Speaker 1: Come through offending down here. H m hmmm, it's a
Speaker 1: little good afternoon offending. Can we have some light? No,
Speaker 1: the only in darkness. Can you see the truth? If
Speaker 1: you say so, take my hand, there is a cha
Speaker 1: Just yeah. Sit. So what happens now? You asked the
Speaker 1: Master your question? Where is the So he's here all
Speaker 1: around us. Close your eyes and he will appear before
Speaker 1: you that if I closed my eyes, would you trust?
Speaker 1: All right? No? Nothing, you don't believe, And yet you
Speaker 1: have come to seek the Master's wisdom. I just wasn't
Speaker 1: expecting this. Ask you a question. The Master is listening
Speaker 1: now well, as you know, I am an official of
Speaker 1: the palace, recently appointed the commander of the Palace Guard.
Speaker 1: There is the need for some confidential Yes, yes, the
Speaker 1: Master understands. Please ask you a question. Are the times
Speaker 1: propitious for new enterprises? Well? What is that? What does
Speaker 1: that mean? He says, these are indeed propitious times. I
Speaker 1: would rather hear that from the Master himself. But the
Speaker 1: Master has no tongue, he cannot speak, he cannot tell
Speaker 1: a lie. Are you sure this is yes? Yes, The
Speaker 1: Master is well known throughout the city, don't you know
Speaker 1: he predicted the coming of Maya. Very well, there is
Speaker 1: something that is troubling me. A senior figure in the
Speaker 1: palace appears to have left the city. I've tried to
Speaker 1: discover for what purpose? But here you need to ask
Speaker 1: him a direct question. Yes, will this interfere with my plans?
Speaker 1: He says no, because I fear he may return with force,
Speaker 1: force soldiers, alarm me and upset my enterprise. He says no.
Speaker 1: So should I then go ahead with say enterprise? Can
Speaker 1: I rely on my subordinates, on their loyalty to carry
Speaker 1: out my orders, regardless of any dangers or complications that
Speaker 1: they may experience personally or professionally, from higher up, from anywhere? Splendid? Splendid?
Speaker 1: Should I be merciful to those who resist when the
Speaker 1: time comes? M yes, Yes, A leader must be ruthless
Speaker 1: and never wave up. I see that I need to
Speaker 1: be strong. Should I act before the sickle moons or
Speaker 1: after the sickle moons? He can't answer that question. Should
Speaker 1: I carry out this enterprise before the sickle moons? I'm
Speaker 1: what does that mean? There is a gap in his knowledge.
Speaker 1: He can't see everything. Oh, is there another who might know?
Speaker 1: Another prophet? No? Yes, what does that mean, not a
Speaker 1: prophet like him, someone who knows, who sees things. Someone young,
Speaker 1: I think, a child? What is it? One moment? There
Speaker 1: is a boy. He's known throughout the city because he
Speaker 1: prophesied the death of Sultan al Guri just before the
Speaker 1: city was overcome by the forces of Maya. Is this
Speaker 1: boy in the city? Yes? And No. Two Manly Series three,
Speaker 1: Episode four, Dark Enterprises by John Scott Driving. Okay, so
Speaker 1: it would seem we have an intruder. I wonder who mouse?
Speaker 1: Perhaps mm hmmm, something bigger, judging from the hole in
Speaker 1: the sack of grain. All right, so what do we
Speaker 1: have here? Come to steal from uself? You let me go.
Speaker 1: You know what we do to start ways? We throw
Speaker 1: them into the sea. No, I came to join the Ballari,
Speaker 1: to join us. Yes, I swear, I swear it comes
Speaker 1: home with me. What's your step? Boy? Looking to see
Speaker 1: before Captain? I found this boy, great ran Master. It's
Speaker 1: worse than I thought. The wind is driving us onto
Speaker 1: the shore, and we must head out and do open sea.
Speaker 1: It's too late. The wind is against us. There's no
Speaker 1: point in fighting. The safest course is to find a
Speaker 1: sheltered bay, or we will risk losing the gold, I said,
Speaker 1: then send out a signal, pleatle shelter in the first
Speaker 1: available there. That's the problem, Grandmaster. We can't see the
Speaker 1: other ships. The storm has pushed us apart. Their captains
Speaker 1: will know what to do, but we need shelter. Now
Speaker 1: very up to what you must. We follow the shoreline,
Speaker 1: look for the first available bay. We're going into shelter.
Speaker 1: Lower the raft, captain, Yes, what is it? Johnas this
Speaker 1: boy captive? I found him in the hold near the gold,
Speaker 1: A stowaway, the thief. Are you a no thief? I
Speaker 1: want to serve. I want to serve, but you want
Speaker 1: to be a sailor. No, I want to serve him me, boy,
Speaker 1: you want to serve me? Why? Because you were the
Speaker 1: grand Master of the Baller, the greatest soldiers in the world.
Speaker 1: You want to fight Twitters who wouldn't have the Battle
Speaker 1: of Facilis you held back at the hoards of I
Speaker 1: know very well what happened at the battle Infest. I
Speaker 1: think we've hit a rock, Grandmaster. Are we taking carpenters
Speaker 1: into the hole? Are we taking on water? Get the
Speaker 1: gold up on, Dick. Can you drive the ship ashore?
Speaker 1: It will mean breaking her back. The ship will be finished.
Speaker 1: Can it be done? We must save the goat, Yes
Speaker 1: it can be done. Then do it, But we will
Speaker 1: be stranded. There's nothing beyond those rocks but desert to it. Yes,
Speaker 1: I have you. You're safe. I'm not drowned today. Thank you, sir. Well,
Speaker 1: now I have saved your life. I suppose I'll have
Speaker 1: to do something with you. Sleep. I need to sleep.
Speaker 1: But all I can do is pace these walls above
Speaker 1: the city that I used to control, listening to that
Speaker 1: incessant voice in my head. Alcin, Alcin, the Sultan's vizier.
Speaker 1: She shares her bed with my niece and has a
Speaker 1: complete trust. And what if Cadali he's wormed his way
Speaker 1: back into the palace. That's slimy bastard. He's her ally.
Speaker 1: Now she's handed him command of the palace guard, my
Speaker 1: palace guard. What is she doing? What does she want?
Speaker 1: Absolute power? And me? Now, I'm just a sleepless wanderer.
Speaker 1: But tonight, this night, things are different. Something's happening. I
Speaker 1: can sense it, and I know these stones, I know
Speaker 1: these walls. Something's happening. I mean, you're talking to me,
Speaker 1: what is your business? Oh, apologize your excellency, I have
Speaker 1: orders to clear the walls of all but the palace guard,
Speaker 1: on whose orders. I'm sorry, excellency, but I'm not at
Speaker 1: liberty to say. Indeed, well do your work. It might
Speaker 1: be best if you go back to your rooms and
Speaker 1: stay there, But I am is my advice, sir, for
Speaker 1: your own safety. I don't know what it is, but
Speaker 1: I do know who it is. Alkin Maya, whoever she is,
Speaker 1: is about to make her move. You were watching me,
Speaker 1: but the danger always comes from the direction you are
Speaker 1: least expecting. The Sultana. I can do whatever I please.
Speaker 1: Why are you awake? Come back to bed. Every time
Speaker 1: I look at you, Alkin, I see something slightly different.
Speaker 1: Did the color of your eyes change. It's impossible to
Speaker 1: say what color they are. They have a dark pigment
Speaker 1: that reflects the light. They are whatever you wish them
Speaker 1: to be. Beautiful. You look so peaceful in the moonlight,
Speaker 1: and very desirable for a woman old enough to be
Speaker 1: your mother. Very desirable. Mm hmm. Strange worlds were you
Speaker 1: dreaming of, Alkin? I was dreaming of the camel in
Speaker 1: the desert. Nothing's strange at all. I don't believe you.
Speaker 1: I never know what's going on behind your eyes? Atkin?
Speaker 1: Sometimes I think you can see right through me. I
Speaker 1: can never see through you. No, m Maybe that's what
Speaker 1: I like. What is it? Ah? I was destined for
Speaker 1: a life of obedience. I was my father's property to
Speaker 1: be hidden away, protected from the world, and I managed
Speaker 1: to break away from all that. And now your decisions
Speaker 1: affect every living creature that walks the earth. I feel
Speaker 1: trapped by the politics. I have no freedom to act alone.
Speaker 1: Even my father he says he doesn't want power, but
Speaker 1: he's continually overriding my decisions. If I command this, he
Speaker 1: commands that. He still expects me to do his bidding.
Speaker 1: But I will not. Have I not fought like he.
Speaker 1: Have I not killed? Have I not led men into
Speaker 1: battle as he has? Why are you laughing? You truly
Speaker 1: are your father's daughter. Yes, how can I rule if
Speaker 1: he keeps interfering? Well, now he has left to Mumbai
Speaker 1: for the profits against my express orders. That is true.
Speaker 1: But maybe this is your chance to break free, to
Speaker 1: rule on your own terms, so that by the time
Speaker 1: he returns. Go away now, slave, don't disturb us. Now,
Speaker 1: it's too early. Whatever it is, come back after some time. Wait, ah,
Speaker 1: where is my slave? What's going on? How dare you?
Speaker 1: You have to come with us? Majesty, you have entered
Speaker 1: the harem. You are not permitted to set. You'll have
Speaker 1: to come with us, now do you mean? And you, mistress,
Speaker 1: you are under arrest? Why this is my vizier? What
Speaker 1: for for treason against the city of two one bay?
Speaker 1: Where is the prince? Who your husband? Where is Prince Herod?
Speaker 1: My my husband? Where is he? You? For all the
Speaker 1: money in the world, you're the prince and you still
Speaker 1: take everything? Well, then, and need to let me give
Speaker 1: something back? Wine? Harng more whine for my friend's hair.
Speaker 1: You see me a prince, and you think, oh, how
Speaker 1: easy must say his life be? How different is this
Speaker 1: life to mine? Well, I grant you there are some
Speaker 1: advantages to being a prince. To keep your slaves, that
Speaker 1: is true. My slaves are taken care of. But I
Speaker 1: feel as you feel. I rise to anger as you do.
Speaker 1: I feel pride, I feel pained out there, I delighted,
Speaker 1: I even desire as you do. Prince, just like the
Speaker 1: people's prince, he's the people's princess. Open up? Where are you?
Speaker 1: Where is everybody? Hello? My lord? My slabs I can't
Speaker 1: seem to open a door. I don't know where my slaves. No,
Speaker 1: my lord, you have to come with me. Come, you
Speaker 1: have to come with me now. It's important. You're in danger.
Speaker 1: But my wife, Sultana, she's been arrested a vizier too.
Speaker 1: But but I've got you. We need to move quickly.
Speaker 1: I will explain everything when we're safe. Now come, where
Speaker 1: are we going? I have a friend in the town.
Speaker 1: She will keep you safe this week. Hurry? Yes, I
Speaker 1: need to see your mistress. Now, let us in. The
Speaker 1: mistress is not here, she's gone away. Well who is here? Then?
Speaker 1: The master? Well, I to see him. I need to
Speaker 1: see him now. It's late, come back late now. H wait,
Speaker 1: he'll be safe here. I hope you hope? What do
Speaker 1: you want? Can we come in? You're not welcome in
Speaker 1: this house. You killed him and me and I saved
Speaker 1: his daughter and the child she was carrying your child?
Speaker 1: You get in? What are you doing? Where is she?
Speaker 1: My wife is away away where let's see she is
Speaker 1: returning from Smona the family business. She's lucky. Then we
Speaker 1: may not be. I need your help. It's your child's future.
Speaker 1: M M. What is it? There's been trouble in the palace.
Speaker 1: What sort of trouble but coup. This is the Sultana's husband.
Speaker 1: He needs to hide. You have no quarrel with him,
Speaker 1: even if you do with me. Oh I do. I'm
Speaker 1: doing well. We all settle it one day, but not today.
Speaker 1: I need to leave Prince Head with you. Don't I
Speaker 1: get to say in any of this? No, yes, leave him?
Speaker 1: What about you? What do you intend to do? Return
Speaker 1: to the palace? Of course, I spent so much time
Speaker 1: watching Alcan that I missed what was right in front
Speaker 1: of me. And then Caddali made his move. Secure the gates,
Speaker 1: Paul gates, no one in or out? Yes, where's Prince Herod?
Speaker 1: Have you found him yet? We drissed him back to
Speaker 1: one of the gambling houses. He came back to the palace,
Speaker 1: we believe, but we haven't found yet. Don't tell me
Speaker 1: where he was. Find out where he is where he
Speaker 1: should be as in a cell in the palace. Yes.
Speaker 1: Have you checked with every single gate keeper? Yes, sir,
Speaker 1: we add in the process of checking. Well, is he
Speaker 1: in the palace or still out in the city. Go
Speaker 1: and find out. If you value your head, find out
Speaker 1: at once, Ah sell him. Father have you sent for me?
Speaker 1: Come sell him? We need to talk. Weren't you with him? Yes,
Speaker 1: that's what I've been trying to tell your father. That's
Speaker 1: why I've been trying to see you. He definitely went
Speaker 1: back to the palace. He had been drinking. You were
Speaker 1: supposed to stay with him. I had to pay the inkkeeper.
Speaker 1: He wanted to go and very well. We will find
Speaker 1: him now, my boy, there's something I want you to
Speaker 1: do for me, anything, father, This is your chance to
Speaker 1: prove yourself. General Koolan is on his way to Rashim Province.
Speaker 1: He's trying to build an army. If you take swift horses,
Speaker 1: a small party, you can catch him up. Yes, father,
Speaker 1: And then what do I do when I reach him?
Speaker 1: He must not reach Rashime Province. M Do you understand?
Speaker 1: And yes? Yes father? Are you sure? Greg I heard shouting?
Speaker 1: What's going on? Go sell him? Goggle some changes, Gregor,
Speaker 1: high time, don't you think? And now I need to
Speaker 1: win Cadali's trust to stay free. Look, Cadi, I think
Speaker 1: there's a problem. What are you talking about. I have
Speaker 1: to offer him something of value, Commander Coulan. He's left
Speaker 1: the city and easy offering. He probably knows that already.
Speaker 1: I know that to raise an army really, Oh dear,
Speaker 1: what should we do? Are you relying on the Ballarat
Speaker 1: to defend you? Perhaps I could intervene on your behalf.
Speaker 1: I could ride out talk to Coola would you? Could you?
Speaker 1: Of course? Guards you can leave us. Yes, bring a
Speaker 1: chair over, sit down, comnt to you. It has been
Speaker 1: a big night. Or would you prefer wine? Gregor? What
Speaker 1: do you want? What do you mean, Gregor? Is that's
Speaker 1: why haven't I arrested you? Your Jackie as well? You
Speaker 1: know me Cadi. You can rely on me to be
Speaker 1: thoroughly self serving. I'm a survivor. I want to survive
Speaker 1: and I'm not likely to do that in a cell.
Speaker 1: I like you, Gregor, I can trust the man when
Speaker 1: I know exactly how his mind works. As former commander
Speaker 1: of the Palace Guard, you know every lock, every passageway,
Speaker 1: every hidden doorway in his palace. What do they used
Speaker 1: to say? Gregor is the man who can walk through walls? Besides,
Speaker 1: you have the loyalty of the palace guards. You know that.
Speaker 1: I know that you and I, Gregor, we have a
Speaker 1: lot in common. We're both practical men. We like things
Speaker 1: to work and Tuman Bay wasn't working under your niece.
Speaker 1: You knew that. I knew that. Now, your brother, the
Speaker 1: Great Commander, he was too close to things to see it.
Speaker 1: If he wasn't, he would have known that. To the
Speaker 1: ordinary citizens of the city, I think they're shocked by
Speaker 1: her relationship with that woman. It is shocking, isn't it.
Speaker 1: It's unnatural. They don't like it, and they don't like her,
Speaker 1: and they want to see a man on the throne,
Speaker 1: Prince Herod. You don't happen to know where he is,
Speaker 1: do you, greg No, I have no idea. Well, never mind. Look,
Speaker 1: I'm not doing this for me. I'm too this for
Speaker 1: two man Bay, the city that has given me everything,
Speaker 1: given us everything, and to which we owe everything. Do
Speaker 1: you see what I'm saying, Gregor? Are you offering me
Speaker 1: a job? I'm offering your job back because it's been vacated.
Speaker 1: I'm going to be stan And what do you want
Speaker 1: in return? I'm offering you your life, Gregor. For one
Speaker 1: more thing, I warrant you standing beside me so that
Speaker 1: people can see the old regime supports these adjustments, and
Speaker 1: then health my niece. She will be safe as long
Speaker 1: as you're loyal. If you're not, I'll have her on
Speaker 1: the rack torture to death. After all, we're both practical. Yeah, oh,
Speaker 1: you didn't worry about your brother, General Coolana, that's all
Speaker 1: been taken care of. I see timing Gregor timing high
Speaker 1: stakes power play. It's all about keeping things moving, never
Speaker 1: giving your opponent time to take stock, keeping them distracted
Speaker 1: to all the time, lots of balls in the air
Speaker 1: like a juggler at the fair Cardally is running this
Speaker 1: coup as if you were running some entertainment. He was
Speaker 1: always good at putting on a show. The slaves have
Speaker 1: been fed and watered good. They're definitely putting on weight.
Speaker 1: I think if my calculations are right, by the time
Speaker 1: we approached to Monday, they should be in prime condition. Right.
Speaker 1: You know it was a good idea of yours to
Speaker 1: leave the hatches open. Then, I'm not sure the sailors appreciated, Captain.
Speaker 1: Why are we changing course over there? Both on the
Speaker 1: rocks so, but in the storm, I should think, look,
Speaker 1: you see the smoke. They're calling for help. Yes, but
Speaker 1: we have a ship full of slaves. Well, they might
Speaker 1: have a ship full of fine linen. A rich cargo
Speaker 1: would be ashamed to let that go to waste, wouldn't it?
Speaker 1: But wouldn't it belong to whoever's on the ship if
Speaker 1: they're still alive. Well, someone is alive there they've lit
Speaker 1: a fire. Well we'll have to see once with mistress.
Speaker 1: You see, mistress, this trip has turned out to be
Speaker 1: more profitable than we thought. A good cargo would cover
Speaker 1: our cost entirely. We'd be in profit before we even landed.
Speaker 1: Lord the sails, Yes, Captain sales one for the keep
Speaker 1: up compermis shall be rapidly. He's the gibber it slowly,
Speaker 1: he's the gibber it. Got it now? Yeah? Easy? One quarter?
Speaker 1: One quarter? One quarter? Let's go anchors. That's que can
Speaker 1: it seems to be deserted? No, there's someone. Oh oh
Speaker 1: it's a boy there. Can you help me? Of course
Speaker 1: you can, lad, what's happened to you? Hold to the
Speaker 1: storm that's driven onto the rocks? How many of you
Speaker 1: are there? It's just me? The others drowned. They tried
Speaker 1: to get to show, they tried to swim, all lost.
Speaker 1: It's only me left grappling irons, pull us alongside, pull
Speaker 1: us along, sidelings. Now what on the leaven on the leaven.
Speaker 1: You get the plank. We're coming across. H You're lucky
Speaker 1: we found you. They've broken up soon now. The day
Speaker 1: of this, yes, I couldn't swim. I had to stay
Speaker 1: with the ship. They left me behind. What are you
Speaker 1: in cargo? What? What were you carrying that? Nothing much?
Speaker 1: There's some grain and stuff. Oh, yes they did. It's spoiled. Yes,
Speaker 1: all spoils the seawater. There's nothing else. There's nothing else.
Speaker 1: What's this then? Boy? Can you open the chest? Boy? No,
Speaker 1: it's locked. Better just come m hm captain? Well, well
Speaker 1: what is it? I don't hear that. It's pay there? Hello,
Speaker 1: need you all to get this on board? Where did
Speaker 1: this come from? Is this all of it? I don't know.
Speaker 1: I don't know anything. Tell me your damn Leave him alone.
Speaker 1: Leave him alone right now. It doesn't matter where it
Speaker 1: came from. What matters it's where it's going, and it's
Speaker 1: going aboard out ship. Setch the ballet, wait, captain, captain,
Speaker 1: but pro I couldn't see it before. It's made of iron.
Speaker 1: This is no merchant ship. This is the up of
Speaker 1: the ship. It craft go aboard. Anyone that killed him?
Speaker 1: Very good, Grandmaster, you did world boy, Thank sir, Sir,
Speaker 1: who have we got here? We are just poor merchants.
Speaker 1: We saw you were in distress and came to assist
Speaker 1: the lord to see to help mariners in distress. We're
Speaker 1: grain merchants heading to too Man Bay. We've delivered a
Speaker 1: cargo to Smyrna and we're on our way back. Now.
Speaker 1: Who's this My daughter? She Heaven? My name is Heaven,
Speaker 1: as my father says, we are just merchants. We came
Speaker 1: to your aid, but clearly you don't need any help,
Speaker 1: so we would just whether they got on board. Slaves
Speaker 1: front and rear holes estimate five hundred so slave trader. Yes,
Speaker 1: we are merchants going about our lawful business under the
Speaker 1: protection of the Sultan of too Munday. Indeed, slavery is
Speaker 1: an abomination, right, Yes, that is an opinion. I do
Speaker 1: believe different cultures have different of course, the slaves are
Speaker 1: not mine, her slaves. I mean she bought them, she
Speaker 1: paid for them. Her father, even Bay was quite well known.
Speaker 1: Actually a merchant. It appears one of your fathers has
Speaker 1: abandoned you. How many do you have? He's not my father.
Speaker 1: Should we go after him, Grandmaster? No, he'll drown soon enough,
Speaker 1: release the slaves onto the shore, give them provisions and
Speaker 1: tell them they are free. Men and women. Now release
Speaker 1: the slaves, releaseless slaves. Let's here, Hello, h you are free.
Speaker 1: You understand, go you free, free, Cut off their chicks,
Speaker 1: get them off free, you are free. Moving. We've no
Speaker 1: use for slave. Throw her over too. And she saved
Speaker 1: me from that man who was going to cut my throat.
Speaker 1: She stopped him very well. Take her with us, put
Speaker 1: her in the whole, chain her. Let us see what
Speaker 1: it's like being a slave. Not all do you recognize him? No?
Speaker 1: Shall we take him down? No, let's see what he wants.
Speaker 1: It could be an ambush in the deserted General, I
Speaker 1: can't with an ardent message. Let him approach. Go ahead,
Speaker 1: come ahead to little Coolon. Thank god. I come as
Speaker 1: fast as I could. I have a message from your daughter,
Speaker 1: the Sultana. You are to return immediately to Tomandi. And
Speaker 1: why would the Sultana have me return immediately? She just
Speaker 1: but she didn't give her reason. But here is her
Speaker 1: sel a she and where is the order? What? Where
Speaker 1: is it? Let me see it? But it is her
Speaker 1: direct order, her direct order, yes, General, that she gave
Speaker 1: to you directly. Yes, And how did she issue this order?
Speaker 1: She said, go after General Coolan. She said it was
Speaker 1: imperative to stop you before you get to the governor
Speaker 1: of the Shem's p is. Tell him to return immediately.
Speaker 1: She has some urgent business for you, I see, and
Speaker 1: who might you be? Sell him friend of Prince Herod.
Speaker 1: Have we met? No, Commander, No, but I never forget
Speaker 1: her face. Aren't you in charge of the palace cleaners? Yes,
Speaker 1: but I got promoted promoted, I was middle pasharp. But
Speaker 1: now Commander, you need to attend with me immediately. You
Speaker 1: go back to to man Bay and tell my daughter,
Speaker 1: if indeed you have ever said eyes on her, that
Speaker 1: Commander Coolan will return to to man Bay when he
Speaker 1: has completed his task. No, Commander, it's her express order.
Speaker 1: M you say no to me, No, I mean yes, command,
Speaker 1: and then let us brucie. You don't continue our journey
Speaker 1: if my daughter my warmest regards. That's what easy water.
Speaker 1: Everybody needs, right on, Thank thank you, thank you. Yeah, yeah,
Speaker 1: open list. Just now here you are. I'm so sorry
Speaker 1: that it had to come to this, And don't worry.
Speaker 1: We will try to get everything right just as soon
Speaker 1: as we can. Mhm. But you know this is the
Speaker 1: cell your father was in. How times change? Um, where's
Speaker 1: the other one? Bring out the other one? What do
Speaker 1: you intend to do with us? I nothing, nothing, I
Speaker 1: will do you no harm. I feel no enmity at
Speaker 1: all towards you. Then why are we being kept here?
Speaker 1: Because we must all serve tuman Bay and we must
Speaker 1: all obey its laws. He means he's going to put
Speaker 1: us on trial, not I the law, the sacred law
Speaker 1: of tuman Bay. If a Satan is seen as unfit
Speaker 1: to rule, then there must be a public accounting. And
Speaker 1: what are we to be charged with? Oh, you don't
Speaker 1: know you gave the gold away? What? But it was
Speaker 1: you who's known? You are the Sultanah? What will the
Speaker 1: people think when they learned that the sultana gave away
Speaker 1: the treasure that the city needs to rebuild itself. And
Speaker 1: of course there is the other matter of well, people
Speaker 1: will wonder why your husband was thrown aside in favor
Speaker 1: of this woman, this unnatural woman. My father will destroy
Speaker 1: you can danny o your father he is He will
Speaker 1: be on his way back. Now your orders. I'll be
Speaker 1: sending a little welcoming party to greet him welcomebye, ah,
Speaker 1: see you tomorrow. I'm doing this for twoman, yes, and
Speaker 1: I have no doubt that two mom they will thank
Speaker 1: you for it appropriately. You're a curious woman. Aren't here
Speaker 1: a traveler? Where do you come from? Alkim? You come
Speaker 1: here and weasel your way in, make friends and all
Speaker 1: the right places. It took me a lifetime of heart,
Speaker 1: devoted service to two membab before I became busier, to
Speaker 1: the sort I earned it. But you you you know
Speaker 1: CODI I would feel sorry for you if you weren't
Speaker 1: so absurd. Well, perhaps you should reserve your pity for
Speaker 1: yourself and your lover. Take back to Majesty. Your son
Speaker 1: Selim has he wouldn't come, and so why didn't you
Speaker 1: kill him? Kill him? Yes? I told you I couldn't.
Speaker 1: He was with several of his officers and you were,
Speaker 1: and for your safety, I wouldn't have been able to
Speaker 1: get near. I give you a chance, and what do
Speaker 1: you do? You throw it back in my face? Get out?
Speaker 1: But please, father, I did my best. Your best wasn't
Speaker 1: good enough. You couldn't even keep an eye on the prince.
Speaker 1: We still don't know where he is. You're pathetic, father, no,
Speaker 1: you're nothing to me. Go away, God's take him away.
Speaker 1: What shall we do with your Majesty? I don't care.
Speaker 1: Throw him out of the palace. You have nothing, now
Speaker 1: go mm hmm. My son has always been such a
Speaker 1: disappointment to me. You know, yes, Majesty, do you have
Speaker 1: any children yourself? Officer? Oh? Lovely, lovely? How old nine?
Speaker 1: I hope I hope one day she makes I'm already
Speaker 1: very proud of her. No, I was gonna say, I
Speaker 1: hope one day she will look back on these days,
Speaker 1: on my coronation as the time two men bay was saved.
Speaker 1: What's that smell, Majesty? It's rancid. It's find it, Majesty,
Speaker 1: and I think it's it's coming from over here. It's
Speaker 1: getting stronger. What in God's name is there an ape? Majesty?
Speaker 1: Was white deep? Where did it come from? It was
Speaker 1: just James there. I think with everything happening, Majesty in
Speaker 1: the ballace, someone forgot to feed it. Where did it
Speaker 1: come from? It was a gift, Sir to the Sultana
Speaker 1: from from Prince Head. Majesty, Herod, Herod, We'll find him
Speaker 1: and we'll put him in a cage and starve him
Speaker 1: too constressing, say, see away from me. It's all right.
Speaker 1: I've brought you something. It's all right, I promise eat
Speaker 1: go on, it's my rations. You'll need it. Hm. Where
Speaker 1: are we going to their fortress? They have many along
Speaker 1: the coast. Who are they? The Ballarach monks? Fighters? All right? Well,
Speaker 1: and you pass on a message from me to their
Speaker 1: their commander, the grand Master. I don't care whoever is
Speaker 1: in Georgia. I don't really know. It's it's vital that
Speaker 1: you tell him I am a citizen to when they
Speaker 1: I am not a slave. My family are rich and
Speaker 1: they will pay a lot to get me back. Got that.
Speaker 1: I don't think he will be interested in that? And
Speaker 1: then why are they keeping me captive? I don't know.
Speaker 1: You are not one of them? Are you? What are
Speaker 1: you doing here? I have to go? No? Wait, wait,
Speaker 1: please come back, please come back. Season three, Episode four
Speaker 1: of Tuman Bay Dark Enterprises, featuring Rufus Wright, Matthew marsh
Speaker 1: and Olivia Popka, was written and directed by Me John
Speaker 1: Scott Dryden, with music by Sasha Putnam and editing and
Speaker 1: sound design by Eloise Whitmore. To Mubai is created by
Speaker 1: Me and Mike Walker and produced by Emmahn and Nadir Khan.
Speaker 1: For more details, including scripts and cast list, visit to
Speaker 1: mumbai dot com