1 00:00:00,000 --> 00:00:02,120 Speaker 1: See you one hundred. Thank you for joining us. I 2 00:00:02,200 --> 00:00:06,480 Speaker 1: like the bonus hour. It's it's like our private little party. 3 00:00:06,800 --> 00:00:08,520 Speaker 1: It's like we're up in the tree house and every 4 00:00:08,600 --> 00:00:10,440 Speaker 1: once in a while we'll let the letter ladder down 5 00:00:10,480 --> 00:00:13,480 Speaker 1: and some interesting creature will crawl up. And today's interesting 6 00:00:13,520 --> 00:00:16,520 Speaker 1: creature who's invading our treehouse is the one and only 7 00:00:16,600 --> 00:00:20,840 Speaker 1: Anthony Ramos. Good morning, good morning, good morning, good morning. 8 00:00:21,680 --> 00:00:24,560 Speaker 1: Come on up the treehouse. Pull the letter up behind you. 9 00:00:24,600 --> 00:00:26,439 Speaker 1: We don't want anyone else in here but you, Okay, 10 00:00:27,200 --> 00:00:29,320 Speaker 1: I just don't take the ladder while I'm climbing it. Bro. 11 00:00:29,400 --> 00:00:35,600 Speaker 1: You know, well, there's so many reasons to enjoy the 12 00:00:35,600 --> 00:00:38,720 Speaker 1: fact that Anthony Ramos has joined us in the treehouse. Uh. 13 00:00:38,840 --> 00:00:41,839 Speaker 1: First of all, tonight you're performing at our stay at 14 00:00:41,880 --> 00:00:45,199 Speaker 1: home ball Uh. And I gotta be honest. One of 15 00:00:45,200 --> 00:00:46,920 Speaker 1: the things I love most about this is we get 16 00:00:46,960 --> 00:00:50,680 Speaker 1: to watch our favorite artists perform in little private areas. 17 00:00:50,680 --> 00:00:52,600 Speaker 1: Are you in the bathroom tonight? Where are we gonna 18 00:00:52,600 --> 00:00:57,120 Speaker 1: see you? Seeing it? Upstairs? This is like my upstairs 19 00:00:57,200 --> 00:01:00,760 Speaker 1: little cave that I built. Uh build like a little 20 00:01:00,760 --> 00:01:05,640 Speaker 1: studio space here. Uh. You know I used to have 21 00:01:05,680 --> 00:01:07,440 Speaker 1: the I got the dog cage here, So it's a 22 00:01:07,440 --> 00:01:09,200 Speaker 1: little bit of a mess. So I'm just gonna you know, 23 00:01:09,440 --> 00:01:11,039 Speaker 1: but it's okay, you know, we get work done. So 24 00:01:11,080 --> 00:01:13,119 Speaker 1: I did it up here. You know, I thought maybe 25 00:01:13,160 --> 00:01:17,040 Speaker 1: you'd be singing from Anti's basement, but you know, just no, no, 26 00:01:17,040 --> 00:01:19,360 Speaker 1: no social distance, and I can't go to Autice house 27 00:01:19,440 --> 00:01:24,360 Speaker 1: right now, so I can't do it. That's right. I 28 00:01:24,400 --> 00:01:26,720 Speaker 1: saw you in one of your posts, because you've been 29 00:01:26,720 --> 00:01:28,640 Speaker 1: posting some interesting stuff, by the way, and we're always 30 00:01:28,680 --> 00:01:32,440 Speaker 1: stalking you, Anthony. You were, actually, but I guess you 31 00:01:32,480 --> 00:01:35,800 Speaker 1: had to come up with your own studio space. You're 32 00:01:35,800 --> 00:01:38,960 Speaker 1: actually recording under a comforter, like you put a blanket 33 00:01:39,000 --> 00:01:42,319 Speaker 1: over your head. Yeah no, why did you do that 34 00:01:42,400 --> 00:01:44,000 Speaker 1: to like to did you do that to get rid 35 00:01:44,000 --> 00:01:45,920 Speaker 1: of all the other sound or what? What did you do? 36 00:01:46,920 --> 00:01:49,440 Speaker 1: I mean, yeah, it was that's a blanket right there. 37 00:01:49,880 --> 00:01:53,640 Speaker 1: But I'm getting isolation device today, hopefully in the middle, 38 00:01:53,680 --> 00:01:56,800 Speaker 1: but um no, because it's just a lot of sound. 39 00:01:56,840 --> 00:01:59,840 Speaker 1: I got two dogs, I got, you know, my my fiance. 40 00:02:00,080 --> 00:02:03,080 Speaker 1: You know, there's there's people in this house and uh 41 00:02:03,160 --> 00:02:05,760 Speaker 1: you know, you know, she likes to watch Rupole's Drag 42 00:02:05,840 --> 00:02:08,519 Speaker 1: Race and the dogs like to fight with each other, 43 00:02:08,639 --> 00:02:11,639 Speaker 1: and uh, you know, there's a lot of things going 44 00:02:11,680 --> 00:02:13,680 Speaker 1: on and I'm just trying to cut a little vocal, 45 00:02:13,760 --> 00:02:16,480 Speaker 1: little background, a couple o lost and you just can't 46 00:02:16,520 --> 00:02:18,400 Speaker 1: do it. You get you know what's gonna be funny? 47 00:02:18,480 --> 00:02:20,560 Speaker 1: Can you indu walking into a room and all you 48 00:02:20,600 --> 00:02:24,040 Speaker 1: see is some guy we're wearing a blanket over his 49 00:02:24,080 --> 00:02:27,360 Speaker 1: head and singing like, have you lost your freaking mind? 50 00:02:27,440 --> 00:02:32,400 Speaker 1: What are you doing over there? We call it, we 51 00:02:32,440 --> 00:02:37,280 Speaker 1: call it a hundred threat cow Studios. Okay, hey, but 52 00:02:37,360 --> 00:02:39,639 Speaker 1: you know what, you know what Anthony, Now that now 53 00:02:39,680 --> 00:02:41,880 Speaker 1: that you got the album going and we love all 54 00:02:41,880 --> 00:02:44,520 Speaker 1: your music and you'r we've we've seen you on your 55 00:02:44,520 --> 00:02:47,360 Speaker 1: tour and everything. But look back at those days when 56 00:02:47,440 --> 00:02:51,040 Speaker 1: you first started and you had to be creative. You 57 00:02:51,080 --> 00:02:52,720 Speaker 1: had just like, well, how can we make this happen? 58 00:02:52,919 --> 00:02:55,360 Speaker 1: I'll put a blanket over my head. You're back to it. 59 00:02:55,440 --> 00:02:57,359 Speaker 1: We're all doing these jobs that we used to do 60 00:02:57,480 --> 00:03:00,239 Speaker 1: because we have to cut it back, you know. Yeah, 61 00:03:00,280 --> 00:03:02,000 Speaker 1: I mean it looks a bit. To be honest, I 62 00:03:02,080 --> 00:03:06,320 Speaker 1: kind of I'm kind of grateful that that, um, that 63 00:03:06,400 --> 00:03:08,160 Speaker 1: I'm in this position right now where I kind of 64 00:03:08,240 --> 00:03:10,400 Speaker 1: for me personally that I'm like, you know, there there 65 00:03:10,400 --> 00:03:13,240 Speaker 1: are a lot of things that, um are definitely difficult 66 00:03:13,280 --> 00:03:16,440 Speaker 1: about the situation and um, you know a lot of 67 00:03:16,440 --> 00:03:20,000 Speaker 1: obvious things right um worldwide I mean period like in 68 00:03:20,040 --> 00:03:22,800 Speaker 1: your in your communities. But I think for me personally, 69 00:03:23,000 --> 00:03:25,280 Speaker 1: this this time has taught me how to kind of 70 00:03:25,360 --> 00:03:28,800 Speaker 1: like step back and and um and be a student. 71 00:03:28,919 --> 00:03:30,720 Speaker 1: You know, I don't think I have to stop being 72 00:03:30,720 --> 00:03:33,519 Speaker 1: a student, but like I'm really like learning. I'm taking 73 00:03:33,560 --> 00:03:36,720 Speaker 1: courses on how to use logic, which is you know, 74 00:03:36,760 --> 00:03:42,560 Speaker 1: the recording uh uh, it's the application, the thing, the program. 75 00:03:42,600 --> 00:03:44,960 Speaker 1: You're using a computer to record vocals and record you know, 76 00:03:45,280 --> 00:03:47,920 Speaker 1: since or whatever, right to record music. And I'm learning 77 00:03:47,920 --> 00:03:50,880 Speaker 1: how to use it. My boy Will, who you guys 78 00:03:50,880 --> 00:03:53,520 Speaker 1: met when I came in the first time. Will is 79 00:03:53,520 --> 00:03:55,520 Speaker 1: teaching me. He's getting me courses every day in the 80 00:03:55,560 --> 00:03:57,560 Speaker 1: morning on how to use it, how to engineer, how 81 00:03:57,600 --> 00:04:00,360 Speaker 1: to like do it myself. This studio probably wouldn't be 82 00:04:00,440 --> 00:04:02,440 Speaker 1: here if this, you know, if this, if I hadn't, 83 00:04:02,560 --> 00:04:04,760 Speaker 1: if I wouldn't if I wasn't in this position, like 84 00:04:05,480 --> 00:04:09,120 Speaker 1: you know, so I think, Um, you know, there are 85 00:04:09,120 --> 00:04:10,480 Speaker 1: a lot of there are a lot of you know, 86 00:04:10,720 --> 00:04:14,360 Speaker 1: I missed the convenience of going to my studio. You know, 87 00:04:15,200 --> 00:04:19,359 Speaker 1: my actual recording studio that you know is in Brooklyn, 88 00:04:19,440 --> 00:04:21,520 Speaker 1: but I can't go right now. But I think this 89 00:04:21,560 --> 00:04:24,160 Speaker 1: time has really been a blessing because I'm just learning 90 00:04:24,160 --> 00:04:26,320 Speaker 1: a lot of things that I probably wouldn't have taken 91 00:04:26,320 --> 00:04:28,560 Speaker 1: the time to learn had had I not been in 92 00:04:28,560 --> 00:04:32,320 Speaker 1: this position. So but that's cool though it's learning. We're 93 00:04:32,320 --> 00:04:34,440 Speaker 1: all learning new things. I mean, Scary over here learned 94 00:04:34,440 --> 00:04:39,239 Speaker 1: how to make an omelet the other day. Slow Anthony 95 00:04:39,520 --> 00:04:44,120 Speaker 1: and love. But you know, if you're just turning us on, 96 00:04:49,040 --> 00:04:51,839 Speaker 1: Anthony Ramos is with us. He's performing at our stay 97 00:04:51,880 --> 00:04:53,640 Speaker 1: at home ball tonight. You know we're telling everyone this. 98 00:04:53,720 --> 00:04:55,719 Speaker 1: We wanted to call it to sit on your ass ball. 99 00:04:56,800 --> 00:05:01,000 Speaker 1: You said, it's not like we could change that. Hey, 100 00:05:01,240 --> 00:05:03,200 Speaker 1: So let's talk about in the heights. I mean, of course, 101 00:05:03,360 --> 00:05:05,279 Speaker 1: when it was on Broadway, it was just it was 102 00:05:05,400 --> 00:05:07,560 Speaker 1: a sensational experience to be able to sit in the 103 00:05:07,600 --> 00:05:09,800 Speaker 1: audience and watch it. But in movie for him and 104 00:05:09,800 --> 00:05:11,840 Speaker 1: when with you as a part of this incredible cast 105 00:05:11,880 --> 00:05:15,080 Speaker 1: with an incredible score. Uh, talk about what you know 106 00:05:15,200 --> 00:05:17,160 Speaker 1: so far, what you've done so far, even though it's 107 00:05:17,160 --> 00:05:20,719 Speaker 1: not coming up for another year. Um, what I've done 108 00:05:20,720 --> 00:05:24,960 Speaker 1: so far? Uh in the movie with the movie, Yeah, yeah, 109 00:05:25,520 --> 00:05:28,080 Speaker 1: you guys have already shot some stuff. Yeah. I mean 110 00:05:28,120 --> 00:05:30,320 Speaker 1: it's done, you know, and it's it was. It was 111 00:05:30,360 --> 00:05:33,200 Speaker 1: really cool, like you know, just going back in and 112 00:05:33,240 --> 00:05:35,599 Speaker 1: doing a d R and like actually watching it. And 113 00:05:35,640 --> 00:05:38,640 Speaker 1: I saw the movie so um, I sat with my 114 00:05:38,720 --> 00:05:41,000 Speaker 1: director and my co star Melissa Borera, and we just 115 00:05:41,040 --> 00:05:43,560 Speaker 1: sat in the editing room and watched it and I 116 00:05:43,600 --> 00:05:46,440 Speaker 1: cried like five times. Man. I was like I counted 117 00:05:46,480 --> 00:05:48,400 Speaker 1: for real. I was like, damg, I'm trying again. That's four. 118 00:05:48,920 --> 00:05:50,360 Speaker 1: I was like, oh, this is this the fifth one 119 00:05:50,440 --> 00:05:53,120 Speaker 1: is coming, you know, and it was like it was 120 00:05:53,160 --> 00:05:56,800 Speaker 1: just moving, um because I just I just remember what 121 00:05:56,839 --> 00:05:59,360 Speaker 1: the movie felt like shooting it, and I remember I 122 00:05:59,360 --> 00:06:02,600 Speaker 1: remember we shot this one massive scene that should never 123 00:06:02,680 --> 00:06:07,200 Speaker 1: had had, you know, like on paper, no one should 124 00:06:07,200 --> 00:06:09,200 Speaker 1: ever be able to shoot this much and this big 125 00:06:09,240 --> 00:06:11,720 Speaker 1: of a scene in one day, and we did. I 126 00:06:11,760 --> 00:06:14,640 Speaker 1: just felt God, you know, like a greater power was 127 00:06:14,720 --> 00:06:17,520 Speaker 1: with us as we were shooting this movie the whole time. 128 00:06:17,560 --> 00:06:20,400 Speaker 1: Like there were so many things that we did during 129 00:06:20,440 --> 00:06:25,520 Speaker 1: this shoot that problem that you know theoretically should shouldn't 130 00:06:25,560 --> 00:06:27,680 Speaker 1: be possible, right, Like, how how are you going to 131 00:06:27,720 --> 00:06:30,719 Speaker 1: shoot a big number with like sixty five dancers in 132 00:06:30,760 --> 00:06:34,880 Speaker 1: the alley, a huge musical number and one day and 133 00:06:34,920 --> 00:06:37,480 Speaker 1: we didn't and we got all our shots in that 134 00:06:37,560 --> 00:06:41,320 Speaker 1: day without having to go over time. I was that 135 00:06:41,400 --> 00:06:43,880 Speaker 1: was my favorite day. Look at the caliber of people 136 00:06:43,920 --> 00:06:45,680 Speaker 1: you were working with and when they were working with you. 137 00:06:45,720 --> 00:06:47,520 Speaker 1: I mean, when you're working with like caliber people like 138 00:06:47,560 --> 00:06:49,159 Speaker 1: that it had you can do it in a day, 139 00:06:49,240 --> 00:06:50,880 Speaker 1: and then it worked. I can't wait to see it. 140 00:06:50,880 --> 00:06:54,000 Speaker 1: And even though it is pushed off until June, I 141 00:06:54,080 --> 00:06:56,400 Speaker 1: will be there. I will be first in line to 142 00:06:56,800 --> 00:06:58,320 Speaker 1: go see it. Yeah, gandhi, you have a question for 143 00:06:58,360 --> 00:07:01,440 Speaker 1: Anthony Ramos. Well, with all of this time that we 144 00:07:01,520 --> 00:07:04,520 Speaker 1: have now, you guys can maybe edit some scenes, maybe reshoot. 145 00:07:04,560 --> 00:07:09,440 Speaker 1: Can we be in the movie? Why not? You have 146 00:07:09,480 --> 00:07:12,000 Speaker 1: a year to work it out. Let me said, let 147 00:07:12,040 --> 00:07:14,160 Speaker 1: me let me send Lenda John of text Hold up, 148 00:07:14,400 --> 00:07:18,080 Speaker 1: you know I don't think that's asking for too much. 149 00:07:18,800 --> 00:07:29,160 Speaker 1: Yeah get get dad, yelled in the bodega. Yeah no, Hey, 150 00:07:29,440 --> 00:07:32,320 Speaker 1: you know what was so great is watching John Krasinski 151 00:07:32,360 --> 00:07:37,200 Speaker 1: get everyone together to do the reunion for Hamilton's I know, 152 00:07:37,320 --> 00:07:40,400 Speaker 1: but it's like, wow, if someone has the power to 153 00:07:40,520 --> 00:07:43,120 Speaker 1: make that reunion happy happened, they probably have the same 154 00:07:43,120 --> 00:07:45,480 Speaker 1: power to have us all killed. I mean happy. That's 155 00:07:45,480 --> 00:07:48,800 Speaker 1: instance heavy duty stuff. I mean, did it feel good? 156 00:07:48,920 --> 00:07:50,520 Speaker 1: Did it feel good to be able to come together 157 00:07:50,560 --> 00:07:53,600 Speaker 1: for that, for that incredible moment. It was great because 158 00:07:53,600 --> 00:07:56,360 Speaker 1: I hadn't seen everybody in so long. I haven't seen 159 00:07:56,640 --> 00:07:59,520 Speaker 1: the cast, and you know, I mean we have we 160 00:07:59,560 --> 00:08:02,080 Speaker 1: haven't been together. I mean we weren't together physically, but 161 00:08:02,160 --> 00:08:04,440 Speaker 1: we were together virtually, like we hadn't seen each other 162 00:08:04,680 --> 00:08:09,840 Speaker 1: everyone's face and like for years. Um, so you know, 163 00:08:09,880 --> 00:08:12,360 Speaker 1: and I thought, I for sure thought I was like, oh, 164 00:08:12,400 --> 00:08:13,640 Speaker 1: the next time we're all going to see each other 165 00:08:13,680 --> 00:08:15,920 Speaker 1: as the Hamilton movie, which is next year as well. 166 00:08:16,480 --> 00:08:19,760 Speaker 1: So it's like it's crazy that. Um it was just 167 00:08:19,800 --> 00:08:22,680 Speaker 1: really cool that John uh and Land and everybody brought 168 00:08:22,760 --> 00:08:25,200 Speaker 1: us together to do that. And I got so many 169 00:08:25,200 --> 00:08:27,600 Speaker 1: texts from family members people like yo, man, thank you 170 00:08:27,680 --> 00:08:30,560 Speaker 1: so much. That video was so cool. Like that just 171 00:08:30,640 --> 00:08:32,640 Speaker 1: that really made my day. That made my week, And 172 00:08:32,760 --> 00:08:35,199 Speaker 1: like you just never know, you just never know what's 173 00:08:35,240 --> 00:08:38,839 Speaker 1: gonna like give somebody joy and like you know, because 174 00:08:38,880 --> 00:08:40,319 Speaker 1: for us, it was just like, all right, yeah, let's 175 00:08:40,360 --> 00:08:42,000 Speaker 1: do this, no video or whatever, let's sing this song. 176 00:08:42,080 --> 00:08:43,719 Speaker 1: Let's figure out how to do this without having late. 177 00:08:43,760 --> 00:08:49,080 Speaker 1: See you know what I'm saying, right, We figured out that, yeah, 178 00:08:49,080 --> 00:08:51,199 Speaker 1: we have latency because we're all over the country sitting 179 00:08:51,200 --> 00:08:53,480 Speaker 1: in our basement and in our guest bedrooms. But we 180 00:08:53,520 --> 00:08:55,280 Speaker 1: figured out we also had latency when we're in the 181 00:08:55,320 --> 00:09:00,480 Speaker 1: same room together, like you know what, one thing before 182 00:09:00,520 --> 00:09:02,320 Speaker 1: before we play some music and we let you go 183 00:09:02,679 --> 00:09:05,440 Speaker 1: because I know you want to get ready for tonight's concert. Uh. 184 00:09:05,559 --> 00:09:07,360 Speaker 1: Look at all of the talent coming out of your 185 00:09:07,440 --> 00:09:11,760 Speaker 1: high school. Uh, and I mean in your community and Brooklyn, 186 00:09:11,840 --> 00:09:14,960 Speaker 1: I mean very very proud of you, you know. Uh, 187 00:09:15,080 --> 00:09:17,760 Speaker 1: talk about that and what are your thoughts as you 188 00:09:17,960 --> 00:09:20,320 Speaker 1: see what's happening as far as all of our local 189 00:09:20,320 --> 00:09:23,800 Speaker 1: talent here in New York. I mean, I'm just grateful 190 00:09:23,840 --> 00:09:27,480 Speaker 1: that you know that New York is I mean, New 191 00:09:27,559 --> 00:09:30,920 Speaker 1: York is always alive. But it's alive people are you know. 192 00:09:31,000 --> 00:09:33,960 Speaker 1: One perfect example was a friend of mine, Larry Gashi, 193 00:09:34,000 --> 00:09:38,480 Speaker 1: who goes by the name of Gashi. Another artist, amazing artists. 194 00:09:38,760 --> 00:09:42,240 Speaker 1: He um, he's just blown up in the last you 195 00:09:42,280 --> 00:09:44,520 Speaker 1: know year, two years. I mean the dude's been putting 196 00:09:44,559 --> 00:09:46,760 Speaker 1: and worked for for almost ten years, you know what 197 00:09:46,800 --> 00:09:49,320 Speaker 1: I'm saying, if not ten years, and now he's you know, 198 00:09:49,400 --> 00:09:52,000 Speaker 1: he's he's doing music with DJ Snake, all types of 199 00:09:52,120 --> 00:09:56,720 Speaker 1: artists you know, uh, Chris Brown, kind of massive artists, 200 00:09:56,840 --> 00:10:00,240 Speaker 1: right and like this dude worked so hard and uh 201 00:10:00,240 --> 00:10:03,160 Speaker 1: and it's just it's just amazing to see like peers 202 00:10:03,240 --> 00:10:05,320 Speaker 1: and like even like one of my boys, Tony is 203 00:10:05,360 --> 00:10:07,960 Speaker 1: an anchor on the news, like stuff like that. You know. 204 00:10:08,040 --> 00:10:10,520 Speaker 1: I just I just love people from New York really 205 00:10:10,559 --> 00:10:13,320 Speaker 1: like embracing the beauty of this city, embracing like everything 206 00:10:13,360 --> 00:10:15,880 Speaker 1: the city has to offer, and really getting out there, 207 00:10:15,880 --> 00:10:17,440 Speaker 1: you know what I'm saying, Like we have everything out 208 00:10:17,480 --> 00:10:19,960 Speaker 1: our fingers. This we could you know, we could see 209 00:10:20,000 --> 00:10:22,200 Speaker 1: shows if it's not on Broadway, Like sometimes you can 210 00:10:22,240 --> 00:10:24,320 Speaker 1: just see a free play or something for five dollars, 211 00:10:24,360 --> 00:10:27,440 Speaker 1: ten dollars. That might not be Broadway, but it's still something, 212 00:10:27,520 --> 00:10:29,720 Speaker 1: something to get you inspired, something to get you motivated, 213 00:10:29,800 --> 00:10:32,200 Speaker 1: get you up, you know what I'm saying. Um, you 214 00:10:32,240 --> 00:10:34,280 Speaker 1: can we can listen to music, see music. You know, 215 00:10:34,280 --> 00:10:38,680 Speaker 1: they're there's they're all types of places that Arley's Grocery, 216 00:10:38,760 --> 00:10:41,120 Speaker 1: just spots that you could just go and see live music. 217 00:10:41,200 --> 00:10:44,040 Speaker 1: So I just I'm so grateful that I'm from New 218 00:10:44,160 --> 00:10:46,280 Speaker 1: York too. Man, I'll probably be from here and you know, 219 00:10:46,880 --> 00:10:48,719 Speaker 1: and um and be a part of this movement, the 220 00:10:48,880 --> 00:10:52,280 Speaker 1: stir of New Yorkers like in the game, doing music, 221 00:10:52,360 --> 00:10:55,640 Speaker 1: doing movies, doing all of this, you know, hopefully, Um, 222 00:10:55,679 --> 00:10:58,600 Speaker 1: you know, just make dope art, you know what I'm saying, right, 223 00:10:58,679 --> 00:11:00,800 Speaker 1: and you're doing it, and you know why we couldn't 224 00:11:00,800 --> 00:11:03,360 Speaker 1: be more proud of you. Uh, Anthony Rahma was performing 225 00:11:03,360 --> 00:11:06,000 Speaker 1: at our Stay at Home ball tonight, and of course 226 00:11:06,320 --> 00:11:09,360 Speaker 1: he's he has recording sessions under his blankets from time 227 00:11:09,400 --> 00:11:13,280 Speaker 1: to time, and uh, yeah, that's cool. You don't need 228 00:11:13,320 --> 00:11:15,840 Speaker 1: to go to one of those multibillion dollar studios anymore. 229 00:11:15,880 --> 00:11:17,840 Speaker 1: You've got a freaking blanket from Target you can get 230 00:11:17,920 --> 00:11:21,079 Speaker 1: under your fine. I just cut I just cut final 231 00:11:21,200 --> 00:11:25,640 Speaker 1: vocals right here underneath that blanket for my next song 232 00:11:25,679 --> 00:11:27,640 Speaker 1: that I'm putting out. So when when you listen to 233 00:11:27,679 --> 00:11:30,200 Speaker 1: that song, think about me cut vocals for that joint 234 00:11:30,240 --> 00:11:35,480 Speaker 1: underneath from quilt. Okay, all right, I love hey, Anthony, 235 00:11:35,520 --> 00:11:37,480 Speaker 1: thank you so much for your time, and I can't 236 00:11:37,480 --> 00:11:39,559 Speaker 1: wait to see you in the heights next show. I 237 00:11:39,600 --> 00:11:41,840 Speaker 1: can't wait to see you on a stage again. I mean, 238 00:11:42,520 --> 00:11:45,360 Speaker 1: if I have to stay that album, your album, honestly 239 00:11:45,760 --> 00:11:48,000 Speaker 1: is one of them. You know how much I love 240 00:11:48,040 --> 00:11:49,720 Speaker 1: your album? Might tell you all the time, but from 241 00:11:49,760 --> 00:11:52,880 Speaker 1: start to finish, I enjoy that album more than I've 242 00:11:52,960 --> 00:11:55,160 Speaker 1: ever enjoyed an album from start to finish, and I 243 00:11:55,200 --> 00:11:58,880 Speaker 1: can't tell you how long. So and if you don't 244 00:11:58,880 --> 00:12:00,880 Speaker 1: have it, you need to get it. So the good 245 00:12:00,880 --> 00:12:03,080 Speaker 1: and the bad, it's really good. Now you're the from 246 00:12:03,120 --> 00:12:05,200 Speaker 1: the Bronx. You tell them, tell them what they are. 247 00:12:05,200 --> 00:12:07,839 Speaker 1: If they don't have Anthony Romos's album, go ahead, tell them, Hey, 248 00:12:08,240 --> 00:12:13,840 Speaker 1: a bunch of ass wipes, get out. You're an ass white. 249 00:12:15,240 --> 00:12:18,760 Speaker 1: Don't bid buy his album? Alright, Anthony, we love you man, 250 00:12:18,800 --> 00:12:20,160 Speaker 1: Thank you so much for being a part of our 251 00:12:20,200 --> 00:12:21,800 Speaker 1: Stay at Home ball tonight. It's an honor to have 252 00:12:21,840 --> 00:12:23,760 Speaker 1: you on our show. And we'll see you on a 253 00:12:23,800 --> 00:12:25,960 Speaker 1: stage or in a movie theater sometime soon. Man, don't 254 00:12:25,960 --> 00:12:29,160 Speaker 1: be a stranger, Okay, alright, I love you guys, man, 255 00:12:29,240 --> 00:12:41,920 Speaker 1: peace out, Love you too. Makes some music. Here's Anthony cooking. 256 00:12:41,960 --> 00:12:45,480 Speaker 1: When you looking like a fire. I will go with 257 00:12:45,559 --> 00:12:49,520 Speaker 1: it as with the way to Oh boy, my head 258 00:12:49,520 --> 00:12:54,440 Speaker 1: a right away? What muna? Okay, you can see what 259 00:12:54,640 --> 00:12:57,560 Speaker 1: you cooking up in the I want to be chiding less. 260 00:13:00,760 --> 00:13:04,920 Speaker 1: Feel you feeling better than you did before. I'm taking 261 00:13:04,920 --> 00:13:10,680 Speaker 1: it serious, a little more thing with it, emotion no physic, 262 00:13:10,880 --> 00:13:16,280 Speaker 1: going so much more sprien we may get love, be love, 263 00:13:16,520 --> 00:13:21,160 Speaker 1: we take it deeper. Mind over madd here. When we 264 00:13:21,400 --> 00:13:27,000 Speaker 1: may get love, be love, it's like a healer, mind 265 00:13:27,040 --> 00:13:30,440 Speaker 1: over madder, and I don't matter. Put the pillow where 266 00:13:30,440 --> 00:13:31,800 Speaker 1: you want to, just a cause we gotta pause it 267 00:13:31,880 --> 00:13:34,439 Speaker 1: for a little breather because when you come here, you 268 00:13:34,480 --> 00:13:36,079 Speaker 1: can explore your body. Make me which she was a 269 00:13:36,160 --> 00:13:41,439 Speaker 1: mind reader. Yeah, I'm going hard. Don't tech you smart. 270 00:13:41,480 --> 00:13:45,480 Speaker 1: You know I'm gonna find the loose surprises because when 271 00:13:45,520 --> 00:13:50,160 Speaker 1: we may get love relve, we take it deep. We 272 00:13:50,320 --> 00:13:54,959 Speaker 1: take it deep, mind over madd here. When we may 273 00:13:55,440 --> 00:14:01,719 Speaker 1: get love, be love, I can heller mind over madda. 274 00:14:03,600 --> 00:14:13,680 Speaker 1: Below blow, we're making low blow real, below relow, we're 275 00:14:13,760 --> 00:14:19,480 Speaker 1: making low blow real. You got that good good deep 276 00:14:19,560 --> 00:14:21,640 Speaker 1: like a therapist all in my head while I'm looking 277 00:14:21,760 --> 00:14:23,760 Speaker 1: your every Just give me the feels like that strong 278 00:14:23,800 --> 00:14:26,040 Speaker 1: Citi for Kire from my paint call you all leave 279 00:14:26,120 --> 00:14:28,920 Speaker 1: your the only one for me, looking at you made you. 280 00:14:29,320 --> 00:14:33,160 Speaker 1: I'm going for two, three o'clock, four o'clock, five o'clock. 281 00:14:34,360 --> 00:14:40,840 Speaker 1: We late chip Hello, we take it down. Mind over man, 282 00:14:41,000 --> 00:14:46,240 Speaker 1: I don't for matter Where we make love below, it's 283 00:14:46,320 --> 00:14:50,880 Speaker 1: like it's like it here. I don't for Manna, Mabel 284 00:14:52,400 --> 00:14:57,920 Speaker 1: hellow blow. We're making loud. We're making low below blow 285 00:14:58,520 --> 00:15:10,840 Speaker 1: making lou sing along Danielle sounding good. That is, of course, 286 00:15:10,960 --> 00:15:13,040 Speaker 1: mind over Matter. Anthony Ramos will be a part of 287 00:15:13,080 --> 00:15:14,840 Speaker 1: our Stay at Home Ball. It kicks off at eight 288 00:15:14,920 --> 00:15:18,920 Speaker 1: o'clock sharp, eight o'clock East Coast time on our Elvis 289 00:15:19,000 --> 00:15:22,120 Speaker 1: Durand Show YouTube channel. We'll have more of this live. 290 00:15:24,360 --> 00:15:27,240 Speaker 1: You're listening to a bonus hour of Elvis Durand and 291 00:15:27,280 --> 00:15:32,360 Speaker 1: the one hundred Morning Show. Here's Elvis. Hold on all right, 292 00:15:32,480 --> 00:15:34,400 Speaker 1: don't hang up in, don't hang up anything. We're live. 293 00:15:35,680 --> 00:15:40,160 Speaker 1: Oh hie. We're trying to get Uncle Johnny on the 294 00:15:40,200 --> 00:15:43,640 Speaker 1: phone here. Uh, let's see if I can do this 295 00:15:43,800 --> 00:15:47,200 Speaker 1: is fabulous. Hey, can you straight Nate? Can you call 296 00:15:47,280 --> 00:15:50,000 Speaker 1: Uncle Johnny from the hot line real quick? All right? 297 00:15:50,040 --> 00:15:51,400 Speaker 1: This is the only way we can get it done. 298 00:15:51,440 --> 00:15:53,400 Speaker 1: The last five minutes have been the greatest part of 299 00:15:53,440 --> 00:15:59,440 Speaker 1: my old day. Yeah, we've been, we've been. We've been 300 00:15:59,480 --> 00:16:01,320 Speaker 1: trying to hook Uncle Johnny up to the Zoom room 301 00:16:01,400 --> 00:16:06,000 Speaker 1: for over five minutes, and it's just been It's okay, 302 00:16:06,040 --> 00:16:08,840 Speaker 1: we'll get him on the phone. Technology is not his friend. Wait, 303 00:16:08,920 --> 00:16:11,680 Speaker 1: and then Brody is trying to text Uncle Johnny and 304 00:16:11,800 --> 00:16:15,240 Speaker 1: Uncle Johnny's not responding, So Brodie's getting frustrated. But he's 305 00:16:15,240 --> 00:16:17,720 Speaker 1: not responding because of his heats and doing something else. 306 00:16:18,560 --> 00:16:23,200 Speaker 1: Brodie tell Brodie that that we okay. Johnny tell Brody 307 00:16:23,280 --> 00:16:27,359 Speaker 1: that we yeah, we have Uncle Johnny. Hello, Uncle Johnny. Waity, 308 00:16:27,840 --> 00:16:32,280 Speaker 1: I got it from Brody? You got what from Brody? 309 00:16:33,880 --> 00:16:38,240 Speaker 1: I got what he sent me. Uh, I'm technically challenged. 310 00:16:38,360 --> 00:16:41,240 Speaker 1: You know. It's okay, Johnny, this phone, you know, I'll 311 00:16:41,240 --> 00:16:42,960 Speaker 1: tell you what. Here's the great thing about the phone. 312 00:16:43,000 --> 00:16:45,320 Speaker 1: The phone has been operating for hundreds of years and 313 00:16:45,400 --> 00:16:48,320 Speaker 1: it's still works, and it's it's still perfect for our 314 00:16:48,440 --> 00:16:50,040 Speaker 1: time with you, and we're so happy to have you 315 00:16:50,080 --> 00:16:52,520 Speaker 1: here and see hundred Uncle Johnny. We love you well, 316 00:16:52,600 --> 00:16:55,120 Speaker 1: I thank you. I love you guys. So I was 317 00:16:55,200 --> 00:16:58,960 Speaker 1: trying to get Froggy's thing, but I couldn't. I'm sorry, no, no, no, no, 318 00:16:59,040 --> 00:17:00,720 Speaker 1: it's okay. We have you the all the manage. But wait, 319 00:17:00,760 --> 00:17:02,400 Speaker 1: can you connect Brody to this line because we have 320 00:17:02,440 --> 00:17:07,960 Speaker 1: a we have an issue. Hey Brody, So he got 321 00:17:08,480 --> 00:17:10,920 Speaker 1: he got the he got the knock knock jokes, but 322 00:17:10,960 --> 00:17:12,639 Speaker 1: you didn't have a chance to prep him and like, 323 00:17:13,720 --> 00:17:17,399 Speaker 1: so I got him. I'm going I going through them right. Oh, 324 00:17:17,440 --> 00:17:19,639 Speaker 1: I'm glad because he didn't respond to my email and 325 00:17:19,680 --> 00:17:22,200 Speaker 1: he ignored three text messages. So God bless you go 326 00:17:22,320 --> 00:17:29,000 Speaker 1: get them. Okay, thank you, We'll be fine, Okay, thank you. 327 00:17:29,960 --> 00:17:31,680 Speaker 1: All right, So Uncle Johnny, is it time for Uncle 328 00:17:31,760 --> 00:17:35,639 Speaker 1: Johnny's not knock jokes? Sure it is, of course it 329 00:17:35,800 --> 00:17:38,240 Speaker 1: is scary. Don't you have music for Uncle Johnny's. Sure, 330 00:17:39,160 --> 00:17:45,840 Speaker 1: here we go. He's worrying away. Sign, here we go. 331 00:17:47,760 --> 00:17:50,200 Speaker 1: I don't have to worry about my hair growing here either, 332 00:17:50,320 --> 00:17:52,640 Speaker 1: because I just put it on and that that doesn't grow. 333 00:17:53,040 --> 00:17:56,359 Speaker 1: So I'm doing fine. Okay, good Uncle Johnny? Is good 334 00:17:56,359 --> 00:18:02,280 Speaker 1: to your great spirit? Not knock? Who's there? Ken? You? 335 00:18:03,680 --> 00:18:08,639 Speaker 1: Can you can you get the door dash to deliver 336 00:18:08,680 --> 00:18:15,480 Speaker 1: a marijuana? That's what we made here? All right? Knock 337 00:18:15,560 --> 00:18:25,560 Speaker 1: knock done. Don't drink lights out to kill the coronavirus. 338 00:18:29,359 --> 00:18:32,440 Speaker 1: That's very dangerous. You don't want to do that, of course, 339 00:18:32,520 --> 00:18:41,440 Speaker 1: Uncle Johnny. This is a who's there? You wanna? You 340 00:18:41,560 --> 00:18:43,879 Speaker 1: want to go bowl and then Georgia and get a 341 00:18:44,000 --> 00:19:00,480 Speaker 1: tattoo today? Knock? Who's there? You? You YouTube? Is you 342 00:19:00,680 --> 00:19:05,600 Speaker 1: watched the Albustrand stay at Home ball tonight at eight o'clock? Ye? 343 00:19:08,520 --> 00:19:18,840 Speaker 1: And and finally, knock knock, who's howdy? How do how 344 00:19:18,960 --> 00:19:24,879 Speaker 1: the hell am I still alive? Right now? All right? 345 00:19:26,680 --> 00:19:32,240 Speaker 1: Knock knock jokes fabulous, Uncle Johnny. What are you doing 346 00:19:32,520 --> 00:19:36,600 Speaker 1: later on? What time is your first martini? Well, I'm 347 00:19:36,680 --> 00:19:38,879 Speaker 1: doing that. They're doing a zoom thing on me at 348 00:19:38,920 --> 00:19:41,240 Speaker 1: five o'clock with a bunch of people. They want for 349 00:19:41,359 --> 00:19:46,600 Speaker 1: clock all hours. We just tried for thirty minutes to 350 00:19:46,640 --> 00:19:48,920 Speaker 1: do zoom with you. You couldn't figure it out. Well, 351 00:19:49,000 --> 00:19:51,240 Speaker 1: I could do it on my where I have on 352 00:19:51,400 --> 00:19:53,920 Speaker 1: the iPad, but I couldn't get it onto the to 353 00:19:54,040 --> 00:19:59,840 Speaker 1: the thing over here, that little phone. Okay, Johnny, it's always. 354 00:20:00,000 --> 00:20:02,399 Speaker 1: I love you all. I want to get back to 355 00:20:02,480 --> 00:20:06,199 Speaker 1: where we're all together. We will all be together one 356 00:20:06,280 --> 00:20:08,040 Speaker 1: day soon. Uncle Johnny. We love you and I hope 357 00:20:08,040 --> 00:20:10,080 Speaker 1: you have a great What time is your zoom room 358 00:20:10,119 --> 00:20:14,240 Speaker 1: with your old gay friends Bible clock? Oh, don't be late. 359 00:20:16,720 --> 00:20:19,280 Speaker 1: Al right, guys, you have a wonderful day. Love you all. 360 00:20:19,760 --> 00:20:24,000 Speaker 1: We will thanks to you. Thank you all right, Uncle Johnny. 361 00:20:24,040 --> 00:20:30,159 Speaker 1: Everyone always a pleasures, so happy. That's the best way 362 00:20:30,200 --> 00:20:34,199 Speaker 1: to start my weekend. What do your bananas? They want 363 00:20:34,240 --> 00:20:36,320 Speaker 1: to hear the whole Uncle Johnny jingle? Scary? Can you 364 00:20:36,359 --> 00:20:38,240 Speaker 1: play the whole thing? You can pull that up. There 365 00:20:38,320 --> 00:20:41,479 Speaker 1: is more to that jingle Uncle Johnny's jokes. They loved him. 366 00:20:41,600 --> 00:20:44,040 Speaker 1: Great job prepping him, Brody, he did a great job. 367 00:20:44,119 --> 00:20:47,960 Speaker 1: We're very happy. He's wearing a toupee. Yes, a sign 368 00:20:48,080 --> 00:20:51,800 Speaker 1: for wrong, Uncle Johnny. What do you bananas? Wa? Are 369 00:20:51,840 --> 00:21:01,200 Speaker 1: you crazy? And lady's Johnny's Uncle john you know what 370 00:21:01,280 --> 00:21:03,240 Speaker 1: I want to hear? Can we hear Melikalicky Maka with 371 00:21:03,320 --> 00:21:08,600 Speaker 1: Uncle Johnny and Froggy really? Oh? Yes, absolutely, I'm getting 372 00:21:08,640 --> 00:21:10,960 Speaker 1: yelled at because we're running late. Nate Marino is like, 373 00:21:11,560 --> 00:21:15,000 Speaker 1: you gotta do three things, okay, right now, We're fine. 374 00:21:15,040 --> 00:21:18,479 Speaker 1: Melikalicky Maca. I think it's perfect. Why didn't you hit 375 00:21:18,840 --> 00:21:21,760 Speaker 1: came off? Yeah? Why is your your camera off? Nate? 376 00:21:22,160 --> 00:21:25,800 Speaker 1: I was picking my nose alright. I hope we'll hear 377 00:21:25,840 --> 00:21:29,280 Speaker 1: any nice Froggy. I'm all warmed up, Uncle Johnny. We 378 00:21:29,359 --> 00:21:34,960 Speaker 1: need to make Elvis proud. I'm running. Let's go, Mackai 379 00:21:35,280 --> 00:21:39,680 Speaker 1: is the thing to say on a broad ho and 380 00:21:39,880 --> 00:21:46,119 Speaker 1: Christmas Day. That's the island greeting that we send to 381 00:21:46,480 --> 00:21:52,240 Speaker 1: you from the land where palm trees swear you crazy. 382 00:21:52,600 --> 00:21:56,359 Speaker 1: Here we know that Christmas will be green and bright, 383 00:21:57,119 --> 00:22:00,439 Speaker 1: the sun to shine by day in all the laws 384 00:22:00,560 --> 00:22:06,600 Speaker 1: that night melacaliki maka i is Hawai is way to 385 00:22:06,920 --> 00:22:11,919 Speaker 1: say Merry Christmas to you. Merry Christmas, oh you Meddick. 386 00:22:12,880 --> 00:22:18,080 Speaker 1: Marca is the thing to say, all right, Hawaii and 387 00:22:18,240 --> 00:22:23,159 Speaker 1: Christmas Day, Oh yea. Let's see an island greeting that 388 00:22:23,359 --> 00:22:28,760 Speaker 1: we send to you from now when where we're all gay. 389 00:22:29,800 --> 00:22:34,480 Speaker 1: Hey here, we know that Christmas will be green and bright, 390 00:22:34,760 --> 00:22:39,280 Speaker 1: so bright sound to shine by, Jane says that night 391 00:22:39,560 --> 00:22:46,159 Speaker 1: furnish me at Marca is Hawaii way to say Merry 392 00:22:46,440 --> 00:22:51,600 Speaker 1: Christmas to you. Hey, some great uncle Johnny, So do you, Froggy? 393 00:22:51,840 --> 00:22:54,159 Speaker 1: I got a present for you. I wrapped up my wiener. 394 00:22:54,440 --> 00:22:56,960 Speaker 1: Oh well, Melan, come, I keep Marca to you too, 395 00:22:57,119 --> 00:23:00,320 Speaker 1: Froggy time to unwrapp How long? Baby here? Wait? Know 396 00:23:00,520 --> 00:23:07,640 Speaker 1: that Christmas will be green and bright yea the stars 397 00:23:08,200 --> 00:23:16,280 Speaker 1: night melancalicking, Ma gyas hawas work say Merry Christmas, A 398 00:23:16,640 --> 00:23:25,440 Speaker 1: very merry Christmas to you. That was great, a Ristran melancalick, Christmas, 399 00:23:25,760 --> 00:23:30,359 Speaker 1: are you quabulous? That was fabulous? Boggy Knew and Uncle 400 00:23:30,440 --> 00:23:32,960 Speaker 1: Johnny make the best, the best team. I love that. 401 00:23:35,920 --> 00:23:38,399 Speaker 1: Down the stairs and says mom, what the hell is 402 00:23:38,440 --> 00:23:42,760 Speaker 1: going on us? Why? That is exactly what my boyfriend 403 00:23:42,760 --> 00:23:44,320 Speaker 1: just said. He said, what the hell is going on here? 404 00:23:45,200 --> 00:23:47,080 Speaker 1: They don't listen to the show. It's none of their business. 405 00:23:47,160 --> 00:23:50,560 Speaker 1: This is our exclusive content for people who listen to 406 00:23:50,640 --> 00:23:52,439 Speaker 1: our Z one hundred Bonus hour. All right, let's get 407 00:23:52,440 --> 00:23:54,560 Speaker 1: into the three things you need to know from Gandhi. Gandhi, 408 00:23:54,600 --> 00:23:57,760 Speaker 1: what's going on? Some interesting stuff. We have early test 409 00:23:57,800 --> 00:24:00,320 Speaker 1: results from the first round of these antibodies US that 410 00:24:00,400 --> 00:24:02,760 Speaker 1: they're handing out in New York. Three thousand tests were 411 00:24:02,760 --> 00:24:05,600 Speaker 1: administered throughout the state to get so called snapshots of 412 00:24:05,680 --> 00:24:08,159 Speaker 1: the infection rate and as far as the breakdown by 413 00:24:08,200 --> 00:24:10,480 Speaker 1: region goes. I don't think this is surprising to anyone, 414 00:24:10,560 --> 00:24:13,440 Speaker 1: but New York has the highest infection rate, with about 415 00:24:13,480 --> 00:24:16,720 Speaker 1: twenty one, which makes one out of five people in 416 00:24:16,800 --> 00:24:19,520 Speaker 1: New York having been exposed to the virus at some point. Now, 417 00:24:19,640 --> 00:24:22,040 Speaker 1: these numbers don't mean that you actually got sick. It 418 00:24:22,200 --> 00:24:23,760 Speaker 1: just means that at some point the virus was in 419 00:24:23,840 --> 00:24:26,159 Speaker 1: your body and your body created the antibody for it. 420 00:24:26,880 --> 00:24:29,960 Speaker 1: Speaking of infection rates, seven more big cats have tested 421 00:24:30,000 --> 00:24:32,560 Speaker 1: positive for the coronavirus at the Bronx Zoo. That brings 422 00:24:32,600 --> 00:24:36,520 Speaker 1: the total to three lions and five tigers. Zoo officials 423 00:24:36,600 --> 00:24:39,720 Speaker 1: think that the cats got infected by an asymptomatic worker 424 00:24:40,040 --> 00:24:41,840 Speaker 1: and they're doing everything that they can to keep more 425 00:24:41,880 --> 00:24:44,520 Speaker 1: animals from getting sick. But on a brighter note, all 426 00:24:44,560 --> 00:24:46,520 Speaker 1: of this seems to be heading to the road of 427 00:24:46,560 --> 00:24:49,920 Speaker 1: recovery for the cats, so that's good. And finally, last 428 00:24:50,040 --> 00:24:51,800 Speaker 1: night was the NFL Draft. It was the first time 429 00:24:51,840 --> 00:24:54,000 Speaker 1: it was virtual. Elvis also says it was the first 430 00:24:54,000 --> 00:24:56,800 Speaker 1: time he watched it because Joe Burrow went first, and 431 00:24:56,920 --> 00:25:00,679 Speaker 1: he loves him. You are such a school fan. Now, 432 00:25:02,080 --> 00:25:04,560 Speaker 1: the number four pick went to the Giants, who selected 433 00:25:04,640 --> 00:25:07,880 Speaker 1: offensive tackle Andrew Thomas, and the Jets got the eleventh 434 00:25:07,960 --> 00:25:11,600 Speaker 1: pick with offensive tackle McKay Beckton. And those are your 435 00:25:11,680 --> 00:25:14,280 Speaker 1: three things. Thank you, Gandhi, Daniel. What do you have 436 00:25:14,359 --> 00:25:16,720 Speaker 1: coming up in your report? Oh my gosh, I'm gonna 437 00:25:16,760 --> 00:25:19,040 Speaker 1: tell you about this amazing show called the Stay at 438 00:25:19,080 --> 00:25:21,920 Speaker 1: Home Ball that's going on to night. What I got 439 00:25:21,960 --> 00:25:24,480 Speaker 1: all the details for you coming? All right? Yeah, we 440 00:25:24,520 --> 00:25:26,320 Speaker 1: need to know more about that. Who's that Harry Beast 441 00:25:26,400 --> 00:25:28,760 Speaker 1: on the couch next to Gandhi? Oh, that's a my 442 00:25:28,920 --> 00:25:36,840 Speaker 1: friend s h Hey, Harry Beast, Harry Sweat. He's wearing sweatshirt. Oh, 443 00:25:36,920 --> 00:25:38,920 Speaker 1: I love that. He's a Harry mofo. All right, we 444 00:25:38,960 --> 00:25:40,840 Speaker 1: gotta take a break. We'll be back with the Z 445 00:25:40,920 --> 00:25:46,960 Speaker 1: one hundred Bonus Hour next follow at Elvis Durrant Show, 446 00:25:47,880 --> 00:25:53,160 Speaker 1: What God See hundred Flattening the Curve, the Curve. You're 447 00:25:53,240 --> 00:25:55,879 Speaker 1: listening to a bonus hour of Elvis Durand and the 448 00:25:56,000 --> 00:26:00,480 Speaker 1: Z one Morning Show. Here's Elvis See and hundreds of 449 00:26:00,480 --> 00:26:03,760 Speaker 1: the Bonus Hour Friday. Tonight's our night, It's your night. 450 00:26:03,920 --> 00:26:06,879 Speaker 1: It's everyone tonight. It's the of course, Z one hundred 451 00:26:07,440 --> 00:26:10,240 Speaker 1: Elvis Durand Morning Show Stay at Home Ball. It kicks 452 00:26:10,280 --> 00:26:12,840 Speaker 1: off at eight o'clock on the Elvis Durand Show channel 453 00:26:13,400 --> 00:26:16,520 Speaker 1: on YouTube. This is gonna be great. We've already heard 454 00:26:16,560 --> 00:26:18,440 Speaker 1: some of the performances. I just to let you know 455 00:26:18,560 --> 00:26:21,640 Speaker 1: we were actually sneaking intoto the artists houses. I think 456 00:26:21,680 --> 00:26:25,119 Speaker 1: it's awesome how we do that, plus special guests, surprises, 457 00:26:25,600 --> 00:26:27,560 Speaker 1: all sorts of stuff tonight. So make sure you're watching 458 00:26:27,560 --> 00:26:29,960 Speaker 1: starting at eight o'clock. Danielle, you know what your top 459 00:26:30,000 --> 00:26:31,560 Speaker 1: story should be. What are you doing petting your puss? 460 00:26:33,600 --> 00:26:35,600 Speaker 1: I drop a piece of paper on the floor. Shut 461 00:26:35,680 --> 00:26:38,479 Speaker 1: up anyway? Okay, you have two cats running around. It's 462 00:26:38,480 --> 00:26:42,320 Speaker 1: like they get more attention than we do. Yes, they 463 00:26:42,359 --> 00:26:45,520 Speaker 1: shed their cats. Danielle go, yes, so yeah, So, like 464 00:26:45,640 --> 00:26:48,200 Speaker 1: you said, Stay at Homeball. Charlie Pool with Anthony Rolmos 465 00:26:48,280 --> 00:26:52,680 Speaker 1: Making trainer, Louis Capaldi, Bryce Vine Kesha, Thomas red Sofia Carson, 466 00:26:52,840 --> 00:26:54,600 Speaker 1: They're all gonna be there. The hashtag we want you 467 00:26:54,680 --> 00:26:57,119 Speaker 1: to use his hashtag Elvis Stay at Home Ball so 468 00:26:57,280 --> 00:26:59,800 Speaker 1: you can follow along. And Project Cure is getting all 469 00:27:00,040 --> 00:27:02,919 Speaker 1: of our all of your donations. And it's eight o'clock 470 00:27:03,040 --> 00:27:05,439 Speaker 1: on the our YouTube channel, Get A Get A pizza. 471 00:27:05,560 --> 00:27:07,680 Speaker 1: That's what I'm gonna do. I'm gonna order pizza, get 472 00:27:07,720 --> 00:27:09,720 Speaker 1: a nice bottle of wine out and relax on the 473 00:27:09,760 --> 00:27:12,280 Speaker 1: couch and watch it with the family. So that'll be good. 474 00:27:12,760 --> 00:27:15,359 Speaker 1: NBC has announced that the cast of its iconic sitcom 475 00:27:15,680 --> 00:27:19,040 Speaker 1: Parks and Wreck will reunite for half an hour scripted 476 00:27:19,119 --> 00:27:23,200 Speaker 1: special airing on October on April uh to help COVID 477 00:27:23,359 --> 00:27:26,760 Speaker 1: nineteen obviously, and all of the original cast members will 478 00:27:27,080 --> 00:27:29,359 Speaker 1: be there, so that is gonna be a lot of 479 00:27:29,440 --> 00:27:33,520 Speaker 1: fun for Parks and Wreck fans. So Tiger King, one 480 00:27:33,560 --> 00:27:38,320 Speaker 1: of the juror members, is slamming the Netflix special, saying 481 00:27:38,400 --> 00:27:41,040 Speaker 1: that it portrayed him in the wrong way. It made 482 00:27:41,119 --> 00:27:45,080 Speaker 1: him look like a victim. The jurors identified as Kristen Yeah, 483 00:27:45,720 --> 00:27:48,840 Speaker 1: and she said, look, it didn't capture the whole story. 484 00:27:49,080 --> 00:27:51,840 Speaker 1: They made him look like a victim. It wasn't even 485 00:27:51,920 --> 00:27:54,520 Speaker 1: the same story that we heard. He She said, it 486 00:27:54,600 --> 00:27:57,200 Speaker 1: did a huge injustice to the jury because now people 487 00:27:57,280 --> 00:28:00,240 Speaker 1: think that we convicted him based on absolutely nothing, and 488 00:28:00,359 --> 00:28:02,920 Speaker 1: that's not the case. He's serving a twenty two years 489 00:28:02,960 --> 00:28:05,760 Speaker 1: sentence for a reason. That's what she said. So I 490 00:28:05,800 --> 00:28:07,680 Speaker 1: think there's a lot of stuff that we do not 491 00:28:08,160 --> 00:28:13,360 Speaker 1: know arguing about him going to jail, are they? I mean, yeah, 492 00:28:13,400 --> 00:28:18,879 Speaker 1: I think yeah, if we get Carol Baskin taken out 493 00:28:18,920 --> 00:28:21,439 Speaker 1: before she takes out another person, every one of them 494 00:28:21,520 --> 00:28:25,560 Speaker 1: met me in jail. And years ago, Chris Hemsworth met 495 00:28:25,640 --> 00:28:28,480 Speaker 1: Brad Pitt on the set of a movie and he 496 00:28:28,640 --> 00:28:31,000 Speaker 1: was so starstruck he didn't know what to do. So 497 00:28:31,440 --> 00:28:34,360 Speaker 1: Brad was reaching out for a handshake and Chris went 498 00:28:34,400 --> 00:28:37,160 Speaker 1: in for the big hug, but Brad was okay with it. Dude, 499 00:28:37,160 --> 00:28:40,120 Speaker 1: if Chris Hemswork goes in for anything, every anybody's gonna 500 00:28:40,120 --> 00:28:42,120 Speaker 1: be okay with it, or at least most people are 501 00:28:42,200 --> 00:28:44,200 Speaker 1: gonna be okay with it. I don't know about you, 502 00:28:44,520 --> 00:28:52,840 Speaker 1: but anyway, yeah, damn, oh my gosh. Um and Tomorrow 503 00:28:52,920 --> 00:28:55,600 Speaker 1: Night SNL will be the second Stay at Home episode. 504 00:28:55,800 --> 00:29:00,520 Speaker 1: They're going to be live, and don't forget that, Um Sunday, 505 00:29:00,600 --> 00:29:02,840 Speaker 1: you have a brand new American IDOL and that's gonna 506 00:29:02,880 --> 00:29:04,760 Speaker 1: be live as well. So that's gonna be interesting because 507 00:29:04,760 --> 00:29:07,360 Speaker 1: they're gonna be from twenty five different locations, so that 508 00:29:07,440 --> 00:29:08,800 Speaker 1: I mean, I thought we were from a lot of 509 00:29:08,880 --> 00:29:11,920 Speaker 1: different locations. Twenty five different locations, that's a lot, and 510 00:29:12,040 --> 00:29:14,520 Speaker 1: that is my Danielle report. Well, you know, let me 511 00:29:14,560 --> 00:29:16,440 Speaker 1: tell you our stay at home ball tonight. We're from 512 00:29:16,560 --> 00:29:21,760 Speaker 1: fifty different locations, so that's a lot. That's fun. I'm 513 00:29:21,800 --> 00:29:24,120 Speaker 1: so excited. Hey, did daniel You know, don't drink too 514 00:29:24,200 --> 00:29:25,840 Speaker 1: much at the beginning because this is a long show tonight. 515 00:29:25,880 --> 00:29:27,520 Speaker 1: We need you to be able to stand up. How 516 00:29:27,600 --> 00:29:29,040 Speaker 1: long is it? Do we know how long it is? 517 00:29:29,320 --> 00:29:31,280 Speaker 1: We know not it's long, but you know, not too long. 518 00:29:31,360 --> 00:29:34,000 Speaker 1: It'll go by lightning speed. You'll love it. And by 519 00:29:34,000 --> 00:29:35,880 Speaker 1: the way, you made fun of me for talking about 520 00:29:35,920 --> 00:29:39,840 Speaker 1: that documentary on Netflix called Circus of Books. I watched 521 00:29:39,880 --> 00:29:41,800 Speaker 1: the whole thing yesterday. I loved it. I thought it 522 00:29:41,880 --> 00:29:45,440 Speaker 1: was great. It was pretty cool. These people are great. 523 00:29:46,680 --> 00:29:48,440 Speaker 1: What do you guys are gonna watch this weekend? Anything good? 524 00:29:48,600 --> 00:29:51,120 Speaker 1: What are you watching? The Beastie Boys comes to at 525 00:29:51,480 --> 00:29:57,360 Speaker 1: plus Apple TV plus today and I'm all about how 526 00:29:57,480 --> 00:30:02,400 Speaker 1: to Secure h Insecure HBO, Froggy, what are you watching 527 00:30:02,440 --> 00:30:05,120 Speaker 1: this weekend? I'll be watching the NFL Draft tonight and 528 00:30:05,400 --> 00:30:08,040 Speaker 1: the Elvis Duran Sit on your ass ball and then 529 00:30:08,080 --> 00:30:10,960 Speaker 1: I'll find things to watch on Saturday. Oh, don't forget 530 00:30:11,000 --> 00:30:14,880 Speaker 1: Sunday night, we get two new episodes of the Jordan documentary, 531 00:30:16,040 --> 00:30:20,760 Speaker 1: episodes three and four, nine o'clock ESPN Last night dance Right, Hey, 532 00:30:20,800 --> 00:30:23,000 Speaker 1: straight Nate, what are you watching this weekend? I actually 533 00:30:23,040 --> 00:30:26,840 Speaker 1: started watching the the Chicago Bulls documentary because of Froggy. 534 00:30:27,200 --> 00:30:33,680 Speaker 1: It's amazing. Yeah, all right. And by the way, you know, 535 00:30:34,920 --> 00:30:37,640 Speaker 1: at the NFL Draft last night, we we got uh 536 00:30:38,000 --> 00:30:40,240 Speaker 1: two guys, one for the Giants and the guy for 537 00:30:40,280 --> 00:30:45,080 Speaker 1: the Jets. Uh. The offensive tackle Andrew Thomas for the 538 00:30:45,120 --> 00:30:50,120 Speaker 1: Giants wage three d and fifteen pounds. I cannot say what. 539 00:30:50,840 --> 00:30:54,880 Speaker 1: He's six ft five pounds right. And the guy number 540 00:30:54,880 --> 00:30:57,000 Speaker 1: eleven picked for the Jets. I don't want to mess 541 00:30:57,040 --> 00:31:04,640 Speaker 1: up his name. It's McKay Beckton. He weighs three hundred 542 00:31:04,640 --> 00:31:09,480 Speaker 1: and sixty four pounds six ft seven. These guys are massive. 543 00:31:10,000 --> 00:31:11,880 Speaker 1: We're just kind of wondering, like when they go to 544 00:31:11,960 --> 00:31:19,640 Speaker 1: the bathroom, like what I got and you know that 545 00:31:19,720 --> 00:31:22,160 Speaker 1: they're sea crackers. No, I mean they're gonna have to 546 00:31:22,280 --> 00:31:24,160 Speaker 1: like use the bath too. Been a cement mixer. I mean, 547 00:31:24,240 --> 00:31:28,120 Speaker 1: nothing else can handle it other than that. Anyway, they 548 00:31:28,240 --> 00:31:29,800 Speaker 1: they won't take a number two. They'll take a number 549 00:31:29,800 --> 00:31:32,080 Speaker 1: twenty two. I mean it's a lot, but you know what, 550 00:31:32,480 --> 00:31:34,240 Speaker 1: I think, we got a couple of great, great guys 551 00:31:34,280 --> 00:31:35,960 Speaker 1: coming to our New York teams. All right as we 552 00:31:36,000 --> 00:31:38,479 Speaker 1: get out of here, don't forget eight o'clock tonight, they 553 00:31:38,520 --> 00:31:41,280 Speaker 1: stay at home. Ball on the Elvis Drain Show YouTube 554 00:31:41,360 --> 00:31:44,720 Speaker 1: channel perfect. Uh, scary, you picked today's goodbye song? What 555 00:31:44,800 --> 00:31:46,440 Speaker 1: do you want to hear? I want to take it 556 00:31:46,480 --> 00:31:49,520 Speaker 1: back to Brooklyn. We gotta do some biggie. What's the play? 557 00:31:50,200 --> 00:31:57,880 Speaker 1: So biggie we go say full of people that lived 558 00:31:57,920 --> 00:31:59,800 Speaker 1: above the buildings that I was hustling. Fun to call 559 00:31:59,880 --> 00:32:01,400 Speaker 1: him holie on when I was just trying to make 560 00:32:01,440 --> 00:32:04,760 Speaker 1: some money, feed my daughter. It's all my people in 561 00:32:04,800 --> 00:32:09,960 Speaker 1: the struggle, nor saying so it was all a dream. 562 00:32:10,200 --> 00:32:13,120 Speaker 1: I used to read Word up magazine something Pepper and 563 00:32:13,240 --> 00:32:15,920 Speaker 1: heavy Tea up in the lembazine, Hanging pictures on my 564 00:32:16,040 --> 00:32:19,840 Speaker 1: wall every Saturday. Rapper Tack Mr Magic, Molly Mall. I 565 00:32:19,960 --> 00:32:25,280 Speaker 1: let my tape rock to my tape top, way back 566 00:32:25,480 --> 00:32:27,920 Speaker 1: when I had the Red and Black Lumberjack with the 567 00:32:28,000 --> 00:32:31,480 Speaker 1: hack to Max. Remember rapping due the hard, the hard. 568 00:32:31,560 --> 00:32:34,000 Speaker 1: You never taught that himphop, but take it this fall 569 00:32:34,440 --> 00:32:37,120 Speaker 1: now I'm in the limelight because I ran right time 570 00:32:37,160 --> 00:32:39,960 Speaker 1: to get tay blow up like the world trade born 571 00:32:40,040 --> 00:32:42,800 Speaker 1: seller the opposite when I remember when I used to 572 00:32:42,840 --> 00:32:45,880 Speaker 1: eat sardines forgetting a piece of raw g brucy beat 573 00:32:45,920 --> 00:32:49,560 Speaker 1: Kika free so Master slex Love Fu star Ski. I'm 574 00:32:49,600 --> 00:32:52,040 Speaker 1: blowing up like I thought I would call the crypt 575 00:32:52,120 --> 00:32:56,560 Speaker 1: saint number saying, but it's all good ship. And if 576 00:32:56,600 --> 00:33:18,720 Speaker 1: you don't, don't you know you know? I made the 577 00:33:18,840 --> 00:33:21,800 Speaker 1: change from my common thief to up close and personal 578 00:33:21,920 --> 00:33:24,760 Speaker 1: with dropping leech and the fall from Chief, my smoke shop, 579 00:33:24,840 --> 00:33:27,680 Speaker 1: with my peeps all days brand love. It's the Brooklyn way, 580 00:33:27,800 --> 00:33:30,600 Speaker 1: the mob way and Alisa keep me pissy. Girls used 581 00:33:30,600 --> 00:33:32,560 Speaker 1: to miss me not in right now it's because they 582 00:33:32,640 --> 00:33:34,880 Speaker 1: missed me. I never thought they could have been this 583 00:33:35,000 --> 00:33:38,240 Speaker 1: wrapping stuff. I was to use the packing cats and stuff. 584 00:33:38,400 --> 00:33:40,800 Speaker 1: Now honeys play me closs like but the play coat 585 00:33:41,080 --> 00:33:44,160 Speaker 1: from the Mississippi down to the East Coast condos. The 586 00:33:44,280 --> 00:33:47,240 Speaker 1: queens in dope for weeks, so Lout seeks to hear 587 00:33:47,320 --> 00:33:51,440 Speaker 1: Biggie Small speak, living like without fail, putting five carats 588 00:33:51,480 --> 00:33:55,320 Speaker 1: and my baby girls here. Munches runches introduced by the 589 00:33:55,400 --> 00:33:58,080 Speaker 1: fool considered the fool because I dropped out of high 590 00:33:58,080 --> 00:34:01,920 Speaker 1: school stiring your types of a black Ma'm misunderstood. And 591 00:34:02,000 --> 00:34:06,840 Speaker 1: it's still all good. And if you don't know that 592 00:34:07,040 --> 00:34:30,200 Speaker 1: it's old, it's old. Super nintend don't say of Genesis. 593 00:34:30,440 --> 00:34:32,600 Speaker 1: When I was that drope band, I couldn't picture this. 594 00:34:33,040 --> 00:34:35,840 Speaker 1: Put the in scream money green leather sofa, got to 595 00:34:36,080 --> 00:34:39,160 Speaker 1: ride in the mausine with the show what vocal about? 596 00:34:39,200 --> 00:34:41,960 Speaker 1: Two jeez black, don't need to worry my account, the 597 00:34:42,040 --> 00:34:46,239 Speaker 1: handle sat and my whole cruise lounge celebrating every day, 598 00:34:46,360 --> 00:34:49,839 Speaker 1: no more public housing, thinking back for my one roof shot. 599 00:34:50,000 --> 00:34:52,279 Speaker 1: Now my mom pimps at with mixed on her back, 600 00:34:52,960 --> 00:34:55,600 Speaker 1: and she not to show me off of four smiles 601 00:34:55,680 --> 00:34:57,920 Speaker 1: every time I face this up in the source, we 602 00:34:58,080 --> 00:35:00,680 Speaker 1: used to fuss win the lad lord. This stuff snow heat. 603 00:35:00,800 --> 00:35:04,640 Speaker 1: Wonder what Christmas miss stuff? Birthdays was the worst days. 604 00:35:04,840 --> 00:35:08,400 Speaker 1: Now we sipped champagne when we thirst day dam right. 605 00:35:08,480 --> 00:35:12,239 Speaker 1: I like the life lifting at the positive and song. 606 00:35:14,640 --> 00:35:17,040 Speaker 1: And if you don't know not you know, you know 607 00:35:17,440 --> 00:35:26,520 Speaker 1: it's no. And if you don't know, now you're don't 608 00:35:26,719 --> 00:35:36,440 Speaker 1: you know you know? And if you don't know your gold, 609 00:35:36,600 --> 00:35:42,799 Speaker 1: your gold be in the house, Shot last pay hum