WEBVTT - 9021One on One: Sara Melson

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<v Speaker 1>It's nine O Gene Onegen with Jenny Garth and Tory Spelling.

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<v Speaker 2>Today we have a very special guest with us, and

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<v Speaker 2>it's so exciting. She played Alison lash in four episodes.

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<v Speaker 2>In season five, she was in Up and Flames, you know,

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<v Speaker 2>the fire they were burned in the bathroom together Kelly

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<v Speaker 2>and for life. Yeah, it's a strong bond. We're so

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<v Speaker 2>happy to get to talk to her. Let's bring her in.

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<v Speaker 3>Sarah Melson ha ha, hi Hi, Oh look at you.

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<v Speaker 3>Oh my gosh, you look the same.

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<v Speaker 1>I was just gonna say the same.

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<v Speaker 2>Oh, you look so much better than we last saw

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<v Speaker 2>you in the hospital and your mummy out your burns

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<v Speaker 2>from head to toe.

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<v Speaker 1>I know.

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<v Speaker 3>Right, well, let's go right into that. What was what

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<v Speaker 3>if they did? What was that they put?

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<v Speaker 2>Well, did you know that you were going to have

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<v Speaker 2>to be you? You were going to have to take

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<v Speaker 2>the brunt of the burns.

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<v Speaker 1>And it's funny because I remember I was like, I

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<v Speaker 1>had no idea. I had never been in that kind

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<v Speaker 1>of extreme makeup situation before, you know, And it's like,

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<v Speaker 1>you know, you read about like people who have to

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<v Speaker 1>go through it with like transformation, you know, into like

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<v Speaker 1>Helen Mirren just played like gold in my ear and

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<v Speaker 1>I saw the screening of that and it was like

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<v Speaker 1>complete transformation with like prosthetics and what you know. This

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<v Speaker 1>was borderline. I mean it was like a lot.

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<v Speaker 2>Luckily all that showed was like your eyeballs and your nose.

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<v Speaker 3>Wrapped up like a mummy, Like what wait, wait, we

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<v Speaker 3>have not gotten so we're rewatching it. So a lot

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<v Speaker 3>of it is like new for us, right, and we

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<v Speaker 3>just watch yes, so the fire and then yeah, you're

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<v Speaker 3>in two more episodes per where we are and we're

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<v Speaker 3>not sure are they gonna unwrap you or we're gonna

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<v Speaker 3>be more for all.

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<v Speaker 1>So so subsequently, after I miraculously heal with you know,

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<v Speaker 1>spotless from head to toe burns, that happens, No, it doesn't,

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<v Speaker 1>Jenny has like a scratch a scratch.

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<v Speaker 3>Wait, wait are you telling us next episode they're gonna

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<v Speaker 3>unwrap you and you're gonna be okay?

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<v Speaker 1>No, so do you remember? So then I come back.

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<v Speaker 1>I have I crushed out on Jenny. Do you remember

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<v Speaker 1>we haven't got there yet? Wait?

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<v Speaker 3>Oh am am I spoiling but blushing?

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<v Speaker 1>Oh okay, No, I come back to find her.

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<v Speaker 2>Because we had such a moment in the.

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<v Speaker 1>Which is honestly like stalker. It was like I was

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<v Speaker 1>like in love with member.

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<v Speaker 3>Oh my god, she's had so many people in love

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<v Speaker 3>with her stalking her on the show. Okay, wait, so

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<v Speaker 3>you're saying, see, we don't even know this because we're

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<v Speaker 3>watching as fans and it's all new to us. So

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<v Speaker 3>we've now seen you in two episodes up in Flames

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<v Speaker 3>and Injustice for All and you're wrapped up like a mummy.

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<v Speaker 3>So you're saying you're not in the next episode.

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<v Speaker 1>So I don't remember if it was the following or

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<v Speaker 1>the one after. At some point they had me, they

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<v Speaker 1>contacted me and they're like you're coming back, and you're, yes,

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<v Speaker 1>remember I there's a phone call.

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<v Speaker 3>Nope, we don't remember.

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<v Speaker 1>Yeah, nope, there's a there's a phone call. I had

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<v Speaker 1>actually forgotten all this too because it was so long ago.

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<v Speaker 1>But then someone like it brought it to my attention,

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<v Speaker 1>like some fan that were like, yes, yes, there's a

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<v Speaker 1>And then I went back and what there's a there's

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<v Speaker 1>a phone call where I like call her and I'm

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<v Speaker 1>like having this like heartfelt moment, like didn't you feel

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<v Speaker 1>it too? Kind of thing, and she's like, you know, Basically.

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<v Speaker 1>It's interesting because I and I could be completely imagining this,

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<v Speaker 1>but I remember when I was going up for the

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<v Speaker 1>part and I was reading the script, I seem to

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<v Speaker 1>remember there was actually at one point like even a kiss,

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<v Speaker 1>like there was like a legit like wait in the bathroom.

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<v Speaker 1>There was no there was a legit lesbian like like

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<v Speaker 1>curiosity moment, you know.

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<v Speaker 3>Wait, when which episode? Wait?

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<v Speaker 1>Wait? Wait, I don't remember the party, so I think

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<v Speaker 1>it was in the initial meeting and they cut it

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<v Speaker 1>of course, because you know the nineties, it.

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<v Speaker 3>Must have been in the bathroom. Yeah, you guys thought

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<v Speaker 3>you were going to die, so you made out.

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<v Speaker 1>Oh, I don't remember making it. Why it wouldn't go

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<v Speaker 1>to our There was like a curiosity moment that.

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<v Speaker 2>Was, oh my gosh, oh man, just I.

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<v Speaker 1>Could be making this up and please don't like whoever's

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<v Speaker 1>working for Fox and like this by why would you

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<v Speaker 1>make that up? I'm just saying I seem to remember that,

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<v Speaker 1>And because it was so long ago and it was

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<v Speaker 1>like not done at the time, they like cut that out.

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<v Speaker 3>Oh my gosh, Amy, our co host and producer, who's

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<v Speaker 3>like a sick fan, is going to lose her mind

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<v Speaker 3>that you just disclose that. Yeah, we'll find out.

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<v Speaker 1>Yeah, find out.

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<v Speaker 2>And also, yeah, we'll see when you come back after Christmas.

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<v Speaker 2>I'm sure you come back after the Christmas episode and

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<v Speaker 2>we'll see what happened that makes sense.

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<v Speaker 1>Yeah, yes, we have an encounter in the living room,

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<v Speaker 1>and I remember, I'm like.

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<v Speaker 3>What happens to your girlfriend? Though you cheat on her

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<v Speaker 3>or you want to cheat?

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<v Speaker 2>What did you break up with your girlfriend who was

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<v Speaker 2>there for you the whole time you were in the hospital.

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<v Speaker 3>Yeah, because she was good to you.

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<v Speaker 1>I broke up with her for you, my man.

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<v Speaker 2>Oh, I felt that, Gee, things are getting nasty.

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<v Speaker 3>Hmm.

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<v Speaker 2>Wait, okay, so you said when you auditioned for the

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<v Speaker 2>show that you knew you were going to be a

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<v Speaker 2>bird in a bird in a fire and be burned.

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<v Speaker 2>Had to toe.

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<v Speaker 1>Oh, I didn't. I knew. All they told me was

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<v Speaker 1>it was like, this is kind of radical for the

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<v Speaker 1>time that Yeah told me that it was you know,

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<v Speaker 1>a lesbian high school lesbian like you know plot, And

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<v Speaker 1>of course I was intrigued because there was nothing like

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<v Speaker 1>that on at the moment. You know, it was fairly

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<v Speaker 1>radical for its time. I have to say, I mean,

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<v Speaker 1>it's impossible to believe that Now when you think about

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<v Speaker 1>how far we've come in such a short time, but

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<v Speaker 1>that's how far, that's how what it was like, as

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<v Speaker 1>you know, you know, you're right. So it's kind of

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<v Speaker 1>incredible that that was one of the first portrayals. Really,

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<v Speaker 1>I think on national I mean on like network TV.

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<v Speaker 3>Maybe we like to hear this because we were so

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<v Speaker 3>ensconced in it and it's so super close to home

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<v Speaker 3>that sometimes we can't see how Yeah, radical is such

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<v Speaker 3>a good word and ahead of its time, and.

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<v Speaker 1>Yeah, I mean Will and Grace was very very much

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<v Speaker 1>like you know, for it that was considered really like

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<v Speaker 1>a breakthrough, true, and this is way before that.

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<v Speaker 2>Whoa, So do you remember, Okay, do you remember getting

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<v Speaker 2>the prosthetics and going through all of that. You're just

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<v Speaker 2>looking at you when you were done that. Well, there's

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<v Speaker 2>the little parts and there was like they had like

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<v Speaker 2>flakes of your skin coming out, like you were flaky,

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<v Speaker 2>and it was so disgusting.

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<v Speaker 1>Yeah, it was summer. Honestly, I was like, like, you

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<v Speaker 1>gotta be kidding. Viitimately bummed out, which was perfect because

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<v Speaker 1>it worked for the role. And if I'm going to

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<v Speaker 1>be burned in the hospital, of course I'm going to

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<v Speaker 1>be bummed. So I was just like just not happy.

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<v Speaker 3>I was more concerned how long it took to wrap

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<v Speaker 3>you as a mummy slash Q tip like.

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<v Speaker 2>It was you know, did you get claustrophobic?

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<v Speaker 3>Yeah? Done was a lot.

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<v Speaker 1>I did.

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<v Speaker 3>Did you falling? What could they have to walk you

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<v Speaker 3>to set carry you?

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<v Speaker 1>I did get claustrophobic? Ooh yes I did. Yeah it

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<v Speaker 1>was not fun.

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<v Speaker 2>Well, I can't wait to see what you look like

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<v Speaker 2>when you come knock it on the door.

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<v Speaker 1>Oh yeah, I'm like miraculously transformed. They must have had

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<v Speaker 1>really great surgery back then for burn victims.

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<v Speaker 3>Oh my, as a fan, obviously you two were in

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<v Speaker 3>the scene. But the scene in the bathroom, that final moment,

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<v Speaker 3>like watching you both were so brilliant and it was

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<v Speaker 3>such a the moment. And Jen has talked about how

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<v Speaker 3>you guys really kind of committed to being together because

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<v Speaker 3>two strangers coming in you just had to go for it. Yeah,

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<v Speaker 3>we wanted it. Yeah, you're your.

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<v Speaker 2>Perspective, right, we had to just jump in with both feet.

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<v Speaker 1>Yes. And I was going to say, I don't know, Jenny,

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<v Speaker 1>I don't know if you remember this, but that was

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<v Speaker 1>real fire. That was not cgi No, Yeah, that was

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<v Speaker 1>real fire.

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<v Speaker 2>They lift something.

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<v Speaker 1>It was like a dangerous situation on set where there

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<v Speaker 1>were you know, there were fire marshal amen ready with

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<v Speaker 1>hoses caase it spread, and like they lit a whole

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<v Speaker 1>thing on fire that is not computerized. So it was

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<v Speaker 1>pretty scary. Exist.

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<v Speaker 2>Yeah, I remember, just like you know, when you build

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<v Speaker 2>something up in your mind when just reading the scene

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<v Speaker 2>and thinking about how the scene's going to go, and

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<v Speaker 2>even rehearsing the scene, and then when it comes to

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<v Speaker 2>the moment where everybody's on their mark, like the firemen

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<v Speaker 2>are there, the makeups on, like everybody's there and waiting

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<v Speaker 2>and the camera's rolling and you're like, do or die go?

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<v Speaker 2>Just go in No, yeah, literally not going to light

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<v Speaker 2>it again.

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<v Speaker 1>You know, this is all you got. We're lighting this.

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<v Speaker 1>Go cry. You know.

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<v Speaker 2>You had such a you know, you did a lot

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<v Speaker 2>of acting roles. Are you still acting or you have

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<v Speaker 2>you sort of ventured more into the music.

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<v Speaker 1>Yeah, thank you so much for asking. It's so interesting.

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<v Speaker 1>I was sort of on this trajectory at that time,

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<v Speaker 1>and you know, also doing a lot of comedy as well,

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<v Speaker 1>so not just drama. I don't know how much I

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<v Speaker 1>can like divulge about it just being TMI, but let's

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<v Speaker 1>just say, and I'm sure you understand that the atmosphere

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<v Speaker 1>back then for young women was challenging, to say the least.

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<v Speaker 1>That's how I'll put it. Yeah, it was like, really

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<v Speaker 1>it was kind of a toxic environment. It was tough

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<v Speaker 1>to navigate, you know. And I felt really challenged by

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<v Speaker 1>that because I love acting so much, like I have

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<v Speaker 1>done it since I was a little kid, and I

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<v Speaker 1>just it's in my bones and it's just innate to me.

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<v Speaker 1>And I really I feel like pure joy when I'm

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<v Speaker 1>doing it, whether it's on stage and a player in

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<v Speaker 1>front of a camera, and I miss it so much.

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<v Speaker 1>I honestly do want to get back into it.

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<v Speaker 3>Now. What age, how did you start?

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<v Speaker 1>What were you going to say?

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<v Speaker 3>What age did you start acting? I actually didn't know

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<v Speaker 3>you were child actor?

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<v Speaker 1>Well, not on television but on stage. Okay, okay, yeah, yeah,

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<v Speaker 1>I've been doing theater since I was eight eight wow, okay, hmm, yeah,

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<v Speaker 1>I've been playing kids parts since I was eight on stage. Yeah,

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<v Speaker 1>and I.

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<v Speaker 3>Can I just jump in for a second. I'm a

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<v Speaker 3>huge horror fan and classics, so doctor giggles.

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<v Speaker 1>Sorry, yeah, doctor Giggles.

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<v Speaker 3>I did to give a shout out to that because.

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<v Speaker 1>That's that's so sweet of you. Yeah, Doctor Giggles was

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<v Speaker 1>so much fun because I never gets a play like

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<v Speaker 1>the Bitch, you know, like I'm always like the sweet Earnest,

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<v Speaker 1>and it was like, oh, I get to play like

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<v Speaker 1>the app like the bad Girl, you.

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<v Speaker 2>Know, Oh my god, I've never seen Doctor Giggles. To

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<v Speaker 2>watch it.

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<v Speaker 1>It's fun. It's campy and silly, and that.

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<v Speaker 3>Would be a great remake right now. It would be okay,

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<v Speaker 3>so it would be I digress, please go ahead, but.

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<v Speaker 1>Like, yeah, no, like not to like no, it's not

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<v Speaker 1>a stop story. I mean, it's just kind of it's

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<v Speaker 1>just kind of it's weird. I just kind of was

0:12:28.280 --> 0:12:31.880
<v Speaker 1>like I burned out on that aspect of it and

0:12:32.000 --> 0:12:35.760
<v Speaker 1>just decided for my own like sense of artistic self

0:12:35.760 --> 0:12:38.120
<v Speaker 1>expression because I also am a musician and I'm a

0:12:38.160 --> 0:12:40.480
<v Speaker 1>singer and I've been doing that since I was very young,

0:12:40.920 --> 0:12:42.959
<v Speaker 1>so I was just it kind of took over. It

0:12:43.120 --> 0:12:45.520
<v Speaker 1>just kind of took over, and I would spend my

0:12:45.640 --> 0:12:49.400
<v Speaker 1>days doing that more. And then I ended up getting

0:12:49.400 --> 0:12:51.000
<v Speaker 1>a record deal and it just kind of it took

0:12:51.080 --> 0:12:55.120
<v Speaker 1>me in that direction. You know, but and I will

0:12:55.120 --> 0:12:58.559
<v Speaker 1>never stop making music or singing or songwriting ever until

0:12:58.559 --> 0:13:00.679
<v Speaker 1>the day I die. So that's It's not like if

0:13:00.720 --> 0:13:02.720
<v Speaker 1>I got back into acting, it would be leaving right

0:13:02.800 --> 0:13:06.800
<v Speaker 1>behind right. It's just that there's room for me to

0:13:06.840 --> 0:13:08.440
<v Speaker 1>do both. I feel you know.

0:13:08.720 --> 0:13:10.120
<v Speaker 2>You have a new release, don't you.

0:13:11.000 --> 0:13:14.760
<v Speaker 1>Yeah, so I have. It's almost done. I'm working on

0:13:14.800 --> 0:13:17.719
<v Speaker 1>a new record that's coming out in I don't have

0:13:17.760 --> 0:13:22.120
<v Speaker 1>a release date set yet but to tbd, but probably

0:13:22.120 --> 0:13:22.840
<v Speaker 1>around May.

0:13:23.840 --> 0:13:24.240
<v Speaker 2>Okay.

0:13:24.360 --> 0:13:26.520
<v Speaker 1>So yeah, if people want to, like, you know, follow

0:13:26.640 --> 0:13:32.559
<v Speaker 1>the Instagram, the YouTube, TikTok, Spotify, et cetera. They tell them,

0:13:32.880 --> 0:13:36.280
<v Speaker 1>tell them how to Well, everything's super easy. It's all

0:13:36.360 --> 0:13:39.960
<v Speaker 1>under my name. Perfect. The hard part is spelling my name.

0:13:40.440 --> 0:13:43.120
<v Speaker 1>That's the hard part. Yeah, because people put the h

0:13:43.160 --> 0:13:47.679
<v Speaker 1>on Sarah and then Melson is inevitably confused with Nelson Nelson.

0:13:49.080 --> 0:13:53.000
<v Speaker 2>But everybody, it's Sarah s A R A Nelson, m E.

0:13:53.160 --> 0:13:55.160
<v Speaker 2>L s O n So give her a follow so

0:13:55.200 --> 0:13:59.560
<v Speaker 2>you can thanks listen to her beautiful music. Yeah. That's

0:13:59.559 --> 0:14:03.319
<v Speaker 2>really inspiring though, that you've sort of shifted gears and

0:14:03.960 --> 0:14:07.319
<v Speaker 2>chose to do something that made you feel good instead

0:14:07.320 --> 0:14:09.559
<v Speaker 2>of saying and staying in an environment that didn't make

0:14:09.559 --> 0:14:10.160
<v Speaker 2>you feel good.

0:14:10.559 --> 0:14:14.080
<v Speaker 1>Yeah. Yeah, and and and it's interesting, I really really

0:14:14.160 --> 0:14:18.319
<v Speaker 1>really miss I miss I miss it. I miss it

0:14:18.360 --> 0:14:21.360
<v Speaker 1>to the point where I'm I do feel compelled to

0:14:21.480 --> 0:14:25.720
<v Speaker 1>sort of re enter. But now the atmosphere is much better.

0:14:26.080 --> 0:14:28.880
<v Speaker 1>It's like we're you know, we've kind of been working

0:14:28.920 --> 0:14:33.600
<v Speaker 1>that out as I mean, obviously there was a large hoopla,

0:14:33.840 --> 0:14:37.240
<v Speaker 1>you know about all the you know me too stuff

0:14:37.280 --> 0:14:39.920
<v Speaker 1>came out and that was I think a cathartic moment,

0:14:40.880 --> 0:14:43.960
<v Speaker 1>and I chose not to you know, get into the

0:14:44.000 --> 0:14:46.560
<v Speaker 1>fray there, but at least sort of watching from afar,

0:14:46.640 --> 0:14:49.000
<v Speaker 1>I was like, Okay, this is this is good, Like,

0:14:49.080 --> 0:14:51.280
<v Speaker 1>this is a moment where and you know, I'm not

0:14:51.840 --> 0:14:55.040
<v Speaker 1>I think the whole thing there's obviously we don't need

0:14:55.080 --> 0:14:58.520
<v Speaker 1>to get into a discussion about that, but yeah, but

0:14:59.600 --> 0:15:01.960
<v Speaker 1>if I to say that, something had to give. So

0:15:02.000 --> 0:15:05.400
<v Speaker 1>it's like now I think the environment's way better, and

0:15:05.520 --> 0:15:07.920
<v Speaker 1>just the parts are they're a better parts. Like there's

0:15:07.920 --> 0:15:09.720
<v Speaker 1>so much more content, there's so.

0:15:09.720 --> 0:15:12.440
<v Speaker 2>Much especially for women our age.

0:15:12.880 --> 0:15:20.040
<v Speaker 3>Yeah, and there's so many platforms now yeah, literally like

0:15:20.120 --> 0:15:23.640
<v Speaker 3>you know, mm hmm, exactly in the day where were

0:15:23.680 --> 0:15:25.680
<v Speaker 3>there four networks, five networks.

0:15:26.120 --> 0:15:28.760
<v Speaker 1>Yeah, And I used to tell when I tell, when

0:15:28.800 --> 0:15:31.480
<v Speaker 1>I tell, like the kids these days and I'm like,

0:15:31.840 --> 0:15:34.600
<v Speaker 1>oh my god, you have no idea. There were five

0:15:34.680 --> 0:15:38.080
<v Speaker 1>channels on TV. Okay you guys. I was like, you

0:15:38.240 --> 0:15:40.040
<v Speaker 1>had to schedule that.

0:15:40.920 --> 0:15:43.000
<v Speaker 2>They don't even hear you. Like, by the way, you

0:15:43.000 --> 0:15:45.480
<v Speaker 2>can stop talking and save your breath, because that's like

0:15:45.880 --> 0:15:48.000
<v Speaker 2>my dad saying, I used to walk to school in

0:15:48.040 --> 0:15:51.000
<v Speaker 2>the snow. You know that. Now we're saying, oh, there

0:15:51.080 --> 0:15:53.720
<v Speaker 2>used to be five channels and no internet, They're like.

0:15:53.720 --> 0:15:59.840
<v Speaker 3>Huh my gosh. But literally there's so few roles that

0:16:00.000 --> 0:16:03.040
<v Speaker 3>it was like now there's a gazillion in one.

0:16:03.480 --> 0:16:07.000
<v Speaker 1>Yeah, and I feel like the roles are also more,

0:16:07.480 --> 0:16:12.080
<v Speaker 1>you know, multifaceted. You know, you're allowed to be a

0:16:12.160 --> 0:16:14.520
<v Speaker 1>real person. You know, you don't have to be like

0:16:14.600 --> 0:16:17.520
<v Speaker 1>this perfect doll. It's just there was a lot of

0:16:17.560 --> 0:16:22.680
<v Speaker 1>pressure on women back then. I feel like on girls specifically,

0:16:22.720 --> 0:16:25.920
<v Speaker 1>you know, like young girl, like like when we were

0:16:25.960 --> 0:16:29.280
<v Speaker 1>like coming up, there was like, I mean, chime in,

0:16:29.680 --> 0:16:33.000
<v Speaker 1>But I personally, from my experience, felt like a lot

0:16:33.040 --> 0:16:36.200
<v Speaker 1>of pressure on like not that there isn't still on

0:16:36.360 --> 0:16:39.560
<v Speaker 1>looks and all that appearance but but but now I

0:16:39.560 --> 0:16:42.000
<v Speaker 1>feel like you can. You can go into the audition

0:16:42.120 --> 0:16:44.960
<v Speaker 1>with the messy hair and they'll love it. They'll love it.

0:16:45.000 --> 0:16:47.440
<v Speaker 1>They'll be like, oh, she's so authentic, you know, whereas

0:16:47.480 --> 0:16:49.240
<v Speaker 1>it's like before it was like, oh my god, the

0:16:49.280 --> 0:16:50.440
<v Speaker 1>hair was out of plate. You know.

0:16:51.120 --> 0:16:53.360
<v Speaker 2>Yeah, we didn't. We didn't. We had to fit the

0:16:53.400 --> 0:17:08.159
<v Speaker 2>mold a little bit more back then. Well, geez, I

0:17:08.160 --> 0:17:11.040
<v Speaker 2>hope to see you acting again because you're so talented.

0:17:11.119 --> 0:17:14.240
<v Speaker 2>You're really talented. You know that you've been acting since

0:17:14.240 --> 0:17:17.520
<v Speaker 2>you were a kid. You were You've done so much theater.

0:17:17.600 --> 0:17:20.960
<v Speaker 2>I mean you run laps around me, for sure. And

0:17:21.160 --> 0:17:23.960
<v Speaker 2>I just hope that where are you living now? You

0:17:24.000 --> 0:17:24.280
<v Speaker 2>and I.

0:17:24.680 --> 0:17:28.280
<v Speaker 1>Am still in the I am looking at the Hollywood

0:17:28.320 --> 0:17:33.040
<v Speaker 1>sign right now out my nice Is it clear? I

0:17:33.119 --> 0:17:35.680
<v Speaker 1>literally I'm literally looking at you. And then I'm looking

0:17:35.680 --> 0:17:36.320
<v Speaker 1>at the sign.

0:17:37.280 --> 0:17:40.440
<v Speaker 2>That's so lucky. People love that. That's a honey house

0:17:40.440 --> 0:17:43.199
<v Speaker 2>where I did that and it was really fun. You

0:17:43.600 --> 0:17:45.240
<v Speaker 2>are you in this? I can't say on the air.

0:17:46.240 --> 0:17:47.360
<v Speaker 2>Let me look at your address.

0:17:47.640 --> 0:17:48.120
<v Speaker 1>Let's talk.

0:17:49.240 --> 0:17:50.560
<v Speaker 3>Oh my god, now who's talking?

0:17:50.600 --> 0:17:51.200
<v Speaker 2>Who Jenny?

0:17:51.480 --> 0:17:53.600
<v Speaker 1>Jenny? This is going to take you back? Do you remember?

0:17:53.960 --> 0:17:58.480
<v Speaker 1>So you know Dan was in the band with my

0:17:58.560 --> 0:17:59.200
<v Speaker 1>friend Ronny.

0:18:00.320 --> 0:18:04.160
<v Speaker 2>Hold On, Dan, my very first husband was in a band.

0:18:04.320 --> 0:18:05.840
<v Speaker 3>She says. It was a question Mark.

0:18:07.760 --> 0:18:11.680
<v Speaker 1>Remember danmember? Yep, okay, I know. Do you remember we

0:18:11.680 --> 0:18:12.879
<v Speaker 1>were at the Mints?

0:18:13.520 --> 0:18:14.600
<v Speaker 2>Oh yeah, remember?

0:18:14.800 --> 0:18:16.960
<v Speaker 1>And I think wasn't he playing with Rommy?

0:18:18.000 --> 0:18:20.280
<v Speaker 2>What did what? Did Rommy play keyboards?

0:18:20.359 --> 0:18:21.479
<v Speaker 1>And he's in the Food Fighters?

0:18:21.520 --> 0:18:25.919
<v Speaker 2>Now I remember Rommy? I just I can't. I remember

0:18:25.960 --> 0:18:27.120
<v Speaker 2>going a Mint and.

0:18:27.119 --> 0:18:30.600
<v Speaker 1>The Wallflower and the wall Flowers and the Wallflower. Yeah.

0:18:30.960 --> 0:18:34.360
<v Speaker 2>Yeah, we were on the ground floor of all that

0:18:34.400 --> 0:18:35.119
<v Speaker 2>cool music.

0:18:35.400 --> 0:18:38.480
<v Speaker 1>I know. We have to go out again.

0:18:38.880 --> 0:18:41.719
<v Speaker 2>That would be fun. Oh my god. That would mean

0:18:41.720 --> 0:18:43.240
<v Speaker 2>I'd have to stay at past nine pm.

0:18:44.680 --> 0:18:47.159
<v Speaker 1>You know what? She believe me. I have no interest

0:18:47.200 --> 0:18:48.359
<v Speaker 1>in staying up past nine.

0:18:48.480 --> 0:18:52.439
<v Speaker 2>So okay, good, We'll get an early bird special I

0:18:52.480 --> 0:18:53.040
<v Speaker 2>can listen to.

0:18:53.560 --> 0:18:55.120
<v Speaker 3>I feel like a third wheel here.

0:18:56.400 --> 0:18:58.960
<v Speaker 2>You can come, you can come come with us.

0:18:59.320 --> 0:18:59.720
<v Speaker 1>Please?

0:19:00.080 --> 0:19:02.600
<v Speaker 3>Can I take this back though? Okay, so you go, okay,

0:19:02.600 --> 0:19:03.960
<v Speaker 3>I'm going to bring it back around. So you guys

0:19:04.000 --> 0:19:06.440
<v Speaker 3>are going to go out, hopefully not at a rave,

0:19:06.480 --> 0:19:09.280
<v Speaker 3>at a house and there's a fire that breaks out.

0:19:09.560 --> 0:19:11.879
<v Speaker 2>Yeah no, okay, But so.

0:19:13.320 --> 0:19:20.000
<v Speaker 3>Do you remember was there a window in that.

0:19:19.640 --> 0:19:20.639
<v Speaker 1>I don't think there was.

0:19:21.320 --> 0:19:24.200
<v Speaker 3>Everyone is telling us that there was a small time,

0:19:24.320 --> 0:19:27.960
<v Speaker 3>like small, I'm making it really small, like a window, and.

0:19:28.240 --> 0:19:29.520
<v Speaker 2>That we could have crawled out of.

0:19:31.800 --> 0:19:33.040
<v Speaker 3>Okay, see there you go.

0:19:33.200 --> 0:19:34.680
<v Speaker 1>No, no, I.

0:19:34.640 --> 0:19:36.320
<v Speaker 2>Have to go back and rewatch it.

0:19:37.440 --> 0:19:39.199
<v Speaker 1>Yeah, no, we definitely could not.

0:19:39.240 --> 0:19:39.919
<v Speaker 3>Sarah would know.

0:19:40.480 --> 0:19:43.400
<v Speaker 2>Did you have you rewatched the Fire episode recently?

0:19:44.280 --> 0:19:45.520
<v Speaker 1>Not? Really, you should.

0:19:45.880 --> 0:19:48.120
<v Speaker 2>It's really you gotta watch it. It's so fun to watch.

0:19:48.600 --> 0:19:51.320
<v Speaker 1>I watched it like a year ago because I had

0:19:51.320 --> 0:19:55.080
<v Speaker 1>this friend over who was obsessed and made me watch it.

0:19:56.000 --> 0:19:58.840
<v Speaker 2>So do people recognize you from your character?

0:20:00.200 --> 0:20:01.760
<v Speaker 1>This is gonna you'll get a kick out of this.

0:20:02.560 --> 0:20:06.400
<v Speaker 1>So you know, my voice is kind of distinctive, so

0:20:06.680 --> 0:20:10.280
<v Speaker 1>it's it's not just like the visual, but the voice.

0:20:10.960 --> 0:20:15.080
<v Speaker 1>I was standing in line at the post office. This

0:20:15.160 --> 0:20:17.480
<v Speaker 1>is last Christmas, so this is about a year ago.

0:20:19.000 --> 0:20:20.600
<v Speaker 1>I don't know when. I was just like getting stamps

0:20:20.680 --> 0:20:23.159
<v Speaker 1>or something, and I was on the phone. But I

0:20:23.200 --> 0:20:24.920
<v Speaker 1>was like trying to be quiet, you know, because I

0:20:24.920 --> 0:20:26.760
<v Speaker 1>didn't want to be rude, and I was like waiting

0:20:26.760 --> 0:20:28.760
<v Speaker 1>in line. I was like talking to my mom or something,

0:20:29.400 --> 0:20:31.320
<v Speaker 1>and all of a sudden, this girl, this girl kept

0:20:31.320 --> 0:20:34.040
<v Speaker 1>looking back at me, just like staring at me. And

0:20:34.040 --> 0:20:37.159
<v Speaker 1>then she turns around. She goes, I'm so sorry to

0:20:37.200 --> 0:20:40.240
<v Speaker 1>bother you. Are you Allison.

0:20:39.960 --> 0:20:46.960
<v Speaker 4>Lash And I she knew the last name too.

0:20:47.520 --> 0:20:51.360
<v Speaker 1>Wow, girl, you've got some fans out there.

0:20:51.560 --> 0:20:53.600
<v Speaker 2>I'm very really committed.

0:20:54.320 --> 0:20:59.960
<v Speaker 1>And then I go yeah, yeah, she's like, I recognize

0:21:00.119 --> 0:21:00.959
<v Speaker 1>you by your voice.

0:21:02.200 --> 0:21:02.640
<v Speaker 2>Wow.

0:21:02.840 --> 0:21:05.080
<v Speaker 1>So she heard my voice and then turned her around.

0:21:05.240 --> 0:21:08.320
<v Speaker 3>That's like next level fans. Yeah, that's amazing.

0:21:09.680 --> 0:21:13.480
<v Speaker 1>Yeah. I was like, maybe I should be doing more voiceover.

0:21:13.840 --> 0:21:15.399
<v Speaker 2>I love that's what you took away from that.

0:21:16.960 --> 0:21:19.399
<v Speaker 3>You should be doing more voiceover work.

0:21:19.840 --> 0:21:25.239
<v Speaker 2>You know, well you are. You were very memorable in

0:21:25.280 --> 0:21:27.760
<v Speaker 2>the in that in the two episodes that we've seen

0:21:28.240 --> 0:21:28.600
<v Speaker 2>so far.

0:21:28.640 --> 0:21:31.320
<v Speaker 1>Anyway, so you guys are gonna so you're watching the

0:21:31.359 --> 0:21:35.360
<v Speaker 1>others they're coming up. Okay again, Well.

0:21:35.240 --> 0:21:36.720
<v Speaker 2>Okay, we'll be after Christmas.

0:21:37.080 --> 0:21:39.640
<v Speaker 3>My goodness, Wait, I want to find out about this

0:21:40.280 --> 0:21:41.680
<v Speaker 3>alleged kiss.

0:21:42.359 --> 0:21:46.640
<v Speaker 1>Yeah. No, I just remember them rewriting, like there were

0:21:46.640 --> 0:21:49.840
<v Speaker 1>notes before we actually started shooting, like the day before,

0:21:50.720 --> 0:21:52.840
<v Speaker 1>and they were like, yeah, they took it out. They

0:21:52.840 --> 0:21:56.679
<v Speaker 1>took it out, and remember what it was exactly. I

0:21:56.680 --> 0:21:57.160
<v Speaker 1>think were you.

0:21:57.160 --> 0:21:58.480
<v Speaker 2>Relieved or were you bummed?

0:21:58.920 --> 0:22:03.800
<v Speaker 3>I just didn't shoot it. Understand it was in the script,

0:22:03.960 --> 0:22:05.120
<v Speaker 3>but you never shot it.

0:22:05.560 --> 0:22:08.840
<v Speaker 1>No, no, no, yeah, we never shot any physical contact

0:22:08.840 --> 0:22:10.080
<v Speaker 1>between the two of us.

0:22:10.840 --> 0:22:14.600
<v Speaker 3>Maybe I wish you had shot that because the way

0:22:14.640 --> 0:22:16.800
<v Speaker 3>you're describing it. At first, I was like, oh MG,

0:22:17.119 --> 0:22:19.200
<v Speaker 3>But now I'm like, okay, you know what, if you're

0:22:19.240 --> 0:22:21.320
<v Speaker 3>in that moment, it's such an intimate moment.

0:22:21.840 --> 0:22:24.400
<v Speaker 2>I don't know if the fire's coming for you and

0:22:24.440 --> 0:22:26.920
<v Speaker 2>you're going to be a feeling attracted to someone, I

0:22:27.520 --> 0:22:29.640
<v Speaker 2>don't think that was maybe right a moment, but it.

0:22:29.640 --> 0:22:33.199
<v Speaker 3>Was just a moment, like you're taking it like a

0:22:34.200 --> 0:22:36.080
<v Speaker 3>but it may allow a person you're ever going to

0:22:36.160 --> 0:22:39.520
<v Speaker 3>have contrephysically. I don't know.

0:22:40.119 --> 0:22:43.800
<v Speaker 1>It may before and it may have been after. So

0:22:43.840 --> 0:22:46.520
<v Speaker 1>I'm not sure when it was. It could have been before,

0:22:47.160 --> 0:22:50.480
<v Speaker 1>like maybe we're having it about to have a thing

0:22:50.520 --> 0:22:52.520
<v Speaker 1>and then the fire breaks out, or it could have

0:22:52.560 --> 0:22:54.800
<v Speaker 1>been after when I go visit her, because you know,

0:22:54.800 --> 0:22:57.800
<v Speaker 1>I had the whole storyline of my character at that point,

0:22:58.040 --> 0:22:59.800
<v Speaker 1>and I go visit her and try to like get

0:22:59.840 --> 0:23:02.359
<v Speaker 1>her as like trying to convince it me my girlfriend.

0:23:02.480 --> 0:23:06.520
<v Speaker 3>Maybe it was there in there. I don't know. I'm

0:23:06.560 --> 0:23:10.119
<v Speaker 3>just loving hearing about it. Well, now now we have

0:23:10.160 --> 0:23:10.760
<v Speaker 3>to find out.

0:23:11.359 --> 0:23:15.280
<v Speaker 1>I know, I'm actually like super super curious and just

0:23:15.440 --> 0:23:20.160
<v Speaker 1>like but I and I again, I don't like if

0:23:20.160 --> 0:23:22.199
<v Speaker 1>a writer's out there and they're like, what what are

0:23:22.200 --> 0:23:25.040
<v Speaker 1>you talking about? But I seem to remember that because

0:23:25.080 --> 0:23:29.240
<v Speaker 1>I remember being like bummed that they took something out

0:23:29.400 --> 0:23:31.520
<v Speaker 1>or there was like some kind of like interaction on

0:23:31.560 --> 0:23:32.159
<v Speaker 1>that level.

0:23:33.119 --> 0:23:37.040
<v Speaker 2>Yeah, because I went up in groundbreaking again totally because

0:23:37.040 --> 0:23:42.920
<v Speaker 2>we had already done homosexual so homosexuality like an episode

0:23:42.920 --> 0:23:46.480
<v Speaker 2>about that with the guys from the frat House, but

0:23:46.680 --> 0:23:49.200
<v Speaker 2>there had never been any female storylines.

0:23:49.800 --> 0:23:51.720
<v Speaker 3>I don't think in the file.

0:23:52.720 --> 0:23:56.240
<v Speaker 2>But then I think later Kelly does get another stalker.

0:23:57.160 --> 0:23:59.680
<v Speaker 2>But maybe because I get confused all the time and

0:23:59.720 --> 0:24:01.800
<v Speaker 2>I say, you know, people ask like, oh, what did

0:24:01.880 --> 0:24:03.879
<v Speaker 2>Kelly go through? And I say, she was stocked by

0:24:03.920 --> 0:24:06.960
<v Speaker 2>a lesbian. So now I think I'm getting those two

0:24:07.119 --> 0:24:10.280
<v Speaker 2>crisscross and I got burned with a lesbian and I

0:24:10.320 --> 0:24:14.359
<v Speaker 2>got stalked by a stalker, like a regular you know,

0:24:14.480 --> 0:24:15.959
<v Speaker 2>just a regular run of the millstalker.

0:24:16.080 --> 0:24:16.240
<v Speaker 3>Yeah.

0:24:16.240 --> 0:24:18.560
<v Speaker 1>I mean, I I not, you know, not to flatter

0:24:18.640 --> 0:24:22.000
<v Speaker 1>myself or anything, but I do remember, you know, Kelly

0:24:22.080 --> 0:24:25.000
<v Speaker 1>did not view Allison as a stalker at all. In fact,

0:24:25.040 --> 0:24:29.639
<v Speaker 1>I think she did actually harbor some kind of attractive.

0:24:29.480 --> 0:24:32.560
<v Speaker 3>Yeah you said that word. I don't think now that

0:24:32.640 --> 0:24:35.760
<v Speaker 3>i'm recalling. Yeah, all of this coming back to me.

0:24:36.520 --> 0:24:40.439
<v Speaker 4>And I feel like somehow you thought you kind of

0:24:40.640 --> 0:24:44.879
<v Speaker 4>treated like because we had gone through that thing together,

0:24:45.040 --> 0:24:46.119
<v Speaker 4>there was like this bond.

0:24:46.480 --> 0:24:49.680
<v Speaker 1>Yeah, so we had a love there that was something

0:24:50.320 --> 0:24:52.920
<v Speaker 1>different than it wasn't and it didn't have to cross

0:24:52.920 --> 0:24:56.679
<v Speaker 1>the line into like you know, sexuality, but it's just

0:24:56.680 --> 0:24:59.679
<v Speaker 1>like it was just like a connection and shared.

0:25:00.119 --> 0:25:04.840
<v Speaker 2>Yeah, tragedy is shared. Yeah, yeah, that was so scary. Well,

0:25:04.880 --> 0:25:08.560
<v Speaker 2>I'm really glad that you're okay and that your scars

0:25:08.560 --> 0:25:09.080
<v Speaker 2>have healed.

0:25:09.400 --> 0:25:11.000
<v Speaker 1>I'm so glad you're a little scar here.

0:25:14.040 --> 0:25:15.960
<v Speaker 2>But well, maybe we'll hit you back up when we

0:25:16.000 --> 0:25:21.280
<v Speaker 2>go through more more back up. They don't say that anymore.

0:25:21.280 --> 0:25:23.200
<v Speaker 2>The heck is that?

0:25:23.320 --> 0:25:24.720
<v Speaker 1>Is that over? So cool?

0:25:25.760 --> 0:25:28.960
<v Speaker 2>I think no, I think it's over. You're supposed to say,

0:25:29.359 --> 0:25:31.280
<v Speaker 2>well you again, No, that's not it.

0:25:31.359 --> 0:25:34.480
<v Speaker 3>What did we leave you again?

0:25:34.960 --> 0:25:37.880
<v Speaker 2>The kids say like, stop it, she ate that?

0:25:38.359 --> 0:25:40.960
<v Speaker 3>Wait, really are you kidding right now?

0:25:41.200 --> 0:25:43.320
<v Speaker 2>But it does. It doesn't mean I'll call you again.

0:25:43.640 --> 0:25:46.840
<v Speaker 2>It doesn't mean it mis means like you did real good.

0:25:47.080 --> 0:25:49.720
<v Speaker 2>If you say, oh, she ate that and she didn't

0:25:49.800 --> 0:25:51.480
<v Speaker 2>leave any crumbs.

0:25:51.400 --> 0:25:53.879
<v Speaker 3>What are you talking about? This is going in a

0:25:53.880 --> 0:25:57.480
<v Speaker 3>whole different direction than I expected.

0:25:59.040 --> 0:26:00.479
<v Speaker 2>It's just slang.

0:26:01.000 --> 0:26:04.239
<v Speaker 1>That's also given the nature of our subject matter. I

0:26:04.359 --> 0:26:06.480
<v Speaker 1>will not say that's what she said.

0:26:06.440 --> 0:26:11.520
<v Speaker 2>But that's what I was thinking. Is okay, so I'll

0:26:11.520 --> 0:26:14.639
<v Speaker 2>ping you. Do you like that better? I can't stand

0:26:14.640 --> 0:26:16.600
<v Speaker 2>when people say about calling.

0:26:16.400 --> 0:26:19.240
<v Speaker 1>On the phone like old school, because we'll.

0:26:19.080 --> 0:26:22.440
<v Speaker 3>Assume you no, we don't like that, we don't like

0:26:22.480 --> 0:26:24.040
<v Speaker 3>to talk about it.

0:26:24.080 --> 0:26:27.480
<v Speaker 2>We'll zoome you. It's more fun to see your beautiful face.

0:26:29.400 --> 0:26:32.359
<v Speaker 2>Thank you for coming on our little old podcast.

0:26:32.000 --> 0:26:34.480
<v Speaker 1>Of course, thank you so much for having me. It

0:26:34.560 --> 0:26:37.440
<v Speaker 1>was a wonderful seeing your beautiful face and yours.

0:26:37.440 --> 0:26:38.840
<v Speaker 2>Great to see you be well.