1 00:00:00,240 --> 00:00:03,320 Speaker 1: Comedy Off Broadway in Lexington welcomes one of the rising 2 00:00:03,400 --> 00:00:06,800 Speaker 1: stars of Kill Tony Casey Rocket July tenth through the 3 00:00:06,840 --> 00:00:10,920 Speaker 1: twelfth Din Catch Lexington first timer Marcus D. Wiley June 4 00:00:10,960 --> 00:00:13,840 Speaker 1: seventeenth through the nineteenth and as seen on ag T. 5 00:00:14,200 --> 00:00:18,680 Speaker 1: Don't miss the Amazing Psychic comedian Peter Antonio July twenty 6 00:00:18,680 --> 00:00:21,440 Speaker 1: fifth and twenty six four. Tickets to all Comedy Off 7 00:00:21,480 --> 00:00:24,160 Speaker 1: Broadway shows called eight by nine two seven to one 8 00:00:24,239 --> 00:00:28,800 Speaker 1: joke or visit Comedy Off Broadway dot com Comedy Offay. 9 00:00:31,040 --> 00:00:35,080 Speaker 2: This is Kentucky Sports Radio presented by Stockton Mortgage. Now 10 00:00:35,200 --> 00:00:36,320 Speaker 2: here's Matt Jones. 11 00:00:39,760 --> 00:00:48,560 Speaker 3: This ain't Matt Jones. Black Jones is back, baby pilling 12 00:00:48,680 --> 00:00:54,360 Speaker 3: in in the mix on a not a Merry Monday. 13 00:00:54,720 --> 00:00:57,200 Speaker 3: I was about to say, marry Monday, Mary Tuesday. Man, 14 00:00:57,240 --> 00:00:59,320 Speaker 3: What's what I'm trying to think? Like what you call 15 00:01:00,400 --> 00:01:03,000 Speaker 3: what I should call terrific Tuesday, terrific Tuesday. 16 00:01:04,319 --> 00:01:06,399 Speaker 4: Tickle me Tuesday. 17 00:01:06,400 --> 00:01:08,960 Speaker 3: No, I don't know, now, that's tickle me Tuesday. Sound 18 00:01:09,040 --> 00:01:12,000 Speaker 3: like an HR problem. I don't want. I don't No, 19 00:01:12,080 --> 00:01:14,280 Speaker 3: you don't want to encourage tickle me Tuesday. And then 20 00:01:14,880 --> 00:01:17,160 Speaker 3: they gotta walk. They gotta walk James off the job 21 00:01:17,200 --> 00:01:20,119 Speaker 3: at noon because he was leaning into it too much. 22 00:01:20,760 --> 00:01:23,479 Speaker 3: I'll go with terrific Tuesday. How are you fellas doing 23 00:01:23,760 --> 00:01:26,440 Speaker 3: on this terrific Tuesday? Man, it's good to hear from 24 00:01:26,520 --> 00:01:26,800 Speaker 3: you again. 25 00:01:26,880 --> 00:01:28,360 Speaker 5: It's been a minute since you've been on the on 26 00:01:28,400 --> 00:01:29,840 Speaker 5: the show, so we're excited to hear you. 27 00:01:29,840 --> 00:01:31,120 Speaker 4: We're gonna join us again this week. 28 00:01:31,920 --> 00:01:33,600 Speaker 3: Yeah, Man, who do I have? I got? I got 29 00:01:33,880 --> 00:01:35,640 Speaker 3: my guy Ryan, I got who else? Got? 30 00:01:35,640 --> 00:01:36,840 Speaker 2: Shannon? I'm here? 31 00:01:36,920 --> 00:01:37,120 Speaker 3: Yep? 32 00:01:37,280 --> 00:01:39,160 Speaker 2: Have you been to any waffle Houses lately? 33 00:01:40,120 --> 00:01:44,160 Speaker 3: Let me tell you something. So I spent a week 34 00:01:44,240 --> 00:01:47,480 Speaker 3: in South Carolina this week, like, and I was doing 35 00:01:47,480 --> 00:01:50,720 Speaker 3: a peach jam. Yeah right, So I was in South Carolina, 36 00:01:51,080 --> 00:01:55,680 Speaker 3: Georgia this before week. I just got back yesterday. So like, 37 00:01:55,720 --> 00:01:57,720 Speaker 3: I don't want to offend anybody, Okay, so let me 38 00:01:57,720 --> 00:02:00,160 Speaker 3: say that, so you walk can help me, like, be 39 00:02:00,160 --> 00:02:03,880 Speaker 3: honest with me. Okay. If this is like maybe sounds offensive, 40 00:02:03,960 --> 00:02:05,680 Speaker 3: but this is what I thought when I after a 41 00:02:05,720 --> 00:02:10,799 Speaker 3: week in South Carolina, Like if all the states were people, right, 42 00:02:11,280 --> 00:02:14,040 Speaker 3: Like if all like if every state was characterized by 43 00:02:14,120 --> 00:02:17,080 Speaker 3: like a person that kind of symbolizes what that state is. 44 00:02:17,840 --> 00:02:21,920 Speaker 3: I feel like South Carolina is like Tennessee after a 45 00:02:22,000 --> 00:02:23,920 Speaker 3: divorce a little bit, you know what I mean, like 46 00:02:23,960 --> 00:02:27,600 Speaker 3: you know, kind of starting over, you move into the condo, 47 00:02:28,080 --> 00:02:31,000 Speaker 3: you know, like everything's maybe not in order. There was 48 00:02:31,040 --> 00:02:33,720 Speaker 3: a lot happening in South Carolina. And here's here's why 49 00:02:33,720 --> 00:02:36,880 Speaker 3: I say that people were interested in South Carolina and 50 00:02:37,000 --> 00:02:40,960 Speaker 3: just my experience right, Like I went to a store 51 00:02:41,720 --> 00:02:44,959 Speaker 3: and there was a dude telling me to go to church, 52 00:02:45,840 --> 00:02:48,959 Speaker 3: and then he also said it's okay to drink a 53 00:02:49,000 --> 00:02:50,760 Speaker 3: little bit of wine every now and then. I didn't 54 00:02:50,760 --> 00:02:52,360 Speaker 3: really know where he was going, Like I don't know 55 00:02:52,360 --> 00:02:54,000 Speaker 3: what church he was a part of, but he was. 56 00:02:54,200 --> 00:02:56,160 Speaker 3: He was pretty adamant and telling me, Hey, you gotta 57 00:02:56,160 --> 00:02:58,320 Speaker 3: go to this church. And he's also telling me, hey, 58 00:02:58,320 --> 00:02:59,760 Speaker 3: but I also do a little bit, a little bit 59 00:02:59,800 --> 00:03:03,520 Speaker 3: of it, this little bit of that. The restaurants, everyone 60 00:03:03,560 --> 00:03:10,360 Speaker 3: called me sugar. Am I sugar? Sugar, Sugar Daddy? Everybody 61 00:03:10,480 --> 00:03:12,480 Speaker 3: called me sugar, and it was you know, I'm like, 62 00:03:12,919 --> 00:03:15,200 Speaker 3: I didn't feel like they were calling everybody sugar, you 63 00:03:15,200 --> 00:03:16,880 Speaker 3: know what I mean? That was my thing, Like everybody 64 00:03:16,960 --> 00:03:19,359 Speaker 3: wasn't being called sugar. So I'm like, was there something 65 00:03:19,400 --> 00:03:23,400 Speaker 3: about me that made them feel that way, and then 66 00:03:23,720 --> 00:03:27,400 Speaker 3: the rain. Okay, so I didn't understand South Carolina rain. 67 00:03:27,480 --> 00:03:30,520 Speaker 3: Maybe you all know about this. I have never seen 68 00:03:30,680 --> 00:03:34,880 Speaker 3: rain where the weather apps couldn't keep up with what 69 00:03:34,960 --> 00:03:37,520 Speaker 3: was going on in South Carolina. So I was sitting 70 00:03:37,520 --> 00:03:41,440 Speaker 3: in my car at Peachdam, right and it said two 71 00:03:41,480 --> 00:03:44,320 Speaker 3: hours until this storm is coming. So I don't know 72 00:03:44,320 --> 00:03:45,800 Speaker 3: if you all have ever been to Peachdam, but like 73 00:03:45,840 --> 00:03:49,160 Speaker 3: Peachdam is in North Augusta, South Carolina. H it's in 74 00:03:49,240 --> 00:03:52,760 Speaker 3: this gym, but like you basically got a park wherever 75 00:03:52,800 --> 00:03:55,000 Speaker 3: you can find a spot, so like people are literally 76 00:03:55,680 --> 00:04:00,000 Speaker 3: up on curbs on grass. It's like one of those situations. 77 00:04:00,520 --> 00:04:03,240 Speaker 3: So I'm parked up on the grass and it's like 78 00:04:03,280 --> 00:04:05,000 Speaker 3: two hours before it rain. So I'm sitting in my 79 00:04:05,040 --> 00:04:08,280 Speaker 3: car sendings some text messages, thinking I got two hours, 80 00:04:08,640 --> 00:04:12,360 Speaker 3: you know, and all of a sudden, I see these 81 00:04:12,440 --> 00:04:15,840 Speaker 3: sprinkles and I'm like, wait a minute, my weather app 82 00:04:15,880 --> 00:04:21,279 Speaker 3: said two hours, and then it's a downpour. Like South 83 00:04:21,320 --> 00:04:25,239 Speaker 3: Carolina rain, they don't flirt with you like South Carolina 84 00:04:25,279 --> 00:04:28,479 Speaker 3: rain doesn't tease you like it just destroys everything. And 85 00:04:28,520 --> 00:04:33,440 Speaker 3: it starts pouring and now I'm running into the entrance. 86 00:04:33,839 --> 00:04:36,560 Speaker 3: Now here's the thing. Once you get past forty, no 87 00:04:36,600 --> 00:04:39,120 Speaker 3: one past the age of forty looks good running. I 88 00:04:39,160 --> 00:04:41,040 Speaker 3: don't know if you all do that. I'm with you, 89 00:04:42,279 --> 00:04:43,920 Speaker 3: no one, Like, I don't care. I don't care if 90 00:04:43,920 --> 00:04:45,400 Speaker 3: you're in the best shape in the world. I don't 91 00:04:45,400 --> 00:04:49,000 Speaker 3: care if you run marathons. No one after forty looks 92 00:04:49,080 --> 00:04:52,880 Speaker 3: good running. But when you don't run a lot, it 93 00:04:52,880 --> 00:04:56,240 Speaker 3: looks even worse. So I just I just know it 94 00:04:56,320 --> 00:04:58,320 Speaker 3: was a bad look, fellas. I just know it was 95 00:04:58,640 --> 00:05:01,680 Speaker 3: like someone saw me running to the entrance and it 96 00:05:01,720 --> 00:05:04,359 Speaker 3: probably changed our relationship. And I don't know, you know, 97 00:05:04,480 --> 00:05:07,520 Speaker 3: like like they're not gonna tell me, but I feel 98 00:05:07,560 --> 00:05:09,159 Speaker 3: that way, Like do you all know what I'm talking about? 99 00:05:09,200 --> 00:05:11,800 Speaker 3: Have you seen me? Oh yeah, for forty running? It's 100 00:05:11,800 --> 00:05:12,839 Speaker 3: not a good look, right. 101 00:05:13,440 --> 00:05:15,680 Speaker 5: Even when I'm running. Now, I know for a fact 102 00:05:15,720 --> 00:05:17,279 Speaker 5: people are laughing at me because it is not a 103 00:05:17,279 --> 00:05:17,880 Speaker 5: good look at all. 104 00:05:17,920 --> 00:05:21,080 Speaker 2: All time stolen based later right here, Ryan LeMond still 105 00:05:21,080 --> 00:05:23,039 Speaker 2: he's lost, He's lost a step over the years. 106 00:05:23,040 --> 00:05:23,240 Speaker 3: Though. 107 00:05:23,320 --> 00:05:24,840 Speaker 4: Oh no, I can still. 108 00:05:24,680 --> 00:05:28,880 Speaker 3: Run, listen, I mean I bet and I can. I can. 109 00:05:29,120 --> 00:05:31,880 Speaker 3: I can do bursts of running. But like you know, 110 00:05:31,920 --> 00:05:35,000 Speaker 3: stuff is stuff is jiggling. I think I lost like 111 00:05:35,040 --> 00:05:37,640 Speaker 3: a dollar forty five along the way that I just 112 00:05:38,080 --> 00:05:40,280 Speaker 3: I couldn't turn back to grab it. You know, like 113 00:05:40,480 --> 00:05:43,159 Speaker 3: once you lose change in the rain, it's just it's 114 00:05:43,240 --> 00:05:45,440 Speaker 3: just gone, you know what I mean, Like you can't 115 00:05:45,480 --> 00:05:47,080 Speaker 3: go back. I don't know where it is, but it 116 00:05:47,240 --> 00:05:51,080 Speaker 3: just was a lot happening. But yeah, just South Carolina 117 00:05:51,160 --> 00:05:54,440 Speaker 3: in general, man, was just an interesting place. Where do 118 00:05:54,520 --> 00:05:57,000 Speaker 3: you all rank South Carolina among the states in the 119 00:05:57,080 --> 00:06:01,359 Speaker 3: South if we ranked them, like it's it's South Carolina 120 00:06:01,400 --> 00:06:05,720 Speaker 3: top five, top ten, Like where do you rank South Carolina? 121 00:06:05,839 --> 00:06:09,080 Speaker 5: I may surprise you with this, Myron, I rank it 122 00:06:09,240 --> 00:06:11,479 Speaker 5: number two because I love hilton Head. 123 00:06:11,480 --> 00:06:12,760 Speaker 4: I go to hilton Head quite a bit. 124 00:06:12,839 --> 00:06:15,800 Speaker 3: Yeah, so I tho's that's different. Yeah, that's beautiful up. 125 00:06:15,720 --> 00:06:19,560 Speaker 5: There, Beautiful Charleston, South Carolina is beautiful. Even Myrtle Beach, 126 00:06:19,720 --> 00:06:21,480 Speaker 5: parts of Myrtle Beach is really beautiful. But you're right, 127 00:06:21,560 --> 00:06:25,440 Speaker 5: the state itself, it's like no sense of urgency, kind 128 00:06:25,480 --> 00:06:28,560 Speaker 5: of back porch, rocking, sweet tea, kind. 129 00:06:28,360 --> 00:06:30,440 Speaker 4: Of just chilled kind of vibe down there. 130 00:06:31,200 --> 00:06:33,480 Speaker 3: Yeah, I felt like I was in hilton Heads, like 131 00:06:33,720 --> 00:06:36,080 Speaker 3: third cousin on their daddy side's house a little bit, 132 00:06:36,160 --> 00:06:37,679 Speaker 3: you know what I mean, Like it wasn't a little 133 00:06:37,680 --> 00:06:40,479 Speaker 3: different you know where I was now. Granted, the food 134 00:06:40,560 --> 00:06:43,240 Speaker 3: was great, that's one thing. Yeah, everything with South Carolina 135 00:06:43,920 --> 00:06:46,600 Speaker 3: was incredible. We gotta have sweet tea every meal. You 136 00:06:46,839 --> 00:06:49,440 Speaker 3: gotta drink sweet tea everything. And then here's the cool 137 00:06:49,480 --> 00:06:51,760 Speaker 3: thing about like the hotels, I mean, this is not 138 00:06:51,839 --> 00:06:54,680 Speaker 3: like this a bit was Every hotel has a restaurant 139 00:06:54,720 --> 00:06:56,800 Speaker 3: attest to it. Yeah, I don't know what it like 140 00:06:56,839 --> 00:06:59,599 Speaker 3: every place you go there's like a place also to 141 00:06:59,600 --> 00:07:04,040 Speaker 3: get like as you check in, the nacho joint is 142 00:07:04,160 --> 00:07:06,680 Speaker 3: right there to the left, and then you check in, 143 00:07:07,000 --> 00:07:09,240 Speaker 3: and then it's like, yeah, okay, go get some nachos 144 00:07:09,279 --> 00:07:11,640 Speaker 3: and the margarita before you go to your room. It's 145 00:07:11,680 --> 00:07:13,600 Speaker 3: all set up like that, you know. And so that 146 00:07:13,720 --> 00:07:16,120 Speaker 3: was pretty cool. Uh. And then the games are good too. 147 00:07:16,160 --> 00:07:20,440 Speaker 3: I saw Mark Pope down there, who never stops moving, 148 00:07:20,760 --> 00:07:23,840 Speaker 3: by the way, like Mark Pope is always on the 149 00:07:23,920 --> 00:07:25,920 Speaker 3: go at these events. Like I don't know if you 150 00:07:26,000 --> 00:07:28,320 Speaker 3: all have been to an event with Mark Pope, but 151 00:07:28,400 --> 00:07:31,240 Speaker 3: you just see the seven foot human being going from 152 00:07:31,320 --> 00:07:34,240 Speaker 3: Jim to Jim to Jim, and I don't know. I 153 00:07:34,240 --> 00:07:35,920 Speaker 3: would love to know how many steps he does in 154 00:07:35,960 --> 00:07:38,360 Speaker 3: the day, cause my guess is Mark Pope is like 155 00:07:38,360 --> 00:07:41,840 Speaker 3: a twenty thousand step a day. Dude. He just never stops. 156 00:07:41,960 --> 00:07:43,520 Speaker 3: He absolutely never stops. 157 00:07:43,560 --> 00:07:46,200 Speaker 5: Man, It's like he's already drunk like six red bulls 158 00:07:46,200 --> 00:07:47,280 Speaker 5: before the day even starts. 159 00:07:47,320 --> 00:07:49,160 Speaker 4: He just so and energetic. 160 00:07:50,400 --> 00:07:52,160 Speaker 3: Yeah. I said, hey, coach, and he looked at me 161 00:07:52,200 --> 00:07:53,960 Speaker 3: and he said, oh hey, but it was the O hey, 162 00:07:54,040 --> 00:07:55,560 Speaker 3: like I don't really know who you are. I'm gonna 163 00:07:55,600 --> 00:07:57,920 Speaker 3: keep walking. But he probably just is so like in 164 00:07:58,000 --> 00:07:59,840 Speaker 3: a B line to get to where he wants to go, 165 00:08:00,360 --> 00:08:03,000 Speaker 3: that he just doesn't have time, you know, to kind 166 00:08:03,000 --> 00:08:06,400 Speaker 3: of stop. But that man is always always on the move. 167 00:08:06,440 --> 00:08:06,640 Speaker 6: Man. 168 00:08:06,720 --> 00:08:09,120 Speaker 3: Well, it's Terrific Tuesday, so I'm gonna treat it like 169 00:08:09,160 --> 00:08:10,800 Speaker 3: Mary Monday. So I still want to be able to 170 00:08:10,800 --> 00:08:14,239 Speaker 3: call in and I want you to tell me something 171 00:08:14,320 --> 00:08:17,240 Speaker 3: great that happened to you over the weekend, well up 172 00:08:17,320 --> 00:08:21,280 Speaker 3: until today. You can include Monday too, So Terrific Tuesday, 173 00:08:21,880 --> 00:08:23,760 Speaker 3: let me know some good things that are happening in 174 00:08:23,800 --> 00:08:26,560 Speaker 3: your world. I don't remember the segments like well how 175 00:08:26,600 --> 00:08:28,360 Speaker 3: much time do I have? Like how long am I talking? 176 00:08:28,440 --> 00:08:29,440 Speaker 3: Right now. I don't know anything. 177 00:08:29,480 --> 00:08:32,360 Speaker 2: Yeah you can go yeah, yeah, this break goes all 178 00:08:32,400 --> 00:08:34,280 Speaker 2: the way up till twenty after if you want to. 179 00:08:34,480 --> 00:08:36,840 Speaker 3: So, okay, So I saw Superman. 180 00:08:37,400 --> 00:08:40,199 Speaker 4: Oh you did, No, we talked about it. Yeah, what 181 00:08:40,320 --> 00:08:40,679 Speaker 4: you think. 182 00:08:41,440 --> 00:08:44,240 Speaker 3: I saw Superman again? So I saw it in the 183 00:08:44,280 --> 00:08:48,680 Speaker 3: South Carolina theater. No less than four flies had somehow 184 00:08:48,720 --> 00:08:52,760 Speaker 3: gotten too the theater and you could see them as 185 00:08:52,800 --> 00:08:56,880 Speaker 3: they were buzzing around during the movie. Right. But I 186 00:08:56,920 --> 00:09:01,240 Speaker 3: thought the movie itself was really good. I love the movie. 187 00:09:01,280 --> 00:09:05,400 Speaker 3: I enjoyed the movie. I understand that people are whatever 188 00:09:05,440 --> 00:09:08,320 Speaker 3: they're making some sort of political connection to it. Listen, man, 189 00:09:09,360 --> 00:09:11,720 Speaker 3: it's a dog on superhero movie. That's all I saw. 190 00:09:12,040 --> 00:09:14,800 Speaker 3: That's all I cared about. It was the same thing 191 00:09:14,880 --> 00:09:18,480 Speaker 3: that Superman's been doing from the beginning, from the time 192 00:09:18,520 --> 00:09:21,200 Speaker 3: I was a kid, goes out and tries to save 193 00:09:21,280 --> 00:09:24,360 Speaker 3: the world. Like, that's all I saw. But I thought 194 00:09:24,360 --> 00:09:25,240 Speaker 3: it was pretty cool. 195 00:09:25,280 --> 00:09:25,480 Speaker 6: Man. 196 00:09:25,640 --> 00:09:28,760 Speaker 3: I thought it was like a movie where, you know, 197 00:09:28,920 --> 00:09:32,360 Speaker 3: I'm not used to Superman getting beat up as much 198 00:09:32,360 --> 00:09:33,960 Speaker 3: as he got beat up in that movie. You know, 199 00:09:34,000 --> 00:09:35,920 Speaker 3: there was a little bit of like Man at some point. 200 00:09:36,440 --> 00:09:38,959 Speaker 3: You know, Superman is not supposed to take all these punches. 201 00:09:39,000 --> 00:09:43,000 Speaker 3: But I thought it was pretty realistic. So I thought 202 00:09:43,000 --> 00:09:44,920 Speaker 3: it was a really good, really good movie. What does 203 00:09:44,960 --> 00:09:45,640 Speaker 3: you all think of it? 204 00:09:46,600 --> 00:09:48,240 Speaker 5: I've not seen it. You're the first person I've talked 205 00:09:48,240 --> 00:09:49,320 Speaker 5: to you. I got to see it. 206 00:09:49,600 --> 00:09:49,680 Speaker 3: Well. 207 00:09:49,720 --> 00:09:51,600 Speaker 5: Another thing I hear that people are talking about the dog. 208 00:09:51,640 --> 00:09:53,200 Speaker 5: I guess it's a fake dog, but it looks like 209 00:09:53,200 --> 00:09:53,920 Speaker 5: it's a real dog. 210 00:09:54,520 --> 00:10:00,000 Speaker 3: It does look it looks very It looks very, very very. 211 00:10:00,000 --> 00:10:02,359 Speaker 3: Everything looks very real. And I saw it in the IMAX, 212 00:10:03,559 --> 00:10:05,440 Speaker 3: so it looked it looked very real. Here's why I 213 00:10:05,440 --> 00:10:06,160 Speaker 3: bring up Superman. 214 00:10:06,400 --> 00:10:07,679 Speaker 2: Oh, go ahead him, No, I was just gonna say, 215 00:10:07,720 --> 00:10:09,080 Speaker 2: I haven't seen it yet. I feel like, you know, 216 00:10:09,160 --> 00:10:11,439 Speaker 2: I've already seen what Superman does. You know, he flies 217 00:10:11,480 --> 00:10:13,200 Speaker 2: around and he saves the world and everything. I just 218 00:10:13,200 --> 00:10:17,200 Speaker 2: don't know how many Superman movies do we need before 219 00:10:17,240 --> 00:10:20,440 Speaker 2: Hollywood goes you know what. I think we're gonna cut 220 00:10:20,480 --> 00:10:22,320 Speaker 2: it off there. I guess as long as people continue 221 00:10:22,320 --> 00:10:23,840 Speaker 2: to go see it, though, why would you stop making 222 00:10:23,880 --> 00:10:24,760 Speaker 2: a Superman movie? 223 00:10:24,840 --> 00:10:26,679 Speaker 3: You know? No, I mean they're making all the old 224 00:10:26,679 --> 00:10:28,960 Speaker 3: movies right cause there's no new ideas. Also, we're the 225 00:10:28,960 --> 00:10:30,800 Speaker 3: people seeing the movies you know what I mean. So 226 00:10:30,840 --> 00:10:33,000 Speaker 3: they know, like, do you come up with some new 227 00:10:33,000 --> 00:10:34,760 Speaker 3: idea or do you do the same thing that we've 228 00:10:34,760 --> 00:10:36,880 Speaker 3: been watching since we were kids. So the reason I 229 00:10:36,880 --> 00:10:39,640 Speaker 3: bring up Superman is it was a really good movie. 230 00:10:40,080 --> 00:10:42,360 Speaker 3: But immediately people were coming out and they were saying, 231 00:10:43,040 --> 00:10:46,320 Speaker 3: this is the greatest superhero movie of all time, this 232 00:10:46,440 --> 00:10:49,720 Speaker 3: is the most incredible movie, you know, in movie history. 233 00:10:49,960 --> 00:10:52,600 Speaker 3: And I hate that, Like, why do we feel the 234 00:10:52,679 --> 00:10:56,520 Speaker 3: need to the minute something comes out and we literally 235 00:10:56,600 --> 00:10:59,080 Speaker 3: have just watched it for the first time, why do 236 00:10:59,200 --> 00:11:01,920 Speaker 3: we suddenly just that this is the greatest thing that's 237 00:11:01,960 --> 00:11:04,520 Speaker 3: ever happened. And I feel like with movies that happens 238 00:11:04,559 --> 00:11:08,400 Speaker 3: more than anything else. Well, Superman good. Yes, I thought 239 00:11:08,400 --> 00:11:10,760 Speaker 3: it was a pretty really good movie. I enjoyed it, 240 00:11:11,360 --> 00:11:12,800 Speaker 3: and I think most people, if you look at the 241 00:11:12,840 --> 00:11:16,240 Speaker 3: Rotten Tomato scores, probably did as well. But this isn't 242 00:11:16,280 --> 00:11:20,040 Speaker 3: the greatest movie of all time. This isn't some you 243 00:11:20,040 --> 00:11:22,880 Speaker 3: know what I mean, an epic film that you put 244 00:11:22,960 --> 00:11:25,320 Speaker 3: up there with The Godfather and some of these other films. 245 00:11:25,360 --> 00:11:27,840 Speaker 3: I just I don't know how you all feel about it, 246 00:11:27,840 --> 00:11:30,960 Speaker 3: but I can't stand it when a movie comes out 247 00:11:31,000 --> 00:11:33,280 Speaker 3: and there's this big buzz and people are like, oh, 248 00:11:33,360 --> 00:11:36,480 Speaker 3: we've never seen anything better than this? Are you kidding me? Everybody, 249 00:11:36,480 --> 00:11:39,360 Speaker 3: I feel like needs to relax after you see a 250 00:11:39,400 --> 00:11:41,720 Speaker 3: movie and not try to make it bigger than what 251 00:11:41,800 --> 00:11:42,120 Speaker 3: it is. 252 00:11:43,760 --> 00:11:45,320 Speaker 5: I'm with you, and I kind of worry about the 253 00:11:45,360 --> 00:11:48,360 Speaker 5: whole industry itself. If this was the movie of the summer, 254 00:11:48,400 --> 00:11:50,520 Speaker 5: this was the one everybody was anticipating, and it's just 255 00:11:50,559 --> 00:11:53,600 Speaker 5: a reboot of something we've seen already fifteen times, where 256 00:11:53,640 --> 00:11:55,200 Speaker 5: are we in the movie industry, you know, come up 257 00:11:55,200 --> 00:11:57,000 Speaker 5: with something good, something different than we want to go see? 258 00:11:57,240 --> 00:12:00,440 Speaker 2: Well, I mean, well theaters exist in ten years now. 259 00:12:00,840 --> 00:12:03,120 Speaker 2: I mean with being able to stream everything at home, 260 00:12:03,200 --> 00:12:05,679 Speaker 2: do you think that people will still be going to 261 00:12:05,679 --> 00:12:07,240 Speaker 2: see these movies ten years from now? 262 00:12:08,880 --> 00:12:10,640 Speaker 3: That's a really good question. I mean my girls don't 263 00:12:10,640 --> 00:12:13,920 Speaker 3: go to the theater, yeah, you know, like they if 264 00:12:13,920 --> 00:12:17,320 Speaker 3: it's not streamed, they're not watching it now. Granted I 265 00:12:17,360 --> 00:12:19,160 Speaker 3: will take them to the movies, so they'll go with me, 266 00:12:19,960 --> 00:12:22,520 Speaker 3: but like with their friends, know, they don't go to 267 00:12:22,520 --> 00:12:24,200 Speaker 3: the movies like that. So I don't know, man, in 268 00:12:24,240 --> 00:12:29,000 Speaker 3: ten years, kind of what the theater industry will look like, 269 00:12:30,360 --> 00:12:32,520 Speaker 3: because I just think everyone's kind of afraid of like 270 00:12:32,640 --> 00:12:37,079 Speaker 3: doing an original idea. I have an original idea a 271 00:12:37,120 --> 00:12:39,800 Speaker 3: lot that I think could sell, right, and it was 272 00:12:39,800 --> 00:12:43,080 Speaker 3: something I was thinking about on my trip. We taking 273 00:12:43,120 --> 00:12:45,319 Speaker 3: a bunch of trips so far this summer, and one 274 00:12:45,320 --> 00:12:47,440 Speaker 3: of the trips we took was back home when walking 275 00:12:47,520 --> 00:12:51,480 Speaker 3: my parents celebrated fifty years, which was super cool, had 276 00:12:51,480 --> 00:12:55,920 Speaker 3: a big event, black tie, fair touchxedos, all that stuff, right, 277 00:12:56,760 --> 00:12:59,360 Speaker 3: But on the way we passed a little place called 278 00:12:59,400 --> 00:13:01,920 Speaker 3: Lake Delton. Was jo you guys ever been up to 279 00:13:02,040 --> 00:13:03,560 Speaker 3: that part of Wisconsin, the Dell w. 280 00:13:03,960 --> 00:13:06,720 Speaker 4: We were recently in Milwaukee with the Kentucky. 281 00:13:09,000 --> 00:13:12,360 Speaker 3: Couple hours west of there, right, all right, But it's 282 00:13:12,360 --> 00:13:15,280 Speaker 3: place called Lake Delton. So I have these two cousins, 283 00:13:15,360 --> 00:13:21,560 Speaker 3: James and John, right, and they married two sisters, not sisters, sisters, right, 284 00:13:22,559 --> 00:13:26,240 Speaker 3: and they live in an Amish town. So as kids, 285 00:13:26,280 --> 00:13:30,680 Speaker 3: we would get in like three vans, my whole family, cousins, everybody, 286 00:13:30,720 --> 00:13:33,240 Speaker 3: and we go up there and hang out. So you 287 00:13:33,280 --> 00:13:36,520 Speaker 3: gotta imagine, you know, twenty five black folks getting out 288 00:13:36,520 --> 00:13:39,160 Speaker 3: of vans, and then there's these Amish kids. They're looking 289 00:13:39,200 --> 00:13:42,000 Speaker 3: at us, We're looking at them. Everybody's confused, right, we 290 00:13:42,000 --> 00:13:43,880 Speaker 3: don't know what's going on. They don't know what's going on. 291 00:13:44,760 --> 00:13:46,800 Speaker 3: But we all would hang out with my cousins, James 292 00:13:46,840 --> 00:13:53,320 Speaker 3: and John. And James had a giant beach volleyball court, 293 00:13:53,640 --> 00:13:56,080 Speaker 3: like in his front yard. He had this giant like 294 00:13:56,679 --> 00:13:58,520 Speaker 3: he was in the beach volleyball. It was like one 295 00:13:58,520 --> 00:14:01,800 Speaker 3: of his favorite things. So James lost half his arm 296 00:14:01,840 --> 00:14:05,040 Speaker 3: in a factory accident. Right, so this is like the nineties, 297 00:14:05,320 --> 00:14:10,240 Speaker 3: so we had to hook, you know, the captain hook thing. Yeah, right, 298 00:14:10,760 --> 00:14:15,920 Speaker 3: But James had a volleyball arm. So he would call like, 299 00:14:15,960 --> 00:14:17,880 Speaker 3: I'll kid you not, so we get ready to play volleyball, 300 00:14:18,280 --> 00:14:20,680 Speaker 3: and James would be like, go get my arm. I'm 301 00:14:20,720 --> 00:14:22,480 Speaker 3: not making this up. This is one hundred percent truth. 302 00:14:22,920 --> 00:14:26,840 Speaker 3: And he would go and strap on his black volleyball arm. 303 00:14:26,880 --> 00:14:29,680 Speaker 3: Now here's the thing. You know, it wasn't the right 304 00:14:29,720 --> 00:14:31,640 Speaker 3: tone like it did. It stood out because it was 305 00:14:31,680 --> 00:14:34,400 Speaker 3: almost like Will Smith tone, but he looks more like 306 00:14:34,440 --> 00:14:38,680 Speaker 3: Wesley Snipes. But he would like put on his volleyball arm. Right, 307 00:14:39,360 --> 00:14:42,080 Speaker 3: and James was the greatest. I don't know how many 308 00:14:42,120 --> 00:14:44,160 Speaker 3: black people have played beach volleyball, Like, I don't know 309 00:14:44,200 --> 00:14:47,640 Speaker 3: the numbers but it's not something I think is very popular. 310 00:14:47,720 --> 00:14:50,240 Speaker 3: You know, from what I know, James is the greatest 311 00:14:50,240 --> 00:14:53,440 Speaker 3: beach volleyball player of all time. I mean maybe of 312 00:14:53,440 --> 00:14:56,480 Speaker 3: all time black beach volleyball player of all time. So 313 00:14:56,560 --> 00:14:58,680 Speaker 3: I mean you got to think about this. This man 314 00:14:58,800 --> 00:15:03,280 Speaker 3: has one arm, but he's got his volleyball arm. He's black, 315 00:15:03,640 --> 00:15:07,120 Speaker 3: living in anmage community, and he's an incredible beach volleyball player. 316 00:15:07,360 --> 00:15:09,600 Speaker 3: Would you all go see that movie? I feel like I. 317 00:15:09,520 --> 00:15:13,640 Speaker 2: Would, Yeah, I would go. Now. That arm it could bump, 318 00:15:13,720 --> 00:15:16,080 Speaker 2: set and spike. It was like a three and everything. 319 00:15:16,600 --> 00:15:18,440 Speaker 3: Everything he called for it. He would call for it. 320 00:15:18,480 --> 00:15:20,560 Speaker 3: He would say, go get my arm, and then like 321 00:15:20,640 --> 00:15:22,680 Speaker 3: his his partner would come out with his arm. Like 322 00:15:22,760 --> 00:15:24,480 Speaker 3: it was like in a case, I'm not making this up, 323 00:15:24,520 --> 00:15:26,840 Speaker 3: like you can call my cousins. And he was. He 324 00:15:27,000 --> 00:15:31,400 Speaker 3: was miraculous on the court, like it was like you know, 325 00:15:31,760 --> 00:15:34,400 Speaker 3: like he just jumped high, like he bombed. He said, 326 00:15:34,400 --> 00:15:36,800 Speaker 3: he did it all with this arm, and then when 327 00:15:36,840 --> 00:15:38,960 Speaker 3: he was done, he'd like take it off and then 328 00:15:39,000 --> 00:15:42,480 Speaker 3: he put on, uh the hook, you know. And there's 329 00:15:42,480 --> 00:15:45,760 Speaker 3: a part of me that's like looking back as a kid, 330 00:15:45,960 --> 00:15:47,640 Speaker 3: there's a part of me that's like, was he cheating? 331 00:15:47,920 --> 00:15:50,360 Speaker 3: You know, I don't know the rules, you know, like 332 00:15:50,400 --> 00:15:52,480 Speaker 3: I don't know if the arm gave him an advantage 333 00:15:52,560 --> 00:15:56,960 Speaker 3: or not. I don't know. Also, you know, again, it's 334 00:15:57,000 --> 00:15:59,200 Speaker 3: the nineties. You don't get to like today, you could 335 00:15:59,200 --> 00:16:02,600 Speaker 3: probably match the home of something like that. You know, 336 00:16:02,680 --> 00:16:04,680 Speaker 3: that's the nine. There was no Amazon back then. So 337 00:16:05,440 --> 00:16:07,680 Speaker 3: it was an interesting look because it looked so different 338 00:16:07,680 --> 00:16:09,560 Speaker 3: from the color of his skin. But when he put 339 00:16:09,560 --> 00:16:12,600 Speaker 3: it on man, it was like he became our Superman. 340 00:16:13,040 --> 00:16:15,520 Speaker 3: I've never seen a better black beach volleyball player at 341 00:16:15,520 --> 00:16:18,720 Speaker 3: history than my cousin James, who would call for his 342 00:16:18,840 --> 00:16:21,520 Speaker 3: volleyball arm. So I think movies like that he would sell. 343 00:16:21,600 --> 00:16:23,560 Speaker 3: I try to tell my kids about that. Yeah, they 344 00:16:23,560 --> 00:16:27,240 Speaker 3: didn't really, They don't really understand, like how much fun. 345 00:16:27,080 --> 00:16:30,640 Speaker 2: That was into Hollywood. Man. That's the new Superman movie 346 00:16:30,720 --> 00:16:31,960 Speaker 2: that comes out next summer. 347 00:16:32,000 --> 00:16:32,480 Speaker 3: You know what I mean? 348 00:16:32,480 --> 00:16:35,440 Speaker 5: There you go, dude, I am not I'm not watching 349 00:16:35,520 --> 00:16:38,280 Speaker 5: Superman movie, but I'm standing in line for two hours 350 00:16:38,320 --> 00:16:41,080 Speaker 5: to see cousin Jane with the will Smith beach volleyball 351 00:16:41,160 --> 00:16:43,280 Speaker 5: arm knocking people over. 352 00:16:43,360 --> 00:16:44,360 Speaker 4: I'm wanting to see that one. 353 00:16:45,760 --> 00:16:48,760 Speaker 3: The question though, Yeah, yeah, a little a little arrogant 354 00:16:48,760 --> 00:16:51,360 Speaker 3: to call for your arm. I mean, I'm not listen, 355 00:16:51,400 --> 00:16:54,800 Speaker 3: bring out the arm. It was a little theatrical, you know. 356 00:16:54,880 --> 00:16:56,080 Speaker 3: It was a little theatrical. 357 00:16:56,680 --> 00:16:59,760 Speaker 5: Kids were like, oh, cousin James bringing out the volleyballs. 358 00:17:00,480 --> 00:17:04,720 Speaker 3: It was a closet listen like that was our version 359 00:17:04,760 --> 00:17:08,880 Speaker 3: of like Hawk Hogan's music, you know what I mean. James, 360 00:17:09,080 --> 00:17:11,760 Speaker 3: James is about to put on the arm and everybody 361 00:17:11,880 --> 00:17:14,480 Speaker 3: knew he was going to dominate, you know what I mean, 362 00:17:14,560 --> 00:17:17,120 Speaker 3: Like it was it was just incredible. So you gotta 363 00:17:17,119 --> 00:17:19,520 Speaker 3: imagine that and all of this is happening in an 364 00:17:19,560 --> 00:17:22,600 Speaker 3: Amish community, Like I'm not making any of this sop. 365 00:17:22,720 --> 00:17:24,719 Speaker 3: Like we would get caught behind the horse and buggy 366 00:17:25,320 --> 00:17:27,600 Speaker 3: and my dad would get frustrated. It was like a 367 00:17:27,600 --> 00:17:30,840 Speaker 3: whole thing. But shout out to James. I think that 368 00:17:30,920 --> 00:17:33,320 Speaker 3: could go and sell in Hollywood. I think you got 369 00:17:33,320 --> 00:17:35,119 Speaker 3: to take a break here. But yeah, terrific Tuesday. What's 370 00:17:35,160 --> 00:17:36,240 Speaker 3: the number? What's the number? 371 00:17:36,280 --> 00:17:36,440 Speaker 6: Game? 372 00:17:36,480 --> 00:17:39,240 Speaker 2: Eight, five, nine, twenty two eighty seven. 373 00:17:40,240 --> 00:17:43,399 Speaker 3: Give me your favorite you know, things that happened to you, 374 00:17:43,480 --> 00:17:46,160 Speaker 3: something positive, But also tell me about your favorite relative, 375 00:17:46,600 --> 00:17:50,000 Speaker 3: Like tell me about your favorite relative of all time 376 00:17:50,560 --> 00:17:52,960 Speaker 3: that people should know about. For me again, James in 377 00:17:53,040 --> 00:17:56,280 Speaker 3: his arm playing beach volleyball in the Amish community has 378 00:17:56,320 --> 00:17:58,560 Speaker 3: always stood out for me. What about you. We'll be 379 00:17:58,560 --> 00:18:03,440 Speaker 3: back after this break. Talk to him now again. Let 380 00:18:03,480 --> 00:18:04,720 Speaker 3: out talk to him for a little bit. Here we 381 00:18:04,760 --> 00:18:09,760 Speaker 3: go back in. Something's going on. Okay, someone's on the phone. 382 00:18:09,760 --> 00:18:12,600 Speaker 3: Who's on the phone now? Three o'clock. Ain't nothing good 383 00:18:12,640 --> 00:18:13,879 Speaker 3: happening at three o'clock in the morning. 384 00:18:13,880 --> 00:18:16,040 Speaker 4: Come on a booty call three o'clock in the morning. 385 00:18:16,280 --> 00:18:21,040 Speaker 3: Talking about Yep, she can make it right. Oh, I 386 00:18:21,119 --> 00:18:24,639 Speaker 3: love agree, man, I love me some al Green, So 387 00:18:24,760 --> 00:18:29,119 Speaker 3: I did. I did Algreen karaoke one time, Like I 388 00:18:29,600 --> 00:18:32,280 Speaker 3: just you know, like that's probably my I was probably 389 00:18:32,320 --> 00:18:35,720 Speaker 3: my go to karaoke artists. I would feel like, you know, 390 00:18:35,880 --> 00:18:38,000 Speaker 3: if I were gonna do karaoke, like, I'm probably picking 391 00:18:38,040 --> 00:18:42,600 Speaker 3: Algree songs. Who are your go to karaoke artists? Guys, 392 00:18:42,600 --> 00:18:43,600 Speaker 3: who's your favorite? 393 00:18:44,200 --> 00:18:46,359 Speaker 2: Well, the easiest of all time, of course, is the 394 00:18:46,400 --> 00:18:49,800 Speaker 2: song Tequila, because you just stand there in the music 395 00:18:49,840 --> 00:18:52,840 Speaker 2: place and then you go Tequila. You can't screw that up. 396 00:18:52,880 --> 00:18:56,240 Speaker 2: That's the one you could be bad at, but everybody 397 00:18:56,240 --> 00:18:59,080 Speaker 2: could do. Ryan what your star, Roger. 398 00:18:59,480 --> 00:19:02,359 Speaker 5: I do Wheel which Shannon the Dude's band Alix lu 399 00:19:02,440 --> 00:19:04,280 Speaker 5: gown little wagon Wheel, That's my go to. 400 00:19:04,440 --> 00:19:07,639 Speaker 4: Yeah for sure, Shannon. Listen my remembers real quickly. 401 00:19:07,680 --> 00:19:11,080 Speaker 5: We were in Maine, one of our crazy trips from 402 00:19:11,160 --> 00:19:13,080 Speaker 5: Kentucky to like New York. 403 00:19:13,119 --> 00:19:14,360 Speaker 4: We went up through Maine to. 404 00:19:14,280 --> 00:19:18,240 Speaker 5: Get there, and we went to a karaoke place one 405 00:19:18,320 --> 00:19:21,400 Speaker 5: night and Shannon gets up there and I'm live recording, 406 00:19:21,520 --> 00:19:23,639 Speaker 5: live feeding it, thinking this is gonna be so funny, Shanning. 407 00:19:23,680 --> 00:19:25,320 Speaker 5: You know, Shannon, what's he thinks? He cane up there 408 00:19:25,320 --> 00:19:26,320 Speaker 5: and sing and. 409 00:19:26,320 --> 00:19:27,080 Speaker 4: He killed it. 410 00:19:27,480 --> 00:19:30,520 Speaker 5: He's He's sang tones of Stone Tiple Pilots and killed 411 00:19:30,560 --> 00:19:31,440 Speaker 5: it and. 412 00:19:31,480 --> 00:19:34,120 Speaker 2: Single handedly brought back the band because of that, right. 413 00:19:34,119 --> 00:19:35,720 Speaker 4: That's right, that night brought back the band. 414 00:19:36,240 --> 00:19:38,840 Speaker 3: Yeah, I love it, man. Yeah, everybody should have a 415 00:19:38,880 --> 00:19:43,560 Speaker 3: go to karaoke saw man, Like, I really believe that. Ryan, 416 00:19:43,600 --> 00:19:45,320 Speaker 3: you gotta read something you have to read. 417 00:19:46,800 --> 00:19:47,040 Speaker 6: I do. 418 00:19:47,200 --> 00:19:48,639 Speaker 4: But I'm not ready, Shannon. Are you ready for. 419 00:19:50,480 --> 00:19:53,760 Speaker 5: Let's say, sponsor the show, sponsor all that t J 420 00:19:53,880 --> 00:19:57,760 Speaker 5: smithlaw off A sponsors every kaducking sports radio show called TJ. 421 00:19:57,920 --> 00:19:58,959 Speaker 4: Well, will he do, Shannon? 422 00:19:59,119 --> 00:20:01,200 Speaker 3: Make m make them pay now. 423 00:20:01,240 --> 00:20:04,160 Speaker 5: We've also got our Avision Glass text machine line, which 424 00:20:04,200 --> 00:20:06,080 Speaker 5: is my cell phone this week, since Matt is not here, 425 00:20:06,320 --> 00:20:08,680 Speaker 5: our Clark's publish our phone number is open eight five 426 00:20:08,760 --> 00:20:10,919 Speaker 5: nine two eight two to eighty seven. And Myrin Well 427 00:20:10,920 --> 00:20:13,040 Speaker 5: announced our whiskey thief call to day now, Ladies and 428 00:20:13,040 --> 00:20:16,480 Speaker 5: gentlemen back on the airwaves. Six foot tall, two hundred 429 00:20:16,520 --> 00:20:17,720 Speaker 5: and twenty pounds, the. 430 00:20:17,800 --> 00:20:19,119 Speaker 3: Round mount of rebound. 431 00:20:19,440 --> 00:20:24,000 Speaker 2: It is Myron metcald look great in your countboy hat 432 00:20:24,040 --> 00:20:26,000 Speaker 2: and your boots down in Nashville. And I saw that picture. 433 00:20:26,040 --> 00:20:28,000 Speaker 3: I know you got those measurements, but I'll take them. 434 00:20:28,119 --> 00:20:30,000 Speaker 3: So we got something of my cousin James and his 435 00:20:30,080 --> 00:20:32,320 Speaker 3: volleyball arm. H. We'll take a couple of calls, like 436 00:20:32,359 --> 00:20:34,240 Speaker 3: if anybody has we got a call, right. 437 00:20:34,200 --> 00:20:35,520 Speaker 2: Yeah, we got a couple of come we got first, 438 00:20:35,600 --> 00:20:35,920 Speaker 2: let's good. 439 00:20:36,000 --> 00:20:39,760 Speaker 3: First Allan, Allan, give me something, how you doing? Man, 440 00:20:39,800 --> 00:20:41,920 Speaker 3: give me something about terrific Tuesday? And also telling me 441 00:20:41,960 --> 00:20:42,959 Speaker 3: about your favorite relative. 442 00:20:44,240 --> 00:20:47,359 Speaker 7: Hey, how you guys doing? Big fan of you. Metcalf 443 00:20:48,200 --> 00:20:51,200 Speaker 7: started recently calling in. So this is the daily occurrence. 444 00:20:51,240 --> 00:20:54,400 Speaker 7: Maybe if you's hoping aware, I'm a welcome the good 445 00:20:54,640 --> 00:20:58,280 Speaker 7: news for this Tuesday. Is Today's the seventeenth day of 446 00:20:58,320 --> 00:21:00,200 Speaker 7: my baby Dollar's birthday? 447 00:21:01,400 --> 00:21:04,480 Speaker 3: Yeah, boy, congrats. 448 00:21:04,520 --> 00:21:07,560 Speaker 7: I'm just yes, sir, I just wanted to call in 449 00:21:07,600 --> 00:21:08,280 Speaker 7: and joind the show. 450 00:21:09,320 --> 00:21:13,520 Speaker 3: I appreciate it. I appreciate it. Yeah, man, I loved Man. 451 00:21:13,560 --> 00:21:16,760 Speaker 3: I loved Mary Monday on a Tuesday, you know, like 452 00:21:16,960 --> 00:21:19,520 Speaker 3: I love that that vile. We got another call, we do. 453 00:21:19,720 --> 00:21:22,720 Speaker 3: Let's go to Casey, Casey, how you doing? 454 00:21:24,520 --> 00:21:25,760 Speaker 8: Hey, good morning fellers. 455 00:21:25,760 --> 00:21:26,359 Speaker 6: How are you doing? 456 00:21:26,400 --> 00:21:29,600 Speaker 3: Myron doing well? Doing well? What you got on this 457 00:21:29,680 --> 00:21:30,399 Speaker 3: terrific Tuesday? 458 00:21:30,480 --> 00:21:30,680 Speaker 8: Yes? 459 00:21:31,040 --> 00:21:33,840 Speaker 3: And also your favorite relative you want to tell us about? 460 00:21:35,080 --> 00:21:38,119 Speaker 8: So, my favorite relative is about twenty days old. Her 461 00:21:38,200 --> 00:21:42,919 Speaker 8: name is Sumner. I am a new aunt wooh, congratulations. 462 00:21:44,840 --> 00:21:48,800 Speaker 8: It has made my heart just grow. Like I love 463 00:21:48,920 --> 00:21:51,679 Speaker 8: babies and I love kids anyway, but being an auntie 464 00:21:51,840 --> 00:21:54,720 Speaker 8: is just the best. And I'm so excited about watching 465 00:21:54,760 --> 00:21:57,439 Speaker 8: her play sports growing up. And I got her about 466 00:21:57,440 --> 00:22:00,680 Speaker 8: the UK clothes and all that good stuff raising her right. So, 467 00:22:00,720 --> 00:22:02,280 Speaker 8: but thank you for taking my car, Mara and I 468 00:22:02,320 --> 00:22:04,680 Speaker 8: have you just have a great day, you too. 469 00:22:04,800 --> 00:22:08,320 Speaker 3: Oh That's that's awesome, man. A couple of babies and 470 00:22:08,760 --> 00:22:12,480 Speaker 3: young people like that always makes me smile. Man like that. 471 00:22:12,480 --> 00:22:18,000 Speaker 3: That's pretty cool. That's pretty cool man, great relatives, young relatives. Uh, terrific. Tuesday, 472 00:22:18,119 --> 00:22:19,000 Speaker 3: We're gonna continue this. 473 00:22:19,680 --> 00:22:19,840 Speaker 6: Uh. 474 00:22:19,960 --> 00:22:22,000 Speaker 3: I want people to call in again. Tell me something cool, 475 00:22:22,040 --> 00:22:27,199 Speaker 3: this happened, something positive? Also your favorite relative again? Like, 476 00:22:28,200 --> 00:22:30,240 Speaker 3: should I have told more people about James? I feel 477 00:22:30,240 --> 00:22:32,320 Speaker 3: like people are reacting like this is a unique story. 478 00:22:32,400 --> 00:22:33,680 Speaker 2: The best story you've ever told. 479 00:22:36,000 --> 00:22:37,400 Speaker 3: I don't think it was that unique. I didn't realize 480 00:22:37,480 --> 00:22:38,400 Speaker 3: it was that unique. 481 00:22:38,680 --> 00:22:41,120 Speaker 4: Dude, he's got a beach volleyball arm. Of course we 482 00:22:41,119 --> 00:22:42,080 Speaker 4: want to know about it. 483 00:22:43,200 --> 00:22:45,920 Speaker 2: They just went to the closet and pulled out Yeah. 484 00:22:46,200 --> 00:22:49,600 Speaker 3: Again, Like I felt like he was really good and 485 00:22:49,640 --> 00:22:52,280 Speaker 3: like now, looking back, it was a little bit. It 486 00:22:52,320 --> 00:22:54,239 Speaker 3: was a little bit arrogant that he called for it, 487 00:22:54,480 --> 00:22:57,400 Speaker 3: you know what I mean. Like, so we're back after 488 00:22:57,440 --> 00:23:03,320 Speaker 3: this on KSR. TJ Smith personal injury attorney. Call TJ. 489 00:23:03,560 --> 00:23:06,480 Speaker 2: He'll make them pay Now more of Kentucky Sports Radio 490 00:23:06,600 --> 00:23:09,880 Speaker 2: presented by Stockton Mortgage. Here's Matt Jones. 491 00:23:11,400 --> 00:23:15,920 Speaker 3: All Green. Whatever you want to do, it's all right 492 00:23:16,359 --> 00:23:20,600 Speaker 3: with me. Uh man, I love me some Al Green. 493 00:23:21,080 --> 00:23:23,400 Speaker 4: So this is this is baby making music right here. 494 00:23:23,880 --> 00:23:25,959 Speaker 3: Well, this is get you in trouble. This is. This 495 00:23:26,080 --> 00:23:28,560 Speaker 3: is let me tell you who Al Green is. Al 496 00:23:28,640 --> 00:23:32,200 Speaker 3: Green is get you in trouble music and also get 497 00:23:32,240 --> 00:23:34,320 Speaker 3: you out of trouble music. You know what I mean? 498 00:23:34,480 --> 00:23:37,679 Speaker 3: Like you know, like al is, he can help you 499 00:23:37,720 --> 00:23:39,600 Speaker 3: in any situation. I think I told you all when 500 00:23:39,600 --> 00:23:41,639 Speaker 3: I did a bunch of shows over the summer, Like 501 00:23:41,800 --> 00:23:44,280 Speaker 3: I'm telling you Al Green, if you need help in 502 00:23:44,320 --> 00:23:47,680 Speaker 3: your situation, your relationship, you can literally write down the 503 00:23:47,760 --> 00:23:50,880 Speaker 3: lyrics to an Al Green song, read them to your 504 00:23:50,920 --> 00:23:54,119 Speaker 3: special person and it will change things. I guarantee it. 505 00:23:54,160 --> 00:23:57,000 Speaker 3: I'm gonna try it. I'm gonna try it. He is 506 00:23:57,080 --> 00:24:00,600 Speaker 3: that good. So again, Al Green makes get you into 507 00:24:00,600 --> 00:24:02,840 Speaker 3: trouble music and also get you out of trouble music. 508 00:24:03,119 --> 00:24:04,840 Speaker 3: You just got to kind of figure out which situation 509 00:24:05,480 --> 00:24:08,840 Speaker 3: that you are in. Back on a terrific Tuesday, Myra 510 00:24:08,960 --> 00:24:13,520 Speaker 3: Metcalf filled in for Matt Jones in here mid July, 511 00:24:13,600 --> 00:24:15,320 Speaker 3: where like the you know, Midgelyiz is such a hard 512 00:24:15,320 --> 00:24:18,040 Speaker 3: time in our business because you always have something to 513 00:24:18,320 --> 00:24:22,800 Speaker 3: talk about and discuss. So I'm working on a series 514 00:24:23,000 --> 00:24:28,200 Speaker 3: Fellas where I'm doing some of the top teams in 515 00:24:28,440 --> 00:24:32,040 Speaker 3: college basketball history, and I'm trying to put together their 516 00:24:32,840 --> 00:24:39,240 Speaker 3: all time starting five. They're all time reserves, you know, 517 00:24:39,560 --> 00:24:43,240 Speaker 3: and then like honorable honorable mentions, And I have one 518 00:24:43,280 --> 00:24:45,240 Speaker 3: coming tomorrow for a team I won't mention now, but 519 00:24:46,680 --> 00:24:50,640 Speaker 3: I was thinking about it for Kentucky and the challenge 520 00:24:50,680 --> 00:24:52,439 Speaker 3: with that I've realized for the team I did it 521 00:24:52,480 --> 00:24:56,080 Speaker 3: with so much of the conversation about the all time 522 00:24:56,960 --> 00:25:01,680 Speaker 3: greats is generational, right, like who else coming up? Yeah? 523 00:25:01,840 --> 00:25:05,479 Speaker 3: Whoever is your hero coming up? Yep, that's your person? 524 00:25:06,240 --> 00:25:10,399 Speaker 3: And that was difficult for this team tomorrow that's coming out. 525 00:25:10,960 --> 00:25:13,720 Speaker 3: I feel like it's going to be impossible for Kentucky 526 00:25:14,280 --> 00:25:16,440 Speaker 3: because you guys got to help me out. I have 527 00:25:16,520 --> 00:25:21,479 Speaker 3: no idea how to capture an all time look at 528 00:25:21,560 --> 00:25:28,200 Speaker 3: Kentucky while also being respectful of the generations right of 529 00:25:28,280 --> 00:25:33,440 Speaker 3: paying homage to the players who have played seventy years 530 00:25:33,480 --> 00:25:36,159 Speaker 3: ago but still meant so much. But then how do 531 00:25:36,200 --> 00:25:38,680 Speaker 3: you weigh that against the Anthony Davis and guys like that. 532 00:25:39,240 --> 00:25:41,359 Speaker 3: I don't know if you guys have any sense of 533 00:25:41,400 --> 00:25:43,439 Speaker 3: who would be in your top five all time, But 534 00:25:44,400 --> 00:25:47,560 Speaker 3: I feel like Kentucky, no matter what I do, I'm 535 00:25:47,560 --> 00:25:48,679 Speaker 3: gonna make somebody upset. 536 00:25:49,359 --> 00:25:52,440 Speaker 5: Yeah, we've had this discussion before. It's so hard because 537 00:25:52,480 --> 00:25:55,040 Speaker 5: like Dan Issel is a career scoring leader that will 538 00:25:55,080 --> 00:25:58,919 Speaker 5: never be broken. But you know, people, you gotta, how 539 00:25:58,920 --> 00:26:01,439 Speaker 5: can you ignore Anthony day Davis? So you put In'sle 540 00:26:01,480 --> 00:26:03,720 Speaker 5: at the five, Davis at the four or something because 541 00:26:04,040 --> 00:26:05,159 Speaker 5: they have to do something like that. 542 00:26:05,240 --> 00:26:06,160 Speaker 2: I think that's what you have. 543 00:26:06,600 --> 00:26:09,639 Speaker 5: But then at the three you got like Jamal Mashburn, 544 00:26:09,960 --> 00:26:15,359 Speaker 5: Shack Givens, Kayshawn Prince. Yeah, and the guards John Wall, 545 00:26:16,680 --> 00:26:20,720 Speaker 5: Kyle Macy, mash the leading scoring guard of all time 546 00:26:20,840 --> 00:26:23,480 Speaker 5: is Keith Bogan's I mean, you gotta. It's it's tough 547 00:26:23,520 --> 00:26:24,680 Speaker 5: to come up with the starting five. 548 00:26:25,600 --> 00:26:27,320 Speaker 3: So throw out the number again for me. 549 00:26:27,480 --> 00:26:30,200 Speaker 2: Yep, eight, five, nine, twenty two eighty seven. 550 00:26:31,000 --> 00:26:32,800 Speaker 3: So this is what I need from callers. Give me 551 00:26:32,880 --> 00:26:35,720 Speaker 3: your locks on an all time starting five. You don't 552 00:26:35,760 --> 00:26:38,240 Speaker 3: have to tell me a starting five. Tell me who 553 00:26:38,359 --> 00:26:39,959 Speaker 3: has to be on the list. I think that's what 554 00:26:40,000 --> 00:26:43,359 Speaker 3: I need the most help with who Absolutely if you 555 00:26:43,480 --> 00:26:46,160 Speaker 3: don't have them and you're starting five at Kentucky all time, 556 00:26:46,200 --> 00:26:48,640 Speaker 3: then the list is invalid. Like that's what I need 557 00:26:48,680 --> 00:26:51,600 Speaker 3: to figure out. And you know you all mentioned Dan 558 00:26:52,240 --> 00:26:55,240 Speaker 3: who it feels like he is a he has to 559 00:26:55,280 --> 00:26:55,800 Speaker 3: be on that. 560 00:26:55,720 --> 00:26:57,440 Speaker 4: List, right, He's got to be on the list. 561 00:26:57,880 --> 00:27:00,920 Speaker 3: Yeah, I mean starting five. It feels like Anthony Davis 562 00:27:01,000 --> 00:27:05,040 Speaker 3: has to be in your starting five. Then from there 563 00:27:05,119 --> 00:27:08,360 Speaker 3: it gets tricky. It gets very tricky there from there 564 00:27:08,440 --> 00:27:14,800 Speaker 3: because for me, Teyshawn incredible what he did, right, But 565 00:27:15,000 --> 00:27:18,120 Speaker 3: it's hard for me to imagine putting anybody over Jamal Mashburn, 566 00:27:18,840 --> 00:27:23,120 Speaker 3: you know, like just sheer talent. It's hard. That's difficult 567 00:27:23,160 --> 00:27:25,560 Speaker 3: for me. And then once you get to the guards, 568 00:27:26,280 --> 00:27:28,119 Speaker 3: I have no idea what you do there because, like 569 00:27:28,160 --> 00:27:32,240 Speaker 3: you mentioned, Ryan, there's so many across generations that you 570 00:27:32,240 --> 00:27:35,960 Speaker 3: could choose from. How do you you know, how do 571 00:27:36,000 --> 00:27:38,640 Speaker 3: you deal with that? And then also, okay, the one 572 00:27:38,640 --> 00:27:41,080 Speaker 3: and none guys? Will you do the guy like DeMarcus Cousins, 573 00:27:41,640 --> 00:27:46,280 Speaker 3: who you know didn't win a ring, But it's hard 574 00:27:46,280 --> 00:27:48,359 Speaker 3: to imagine there are that many guys who were better 575 00:27:48,400 --> 00:27:50,840 Speaker 3: than him in the one year that we saw him 576 00:27:50,880 --> 00:27:52,800 Speaker 3: at the collegiate level where both he and John Wall 577 00:27:52,840 --> 00:27:54,760 Speaker 3: were first team All Americans. So for both of you, 578 00:27:54,840 --> 00:27:57,399 Speaker 3: who are your locks? It could be five guys? But look, 579 00:27:57,400 --> 00:28:00,320 Speaker 3: who are the guys that you're like? The list is 580 00:28:00,400 --> 00:28:05,040 Speaker 3: not valid unless these guys are in Kentucky's all time 581 00:28:05,080 --> 00:28:06,720 Speaker 3: starting five on ESPN. 582 00:28:07,880 --> 00:28:10,119 Speaker 2: Shan you go first, Yeah, yeah for me, dan Issel 583 00:28:10,240 --> 00:28:13,520 Speaker 2: has to be on there. Yes, I don't think that's 584 00:28:13,520 --> 00:28:16,719 Speaker 2: a debate. Anthony Davis, I feel like has to be 585 00:28:16,760 --> 00:28:20,080 Speaker 2: on there. I feel like he's a lock. I feel 586 00:28:20,119 --> 00:28:23,000 Speaker 2: like John wall also should be a lock. I could 587 00:28:24,040 --> 00:28:26,320 Speaker 2: I feel like it now the other two your your 588 00:28:26,359 --> 00:28:30,919 Speaker 2: two guard or your you're three. I could be, you know, 589 00:28:31,000 --> 00:28:33,040 Speaker 2: convinced to switch those out. I would have them at 590 00:28:33,080 --> 00:28:36,439 Speaker 2: mash burnit to tayshawn as my small forward at the 591 00:28:36,440 --> 00:28:39,040 Speaker 2: three spot. But I could be convinced otherwise. But I 592 00:28:39,040 --> 00:28:43,040 Speaker 2: feel like those are my locks. Wall, Davis Isle. 593 00:28:45,200 --> 00:28:45,400 Speaker 6: Lock. 594 00:28:46,480 --> 00:28:47,840 Speaker 2: I feel like he is Ryan. 595 00:28:47,880 --> 00:28:49,400 Speaker 3: What do you think? No, and that's valid. I mean, 596 00:28:49,680 --> 00:28:53,000 Speaker 3: you know, there's a lot of guards. John Walton feels 597 00:28:53,080 --> 00:28:53,640 Speaker 3: like a lock. 598 00:28:54,320 --> 00:28:57,080 Speaker 2: But SEC player of the Year, overall number one pick 599 00:28:57,120 --> 00:28:58,680 Speaker 2: in the draft. 600 00:28:59,000 --> 00:29:03,800 Speaker 3: You know, yes, that guards who won championships, right, you know, 601 00:29:04,880 --> 00:29:06,800 Speaker 3: and you know if you weigh that, if we go 602 00:29:06,880 --> 00:29:11,160 Speaker 3: on accolades, Willie cowy Stein has probably more accolades than 603 00:29:11,200 --> 00:29:14,080 Speaker 3: anybody other than Anthony Davis, you know, Defensive player of 604 00:29:14,120 --> 00:29:17,760 Speaker 3: the Year, SEC Player of the year All the first 605 00:29:17,760 --> 00:29:20,760 Speaker 3: Team All American, and then we talked about Oscar she 606 00:29:20,960 --> 00:29:22,440 Speaker 3: Way was National. 607 00:29:22,080 --> 00:29:24,120 Speaker 5: Player of the Year and he won't even get in 608 00:29:24,160 --> 00:29:26,600 Speaker 5: this conversation at all. So it is kind of crazy. 609 00:29:26,600 --> 00:29:30,440 Speaker 5: But my five lock conversation, my locks are probably Dan Issel, 610 00:29:30,520 --> 00:29:34,120 Speaker 5: Anthony Davis, Jamal Mashburn, Jack Gibbons, and my point guard 611 00:29:34,520 --> 00:29:36,400 Speaker 5: because it's a generational thing. Like you said, Martin, I'm 612 00:29:36,400 --> 00:29:37,520 Speaker 5: going Kyle Macy. 613 00:29:38,440 --> 00:29:38,600 Speaker 1: So. 614 00:29:40,520 --> 00:29:42,680 Speaker 3: Well, these are locks for you. So these are like, 615 00:29:43,800 --> 00:29:45,480 Speaker 3: that's your start in five. It has to be my 616 00:29:45,520 --> 00:29:46,800 Speaker 3: starting five. Dude. 617 00:29:46,800 --> 00:29:49,400 Speaker 2: If you put Wall versus Macy one on one though 618 00:29:49,880 --> 00:29:53,600 Speaker 2: Walwick Cook Macy, you know that, right, Ryan, Come. 619 00:29:53,440 --> 00:29:57,360 Speaker 5: On, did did John Wall win a championship? No Masons 620 00:29:57,480 --> 00:29:58,280 Speaker 5: champion team thing? 621 00:29:58,280 --> 00:29:58,480 Speaker 3: Though? 622 00:29:58,520 --> 00:30:00,240 Speaker 2: That's a team thing, not an individual thing. 623 00:30:00,880 --> 00:30:03,440 Speaker 3: But see, this is why it's so hard. Though. It's 624 00:30:03,480 --> 00:30:07,240 Speaker 3: so hard. So I feel like Dan Thissel, Anthony Davis. 625 00:30:07,280 --> 00:30:08,920 Speaker 3: If I have those two guys in to start five, 626 00:30:09,000 --> 00:30:11,880 Speaker 3: I'm good, right, And then from there it gets dicey. 627 00:30:12,040 --> 00:30:15,160 Speaker 3: From there's where it gets dicey, because you're gonna offend somebody. 628 00:30:15,840 --> 00:30:17,800 Speaker 5: We did even mention Carl Anthony Towns, who is a 629 00:30:18,000 --> 00:30:19,760 Speaker 5: on a team that almost went undefeated and was the 630 00:30:19,840 --> 00:30:20,640 Speaker 5: number one pick. 631 00:30:20,760 --> 00:30:24,800 Speaker 3: That's I mean again that I don't know other than 632 00:30:24,840 --> 00:30:27,400 Speaker 3: Anthony Davis. I don't know what to do with the 633 00:30:27,480 --> 00:30:30,440 Speaker 3: cal era in terms of players, like I don't know 634 00:30:30,480 --> 00:30:34,560 Speaker 3: where to put again John Wall feels like it has 635 00:30:34,600 --> 00:30:36,320 Speaker 3: to be in a starting five. But I think there's 636 00:30:36,320 --> 00:30:38,040 Speaker 3: a case to be made for a lot of other guys. 637 00:30:38,160 --> 00:30:41,479 Speaker 3: I think DeMarcus Cousins if it's just one of the 638 00:30:41,480 --> 00:30:44,520 Speaker 3: best single years we've ever seen at that spot, not 639 00:30:44,560 --> 00:30:46,680 Speaker 3: over Anthony Davis or Dan But what do you do 640 00:30:46,720 --> 00:30:47,720 Speaker 3: with DeMarcus Cousins? 641 00:30:47,760 --> 00:30:51,480 Speaker 2: Is he on the second team team? 642 00:30:52,480 --> 00:30:54,520 Speaker 3: Like, what what do you do? All Right? We got 643 00:30:54,520 --> 00:30:56,400 Speaker 3: some callers. Maybe these callers could help us. Who's our 644 00:30:56,400 --> 00:31:00,960 Speaker 3: who's our first call? Jay? See how you're doing? Tell 645 00:31:01,000 --> 00:31:03,480 Speaker 3: me something cool that's happened on this terrific Tuesday for you? 646 00:31:06,240 --> 00:31:09,440 Speaker 9: Well, not a whole lot going, but I got I 647 00:31:09,640 --> 00:31:12,160 Speaker 9: got a I think the front court you all got 648 00:31:12,200 --> 00:31:14,960 Speaker 9: already is definitely the three locks. 649 00:31:15,800 --> 00:31:20,440 Speaker 3: Uh you got so we got damn the Davis. 650 00:31:20,200 --> 00:31:24,120 Speaker 9: Who's Dey'll say Master was a lock? 651 00:31:24,600 --> 00:31:26,400 Speaker 3: Well, not debating. 652 00:31:26,760 --> 00:31:33,240 Speaker 9: Play, I can say, Okay, s a lot for you. Definitely, Yes, 653 00:31:33,280 --> 00:31:35,160 Speaker 9: he is yeah. 654 00:31:35,000 --> 00:31:36,040 Speaker 3: Uh, nash urns a lot. 655 00:31:36,080 --> 00:31:39,280 Speaker 9: Okay, mash urns a lock that looks like our most 656 00:31:39,320 --> 00:31:44,800 Speaker 9: decorated uh guard is gonna be Shaye. And of course 657 00:31:44,840 --> 00:31:47,440 Speaker 9: if you have Shay, you have to have quad a Green. 658 00:31:48,160 --> 00:31:52,560 Speaker 9: He was in Chile Perry's mind, Yeah, ahead of Shaddy. 659 00:31:53,280 --> 00:31:57,040 Speaker 9: So uh, anyway, that's my five. I reckon y'all have a. 660 00:31:57,040 --> 00:32:00,840 Speaker 5: Going you know if all the point guard numbers, Yeah, 661 00:32:00,880 --> 00:32:03,360 Speaker 5: Wall had the great year's number one pick, but Brandon 662 00:32:03,400 --> 00:32:06,200 Speaker 5: Knight actually had better numbers than Wall, and Tyler Ewlis 663 00:32:06,200 --> 00:32:07,560 Speaker 5: had better numbers than both of them. 664 00:32:08,480 --> 00:32:11,200 Speaker 3: Yeah, I mean, isn't that Isn't that the hard part? 665 00:32:11,280 --> 00:32:11,440 Speaker 2: Right? 666 00:32:11,600 --> 00:32:12,480 Speaker 4: Yeah, that's the hard part. 667 00:32:12,480 --> 00:32:17,040 Speaker 3: Hard part is the hard part is. But but to me, 668 00:32:18,440 --> 00:32:24,520 Speaker 3: I personally have not seen many collegiate guards in the 669 00:32:24,560 --> 00:32:26,680 Speaker 3: modern era. Let's say the last twenty five years that 670 00:32:26,760 --> 00:32:29,600 Speaker 3: I'm putting above John Wall, Like if it's if you 671 00:32:29,680 --> 00:32:31,800 Speaker 3: tell me I'm starting the team and I need a 672 00:32:31,840 --> 00:32:36,080 Speaker 3: point guard in the last twenty five years, for me personally, 673 00:32:36,200 --> 00:32:39,960 Speaker 3: it's probably John Wall. Yeah five years. Yeah, So, I 674 00:32:40,000 --> 00:32:41,560 Speaker 3: mean the numbers may not add up to what like 675 00:32:41,560 --> 00:32:44,040 Speaker 3: a U Liss didn't necessarily or but he also played 676 00:32:44,080 --> 00:32:46,280 Speaker 3: next to a first team All American to Marks Cousins. 677 00:32:46,680 --> 00:32:49,920 Speaker 3: A bunch of young guys on that team. I feel 678 00:32:49,920 --> 00:32:51,600 Speaker 3: like John Wall, if he wanted to, could have averaged 679 00:32:51,640 --> 00:32:54,840 Speaker 3: thirty five a game, right, It just there was other 680 00:32:54,880 --> 00:32:57,920 Speaker 3: talent around him, so we got another call. Who else 681 00:32:57,960 --> 00:32:59,960 Speaker 3: that's interesting? Jamal Mashburn is a lock A lot of 682 00:33:00,000 --> 00:33:00,360 Speaker 3: people like. 683 00:33:00,400 --> 00:33:03,480 Speaker 2: Jamal, Brian and Franklin and Brian. 684 00:33:03,480 --> 00:33:05,560 Speaker 3: Brian and Franklin. How you doing on this terrific Tuesday? 685 00:33:05,560 --> 00:33:08,680 Speaker 3: Tell me something good about your week Tuesday. 686 00:33:10,120 --> 00:33:15,720 Speaker 6: I'm doing phenomenal. But here's my thing, though, I in 687 00:33:15,760 --> 00:33:20,760 Speaker 6: my mind's eye can't get over the description that you 688 00:33:20,920 --> 00:33:24,160 Speaker 6: was giving me about James. So in my mind's eye, 689 00:33:24,920 --> 00:33:27,000 Speaker 6: I am picturing the dude that I was up in 690 00:33:27,000 --> 00:33:29,320 Speaker 6: the pool hall. He's got his own pool Q in 691 00:33:29,360 --> 00:33:33,480 Speaker 6: the case and everything. He unzips that thing, pulls it out, 692 00:33:33,480 --> 00:33:37,320 Speaker 6: screws it together and just runs a table. I'm seeing 693 00:33:37,400 --> 00:33:40,520 Speaker 6: him as the dude at the bowler now that that 694 00:33:40,640 --> 00:33:43,400 Speaker 6: shows up. He's got his own shoes, his own ball. 695 00:33:46,320 --> 00:33:47,560 Speaker 6: Am I seeing this correctly? 696 00:33:48,240 --> 00:33:52,360 Speaker 3: Yeah? I feel like James was probably hustling the homage 697 00:33:52,400 --> 00:33:55,800 Speaker 3: community in Beach volleyball for like fifteen years, Like I think, 698 00:33:56,000 --> 00:33:59,560 Speaker 3: you know, like he just he was. He was that good. 699 00:33:59,600 --> 00:34:04,000 Speaker 3: Like he he was again, he's the best beach volleyball 700 00:34:04,000 --> 00:34:06,880 Speaker 3: player I've ever seen up close, you know, like I've 701 00:34:06,920 --> 00:34:10,040 Speaker 3: never seen like the way he would jump, you know 702 00:34:10,040 --> 00:34:13,120 Speaker 3: what I mean, Like he was just like all the 703 00:34:13,200 --> 00:34:15,440 Speaker 3: place once he got the arm right, man, he was 704 00:34:16,080 --> 00:34:18,359 Speaker 3: you couldn't mess with him. Man, you really couldn't mess 705 00:34:18,360 --> 00:34:22,239 Speaker 3: with James. He was that good. And I don't know, 706 00:34:23,320 --> 00:34:25,960 Speaker 3: I never saw him use the arm other than volleyball, 707 00:34:28,040 --> 00:34:29,799 Speaker 3: Like it wasn't like I saw him with the arm 708 00:34:29,840 --> 00:34:32,600 Speaker 3: in other situations. Only for volleyball. Did I see that 709 00:34:32,719 --> 00:34:33,960 Speaker 3: arm come out? 710 00:34:34,320 --> 00:34:37,760 Speaker 6: He showed up to the court and his flip flops 711 00:34:38,120 --> 00:34:40,200 Speaker 6: and then pulls out of sneakers out of the bag 712 00:34:40,320 --> 00:34:43,719 Speaker 6: and then transforms and then now he's mj She. 713 00:34:43,680 --> 00:34:48,279 Speaker 3: Would she would bring the arm, bring it to him. Yeah, No, 714 00:34:49,040 --> 00:34:52,759 Speaker 3: I appreciate, appreciate the call man like he I think 715 00:34:52,760 --> 00:34:55,120 Speaker 3: it was just his volleyball arm fellas Like, I don't 716 00:34:55,160 --> 00:34:58,239 Speaker 3: think I can't recall another time when he used it. 717 00:34:59,080 --> 00:34:59,279 Speaker 3: You know. 718 00:35:00,160 --> 00:35:01,560 Speaker 5: I love the fact that all the kids are like 719 00:35:01,600 --> 00:35:04,360 Speaker 5: waiting around in a circle waiting for cousin James to 720 00:35:04,719 --> 00:35:07,399 Speaker 5: alert the authorities to bring in his beach volleyball arms 721 00:35:07,400 --> 00:35:08,960 Speaker 5: so he can go down on the beach volleyballs. 722 00:35:09,200 --> 00:35:13,160 Speaker 2: You have like another arm for like another situation, like. 723 00:35:13,400 --> 00:35:16,080 Speaker 3: I saw the two. I saw the two, but like 724 00:35:16,640 --> 00:35:18,759 Speaker 3: he would walk out with swagger, like he would walk 725 00:35:18,840 --> 00:35:21,799 Speaker 3: into the court with swagger, like you know, like I'll 726 00:35:21,800 --> 00:35:23,520 Speaker 3: show you a little bit, you know what I mean. 727 00:35:23,560 --> 00:35:26,319 Speaker 3: He knew he knew how good he was, you know, 728 00:35:26,640 --> 00:35:29,160 Speaker 3: like he knew he knew how good he was, and 729 00:35:29,800 --> 00:35:32,920 Speaker 3: he wanted everybody else to know too. Man, So shout out, 730 00:35:33,000 --> 00:35:35,000 Speaker 3: James Man, lake Den, Wisconsin. I'm kidding you out. We 731 00:35:35,080 --> 00:35:38,080 Speaker 3: go up there. He would play beach volleyball for hours 732 00:35:38,120 --> 00:35:41,239 Speaker 3: and he was absolutely incredible. I think we got to 733 00:35:41,239 --> 00:35:44,080 Speaker 3: take a break here. More terrific Tuesday, More of your 734 00:35:44,120 --> 00:35:46,520 Speaker 3: takes on all time, starting five and your favorite relative 735 00:35:46,640 --> 00:35:54,640 Speaker 3: after the break. Oh Green Yo, I love Al Green Man. 736 00:35:54,840 --> 00:36:00,600 Speaker 3: Missus ks r Myran Metcalf filling in for Matt Jones. Jones, 737 00:36:00,640 --> 00:36:02,759 Speaker 3: you know who it is. I'm a friend of the 738 00:36:02,800 --> 00:36:04,160 Speaker 3: show at this point, you guys know it. 739 00:36:04,760 --> 00:36:05,359 Speaker 4: You're one of us. 740 00:36:06,239 --> 00:36:09,360 Speaker 3: Yeah yeah, So let's do this live read first, and 741 00:36:09,400 --> 00:36:10,800 Speaker 3: then I want to get to some of these texts 742 00:36:10,800 --> 00:36:11,520 Speaker 3: about the locks. 743 00:36:11,680 --> 00:36:14,239 Speaker 2: All right, This segment of sponsored by our friends at 744 00:36:14,320 --> 00:36:17,759 Speaker 2: Cornbread Hemp. 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And right now, 757 00:36:51,440 --> 00:36:54,200 Speaker 2: for first time customers, you can get twenty percent off 758 00:36:54,239 --> 00:36:56,399 Speaker 2: your first order when you sign up with promo code 759 00:36:56,520 --> 00:37:00,879 Speaker 2: KSR this Cornbreadhimp dot Com promo code k as are 760 00:37:01,600 --> 00:37:03,040 Speaker 2: This is the good Life with corn brud Him. 761 00:37:04,200 --> 00:37:06,200 Speaker 3: How do I get all the sponsors to send me something? 762 00:37:06,239 --> 00:37:08,840 Speaker 3: You know I've done a bunch of these shows. 763 00:37:11,320 --> 00:37:13,800 Speaker 2: The Seltzers are amazing, and. 764 00:37:14,200 --> 00:37:16,160 Speaker 3: I feel like I gotta get my address to some 765 00:37:16,200 --> 00:37:18,759 Speaker 3: of the sponsors so that could send me some of 766 00:37:18,800 --> 00:37:19,320 Speaker 3: this stuff. 767 00:37:19,520 --> 00:37:21,080 Speaker 4: If you'd ever come see us, we can give you 768 00:37:21,120 --> 00:37:21,920 Speaker 4: some stuff. 769 00:37:22,040 --> 00:37:24,160 Speaker 3: Yeah, well I've been, but I've been. I've done shows 770 00:37:24,160 --> 00:37:26,920 Speaker 3: down there, so you know, next time I'm gonna I'm 771 00:37:26,920 --> 00:37:28,560 Speaker 3: gonna figure it out. So we're having this all Time 772 00:37:28,600 --> 00:37:31,160 Speaker 3: Starting five. I'm doing this series of ESPN. I'm trying 773 00:37:31,160 --> 00:37:33,239 Speaker 3: to figure out who the locks should be. You know, 774 00:37:33,280 --> 00:37:35,680 Speaker 3: once I do this piece, it sounds like All Time 775 00:37:35,719 --> 00:37:39,520 Speaker 3: Starting five, Kentucky History, Dan elsel Anthony Davis locks, right 776 00:37:39,640 --> 00:37:42,200 Speaker 3: like I think everybody agrees they have to be in 777 00:37:42,239 --> 00:37:43,000 Speaker 3: your Starting five. 778 00:37:43,080 --> 00:37:44,120 Speaker 4: Yep, I think they have to be. 779 00:37:44,160 --> 00:37:46,960 Speaker 3: And now it's it's sounded more like people maybe think 780 00:37:47,040 --> 00:37:50,120 Speaker 3: Jamal Mashburn is a lot. But Ryan, you're getting some 781 00:37:50,280 --> 00:37:53,840 Speaker 3: text messages about this. What are you seeing this on 782 00:37:53,840 --> 00:37:56,480 Speaker 3: the Avision glass tech machine? Myron absolutely lit up. 783 00:37:56,520 --> 00:37:58,000 Speaker 5: I mean I got like fifty of them in that 784 00:37:58,080 --> 00:38:01,279 Speaker 5: last segment, most just because of going through something like 785 00:38:01,320 --> 00:38:04,280 Speaker 5: most people are making an argument for Kenny sky Walker 786 00:38:04,920 --> 00:38:07,839 Speaker 5: even over Mashburn. At the three All American I think 787 00:38:07,840 --> 00:38:10,680 Speaker 5: he's number two in the all time scoring list. And 788 00:38:10,719 --> 00:38:12,440 Speaker 5: then the other one they're making an argument for is 789 00:38:12,480 --> 00:38:16,719 Speaker 5: Tony Delk at guard. Yeah, those seem to be the 790 00:38:16,719 --> 00:38:18,480 Speaker 5: two in the on the davision glass tech machine, the 791 00:38:18,520 --> 00:38:20,600 Speaker 5: most can you. 792 00:38:20,480 --> 00:38:23,600 Speaker 3: Put and I know Tony man like, can you put 793 00:38:23,640 --> 00:38:24,439 Speaker 3: Tony over John? 794 00:38:24,600 --> 00:38:24,640 Speaker 1: Like? 795 00:38:24,960 --> 00:38:28,800 Speaker 3: How do how should I measure that between those two guys? 796 00:38:28,960 --> 00:38:33,360 Speaker 3: Obviously it's a national champion, right, Yeah, Tony has that 797 00:38:33,360 --> 00:38:36,080 Speaker 3: that gives him obviously a certain edge. 798 00:38:37,280 --> 00:38:40,680 Speaker 5: His jersey's retired already here at Kentucky. But he was 799 00:38:40,719 --> 00:38:42,640 Speaker 5: more of a two guard than a point guard. Patino 800 00:38:42,719 --> 00:38:44,160 Speaker 5: kept trying to make him a point guard, but he 801 00:38:44,200 --> 00:38:45,400 Speaker 5: was literally a two guard. 802 00:38:46,920 --> 00:38:49,719 Speaker 3: But man, I didn't even think about Tony. Tony has 803 00:38:49,719 --> 00:38:51,359 Speaker 3: a lot, He has a lot of achievements. 804 00:38:51,800 --> 00:38:53,120 Speaker 4: If you put him at two guard, that means you're 805 00:38:53,160 --> 00:38:54,480 Speaker 4: not going to put in Jack Gibbons. 806 00:38:55,880 --> 00:38:57,399 Speaker 3: Yeah, when you want Jack as a lock. 807 00:38:57,560 --> 00:38:57,719 Speaker 2: Right. 808 00:38:58,160 --> 00:39:01,080 Speaker 3: So the thing I give Tony a lot of credit 809 00:39:01,120 --> 00:39:06,960 Speaker 3: for and Tony played. I believe that, and you all 810 00:39:07,000 --> 00:39:10,359 Speaker 3: crept me if I'm wrong. I believe that ninety sixteen 811 00:39:11,440 --> 00:39:17,680 Speaker 3: if I'm not mistaken, had ten NBA guys. I could 812 00:39:17,760 --> 00:39:22,239 Speaker 3: be wrong. On that, but I think I'm close. I 813 00:39:22,280 --> 00:39:25,160 Speaker 3: believe that's right. Yeah, if it's not exact number, it's 814 00:39:25,239 --> 00:39:25,800 Speaker 3: very close. 815 00:39:26,040 --> 00:39:26,320 Speaker 4: Sure. 816 00:39:26,640 --> 00:39:31,000 Speaker 3: So I believe you had ten NBA guys on that team. Unbelievable, 817 00:39:31,920 --> 00:39:38,920 Speaker 3: and so Tony, you know, had to deal with fitting 818 00:39:38,960 --> 00:39:42,800 Speaker 3: into well. Legitimately is one of the most decorated rosters 819 00:39:42,840 --> 00:39:45,000 Speaker 3: of all time, you know what I mean in terms 820 00:39:45,000 --> 00:39:48,640 Speaker 3: of just like a team that won at this level 821 00:39:48,680 --> 00:39:50,400 Speaker 3: and then a bunch of guys went on to be 822 00:39:50,400 --> 00:39:53,359 Speaker 3: successful pros. That's a very rare thing. But I think 823 00:39:53,360 --> 00:39:55,600 Speaker 3: there were ten pros on that team, ten NBA guys, 824 00:39:56,480 --> 00:39:58,040 Speaker 3: So Tony had to fit into that. Like So, I 825 00:39:58,080 --> 00:39:59,840 Speaker 3: always think of a guy like Tony and it's like, Okay, 826 00:40:00,960 --> 00:40:03,000 Speaker 3: if you put him with a team where he's the show, 827 00:40:03,600 --> 00:40:05,760 Speaker 3: where he doesn't have to defer right, where he doesn't 828 00:40:05,800 --> 00:40:09,680 Speaker 3: have to fit in with this immaculate collection of talent, 829 00:40:10,719 --> 00:40:12,960 Speaker 3: what do his numbers look like? So I just I 830 00:40:13,000 --> 00:40:14,680 Speaker 3: give a lot of credit to guys like a Tony 831 00:40:14,680 --> 00:40:18,480 Speaker 3: DoPT because who you're playing with matters so much. And 832 00:40:18,600 --> 00:40:20,960 Speaker 3: of course he could have done more somewhere else. He 833 00:40:21,000 --> 00:40:22,560 Speaker 3: did a lot of Kentucky, but could have done more 834 00:40:22,560 --> 00:40:24,000 Speaker 3: if he had just said, let me go to a 835 00:40:24,040 --> 00:40:26,719 Speaker 3: place where they let me take every shot and I 836 00:40:26,800 --> 00:40:29,279 Speaker 3: get to shine. So I like, Tony's a good one man. 837 00:40:29,960 --> 00:40:32,279 Speaker 5: But like, if the argument for John Wall would be 838 00:40:32,360 --> 00:40:35,720 Speaker 5: he played with five first round draft picks, first round 839 00:40:36,080 --> 00:40:37,120 Speaker 5: draft picks. 840 00:40:37,760 --> 00:40:41,680 Speaker 3: He did, I think again, the one and done era, 841 00:40:42,760 --> 00:40:44,400 Speaker 3: it's hard, right because I don't want to knock on 842 00:40:44,480 --> 00:40:46,479 Speaker 3: those guys, like I don't want to discredit those guys 843 00:40:46,480 --> 00:40:48,360 Speaker 3: and say you didn't play long enough to be included. 844 00:40:49,400 --> 00:40:54,799 Speaker 3: At the same time, you know, Tony was playing with sophomore's, juniors, 845 00:40:54,840 --> 00:40:57,880 Speaker 3: seniors due to in this era, maybe they would have 846 00:40:57,920 --> 00:41:02,040 Speaker 3: left after one year. But those were some pretty mature dudes, 847 00:41:02,360 --> 00:41:04,920 Speaker 3: you know what I mean. And that was just it's 848 00:41:04,960 --> 00:41:08,560 Speaker 3: just a different era. But the talent was more experience. 849 00:41:08,960 --> 00:41:10,960 Speaker 3: So I'm not saying it was easier for John Wall, 850 00:41:11,440 --> 00:41:14,000 Speaker 3: but this is more of the raw talent era versus 851 00:41:14,560 --> 00:41:16,680 Speaker 3: I mean, those guys in the mid nineties were seasoned, 852 00:41:17,120 --> 00:41:20,520 Speaker 3: you know, like those guys, we were ready to go 853 00:41:20,560 --> 00:41:24,120 Speaker 3: to the next level. See that's interesting. Interesting, So Danizel, 854 00:41:24,800 --> 00:41:26,840 Speaker 3: Anthony Davis and we still don't have a lot. It 855 00:41:26,880 --> 00:41:29,919 Speaker 3: feels like beyond that, it feels like you know debate. 856 00:41:29,920 --> 00:41:32,839 Speaker 3: People are kind of all over the place about who 857 00:41:32,880 --> 00:41:35,920 Speaker 3: could be that. Uh, I'm going to offend somebody. I'm 858 00:41:35,920 --> 00:41:38,600 Speaker 3: pretty confident in that no matter who I pick, right, Like, 859 00:41:38,600 --> 00:41:40,319 Speaker 3: there's no there's no way for me to do this 860 00:41:41,120 --> 00:41:44,200 Speaker 3: without making someone upset. That's that's fair, right. 861 00:41:45,440 --> 00:41:46,880 Speaker 2: Yeah, But I mean that's that's the thing though. You 862 00:41:46,920 --> 00:41:49,399 Speaker 2: want people to talk about it and and debate it, 863 00:41:50,560 --> 00:41:52,160 Speaker 2: and that's that's that's part of the fun of putting 864 00:41:52,160 --> 00:41:54,640 Speaker 2: out all these lists. Everybody's got different. 865 00:41:54,640 --> 00:41:56,040 Speaker 3: Yeah, I'm fine, I want be to debate, but I 866 00:41:56,040 --> 00:41:58,960 Speaker 3: also want to me a list like that. The important 867 00:41:59,000 --> 00:42:01,359 Speaker 3: thing is that people say it's valid no matter what 868 00:42:01,400 --> 00:42:04,319 Speaker 3: you pick. And that's why the locks are so important. Like, 869 00:42:04,360 --> 00:42:07,759 Speaker 3: I feel like if you get the locks down, you're okay. You. 870 00:42:07,880 --> 00:42:10,960 Speaker 3: I mean, if you get the three players four players 871 00:42:11,120 --> 00:42:15,040 Speaker 3: who have to be on that list, you're good. But 872 00:42:15,080 --> 00:42:18,600 Speaker 3: if you miss those guys, people laugh at you, laugh 873 00:42:18,640 --> 00:42:21,160 Speaker 3: at you and say they don't respect you. We'll be 874 00:42:21,200 --> 00:42:22,800 Speaker 3: back after this break. I'm KSR