1 00:00:05,440 --> 00:00:08,360 Speaker 1: Natalie Wood was one of the most popular sought after 2 00:00:08,440 --> 00:00:12,520 Speaker 1: actresses in Hollywood. This is America, sweeth talk. This story 3 00:00:12,640 --> 00:00:17,600 Speaker 1: is huge. It was Thanksgiving weekend when Would and her 4 00:00:17,680 --> 00:00:21,440 Speaker 1: actor husband Robert Wagner went sailing on their yacht, The Splendor. 5 00:00:21,640 --> 00:00:25,400 Speaker 1: They were joined by actor and friend Christopher walkin This 6 00:00:25,920 --> 00:00:30,200 Speaker 1: is Crime Stories with Nancy Grace. Wagner notified Captain Dennis 7 00:00:30,240 --> 00:00:34,519 Speaker 1: Davern that Would was not on board. Wagner, let's turn 8 00:00:34,560 --> 00:00:36,839 Speaker 1: on the searchlight to see if we can see her, 9 00:00:37,000 --> 00:00:38,360 Speaker 1: and he said, no, we don't want to do that 10 00:00:38,479 --> 00:00:41,680 Speaker 1: right now. Do you believe that maybe Robert Wagner has 11 00:00:41,760 --> 00:00:44,479 Speaker 1: been hiding the real truth of what happened that night 12 00:00:44,520 --> 00:00:47,840 Speaker 1: all these years? I fully believe that we ever seen 13 00:00:47,880 --> 00:00:50,640 Speaker 1: information which we felt was substantial enough to make us 14 00:00:50,640 --> 00:00:54,160 Speaker 1: take another look at this case. It's old information that 15 00:00:54,320 --> 00:00:56,880 Speaker 1: was never looked at, that should have been looked at. 16 00:00:57,960 --> 00:01:03,960 Speaker 1: She's a beautiful brunette, a mother. Once you look into 17 00:01:04,000 --> 00:01:10,839 Speaker 1: those brown eyes, you'll never forget them. And oh, yes, 18 00:01:11,800 --> 00:01:17,640 Speaker 1: she's dead. I'm talking about Natalie Would. Can you believe 19 00:01:18,440 --> 00:01:24,800 Speaker 1: the saga of her watery death goes on. It's still 20 00:01:25,200 --> 00:01:31,800 Speaker 1: not settled what happened to Natalie would was she murdered? 21 00:01:33,440 --> 00:01:36,800 Speaker 1: With me right now? The director of the Cold Case Institute, 22 00:01:37,319 --> 00:01:42,600 Speaker 1: Cheryl McCollum, I'm Nancy Grace. This is crime stories, you know, Cheryl. 23 00:01:42,760 --> 00:01:48,520 Speaker 1: I have never felt any degree of um. You know, 24 00:01:48,560 --> 00:01:52,560 Speaker 1: when we would try case, when we were both duking 25 00:01:52,600 --> 00:01:55,720 Speaker 1: it out in the courtroom. You finish the case, you 26 00:01:55,800 --> 00:01:59,520 Speaker 1: get a verdict, and you feel a sense of not 27 00:01:59,520 --> 00:02:03,440 Speaker 1: not really peace, but like you have achieved something. You 28 00:02:03,520 --> 00:02:08,040 Speaker 1: did it, it's done. Next. I've never felt that way 29 00:02:08,320 --> 00:02:11,680 Speaker 1: about Natalie Wood. I've never felt Okay, now I can 30 00:02:11,720 --> 00:02:15,920 Speaker 1: go onto the next case. Something right. Several things are 31 00:02:15,960 --> 00:02:18,280 Speaker 1: not right, but yeah, you just give that feeling that 32 00:02:18,400 --> 00:02:23,880 Speaker 1: it's unsettled. Um. Robert Wagner changing his story, The ship's 33 00:02:23,919 --> 00:02:27,560 Speaker 1: captain changing his story. The evidence that you know, there 34 00:02:27,639 --> 00:02:30,120 Speaker 1: was some type of struggle on board, there was some 35 00:02:30,160 --> 00:02:32,960 Speaker 1: type of fight. Um. The fact that they did not 36 00:02:33,160 --> 00:02:36,920 Speaker 1: search for her, even though he says he did on board, 37 00:02:37,080 --> 00:02:39,720 Speaker 1: there was evidence that he did not completely search that 38 00:02:39,919 --> 00:02:43,480 Speaker 1: boat for her. Well, what concerns me is they did 39 00:02:43,520 --> 00:02:46,440 Speaker 1: not completely search the boat for her. For the ship 40 00:02:47,320 --> 00:02:54,919 Speaker 1: and that night, according to reliable sources, Robert Wagner insisted 41 00:02:55,000 --> 00:02:58,080 Speaker 1: they not use the searchlight to try and find his 42 00:02:58,160 --> 00:03:00,240 Speaker 1: wife out in the water. I mean, that is just 43 00:03:00,320 --> 00:03:02,160 Speaker 1: the tip of the iceberg. Let's let's start at the 44 00:03:02,200 --> 00:03:05,920 Speaker 1: get go um with many special guest Cheryl McCullum, the 45 00:03:06,480 --> 00:03:13,320 Speaker 1: director and founder of the Cold Case Institute. Natalie Wood, superstar, 46 00:03:14,720 --> 00:03:21,079 Speaker 1: was found drowned near her yacht, repeat her yacht during 47 00:03:21,760 --> 00:03:26,400 Speaker 1: celebration Thanksgiving. The cause of death seemed to be apparent 48 00:03:27,400 --> 00:03:31,040 Speaker 1: that she drowned. But why was she out in the 49 00:03:31,080 --> 00:03:35,280 Speaker 1: middle of the ocean all by herself? Why was she 50 00:03:36,000 --> 00:03:38,360 Speaker 1: was she trying to escape something that had happened on 51 00:03:38,400 --> 00:03:42,480 Speaker 1: the boat. This is a woman, by all accounts, that 52 00:03:42,560 --> 00:03:49,520 Speaker 1: had a dread fear, a dread fear of water. In fact, 53 00:03:49,760 --> 00:03:53,800 Speaker 1: a so called fortune teller had foretold her death by 54 00:03:53,880 --> 00:03:57,520 Speaker 1: water many years before, and she had been afraid ever since. 55 00:03:57,520 --> 00:04:03,040 Speaker 1: She would even have night terrors about drowning, nightmares about it. 56 00:04:03,160 --> 00:04:06,600 Speaker 1: She would not put one little toe out in the ocean. 57 00:04:06,680 --> 00:04:09,680 Speaker 1: That just no, that was not gonna happen. And I'm 58 00:04:09,720 --> 00:04:14,120 Speaker 1: supposed to believe, Cheryl McCollum, that she and the husband, 59 00:04:14,160 --> 00:04:19,760 Speaker 1: now remember he was a TV star, she was the 60 00:04:19,800 --> 00:04:23,279 Speaker 1: movie star, and he made comments about it all the time. 61 00:04:23,360 --> 00:04:25,920 Speaker 1: Like the sources say that. For instance, when they were 62 00:04:25,920 --> 00:04:29,200 Speaker 1: going out to dinner, he gave, well, you're the star, Natalie, 63 00:04:29,680 --> 00:04:33,200 Speaker 1: you pick where we're going. You know what, I'd want 64 00:04:33,200 --> 00:04:36,080 Speaker 1: to slap my husband's sideways if he says something like that. 65 00:04:36,720 --> 00:04:38,479 Speaker 1: I mean, I'd be thrilled to get to pick where 66 00:04:38,480 --> 00:04:40,880 Speaker 1: we were going. But you know, you know it's my daughter. 67 00:04:41,240 --> 00:04:45,000 Speaker 1: She runs the house because she won't eat all right, 68 00:04:45,320 --> 00:04:48,040 Speaker 1: I have to make everything, Cheryl. You know this about Lucy. 69 00:04:48,440 --> 00:04:50,560 Speaker 1: I have to make when I cook, it's got to 70 00:04:50,600 --> 00:04:53,880 Speaker 1: be a veggie. I know she will eat blah blah. 71 00:04:53,920 --> 00:04:56,120 Speaker 1: So you know why we just cut the chase and 72 00:04:56,120 --> 00:04:58,680 Speaker 1: go straight to her. What do you want tonight? Okay, 73 00:04:58,800 --> 00:05:01,839 Speaker 1: that'll save me a lot of bubble. So I'd be 74 00:05:01,920 --> 00:05:04,320 Speaker 1: thrilled if I got to pick, but not like that, 75 00:05:04,720 --> 00:05:09,839 Speaker 1: like some side handed, backhanded insult. But so at the time, 76 00:05:09,920 --> 00:05:13,599 Speaker 1: that was a big, big differentiation. I guess it still is, 77 00:05:13,680 --> 00:05:17,960 Speaker 1: but whether you're a TV or a movie star. So 78 00:05:18,000 --> 00:05:22,480 Speaker 1: he was all like hung up with that, so that 79 00:05:22,640 --> 00:05:26,560 Speaker 1: I'm supposed to believe that that night they have a 80 00:05:26,560 --> 00:05:29,839 Speaker 1: fight over her co star Christopher Walkin, who I love 81 00:05:30,800 --> 00:05:33,920 Speaker 1: who happens to be with them? On the yacht and 82 00:05:34,200 --> 00:05:36,560 Speaker 1: they have a fight because Ragner is jealous that he 83 00:05:36,640 --> 00:05:39,880 Speaker 1: Mets admits that, he admits they have a knockdown drag out. 84 00:05:40,120 --> 00:05:43,839 Speaker 1: He admits he breaks a bottle of wine, some glasses 85 00:05:43,920 --> 00:05:46,800 Speaker 1: or something like that in his anger, and that She 86 00:05:47,000 --> 00:05:50,800 Speaker 1: decides that night Cheryl like, correct me if I'm wrong, 87 00:05:50,839 --> 00:05:52,640 Speaker 1: because you know the facts a lot better than me. 88 00:05:53,120 --> 00:05:56,920 Speaker 1: She decides she's gonna crawl off the yacht in the 89 00:05:57,120 --> 00:06:04,200 Speaker 1: in the dark, unread up a huge dinghy on the 90 00:06:04,320 --> 00:06:08,359 Speaker 1: side of the yacht and then crawled down in it 91 00:06:08,520 --> 00:06:11,239 Speaker 1: in the dark, out on the ocean, on the waves, 92 00:06:11,640 --> 00:06:19,720 Speaker 1: and row herself to shore or motor And and Nancy, 93 00:06:19,800 --> 00:06:23,080 Speaker 1: she decided to do this in a slannel nightgown in 94 00:06:23,200 --> 00:06:28,000 Speaker 1: woolfs hop and no underwear. And now I am not 95 00:06:28,120 --> 00:06:31,200 Speaker 1: saying you can't go to commando when you feel like, 96 00:06:31,320 --> 00:06:34,160 Speaker 1: you know fine. Every time I turn around, I find 97 00:06:34,160 --> 00:06:36,479 Speaker 1: out John David's running around without underwear, you know, I 98 00:06:36,520 --> 00:06:39,640 Speaker 1: just find out by accident. Okay, I'm like, what are 99 00:06:39,720 --> 00:06:43,520 Speaker 1: you doing running around without underwear? And he just starts 100 00:06:43,600 --> 00:06:48,440 Speaker 1: laughing and runs away. But she was you and I 101 00:06:49,240 --> 00:06:54,240 Speaker 1: Cheryl McCullum have poured through photos of Natalie Wood. Tell 102 00:06:54,279 --> 00:06:59,440 Speaker 1: me your observation. There's not one photograph where she's not flawless. 103 00:07:00,040 --> 00:07:04,760 Speaker 1: Her hair, her makeup, her outfit, her jewelry. She is 104 00:07:04,800 --> 00:07:09,640 Speaker 1: a movie star in every single photograph you can find, 105 00:07:10,240 --> 00:07:13,520 Speaker 1: picture perfect. So for me to believe that this woman 106 00:07:14,160 --> 00:07:17,960 Speaker 1: in a flannel nightgown with her makeup ball, with half 107 00:07:17,960 --> 00:07:21,440 Speaker 1: of her jewelry off, with a down jacket wolf socks 108 00:07:21,600 --> 00:07:25,000 Speaker 1: is spixing a goat to shore in the middle night 109 00:07:25,080 --> 00:07:27,880 Speaker 1: and night? How many times do I get irritated with 110 00:07:27,920 --> 00:07:31,680 Speaker 1: my husband, you know, after supper, and I mean it's 111 00:07:31,720 --> 00:07:34,560 Speaker 1: still cleaning out the kitchen, he's sitting there reading his iPad. 112 00:07:34,920 --> 00:07:36,840 Speaker 1: I just want to go snap his little nose off 113 00:07:36,880 --> 00:07:39,640 Speaker 1: his face. But and I think, you know what, I 114 00:07:39,720 --> 00:07:43,400 Speaker 1: just got stomp out. I like, and go where in 115 00:07:43,440 --> 00:07:46,960 Speaker 1: the middle right in my gym shorts and socks? Where 116 00:07:46,960 --> 00:07:52,160 Speaker 1: am I going? What to target? You know, I'm just 117 00:07:52,240 --> 00:07:54,640 Speaker 1: gonna just stay here. I might as well just stay 118 00:07:54,680 --> 00:07:58,200 Speaker 1: here and sock. I mean, And it was cold, and 119 00:07:58,280 --> 00:08:00,640 Speaker 1: it was dark. And again, not only did she have 120 00:08:00,720 --> 00:08:05,440 Speaker 1: a fear of water, dark water was debilitating. She would 121 00:08:05,480 --> 00:08:09,520 Speaker 1: not even go near her own swimming pool in Beverly Hills, 122 00:08:09,560 --> 00:08:12,640 Speaker 1: in the dark. She wouldn't do it. Did she know 123 00:08:12,720 --> 00:08:17,600 Speaker 1: how to swim in heaven? You're not getting me out 124 00:08:17,640 --> 00:08:20,280 Speaker 1: on a dinghy in the middle of a night and 125 00:08:20,600 --> 00:08:24,560 Speaker 1: I can swim and it with wool socks on. And 126 00:08:24,560 --> 00:08:28,720 Speaker 1: and that's another thing. Natalie would, as you said, was 127 00:08:28,800 --> 00:08:32,600 Speaker 1: always dressed to the not to the tea, her hair 128 00:08:32,760 --> 00:08:35,440 Speaker 1: was done. She would not even go to the grocery 129 00:08:35,520 --> 00:08:39,920 Speaker 1: store without being made up. Now you know me, I'll 130 00:08:39,960 --> 00:08:43,840 Speaker 1: just put on a hat and some sunglasses and and 131 00:08:43,840 --> 00:08:50,000 Speaker 1: and ride. Okay. But that was not That's not the 132 00:08:50,040 --> 00:08:54,400 Speaker 1: way she rolled. That did not happen with Natalie Wood. Absolutely. 133 00:08:54,840 --> 00:08:56,800 Speaker 1: I remember one time and I was called into a 134 00:08:56,840 --> 00:08:59,839 Speaker 1: crumb scene after leaving your show. Well, I had all 135 00:08:59,840 --> 00:09:02,680 Speaker 1: the studio makeup owe and my hair was perfect. And 136 00:09:02,720 --> 00:09:04,880 Speaker 1: when I got to the scene where the detective said, 137 00:09:04,960 --> 00:09:11,400 Speaker 1: are you in drags? Okay? I mean the favorite thing 138 00:09:11,600 --> 00:09:16,040 Speaker 1: of Lucy's is to peel off my false eyelashes. I 139 00:09:16,080 --> 00:09:20,120 Speaker 1: mean it's like, okay, so they don't they don't like 140 00:09:20,280 --> 00:09:24,480 Speaker 1: all that. But Natalie, it was a whole different That's 141 00:09:24,600 --> 00:09:28,480 Speaker 1: that's a whole different thing. She knew her public, or 142 00:09:28,559 --> 00:09:31,800 Speaker 1: she thought her public wanted to see her that way. 143 00:09:31,920 --> 00:09:35,079 Speaker 1: They did. They wanted, She believed they wanted the allure 144 00:09:35,360 --> 00:09:38,280 Speaker 1: of Natalie. Would you know in those doors Day movies, 145 00:09:38,280 --> 00:09:41,200 Speaker 1: how Doorsday always wears the cute little outfits to bed. 146 00:09:43,200 --> 00:09:45,640 Speaker 1: I'm sure Natalie would would not want the world to 147 00:09:45,720 --> 00:09:48,520 Speaker 1: know she slept in flannel socks up to her knees 148 00:09:49,880 --> 00:09:56,080 Speaker 1: and a flannel gown. Okay, that is not glamorous. Okay, 149 00:09:56,280 --> 00:09:59,679 Speaker 1: I'm just telling you. So see we're getting bogged down 150 00:09:59,679 --> 00:10:02,079 Speaker 1: in the d tell us. But you know what, what's funny, Cheryl? 151 00:10:02,280 --> 00:10:06,320 Speaker 1: Do you remember all the times, all the cases I prosecuted, 152 00:10:06,920 --> 00:10:10,800 Speaker 1: I would sit there and talk and talk and study 153 00:10:11,000 --> 00:10:18,520 Speaker 1: and study exactly this, all the little details. Oh yeah, 154 00:10:18,520 --> 00:10:20,960 Speaker 1: and you have often said the devil's in the details 155 00:10:22,600 --> 00:10:24,959 Speaker 1: this woman. And you know Natalie Wood was not going 156 00:10:25,000 --> 00:10:30,760 Speaker 1: anywhere without her underwear on. No no judging you, Cheryl 157 00:10:30,880 --> 00:10:34,559 Speaker 1: for going around without your underwear on. But what I'm 158 00:10:34,600 --> 00:10:39,680 Speaker 1: saying this woman would not do that. So okay, off 159 00:10:39,760 --> 00:10:44,360 Speaker 1: her flannel nightgown. What else do we know about that night, Cheryl? 160 00:10:45,760 --> 00:10:47,560 Speaker 1: We know that they had a fight, and we know 161 00:10:47,600 --> 00:10:51,760 Speaker 1: that Robert Wagner changed his story the broken wine bottle. Specifically, 162 00:10:52,360 --> 00:10:54,360 Speaker 1: he said, oh it must have been because the boat, 163 00:10:54,480 --> 00:10:56,160 Speaker 1: you know, was rocking time and it must have just 164 00:10:56,240 --> 00:10:59,600 Speaker 1: fallen over. Well, that yacht wasn't moving in that water. 165 00:11:00,160 --> 00:11:03,120 Speaker 1: And then he later changed the story and even wrote 166 00:11:03,160 --> 00:11:06,480 Speaker 1: in a book, but he smashed it over jealousy of 167 00:11:06,520 --> 00:11:10,559 Speaker 1: Christopher Walking. So again, in my world, want you change 168 00:11:10,559 --> 00:11:14,960 Speaker 1: your story. I'm focused on you completely, you know, That's 169 00:11:15,000 --> 00:11:18,640 Speaker 1: what I always say, Cheryl. Embellish your story, add to 170 00:11:18,760 --> 00:11:22,280 Speaker 1: your story as much as you want to. But when 171 00:11:22,280 --> 00:11:26,800 Speaker 1: you change your story, you've got a problem. Because I 172 00:11:27,120 --> 00:11:30,800 Speaker 1: always learned working with witnesses that when I would sit 173 00:11:30,840 --> 00:11:33,520 Speaker 1: down with them, which of course I would do before 174 00:11:33,559 --> 00:11:37,760 Speaker 1: I put them on the stand. Um, if you sit 175 00:11:37,840 --> 00:11:41,319 Speaker 1: down and take time to talk to them and ask 176 00:11:41,400 --> 00:11:45,000 Speaker 1: them question after question after question, he learned so much 177 00:11:45,040 --> 00:11:48,080 Speaker 1: more than it's in a police report. And they will 178 00:11:48,120 --> 00:11:52,199 Speaker 1: embellish a lot of facts and details and descriptions as 179 00:11:52,240 --> 00:11:56,560 Speaker 1: best they can. But when they start changing the story, 180 00:11:56,960 --> 00:12:01,160 Speaker 1: then there's a problem. Now let's talk about how if 181 00:12:01,200 --> 00:12:05,280 Speaker 1: he did, did Robert Wagner change his story about that night? 182 00:12:05,600 --> 00:12:08,520 Speaker 1: What is his story about the secreence of events? His 183 00:12:08,840 --> 00:12:12,640 Speaker 1: story was that she went off to bed, he went 184 00:12:12,720 --> 00:12:16,120 Speaker 1: down later, she wasn't there, he looked for her. He 185 00:12:16,160 --> 00:12:20,719 Speaker 1: went to the ship's captain um, they looked through the 186 00:12:20,760 --> 00:12:23,719 Speaker 1: whole yacht. They could not find her, and then they 187 00:12:23,760 --> 00:12:28,480 Speaker 1: became panicked. But he still waits and waits and waits 188 00:12:28,520 --> 00:12:31,520 Speaker 1: before he calls for help. He waits and waits and 189 00:12:31,559 --> 00:12:35,199 Speaker 1: waits before he calls for other people to come help 190 00:12:35,280 --> 00:12:38,320 Speaker 1: and search and find her. He never turns the lights on. 191 00:12:38,800 --> 00:12:41,959 Speaker 1: He never goes to Christopher Walking's room. So again, if 192 00:12:41,960 --> 00:12:45,240 Speaker 1: I'm quote looking everywhere for her, the person that I 193 00:12:45,360 --> 00:12:47,480 Speaker 1: was jealous of, the person that I thought she was 194 00:12:47,559 --> 00:12:50,400 Speaker 1: learning with, I would have at least gone to his stateroom. 195 00:12:50,760 --> 00:12:53,840 Speaker 1: And that never happened. Right. The big blow up that 196 00:12:54,040 --> 00:12:59,880 Speaker 1: night was he Wagner was jealous that Natalie was paying 197 00:12:59,880 --> 00:13:03,080 Speaker 1: at tension to Christopher Walking and they were having fun 198 00:13:03,160 --> 00:13:07,079 Speaker 1: and talking. They've been working on a movie, as I recall, 199 00:13:07,240 --> 00:13:10,440 Speaker 1: it was some kind of thriller, Brainstorm, that was the 200 00:13:10,520 --> 00:13:13,520 Speaker 1: name of it. Her co star was Christopher Walking, So 201 00:13:13,920 --> 00:13:18,040 Speaker 1: Walking comes along. Bad weather was predicted that night in November. 202 00:13:19,360 --> 00:13:24,480 Speaker 1: There was a cold rain over Isthmus Bay. It was 203 00:13:25,120 --> 00:13:30,760 Speaker 1: pummeling the faces of anybody going ashore for dinner. The 204 00:13:30,920 --> 00:13:34,960 Speaker 1: sea wasn't that rough. However, although it was a horrible night. 205 00:13:36,320 --> 00:13:39,480 Speaker 1: Um let me understand. So they are all three on 206 00:13:39,960 --> 00:13:46,040 Speaker 1: that's called the Splendor was Natalie's yacht. They're celebrating it's Thanksgiving, 207 00:13:47,800 --> 00:13:50,760 Speaker 1: and then the fight breaks out. You know, once you 208 00:13:50,840 --> 00:13:55,280 Speaker 1: add alcohol into a scenario like this, it's just like 209 00:13:55,320 --> 00:14:00,400 Speaker 1: putting gas on a fire. So r J. Robert Wagner 210 00:14:00,559 --> 00:14:04,199 Speaker 1: gets mad and starts a fight and actually says, what 211 00:14:04,280 --> 00:14:07,080 Speaker 1: do you want to f my wife? He says that 212 00:14:07,320 --> 00:14:10,400 Speaker 1: to Walk and I guess that ended the party. Okay, 213 00:14:10,600 --> 00:14:14,480 Speaker 1: Walking stops off to bed and slams the door, and 214 00:14:14,520 --> 00:14:16,840 Speaker 1: then the two of them continue to fight, also on 215 00:14:16,880 --> 00:14:22,680 Speaker 1: board the ship's captain. Then what happens. The ship's captain 216 00:14:22,840 --> 00:14:25,000 Speaker 1: is panicked, and he said, we've got to call for help. 217 00:14:25,320 --> 00:14:27,280 Speaker 1: We've got to turn the lights on, and he said, no, 218 00:14:28,080 --> 00:14:32,000 Speaker 1: leave her there. He said leave her there, So that 219 00:14:32,040 --> 00:14:37,040 Speaker 1: would make me think he knew where she was. So Ben, finally, 220 00:14:37,320 --> 00:14:40,720 Speaker 1: after four hours, do you know she's said he Robert 221 00:14:40,800 --> 00:14:44,480 Speaker 1: Wagner said leave her there. That's what the ship's captain said. 222 00:14:44,480 --> 00:14:47,160 Speaker 1: That he told him and I met with him personally. 223 00:14:48,400 --> 00:14:50,880 Speaker 1: So then they decided to call for help. So Robert 224 00:14:50,880 --> 00:14:55,880 Speaker 1: Wagner calls for help and he tells over the radio, 225 00:14:56,320 --> 00:15:03,880 Speaker 1: we have someone overboard in a Rubberdeen. We so he 226 00:15:04,040 --> 00:15:07,360 Speaker 1: includes other people in this and then says someone. He 227 00:15:07,400 --> 00:15:12,040 Speaker 1: doesn't say my wife, he doesn't say Natalie, he doesn't 228 00:15:12,080 --> 00:15:15,280 Speaker 1: identify her at all. So back to me is very 229 00:15:15,320 --> 00:15:18,560 Speaker 1: important if you remember, like with John Bade Ramsey, when 230 00:15:18,600 --> 00:15:22,520 Speaker 1: Patsy referred to that child, trying to distant yourself at 231 00:15:22,560 --> 00:15:26,560 Speaker 1: all is a clue to me. You know it wasn't someone. 232 00:15:26,640 --> 00:15:29,720 Speaker 1: I know, it sounds like a small clue, Cheryl, but 233 00:15:29,840 --> 00:15:33,200 Speaker 1: it is a clue and that has been repeated over 234 00:15:33,240 --> 00:15:36,720 Speaker 1: and over in criminal cases when you refer to the 235 00:15:36,880 --> 00:15:39,960 Speaker 1: victim or someone else not by their name, but as 236 00:15:40,000 --> 00:15:43,920 Speaker 1: for instance, that child or someone. Now, remember it was 237 00:15:43,960 --> 00:15:46,760 Speaker 1: about seven pm that evening that they had all been 238 00:15:46,800 --> 00:15:51,240 Speaker 1: seated for dinner, and they ordered more and more champagne. 239 00:15:52,400 --> 00:15:56,840 Speaker 1: And this was on I believe, on shore, and the 240 00:15:56,880 --> 00:15:59,560 Speaker 1: manager of the restaurant was so worried he was afraid 241 00:16:00,040 --> 00:16:03,120 Speaker 1: they were also intoxicated. They couldn't get back to the yacht, 242 00:16:03,560 --> 00:16:08,280 Speaker 1: but they did and they drinking continued. The fight breaks out, 243 00:16:08,400 --> 00:16:13,120 Speaker 1: Walking storms away, slams his door. The fight continues and 244 00:16:13,160 --> 00:16:16,960 Speaker 1: then suddenly, how is everybody alerted that Natalie is missing? 245 00:16:18,280 --> 00:16:22,280 Speaker 1: And Robert Wagner went and told then they supposedly searched, 246 00:16:23,000 --> 00:16:25,640 Speaker 1: and then that's when they called for help. And what 247 00:16:25,840 --> 00:16:30,560 Speaker 1: help arrived? Um, they had helicopters and everything. Um. The 248 00:16:30,640 --> 00:16:33,840 Speaker 1: dinghy was actually found a mile away from the yacht, 249 00:16:34,480 --> 00:16:38,440 Speaker 1: and Natalie was found in the other direction, almost a 250 00:16:39,600 --> 00:16:45,120 Speaker 1: mile away. Almost. Now, was there a witness on a 251 00:16:45,200 --> 00:16:48,840 Speaker 1: nearby craft that believed there was an ear witness? Yea, 252 00:16:49,320 --> 00:17:02,480 Speaker 1: she heard a lady screaming help me. Wow. Okay, what 253 00:17:02,520 --> 00:17:06,919 Speaker 1: else do we know? We know that she had the 254 00:17:06,920 --> 00:17:11,160 Speaker 1: wool fox own when they recovered her, and that's key 255 00:17:11,320 --> 00:17:14,040 Speaker 1: because if she would have been flailing around trying to 256 00:17:14,080 --> 00:17:18,480 Speaker 1: save herself from drowning, those thoughts very likely would have 257 00:17:18,560 --> 00:17:22,199 Speaker 1: come off. We know that she had three d of 258 00:17:22,280 --> 00:17:26,520 Speaker 1: during in her ladder, which again makes you think she 259 00:17:26,680 --> 00:17:29,720 Speaker 1: may not have been conscious when she went into the water, 260 00:17:30,359 --> 00:17:34,560 Speaker 1: because normally, if someone is grounding, they void, and that's 261 00:17:35,440 --> 00:17:38,920 Speaker 1: very typical. In fact, it would be abnormal for her 262 00:17:39,240 --> 00:17:43,880 Speaker 1: not to urinate if you drowned exactly exactly. I mean, 263 00:17:43,880 --> 00:17:46,000 Speaker 1: that's one of the things that leaked off the page 264 00:17:46,040 --> 00:17:50,000 Speaker 1: to me. When I read the autoxics, which means you 265 00:17:50,800 --> 00:17:55,080 Speaker 1: the alternative to that is that she was knocked out 266 00:17:55,160 --> 00:17:58,399 Speaker 1: before she was thrown in and therefore she didn't void 267 00:17:58,480 --> 00:18:02,920 Speaker 1: in the water. Correct. Now, that does not jive with 268 00:18:03,720 --> 00:18:09,199 Speaker 1: a fellow craft hearing her yelling help correct, which is 269 00:18:09,200 --> 00:18:11,439 Speaker 1: one of the things law enforcements should have keyed in 270 00:18:11,480 --> 00:18:15,200 Speaker 1: on at the time. So again, the stocks, the urine, 271 00:18:15,640 --> 00:18:20,520 Speaker 1: those things do not appear that she was actively drowning, 272 00:18:20,560 --> 00:18:24,159 Speaker 1: but could have gone into water unconscious and drowned, so 273 00:18:24,280 --> 00:18:26,760 Speaker 1: that would equate for the urine and the water in 274 00:18:26,800 --> 00:18:32,680 Speaker 1: her loans. Repeat, she had water in her loan, so 275 00:18:32,880 --> 00:18:37,000 Speaker 1: she did take in water, but with the urine. That 276 00:18:37,000 --> 00:18:41,359 Speaker 1: would explain she went into the water, possibly unconscious but 277 00:18:41,560 --> 00:18:45,760 Speaker 1: still drowned, but was not playing a round. The night 278 00:18:45,800 --> 00:18:48,320 Speaker 1: manager of the restaurant where they had eaten that evening 279 00:18:48,359 --> 00:18:51,199 Speaker 1: was that reading a book in the cavern of the 280 00:18:51,200 --> 00:18:54,800 Speaker 1: boat where he lived year round. He heard the radio, 281 00:18:55,280 --> 00:19:00,119 Speaker 1: the CB radio, crackling, and he heard the conversation in 282 00:19:00,200 --> 00:19:05,720 Speaker 1: between Wagner and Miller. He radio to a friend, then 283 00:19:05,920 --> 00:19:09,120 Speaker 1: a night manager, Don Whiting, on the Isthmus to go 284 00:19:09,280 --> 00:19:13,119 Speaker 1: to the Wagner yacht Pronto and report back in thirty 285 00:19:13,160 --> 00:19:17,440 Speaker 1: minutes after that. Finally, thirty minutes after he did that, 286 00:19:18,440 --> 00:19:22,560 Speaker 1: light beams from the harbor patrol boats, private boats from Baywatch, 287 00:19:22,880 --> 00:19:27,760 Speaker 1: Coastguard helicopters began to criss cross the ocean. They shine 288 00:19:27,800 --> 00:19:32,600 Speaker 1: down on the waves, swept over yachts, ships. Nothing was 289 00:19:32,680 --> 00:19:36,040 Speaker 1: found in the sea. It was seven thirty the following morning. 290 00:19:36,480 --> 00:19:42,960 Speaker 1: A sheriff's helicopter headed towards Catalina. Suddenly a crew member 291 00:19:43,160 --> 00:19:47,280 Speaker 1: just saw a spot of red in the ocean waves 292 00:19:48,119 --> 00:19:52,240 Speaker 1: and they go down and it is faced down in 293 00:19:52,280 --> 00:19:59,080 Speaker 1: a red jacket. Natalie Wood, her hair splaying out around her, 294 00:19:59,680 --> 00:20:04,760 Speaker 1: face down in the water. The dinghy was discovered on 295 00:20:05,080 --> 00:20:10,600 Speaker 1: shore even further south, the key still in the ignition, 296 00:20:11,280 --> 00:20:18,520 Speaker 1: turned in the off position, the gear neutral, the oars 297 00:20:19,080 --> 00:20:25,520 Speaker 1: still tied down. What does that mean? Sure's what it 298 00:20:25,560 --> 00:20:28,640 Speaker 1: means to me. The down jacket is what allowed them 299 00:20:28,680 --> 00:20:33,240 Speaker 1: to find her so again down float. So when they 300 00:20:33,359 --> 00:20:35,680 Speaker 1: talk in the autopic report that, oh, the jacket would 301 00:20:35,680 --> 00:20:38,439 Speaker 1: have weighed forty pounds, it would have just you know, 302 00:20:38,800 --> 00:20:41,159 Speaker 1: drawn her all the way down into the ocean. That 303 00:20:41,240 --> 00:20:44,200 Speaker 1: jacket didn't weigh forty pounds in the water. The jacket 304 00:20:44,240 --> 00:20:48,360 Speaker 1: is the reason. Again they found her because down float, 305 00:20:49,960 --> 00:20:55,159 Speaker 1: So that jacket did not kill her. That makes the shot, yes, 306 00:20:55,280 --> 00:21:00,200 Speaker 1: because the boat obviously had not been used at all. 307 00:21:00,560 --> 00:21:03,919 Speaker 1: But here's another key thing. They said she fell getting 308 00:21:04,000 --> 00:21:07,320 Speaker 1: into the boat. They just accepted that she fell getting in. 309 00:21:08,320 --> 00:21:13,040 Speaker 1: Nobody untied the dingy and then gets in it. That 310 00:21:13,160 --> 00:21:16,240 Speaker 1: dingy being rubber on that water with that wind. As 311 00:21:16,240 --> 00:21:18,600 Speaker 1: soon as you untie it, it's going to start moving 312 00:21:19,359 --> 00:21:22,480 Speaker 1: like a balloon in the wind. It's moving. So if 313 00:21:22,520 --> 00:21:25,359 Speaker 1: she untied it first, there ain't no getting in it. 314 00:21:25,640 --> 00:21:29,240 Speaker 1: That boat's gone. She wouldn't have done that, we already know. 315 00:21:29,440 --> 00:21:31,960 Speaker 1: Here's here's the contrast. It was clear she was not 316 00:21:32,080 --> 00:21:35,560 Speaker 1: dressed to go on a boat ride, but police believe 317 00:21:35,920 --> 00:21:40,040 Speaker 1: she had to untie the dinghy. Why is she untie 318 00:21:40,080 --> 00:21:42,879 Speaker 1: it if she didn't intend to go out in the boat. 319 00:21:43,640 --> 00:21:46,879 Speaker 1: And again, you get in the boat, you get it already, 320 00:21:46,920 --> 00:21:49,200 Speaker 1: you get the oars, you turn it on, then you 321 00:21:49,359 --> 00:21:52,840 Speaker 1: untie it. Correct, that's how that works. And she knew 322 00:21:52,880 --> 00:21:56,520 Speaker 1: that much. And Nancy, look at it pre and post behavior. 323 00:21:56,800 --> 00:21:59,800 Speaker 1: Look at post behavior. Even when this horrible thing happens, 324 00:22:00,440 --> 00:22:04,439 Speaker 1: Robert Wagner doesn't even go and identify her body. Once again, 325 00:22:04,480 --> 00:22:07,040 Speaker 1: he goes to the ship captain and makes him do it. 326 00:22:07,560 --> 00:22:13,879 Speaker 1: Dennis the Verne identified Natalie Wood at the moors. You 327 00:22:13,920 --> 00:22:23,919 Speaker 1: know another thing is who told their children? Correct? Nascarsha 328 00:22:24,000 --> 00:22:26,040 Speaker 1: learned about it on the radio with a friend's house. 329 00:22:27,119 --> 00:22:34,040 Speaker 1: What Nascarsha learned about her mother's death breaking news over 330 00:22:34,040 --> 00:22:38,680 Speaker 1: the radio while she was at a friend's house. He 331 00:22:38,800 --> 00:22:41,640 Speaker 1: didn't call her, he didn't go over there, he didn't 332 00:22:41,640 --> 00:22:45,600 Speaker 1: go pick her up. Now, you and I both have 333 00:22:45,760 --> 00:22:52,160 Speaker 1: recently lost loved ones. My immediate concern became my children, 334 00:22:52,600 --> 00:22:55,080 Speaker 1: how to explain it to them, how to help them 335 00:22:55,119 --> 00:22:58,200 Speaker 1: through it. I wanted to get to them as fast 336 00:22:58,240 --> 00:23:06,480 Speaker 1: as I could not. Robert Wagner, did we learn anything 337 00:23:06,600 --> 00:23:10,880 Speaker 1: from the search of the boat of the yacht? Yes, 338 00:23:11,560 --> 00:23:15,199 Speaker 1: their state room was in disarray, the wine bottle, and 339 00:23:15,240 --> 00:23:17,639 Speaker 1: again the fact that he did not completely search it, 340 00:23:17,920 --> 00:23:20,359 Speaker 1: the fact that he did not turn on searchlights, the 341 00:23:20,400 --> 00:23:23,560 Speaker 1: fact that he did not offer help immediately but allowed 342 00:23:24,480 --> 00:23:27,720 Speaker 1: great time to pass, the fact that there was some 343 00:23:27,800 --> 00:23:31,520 Speaker 1: jewelry in the room. Part of her jewelry was off, 344 00:23:32,200 --> 00:23:37,280 Speaker 1: so it looked like something disrupted her nightly routine. So 345 00:23:37,359 --> 00:23:41,200 Speaker 1: her sister will explain to you. She took her jewelry off, 346 00:23:41,240 --> 00:23:43,480 Speaker 1: she took her makeup off, she put her night down, 347 00:23:43,520 --> 00:23:45,800 Speaker 1: and then she went to bed. So that's how she 348 00:23:45,920 --> 00:23:49,600 Speaker 1: did it. So at some point she decides she's going 349 00:23:49,640 --> 00:23:52,240 Speaker 1: to put a jacket on because they're going outside. So 350 00:23:52,280 --> 00:23:55,399 Speaker 1: they're either going outside to finish arguing, which the captain 351 00:23:55,480 --> 00:23:59,840 Speaker 1: can hear um, or he makes her put the jacket 352 00:23:59,840 --> 00:24:02,240 Speaker 1: on and says, come with me. We don't you know, 353 00:24:02,320 --> 00:24:04,480 Speaker 1: We don't know for sure. Obviously we weren't there. But 354 00:24:04,880 --> 00:24:07,600 Speaker 1: at some point she stops her nightly routine and puts 355 00:24:07,600 --> 00:24:10,760 Speaker 1: on a jacket and goes outside with Robert Wagner. So 356 00:24:10,880 --> 00:24:13,399 Speaker 1: Robert Wagner is the last person to see her. He 357 00:24:13,600 --> 00:24:16,560 Speaker 1: was arguing with her at the time. The ship's captain 358 00:24:16,640 --> 00:24:19,560 Speaker 1: that you know, Dennis to Burn, will tell you he 359 00:24:19,760 --> 00:24:23,240 Speaker 1: saw her like shove her away, shove her away or 360 00:24:23,280 --> 00:24:27,960 Speaker 1: shove her towards the water. We also know that, according 361 00:24:28,000 --> 00:24:33,240 Speaker 1: to the autopsy, a widespread bruise diffuse. It was about 362 00:24:33,280 --> 00:24:38,680 Speaker 1: four inches by one inch spread over her right arm 363 00:24:38,720 --> 00:24:43,680 Speaker 1: above the wrist. On the left wrist was a superficial 364 00:24:43,800 --> 00:24:48,680 Speaker 1: fresh bruise about a half inch in diameter. There were 365 00:24:48,800 --> 00:24:54,479 Speaker 1: small superficial skin bruises scattered over her right and left 366 00:24:55,119 --> 00:25:02,480 Speaker 1: lower legs, fresh the area on the left recent bruising, 367 00:25:03,320 --> 00:25:10,240 Speaker 1: the right ankle recent bruise, and superficial bruises on the posterior, 368 00:25:10,760 --> 00:25:15,920 Speaker 1: the back of both lower legs covered covering her legs 369 00:25:15,960 --> 00:25:23,520 Speaker 1: were covered in bruises. A vertical upwards brush type abrasion 370 00:25:24,160 --> 00:25:28,240 Speaker 1: was on her cheek, her left cheek, as I recall, 371 00:25:28,800 --> 00:25:34,080 Speaker 1: that was her only head wound. What are you correct? 372 00:25:34,200 --> 00:25:36,760 Speaker 1: What do you think? I think that's a hell of 373 00:25:36,800 --> 00:25:39,080 Speaker 1: a fall. If you can manage to hit the front 374 00:25:39,080 --> 00:25:41,359 Speaker 1: of your legs and the back of your legs and 375 00:25:41,480 --> 00:25:46,760 Speaker 1: both the wrists and your face the front and that's 376 00:25:46,800 --> 00:25:49,040 Speaker 1: not that's not a fall. You don't fall, that's not 377 00:25:49,320 --> 00:25:53,800 Speaker 1: get bruised front and back, not at all. It reminds 378 00:25:53,840 --> 00:25:56,520 Speaker 1: me of the Kathleen Savio in the dry bathtub, and 379 00:25:56,600 --> 00:26:01,160 Speaker 1: she had bruising everywhere. It looks to me like she 380 00:26:01,280 --> 00:26:04,640 Speaker 1: might have had some type of physical fight and then 381 00:26:04,840 --> 00:26:08,000 Speaker 1: hit maybe the swim step going in, or maybe the 382 00:26:08,040 --> 00:26:11,760 Speaker 1: swim step and part of the deemi like she fell 383 00:26:11,800 --> 00:26:16,719 Speaker 1: in between. But again, that doesn't appear completely accidental. Some 384 00:26:16,800 --> 00:26:20,399 Speaker 1: of those bruises were fresh, so possibly before she hit 385 00:26:20,480 --> 00:26:26,679 Speaker 1: the water. What's happening right now in the investigation? What 386 00:26:26,840 --> 00:26:30,679 Speaker 1: why have there are there never been an arrest, well 387 00:26:30,760 --> 00:26:33,920 Speaker 1: right now to take because they're actively work in the case. 388 00:26:33,960 --> 00:26:38,159 Speaker 1: They have reinterviewed Christopher Walking, they have reinterviewed Um, some 389 00:26:38,280 --> 00:26:43,439 Speaker 1: other principal people, and the death certificate have been changed 390 00:26:43,880 --> 00:26:49,960 Speaker 1: from accidental drowning to undetermined. So that's very significant to 391 00:26:50,040 --> 00:26:53,480 Speaker 1: me that they would make that move. The case goes 392 00:26:53,560 --> 00:26:57,000 Speaker 1: on with me, the director of the Cold Case Institute, 393 00:26:57,119 --> 00:27:03,480 Speaker 1: Cheryl McCullum, I'm Nancy Grace, Crime Stories signing off goodbye friend. 394 00:27:04,560 --> 00:27:08,240 Speaker 1: Crime Stories with Nancy Grace presents another episode in our 395 00:27:08,320 --> 00:27:12,719 Speaker 1: continuing focus on the Natalie Wood death mystery tomorrow