WEBVTT - My So Called Lifecasting

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<v Speaker 1>Brought to you by Toyota. Let's go places. Welcome to

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<v Speaker 1>Forward Thinking. Hi everyone, and welcome to Forward Thinking, the

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<v Speaker 1>podcast that looks at the future and says, you came

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<v Speaker 1>and you gave without taking, but I sent you away.

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<v Speaker 1>I'm Jonathan Strickland, I'm Lauren Volcabama, I'm Joe McCormick, and uh,

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<v Speaker 1>we are taking a break from our discussion about superhero

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<v Speaker 1>movies True Story to have a podcast about really kind

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<v Speaker 1>of broadcasting our lives and the fact that this is

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<v Speaker 1>kind of a thing and it has been a thing

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<v Speaker 1>for a while. Yeah. In our last podcast, we talked

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<v Speaker 1>about surveillance, about how surveillance has been escalating in a

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<v Speaker 1>very rapid way for the past few decades um and

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<v Speaker 1>how that trend is probably going to continue, how we

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<v Speaker 1>should feel about it and what it's going to mean.

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<v Speaker 1>But we should keep in mind that a lot of

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<v Speaker 1>the recording that's going on is not some government or

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<v Speaker 1>even some business with the CCTV camera capturing you without

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<v Speaker 1>you knowing. Yeah, it's your buddy with the smartphone or

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<v Speaker 1>the webcam with a webcam, or your smartphone or your

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<v Speaker 1>Google glass. Yeah, we call this a sue veillance as

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<v Speaker 1>opposed to surveillance. Right, it's not a joke, was true, sue.

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<v Speaker 1>Veillance it is the recording of an activity by someone

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<v Speaker 1>who is actually participating in said activity. I mean, I'm

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<v Speaker 1>learning words. This is great, this is actually huge. How

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<v Speaker 1>many photos do people upload to Facebook every day? It's

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<v Speaker 1>like for a month. I think it's three hundred million.

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<v Speaker 1>That's a lot of photos. And so then there's all

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<v Speaker 1>the video. There's seventy two hours of video uploaded to

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<v Speaker 1>YouTube every minute, according to the last update from YouTube,

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<v Speaker 1>which was quite a while ago. It was a couple

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<v Speaker 1>of years ago. It wasn't. No, no, it was several

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<v Speaker 1>months ago, because a couple of years ago they said

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<v Speaker 1>it was right, you're right, yeah, but still it's probably

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<v Speaker 1>more since then. Oh sure, I bet we're I bet

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<v Speaker 1>we're creeping up to the hundred hours per minute. Uh

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<v Speaker 1>you know, a hundred hours worth of video per minute

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<v Speaker 1>passing pretty soon. Yeah that's yeah. Wait, wait, way more

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<v Speaker 1>than any any one human person could possibly consume. It's

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<v Speaker 1>like twelve years of footage per day. Yeah no, and

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<v Speaker 1>it's it's accumulating so quickly there's no way for you

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<v Speaker 1>to be able to catch up. You would never just

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<v Speaker 1>there's not enough hours unless you find some way to

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<v Speaker 1>one make everybody stop and to achieve, if not immortality,

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<v Speaker 1>incredible longevity for you to be able to go through

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<v Speaker 1>and watch everything that's been on YouTube, and a lot

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<v Speaker 1>of that is stuff that people have shot of themselves

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<v Speaker 1>that they want to share. They're either sharing their opinion

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<v Speaker 1>about something or they're creating a an online journal that's

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<v Speaker 1>in video form or a vlog as a lot of

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<v Speaker 1>people like to call it, unless you're Felicia Day, in

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<v Speaker 1>which case you call it a flog. Even even outside

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<v Speaker 1>of that, there's there's Twitter updates, there's Facebook up day,

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<v Speaker 1>It's all of this text that is going into this

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<v Speaker 1>online uh giant world diary. Yeah. Sure, I think our

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<v Speaker 1>last podcast maybe got a little bit darker than we

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<v Speaker 1>meant it to. Uh well, because we should a superhero

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<v Speaker 1>discussion that we right need to get to, right, Okay,

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<v Speaker 1>But what we should have remembered is that there's there's

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<v Speaker 1>this irony, you know, like we want to be recorded.

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<v Speaker 1>People are like, my privacy, you know, and that's real,

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<v Speaker 1>that's not I'm not saying like the need for privacy

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<v Speaker 1>doesn't exist, but at the same time, we have this

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<v Speaker 1>not all of us. Most people have this irresistible urge

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<v Speaker 1>to get recorded and make a mark, to share. I

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<v Speaker 1>mean a lot of I would say a great deal

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<v Speaker 1>of human interaction is all in the sharing of stories.

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<v Speaker 1>Those stories may not be formal stories that have a beginning, middle,

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<v Speaker 1>and end and you know, a narrative structure that you could,

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<v Speaker 1>you know, tear apart in a literature class, but they

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<v Speaker 1>are stories. It could be a story what happened to

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<v Speaker 1>you that morning. It could be something that reminds you

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<v Speaker 1>of something else you you had seen but you know.

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<v Speaker 1>Or it could just be taking events and then framing

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<v Speaker 1>it in such a way where it does form a narrative,

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<v Speaker 1>where whereas someone who was independently observing that may just

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<v Speaker 1>see a sequence of events that doesn't have any particular connection.

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<v Speaker 1>But you, as because of your experience, you can create

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<v Speaker 1>that connection and make it even more compelling. And then

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<v Speaker 1>you have the desire, Hey, I just realized these connections

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<v Speaker 1>between these seemingly disconnected events. I have to share this

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<v Speaker 1>with everybody because it's just cool. Well yeah, I mean

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<v Speaker 1>people have been turning their lives into narratives for hundreds

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<v Speaker 1>of years, I guess even thousands, right, pretty much. Well,

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<v Speaker 1>how long have people been making diaries? Well, I mean,

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<v Speaker 1>I would say cave paintings are probably technically sort of

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<v Speaker 1>diary tacular. That's eaten by mammoth today. Good day for

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<v Speaker 1>Ugu was fighting grog for a woman. That's that's typical

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<v Speaker 1>journal entry. That story of Jonathan strictly Actually, that was

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<v Speaker 1>on my live journal. That was that was something I

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<v Speaker 1>wrote three years ago. Actually. And an interesting historical point

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<v Speaker 1>is that back before the late nineteenth century, really back

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<v Speaker 1>before the twentieth century period, um diaries were a lot

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<v Speaker 1>less personal. It wasn't really until uh Freudian psychology, the

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<v Speaker 1>popularization of the novel, and the profession of journalism that

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<v Speaker 1>we really started to have this concrete sense of a

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<v Speaker 1>personal identity and a personal self that deserved the kind

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<v Speaker 1>of attention that we give it through these diaries and

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<v Speaker 1>and so. But before people would would get together, friends

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<v Speaker 1>and family would get together and read each other's diaries

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<v Speaker 1>as a way of sharing what was going on in

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<v Speaker 1>their lives, which is kind of unheard of these days.

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<v Speaker 1>I mean, diaries are supposed to be this very private,

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<v Speaker 1>very personal thing right up until you start putting it

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<v Speaker 1>on Twitter or live journal or etcetera. Raise your hand

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<v Speaker 1>if you or a sibling had one of those diaries

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<v Speaker 1>with a little lock on it, yea, or well, and

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<v Speaker 1>those things are so easy to pry apart. But Joe

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<v Speaker 1>has been burned before. That's what we're trying to say.

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<v Speaker 1>All you need is a crowbar and and a little

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<v Speaker 1>bit of elbow grease and the desire to see it done. Uh. Yeah,

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<v Speaker 1>So there is this this sort of for a lot

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<v Speaker 1>of people, this desire to to record and to share

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<v Speaker 1>their observations, the things that happened to them, really their

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<v Speaker 1>life story. And technology has given us more tools to

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<v Speaker 1>do that now than we've ever had access to before,

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<v Speaker 1>to the point where we're getting closer and closer to

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<v Speaker 1>a time when we could have our entire lives documented

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<v Speaker 1>from birth to death. Yeah, did people ever try to

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<v Speaker 1>do this just in writing like a standard diary? How

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<v Speaker 1>close could you get? The answer is yes, there there

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<v Speaker 1>there are several people. Um it's called a obsessive obsessive

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<v Speaker 1>diary writing or obsessive diaryists. And uh, there's one terrific

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<v Speaker 1>example of a of a Mr of a Reverend Robert Shields,

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<v Speaker 1>who was a reverend teacher and Washington State wrote three

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<v Speaker 1>to six thousand words per day for over twenty years,

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<v Speaker 1>a total of thirty seven point five million words over

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<v Speaker 1>the course of his lifetime. He had six typewriters arranged

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<v Speaker 1>in a horseshoe around a swivel chair and would just

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<v Speaker 1>sit down and and circulate amongst the typewriters until they

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<v Speaker 1>ran out of ribbon um. And this was I mean,

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<v Speaker 1>he was recording things in five minute increments um that

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<v Speaker 1>there was a terrific story in an NPR about it,

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<v Speaker 1>and you know, things things like a twelve twelve twenty

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<v Speaker 1>five I stripped to my thermals. I always do that.

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<v Speaker 1>Twelve thirty to twelve fifty. I eight left over Sam

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<v Speaker 1>and Alaska read salmon by Bumblebee about seven ounces, drank

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<v Speaker 1>ten ounces of orange juice while I read the Oxford

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<v Speaker 1>Dictionary of Quotations. I could keep going spectacular. The fact

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<v Speaker 1>that he always does that, Why did he did he

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<v Speaker 1>only report it once or did he reported every day

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<v Speaker 1>every day? Do you know? Now here's the question, though,

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<v Speaker 1>do you know if he did this intentionally for public

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<v Speaker 1>consumption or was he doing it just or his own reasons?

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<v Speaker 1>He was doing it for his own private reasons. He

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<v Speaker 1>um well, he was. He was born in nineteen eighteen.

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<v Speaker 1>His father happened to be a speed typing champion, UM

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<v Speaker 1>who could type the Gettysburg address over and over at

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<v Speaker 1>two and twenty two words per minute. That break in

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<v Speaker 1>question Quarty keyboard or Dvorak or what I'm guessing it

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<v Speaker 1>has to be Quarty if you're talking nineteen eighteen. Yeah, okay, sorry,

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<v Speaker 1>I do not have personal data. To be fair, there

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<v Speaker 1>were other keyboards early early on in the typewriters, just

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<v Speaker 1>the Quarty one is the one that ended up catching on, right,

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<v Speaker 1>I'll look into it and get back to Yes. He

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<v Speaker 1>he started a diary at the age of seventeen, but

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<v Speaker 1>gave it up, lost interest in it, and then uh

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<v Speaker 1>and then yeah, when he was I guess what, in

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<v Speaker 1>his fifties or sixties. At some point he started this um,

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<v Speaker 1>this obsessive diary. He he said that he didn't know

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<v Speaker 1>why he was doing it, he just did and he

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<v Speaker 1>just had to, and that the thought of stopping it

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<v Speaker 1>would be like turning off his life. Yeah. So, I

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<v Speaker 1>don't know if y'all have ever kept a journal or

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<v Speaker 1>a diary, but it's really interesting the way that writing

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<v Speaker 1>down your experiences can help give them a sense of meaning.

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<v Speaker 1>What was before just something that happened to you takes

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<v Speaker 1>on a kind of symbolic or narrative significance when you

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<v Speaker 1>put put it to words, and and historically speaking, even

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<v Speaker 1>very mundane accounts like these could be very interesting, you know.

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<v Speaker 1>I mean, I mean, they're they're they're pretty boring to

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<v Speaker 1>read them right now, But in two hundred years and

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<v Speaker 1>four hundred years, that material is gold because we have

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<v Speaker 1>so little information about what was going on at that

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<v Speaker 1>time aside from these written diaries. Oh yeah, that's totally true.

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<v Speaker 1>I mean if we just had access to a few

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<v Speaker 1>totally mundane records of daily life from say ancient Sumeria,

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<v Speaker 1>I mean, how fascinating would that be now, right right,

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<v Speaker 1>especially people that were involved in large world changing events

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<v Speaker 1>and in wars and politics, and in in spectacular events

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<v Speaker 1>and disasters. I'm just thinking, it's been a quiet week

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<v Speaker 1>in ancient sumer my homeland, s Sumeia if he's Samaria.

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<v Speaker 1>But I'm going with the prey home companion approach. Oh

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<v Speaker 1>I see secular thing? No, yeah, I get it? Or

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<v Speaker 1>or would it be you know, just as someone sitting there,

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<v Speaker 1>like like like this guy just going like, like I

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<v Speaker 1>took some temperature readings across my house over the course

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<v Speaker 1>of today. Would you like to hear all of them?

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<v Speaker 1>The paper answers yes. And like I said, we we've

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<v Speaker 1>developed technology now that really makes us even easier. Yeah.

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<v Speaker 1>One thing that occurred to me, and I'm sure there

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<v Speaker 1>are people who are maybe art philosophers or somebody who

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<v Speaker 1>commented on this, but it seems to me that by

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<v Speaker 1>recording something you kind of imbue it with a significance

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<v Speaker 1>in the same way that you did by putting it

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<v Speaker 1>to words, by writing down your experiences. There's something magic

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<v Speaker 1>that happens there. And it's similar when you take a

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<v Speaker 1>picture or record it something, or even or even just

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<v Speaker 1>live streaming where you're not recording it but you know

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<v Speaker 1>someone else is watching, which I can't. I'm not one

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<v Speaker 1>of those people. I don't. I don't have of camera

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<v Speaker 1>on me all the time. That's stream me my my

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<v Speaker 1>mundane activities out to the internet. But as an actor,

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<v Speaker 1>as someone who gets up on stage and performs in

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<v Speaker 1>front of the audiences, live audiences, I mean part of

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<v Speaker 1>the reason why I do that. I'm not saying this

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<v Speaker 1>is for all actors, but for my own personal reasons

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<v Speaker 1>is that there's this sense of validation that comes from someone, Yeah,

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<v Speaker 1>being reacting to something that you are doing and knowing

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<v Speaker 1>that that reaction is affecting someone gives you that sort

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<v Speaker 1>of sense of satisfaction and validation. I expect, I suspect

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<v Speaker 1>rather that some of the people who are life casting

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<v Speaker 1>get a similar kind of sense of validation from that.

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<v Speaker 1>So these days what is life casting involved. Well, before

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<v Speaker 1>we get into what these days what it involves, we

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<v Speaker 1>need to kind of talk about the beginning of what

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<v Speaker 1>life casting was. Yeah, where did they come from and

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<v Speaker 1>how did people How do people get to doing this?

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<v Speaker 1>I would argue that it originally sort of got a

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<v Speaker 1>shot in the arm back in nineteen seventy three, So

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<v Speaker 1>this is pre web obviously by a couple of decades.

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<v Speaker 1>Nineteen seventy three, that's when PBS premiered a show called

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<v Speaker 1>All an American Family. An American Family was a precursor

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<v Speaker 1>to reality television. It followed the on PPS and it

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<v Speaker 1>followed the life of an American family, and cameras were everywhere,

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<v Speaker 1>and it was uh. There was some criticism that that

0:12:22.320 --> 0:12:25.920
<v Speaker 1>it wasn't a perfectly natural kind of setting, which is

0:12:26.000 --> 0:12:28.679
<v Speaker 1>the case whenever I think you put cameras and I mean,

0:12:28.679 --> 0:12:30.680
<v Speaker 1>it's it's starting to get to the point where cameras

0:12:30.720 --> 0:12:34.000
<v Speaker 1>everywhere is natural. So I would argue that we're getting

0:12:34.000 --> 0:12:36.120
<v Speaker 1>to a point where you could do a reality television

0:12:36.120 --> 0:12:38.000
<v Speaker 1>show where the fact that cameras are there is not

0:12:38.120 --> 0:12:41.800
<v Speaker 1>actually making it artificial. But now if you have a

0:12:41.800 --> 0:12:44.240
<v Speaker 1>big crew there, who is standing there behind the cameras

0:12:44.240 --> 0:12:46.520
<v Speaker 1>and monitors and saying that argument was great, but we

0:12:46.559 --> 0:12:48.520
<v Speaker 1>missed the end. Could you do the same argument again,

0:12:48.800 --> 0:12:52.120
<v Speaker 1>that's not so natural. But anyway, well, there's also still

0:12:52.160 --> 0:12:54.280
<v Speaker 1>be a difference I think between people who know they're

0:12:54.320 --> 0:12:57.199
<v Speaker 1>being recorded and maybe a few people are watching versus

0:12:57.240 --> 0:12:59.320
<v Speaker 1>people who know they're being recorded and they know a

0:12:59.400 --> 0:13:01.199
<v Speaker 1>million b right right. If you know that you're doing

0:13:01.200 --> 0:13:03.360
<v Speaker 1>it for an audience, then you're going to behave differently

0:13:03.360 --> 0:13:05.280
<v Speaker 1>than you would otherwise. Really depends on what kind of

0:13:05.360 --> 0:13:07.880
<v Speaker 1>psychopath you are, I think, because the kind of psychopath

0:13:07.920 --> 0:13:10.200
<v Speaker 1>I am, I don't I don't change if it's if

0:13:10.240 --> 0:13:14.680
<v Speaker 1>it's one person watching or one million. I'm still psych

0:13:16.120 --> 0:13:18.880
<v Speaker 1>That's why I'm an actor. Uh yeah. And then there

0:13:18.880 --> 0:13:21.440
<v Speaker 1>were other movies that came out that like Real Life,

0:13:21.440 --> 0:13:25.760
<v Speaker 1>which was a comedy that was spoofing this sort of stuff. Uh. There,

0:13:25.920 --> 0:13:27.600
<v Speaker 1>I wanted to talk about one of my favorite movies

0:13:27.600 --> 0:13:29.720
<v Speaker 1>of all time, which also kind of ties into this

0:13:29.800 --> 0:13:35.160
<v Speaker 1>idea of reality reality show and turning your life into

0:13:35.240 --> 0:13:38.440
<v Speaker 1>a type of entertainment for other people. That film would

0:13:38.440 --> 0:13:43.319
<v Speaker 1>be Shock Treatment, which is the spiritual sequel to Rocky

0:13:43.320 --> 0:13:46.160
<v Speaker 1>Horror Picture Show. It involves several of the characters. Brad

0:13:46.200 --> 0:13:49.440
<v Speaker 1>and Janet are the two main characters in Shock Treatment. Uh.

0:13:49.960 --> 0:13:53.480
<v Speaker 1>Interesting little side note, there's only one actor in both

0:13:53.600 --> 0:13:56.960
<v Speaker 1>Rocky Horror and Shock Treatment who is playing the same character.

0:13:57.160 --> 0:14:00.360
<v Speaker 1>That's your dough Brian No. Richard O'Brien is in both movies,

0:14:00.400 --> 0:14:02.440
<v Speaker 1>but he's not playing the same character. He's riff raff

0:14:02.600 --> 0:14:06.560
<v Speaker 1>in uh in Rocky Horror, and he's McKinley in Shock Treatment.

0:14:06.760 --> 0:14:08.839
<v Speaker 1>Though the only actor who plays the same character, I

0:14:08.840 --> 0:14:10.520
<v Speaker 1>don't even know the actor's name. I know the character's

0:14:10.600 --> 0:14:13.959
<v Speaker 1>name is Ralph Hapschatt, who in Rocky Horror is the

0:14:14.000 --> 0:14:16.720
<v Speaker 1>guy who's getting married. At the very beginning of the movie,

0:14:17.040 --> 0:14:18.800
<v Speaker 1>Brad and jenetor are going to a wedding, and the

0:14:18.840 --> 0:14:22.720
<v Speaker 1>wedding is between Betty Monroe and Ralph hap chat and

0:14:22.920 --> 0:14:25.160
<v Speaker 1>the actor who played Ralph is the same guy in

0:14:25.240 --> 0:14:30.680
<v Speaker 1>both movies, and he plays Ralph, and yeah, well, the

0:14:30.680 --> 0:14:33.240
<v Speaker 1>the thing about Shock Treatment is that it all takes

0:14:33.280 --> 0:14:37.920
<v Speaker 1>place in Denton, and Denton is a town that's just

0:14:38.080 --> 0:14:42.480
<v Speaker 1>a giant television studio, and so there's a studio audience

0:14:42.480 --> 0:14:44.880
<v Speaker 1>that's watching everything that happens. And so the lives of

0:14:44.920 --> 0:14:47.120
<v Speaker 1>Brad and Janet as they play out in the movie

0:14:47.320 --> 0:14:50.400
<v Speaker 1>are being observed by a live studio audience that's reacting

0:14:50.440 --> 0:14:52.600
<v Speaker 1>to the stuff that's going on during the course of

0:14:52.640 --> 0:14:55.680
<v Speaker 1>the film. So it's this kind of idea. And again

0:14:55.720 --> 0:14:58.320
<v Speaker 1>this is before any real reality shows that come out

0:14:58.360 --> 0:15:01.000
<v Speaker 1>the sides of the PBS uh experiment that had come

0:15:01.040 --> 0:15:03.720
<v Speaker 1>out in seventy three. Uh, And this is the kind

0:15:03.720 --> 0:15:06.840
<v Speaker 1>of stuff that started to get people into thinking, hey,

0:15:07.040 --> 0:15:09.760
<v Speaker 1>how could we you know, use this and make an

0:15:10.080 --> 0:15:14.520
<v Speaker 1>entertainment out of it. Meanwhile, Uh, once we get into

0:15:14.560 --> 0:15:16.400
<v Speaker 1>the nineties, you get into the rise of the Internet

0:15:16.440 --> 0:15:18.200
<v Speaker 1>in the world Wide Web. Now, the Internet had been

0:15:18.200 --> 0:15:19.960
<v Speaker 1>around for a while, but the Worldwide Web is what

0:15:20.000 --> 0:15:23.360
<v Speaker 1>made it really accessible to the average person. On top

0:15:23.400 --> 0:15:27.520
<v Speaker 1>of that, we started seeing things like digital cameras and

0:15:27.600 --> 0:15:31.080
<v Speaker 1>when digital cameras became more and more common, and then

0:15:31.080 --> 0:15:33.000
<v Speaker 1>we could get into the point where we had webcams

0:15:33.000 --> 0:15:35.360
<v Speaker 1>that could take a picture every you know, minute or

0:15:35.400 --> 0:15:38.000
<v Speaker 1>three minutes or whatever and then upload it. Because back

0:15:38.040 --> 0:15:40.920
<v Speaker 1>then the broadband speeds were such that unless you were

0:15:40.960 --> 0:15:44.800
<v Speaker 1>at a university and had a dedicated line, uh, you

0:15:44.840 --> 0:15:49.680
<v Speaker 1>didn't really have the speed the throughput necessary to upload

0:15:49.800 --> 0:15:52.480
<v Speaker 1>digital streaming video. You can also, no one would have

0:15:52.480 --> 0:15:55.120
<v Speaker 1>had this speed to download it. I had to watch it. Yeah,

0:15:55.320 --> 0:15:59.040
<v Speaker 1>So the early earliest lifecasting was really just a bunch

0:15:59.080 --> 0:16:03.480
<v Speaker 1>of webcams that were um position around various people's homes

0:16:03.520 --> 0:16:06.160
<v Speaker 1>that would take a photo every few minutes and then

0:16:06.240 --> 0:16:08.040
<v Speaker 1>upload it. And so you would go to the person's

0:16:08.080 --> 0:16:11.120
<v Speaker 1>website and then refresh the page, or the page with

0:16:11.160 --> 0:16:13.480
<v Speaker 1>itself would refresh every few minutes and give you an

0:16:13.520 --> 0:16:17.240
<v Speaker 1>updated view of what had happened in the the um

0:16:17.560 --> 0:16:20.600
<v Speaker 1>in that person's home. Now, this kind of stuff was

0:16:20.640 --> 0:16:25.440
<v Speaker 1>sort of mentioned in a novel that was written by

0:16:26.240 --> 0:16:31.960
<v Speaker 1>a pretty famous science fiction author, William Gibson neuromancer fame.

0:16:32.360 --> 0:16:36.840
<v Speaker 1>So Gibson had talked about a concept called God's Little Toys,

0:16:37.400 --> 0:16:39.640
<v Speaker 1>and he took that actually from something that our friend

0:16:39.680 --> 0:16:42.000
<v Speaker 1>of william S Burrows said about a real to reel

0:16:42.920 --> 0:16:46.280
<v Speaker 1>tape machine, the idea that this is God's little Toys.

0:16:46.400 --> 0:16:48.720
<v Speaker 1>It's something that you could record thoughts and in playback

0:16:48.760 --> 0:16:53.120
<v Speaker 1>whenever you wanted. But in his his novel All Tomorrow's Parties,

0:16:53.720 --> 0:16:56.280
<v Speaker 1>God's Little Toys were these blimps that could follow a

0:16:56.320 --> 0:16:59.840
<v Speaker 1>person around and stream everything so that it was con

0:17:00.000 --> 0:17:04.119
<v Speaker 1>stantly broadcasting that person's life and became a record of

0:17:04.119 --> 0:17:07.159
<v Speaker 1>that person's life as they moved around. Uh So that

0:17:07.240 --> 0:17:10.600
<v Speaker 1>kind of idea filtered into reality once we get into

0:17:10.600 --> 0:17:12.879
<v Speaker 1>the nineties and we start with these webcams. Some of

0:17:12.920 --> 0:17:15.680
<v Speaker 1>the earliest people who some of the people who did

0:17:15.680 --> 0:17:18.719
<v Speaker 1>this first, this this idea of life casting, of broadcasting

0:17:18.760 --> 0:17:24.560
<v Speaker 1>their lives include uh Jennifer Ringley who started Jenny Cam.

0:17:24.600 --> 0:17:31.040
<v Speaker 1>So Jenny Cam went from about two four and she

0:17:31.880 --> 0:17:35.400
<v Speaker 1>had cameras up and would upload it was was uploading

0:17:35.400 --> 0:17:39.159
<v Speaker 1>pictures of her life every single day. She did her

0:17:39.200 --> 0:17:42.160
<v Speaker 1>best to have it running all the time. Uh. Steve

0:17:42.240 --> 0:17:46.240
<v Speaker 1>Mann was another early life caster and then by n

0:17:47.440 --> 0:17:49.600
<v Speaker 1>SO nine four nine six is when we start seeing

0:17:49.600 --> 0:17:53.800
<v Speaker 1>lifecasting get started. Ninety nine that's when it really started

0:17:53.840 --> 0:17:57.600
<v Speaker 1>to hit the public consciousness, this idea of people's lives

0:17:57.640 --> 0:18:01.639
<v Speaker 1>being broadcast for entertainment, because that is when in the

0:18:01.680 --> 0:18:06.760
<v Speaker 1>Netherlands a television show called Big Brother hit there, and

0:18:06.920 --> 0:18:09.760
<v Speaker 1>Big Brother, you know, it was all about throwing people together.

0:18:09.800 --> 0:18:12.280
<v Speaker 1>It's kind of like Real World that MTV had done

0:18:12.280 --> 0:18:14.040
<v Speaker 1>in the way, but it was it was throwing a

0:18:14.080 --> 0:18:16.760
<v Speaker 1>bunch of people together and seeing what happens, kind of

0:18:16.800 --> 0:18:19.879
<v Speaker 1>like just starting an ant farm, but with people and

0:18:19.880 --> 0:18:23.120
<v Speaker 1>then shaking it really good, just before the cameras start

0:18:23.200 --> 0:18:29.400
<v Speaker 1>rolling picking really controversial ants fight exactly. Yeah, and and yeah,

0:18:29.680 --> 0:18:32.280
<v Speaker 1>in a little bit more of a contained area than

0:18:32.280 --> 0:18:35.119
<v Speaker 1>in the real world, right, And and there are people

0:18:35.160 --> 0:18:37.240
<v Speaker 1>out there who still do quite a bit of streaming.

0:18:37.520 --> 0:18:41.560
<v Speaker 1>Some of them are life casting with wearable computers, are

0:18:41.640 --> 0:18:46.399
<v Speaker 1>wearable UM cameras, where it's more about capturing their point

0:18:46.400 --> 0:18:48.760
<v Speaker 1>of view as opposed to the camera being turned back

0:18:48.800 --> 0:18:51.639
<v Speaker 1>on themselves. It's more about them capturing everything that's happening

0:18:51.680 --> 0:18:54.280
<v Speaker 1>to them from their perspective, which is the concept of

0:18:54.320 --> 0:18:57.200
<v Speaker 1>Google Glass. Well, that's one thing Google glass is capable

0:18:57.240 --> 0:18:59.840
<v Speaker 1>of doing. Yeah, And if I can interject, I think

0:19:00.000 --> 0:19:02.320
<v Speaker 1>that's sort of the future trend. I think that's where

0:19:02.359 --> 0:19:05.000
<v Speaker 1>this is going, is not so much turning the camera

0:19:05.160 --> 0:19:08.199
<v Speaker 1>on yourself for the I think I see it. I

0:19:08.240 --> 0:19:10.560
<v Speaker 1>see it as sort of red from your point of view.

0:19:10.600 --> 0:19:12.320
<v Speaker 1>I think you're gonna have both because I think that

0:19:12.440 --> 0:19:14.720
<v Speaker 1>vlogging is still very much a thing. There are people

0:19:14.760 --> 0:19:18.480
<v Speaker 1>who feel that they have uh, something very specific to

0:19:18.520 --> 0:19:20.960
<v Speaker 1>say about various topics, and so they want to turn

0:19:21.000 --> 0:19:24.640
<v Speaker 1>that camera back on themselves and record themselves saying, you know,

0:19:25.440 --> 0:19:29.320
<v Speaker 1>why we should leave Brittany alone or whatever, right, And

0:19:29.359 --> 0:19:30.840
<v Speaker 1>then there are going to be the other folks who

0:19:30.880 --> 0:19:33.440
<v Speaker 1>are thinking, uh, you know, I just want the world

0:19:33.440 --> 0:19:35.240
<v Speaker 1>to kind of see what it's like to go through

0:19:35.480 --> 0:19:38.120
<v Speaker 1>life in my shoes. So I think we're gonna get

0:19:38.160 --> 0:19:42.040
<v Speaker 1>both types. Still, I don't I don't see one dominating

0:19:42.119 --> 0:19:45.000
<v Speaker 1>over the other. I do see that the perspective stuff

0:19:45.040 --> 0:19:48.119
<v Speaker 1>is going to jump in popularity simply because the technology

0:19:48.160 --> 0:19:50.520
<v Speaker 1>is going to make it easier to do it well.

0:19:50.520 --> 0:19:53.919
<v Speaker 1>And I'd also like to make a very important distinction

0:19:54.080 --> 0:19:58.919
<v Speaker 1>between the future of life casting people uh taping everything

0:19:58.960 --> 0:20:03.120
<v Speaker 1>that happens in broad casting it versus just plane recording

0:20:03.280 --> 0:20:07.280
<v Speaker 1>just personal her personally. I mean you said that shields

0:20:07.320 --> 0:20:10.879
<v Speaker 1>the diarist like he didn't necessarily plan to publish this

0:20:11.040 --> 0:20:14.640
<v Speaker 1>right right in fact, and let me scroll to find

0:20:14.680 --> 0:20:18.119
<v Speaker 1>maybe he actually he UM He donated all of his

0:20:18.160 --> 0:20:24.400
<v Speaker 1>diaries to Washington Washington State University. This was posthumously and

0:20:24.520 --> 0:20:27.760
<v Speaker 1>um under under the agreement that it would not be

0:20:27.800 --> 0:20:33.800
<v Speaker 1>read or subjected to a word count for fifty years. Wow. Huh,

0:20:33.840 --> 0:20:36.680
<v Speaker 1>But I mean, well, that's interesting. I mean so, so

0:20:37.840 --> 0:20:39.800
<v Speaker 1>I think that tells us something that we sort of

0:20:39.880 --> 0:20:44.040
<v Speaker 1>knew already is that there's clearly some personal value that

0:20:44.080 --> 0:20:47.600
<v Speaker 1>people could get out of recording their experiences even without

0:20:47.640 --> 0:20:51.119
<v Speaker 1>broadcasting them out to the world. And those seem like

0:20:51.160 --> 0:20:55.159
<v Speaker 1>two very different ways of approaching recording one's life. Absolutely,

0:20:55.200 --> 0:20:57.200
<v Speaker 1>and there there's been a whole bunch of scientific research

0:20:57.280 --> 0:21:00.879
<v Speaker 1>lately about UM about in in in health tracking, fitness tracking,

0:21:01.040 --> 0:21:03.720
<v Speaker 1>just making yourself aware of your habits and aware of

0:21:03.760 --> 0:21:08.320
<v Speaker 1>what you're doing. In psychology as well, people who who

0:21:08.359 --> 0:21:10.800
<v Speaker 1>are working through issues and keep a diary about it

0:21:10.920 --> 0:21:13.719
<v Speaker 1>end up having much better UM or maybe it's significantly

0:21:13.760 --> 0:21:16.359
<v Speaker 1>better at anyway results at the end. Yeah. Yeah, the

0:21:16.440 --> 0:21:19.800
<v Speaker 1>idea that that it's we we talk about this a

0:21:19.800 --> 0:21:23.520
<v Speaker 1>lot as well. With the reliance upon the internet to

0:21:24.080 --> 0:21:26.080
<v Speaker 1>do a lot of the heavy lifting for us these days,

0:21:26.119 --> 0:21:28.560
<v Speaker 1>things like we don't have to remember as many facts

0:21:28.640 --> 0:21:31.640
<v Speaker 1>as we used to because we've put that into our

0:21:31.680 --> 0:21:34.959
<v Speaker 1>phones or on our computers and uh, but when you

0:21:34.960 --> 0:21:37.360
<v Speaker 1>write it down, you're actively thinking about it as you're

0:21:37.400 --> 0:21:39.800
<v Speaker 1>writing it, and then you have that personal record of it,

0:21:39.880 --> 0:21:42.240
<v Speaker 1>not just you know, not just a Wikipedia entry that

0:21:42.280 --> 0:21:45.439
<v Speaker 1>tells you about whatever the thing was that you were

0:21:45.480 --> 0:21:48.119
<v Speaker 1>thinking about. Has your own personal perspective on there. I

0:21:48.119 --> 0:21:50.560
<v Speaker 1>think that really does. Even if it's just a ritual

0:21:50.680 --> 0:21:53.040
<v Speaker 1>type thing, it really does have a way of cementing

0:21:53.080 --> 0:21:57.240
<v Speaker 1>that and making it have more of a psychological significance

0:21:57.280 --> 0:22:00.679
<v Speaker 1>in your life. Um. You know, I'm not a big

0:22:00.800 --> 0:22:04.600
<v Speaker 1>journal keeper. I never have been, but I've I've used

0:22:04.640 --> 0:22:07.800
<v Speaker 1>them before to write down funny things that I've thought

0:22:07.840 --> 0:22:12.200
<v Speaker 1>about or observed, but not so much of my deepest

0:22:12.400 --> 0:22:15.360
<v Speaker 1>thoughts and feelings about stuff. I just have never been

0:22:15.400 --> 0:22:18.679
<v Speaker 1>that kind of Your experiences are washed away like tears

0:22:18.720 --> 0:22:21.040
<v Speaker 1>in rain. Well, it's probably for the best, you know.

0:22:21.320 --> 0:22:24.879
<v Speaker 1>I mean, I destroy everything I touched, Joe, and uh,

0:22:24.920 --> 0:22:26.840
<v Speaker 1>I don't want to look back at a wake of destruction.

0:22:27.440 --> 0:22:31.399
<v Speaker 1>I just don't. Well, I've seen attack chips on fire.

0:22:32.200 --> 0:22:41.280
<v Speaker 1>I've seen what seabeams glittering san hazard, gay little blade runner. Yeah,

0:22:41.320 --> 0:22:45.400
<v Speaker 1>I like how Yeah, well no, let me grab it here. Um.

0:22:45.560 --> 0:22:48.520
<v Speaker 1>I I have sometimes kept journals on and off throughout

0:22:48.520 --> 0:22:51.600
<v Speaker 1>my life, not a whole lot recently, um, but there

0:22:51.640 --> 0:22:54.560
<v Speaker 1>have been times when I did, and it definitely it

0:22:54.720 --> 0:22:57.879
<v Speaker 1>changes the way you live when you're when you're keeping

0:22:57.880 --> 0:23:01.320
<v Speaker 1>records of things. I mean by down a memory, you

0:23:01.400 --> 0:23:04.600
<v Speaker 1>take an experience and you make it knowledge. Um. Like

0:23:04.640 --> 0:23:06.639
<v Speaker 1>we were saying before, you kind of you imbue it

0:23:06.680 --> 0:23:09.359
<v Speaker 1>with symbolic meaning just by putting it towards You do

0:23:09.440 --> 0:23:12.360
<v Speaker 1>the same thing by recording it, you know, whether audio

0:23:12.560 --> 0:23:16.240
<v Speaker 1>or video. But what about you, Lauren? Um? I I

0:23:16.280 --> 0:23:19.400
<v Speaker 1>actually kept diaries daily as a child. I mean dozens

0:23:19.400 --> 0:23:21.679
<v Speaker 1>and dozens of these diaries, and they were lost a

0:23:21.720 --> 0:23:24.320
<v Speaker 1>few years ago when when my father moved and he

0:23:24.680 --> 0:23:26.920
<v Speaker 1>was sending me, mailing me all of my possessions from

0:23:26.960 --> 0:23:29.479
<v Speaker 1>from my childhood. They were lost in the mail. And

0:23:29.520 --> 0:23:32.440
<v Speaker 1>this is still this shattering thing to me because because

0:23:32.440 --> 0:23:35.359
<v Speaker 1>I was writing down all of these deeply personal things

0:23:35.400 --> 0:23:37.119
<v Speaker 1>that I always thought that I would have a written

0:23:37.160 --> 0:23:40.560
<v Speaker 1>record of, and suddenly I don't, um, what creep has

0:23:40.600 --> 0:23:46.880
<v Speaker 1>them now that too. But and then for a long

0:23:46.920 --> 0:23:48.439
<v Speaker 1>time I did have a live journal, and so that

0:23:48.520 --> 0:23:51.280
<v Speaker 1>was kind of an extension of that. Um but uh,

0:23:51.640 --> 0:23:53.360
<v Speaker 1>but yeah, no, not not so much. Lately, I've kind

0:23:53.359 --> 0:23:55.160
<v Speaker 1>of given up on it. It's it's mostly I mean,

0:23:55.560 --> 0:23:58.080
<v Speaker 1>sometimes I'll go back and look through my text messages

0:23:58.160 --> 0:24:00.480
<v Speaker 1>to my friends if I want to see what was

0:24:00.560 --> 0:24:02.760
<v Speaker 1>going on at a particular time or or yeah, or

0:24:02.760 --> 0:24:05.320
<v Speaker 1>I'll scroll through Facebook and see what was going on. Yeah,

0:24:05.320 --> 0:24:08.840
<v Speaker 1>I've done that too. Um. Yeah, when I go back

0:24:08.880 --> 0:24:11.360
<v Speaker 1>and read my old I had a live journal too,

0:24:11.359 --> 0:24:13.440
<v Speaker 1>I didn't just a lot of weeping, not a lot

0:24:13.440 --> 0:24:15.240
<v Speaker 1>of weeping. I actually read it over and I think,

0:24:16.359 --> 0:24:19.520
<v Speaker 1>I don't even remember being this person anymore. It's it's

0:24:19.520 --> 0:24:23.200
<v Speaker 1>almost like there there are times where I read things

0:24:23.200 --> 0:24:25.880
<v Speaker 1>that I've written that were funny, and I think, man,

0:24:26.520 --> 0:24:29.800
<v Speaker 1>I was really funny back then. What happened to I

0:24:29.840 --> 0:24:31.879
<v Speaker 1>do that all the time. I have zero recollection of

0:24:31.880 --> 0:24:34.960
<v Speaker 1>writing these things. I mean, I remember feeling the way

0:24:34.960 --> 0:24:36.920
<v Speaker 1>that I was feeling at the time, but the actual

0:24:36.960 --> 0:24:40.960
<v Speaker 1>words that happened, I have no idea. Oh yeah, I've

0:24:41.000 --> 0:24:45.159
<v Speaker 1>felt the same way. Um. It's amazing to me to

0:24:45.280 --> 0:24:47.480
<v Speaker 1>think of though, I mean, if we were to make

0:24:47.560 --> 0:24:52.679
<v Speaker 1>that more total, like imagine you are really recording your

0:24:52.680 --> 0:24:55.639
<v Speaker 1>whole life and not necessarily broadcasting it, but just for

0:24:55.680 --> 0:25:00.360
<v Speaker 1>your own purposes. I think I just can't imagine. And really,

0:25:00.440 --> 0:25:03.680
<v Speaker 1>I mean, how different would life be if you had

0:25:03.720 --> 0:25:07.280
<v Speaker 1>a record of everything. Imagine you had something like Google

0:25:07.320 --> 0:25:11.160
<v Speaker 1>Glass and you could just set it to record constantly

0:25:11.960 --> 0:25:17.280
<v Speaker 1>and so every conversation you had, everything you did, everything

0:25:17.520 --> 0:25:21.080
<v Speaker 1>was available to you totally on on recall. You just

0:25:21.119 --> 0:25:23.720
<v Speaker 1>had to go back, rewind and find it and and

0:25:23.760 --> 0:25:26.480
<v Speaker 1>even from the point you know, but but before you

0:25:26.520 --> 0:25:29.440
<v Speaker 1>put on those that that Google glass and you start recording, Um,

0:25:29.480 --> 0:25:31.399
<v Speaker 1>you know, I wonder what's going to happen with children

0:25:31.440 --> 0:25:33.480
<v Speaker 1>who have been born in the past five years of

0:25:33.480 --> 0:25:35.960
<v Speaker 1>of of digital photography, because you know, I mean, are

0:25:36.560 --> 0:25:38.320
<v Speaker 1>I'm sure that all of us here have friends who

0:25:38.359 --> 0:25:42.120
<v Speaker 1>have just ten billion pictures of their very adorable, precious

0:25:42.200 --> 0:25:44.399
<v Speaker 1>children on the internet. And you know, what's what's it

0:25:44.400 --> 0:25:45.600
<v Speaker 1>going to be like? You know, we we all have

0:25:45.640 --> 0:25:48.119
<v Speaker 1>a few tattered black and white photos or maybe not

0:25:48.160 --> 0:25:50.680
<v Speaker 1>black and white, but you know, terrible chroma color from

0:25:50.680 --> 0:25:52.679
<v Speaker 1>our childhoods. And these these kids are going to have

0:25:52.800 --> 0:25:56.160
<v Speaker 1>this second to second documentation. I just have wood carvings.

0:25:56.200 --> 0:25:59.600
<v Speaker 1>But just imagine, let's project it out for a few years.

0:25:59.640 --> 0:26:02.760
<v Speaker 1>And just mentioned that you are able to to record

0:26:02.880 --> 0:26:05.040
<v Speaker 1>pretty much your entire life and store it. I mean,

0:26:05.080 --> 0:26:07.840
<v Speaker 1>it's not that hard to imagine. It doesn't seem infeasible

0:26:07.880 --> 0:26:11.320
<v Speaker 1>at all. And you can just imagine taking your kids

0:26:11.400 --> 0:26:13.080
<v Speaker 1>and saying, hey, I want to show you this, and

0:26:13.119 --> 0:26:15.200
<v Speaker 1>you show your kids the moment that you and your

0:26:15.240 --> 0:26:18.080
<v Speaker 1>spouse met and say this is this is it. This

0:26:18.160 --> 0:26:21.760
<v Speaker 1>is when we met one another and everything was magical.

0:26:21.840 --> 0:26:24.960
<v Speaker 1>You could essentially, yeah, you could essentially recreate how I

0:26:25.000 --> 0:26:27.640
<v Speaker 1>met your mother, but you know, in real life, uh,

0:26:27.720 --> 0:26:30.639
<v Speaker 1>and and show them like, this is this is why

0:26:30.880 --> 0:26:33.840
<v Speaker 1>we got married. Well, so many of the most important

0:26:33.920 --> 0:26:37.960
<v Speaker 1>moments in our lives are totally unpredictable and spontaneous. Sure,

0:26:38.320 --> 0:26:40.399
<v Speaker 1>you don't have time to turn on a camera exactly,

0:26:40.800 --> 0:26:42.480
<v Speaker 1>or if you did turn on a camera, you would

0:26:42.520 --> 0:26:44.600
<v Speaker 1>have missed out on what it was that was happened.

0:26:44.760 --> 0:26:46.840
<v Speaker 1>It would have been weird. If you're like, getting let

0:26:46.840 --> 0:26:50.119
<v Speaker 1>me document this now. I mean, having just an ambient

0:26:50.200 --> 0:26:54.720
<v Speaker 1>recording gives you the ability to um to experience life

0:26:54.760 --> 0:26:57.680
<v Speaker 1>and not worry about trying to capture it, but knowing

0:26:57.760 --> 0:27:00.720
<v Speaker 1>that if something happens that you want to remember, it

0:27:00.760 --> 0:27:02.920
<v Speaker 1>will be available to you, which is a big criticism

0:27:03.000 --> 0:27:05.680
<v Speaker 1>of the of the kind of life blogging or life

0:27:05.680 --> 0:27:07.600
<v Speaker 1>capture that's happening right now, and that you know. I mean,

0:27:07.600 --> 0:27:09.520
<v Speaker 1>how many times have you come to a concert and

0:27:09.680 --> 0:27:12.080
<v Speaker 1>you see more people watching it through their cell phone

0:27:12.200 --> 0:27:15.159
<v Speaker 1>than actually watching the stage, and and it kills you

0:27:15.200 --> 0:27:17.679
<v Speaker 1>a little bit inside. You go like you're missing the experience.

0:27:17.640 --> 0:27:20.560
<v Speaker 1>That's also one of the reasons why Google was very

0:27:20.560 --> 0:27:22.960
<v Speaker 1>interested in Google Glass, because they hope that it would

0:27:23.240 --> 0:27:26.160
<v Speaker 1>bring you that much closer to just experiencing what's going

0:27:26.160 --> 0:27:29.600
<v Speaker 1>on around you in real time, while also capturing everything

0:27:29.640 --> 0:27:31.159
<v Speaker 1>from your point of view. But you don't have to

0:27:31.200 --> 0:27:32.960
<v Speaker 1>worry about it because it's just doing it on its

0:27:32.960 --> 0:27:35.840
<v Speaker 1>own well once once you tell it to record, it's

0:27:35.840 --> 0:27:37.960
<v Speaker 1>not like it's always recording, although that is a fear

0:27:38.040 --> 0:27:41.640
<v Speaker 1>some people have. I think there is an interesting psychological

0:27:41.680 --> 0:27:46.720
<v Speaker 1>distinction between, um, between having an experience and making memories

0:27:46.760 --> 0:27:50.080
<v Speaker 1>of that experience, Like they're two different modes you get

0:27:50.080 --> 0:27:54.960
<v Speaker 1>into right sure, um, but this this sort of consolidates them,

0:27:55.080 --> 0:27:57.879
<v Speaker 1>right Yeah, And and I tell you. Let me. Let

0:27:57.920 --> 0:27:59.720
<v Speaker 1>me tell you what I'm most looking forward to and

0:27:59.720 --> 0:28:03.080
<v Speaker 1>the few future with this kind of technology. What I'm

0:28:03.119 --> 0:28:07.359
<v Speaker 1>most looking forward to is the fact that when my

0:28:07.440 --> 0:28:09.840
<v Speaker 1>wife tells me I said something, and I know I

0:28:09.880 --> 0:28:12.280
<v Speaker 1>didn't say that, but she tells me I said that,

0:28:12.320 --> 0:28:14.199
<v Speaker 1>we can actually go back and look at the right.

0:28:15.760 --> 0:28:20.000
<v Speaker 1>I am never wrong. I am never wrong, and in

0:28:20.119 --> 0:28:23.000
<v Speaker 1>the video will prove it once we have that technology.

0:28:23.920 --> 0:28:31.560
<v Speaker 1>She remembers things that happened in an alternate universe asitive. Well,

0:28:31.640 --> 0:28:33.440
<v Speaker 1>I can't wait to see how this pans out. Yeah,

0:28:33.440 --> 0:28:36.159
<v Speaker 1>I can't be either. Well, guys, I think this wraps

0:28:36.240 --> 0:28:39.160
<v Speaker 1>up our conversation about life casting. If you have any

0:28:39.160 --> 0:28:42.480
<v Speaker 1>suggestions for topics that we should cover here on Forward Thinking,

0:28:42.640 --> 0:28:44.400
<v Speaker 1>please get in touch with us. Let us know what

0:28:44.480 --> 0:28:46.960
<v Speaker 1>you think. Tell us what you're excites you about the future.

0:28:47.000 --> 0:28:48.760
<v Speaker 1>What is it that you really want to hear us

0:28:48.800 --> 0:28:51.960
<v Speaker 1>talk about we can You can get in touch with

0:28:52.040 --> 0:28:55.360
<v Speaker 1>us using our email. We have FW thinking at Discovery

0:28:55.400 --> 0:28:57.640
<v Speaker 1>dot com that works to get to all three of us.

0:28:58.120 --> 0:28:59.640
<v Speaker 1>You can also get in touch with us by going

0:28:59.640 --> 0:29:02.200
<v Speaker 1>to f W thinking dot com. Check out the website,

0:29:02.480 --> 0:29:05.320
<v Speaker 1>go watch the videos, read up on the blog posts.

0:29:05.320 --> 0:29:07.200
<v Speaker 1>Our social media links are there. You can get in

0:29:07.240 --> 0:29:09.440
<v Speaker 1>touch with us on Facebook or Twitter or Google Plus.

0:29:09.680 --> 0:29:11.640
<v Speaker 1>We're eager to hear from you. We can't wait for

0:29:11.640 --> 0:29:13.160
<v Speaker 1>you to be part of the conversation, and we will

0:29:13.200 --> 0:29:19.200
<v Speaker 1>talk to you again really soon. For more on this

0:29:19.280 --> 0:29:32.880
<v Speaker 1>topic and the future of technology, visit forward Thinking dot Com,

0:29:33.080 --> 0:29:35.840
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