v Speaker 2>to stop. But you know, I've always said I'm not

0:00:50.720 --> 0:00:54.440
<v Speaker 2>the one and only David Bromberg. There were seven David

0:00:54.480 --> 0:00:57.080
<v Speaker 2>Brombergs before me. You know. You know, in this business,

0:00:57.120 --> 0:00:58.600
<v Speaker 2>how do you get in the business? You buy your

0:00:58.600 --> 0:01:00.920
<v Speaker 2>way in. And I didn't have a lot of money,

0:01:01.280 --> 0:01:04.120
<v Speaker 2>so all I could buy was David Bramberg. And now

0:01:04.120 --> 0:01:06.319
<v Speaker 2>that I've had it for a while, it's not worth

0:01:06.360 --> 0:01:07.880
<v Speaker 2>anything anymore. I couldn't sell it.

0:01:09.280 --> 0:01:13.160
<v Speaker 1>Ah, Okay, are you known for your sense of humor?

0:01:13.200 --> 0:01:14.440
<v Speaker 1>We've never talked before.

0:01:15.959 --> 0:01:20.080
<v Speaker 2>Oh, I'm sorry. I don't know if I'm known from

0:01:20.680 --> 0:01:22.640
<v Speaker 2>I don't know if I'm known at all. I think

0:01:22.760 --> 0:01:25.679
<v Speaker 2>on the whole I've remained anonymous.

0:01:26.200 --> 0:01:28.639
<v Speaker 1>I wouldn't say that's the case, because I certainly remember

0:01:28.680 --> 0:01:30.720
<v Speaker 1>when your first album came out in Columbia with the

0:01:30.720 --> 0:01:34.120
<v Speaker 1>white cover, etc. Let's get back to the show, but

0:01:34.160 --> 0:01:39.760
<v Speaker 1>I want to talk specifically about you essentially parking your

0:01:39.840 --> 0:01:44.559
<v Speaker 1>career to get into the violin business. Tell me about

0:01:44.600 --> 0:01:45.440
<v Speaker 1>that decision.

0:01:46.920 --> 0:01:52.520
<v Speaker 2>Well, I got burnt out. But now bear in mind

0:01:52.560 --> 0:01:56.320
<v Speaker 2>I never said I was smart, and I didn't figure

0:01:56.360 --> 0:01:58.760
<v Speaker 2>it was burnout. I thought I could never burn out.

0:02:00.200 --> 0:02:03.280
<v Speaker 2>I thought maybe I was really wrong and that I

0:02:03.360 --> 0:02:07.080
<v Speaker 2>shouldn't be doing it at all. I didn't want to

0:02:07.120 --> 0:02:09.320
<v Speaker 2>be one of these guys who drags himself on stage

0:02:09.360 --> 0:02:12.880
<v Speaker 2>and does a bad impression of what he remembers he

0:02:13.000 --> 0:02:18.600
<v Speaker 2>used to do. And I was burnt out. Really, if

0:02:18.639 --> 0:02:22.960
<v Speaker 2>I'd taken a break for six or nine months and

0:02:23.080 --> 0:02:26.120
<v Speaker 2>come back, it would have been fine. I took twenty

0:02:26.120 --> 0:02:30.400
<v Speaker 2>two years instead because I found a different life for myself.

0:02:32.480 --> 0:02:36.320
<v Speaker 1>Okay, but very specifically, how did you come to the conclusion,

0:02:36.400 --> 0:02:39.519
<v Speaker 1>Because this is a business that most people never stop,

0:02:39.760 --> 0:02:40.480
<v Speaker 1>never give up.

0:02:41.840 --> 0:02:45.440
<v Speaker 2>How did I come to the conclusion. Well, I don't

0:02:45.480 --> 0:02:51.680
<v Speaker 2>know how to answer that. It manifested itself. What are

0:02:51.720 --> 0:02:57.040
<v Speaker 2>you doing doing this if it doesn't feed whatever it

0:02:57.080 --> 0:03:03.799
<v Speaker 2>fed before? I was doing a show first, I should

0:03:03.800 --> 0:03:06.000
<v Speaker 2>explain to you that I've never had a set list.

0:03:07.000 --> 0:03:08.799
<v Speaker 2>I just think of the tune I want to play,

0:03:08.800 --> 0:03:11.080
<v Speaker 2>and I play it. And I was doing a show

0:03:11.120 --> 0:03:14.760
<v Speaker 2>in New Jersey and I couldn't think of anything I

0:03:14.800 --> 0:03:17.320
<v Speaker 2>wanted to play. And the truth is I didn't want

0:03:17.360 --> 0:03:21.480
<v Speaker 2>to play. And when I confronted that, it told me

0:03:21.600 --> 0:03:22.639
<v Speaker 2>I should be stopping.

0:03:25.000 --> 0:03:29.720
<v Speaker 1>Okay, you had that gig in New Jersey. In retrospect,

0:03:30.080 --> 0:03:32.760
<v Speaker 1>did you have hints this was going to happen or

0:03:32.840 --> 0:03:35.320
<v Speaker 1>was it like this just this one show hit you.

0:03:38.280 --> 0:03:42.560
<v Speaker 2>I didn't really have hints, but I should let you

0:03:42.640 --> 0:03:47.800
<v Speaker 2>know that I'm not a very observant human, and things

0:03:47.800 --> 0:03:53.160
<v Speaker 2>that would point certain conclusions out to other people I

0:03:53.280 --> 0:03:58.560
<v Speaker 2>blithely let fly by. So I can't recall any other hints.

0:03:59.040 --> 0:04:01.480
<v Speaker 1>Tell me more about my being an observing person.

0:04:02.800 --> 0:04:09.360
<v Speaker 2>Oh boy, people will will put one and one together

0:04:09.440 --> 0:04:12.839
<v Speaker 2>and get two, and I don't see one or one.

0:04:14.560 --> 0:04:17.600
<v Speaker 2>It's difficult to explain beyond that.

0:04:19.400 --> 0:04:22.320
<v Speaker 1>Well, is this something that has haunted you your whole

0:04:22.400 --> 0:04:25.880
<v Speaker 1>life or these just on big decisions.

0:04:27.720 --> 0:04:31.159
<v Speaker 2>No, this is something that's haunted me my whole life.

0:04:31.200 --> 0:04:35.200
<v Speaker 2>And I have a therapist, so I'm not going to

0:04:35.240 --> 0:04:36.120
<v Speaker 2>get into it with you.

0:04:37.440 --> 0:04:41.320
<v Speaker 1>Okay, you're a therapist. Have you always been in therapy

0:04:41.400 --> 0:04:42.480
<v Speaker 1>or is that something recent?

0:04:44.240 --> 0:04:48.760
<v Speaker 2>I was in therapy when I lived in Chicago, and

0:04:48.800 --> 0:04:53.160
<v Speaker 2>then I moved to Wilmington, Delaware, and I was only

0:04:53.200 --> 0:04:58.200
<v Speaker 2>for the briefest period found a therapist in Philadelphia, but

0:05:00.160 --> 0:05:03.840
<v Speaker 2>wasn't going anywhere, and so recently I've started again. So

0:05:03.880 --> 0:05:08.720
<v Speaker 2>there's been a basically a twenty year twenty two year

0:05:08.839 --> 0:05:13.640
<v Speaker 2>gap between me having any serious therapy.

0:05:14.600 --> 0:05:17.919
<v Speaker 1>Well, it's very hard as someone who's in therapy for

0:05:17.960 --> 0:05:20.000
<v Speaker 1>a long time, and to the state, it's very hard

0:05:20.040 --> 0:05:22.480
<v Speaker 1>to find a good therapist. And the more you know,

0:05:22.560 --> 0:05:24.400
<v Speaker 1>the harder it is. How'd you find one?

0:05:25.360 --> 0:05:29.160
<v Speaker 2>I had a friend who I trust, who has always

0:05:29.160 --> 0:05:32.440
<v Speaker 2>referred me to the best doctors, refer me to a

0:05:32.520 --> 0:05:36.400
<v Speaker 2>therapist who couldn't take me on, but recommended another therapist.

0:05:36.760 --> 0:05:39.960
<v Speaker 2>And I called that therapist and she's really good.

0:05:40.839 --> 0:05:42.479
<v Speaker 1>And is there any issue of medication?

0:05:44.240 --> 0:05:47.880
<v Speaker 2>Yeah, I have to find a psychiatrist who will prescribe,

0:05:47.920 --> 0:05:54.279
<v Speaker 2>because I've been taking antidepressant drugs now for a very

0:05:54.360 --> 0:05:58.120
<v Speaker 2>long time, and I'm not sure that's the right thing,

0:05:58.200 --> 0:06:00.680
<v Speaker 2>because depression really jumped on me recently.

0:06:01.560 --> 0:06:08.599
<v Speaker 1>Really, can you tell me more about that. No, okay,

0:06:10.480 --> 0:06:15.480
<v Speaker 1>so was this something? You know? It's funny because Bruce

0:06:15.520 --> 0:06:19.839
<v Speaker 1>Springsteen mentioned I believe in his book that he was

0:06:19.880 --> 0:06:23.920
<v Speaker 1>on antidepressants. And for someone I'm a little bit younger

0:06:23.960 --> 0:06:29.480
<v Speaker 1>than you, but not that much. I'm seventy and sixty

0:06:29.560 --> 0:06:33.160
<v Speaker 1>really fucked me up. And I just turned seventy recently.

0:06:33.960 --> 0:06:37.839
<v Speaker 1>And it's very disorienting because, like, when you're sixty, you

0:06:37.880 --> 0:06:40.480
<v Speaker 1>realize everything you've been told is basically bullshit, Like you

0:06:40.560 --> 0:06:42.240
<v Speaker 1>find out it you don't have to buy this serially,

0:06:42.200 --> 0:06:44.400
<v Speaker 1>you don't have to go to see that movie. If

0:06:44.440 --> 0:06:49.400
<v Speaker 1>it's good, you'll find out. And when you're seventy, you realize, now,

0:06:49.520 --> 0:06:53.039
<v Speaker 1>wait a second, what was important to begin with it?

0:06:53.040 --> 0:06:53.960
<v Speaker 1>It is depressing.

0:06:55.760 --> 0:07:03.600
<v Speaker 2>Well, yeah, I have a lot of remnants of a

0:07:03.720 --> 0:07:12.800
<v Speaker 2>rather peculiar childhood, and I think that's responsible for the therapy.

0:07:14.080 --> 0:07:15.679
<v Speaker 2>My father was a psychiatrist.

0:07:16.640 --> 0:07:20.280
<v Speaker 1>Really, they say that shrinks have the most screwed up kids.

0:07:21.280 --> 0:07:24.400
<v Speaker 2>Well, I think that may be true. I've heard it

0:07:24.440 --> 0:07:29.680
<v Speaker 2>said that doctors always resemble their specialty. That is that

0:07:30.760 --> 0:07:34.880
<v Speaker 2>pediatricians are kind of childish and you know like that.

0:07:35.000 --> 0:07:41.280
<v Speaker 2>But my dad, my dad became a psychiatrist for reasons

0:07:41.320 --> 0:07:46.520
<v Speaker 2>because he was raised his mother was a monster. A monster.

0:07:46.680 --> 0:07:51.520
<v Speaker 1>That's that's pretty definitive. Since she was your grandmother. Why

0:07:51.640 --> 0:07:52.360
<v Speaker 1>was she a monster?

0:07:54.200 --> 0:08:00.720
<v Speaker 2>Oh boy? My grandmother was the first ange knew of

0:08:00.760 --> 0:08:06.960
<v Speaker 2>the Yiddish theater in Europe because her father had the

0:08:06.960 --> 0:08:12.120
<v Speaker 2>first touring group that performed in Yiddish. So she performed

0:08:12.120 --> 0:08:14.680
<v Speaker 2>with Tomashevsky and all of Grace. As a matter of fact,

0:08:14.680 --> 0:08:19.119
<v Speaker 2>if the script called for infants, my father and Paul

0:08:19.200 --> 0:08:27.640
<v Speaker 2>Muni were the two who were used as children. So

0:08:31.240 --> 0:08:35.559
<v Speaker 2>she was you know, I really don't want to get

0:08:35.600 --> 0:08:39.880
<v Speaker 2>into bed mouthing my family. She was difficult. She thought

0:08:39.880 --> 0:08:42.560
<v Speaker 2>of herself and not much about other people.

0:08:43.760 --> 0:08:46.000
<v Speaker 1>Was it a result of her being a diva or

0:08:46.080 --> 0:08:48.160
<v Speaker 1>was it just her personality?

0:08:49.000 --> 0:08:49.440
<v Speaker 2>Beats me?

0:08:51.840 --> 0:08:57.040
<v Speaker 1>Okay, So your mother's parents obviously Yiddish theater in Europe.

0:08:57.280 --> 0:08:58.880
<v Speaker 1>When and how did they get to America.

0:09:00.880 --> 0:09:04.000
<v Speaker 2>They got to America in the early part of the

0:09:04.000 --> 0:09:14.760
<v Speaker 2>twentieth century, so my father was beginning to grow the

0:09:15.200 --> 0:09:19.360
<v Speaker 2>folks being decided that my grandmother was too old to

0:09:19.360 --> 0:09:24.320
<v Speaker 2>be an ingreenoue, so she gave it up entirely. She

0:09:24.320 --> 0:09:26.400
<v Speaker 2>didn't want to be anything else she was the Ingau

0:09:27.280 --> 0:09:32.400
<v Speaker 2>and my folks came with their parents.

0:09:33.920 --> 0:09:37.400
<v Speaker 1>So both of your parents were, as we say, born

0:09:37.400 --> 0:09:38.760
<v Speaker 1>in the Old Country.

0:09:39.040 --> 0:09:41.160
<v Speaker 2>Not my mom. My mom was actually born in the

0:09:41.160 --> 0:09:46.400
<v Speaker 2>Old Country Brooklyn, Okay.

0:09:47.080 --> 0:09:50.400
<v Speaker 1>So how did your parents meet?

0:09:51.840 --> 0:10:00.680
<v Speaker 2>I believe they met because my maternal grandfather was. He

0:10:00.760 --> 0:10:05.600
<v Speaker 2>was a very interesting man. He was a poet and

0:10:05.960 --> 0:10:15.960
<v Speaker 2>a businessman, a thoroughly honest socialist, and a politician, and

0:10:16.160 --> 0:10:21.719
<v Speaker 2>he was extremely popular. Part of it, I think is

0:10:21.800 --> 0:10:24.800
<v Speaker 2>due to the fact that he was painfully honest. I mean,

0:10:25.120 --> 0:10:27.880
<v Speaker 2>he was a socialist. And when he died, he left

0:10:27.880 --> 0:10:31.600
<v Speaker 2>his wife penniless because if somebody needed money and he

0:10:31.600 --> 0:10:35.520
<v Speaker 2>had it, he'd give it. So he basically gave away everything.

0:10:37.000 --> 0:10:39.079
<v Speaker 2>But he was a great man. As a matter of fact,

0:10:39.360 --> 0:10:43.280
<v Speaker 2>his funeral was to this day the biggest in the

0:10:43.320 --> 0:10:46.240
<v Speaker 2>history of New York City. If you read any book

0:10:46.280 --> 0:10:50.560
<v Speaker 2>about Firolo laguardiad always mentions him, and usually will mention

0:10:50.640 --> 0:10:55.160
<v Speaker 2>that that funeral, which went through all five boroughs, and

0:10:55.200 --> 0:10:59.480
<v Speaker 2>the police report was one hundred thousand people. And what

0:10:59.640 --> 0:11:03.720
<v Speaker 2>was his name, borrough Charni Vladik.

0:11:05.120 --> 0:11:10.400
<v Speaker 1>Okay. So then you're so my father is living where

0:11:10.640 --> 0:11:11.640
<v Speaker 1>when he meets your mother.

0:11:13.240 --> 0:11:16.880
<v Speaker 2>He's living in the States, I mean in Brooklyn. Yeah,

0:11:17.520 --> 0:11:21.840
<v Speaker 2>I think so. Uh. And he was one of many

0:11:21.880 --> 0:11:26.800
<v Speaker 2>people who really admired Vladik my maternity and that's how

0:11:26.880 --> 0:11:27.960
<v Speaker 2>he and my mom met.

0:11:29.440 --> 0:11:32.240
<v Speaker 1>Okay, And how many kids in the family.

0:11:33.760 --> 0:11:34.600
<v Speaker 2>In which family?

0:11:34.640 --> 0:11:37.240
<v Speaker 1>In your family? Siblings? Three?

0:11:37.400 --> 0:11:39.320
<v Speaker 2>I have two. I have a brother and a sister.

0:11:39.640 --> 0:11:43.160
<v Speaker 1>And where are you in the hierarchy middle as am?

0:11:43.200 --> 0:11:46.720
<v Speaker 1>I I heard that coming? Okay, So what are your what?

0:11:46.720 --> 0:11:48.080
<v Speaker 1>What do your brother and sister do?

0:11:48.480 --> 0:11:48.520
<v Speaker 2>What?

0:11:48.760 --> 0:11:50.440
<v Speaker 1>How to you know? What the path did they end

0:11:50.480 --> 0:11:50.920
<v Speaker 1>up taking.

0:11:52.720 --> 0:12:00.120
<v Speaker 2>My brother is now retired, but he was a community

0:12:02.280 --> 0:12:05.439
<v Speaker 2>a community service guy. I mean like he had the

0:12:05.480 --> 0:12:11.160
<v Speaker 2>same job more or less as Obama. He served the

0:12:11.280 --> 0:12:16.160
<v Speaker 2>various communities. And my sister was an artist, but she

0:12:16.200 --> 0:12:22.040
<v Speaker 2>became a scientist through an Listen, nothing in my family

0:12:23.080 --> 0:12:27.520
<v Speaker 2>really goes straight ahead. There's just funny stuff. She was

0:12:27.559 --> 0:12:30.840
<v Speaker 2>at a cocktail party and she was talking with somebody

0:12:30.920 --> 0:12:37.080
<v Speaker 2>and she started to talk about memory. And there was

0:12:37.120 --> 0:12:41.319
<v Speaker 2>another thing that she was because there were two topics

0:12:41.360 --> 0:12:44.839
<v Speaker 2>she loved, and my father got the Scientific American and

0:12:44.920 --> 0:12:49.480
<v Speaker 2>she would read it to find out her favorite topics.

0:12:49.760 --> 0:12:52.360
<v Speaker 2>So she was talking to this woman, and she knew

0:12:52.400 --> 0:12:56.559
<v Speaker 2>a fantastic amount about a couple of subjects and nothing

0:12:56.960 --> 0:13:01.680
<v Speaker 2>about the rest of science. So this woman was the

0:13:01.720 --> 0:13:05.199
<v Speaker 2>director of She was the chief of the science department

0:13:05.240 --> 0:13:07.319
<v Speaker 2>at the university, which I don't think my sister knew

0:13:08.559 --> 0:13:17.240
<v Speaker 2>and gave her I don't know what it's called. So

0:13:17.280 --> 0:13:20.640
<v Speaker 2>she went to university and became a scientist. These days,

0:13:20.679 --> 0:13:25.960
<v Speaker 2>she basically translates from English to English from English written

0:13:26.000 --> 0:13:31.160
<v Speaker 2>by people for whom English is the second language, and

0:13:31.280 --> 0:13:37.040
<v Speaker 2>so she translates scientific papers from English to English.

0:13:37.559 --> 0:13:40.320
<v Speaker 1>Okay, and you grew up in Philadelphia. How the family

0:13:40.360 --> 0:13:42.840
<v Speaker 1>get from Brooklyn to Philadelphia.

0:13:43.600 --> 0:13:48.360
<v Speaker 2>I didn't grow up in Philadelphia. I was born in

0:13:48.360 --> 0:13:50.640
<v Speaker 2>a hospital in Philly. My dad was in the Navy,

0:13:52.280 --> 0:13:56.880
<v Speaker 2>but when he got out of the Navy, we moved

0:13:56.920 --> 0:14:00.040
<v Speaker 2>to Queens. And when I was four years old, the

0:14:00.040 --> 0:14:03.920
<v Speaker 2>family moved from Queens to Tarrytown, New York. And that's

0:14:03.960 --> 0:14:05.320
<v Speaker 2>basically where I was raised.

0:14:06.200 --> 0:14:09.199
<v Speaker 1>I remember going to a Chinese restaurant in Terrytown. I

0:14:09.280 --> 0:14:12.440
<v Speaker 1>can't remember the name. My parents. We go back and

0:14:12.480 --> 0:14:15.679
<v Speaker 1>forth to New York. Okay, so you're growing up. All

0:14:15.679 --> 0:14:17.920
<v Speaker 1>the hopes and dreams are in the older sibling. You're

0:14:17.960 --> 0:14:20.320
<v Speaker 1>going to school. Good student, bad student.

0:14:22.000 --> 0:14:27.080
<v Speaker 2>I was a fairly good student. I did well, not

0:14:27.200 --> 0:14:29.200
<v Speaker 2>as well as my older brother, but I did well.

0:14:29.920 --> 0:14:32.640
<v Speaker 2>To give you the picture, my older brother went to Harvard.

0:14:33.040 --> 0:14:34.080
<v Speaker 2>I went to Columbia.

0:14:35.400 --> 0:14:37.800
<v Speaker 1>Where did your sister go? Since we're going this far.

0:14:38.440 --> 0:14:41.840
<v Speaker 2>My sister went to a whole bunch of art schools,

0:14:42.600 --> 0:14:43.480
<v Speaker 2>one after another.

0:14:44.640 --> 0:14:49.000
<v Speaker 1>Okay, so you're growing up, You're doing well in school,

0:14:49.560 --> 0:14:53.000
<v Speaker 1>you have friends, Do you play sports or your nerd?

0:14:53.080 --> 0:14:54.080
<v Speaker 1>What kind of kid are you?

0:14:56.160 --> 0:15:03.880
<v Speaker 2>I was a pretty solitary kid. When I got to

0:15:03.920 --> 0:15:08.320
<v Speaker 2>be thirteen, music took over my life. I learned to

0:15:08.400 --> 0:15:11.800
<v Speaker 2>play when I got the measles when I was thirteen,

0:15:12.480 --> 0:15:14.640
<v Speaker 2>so I learned to play lying on my back. I

0:15:14.840 --> 0:15:18.520
<v Speaker 2>borrowed one of my brother's guitars and one of his books.

0:15:18.600 --> 0:15:21.720
<v Speaker 2>I could already read music. I had studied flute since

0:15:21.760 --> 0:15:28.280
<v Speaker 2>I was about eight, so teaching myself from the book

0:15:28.400 --> 0:15:32.520
<v Speaker 2>was fairly easy. And as I say, music took over.

0:15:33.440 --> 0:15:37.080
<v Speaker 1>Okay, So in a Jewish family, usually kids started taking

0:15:37.160 --> 0:15:40.560
<v Speaker 1>piano lessons. I remember taking piano lessons at age six.

0:15:41.000 --> 0:15:44.040
<v Speaker 1>You never took piano lessons, you just started with the flute.

0:15:44.920 --> 0:15:48.680
<v Speaker 2>I won't say I never took piano lessons. I took

0:15:48.760 --> 0:15:54.000
<v Speaker 2>a few, but I remember my mom asking me what

0:15:54.040 --> 0:15:55.880
<v Speaker 2>would you like to play in For some reason, I

0:15:55.880 --> 0:16:00.280
<v Speaker 2>said flute, and so that's where I went. I think

0:16:00.280 --> 0:16:02.760
<v Speaker 2>I took the piano lessons after the flute lessons.

0:16:02.800 --> 0:16:08.400
<v Speaker 1>Actually, and you'd learn flute with a private teacher or

0:16:08.480 --> 0:16:13.040
<v Speaker 1>with yes in public okay, And you were taking flute

0:16:13.080 --> 0:16:16.640
<v Speaker 1>before you had this epiphany. Did you like playing flute?

0:16:16.640 --> 0:16:17.560
<v Speaker 1>Did you take to that?

0:16:19.080 --> 0:16:20.400
<v Speaker 2>I don't think I really took to it.

0:16:20.520 --> 0:16:25.600
<v Speaker 1>No, Okay, So you had measles. It's nineteen fifty eight.

0:16:27.520 --> 0:16:32.520
<v Speaker 1>Elvis has got, you know, some purchase on the world.

0:16:33.080 --> 0:16:36.600
<v Speaker 1>The folk boom is sort of happening, but really booms

0:16:36.600 --> 0:16:39.160
<v Speaker 1>sort of a little bit later in the early sixties.

0:16:39.680 --> 0:16:42.320
<v Speaker 1>You're there picking up the guitar. What are you playing?

0:16:44.320 --> 0:16:49.800
<v Speaker 2>I was playing whatever was on the radio. And at

0:16:49.960 --> 0:16:56.440
<v Speaker 2>that time, or shortly after, the folks Scare happened, and

0:16:57.840 --> 0:17:03.360
<v Speaker 2>so I found a record in my parents' collection. I

0:17:03.440 --> 0:17:06.119
<v Speaker 2>never saw them listen to any of the music that

0:17:06.119 --> 0:17:09.639
<v Speaker 2>they had. They had about twenty records, and one of

0:17:09.680 --> 0:17:13.080
<v Speaker 2>them was the Weavers at Carnegie Hall, which I just loved,

0:17:13.200 --> 0:17:17.960
<v Speaker 2>and so I got involved with the folk scare, which

0:17:18.080 --> 0:17:21.199
<v Speaker 2>was parallel to the other scare.

0:17:22.640 --> 0:17:26.320
<v Speaker 1>Okay, now you're talking about being able to read music.

0:17:27.040 --> 0:17:29.160
<v Speaker 1>Those of us have come a little bit later than

0:17:29.200 --> 0:17:32.000
<v Speaker 1>you were really getting into the guitar because of the

0:17:32.040 --> 0:17:36.480
<v Speaker 1>Beatles were playing chords. So at that particular point in time,

0:17:36.600 --> 0:17:38.800
<v Speaker 1>you were playing the notes, you were playing the leads.

0:17:40.520 --> 0:17:43.320
<v Speaker 2>No, at that particularly, I started out learning the chords too,

0:17:43.600 --> 0:17:47.199
<v Speaker 2>and I could figure out the chords for anything on

0:17:47.240 --> 0:17:52.399
<v Speaker 2>the radio at the time, so I was doing that.

0:17:53.280 --> 0:17:56.119
<v Speaker 2>You know, the rock and roll tunes, the folk tunes,

0:17:56.160 --> 0:17:59.920
<v Speaker 2>whatever it was, they were all pretty easy to figure out.

0:18:01.200 --> 0:18:02.560
<v Speaker 1>So this came naturally.

0:18:03.640 --> 0:18:06.680
<v Speaker 2>I think I was able to concentrate and teach myself.

0:18:06.920 --> 0:18:11.240
<v Speaker 2>I actually know somebody to whom I believe music came naturally.

0:18:12.200 --> 0:18:14.680
<v Speaker 2>I had to work hard for everything.

0:18:16.119 --> 0:18:17.639
<v Speaker 1>Well, let me put it a different way. I remember

0:18:17.720 --> 0:18:20.439
<v Speaker 1>playing guitars and my friend said, okay, now we're going

0:18:20.480 --> 0:18:23.840
<v Speaker 1>to change key. I remember telling myself, I'm out. This

0:18:23.920 --> 0:18:26.199
<v Speaker 1>is a step beyond me. I could learn how to

0:18:26.240 --> 0:18:29.639
<v Speaker 1>do that, but I don't have that facility. Are you

0:18:29.760 --> 0:18:32.879
<v Speaker 1>saying that every hurdle you had to work to go.

0:18:32.800 --> 0:18:42.440
<v Speaker 2>Through, Yeah, pretty much. I think that's true. And it's

0:18:42.480 --> 0:18:45.280
<v Speaker 2>been pointed out to me that I play music from

0:18:45.280 --> 0:18:50.399
<v Speaker 2>a variety of genres, which I think is true. My

0:18:50.560 --> 0:18:55.919
<v Speaker 2>records have all been salads. And the thing is, I

0:18:55.960 --> 0:18:58.359
<v Speaker 2>never heard anything played on the guitar that I didn't

0:18:58.359 --> 0:18:59.400
<v Speaker 2>want to play myself.

0:19:06.600 --> 0:19:09.200
<v Speaker 1>So can you tell me about your brother had a guitar.

0:19:10.800 --> 0:19:14.520
<v Speaker 2>My brother was studying classical guitar and he had a

0:19:14.560 --> 0:19:17.760
<v Speaker 2>couple of nylon string classic guitars.

0:19:18.200 --> 0:19:20.560
<v Speaker 1>Well, needless to say, you know, when you're starting out,

0:19:20.640 --> 0:19:24.199
<v Speaker 1>certainly picking out notes. Nylon string guitars, they're hard to

0:19:24.240 --> 0:19:28.120
<v Speaker 1>play with a wide neck. Usually the action, I mean,

0:19:28.680 --> 0:19:30.040
<v Speaker 1>it's not an easy jump.

0:19:31.320 --> 0:19:34.840
<v Speaker 2>Well, the action was quite playable because he was taking

0:19:34.960 --> 0:19:38.000
<v Speaker 2>lessons and knew what he was doing, and wide neck

0:19:38.040 --> 0:19:42.920
<v Speaker 2>didn't scare me. I have rather large hands and I've

0:19:42.920 --> 0:19:44.680
<v Speaker 2>never had a problem with a wide neck.

0:19:46.240 --> 0:19:51.120
<v Speaker 1>Okay, so you're thirteen. Measles doesn't go on forever? The measles?

0:19:51.160 --> 0:19:52.840
<v Speaker 1>And where does that leave you musically?

0:19:54.000 --> 0:19:59.639
<v Speaker 2>Playing everything that's on the radio? And I started, I

0:19:59.680 --> 0:20:05.400
<v Speaker 2>started did taping things because I had a wolln Sock

0:20:05.520 --> 0:20:08.000
<v Speaker 2>tape recorder, and then I realized I never listened to

0:20:08.040 --> 0:20:09.320
<v Speaker 2>the tape, so I stopped that.

0:20:09.960 --> 0:20:12.480
<v Speaker 1>Okay, your parents had a wolen sack. I mean that

0:20:12.640 --> 0:20:15.040
<v Speaker 1>was not common in the house in the fifties.

0:20:16.320 --> 0:20:17.719
<v Speaker 2>Maybe it was a voice of music.

0:20:18.160 --> 0:20:20.360
<v Speaker 1>Well, whatever it was, how did you end up having

0:20:20.359 --> 0:20:22.119
<v Speaker 1>a tape recorder in the house? Who bought that?

0:20:24.040 --> 0:20:27.159
<v Speaker 2>I may have, but I can't remember. Maybe it was

0:20:27.160 --> 0:20:29.480
<v Speaker 2>a birthday president, I just don't recall.

0:20:30.560 --> 0:20:33.760
<v Speaker 1>Okay, so you're now playing everything on the radio. You're

0:20:33.760 --> 0:20:36.920
<v Speaker 1>doing this in your house. Do you start playing out

0:20:36.960 --> 0:20:38.520
<v Speaker 1>when you go to a friend's house, when you go

0:20:38.560 --> 0:20:41.520
<v Speaker 1>to summer camp? Do you have groups anything like that?

0:20:43.200 --> 0:20:47.560
<v Speaker 2>I started playing out a bit when I got old

0:20:47.640 --> 0:20:50.199
<v Speaker 2>enough to play in bars. I played in bars and

0:20:50.240 --> 0:20:56.120
<v Speaker 2>I played you know, the classics, Sophisticated Lady in Teeth

0:20:56.160 --> 0:21:04.520
<v Speaker 2>for two and all that. So that was one part

0:21:04.560 --> 0:21:07.440
<v Speaker 2>of it. And then I did go to camp and

0:21:08.640 --> 0:21:12.160
<v Speaker 2>played guitar there. I played guitar everywhere.

0:21:13.840 --> 0:21:17.719
<v Speaker 1>Okay, So how did you make the hurdle of playing

0:21:17.720 --> 0:21:20.640
<v Speaker 1>in bars playing for money? Did you say I want

0:21:20.680 --> 0:21:23.439
<v Speaker 1>to do this or I want to be recognized? What

0:21:23.520 --> 0:21:24.800
<v Speaker 1>was the driving cast there?

0:21:24.840 --> 0:21:30.800
<v Speaker 2>I started playing with some other people and and we

0:21:30.800 --> 0:21:32.879
<v Speaker 2>were looking for any kind of a job. So we

0:21:32.920 --> 0:21:35.320
<v Speaker 2>found a job in a bar where at first I

0:21:35.359 --> 0:21:37.119
<v Speaker 2>wasn't old enough, so I didn't do it. When I

0:21:37.200 --> 0:21:39.640
<v Speaker 2>was old enough, I could do it.

0:21:41.280 --> 0:21:44.960
<v Speaker 1>Okay, you're saying playing the classics for those who don't know.

0:21:45.000 --> 0:21:47.200
<v Speaker 1>I mean, people have no idea how big the folks

0:21:47.200 --> 0:21:49.800
<v Speaker 1>scene was. It was even a you know, the hootiny

0:21:49.880 --> 0:21:53.840
<v Speaker 1>Andy on TV. Tell me about how the folks scene

0:21:53.920 --> 0:21:56.760
<v Speaker 1>burgeoned and then to what degree you got involved.

0:21:57.600 --> 0:22:00.280
<v Speaker 2>Well, wait a minute. When I said the classics, I

0:22:00.359 --> 0:22:04.360
<v Speaker 2>mean the jazz standards. That's what you're playing right in bars.

0:22:04.800 --> 0:22:05.880
<v Speaker 2>Wasn't really funny, I.

0:22:05.840 --> 0:22:09.160
<v Speaker 1>Understand, But ultimately you were talking about being infected by

0:22:09.160 --> 0:22:12.400
<v Speaker 1>the folk virus, and it seemed like you ultimately got

0:22:12.440 --> 0:22:13.960
<v Speaker 1>into that. Yeah.

0:22:14.080 --> 0:22:17.320
<v Speaker 2>I used to go down to Washington Square on Sundays,

0:22:18.160 --> 0:22:21.400
<v Speaker 2>take a train into the city and go down there,

0:22:21.440 --> 0:22:25.440
<v Speaker 2>and people were playing together, and you know, I learned

0:22:25.440 --> 0:22:29.119
<v Speaker 2>from that experience. And from there I would sometimes wander

0:22:29.160 --> 0:22:37.320
<v Speaker 2>over to McDougall Street, where there were clubs, and I

0:22:37.440 --> 0:22:43.879
<v Speaker 2>performed at at one of them. There's a book about

0:22:43.880 --> 0:22:47.720
<v Speaker 2>the early Folks scene and a guy said, one time

0:22:47.800 --> 0:22:50.920
<v Speaker 2>a guy came in and applied to go on the stage,

0:22:51.040 --> 0:22:52.840
<v Speaker 2>and you know, it was a hoot and any kind

0:22:52.880 --> 0:22:56.040
<v Speaker 2>of thing. Anybody could go on the stage. And he thought, oh,

0:22:56.119 --> 0:22:57.959
<v Speaker 2>this is going to be terrible because the kid had

0:22:58.000 --> 0:23:03.080
<v Speaker 2>a bad haircut and it looked weird. That was me,

0:23:03.800 --> 0:23:06.000
<v Speaker 2>and he said when he played it was you know,

0:23:06.160 --> 0:23:06.560
<v Speaker 2>very good.

0:23:08.119 --> 0:23:11.040
<v Speaker 1>Okay, you're a nice Jewish boy. Your father's a doctor.

0:23:12.119 --> 0:23:15.840
<v Speaker 1>Do you view music as a career or do you

0:23:15.880 --> 0:23:18.119
<v Speaker 1>say you know you've been driven into you have to

0:23:18.160 --> 0:23:20.840
<v Speaker 1>be a professional, go to college and this is just

0:23:20.920 --> 0:23:21.679
<v Speaker 1>a sideshow.

0:23:22.800 --> 0:23:26.320
<v Speaker 2>I thought I had to go to college at first,

0:23:27.240 --> 0:23:34.040
<v Speaker 2>but I kept playing and you said something I wanted

0:23:34.040 --> 0:23:38.720
<v Speaker 2>to pick up on. But my memory is not so good.

0:23:39.760 --> 0:23:44.239
<v Speaker 2>Oh yeah, you said, I'm a nice Jewish boy. I

0:23:44.320 --> 0:23:48.400
<v Speaker 2>was born to Jewish parents, but it was really impossible

0:23:48.440 --> 0:23:54.879
<v Speaker 2>for me to be religious. We would celebrate Passover and

0:23:54.920 --> 0:23:57.720
<v Speaker 2>at every sator at some point my father would say

0:23:58.440 --> 0:24:01.880
<v Speaker 2>this God must be a very insecure creature to require

0:24:02.000 --> 0:24:06.639
<v Speaker 2>so much constant praise. I mean, how am I gonna

0:24:06.680 --> 0:24:09.600
<v Speaker 2>go go worship with that?

0:24:11.000 --> 0:24:14.360
<v Speaker 1>Well, what I was referencing that that is certainly very interesting,

0:24:15.080 --> 0:24:18.320
<v Speaker 1>is the values as opposed to go in a shool

0:24:18.480 --> 0:24:22.520
<v Speaker 1>or barmitz for anything like that. You didn't have arms?

0:24:24.000 --> 0:24:24.520
<v Speaker 2>I did you?

0:24:24.640 --> 0:24:26.159
<v Speaker 1>Did you did, okay.

0:24:26.440 --> 0:24:29.199
<v Speaker 2>I mean, my parents gave me a choice to have

0:24:29.240 --> 0:24:31.960
<v Speaker 2>it or not, and I chose not and that was

0:24:31.960 --> 0:24:37.639
<v Speaker 2>the wrong answer, so I had it. I actually didn't

0:24:37.640 --> 0:24:40.720
<v Speaker 2>have any choice, okay.

0:24:40.400 --> 0:24:43.000
<v Speaker 1>But usually in a Jewish family. I'm speaking from my

0:24:43.040 --> 0:24:44.679
<v Speaker 1>own experience and observation.

0:24:45.560 --> 0:24:45.760
<v Speaker 2>You know.

0:24:45.880 --> 0:24:47.840
<v Speaker 1>I knew I was going to college before I went

0:24:47.880 --> 0:24:50.679
<v Speaker 1>to any school, you know, and they say, you know,

0:24:50.840 --> 0:24:53.159
<v Speaker 1>be a professional. And this was driven into before I

0:24:53.160 --> 0:24:56.439
<v Speaker 1>could think for myself, is all I'm saying. And to

0:24:56.560 --> 0:24:59.960
<v Speaker 1>vere from that, my parents were not that supportive.

0:25:01.600 --> 0:25:07.480
<v Speaker 2>Well. In my second year at Columbia, I had a

0:25:07.520 --> 0:25:12.080
<v Speaker 2>bit of a breakdown and took a leave of absence,

0:25:13.440 --> 0:25:19.280
<v Speaker 2>which I've never ended actually, So there I was not

0:25:19.440 --> 0:25:25.760
<v Speaker 2>in college anymore, and I was playing music and going down.

0:25:25.600 --> 0:25:29.680
<v Speaker 1>To the village. How hard was it to drop out?

0:25:31.560 --> 0:25:33.480
<v Speaker 2>I went and did it the right way. I went

0:25:33.560 --> 0:25:38.359
<v Speaker 2>to the dean's office and spoke to them, and he

0:25:38.440 --> 0:25:42.080
<v Speaker 2>sent me to the campus psychiatrist, and he recommended somebody

0:25:42.080 --> 0:25:45.240
<v Speaker 2>for me to see. So I dropped out and started

0:25:45.560 --> 0:25:52.159
<v Speaker 2>seeing this psychiatrist. My father was very angry that I

0:25:52.200 --> 0:25:56.960
<v Speaker 2>hadn't asked him to recommend somebody, but you know, there

0:25:57.000 --> 0:25:57.600
<v Speaker 2>we go again.

0:25:59.040 --> 0:26:02.840
<v Speaker 1>How much as dropping out was college didn't work or

0:26:02.840 --> 0:26:05.239
<v Speaker 1>I'm on this music path and I have to pursue it.

0:26:06.920 --> 0:26:11.480
<v Speaker 2>You know, I've never asked myself that question. I think

0:26:11.560 --> 0:26:14.320
<v Speaker 2>I couldn't handle college. I think that was the main thing,

0:26:16.720 --> 0:26:18.760
<v Speaker 2>but there had to have been some of the other

0:26:19.520 --> 0:26:25.280
<v Speaker 2>involved there. I don't think that human beings do things

0:26:25.320 --> 0:26:29.320
<v Speaker 2>for the black and white reasons all the time. I

0:26:29.359 --> 0:26:30.800
<v Speaker 2>know I certainly didn't.

0:26:32.280 --> 0:26:34.720
<v Speaker 1>So you stop going to school, what's your life like? Then?

0:26:34.760 --> 0:26:36.600
<v Speaker 1>You live in Indian City or you live in back

0:26:36.640 --> 0:26:37.320
<v Speaker 1>in Terrytown.

0:26:39.080 --> 0:26:43.520
<v Speaker 2>I was living in the city and I got offered

0:26:43.600 --> 0:26:48.480
<v Speaker 2>a gig. I'm a State Department tour, which turned into

0:26:48.560 --> 0:26:53.680
<v Speaker 2>two State Department tours, and after that I got various

0:26:53.720 --> 0:26:56.240
<v Speaker 2>gigs here and there. I played rhythm guitar for a

0:26:56.240 --> 0:27:01.880
<v Speaker 2>Calypso singer. You know, I did whatever I could get.

0:27:03.840 --> 0:27:05.760
<v Speaker 1>Well, you know, there's this new movie about Blood, Sweat

0:27:05.800 --> 0:27:10.800
<v Speaker 1>and Tears talking about their State Department tour and the

0:27:10.800 --> 0:27:14.480
<v Speaker 1>deleterious effects thereof What were the State Department tours you

0:27:14.480 --> 0:27:23.320
<v Speaker 1>were on? The first one was in Southeast Asia. The

0:27:23.440 --> 0:27:29.280
<v Speaker 1>band was a band called the Phoenix Singers, and the

0:27:29.320 --> 0:27:33.200
<v Speaker 1>Phoenix Singers were an offshoot of the Bellefonte Singers, and

0:27:34.080 --> 0:27:44.520
<v Speaker 1>it was three very well operatically trained black musicians singing

0:27:45.080 --> 0:27:49.240
<v Speaker 1>folk music in shirts open to the navel, accompanied by

0:27:49.720 --> 0:27:54.440
<v Speaker 1>two heterosexual Jewish guitar players. And I think the point

0:27:54.480 --> 0:27:57.600
<v Speaker 1>of it was to show them that in America, white

0:27:57.640 --> 0:28:02.679
<v Speaker 1>people can work for black people. I wasn't required to

0:28:02.880 --> 0:28:06.400
<v Speaker 1>figure out why we were there at the time. I

0:28:06.480 --> 0:28:06.800
<v Speaker 1>was just.

0:28:06.840 --> 0:28:09.800
<v Speaker 2>Required to play, and that's what I did.

0:28:11.680 --> 0:28:14.840
<v Speaker 1>Okay, So you've dropped out of college, you found some gigs.

0:28:15.480 --> 0:28:20.440
<v Speaker 1>Is there a dream or you just fumbling? Oh?

0:28:20.480 --> 0:28:22.560
<v Speaker 2>I think I was just fumbling. And I think I've

0:28:22.600 --> 0:28:28.800
<v Speaker 2>always just fumbled. I've never had a goal in music.

0:28:29.240 --> 0:28:34.200
<v Speaker 2>Except at the point where I could take a cab

0:28:34.400 --> 0:28:38.160
<v Speaker 2>home from a gig in New York City. I had

0:28:38.160 --> 0:28:44.360
<v Speaker 2>it made. Everything else was gravy. It was enough to

0:28:44.360 --> 0:28:46.680
<v Speaker 2>be able to take a cab home at three am

0:28:46.720 --> 0:28:49.840
<v Speaker 2>and not have to go into the subways and wait

0:28:50.240 --> 0:28:50.800
<v Speaker 2>and wait.

0:28:51.720 --> 0:28:53.920
<v Speaker 1>What kind of living situation did you have and how

0:28:53.920 --> 0:28:56.200
<v Speaker 1>are you paying the rent?

0:28:56.440 --> 0:29:05.160
<v Speaker 2>I had a few different places, is usually one bedroom

0:29:05.800 --> 0:29:11.560
<v Speaker 2>at first shared with another musician. I had a place

0:29:11.640 --> 0:29:16.280
<v Speaker 2>on a six floor walk up on McDougall Street, in

0:29:16.360 --> 0:29:19.960
<v Speaker 2>a tiny, little place, which I shared with another musician,

0:29:20.840 --> 0:29:27.240
<v Speaker 2>and unbelievably small, even smaller than the Paris apartment. Paris

0:29:27.280 --> 0:29:28.520
<v Speaker 2>apartments are smaller than New.

0:29:28.480 --> 0:29:33.160
<v Speaker 1>York And were your pearents financially supportive? It all?

0:29:34.080 --> 0:29:40.080
<v Speaker 2>They were? My parents were very supportive financially. I tried

0:29:40.120 --> 0:29:44.760
<v Speaker 2>not to ask, but they really helped me through that period.

0:29:45.040 --> 0:29:49.040
<v Speaker 2>I remember being on the subway, across the aisle from

0:29:49.080 --> 0:29:52.280
<v Speaker 2>a woman with a bag full of groceries and being

0:29:53.080 --> 0:29:55.520
<v Speaker 2>just that close to asking her if I could have

0:29:55.600 --> 0:30:01.920
<v Speaker 2>something from there, because food was hard to come by, and.

0:30:01.880 --> 0:30:05.280
<v Speaker 1>I would, Now, it's the right And now it's the

0:30:05.320 --> 0:30:09.400
<v Speaker 1>early sixties and the folk boom is booming and in

0:30:09.720 --> 0:30:13.320
<v Speaker 1>people are coming to New York City to participate. Where

0:30:13.320 --> 0:30:14.080
<v Speaker 1>were you? Then?

0:30:16.720 --> 0:30:20.160
<v Speaker 2>I found my way back to the village and in

0:30:20.240 --> 0:30:25.440
<v Speaker 2>this apartment I was describing on McDougall Street, and I

0:30:25.520 --> 0:30:30.600
<v Speaker 2>eventually got a gig at the gas Light, which is

0:30:30.640 --> 0:30:33.440
<v Speaker 2>also on McDougal Street, to block over from my apartment,

0:30:34.080 --> 0:30:40.440
<v Speaker 2>and I was the opening act for everybody for fifty

0:30:40.440 --> 0:30:46.040
<v Speaker 2>bucks a week, and that was a wonderful period. I

0:30:46.080 --> 0:30:50.680
<v Speaker 2>got to play with some incredible artists on the same

0:30:50.720 --> 0:30:54.200
<v Speaker 2>bill with and sometimes on the same stage. You know,

0:30:54.280 --> 0:30:57.080
<v Speaker 2>sometimes I would get to play with some of those people.

0:30:58.280 --> 0:30:59.920
<v Speaker 1>And some of those people were.

0:31:01.720 --> 0:31:10.960
<v Speaker 2>Skip James Wow, Don Reno and Bill Harrell, Doc Watson.

0:31:14.000 --> 0:31:16.320
<v Speaker 2>There were all kinds of people whose records I loved.

0:31:17.840 --> 0:31:21.040
<v Speaker 1>Now you're playing out to what degree? Are you as

0:31:21.080 --> 0:31:23.640
<v Speaker 1>student of the instrument and going home and playing in

0:31:23.680 --> 0:31:26.920
<v Speaker 1>your apartment? I mean, are you really working hard? You say, well, no,

0:31:27.000 --> 0:31:28.640
<v Speaker 1>I play at the gig and I might work out

0:31:28.680 --> 0:31:31.320
<v Speaker 1>a little bit at home. Are you spending hours practicing

0:31:31.320 --> 0:31:31.880
<v Speaker 1>at home too?

0:31:32.800 --> 0:31:36.560
<v Speaker 2>You know? I spent hours practicing at home. And when

0:31:36.600 --> 0:31:40.240
<v Speaker 2>I was going to Columbia, I wandered down to the

0:31:40.320 --> 0:31:43.040
<v Speaker 2>village one afternoon and I passed a place that at

0:31:43.040 --> 0:31:45.160
<v Speaker 2>the time was called the dragons Den, and there was

0:31:45.200 --> 0:31:49.040
<v Speaker 2>a sandwich sign outside that said Reverend Gary Davis here

0:31:49.160 --> 0:31:53.920
<v Speaker 2>this afternoon. So I paid my money and went in.

0:31:54.000 --> 0:31:58.680
<v Speaker 2>I had heard I actually had a record that had

0:31:58.720 --> 0:32:04.120
<v Speaker 2>one side of the Reverend. In the other side was

0:32:04.160 --> 0:32:09.280
<v Speaker 2>Pink Anderson, who was a singer who would draw crowds

0:32:10.080 --> 0:32:19.000
<v Speaker 2>for medicine shows anyhow, So they were both basically street singers.

0:32:19.160 --> 0:32:23.120
<v Speaker 2>And so I went in and I listened, and it

0:32:23.160 --> 0:32:28.600
<v Speaker 2>was the Reverend. It was incredible He was one of

0:32:28.640 --> 0:32:32.640
<v Speaker 2>the great guitar players, one of the greatest I've ever seen.

0:32:33.360 --> 0:32:37.680
<v Speaker 2>And he was also I don't think people mentioned this enough,

0:32:38.320 --> 0:32:43.680
<v Speaker 2>he was also a fantastic singer. He was really really good.

0:32:44.600 --> 0:32:49.440
<v Speaker 2>And after this set I approached him and asked if

0:32:50.320 --> 0:32:54.000
<v Speaker 2>I could take lessons from him, and he said, yes,

0:32:55.680 --> 0:33:00.480
<v Speaker 2>five dollars, bring the money, honey. That was the reverend.

0:33:01.880 --> 0:33:03.200
<v Speaker 2>That was Reverend Gary Davis.

0:33:03.240 --> 0:33:04.840
<v Speaker 1>And how long did you take lessons?

0:33:05.080 --> 0:33:10.640
<v Speaker 2>A few years? Learning to play his tunes the way

0:33:10.680 --> 0:33:17.600
<v Speaker 2>he played them. I tried, what would a lesson be like? Well,

0:33:17.640 --> 0:33:20.400
<v Speaker 2>first of all, it would usually last the whole day,

0:33:22.240 --> 0:33:30.360
<v Speaker 2>and his wife would make lunch at some point, and

0:33:29.880 --> 0:33:34.680
<v Speaker 2>he was extremely patient man, and so he would play

0:33:34.720 --> 0:33:38.000
<v Speaker 2>something and I would try and copy it and he

0:33:38.480 --> 0:33:42.959
<v Speaker 2>would correct me. But he was a great teacher, and

0:33:43.000 --> 0:33:49.160
<v Speaker 2>he was very very patient, but he'd also he'd also

0:33:49.240 --> 0:33:54.040
<v Speaker 2>screw around with you. I remember one lesson he was

0:33:54.600 --> 0:33:57.960
<v Speaker 2>teaching me. The song called I'll Be all Right, which

0:33:58.040 --> 0:34:02.560
<v Speaker 2>is the song from which We Overcome, was taken same melody,

0:34:04.400 --> 0:34:08.160
<v Speaker 2>and at one point he played a chord which I

0:34:08.160 --> 0:34:11.320
<v Speaker 2>didn't recognize, and I said, what's that chord? He said,

0:34:11.320 --> 0:34:14.400
<v Speaker 2>this isn't E ninth. I said, what wasn't he ninth?

0:34:14.960 --> 0:34:18.960
<v Speaker 2>He said, this isn't e ninth? Oh okay. So I

0:34:19.000 --> 0:34:22.200
<v Speaker 2>went home and I learned and practiced. In the next week,

0:34:22.239 --> 0:34:25.040
<v Speaker 2>I came back and I played it for him, and

0:34:25.080 --> 0:34:27.600
<v Speaker 2>he stopped me. He said, what cord are you playing there?

0:34:28.520 --> 0:34:31.680
<v Speaker 2>I said, in E ninth? He said, wasn't he ninth? Well,

0:34:31.719 --> 0:34:35.080
<v Speaker 2>this isn't e ninth. No, it's a B minor. And

0:34:35.120 --> 0:34:37.319
<v Speaker 2>then anytime he knew I was there and he was

0:34:37.360 --> 0:34:41.239
<v Speaker 2>playing that tune, it would be a B minor, but

0:34:42.480 --> 0:34:44.319
<v Speaker 2>it could also be an E ninth. I mean, there's

0:34:44.360 --> 0:34:48.719
<v Speaker 2>only one note difference, and it's not a sharp contrast.

0:34:53.280 --> 0:34:56.080
<v Speaker 1>And how did the lessons? How did you stop taking

0:34:56.160 --> 0:34:56.960
<v Speaker 1>lessons with him?

0:34:58.560 --> 0:35:02.640
<v Speaker 2>See, at one point I got promoted to where I

0:35:02.760 --> 0:35:05.520
<v Speaker 2>wasn't paying him for the lessons, but I was taking

0:35:05.600 --> 0:35:09.799
<v Speaker 2>him to his gigs. And that was very important in

0:35:09.840 --> 0:35:14.480
<v Speaker 2>my life because we went to a lot of churches,

0:35:16.320 --> 0:35:21.240
<v Speaker 2>and I discovered that I was never as welcome anywhere

0:35:21.239 --> 0:35:23.520
<v Speaker 2>else as I was in the church as he brought

0:35:23.520 --> 0:35:27.440
<v Speaker 2>me to. And so that made me curious, and I

0:35:27.480 --> 0:35:31.080
<v Speaker 2>started occasionally going to other churches, and I learned a

0:35:31.080 --> 0:35:34.319
<v Speaker 2>lot about guitar playing from the other churches where there

0:35:34.360 --> 0:35:42.680
<v Speaker 2>were no guitar played. What I learned was, well, I'll

0:35:42.680 --> 0:35:45.600
<v Speaker 2>give you an example of what I learned. If you

0:35:45.680 --> 0:35:48.280
<v Speaker 2>think of BB King's playing, and I was playing single

0:35:48.320 --> 0:35:54.719
<v Speaker 2>note things at this time, as well as the reverence things.

0:35:55.040 --> 0:36:01.719
<v Speaker 2>BB King's choice of notes is his own, but his

0:36:02.320 --> 0:36:06.279
<v Speaker 2>phrasing is that of a preacher. And it was like

0:36:06.360 --> 0:36:10.640
<v Speaker 2>a light going off when I realized that, you know,

0:36:10.840 --> 0:36:14.840
<v Speaker 2>BB plays with a lot of rests, and arrest is

0:36:14.840 --> 0:36:22.959
<v Speaker 2>a musical note, and so I got it. The thing

0:36:23.000 --> 0:36:29.360
<v Speaker 2>about those pauses is that when the preachers would preach,

0:36:29.480 --> 0:36:35.520
<v Speaker 2>sometimes they would sometimes they would stop, and everybody would

0:36:35.600 --> 0:36:41.560
<v Speaker 2>want to hear what he would say next, how he

0:36:41.560 --> 0:36:47.080
<v Speaker 2>would finish the sentence. And that's a great thing for

0:36:47.160 --> 0:36:50.680
<v Speaker 2>public speaking, but it's also great for playing blues guitar.

0:36:53.680 --> 0:36:59.080
<v Speaker 1>Okay, you're taking these lessons. Meanwhile, Dave van Rock is

0:36:59.120 --> 0:37:02.719
<v Speaker 1>playing Dylan comes to Town. Were you integrated in that

0:37:02.840 --> 0:37:05.479
<v Speaker 1>scene or was that separate from you?

0:37:05.480 --> 0:37:11.080
<v Speaker 2>You've got the wrong timeframe. That was before I moved

0:37:11.080 --> 0:37:15.040
<v Speaker 2>down to the village. I did meet and get to

0:37:15.080 --> 0:37:23.280
<v Speaker 2>know Dave, and I did something that I didn't realize

0:37:23.400 --> 0:37:28.640
<v Speaker 2>was so good but it was really good. I was

0:37:28.680 --> 0:37:31.239
<v Speaker 2>in the village and there was a kid showed up

0:37:31.280 --> 0:37:36.640
<v Speaker 2>playing dulcimer, which I never considered an instrument, and he

0:37:36.719 --> 0:37:40.920
<v Speaker 2>had a really great song called Fairfax County and I

0:37:41.000 --> 0:37:45.040
<v Speaker 2>heard that song and it's a ballad. Now, Da von

0:37:45.160 --> 0:37:47.719
<v Speaker 2>Rock is usually known for his hoarse voice and his

0:37:49.440 --> 0:37:53.080
<v Speaker 2>kind of bluff performance, but when he does a ballot

0:37:54.320 --> 0:37:59.120
<v Speaker 2>it's tremendous, so I knew this was This tune was

0:37:59.120 --> 0:38:01.840
<v Speaker 2>for Davon Rock. So I took the kid with me

0:38:02.200 --> 0:38:05.280
<v Speaker 2>until I could find Van Rock. We wounded her around

0:38:05.320 --> 0:38:09.000
<v Speaker 2>the village. We found him backstage at the bottom line.

0:38:10.239 --> 0:38:14.120
<v Speaker 2>It was Tom Paxton's gig and he was visiting Pakistan.

0:38:14.160 --> 0:38:18.400
<v Speaker 2>They we were old friends, and I introduced them David,

0:38:18.440 --> 0:38:22.920
<v Speaker 2>here's David, David, Here's David. And I left and I

0:38:22.960 --> 0:38:29.040
<v Speaker 2>never saw Dave von Rock again. The next time I

0:38:29.160 --> 0:38:34.239
<v Speaker 2>ran into David Massingill, who wrote the song, was at

0:38:34.280 --> 0:38:38.720
<v Speaker 2>a memorial for ven Rock, and Massingle said that after

0:38:38.960 --> 0:38:43.520
<v Speaker 2>that night when I introduced them, they were always together.

0:38:43.680 --> 0:38:46.959
<v Speaker 2>He would drive him, he would sometimes be the opening act.

0:38:48.040 --> 0:38:52.600
<v Speaker 2>They were road companions, so that was a good thing

0:38:52.640 --> 0:38:52.960
<v Speaker 2>I did.

0:39:01.160 --> 0:39:04.240
<v Speaker 1>Okay, since you set the timeframe that you're a little

0:39:04.320 --> 0:39:09.160
<v Speaker 1>after sixty two, etc. In the folk Boom. To what

0:39:09.239 --> 0:39:11.520
<v Speaker 1>degree were you aware of it? And to what degree

0:39:11.640 --> 0:39:14.040
<v Speaker 1>did you say, I want to be into this, or

0:39:14.080 --> 0:39:16.520
<v Speaker 1>maybe I'm too late, or I want to know these people.

0:39:18.560 --> 0:39:23.640
<v Speaker 2>Well, you know, this is another example of me not

0:39:23.760 --> 0:39:29.400
<v Speaker 2>putting two and two together. Necessarily. You see a whole

0:39:29.440 --> 0:39:32.680
<v Speaker 2>thing and you wonder how I was going to integrate

0:39:32.760 --> 0:39:36.400
<v Speaker 2>myself into it. I never thought of that. All I

0:39:36.440 --> 0:39:40.640
<v Speaker 2>thought of is where can I get a job and

0:39:41.000 --> 0:39:46.120
<v Speaker 2>how can I do it well. I sometimes get asked,

0:39:46.120 --> 0:39:48.840
<v Speaker 2>you know, I've done a lot of recording sessions with

0:39:48.960 --> 0:39:54.600
<v Speaker 2>some very famous people, and I've been asked, was it

0:39:54.760 --> 0:40:00.120
<v Speaker 2>like doing a recording session with Bob Dylan? I said, well,

0:39:59.840 --> 0:40:05.800
<v Speaker 2>the the important words there are recording session. It's a job,

0:40:06.520 --> 0:40:10.319
<v Speaker 2>and I concentrate on doing my job. I don't let

0:40:11.880 --> 0:40:14.480
<v Speaker 2>you know I was a huge Stone fan, but I

0:40:14.520 --> 0:40:15.719
<v Speaker 2>wouldn't be starstruck.

0:40:15.880 --> 0:40:21.279
<v Speaker 1>I had a job to do. Okay, how much was

0:40:21.800 --> 0:40:24.360
<v Speaker 1>doing the job properly and how much was getting paid?

0:40:26.560 --> 0:40:30.000
<v Speaker 2>Well, if it was somebody really famous, the whole thing

0:40:30.120 --> 0:40:34.480
<v Speaker 2>was doing the job properly. But you don't get to

0:40:34.520 --> 0:40:38.600
<v Speaker 2>do that until you gain a certain amount of recognition yourself.

0:40:39.640 --> 0:40:42.880
<v Speaker 2>You know, I did a lot of gigs that were

0:40:43.880 --> 0:40:47.360
<v Speaker 2>I mean, the first album I was on was something

0:40:47.400 --> 0:40:52.480
<v Speaker 2>called Psychedelic Soul, and I don't want to say that

0:40:52.560 --> 0:40:56.280
<v Speaker 2>it was bad, but everything they printed after a few

0:40:56.680 --> 0:40:58.560
<v Speaker 2>months was sold to Red China.

0:41:01.760 --> 0:41:02.360
<v Speaker 1>It was bad.

0:41:04.000 --> 0:41:07.840
<v Speaker 2>And I played on a lot of you know, bad

0:41:08.200 --> 0:41:12.279
<v Speaker 2>beginner things, and for a while I had I would

0:41:12.320 --> 0:41:17.279
<v Speaker 2>be called by a producer named Tommy Kay Thomas Jefferson Ka,

0:41:18.320 --> 0:41:21.440
<v Speaker 2>of course you know Tommy.

0:41:22.360 --> 0:41:25.040
<v Speaker 1>Yeah, I don't know personally, even put out albums under

0:41:25.080 --> 0:41:25.640
<v Speaker 1>his own name.

0:41:27.200 --> 0:41:30.799
<v Speaker 2>Well, the thing about Tommy was he wanted to be

0:41:32.760 --> 0:41:35.560
<v Speaker 2>who's that great producer who ended up in.

0:41:35.560 --> 0:41:39.279
<v Speaker 1>Jail, Phil Spector?

0:41:39.280 --> 0:41:41.440
<v Speaker 2>Phil Spector. He wanted to be Phil Spector. He always

0:41:41.440 --> 0:41:46.120
<v Speaker 2>wears sunglasses and slouched and said, anyhow, the thing about

0:41:46.160 --> 0:41:53.360
<v Speaker 2>Tommy is you never got paid scale. So after a

0:41:53.360 --> 0:41:55.640
<v Speaker 2>while I didn't have to do those gigs, and I

0:41:55.719 --> 0:41:58.560
<v Speaker 2>stopped doing them. I'm telling Tommy, you know, if you're

0:41:58.560 --> 0:41:59.960
<v Speaker 2>not going to pay scale, I'm not going to do it.

0:42:02.000 --> 0:42:06.560
<v Speaker 2>And actually I got paid double scale a lot. I

0:42:06.640 --> 0:42:09.600
<v Speaker 2>don't remember if it was that period, but I used

0:42:09.640 --> 0:42:13.960
<v Speaker 2>to get at least scale. And Tommy said, well, listen,

0:42:14.080 --> 0:42:16.800
<v Speaker 2>you've got to play this one the other guitar players.

0:42:16.920 --> 0:42:22.520
<v Speaker 2>Eric Clapton, I said, are you seriously? Said yeah. So

0:42:22.560 --> 0:42:27.200
<v Speaker 2>I go to the studio a couple days later and

0:42:27.600 --> 0:42:31.000
<v Speaker 2>I look around. There's another guitar player, and I go

0:42:31.080 --> 0:42:34.600
<v Speaker 2>to Tommy. I say, Tommy, you know that's not Eric Clapton.

0:42:35.920 --> 0:42:38.240
<v Speaker 2>He says, yeah, but it looks just like him, doesn't

0:42:38.239 --> 0:42:48.520
<v Speaker 2>He Well, yeah, you know, when you're just starting out,

0:42:49.200 --> 0:42:51.560
<v Speaker 2>you meet all the bottom feeders first.

0:42:52.760 --> 0:42:56.239
<v Speaker 1>Oh. Absolutely, So at this point in time, now you

0:42:56.280 --> 0:42:59.840
<v Speaker 1>pick up the guitar, when you're thirteen, you ultimately expand

0:43:00.120 --> 0:43:04.719
<v Speaker 1>other stringed instruments. When does that happen? Oh?

0:43:07.040 --> 0:43:10.600
<v Speaker 2>You know, I wish I could name a year when

0:43:10.680 --> 0:43:14.640
<v Speaker 2>something happened. But you know, in addition to not putting

0:43:14.640 --> 0:43:19.120
<v Speaker 2>two and two together, I never recorded when something like

0:43:19.160 --> 0:43:23.160
<v Speaker 2>that happened. I just loved that it happened and went through.

0:43:23.800 --> 0:43:25.720
<v Speaker 2>I mean, I'm.

0:43:25.560 --> 0:43:28.680
<v Speaker 1>Talking I think traditionally I don't need to like February second,

0:43:28.840 --> 0:43:33.040
<v Speaker 1>nineteen sixty four. I mean, did you sit there and say, oh, look,

0:43:33.080 --> 0:43:34.920
<v Speaker 1>there's that instrument I want to learn how to play,

0:43:35.040 --> 0:43:37.880
<v Speaker 1>or did you consciously say I need to expand my

0:43:38.000 --> 0:43:41.600
<v Speaker 1>repertoire or were you just infatuated with every stringed instrument

0:43:41.680 --> 0:43:42.719
<v Speaker 1>you wanted to play them all?

0:43:43.760 --> 0:43:47.120
<v Speaker 2>Not exactly. The first instrument, not a guitar, that I

0:43:47.120 --> 0:43:51.640
<v Speaker 2>took up, was the doughbro. And there was one dobro player,

0:43:52.160 --> 0:43:55.920
<v Speaker 2>a really good musician in New York at the time,

0:43:56.560 --> 0:44:00.279
<v Speaker 2>and I figured, well, two wouldn't hurt. And so I

0:44:00.360 --> 0:44:04.800
<v Speaker 2>started to learn a little bit of doughbro, very basic stuff,

0:44:04.800 --> 0:44:07.280
<v Speaker 2>and I could I could sit in with people in play.

0:44:08.600 --> 0:44:13.759
<v Speaker 2>So that's what got me to playing doughbro. Fiddle was

0:44:13.960 --> 0:44:20.520
<v Speaker 2>more complex and I can actually describe it. I didn't

0:44:20.600 --> 0:44:25.120
<v Speaker 2>take play fiddle until I was leading my own band

0:44:26.200 --> 0:44:31.759
<v Speaker 2>and Jay Younger was in the band. I don't know

0:44:31.800 --> 0:44:35.840
<v Speaker 2>if you're familiar with Jay, but you're for certain familiar

0:44:35.920 --> 0:44:38.439
<v Speaker 2>with at least one of the songs he wrote, called

0:44:38.440 --> 0:44:42.040
<v Speaker 2>the show Can Farewell, that Ken Burns used as the

0:44:42.040 --> 0:44:48.239
<v Speaker 2>theme for his thing on the Civil War. So I

0:44:48.400 --> 0:44:53.000
<v Speaker 2>started to think, boy, I loved his playing, and I

0:44:53.040 --> 0:44:55.200
<v Speaker 2>started thinking, I want to play fiddle, and I know

0:44:55.360 --> 0:44:58.200
<v Speaker 2>what I want to sound like. I want to sound

0:44:58.280 --> 0:45:05.080
<v Speaker 2>like Jay Younger. So I bought myself a fiddle and

0:45:06.239 --> 0:45:10.399
<v Speaker 2>proceeded to to learn how to feebly play on it

0:45:13.200 --> 0:45:18.320
<v Speaker 2>played on a I played on a few of my records,

0:45:20.400 --> 0:45:23.120
<v Speaker 2>usually with a couple of other fiddlers playing at the

0:45:23.120 --> 0:45:23.640
<v Speaker 2>same time.

0:45:23.680 --> 0:45:27.480
<v Speaker 1>But how did you end up playing on Jerry Jeff

0:45:27.560 --> 0:45:30.759
<v Speaker 1>Walker's bo Jangles Mister Bojangles.

0:45:32.200 --> 0:45:33.960
<v Speaker 2>I was running around the village and there was a

0:45:33.960 --> 0:45:38.040
<v Speaker 2>harmonica player named Donnie Brooks who ran around. He was

0:45:38.040 --> 0:45:41.520
<v Speaker 2>a good guy. I'm really sad he's not with us

0:45:41.560 --> 0:45:45.800
<v Speaker 2>any longer. But Donnie thought that Jerry Jeff and I

0:45:45.800 --> 0:45:48.520
<v Speaker 2>would get along really well. At the time, Jerry Jeff

0:45:48.600 --> 0:45:56.319
<v Speaker 2>was part of a jazz fusion band. I usually know

0:45:56.400 --> 0:45:58.000
<v Speaker 2>the name of it, but for some reason it is

0:45:58.800 --> 0:46:05.879
<v Speaker 2>Circus Maximus. I think that, Yeah, they had an AM

0:46:06.120 --> 0:46:12.000
<v Speaker 2>I mean an FM hit with one of the fusion things.

0:46:12.320 --> 0:46:15.760
<v Speaker 2>But that band didn't like the stuff that Jerry Jeff wrote.

0:46:17.000 --> 0:46:23.520
<v Speaker 2>So he and I would play together and I really

0:46:23.640 --> 0:46:25.919
<v Speaker 2>enjoyed doing it, and I wanted to do it more.

0:46:25.960 --> 0:46:28.920
<v Speaker 2>But you know, he was part of that band. But

0:46:29.040 --> 0:46:36.880
<v Speaker 2>I got gage for us actually, and I started just

0:46:36.880 --> 0:46:39.960
<v Speaker 2>to take a step back. Jody Stecker became a good

0:46:39.960 --> 0:46:43.279
<v Speaker 2>friend of mine. I learned more from Jody Stecker maybe

0:46:43.320 --> 0:46:48.800
<v Speaker 2>than anybody else than I learned from anybody else Anyhow, Jody,

0:46:48.880 --> 0:46:51.279
<v Speaker 2>you used to take me up to w b A

0:46:51.480 --> 0:46:57.160
<v Speaker 2>I FM, to Bob Fastest program Radio Unnameable, which started

0:46:57.160 --> 0:47:01.480
<v Speaker 2>at midnight and ran to God knows, and so I

0:47:01.560 --> 0:47:04.560
<v Speaker 2>started to bringing you know, later I started bring Jerry

0:47:04.600 --> 0:47:11.800
<v Speaker 2>Jeff up there. And Bob Fast loved the Bojangles song

0:47:12.520 --> 0:47:16.799
<v Speaker 2>and we had done it on his show about three

0:47:16.880 --> 0:47:20.240
<v Speaker 2>times when he made a tape loop out of those

0:47:20.600 --> 0:47:24.360
<v Speaker 2>three performances of the same song. And if we weren't

0:47:24.400 --> 0:47:26.359
<v Speaker 2>coming up, he might play it a few times a night.

0:47:27.800 --> 0:47:34.239
<v Speaker 2>And now, the only privilege that a songwriter has is

0:47:34.280 --> 0:47:38.600
<v Speaker 2>deciding who can be the first one to record his song.

0:47:39.480 --> 0:47:45.279
<v Speaker 2>After that, it's up to anyone. Jerry Jeff didn't have

0:47:45.560 --> 0:47:51.759
<v Speaker 2>a manager, let alone. He was signed to Vanguard, but

0:47:52.320 --> 0:47:59.280
<v Speaker 2>his band didn't want to do any of his country tunes. However,

0:47:59.320 --> 0:48:03.480
<v Speaker 2>that song from Bob Fast playing it spread all over

0:48:03.560 --> 0:48:05.680
<v Speaker 2>New York. You know, people were looking for it and

0:48:05.760 --> 0:48:12.080
<v Speaker 2>asking for it. The piano player at Gillie's, which is

0:48:12.120 --> 0:48:16.520
<v Speaker 2>where Sidatra used to hang out, was a guy named

0:48:16.840 --> 0:48:21.279
<v Speaker 2>Bobby Cole, and he was a talented piano player, and

0:48:21.320 --> 0:48:23.680
<v Speaker 2>he heard it on the radio in the wee hours

0:48:24.000 --> 0:48:28.359
<v Speaker 2>coming home from his gig and he decided, well, that's

0:48:28.400 --> 0:48:32.160
<v Speaker 2>a good one. I'll cover that, and so he recorded

0:48:32.160 --> 0:48:38.080
<v Speaker 2>it for a subsidiary of CBS. I can't get the

0:48:38.160 --> 0:48:44.920
<v Speaker 2>name of the label, but maybe Date or something. Anyhow,

0:48:45.520 --> 0:48:49.360
<v Speaker 2>he recorded it and it was sent to disc jockeys

0:48:49.360 --> 0:48:51.680
<v Speaker 2>and it started to get played and Jerry Jeff said,

0:48:51.680 --> 0:48:54.919
<v Speaker 2>wait a minute, that's my song. And I didn't give

0:48:55.000 --> 0:48:58.680
<v Speaker 2>him permission to record it, so he hurried up, got

0:48:58.760 --> 0:49:05.239
<v Speaker 2>himself a manager, on himself a label. The first place

0:49:05.280 --> 0:49:07.319
<v Speaker 2>we had to go was to Vanguard because he was

0:49:07.360 --> 0:49:11.080
<v Speaker 2>signed there, and Vanguard was the only label in New

0:49:11.160 --> 0:49:15.759
<v Speaker 2>York City that wasn't trying to find that song. So

0:49:16.440 --> 0:49:20.120
<v Speaker 2>they booked some time for us in the studio and

0:49:20.880 --> 0:49:27.440
<v Speaker 2>Gary Gary White playing bass, Jerry Jeff, Me and Norman Smart,

0:49:27.800 --> 0:49:31.160
<v Speaker 2>who later played drums for Elvis. But he wasn't playing

0:49:31.200 --> 0:49:34.799
<v Speaker 2>drums that day he was playing. He was playing on

0:49:34.840 --> 0:49:35.360
<v Speaker 2>his body.

0:49:36.719 --> 0:49:39.120
<v Speaker 1>He also played drums on the first Mountain album.

0:49:40.200 --> 0:49:46.239
<v Speaker 2>Yes, that's right. He was a talented guy. And so

0:49:46.320 --> 0:49:49.400
<v Speaker 2>we did a nice performance of Mister Bojangles and they

0:49:49.440 --> 0:49:52.640
<v Speaker 2>listened to it and they said, oh, you can record it.

0:49:52.800 --> 0:49:55.840
<v Speaker 2>Just if we want an album from you later, you

0:49:55.920 --> 0:50:00.120
<v Speaker 2>have to give us an album. So Jerry Jeff signed

0:50:00.160 --> 0:50:04.000
<v Speaker 2>with at CO which it was the division of Atlantic,

0:50:05.040 --> 0:50:14.320
<v Speaker 2>and he was booked to record the song in Memphis

0:50:14.360 --> 0:50:23.920
<v Speaker 2>at Sam Phillips Studio and I was brought along. I

0:50:23.920 --> 0:50:26.760
<v Speaker 2>don't know if Jerry Cheff Acid or the man David.

0:50:27.520 --> 0:50:30.160
<v Speaker 2>I can't get his last name. I feel terrible because

0:50:30.400 --> 0:50:36.320
<v Speaker 2>I knew him well. Anyhow, we flew up small plane

0:50:36.360 --> 0:50:39.640
<v Speaker 2>down to Memphis and we went to the studio and

0:50:39.680 --> 0:50:43.520
<v Speaker 2>the engineer was Tom Dowd. I don't know if you're

0:50:43.560 --> 0:50:46.759
<v Speaker 2>familiar with Tom Dowd, but of course, of course he

0:50:46.880 --> 0:50:51.239
<v Speaker 2>invented faders, and also he was on the Manhattan Project.

0:50:51.680 --> 0:50:55.080
<v Speaker 2>I mean, this was a skillful guy. And he didn't

0:50:55.080 --> 0:50:57.479
<v Speaker 2>know me from Adam. He'd never heard Jerry Jeff live.

0:50:58.280 --> 0:51:02.880
<v Speaker 2>I was basically Jerry Jeff's orc Struff for years. So

0:51:03.680 --> 0:51:06.239
<v Speaker 2>I'm sitting in the studio and he's trying to get

0:51:06.280 --> 0:51:11.040
<v Speaker 2>a a take he likes of mister Bojangles, and the

0:51:11.160 --> 0:51:15.399
<v Speaker 2>band has it, and there Jerry Jeff performs it for

0:51:15.440 --> 0:51:18.400
<v Speaker 2>them and so that they're doing it kind of straight

0:51:18.440 --> 0:51:21.839
<v Speaker 2>from him in Walt's time, because it is in three

0:51:21.920 --> 0:51:28.160
<v Speaker 2>four times. But I didn't play it that way. Anyhow,

0:51:28.719 --> 0:51:31.880
<v Speaker 2>I was. It's embarrassing to admit, but I was in

0:51:31.960 --> 0:51:38.520
<v Speaker 2>tears and Dad was getting very frustrated with the band.

0:51:38.520 --> 0:51:41.279
<v Speaker 2>They couldn't get out of this Viennese walls thing. He said,

0:51:41.400 --> 0:51:43.960
<v Speaker 2>let the kid do something. You know, there was a

0:51:44.080 --> 0:51:46.920
<v Speaker 2>woman who was playing a twelve string given the twelve string,

0:51:47.560 --> 0:51:49.759
<v Speaker 2>so I played my part to it, which was not

0:51:49.920 --> 0:51:53.480
<v Speaker 2>in three four, it was in six's eight and that

0:51:53.680 --> 0:51:57.200
<v Speaker 2>changed the whole thing, and that's what was put out

0:51:57.280 --> 0:51:59.319
<v Speaker 2>and we didn't have trouble with it after that.

0:52:02.120 --> 0:52:04.759
<v Speaker 1>And did Tom Dowd remember you and ever call you

0:52:04.800 --> 0:52:08.040
<v Speaker 1>in the future. No? No.

0:52:08.200 --> 0:52:10.839
<v Speaker 2>I called him once and he remembered me enough to

0:52:10.840 --> 0:52:13.799
<v Speaker 2>see him, and I had a little lick I thought

0:52:13.880 --> 0:52:16.880
<v Speaker 2>might be a basis for an instrumental, but it was

0:52:16.960 --> 0:52:22.560
<v Speaker 2>two it was. It wasn't very original. He said, No,

0:52:23.840 --> 0:52:26.399
<v Speaker 2>you know I became better then you.

0:52:26.440 --> 0:52:29.640
<v Speaker 1>Play on Tom Rush's first Columbia record. How did that

0:52:29.680 --> 0:52:34.560
<v Speaker 1>come to happen? Tom asked me, So you knew Tom.

0:52:35.880 --> 0:52:37.680
<v Speaker 2>I don't know if I knew him at the time.

0:52:39.640 --> 0:52:44.640
<v Speaker 2>I mean, our relationship may have started at those sessions,

0:52:44.840 --> 0:52:49.880
<v Speaker 2>which by the way, were the first sessions recorded with Dolby.

0:52:52.040 --> 0:52:53.880
<v Speaker 2>Here's there's a bit of trivia for you.

0:52:54.080 --> 0:53:00.319
<v Speaker 1>Yeah, right right, yeah, So either you know what that is, don't.

0:53:00.320 --> 0:53:02.919
<v Speaker 1>I won't die hanging there being it's a theme history

0:53:02.920 --> 0:53:07.799
<v Speaker 1>because of course Dolby was superseded theoretically by DBX because

0:53:07.840 --> 0:53:10.920
<v Speaker 1>Dolby only worked on the high end. DBX worked across

0:53:10.960 --> 0:53:14.000
<v Speaker 1>the complete spectrum, and then Steely Dian got a whole

0:53:14.040 --> 0:53:17.600
<v Speaker 1>album and the decode was off and that was pretty

0:53:17.640 --> 0:53:23.440
<v Speaker 1>much the end of DBX. But then you work with

0:53:23.480 --> 0:53:26.040
<v Speaker 1>Al Cooper, I'm easy, does it? That's another album I

0:53:26.120 --> 0:53:28.160
<v Speaker 1>have me and ten other people. How do you end

0:53:28.239 --> 0:53:29.400
<v Speaker 1>up working with Al Cooper?

0:53:31.600 --> 0:53:34.960
<v Speaker 2>I got called I might have known Al a little

0:53:34.960 --> 0:53:39.960
<v Speaker 2>bit beforehand. Al Cooper is one of the best humans

0:53:40.000 --> 0:53:45.960
<v Speaker 2>playing music. I mean just as a human being. He's fantastic,

0:53:46.239 --> 0:53:50.520
<v Speaker 2>and he's also an excellent, excellent, excellent musician. But he's

0:53:50.520 --> 0:53:52.680
<v Speaker 2>somebody in this business that's easy to love.

0:53:55.040 --> 0:53:59.920
<v Speaker 1>Okay, Then how do you end up hooking up with Dylan? Well?

0:54:00.000 --> 0:54:04.359
<v Speaker 2>Well, the first time I met Dylan it was at

0:54:04.400 --> 0:54:08.440
<v Speaker 2>a Jerry jeff A concert at the Bitter End in

0:54:08.480 --> 0:54:12.759
<v Speaker 2>the village and he was in the audience, and afterwards

0:54:12.800 --> 0:54:17.320
<v Speaker 2>I was taken to meet him and we shook hands.

0:54:17.360 --> 0:54:20.160
<v Speaker 2>I said hello, and that was that, and I figured

0:54:20.200 --> 0:54:23.440
<v Speaker 2>he was there to hear Jerry Jeff because Jerry Jeff's

0:54:23.440 --> 0:54:27.440
<v Speaker 2>a songwriter and Dylan's a songwriter and songwriters go and

0:54:27.480 --> 0:54:32.600
<v Speaker 2>listen to each other. But then I got called, and

0:54:33.520 --> 0:54:37.239
<v Speaker 2>my memory of it was he said he wanted to

0:54:37.280 --> 0:54:41.719
<v Speaker 2>try out a studio and would I come and do

0:54:41.760 --> 0:54:45.600
<v Speaker 2>it with him. Well, it was a studio he actually

0:54:45.680 --> 0:54:52.160
<v Speaker 2>knew quite well at Columbia, and I ended up recording

0:54:52.200 --> 0:54:57.120
<v Speaker 2>with him. I actually did. I'm on four albums of his,

0:55:00.360 --> 0:55:04.080
<v Speaker 2>in different amounts, on different albums. On one of them,

0:55:04.280 --> 0:55:05.920
<v Speaker 2>the first album is that I played on.

0:55:06.400 --> 0:55:08.400
<v Speaker 1>You said, you produce the tracks to you said.

0:55:08.920 --> 0:55:11.600
<v Speaker 2>I produced two of the tracks that I played on,

0:55:13.080 --> 0:55:18.319
<v Speaker 2>which were were They were much later. They were on

0:55:18.320 --> 0:55:25.440
<v Speaker 2>one of his quote bootleg releases and they were Duncan

0:55:25.560 --> 0:55:30.319
<v Speaker 2>and Brady and Missed the Mississippi and you.

0:55:33.640 --> 0:55:38.200
<v Speaker 1>Okay, you're first working on self portrait? What do you

0:55:38.239 --> 0:55:39.160
<v Speaker 1>remember about that?

0:55:41.120 --> 0:55:43.160
<v Speaker 2>I remember that I was sick as a dog through

0:55:43.200 --> 0:55:48.200
<v Speaker 2>the whole recording thing, and I would come home and

0:55:48.400 --> 0:55:51.600
<v Speaker 2>fall on my bed with my clothes on, and wake

0:55:51.680 --> 0:55:54.120
<v Speaker 2>up in time to get to the studio, take a shower,

0:55:54.160 --> 0:55:56.759
<v Speaker 2>get to the studio and that was it bed and

0:55:57.800 --> 0:56:08.480
<v Speaker 2>the studio, so that I remember that very well. Also

0:56:09.440 --> 0:56:16.919
<v Speaker 2>on that session, I think on self Portrait. Most of

0:56:16.960 --> 0:56:20.640
<v Speaker 2>the sessions that I was on were just me and

0:56:20.840 --> 0:56:25.400
<v Speaker 2>Bob and they were later released like that called another

0:56:25.520 --> 0:56:28.920
<v Speaker 2>Self Portrait I think, or something like that, and some

0:56:29.000 --> 0:56:32.920
<v Speaker 2>of them Al Cooper was on and that may be

0:56:33.080 --> 0:56:33.919
<v Speaker 2>where I met Al.

0:56:35.120 --> 0:56:38.120
<v Speaker 1>Okay, So Self Portrait is a double album, you know,

0:56:38.400 --> 0:56:41.160
<v Speaker 1>Dylan as is so called Motorcycle Action, which is up

0:56:41.200 --> 0:56:45.800
<v Speaker 1>to debate now comes back out with John Wesley Harding.

0:56:45.840 --> 0:56:51.160
<v Speaker 1>The National Skyline does double album self Portrait.

0:56:51.280 --> 0:56:52.920
<v Speaker 2>National Skyline came first.

0:56:52.960 --> 0:56:55.800
<v Speaker 1>I think National Skyline came before Self Portrait.

0:56:56.920 --> 0:57:00.800
<v Speaker 2>Yeah, yeah, I think so.

0:57:00.360 --> 0:57:03.799
<v Speaker 1>Yeah, definitely. And Self Portrait is a double album, has

0:57:03.800 --> 0:57:07.719
<v Speaker 1>a certain number of covers, and for the first time ever,

0:57:08.200 --> 0:57:10.080
<v Speaker 1>Dylan gets bad reviews.

0:57:10.680 --> 0:57:10.919
<v Speaker 2>Right.

0:57:13.200 --> 0:57:15.759
<v Speaker 1>Did you continue to have contact with him? Did you

0:57:15.880 --> 0:57:17.480
<v Speaker 1>sense that he was troubled by that?

0:57:19.440 --> 0:57:23.400
<v Speaker 2>No? I didn't, But let me remind you, I'm the

0:57:23.440 --> 0:57:27.400
<v Speaker 2>guy who doesn't know what one and one is, So

0:57:27.560 --> 0:57:31.240
<v Speaker 2>I didn't. I didn't know, and I didn't have a

0:57:31.240 --> 0:57:34.480
<v Speaker 2>whole lot of contract contact with him then until he

0:57:34.560 --> 0:57:36.920
<v Speaker 2>called me for another group of sessions.

0:57:37.360 --> 0:57:40.080
<v Speaker 1>Okay. Well, that's the interesting thing, because he does. Self

0:57:40.160 --> 0:57:44.240
<v Speaker 1>Portrait comes out in the spring of nineteen seventy, and

0:57:44.280 --> 0:57:47.960
<v Speaker 1>then he comes out with another album within months, New Morning,

0:57:48.640 --> 0:57:53.720
<v Speaker 1>which you were on, which is one of my favorite albums,

0:57:53.760 --> 0:57:57.840
<v Speaker 1>Sign on the Window, et cetera by Dylan. Is there

0:57:57.880 --> 0:58:00.920
<v Speaker 1>any consciousness that he's trying to make statements You're work

0:58:00.960 --> 0:58:04.480
<v Speaker 1>in faster? What's the difference between recording New Morning and

0:58:04.760 --> 0:58:06.240
<v Speaker 1>recording Self Portrait?

0:58:08.240 --> 0:58:14.240
<v Speaker 2>You know, I sometimes tell reviewers or interviewers don't ask

0:58:14.320 --> 0:58:19.520
<v Speaker 2>me any overview questions because I can never answer overview questions.

0:58:19.800 --> 0:58:25.080
<v Speaker 2>I'm too busy looking at the trees to see the forest.

0:58:28.880 --> 0:58:31.680
<v Speaker 1>Okay, if I were to mention certain songs on New Morning,

0:58:31.680 --> 0:58:33.720
<v Speaker 1>would you remember what you played on? Or too much

0:58:33.720 --> 0:58:37.400
<v Speaker 1>in the forest?

0:58:37.800 --> 0:58:40.480
<v Speaker 2>I might remember some of them, there are some that

0:58:40.560 --> 0:58:41.880
<v Speaker 2>I wouldn't know for sure.

0:58:41.880 --> 0:58:45.200
<v Speaker 1>Okay, really, so we have Self Portrait, we have New Morning.

0:58:45.280 --> 0:58:47.480
<v Speaker 1>What are the other two Dylan albums you play on.

0:58:47.920 --> 0:58:50.120
<v Speaker 2>Well, there was another one that came out out not

0:58:50.240 --> 0:58:54.200
<v Speaker 2>long after one or the other of those two, which

0:58:54.280 --> 0:58:59.720
<v Speaker 2>was simply called Dylan, which had some more takes from

0:59:00.320 --> 0:59:04.160
<v Speaker 2>one of those two recordings. And I'm not sure which.

0:59:04.680 --> 0:59:09.840
<v Speaker 2>And the other one was this bootleg album thing which

0:59:09.840 --> 0:59:12.760
<v Speaker 2>I told you about, where I had to give you

0:59:12.840 --> 0:59:13.960
<v Speaker 2>some sessions.

0:59:14.360 --> 0:59:16.760
<v Speaker 1>I don't want to focus on this to the exclusion

0:59:16.840 --> 0:59:19.520
<v Speaker 1>of your own career. But was this sort of one

0:59:19.600 --> 0:59:22.880
<v Speaker 1>and done or if you maintained any kind of relationship

0:59:22.920 --> 0:59:23.440
<v Speaker 1>with Dylan.

0:59:29.720 --> 0:59:35.360
<v Speaker 2>We have a relationship, but in the music industry, relationships

0:59:36.840 --> 0:59:45.520
<v Speaker 2>don't necessarily include frequent contact. You can be in a

0:59:45.560 --> 0:59:48.160
<v Speaker 2>city and meet a player and not see him again

0:59:48.200 --> 0:59:51.320
<v Speaker 2>for seven years, but you got close to him, and

0:59:51.360 --> 0:59:53.120
<v Speaker 2>when you get back to that city, you can pick

0:59:53.200 --> 0:59:57.240
<v Speaker 2>up your last conversation. I mean, that's the way it

0:59:57.360 --> 1:00:01.480
<v Speaker 2>is in the music business. Bob and I had a

1:00:03.760 --> 1:00:09.160
<v Speaker 2>little I got mad at him for something at one point,

1:00:09.200 --> 1:00:12.000
<v Speaker 2>and we didn't have much contact for a few years.

1:00:13.960 --> 1:00:16.080
<v Speaker 1>If you are willing to reveal what did you get

1:00:16.080 --> 1:00:16.840
<v Speaker 1>mad about.

1:00:17.560 --> 1:00:21.200
<v Speaker 2>I really don't want to go into it. It wasn't

1:00:21.240 --> 1:00:22.960
<v Speaker 2>a big deal to anyone in the world.

1:00:22.960 --> 1:00:32.840
<v Speaker 1>But me, let's move on from there. How do you

1:00:32.880 --> 1:00:34.760
<v Speaker 1>get your own record deal with Columbia?

1:00:36.280 --> 1:00:41.480
<v Speaker 2>That is interesting. I was accompanying a woman named Rosalie

1:00:41.480 --> 1:00:49.880
<v Speaker 2>Currell's and Rosalie got booked at the second Isle of

1:00:49.920 --> 1:00:54.080
<v Speaker 2>Wight Festival, which was the last one for decades, And

1:00:54.120 --> 1:00:56.280
<v Speaker 2>the reason it was the last one for decades is

1:00:56.880 --> 1:01:00.640
<v Speaker 2>that the crowds broke down the fences and everybody in free,

1:01:01.200 --> 1:01:05.280
<v Speaker 2>hundreds of thousands of people. So I was there to

1:01:05.320 --> 1:01:14.120
<v Speaker 2>accompany Rosalie, and experienced performers know that a crowd that

1:01:17.720 --> 1:01:21.680
<v Speaker 2>doesn't pay is the hardest one to satisfy. A crowd

1:01:21.720 --> 1:01:25.760
<v Speaker 2>that gets in free, they're really hard to satisfy. And

1:01:26.600 --> 1:01:30.920
<v Speaker 2>a number of very good artists got booed off the

1:01:30.960 --> 1:01:39.800
<v Speaker 2>stage or came within a whisker of it. And Rosalie

1:01:39.920 --> 1:01:43.080
<v Speaker 2>was was on Wednesday afternoon. There was no press there

1:01:43.120 --> 1:01:51.360
<v Speaker 2>at all, and so I was accompanying her, and the

1:01:51.480 --> 1:01:55.320
<v Speaker 2>crowd started to get restive. Rosalie's thing was very intimate.

1:01:55.680 --> 1:01:58.280
<v Speaker 2>In a small club, it would get right to you,

1:01:58.320 --> 1:02:02.640
<v Speaker 2>and in front of several hundred thousand people, it really

1:02:02.760 --> 1:02:06.480
<v Speaker 2>wasn't built for that, but it should have gone over anyhow,

1:02:06.560 --> 1:02:10.760
<v Speaker 2>and they were rude, and she was about to be overcome,

1:02:11.720 --> 1:02:16.000
<v Speaker 2>and she asked me to do a song of mine,

1:02:16.000 --> 1:02:19.680
<v Speaker 2>a funny song, a long, funny song called the Bullfrog Blues.

1:02:21.200 --> 1:02:23.520
<v Speaker 2>She'd never asked me to do a song in one

1:02:23.560 --> 1:02:27.080
<v Speaker 2>of her sets and never did again. But that afternoon

1:02:27.120 --> 1:02:30.400
<v Speaker 2>she did, and I did Bullfrog Blues and the crowd

1:02:30.440 --> 1:02:35.640
<v Speaker 2>loved it and they let Rosalie finish her set. So

1:02:35.800 --> 1:02:39.919
<v Speaker 2>when we got off stage a little while after we'd

1:02:39.960 --> 1:02:42.800
<v Speaker 2>packed up the instruments, the promoters came to me and

1:02:42.920 --> 1:02:48.360
<v Speaker 2>asked me if i'd come back at dusk and maybe

1:02:48.400 --> 1:02:52.280
<v Speaker 2>do some more. I didn't realize it at the time,

1:02:52.280 --> 1:02:55.360
<v Speaker 2>but dusk is the very best time to perform at

1:02:55.360 --> 1:02:59.280
<v Speaker 2>an outdoor festival because it's getting dark, so the only

1:02:59.320 --> 1:03:04.040
<v Speaker 2>focus is the stage, but you're hopefully not so burnt

1:03:04.040 --> 1:03:08.280
<v Speaker 2>out that you can't really hear what's going on. So okay,

1:03:08.440 --> 1:03:10.200
<v Speaker 2>you know. I came back and I asked them how

1:03:10.280 --> 1:03:13.600
<v Speaker 2>many songs I should do, and they said do an hour.

1:03:15.320 --> 1:03:18.000
<v Speaker 2>And I don't know that I'd ever done an hour before,

1:03:19.080 --> 1:03:21.600
<v Speaker 2>but I went out there and I did an hour

1:03:21.680 --> 1:03:22.840
<v Speaker 2>and got a couple encourse.

1:03:24.480 --> 1:03:24.920
<v Speaker 1>Wow.

1:03:25.160 --> 1:03:29.320
<v Speaker 2>That, yeah, really was something, And there's there's some video

1:03:29.400 --> 1:03:34.680
<v Speaker 2>of part of the crew talking about it afterwards, which

1:03:34.760 --> 1:03:42.600
<v Speaker 2>is encouraging. But TiO Massa was there for Columbia recording

1:03:42.640 --> 1:03:46.240
<v Speaker 2>it because they wanted to release that, and he recommended

1:03:46.280 --> 1:03:51.000
<v Speaker 2>that they sign me. Unfortunately, I never met him. I

1:03:51.040 --> 1:03:53.320
<v Speaker 2>wish I had. I would have liked to have thanked him.

1:03:53.920 --> 1:03:57.600
<v Speaker 2>But so that's that's how I got signed to Colombia.

1:03:59.040 --> 1:04:03.080
<v Speaker 1>Now, when you get signed Clive Davis still running the company,

1:04:03.080 --> 1:04:06.480
<v Speaker 1>then he gets blown out. That affect you in your career?

1:04:06.560 --> 1:04:08.880
<v Speaker 1>Whatso any to any degree?

1:04:10.920 --> 1:04:11.720
<v Speaker 2>I have no idea.

1:04:13.320 --> 1:04:18.600
<v Speaker 1>Okay, sorry, okay. So the first album you record it

1:04:18.960 --> 1:04:22.600
<v Speaker 1>by today's standre it's very difficult by the period before

1:04:22.640 --> 1:04:26.200
<v Speaker 1>you get to produce it. So to what degree was

1:04:26.240 --> 1:04:29.960
<v Speaker 1>the company hands on? To what degree were you happy?

1:04:30.400 --> 1:04:33.480
<v Speaker 1>And to what degree? Then what was your experience after

1:04:33.480 --> 1:04:34.040
<v Speaker 1>it came out.

1:04:38.120 --> 1:04:41.240
<v Speaker 2>Well, I didn't know anything about producing an album, but

1:04:41.320 --> 1:04:45.960
<v Speaker 2>I knew what I wanted. It never occurred to me

1:04:46.000 --> 1:04:50.320
<v Speaker 2>that there was money involved, so I just did.

1:04:51.080 --> 1:04:52.400
<v Speaker 1>Those were the days.

1:04:52.120 --> 1:04:59.320
<v Speaker 2>When some artists spent tens of thousands recording an album.

1:05:00.040 --> 1:05:02.720
<v Speaker 2>So anyhow, I did the album the way I wanted

1:05:03.640 --> 1:05:08.520
<v Speaker 2>And there was one of their house producers who'd been

1:05:08.520 --> 1:05:11.400
<v Speaker 2>assigned to it, and he wasn't happy about it, but

1:05:12.240 --> 1:05:16.880
<v Speaker 2>they let me do it. And when it came out,

1:05:17.960 --> 1:05:20.840
<v Speaker 2>I really don't know much about it except that I

1:05:20.920 --> 1:05:27.280
<v Speaker 2>found myself in La and there was a billboard of

1:05:27.320 --> 1:05:31.160
<v Speaker 2>the cover of the album. The cover of the album

1:05:31.280 --> 1:05:34.920
<v Speaker 2>was actually a sketch of me that my sister did,

1:05:36.880 --> 1:05:43.120
<v Speaker 2>so nobody knew that that person on what's the name

1:05:43.160 --> 1:05:47.960
<v Speaker 2>of that boulevard, that huge face. So yeah, that huge

1:05:48.160 --> 1:05:54.720
<v Speaker 2>sunset boulevard, it was me. I wanted to stand next

1:05:54.720 --> 1:06:02.000
<v Speaker 2>to it, but it wouldn't have done any good. So yeah,

1:06:02.040 --> 1:06:03.840
<v Speaker 2>I don't really know what.

1:06:03.880 --> 1:06:07.200
<v Speaker 1>Okay, So the album comes out gets a big bush.

1:06:07.600 --> 1:06:10.880
<v Speaker 1>I have friends who bought it. People are very aware

1:06:10.920 --> 1:06:16.640
<v Speaker 1>of it. There is a lot of criticism relative to

1:06:16.680 --> 1:06:20.200
<v Speaker 1>your voice. Did that affect you whatsoever?

1:06:23.120 --> 1:06:28.240
<v Speaker 2>No, For one thing, the criticism was quite valid. Back then,

1:06:29.400 --> 1:06:32.840
<v Speaker 2>my singing was extorable. It was terrible, but I could

1:06:32.840 --> 1:06:37.840
<v Speaker 2>play the guitar, but the singing really wasn't very good

1:06:39.200 --> 1:06:42.080
<v Speaker 2>on most of it. There's a track or two where

1:06:42.080 --> 1:06:46.000
<v Speaker 2>I did sing well, because the point is, a good

1:06:46.080 --> 1:06:52.320
<v Speaker 2>voice and good singing are not the same thing. So anyhow,

1:06:53.120 --> 1:06:58.600
<v Speaker 2>years later, after I'd taken my twenty two years sabbatical,

1:07:00.240 --> 1:07:02.520
<v Speaker 2>I came back. I discovered that I really could sing,

1:07:04.080 --> 1:07:08.640
<v Speaker 2>and I enjoyed it. There are physical sensations coming from

1:07:08.720 --> 1:07:12.320
<v Speaker 2>it that I'd never felt before that I loved so

1:07:13.840 --> 1:07:17.280
<v Speaker 2>and these days I can still sing. I don't play

1:07:17.320 --> 1:07:18.160
<v Speaker 2>as well as I used to.

1:07:19.920 --> 1:07:22.760
<v Speaker 1>Okay, what was the trick that you could finally or

1:07:22.800 --> 1:07:24.320
<v Speaker 1>what happened that you could finally sing?

1:07:26.760 --> 1:07:30.120
<v Speaker 2>I received a lot of advice. I took some voice

1:07:30.200 --> 1:07:33.920
<v Speaker 2>lessons in California for a while, but the stuff that

1:07:34.000 --> 1:07:37.560
<v Speaker 2>really helped most was some advice from Phoebe Snow, who

1:07:37.640 --> 1:07:41.960
<v Speaker 2>was a good friend of mine, And in particular, the

1:07:42.000 --> 1:07:48.280
<v Speaker 2>advice she gave me is, when you're about to sing,

1:07:49.920 --> 1:07:54.880
<v Speaker 2>open your throat like you're yawning and sing through the

1:07:55.000 --> 1:08:01.320
<v Speaker 2>aw and that was really important and get it right away.

1:08:01.560 --> 1:08:04.960
<v Speaker 2>But as I said, I did later. She also discussed

1:08:04.960 --> 1:08:09.080
<v Speaker 2>that your voice doesn't really feel like it's coming from

1:08:09.200 --> 1:08:13.440
<v Speaker 2>your mouth. It feels like it's coming from your nose

1:08:13.480 --> 1:08:18.880
<v Speaker 2>and eyes, your mask in other words, And that stuff

1:08:18.960 --> 1:08:20.720
<v Speaker 2>was all very helpful to me.

1:08:22.080 --> 1:08:24.559
<v Speaker 1>And I'd be remiss if I didn't ask how George

1:08:24.600 --> 1:08:26.160
<v Speaker 1>Harrison ends up on the album.

1:08:28.160 --> 1:08:32.000
<v Speaker 2>Well, I had met George one time. I met him

1:08:32.000 --> 1:08:34.479
<v Speaker 2>in the Columbia studios and he sang me one of

1:08:34.479 --> 1:08:39.360
<v Speaker 2>my songs which you could have knocked me over with

1:08:39.400 --> 1:08:41.720
<v Speaker 2>a feather, and I asked him where I learned it,

1:08:41.720 --> 1:08:44.320
<v Speaker 2>and he said, Bob taught it to him and I

1:08:44.360 --> 1:08:47.000
<v Speaker 2>had no idea Bob knew one of my songs, so

1:08:47.040 --> 1:08:50.559
<v Speaker 2>that was very nice. And so we'd met at a

1:08:50.600 --> 1:08:56.639
<v Speaker 2>couple of different places, and my manager at the time

1:08:56.800 --> 1:08:59.240
<v Speaker 2>was a guy named al Ronowitz who is very close

1:08:59.240 --> 1:09:03.559
<v Speaker 2>to the Beatles, and my guess is that he asked

1:09:06.160 --> 1:09:09.679
<v Speaker 2>George if he would, you know, record with me, and

1:09:11.760 --> 1:09:16.280
<v Speaker 2>actually the Ringo. I don't know if I should tell

1:09:16.320 --> 1:09:19.719
<v Speaker 2>a story. Well I started, I'll do it. I vowed

1:09:19.760 --> 1:09:26.040
<v Speaker 2>never to tell it, but Ringo told me that after

1:09:26.080 --> 1:09:30.200
<v Speaker 2>my first album came out, John said the other three

1:09:30.240 --> 1:09:33.800
<v Speaker 2>down made them sit through the entire album. Wow, So

1:09:35.240 --> 1:09:41.759
<v Speaker 2>I guess we've we've we've unveiled his sadistic nature right there.

1:09:43.400 --> 1:09:48.640
<v Speaker 1>Okay to what degree? Because you started before the Beatles, Oh,

1:09:48.680 --> 1:09:50.759
<v Speaker 1>they are somewhat there contemporary in age.

1:09:50.840 --> 1:09:52.120
<v Speaker 2>No, they started before me.

1:09:53.600 --> 1:09:58.880
<v Speaker 1>Let me restate that before their breakthrough in America. So

1:09:59.200 --> 1:10:02.479
<v Speaker 1>you were playing other types of music when the Beatles hit.

1:10:02.560 --> 1:10:04.040
<v Speaker 1>Were you a Beatles fan?

1:10:04.800 --> 1:10:10.920
<v Speaker 2>Oh? Yeah, big time? Yeah. I loved the Beatles. And

1:10:11.360 --> 1:10:19.960
<v Speaker 2>the reason I know that they were known first was

1:10:21.240 --> 1:10:24.760
<v Speaker 2>I was the music counselor at the age of fourteen

1:10:26.960 --> 1:10:31.080
<v Speaker 2>at a summer camp and some of the kids had

1:10:31.080 --> 1:10:37.320
<v Speaker 2>the Beatles album. So so I'm pretty clear that the

1:10:37.320 --> 1:10:42.519
<v Speaker 2>Beatles were making some noise long before me. I didn't

1:10:42.560 --> 1:10:47.679
<v Speaker 2>record until I was maybe nineteen or twenty.

1:10:49.720 --> 1:10:52.960
<v Speaker 1>Okay, Aleronowitz was a journalist. How did he end up

1:10:52.960 --> 1:10:55.360
<v Speaker 1>as being your manager? And was he a good manager?

1:10:56.840 --> 1:11:00.639
<v Speaker 2>It was a very complicated relationship and both of us

1:11:00.680 --> 1:11:05.280
<v Speaker 2>made a lot of mistakes. I met him through Rosalie

1:11:07.439 --> 1:11:11.639
<v Speaker 2>so else and that's kind of where that came together.

1:11:14.400 --> 1:11:17.400
<v Speaker 1>Well, would the story or your career have played out

1:11:17.400 --> 1:11:20.680
<v Speaker 1>differently if he was Is someone else more experienced? Was

1:11:20.720 --> 1:11:21.320
<v Speaker 1>the manager?

1:11:22.560 --> 1:11:26.559
<v Speaker 2>Oh? I really don't know. He did a lot of

1:11:27.120 --> 1:11:31.000
<v Speaker 2>you know, in lately I have come to realize that

1:11:31.080 --> 1:11:32.720
<v Speaker 2>he did a lot of things for me that were

1:11:32.760 --> 1:11:39.120
<v Speaker 2>really great. But as I say, our relationship was difficult,

1:11:40.640 --> 1:11:44.080
<v Speaker 2>and I was definitely responsible for some of it, and

1:11:44.240 --> 1:11:46.080
<v Speaker 2>he was definitely responsible for some of it.

1:11:46.280 --> 1:11:50.160
<v Speaker 1>So, and how long before your sabbatical did he remain

1:11:50.240 --> 1:11:52.040
<v Speaker 1>your manager or to replace him?

1:11:53.680 --> 1:11:56.040
<v Speaker 2>I'm very bad with years.

1:11:56.439 --> 1:11:57.840
<v Speaker 1>Let me ask you a question. Did you have another

1:11:57.880 --> 1:11:59.080
<v Speaker 1>manager after al.

1:12:00.479 --> 1:12:06.640
<v Speaker 2>Yeah? I think I did, But I'm blanking.

1:12:06.600 --> 1:12:10.520
<v Speaker 1>Okay, not important. So you put out this album suddenly,

1:12:10.600 --> 1:12:14.960
<v Speaker 1>you know, the train leaves the station, you make another record. Well,

1:12:15.000 --> 1:12:18.040
<v Speaker 1>what's your experience during this period? But you just have

1:12:18.120 --> 1:12:19.800
<v Speaker 1>your head down and you're working so much you don't

1:12:19.840 --> 1:12:22.559
<v Speaker 1>know which end is up. Are you worried about sales?

1:12:22.680 --> 1:12:26.479
<v Speaker 1>You worry about audience aside you're playing? Are you enjoying it?

1:12:26.600 --> 1:12:31.439
<v Speaker 1>Do you feel it's more like a grind? What's it like? Oh?

1:12:31.600 --> 1:12:35.000
<v Speaker 2>I was enjoying it until that one time I told

1:12:35.040 --> 1:12:38.240
<v Speaker 2>you about New Jersey when I realized I didn't want

1:12:38.280 --> 1:12:41.599
<v Speaker 2>to play. But I really was enjoying it, and I

1:12:41.720 --> 1:12:47.439
<v Speaker 2>was working my butt off, and I didn't realize I

1:12:47.439 --> 1:12:51.360
<v Speaker 2>could say, look, this is too much. Slow down, So

1:12:51.479 --> 1:12:54.519
<v Speaker 2>I never said it, and then one day I just

1:12:54.720 --> 1:12:56.080
<v Speaker 2>kind of said I got to stop.

1:12:57.040 --> 1:13:00.560
<v Speaker 1>Okay. Drugs and alcohol factor on the road.

1:13:02.200 --> 1:13:10.040
<v Speaker 2>They were always there. I don't think they affected performance

1:13:10.080 --> 1:13:15.680
<v Speaker 2>a great deal, especially not alcohol, because although back in

1:13:15.720 --> 1:13:20.320
<v Speaker 2>those days I used to sometimes drink Jack Daniels before

1:13:20.360 --> 1:13:27.280
<v Speaker 2>and during a concert, but I can only remember one

1:13:27.320 --> 1:13:30.000
<v Speaker 2>concert where it affected me enough to comment on it.

1:13:31.400 --> 1:13:34.080
<v Speaker 1>Okay. So if the first album comes out in seventy two,

1:13:35.320 --> 1:13:37.000
<v Speaker 1>when does the sabbatical begin.

1:13:39.920 --> 1:13:41.200
<v Speaker 2>Seventy nine?

1:13:41.520 --> 1:13:45.360
<v Speaker 1>Okay, So you make records on Columbia gives you a

1:13:45.400 --> 1:13:48.519
<v Speaker 1>big push at first, and then you end up switching

1:13:48.560 --> 1:13:51.280
<v Speaker 1>to Fantasy. How does you know what happens there?

1:13:57.320 --> 1:14:01.280
<v Speaker 2>I was signed by Fantasy and my manager and I

1:14:01.400 --> 1:14:04.680
<v Speaker 2>moved out to the Bay Area, which is where Fantasy is,

1:14:05.920 --> 1:14:16.560
<v Speaker 2>and my first album was a double album, and Fantasy

1:14:17.760 --> 1:14:19.920
<v Speaker 2>said that it sold two hundred thousand copies in the

1:14:19.920 --> 1:14:24.639
<v Speaker 2>first month. I don't believe it did, but I think

1:14:24.680 --> 1:14:27.280
<v Speaker 2>that was a good press release. It maybe came close

1:14:27.360 --> 1:14:30.920
<v Speaker 2>to that, but I don't think it did the number

1:14:31.000 --> 1:14:36.400
<v Speaker 2>that they said. And they were very nice people, and

1:14:36.680 --> 1:14:40.120
<v Speaker 2>at one point they were very happy to have hired

1:14:40.880 --> 1:14:49.280
<v Speaker 2>a former Berry Gordy employer, a guy who had worked

1:14:49.280 --> 1:14:55.720
<v Speaker 2>on publicity for well, I don't know. I think it

1:14:55.760 --> 1:15:02.599
<v Speaker 2>was publicity for Barry Gordy's record company in Detroit, and

1:15:04.640 --> 1:15:08.800
<v Speaker 2>I was passing the office his office one day and

1:15:08.880 --> 1:15:11.040
<v Speaker 2>he was telling all his people that I was a joke.

1:15:17.040 --> 1:15:22.559
<v Speaker 2>So that kind of killed my relationship there as far

1:15:22.600 --> 1:15:23.600
<v Speaker 2>as I was concerned.

1:15:23.840 --> 1:15:26.400
<v Speaker 1>And did Columbia not want to make any more records?

1:15:26.439 --> 1:15:27.959
<v Speaker 1>Is that how you ended up in Fantasy?

1:15:31.080 --> 1:15:35.920
<v Speaker 2>What happened with Columbia is the bean Counters took over,

1:15:35.960 --> 1:15:38.800
<v Speaker 2>and I know It was the bean Counters because I

1:15:38.840 --> 1:15:45.040
<v Speaker 2>had my contract that if one of my records sold

1:15:45.280 --> 1:15:49.120
<v Speaker 2>one hundred thousand that I would get a twenty five

1:15:49.160 --> 1:15:55.280
<v Speaker 2>thousand dollars bonus. And after a certain point one of

1:15:55.320 --> 1:15:59.200
<v Speaker 2>my records hit that my first records had sold one

1:15:59.240 --> 1:16:02.439
<v Speaker 2>hundred thousand, and they paid the bonus. But that made

1:16:02.439 --> 1:16:06.280
<v Speaker 2>them look into it, and they discovered that my third

1:16:06.320 --> 1:16:08.720
<v Speaker 2>album in another couple of weeks was going to hit it,

1:16:09.720 --> 1:16:14.720
<v Speaker 2>and my second album a couple weeks after that, and

1:16:15.400 --> 1:16:20.280
<v Speaker 2>the fourth album was going gangbusters. So in order to

1:16:20.320 --> 1:16:25.920
<v Speaker 2>avoid paying out another seventy five thousand dollars, they released me.

1:16:29.439 --> 1:16:30.559
<v Speaker 2>Then they didn't have to pay that.

1:16:33.280 --> 1:16:39.280
<v Speaker 1>Wow, okay, So you know during this period till seventy

1:16:39.280 --> 1:16:42.280
<v Speaker 1>two seventy nine, how are you doing financially?

1:16:44.080 --> 1:16:47.160
<v Speaker 2>I think I'm doing okay. I can take a cab

1:16:47.200 --> 1:16:53.680
<v Speaker 2>after the gig. It was fine, okay. And how did

1:16:53.720 --> 1:17:00.920
<v Speaker 2>you meet your wife? Was it during this period? I

1:17:00.960 --> 1:17:06.960
<v Speaker 2>think it was actually pretty early. It was before or

1:17:07.240 --> 1:17:13.000
<v Speaker 2>just after I released my first album, and of course

1:17:13.040 --> 1:17:13.960
<v Speaker 2>it was at a concert.

1:17:14.280 --> 1:17:15.200
<v Speaker 1>And how did you meet her?

1:17:15.720 --> 1:17:19.719
<v Speaker 2>She was part of a group of kids that were

1:17:20.240 --> 1:17:26.680
<v Speaker 2>members of the New Jersey Folks Society. And this was

1:17:26.720 --> 1:17:31.360
<v Speaker 2>an interesting group of kids because almost every one of

1:17:31.400 --> 1:17:35.519
<v Speaker 2>them became a professional musician. Wow, it was Yeah, it

1:17:35.560 --> 1:17:41.200
<v Speaker 2>was really impressive. And the gig, the first gig that

1:17:41.240 --> 1:17:43.519
<v Speaker 2>I played there was the first gig that I played

1:17:43.520 --> 1:17:46.720
<v Speaker 2>as David Bromberg outside of New York City, So it

1:17:46.760 --> 1:17:48.120
<v Speaker 2>was a big deal to me.

1:17:50.400 --> 1:17:52.640
<v Speaker 1>And how did you sustain a relationship when you were

1:17:52.640 --> 1:17:53.639
<v Speaker 1>on the road so much?

1:17:55.080 --> 1:18:00.439
<v Speaker 2>Well, she was a professional musician. She became a professional musician,

1:18:00.520 --> 1:18:04.800
<v Speaker 2>and we'd pass each other on the road, and so

1:18:04.840 --> 1:18:07.599
<v Speaker 2>we'd get together for the time given us and then

1:18:08.360 --> 1:18:12.719
<v Speaker 2>travel on. And then at a certain point we decided

1:18:13.479 --> 1:18:17.080
<v Speaker 2>to live together. And I was at this point living

1:18:17.120 --> 1:18:25.400
<v Speaker 2>in Moren County, and I had a lemon tree in

1:18:25.439 --> 1:18:27.759
<v Speaker 2>the garden in front of the house. And she drove

1:18:27.840 --> 1:18:30.519
<v Speaker 2>up for the first time and she saw that, and

1:18:30.600 --> 1:18:32.720
<v Speaker 2>she thought it was really touching that I'd glued all

1:18:32.760 --> 1:18:34.960
<v Speaker 2>those lemons to the tree.

1:18:36.720 --> 1:18:37.880
<v Speaker 1>And when did you get married?

1:18:39.120 --> 1:18:45.160
<v Speaker 2>Seventy nine?

1:18:47.680 --> 1:18:51.160
<v Speaker 1>Okay, so you're on stage in New Jersey. Nothing's coming

1:18:51.200 --> 1:18:56.439
<v Speaker 1>to your brain. You have this bad experience. Literally, what

1:18:56.600 --> 1:18:58.960
<v Speaker 1>happens right thereafter? And how do you make a left

1:18:58.960 --> 1:18:59.920
<v Speaker 1>turn into violin?

1:19:01.880 --> 1:19:07.479
<v Speaker 2>Well, I had become interested in them, and I started

1:19:09.360 --> 1:19:15.160
<v Speaker 2>to buy a few and sell a few, and it

1:19:15.240 --> 1:19:18.839
<v Speaker 2>really interested me how someone could tell when and where

1:19:18.960 --> 1:19:22.439
<v Speaker 2>and maybe even by whom a violin was made by

1:19:22.479 --> 1:19:29.559
<v Speaker 2>looking at it. So when I decided that I had

1:19:29.600 --> 1:19:35.839
<v Speaker 2>to stop performing, I decided to go to violin making school.

1:19:37.120 --> 1:19:39.840
<v Speaker 2>Not because I wanted to make violins, but because I

1:19:39.880 --> 1:19:43.280
<v Speaker 2>wanted to understand them enough to learn to identify them.

1:19:44.200 --> 1:19:47.599
<v Speaker 2>And I did that after a terrible depression that Nancy

1:19:47.600 --> 1:19:53.160
<v Speaker 2>barely lived through my wife. It was very rough on her,

1:19:53.880 --> 1:19:57.080
<v Speaker 2>but because I didn't know what I was doing.

1:19:58.960 --> 1:20:03.080
<v Speaker 1>Okay, but viole in making school took years. So is

1:20:03.160 --> 1:20:05.080
<v Speaker 1>this the only thing you were doing for those years?

1:20:05.880 --> 1:20:10.439
<v Speaker 2>For three years, I would do an occasional gig on

1:20:10.439 --> 1:20:19.719
<v Speaker 2>on on on weekends. And you know, I discovered something

1:20:19.800 --> 1:20:23.680
<v Speaker 2>very interesting which is true not only for me, but

1:20:23.720 --> 1:20:29.160
<v Speaker 2>for most people who work at a craft like violin making,

1:20:29.200 --> 1:20:33.880
<v Speaker 2>which is the longer and farther away you are from

1:20:33.920 --> 1:20:38.000
<v Speaker 2>your bench, h the harder it is to pick up

1:20:38.040 --> 1:20:44.280
<v Speaker 2>your tools again. So so these these these forays, which

1:20:44.360 --> 1:20:51.840
<v Speaker 2>gave us food money took a price on my schoolwork.

1:20:54.479 --> 1:20:57.479
<v Speaker 1>How long would you have to be away from your

1:20:57.479 --> 1:20:59.960
<v Speaker 1>school work for it to have a negative effect.

1:21:01.880 --> 1:21:08.519
<v Speaker 2>It wasn't. It didn't matter how long. It mattered at

1:21:08.600 --> 1:21:12.519
<v Speaker 2>least as much as how far away in distance I went.

1:21:14.600 --> 1:21:18.360
<v Speaker 2>You know, I'd go for Saturday and Sunday usually, but

1:21:18.439 --> 1:21:21.120
<v Speaker 2>it might be a Friday night and a Saturday, or

1:21:21.120 --> 1:21:23.680
<v Speaker 2>a Friday night and a Saturday and a Sunday. But

1:21:24.200 --> 1:21:32.120
<v Speaker 2>you know, except when the school wasn't in session. But

1:21:35.400 --> 1:21:40.000
<v Speaker 2>it's kind of interesting the toll it took.

1:21:42.400 --> 1:21:44.639
<v Speaker 1>Okay, let's say I wanted to go to violin school.

1:21:45.080 --> 1:21:47.639
<v Speaker 1>Is it like a regular school? I apply? It starts

1:21:47.640 --> 1:21:52.080
<v Speaker 1>in September, it runs through June. I mean, they have classes.

1:21:52.080 --> 1:21:52.640
<v Speaker 1>What's it like?

1:21:54.160 --> 1:21:58.559
<v Speaker 2>It's kind of like that you apply and they start

1:21:58.880 --> 1:22:05.920
<v Speaker 2>in September. My teacher was a brilliant violin maker named

1:22:05.960 --> 1:22:10.679
<v Speaker 2>Cheu Ho Lee who had graduated from the State School

1:22:10.840 --> 1:22:16.800
<v Speaker 2>in Germany, which is a very famous school. I think

1:22:16.840 --> 1:22:22.400
<v Speaker 2>it's in minten Valve, Germany and or near mintvauld And

1:22:22.680 --> 1:22:29.559
<v Speaker 2>he he would call everyone around and show them the

1:22:29.600 --> 1:22:35.160
<v Speaker 2>next thing he wanted them to do, and then you

1:22:35.160 --> 1:22:39.599
<v Speaker 2>would go and try and do it. But there are

1:22:39.720 --> 1:22:44.960
<v Speaker 2>some interesting aspects to that. I arrived late. I had

1:22:44.960 --> 1:22:48.960
<v Speaker 2>some gigs to tie up and so I had to

1:22:49.000 --> 1:22:52.280
<v Speaker 2>try and catch up, but that was very hard. The

1:22:52.360 --> 1:22:55.400
<v Speaker 2>first job I was given was to make linings for

1:22:55.479 --> 1:23:00.719
<v Speaker 2>the inside of the violin, to enlarge the area where

1:23:00.760 --> 1:23:03.400
<v Speaker 2>the glue would hold the top and the back on.

1:23:04.400 --> 1:23:07.519
<v Speaker 2>There were small strips that would go around. So the

1:23:07.560 --> 1:23:11.600
<v Speaker 2>first thing you have to do is plane them to

1:23:11.640 --> 1:23:16.920
<v Speaker 2>the right thickness. Well, I had a plane, but that's

1:23:16.960 --> 1:23:21.400
<v Speaker 2>not it. In order to plane them to a given thickness,

1:23:23.200 --> 1:23:29.639
<v Speaker 2>you had to sharpen the plane, and that's not easy.

1:23:29.680 --> 1:23:32.680
<v Speaker 2>And to sharpen the plane first you had to grind it.

1:23:34.400 --> 1:23:37.680
<v Speaker 2>And then once you had ground it and sharpened the

1:23:38.120 --> 1:23:41.719
<v Speaker 2>thing enough and getting a real sharp point is really

1:23:42.120 --> 1:23:47.000
<v Speaker 2>not easy, then you have to you're not ready yet,

1:23:47.720 --> 1:23:52.040
<v Speaker 2>you have to flatten the soul of the plane. So

1:23:53.800 --> 1:23:56.280
<v Speaker 2>there was a lot of that in violin making school.

1:23:56.800 --> 1:23:59.639
<v Speaker 2>In order to take the next step forward, you frequently

1:23:59.720 --> 1:24:05.519
<v Speaker 2>had to take a few backwards. So anyhow, you know,

1:24:06.080 --> 1:24:06.679
<v Speaker 2>I learned.

1:24:08.240 --> 1:24:11.599
<v Speaker 1>Okay, so you were in school. How many other people

1:24:11.720 --> 1:24:14.760
<v Speaker 1>were in class with you? And their goal must have

1:24:14.840 --> 1:24:19.800
<v Speaker 1>really been making a living, you know, making violins. Some

1:24:19.880 --> 1:24:21.760
<v Speaker 1>of them wanted to make violince and some of them

1:24:21.960 --> 1:24:30.040
<v Speaker 1>just wanted to repair violins. There must have been approximately

1:24:30.080 --> 1:24:35.519
<v Speaker 1>twenty five other students in the classroom, and some were

1:24:35.560 --> 1:24:42.639
<v Speaker 1>really good and some were not. I was amongst the not. Okay,

1:24:43.400 --> 1:24:49.200
<v Speaker 1>So you graduate, and where along the line do you

1:24:49.320 --> 1:24:52.200
<v Speaker 1>decide that you want to open up your own violin shop.

1:24:53.439 --> 1:24:56.960
<v Speaker 2>When I moved from Chicago to Wilmington, it just seemed

1:24:57.000 --> 1:25:00.800
<v Speaker 2>like that was the thing I should do. I don't

1:25:00.840 --> 1:25:04.960
<v Speaker 2>remember deciding it, neither does Nancy. It just was the

1:25:05.000 --> 1:25:07.320
<v Speaker 2>next thing is opening the shop.

1:25:07.840 --> 1:25:09.040
<v Speaker 1>Why do you move to Wilmington?

1:25:10.120 --> 1:25:15.600
<v Speaker 2>We couldn't handle another Chicago winter, Okay?

1:25:15.640 --> 1:25:17.840
<v Speaker 1>And at what point in this story do you have

1:25:17.880 --> 1:25:18.920
<v Speaker 1>a child?

1:25:21.720 --> 1:25:27.320
<v Speaker 2>Well? I have two children, and they both came when

1:25:27.400 --> 1:25:29.080
<v Speaker 2>I was living in Chicago.

1:25:30.720 --> 1:25:32.880
<v Speaker 1>So you had the pressure of taking care of the

1:25:32.960 --> 1:25:36.120
<v Speaker 1>children while you're working on the weekends, while you're making violins.

1:25:37.120 --> 1:25:41.040
<v Speaker 1>And the violin shop, did you buy it or did

1:25:41.040 --> 1:25:42.120
<v Speaker 1>you start from scratch?

1:25:43.560 --> 1:25:49.960
<v Speaker 2>We really started from scratch. We made an arrangement with

1:25:50.080 --> 1:25:58.599
<v Speaker 2>the city to buy a building, and they didn't give

1:25:58.640 --> 1:26:01.479
<v Speaker 2>me any money, which some of the people in the

1:26:01.520 --> 1:26:04.720
<v Speaker 2>town thought they had, which I found out later is

1:26:04.800 --> 1:26:07.439
<v Speaker 2>usually part of these deals, but it wasn't part of mine.

1:26:09.680 --> 1:26:13.080
<v Speaker 2>And the repairs cost more than I ever thought I

1:26:13.120 --> 1:26:17.600
<v Speaker 2>would use to buy a house. But I owned the

1:26:17.600 --> 1:26:21.799
<v Speaker 2>whole building and opened the shop on the ground floor

1:26:22.040 --> 1:26:28.080
<v Speaker 2>street level, and it lived upstairs, lived upstairs, Mom and pop.

1:26:29.280 --> 1:26:33.240
<v Speaker 1>Okay, so how do you make a business out of

1:26:33.240 --> 1:26:34.240
<v Speaker 1>a violin store?

1:26:36.000 --> 1:26:38.559
<v Speaker 2>Well, you know, that's that's what the city asked me.

1:26:40.439 --> 1:26:45.600
<v Speaker 2>What's your business plan? I said, to sell violins, and

1:26:46.040 --> 1:26:48.680
<v Speaker 2>they were very unhappy with that, you know, they told

1:26:48.760 --> 1:26:52.120
<v Speaker 2>me all the things that one has to do, and

1:26:52.200 --> 1:26:58.240
<v Speaker 2>I said, I cannot tell you how many violins I

1:26:58.280 --> 1:27:03.360
<v Speaker 2>will sell in any months. I have no idea, nor

1:27:03.400 --> 1:27:06.800
<v Speaker 2>do I know for how much they will be sold for,

1:27:07.479 --> 1:27:11.400
<v Speaker 2>because violins are not all the same price. As a

1:27:11.400 --> 1:27:12.960
<v Speaker 2>matter of fact, everyone is different.

1:27:13.880 --> 1:27:14.080
<v Speaker 1>You know.

1:27:14.560 --> 1:27:21.200
<v Speaker 2>It's a strange little business, but we got through it.

1:27:21.920 --> 1:27:23.519
<v Speaker 1>Okay, So you open your store. What do you do

1:27:23.560 --> 1:27:26.200
<v Speaker 1>for inventory?

1:27:29.600 --> 1:27:37.720
<v Speaker 2>I bought things from the Chinese importers for the for

1:27:37.800 --> 1:27:41.639
<v Speaker 2>the trade that we had to begin. In the beginning.

1:27:41.680 --> 1:27:45.800
<v Speaker 2>People were only interested in getting something cheaply. And the

1:27:45.920 --> 1:27:50.519
<v Speaker 2>Chinese violin factories are the best factories that have ever

1:27:50.600 --> 1:27:54.840
<v Speaker 2>existed on the face of the earth. They make unbelievable

1:27:54.880 --> 1:27:59.600
<v Speaker 2>instruments at a very low price. So that was satisfying

1:27:59.640 --> 1:28:03.439
<v Speaker 2>to learn about that, and I bought things, and I

1:28:03.479 --> 1:28:07.480
<v Speaker 2>bought things that were too expensive for our current clientele.

1:28:08.439 --> 1:28:10.719
<v Speaker 2>But I figured if I didn't buy them, I would

1:28:10.720 --> 1:28:14.719
<v Speaker 2>never sell them. And it's much nicer to have beautiful

1:28:14.760 --> 1:28:20.720
<v Speaker 2>things around. So I would go to auctions. I had

1:28:20.760 --> 1:28:30.240
<v Speaker 2>been doing that already for years. When I lived in Chicago.

1:28:33.080 --> 1:28:38.880
<v Speaker 2>I actually made most of my living as a wholesaler

1:28:38.920 --> 1:28:42.960
<v Speaker 2>of violins. Not that I sold seven at once, I

1:28:43.040 --> 1:28:46.240
<v Speaker 2>sold one at a time, of different violins. I would

1:28:46.320 --> 1:28:51.000
<v Speaker 2>go to Europe and I would buy in Europe and

1:28:51.360 --> 1:28:54.559
<v Speaker 2>bring things back and sell them. And on the way

1:28:54.560 --> 1:28:56.800
<v Speaker 2>i'd stop at the auctions. I might sell some at

1:28:56.840 --> 1:29:01.120
<v Speaker 2>the auctions and buy some at the auctions, and I've

1:29:01.160 --> 1:29:05.840
<v Speaker 2>learned an awful lot from doing that. I'd go to

1:29:06.200 --> 1:29:13.879
<v Speaker 2>first to Paris, and sometimes to Belgium, sometimes to Germany,

1:29:14.720 --> 1:29:17.800
<v Speaker 2>and then to London, where the auctions were, and then

1:29:18.000 --> 1:29:22.400
<v Speaker 2>and then home. And you know, I didn't recall this

1:29:22.439 --> 1:29:26.080
<v Speaker 2>when you were asking me about how I performed. You know,

1:29:26.200 --> 1:29:28.680
<v Speaker 2>I didn't perform that much. Most of my living was

1:29:28.720 --> 1:29:39.840
<v Speaker 2>from from buying and selling violins, and the the the

1:29:39.920 --> 1:29:46.599
<v Speaker 2>violin shops in Chicago appreciated that I would buy from

1:29:46.640 --> 1:29:50.840
<v Speaker 2>one shop and sell to another, because not everyone likes

1:29:50.880 --> 1:29:56.400
<v Speaker 2>the same thing, and the head of one shop couldn't

1:29:56.400 --> 1:30:00.720
<v Speaker 2>spare his time literally to go out and look over

1:30:00.760 --> 1:30:04.559
<v Speaker 2>somebody else's inventory. So I would come to their shop

1:30:04.640 --> 1:30:06.759
<v Speaker 2>with something that I found that I thought was good,

1:30:07.240 --> 1:30:09.519
<v Speaker 2>and I you know, I learned.

1:30:11.160 --> 1:30:15.040
<v Speaker 1>Okay, So when you have your shop in Delaware, how

1:30:15.120 --> 1:30:17.000
<v Speaker 1>much inventory do you have? At one time?

1:30:20.200 --> 1:30:21.800
<v Speaker 2>I never counted it, I.

1:30:21.760 --> 1:30:23.400
<v Speaker 1>Mean hundreds, forty.

1:30:26.640 --> 1:30:30.240
<v Speaker 2>I might have as little as forty really good fiddles

1:30:30.360 --> 1:30:38.280
<v Speaker 2>and maybe maybe fifty Chinese fiddles, and then the inventory

1:30:38.520 --> 1:30:47.040
<v Speaker 2>expanded with the nice fiddles. It didn't expand with the

1:30:47.160 --> 1:30:50.760
<v Speaker 2>Chinese fiddles until I turned the shop over to the

1:30:50.760 --> 1:30:55.000
<v Speaker 2>guys that worked in it with me. I don't run

1:30:55.000 --> 1:30:56.080
<v Speaker 2>the shop any longer.

1:30:57.520 --> 1:31:02.000
<v Speaker 1>So what would be the upper price range of some

1:31:02.120 --> 1:31:03.160
<v Speaker 1>of the violins you.

1:31:03.160 --> 1:31:09.000
<v Speaker 2>Sold that I actually sold or that I still have

1:31:10.080 --> 1:31:11.040
<v Speaker 2>that are worth a lot.

1:31:10.920 --> 1:31:12.880
<v Speaker 1>Of money that you actually sold?

1:31:17.520 --> 1:31:21.160
<v Speaker 2>Well, I sold one for thirty five thousand.

1:31:21.120 --> 1:31:25.280
<v Speaker 1>Okay, So at this point you don't own the shop anymore? Correct?

1:31:25.720 --> 1:31:26.000
<v Speaker 2>Right?

1:31:26.960 --> 1:31:28.599
<v Speaker 1>When did you stop owning the shop?

1:31:30.400 --> 1:31:31.840
<v Speaker 2>The first of the of this year?

1:31:32.360 --> 1:31:34.040
<v Speaker 1>Oh so just very recently.

1:31:34.760 --> 1:31:38.240
<v Speaker 2>Yeah, that's right. I didn't sell it. I turned it

1:31:38.280 --> 1:31:39.120
<v Speaker 2>over to the guys.

1:31:40.000 --> 1:31:40.640
<v Speaker 1>Okay.

1:31:40.880 --> 1:31:42.800
<v Speaker 2>They still have a lot of my instruments that they

1:31:42.800 --> 1:31:43.400
<v Speaker 2>are selling.

1:31:45.240 --> 1:31:51.280
<v Speaker 1>Okay. So how much of your business and your particular

1:31:51.360 --> 1:31:52.559
<v Speaker 1>work went into repair?

1:31:53.840 --> 1:31:58.439
<v Speaker 2>None? None of my work. The guys in the back room,

1:31:58.600 --> 1:32:01.719
<v Speaker 2>they made their living mostly from repairs.

1:32:03.040 --> 1:32:05.719
<v Speaker 1>And what's the retail on a Chinese violin.

1:32:08.240 --> 1:32:11.040
<v Speaker 2>It depends on the quality. It usually starts around one

1:32:11.080 --> 1:32:11.839
<v Speaker 2>thousand dollars.

1:32:12.880 --> 1:32:15.840
<v Speaker 1>Okay. So the kids who were playing violins in school,

1:32:15.840 --> 1:32:17.400
<v Speaker 1>where they getting their violins?

1:32:18.720 --> 1:32:21.080
<v Speaker 2>I don't know where some of them got there. There

1:32:21.160 --> 1:32:24.080
<v Speaker 2>were some eight hundred dollars fiddles, the seven hundred, and

1:32:24.120 --> 1:32:30.200
<v Speaker 2>then some of the fractional violins were cheaper. I didn't

1:32:30.479 --> 1:32:35.920
<v Speaker 2>like handling the very cheapest things because then you have

1:32:36.000 --> 1:32:41.160
<v Speaker 2>to repair them. And repairing cheapest things is not like

1:32:41.240 --> 1:32:45.960
<v Speaker 2>repairing a really fine instrument. It's a trial. And I

1:32:46.000 --> 1:32:49.639
<v Speaker 2>didn't want to load that on the guys. I could

1:32:49.680 --> 1:32:52.639
<v Speaker 2>have started a rental business, and I, you know, that's

1:32:52.840 --> 1:32:58.759
<v Speaker 2>really meatball repair, I think. But strangely enough, the guys

1:32:58.760 --> 1:33:02.000
<v Speaker 2>are doing that now for my shop from what used

1:33:02.000 --> 1:33:02.679
<v Speaker 2>to be my shop.

1:33:03.439 --> 1:33:07.000
<v Speaker 1>So what makes a strata varias so good.

1:33:08.920 --> 1:33:15.960
<v Speaker 2>Stratavari's instruments his violins, because he made more than violins.

1:33:16.920 --> 1:33:27.200
<v Speaker 2>He made also bows cello's viola's, guitars, and probably some

1:33:27.280 --> 1:33:32.639
<v Speaker 2>other instruments. But his violins stood out from others because

1:33:32.760 --> 1:33:36.880
<v Speaker 2>in a large concert hall, which were just beginning to

1:33:36.960 --> 1:33:43.080
<v Speaker 2>be used when in Stratavari's day, it could be heard

1:33:43.080 --> 1:33:47.080
<v Speaker 2>at the back of the of the hall without sounding loud,

1:33:47.160 --> 1:33:50.480
<v Speaker 2>right in front of it. That's what made them desirable

1:33:52.080 --> 1:33:58.919
<v Speaker 2>and placed them above most other instruments. There's some interesting

1:33:59.640 --> 1:34:06.080
<v Speaker 2>things about the competition between modern violins and the old masters.

1:34:08.080 --> 1:34:15.840
<v Speaker 2>Every time that there's a competition blindfold competition, the modern

1:34:15.920 --> 1:34:21.160
<v Speaker 2>violin makers win. And I used to think, Okay, it

1:34:21.240 --> 1:34:24.680
<v Speaker 2>depends on how they're set up and who's playing them

1:34:23.880 --> 1:34:28.280
<v Speaker 2>and all that. But there was one recently that really

1:34:28.960 --> 1:34:34.040
<v Speaker 2>impressed me where the owners of some fine violins even

1:34:34.080 --> 1:34:37.479
<v Speaker 2>played their own violins, but they were blindfolded and they

1:34:37.600 --> 1:34:40.000
<v Speaker 2>might not recognize them as their own. They all picked

1:34:40.640 --> 1:34:44.720
<v Speaker 2>the modern ones, and it was not a question of

1:34:44.840 --> 1:34:47.000
<v Speaker 2>set up or anything like that, because they were set

1:34:47.120 --> 1:34:51.599
<v Speaker 2>up for these players or for one of these players.

1:34:54.439 --> 1:34:57.080
<v Speaker 1>And so if you were going to get one of

1:34:57.120 --> 1:34:59.599
<v Speaker 1>these modern violins, what's the retail price on that?

1:35:05.439 --> 1:35:10.880
<v Speaker 2>There's a wide margin. I mean, if you buy a

1:35:10.960 --> 1:35:14.280
<v Speaker 2>violin that was made in a violin making school, it's

1:35:14.320 --> 1:35:19.800
<v Speaker 2>going to cost maybe two thousand dollars. If you buy

1:35:19.840 --> 1:35:24.960
<v Speaker 2>it from Sam Zigmatovitch in Brooklyn, one of his violins,

1:35:25.600 --> 1:35:30.320
<v Speaker 2>it's going to cost you six figures. And they're wonderful violins,

1:35:30.640 --> 1:35:31.240
<v Speaker 2>They're worth it.

1:35:32.600 --> 1:35:33.959
<v Speaker 1>So he makes them himself.

1:35:34.479 --> 1:35:36.240
<v Speaker 2>He makes them himself in Brooklyn.

1:35:37.360 --> 1:35:39.120
<v Speaker 1>How many violins can he make in a year?

1:35:42.280 --> 1:35:48.719
<v Speaker 2>I don't really know. You know, people run at different speeds,

1:35:48.760 --> 1:35:53.200
<v Speaker 2>and it was never something that interested me to find out.

1:35:53.520 --> 1:35:56.880
<v Speaker 1>Okay, so you're running the violin shop for two decades,

1:35:57.160 --> 1:36:00.559
<v Speaker 1>to what degree are you personally playing at that you'd

1:36:00.600 --> 1:36:01.920
<v Speaker 1>lay all your instruments down.

1:36:03.360 --> 1:36:07.360
<v Speaker 2>When I started the shop, I hadn't picked up a

1:36:07.400 --> 1:36:13.440
<v Speaker 2>guitar in quite a while, and my playing had completely collapsed,

1:36:14.840 --> 1:36:17.320
<v Speaker 2>and I decided I wanted to improve it. So I

1:36:17.360 --> 1:36:23.320
<v Speaker 2>went to some jam sessions. And I originally went to

1:36:24.240 --> 1:36:29.880
<v Speaker 2>a jam session with people whose skill was not beyond me,

1:36:32.840 --> 1:36:35.559
<v Speaker 2>you know, people who are also trying to build their

1:36:36.120 --> 1:36:42.040
<v Speaker 2>chops from pretty you know, not from an advanced place.

1:36:43.200 --> 1:36:46.160
<v Speaker 2>And then I, after a year or so I was

1:36:46.240 --> 1:36:52.040
<v Speaker 2>able to go to better jams. And I had been

1:36:52.120 --> 1:36:58.880
<v Speaker 2>asked by the mayor of Wilmington to help bring back

1:36:59.000 --> 1:37:03.479
<v Speaker 2>live music. And he told me the street that I

1:37:03.520 --> 1:37:05.840
<v Speaker 2>lived on and my shop is on used to have

1:37:05.920 --> 1:37:10.640
<v Speaker 2>live music all up and down it. Well, I'm not

1:37:11.360 --> 1:37:13.400
<v Speaker 2>a club owner or a book or any of that.

1:37:14.120 --> 1:37:16.639
<v Speaker 2>I figured the only thing I could do is start

1:37:16.800 --> 1:37:27.559
<v Speaker 2>some jam sessions right on Market Street. And I did,

1:37:29.880 --> 1:37:33.320
<v Speaker 2>and some really fine musicians would hear about them and come.

1:37:34.439 --> 1:37:38.360
<v Speaker 2>So I started playing with some really great musicians again,

1:37:39.600 --> 1:37:44.080
<v Speaker 2>and I started enjoying it again. So I decided to

1:37:44.080 --> 1:37:45.440
<v Speaker 2>go back on the road.

1:37:46.760 --> 1:37:51.519
<v Speaker 1>So when you decided, you basically say a twenty two

1:37:51.800 --> 1:37:56.360
<v Speaker 1>year sabbatical. So that's the beginning of this century. How

1:37:56.439 --> 1:37:58.400
<v Speaker 1>much you're working in the violin shop and how much

1:37:58.400 --> 1:38:01.000
<v Speaker 1>you're working on your own career.

1:38:02.720 --> 1:38:05.799
<v Speaker 2>It was mostly in the violin shop my own career.

1:38:06.320 --> 1:38:09.040
<v Speaker 2>The violin shop takes place during the day and my

1:38:09.120 --> 1:38:13.200
<v Speaker 2>career takes place at night. So I was able to

1:38:13.240 --> 1:38:16.400
<v Speaker 2>do both at once, and sometimes I'd have to travel

1:38:16.439 --> 1:38:21.080
<v Speaker 2>for a few gigs and the guys could keep the

1:38:21.160 --> 1:38:25.800
<v Speaker 2>shop going. Wasn't a problem. You see, My function in

1:38:25.840 --> 1:38:33.000
<v Speaker 2>that shop was to write appraisals and to buy and sell,

1:38:34.280 --> 1:38:38.920
<v Speaker 2>to know what is what, what's real, what's a forgery?

1:38:39.920 --> 1:38:45.160
<v Speaker 2>And I was sometimes very very good and sometimes very

1:38:45.240 --> 1:38:49.080
<v Speaker 2>very bad at it. But that's kind of the way

1:38:49.120 --> 1:38:51.479
<v Speaker 2>it goes. Well.

1:38:51.520 --> 1:38:54.000
<v Speaker 1>At some point when you get back in your career,

1:38:54.040 --> 1:38:57.360
<v Speaker 1>you're making albums, you know you're from the next year,

1:38:57.400 --> 1:39:00.720
<v Speaker 1>you're back into it. Was it really that you were

1:39:00.720 --> 1:39:05.240
<v Speaker 1>making and buying and selling violins and appraising violins and

1:39:05.280 --> 1:39:08.120
<v Speaker 1>this was more of a hobby or was it chewing

1:39:08.200 --> 1:39:09.200
<v Speaker 1>up more of your time?

1:39:10.960 --> 1:39:15.639
<v Speaker 2>I think I think I was in the violin shop

1:39:15.840 --> 1:39:17.160
<v Speaker 2>until I wasn't.

1:39:18.600 --> 1:39:21.800
<v Speaker 1>Okay, so tell me more about these. Uh So you're

1:39:21.840 --> 1:39:25.240
<v Speaker 1>at the Beacon and it's a series of shows.

1:39:26.200 --> 1:39:27.080
<v Speaker 2>No, it's one show.

1:39:27.520 --> 1:39:30.120
<v Speaker 1>One show, That's what I thought, Okay, my life? Is that?

1:39:30.400 --> 1:39:32.320
<v Speaker 1>And is that the final show? Or is there a

1:39:32.360 --> 1:39:33.240
<v Speaker 1>tour thereafter?

1:39:35.360 --> 1:39:39.120
<v Speaker 2>There is no tour planned thereafter. I understand that one

1:39:39.280 --> 1:39:42.720
<v Speaker 2>should never say never, so I'm not saying never, But

1:39:42.880 --> 1:39:45.960
<v Speaker 2>as it looks now, that's probably the last one I'll do.

1:39:47.800 --> 1:39:52.800
<v Speaker 1>Oh okay, And what are your emotions about it.

1:39:54.800 --> 1:40:00.439
<v Speaker 2>I'm gonna miss the guys, and I might come to

1:40:00.560 --> 1:40:05.160
<v Speaker 2>miss performing, but I don't know, you know, those twenty

1:40:05.200 --> 1:40:09.439
<v Speaker 2>two years that hiatus I took, I never yearned to

1:40:09.479 --> 1:40:14.720
<v Speaker 2>get back on stage, So you know I can give

1:40:14.800 --> 1:40:20.920
<v Speaker 2>things up better than most people. I don't think I'm

1:40:20.920 --> 1:40:21.959
<v Speaker 2>going to have a problem.

1:40:23.439 --> 1:40:26.679
<v Speaker 1>Okay, So you take a very large band on stage,

1:40:26.720 --> 1:40:28.000
<v Speaker 1>which the generation of that.

1:40:30.360 --> 1:40:37.719
<v Speaker 2>I used to perform with a band just a little

1:40:37.760 --> 1:40:39.840
<v Speaker 2>smaller than what I'm going to have on stage. I

1:40:39.920 --> 1:40:49.639
<v Speaker 2>used to perform with a quintet plus two horns, and

1:40:50.640 --> 1:40:54.320
<v Speaker 2>these days I've been mostly performing with a quintet, but

1:40:54.439 --> 1:40:57.880
<v Speaker 2>occasionally I do big band gigs where I hire not

1:40:57.960 --> 1:41:03.920
<v Speaker 2>two but three horns, three singers. And for this gig,

1:41:05.200 --> 1:41:10.479
<v Speaker 2>we're going to have a keyboard player who recorded our

1:41:10.600 --> 1:41:13.519
<v Speaker 2>last record with us. But I mean before that, he'd

1:41:13.520 --> 1:41:16.880
<v Speaker 2>show up at gigs and we wouldn't rehearse. He knew

1:41:16.880 --> 1:41:20.360
<v Speaker 2>all the tunes, he knew him cold, and he's a

1:41:20.360 --> 1:41:22.800
<v Speaker 2>member of the band. His name is Dan Walker, and

1:41:22.840 --> 1:41:25.760
<v Speaker 2>he's a brilliant player. Right now, he is out with

1:41:26.200 --> 1:41:30.680
<v Speaker 2>Ann Wilson of Heart, and he asked her for the

1:41:30.760 --> 1:41:33.840
<v Speaker 2>night off because he's on tour with her, and she

1:41:34.080 --> 1:41:37.920
<v Speaker 2>very graciously gave him the night off so to play

1:41:37.960 --> 1:41:38.200
<v Speaker 2>with her.

1:41:38.200 --> 1:41:41.439
<v Speaker 1>If you're playing with this many players, are you making

1:41:41.520 --> 1:41:43.799
<v Speaker 1>money or you're losing money? Generally speaking?

1:41:46.040 --> 1:41:48.040
<v Speaker 2>This is a one off this gig.

1:41:48.680 --> 1:41:50.960
<v Speaker 1>I understand, and this is the final gig. But before

1:41:51.040 --> 1:41:55.760
<v Speaker 1>this you're taking out multiple players, maybe not ten but seven.

1:41:55.640 --> 1:41:59.480
<v Speaker 2>The numbers work with seven was in the seventies.

1:42:00.360 --> 1:42:04.240
<v Speaker 1>Okay, So in the gigs prior to this one, how

1:42:04.240 --> 1:42:06.120
<v Speaker 1>many people would go out?

1:42:06.479 --> 1:42:11.519
<v Speaker 2>Five including myself and six including the road manager, the

1:42:11.840 --> 1:42:13.080
<v Speaker 2>tour manager.

1:42:14.680 --> 1:42:18.000
<v Speaker 1>And with five people, you're making money?

1:42:19.280 --> 1:42:20.080
<v Speaker 2>I made enough?

1:42:21.280 --> 1:42:23.280
<v Speaker 1>How many? How big were these gigs? How many? What

1:42:23.360 --> 1:42:25.360
<v Speaker 1>was the size of the halls you were playing?

1:42:26.280 --> 1:42:31.640
<v Speaker 2>I played halls of different sizes in different cities. You know,

1:42:31.760 --> 1:42:35.640
<v Speaker 2>if I'm going to play in San Francisco, I'm going

1:42:35.680 --> 1:42:40.920
<v Speaker 2>to play a large room, or New York or New Jersey.

1:42:41.840 --> 1:42:44.200
<v Speaker 2>But in some parts of the country, I have to

1:42:44.200 --> 1:42:47.160
<v Speaker 2>settle for a smaller room.

1:42:47.280 --> 1:42:49.719
<v Speaker 1>And you're gonna have special guests at this final show.

1:42:50.120 --> 1:42:52.800
<v Speaker 2>Yeah, yeah, yeah, I'm very excited about that.

1:42:54.360 --> 1:42:56.000
<v Speaker 1>And can you reveal who those are?

1:42:56.640 --> 1:42:59.240
<v Speaker 2>I can reveal. One of the two is Jeff Tweety.

1:43:00.800 --> 1:43:03.280
<v Speaker 1>And do you know Jeff Tweety? How does he end

1:43:03.360 --> 1:43:04.280
<v Speaker 1>up being on the show.

1:43:05.800 --> 1:43:08.840
<v Speaker 2>It's kind of a funny story. He was one of

1:43:08.840 --> 1:43:14.200
<v Speaker 2>the first people I thought of. I did some years

1:43:14.240 --> 1:43:21.960
<v Speaker 2>ago a festival, an indoor festival in Chicago, and I

1:43:22.040 --> 1:43:25.559
<v Speaker 2>was coming off the stage to my dressing room and

1:43:25.640 --> 1:43:28.160
<v Speaker 2>Jeff Tweety was doing the same. He was a little

1:43:28.160 --> 1:43:30.880
<v Speaker 2>bit ahead of me, and I called out ahead and

1:43:30.960 --> 1:43:34.160
<v Speaker 2>I said Jeff, and he turned around. I said we

1:43:34.160 --> 1:43:37.800
<v Speaker 2>should play together sometime, and he said yeah, and that

1:43:37.960 --> 1:43:42.040
<v Speaker 2>was the end of it. So I was recently on

1:43:42.080 --> 1:43:46.439
<v Speaker 2>a tour ship, on a cruise ship called Cayamo, and

1:43:47.080 --> 1:43:52.840
<v Speaker 2>I was backstage having just come off, being about to

1:43:52.880 --> 1:43:57.920
<v Speaker 2>go on again, and Jeff came off the stage. When

1:43:57.960 --> 1:43:59.439
<v Speaker 2>he got to where I was, he pointed at me.

1:43:59.479 --> 1:44:03.160
<v Speaker 2>He said, Bromberg. I said yeah. He said, I got

1:44:03.160 --> 1:44:06.559
<v Speaker 2>to tell you. When you called to me backstage in Chicago,

1:44:06.760 --> 1:44:12.760
<v Speaker 2>I was astounded that you knew who I was. I said,

1:44:12.880 --> 1:44:16.639
<v Speaker 2>I was convinced you you didn't have any idea who

1:44:16.680 --> 1:44:21.280
<v Speaker 2>I was. And so we both laughed about that and

1:44:21.320 --> 1:44:23.360
<v Speaker 2>we decided, yes, we have to play together.

1:44:25.240 --> 1:44:27.519
<v Speaker 1>Okay, so he'll be playing at the final gig. Just

1:44:27.560 --> 1:44:33.600
<v Speaker 1>backing up over your sixty year time in the music business.

1:44:34.320 --> 1:44:37.200
<v Speaker 1>Are you the type of person who makes and keeps

1:44:37.320 --> 1:44:41.000
<v Speaker 1>relationships or are you more like for His Gum bumping

1:44:41.040 --> 1:44:41.679
<v Speaker 1>into things.

1:44:43.400 --> 1:44:47.599
<v Speaker 2>I'm probably more like Forrest Gump, but not completely. As

1:44:47.640 --> 1:44:51.880
<v Speaker 2>I told you in my business, when you bump into

1:44:51.920 --> 1:44:55.479
<v Speaker 2>somebody after no matter how many years, you can pick

1:44:55.560 --> 1:44:56.720
<v Speaker 2>up your last conversation.

1:44:58.960 --> 1:45:00.720
<v Speaker 1>Well, I mean, let me put it a different way.

1:45:01.360 --> 1:45:05.360
<v Speaker 1>People who are not stars are not named performers, which

1:45:05.360 --> 1:45:08.280
<v Speaker 1>you ultimately became when you signed your deal with Columbia,

1:45:08.760 --> 1:45:12.519
<v Speaker 1>and they're making a living playing with other people. They're

1:45:12.600 --> 1:45:15.920
<v Speaker 1>heavy networkers, most of them, and they have a group

1:45:15.960 --> 1:45:17.800
<v Speaker 1>of people they're calling them all the time because they're

1:45:17.840 --> 1:45:23.160
<v Speaker 1>looking to work. Was that your experience before you had

1:45:23.160 --> 1:45:23.960
<v Speaker 1>your record deal?

1:45:26.280 --> 1:45:29.400
<v Speaker 2>Well, there were there were a couple of instances like that,

1:45:29.439 --> 1:45:32.920
<v Speaker 2>but it wasn't common. You know. There there was h

1:45:34.240 --> 1:45:42.759
<v Speaker 2>uh huh a coffeehouse in uh uh in Michigan uh

1:45:43.479 --> 1:45:46.960
<v Speaker 2>called the Arc and and the people who ran that

1:45:48.200 --> 1:45:51.479
<v Speaker 2>would call me themselves, and you know, I'd speak to

1:45:51.520 --> 1:45:54.240
<v Speaker 2>them and I'd go do it. But after after a

1:45:54.280 --> 1:45:58.600
<v Speaker 2>certain amount of time, I had managers and agents.

1:45:59.680 --> 1:46:02.760
<v Speaker 1>And they I'm talking about actually, yeah, I'm talking about

1:46:02.760 --> 1:46:03.559
<v Speaker 1>more before that.

1:46:05.160 --> 1:46:08.840
<v Speaker 2>Yeah, that's a long time ago. Before that is a

1:46:08.920 --> 1:46:09.840
<v Speaker 2>very long time ago.

1:46:11.040 --> 1:46:14.519
<v Speaker 1>I mean, let's put it this way. You're in Wilmington, Okay, people, Well,

1:46:14.560 --> 1:46:16.559
<v Speaker 1>people come into the store, so you end up having

1:46:16.560 --> 1:46:20.960
<v Speaker 1>a socialization there. Let me jump ahead. So you sold

1:46:21.000 --> 1:46:24.240
<v Speaker 1>the store, You're going to have the final gig. What

1:46:24.240 --> 1:46:25.400
<v Speaker 1>are you going to do with your time?

1:46:26.320 --> 1:46:28.320
<v Speaker 2>Well, first of all, I did not sell the store.

1:46:29.040 --> 1:46:30.880
<v Speaker 1>You gave the store away.

1:46:30.280 --> 1:46:32.639
<v Speaker 2>I turned it over to the guys.

1:46:33.080 --> 1:46:37.240
<v Speaker 1>Yes, and I have.

1:46:41.120 --> 1:46:44.160
<v Speaker 2>I don't have it all any longer. But I had

1:46:44.160 --> 1:46:49.559
<v Speaker 2>the largest collection of good violins made in the United

1:46:49.600 --> 1:46:53.439
<v Speaker 2>States that there's ever been. At one point it was

1:46:53.520 --> 1:46:57.519
<v Speaker 2>up to two hundred and sixty three instruments. That's a

1:46:57.560 --> 1:47:07.000
<v Speaker 2>lot of violins. And now I'm selling them mostly to colleagues,

1:47:07.120 --> 1:47:12.840
<v Speaker 2>to people who have their own stores. And I'm making

1:47:12.880 --> 1:47:15.120
<v Speaker 2>sure I have photographs before i let one out of

1:47:15.120 --> 1:47:20.080
<v Speaker 2>the building because I'm going to do a book. So

1:47:20.400 --> 1:47:21.639
<v Speaker 2>that's going to take a while.

1:47:23.320 --> 1:47:27.600
<v Speaker 1>Okay, So just going back to that story, if you

1:47:27.640 --> 1:47:31.320
<v Speaker 1>have two hundred and sixty three violins, to what degree

1:47:31.360 --> 1:47:34.360
<v Speaker 1>were people calling you up from across the country or

1:47:34.360 --> 1:47:36.760
<v Speaker 1>the world saying, hey, you know I want something. It

1:47:36.760 --> 1:47:38.680
<v Speaker 1>looks like you got something I got, as opposed to

1:47:38.720 --> 1:47:40.240
<v Speaker 1>people in Wilmington.

1:47:41.520 --> 1:47:49.080
<v Speaker 2>I got calls very frequently. I couldn't say how frequently.

1:47:49.160 --> 1:47:54.680
<v Speaker 2>It wasn't quite once a week most weeks, but you know,

1:47:54.760 --> 1:47:59.080
<v Speaker 2>every week or two, i'd get a call from a

1:47:59.120 --> 1:48:09.120
<v Speaker 2>colleague who wanted to know the value of an American

1:48:09.200 --> 1:48:14.000
<v Speaker 2>violin he had, And they would seldom put it in

1:48:14.040 --> 1:48:16.360
<v Speaker 2>those terms, but that's what it boiled down to always,

1:48:17.840 --> 1:48:23.280
<v Speaker 2>and with my collection, I became the world's expert violence

1:48:23.320 --> 1:48:26.400
<v Speaker 2>made in the United States. It's very embarrassing to pat

1:48:26.439 --> 1:48:29.280
<v Speaker 2>myself on the back like that, but if you ask

1:48:29.360 --> 1:48:32.920
<v Speaker 2>any violin dealer who knows about American violins, you'll hear

1:48:32.960 --> 1:48:41.639
<v Speaker 2>my name. So I would also get calls from people

1:48:41.680 --> 1:48:46.000
<v Speaker 2>who had an American violin that they inherited and they

1:48:46.000 --> 1:48:46.880
<v Speaker 2>wanted to sell them.

1:48:48.880 --> 1:48:51.200
<v Speaker 1>What's the most you ever paid for a violin?

1:48:53.920 --> 1:48:55.759
<v Speaker 2>Probably around fifteen thousand dollars?

1:48:57.160 --> 1:48:59.799
<v Speaker 1>Okay, So let's assume you buy a violin for fifteen

1:49:00.800 --> 1:49:02.479
<v Speaker 1>What could you then sell it for?

1:49:04.080 --> 1:49:06.799
<v Speaker 2>Well, that's the key. I wouldn't buy it for fifteen

1:49:06.840 --> 1:49:08.559
<v Speaker 2>if I didn't think I could sell it for a

1:49:08.600 --> 1:49:12.360
<v Speaker 2>good profit. I cannot remember one specifically that I paid

1:49:12.400 --> 1:49:15.439
<v Speaker 2>that much for, but I think that's about the tops.

1:49:15.479 --> 1:49:17.479
<v Speaker 2>If not, then it would be ten or twelve, but

1:49:18.360 --> 1:49:21.720
<v Speaker 2>it would vary from instrument to instrument. These every one

1:49:21.760 --> 1:49:24.960
<v Speaker 2>of them is different, and every one of them, even

1:49:25.160 --> 1:49:29.680
<v Speaker 2>by the same maker, is different. He finished this on

1:49:29.720 --> 1:49:35.160
<v Speaker 2>a good day. He finished this on a bad day.

1:49:35.240 --> 1:49:37.840
<v Speaker 2>He had a lot of assistance working on this one.

1:49:37.880 --> 1:49:40.200
<v Speaker 2>But this one is all as far as I can

1:49:40.240 --> 1:49:45.160
<v Speaker 2>see his work. You know, this is a really this

1:49:45.240 --> 1:49:49.920
<v Speaker 2>is a business of one offs, aside from factory violins,

1:49:51.160 --> 1:49:53.240
<v Speaker 2>and even those are different one to another.

1:49:54.040 --> 1:49:58.600
<v Speaker 1>Okay, so if it's like a ten thousand dollars you

1:49:58.800 --> 1:50:01.879
<v Speaker 1>pay your goal, it would be one hundred percent markup.

1:50:01.960 --> 1:50:05.040
<v Speaker 1>What would your goal be? I realized every deal was different.

1:50:05.320 --> 1:50:08.639
<v Speaker 1>But if you're bothering to buy a violin, how much

1:50:09.000 --> 1:50:10.639
<v Speaker 1>more would you hope to sell it for?

1:50:11.280 --> 1:50:15.040
<v Speaker 2>How much do I like it? That's going to determine

1:50:15.040 --> 1:50:20.880
<v Speaker 2>whether I buy it or not? And I don't have

1:50:20.960 --> 1:50:24.679
<v Speaker 2>a rule of well I got a leuble of my money.

1:50:24.960 --> 1:50:28.120
<v Speaker 2>First of all, with really good violins, the better you get,

1:50:28.600 --> 1:50:33.280
<v Speaker 2>the lower the proportion percentage of profit it is.

1:50:35.040 --> 1:50:42.120
<v Speaker 1>So, you know, was the store ever broken into no?

1:50:43.360 --> 1:50:46.599
<v Speaker 1>And generally speaking, when people came in to buy an

1:50:46.680 --> 1:50:49.360
<v Speaker 1>expensive violin, did they know what they were looking for,

1:50:49.680 --> 1:50:51.920
<v Speaker 1>or did you basically have to tell them you want this,

1:50:52.080 --> 1:50:53.120
<v Speaker 1>this is the one you want.

1:50:55.320 --> 1:50:57.960
<v Speaker 2>I never told people this is the one you want.

1:50:58.320 --> 1:51:02.120
<v Speaker 2>They have to decide for themselves islans or personal things,

1:51:02.160 --> 1:51:04.360
<v Speaker 2>and so are the bows, which by the way, can

1:51:04.439 --> 1:51:11.720
<v Speaker 2>get extremely valuable. The way I would work it is

1:51:11.760 --> 1:51:14.240
<v Speaker 2>the way most shops, to my knowledge work it. You

1:51:14.400 --> 1:51:17.599
<v Speaker 2>have to find out, give me an idea of your budget,

1:51:18.640 --> 1:51:21.320
<v Speaker 2>and I'll show you things within your budget. And I

1:51:21.400 --> 1:51:24.080
<v Speaker 2>would never show anything more expensive to drag them up,

1:51:24.120 --> 1:51:31.200
<v Speaker 2>although some shops do that. I'd always find things within

1:51:31.360 --> 1:51:33.320
<v Speaker 2>or below their stated budget.

1:51:35.520 --> 1:51:37.719
<v Speaker 1>So you live it in Wilmington. You ever meet Joe Biden?

1:51:38.800 --> 1:51:41.799
<v Speaker 2>Yeah, I met him right in front of my store

1:51:41.920 --> 1:51:42.640
<v Speaker 2>one afternoon.

1:51:44.200 --> 1:51:46.400
<v Speaker 1>What were the circumstances, What was your experience?

1:51:47.400 --> 1:51:50.680
<v Speaker 2>Well, at the time, he was the vice president and

1:51:51.880 --> 1:51:54.400
<v Speaker 2>we shook hands and I told him that was my store,

1:51:54.520 --> 1:51:57.439
<v Speaker 2>and I don't remember if we said it any more

1:51:57.520 --> 1:52:03.000
<v Speaker 2>than that. You know, it was just well, hello, and

1:52:03.120 --> 1:52:05.839
<v Speaker 2>I had a store in his hometown.

1:52:06.880 --> 1:52:08.640
<v Speaker 1>But would he was just walking down the street or

1:52:08.680 --> 1:52:10.120
<v Speaker 1>he's doing a campaign and then.

1:52:10.960 --> 1:52:13.920
<v Speaker 2>I think there might have been a parade that day

1:52:14.800 --> 1:52:17.240
<v Speaker 2>and he was out to see it as my guess,

1:52:18.000 --> 1:52:20.680
<v Speaker 2>But you know, I really don't know.

1:52:21.720 --> 1:52:24.040
<v Speaker 1>Okay, if you had to do it all over again,

1:52:24.120 --> 1:52:26.080
<v Speaker 1>and I can tell you're the type of guy who

1:52:26.160 --> 1:52:28.160
<v Speaker 1>feels it had to play out the way it did.

1:52:29.520 --> 1:52:32.360
<v Speaker 1>Would you have gone to violin making school, would you've

1:52:32.479 --> 1:52:36.040
<v Speaker 1>opened the shop, taken this hiatus? What would you have done?

1:52:38.160 --> 1:52:42.639
<v Speaker 2>Depends who I am. I've been different people at different

1:52:42.640 --> 1:52:45.920
<v Speaker 2>times in my life, you know what I mean? Always

1:52:46.080 --> 1:52:51.320
<v Speaker 2>absolutely yeah, So it depends who I am when I'm

1:52:51.360 --> 1:52:52.519
<v Speaker 2>asked to make that decision.

1:52:53.760 --> 1:52:54.920
<v Speaker 1>And what are your kids up to?

1:52:57.040 --> 1:53:01.240
<v Speaker 2>Well? My daughter lives in Wilmington and she is a

1:53:01.520 --> 1:53:07.400
<v Speaker 2>very well trained nanny. She she knows all of the

1:53:08.240 --> 1:53:10.960
<v Speaker 2>concussion protocols and the broken you know, what to do

1:53:11.040 --> 1:53:13.800
<v Speaker 2>with a child who heards. She's really very skilled at

1:53:13.840 --> 1:53:17.040
<v Speaker 2>that and at relating to the children. She loves them

1:53:17.800 --> 1:53:23.200
<v Speaker 2>and that's that's her work. My son is a real anomaly.

1:53:23.960 --> 1:53:27.639
<v Speaker 2>My son lives in Paris with his wife and two children,

1:53:29.120 --> 1:53:33.439
<v Speaker 2>and he is the only person I know who gets

1:53:33.479 --> 1:53:39.000
<v Speaker 2>paid for poetry, writing poetry. Do you know anybody who

1:53:39.000 --> 1:53:40.240
<v Speaker 2>gets paid for writing poetry?

1:53:40.680 --> 1:53:45.920
<v Speaker 1>No? I don't, Mary Carr. Maybe one who Mary Carr?

1:53:46.840 --> 1:53:50.439
<v Speaker 2>Ah? Okay, well, I don't know Mary Carr, but I

1:53:50.560 --> 1:53:56.920
<v Speaker 2>know Jacob. And but even so, as remarkable as it is,

1:53:57.640 --> 1:53:59.640
<v Speaker 2>you don't get you don't get paid much for it.

1:54:01.560 --> 1:54:08.080
<v Speaker 2>He does a lot of translating French to English for museums,

1:54:09.520 --> 1:54:15.200
<v Speaker 2>and he has worked as for different organizations as the

1:54:15.920 --> 1:54:21.840
<v Speaker 2>as the organizer of their conventions, so he does a

1:54:21.960 --> 1:54:22.840
<v Speaker 2>variety of things.

1:54:25.920 --> 1:54:28.880
<v Speaker 1>Okay, David, I think we've covered it here, and I

1:54:28.960 --> 1:54:32.280
<v Speaker 1>want to thank you for taking the time to speak

1:54:32.320 --> 1:54:33.120
<v Speaker 1>with my audience.

1:54:34.520 --> 1:54:37.080
<v Speaker 2>It's been my pleasure and it's nice to talk to

1:54:37.880 --> 1:54:41.840
<v Speaker 2>an interviewer who's done his research. I'm very happy to

1:54:42.000 --> 1:54:42.520
<v Speaker 2>have met well.

1:54:42.640 --> 1:54:44.360
<v Speaker 1>You know, as I said, I've lived through your whole

1:54:44.480 --> 1:54:47.400
<v Speaker 1>career from Afar, you know, seeing you in the pages

1:54:47.440 --> 1:54:50.560
<v Speaker 1>of as I say, when you stop to make violins,

1:54:50.680 --> 1:54:56.400
<v Speaker 1>that's something you know that was out of deviated from

1:54:56.480 --> 1:54:59.120
<v Speaker 1>the norm and was very interesting to me. And I'm

1:54:59.160 --> 1:55:03.480
<v Speaker 1>glad we got the call. In any event, until next time,

1:55:03.760 --> 1:55:27.320
<v Speaker 1>This is Bob left. Six h