1 00:00:00,400 --> 00:00:04,760 Speaker 1: From the Mercedes Benz Interview Lounge. We're so excited Thomas 2 00:00:04,840 --> 00:00:07,440 Speaker 1: Rhett coming into the studio on a second. His new album, 3 00:00:07,480 --> 00:00:10,079 Speaker 1: of Course, just came out last night. We're going to 4 00:00:10,119 --> 00:00:11,959 Speaker 1: play you a couple of cuts because he wants to 5 00:00:11,960 --> 00:00:14,040 Speaker 1: share the music with you. This is what this guy does. 6 00:00:14,080 --> 00:00:17,040 Speaker 1: He loves to share his music with you. Of course, 7 00:00:17,040 --> 00:00:19,680 Speaker 1: the album About a Woman is out right now, and 8 00:00:19,760 --> 00:00:22,480 Speaker 1: after you hear this interview, if you haven't been a 9 00:00:22,520 --> 00:00:25,000 Speaker 1: Thomas Rhet fan, you will be a t red fan, 10 00:00:25,400 --> 00:00:28,960 Speaker 1: or as Froggy calls him, my boy t Ratt boy 11 00:00:29,000 --> 00:00:32,600 Speaker 1: t Rat so funny. Oh, Danielle, you're a massive fan 12 00:00:32,640 --> 00:00:33,080 Speaker 1: as well. 13 00:00:33,280 --> 00:00:35,559 Speaker 2: His music is amazing, right, it's so good. 14 00:00:35,440 --> 00:00:37,800 Speaker 1: And Gandhi, I mean your boyfriend. One of the first 15 00:00:37,880 --> 00:00:40,400 Speaker 1: great gestures he gave to you was the gift of music. 16 00:00:40,440 --> 00:00:41,440 Speaker 1: A Thomas Rhett song. 17 00:00:41,560 --> 00:00:43,600 Speaker 3: Yes, when we first started dating, he sent me a 18 00:00:43,640 --> 00:00:45,760 Speaker 3: Thomas Rhight song Look what God gave her and he said, 19 00:00:45,760 --> 00:00:47,320 Speaker 3: this song reminds me of you, and now I love 20 00:00:47,320 --> 00:00:48,440 Speaker 3: Thomas Rhett just because of that. 21 00:00:48,680 --> 00:00:50,559 Speaker 1: Well, we have lost to discuss, of course. He was 22 00:00:50,600 --> 00:00:52,600 Speaker 1: on The Tonight Show the other night with Jimmy Fallon 23 00:00:52,840 --> 00:00:55,880 Speaker 1: I'll just bring him in. I know you're a big fan. 24 00:00:55,920 --> 00:01:00,760 Speaker 1: Can you let him come in? Please? Hello, Nate's out 25 00:01:00,760 --> 00:01:03,120 Speaker 1: there hogging up my time with t Red. I don't 26 00:01:03,200 --> 00:01:09,600 Speaker 1: like that. It's so good to see you have a 27 00:01:09,640 --> 00:01:13,200 Speaker 1: seat here. You were sitting there and we're on. We're 28 00:01:13,240 --> 00:01:16,080 Speaker 1: going the interview began without you here. I'm so glad 29 00:01:16,120 --> 00:01:19,520 Speaker 1: you'll have a mini bottle of tam We always have 30 00:01:19,560 --> 00:01:22,960 Speaker 1: to heen sitting around so Froggy is in Jacksonville. He's 31 00:01:23,000 --> 00:01:26,000 Speaker 1: looking right at you. What's up, Thomas? How are you 32 00:01:26,080 --> 00:01:28,560 Speaker 1: good man? Good to see you. Likewise, how's your volume 33 00:01:28,600 --> 00:01:31,039 Speaker 1: in your headphone? It's perfect? Okay, it would be better 34 00:01:31,080 --> 00:01:34,280 Speaker 1: if I had a gold microphone. You know. Well, some 35 00:01:34,360 --> 00:01:37,280 Speaker 1: of us need an ego blast. This is this is 36 00:01:37,280 --> 00:01:39,520 Speaker 1: all get mine. Welcome to New York City. Thanks d 37 00:01:39,840 --> 00:01:41,360 Speaker 1: you look great on the Tonight show. There the night 38 00:01:41,480 --> 00:01:43,520 Speaker 1: you Thank you. It was so fun. Jimmy Fallons is 39 00:01:43,520 --> 00:01:44,319 Speaker 1: the nicest guy ever. 40 00:01:44,400 --> 00:01:46,200 Speaker 4: Right, he is the nicest and I've you know, I've 41 00:01:46,280 --> 00:01:47,880 Speaker 4: hung out with him a couple of times, just like 42 00:01:47,960 --> 00:01:49,120 Speaker 4: at the tonight show. 43 00:01:49,120 --> 00:01:50,800 Speaker 1: But I got to really get to know him last night. 44 00:01:50,840 --> 00:01:51,400 Speaker 1: It was really cool. 45 00:01:51,480 --> 00:01:53,720 Speaker 4: We talked golf, I'm gonna try to come up here. 46 00:01:53,720 --> 00:01:55,880 Speaker 4: We're planning a golf trip together, which is really nice. 47 00:01:55,880 --> 00:01:58,000 Speaker 4: So he's he's the best dude. He's just such a 48 00:01:58,040 --> 00:02:01,160 Speaker 4: good energy and in the whole just watching the roots 49 00:02:01,840 --> 00:02:04,320 Speaker 4: that's the most nerve wracking part of playing fas now. 50 00:02:04,400 --> 00:02:06,280 Speaker 4: They are amazing because they're just kind of sitting there 51 00:02:06,280 --> 00:02:10,040 Speaker 4: looking at you, like impress us, and you're sitting on 52 00:02:10,080 --> 00:02:11,639 Speaker 4: me and the whole band guys are going, we are not. 53 00:02:11,600 --> 00:02:13,760 Speaker 1: As good as you. Guys. Well, here's the thing. I 54 00:02:13,800 --> 00:02:15,760 Speaker 1: know those guys, and they are impressed. They're so good. 55 00:02:16,040 --> 00:02:18,160 Speaker 1: So about a woman came out last night, Yeah, and 56 00:02:18,360 --> 00:02:20,880 Speaker 1: everyone's talking about everyone's buzzing about it. We're gonna play 57 00:02:20,919 --> 00:02:23,519 Speaker 1: a couple of cuts, yeah, a couple of seconds. Amazing 58 00:02:23,520 --> 00:02:25,280 Speaker 1: because you and I was saying this before you came in, 59 00:02:25,440 --> 00:02:28,280 Speaker 1: you just have this desire to run around and just 60 00:02:28,320 --> 00:02:31,040 Speaker 1: share your music with whoever's going to listen to it. Yeah, 61 00:02:31,080 --> 00:02:33,160 Speaker 1: And if you've always been this way, I've always kind 62 00:02:33,200 --> 00:02:33,720 Speaker 1: of been that way. 63 00:02:33,760 --> 00:02:37,040 Speaker 4: I love playing songs for people, especially, and I'm excited 64 00:02:37,080 --> 00:02:39,839 Speaker 4: about it and I have never to be honest, I've 65 00:02:39,840 --> 00:02:40,320 Speaker 4: never been this. 66 00:02:40,280 --> 00:02:42,079 Speaker 1: Excited about a project. And I don't know why. 67 00:02:42,120 --> 00:02:44,480 Speaker 4: Maybe it's turning thirty and I care less about what 68 00:02:44,520 --> 00:02:48,160 Speaker 4: people think. But like, this was the most freeing album 69 00:02:48,240 --> 00:02:51,040 Speaker 4: to make. I didn't look left, didn't look right, and 70 00:02:51,120 --> 00:02:52,480 Speaker 4: it was just like if it put a smile on 71 00:02:52,480 --> 00:02:55,120 Speaker 4: my face, that that was good for me. And so 72 00:02:55,400 --> 00:02:57,120 Speaker 4: spent the last year and a half making this project 73 00:02:57,160 --> 00:02:58,680 Speaker 4: and I can't believe that it is finally out in 74 00:02:58,680 --> 00:02:58,959 Speaker 4: the world. 75 00:02:59,000 --> 00:03:01,000 Speaker 1: I'm so freaking pumped. Some great things have happened in 76 00:03:01,080 --> 00:03:03,680 Speaker 1: the music world since last week spoke, which was years ago. 77 00:03:05,480 --> 00:03:09,640 Speaker 1: There is this convention of thought now about how music 78 00:03:09,720 --> 00:03:12,079 Speaker 1: is music. Songs are songs, yeah, and to put them 79 00:03:12,080 --> 00:03:14,440 Speaker 1: in a corral and saying it, well, that's whatever top 80 00:03:14,480 --> 00:03:17,920 Speaker 1: forties song. Yeah, yeah, that stuff is. Those walls are dissolving, 81 00:03:17,960 --> 00:03:21,440 Speaker 1: they're yeah, they're dissolving fast. Yeah, because of you, your thing, 82 00:03:21,520 --> 00:03:24,079 Speaker 1: It's because of me. Okay. This album, for instance, right now, 83 00:03:25,360 --> 00:03:27,000 Speaker 1: right now, about a woman. There is a lot of 84 00:03:27,000 --> 00:03:31,600 Speaker 1: different sounds on this music. Sonically, this this album is 85 00:03:31,680 --> 00:03:36,120 Speaker 1: covering all sorts of territory. Foundational, yeah, for sure. That's 86 00:03:36,160 --> 00:03:37,840 Speaker 1: how I grew up man. You know, I grew up 87 00:03:37,880 --> 00:03:39,560 Speaker 1: with a dad that was a country singer, and so 88 00:03:39,760 --> 00:03:41,840 Speaker 1: you know, country music was my very first love. I 89 00:03:41,840 --> 00:03:43,280 Speaker 1: got to tour with him, I got to watch him 90 00:03:43,320 --> 00:03:45,680 Speaker 1: write songs, got to watch and perform. But dude, I 91 00:03:45,760 --> 00:03:48,480 Speaker 1: mean I remember vividly driving to school with my dad 92 00:03:48,480 --> 00:03:50,520 Speaker 1: in like fourth and fifth grade, and every morning it 93 00:03:50,560 --> 00:03:54,600 Speaker 1: was something different. One morning it would be DMX, like, which, yeah, 94 00:03:54,640 --> 00:03:56,920 Speaker 1: I was listening to DMX and fourth grade a right. 95 00:03:57,000 --> 00:03:59,520 Speaker 1: One morning it was DMX, one morning it was Aretha Franklin. 96 00:03:59,600 --> 00:04:01,600 Speaker 1: One more it was bluegrass. One morning it was the 97 00:04:01,680 --> 00:04:03,480 Speaker 1: Rolling Stones or the Beatles or whatever it was. And 98 00:04:03,560 --> 00:04:07,200 Speaker 1: so my dad has always just been this walking jukebox. Like, honestly, 99 00:04:07,240 --> 00:04:09,760 Speaker 1: no one knows more about eighties hair metal than my dad. 100 00:04:09,920 --> 00:04:12,680 Speaker 1: There you go, wow yeah, Like, And so I think 101 00:04:12,720 --> 00:04:16,520 Speaker 1: when I started making music, country was always the core, 102 00:04:17,000 --> 00:04:19,720 Speaker 1: but I loved so many other things, and I always thought, man, 103 00:04:19,720 --> 00:04:21,400 Speaker 1: what if I could take that from that and kind 104 00:04:21,400 --> 00:04:22,640 Speaker 1: of use a little bit of this from this and 105 00:04:22,720 --> 00:04:24,400 Speaker 1: kind of blended into my own little thing. And so 106 00:04:24,960 --> 00:04:28,000 Speaker 1: ever since my second album, I've always kind of taken 107 00:04:28,000 --> 00:04:31,440 Speaker 1: pride in just kind of pushing, you know, pushing sonically melodically, 108 00:04:31,520 --> 00:04:34,880 Speaker 1: but also still just staying authentic to my my songwriting roots. 109 00:04:34,960 --> 00:04:36,760 Speaker 1: And I was assumed that a lot of traditionalists in 110 00:04:36,800 --> 00:04:39,560 Speaker 1: the country world are who grew up with country music 111 00:04:39,680 --> 00:04:41,240 Speaker 1: or saying, well, I don't know, this is Thomas Schrett. 112 00:04:41,279 --> 00:04:43,680 Speaker 1: He really that didn't sound like something I grew up with. 113 00:04:44,000 --> 00:04:44,560 Speaker 1: What is that? 114 00:04:44,800 --> 00:04:46,800 Speaker 4: But I think that changes every decade, you know what 115 00:04:46,800 --> 00:04:48,320 Speaker 4: I'm saying, Like, I think I'm sure that there were 116 00:04:48,360 --> 00:04:51,360 Speaker 4: people that looked at you know, Riba and Shannai and Dalli, 117 00:04:51,440 --> 00:04:53,680 Speaker 4: and they were like, well, that's not that's not real country, right, 118 00:04:53,680 --> 00:04:56,359 Speaker 4: you know what I mean? Everybody, everybody pushes every decade, 119 00:04:56,360 --> 00:04:58,920 Speaker 4: but it's like when the decade passes, you go, oh, 120 00:04:58,960 --> 00:05:00,359 Speaker 4: that's that was real, you. 121 00:05:00,400 --> 00:05:01,000 Speaker 1: Know what I'm saying. 122 00:05:01,240 --> 00:05:02,760 Speaker 4: Like, I remember when I put this song out called 123 00:05:02,839 --> 00:05:04,720 Speaker 4: make Me Want. It was my third single off my 124 00:05:04,760 --> 00:05:08,560 Speaker 4: first record, and it almost felt like a disco country song. 125 00:05:08,600 --> 00:05:10,640 Speaker 4: It was like the Beg's had a baby with like, 126 00:05:11,440 --> 00:05:14,599 Speaker 4: you know, a country singer or whatever. And at the time, 127 00:05:14,720 --> 00:05:17,599 Speaker 4: it was very weird for country radio. And it sat 128 00:05:17,640 --> 00:05:20,520 Speaker 4: at forty for like forty weeks, and then all of 129 00:05:20,560 --> 00:05:22,719 Speaker 4: a sudden it just kind of started climbing thirty eight, 130 00:05:22,960 --> 00:05:25,160 Speaker 4: thirty four, twenty eight, and all of a sudden it 131 00:05:25,200 --> 00:05:27,480 Speaker 4: became a hit, and to me that was like, okay, 132 00:05:28,040 --> 00:05:30,400 Speaker 4: if I can do that that that just made a 133 00:05:30,440 --> 00:05:32,360 Speaker 4: way for me. It opened up doors for me to 134 00:05:32,400 --> 00:05:33,760 Speaker 4: be able to do things that I would have never 135 00:05:33,760 --> 00:05:35,279 Speaker 4: been on to do had that song that worked. And 136 00:05:35,360 --> 00:05:37,919 Speaker 4: so I always love pushing boundaries. Man, it's fun to 137 00:05:38,000 --> 00:05:39,240 Speaker 4: not live in a box. 138 00:05:39,560 --> 00:05:41,920 Speaker 1: Am so well in a coral if you want to 139 00:05:41,960 --> 00:05:44,160 Speaker 1: keep it on the corral. So here's a great story 140 00:05:44,160 --> 00:05:47,520 Speaker 1: about looking at it the other direction. Danielle right here. 141 00:05:47,640 --> 00:05:49,359 Speaker 2: Yeah, grew up in the Bronx yep. 142 00:05:49,400 --> 00:05:52,960 Speaker 1: All right, see so you grew up your musical influences 143 00:05:52,960 --> 00:05:53,799 Speaker 1: growing up were. 144 00:05:53,839 --> 00:05:55,520 Speaker 5: I listened to a lot of hip hop growing up. 145 00:05:55,560 --> 00:05:57,359 Speaker 5: I listened to a lot of Top forty growing up 146 00:05:57,720 --> 00:06:00,200 Speaker 5: country did you listen to I didn't listen to a 147 00:06:00,240 --> 00:06:05,280 Speaker 5: country until college and why cam. 148 00:06:05,160 --> 00:06:06,960 Speaker 2: Tillis stuff like that. 149 00:06:07,080 --> 00:06:10,200 Speaker 5: And I did a country show on radio station, fell 150 00:06:10,240 --> 00:06:13,560 Speaker 5: in love with country and love Love That was one 151 00:06:13,600 --> 00:06:15,400 Speaker 5: of the genres of music that I fell in love with. 152 00:06:15,720 --> 00:06:17,960 Speaker 5: And then you you know, listen to yourself. I mean, 153 00:06:18,000 --> 00:06:19,839 Speaker 5: Center Point Road is one of my favorite albums. 154 00:06:20,200 --> 00:06:20,560 Speaker 1: Serious. 155 00:06:21,279 --> 00:06:24,159 Speaker 5: I actually wrote down when you when you say the 156 00:06:24,240 --> 00:06:25,880 Speaker 5: lyric because he talked about his wife all the time. 157 00:06:25,920 --> 00:06:29,240 Speaker 5: I love the relationship. It's cutest thing ever. Thank you 158 00:06:29,279 --> 00:06:31,480 Speaker 5: for living this dream I know you never had. 159 00:06:31,839 --> 00:06:33,359 Speaker 1: It's one of my favorite songs. 160 00:06:33,440 --> 00:06:35,440 Speaker 2: Yes, and it's one of I'm like, that is just 161 00:06:36,160 --> 00:06:36,680 Speaker 2: I love it. 162 00:06:36,800 --> 00:06:38,200 Speaker 1: I love it. I had no idea we're going to 163 00:06:38,240 --> 00:06:42,480 Speaker 1: talk about deep country. Yeah, okay, let's move over here 164 00:06:42,520 --> 00:06:47,520 Speaker 1: to Gandhi. Gandhi grew up listening to solely music, for instance, 165 00:06:47,920 --> 00:06:49,440 Speaker 1: much more hip hop. Yeah. 166 00:06:49,480 --> 00:06:52,200 Speaker 3: Absolutely. However, the first country I was really introduced to. 167 00:06:52,320 --> 00:06:54,920 Speaker 1: Was actually, you know this, y'all are are making all this. 168 00:06:56,200 --> 00:06:59,400 Speaker 1: You'll got together last night. Y'all did not get together 169 00:06:59,440 --> 00:07:01,719 Speaker 1: last night, and this is this is all truth. 170 00:07:01,920 --> 00:07:04,040 Speaker 3: Yeah. So my boyfriend when we first started dating, the 171 00:07:04,080 --> 00:07:05,920 Speaker 3: first song that he sent me was look what God 172 00:07:05,920 --> 00:07:10,280 Speaker 3: gave her off that album was Yes, and that was 173 00:07:10,280 --> 00:07:12,240 Speaker 3: his like, Hey, just so you know, I love you. 174 00:07:12,400 --> 00:07:14,720 Speaker 3: This song makes me think about you. And now every 175 00:07:14,760 --> 00:07:16,600 Speaker 3: time then I hear that one, I'm like, you. 176 00:07:16,560 --> 00:07:18,640 Speaker 1: Know, country music not so bad, coming on. 177 00:07:18,800 --> 00:07:21,440 Speaker 3: You were my first sort of like foot in the water. 178 00:07:21,440 --> 00:07:24,040 Speaker 1: As far as country music goes. Dude, Wow, it's amazing 179 00:07:24,120 --> 00:07:27,160 Speaker 1: as far as you starting starting playing music on your guitar. 180 00:07:27,240 --> 00:07:30,080 Speaker 4: What's the first song you ever learned to. We were 181 00:07:30,120 --> 00:07:32,200 Speaker 4: just talking about that two seconds ago. It was three 182 00:07:32,240 --> 00:07:34,320 Speaker 4: Am by Matchbox twenty. It was the first song ever 183 00:07:34,400 --> 00:07:36,280 Speaker 4: learned and two weeks ago I got to sing it 184 00:07:36,320 --> 00:07:37,240 Speaker 4: with Matchbox twenty. 185 00:07:38,120 --> 00:07:40,960 Speaker 1: Okay, in the middle of that performance, was there a 186 00:07:41,000 --> 00:07:42,640 Speaker 1: chance you could have just frozen up right there? 187 00:07:42,640 --> 00:07:44,240 Speaker 4: And We're like, what the hell is this? This is 188 00:07:44,280 --> 00:07:47,320 Speaker 4: pretty amazing. I literally I told because me and I'd 189 00:07:47,400 --> 00:07:49,720 Speaker 4: never met Rob before. I mean, like so they were 190 00:07:49,720 --> 00:07:53,000 Speaker 4: actually one of my first concerts. I saw Matchbox twenty 191 00:07:53,080 --> 00:07:56,920 Speaker 4: and their openers were third Eyeblind in American Hi Fi Wow. 192 00:07:57,280 --> 00:07:58,960 Speaker 4: And I still have the T shirt to this day. So, 193 00:07:59,000 --> 00:08:00,840 Speaker 4: like now, I've always been a huge Maxbox fan. So 194 00:08:00,920 --> 00:08:02,640 Speaker 4: last year on the road, we did this like decades 195 00:08:02,720 --> 00:08:05,720 Speaker 4: bit where we went from the fifties to now and 196 00:08:05,760 --> 00:08:08,520 Speaker 4: we played like an elvistoon, a James Brownton, a Rolling 197 00:08:08,560 --> 00:08:11,440 Speaker 4: Stones tune, and in our nineties era we played three AM, 198 00:08:11,520 --> 00:08:13,840 Speaker 4: and I remember Rob commented on my Instagram page and I. 199 00:08:13,840 --> 00:08:16,360 Speaker 1: Was like, holy crap, you know, I'm a giant fan. 200 00:08:16,400 --> 00:08:18,640 Speaker 4: And so we got put on the same bill up 201 00:08:18,640 --> 00:08:21,480 Speaker 4: in Canada at this festival called Boots and hearts and 202 00:08:21,560 --> 00:08:23,360 Speaker 4: so it was like them opening for me, and I 203 00:08:23,400 --> 00:08:26,360 Speaker 4: was like, this is wrong, this feels very strange. And 204 00:08:26,480 --> 00:08:28,840 Speaker 4: Rob's management emailed and said, hey, would want to sing 205 00:08:28,840 --> 00:08:31,640 Speaker 4: three AM with us? And I was like, yes, did 206 00:08:31,640 --> 00:08:33,160 Speaker 4: they know the story behind the song? 207 00:08:33,360 --> 00:08:33,960 Speaker 1: No, he didn't know. 208 00:08:33,960 --> 00:08:37,400 Speaker 4: And I met him at catering and I straight up fangirl, 209 00:08:37,640 --> 00:08:40,079 Speaker 4: you know, like right there, eat eating brisket, you know. 210 00:08:40,160 --> 00:08:43,199 Speaker 1: So okay. Now let's talk about Froggy for instance. Foggie, 211 00:08:43,200 --> 00:08:46,600 Speaker 1: of course is the new face of country radio. What's 212 00:08:46,679 --> 00:08:49,120 Speaker 1: up there? He's running awards? You now, Frog? Look at 213 00:08:49,120 --> 00:08:51,400 Speaker 1: your Trouba door hat. I know, right? Do you want 214 00:08:51,440 --> 00:08:53,200 Speaker 1: to do you want to admit? Do you want to 215 00:08:53,240 --> 00:08:56,319 Speaker 1: admit to h Thomas Rhett what you did when you 216 00:08:56,440 --> 00:09:00,559 Speaker 1: illegally did I? Did I do? Tell him? All right, Thomas? 217 00:09:00,640 --> 00:09:03,120 Speaker 6: If you remember we did the iHeart Country Summit in 218 00:09:03,200 --> 00:09:06,240 Speaker 6: Nashville back in February, and you played us five or 219 00:09:06,240 --> 00:09:07,160 Speaker 6: six tracks. 220 00:09:06,840 --> 00:09:07,720 Speaker 1: Off of this new album. 221 00:09:07,800 --> 00:09:10,720 Speaker 6: Yeah, I put my phone under my seat and recorded 222 00:09:10,800 --> 00:09:11,520 Speaker 6: everything for you. 223 00:09:11,760 --> 00:09:14,160 Speaker 1: When you play good for you? There needs to be 224 00:09:14,240 --> 00:09:15,160 Speaker 1: more of that happening. 225 00:09:15,360 --> 00:09:18,160 Speaker 6: And I'll tell you that I have shared something about 226 00:09:18,200 --> 00:09:20,640 Speaker 6: a woman with everybody because it is so different. 227 00:09:20,720 --> 00:09:22,000 Speaker 1: It's faintly man, thank you. 228 00:09:21,960 --> 00:09:24,679 Speaker 6: Anything else you've done. But I have a little insight 229 00:09:24,720 --> 00:09:27,240 Speaker 6: into this. I know there's fourteen songs on the album. Yeah, 230 00:09:27,320 --> 00:09:29,960 Speaker 6: how many songs did you write to get to these 231 00:09:30,000 --> 00:09:31,440 Speaker 6: fourteen songs about your wife? 232 00:09:31,480 --> 00:09:32,520 Speaker 1: Lauren? Man? 233 00:09:32,640 --> 00:09:35,400 Speaker 4: We started this, the process of picking this record from 234 00:09:35,440 --> 00:09:38,280 Speaker 4: I think there was one hundred and fifty songs, and 235 00:09:38,360 --> 00:09:40,920 Speaker 4: I'm I'm just a songwriter first and foremost, so there's 236 00:09:40,920 --> 00:09:43,160 Speaker 4: never a time when I'm not writing. So like, I mean, 237 00:09:43,360 --> 00:09:45,320 Speaker 4: I was literally having dinner with my producers last night 238 00:09:45,360 --> 00:09:46,960 Speaker 4: and I was like, we were literally just talking about 239 00:09:46,960 --> 00:09:49,319 Speaker 4: what are we doing next? Like the album hasn't even 240 00:09:49,360 --> 00:09:51,120 Speaker 4: come out yet, and we're already on to like what's 241 00:09:51,120 --> 00:09:53,520 Speaker 4: going to happen next? And so whittling down from one 242 00:09:53,559 --> 00:09:56,640 Speaker 4: hundred and fifty songs down to fourteen is such a brutal, 243 00:09:57,440 --> 00:09:59,319 Speaker 4: you know, just a brutal thing to do because you're 244 00:09:59,360 --> 00:10:01,559 Speaker 4: you're basically geting rid of, you know, things the right 245 00:10:01,640 --> 00:10:04,199 Speaker 4: that you still love. But ultimately, man, yeah it was 246 00:10:04,280 --> 00:10:06,079 Speaker 4: it was a lot of tunes we wheeled down fourteen 247 00:10:06,120 --> 00:10:08,160 Speaker 4: and yeah, I'm just pumped about it. 248 00:10:08,200 --> 00:10:10,240 Speaker 6: So how does that process work? And does Lauren have 249 00:10:10,320 --> 00:10:12,720 Speaker 6: any say so whatsoever in these fourteen songs? 250 00:10:13,960 --> 00:10:14,360 Speaker 1: Did she? 251 00:10:14,559 --> 00:10:16,760 Speaker 4: I mean her and my kids both had a huge 252 00:10:16,840 --> 00:10:19,840 Speaker 4: part in this album because my wife, you know, I 253 00:10:19,920 --> 00:10:22,240 Speaker 4: used to player everything that I would write, and now 254 00:10:22,280 --> 00:10:24,760 Speaker 4: it's gotten to the point where she gets this thing 255 00:10:24,800 --> 00:10:27,120 Speaker 4: called demo ititis. If you know what demoitis is, It's 256 00:10:27,160 --> 00:10:30,000 Speaker 4: like it's playing you a song in its most like 257 00:10:30,160 --> 00:10:32,320 Speaker 4: raw form, and then you actually go into the studio 258 00:10:32,360 --> 00:10:35,480 Speaker 4: and cut it and you can't unhear the demo, and 259 00:10:35,520 --> 00:10:39,560 Speaker 4: so you're just stuck with not liking the new project, 260 00:10:39,640 --> 00:10:41,960 Speaker 4: if that makes any sense. And so I have now 261 00:10:42,080 --> 00:10:44,080 Speaker 4: gotten to the point where I will finish albums and 262 00:10:44,120 --> 00:10:45,760 Speaker 4: then I will play them for her so that she 263 00:10:45,760 --> 00:10:47,520 Speaker 4: doesn't even have the chance to get demo ititis. 264 00:10:47,559 --> 00:10:49,880 Speaker 1: So let's kind of slippery, Yeah, slippery and slimy. Yeah, 265 00:10:49,920 --> 00:10:50,520 Speaker 1: yeah for sure. 266 00:10:50,600 --> 00:10:53,120 Speaker 3: So many songs or all of them are about her? 267 00:10:53,440 --> 00:10:55,360 Speaker 3: Does she ever hear one and say what the hell 268 00:10:55,600 --> 00:10:57,600 Speaker 3: is that? Or I love this? Oh my god. 269 00:10:58,000 --> 00:11:00,880 Speaker 4: I think her biggest thing this record when I found 270 00:11:00,920 --> 00:11:02,280 Speaker 4: out that I was gonna call it about a woman 271 00:11:02,320 --> 00:11:03,760 Speaker 4: and kind of dedicate this album to her, and she 272 00:11:03,840 --> 00:11:06,360 Speaker 4: was like, is this record gonna make me dance. That 273 00:11:06,520 --> 00:11:08,760 Speaker 4: was like the one thing because when that's a fair question. 274 00:11:08,840 --> 00:11:11,560 Speaker 4: When I write love songs, they normally come out in 275 00:11:11,600 --> 00:11:14,280 Speaker 4: the form of a ballad. They come out slow, like 276 00:11:14,360 --> 00:11:16,959 Speaker 4: that's just I don't know why that is. But thanks 277 00:11:16,960 --> 00:11:19,120 Speaker 4: to the co writers and my producers, we really took 278 00:11:19,160 --> 00:11:21,679 Speaker 4: even slow ideas and just made them up and made 279 00:11:21,720 --> 00:11:24,560 Speaker 4: them fun and made them joyful. And so I think 280 00:11:24,559 --> 00:11:26,920 Speaker 4: that this is my wife's favorite record because it is 281 00:11:26,960 --> 00:11:30,679 Speaker 4: so just fun and about her. Let's play, let's play 282 00:11:30,679 --> 00:11:31,480 Speaker 4: a song, Yeah, come home? 283 00:11:31,480 --> 00:11:34,320 Speaker 1: Okay. Of course the album out last night, it's out 284 00:11:34,320 --> 00:11:38,040 Speaker 1: now about a woman. Of course, this is something about 285 00:11:38,040 --> 00:11:43,439 Speaker 1: a woman. Let's go thought them on. Thomas Redd is 286 00:11:43,480 --> 00:11:45,920 Speaker 1: here and we're celebrating, of course, about a woman. Let's 287 00:11:45,920 --> 00:11:48,480 Speaker 1: talk about celebrating a new album. Yeah, that must be 288 00:11:48,679 --> 00:11:53,720 Speaker 1: like Christmas morning. Here it is, it's out. Let's just party, Yeah, 289 00:11:53,720 --> 00:11:56,040 Speaker 1: it is how you celebrated the release of this album 290 00:11:56,080 --> 00:11:56,440 Speaker 1: so far. 291 00:11:57,280 --> 00:11:59,240 Speaker 4: Man, we've been in New York, okay, and this is 292 00:11:59,280 --> 00:12:01,160 Speaker 4: my This is what I thinkavorite places to celebrate. 293 00:12:01,200 --> 00:12:02,600 Speaker 1: Like my wife and I like come here. 294 00:12:02,760 --> 00:12:04,200 Speaker 4: We try to come here once a year for sure 295 00:12:04,280 --> 00:12:05,920 Speaker 4: during Christmas time because we just love being in New 296 00:12:06,000 --> 00:12:09,040 Speaker 4: York during Christmas. But yeah, all my you know, all 297 00:12:09,120 --> 00:12:11,320 Speaker 4: my band, all my crew is here. We got together 298 00:12:11,320 --> 00:12:13,920 Speaker 4: and had dinner last night, and uh stayed out a 299 00:12:13,960 --> 00:12:17,480 Speaker 4: little bit too late. Tequila involved. There's some tequila champagne. 300 00:12:17,480 --> 00:12:20,160 Speaker 4: I think that was my problem. I mixed a few 301 00:12:20,200 --> 00:12:23,280 Speaker 4: different things. It's like a champagne and an old fashioned 302 00:12:23,320 --> 00:12:24,560 Speaker 4: then some wine. 303 00:12:24,679 --> 00:12:26,880 Speaker 1: You know. It's like, I think, after you're thirty, you 304 00:12:26,880 --> 00:12:29,720 Speaker 1: can't do that anymore. Oh no, well I just turned sixteen. 305 00:12:29,760 --> 00:12:33,440 Speaker 1: I'm doing just fine, or I mean whatever, whatever you're doing. 306 00:12:33,520 --> 00:12:35,920 Speaker 1: Gravity is not as good. I mean, my man, boobs 307 00:12:35,960 --> 00:12:38,679 Speaker 1: are dragging my kneecaps and it will happened to you 308 00:12:38,679 --> 00:12:39,040 Speaker 1: one day. 309 00:12:40,080 --> 00:12:42,160 Speaker 5: Can I ask about the competition you have with your 310 00:12:42,200 --> 00:12:45,160 Speaker 5: wife on Instagram? Yeah, that you both designed, like the 311 00:12:45,200 --> 00:12:48,280 Speaker 5: album cover. Yeah, and you're like, let's see whose album 312 00:12:48,360 --> 00:12:51,640 Speaker 5: is gonna sell faster, her album cover or your album going? 313 00:12:51,679 --> 00:12:52,439 Speaker 2: So how's that going? 314 00:12:52,559 --> 00:12:54,480 Speaker 1: What do y'all think I think she's winning? She is 315 00:12:55,080 --> 00:12:58,040 Speaker 1: by a long shot. Yeah. It honestly started. I wanted 316 00:12:58,080 --> 00:12:58,480 Speaker 1: to do something. 317 00:12:58,480 --> 00:13:00,720 Speaker 4: I wanted to see what kind of loyalty people had 318 00:13:01,000 --> 00:13:04,280 Speaker 4: for me, and I was quickly I quickly realized that 319 00:13:04,280 --> 00:13:06,199 Speaker 4: no one had any loyalty towards me. It was all 320 00:13:06,240 --> 00:13:09,760 Speaker 4: towards my wife. But we're huge college football fans. I'm 321 00:13:09,760 --> 00:13:13,440 Speaker 4: a diehard Georgia Bulldog fan Goodbye to Heen, And my 322 00:13:13,559 --> 00:13:16,000 Speaker 4: wife is a diehard Tennessee Volunteers fan. So we made 323 00:13:16,040 --> 00:13:18,439 Speaker 4: literally just like one thousand of each one's got like 324 00:13:18,480 --> 00:13:20,920 Speaker 4: a Georgia red cover and one's got the Tennessee orange cover. 325 00:13:20,960 --> 00:13:24,080 Speaker 1: And she's beat me by like sixty percent. Oh wow, Yeah, 326 00:13:24,440 --> 00:13:26,560 Speaker 1: something to put something to rest right now. I know 327 00:13:26,600 --> 00:13:28,680 Speaker 1: there was an article out not too long ago saying 328 00:13:28,679 --> 00:13:31,000 Speaker 1: that there was at one point in your in your 329 00:13:31,000 --> 00:13:33,640 Speaker 1: relationship with your wife where it was they use the 330 00:13:33,679 --> 00:13:38,400 Speaker 1: word imploding, right, And I know for a fact through 331 00:13:38,440 --> 00:13:40,480 Speaker 1: friends of mine that you did not truly agree with 332 00:13:40,840 --> 00:13:43,880 Speaker 1: that that that writing of that article, which is why 333 00:13:43,920 --> 00:13:46,880 Speaker 1: I love the fact that this is live. Sure, So 334 00:13:46,920 --> 00:13:48,960 Speaker 1: what you say now, we cannot edit it down there 335 00:13:49,200 --> 00:13:51,559 Speaker 1: we feel like it should be. Yeah, No, I mean 336 00:13:51,600 --> 00:13:52,000 Speaker 1: I get it. 337 00:13:52,040 --> 00:13:53,960 Speaker 4: I get that you have to put things on covers 338 00:13:54,000 --> 00:13:55,840 Speaker 4: to make people want to read them. Like I was 339 00:13:55,880 --> 00:13:58,360 Speaker 4: actually joking with somewhat one of my friends last night 340 00:13:58,400 --> 00:13:59,720 Speaker 4: and he was like, what did you want them to say? 341 00:14:00,080 --> 00:14:02,080 Speaker 1: We've never been better. Like, who's going to buy that? 342 00:14:02,480 --> 00:14:03,080 Speaker 1: You know what I mean? 343 00:14:04,000 --> 00:14:07,600 Speaker 4: And so yeah, I mean marriage is tough, dude, Likely 344 00:14:07,679 --> 00:14:11,240 Speaker 4: it's tough. And doing it with four children while being 345 00:14:11,280 --> 00:14:14,240 Speaker 4: gone one hundred and eighty days a year, it's hard. 346 00:14:14,559 --> 00:14:17,040 Speaker 1: You know, let's talk about that. You know, you you 347 00:14:17,080 --> 00:14:18,840 Speaker 1: write all these songs. You said you had what the 348 00:14:18,840 --> 00:14:20,760 Speaker 1: possibility of one hundred and fifty different songs you could 349 00:14:20,760 --> 00:14:24,040 Speaker 1: have shifted through to put on this album. Yeah, the process, 350 00:14:24,080 --> 00:14:27,320 Speaker 1: the creative process. I know for a fact, all artists, 351 00:14:27,960 --> 00:14:30,960 Speaker 1: be it painters or musicians or whatever. Yeah, they're going 352 00:14:31,000 --> 00:14:33,000 Speaker 1: to come into a point in their their lives where 353 00:14:33,040 --> 00:14:37,640 Speaker 1: they just can't find the words, they can't find the vibe. Sure, 354 00:14:37,960 --> 00:14:40,240 Speaker 1: what do you do? What is your advice for all 355 00:14:40,280 --> 00:14:44,040 Speaker 1: of us who are totally lost in the world? How 356 00:14:44,080 --> 00:14:46,880 Speaker 1: do you find the vibe again and go, Okay, we're 357 00:14:46,920 --> 00:14:49,240 Speaker 1: back on the road, roll and coastal, just make this work. 358 00:14:49,520 --> 00:14:52,840 Speaker 4: Yeah, it's it's it's different for every artist, right because 359 00:14:52,840 --> 00:14:55,120 Speaker 4: when you're when you're brand new, you're brand new. Like 360 00:14:55,320 --> 00:14:57,240 Speaker 4: one thing that I will never be again is brand new, 361 00:14:57,440 --> 00:14:59,640 Speaker 4: you know what I'm saying. And so as you continue 362 00:14:59,640 --> 00:15:01,560 Speaker 4: to put records out. This is my seventh album. I've 363 00:15:01,600 --> 00:15:05,520 Speaker 4: covered so much territory sonically, melodically, lyrically, and so when 364 00:15:05,520 --> 00:15:07,480 Speaker 4: you're sitting down and write a new project, it really 365 00:15:07,520 --> 00:15:10,320 Speaker 4: for me, I just have to get inspired somehow, and 366 00:15:10,400 --> 00:15:12,560 Speaker 4: usually for me that it's going out west and so 367 00:15:12,680 --> 00:15:15,120 Speaker 4: like being in nature, being in the mountains sort of 368 00:15:15,120 --> 00:15:18,240 Speaker 4: like refreshes my soul. And also every project, I always 369 00:15:18,240 --> 00:15:20,640 Speaker 4: try to work with different people that I've never worked 370 00:15:20,640 --> 00:15:22,520 Speaker 4: with before, right, because you're going to get different things 371 00:15:22,520 --> 00:15:26,000 Speaker 4: from different people. But I remember me and Julian, my producer, 372 00:15:26,080 --> 00:15:27,320 Speaker 4: sat on the bus a year and a half ago. 373 00:15:27,320 --> 00:15:28,680 Speaker 4: He's like, what do you want to do on this record, 374 00:15:28,720 --> 00:15:30,200 Speaker 4: and I said, I just want it to be full 375 00:15:30,200 --> 00:15:33,760 Speaker 4: of bangers. I just want a record full of bangers. 376 00:15:34,400 --> 00:15:37,080 Speaker 4: And so when you kind of discover like that's the mission. 377 00:15:37,880 --> 00:15:41,960 Speaker 4: Not every album has to have this like crazy deep well, 378 00:15:42,000 --> 00:15:45,480 Speaker 4: I saw this wildflower, you know, driving from Austin to 379 00:15:45,600 --> 00:15:48,640 Speaker 4: New Mexico, and it sparked this whole Every record doesn't 380 00:15:48,640 --> 00:15:51,400 Speaker 4: have to be that way. Sometimes sometimes something that's just 381 00:15:51,440 --> 00:15:54,160 Speaker 4: fun can be enough of an inspiration to write a 382 00:15:54,160 --> 00:15:57,040 Speaker 4: whole record. And so for me on this album, like 383 00:15:57,400 --> 00:15:58,920 Speaker 4: it was really just trying to find new ways to 384 00:15:58,920 --> 00:16:00,480 Speaker 4: say I love you, you know, and I've said that 385 00:16:00,520 --> 00:16:02,760 Speaker 4: a million times. But I love writing love songs, and 386 00:16:02,800 --> 00:16:05,600 Speaker 4: I love trying to find unique ways to kind of, 387 00:16:05,920 --> 00:16:08,320 Speaker 4: you know, show that. And I think production helps a 388 00:16:08,320 --> 00:16:08,720 Speaker 4: lot too. 389 00:16:08,760 --> 00:16:11,440 Speaker 1: So how much do you love doing what you do? 390 00:16:11,600 --> 00:16:14,000 Speaker 1: I mean, asking it today? The first freaking love it. 391 00:16:14,000 --> 00:16:16,160 Speaker 1: It's the first full day of your album out. Yeah, 392 00:16:16,160 --> 00:16:18,920 Speaker 1: so of course you're gonna say that, but you have 393 00:16:19,120 --> 00:16:21,960 Speaker 1: love it. Is that also where you find your inspiration. 394 00:16:22,080 --> 00:16:24,600 Speaker 1: You have to remind yourself everyone, oh my god, I'm 395 00:16:24,600 --> 00:16:27,720 Speaker 1: doing something. God is something and a great family, great 396 00:16:27,760 --> 00:16:30,880 Speaker 1: friends and this incredible gift. 397 00:16:31,200 --> 00:16:33,600 Speaker 4: You gotta love it a million. I mean, it doesn't 398 00:16:33,600 --> 00:16:35,600 Speaker 4: matter what job you do. There are parts of your 399 00:16:35,680 --> 00:16:37,600 Speaker 4: job that are not your favorite part of your job. 400 00:16:38,920 --> 00:16:41,080 Speaker 4: But dude, it's like the whole culmination of it, Like 401 00:16:41,120 --> 00:16:44,360 Speaker 4: the sitting there and grinding for six hours just to 402 00:16:44,400 --> 00:16:46,960 Speaker 4: find a second verse or to find a great bridge melody, 403 00:16:47,320 --> 00:16:49,720 Speaker 4: and you kind of go, man, was it worth the 404 00:16:49,760 --> 00:16:52,400 Speaker 4: six hours? And then it actually was worth it? And 405 00:16:52,400 --> 00:16:53,920 Speaker 4: then it goes on the record, and then it goes 406 00:16:53,960 --> 00:16:56,160 Speaker 4: on the radio, and then the full culmination as you 407 00:16:56,200 --> 00:16:58,640 Speaker 4: walking on stage and watching someone light up when those 408 00:16:58,680 --> 00:17:00,440 Speaker 4: first notes come out of your guitar. You know what 409 00:17:00,440 --> 00:17:03,080 Speaker 4: I'm saying, There is no feeling like that, because when 410 00:17:03,120 --> 00:17:05,680 Speaker 4: you are songwriting, there's so many days where no. 411 00:17:05,640 --> 00:17:06,600 Speaker 1: One has any ideas. 412 00:17:06,760 --> 00:17:08,119 Speaker 4: When I was talking about this with a couple of 413 00:17:08,119 --> 00:17:10,520 Speaker 4: the writers last night, it's like, it's amazing how it 414 00:17:10,560 --> 00:17:13,359 Speaker 4: genuinely just miraculously falls out of you and it didn't 415 00:17:13,400 --> 00:17:15,399 Speaker 4: come from anywhere. It might have stemmed from a conversation 416 00:17:15,600 --> 00:17:17,720 Speaker 4: or someone played a cool chord on a piano and 417 00:17:17,720 --> 00:17:20,000 Speaker 4: all of a sudden a song happened, and all of 418 00:17:20,040 --> 00:17:21,359 Speaker 4: a sudden it goes on a record, and all of 419 00:17:21,359 --> 00:17:23,879 Speaker 4: a sudden, the world knows the words. You know what 420 00:17:23,920 --> 00:17:26,520 Speaker 4: I'm saying, Like that is a miracle, And so I 421 00:17:26,520 --> 00:17:28,760 Speaker 4: think that's my favorite part of this job, man, is 422 00:17:28,840 --> 00:17:29,679 Speaker 4: just walking on stage. 423 00:17:29,760 --> 00:17:31,800 Speaker 5: What I got to see you in Nashville on New 424 00:17:31,880 --> 00:17:33,719 Speaker 5: Year's Eve this past New Year's Eve. 425 00:17:33,800 --> 00:17:35,040 Speaker 2: Oh yeah, their lady was there. 426 00:17:35,119 --> 00:17:39,040 Speaker 5: Yeah, And that was insane the amount of people out 427 00:17:39,040 --> 00:17:42,040 Speaker 5: there just watching and like you said, faces lighting up. 428 00:17:42,000 --> 00:17:44,320 Speaker 2: Everybody knows the words, screaming the words back at you. 429 00:17:44,400 --> 00:17:46,399 Speaker 2: It's just the coolest thing to watch. 430 00:17:46,560 --> 00:17:49,240 Speaker 4: It is so cool and then getting to hear y'all's 431 00:17:49,359 --> 00:17:52,440 Speaker 4: story like that's something that's been kind of crazy lately. 432 00:17:52,560 --> 00:17:55,240 Speaker 4: Is like you will never like as an artist, whatever 433 00:17:55,280 --> 00:17:57,160 Speaker 4: you do, you will never know the impact that your 434 00:17:57,160 --> 00:17:58,479 Speaker 4: stuff has on people. 435 00:17:58,640 --> 00:17:59,280 Speaker 1: Do you know what I'm saying? 436 00:17:59,280 --> 00:18:00,760 Speaker 4: Like I would have never known that about either of 437 00:18:00,840 --> 00:18:02,880 Speaker 4: y'all had you told me that. You know, you listen 438 00:18:02,960 --> 00:18:04,399 Speaker 4: to look what God gave her in One of your 439 00:18:04,400 --> 00:18:06,800 Speaker 4: favorite tracks was a song that no one's brought up 440 00:18:06,840 --> 00:18:07,840 Speaker 4: to me in seven years? 441 00:18:08,119 --> 00:18:09,280 Speaker 1: Do you know what I mean? I love it? 442 00:18:09,920 --> 00:18:11,679 Speaker 4: And that that's the beauty of art, is that you 443 00:18:11,720 --> 00:18:12,960 Speaker 4: get to make it and then you get to put 444 00:18:13,000 --> 00:18:14,640 Speaker 4: it out and then people get to decide how it's 445 00:18:14,680 --> 00:18:17,080 Speaker 4: going to impact them, you know, And those stories are 446 00:18:17,520 --> 00:18:18,239 Speaker 4: what make it worth it. 447 00:18:18,240 --> 00:18:19,560 Speaker 1: So Frog get your boy t wreck. 448 00:18:20,280 --> 00:18:20,520 Speaker 5: I know? 449 00:18:20,640 --> 00:18:22,159 Speaker 6: So Thomas, I want to know. So you wrote one 450 00:18:22,200 --> 00:18:24,400 Speaker 6: hundred and fifty songs, you're using fourteen of them. There's 451 00:18:24,440 --> 00:18:27,000 Speaker 6: one hundred and thirty six songs out there that are waiting. Yeah, 452 00:18:27,320 --> 00:18:27,920 Speaker 6: are they been bad? 453 00:18:28,760 --> 00:18:30,680 Speaker 1: One? They didn't make up? They're really bad? So I 454 00:18:30,720 --> 00:18:31,040 Speaker 1: don't know. 455 00:18:31,080 --> 00:18:33,440 Speaker 4: And there's a bartender at the Ritz Carlton that has 456 00:18:33,440 --> 00:18:35,159 Speaker 4: the entirety of all those songs. 457 00:18:36,160 --> 00:18:38,800 Speaker 1: Oh my god, seriously last night, Tequila. 458 00:18:39,359 --> 00:18:42,400 Speaker 4: Last night, I wanted to hear the record over the speakers, 459 00:18:42,480 --> 00:18:45,840 Speaker 4: and the bartender was in control of the uh of 460 00:18:45,880 --> 00:18:48,480 Speaker 4: the bluetooth, So I just text them the dropbox link. 461 00:18:51,040 --> 00:18:53,040 Speaker 1: Go my god, did you call your attorneys this morning 462 00:18:53,080 --> 00:18:54,480 Speaker 1: to la it might be the worst. 463 00:18:54,600 --> 00:18:56,240 Speaker 4: My management's over here to be like, it's the worst 464 00:18:56,240 --> 00:18:59,240 Speaker 4: thing you've ever done in the twelve years of your own. 465 00:19:00,320 --> 00:19:03,159 Speaker 1: What could possibly go wrong? What could go right? You know? 466 00:19:03,760 --> 00:19:05,760 Speaker 6: Is there any chance that any of those other songs 467 00:19:05,760 --> 00:19:08,080 Speaker 6: make it on another album? Or do you write specifically 468 00:19:08,119 --> 00:19:10,959 Speaker 6: for this project and the next project will be totally different? 469 00:19:12,000 --> 00:19:14,080 Speaker 4: Still figuring that out, Like, I think it was kind 470 00:19:14,119 --> 00:19:16,679 Speaker 4: of a mission of mine, this go around to like, 471 00:19:17,080 --> 00:19:19,000 Speaker 4: because I really wanted there to be twenty four songs 472 00:19:19,040 --> 00:19:23,440 Speaker 4: on this album. But gosh, dude, there's just every every Friday, 473 00:19:23,600 --> 00:19:26,439 Speaker 4: there's a million songs that come out, and so I 474 00:19:26,480 --> 00:19:28,760 Speaker 4: really wanted this record to be digestible. I wanted you 475 00:19:28,800 --> 00:19:30,560 Speaker 4: to go to look at it, like I have time 476 00:19:30,600 --> 00:19:33,040 Speaker 4: for that. It makes sense, Like I have time to 477 00:19:33,040 --> 00:19:35,360 Speaker 4: sit down for thirty eight minutes and listen to this record. 478 00:19:36,160 --> 00:19:37,600 Speaker 4: But I think it's gonna be fun. Over the next 479 00:19:37,600 --> 00:19:41,120 Speaker 4: two years, manage to keep sort of just putting music out. 480 00:19:41,680 --> 00:19:45,280 Speaker 5: I think Bob the Bartender might be putting out. 481 00:19:43,840 --> 00:19:47,600 Speaker 1: Yeah, you all go hit up the ritz. Can you 482 00:19:47,640 --> 00:19:51,240 Speaker 1: get the record early? We need you need security to 483 00:19:51,280 --> 00:19:53,320 Speaker 1: protect you the world from you. 484 00:19:53,440 --> 00:19:55,800 Speaker 3: Yeah, say so, I know you travel a lot. You 485 00:19:55,800 --> 00:19:58,000 Speaker 3: said one hundred and eighty days a year. Did you 486 00:19:58,160 --> 00:20:00,119 Speaker 3: just get back from Kenya not too long ago. I 487 00:20:00,119 --> 00:20:01,639 Speaker 3: was looking at Instagram. 488 00:20:01,240 --> 00:20:02,440 Speaker 1: Maybe about yeah, a month ago. 489 00:20:02,560 --> 00:20:04,639 Speaker 3: Okay, So when you travel to Kenya, do you have 490 00:20:04,680 --> 00:20:07,600 Speaker 3: these same moments where shockingly, out of nowhere, somebody approaches 491 00:20:07,640 --> 00:20:08,960 Speaker 3: you and it's like, oh my god, Thomas Ratt, I'm 492 00:20:08,960 --> 00:20:10,119 Speaker 3: listening to your music in Kenya. 493 00:20:10,760 --> 00:20:13,400 Speaker 1: Yes, and it is so wild. It is so wild. 494 00:20:13,480 --> 00:20:15,960 Speaker 4: It actually happened a lot in the airports too, were 495 00:20:16,119 --> 00:20:18,240 Speaker 4: we had a labor in Dubai and there was someone 496 00:20:18,280 --> 00:20:19,399 Speaker 4: that came up to me while I was getting a 497 00:20:19,440 --> 00:20:21,600 Speaker 4: coffee and they were like, you know, we I love 498 00:20:21,640 --> 00:20:23,120 Speaker 4: your music. And I was like, where do you live? 499 00:20:23,160 --> 00:20:25,480 Speaker 4: And they're like here. I was like, are you serious? 500 00:20:25,720 --> 00:20:28,879 Speaker 4: Like that's the wildest compliment in the world. Not so 501 00:20:28,960 --> 00:20:32,240 Speaker 4: much in Kenya, we have we haven't made our to 502 00:20:32,280 --> 00:20:35,280 Speaker 4: the airwaves in Nairobi yet but maybe maybe at some point. 503 00:20:35,320 --> 00:20:38,359 Speaker 4: But yeah, but no, that was uh, that was literally 504 00:20:38,400 --> 00:20:39,360 Speaker 4: a trip of a lifetime. 505 00:20:39,480 --> 00:20:43,879 Speaker 1: It was Yeahari Sofari, I've been on five five. 506 00:20:44,080 --> 00:20:47,880 Speaker 4: Yeah, it's amazing. Everything can kill you over there. 507 00:20:48,000 --> 00:20:50,760 Speaker 1: Oh yeah, absolutely, And it's good to know that you 508 00:20:50,840 --> 00:20:54,520 Speaker 1: were so unimportant, Yes, as compared it's like going to 509 00:20:54,520 --> 00:20:56,600 Speaker 1: see the Grand Canyon. So you see the Grand Canyon 510 00:20:56,760 --> 00:21:00,199 Speaker 1: like we are nothing of that big hole. Yeah, But 511 00:21:00,600 --> 00:21:03,840 Speaker 1: to be able to go and open your mind to 512 00:21:04,520 --> 00:21:08,920 Speaker 1: a whole other universe and that must help in songwriting 513 00:21:08,920 --> 00:21:11,000 Speaker 1: as well. Did you ever find yourself in the tent 514 00:21:11,040 --> 00:21:14,040 Speaker 1: while the wildebeest were trying to eat you writing something 515 00:21:14,040 --> 00:21:15,680 Speaker 1: down going? I don't know what this is. This could 516 00:21:15,720 --> 00:21:18,159 Speaker 1: be a song next year. The very first night that 517 00:21:18,200 --> 00:21:19,880 Speaker 1: we were there, this did not lead to a song. 518 00:21:19,920 --> 00:21:21,280 Speaker 1: I just think this is a crazy story. 519 00:21:21,720 --> 00:21:23,120 Speaker 4: But the very first night we were there, we were 520 00:21:23,119 --> 00:21:26,200 Speaker 4: staying in these it's not camping, it's glamping, you know 521 00:21:26,240 --> 00:21:28,160 Speaker 4: what I'm saying. And so me and my whole family 522 00:21:28,160 --> 00:21:31,160 Speaker 4: are in this tent and they encourage you that anytime 523 00:21:31,160 --> 00:21:32,719 Speaker 4: you walk out of the tent to keep your They 524 00:21:32,720 --> 00:21:35,280 Speaker 4: call it a torch which is a flashlight, and they're like, 525 00:21:35,320 --> 00:21:38,520 Speaker 4: bring your torch with you wherever you go. And I 526 00:21:38,600 --> 00:21:40,920 Speaker 4: walked out. It was like ten pm and I'm literally 527 00:21:40,960 --> 00:21:43,920 Speaker 4: from me to you of two hyenas. 528 00:21:44,320 --> 00:21:46,440 Speaker 1: Oh, and they will crunch your head off. 529 00:21:46,520 --> 00:21:49,280 Speaker 4: Yeah, And so I started flashing my light and I 530 00:21:49,280 --> 00:21:51,720 Speaker 4: was like, this is how I'm gonna die. I'm gonna 531 00:21:51,720 --> 00:21:53,840 Speaker 4: get killed by hyenas flashing a light. And I flashed 532 00:21:53,840 --> 00:21:56,960 Speaker 4: a light and they took off. They ran off. Gosh, man, 533 00:21:56,960 --> 00:21:59,040 Speaker 4: when you're up close to something like that, I've never 534 00:21:59,440 --> 00:22:01,840 Speaker 4: in my life been that close to a hyena or 535 00:22:01,880 --> 00:22:04,680 Speaker 4: a lion, or being that close even to an elephant. 536 00:22:04,720 --> 00:22:06,120 Speaker 1: Like it's just gnarly. 537 00:22:06,280 --> 00:22:08,719 Speaker 4: It's different seeing it at a zoo than it is 538 00:22:08,720 --> 00:22:12,119 Speaker 4: like when they're. 539 00:22:10,400 --> 00:22:13,480 Speaker 1: You're in their territory back and you will do it again, 540 00:22:13,600 --> 00:22:15,600 Speaker 1: that's right. I love sitting at the mess ten at 541 00:22:15,680 --> 00:22:19,720 Speaker 1: night and it is clamping and you see the eyeballs out, 542 00:22:19,800 --> 00:22:22,639 Speaker 1: oh dude. And we had we had hyenas laughing in 543 00:22:22,680 --> 00:22:24,960 Speaker 1: front of you. We had lions roaring behind us. And 544 00:22:25,000 --> 00:22:25,840 Speaker 1: we stayed on the river. 545 00:22:26,040 --> 00:22:29,480 Speaker 4: So the entire night it's just hippos going crazy and 546 00:22:29,520 --> 00:22:34,200 Speaker 4: there's crocs everywhere, like like sixteen foot cross we're talking shoes. 547 00:22:34,240 --> 00:22:36,399 Speaker 1: We're talking yeah, not shoes. 548 00:22:36,520 --> 00:22:38,080 Speaker 2: How do they protect you from that? 549 00:22:38,160 --> 00:22:41,040 Speaker 4: Like the getting Well, there's like a there's like the 550 00:22:41,119 --> 00:22:43,399 Speaker 4: place and then there's like a huge drop off like 551 00:22:43,440 --> 00:22:45,879 Speaker 4: a like almost like a concrete wall. So they can't 552 00:22:46,520 --> 00:22:49,879 Speaker 4: maybe they could, And then I chose to tell myself 553 00:22:49,880 --> 00:22:50,720 Speaker 4: that it was impossible. 554 00:22:51,440 --> 00:22:53,600 Speaker 1: During the day. That's where the world debes ll roll 555 00:22:53,720 --> 00:22:56,679 Speaker 1: down and some of them will not make it. But 556 00:22:56,680 --> 00:22:59,560 Speaker 1: but it's just it's there's nothing like going nothing like that, 557 00:23:00,040 --> 00:23:01,920 Speaker 1: you know. And people say, well, that's something I could 558 00:23:01,920 --> 00:23:03,359 Speaker 1: never do, and no, it's not true. We have friends 559 00:23:03,359 --> 00:23:06,480 Speaker 1: who are guides there and they make it very affordable. 560 00:23:06,119 --> 00:23:08,240 Speaker 4: For you can actually do it pretty cheap actually, but 561 00:23:08,240 --> 00:23:09,240 Speaker 4: I would encourage it for sure. 562 00:23:09,280 --> 00:23:12,240 Speaker 1: It's an awesome trip. I love the fact that Thomas 563 00:23:12,280 --> 00:23:14,360 Speaker 1: Rhett is here with us today and it's a special day. 564 00:23:14,480 --> 00:23:17,320 Speaker 1: The fact that you're here with us makes us feel 565 00:23:17,359 --> 00:23:19,520 Speaker 1: sort of important. You guys are my favorite excited to 566 00:23:19,520 --> 00:23:21,200 Speaker 1: come see us. I mean, it's like literally one of 567 00:23:21,240 --> 00:23:22,640 Speaker 1: my favorite things to do when I'm in New York. 568 00:23:22,680 --> 00:23:25,359 Speaker 1: So thank y'all for having me. Your spirit is just 569 00:23:25,840 --> 00:23:28,000 Speaker 1: on the top of the of the flagpole. Well, it's 570 00:23:28,119 --> 00:23:30,120 Speaker 1: waving a feeling is very mutual. I got to play 571 00:23:30,119 --> 00:23:32,879 Speaker 1: another song from the album, and of course Thomas Rhet's 572 00:23:32,880 --> 00:23:36,199 Speaker 1: album came out last night about a Woman, and I'm 573 00:23:36,240 --> 00:23:37,720 Speaker 1: gonna giving you two cuts today because you got to 574 00:23:37,720 --> 00:23:38,200 Speaker 1: pay for the rest. 575 00:23:38,359 --> 00:23:46,199 Speaker 5: Yeah, download it, you'll get bonus tracks if you go there. 576 00:23:46,920 --> 00:23:49,719 Speaker 1: This is Thomas Rhett and of course Beautiful as You 577 00:23:49,960 --> 00:23:51,080 Speaker 1: Way to go you out? 578 00:23:52,720 --> 00:23:55,080 Speaker 5: Can I ask the question about why artists do that 579 00:23:55,440 --> 00:23:58,000 Speaker 5: thing with the dropping ahead of time, So you dropped 580 00:23:58,000 --> 00:24:01,800 Speaker 5: four songs before the album came out. Now, Lady Wilson 581 00:24:01,920 --> 00:24:03,800 Speaker 5: has an album out today. She did the same thing. 582 00:24:03,840 --> 00:24:06,160 Speaker 5: A lot of the artists do that, now is there? 583 00:24:06,320 --> 00:24:07,240 Speaker 5: What is the reason? 584 00:24:07,320 --> 00:24:07,520 Speaker 1: Is that? 585 00:24:07,680 --> 00:24:10,200 Speaker 2: Just like to let us, you know, taste it a 586 00:24:10,280 --> 00:24:10,680 Speaker 2: little bit? 587 00:24:11,280 --> 00:24:11,480 Speaker 1: You know? 588 00:24:12,119 --> 00:24:14,800 Speaker 4: I still ask myself that question, to be honest, because 589 00:24:14,840 --> 00:24:17,679 Speaker 4: I think the goal probably is to build hype, right like, 590 00:24:17,720 --> 00:24:20,320 Speaker 4: because if you really love the first three that come out, 591 00:24:20,359 --> 00:24:22,280 Speaker 4: then you hope that someone's going to be like I 592 00:24:22,320 --> 00:24:24,359 Speaker 4: bet the rest of the record is just amazing, you know. 593 00:24:25,320 --> 00:24:27,159 Speaker 4: But there's also this part of me that wonders, like, 594 00:24:27,160 --> 00:24:29,240 Speaker 4: when are we going to get back to the mystique 595 00:24:29,680 --> 00:24:31,920 Speaker 4: you know what I'm saying, Like, there's so much teasing, 596 00:24:32,880 --> 00:24:35,720 Speaker 4: and there's so much like check this version out, and 597 00:24:35,760 --> 00:24:37,840 Speaker 4: check this version out, and watch me sing this in 598 00:24:37,840 --> 00:24:39,480 Speaker 4: a bathroom and you know what I mean, and like 599 00:24:39,520 --> 00:24:41,879 Speaker 4: all these things, and it's kind of sort of in 600 00:24:41,920 --> 00:24:44,120 Speaker 4: my opinion, what culture sort of says we have to do. 601 00:24:44,680 --> 00:24:46,879 Speaker 4: But man, like in the seventies and stuff, it was 602 00:24:46,880 --> 00:24:48,680 Speaker 4: just like, wonder what Tom Petty's been doing for the 603 00:24:48,760 --> 00:24:52,040 Speaker 4: last year and a half, and all of a sudden, bam. 604 00:24:51,680 --> 00:24:54,800 Speaker 1: It was the whole album. Whole album. There was no ya, 605 00:24:56,040 --> 00:24:57,680 Speaker 1: maybe we'll get back to that one day, who knows. 606 00:24:57,720 --> 00:24:59,640 Speaker 1: And now we have an artist that just produced song 607 00:24:59,680 --> 00:25:01,720 Speaker 1: by song they don't even think about album, right, Yeah, 608 00:25:01,720 --> 00:25:03,560 Speaker 1: for sure. There's so many different ways to get there. 609 00:25:03,720 --> 00:25:06,639 Speaker 4: So yeah, there's so many It's like music business is 610 00:25:06,640 --> 00:25:09,439 Speaker 4: the Wild West today. Like when I when I first started, 611 00:25:09,520 --> 00:25:11,880 Speaker 4: it was it was so I'm not going to say 612 00:25:11,880 --> 00:25:13,520 Speaker 4: it was easier, but it was like you had kind 613 00:25:13,520 --> 00:25:15,679 Speaker 4: of one or two outlets to put your music out. 614 00:25:15,880 --> 00:25:18,280 Speaker 4: And now there's so many ways to get your music heard, 615 00:25:18,359 --> 00:25:21,240 Speaker 4: you know. So, I mean, you could be an artist 616 00:25:21,280 --> 00:25:23,680 Speaker 4: that lives in Nebraska and you're seventeen years old and 617 00:25:23,840 --> 00:25:26,240 Speaker 4: one day your mom just thinks you're great, and next 618 00:25:26,320 --> 00:25:28,040 Speaker 4: day you're opening for Zach Bryan. 619 00:25:28,160 --> 00:25:31,120 Speaker 1: You know what I'm saying, Like, it's like weird, it's wild. Yeah. 620 00:25:31,240 --> 00:25:33,080 Speaker 3: And now if you do disappear for a year, people 621 00:25:33,080 --> 00:25:34,640 Speaker 3: are going to say, oh, his marriage is imploding. 622 00:25:36,119 --> 00:25:40,880 Speaker 1: Yeah, yeah, this is the implosion period. And uh, look 623 00:25:40,920 --> 00:25:44,480 Speaker 1: at this list. The iHeartRadio Music Festival in Las Vegas. 624 00:25:45,320 --> 00:25:48,360 Speaker 1: Du A Lipa, Halsey, Big Sean, Comita, Cabeo Doja Cat, 625 00:25:48,400 --> 00:25:52,640 Speaker 1: Gwen Stefani, Hoosier, Keith Urban, New Kids on the Block, Paramore, Shaboozie, 626 00:25:52,680 --> 00:25:58,119 Speaker 1: The Black Crows, Victoria Monet, Thomas Rhantt. What a what 627 00:25:58,240 --> 00:26:00,600 Speaker 1: a lineup? He's got a funny and a Friday of 628 00:26:00,760 --> 00:26:02,440 Speaker 1: music on our show. In thirty minutes, we're going to 629 00:26:02,480 --> 00:26:07,000 Speaker 1: talk to Chris Martin. Holy wonder what that tie in about? Yeah? 630 00:26:07,040 --> 00:26:08,760 Speaker 1: Why wonder why he's on with us? 631 00:26:08,800 --> 00:26:12,800 Speaker 4: Anyway, I'm such a super fan of Coldplayer. 632 00:26:12,480 --> 00:26:15,520 Speaker 1: Young Me too. Gosh, can you imagine they could show 633 00:26:15,560 --> 00:26:17,080 Speaker 1: up at the iHeart Music Festival. 634 00:26:17,359 --> 00:26:18,879 Speaker 2: That would would be amazing. 635 00:26:20,080 --> 00:26:21,800 Speaker 1: Thank you so much for coming in, Thank you man 636 00:26:21,880 --> 00:26:24,840 Speaker 1: and sharing the music measure And it's the gift it's 637 00:26:24,880 --> 00:26:26,760 Speaker 1: the gift you gave us, and we do appreciate it. 638 00:26:26,800 --> 00:26:30,000 Speaker 1: And we've made it very clear to you that every 639 00:26:30,040 --> 00:26:34,280 Speaker 1: single person on this show loves what you do so much, 640 00:26:34,359 --> 00:26:36,080 Speaker 1: loves the fact that you do love what you do. 641 00:26:36,600 --> 00:26:38,359 Speaker 1: That's what makes it so great. Well, y'all are a 642 00:26:38,400 --> 00:26:39,880 Speaker 1: blast to talk to you. Thank you for your time 643 00:26:39,920 --> 00:26:43,400 Speaker 1: this morning. About a woman out right now, Thomas Red 644 00:26:44,560 --> 00:26:53,199 Speaker 1: It's Froggy's boy, t Red Lizzos in here, the Mercedes Benze. 645 00:26:53,440 --> 00:26:57,080 Speaker 7: We say good morning to the Jonas brothers and the 646 00:26:57,119 --> 00:26:59,760 Speaker 7: Mercedes Benz. Dream Days are here with exceptional offers on 647 00:26:59,800 --> 00:27:02,800 Speaker 7: this El E Coop E Class Siedan C Class Sidan 648 00:27:02,960 --> 00:27:04,240 Speaker 7: and C L E Cabriolet. 649 00:27:04,480 --> 00:27:07,440 Speaker 1: It's going on through September third. Learn more at mbusa 650 00:27:07,600 --> 00:27:10,800 Speaker 1: dot com. Slash Dream Elvis Duran in the Morning Show