WEBVTT - Unified Field Theory of Conspiracy

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<v Speaker 1>People will say, just so you know, I'm not feeling suicidal.

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<v Speaker 1>I love my life, and if you hear anything other

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<v Speaker 1>about me, you'll know it's not the real deal. Because

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<v Speaker 1>people have controversially died, and Forrestall is the first one

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<v Speaker 1>when that happened in forty nine, and people think he

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<v Speaker 1>was all over this UFO issue after Roswell, that he

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<v Speaker 1>was tied into Roswell, and then later Kennedy was tied

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<v Speaker 1>into him.

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<v Speaker 2>Of course, don't even get me started on the twelve scientists.

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<v Speaker 2>By the way, all of them are linked to classified

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<v Speaker 2>nuclear and aerospace projects, who are all currently missing or dead,

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<v Speaker 2>some by suicide allegedly.

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<v Speaker 1>I'm bryce able. Have you ever wondered if there's a

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<v Speaker 1>secret connection between Hollywood and UFOs.

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<v Speaker 2>I'm Brent Friedman, and you are listening to sound, light

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<v Speaker 2>and frequency.

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<v Speaker 1>And in this episode, we're putting JFK and Roswell in

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<v Speaker 1>an atom collider and we'll see what happens.

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<v Speaker 2>Then we're going to a real atom collider on the

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<v Speaker 2>Swiss Franco border and we're going to ask some very

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<v Speaker 2>interesting questions. Last episode, we talked about some very interesting

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<v Speaker 2>postcards that we were sent in the mail during the

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<v Speaker 2>whole Dark Sky's experience, which, as we talked about, set

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<v Speaker 2>off a whole series of questions and intrigue and frankly

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<v Speaker 2>put us into a state of paranoia. And so today

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<v Speaker 2>what we'd like to do is start to ask why

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<v Speaker 2>did those postcards get sent to us? And was it

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<v Speaker 2>at all connected to specifically what we did in the

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<v Speaker 2>Dark Sky's pilot.

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<v Speaker 1>Well, I'm joining you today, Brent, from my San Francisco

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<v Speaker 1>office of the Vast Stellar Productions Holdings. Anyway, I take

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<v Speaker 1>your point about those postcards, and the purpose of today's podcast, Brent,

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<v Speaker 1>is to ask ourselves a question. We got those cards

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<v Speaker 1>in the middle of the summer as we were starting

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<v Speaker 1>to shoot Dark Sky, so all it was out there

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<v Speaker 1>was a pilot script and a bible, and so that

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<v Speaker 1>we've always asked ourselves what was in those things that

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<v Speaker 1>would have made anybody say, let's send semi threatening postcards

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<v Speaker 1>to this Zabele guy so he can show him to

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<v Speaker 1>Freedman and they can freak out. Why would that happen?

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<v Speaker 1>And I think what you and I have decided is

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<v Speaker 1>at least one of the leading theories. It goes back

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<v Speaker 1>to when we were working on creating darks guys, and

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<v Speaker 1>we said, let's try the unified field theory of conspiracy.

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<v Speaker 1>Let's take the two greatest conspiracies of the twentieth century

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<v Speaker 1>Roswell nineteen forty seven, JFK nineteen sixty three. Let's put

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<v Speaker 1>them in Adam Collider and see what happens. And that's

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<v Speaker 1>what dark Skuys was. And as you said, that's one

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<v Speaker 1>of the things JC first told us when he met

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<v Speaker 1>us over a year later. You got a lot of things, right.

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<v Speaker 1>Do you think maybe he was talking about that.

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<v Speaker 2>It's a good theory, and I think today what we

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<v Speaker 2>need to do is put each one of those conspiracies

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<v Speaker 2>under the microscope and examine them. And I just want

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<v Speaker 2>to say, as a bit of a tease for later

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<v Speaker 2>in the episode, we're going to look at a third conspiracy,

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<v Speaker 2>or I should say a third emerging conspiracy set in

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<v Speaker 2>the twenty first century around cern.

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<v Speaker 1>That's a real album collider if I'm not.

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<v Speaker 2>Mistaken, exactly, And we are going to be connecting some

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<v Speaker 2>dots back to the formula as we move that subplot forward,

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<v Speaker 2>So stay tuned for that. In the meantime, Bryce you

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<v Speaker 2>had suggested, do we do a lightning round and start

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<v Speaker 2>looking at the cultural footprint that Roswell has left since

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<v Speaker 2>nineteen forty seven.

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<v Speaker 1>It is interesting to look at Roswell. It is culture

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<v Speaker 1>right now. If you say the word Roswell to people,

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<v Speaker 1>it's sort of like a shorthand way to say the

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<v Speaker 1>government's lying to you, because we know the government light

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<v Speaker 1>about something. Back in nineteen forty seven. They basically said

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<v Speaker 1>we have a flying disc and then the next day

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<v Speaker 1>they said, no, we don't. It was a weatherbloon. So

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<v Speaker 1>they were lying at the beginning or the end somewhere

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<v Speaker 1>in there. And so movies and television always picked these

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<v Speaker 1>things up. So let's do this. You go first, tell

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<v Speaker 1>me something you remember that you've seen where Roswell is mentioned,

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<v Speaker 1>and then I'll give you one, and let's see how

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<v Speaker 1>how long we can keep this going.

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<v Speaker 2>All right, Low Hanging Fruit, Dark Skies.

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<v Speaker 1>That's true, we've already said what that one was. I've

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<v Speaker 1>got one that came out the same year as Dark Skys, though,

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<v Speaker 1>and I think it's a pretty good one. And that

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<v Speaker 1>would be literally the Rock. You remember this movie. It

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<v Speaker 1>takes place literally at Alcatraz, which is important because I'm

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<v Speaker 1>in San Francisco right now, and Sean Connery's involved in it,

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<v Speaker 1>and they invoke Roswell as one of the biggest governments secrets,

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<v Speaker 1>and they literally pair it, Brent with quote the truth

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<v Speaker 1>about JFK. So this is all purpose. It is a

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<v Speaker 1>great example. That is the single passport to conspiracy. If

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<v Speaker 1>you say it, the audience absolutely understands it has to

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<v Speaker 1>do with deep state secrets. And it's not a big

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<v Speaker 1>part of the movie. It's just so casually invoked in

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<v Speaker 1>the Rock. But you have to mention it because it

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<v Speaker 1>was one of the first times where you could just

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<v Speaker 1>go wow, didn't expect to see or hear that.

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<v Speaker 2>Well. It's nice too, because the movie wasn't about Roswell

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<v Speaker 2>or JFK. That was just this tossed off little piece

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<v Speaker 2>of dialogue. It was about this guy who supposedly knew

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<v Speaker 2>all about it. Right, you give me one, I'm going

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<v Speaker 2>to give you a two fer oh X Files and

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<v Speaker 2>it's spin off The Lone Gunman.

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<v Speaker 1>Yeah, all right. What was their take on Roswell?

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<v Speaker 2>Their take, if I remember correctly, was it was basically

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<v Speaker 2>a variation on a theme. It did happen, but they

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<v Speaker 2>had a much more kind of interesting twist on the

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<v Speaker 2>actual conspirac itself.

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<v Speaker 1>If I recall, the best way to describe X Files

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<v Speaker 1>with Roswell is it's some mythic cornerstone inside their larger mythology, right,

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<v Speaker 1>It's a mythology inside of mythology. And they had one

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<v Speaker 1>episode called EBE, which we know stands for extraterrestrial biological entity.

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<v Speaker 1>But what's strange about it is, if I'm remembering this correctly,

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<v Speaker 1>their deep throat tells Molder that after Roswell, he says,

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<v Speaker 1>governments made a pack that any live extraterrestrial EBE would

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<v Speaker 1>be killed, which sort of adds to the Roswell cosmology

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<v Speaker 1>in a very dark way. And then in a later

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<v Speaker 1>one they did something called The Unnatural that literally takes

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<v Speaker 1>place at Roswell in nineteen forty seven and involves baseball.

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<v Speaker 1>So they've literally in X Files made it serious conspiracy

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<v Speaker 1>canon and American folklore at the same time, which I

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<v Speaker 1>thought was interesting. I enjoyed it. The Lone Gunman. To

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<v Speaker 1>the best of my knowledge, I don't think they ever

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<v Speaker 1>invoke it by name. They live in a world where

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<v Speaker 1>Roswell happened. Okay, here's another one now, eighteen ninety six.

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<v Speaker 1>There's a lot going in the nineties. You got dark

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<v Speaker 1>skys You Got the Rock, You Got X Files is on.

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<v Speaker 1>And here's another big one, which we covered in a

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<v Speaker 1>previous episode, Independence Day.

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<v Speaker 2>Yep, No, that's a big one. I'm going to take Actually,

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<v Speaker 2>a project you worked.

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<v Speaker 1>On, Taken, is a great example because what happens in

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<v Speaker 1>Taken is it is the inciting incident. I'm talking about Roswell. Now.

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<v Speaker 1>In Taken, Roswell is the inciting incident of the entire

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<v Speaker 1>mini series, and it launches the government conspiracy. There are

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<v Speaker 1>ten episodes to take in and they all deal with that.

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<v Speaker 1>I guess this is the way you would say it.

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<v Speaker 1>In Taken. It is a multi generational launch point, right,

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<v Speaker 1>Roswell happens, and these families are involved in it, and

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<v Speaker 1>it goes across generations. When you hear Roswell in that series,

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<v Speaker 1>you're invoking abduction and hybrids. But of course state power.

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<v Speaker 1>Another one that we shouldn't miss here is Project Blue Book,

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<v Speaker 1>which was on History Channel not long ago. They did

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<v Speaker 1>two seasons. It's a buried origin story. They don't make

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<v Speaker 1>tons about it. They do say it's a real extraterrestrial

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<v Speaker 1>event that was hidden by military authority. So it's invoked

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<v Speaker 1>a lot. But so is JFK. Frankly, in season two

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<v Speaker 1>of Project Bluebook. JFK is a character. I mean he's

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<v Speaker 1>literally a character. So there's that anything else.

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<v Speaker 2>I'm going to maybe finish this up with a last

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<v Speaker 2>unlikely one, but from our old friend Steven Spielberg once again,

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<v Speaker 2>Indiana Jones and the Kingdom of the Crystal Skull. I

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<v Speaker 2>just watched it two nights ago. Okay, maybe give us

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<v Speaker 2>a recap on how that I didn't.

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<v Speaker 1>Honestly, I do think Spielberg is a film genius, of course,

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<v Speaker 1>but that's not his best film. But I will say this.

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<v Speaker 1>It begins with Indiana Jones in nineteen forty seven being

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<v Speaker 1>at Area fifty one and he gets taken by these

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<v Speaker 1>Soviet spies, and these guys want him to help locate

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<v Speaker 1>the preserved body of an alien recovered at the Roswell incident.

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<v Speaker 1>One other quick one, though, would have to be American

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<v Speaker 1>horror story because that's very recent, that's on TV, and

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<v Speaker 1>of course they turned it into a campy, paranoid alt

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<v Speaker 1>history nightmare. And what's interesting about it, I thought you

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<v Speaker 1>and I took everything but the kitchen sink of conspiracy

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<v Speaker 1>and threw it into a blender for dark skies. But

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<v Speaker 1>these guys took everything anything that people have ever said

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<v Speaker 1>about anything about Roswell. Boom, it's in there. You got

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<v Speaker 1>the presidents and they're making deals with aliens and people

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<v Speaker 1>are levitating, and it's crazy. I guess the point that

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<v Speaker 1>we're making here by just going through all these this

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<v Speaker 1>was not exhaustive. And in fact, if you want to

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<v Speaker 1>laugh instead of get all bent out of shape, I

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<v Speaker 1>would recommend Brent that people should watch Paul. They never

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<v Speaker 1>quite say, and Paul, by the way, that he is

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<v Speaker 1>the original Roswell alien, but for my money is implied,

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<v Speaker 1>hears implied. Roswell has become a cultural thing. So it's

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<v Speaker 1>in the movies and all that. Let's talk about what

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<v Speaker 1>it really is. First time, I was.

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<v Speaker 2>Going to say, we've done Hollywood at least a nice

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<v Speaker 2>fly over. Now let's do history.

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<v Speaker 1>Okay, people like you and me, we probably know enough

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<v Speaker 1>about Roswell that we could talk for a couple of

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<v Speaker 1>our episodes about it before we ran completely dry. But

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<v Speaker 1>one of the people I know very well is a

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<v Speaker 1>guy named Don Schmidt, who is one of the researchers

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<v Speaker 1>of Roswell. Don has been researching since the late eighties

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<v Speaker 1>he worked for Kufos JL and Heinik was his boss

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<v Speaker 1>for a while. He has written multiple books about it,

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<v Speaker 1>and he has been investigating it forever, literally all through

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<v Speaker 1>the nineties, the two thousand's, the twenty tens and now,

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<v Speaker 1>and he has been the guy that, as he put it,

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<v Speaker 1>was racing the undertaker, and boy did he run a

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<v Speaker 1>good race. Because between Don and his partners, they literally

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<v Speaker 1>have turned up hundreds of witnesses to create what I

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<v Speaker 1>call a mosaic that tells you what's really going on

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<v Speaker 1>or what did go on and implied what's going on.

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<v Speaker 1>So I interviewed Don late in twenty twenty five for

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<v Speaker 1>Need to Know, and I asked him to tell the

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<v Speaker 1>story in a minute, is what I said. Don give

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<v Speaker 1>me Roswell in a minute. So I've got that queued

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<v Speaker 1>up right now. Let's just take a look at that

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<v Speaker 1>and then see if there's anything that we need to add.

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<v Speaker 3>I need to quickly point out what was so important

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<v Speaker 3>about New Mexico at the end of World War Two,

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<v Speaker 3>and within just years thereafter first atomic bomb was detonated

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<v Speaker 3>just two hours west of Roswell, you had all the

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<v Speaker 3>testing that captured German Vy two rockets at the White

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<v Speaker 3>Sands Proving Grounds just to the south of that area,

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<v Speaker 3>had ongoing atomic research at Los Alamos, and in Roswell

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<v Speaker 3>itself you had the Roso Army Airfield, which was the

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<v Speaker 3>headquarters of the first atomic bomb squadron in the world.

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<v Speaker 3>So it was the hotbed of military activity research testing

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<v Speaker 3>in the world bar none at that time. According to

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<v Speaker 3>Project Bluebook, there were more UFO sidings in New Mexico

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<v Speaker 3>at that time than anywhere else in the world. And

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<v Speaker 3>wouldn't you know that, on the late evening of July second,

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<v Speaker 3>nineteen forty seven, something crashed in the high desert just

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<v Speaker 3>sixty five miles northwest of Roswell. Rancher would notify the base.

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<v Speaker 3>It was the colonel based Commander William Blanchard, who woul

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<v Speaker 3>dispatched his two intel officers to check it out. Within days,

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<v Speaker 3>they put out a press release that they had actually

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<v Speaker 3>captured a flying saucer within five hours. Blanchard's boss, General

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<v Speaker 3>Roger Rainey, explained it all away as just a conventional

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<v Speaker 3>off the show weather balloon with the radar reflector kite.

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<v Speaker 3>And it wasn't until thirty years later that the very

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<v Speaker 3>intelligence officer who led the investigation who was first to

0:12:41.679 --> 0:12:46.679
<v Speaker 3>go investigate the crash site. He was diagnosed with terminal episima,

0:12:47.040 --> 0:12:50.640
<v Speaker 3>and he broke his security oath. He went public and said, quote,

0:12:51.000 --> 0:12:56.680
<v Speaker 3>being familiar with all materials, both foreign and domestic, this

0:12:56.880 --> 0:13:00.400
<v Speaker 3>was nothing made on this earth end quote.

0:13:00.800 --> 0:13:03.000
<v Speaker 1>I'd love that. It's so unfair. It is not fair

0:13:03.080 --> 0:13:05.920
<v Speaker 1>for me to say, hey, Don, you've been studying something

0:13:05.960 --> 0:13:09.679
<v Speaker 1>for many, many decades, and you've interviewed six hundred witnesses

0:13:09.800 --> 0:13:12.640
<v Speaker 1>or whatever, and now just boil it down to one minute.

0:13:12.679 --> 0:13:14.160
<v Speaker 1>But I thought he did a pretty good job.

0:13:14.559 --> 0:13:17.880
<v Speaker 2>That's a great recap, and hopefully anyone that hadn't heard

0:13:17.880 --> 0:13:20.640
<v Speaker 2>about Roswell now has the primmer on which we can

0:13:20.640 --> 0:13:22.679
<v Speaker 2>build the rest of this episode.

0:13:22.720 --> 0:13:24.800
<v Speaker 1>I have a book of Don's under option. It's called

0:13:24.840 --> 0:13:27.800
<v Speaker 1>Witness to Roswell, and I would urge people who would

0:13:27.840 --> 0:13:29.960
<v Speaker 1>like to go a little deeper and say, I really

0:13:29.960 --> 0:13:32.240
<v Speaker 1>want to know some of the details here that they

0:13:32.280 --> 0:13:35.320
<v Speaker 1>probably do want to read Witness to Roswell by Don

0:13:35.360 --> 0:13:38.200
<v Speaker 1>Schmidt and his partner Tom Carey, who did a really

0:13:38.200 --> 0:13:40.960
<v Speaker 1>good job with it. Just one thing to add to that,

0:13:41.240 --> 0:13:44.320
<v Speaker 1>because there's not a lot again, there are many more details.

0:13:44.360 --> 0:13:46.600
<v Speaker 1>There's a lot of testimony. When I first went to

0:13:46.720 --> 0:13:50.000
<v Speaker 1>Roswell over a decade ago, Don had invited me and

0:13:50.280 --> 0:13:52.960
<v Speaker 1>I was a speaker there, and Don introduced me to

0:13:53.320 --> 0:13:56.160
<v Speaker 1>Frankie Rowe, who at the time was a woman I

0:13:56.200 --> 0:13:59.160
<v Speaker 1>believe in her sixties. She had been thirteen years old

0:13:59.200 --> 0:14:02.600
<v Speaker 1>Brent when her father, who was a local Roswell fireman,

0:14:02.679 --> 0:14:05.679
<v Speaker 1>came home from having gone to the site and let

0:14:05.720 --> 0:14:08.400
<v Speaker 1>her play with some of the memory medal, So she

0:14:08.760 --> 0:14:12.920
<v Speaker 1>was folding stuff up and releasing it and then capturing

0:14:13.400 --> 0:14:14.240
<v Speaker 1>it and doing that.

0:14:14.320 --> 0:14:17.040
<v Speaker 2>Let me just interject for anyone that doesn't know. The

0:14:17.080 --> 0:14:20.120
<v Speaker 2>memory metal is what is purported to have been the

0:14:20.160 --> 0:14:23.640
<v Speaker 2>material that the craft was made out of that crashed

0:14:23.840 --> 0:14:27.080
<v Speaker 2>that the government later said was tinfoil, But in fact

0:14:27.240 --> 0:14:30.360
<v Speaker 2>everyone that dealt with it, including this girl and Jesse

0:14:30.480 --> 0:14:33.800
<v Speaker 2>Marcel and several others, said that it actually had a

0:14:33.880 --> 0:14:36.080
<v Speaker 2>memory to it, so that when you crunched it up,

0:14:36.160 --> 0:14:38.920
<v Speaker 2>it would immediately snap back to its original form.

0:14:39.200 --> 0:14:41.480
<v Speaker 1>Let me put it this way, fireman and even a

0:14:41.520 --> 0:14:44.440
<v Speaker 1>thirteen year old girl know the difference between tinfoil and

0:14:44.520 --> 0:14:48.560
<v Speaker 1>something that's extraordinary. And certainly Jesse Marcel, who you mentioned

0:14:48.880 --> 0:14:52.520
<v Speaker 1>was the intelligence officer at Roswell, who also showed some

0:14:52.560 --> 0:14:55.600
<v Speaker 1>of it to his own son that first night. And

0:14:55.680 --> 0:14:58.320
<v Speaker 1>in order to believe the weather balloon as an aside,

0:14:58.440 --> 0:15:01.760
<v Speaker 1>you'd have to believe that Roswell, which as Don Schmid

0:15:01.840 --> 0:15:05.240
<v Speaker 1>pointed out, was the only nuclear bomber base in the

0:15:05.280 --> 0:15:08.320
<v Speaker 1>freaking world at the time, that the people who were

0:15:08.360 --> 0:15:11.440
<v Speaker 1>in charge of intelligence at that base, which is the

0:15:11.480 --> 0:15:15.600
<v Speaker 1>most important base in the world, couldn't tell the difference

0:15:15.640 --> 0:15:20.880
<v Speaker 1>between a crashed interplanetary vehicle and a weather balloon, of

0:15:20.960 --> 0:15:24.120
<v Speaker 1>which they launched them regularly. But I digress back to

0:15:24.480 --> 0:15:27.440
<v Speaker 1>Frankie Rowe. She told me to my face this story.

0:15:27.520 --> 0:15:30.640
<v Speaker 1>She's thirteen years old. She'd been playing with this memory

0:15:30.680 --> 0:15:33.520
<v Speaker 1>metal at the fire station and they were at home

0:15:33.560 --> 0:15:36.520
<v Speaker 1>having dinner, and some men showed up. They drive up

0:15:36.560 --> 0:15:38.920
<v Speaker 1>in the car. You've seen scenes like that before, and

0:15:39.040 --> 0:15:41.960
<v Speaker 1>these people take her parents to separate parts of the

0:15:42.000 --> 0:15:45.280
<v Speaker 1>house and talk to them. And then the scariest guy

0:15:45.360 --> 0:15:47.040
<v Speaker 1>I believe, she said, he was a guy that always

0:15:47.040 --> 0:15:51.400
<v Speaker 1>wore sunglasses right, and he had those military aviators right,

0:15:51.800 --> 0:15:54.200
<v Speaker 1>and he takes her aside. And I'm not going to

0:15:54.280 --> 0:15:56.040
<v Speaker 1>quote the exact quote because I don't have it in

0:15:56.040 --> 0:15:58.640
<v Speaker 1>front of me. But the essence was he said, listen,

0:15:58.680 --> 0:16:01.960
<v Speaker 1>little girl, you're not going to talk to anybody about

0:16:02.000 --> 0:16:04.960
<v Speaker 1>what you saw and what you did, because if you do,

0:16:05.280 --> 0:16:07.840
<v Speaker 1>your body will end up in the desert and Wi'll

0:16:07.920 --> 0:16:11.520
<v Speaker 1>just be bones scattered to the wind, and nobody will

0:16:11.520 --> 0:16:14.560
<v Speaker 1>ever know what happened to you, not even your parents. Ooh,

0:16:15.360 --> 0:16:15.760
<v Speaker 1>this is a.

0:16:15.760 --> 0:16:19.560
<v Speaker 2>Thirteen year old girl. This man gave this threat to listen.

0:16:19.680 --> 0:16:21.720
<v Speaker 1>Let me put it this way. Why would people do

0:16:21.800 --> 0:16:24.040
<v Speaker 1>that about a weather balloon, even if it was a

0:16:24.120 --> 0:16:26.600
<v Speaker 1>classified weather balloon. It's hard to imagine.

0:16:26.640 --> 0:16:29.800
<v Speaker 2>I'm curious, though, Bryce, when you met her years later

0:16:29.880 --> 0:16:31.320
<v Speaker 2>in Oswell, how old was she?

0:16:31.440 --> 0:16:33.840
<v Speaker 1>I think, if you do the math, this is probably

0:16:33.880 --> 0:16:36.680
<v Speaker 1>twenty ten and she was thirteen and forty seven. Now

0:16:36.680 --> 0:16:38.680
<v Speaker 1>we're really going to test our math skills.

0:16:38.840 --> 0:16:41.920
<v Speaker 2>I'm looking at you. She might have been in her seventies. Okay,

0:16:42.080 --> 0:16:43.880
<v Speaker 2>here's my question. I don't know if you asked her this,

0:16:43.960 --> 0:16:47.200
<v Speaker 2>But had she ever told anyone this before she told you?

0:16:47.760 --> 0:16:50.640
<v Speaker 2>When did she start not worrying about being bones in

0:16:50.680 --> 0:16:51.080
<v Speaker 2>the desert?

0:16:51.320 --> 0:16:54.120
<v Speaker 1>Exactly? I can't claim that she told me first. I

0:16:54.240 --> 0:16:57.200
<v Speaker 1>heard her story only because Don Schmid said, Bryce, come

0:16:57.200 --> 0:16:59.640
<v Speaker 1>over here. You need to meet Frankie. Frankie, this is

0:16:59.680 --> 0:17:02.280
<v Speaker 1>bryce she had started later in her life, as many

0:17:02.320 --> 0:17:04.600
<v Speaker 1>of these people do, which is what Don Schmidt was

0:17:04.640 --> 0:17:08.199
<v Speaker 1>saying in Racing the Entertaining People. You don't have to

0:17:08.280 --> 0:17:11.240
<v Speaker 1>quite be on your deathbed to say, screw this. I

0:17:11.280 --> 0:17:14.560
<v Speaker 1>am tired of living in fear and I'm going to

0:17:14.640 --> 0:17:17.600
<v Speaker 1>get clear with my maker by telling the truth about

0:17:17.600 --> 0:17:20.959
<v Speaker 1>this extraordinary thing that happened to me. And that seemed

0:17:20.960 --> 0:17:23.439
<v Speaker 1>to be where she was. She was a fierce and

0:17:23.520 --> 0:17:26.640
<v Speaker 1>tough woman. When I met her, I did say to her,

0:17:26.760 --> 0:17:29.199
<v Speaker 1>are you concerned? So I did ask her kind of

0:17:29.240 --> 0:17:32.159
<v Speaker 1>your question, and she said she basically said, no, I'm not.

0:17:32.320 --> 0:17:33.359
<v Speaker 1>What are they going to do to me?

0:17:33.760 --> 0:17:36.560
<v Speaker 2>Yeah? I share that feeling. You had some of those

0:17:36.560 --> 0:17:38.960
<v Speaker 2>same qualms before we did this exactly.

0:17:39.160 --> 0:17:42.280
<v Speaker 1>You do know that? And that is that a description

0:17:42.359 --> 0:17:45.200
<v Speaker 1>that would match your own about your meeting with Harrington

0:17:45.240 --> 0:17:47.720
<v Speaker 1>and how you had to keep that close for so

0:17:47.800 --> 0:17:49.159
<v Speaker 1>many years. Yeah.

0:17:49.240 --> 0:17:51.840
<v Speaker 2>I think there was always a fear that hung over

0:17:52.119 --> 0:17:56.040
<v Speaker 2>ever going public. And it wasn't until I stopped worrying

0:17:56.080 --> 0:17:58.959
<v Speaker 2>about death quite frankly, that I didn't care anymore, and

0:17:59.000 --> 0:18:02.040
<v Speaker 2>I just felt that it is time to tell our stories.

0:18:02.200 --> 0:18:05.080
<v Speaker 1>I'm glad they did. I'm glad all these witnesses have talked.

0:18:05.359 --> 0:18:08.520
<v Speaker 1>And again, our podcast isn't about trying to prove Roswell

0:18:08.520 --> 0:18:10.800
<v Speaker 1>to anybody. There's other podcasts that have tried to do that.

0:18:10.840 --> 0:18:13.400
<v Speaker 1>We talk about film and TV and try to look

0:18:13.560 --> 0:18:16.800
<v Speaker 1>into some of what has happened in the world like

0:18:16.840 --> 0:18:19.600
<v Speaker 1>that and try to interpret it. We have to talk

0:18:19.840 --> 0:18:23.560
<v Speaker 1>right now about what I think is the seminal film

0:18:23.640 --> 0:18:27.119
<v Speaker 1>about Roswell that has been made to this point, and

0:18:27.160 --> 0:18:30.920
<v Speaker 1>it's a movie that's called Oh wait, it's called Roswell.

0:18:31.200 --> 0:18:31.880
<v Speaker 1>Yes it is.

0:18:32.160 --> 0:18:34.040
<v Speaker 2>But one last thing I just want to put on

0:18:34.080 --> 0:18:36.439
<v Speaker 2>the docket because I think it's going to inform some

0:18:36.520 --> 0:18:38.600
<v Speaker 2>of what we're going to talk about with this movie,

0:18:38.680 --> 0:18:42.240
<v Speaker 2>and that is that Roswell is generally considered ground zero

0:18:42.720 --> 0:18:46.199
<v Speaker 2>for the UFO cover up, which is going on seventy

0:18:46.280 --> 0:18:48.760
<v Speaker 2>nine years now. I think it's really interesting some of

0:18:48.800 --> 0:18:50.600
<v Speaker 2>the things we're going to talk about, not just what's

0:18:50.640 --> 0:18:53.440
<v Speaker 2>in the movie, but everything surrounding that movie as well.

0:18:53.720 --> 0:18:56.359
<v Speaker 1>One of the great things about doing this podcast with you, Brent,

0:18:56.560 --> 0:18:59.600
<v Speaker 1>is that we've said a general area we're going to

0:18:59.600 --> 0:19:02.840
<v Speaker 1>talk about this, So in this case, we're saying, we're

0:19:02.840 --> 0:19:06.080
<v Speaker 1>going to look into whether our JFK. Roswell connection actually

0:19:06.320 --> 0:19:08.480
<v Speaker 1>could have been real, and it was out why they

0:19:08.480 --> 0:19:10.800
<v Speaker 1>came to us, So you start to look into things.

0:19:10.880 --> 0:19:14.600
<v Speaker 1>And I watched the Roswell movie back when it aired,

0:19:14.640 --> 0:19:17.160
<v Speaker 1>and it was on Showtime back in nineteen ninety four,

0:19:17.400 --> 0:19:20.320
<v Speaker 1>and I've seen it another time in between, and I

0:19:20.480 --> 0:19:23.520
<v Speaker 1>watched it last week where I found a copy of

0:19:23.560 --> 0:19:26.920
<v Speaker 1>it on YouTube. It's a powerful film and it has

0:19:26.960 --> 0:19:29.520
<v Speaker 1>so many behind the scenes things. But just to give

0:19:29.520 --> 0:19:32.240
<v Speaker 1>people what we say is the log line, there's many

0:19:32.280 --> 0:19:34.880
<v Speaker 1>ways to describe the log line. Here's the shortest one

0:19:34.920 --> 0:19:38.040
<v Speaker 1>I could figure out. In nineteen forty seven, Roswell, a

0:19:38.119 --> 0:19:43.360
<v Speaker 1>military intelligence officer uncovers evidence of a crashed alien craft,

0:19:43.680 --> 0:19:46.760
<v Speaker 1>only to be drawn into a sweeping government cover up

0:19:46.960 --> 0:19:48.920
<v Speaker 1>that will haunt him for decades.

0:19:49.119 --> 0:19:53.200
<v Speaker 2>That's a good description. We're talking about Jesse Marcel played

0:19:53.240 --> 0:19:55.000
<v Speaker 2>by Kyle McLaughlin.

0:19:54.760 --> 0:19:58.240
<v Speaker 1>Yes, of Twin Peaks, which, by the way, just before

0:19:58.280 --> 0:20:01.200
<v Speaker 1>we get in and do the Roswell thing, we could

0:20:01.200 --> 0:20:04.679
<v Speaker 1>have mentioned Twin Peaks when we were doing our lightning.

0:20:04.800 --> 0:20:07.960
<v Speaker 1>That's kind of thing because Twin Peaks clearly has a

0:20:08.000 --> 0:20:11.879
<v Speaker 1>lot to say about aliens or not even aliens, because

0:20:11.880 --> 0:20:14.680
<v Speaker 1>in Twin Peaks, the mysterious force may not be alien

0:20:14.800 --> 0:20:15.200
<v Speaker 1>at all.

0:20:15.400 --> 0:20:16.760
<v Speaker 2>It's a non human intelligence.

0:20:16.840 --> 0:20:20.320
<v Speaker 1>Yeah, it sounds like it's interdimensional. It's ancient, it's psychic,

0:20:20.640 --> 0:20:22.879
<v Speaker 1>it's evil, and it's already here. And one thing I

0:20:22.920 --> 0:20:26.080
<v Speaker 1>did find though, while we're researching it, they don't, specifically,

0:20:26.119 --> 0:20:30.000
<v Speaker 1>the best of my knowledge, invoke Roswell in Twin Peaks.

0:20:30.160 --> 0:20:33.719
<v Speaker 1>That's in the series. But Mark Frost, who I believe

0:20:33.800 --> 0:20:36.680
<v Speaker 1>is the creator of co creator with co creator along

0:20:36.720 --> 0:20:40.439
<v Speaker 1>with the peopleage, he wrote a book, The Secret History

0:20:40.440 --> 0:20:44.119
<v Speaker 1>of Twin Peaks, and he does invoke it there. He

0:20:44.160 --> 0:20:48.919
<v Speaker 1>does say that this Douglas Milford character was building a

0:20:48.960 --> 0:20:52.359
<v Speaker 1>shadow blue book inside of Twin Peaks and it was

0:20:52.440 --> 0:20:55.320
<v Speaker 1>based on Roswell. That kind of thing. So Roswell got

0:20:55.359 --> 0:20:59.200
<v Speaker 1>its fair share of discussion then. But let's talk about

0:20:59.240 --> 0:21:02.600
<v Speaker 1>that movie. You just saw it. Tell me your thoughts.

0:21:06.720 --> 0:21:09.520
<v Speaker 2>I thought the recreation of the time period back in

0:21:09.520 --> 0:21:12.720
<v Speaker 2>the forties was quite well done. I've always liked Kyle maclachan.

0:21:12.800 --> 0:21:15.119
<v Speaker 2>I thought he was quite good overall. I really liked it.

0:21:15.160 --> 0:21:18.439
<v Speaker 2>The writing, the direction, the production design, the acting. It

0:21:18.480 --> 0:21:21.720
<v Speaker 2>was all top quality, and I think that what appealed

0:21:21.720 --> 0:21:24.600
<v Speaker 2>to me most was that kind of emotional arc that

0:21:24.680 --> 0:21:27.760
<v Speaker 2>Jesse Marcel had somebody who you know back in the

0:21:27.760 --> 0:21:32.080
<v Speaker 2>forties was portrayed as a very solid and reliable intelligence

0:21:32.119 --> 0:21:35.399
<v Speaker 2>officer who gets caught up in this whole thing and

0:21:35.480 --> 0:21:38.360
<v Speaker 2>they make him the fall guy. He then is, as

0:21:38.359 --> 0:21:41.280
<v Speaker 2>you said, haunted for the rest of his life by

0:21:41.680 --> 0:21:44.600
<v Speaker 2>this choice that he made to go along with the

0:21:44.640 --> 0:21:46.840
<v Speaker 2>cover up. The nice thing they do in this movie

0:21:46.920 --> 0:21:50.160
<v Speaker 2>is they're jumping back and forth between the forties when

0:21:50.200 --> 0:21:53.679
<v Speaker 2>this happened and later in life when he's coming together

0:21:53.760 --> 0:21:57.160
<v Speaker 2>for a reunion with the five h ninth bomber squad

0:21:57.320 --> 0:22:01.040
<v Speaker 2>back at the base, and him trying to as he's

0:22:01.080 --> 0:22:04.840
<v Speaker 2>getting old and they imply he's close to death, trying

0:22:04.920 --> 0:22:08.119
<v Speaker 2>to make sense of what happened and get some information

0:22:08.280 --> 0:22:12.120
<v Speaker 2>that would close the loop for him on what really happened.

0:22:12.280 --> 0:22:15.000
<v Speaker 2>Did I remember this correctly? Have I forgotten that? Like

0:22:15.040 --> 0:22:18.240
<v Speaker 2>what really happened? And I thought that part of the

0:22:18.280 --> 0:22:21.240
<v Speaker 2>story that a man trying to close the book on

0:22:21.760 --> 0:22:24.399
<v Speaker 2>something that happened to him, possibly a bad choice he

0:22:24.440 --> 0:22:27.800
<v Speaker 2>made earlier in his life, was very compelling. It was moving.

0:22:28.080 --> 0:22:30.639
<v Speaker 1>Jesse Marcel's son is a character in that movie. I

0:22:30.680 --> 0:22:33.800
<v Speaker 1>actually met his real son who was passed on, but

0:22:34.359 --> 0:22:38.400
<v Speaker 1>he certainly suffered fools, not gladly at all, and said, no,

0:22:38.560 --> 0:22:42.040
<v Speaker 1>this was not a weather balloon that dad brought home

0:22:42.080 --> 0:22:44.880
<v Speaker 1>in the middle of the night. It was clearly something extraordinary.

0:22:45.000 --> 0:22:47.919
<v Speaker 1>Speaking of extraordinary things, though you did say it was

0:22:48.119 --> 0:22:51.560
<v Speaker 1>so well written, it was written by a playwright, and

0:22:51.640 --> 0:22:55.960
<v Speaker 1>I believe that is Arthur Koppitt playwright, and Jeremy Kagan

0:22:56.200 --> 0:22:59.399
<v Speaker 1>was the director, but the creative force behind it was

0:22:59.400 --> 0:23:02.680
<v Speaker 1>a gentleman called Paul David's. Paul David's is the one

0:23:02.680 --> 0:23:04.440
<v Speaker 1>that sort of made it happen, and we'll get into

0:23:04.480 --> 0:23:06.159
<v Speaker 1>that in a second. We like to say there's a

0:23:06.240 --> 0:23:09.560
<v Speaker 1>story behind the story. So what you just described and

0:23:09.640 --> 0:23:13.199
<v Speaker 1>the logline I gave you, that's the top level, the

0:23:13.240 --> 0:23:15.960
<v Speaker 1>top of the pyramid about what it's about. But there's

0:23:16.080 --> 0:23:19.000
<v Speaker 1>a story behind it. Here's one for you. The Roswell

0:23:19.040 --> 0:23:23.560
<v Speaker 1>film was originally set up at HBO, but it aired

0:23:23.720 --> 0:23:28.560
<v Speaker 1>on Showtime and apparently HBO's I don't know if he

0:23:28.640 --> 0:23:31.240
<v Speaker 1>was the chair or the president or whatever. Michael Fuchs.

0:23:31.280 --> 0:23:32.840
<v Speaker 1>By the way, it's based on a book that Don

0:23:32.880 --> 0:23:37.040
<v Speaker 1>Schmidt wrote with his first partner, Kevin Randall and Michael

0:23:37.040 --> 0:23:39.520
<v Speaker 1>Fuchs was on the plane back from New York and

0:23:39.600 --> 0:23:42.800
<v Speaker 1>got off and they were already casting. And when he

0:23:42.800 --> 0:23:44.280
<v Speaker 1>got off the plane, he said, we're not doing the

0:23:44.320 --> 0:23:47.919
<v Speaker 1>movie anymore because it's too controversial. That's what Don Schmitt

0:23:47.960 --> 0:23:51.760
<v Speaker 1>was told. Wow, and they dropped it. And God bless

0:23:51.920 --> 0:23:55.760
<v Speaker 1>Showtime because within one week apparently it was then set

0:23:55.840 --> 0:23:59.520
<v Speaker 1>up at Showtime and the entire creative team in Moss

0:23:59.840 --> 0:24:04.240
<v Speaker 1>moved moved from HBO to Showtime and one other quick

0:24:04.359 --> 0:24:07.320
<v Speaker 1>aside when it was at HBO. At the very beginning,

0:24:07.880 --> 0:24:10.359
<v Speaker 1>HBO hired a guy named John Adam who was a

0:24:10.440 --> 0:24:14.280
<v Speaker 1>stringer for Spy magazine and also for the New York Times,

0:24:14.680 --> 0:24:19.520
<v Speaker 1>and they hired him at HBO to conduct an independent investigation.

0:24:19.920 --> 0:24:23.280
<v Speaker 1>I've read this report. It's ninety five pages long, right,

0:24:23.680 --> 0:24:27.119
<v Speaker 1>and John Adam concludes at the end of this report

0:24:27.160 --> 0:24:31.200
<v Speaker 1>there are only two possibilities. A. It happened as exactly

0:24:31.240 --> 0:24:34.440
<v Speaker 1>stated in the book okay, which is called UFO Crash

0:24:34.480 --> 0:24:38.680
<v Speaker 1>at Roswell or b the most elaborate hoax he's ever seen.

0:24:38.880 --> 0:24:42.640
<v Speaker 1>Those are the only two choices. Interesting, Yeah, here's one

0:24:42.680 --> 0:24:45.800
<v Speaker 1>other factoid, the entire project got set up before the

0:24:45.840 --> 0:24:49.560
<v Speaker 1>book was even written. They heard that Schmidt and his

0:24:49.680 --> 0:24:53.040
<v Speaker 1>partner Randall were writing this thing, and Paul David's, who

0:24:53.119 --> 0:24:57.520
<v Speaker 1>I mentioned, option this thing and set it up at HBO.

0:24:58.000 --> 0:25:01.720
<v Speaker 1>So yeah, kind of behind the scenes kind of thing.

0:25:01.920 --> 0:25:04.040
<v Speaker 2>Yeah, on the topic of it being a hoax, there

0:25:04.080 --> 0:25:06.520
<v Speaker 2>were a couple things that jumped out at me as

0:25:06.760 --> 0:25:10.120
<v Speaker 2>related to eufology that I really appreciated in the movie

0:25:10.200 --> 0:25:12.480
<v Speaker 2>because I knew a lot of the story at the

0:25:12.560 --> 0:25:15.000
<v Speaker 2>high level, but there were some specific details that I

0:25:15.040 --> 0:25:18.679
<v Speaker 2>didn't know. One was I didn't remember, or maybe I

0:25:18.720 --> 0:25:21.520
<v Speaker 2>didn't even know that the Army, when they were trying

0:25:21.560 --> 0:25:25.119
<v Speaker 2>to spin the whole thing as a cover up, said oh, no,

0:25:25.240 --> 0:25:28.280
<v Speaker 2>the bodies that were found were monkeys. They were test monkeys.

0:25:28.800 --> 0:25:31.280
<v Speaker 2>And someone in the movie has the line, well, the

0:25:31.320 --> 0:25:34.800
<v Speaker 2>government didn't launch monkeys into space until fifty two, which

0:25:34.840 --> 0:25:37.480
<v Speaker 2>is five whole years later, so I didn't know that

0:25:37.520 --> 0:25:39.960
<v Speaker 2>they were trying to pass them off as monkeys. And again,

0:25:40.400 --> 0:25:42.679
<v Speaker 2>you have an intelligence officer, you have a bunch of

0:25:42.720 --> 0:25:47.360
<v Speaker 2>like very smart people, capable people that are mistaking monkeys

0:25:47.560 --> 0:25:51.679
<v Speaker 2>for aliens. It's very strange. Another thing that I really

0:25:51.760 --> 0:25:55.679
<v Speaker 2>liked was how they represented the Rashamon effect, and that

0:25:55.920 --> 0:26:00.080
<v Speaker 2>was when they had several people trying to remember what

0:26:00.200 --> 0:26:02.880
<v Speaker 2>the UFO looked like and they couldn't agree on it.

0:26:03.240 --> 0:26:05.680
<v Speaker 2>They were like, oh, it was cylindrical, No it was domed,

0:26:05.760 --> 0:26:08.359
<v Speaker 2>and no it was it had you know, a weird

0:26:08.440 --> 0:26:10.680
<v Speaker 2>it was metal. No, it was more like a human

0:26:10.760 --> 0:26:13.639
<v Speaker 2>skin or like a reptile skin. And so I think,

0:26:13.840 --> 0:26:17.399
<v Speaker 2>as I've said before in various episodes, there's a subjectivity

0:26:17.840 --> 0:26:22.199
<v Speaker 2>to all of these experiences, and I think that plays

0:26:22.200 --> 0:26:23.879
<v Speaker 2>a big part in it. And that's one of the

0:26:23.920 --> 0:26:26.840
<v Speaker 2>things that made that it feel real to me when

0:26:26.880 --> 0:26:30.920
<v Speaker 2>I saw the characters not agreeing on exactly what they saw.

0:26:31.040 --> 0:26:32.879
<v Speaker 1>Kind of like you and me trying to describe what

0:26:32.960 --> 0:26:36.160
<v Speaker 1>kind of pants Jacon exactly. It's a great example where

0:26:36.560 --> 0:26:39.119
<v Speaker 1>we both had the same experience. There are things that

0:26:39.320 --> 0:26:42.560
<v Speaker 1>people don't agree on. Listen a couple of very quick factoids,

0:26:42.560 --> 0:26:45.040
<v Speaker 1>But I would be remiss if I didn't throw these

0:26:45.520 --> 0:26:48.679
<v Speaker 1>onto the fire here at this point because they're so interesting. First,

0:26:48.760 --> 0:26:50.560
<v Speaker 1>you are right, it is such a great film. It

0:26:50.600 --> 0:26:53.520
<v Speaker 1>was nominated for Best TV Movie by the Golden Globes

0:26:53.840 --> 0:26:57.200
<v Speaker 1>and by the way, Don Schmid was such an active investigator.

0:26:57.280 --> 0:26:59.000
<v Speaker 1>He didn't go to the Golden Globes. You know where

0:26:59.040 --> 0:27:02.359
<v Speaker 1>he was. He was in the Marriott Hotel in Albuquerque

0:27:02.560 --> 0:27:05.520
<v Speaker 1>because he was interviewing witnesses. So he saw it in

0:27:05.600 --> 0:27:08.399
<v Speaker 1>the lobby of the Marriott. This one will kind of

0:27:08.400 --> 0:27:12.400
<v Speaker 1>blow your mind. Kyle McLaughlin got the actual role. Christopher

0:27:12.440 --> 0:27:15.679
<v Speaker 1>Reeve wanted to play it. Really, Christopher Reeve wanted to

0:27:15.680 --> 0:27:19.560
<v Speaker 1>play it. He had read the book. And HBO did

0:27:19.600 --> 0:27:22.680
<v Speaker 1>not consider him an A or a B actor. They

0:27:22.920 --> 0:27:26.840
<v Speaker 1>considered him a C level actor. Wow. Hard to believe.

0:27:27.080 --> 0:27:28.760
<v Speaker 2>No, I don't believe it. I thought he was a

0:27:28.760 --> 0:27:29.280
<v Speaker 2>great actor.

0:27:29.520 --> 0:27:33.080
<v Speaker 1>And Showtime when they took it to Showtime, they were

0:27:33.119 --> 0:27:37.000
<v Speaker 1>originally pushing for Don Johnson or Ted Danson. Wow. Okay,

0:27:37.280 --> 0:27:39.199
<v Speaker 1>well you can just imagine you've just seen this movie.

0:27:39.240 --> 0:27:43.000
<v Speaker 1>Those are slightly different movies. Okay. And here's one that's

0:27:43.080 --> 0:27:46.640
<v Speaker 1>really important. There is an autopsy scene in the film,

0:27:46.960 --> 0:27:51.120
<v Speaker 1>and you get to see the gray that they're working on,

0:27:51.440 --> 0:27:53.760
<v Speaker 1>and I believe there's a living one that wakes up

0:27:53.840 --> 0:27:56.560
<v Speaker 1>during the autopsy. I talked to Don Schmid about this

0:27:56.760 --> 0:27:59.600
<v Speaker 1>just less than a week ago. This astonished me. I

0:27:59.600 --> 0:28:01.119
<v Speaker 1>had to write it down because I was like, what

0:28:01.240 --> 0:28:03.960
<v Speaker 1>are you kidding me? He said, when it came to

0:28:04.040 --> 0:28:07.520
<v Speaker 1>rendering the Grays, we were very strict that we did

0:28:07.640 --> 0:28:12.360
<v Speaker 1>not want an accurate portrayal. Really why now, Everything else

0:28:12.400 --> 0:28:14.679
<v Speaker 1>I've ever heard dancay about this movie is, oh, you know,

0:28:14.720 --> 0:28:17.119
<v Speaker 1>we're trying to get you know, they did a great job.

0:28:17.400 --> 0:28:20.800
<v Speaker 1>As you said, they time period, why the Grays, And

0:28:21.040 --> 0:28:23.520
<v Speaker 1>the reason was they didn't want to make it so

0:28:23.680 --> 0:28:26.600
<v Speaker 1>real that people would watch it and then claim that

0:28:26.640 --> 0:28:29.600
<v Speaker 1>they were witnesses or Dad told me he had done this.

0:28:29.960 --> 0:28:34.119
<v Speaker 1>They wanted something that wasn't quite right about the Grays

0:28:34.119 --> 0:28:36.760
<v Speaker 1>in that film, so that they could weed out people

0:28:36.840 --> 0:28:41.440
<v Speaker 1>that were bullshitting them. Interesting, really interesting. This leads me

0:28:41.560 --> 0:28:43.640
<v Speaker 1>to the one that I just have been waiting to

0:28:43.680 --> 0:28:47.200
<v Speaker 1>talk to you about, because here's what happens in the movie, folks.

0:28:47.480 --> 0:28:51.760
<v Speaker 1>Cale McLachlan playing Jesse Marcel is talking to the people

0:28:51.840 --> 0:28:55.800
<v Speaker 1>at his reunion and he's asking them to come forward,

0:28:55.840 --> 0:28:57.440
<v Speaker 1>and some of them don't want to. He's sort of

0:28:57.440 --> 0:29:01.040
<v Speaker 1>an investigator, as he's portrayed in the who's trying to

0:29:01.040 --> 0:29:03.960
<v Speaker 1>get straight on what really happened toward the end of

0:29:03.960 --> 0:29:06.120
<v Speaker 1>his life. And there are a lot of flashbacks to

0:29:06.400 --> 0:29:09.440
<v Speaker 1>his experience back in July of nineteen forty seven, and

0:29:09.520 --> 0:29:13.160
<v Speaker 1>while he's at this thing, Martin Sheen is one of

0:29:13.160 --> 0:29:15.680
<v Speaker 1>the leads in this movie, and you keep seeing Martin

0:29:15.760 --> 0:29:18.280
<v Speaker 1>Sheen with sunglasses on or without him, but he's always

0:29:18.280 --> 0:29:21.040
<v Speaker 1>at a distance. He's watching him. And at one point,

0:29:21.240 --> 0:29:25.800
<v Speaker 1>Martin Sheen takes Kyle McLaughlin into an airplane hangar and

0:29:26.080 --> 0:29:28.240
<v Speaker 1>lays it out for it. What'd you think when you

0:29:28.280 --> 0:29:29.120
<v Speaker 1>saw that scene?

0:29:29.240 --> 0:29:31.080
<v Speaker 2>You know what? Honestly, it felt like a scene we

0:29:31.120 --> 0:29:33.440
<v Speaker 2>would have written in Dark Skies. I loved it. I

0:29:33.440 --> 0:29:35.200
<v Speaker 2>thought it was great. Well, first of all, Martin Sheen's

0:29:35.200 --> 0:29:37.560
<v Speaker 2>a great actor, Kyle McLaughlin's a great actors, So seeing

0:29:37.560 --> 0:29:39.880
<v Speaker 2>the two of them in this huge, enormous space having

0:29:39.920 --> 0:29:43.080
<v Speaker 2>this incredible conversation felt like the climax of the movie.

0:29:43.200 --> 0:29:45.720
<v Speaker 1>By the way, I think Paul David's is responsible for

0:29:45.800 --> 0:29:48.800
<v Speaker 1>this scene, which is interesting because he doesn't get credit

0:29:48.880 --> 0:29:51.479
<v Speaker 1>for it. He gets one third of the story credit

0:29:51.720 --> 0:29:55.400
<v Speaker 1>and doesn't share regular credit, but he's the guy that

0:29:55.440 --> 0:29:58.280
<v Speaker 1>came up with all this stuff. And what's so incredible.

0:29:58.560 --> 0:30:01.960
<v Speaker 1>Martin Sheen plays a guy named Townshend. I believe, and

0:30:02.360 --> 0:30:04.760
<v Speaker 1>it just comes pouring out of him. He lays this

0:30:04.840 --> 0:30:08.720
<v Speaker 1>all out. He says, these aliens have been observing humanity

0:30:08.760 --> 0:30:12.560
<v Speaker 1>for centuries. They've influenced human history, and there's a quote

0:30:12.600 --> 0:30:17.680
<v Speaker 1>in Critical and Startling Ways. He says they'd been genetically

0:30:17.720 --> 0:30:22.200
<v Speaker 1>altering human DNA from our very beginnings, and he even

0:30:22.280 --> 0:30:26.480
<v Speaker 1>says they inspired humanity's greatest spiritual leaders. I mean, it's

0:30:26.560 --> 0:30:29.440
<v Speaker 1>just an avalanche, as you said, of ufology. But here's

0:30:29.480 --> 0:30:32.320
<v Speaker 1>the part that is so dark Skiesian to me, okay,

0:30:32.400 --> 0:30:34.840
<v Speaker 1>because we went with this kind of thing so often.

0:30:35.240 --> 0:30:38.920
<v Speaker 1>Marcel reacts and he says, oh my god, you're telling

0:30:38.960 --> 0:30:40.960
<v Speaker 1>me that the missing link could be the result of

0:30:41.000 --> 0:30:45.800
<v Speaker 1>alien genetics, and townshend answers, I believe this information is correct,

0:30:45.800 --> 0:30:48.440
<v Speaker 1>but who can really say for certain? Yes? And it

0:30:48.520 --> 0:30:50.560
<v Speaker 1>reminded me of that scene you and I wrote with

0:30:50.640 --> 0:30:54.160
<v Speaker 1>Loanguard talking to Bach who's running Majestic twelve. Loanguard says,

0:30:54.160 --> 0:30:56.600
<v Speaker 1>I'm pretty close to the truth, and Buck says, well,

0:30:56.640 --> 0:30:59.800
<v Speaker 1>the truth is overrated. Nothing is all true, John. Anyway,

0:30:59.840 --> 0:31:02.280
<v Speaker 1>there's only one thing for us to put a bow

0:31:02.400 --> 0:31:06.080
<v Speaker 1>on this thing with. We've complained that it's been hard

0:31:06.120 --> 0:31:08.280
<v Speaker 1>to watch Dark skies. We talk about it and people

0:31:08.400 --> 0:31:10.840
<v Speaker 1>I'd like to watch it, you can't. The DVD took

0:31:10.880 --> 0:31:13.400
<v Speaker 1>fourteen years to get made, got made in twenty eleven,

0:31:13.560 --> 0:31:16.040
<v Speaker 1>and just last year they don't make it anymore. You

0:31:16.080 --> 0:31:18.840
<v Speaker 1>can't watch the DVD. You can't buy the DVD. It's

0:31:18.840 --> 0:31:21.960
<v Speaker 1>not streaming anywhere. Guess what other film has that problem?

0:31:22.240 --> 0:31:25.720
<v Speaker 1>Roswell it was released once, then it went away as

0:31:25.760 --> 0:31:28.840
<v Speaker 1>a VHS. I believe it's been released as a DVD.

0:31:29.000 --> 0:31:32.560
<v Speaker 1>You can't get the DVD right now. It's not streaming anywhere.

0:31:32.680 --> 0:31:34.480
<v Speaker 1>The only place you and I were able to watch it,

0:31:34.520 --> 0:31:36.920
<v Speaker 1>I believe, was on YouTube. Is that true for you?

0:31:37.280 --> 0:31:40.680
<v Speaker 1>And according to Don Schmidt, again who knows what he's

0:31:40.720 --> 0:31:44.120
<v Speaker 1>talking about, he said that at one time it was

0:31:44.200 --> 0:31:49.080
<v Speaker 1>the highest viewed movie at military bases all around the world. Wow,

0:31:49.240 --> 0:31:52.200
<v Speaker 1>that's for a period time. And guess what. Then it

0:31:52.240 --> 0:31:53.840
<v Speaker 1>went away and now you can't get it.

0:31:54.280 --> 0:31:57.600
<v Speaker 2>So the truth is overrated and sometimes the truth is suppressed.

0:31:57.840 --> 0:32:00.400
<v Speaker 1>Yeah, listen, nobody wants to be the guy that's claiming

0:32:00.400 --> 0:32:02.880
<v Speaker 1>they're suppressing my pride, you know, listen. I mean there's

0:32:02.920 --> 0:32:05.000
<v Speaker 1>a lot of reasons why a lot of things are

0:32:05.040 --> 0:32:09.080
<v Speaker 1>not available in Hollywood, right, there's distribution issues and all that.

0:32:09.160 --> 0:32:12.200
<v Speaker 1>I don't want to wrap myself in victimhood here, but

0:32:12.320 --> 0:32:15.760
<v Speaker 1>it is curious because both projects, which came out in

0:32:15.840 --> 0:32:18.600
<v Speaker 1>the mid to late nineties, you can't watch right now,

0:32:18.760 --> 0:32:23.320
<v Speaker 1>and in particular, Roswell is one that's, you know, really

0:32:23.360 --> 0:32:26.360
<v Speaker 1>specific about what happened. It does a really good job.

0:32:26.680 --> 0:32:29.160
<v Speaker 1>So I say, I don't care how you have to

0:32:29.160 --> 0:32:31.560
<v Speaker 1>watch it. If you could watch it, yeah, I do

0:32:31.640 --> 0:32:33.920
<v Speaker 1>recommend it as well. And by the way, I think

0:32:33.960 --> 0:32:37.920
<v Speaker 1>that this is a conspiracy episode, so for today anyway,

0:32:38.040 --> 0:32:40.240
<v Speaker 1>we can believe that our show was suppressed, just like

0:32:40.280 --> 0:32:42.920
<v Speaker 1>the Roswell movie. Let's move on now to the other

0:32:43.000 --> 0:32:47.840
<v Speaker 1>big conspiracy theory of the twentieth century, JFK, and how

0:32:47.880 --> 0:32:51.360
<v Speaker 1>it connects to Roswell potentially. Boy, what is your take

0:32:51.560 --> 0:32:53.800
<v Speaker 1>at this point when you think about what we said?

0:32:54.040 --> 0:32:55.760
<v Speaker 1>First of all, I guess we have to say it

0:32:55.800 --> 0:32:59.760
<v Speaker 1>though we said in that film that John Loan Guard,

0:33:00.200 --> 0:33:02.920
<v Speaker 1>our main character, got a piece of the Roswell crash,

0:33:03.120 --> 0:33:05.800
<v Speaker 1>got it to Bobby Kennedy, who got it to JFK,

0:33:06.320 --> 0:33:08.920
<v Speaker 1>who got a message to him that said he was

0:33:09.000 --> 0:33:11.160
<v Speaker 1>going to tell the story in his second term and

0:33:11.200 --> 0:33:15.440
<v Speaker 1>The final scene in Dark Skies is Kennedy being killed

0:33:15.720 --> 0:33:18.680
<v Speaker 1>and it being on television and Loan Guard watching it.

0:33:18.800 --> 0:33:21.640
<v Speaker 2>With the implication being that he was silenced because he

0:33:21.720 --> 0:33:24.440
<v Speaker 2>was going to go public about Roswell and the larger

0:33:24.600 --> 0:33:28.760
<v Speaker 2>truth about UFOs. So, yes, that's what we posited in

0:33:28.800 --> 0:33:31.400
<v Speaker 2>our pilot, and I think that if I look it

0:33:31.480 --> 0:33:35.080
<v Speaker 2>back on it today, there's a couple things that get

0:33:35.120 --> 0:33:38.600
<v Speaker 2>me thinking, are we already mentioned it once? When jac

0:33:38.760 --> 0:33:41.000
<v Speaker 2>said you got a lot right, was he talking about

0:33:41.120 --> 0:33:45.520
<v Speaker 2>that connection between JFK and UFOs. I think, as we

0:33:45.560 --> 0:33:48.959
<v Speaker 2>talked about in a previous episode, there's a really weird

0:33:49.240 --> 0:33:52.680
<v Speaker 2>factor where we put out something that we thought was

0:33:52.760 --> 0:33:56.880
<v Speaker 2>fiction and now there's these little trace pieces of evidence

0:33:56.920 --> 0:33:59.960
<v Speaker 2>and a lot of people connecting dots saying that they're

0:34:00.000 --> 0:34:02.480
<v Speaker 2>there's truth behind what we thought was fiction.

0:34:02.760 --> 0:34:05.840
<v Speaker 1>There was no Internet for us during Dark Guys. I

0:34:05.880 --> 0:34:08.080
<v Speaker 1>remember in promotion you and I had to get in

0:34:08.080 --> 0:34:11.680
<v Speaker 1>a car and drive to NBC where somebody allowed us

0:34:11.760 --> 0:34:13.200
<v Speaker 1>to have a chat with.

0:34:13.400 --> 0:34:14.239
<v Speaker 2>Little chat room.

0:34:14.400 --> 0:34:17.600
<v Speaker 1>That's all I'm saying. There's no anybody leaked anything to us.

0:34:17.680 --> 0:34:20.120
<v Speaker 1>We just made it up. We said, let's take JFK,

0:34:20.400 --> 0:34:24.920
<v Speaker 1>let's take UFOs Adam kllider Boom. However, now that we've

0:34:24.960 --> 0:34:27.120
<v Speaker 1>done that and time has passed, I have done a

0:34:27.120 --> 0:34:30.719
<v Speaker 1>little looking into that, and there is something that's very

0:34:30.800 --> 0:34:33.799
<v Speaker 1>true that we should say that we did not know then.

0:34:33.920 --> 0:34:37.560
<v Speaker 1>And that was on November twelfth of nineteen sixty three,

0:34:37.960 --> 0:34:42.080
<v Speaker 1>which let's do the math, ten days before JFK dies

0:34:42.280 --> 0:34:47.040
<v Speaker 1>National Security Action Memorandum two seven to one. So that's

0:34:47.120 --> 0:34:51.360
<v Speaker 1>referred to as NSAM two seven to one. It's JFK

0:34:51.520 --> 0:34:56.279
<v Speaker 1>pushing space cooperation with the Russians, with the Soviets in

0:34:56.440 --> 0:35:02.959
<v Speaker 1>order to avoid starting World War three for an unidentified threat. Now,

0:35:03.080 --> 0:35:06.760
<v Speaker 1>he never comes out and says UFOs in this memorandum,

0:35:06.840 --> 0:35:09.399
<v Speaker 1>and you can go look it up again NSAM two

0:35:09.520 --> 0:35:12.759
<v Speaker 1>seven to one, and it's real. Nobody's doubting that. So

0:35:12.880 --> 0:35:16.120
<v Speaker 1>he was concerned ten days before his death about this.

0:35:16.320 --> 0:35:20.600
<v Speaker 1>Now he was motivated by fear that these misidentified objects

0:35:20.600 --> 0:35:24.520
<v Speaker 1>in orbit would trigger some sort of catastrophic misunderstanding. And

0:35:24.560 --> 0:35:26.680
<v Speaker 1>well he should be. I mean, we're still worried about

0:35:26.680 --> 0:35:29.719
<v Speaker 1>that today. Right now. There's two other documents. They are

0:35:29.760 --> 0:35:32.840
<v Speaker 1>a lot more dicey. There's a second one that's the

0:35:32.920 --> 0:35:37.759
<v Speaker 1>same date November twelfth, nineteen sixty three, and it's far

0:35:37.800 --> 0:35:41.520
<v Speaker 1>more controversial. This is an alleged memo that JFK wrote

0:35:41.560 --> 0:35:47.320
<v Speaker 1>to CI director John McCone requesting UFO intelligence. All right,

0:35:47.440 --> 0:35:50.959
<v Speaker 1>and again people debate this heartily, Brent, They talk about

0:35:50.960 --> 0:35:54.440
<v Speaker 1>it all the time. Its authenticity is very unproven, but

0:35:54.880 --> 0:35:57.279
<v Speaker 1>there are more people willing to say this might have

0:35:57.480 --> 0:35:59.960
<v Speaker 1>been the thing. And then there's a third one called

0:36:00.120 --> 0:36:04.239
<v Speaker 1>the Burn Memo, which is another highly disputed document suggesting

0:36:04.600 --> 0:36:09.359
<v Speaker 1>concern with intelligence circles about Kennedy's inquiries on this. And

0:36:09.400 --> 0:36:11.920
<v Speaker 1>so you got these three memos, one of which is

0:36:11.960 --> 0:36:15.760
<v Speaker 1>for sure real but isn't specific to UFOs, the second

0:36:15.840 --> 0:36:19.400
<v Speaker 1>of which is ify but is about UFOs, and the third,

0:36:19.520 --> 0:36:23.080
<v Speaker 1>which is even more iffy but is very specific about

0:36:23.160 --> 0:36:26.839
<v Speaker 1>people within the intelligence community worried about JFK. And then

0:36:26.880 --> 0:36:31.480
<v Speaker 1>I'll end with this. And then there's Marilyn Monroe. What well.

0:36:32.320 --> 0:36:36.080
<v Speaker 1>The other unconfirmed part of the whole JFK UFO thing

0:36:36.200 --> 0:36:41.560
<v Speaker 1>is people persistently believe that JFK shared something about UFO

0:36:41.680 --> 0:36:44.840
<v Speaker 1>reality with Marilyn Monroe and that she was going to

0:36:44.840 --> 0:36:47.080
<v Speaker 1>go public with it, and then she got killed in

0:36:47.160 --> 0:36:49.480
<v Speaker 1>nineteen sixty two, I didn't even want to take that

0:36:49.520 --> 0:36:52.080
<v Speaker 1>one on, Brent. That's too big for that's above my

0:36:52.200 --> 0:36:54.680
<v Speaker 1>pay grade. But that is what people say from time

0:36:54.719 --> 0:36:56.680
<v Speaker 1>to time. There's a lot to chew on. There.

0:36:57.160 --> 0:36:59.320
<v Speaker 2>One other thing that I'd love to try and connect

0:36:59.320 --> 0:37:05.160
<v Speaker 2>some dots here between Roswell and JFK is a character

0:37:05.200 --> 0:37:09.640
<v Speaker 2>from history, not a fictional character, James Forrestall. Oh, yeah,

0:37:09.680 --> 0:37:13.319
<v Speaker 2>he appears in the Roswell movie. But why don't you

0:37:13.320 --> 0:37:15.920
<v Speaker 2>give us a quick overview on who he was in

0:37:16.000 --> 0:37:18.920
<v Speaker 2>relationship to JFK. Potentially?

0:37:19.280 --> 0:37:24.160
<v Speaker 1>Okay, JFK, as many people know, was in the Navy,

0:37:24.360 --> 0:37:28.200
<v Speaker 1>and he went into the Navy in late forty one.

0:37:28.280 --> 0:37:31.040
<v Speaker 1>I think between October of forty one and I believe

0:37:31.120 --> 0:37:35.000
<v Speaker 1>something like February of forty two, he was actually being

0:37:35.080 --> 0:37:38.440
<v Speaker 1>looked at by the Office of Naval Intelligence. Does that

0:37:38.520 --> 0:37:39.040
<v Speaker 1>ring a bell?

0:37:39.440 --> 0:37:40.480
<v Speaker 2>I've heard that somewhere.

0:37:40.600 --> 0:37:44.120
<v Speaker 1>Yeah. And then he ended up being the famous guy

0:37:44.200 --> 0:37:46.440
<v Speaker 1>that was the skipper of Pt. One oh nine and

0:37:46.719 --> 0:37:49.880
<v Speaker 1>that historic rescue and all of that. But there was

0:37:49.920 --> 0:37:52.480
<v Speaker 1>this short window where Oh and I had their hooks

0:37:52.480 --> 0:37:55.040
<v Speaker 1>in him for three months or so, and then the

0:37:55.120 --> 0:37:57.239
<v Speaker 1>other part of it, to go to your forestall thing

0:37:57.480 --> 0:37:59.840
<v Speaker 1>is James Forstall, which I'm going to let you do that.

0:38:00.239 --> 0:38:04.640
<v Speaker 1>But James Forestall was someone who was a family friend

0:38:04.880 --> 0:38:09.279
<v Speaker 1>of Joseph Kennedy and actually knew the Kennedy kids from

0:38:09.320 --> 0:38:12.000
<v Speaker 1>an early age. So in the same way that Harrington

0:38:12.120 --> 0:38:16.040
<v Speaker 1>was someone in your neighborhood or in your viewpoint who

0:38:16.120 --> 0:38:19.359
<v Speaker 1>you knew, who was a lot older and was obviously

0:38:19.719 --> 0:38:21.400
<v Speaker 1>a lot more wired into things.

0:38:21.640 --> 0:38:26.480
<v Speaker 2>Okay, So the interesting thing about Forestall is, as I said,

0:38:26.520 --> 0:38:29.520
<v Speaker 2>he was a character in the movie and he was

0:38:29.920 --> 0:38:34.240
<v Speaker 2>appointed the i think Undersecretary of the Navy, as you mentioned,

0:38:34.280 --> 0:38:37.239
<v Speaker 2>he was that from forty four to forty seven. He's

0:38:37.280 --> 0:38:40.520
<v Speaker 2>also been linked though to Majestic twelve. According to the

0:38:40.560 --> 0:38:45.120
<v Speaker 2>official version of history, though, Forestall was admitted to the

0:38:45.160 --> 0:38:49.920
<v Speaker 2>Bethesden Naval Hospital in nineteen forty nine after experiencing a

0:38:49.960 --> 0:38:53.080
<v Speaker 2>bit of a mental breakdown from exhaustion and some other stuff.

0:38:53.280 --> 0:38:57.080
<v Speaker 2>A few weeks later, he apparently committed suicide, or so

0:38:57.200 --> 0:38:59.919
<v Speaker 2>the official story goes. A bunch of people that spent

0:39:00.080 --> 0:39:04.000
<v Speaker 2>time with him around then, including his chauffeur and his

0:39:04.080 --> 0:39:07.880
<v Speaker 2>replacement for the as the Defense Secretary, found him acting

0:39:08.239 --> 0:39:11.600
<v Speaker 2>in good spirits, very normal, as did his nurse at

0:39:11.600 --> 0:39:15.000
<v Speaker 2>that time and his psychiatric doctor. For a guy who

0:39:15.040 --> 0:39:17.840
<v Speaker 2>was going to kill himself, he gave off no signs

0:39:17.880 --> 0:39:20.240
<v Speaker 2>at all that he was in distress, and in fact,

0:39:20.280 --> 0:39:22.640
<v Speaker 2>everyone said he seemed to be getting better. One of

0:39:22.680 --> 0:39:26.399
<v Speaker 2>the things that's interesting is that because it was a suicide,

0:39:26.560 --> 0:39:29.480
<v Speaker 2>there was never an autopsy'd done on him, so any

0:39:29.840 --> 0:39:33.160
<v Speaker 2>suspicious or murderous behavior was never going to come to

0:39:33.200 --> 0:39:37.080
<v Speaker 2>the surface because there was no reason to think anything

0:39:37.120 --> 0:39:39.960
<v Speaker 2>other than suicide. Now, one of the things that is

0:39:40.000 --> 0:39:42.480
<v Speaker 2>interesting about how he killed himself is he apparently took

0:39:42.680 --> 0:39:45.680
<v Speaker 2>a blanket or a sheet and jumped out his window

0:39:45.920 --> 0:39:49.080
<v Speaker 2>and tried to hang himself, but it didn't work and

0:39:49.120 --> 0:39:53.240
<v Speaker 2>he fell to his death. Several stories below, someone raised

0:39:53.239 --> 0:39:56.160
<v Speaker 2>the question, well, but as a navy veteran, he would

0:39:56.160 --> 0:39:58.040
<v Speaker 2>know how to tie a knot, and he wouldn't be

0:39:58.080 --> 0:40:02.080
<v Speaker 2>so incompetent be able to figure out how to hang himself.

0:40:02.440 --> 0:40:04.960
<v Speaker 2>But anyway, all of that being said, I guess the

0:40:05.040 --> 0:40:07.799
<v Speaker 2>question just comes up. Okay, if it wasn't suicide, why

0:40:07.800 --> 0:40:10.960
<v Speaker 2>would someone want him dead. It turns out he was

0:40:11.000 --> 0:40:12.440
<v Speaker 2>writing some memoirs at the.

0:40:12.400 --> 0:40:20.799
<v Speaker 1>Time, and that moment of him jumping out of the

0:40:20.800 --> 0:40:25.120
<v Speaker 1>window is taken on and they take the position obviously

0:40:25.120 --> 0:40:28.640
<v Speaker 1>that he wasn't suicidal, as you just mentioned. That's why,

0:40:28.680 --> 0:40:31.040
<v Speaker 1>by the way, a lot of people you see it

0:40:31.080 --> 0:40:33.440
<v Speaker 1>on X all the time, people will say, just so

0:40:33.520 --> 0:40:37.520
<v Speaker 1>you know, I'm not feeling suicidal. I love my life,

0:40:37.640 --> 0:40:40.840
<v Speaker 1>and if you hear anything other about me, you'll know

0:40:40.880 --> 0:40:45.479
<v Speaker 1>it's not the real deal. Because people have controversially died,

0:40:45.719 --> 0:40:48.239
<v Speaker 1>and Forrestall is the first one when that happened in

0:40:48.280 --> 0:40:52.040
<v Speaker 1>forty nine, and people think he was all over this

0:40:52.320 --> 0:40:56.480
<v Speaker 1>UFO issue after Roswell, that he was tied into Roswell,

0:40:56.800 --> 0:40:59.760
<v Speaker 1>and then later Kennedy was tied into him. Of course.

0:41:00.000 --> 0:41:02.600
<v Speaker 2>Now don't even get me started on the twelve scientists.

0:41:02.600 --> 0:41:05.799
<v Speaker 2>By the way, all of them are linked to classified

0:41:05.880 --> 0:41:10.000
<v Speaker 2>nuclear and aerospace projects who are all currently missing or dead,

0:41:10.520 --> 0:41:12.680
<v Speaker 2>some by suicide allegedly.

0:41:13.120 --> 0:41:15.640
<v Speaker 1>There's just a lot of connections here. I don't think

0:41:15.680 --> 0:41:18.239
<v Speaker 1>we'll ever resolve it, Brent. That's the I think that's

0:41:18.280 --> 0:41:21.200
<v Speaker 1>the problem with some of these things. We talk about them,

0:41:21.239 --> 0:41:22.960
<v Speaker 1>and yeah, we can go back and forth on them,

0:41:23.000 --> 0:41:26.520
<v Speaker 1>but can we solve them Unless there's a smoking gun

0:41:26.600 --> 0:41:30.759
<v Speaker 1>memo that exists and that has been hidden successfully for

0:41:31.080 --> 0:41:33.279
<v Speaker 1>eighty years, we aren't going to know for sure.

0:41:33.400 --> 0:41:35.759
<v Speaker 2>Yeah, well, and I think the other thing we can't know,

0:41:35.920 --> 0:41:39.200
<v Speaker 2>which is frustrating, is going back to how we started

0:41:39.239 --> 0:41:42.960
<v Speaker 2>the episode. What was it about our pilot that had

0:41:43.040 --> 0:41:45.319
<v Speaker 2>JC say you got a lot right Now that we've

0:41:45.320 --> 0:41:48.640
<v Speaker 2>gone down the rabbit hole on both these conspiracies, it

0:41:48.760 --> 0:41:51.680
<v Speaker 2>seems to me that it must have had something to

0:41:51.719 --> 0:41:53.879
<v Speaker 2>do with the combination of those two. As we said,

0:41:53.880 --> 0:41:56.719
<v Speaker 2>that atom collider that we threw them both into, that

0:41:56.920 --> 0:41:59.000
<v Speaker 2>was totally unique. At that time.

0:41:59.160 --> 0:42:02.239
<v Speaker 1>Our take guarded with Roswell. We did say, let's take

0:42:02.280 --> 0:42:05.640
<v Speaker 1>these two conspiracy theories put them together. But we started

0:42:05.640 --> 0:42:08.319
<v Speaker 1>with Roswell and said, if you believe Roswell is a

0:42:08.360 --> 0:42:10.800
<v Speaker 1>true event, and both of us did. At that time,

0:42:11.120 --> 0:42:14.520
<v Speaker 1>we'd done the research and read some books and talked

0:42:14.560 --> 0:42:17.359
<v Speaker 1>to some people, and we're relatively sure that you could

0:42:17.400 --> 0:42:21.040
<v Speaker 1>make a strong case that Roswell was an anomalous event.

0:42:21.200 --> 0:42:24.799
<v Speaker 1>Our take, though, was Roswell's real. If Roswell was real

0:42:24.800 --> 0:42:27.920
<v Speaker 1>in nineteen forty seven, the national security state coming out

0:42:27.960 --> 0:42:30.400
<v Speaker 1>of World War two would have had to treat it

0:42:30.600 --> 0:42:36.839
<v Speaker 1>as a extremely important and be extremely worth keeping secret, to.

0:42:36.760 --> 0:42:38.560
<v Speaker 2>The point that you would threaten the life of a

0:42:38.600 --> 0:42:39.840
<v Speaker 2>thirteen year old girl.

0:42:39.719 --> 0:42:42.680
<v Speaker 1>And possibly a president of the United United States. And

0:42:42.719 --> 0:42:46.200
<v Speaker 1>so that's where we went with that whole thing. I've

0:42:46.239 --> 0:42:49.320
<v Speaker 1>wrestled with this, to be quite honest, I have wrestled

0:42:49.320 --> 0:42:53.239
<v Speaker 1>with this, as I'm sure you have for decades, where

0:42:53.360 --> 0:42:57.000
<v Speaker 1>I've asked myself, were we really onto something or was

0:42:57.040 --> 0:43:02.320
<v Speaker 1>it just coincidence and happenstance. Based on my lived experience

0:43:02.400 --> 0:43:06.680
<v Speaker 1>with JC and with what I know today, I think

0:43:07.360 --> 0:43:10.560
<v Speaker 1>we had a lot of things right besides just JFK

0:43:10.719 --> 0:43:14.040
<v Speaker 1>and Roswell. For example, one of the things was the

0:43:14.120 --> 0:43:17.120
<v Speaker 1>Navy's role in all of this, which it then goes

0:43:17.239 --> 0:43:19.600
<v Speaker 1>back to Forestall and all that I think it was

0:43:19.640 --> 0:43:20.759
<v Speaker 1>that That's what I think.

0:43:20.840 --> 0:43:24.480
<v Speaker 2>I can't validate why JC said what he said. We

0:43:24.840 --> 0:43:27.359
<v Speaker 2>didn't think to ask him. But what I can do

0:43:27.600 --> 0:43:30.960
<v Speaker 2>is validate him in a really interesting way with regards

0:43:30.960 --> 0:43:34.640
<v Speaker 2>to the formula. So we've talked about basically the two

0:43:34.760 --> 0:43:37.920
<v Speaker 2>largest conspiracies from the twentieth century, and now let's move

0:43:37.960 --> 0:43:41.840
<v Speaker 2>into the twenty first century and to something called CERN.

0:43:42.280 --> 0:43:45.000
<v Speaker 2>And maybe before I get into the story, can you

0:43:45.000 --> 0:43:47.359
<v Speaker 2>give us a quick recap on what CERN is.

0:43:47.520 --> 0:43:50.000
<v Speaker 1>Oh God, I was afraid you'd ask me that, you know,

0:43:50.480 --> 0:43:52.239
<v Speaker 1>my friend, if you were going to bring up CERN,

0:43:52.320 --> 0:43:55.120
<v Speaker 1>then you have to do that, because I've run dry

0:43:55.440 --> 0:43:56.640
<v Speaker 1>so far. So okay.

0:43:57.080 --> 0:44:01.840
<v Speaker 2>So CERN was the largest particle phys laboratory in the world,

0:44:01.960 --> 0:44:05.680
<v Speaker 2>located on what's called the Franco Swiss border near Geneva.

0:44:06.080 --> 0:44:09.680
<v Speaker 2>It was established in nineteen fifty four. It uses advanced

0:44:09.760 --> 0:44:14.600
<v Speaker 2>particle accelerators, including the Large Hadron Collider also called the LHC,

0:44:14.960 --> 0:44:19.480
<v Speaker 2>to study the fundamental constituents of matter and the universe's structure.

0:44:19.680 --> 0:44:22.960
<v Speaker 2>So big heady things they're doing there. The LHC and

0:44:23.040 --> 0:44:28.200
<v Speaker 2>the Relativistic Heavy Ion Collider or the RHIC have been

0:44:28.200 --> 0:44:32.920
<v Speaker 2>the focus of multiple conspiracy theories because both colliders accelerate

0:44:33.000 --> 0:44:37.600
<v Speaker 2>particles to near light speed before letting them smash into

0:44:37.640 --> 0:44:42.640
<v Speaker 2>each other. These collisions create and show force interactions similar

0:44:42.680 --> 0:44:45.719
<v Speaker 2>to what the universe was like the instant after the

0:44:45.760 --> 0:44:48.280
<v Speaker 2>Big Bang. And if I'm not mistaken, are you saying

0:44:48.520 --> 0:44:52.640
<v Speaker 2>that this is why people have speculated, and I underline

0:44:52.680 --> 0:44:56.359
<v Speaker 2>and put in bold, speculate that somehow, when you turn

0:44:56.440 --> 0:45:00.360
<v Speaker 2>on CERN, you are creating parallel universes and portal to

0:45:00.360 --> 0:45:04.840
<v Speaker 2>different dimensions and all that absolutely, and there's people who believe,

0:45:05.120 --> 0:45:08.960
<v Speaker 2>for various reasons, that we are not just opening portals

0:45:08.960 --> 0:45:13.520
<v Speaker 2>to other dimensions, but that it's being used to summon demons,

0:45:13.560 --> 0:45:17.520
<v Speaker 2>possibly even the Antichrist. Now obviously these are all just

0:45:17.640 --> 0:45:21.799
<v Speaker 2>conspiracy theories, but this is out there, and I think

0:45:21.880 --> 0:45:25.319
<v Speaker 2>the real concern, and interestingly to me, how this even

0:45:25.360 --> 0:45:29.440
<v Speaker 2>connects back to Roswell and the nuclear bomb base, is

0:45:29.480 --> 0:45:33.239
<v Speaker 2>that going back even further to the Manhattan Project. The

0:45:33.280 --> 0:45:37.120
<v Speaker 2>Manhattan Project was essentially, as Don Schmidt implied, that whole

0:45:37.160 --> 0:45:40.560
<v Speaker 2>area as we were looking for and trying to unlock

0:45:40.600 --> 0:45:44.920
<v Speaker 2>our nuclear capabilities, was being visited by UFOs. It was

0:45:44.960 --> 0:45:49.160
<v Speaker 2>the most visited area on the planet. Similarly, now today

0:45:49.760 --> 0:45:52.840
<v Speaker 2>with the area of CERN, there's been tons of UFO reports.

0:45:52.840 --> 0:45:55.200
<v Speaker 2>So it seems that every time we start meddling with

0:45:55.239 --> 0:45:59.520
<v Speaker 2>the very fabric of nature, it brings UFOs. So this

0:45:59.600 --> 0:46:03.359
<v Speaker 2>is an interesting connection between these two places. So you say, okay, well,

0:46:03.400 --> 0:46:06.480
<v Speaker 2>wait a minute, how are you connecting CERN to the formula?

0:46:06.760 --> 0:46:08.040
<v Speaker 2>Let me explain something.

0:46:08.160 --> 0:46:10.400
<v Speaker 1>I am saying that by the way, as you said that,

0:46:10.520 --> 0:46:14.000
<v Speaker 1>I'm saying, wait, how is he connecting CERN to the formula?

0:46:14.239 --> 0:46:17.840
<v Speaker 2>So yes, okay, So if you remember, or if you

0:46:17.880 --> 0:46:21.000
<v Speaker 2>listen to our first episode, JC, at the end of

0:46:21.040 --> 0:46:23.600
<v Speaker 2>our meeting with him in the backyard of Bryce's house,

0:46:24.040 --> 0:46:27.960
<v Speaker 2>scribbled out something on the back of an ATM deposit

0:46:28.080 --> 0:46:31.040
<v Speaker 2>envelope and he folded it up and he handed it

0:46:31.080 --> 0:46:32.920
<v Speaker 2>to me and he said, put this in a safety

0:46:32.960 --> 0:46:36.520
<v Speaker 2>deposit box for about ten to fifteen years. Then if

0:46:36.560 --> 0:46:38.719
<v Speaker 2>we don't make a deal, you'll know that I was

0:46:38.719 --> 0:46:40.960
<v Speaker 2>for real. I did just that. I put it in

0:46:41.000 --> 0:46:44.840
<v Speaker 2>a safety deposit box. There's a whole Keystone Cops situation

0:46:44.960 --> 0:46:47.440
<v Speaker 2>about how it was moved from one box to another

0:46:47.480 --> 0:46:50.960
<v Speaker 2>and it was almost lost. But during this time, initially

0:46:51.080 --> 0:46:53.160
<v Speaker 2>I didn't realize it was lost. I thought I still

0:46:53.160 --> 0:46:55.600
<v Speaker 2>had it somewhere in my possession. As we talked about

0:46:55.719 --> 0:46:59.560
<v Speaker 2>the actual symbols on the envelope, what we call the formula,

0:46:59.640 --> 0:47:03.160
<v Speaker 2>are inscrutable. They don't make any sense at first glance,

0:47:03.480 --> 0:47:05.719
<v Speaker 2>and so I didn't really have anything to go off

0:47:05.760 --> 0:47:08.840
<v Speaker 2>in terms of trying to validate this message, this cryptic

0:47:08.880 --> 0:47:11.360
<v Speaker 2>message that he gave us. And as Brice said in

0:47:11.680 --> 0:47:14.799
<v Speaker 2>ninety six, the Internet wasn't much of a thing. But

0:47:14.880 --> 0:47:18.279
<v Speaker 2>as the Internet evolved over the next decade or so,

0:47:18.800 --> 0:47:22.720
<v Speaker 2>I started on a fairly regular basis googling or searching

0:47:22.800 --> 0:47:26.040
<v Speaker 2>at the time before Google even sound light and frequency,

0:47:26.160 --> 0:47:28.279
<v Speaker 2>and I would do that trick where you would put

0:47:28.560 --> 0:47:32.080
<v Speaker 2>those words in that order in quotations, so that the

0:47:32.120 --> 0:47:34.680
<v Speaker 2>only search results I would get were ones that had

0:47:34.880 --> 0:47:37.439
<v Speaker 2>those three words in that order. I didn't want something

0:47:37.480 --> 0:47:41.880
<v Speaker 2>I wanted at all, and up until twenty twelve, I

0:47:41.960 --> 0:47:45.240
<v Speaker 2>never got anything back. I never got any search results. Now,

0:47:45.280 --> 0:47:49.080
<v Speaker 2>to clarify something, there is a quote attributed to Tesla

0:47:49.640 --> 0:47:52.320
<v Speaker 2>that's similar, if you want to find the secrets of

0:47:52.360 --> 0:47:55.920
<v Speaker 2>the universe, think in terms of energy, frequency and vibration.

0:47:56.640 --> 0:48:00.479
<v Speaker 2>But there's actually no official confirmation that Tesla or said

0:48:00.520 --> 0:48:03.640
<v Speaker 2>that or wrote that, and it actually doesn't appear to

0:48:03.680 --> 0:48:08.080
<v Speaker 2>have surfaced as an Internet meme until around twenty ten. Anyway,

0:48:08.400 --> 0:48:12.000
<v Speaker 2>in twenty twelve, around fifteen years after The Dark Sky's

0:48:12.040 --> 0:48:15.879
<v Speaker 2>premiere party, just as JC had predicted, I finally got

0:48:15.920 --> 0:48:19.400
<v Speaker 2>a hit on my search for sound light and frequency

0:48:19.840 --> 0:48:23.800
<v Speaker 2>and Bryce. Do you know where those search results came up? No,

0:48:25.920 --> 0:48:28.960
<v Speaker 2>they came up with in reference to a white paper

0:48:29.080 --> 0:48:33.319
<v Speaker 2>on cern oh Boy and the discovery of what's known

0:48:33.360 --> 0:48:37.080
<v Speaker 2>then as the Higgs bosun or better known as the

0:48:37.080 --> 0:48:40.120
<v Speaker 2>God particle, which is a key piece of the quantum

0:48:40.160 --> 0:48:43.600
<v Speaker 2>puzzle in terms of understanding where all of matter comes from.

0:48:43.920 --> 0:48:48.200
<v Speaker 2>So that article, which unfortunately is no longer online, was

0:48:48.320 --> 0:48:52.479
<v Speaker 2>hosted on the cern CDs or the Official Document Server,

0:48:52.840 --> 0:48:55.400
<v Speaker 2>and I should have at the time, I didn't know

0:48:55.440 --> 0:48:58.000
<v Speaker 2>what would go away gotten a copy of it. But

0:48:58.200 --> 0:49:01.799
<v Speaker 2>it was about what was called the Soification of the

0:49:01.800 --> 0:49:06.320
<v Speaker 2>God particle. And just to explain that, that's basically where

0:49:06.880 --> 0:49:11.600
<v Speaker 2>when the particles are collided in this huge underground facility.

0:49:11.760 --> 0:49:13.640
<v Speaker 2>If you're interested in this, please go and do a

0:49:13.680 --> 0:49:16.719
<v Speaker 2>deep dive on it. It's fascinating. Basically, it's this huge

0:49:16.719 --> 0:49:19.759
<v Speaker 2>atom collider. The particles collide and every once in a

0:49:19.800 --> 0:49:23.840
<v Speaker 2>while they create a new particle, and they finally created

0:49:23.880 --> 0:49:27.600
<v Speaker 2>something called the Higgs bosson and it was of course

0:49:27.680 --> 0:49:30.239
<v Speaker 2>being measured in every way you can imagine. And they

0:49:30.280 --> 0:49:35.640
<v Speaker 2>captured the audio of that collision and they did a

0:49:35.680 --> 0:49:38.200
<v Speaker 2>study of it and what was called the Soonification, and

0:49:38.239 --> 0:49:41.360
<v Speaker 2>they took all of the raw data from that collision

0:49:41.400 --> 0:49:45.239
<v Speaker 2>which revealed this key piece of the universe and it

0:49:45.440 --> 0:49:49.120
<v Speaker 2>actually has a melodic pattern to it. So what we're

0:49:49.160 --> 0:49:52.960
<v Speaker 2>talking about is essentially the soundtrack of Creation.

0:49:53.440 --> 0:49:56.760
<v Speaker 1>So I say, this soundtrack on y Apple music or anything.

0:49:57.000 --> 0:49:59.040
<v Speaker 2>It's online, you can find it. I think we could

0:49:59.040 --> 0:50:00.560
<v Speaker 2>play a little sample of right here.

0:50:00.560 --> 0:50:17.160
<v Speaker 1>Oh this is exciting. Okay, I'm ready. Excuse me, Brent,

0:50:17.239 --> 0:50:21.520
<v Speaker 1>but WT Yeah, what am I listening to? Well, it's

0:50:21.560 --> 0:50:26.480
<v Speaker 1>obviously a musicians interpretation of that raw data. So it

0:50:26.520 --> 0:50:29.760
<v Speaker 1>was all of the sound frequency that came through had

0:50:29.960 --> 0:50:34.640
<v Speaker 1>corresponding data to it, and when played as a musical scale,

0:50:34.680 --> 0:50:37.640
<v Speaker 1>this is what it sounds like. So this wasn't actually

0:50:37.960 --> 0:50:40.640
<v Speaker 1>what it sounded like, but this is what it looked

0:50:40.719 --> 0:50:44.120
<v Speaker 1>like and how it was interpreted by musicians. What I

0:50:44.160 --> 0:50:47.120
<v Speaker 1>find fascinating is that people have always said, you know,

0:50:47.719 --> 0:50:51.600
<v Speaker 1>mathematics is the language of the universe, but music is mathematics,

0:50:51.960 --> 0:50:54.799
<v Speaker 1>and so the idea that it's all tied together is

0:50:54.840 --> 0:50:57.360
<v Speaker 1>just fascinating. You could say, well, oh, it's just a

0:50:57.400 --> 0:51:01.319
<v Speaker 1>coincidence that this happened to make music notes, But when

0:51:01.320 --> 0:51:04.239
<v Speaker 1>you think about it, the creation of a particle that

0:51:04.280 --> 0:51:08.040
<v Speaker 1>seems to be a key element in understanding reality has

0:51:08.080 --> 0:51:11.839
<v Speaker 1>its own musical signature. It implies a lot. I don't

0:51:11.880 --> 0:51:15.760
<v Speaker 1>know how to explain it exactly, but it seems fantastic.

0:51:16.280 --> 0:51:18.719
<v Speaker 1>The only thing that would be stranger is if it

0:51:18.760 --> 0:51:21.080
<v Speaker 1>sounded like the five notes of Close Encounters.

0:51:21.400 --> 0:51:23.799
<v Speaker 2>I was going to say, it isn't exactly on the

0:51:23.880 --> 0:51:25.960
<v Speaker 2>level of John Williams, but if maybe if you give

0:51:26.000 --> 0:51:28.040
<v Speaker 2>it to him and you let him turn it into something.

0:51:28.520 --> 0:51:29.040
<v Speaker 2>Who knows?

0:51:29.400 --> 0:51:32.720
<v Speaker 1>Has cern been turned on? Have we made a black hole?

0:51:33.080 --> 0:51:34.240
<v Speaker 1>And are we all doomed?

0:51:34.280 --> 0:51:37.960
<v Speaker 2>What is your thought of Well, similarly to the Manhattan Project,

0:51:37.960 --> 0:51:40.080
<v Speaker 2>there were fears that they were going to kill us

0:51:40.120 --> 0:51:45.000
<v Speaker 2>all right, trying to make a nuclear bomb. That didn't happen. Similarly,

0:51:45.160 --> 0:51:48.000
<v Speaker 2>as far as we know, we are still all alive

0:51:48.080 --> 0:51:50.600
<v Speaker 2>and living in reality, unless we're in an episode of

0:51:50.640 --> 0:51:54.680
<v Speaker 2>Lost somehow. So I think that the real interesting thing

0:51:54.719 --> 0:51:58.279
<v Speaker 2>to me is, let's go back to JC. Yeah, he

0:51:59.000 --> 0:52:01.600
<v Speaker 2>gives us this piece of paper, tells us to put

0:52:01.600 --> 0:52:04.680
<v Speaker 2>it away for ten to fifteen years, right in case

0:52:04.719 --> 0:52:06.879
<v Speaker 2>we don't make a deal. Right, he wants to prove

0:52:06.920 --> 0:52:11.279
<v Speaker 2>that he's for real. Wow, what a long tail on validation. Right,

0:52:11.800 --> 0:52:14.279
<v Speaker 2>So what I have to ask, and I'm going to

0:52:14.320 --> 0:52:16.560
<v Speaker 2>ask you, and I'm going to ask our listeners, how

0:52:16.600 --> 0:52:20.560
<v Speaker 2>could JC in nineteen ninety six have given us a

0:52:20.640 --> 0:52:23.680
<v Speaker 2>piece of paper with a phrase sound, light and frequency

0:52:24.160 --> 0:52:26.799
<v Speaker 2>told us to put it away and that at that time,

0:52:26.840 --> 0:52:30.080
<v Speaker 2>around fifteen years, we would have proof that he was

0:52:30.120 --> 0:52:33.279
<v Speaker 2>for real. Does that How do you explain that he

0:52:34.000 --> 0:52:38.319
<v Speaker 2>connected the dots somehow in ninety six to the discovery

0:52:38.360 --> 0:52:42.200
<v Speaker 2>of the God particle, which proves basically the foundation of

0:52:42.280 --> 0:52:46.959
<v Speaker 2>quantum physics. Is that just a coincidence? Maybe my head

0:52:47.080 --> 0:52:50.239
<v Speaker 2>just exploded over that. I think it's still exploding. I

0:52:50.280 --> 0:52:53.560
<v Speaker 2>don't have a good answer to that question right now, Brent,

0:52:53.840 --> 0:52:56.719
<v Speaker 2>But I do have an answer to another question. People

0:52:56.800 --> 0:52:59.560
<v Speaker 2>are asking if I can diverge long enough to talk

0:52:59.600 --> 0:53:03.080
<v Speaker 2>about the formula, which I sometimes call the envelope because

0:53:03.160 --> 0:53:06.040
<v Speaker 2>it was written on an envelope. People say, why don't

0:53:06.080 --> 0:53:08.239
<v Speaker 2>you guys just put it out on the internet right

0:53:08.280 --> 0:53:10.560
<v Speaker 2>now and we'll all take a look at it. And

0:53:10.600 --> 0:53:14.040
<v Speaker 2>I think the answer is we're still investigating it, we're

0:53:14.040 --> 0:53:16.600
<v Speaker 2>sharing it with people. We're trying to get our own

0:53:16.640 --> 0:53:18.759
<v Speaker 2>act together about what we think it is. We're not

0:53:18.840 --> 0:53:22.040
<v Speaker 2>hiding it. We're going to put it out there. Our plan, folks,

0:53:22.360 --> 0:53:24.400
<v Speaker 2>is to do what we just did with those postcards,

0:53:24.400 --> 0:53:26.120
<v Speaker 2>which if you go to our website you can look

0:53:26.120 --> 0:53:28.560
<v Speaker 2>at them right now. They were out when the episode

0:53:28.600 --> 0:53:30.960
<v Speaker 2>came out, and if you want to put something on

0:53:31.000 --> 0:53:34.399
<v Speaker 2>your calendar, our plan right now is that on September seventeenth,

0:53:34.520 --> 0:53:36.880
<v Speaker 2>we're going to do an episode of Sound Light and

0:53:36.920 --> 0:53:41.319
<v Speaker 2>Frequency about the formula slash envelope. We're going to put

0:53:41.320 --> 0:53:43.319
<v Speaker 2>it in that episode, we're going to put it on

0:53:43.360 --> 0:53:45.600
<v Speaker 2>our website, and we're going to let everybody else take

0:53:45.640 --> 0:53:48.000
<v Speaker 2>a crack at it. That sound about right, yes, and

0:53:48.040 --> 0:53:50.759
<v Speaker 2>we're going to share the analysis we've collected from a

0:53:50.840 --> 0:53:54.920
<v Speaker 2>number of people. And just in the intervening episodes, I

0:53:54.960 --> 0:53:58.360
<v Speaker 2>want to say, as with this chapter in the subplot

0:53:58.400 --> 0:54:01.480
<v Speaker 2>of the formula, there are ever more chapters to tell

0:54:01.640 --> 0:54:05.160
<v Speaker 2>and I'm embracing you now. They get weirder. You're in

0:54:05.239 --> 0:54:06.080
<v Speaker 2>for a wild ride.

0:54:10.880 --> 0:54:14.000
<v Speaker 1>Sound Light and Frequency is an iHeart podcast produced by

0:54:14.040 --> 0:54:17.840
<v Speaker 1>Stellar Productions. It's executive produced by Nick Johnson and for

0:54:17.920 --> 0:54:21.239
<v Speaker 1>Stellar Jackie's Abel. Our show's music was written by Anna

0:54:21.320 --> 0:54:25.080
<v Speaker 1>Stumpf and Hamilton Lighthouser, and your hosts and executive producers

0:54:25.080 --> 0:54:28.400
<v Speaker 1>are Bryce Abel, That's Me and Brent Friedman. Watch the

0:54:28.440 --> 0:54:28.880
<v Speaker 1>Skies