1
00:00:18,239 --> 00:00:29,000
Speaker 1: Come through offending down here. H m hmmm, it's a

2
00:00:29,040 --> 00:00:34,519
Speaker 1: little good afternoon offending. Can we have some light? No,

3
00:00:34,880 --> 00:00:37,760
Speaker 1: the only in darkness. Can you see the truth? If

4
00:00:37,760 --> 00:00:41,360
Speaker 1: you say so, take my hand, there is a cha

5
00:00:41,960 --> 00:00:56,960
Speaker 1: Just yeah. Sit. So what happens now? You asked the

6
00:00:57,040 --> 00:01:02,400
Speaker 1: Master your question? Where is the So he's here all

7
00:01:02,440 --> 00:01:06,520
Speaker 1: around us. Close your eyes and he will appear before

8
00:01:06,560 --> 00:01:10,080
Speaker 1: you that if I closed my eyes, would you trust?

9
00:01:12,520 --> 00:01:22,240
Speaker 1: All right? No? Nothing, you don't believe, And yet you

10
00:01:22,319 --> 00:01:25,800
Speaker 1: have come to seek the Master's wisdom. I just wasn't

11
00:01:25,880 --> 00:01:30,520
Speaker 1: expecting this. Ask you a question. The Master is listening

12
00:01:30,560 --> 00:01:35,920
Speaker 1: now well, as you know, I am an official of

13
00:01:35,959 --> 00:01:39,680
Speaker 1: the palace, recently appointed the commander of the Palace Guard.

14
00:01:40,040 --> 00:01:43,600
Speaker 1: There is the need for some confidential Yes, yes, the

15
00:01:43,760 --> 00:01:50,200
Speaker 1: Master understands. Please ask you a question. Are the times

16
00:01:50,200 --> 00:02:00,720
Speaker 1: propitious for new enterprises? Well? What is that? What does

17
00:02:00,720 --> 00:02:04,560
Speaker 1: that mean? He says, these are indeed propitious times. I

18
00:02:04,560 --> 00:02:07,800
Speaker 1: would rather hear that from the Master himself. But the

19
00:02:07,840 --> 00:02:11,000
Speaker 1: Master has no tongue, he cannot speak, he cannot tell

20
00:02:11,000 --> 00:02:14,080
Speaker 1: a lie. Are you sure this is yes? Yes, The

21
00:02:14,080 --> 00:02:16,520
Speaker 1: Master is well known throughout the city, don't you know

22
00:02:16,680 --> 00:02:21,440
Speaker 1: he predicted the coming of Maya. Very well, there is

23
00:02:21,480 --> 00:02:25,080
Speaker 1: something that is troubling me. A senior figure in the

24
00:02:25,160 --> 00:02:29,160
Speaker 1: palace appears to have left the city. I've tried to

25
00:02:29,240 --> 00:02:31,760
Speaker 1: discover for what purpose? But here you need to ask

26
00:02:31,840 --> 00:02:38,520
Speaker 1: him a direct question. Yes, will this interfere with my plans?

27
00:02:45,080 --> 00:02:48,800
Speaker 1: He says no, because I fear he may return with force,

28
00:02:49,040 --> 00:02:56,120
Speaker 1: force soldiers, alarm me and upset my enterprise. He says no.

29
00:02:57,440 --> 00:03:06,239
Speaker 1: So should I then go ahead with say enterprise? Can

30
00:03:06,280 --> 00:03:13,880
Speaker 1: I rely on my subordinates, on their loyalty to carry

31
00:03:13,880 --> 00:03:17,640
Speaker 1: out my orders, regardless of any dangers or complications that

32
00:03:17,680 --> 00:03:27,720
Speaker 1: they may experience personally or professionally, from higher up, from anywhere? Splendid? Splendid?

33
00:03:29,280 --> 00:03:34,560
Speaker 1: Should I be merciful to those who resist when the

34
00:03:34,600 --> 00:03:42,360
Speaker 1: time comes? M yes, Yes, A leader must be ruthless

35
00:03:42,360 --> 00:03:45,360
Speaker 1: and never wave up. I see that I need to

36
00:03:45,440 --> 00:03:49,160
Speaker 1: be strong. Should I act before the sickle moons or

37
00:03:49,200 --> 00:03:52,880
Speaker 1: after the sickle moons? He can't answer that question. Should

38
00:03:52,920 --> 00:03:59,720
Speaker 1: I carry out this enterprise before the sickle moons? I'm

39
00:03:59,760 --> 00:04:02,760
Speaker 1: what does that mean? There is a gap in his knowledge.

40
00:04:02,880 --> 00:04:08,000
Speaker 1: He can't see everything. Oh, is there another who might know?

41
00:04:11,360 --> 00:04:20,960
Speaker 1: Another prophet? No? Yes, what does that mean, not a

42
00:04:21,000 --> 00:04:25,680
Speaker 1: prophet like him, someone who knows, who sees things. Someone young,

43
00:04:25,839 --> 00:04:43,120
Speaker 1: I think, a child? What is it? One moment? There

44
00:04:43,200 --> 00:04:47,240
Speaker 1: is a boy. He's known throughout the city because he

45
00:04:47,320 --> 00:04:50,479
Speaker 1: prophesied the death of Sultan al Guri just before the

46
00:04:50,520 --> 00:04:54,600
Speaker 1: city was overcome by the forces of Maya. Is this

47
00:04:54,640 --> 00:05:10,120
Speaker 1: boy in the city? Yes? And No. Two Manly Series three,

48
00:05:11,040 --> 00:05:31,320
Speaker 1: Episode four, Dark Enterprises by John Scott Driving. Okay, so

49
00:05:32,839 --> 00:05:41,840
Speaker 1: it would seem we have an intruder. I wonder who mouse?

50
00:05:41,920 --> 00:05:48,039
Speaker 1: Perhaps mm hmmm, something bigger, judging from the hole in

51
00:05:48,080 --> 00:05:55,039
Speaker 1: the sack of grain. All right, so what do we

52
00:05:55,160 --> 00:05:58,280
Speaker 1: have here? Come to steal from uself? You let me go.

53
00:05:58,720 --> 00:06:01,279
Speaker 1: You know what we do to start ways? We throw

54
00:06:01,400 --> 00:06:04,560
Speaker 1: them into the sea. No, I came to join the Ballari,

55
00:06:04,640 --> 00:06:07,640
Speaker 1: to join us. Yes, I swear, I swear it comes

56
00:06:07,680 --> 00:06:19,000
Speaker 1: home with me. What's your step? Boy? Looking to see

57
00:06:19,040 --> 00:06:31,200
Speaker 1: before Captain? I found this boy, great ran Master. It's

58
00:06:31,240 --> 00:06:33,400
Speaker 1: worse than I thought. The wind is driving us onto

59
00:06:33,440 --> 00:06:36,039
Speaker 1: the shore, and we must head out and do open sea.

60
00:06:36,120 --> 00:06:38,000
Speaker 1: It's too late. The wind is against us. There's no

61
00:06:38,040 --> 00:06:40,680
Speaker 1: point in fighting. The safest course is to find a

62
00:06:40,720 --> 00:06:44,000
Speaker 1: sheltered bay, or we will risk losing the gold, I said,

63
00:06:45,680 --> 00:06:48,640
Speaker 1: then send out a signal, pleatle shelter in the first

64
00:06:48,680 --> 00:06:52,320
Speaker 1: available there. That's the problem, Grandmaster. We can't see the

65
00:06:52,360 --> 00:06:55,960
Speaker 1: other ships. The storm has pushed us apart. Their captains

66
00:06:55,960 --> 00:06:58,640
Speaker 1: will know what to do, but we need shelter. Now

67
00:06:59,720 --> 00:07:03,960
Speaker 1: very up to what you must. We follow the shoreline,

68
00:07:04,440 --> 00:07:07,760
Speaker 1: look for the first available bay. We're going into shelter.

69
00:07:08,400 --> 00:07:13,320
Speaker 1: Lower the raft, captain, Yes, what is it? Johnas this

70
00:07:13,520 --> 00:07:16,480
Speaker 1: boy captive? I found him in the hold near the gold,

71
00:07:17,000 --> 00:07:20,440
Speaker 1: A stowaway, the thief. Are you a no thief? I

72
00:07:20,480 --> 00:07:23,920
Speaker 1: want to serve. I want to serve, but you want

73
00:07:23,960 --> 00:07:27,640
Speaker 1: to be a sailor. No, I want to serve him me, boy,

74
00:07:27,760 --> 00:07:30,440
Speaker 1: you want to serve me? Why? Because you were the

75
00:07:30,480 --> 00:07:33,520
Speaker 1: grand Master of the Baller, the greatest soldiers in the world.

76
00:07:33,600 --> 00:07:36,640
Speaker 1: You want to fight Twitters who wouldn't have the Battle

77
00:07:36,640 --> 00:07:38,480
Speaker 1: of Facilis you held back at the hoards of I

78
00:07:38,720 --> 00:07:46,760
Speaker 1: know very well what happened at the battle Infest. I

79
00:07:46,800 --> 00:07:51,440
Speaker 1: think we've hit a rock, Grandmaster. Are we taking carpenters

80
00:07:51,440 --> 00:07:57,760
Speaker 1: into the hole? Are we taking on water? Get the

81
00:07:57,840 --> 00:07:59,840
Speaker 1: gold up on, Dick. Can you drive the ship ashore?

82
00:08:00,320 --> 00:08:03,320
Speaker 1: It will mean breaking her back. The ship will be finished.

83
00:08:03,320 --> 00:08:05,360
Speaker 1: Can it be done? We must save the goat, Yes

84
00:08:05,800 --> 00:08:09,200
Speaker 1: it can be done. Then do it, But we will

85
00:08:09,240 --> 00:08:13,840
Speaker 1: be stranded. There's nothing beyond those rocks but desert to it. Yes,

86
00:08:17,440 --> 00:08:25,560
Speaker 1: I have you. You're safe. I'm not drowned today. Thank you, sir. Well,

87
00:08:26,640 --> 00:08:29,960
Speaker 1: now I have saved your life. I suppose I'll have

88
00:08:30,040 --> 00:08:41,960
Speaker 1: to do something with you. Sleep. I need to sleep.

89
00:08:42,880 --> 00:08:45,760
Speaker 1: But all I can do is pace these walls above

90
00:08:45,840 --> 00:08:48,920
Speaker 1: the city that I used to control, listening to that

91
00:08:49,000 --> 00:08:55,360
Speaker 1: incessant voice in my head. Alcin, Alcin, the Sultan's vizier.

92
00:08:56,440 --> 00:08:58,880
Speaker 1: She shares her bed with my niece and has a

93
00:08:58,960 --> 00:09:03,679
Speaker 1: complete trust. And what if Cadali he's wormed his way

94
00:09:03,720 --> 00:09:07,280
Speaker 1: back into the palace. That's slimy bastard. He's her ally.

95
00:09:07,360 --> 00:09:10,959
Speaker 1: Now she's handed him command of the palace guard, my

96
00:09:11,160 --> 00:09:14,920
Speaker 1: palace guard. What is she doing? What does she want?

97
00:09:16,040 --> 00:09:22,600
Speaker 1: Absolute power? And me? Now, I'm just a sleepless wanderer.

98
00:09:24,280 --> 00:09:29,520
Speaker 1: But tonight, this night, things are different. Something's happening. I

99
00:09:29,600 --> 00:09:32,960
Speaker 1: can sense it, and I know these stones, I know

100
00:09:33,080 --> 00:09:43,079
Speaker 1: these walls. Something's happening. I mean, you're talking to me,

101
00:09:43,160 --> 00:09:48,720
Speaker 1: what is your business? Oh, apologize your excellency, I have

102
00:09:48,840 --> 00:09:50,880
Speaker 1: orders to clear the walls of all but the palace guard,

103
00:09:51,040 --> 00:09:54,000
Speaker 1: on whose orders. I'm sorry, excellency, but I'm not at

104
00:09:54,000 --> 00:10:01,079
Speaker 1: liberty to say. Indeed, well do your work. It might

105
00:10:01,160 --> 00:10:02,960
Speaker 1: be best if you go back to your rooms and

106
00:10:03,320 --> 00:10:08,240
Speaker 1: stay there, But I am is my advice, sir, for

107
00:10:08,320 --> 00:10:11,880
Speaker 1: your own safety. I don't know what it is, but

108
00:10:12,000 --> 00:10:17,480
Speaker 1: I do know who it is. Alkin Maya, whoever she is,

109
00:10:18,200 --> 00:10:25,040
Speaker 1: is about to make her move. You were watching me,

110
00:10:25,720 --> 00:10:28,880
Speaker 1: but the danger always comes from the direction you are

111
00:10:29,040 --> 00:10:33,360
Speaker 1: least expecting. The Sultana. I can do whatever I please.

112
00:10:35,040 --> 00:10:48,320
Speaker 1: Why are you awake? Come back to bed. Every time

113
00:10:48,360 --> 00:10:52,240
Speaker 1: I look at you, Alkin, I see something slightly different.

114
00:10:54,679 --> 00:10:59,120
Speaker 1: Did the color of your eyes change. It's impossible to

115
00:10:59,160 --> 00:11:02,200
Speaker 1: say what color they are. They have a dark pigment

116
00:11:02,440 --> 00:11:06,440
Speaker 1: that reflects the light. They are whatever you wish them

117
00:11:06,440 --> 00:11:14,000
Speaker 1: to be. Beautiful. You look so peaceful in the moonlight,

118
00:11:15,160 --> 00:11:18,680
Speaker 1: and very desirable for a woman old enough to be

119
00:11:19,920 --> 00:11:29,640
Speaker 1: your mother. Very desirable. Mm hmm. Strange worlds were you

120
00:11:29,800 --> 00:11:35,880
Speaker 1: dreaming of, Alkin? I was dreaming of the camel in

121
00:11:35,920 --> 00:11:41,120
Speaker 1: the desert. Nothing's strange at all. I don't believe you.

122
00:11:42,559 --> 00:11:45,199
Speaker 1: I never know what's going on behind your eyes? Atkin?

123
00:11:47,320 --> 00:11:52,680
Speaker 1: Sometimes I think you can see right through me. I

124
00:11:52,760 --> 00:12:01,600
Speaker 1: can never see through you. No, m Maybe that's what

125
00:12:01,720 --> 00:12:13,080
Speaker 1: I like. What is it? Ah? I was destined for

126
00:12:13,120 --> 00:12:18,040
Speaker 1: a life of obedience. I was my father's property to

127
00:12:18,080 --> 00:12:23,320
Speaker 1: be hidden away, protected from the world, and I managed

128
00:12:23,360 --> 00:12:26,559
Speaker 1: to break away from all that. And now your decisions

129
00:12:26,559 --> 00:12:30,040
Speaker 1: affect every living creature that walks the earth. I feel

130
00:12:30,080 --> 00:12:37,280
Speaker 1: trapped by the politics. I have no freedom to act alone.

131
00:12:37,360 --> 00:12:40,600
Speaker 1: Even my father he says he doesn't want power, but

132
00:12:40,720 --> 00:12:44,520
Speaker 1: he's continually overriding my decisions. If I command this, he

133
00:12:44,600 --> 00:12:48,880
Speaker 1: commands that. He still expects me to do his bidding.

134
00:12:48,880 --> 00:12:51,520
Speaker 1: But I will not. Have I not fought like he.

135
00:12:51,600 --> 00:12:54,000
Speaker 1: Have I not killed? Have I not led men into

136
00:12:54,040 --> 00:12:57,640
Speaker 1: battle as he has? Why are you laughing? You truly

137
00:12:57,760 --> 00:13:01,559
Speaker 1: are your father's daughter. Yes, how can I rule if

138
00:13:01,600 --> 00:13:05,400
Speaker 1: he keeps interfering? Well, now he has left to Mumbai

139
00:13:05,520 --> 00:13:10,200
Speaker 1: for the profits against my express orders. That is true.

140
00:13:10,600 --> 00:13:13,959
Speaker 1: But maybe this is your chance to break free, to

141
00:13:14,160 --> 00:13:17,080
Speaker 1: rule on your own terms, so that by the time

142
00:13:17,080 --> 00:13:28,880
Speaker 1: he returns. Go away now, slave, don't disturb us. Now,

143
00:13:28,960 --> 00:13:46,839
Speaker 1: it's too early. Whatever it is, come back after some time. Wait, ah,

144
00:13:47,280 --> 00:13:52,040
Speaker 1: where is my slave? What's going on? How dare you?

145
00:13:52,040 --> 00:13:54,280
Speaker 1: You have to come with us? Majesty, you have entered

146
00:13:54,280 --> 00:13:56,440
Speaker 1: the harem. You are not permitted to set. You'll have

147
00:13:56,480 --> 00:14:01,880
Speaker 1: to come with us, now do you mean? And you, mistress,

148
00:14:03,559 --> 00:14:06,720
Speaker 1: you are under arrest? Why this is my vizier? What

149
00:14:06,960 --> 00:14:10,720
Speaker 1: for for treason against the city of two one bay?

150
00:14:13,559 --> 00:14:20,120
Speaker 1: Where is the prince? Who your husband? Where is Prince Herod?

151
00:14:22,040 --> 00:14:45,760
Speaker 1: My my husband? Where is he? You? For all the

152
00:14:45,800 --> 00:14:47,680
Speaker 1: money in the world, you're the prince and you still

153
00:14:47,760 --> 00:14:51,520
Speaker 1: take everything? Well, then, and need to let me give

154
00:14:51,600 --> 00:14:55,280
Speaker 1: something back? Wine? Harng more whine for my friend's hair.

155
00:15:00,320 --> 00:15:03,880
Speaker 1: You see me a prince, and you think, oh, how

156
00:15:03,960 --> 00:15:06,440
Speaker 1: easy must say his life be? How different is this

157
00:15:06,560 --> 00:15:09,320
Speaker 1: life to mine? Well, I grant you there are some

158
00:15:09,400 --> 00:15:13,640
Speaker 1: advantages to being a prince. To keep your slaves, that

159
00:15:16,800 --> 00:15:20,480
Speaker 1: is true. My slaves are taken care of. But I

160
00:15:20,560 --> 00:15:24,080
Speaker 1: feel as you feel. I rise to anger as you do.

161
00:15:24,800 --> 00:15:29,000
Speaker 1: I feel pride, I feel pained out there, I delighted,

162
00:15:30,080 --> 00:15:39,080
Speaker 1: I even desire as you do. Prince, just like the

163
00:15:39,200 --> 00:15:55,480
Speaker 1: people's prince, he's the people's princess. Open up? Where are you?

164
00:15:57,520 --> 00:16:07,560
Speaker 1: Where is everybody? Hello? My lord? My slabs I can't

165
00:16:07,560 --> 00:16:10,840
Speaker 1: seem to open a door. I don't know where my slaves. No,

166
00:16:11,920 --> 00:16:14,880
Speaker 1: my lord, you have to come with me. Come, you

167
00:16:14,960 --> 00:16:18,640
Speaker 1: have to come with me now. It's important. You're in danger.

168
00:16:19,800 --> 00:16:24,040
Speaker 1: But my wife, Sultana, she's been arrested a vizier too.

169
00:16:24,520 --> 00:16:28,320
Speaker 1: But but I've got you. We need to move quickly.

170
00:16:28,440 --> 00:16:32,440
Speaker 1: I will explain everything when we're safe. Now come, where

171
00:16:32,440 --> 00:16:34,440
Speaker 1: are we going? I have a friend in the town.

172
00:16:35,240 --> 00:16:52,120
Speaker 1: She will keep you safe this week. Hurry? Yes, I

173
00:16:52,160 --> 00:16:54,760
Speaker 1: need to see your mistress. Now, let us in. The

174
00:16:54,880 --> 00:16:58,440
Speaker 1: mistress is not here, she's gone away. Well who is here? Then?

175
00:16:58,720 --> 00:17:00,880
Speaker 1: The master? Well, I to see him. I need to

176
00:17:00,880 --> 00:17:07,000
Speaker 1: see him now. It's late, come back late now. H wait,

177
00:17:09,280 --> 00:17:16,960
Speaker 1: he'll be safe here. I hope you hope? What do

178
00:17:17,040 --> 00:17:19,600
Speaker 1: you want? Can we come in? You're not welcome in

179
00:17:19,640 --> 00:17:21,760
Speaker 1: this house. You killed him and me and I saved

180
00:17:21,880 --> 00:17:24,679
Speaker 1: his daughter and the child she was carrying your child?

181
00:17:25,119 --> 00:17:27,399
Speaker 1: You get in? What are you doing? Where is she?

182
00:17:28,480 --> 00:17:32,320
Speaker 1: My wife is away away where let's see she is

183
00:17:32,359 --> 00:17:35,320
Speaker 1: returning from Smona the family business. She's lucky. Then we

184
00:17:35,359 --> 00:17:40,880
Speaker 1: may not be. I need your help. It's your child's future.

185
00:17:42,000 --> 00:17:46,959
Speaker 1: M M. What is it? There's been trouble in the palace.

186
00:17:47,560 --> 00:17:51,119
Speaker 1: What sort of trouble but coup. This is the Sultana's husband.

187
00:17:51,359 --> 00:17:53,800
Speaker 1: He needs to hide. You have no quarrel with him,

188
00:17:53,840 --> 00:17:56,480
Speaker 1: even if you do with me. Oh I do. I'm

189
00:17:56,520 --> 00:17:58,760
Speaker 1: doing well. We all settle it one day, but not today.

190
00:17:59,080 --> 00:18:01,000
Speaker 1: I need to leave Prince Head with you. Don't I

191
00:18:01,040 --> 00:18:09,360
Speaker 1: get to say in any of this? No, yes, leave him?

192
00:18:09,480 --> 00:18:12,679
Speaker 1: What about you? What do you intend to do? Return

193
00:18:12,720 --> 00:18:17,880
Speaker 1: to the palace? Of course, I spent so much time

194
00:18:17,960 --> 00:18:20,960
Speaker 1: watching Alcan that I missed what was right in front

195
00:18:20,960 --> 00:18:28,040
Speaker 1: of me. And then Caddali made his move. Secure the gates,

196
00:18:28,600 --> 00:18:33,359
Speaker 1: Paul gates, no one in or out? Yes, where's Prince Herod?

197
00:18:33,840 --> 00:18:37,040
Speaker 1: Have you found him yet? We drissed him back to

198
00:18:37,040 --> 00:18:39,199
Speaker 1: one of the gambling houses. He came back to the palace,

199
00:18:39,320 --> 00:18:42,600
Speaker 1: we believe, but we haven't found yet. Don't tell me

200
00:18:42,640 --> 00:18:46,840
Speaker 1: where he was. Find out where he is where he

201
00:18:46,880 --> 00:18:49,080
Speaker 1: should be as in a cell in the palace. Yes.

202
00:18:49,520 --> 00:18:51,879
Speaker 1: Have you checked with every single gate keeper? Yes, sir,

203
00:18:52,520 --> 00:18:54,880
Speaker 1: we add in the process of checking. Well, is he

204
00:18:55,040 --> 00:18:58,919
Speaker 1: in the palace or still out in the city. Go

205
00:18:59,040 --> 00:19:02,280
Speaker 1: and find out. If you value your head, find out

206
00:19:02,320 --> 00:19:08,800
Speaker 1: at once, Ah sell him. Father have you sent for me?

207
00:19:09,960 --> 00:19:16,040
Speaker 1: Come sell him? We need to talk. Weren't you with him? Yes,

208
00:19:16,600 --> 00:19:18,720
Speaker 1: that's what I've been trying to tell your father. That's

209
00:19:18,800 --> 00:19:20,960
Speaker 1: why I've been trying to see you. He definitely went

210
00:19:21,000 --> 00:19:23,320
Speaker 1: back to the palace. He had been drinking. You were

211
00:19:23,359 --> 00:19:26,040
Speaker 1: supposed to stay with him. I had to pay the inkkeeper.

212
00:19:26,640 --> 00:19:29,479
Speaker 1: He wanted to go and very well. We will find

213
00:19:29,560 --> 00:19:33,879
Speaker 1: him now, my boy, there's something I want you to

214
00:19:33,920 --> 00:19:36,679
Speaker 1: do for me, anything, father, This is your chance to

215
00:19:36,720 --> 00:19:42,200
Speaker 1: prove yourself. General Koolan is on his way to Rashim Province.

216
00:19:42,760 --> 00:19:46,560
Speaker 1: He's trying to build an army. If you take swift horses,

217
00:19:46,800 --> 00:19:51,040
Speaker 1: a small party, you can catch him up. Yes, father,

218
00:19:52,800 --> 00:19:54,800
Speaker 1: And then what do I do when I reach him?

219
00:19:54,800 --> 00:20:00,000
Speaker 1: He must not reach Rashime Province. M Do you understand?

220
00:20:00,000 --> 00:20:09,720
Speaker 1: And yes? Yes father? Are you sure? Greg I heard shouting?

221
00:20:10,000 --> 00:20:17,800
Speaker 1: What's going on? Go sell him? Goggle some changes, Gregor,

222
00:20:18,200 --> 00:20:20,760
Speaker 1: high time, don't you think? And now I need to

223
00:20:20,800 --> 00:20:24,120
Speaker 1: win Cadali's trust to stay free. Look, Cadi, I think

224
00:20:24,160 --> 00:20:27,399
Speaker 1: there's a problem. What are you talking about. I have

225
00:20:27,480 --> 00:20:32,640
Speaker 1: to offer him something of value, Commander Coulan. He's left

226
00:20:32,680 --> 00:20:36,520
Speaker 1: the city and easy offering. He probably knows that already.

227
00:20:37,119 --> 00:20:41,200
Speaker 1: I know that to raise an army really, Oh dear,

228
00:20:43,480 --> 00:20:45,520
Speaker 1: what should we do? Are you relying on the Ballarat

229
00:20:45,520 --> 00:20:48,840
Speaker 1: to defend you? Perhaps I could intervene on your behalf.

230
00:20:48,880 --> 00:20:53,240
Speaker 1: I could ride out talk to Coola would you? Could you?

231
00:20:53,480 --> 00:21:00,560
Speaker 1: Of course? Guards you can leave us. Yes, bring a

232
00:21:00,640 --> 00:21:05,719
Speaker 1: chair over, sit down, comnt to you. It has been

233
00:21:05,760 --> 00:21:09,480
Speaker 1: a big night. Or would you prefer wine? Gregor? What

234
00:21:09,600 --> 00:21:13,679
Speaker 1: do you want? What do you mean, Gregor? Is that's

235
00:21:13,880 --> 00:21:17,879
Speaker 1: why haven't I arrested you? Your Jackie as well? You

236
00:21:18,000 --> 00:21:20,879
Speaker 1: know me Cadi. You can rely on me to be

237
00:21:21,000 --> 00:21:27,080
Speaker 1: thoroughly self serving. I'm a survivor. I want to survive

238
00:21:27,680 --> 00:21:29,560
Speaker 1: and I'm not likely to do that in a cell.

239
00:21:34,600 --> 00:21:37,879
Speaker 1: I like you, Gregor, I can trust the man when

240
00:21:37,920 --> 00:21:43,160
Speaker 1: I know exactly how his mind works. As former commander

241
00:21:43,160 --> 00:21:45,840
Speaker 1: of the Palace Guard, you know every lock, every passageway,

242
00:21:46,800 --> 00:21:49,480
Speaker 1: every hidden doorway in his palace. What do they used

243
00:21:49,560 --> 00:21:55,120
Speaker 1: to say? Gregor is the man who can walk through walls? Besides,

244
00:21:55,160 --> 00:21:59,359
Speaker 1: you have the loyalty of the palace guards. You know that.

245
00:21:59,480 --> 00:22:04,720
Speaker 1: I know that you and I, Gregor, we have a

246
00:22:04,760 --> 00:22:08,639
Speaker 1: lot in common. We're both practical men. We like things

247
00:22:08,680 --> 00:22:15,080
Speaker 1: to work and Tuman Bay wasn't working under your niece.

248
00:22:16,800 --> 00:22:20,800
Speaker 1: You knew that. I knew that. Now, your brother, the

249
00:22:20,800 --> 00:22:23,680
Speaker 1: Great Commander, he was too close to things to see it.

250
00:22:24,160 --> 00:22:28,320
Speaker 1: If he wasn't, he would have known that. To the

251
00:22:28,440 --> 00:22:33,720
Speaker 1: ordinary citizens of the city, I think they're shocked by

252
00:22:33,760 --> 00:22:39,520
Speaker 1: her relationship with that woman. It is shocking, isn't it.

253
00:22:40,480 --> 00:22:44,880
Speaker 1: It's unnatural. They don't like it, and they don't like her,

254
00:22:45,920 --> 00:22:48,080
Speaker 1: and they want to see a man on the throne,

255
00:22:49,800 --> 00:22:51,760
Speaker 1: Prince Herod. You don't happen to know where he is,

256
00:22:51,840 --> 00:22:57,200
Speaker 1: do you, greg No, I have no idea. Well, never mind. Look,

257
00:22:57,240 --> 00:23:00,399
Speaker 1: I'm not doing this for me. I'm too this for

258
00:23:00,440 --> 00:23:04,119
Speaker 1: two man Bay, the city that has given me everything,

259
00:23:04,680 --> 00:23:12,000
Speaker 1: given us everything, and to which we owe everything. Do

260
00:23:12,040 --> 00:23:15,440
Speaker 1: you see what I'm saying, Gregor? Are you offering me

261
00:23:15,760 --> 00:23:21,760
Speaker 1: a job? I'm offering your job back because it's been vacated.

262
00:23:23,960 --> 00:23:28,640
Speaker 1: I'm going to be stan And what do you want

263
00:23:28,720 --> 00:23:33,640
Speaker 1: in return? I'm offering you your life, Gregor. For one

264
00:23:33,800 --> 00:23:39,240
Speaker 1: more thing, I warrant you standing beside me so that

265
00:23:39,320 --> 00:23:45,240
Speaker 1: people can see the old regime supports these adjustments, and

266
00:23:45,359 --> 00:23:49,800
Speaker 1: then health my niece. She will be safe as long

267
00:23:49,840 --> 00:23:54,240
Speaker 1: as you're loyal. If you're not, I'll have her on

268
00:23:54,320 --> 00:24:04,040
Speaker 1: the rack torture to death. After all, we're both practical. Yeah, oh,

269
00:24:04,160 --> 00:24:07,919
Speaker 1: you didn't worry about your brother, General Coolana, that's all

270
00:24:07,960 --> 00:24:13,480
Speaker 1: been taken care of. I see timing Gregor timing high

271
00:24:13,480 --> 00:24:17,760
Speaker 1: stakes power play. It's all about keeping things moving, never

272
00:24:17,760 --> 00:24:21,320
Speaker 1: giving your opponent time to take stock, keeping them distracted

273
00:24:21,400 --> 00:24:24,440
Speaker 1: to all the time, lots of balls in the air

274
00:24:26,440 --> 00:24:30,840
Speaker 1: like a juggler at the fair Cardally is running this

275
00:24:30,960 --> 00:24:34,520
Speaker 1: coup as if you were running some entertainment. He was

276
00:24:34,560 --> 00:24:48,919
Speaker 1: always good at putting on a show. The slaves have

277
00:24:49,000 --> 00:24:52,000
Speaker 1: been fed and watered good. They're definitely putting on weight.

278
00:24:53,040 --> 00:24:55,080
Speaker 1: I think if my calculations are right, by the time

279
00:24:55,080 --> 00:24:58,359
Speaker 1: we approached to Monday, they should be in prime condition. Right.

280
00:24:58,840 --> 00:25:00,879
Speaker 1: You know it was a good idea of yours to

281
00:25:00,920 --> 00:25:08,240
Speaker 1: leave the hatches open. Then, I'm not sure the sailors appreciated, Captain.

282
00:25:08,960 --> 00:25:12,560
Speaker 1: Why are we changing course over there? Both on the

283
00:25:12,640 --> 00:25:18,240
Speaker 1: rocks so, but in the storm, I should think, look,

284
00:25:18,560 --> 00:25:21,520
Speaker 1: you see the smoke. They're calling for help. Yes, but

285
00:25:21,680 --> 00:25:23,959
Speaker 1: we have a ship full of slaves. Well, they might

286
00:25:24,000 --> 00:25:26,640
Speaker 1: have a ship full of fine linen. A rich cargo

287
00:25:27,080 --> 00:25:29,440
Speaker 1: would be ashamed to let that go to waste, wouldn't it?

288
00:25:29,720 --> 00:25:33,240
Speaker 1: But wouldn't it belong to whoever's on the ship if

289
00:25:33,280 --> 00:25:36,560
Speaker 1: they're still alive. Well, someone is alive there they've lit

290
00:25:36,560 --> 00:25:39,440
Speaker 1: a fire. Well we'll have to see once with mistress.

291
00:25:41,800 --> 00:25:44,639
Speaker 1: You see, mistress, this trip has turned out to be

292
00:25:44,680 --> 00:25:48,000
Speaker 1: more profitable than we thought. A good cargo would cover

293
00:25:48,119 --> 00:25:52,159
Speaker 1: our cost entirely. We'd be in profit before we even landed.

294
00:25:52,800 --> 00:26:02,400
Speaker 1: Lord the sails, Yes, Captain sales one for the keep

295
00:26:02,480 --> 00:26:08,600
Speaker 1: up compermis shall be rapidly. He's the gibber it slowly,

296
00:26:08,880 --> 00:26:15,080
Speaker 1: he's the gibber it. Got it now? Yeah? Easy? One quarter?

297
00:26:15,840 --> 00:26:23,479
Speaker 1: One quarter? One quarter? Let's go anchors. That's que can

298
00:26:29,960 --> 00:26:38,840
Speaker 1: it seems to be deserted? No, there's someone. Oh oh

299
00:26:39,520 --> 00:26:43,400
Speaker 1: it's a boy there. Can you help me? Of course

300
00:26:43,440 --> 00:26:47,480
Speaker 1: you can, lad, what's happened to you? Hold to the

301
00:26:47,560 --> 00:26:51,320
Speaker 1: storm that's driven onto the rocks? How many of you

302
00:26:51,440 --> 00:26:55,920
Speaker 1: are there? It's just me? The others drowned. They tried

303
00:26:56,000 --> 00:26:59,080
Speaker 1: to get to show, they tried to swim, all lost.

304
00:26:59,480 --> 00:27:04,280
Speaker 1: It's only me left grappling irons, pull us alongside, pull

305
00:27:04,359 --> 00:27:21,200
Speaker 1: us along, sidelings. Now what on the leaven on the leaven.

306
00:27:21,240 --> 00:27:43,000
Speaker 1: You get the plank. We're coming across. H You're lucky

307
00:27:43,080 --> 00:27:46,359
Speaker 1: we found you. They've broken up soon now. The day

308
00:27:46,400 --> 00:27:49,840
Speaker 1: of this, yes, I couldn't swim. I had to stay

309
00:27:49,880 --> 00:27:51,560
Speaker 1: with the ship. They left me behind. What are you

310
00:27:51,640 --> 00:27:56,120
Speaker 1: in cargo? What? What were you carrying that? Nothing much?

311
00:27:56,400 --> 00:28:01,680
Speaker 1: There's some grain and stuff. Oh, yes they did. It's spoiled. Yes,

312
00:28:02,040 --> 00:28:05,680
Speaker 1: all spoils the seawater. There's nothing else. There's nothing else.

313
00:28:06,720 --> 00:28:11,760
Speaker 1: What's this then? Boy? Can you open the chest? Boy? No,

314
00:28:12,240 --> 00:28:31,760
Speaker 1: it's locked. Better just come m hm captain? Well, well

315
00:28:32,640 --> 00:28:40,800
Speaker 1: what is it? I don't hear that. It's pay there? Hello,

316
00:28:41,000 --> 00:28:43,600
Speaker 1: need you all to get this on board? Where did

317
00:28:43,680 --> 00:28:46,320
Speaker 1: this come from? Is this all of it? I don't know.

318
00:28:46,680 --> 00:28:51,600
Speaker 1: I don't know anything. Tell me your damn Leave him alone.

319
00:28:52,040 --> 00:28:54,880
Speaker 1: Leave him alone right now. It doesn't matter where it

320
00:28:55,000 --> 00:28:58,600
Speaker 1: came from. What matters it's where it's going, and it's

321
00:28:58,640 --> 00:29:11,840
Speaker 1: going aboard out ship. Setch the ballet, wait, captain, captain,

322
00:29:12,760 --> 00:29:17,480
Speaker 1: but pro I couldn't see it before. It's made of iron.

323
00:29:18,960 --> 00:29:26,520
Speaker 1: This is no merchant ship. This is the up of

324
00:29:27,400 --> 00:29:50,920
Speaker 1: the ship. It craft go aboard. Anyone that killed him?

325
00:29:51,840 --> 00:30:02,040
Speaker 1: Very good, Grandmaster, you did world boy, Thank sir, Sir,

326
00:30:02,320 --> 00:30:05,880
Speaker 1: who have we got here? We are just poor merchants.

327
00:30:06,640 --> 00:30:08,800
Speaker 1: We saw you were in distress and came to assist

328
00:30:09,240 --> 00:30:13,400
Speaker 1: the lord to see to help mariners in distress. We're

329
00:30:13,480 --> 00:30:16,720
Speaker 1: grain merchants heading to too Man Bay. We've delivered a

330
00:30:16,760 --> 00:30:18,880
Speaker 1: cargo to Smyrna and we're on our way back. Now.

331
00:30:19,240 --> 00:30:23,240
Speaker 1: Who's this My daughter? She Heaven? My name is Heaven,

332
00:30:23,840 --> 00:30:27,400
Speaker 1: as my father says, we are just merchants. We came

333
00:30:27,440 --> 00:30:30,600
Speaker 1: to your aid, but clearly you don't need any help,

334
00:30:30,720 --> 00:30:33,880
Speaker 1: so we would just whether they got on board. Slaves

335
00:30:34,440 --> 00:30:44,160
Speaker 1: front and rear holes estimate five hundred so slave trader. Yes,

336
00:30:44,360 --> 00:30:47,160
Speaker 1: we are merchants going about our lawful business under the

337
00:30:47,240 --> 00:30:52,680
Speaker 1: protection of the Sultan of too Munday. Indeed, slavery is

338
00:30:52,760 --> 00:30:59,200
Speaker 1: an abomination, right, Yes, that is an opinion. I do

339
00:30:59,320 --> 00:31:04,440
Speaker 1: believe different cultures have different of course, the slaves are

340
00:31:04,560 --> 00:31:08,240
Speaker 1: not mine, her slaves. I mean she bought them, she

341
00:31:08,400 --> 00:31:11,120
Speaker 1: paid for them. Her father, even Bay was quite well known.

342
00:31:11,440 --> 00:31:21,280
Speaker 1: Actually a merchant. It appears one of your fathers has

343
00:31:21,320 --> 00:31:25,600
Speaker 1: abandoned you. How many do you have? He's not my father.

344
00:31:26,480 --> 00:31:29,600
Speaker 1: Should we go after him, Grandmaster? No, he'll drown soon enough,

345
00:31:31,680 --> 00:31:34,160
Speaker 1: release the slaves onto the shore, give them provisions and

346
00:31:34,240 --> 00:31:38,240
Speaker 1: tell them they are free. Men and women. Now release

347
00:31:38,320 --> 00:31:48,880
Speaker 1: the slaves, releaseless slaves. Let's here, Hello, h you are free.

348
00:31:49,120 --> 00:31:56,120
Speaker 1: You understand, go you free, free, Cut off their chicks,

349
00:31:56,960 --> 00:32:02,960
Speaker 1: get them off free, you are free. Moving. We've no

350
00:32:03,160 --> 00:32:07,880
Speaker 1: use for slave. Throw her over too. And she saved

351
00:32:07,960 --> 00:32:11,200
Speaker 1: me from that man who was going to cut my throat.

352
00:32:11,760 --> 00:32:17,000
Speaker 1: She stopped him very well. Take her with us, put

353
00:32:17,040 --> 00:32:19,520
Speaker 1: her in the whole, chain her. Let us see what

354
00:32:19,680 --> 00:32:47,160
Speaker 1: it's like being a slave. Not all do you recognize him? No?

355
00:32:48,080 --> 00:32:53,800
Speaker 1: Shall we take him down? No, let's see what he wants.

356
00:32:54,240 --> 00:33:01,200
Speaker 1: It could be an ambush in the deserted General, I

357
00:33:01,360 --> 00:33:06,560
Speaker 1: can't with an ardent message. Let him approach. Go ahead,

358
00:33:07,440 --> 00:33:16,560
Speaker 1: come ahead to little Coolon. Thank god. I come as

359
00:33:16,640 --> 00:33:19,680
Speaker 1: fast as I could. I have a message from your daughter,

360
00:33:20,040 --> 00:33:24,920
Speaker 1: the Sultana. You are to return immediately to Tomandi. And

361
00:33:25,080 --> 00:33:28,480
Speaker 1: why would the Sultana have me return immediately? She just

362
00:33:29,360 --> 00:33:32,280
Speaker 1: but she didn't give her reason. But here is her

363
00:33:32,360 --> 00:33:38,800
Speaker 1: sel a she and where is the order? What? Where

364
00:33:38,920 --> 00:33:41,800
Speaker 1: is it? Let me see it? But it is her

365
00:33:41,880 --> 00:33:46,480
Speaker 1: direct order, her direct order, yes, General, that she gave

366
00:33:46,560 --> 00:33:52,480
Speaker 1: to you directly. Yes, And how did she issue this order?

367
00:33:53,280 --> 00:33:56,920
Speaker 1: She said, go after General Coolan. She said it was

368
00:33:56,960 --> 00:33:59,200
Speaker 1: imperative to stop you before you get to the governor

369
00:33:59,240 --> 00:34:02,760
Speaker 1: of the Shem's p is. Tell him to return immediately.

370
00:34:03,800 --> 00:34:09,360
Speaker 1: She has some urgent business for you, I see, and

371
00:34:09,600 --> 00:34:13,600
Speaker 1: who might you be? Sell him friend of Prince Herod.

372
00:34:16,200 --> 00:34:23,160
Speaker 1: Have we met? No, Commander, No, but I never forget

373
00:34:23,239 --> 00:34:29,319
Speaker 1: her face. Aren't you in charge of the palace cleaners? Yes,

374
00:34:30,200 --> 00:34:35,480
Speaker 1: but I got promoted promoted, I was middle pasharp. But

375
00:34:35,560 --> 00:34:42,759
Speaker 1: now Commander, you need to attend with me immediately. You

376
00:34:42,880 --> 00:34:45,280
Speaker 1: go back to to man Bay and tell my daughter,

377
00:34:45,719 --> 00:34:49,160
Speaker 1: if indeed you have ever said eyes on her, that

378
00:34:49,320 --> 00:34:52,560
Speaker 1: Commander Coolan will return to to man Bay when he

379
00:34:52,719 --> 00:34:57,879
Speaker 1: has completed his task. No, Commander, it's her express order.

380
00:35:00,040 --> 00:35:09,080
Speaker 1: M you say no to me, No, I mean yes, command,

381
00:35:09,120 --> 00:35:12,120
Speaker 1: and then let us brucie. You don't continue our journey

382
00:35:14,560 --> 00:35:18,680
Speaker 1: if my daughter my warmest regards. That's what easy water.

383
00:35:21,280 --> 00:35:40,719
Speaker 1: Everybody needs, right on, Thank thank you, thank you. Yeah, yeah,

384
00:35:42,120 --> 00:35:52,280
Speaker 1: open list. Just now here you are. I'm so sorry

385
00:35:52,360 --> 00:35:55,799
Speaker 1: that it had to come to this, And don't worry.

386
00:35:55,880 --> 00:35:58,279
Speaker 1: We will try to get everything right just as soon

387
00:35:58,320 --> 00:36:03,400
Speaker 1: as we can. Mhm. But you know this is the

388
00:36:03,480 --> 00:36:10,640
Speaker 1: cell your father was in. How times change? Um, where's

389
00:36:10,680 --> 00:36:14,560
Speaker 1: the other one? Bring out the other one? What do

390
00:36:14,600 --> 00:36:18,320
Speaker 1: you intend to do with us? I nothing, nothing, I

391
00:36:18,400 --> 00:36:22,400
Speaker 1: will do you no harm. I feel no enmity at

392
00:36:22,440 --> 00:36:24,879
Speaker 1: all towards you. Then why are we being kept here?

393
00:36:25,360 --> 00:36:28,719
Speaker 1: Because we must all serve tuman Bay and we must

394
00:36:28,760 --> 00:36:31,919
Speaker 1: all obey its laws. He means he's going to put

395
00:36:32,040 --> 00:36:37,040
Speaker 1: us on trial, not I the law, the sacred law

396
00:36:37,239 --> 00:36:41,040
Speaker 1: of tuman Bay. If a Satan is seen as unfit

397
00:36:41,160 --> 00:36:46,000
Speaker 1: to rule, then there must be a public accounting. And

398
00:36:46,160 --> 00:36:49,279
Speaker 1: what are we to be charged with? Oh, you don't

399
00:36:49,320 --> 00:36:56,360
Speaker 1: know you gave the gold away? What? But it was

400
00:36:56,480 --> 00:37:01,320
Speaker 1: you who's known? You are the Sultanah? What will the

401
00:37:01,360 --> 00:37:03,640
Speaker 1: people think when they learned that the sultana gave away

402
00:37:03,680 --> 00:37:08,120
Speaker 1: the treasure that the city needs to rebuild itself. And

403
00:37:08,239 --> 00:37:12,439
Speaker 1: of course there is the other matter of well, people

404
00:37:12,560 --> 00:37:15,680
Speaker 1: will wonder why your husband was thrown aside in favor

405
00:37:15,760 --> 00:37:23,040
Speaker 1: of this woman, this unnatural woman. My father will destroy

406
00:37:23,160 --> 00:37:26,719
Speaker 1: you can danny o your father he is He will

407
00:37:26,719 --> 00:37:30,560
Speaker 1: be on his way back. Now your orders. I'll be

408
00:37:30,680 --> 00:37:37,000
Speaker 1: sending a little welcoming party to greet him welcomebye, ah,

409
00:37:37,719 --> 00:37:42,520
Speaker 1: see you tomorrow. I'm doing this for twoman, yes, and

410
00:37:42,640 --> 00:37:44,560
Speaker 1: I have no doubt that two mom they will thank

411
00:37:44,640 --> 00:37:49,359
Speaker 1: you for it appropriately. You're a curious woman. Aren't here

412
00:37:50,440 --> 00:37:56,439
Speaker 1: a traveler? Where do you come from? Alkim? You come

413
00:37:56,560 --> 00:37:59,359
Speaker 1: here and weasel your way in, make friends and all

414
00:37:59,480 --> 00:38:03,480
Speaker 1: the right places. It took me a lifetime of heart,

415
00:38:03,800 --> 00:38:07,200
Speaker 1: devoted service to two membab before I became busier, to

416
00:38:07,239 --> 00:38:17,320
Speaker 1: the sort I earned it. But you you you know

417
00:38:17,520 --> 00:38:20,720
Speaker 1: CODI I would feel sorry for you if you weren't

418
00:38:20,760 --> 00:38:26,320
Speaker 1: so absurd. Well, perhaps you should reserve your pity for

419
00:38:26,400 --> 00:38:43,239
Speaker 1: yourself and your lover. Take back to Majesty. Your son

420
00:38:43,360 --> 00:38:51,759
Speaker 1: Selim has he wouldn't come, and so why didn't you

421
00:38:51,880 --> 00:38:56,080
Speaker 1: kill him? Kill him? Yes? I told you I couldn't.

422
00:38:57,160 --> 00:38:59,680
Speaker 1: He was with several of his officers and you were,

423
00:39:00,160 --> 00:39:01,759
Speaker 1: and for your safety, I wouldn't have been able to

424
00:39:01,800 --> 00:39:03,400
Speaker 1: get near. I give you a chance, and what do

425
00:39:03,480 --> 00:39:06,480
Speaker 1: you do? You throw it back in my face? Get out?

426
00:39:06,640 --> 00:39:09,280
Speaker 1: But please, father, I did my best. Your best wasn't

427
00:39:09,360 --> 00:39:14,080
Speaker 1: good enough. You couldn't even keep an eye on the prince.

428
00:39:14,320 --> 00:39:23,040
Speaker 1: We still don't know where he is. You're pathetic, father, no,

429
00:39:23,400 --> 00:39:28,120
Speaker 1: you're nothing to me. Go away, God's take him away.

430
00:39:29,000 --> 00:39:31,839
Speaker 1: What shall we do with your Majesty? I don't care.

431
00:39:32,719 --> 00:39:37,400
Speaker 1: Throw him out of the palace. You have nothing, now

432
00:39:37,560 --> 00:39:45,600
Speaker 1: go mm hmm. My son has always been such a

433
00:39:45,680 --> 00:39:50,600
Speaker 1: disappointment to me. You know, yes, Majesty, do you have

434
00:39:50,680 --> 00:39:59,120
Speaker 1: any children yourself? Officer? Oh? Lovely, lovely? How old nine?

435
00:40:00,440 --> 00:40:05,080
Speaker 1: I hope I hope one day she makes I'm already

436
00:40:05,200 --> 00:40:07,520
Speaker 1: very proud of her. No, I was gonna say, I

437
00:40:07,600 --> 00:40:09,799
Speaker 1: hope one day she will look back on these days,

438
00:40:10,320 --> 00:40:14,080
Speaker 1: on my coronation as the time two men bay was saved.

439
00:40:16,080 --> 00:40:25,080
Speaker 1: What's that smell, Majesty? It's rancid. It's find it, Majesty,

440
00:40:26,239 --> 00:40:32,759
Speaker 1: and I think it's it's coming from over here. It's

441
00:40:32,800 --> 00:40:39,480
Speaker 1: getting stronger. What in God's name is there an ape? Majesty?

442
00:40:39,960 --> 00:40:46,040
Speaker 1: Was white deep? Where did it come from? It was

443
00:40:46,200 --> 00:40:49,560
Speaker 1: just James there. I think with everything happening, Majesty in

444
00:40:49,600 --> 00:40:52,400
Speaker 1: the ballace, someone forgot to feed it. Where did it

445
00:40:52,480 --> 00:40:55,759
Speaker 1: come from? It was a gift, Sir to the Sultana

446
00:40:55,960 --> 00:41:05,600
Speaker 1: from from Prince Head. Majesty, Herod, Herod, We'll find him

447
00:41:05,960 --> 00:41:08,319
Speaker 1: and we'll put him in a cage and starve him

448
00:41:08,400 --> 00:41:27,680
Speaker 1: too constressing, say, see away from me. It's all right.

449
00:41:28,680 --> 00:41:33,640
Speaker 1: I've brought you something. It's all right, I promise eat

450
00:41:34,400 --> 00:41:47,120
Speaker 1: go on, it's my rations. You'll need it. Hm. Where

451
00:41:47,120 --> 00:41:50,919
Speaker 1: are we going to their fortress? They have many along

452
00:41:50,920 --> 00:41:58,520
Speaker 1: the coast. Who are they? The Ballarach monks? Fighters? All right? Well,

453
00:42:00,000 --> 00:42:01,520
Speaker 1: and you pass on a message from me to their

454
00:42:02,320 --> 00:42:05,640
Speaker 1: their commander, the grand Master. I don't care whoever is

455
00:42:05,640 --> 00:42:08,600
Speaker 1: in Georgia. I don't really know. It's it's vital that

456
00:42:08,680 --> 00:42:11,400
Speaker 1: you tell him I am a citizen to when they

457
00:42:11,440 --> 00:42:14,560
Speaker 1: I am not a slave. My family are rich and

458
00:42:14,600 --> 00:42:17,800
Speaker 1: they will pay a lot to get me back. Got that.

459
00:42:18,520 --> 00:42:20,120
Speaker 1: I don't think he will be interested in that? And

460
00:42:20,160 --> 00:42:22,840
Speaker 1: then why are they keeping me captive? I don't know.

461
00:42:27,120 --> 00:42:31,440
Speaker 1: You are not one of them? Are you? What are

462
00:42:31,480 --> 00:42:36,279
Speaker 1: you doing here? I have to go? No? Wait, wait,

463
00:42:36,360 --> 00:42:51,279
Speaker 1: please come back, please come back. Season three, Episode four

464
00:42:51,480 --> 00:42:56,360
Speaker 1: of Tuman Bay Dark Enterprises, featuring Rufus Wright, Matthew marsh

465
00:42:56,760 --> 00:43:00,200
Speaker 1: and Olivia Popka, was written and directed by Me John

466
00:43:00,239 --> 00:43:03,560
Speaker 1: Scott Dryden, with music by Sasha Putnam and editing and

467
00:43:03,640 --> 00:43:07,920
Speaker 1: sound design by Eloise Whitmore. To Mubai is created by

468
00:43:08,000 --> 00:43:11,560
Speaker 1: Me and Mike Walker and produced by Emmahn and Nadir Khan.

469
00:43:12,640 --> 00:43:15,880
Speaker 1: For more details, including scripts and cast list, visit to

470
00:43:16,040 --> 00:43:17,279
Speaker 1: mumbai dot com