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Speaker 1: It's nine O Gene Onegen with Jenny Garth and Tory Spelling.

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Speaker 2: Today we have a very special guest with us, and

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Speaker 2: it's so exciting. She played Alison lash in four episodes.

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Speaker 2: In season five, she was in Up and Flames, you know,

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Speaker 2: the fire they were burned in the bathroom together Kelly

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Speaker 2: and for life. Yeah, it's a strong bond. We're so

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Speaker 2: happy to get to talk to her. Let's bring her in.

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Speaker 3: Sarah Melson ha ha, hi Hi, Oh look at you.

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Speaker 3: Oh my gosh, you look the same.

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Speaker 1: I was just gonna say the same.

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Speaker 2: Oh, you look so much better than we last saw

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Speaker 2: you in the hospital and your mummy out your burns

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Speaker 2: from head to toe.

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Speaker 1: I know.

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Speaker 3: Right, well, let's go right into that. What was what

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Speaker 3: if they did? What was that they put?

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Speaker 2: Well, did you know that you were going to have

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Speaker 2: to be you? You were going to have to take

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Speaker 2: the brunt of the burns.

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Speaker 1: And it's funny because I remember I was like, I

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Speaker 1: had no idea. I had never been in that kind

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Speaker 1: of extreme makeup situation before, you know, And it's like,

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Speaker 1: you know, you read about like people who have to

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Speaker 1: go through it with like transformation, you know, into like

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Speaker 1: Helen Mirren just played like gold in my ear and

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Speaker 1: I saw the screening of that and it was like

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Speaker 1: complete transformation with like prosthetics and what you know. This

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Speaker 1: was borderline. I mean it was like a lot.

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Speaker 2: Luckily all that showed was like your eyeballs and your nose.

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Speaker 3: Wrapped up like a mummy, Like what wait, wait, we

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Speaker 3: have not gotten so we're rewatching it. So a lot

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Speaker 3: of it is like new for us, right, and we

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Speaker 3: just watch yes, so the fire and then yeah, you're

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Speaker 3: in two more episodes per where we are and we're

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Speaker 3: not sure are they gonna unwrap you or we're gonna

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Speaker 3: be more for all.

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Speaker 1: So so subsequently, after I miraculously heal with you know,

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Speaker 1: spotless from head to toe burns, that happens, No, it doesn't,

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Speaker 1: Jenny has like a scratch a scratch.

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Speaker 3: Wait, wait are you telling us next episode they're gonna

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Speaker 3: unwrap you and you're gonna be okay?

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Speaker 1: No, so do you remember? So then I come back.

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Speaker 1: I have I crushed out on Jenny. Do you remember

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Speaker 1: we haven't got there yet? Wait?

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Speaker 3: Oh am am I spoiling but blushing?

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Speaker 1: Oh okay, No, I come back to find her.

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Speaker 2: Because we had such a moment in the.

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Speaker 1: Which is honestly like stalker. It was like I was

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Speaker 1: like in love with member.

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Speaker 3: Oh my god, she's had so many people in love

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Speaker 3: with her stalking her on the show. Okay, wait, so

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Speaker 3: you're saying, see, we don't even know this because we're

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Speaker 3: watching as fans and it's all new to us. So

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Speaker 3: we've now seen you in two episodes up in Flames

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Speaker 3: and Injustice for All and you're wrapped up like a mummy.

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Speaker 3: So you're saying you're not in the next episode.

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Speaker 1: So I don't remember if it was the following or

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Speaker 1: the one after. At some point they had me, they

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Speaker 1: contacted me and they're like you're coming back, and you're, yes,

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Speaker 1: remember I there's a phone call.

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Speaker 3: Nope, we don't remember.

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Speaker 1: Yeah, nope, there's a there's a phone call. I had

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Speaker 1: actually forgotten all this too because it was so long ago.

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Speaker 1: But then someone like it brought it to my attention,

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Speaker 1: like some fan that were like, yes, yes, there's a

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Speaker 1: And then I went back and what there's a there's

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Speaker 1: a phone call where I like call her and I'm

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Speaker 1: like having this like heartfelt moment, like didn't you feel

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Speaker 1: it too? Kind of thing, and she's like, you know, Basically.

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Speaker 1: It's interesting because I and I could be completely imagining this,

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Speaker 1: but I remember when I was going up for the

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Speaker 1: part and I was reading the script, I seem to

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Speaker 1: remember there was actually at one point like even a kiss,

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Speaker 1: like there was like a legit like wait in the bathroom.

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Speaker 1: There was no there was a legit lesbian like like

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Speaker 1: curiosity moment, you know.

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Speaker 3: Wait, when which episode? Wait?

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Speaker 1: Wait? Wait, I don't remember the party, so I think

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Speaker 1: it was in the initial meeting and they cut it

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Speaker 1: of course, because you know the nineties, it.

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Speaker 3: Must have been in the bathroom. Yeah, you guys thought

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Speaker 3: you were going to die, so you made out.

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Speaker 1: Oh, I don't remember making it. Why it wouldn't go

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Speaker 1: to our There was like a curiosity moment that.

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Speaker 2: Was, oh my gosh, oh man, just I.

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Speaker 1: Could be making this up and please don't like whoever's

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Speaker 1: working for Fox and like this by why would you

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Speaker 1: make that up? I'm just saying I seem to remember that,

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Speaker 1: And because it was so long ago and it was

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Speaker 1: like not done at the time, they like cut that out.

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Speaker 3: Oh my gosh, Amy, our co host and producer, who's

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Speaker 3: like a sick fan, is going to lose her mind

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Speaker 3: that you just disclose that. Yeah, we'll find out.

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Speaker 1: Yeah, find out.

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Speaker 2: And also, yeah, we'll see when you come back after Christmas.

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Speaker 2: I'm sure you come back after the Christmas episode and

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Speaker 2: we'll see what happened that makes sense.

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Speaker 1: Yeah, yes, we have an encounter in the living room,

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Speaker 1: and I remember, I'm like.

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Speaker 3: What happens to your girlfriend? Though you cheat on her

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Speaker 3: or you want to cheat?

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Speaker 2: What did you break up with your girlfriend who was

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Speaker 2: there for you the whole time you were in the hospital.

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Speaker 3: Yeah, because she was good to you.

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Speaker 1: I broke up with her for you, my man.

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Speaker 2: Oh, I felt that, Gee, things are getting nasty.

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Speaker 3: Hmm.

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Speaker 2: Wait, okay, so you said when you auditioned for the

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Speaker 2: show that you knew you were going to be a

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Speaker 2: bird in a bird in a fire and be burned.

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Speaker 2: Had to toe.

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Speaker 1: Oh, I didn't. I knew. All they told me was

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Speaker 1: it was like, this is kind of radical for the

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Speaker 1: time that Yeah told me that it was you know,

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Speaker 1: a lesbian high school lesbian like you know plot, And

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Speaker 1: of course I was intrigued because there was nothing like

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Speaker 1: that on at the moment. You know, it was fairly

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Speaker 1: radical for its time. I have to say, I mean,

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Speaker 1: it's impossible to believe that Now when you think about

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Speaker 1: how far we've come in such a short time, but

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Speaker 1: that's how far, that's how what it was like, as

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Speaker 1: you know, you know, you're right. So it's kind of

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Speaker 1: incredible that that was one of the first portrayals. Really,

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Speaker 1: I think on national I mean on like network TV.

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Speaker 3: Maybe we like to hear this because we were so

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Speaker 3: ensconced in it and it's so super close to home

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Speaker 3: that sometimes we can't see how Yeah, radical is such

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Speaker 3: a good word and ahead of its time, and.

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Speaker 1: Yeah, I mean Will and Grace was very very much

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Speaker 1: like you know, for it that was considered really like

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Speaker 1: a breakthrough, true, and this is way before that.

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Speaker 2: Whoa, So do you remember, Okay, do you remember getting

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Speaker 2: the prosthetics and going through all of that. You're just

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Speaker 2: looking at you when you were done that. Well, there's

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Speaker 2: the little parts and there was like they had like

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Speaker 2: flakes of your skin coming out, like you were flaky,

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Speaker 2: and it was so disgusting.

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Speaker 1: Yeah, it was summer. Honestly, I was like, like, you

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Speaker 1: gotta be kidding. Viitimately bummed out, which was perfect because

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Speaker 1: it worked for the role. And if I'm going to

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Speaker 1: be burned in the hospital, of course I'm going to

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Speaker 1: be bummed. So I was just like just not happy.

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Speaker 3: I was more concerned how long it took to wrap

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Speaker 3: you as a mummy slash Q tip like.

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Speaker 2: It was you know, did you get claustrophobic?

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Speaker 3: Yeah? Done was a lot.

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Speaker 1: I did.

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Speaker 3: Did you falling? What could they have to walk you

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Speaker 3: to set carry you?

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Speaker 1: I did get claustrophobic? Ooh yes I did. Yeah it

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Speaker 1: was not fun.

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Speaker 2: Well, I can't wait to see what you look like

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Speaker 2: when you come knock it on the door.

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Speaker 1: Oh yeah, I'm like miraculously transformed. They must have had

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Speaker 1: really great surgery back then for burn victims.

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Speaker 3: Oh my, as a fan, obviously you two were in

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Speaker 3: the scene. But the scene in the bathroom, that final moment,

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Speaker 3: like watching you both were so brilliant and it was

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Speaker 3: such a the moment. And Jen has talked about how

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Speaker 3: you guys really kind of committed to being together because

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Speaker 3: two strangers coming in you just had to go for it. Yeah,

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Speaker 3: we wanted it. Yeah, you're your.

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Speaker 2: Perspective, right, we had to just jump in with both feet.

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Speaker 1: Yes. And I was going to say, I don't know, Jenny,

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Speaker 1: I don't know if you remember this, but that was

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Speaker 1: real fire. That was not cgi No, Yeah, that was

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Speaker 1: real fire.

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Speaker 2: They lift something.

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Speaker 1: It was like a dangerous situation on set where there

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Speaker 1: were you know, there were fire marshal amen ready with

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Speaker 1: hoses caase it spread, and like they lit a whole

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Speaker 1: thing on fire that is not computerized. So it was

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Speaker 1: pretty scary. Exist.

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Speaker 2: Yeah, I remember, just like you know, when you build

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Speaker 2: something up in your mind when just reading the scene

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Speaker 2: and thinking about how the scene's going to go, and

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Speaker 2: even rehearsing the scene, and then when it comes to

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Speaker 2: the moment where everybody's on their mark, like the firemen

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Speaker 2: are there, the makeups on, like everybody's there and waiting

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Speaker 2: and the camera's rolling and you're like, do or die go?

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Speaker 2: Just go in No, yeah, literally not going to light

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Speaker 2: it again.

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Speaker 1: You know, this is all you got. We're lighting this.

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Speaker 1: Go cry. You know.

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Speaker 2: You had such a you know, you did a lot

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Speaker 2: of acting roles. Are you still acting or you have

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Speaker 2: you sort of ventured more into the music.

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Speaker 1: Yeah, thank you so much for asking. It's so interesting.

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Speaker 1: I was sort of on this trajectory at that time,

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Speaker 1: and you know, also doing a lot of comedy as well,

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Speaker 1: so not just drama. I don't know how much I

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Speaker 1: can like divulge about it just being TMI, but let's

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Speaker 1: just say, and I'm sure you understand that the atmosphere

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Speaker 1: back then for young women was challenging, to say the least.

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Speaker 1: That's how I'll put it. Yeah, it was like, really

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Speaker 1: it was kind of a toxic environment. It was tough

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Speaker 1: to navigate, you know. And I felt really challenged by

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Speaker 1: that because I love acting so much, like I have

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Speaker 1: done it since I was a little kid, and I

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Speaker 1: just it's in my bones and it's just innate to me.

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Speaker 1: And I really I feel like pure joy when I'm

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Speaker 1: doing it, whether it's on stage and a player in

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Speaker 1: front of a camera, and I miss it so much.

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Speaker 1: I honestly do want to get back into it.

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Speaker 3: Now. What age, how did you start?

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Speaker 1: What were you going to say?

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Speaker 3: What age did you start acting? I actually didn't know

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Speaker 3: you were child actor?

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Speaker 1: Well, not on television but on stage. Okay, okay, yeah, yeah,

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Speaker 1: I've been doing theater since I was eight eight wow, okay, hmm, yeah,

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Speaker 1: I've been playing kids parts since I was eight on stage. Yeah,

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Speaker 1: and I.

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Speaker 3: Can I just jump in for a second. I'm a

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Speaker 3: huge horror fan and classics, so doctor giggles.

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Speaker 1: Sorry, yeah, doctor Giggles.

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Speaker 3: I did to give a shout out to that because.

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Speaker 1: That's that's so sweet of you. Yeah, Doctor Giggles was

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Speaker 1: so much fun because I never gets a play like

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Speaker 1: the Bitch, you know, like I'm always like the sweet Earnest,

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Speaker 1: and it was like, oh, I get to play like

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Speaker 1: the app like the bad Girl, you.

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Speaker 2: Know, Oh my god, I've never seen Doctor Giggles. To

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Speaker 2: watch it.

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Speaker 1: It's fun. It's campy and silly, and that.

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Speaker 3: Would be a great remake right now. It would be okay,

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Speaker 3: so it would be I digress, please go ahead, but.

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Speaker 1: Like, yeah, no, like not to like no, it's not

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Speaker 1: a stop story. I mean, it's just kind of it's

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Speaker 1: just kind of it's weird. I just kind of was

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Speaker 1: like I burned out on that aspect of it and

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Speaker 1: just decided for my own like sense of artistic self

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Speaker 1: expression because I also am a musician and I'm a

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Speaker 1: singer and I've been doing that since I was very young,

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Speaker 1: so I was just it kind of took over. It

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Speaker 1: just kind of took over, and I would spend my

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Speaker 1: days doing that more. And then I ended up getting

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Speaker 1: a record deal and it just kind of it took

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Speaker 1: me in that direction. You know, but and I will

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Speaker 1: never stop making music or singing or songwriting ever until

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Speaker 1: the day I die. So that's It's not like if

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Speaker 1: I got back into acting, it would be leaving right

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Speaker 1: behind right. It's just that there's room for me to

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Speaker 1: do both. I feel you know.

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Speaker 2: You have a new release, don't you.

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Speaker 1: Yeah, so I have. It's almost done. I'm working on

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Speaker 1: a new record that's coming out in I don't have

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Speaker 1: a release date set yet but to tbd, but probably

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Speaker 1: around May.

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Speaker 2: Okay.

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Speaker 1: So yeah, if people want to, like, you know, follow

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Speaker 1: the Instagram, the YouTube, TikTok, Spotify, et cetera. They tell them,

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Speaker 1: tell them how to Well, everything's super easy. It's all

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Speaker 1: under my name. Perfect. The hard part is spelling my name.

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Speaker 1: That's the hard part. Yeah, because people put the h

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Speaker 1: on Sarah and then Melson is inevitably confused with Nelson Nelson.

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Speaker 2: But everybody, it's Sarah s A R A Nelson, m E.

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Speaker 2: L s O n So give her a follow so

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Speaker 2: you can thanks listen to her beautiful music. Yeah. That's

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Speaker 2: really inspiring though, that you've sort of shifted gears and

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Speaker 2: chose to do something that made you feel good instead

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Speaker 2: of saying and staying in an environment that didn't make

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Speaker 2: you feel good.

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Speaker 1: Yeah. Yeah, and and and it's interesting, I really really

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Speaker 1: really miss I miss I miss it. I miss it

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Speaker 1: to the point where I'm I do feel compelled to

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Speaker 1: sort of re enter. But now the atmosphere is much better.

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Speaker 1: It's like we're you know, we've kind of been working

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Speaker 1: that out as I mean, obviously there was a large hoopla,

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Speaker 1: you know about all the you know me too stuff

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Speaker 1: came out and that was I think a cathartic moment,

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Speaker 1: and I chose not to you know, get into the

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Speaker 1: fray there, but at least sort of watching from afar,

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Speaker 1: I was like, Okay, this is this is good, Like,

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Speaker 1: this is a moment where and you know, I'm not

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Speaker 1: I think the whole thing there's obviously we don't need

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Speaker 1: to get into a discussion about that, but yeah, but

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Speaker 1: if I to say that, something had to give. So

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Speaker 1: it's like now I think the environment's way better, and

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Speaker 1: just the parts are they're a better parts. Like there's

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Speaker 1: so much more content, there's so.

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Speaker 2: Much especially for women our age.

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Speaker 3: Yeah, and there's so many platforms now yeah, literally like

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Speaker 3: you know, mm hmm, exactly in the day where were

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Speaker 3: there four networks, five networks.

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Speaker 1: Yeah, And I used to tell when I tell, when

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Speaker 1: I tell, like the kids these days and I'm like,

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Speaker 1: oh my god, you have no idea. There were five

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Speaker 1: channels on TV. Okay you guys. I was like, you

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Speaker 1: had to schedule that.

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Speaker 2: They don't even hear you. Like, by the way, you

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Speaker 2: can stop talking and save your breath, because that's like

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Speaker 2: my dad saying, I used to walk to school in

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Speaker 2: the snow. You know that. Now we're saying, oh, there

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Speaker 2: used to be five channels and no internet, They're like.

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Speaker 3: Huh my gosh. But literally there's so few roles that

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Speaker 3: it was like now there's a gazillion in one.

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Speaker 1: Yeah, and I feel like the roles are also more,

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Speaker 1: you know, multifaceted. You know, you're allowed to be a

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Speaker 1: real person. You know, you don't have to be like

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Speaker 1: this perfect doll. It's just there was a lot of

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Speaker 1: pressure on women back then. I feel like on girls specifically,

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Speaker 1: you know, like young girl, like like when we were

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Speaker 1: like coming up, there was like, I mean, chime in,

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Speaker 1: But I personally, from my experience, felt like a lot

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Speaker 1: of pressure on like not that there isn't still on

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Speaker 1: looks and all that appearance but but but now I

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Speaker 1: feel like you can. You can go into the audition

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Speaker 1: with the messy hair and they'll love it. They'll love it.

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Speaker 1: They'll be like, oh, she's so authentic, you know, whereas

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Speaker 1: it's like before it was like, oh my god, the

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Speaker 1: hair was out of plate. You know.

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Speaker 2: Yeah, we didn't. We didn't. We had to fit the

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Speaker 2: mold a little bit more back then. Well, geez, I

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Speaker 2: hope to see you acting again because you're so talented.

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Speaker 2: You're really talented. You know that you've been acting since

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Speaker 2: you were a kid. You were You've done so much theater.

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Speaker 2: I mean you run laps around me, for sure. And

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Speaker 2: I just hope that where are you living now? You

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Speaker 2: and I.

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Speaker 1: Am still in the I am looking at the Hollywood

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Speaker 1: sign right now out my nice Is it clear? I

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Speaker 1: literally I'm literally looking at you. And then I'm looking

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Speaker 1: at the sign.

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Speaker 2: That's so lucky. People love that. That's a honey house

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Speaker 2: where I did that and it was really fun. You

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Speaker 2: are you in this? I can't say on the air.

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Speaker 2: Let me look at your address.

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Speaker 1: Let's talk.

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Speaker 3: Oh my god, now who's talking?

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Speaker 2: Who Jenny?

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Speaker 1: Jenny? This is going to take you back? Do you remember?

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Speaker 1: So you know Dan was in the band with my

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Speaker 1: friend Ronny.

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Speaker 2: Hold On, Dan, my very first husband was in a band.

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Speaker 3: She says. It was a question Mark.

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Speaker 1: Remember danmember? Yep, okay, I know. Do you remember we

337
00:18:11,680 --> 00:18:12,879
Speaker 1: were at the Mints?

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Speaker 2: Oh yeah, remember?

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Speaker 1: And I think wasn't he playing with Rommy?

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Speaker 2: What did what? Did Rommy play keyboards?

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Speaker 1: And he's in the Food Fighters?

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Speaker 2: Now I remember Rommy? I just I can't. I remember

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Speaker 2: going a Mint and.

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Speaker 1: The Wallflower and the wall Flowers and the Wallflower. Yeah.

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Speaker 2: Yeah, we were on the ground floor of all that

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Speaker 2: cool music.

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Speaker 1: I know. We have to go out again.

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Speaker 2: That would be fun. Oh my god. That would mean

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Speaker 2: I'd have to stay at past nine pm.

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Speaker 1: You know what? She believe me. I have no interest

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Speaker 1: in staying up past nine.

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Speaker 2: So okay, good, We'll get an early bird special I

353
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Speaker 2: can listen to.

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Speaker 3: I feel like a third wheel here.

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Speaker 2: You can come, you can come come with us.

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Speaker 1: Please?

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00:19:00,080 --> 00:19:02,600
Speaker 3: Can I take this back though? Okay, so you go, okay,

358
00:19:02,600 --> 00:19:03,960
Speaker 3: I'm going to bring it back around. So you guys

359
00:19:04,000 --> 00:19:06,440
Speaker 3: are going to go out, hopefully not at a rave,

360
00:19:06,480 --> 00:19:09,280
Speaker 3: at a house and there's a fire that breaks out.

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Speaker 2: Yeah no, okay, But so.

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Speaker 3: Do you remember was there a window in that.

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Speaker 1: I don't think there was.

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00:19:21,320 --> 00:19:24,200
Speaker 3: Everyone is telling us that there was a small time,

365
00:19:24,320 --> 00:19:27,960
Speaker 3: like small, I'm making it really small, like a window, and.

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Speaker 2: That we could have crawled out of.

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Speaker 3: Okay, see there you go.

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Speaker 1: No, no, I.

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Speaker 2: Have to go back and rewatch it.

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00:19:37,440 --> 00:19:39,199
Speaker 1: Yeah, no, we definitely could not.

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00:19:39,240 --> 00:19:39,919
Speaker 3: Sarah would know.

372
00:19:40,480 --> 00:19:43,400
Speaker 2: Did you have you rewatched the Fire episode recently?

373
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Speaker 1: Not? Really, you should.

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Speaker 2: It's really you gotta watch it. It's so fun to watch.

375
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Speaker 1: I watched it like a year ago because I had

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Speaker 1: this friend over who was obsessed and made me watch it.

377
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Speaker 2: So do people recognize you from your character?

378
00:20:00,200 --> 00:20:01,760
Speaker 1: This is gonna you'll get a kick out of this.

379
00:20:02,560 --> 00:20:06,400
Speaker 1: So you know, my voice is kind of distinctive, so

380
00:20:06,680 --> 00:20:10,280
Speaker 1: it's it's not just like the visual, but the voice.

381
00:20:10,960 --> 00:20:15,080
Speaker 1: I was standing in line at the post office. This

382
00:20:15,160 --> 00:20:17,480
Speaker 1: is last Christmas, so this is about a year ago.

383
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Speaker 1: I don't know when. I was just like getting stamps

384
00:20:20,680 --> 00:20:23,159
Speaker 1: or something, and I was on the phone. But I

385
00:20:23,200 --> 00:20:24,920
Speaker 1: was like trying to be quiet, you know, because I

386
00:20:24,920 --> 00:20:26,760
Speaker 1: didn't want to be rude, and I was like waiting

387
00:20:26,760 --> 00:20:28,760
Speaker 1: in line. I was like talking to my mom or something,

388
00:20:29,400 --> 00:20:31,320
Speaker 1: and all of a sudden, this girl, this girl kept

389
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Speaker 1: looking back at me, just like staring at me. And

390
00:20:34,040 --> 00:20:37,159
Speaker 1: then she turns around. She goes, I'm so sorry to

391
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Speaker 1: bother you. Are you Allison.

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Speaker 4: Lash And I she knew the last name too.

393
00:20:47,520 --> 00:20:51,360
Speaker 1: Wow, girl, you've got some fans out there.

394
00:20:51,560 --> 00:20:53,600
Speaker 2: I'm very really committed.

395
00:20:54,320 --> 00:20:59,960
Speaker 1: And then I go yeah, yeah, she's like, I recognize

396
00:21:00,119 --> 00:21:00,959
Speaker 1: you by your voice.

397
00:21:02,200 --> 00:21:02,640
Speaker 2: Wow.

398
00:21:02,840 --> 00:21:05,080
Speaker 1: So she heard my voice and then turned her around.

399
00:21:05,240 --> 00:21:08,320
Speaker 3: That's like next level fans. Yeah, that's amazing.

400
00:21:09,680 --> 00:21:13,480
Speaker 1: Yeah. I was like, maybe I should be doing more voiceover.

401
00:21:13,840 --> 00:21:15,399
Speaker 2: I love that's what you took away from that.

402
00:21:16,960 --> 00:21:19,399
Speaker 3: You should be doing more voiceover work.

403
00:21:19,840 --> 00:21:25,239
Speaker 2: You know, well you are. You were very memorable in

404
00:21:25,280 --> 00:21:27,760
Speaker 2: the in that in the two episodes that we've seen

405
00:21:28,240 --> 00:21:28,600
Speaker 2: so far.

406
00:21:28,640 --> 00:21:31,320
Speaker 1: Anyway, so you guys are gonna so you're watching the

407
00:21:31,359 --> 00:21:35,360
Speaker 1: others they're coming up. Okay again, Well.

408
00:21:35,240 --> 00:21:36,720
Speaker 2: Okay, we'll be after Christmas.

409
00:21:37,080 --> 00:21:39,640
Speaker 3: My goodness, Wait, I want to find out about this

410
00:21:40,280 --> 00:21:41,680
Speaker 3: alleged kiss.

411
00:21:42,359 --> 00:21:46,640
Speaker 1: Yeah. No, I just remember them rewriting, like there were

412
00:21:46,640 --> 00:21:49,840
Speaker 1: notes before we actually started shooting, like the day before,

413
00:21:50,720 --> 00:21:52,840
Speaker 1: and they were like, yeah, they took it out. They

414
00:21:52,840 --> 00:21:56,679
Speaker 1: took it out, and remember what it was exactly. I

415
00:21:56,680 --> 00:21:57,160
Speaker 1: think were you.

416
00:21:57,160 --> 00:21:58,480
Speaker 2: Relieved or were you bummed?

417
00:21:58,920 --> 00:22:03,800
Speaker 3: I just didn't shoot it. Understand it was in the script,

418
00:22:03,960 --> 00:22:05,120
Speaker 3: but you never shot it.

419
00:22:05,560 --> 00:22:08,840
Speaker 1: No, no, no, yeah, we never shot any physical contact

420
00:22:08,840 --> 00:22:10,080
Speaker 1: between the two of us.

421
00:22:10,840 --> 00:22:14,600
Speaker 3: Maybe I wish you had shot that because the way

422
00:22:14,640 --> 00:22:16,800
Speaker 3: you're describing it. At first, I was like, oh MG,

423
00:22:17,119 --> 00:22:19,200
Speaker 3: But now I'm like, okay, you know what, if you're

424
00:22:19,240 --> 00:22:21,320
Speaker 3: in that moment, it's such an intimate moment.

425
00:22:21,840 --> 00:22:24,400
Speaker 2: I don't know if the fire's coming for you and

426
00:22:24,440 --> 00:22:26,920
Speaker 2: you're going to be a feeling attracted to someone, I

427
00:22:27,520 --> 00:22:29,640
Speaker 2: don't think that was maybe right a moment, but it.

428
00:22:29,640 --> 00:22:33,199
Speaker 3: Was just a moment, like you're taking it like a

429
00:22:34,200 --> 00:22:36,080
Speaker 3: but it may allow a person you're ever going to

430
00:22:36,160 --> 00:22:39,520
Speaker 3: have contrephysically. I don't know.

431
00:22:40,119 --> 00:22:43,800
Speaker 1: It may before and it may have been after. So

432
00:22:43,840 --> 00:22:46,520
Speaker 1: I'm not sure when it was. It could have been before,

433
00:22:47,160 --> 00:22:50,480
Speaker 1: like maybe we're having it about to have a thing

434
00:22:50,520 --> 00:22:52,520
Speaker 1: and then the fire breaks out, or it could have

435
00:22:52,560 --> 00:22:54,800
Speaker 1: been after when I go visit her, because you know,

436
00:22:54,800 --> 00:22:57,800
Speaker 1: I had the whole storyline of my character at that point,

437
00:22:58,040 --> 00:22:59,800
Speaker 1: and I go visit her and try to like get

438
00:22:59,840 --> 00:23:02,359
Speaker 1: her as like trying to convince it me my girlfriend.

439
00:23:02,480 --> 00:23:06,520
Speaker 3: Maybe it was there in there. I don't know. I'm

440
00:23:06,560 --> 00:23:10,119
Speaker 3: just loving hearing about it. Well, now now we have

441
00:23:10,160 --> 00:23:10,760
Speaker 3: to find out.

442
00:23:11,359 --> 00:23:15,280
Speaker 1: I know, I'm actually like super super curious and just

443
00:23:15,440 --> 00:23:20,160
Speaker 1: like but I and I again, I don't like if

444
00:23:20,160 --> 00:23:22,199
Speaker 1: a writer's out there and they're like, what what are

445
00:23:22,200 --> 00:23:25,040
Speaker 1: you talking about? But I seem to remember that because

446
00:23:25,080 --> 00:23:29,240
Speaker 1: I remember being like bummed that they took something out

447
00:23:29,400 --> 00:23:31,520
Speaker 1: or there was like some kind of like interaction on

448
00:23:31,560 --> 00:23:32,159
Speaker 1: that level.

449
00:23:33,119 --> 00:23:37,040
Speaker 2: Yeah, because I went up in groundbreaking again totally because

450
00:23:37,040 --> 00:23:42,920
Speaker 2: we had already done homosexual so homosexuality like an episode

451
00:23:42,920 --> 00:23:46,480
Speaker 2: about that with the guys from the frat House, but

452
00:23:46,680 --> 00:23:49,200
Speaker 2: there had never been any female storylines.

453
00:23:49,800 --> 00:23:51,720
Speaker 3: I don't think in the file.

454
00:23:52,720 --> 00:23:56,240
Speaker 2: But then I think later Kelly does get another stalker.

455
00:23:57,160 --> 00:23:59,680
Speaker 2: But maybe because I get confused all the time and

456
00:23:59,720 --> 00:24:01,800
Speaker 2: I say, you know, people ask like, oh, what did

457
00:24:01,880 --> 00:24:03,879
Speaker 2: Kelly go through? And I say, she was stocked by

458
00:24:03,920 --> 00:24:06,960
Speaker 2: a lesbian. So now I think I'm getting those two

459
00:24:07,119 --> 00:24:10,280
Speaker 2: crisscross and I got burned with a lesbian and I

460
00:24:10,320 --> 00:24:14,359
Speaker 2: got stalked by a stalker, like a regular you know,

461
00:24:14,480 --> 00:24:15,959
Speaker 2: just a regular run of the millstalker.

462
00:24:16,080 --> 00:24:16,240
Speaker 3: Yeah.

463
00:24:16,240 --> 00:24:18,560
Speaker 1: I mean, I I not, you know, not to flatter

464
00:24:18,640 --> 00:24:22,000
Speaker 1: myself or anything, but I do remember, you know, Kelly

465
00:24:22,080 --> 00:24:25,000
Speaker 1: did not view Allison as a stalker at all. In fact,

466
00:24:25,040 --> 00:24:29,639
Speaker 1: I think she did actually harbor some kind of attractive.

467
00:24:29,480 --> 00:24:32,560
Speaker 3: Yeah you said that word. I don't think now that

468
00:24:32,640 --> 00:24:35,760
Speaker 3: i'm recalling. Yeah, all of this coming back to me.

469
00:24:36,520 --> 00:24:40,439
Speaker 4: And I feel like somehow you thought you kind of

470
00:24:40,640 --> 00:24:44,879
Speaker 4: treated like because we had gone through that thing together,

471
00:24:45,040 --> 00:24:46,119
Speaker 4: there was like this bond.

472
00:24:46,480 --> 00:24:49,680
Speaker 1: Yeah, so we had a love there that was something

473
00:24:50,320 --> 00:24:52,920
Speaker 1: different than it wasn't and it didn't have to cross

474
00:24:52,920 --> 00:24:56,679
Speaker 1: the line into like you know, sexuality, but it's just

475
00:24:56,680 --> 00:24:59,679
Speaker 1: like it was just like a connection and shared.

476
00:25:00,119 --> 00:25:04,840
Speaker 2: Yeah, tragedy is shared. Yeah, yeah, that was so scary. Well,

477
00:25:04,880 --> 00:25:08,560
Speaker 2: I'm really glad that you're okay and that your scars

478
00:25:08,560 --> 00:25:09,080
Speaker 2: have healed.

479
00:25:09,400 --> 00:25:11,000
Speaker 1: I'm so glad you're a little scar here.

480
00:25:14,040 --> 00:25:15,960
Speaker 2: But well, maybe we'll hit you back up when we

481
00:25:16,000 --> 00:25:21,280
Speaker 2: go through more more back up. They don't say that anymore.

482
00:25:21,280 --> 00:25:23,200
Speaker 2: The heck is that?

483
00:25:23,320 --> 00:25:24,720
Speaker 1: Is that over? So cool?

484
00:25:25,760 --> 00:25:28,960
Speaker 2: I think no, I think it's over. You're supposed to say,

485
00:25:29,359 --> 00:25:31,280
Speaker 2: well you again, No, that's not it.

486
00:25:31,359 --> 00:25:34,480
Speaker 3: What did we leave you again?

487
00:25:34,960 --> 00:25:37,880
Speaker 2: The kids say like, stop it, she ate that?

488
00:25:38,359 --> 00:25:40,960
Speaker 3: Wait, really are you kidding right now?

489
00:25:41,200 --> 00:25:43,320
Speaker 2: But it does. It doesn't mean I'll call you again.

490
00:25:43,640 --> 00:25:46,840
Speaker 2: It doesn't mean it mis means like you did real good.

491
00:25:47,080 --> 00:25:49,720
Speaker 2: If you say, oh, she ate that and she didn't

492
00:25:49,800 --> 00:25:51,480
Speaker 2: leave any crumbs.

493
00:25:51,400 --> 00:25:53,879
Speaker 3: What are you talking about? This is going in a

494
00:25:53,880 --> 00:25:57,480
Speaker 3: whole different direction than I expected.

495
00:25:59,040 --> 00:26:00,479
Speaker 2: It's just slang.

496
00:26:01,000 --> 00:26:04,239
Speaker 1: That's also given the nature of our subject matter. I

497
00:26:04,359 --> 00:26:06,480
Speaker 1: will not say that's what she said.

498
00:26:06,440 --> 00:26:11,520
Speaker 2: But that's what I was thinking. Is okay, so I'll

499
00:26:11,520 --> 00:26:14,639
Speaker 2: ping you. Do you like that better? I can't stand

500
00:26:14,640 --> 00:26:16,600
Speaker 2: when people say about calling.

501
00:26:16,400 --> 00:26:19,240
Speaker 1: On the phone like old school, because we'll.

502
00:26:19,080 --> 00:26:22,440
Speaker 3: Assume you no, we don't like that, we don't like

503
00:26:22,480 --> 00:26:24,040
Speaker 3: to talk about it.

504
00:26:24,080 --> 00:26:27,480
Speaker 2: We'll zoome you. It's more fun to see your beautiful face.

505
00:26:29,400 --> 00:26:32,359
Speaker 2: Thank you for coming on our little old podcast.

506
00:26:32,000 --> 00:26:34,480
Speaker 1: Of course, thank you so much for having me. It

507
00:26:34,560 --> 00:26:37,440
Speaker 1: was a wonderful seeing your beautiful face and yours.

508
00:26:37,440 --> 00:26:38,840
Speaker 2: Great to see you be well.