WEBVTT - Episode 16: Intro To The Twilight Zone

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<v Speaker 1>How's it going, everybody? Welcome to another episode of Narratives

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<v Speaker 1>and I'm if you way. It's in acrost from Danny

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<v Speaker 1>Fernandez and we are joined up top by Mellow Brown,

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<v Speaker 1>who's a writer and tech editor at fanbros dot com

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<v Speaker 1>and also a writer on American Gods. How's it going everyone? Hey,

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<v Speaker 1>and you are also a listener of the show. Yes, wow,

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<v Speaker 1>Like I'm actually you know that's having my feet to

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<v Speaker 1>the theme song now, I love it. I know we've

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<v Speaker 1>had a couple of people ask us about the theme song.

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<v Speaker 1>I don't know if they can get it somewhere. I

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<v Speaker 1>mean there's still people who were asking me what the

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<v Speaker 1>song is for World Cup date and Anna never found out.

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<v Speaker 1>And I don't think anyone knows because I've asked Miles

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<v Speaker 1>and he kind of brushed it off. Well, both of

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<v Speaker 1>our our artwork and our our yeah, our song were

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<v Speaker 1>created in house by someone at how Stuff Works. I

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<v Speaker 1>imagine in Atlanta, in there, in there big I haven't

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<v Speaker 1>been over there, but I am one day if he

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<v Speaker 1>one day, I'll make it out there. Yeah, one day

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<v Speaker 1>we'll get flown out there at the Big House House

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<v Speaker 1>Stuff Works headquarters. For some reason, that's true. I'd probably

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<v Speaker 1>spend a month. I'd probably spend a month in Atlanta.

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<v Speaker 1>I phone out there. Um, today we are talking about

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<v Speaker 1>the Twilight Zone. This is a series that is extremely

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<v Speaker 1>near and dear to my heart. But Melo, did you

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<v Speaker 1>grow up with it? Um? Actually, yes, what was it?

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<v Speaker 1>I've been a long time watcher. My dad got me

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<v Speaker 1>into it and um allowed like the social political issues

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<v Speaker 1>hit immediately along with my nightmares. True true, Um, off

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<v Speaker 1>the top of your head, what would you say is

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<v Speaker 1>like your favorite episode? I would definitely say It's a

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<v Speaker 1>good Life. Oh yeah, like that one is terrifying. What

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<v Speaker 1>was currently? Yea currently that? Um, yes, so we'll get

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<v Speaker 1>into it. But yeah, It's a good Life is often

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<v Speaker 1>referenced because of Donald Trump. I've seen a lot of

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<v Speaker 1>political cartoons that have referenced him and the and the

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<v Speaker 1>Little Boy. Yeah, like you said, we'll get into a

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<v Speaker 1>bit later. But there's a sequel to that. It makes

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<v Speaker 1>it even worse. Really is it in their original series?

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<v Speaker 1>It is in uh the two thousand two. Okay, I

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<v Speaker 1>don't always count the like there was one. Yeah, they

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<v Speaker 1>we'll get into it, but I don't always count I

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<v Speaker 1>count the original Star Original Star Wars. I get the

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<v Speaker 1>original Star Wars big you have that whole just petition

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<v Speaker 1>to remake the news up and I read, which is

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<v Speaker 1>also great because I love that myself subconscious went there.

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<v Speaker 1>I love the New Star Wars. I actually do very

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<v Speaker 1>much love the New Star Wars um because I get

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<v Speaker 1>to see more people, more women and people of color

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<v Speaker 1>degree and this Villa, the villain of that story for

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<v Speaker 1>the sequel, actually is the epitome of a New Star Wars.

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<v Speaker 1>Uh if you if they prefer to call themselves up? Um? Yeah,

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<v Speaker 1>so so Twilight Zone, Um yeah. I thought we'd kick

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<v Speaker 1>it off with talking just a little bit about Rod

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<v Speaker 1>Sterling's history, because I actually found out before I even

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<v Speaker 1>we cranked out this early additional research to the topic.

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<v Speaker 1>I saw this in a Twitter threat where he has

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<v Speaker 1>this quote where Danny was shaking her head because she

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<v Speaker 1>remembers it, where he was like, I don't care. I

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<v Speaker 1>think it was something along the lines if I don't

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<v Speaker 1>care what it is, I just want my writing remembered

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<v Speaker 1>and to last longer than me, And which is dope

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<v Speaker 1>because it is and it's not only remembered, but it's impactful.

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<v Speaker 1>And then someone went on and talked about kind of

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<v Speaker 1>the history of Rosterling, about how he was a war

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<v Speaker 1>vet and how he created Twilight Zone because he wasn't

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<v Speaker 1>allowed to kind of talk about those social issue is

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<v Speaker 1>at the time just so openly. So he did it

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<v Speaker 1>deceptively through the Twilight Zone. And and that's why I think, uh,

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<v Speaker 1>and not to be this guy. Even though I like

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<v Speaker 1>all the Black Mirrors episodes, I like them all, but

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<v Speaker 1>I feel like the earlier ones are stronger because the

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<v Speaker 1>earlier ones are kind of really making that like, you know, technology,

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<v Speaker 1>we're letting it get ahead of us point, and I

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<v Speaker 1>feel like the later ones is more just kind of

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<v Speaker 1>like I don't want to, you know, undercut a lot

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<v Speaker 1>of the stories, but you know, because there are some

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<v Speaker 1>that really are very like current. But I feel like

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<v Speaker 1>the newer ones are more just kind of adding on,

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<v Speaker 1>just kind of exploring the idea of the world and

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<v Speaker 1>story building that they've kind of um set up. Where

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<v Speaker 1>those first ones, like it really did feel like Booker

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<v Speaker 1>was like saying something to us funny enough. Booker normally

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<v Speaker 1>a comedian, Ron Sterling actually had a comedy background. But

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<v Speaker 1>I don't want to get too ahead of myself. I

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<v Speaker 1>want to start just with the the War because it's

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<v Speaker 1>very interesting. It's it's almost like you know when you

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<v Speaker 1>read some people's biographies and you're like, oh, this is

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<v Speaker 1>this is going to be a good movie one day.

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<v Speaker 1>I feel like Rod Serling has one of those. Yeah,

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<v Speaker 1>that's kind of fascinating. I guess he hasn't. No one

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<v Speaker 1>has played him yet, like and officially in a huge film.

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<v Speaker 1>I agree. He is so instrumental. I feel like in um,

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<v Speaker 1>not only science fiction, but just yeah, I know that

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<v Speaker 1>he gets compared Black Mirror gets compared a lot to

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<v Speaker 1>Twilight Zone, and that's accurate. And then and of course

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<v Speaker 1>we're gonna also visit the fact that Jordan Peel is

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<v Speaker 1>now making which I think he's perfect for. It is

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<v Speaker 1>going to be on the CBS platform. Yeah, because like

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<v Speaker 1>get Out would have been the perfect like episode of

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<v Speaker 1>Twilight Zone in the same like cutting just um, what's

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<v Speaker 1>the word I'm looking for criticism? What I was gonna

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<v Speaker 1>say is actually, Durassic Park fits a lot people forget,

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<v Speaker 1>but that fits a lot of like, yeah, the original

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<v Speaker 1>Drastic Ark well and I would say Drastic the last one,

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<v Speaker 1>Durassic World, Falling Kingdom, um where they start to kind

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<v Speaker 1>of or or they hint at using dinosaurs as weapons.

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<v Speaker 1>That to me is also kind of like what would

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<v Speaker 1>we do with this technology? Um, where it could also

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<v Speaker 1>be like a Black Mirror episode. But yeah, Rodster as

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<v Speaker 1>far as me, like I grew up with the Twilight

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<v Speaker 1>Zone marathons, my parents would party and essentially leave us alone.

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<v Speaker 1>On New Year's Eve, we watched on Sci Fi my

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<v Speaker 1>brothers and I. I now, if he has been to

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<v Speaker 1>my place, Melo, you are welcome to come to my place.

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<v Speaker 1>I have a Twilight Zone wall um which I will

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<v Speaker 1>tweet with different artwork and original artwork that's signed by artists.

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<v Speaker 1>I have rod Sterling up there. I have um many

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<v Speaker 1>of the episodes, including one of the most famous ones,

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<v Speaker 1>which is I have the Beholder. But also I had

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<v Speaker 1>an artist. Uh. A lot of the other ones don't

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<v Speaker 1>have as much artwork, so I commission an artist to

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<v Speaker 1>do my favorite. Well, it changes as the years go on,

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<v Speaker 1>but my favorite is The Howling Man is one of

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<v Speaker 1>my absolute favorite episodes. Uh. And also Satan's kind of hot.

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<v Speaker 1>He's kind of hot in it, ah he is, he

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<v Speaker 1>looks good. Um. So yeah, so let's talk about the

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<v Speaker 1>history of rod Serling. Yeah, I was I just wanted

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<v Speaker 1>to start in high school. He funny enough, he's always

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<v Speaker 1>been a writer. Not funny, I mean just I guess

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<v Speaker 1>as expected. Always he was writing for the school newspaper

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<v Speaker 1>and he was kind of like amped up about World

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<v Speaker 1>War Two and he was kind of encouraging other students

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<v Speaker 1>to enlist. And he actually wanted to enlist before he graduated.

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<v Speaker 1>But then it was actually his Civics teacher, Gus Youngstrom,

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<v Speaker 1>who said war is a temporary thing. It ends an

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<v Speaker 1>education doesn't. Without your degree, where will you be after

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<v Speaker 1>the war. So he actually finished school, graduated, and as

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<v Speaker 1>soon as school ended, enlisted. Now there's a fun detail

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<v Speaker 1>in his enlistment that kind of really I think sets

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<v Speaker 1>up who Rod Serling is. So originally he was sent

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<v Speaker 1>to um California, which man, he was going to fight

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<v Speaker 1>the Japanese instead of you know, the the Germans, and

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<v Speaker 1>he was actually angry about it because he wanted to

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<v Speaker 1>fight Hitler and so so he was like, forget the Japanese,

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<v Speaker 1>I need to fight this guy, this horrible, bigoted, racist guy,

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<v Speaker 1>Like that's who he wanted. And I feel like that

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<v Speaker 1>kind of set the tone for his life. Eventually, he

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<v Speaker 1>actually grown bitter about the war because it seemed like

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<v Speaker 1>such a young thing to do, to be like, oh,

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<v Speaker 1>I'm gonna go join the army, I'm gonna fight the

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<v Speaker 1>bad guys. But he found out that, you know, he

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<v Speaker 1>was seeing death every day. And then there were a

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<v Speaker 1>lot of freak accidents. There was this huge freak accident,

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<v Speaker 1>like there was there was a Jewish private name Melvin Levy,

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<v Speaker 1>and Levy was delivering a comic monologue for the platoon

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<v Speaker 1>as it as like he was standing under a palm

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<v Speaker 1>tree and a food crate was dropped from a plane

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<v Speaker 1>above and it decapitated him. And so Startling actually let

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<v Speaker 1>the funeral services for Levy and placed the Star of

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<v Speaker 1>David over his grave. So like, not only are you

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<v Speaker 1>seeing the death of the war, but you're also seeing

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<v Speaker 1>freak accidents like that. I can imagine that's not only

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<v Speaker 1>kind of making you better towards the war, but that

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<v Speaker 1>I feel like there's no way to not have this

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<v Speaker 1>kind of morbid, kind of creative thought when you see

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<v Speaker 1>things like that. You know, like, yeah, I would say

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<v Speaker 1>also during the time, I think like you were saying too,

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<v Speaker 1>that he was exposed to this idea of good versus evil.

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<v Speaker 1>And then evil, not necessarily being evil or are we

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<v Speaker 1>the evil? Actually? UM was something that I think that

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<v Speaker 1>he tackled a lot pretty often, UM human nature as

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<v Speaker 1>well as during this time. Just the amount of racism

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<v Speaker 1>that he saw was definitely influential in his writing. And

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<v Speaker 1>something that's really fascinating is we can we can link

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<v Speaker 1>this in our footnotes. But I watched a YouTube video

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<v Speaker 1>of him a couple of years ago. Uh, that sounded weird.

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<v Speaker 1>It wasn't a YouTube video of him, It was him

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<v Speaker 1>doing an interview that was help on YouTube. Okay, Uncle

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<v Speaker 1>Rod doing an unboxing bid. Uh. Here can you imagine?

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<v Speaker 1>Can you imagine him like doing having a selfie stick.

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<v Speaker 1>I would love to see him nowadays, like his commentary

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<v Speaker 1>on us UM would be so fast. His daughter is

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<v Speaker 1>still alive. But what I was gonna say is I

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<v Speaker 1>watched a video on YouTube of him where he was

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<v Speaker 1>talking about censorship and how CBS had censored the writers

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<v Speaker 1>and what they were trying to get away with in

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<v Speaker 1>a lot of the times. Of course, his commentary was

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<v Speaker 1>on on people of coming, the treatment of people of

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<v Speaker 1>color in marginalized groups in general, where they would end

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<v Speaker 1>up having to make them like an alien or you know,

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<v Speaker 1>a monster or something for you to like feel for them,

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<v Speaker 1>because they weren't they weren't able to make them people

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<v Speaker 1>of color. And uh, he actually says that you eventually

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<v Speaker 1>start to censor yourself where you're not even writing those stories.

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<v Speaker 1>So if you already know it's it's kind of fascinating,

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<v Speaker 1>like the brain will just start to center and and

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<v Speaker 1>not even create those stories anymore. It was it's a

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<v Speaker 1>really fascinating interview, and we'll link it. But yeah. He

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<v Speaker 1>ended up volunteering at w NYC in New York as

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<v Speaker 1>an actor and writer in the summer of nineteen forty six,

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<v Speaker 1>and then the next year he worked at a station

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<v Speaker 1>as a pain intern in Antioch work study program, and

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<v Speaker 1>then took a couple of odd jobs and other radio

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<v Speaker 1>stations in New York and Ohio. He said, I learned

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<v Speaker 1>time writing for a medium that is measured in seconds.

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<v Speaker 1>He also worked at the Antioch Broadcasting Systems Radio Workshop

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<v Speaker 1>and was managing the station within a couple of years.

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<v Speaker 1>Dan Len, He's moving up. He was a hard worker.

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<v Speaker 1>He wrote and directed the programs and acted in them

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<v Speaker 1>as well. Um, this is kind of fascinating. So I

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<v Speaker 1>actually read the Twilight Zone companion highly recommended. There's a

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<v Speaker 1>couple of different Twilight Zone books out there. Have you

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<v Speaker 1>read that one? Mellow? Oh, I think you would like it.

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<v Speaker 1>There's so much behind the scenes for each they go

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<v Speaker 1>through each episode. So I actually got an inaudible and

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<v Speaker 1>I would listen to it when I would clean and

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<v Speaker 1>drive and stuff. But it's behind the scenes of like

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<v Speaker 1>how did this get made, how this almost didn't get made?

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<v Speaker 1>Other freak accidents that happened in the episodes. Uh. And

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<v Speaker 1>also he didn't write all of them. Um. I know

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<v Speaker 1>a lot of people think that he wrote all of them,

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<v Speaker 1>but a lot of them were actually bought from Uh.

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<v Speaker 1>They were teleplays or they might have been a short

0:12:27.040 --> 0:12:28.800
<v Speaker 1>story in a magazine, and he would buy the rights

0:12:28.840 --> 0:12:32.200
<v Speaker 1>to it and then adapt it. Uh, sometimes he would,

0:12:32.240 --> 0:12:34.040
<v Speaker 1>and and then he had other people working on his

0:12:34.080 --> 0:12:36.120
<v Speaker 1>team as well. And I canna imagine, like he wrote

0:12:36.160 --> 0:12:38.000
<v Speaker 1>like an insane amount or believe at the age of

0:12:39.240 --> 0:12:42.320
<v Speaker 1>hed written forty or forty nine episodes by that point,

0:12:42.360 --> 0:12:46.920
<v Speaker 1>and he was like, Okay, I finally need another writer. Yeah, yeah,

0:12:47.120 --> 0:12:49.199
<v Speaker 1>And well he just wanted to be a writer. I

0:12:49.240 --> 0:12:50.560
<v Speaker 1>don't know if you know that, but they talked about

0:12:50.559 --> 0:12:52.160
<v Speaker 1>that in the book where he just wanted to be

0:12:52.400 --> 0:12:55.200
<v Speaker 1>a writer for the Twilight Zone and he didn't intend

0:12:55.280 --> 0:12:57.120
<v Speaker 1>to be the host and looking at him like, you

0:12:57.240 --> 0:13:01.480
<v Speaker 1>were the perfect host. You're like handsome, you're creepy, and

0:13:01.720 --> 0:13:04.160
<v Speaker 1>you're like stern and have like a parental thing to you.

0:13:04.280 --> 0:13:08.520
<v Speaker 1>But you're also like, you know, ominous and uh yeah,

0:13:08.600 --> 0:13:12.400
<v Speaker 1>I think, And he has gorgeous, lush eyebrows. Um, so

0:13:13.160 --> 0:13:15.760
<v Speaker 1>yeah he But originally he actually just wanted to be

0:13:15.760 --> 0:13:17.840
<v Speaker 1>a writer, and he didn't because when he was hosting,

0:13:18.440 --> 0:13:20.400
<v Speaker 1>he didn't have an acting like he didn't have as

0:13:20.480 --> 0:13:23.240
<v Speaker 1>much time to dedicate to writing. Uh and I know

0:13:23.320 --> 0:13:27.760
<v Speaker 1>that that bothered him. But hopping back into the past.

0:13:29.559 --> 0:13:32.200
<v Speaker 1>While in college, Serling won his first accolade as a writer.

0:13:32.320 --> 0:13:35.960
<v Speaker 1>The radio program Dr Christian is starting an annual scriptwriting

0:13:36.040 --> 0:13:39.360
<v Speaker 1>contest eight years earlier. Thousands of scripts were sent in annually,

0:13:39.440 --> 0:13:42.680
<v Speaker 1>but very few can actually be produced. So certainly want

0:13:42.679 --> 0:13:45.240
<v Speaker 1>a trip to New York City and five hundred dollars

0:13:45.360 --> 0:13:48.040
<v Speaker 1>for his radio script to live a dream. He and

0:13:48.160 --> 0:13:51.439
<v Speaker 1>his new wife attended the awards broadcast on May eighteenth

0:13:51.520 --> 0:13:55.120
<v Speaker 1>of nine, where he and the other winners were interviewed

0:13:55.200 --> 0:13:58.800
<v Speaker 1>by the Star of Dr Christian Geene Herschel. One of

0:13:58.880 --> 0:14:01.520
<v Speaker 1>the other winners that day was Earl Hamner Jr. Who

0:14:01.760 --> 0:14:05.480
<v Speaker 1>also earned prizes in previous years, and later Hamner wrote

0:14:05.520 --> 0:14:09.040
<v Speaker 1>scripts for Sterling's The Twilight Zone. Also, I just want

0:14:09.080 --> 0:14:13.400
<v Speaker 1>to drop this fun fact. Five hundred dollars has the

0:14:13.480 --> 0:14:16.559
<v Speaker 1>same buying power as five thousand, one hundred and fourteen

0:14:16.600 --> 0:14:21.520
<v Speaker 1>dollars has today. It's something you came up. I mean,

0:14:21.600 --> 0:14:23.320
<v Speaker 1>you get that much in college, you like. Hold up,

0:14:23.600 --> 0:14:26.800
<v Speaker 1>that's true, that's true. Hold up, We're about to throw

0:14:27.440 --> 0:14:30.760
<v Speaker 1>a dorm party. I would love to see Rod Sterling partying.

0:14:30.920 --> 0:14:34.160
<v Speaker 1>Oh yeah, yeah. I wonder if any of those cigarettes,

0:14:34.160 --> 0:14:35.840
<v Speaker 1>who's always so, if any of them were Blunt's ever

0:14:36.080 --> 0:14:39.120
<v Speaker 1>You never know, uh so, Sterling said of his time

0:14:39.160 --> 0:14:41.920
<v Speaker 1>as a staff writer for radio. From a writing point

0:14:41.960 --> 0:14:44.360
<v Speaker 1>of view, radio ate up ideas that might have put

0:14:44.440 --> 0:14:47.360
<v Speaker 1>food on the table for weeks at a future freelancing date.

0:14:47.520 --> 0:14:49.560
<v Speaker 1>The minute you tie yourself down to a radio or

0:14:49.600 --> 0:14:52.480
<v Speaker 1>TV station, you write around the clock, you rip out ideas.

0:14:52.560 --> 0:14:55.320
<v Speaker 1>Many of them irreplaceable. They go on and consequently can

0:14:55.400 --> 0:14:57.640
<v Speaker 1>never go on again. And they sold them for fifty

0:14:57.720 --> 0:15:01.160
<v Speaker 1>dollars a week. Gosh and he was saying that back then.

0:15:01.160 --> 0:15:03.360
<v Speaker 1>I mean that seems small to us, but you can't

0:15:03.360 --> 0:15:05.600
<v Speaker 1>afford to give away ideas. They're too damn hard to

0:15:05.640 --> 0:15:07.160
<v Speaker 1>come by. If I had to do it over, I

0:15:07.200 --> 0:15:09.280
<v Speaker 1>wouldn't staff right at all. I'd find some other way

0:15:09.320 --> 0:15:11.800
<v Speaker 1>to support myself while getting a start as a writer.

0:15:12.200 --> 0:15:15.960
<v Speaker 1>Holy Craft, I'm like going through a midlife crisis as

0:15:16.040 --> 0:15:18.800
<v Speaker 1>we're as we're discussing this right now. Yes, I know

0:15:19.160 --> 0:15:20.960
<v Speaker 1>how many writers in our lives do you think would

0:15:20.960 --> 0:15:22.360
<v Speaker 1>agree with this as well? That you're kind of just

0:15:22.480 --> 0:15:24.960
<v Speaker 1>giving your ideas over to a studio for like such

0:15:25.040 --> 0:15:30.120
<v Speaker 1>little pay, and especially his because he was so like transformative,

0:15:30.760 --> 0:15:33.760
<v Speaker 1>like the thought that he wrote forty nine scripts by himself,

0:15:34.120 --> 0:15:36.760
<v Speaker 1>and all of them anthology episodes. It's pretty much on

0:15:36.800 --> 0:15:39.600
<v Speaker 1>the equivalent of like you wrote a pilot like twice

0:15:39.640 --> 0:15:42.680
<v Speaker 1>a week. So we'll we'll just jump all the way

0:15:42.760 --> 0:15:45.160
<v Speaker 1>to what we're here to talk about, which is, uh,

0:15:45.360 --> 0:15:48.120
<v Speaker 1>the Twilight Zone. And it had an interesting kind of start,

0:15:48.640 --> 0:15:52.240
<v Speaker 1>just kind of shows you how old Hollywood used to work.

0:15:52.400 --> 0:15:54.440
<v Speaker 1>I don't think the w g A existed at this

0:15:54.600 --> 0:15:59.360
<v Speaker 1>point because Sterling submitted the time element to CBS, intending

0:15:59.400 --> 0:16:01.360
<v Speaker 1>it to be a pilot for his new weekly show,

0:16:01.600 --> 0:16:05.360
<v Speaker 1>The Twilight Zone, but instead CBS used the science fiction

0:16:05.480 --> 0:16:08.440
<v Speaker 1>script for a new show produced by Desi Arnaz and

0:16:08.560 --> 0:16:13.920
<v Speaker 1>Lucille Ball the Westinghouse Desilu Playhouse in ninety eight. The

0:16:13.960 --> 0:16:16.440
<v Speaker 1>story concerns a man who has vivid nightmares of an

0:16:16.440 --> 0:16:19.800
<v Speaker 1>attack on Pearl Harbor. The man goes to a psychiatrist,

0:16:19.920 --> 0:16:23.480
<v Speaker 1>and after the session, the twist ending, a device which

0:16:23.520 --> 0:16:26.840
<v Speaker 1>Sterling became known for, reveals the patient had died at

0:16:26.880 --> 0:16:30.200
<v Speaker 1>Pearl Harbor and the psychiatrist was the one actually having

0:16:30.400 --> 0:16:33.720
<v Speaker 1>the vivid dreams. The episode received so much positive fan

0:16:33.840 --> 0:16:37.520
<v Speaker 1>response that CBS agreed to let Serling go ahead with

0:16:37.720 --> 0:16:39.920
<v Speaker 1>his pilot for The Twilight Zone. Oh I'm sorry. I'm

0:16:39.960 --> 0:16:42.240
<v Speaker 1>sorry that my work that you yank for me did

0:16:42.360 --> 0:16:45.000
<v Speaker 1>so well that you agree to let me keep making

0:16:45.120 --> 0:16:47.120
<v Speaker 1>this thing that people are excited. I'm sorry. I couldn't

0:16:47.120 --> 0:16:49.200
<v Speaker 1>stop laughing at the idea of Lucio Ball in this

0:16:49.360 --> 0:16:58.440
<v Speaker 1>like serious What's so interesting here is that that's such

0:16:58.480 --> 0:17:01.160
<v Speaker 1>a sandwich and it's such a perfect like wrap up

0:17:01.240 --> 0:17:05.240
<v Speaker 1>to who Sterling was and into Twilight Zone because I

0:17:05.320 --> 0:17:09.200
<v Speaker 1>mean dreams about a World War two, Like he said,

0:17:09.520 --> 0:17:12.320
<v Speaker 1>the war left him with nightmares. So this is really him,

0:17:12.440 --> 0:17:15.800
<v Speaker 1>like just the beginning of him taking what he was

0:17:15.880 --> 0:17:19.440
<v Speaker 1>actually dealing with, putting it on paper, and then making

0:17:19.480 --> 0:17:23.639
<v Speaker 1>it into something amazing. I also just wanted to be like,

0:17:23.680 --> 0:17:27.000
<v Speaker 1>what a twist that was? All of the No, not

0:17:27.119 --> 0:17:28.600
<v Speaker 1>all of them, but that was a lot of his

0:17:29.440 --> 0:17:31.440
<v Speaker 1>his most famous ones, I feel like had a pretty

0:17:31.480 --> 0:17:33.840
<v Speaker 1>big twist. Um, and some of them I still feel

0:17:33.840 --> 0:17:35.520
<v Speaker 1>like you can't always tell. Some of them you can

0:17:35.520 --> 0:17:37.520
<v Speaker 1>tell that, some of them you can't. And that was

0:17:37.560 --> 0:17:39.639
<v Speaker 1>always my favorite things about a lot of the He

0:17:39.840 --> 0:17:45.760
<v Speaker 1>was just so what a fascinating, interesting man. Um. But yeah,

0:17:45.880 --> 0:17:51.720
<v Speaker 1>let's talk about the Twilight Zone. Um, after these messages. Yeah,

0:17:51.800 --> 0:18:03.080
<v Speaker 1>let's do it. After these messages. Welcome back to Nottificent.

0:18:03.160 --> 0:18:04.920
<v Speaker 1>We are joined by Mellow Brown, and we were talking

0:18:04.920 --> 0:18:07.720
<v Speaker 1>about the Twilight Zone. Um, what would you say is

0:18:07.760 --> 0:18:12.560
<v Speaker 1>your second favorite episode? Second favorite would be uh five characters?

0:18:14.800 --> 0:18:17.920
<v Speaker 1>Yeah that one. Oh. I have a fun fact about that.

0:18:18.440 --> 0:18:20.920
<v Speaker 1>So this movie that not too many people may be

0:18:21.080 --> 0:18:24.840
<v Speaker 1>aware of, called The Cube, which is a that is

0:18:25.440 --> 0:18:30.040
<v Speaker 1>that that episode? It inspired that movie? You know what

0:18:30.359 --> 0:18:32.520
<v Speaker 1>I always say that is the perfect Um. Yeah, I

0:18:32.640 --> 0:18:35.880
<v Speaker 1>just left Netflix play and then like now I'm watching this. Yeah.

0:18:38.359 --> 0:18:40.239
<v Speaker 1>The way I found it is I was with um

0:18:40.400 --> 0:18:42.840
<v Speaker 1>a friend of the pod, Kyle Lewis. He took me

0:18:42.920 --> 0:18:44.879
<v Speaker 1>to this bar in New York. When I was there

0:18:44.920 --> 0:18:48.639
<v Speaker 1>from New DCM. This bar, I wish I remember the name.

0:18:48.680 --> 0:18:52.119
<v Speaker 1>It was everything. It's just a shot bar, which normally

0:18:52.160 --> 0:18:57.440
<v Speaker 1>I'm like hard pass, but every shot is themed and

0:18:58.040 --> 0:19:02.359
<v Speaker 1>there is a song and prop that goes with every shot.

0:19:02.480 --> 0:19:07.720
<v Speaker 1>So he did he did the like Bret Hart like

0:19:08.000 --> 0:19:11.399
<v Speaker 1>a shot and he comes out so he starts playing

0:19:11.440 --> 0:19:14.120
<v Speaker 1>sexy Boy and the bartender comes out with this mike

0:19:14.560 --> 0:19:16.920
<v Speaker 1>and I'm I don't know that's the gimmick of the

0:19:16.960 --> 0:19:19.640
<v Speaker 1>bar yet. I'm just thinking, Oh, this guy really knows.

0:19:21.200 --> 0:19:24.679
<v Speaker 1>And he hands Kyle the microphone. He's like putting him

0:19:24.960 --> 0:19:27.880
<v Speaker 1>like what is going on here? And then like after

0:19:28.080 --> 0:19:32.399
<v Speaker 1>like seeing everyone kind of do theirs, uh their songs,

0:19:32.480 --> 0:19:35.560
<v Speaker 1>I figured out that was it. But in the background

0:19:35.760 --> 0:19:39.080
<v Speaker 1>on the TV Cube was playing on the l Ray

0:19:39.160 --> 0:19:41.960
<v Speaker 1>Network and that's when I was watching it and with

0:19:42.200 --> 0:19:45.600
<v Speaker 1>no sound but enthralled, and then it went straight to

0:19:45.680 --> 0:19:48.000
<v Speaker 1>Cube two. I want to say l Ray Network is

0:19:48.080 --> 0:19:51.800
<v Speaker 1>like the other channel that's not sports in every bar,

0:19:55.320 --> 0:19:57.399
<v Speaker 1>like let's have it on. You have a chance of

0:19:57.440 --> 0:20:03.440
<v Speaker 1>either Luja underground or from Yeah. But I was like

0:20:03.600 --> 0:20:06.199
<v Speaker 1>super into it, Like Kyle was blown away by how

0:20:06.359 --> 0:20:10.960
<v Speaker 1>into the Cuba was and I had the Wikipedia opens. Yeah,

0:20:11.000 --> 0:20:13.240
<v Speaker 1>I love it so not present at the bar. This

0:20:13.320 --> 0:20:15.159
<v Speaker 1>is what happens when you're married and you go to

0:20:15.280 --> 0:20:19.359
<v Speaker 1>a bar and you start Wikipedia. Yeah, bringing up some facts,

0:20:19.440 --> 0:20:21.960
<v Speaker 1>some cool facts. If I ever got to tell you earlier,

0:20:22.000 --> 0:20:23.760
<v Speaker 1>because you know how I love dropping facts about my

0:20:23.800 --> 0:20:25.479
<v Speaker 1>family and they appreciate when I do it on here.

0:20:25.720 --> 0:20:27.760
<v Speaker 1>But you know how Rod Sterling, they said, no, finish

0:20:27.800 --> 0:20:32.080
<v Speaker 1>your school instead of enlisting. So my mom, um, this

0:20:32.200 --> 0:20:34.600
<v Speaker 1>is kind of Twilight Zony. My mom wanted to be

0:20:34.680 --> 0:20:38.560
<v Speaker 1>a nun. My family was so religious. There's so so

0:20:38.800 --> 0:20:41.200
<v Speaker 1>hard core Catholic. My family is so hard for Catholic

0:20:41.400 --> 0:20:43.119
<v Speaker 1>that my mom wanted to be a nun. When she

0:20:43.200 --> 0:20:45.920
<v Speaker 1>was sixteen and she talked to a nun. She wanted

0:20:45.960 --> 0:20:49.320
<v Speaker 1>to join the nunnery, the monastery, whatever, it's the nunnery

0:20:49.840 --> 0:20:53.640
<v Speaker 1>um where they make nuns. And the nuns told her

0:20:54.280 --> 0:20:57.480
<v Speaker 1>finished school, like go to college and and then come

0:20:57.520 --> 0:20:58.880
<v Speaker 1>back and if you still want to be a nun,

0:20:59.240 --> 0:21:02.080
<v Speaker 1>you know we'll talk. So my mom went to college

0:21:02.119 --> 0:21:05.320
<v Speaker 1>and she never came back. I would not be alive.

0:21:05.960 --> 0:21:09.199
<v Speaker 1>I would not be alive, didn't exist. Isn't that crazy?

0:21:10.160 --> 0:21:11.960
<v Speaker 1>My mom went to college and was like, nope, this

0:21:12.119 --> 0:21:14.679
<v Speaker 1>is too good. Well she didn't meet my dad in college.

0:21:14.760 --> 0:21:17.359
<v Speaker 1>But um, yeah, it's not crazy. It's actually kind of

0:21:17.359 --> 0:21:19.760
<v Speaker 1>a decision that wrote Sterling would probably roll with. Um

0:21:19.880 --> 0:21:22.080
<v Speaker 1>If you've noticed in a lot of themes in Twilight Zone,

0:21:22.160 --> 0:21:26.520
<v Speaker 1>he is constantly afraid of isolation. Yeah, like that is

0:21:26.600 --> 0:21:30.560
<v Speaker 1>always like a femine. What was it the Stopwatch the

0:21:30.840 --> 0:21:32.480
<v Speaker 1>I forgot the name of the one where the guy

0:21:32.520 --> 0:21:35.520
<v Speaker 1>that broke his glasses, the one everyone knows at last?

0:21:36.560 --> 0:21:42.240
<v Speaker 1>Was it there? Big? Yeah? Everything that was like his

0:21:42.359 --> 0:21:44.320
<v Speaker 1>big fear. It feels like he was writing in a

0:21:44.400 --> 0:21:46.119
<v Speaker 1>room and just like I hate being alone and I

0:21:46.320 --> 0:21:50.160
<v Speaker 1>was always the mise of some of his best characters.

0:21:51.640 --> 0:21:54.960
<v Speaker 1>Um So, speaking of Rod Serling, he said that he

0:21:55.160 --> 0:21:58.480
<v Speaker 1>was compelled by the need to not just entertain, but

0:21:58.600 --> 0:22:02.199
<v Speaker 1>too enlightened. So he wrote nine three of the series

0:22:02.280 --> 0:22:04.960
<v Speaker 1>a hundred and fifty six episodes over the course of

0:22:05.040 --> 0:22:09.040
<v Speaker 1>its five season run, which began on CBS in nineteen

0:22:09.160 --> 0:22:14.000
<v Speaker 1>fifty nine. Yeah. So, So at ten pm on Friday

0:22:14.080 --> 0:22:19.119
<v Speaker 1>October two, nine, CBS Television broadcast the pilot episode of

0:22:19.200 --> 0:22:22.280
<v Speaker 1>a new series, The Twilight Zone. So the copy and

0:22:22.320 --> 0:22:25.440
<v Speaker 1>CBS is newspaper ad for the debut episode. Where is

0:22:25.480 --> 0:22:31.520
<v Speaker 1>everybody remember that one um that started a phenomenon. It's

0:22:31.600 --> 0:22:34.359
<v Speaker 1>kind of fascinating too that it was on some of

0:22:34.400 --> 0:22:36.879
<v Speaker 1>the episodes I feel like would be kind of scary. Well,

0:22:36.880 --> 0:22:39.120
<v Speaker 1>I guess it was late. Ten pm is late for adults,

0:22:39.200 --> 0:22:41.680
<v Speaker 1>but I you know, I watched him when I was younger.

0:22:41.840 --> 0:22:46.359
<v Speaker 1>My mom was most afraid of the Invaders because that

0:22:46.560 --> 0:22:49.960
<v Speaker 1>is an episode which, by the way, fun fact, there's

0:22:50.000 --> 0:22:53.680
<v Speaker 1>no dialogue. There's no dialogue in The Invaders except for

0:22:53.720 --> 0:22:57.280
<v Speaker 1>the very end um. But yeah, it's a tiny little

0:22:57.480 --> 0:23:01.720
<v Speaker 1>robot people um with a twist. I don't know. I

0:23:01.760 --> 0:23:04.000
<v Speaker 1>guess we we have to have some spoilers in this

0:23:04.080 --> 0:23:06.720
<v Speaker 1>in order to time. Yeah, is that? Were you trying

0:23:06.760 --> 0:23:09.480
<v Speaker 1>to like avoid spoilers? I feel like, well, I told

0:23:09.520 --> 0:23:11.840
<v Speaker 1>you about the Twilight Zone. I looked up because like,

0:23:11.880 --> 0:23:14.040
<v Speaker 1>I'm always fascinated to see what are what are ranked

0:23:14.080 --> 0:23:16.159
<v Speaker 1>as the top Twilight Zone episodes. To find change for

0:23:16.240 --> 0:23:17.800
<v Speaker 1>me all the time, depending on what I'm going through

0:23:17.840 --> 0:23:21.879
<v Speaker 1>in my life. And um, I was reading an article

0:23:22.080 --> 0:23:24.400
<v Speaker 1>that had like the top ten best Twilight Zone episodes

0:23:24.600 --> 0:23:26.760
<v Speaker 1>and at the bottom of the article. So when wrote,

0:23:27.200 --> 0:23:30.280
<v Speaker 1>way to spoil it, man, and the author was like,

0:23:30.440 --> 0:23:33.240
<v Speaker 1>it's been out for over fifty years. It's half a

0:23:33.359 --> 0:23:36.159
<v Speaker 1>century old, my guy. And also just referenced in like

0:23:36.320 --> 0:23:42.280
<v Speaker 1>Futurama the Family, like you're going to get up for everything. Yeah,

0:23:42.400 --> 0:23:45.159
<v Speaker 1>people just want to just point that finger and it's like,

0:23:45.320 --> 0:23:51.800
<v Speaker 1>whoa the Titanic sink love it. So during the original

0:23:51.920 --> 0:23:55.480
<v Speaker 1>series Twilight Zones writers frequently used science fiction as a

0:23:55.600 --> 0:23:59.520
<v Speaker 1>vehicle for social comment, as networks and sponsors who censored

0:23:59.600 --> 0:24:02.920
<v Speaker 1>counter rsual material from the live dramas were less concerned

0:24:02.920 --> 0:24:06.480
<v Speaker 1>and seemingly innocuous fantasy and sci fi stories. It's the

0:24:06.640 --> 0:24:09.960
<v Speaker 1>age old creator's trick. It's even used to this day,

0:24:10.480 --> 0:24:13.440
<v Speaker 1>like how you might be wondering, how did Donald Glover

0:24:13.560 --> 0:24:19.120
<v Speaker 1>get a show as weird as Atlanta made? Well? The pilot,

0:24:19.200 --> 0:24:21.840
<v Speaker 1>if you notice, is very like, it seems very linear,

0:24:22.040 --> 0:24:24.520
<v Speaker 1>seems very narrative, and it seems like it's presenting a

0:24:24.600 --> 0:24:26.920
<v Speaker 1>different story that we never get to see. That was

0:24:27.000 --> 0:24:30.040
<v Speaker 1>how they got it. Greenlight. If you should look at

0:24:30.080 --> 0:24:32.520
<v Speaker 1>the script. It's even more so. They give a whole

0:24:32.560 --> 0:24:36.199
<v Speaker 1>background about him being in college as an intro. It's

0:24:36.240 --> 0:24:39.520
<v Speaker 1>a it's a trojan horse technique that's so bamboos. But

0:24:39.640 --> 0:24:41.680
<v Speaker 1>like at the end of the day, kind of like

0:24:41.920 --> 0:24:46.280
<v Speaker 1>with the original pilot, you know, the network can't argue

0:24:46.320 --> 0:24:48.920
<v Speaker 1>with popularity. If it's popular, they're gonna let you do

0:24:49.000 --> 0:24:52.320
<v Speaker 1>whatever they want, even if they would have blocked you otherwise. Yeah,

0:24:52.359 --> 0:24:54.840
<v Speaker 1>that's that's the funny thing. And it's funny that it

0:24:54.960 --> 0:24:58.040
<v Speaker 1>existed back in the fifties. Still to this day, you

0:24:58.200 --> 0:25:01.840
<v Speaker 1>got the people you know and you look. Don't take offense.

0:25:01.960 --> 0:25:05.000
<v Speaker 1>If you are someone who is considering giving me money

0:25:07.040 --> 0:25:09.920
<v Speaker 1>and you're listening to the background, this is just you know,

0:25:10.119 --> 0:25:13.840
<v Speaker 1>just just chat. But you find these creators and you

0:25:14.000 --> 0:25:16.960
<v Speaker 1>want to pay us because you know we're creative. But

0:25:17.200 --> 0:25:19.199
<v Speaker 1>there's a little something in you that are that are

0:25:19.240 --> 0:25:22.560
<v Speaker 1>afraid of new and kind of things because you're a

0:25:22.640 --> 0:25:25.399
<v Speaker 1>creature of science. When you're a suit you're like, I

0:25:25.840 --> 0:25:28.119
<v Speaker 1>have the data of the shows that have worked. I

0:25:28.200 --> 0:25:31.080
<v Speaker 1>have the data the shows that don't work, but it

0:25:31.200 --> 0:25:35.120
<v Speaker 1>isn't until that new hot thing happens usually by either

0:25:35.240 --> 0:25:39.400
<v Speaker 1>a fluke, a trojan horse technique, or just finally someone

0:25:39.480 --> 0:25:46.160
<v Speaker 1>being like that dude that they get full license. Yeah yeah,

0:25:46.400 --> 0:25:49.840
<v Speaker 1>like you know, even though you know now it's he's

0:25:50.320 --> 0:25:53.160
<v Speaker 1>you know, not that that in vogue, But like Louie

0:25:53.440 --> 0:25:56.440
<v Speaker 1>was able to make Louis because he bought everything, and

0:25:56.520 --> 0:25:58.760
<v Speaker 1>that's he was at the point in his career where

0:25:58.800 --> 0:26:00.960
<v Speaker 1>he can afford to take that hip because you take

0:26:01.040 --> 0:26:04.040
<v Speaker 1>a big financial hit, like yeah, you need to so,

0:26:04.240 --> 0:26:06.480
<v Speaker 1>so he really had to go out of pocket and

0:26:06.880 --> 0:26:09.960
<v Speaker 1>or you do so like even back then, you have

0:26:10.119 --> 0:26:13.160
<v Speaker 1>to do creative techniques to say what you really want

0:26:13.200 --> 0:26:16.520
<v Speaker 1>to say as a creative and Rod Sterling use science fiction.

0:26:17.400 --> 0:26:22.439
<v Speaker 1>I feel like Rod Sterling, you science fiction. Actually keep

0:26:22.520 --> 0:26:25.000
<v Speaker 1>that in so people know how often I've I've said

0:26:25.119 --> 0:26:29.560
<v Speaker 1>Sterling instead of Sterling. Danny has kept well, I mean

0:26:29.640 --> 0:26:33.159
<v Speaker 1>I have it like it was between no, it was

0:26:33.240 --> 0:26:36.280
<v Speaker 1>between the dragon Ball tattoo or I was going to

0:26:36.359 --> 0:26:38.639
<v Speaker 1>get Twilight Zone. I'm not comparing the two. I'm just

0:26:38.680 --> 0:26:40.560
<v Speaker 1>saying I grew up with them, okay people, and they

0:26:40.840 --> 0:26:43.960
<v Speaker 1>both have artwork and walls dedicated to them. But no,

0:26:44.080 --> 0:26:47.240
<v Speaker 1>you're right. Actually, Sterling he found the series very difficult

0:26:47.280 --> 0:26:50.040
<v Speaker 1>to sell. Actually, few critics felt that science fiction could

0:26:50.119 --> 0:26:54.200
<v Speaker 1>transcend empty escapism, as they thought, and enter the realm

0:26:54.280 --> 0:26:58.040
<v Speaker 1>of adult drama. But um. There were frequent themes on

0:26:58.080 --> 0:27:01.159
<v Speaker 1>The Twilight Zone, which included nuclear war McCarthy is um

0:27:01.320 --> 0:27:05.400
<v Speaker 1>that was very popular, UM, and mass hysteria, both I think,

0:27:05.440 --> 0:27:07.840
<v Speaker 1>which are tackled and the monsters are due on Maple Street.

0:27:08.240 --> 0:27:11.200
<v Speaker 1>I'm gonna have both you Twilight Zone nerds back it

0:27:11.320 --> 0:27:14.800
<v Speaker 1>up and explain what happens on Monsters. Oh, I would

0:27:14.960 --> 0:27:18.760
<v Speaker 1>love to, because I'm gonna just say, look, we're gonna

0:27:18.800 --> 0:27:21.320
<v Speaker 1>explain some of these because I know some of the

0:27:21.400 --> 0:27:23.320
<v Speaker 1>nerd family is like, I want to hear this, but

0:27:23.640 --> 0:27:26.560
<v Speaker 1>Danny is trying to like save the twist. You know what,

0:27:27.280 --> 0:27:30.480
<v Speaker 1>just watch it. It's still good even when you know it. Really,

0:27:31.040 --> 0:27:33.840
<v Speaker 1>I think I was just gonna say going forward, UM,

0:27:34.000 --> 0:27:36.359
<v Speaker 1>I think it would be easier to just yeah, we're

0:27:36.359 --> 0:27:38.399
<v Speaker 1>going to give some of the twists away. I apologize.

0:27:38.400 --> 0:27:40.680
<v Speaker 1>You can turn this off and then and watch just

0:27:41.240 --> 0:27:45.080
<v Speaker 1>five seasons listen and want to. I know I knew

0:27:45.119 --> 0:27:47.520
<v Speaker 1>the twist of the eye to beholder before I saw it,

0:27:47.560 --> 0:27:50.200
<v Speaker 1>and it still was so still dope. Also, it's black

0:27:50.240 --> 0:27:52.360
<v Speaker 1>and white and it's like creepy as hell. These Wait,

0:27:52.560 --> 0:27:54.679
<v Speaker 1>I know all of these twists, and I still watched

0:27:54.760 --> 0:27:56.960
<v Speaker 1>them like every month. Maybe I didn't tell you this,

0:27:57.160 --> 0:27:59.520
<v Speaker 1>but the last guy that I was dating, I think

0:27:59.560 --> 0:28:02.280
<v Speaker 1>you know who it is. I brought him over. We're

0:28:02.320 --> 0:28:05.360
<v Speaker 1>not dating anymore, so apparently this technique doesn't work. Um,

0:28:05.520 --> 0:28:07.200
<v Speaker 1>But we were sitting on my couch and I actually

0:28:07.200 --> 0:28:10.160
<v Speaker 1>made him watch, like do Twilight Zone episode. I am

0:28:10.640 --> 0:28:13.320
<v Speaker 1>that guy. I am that guy that will sit you

0:28:13.400 --> 0:28:15.879
<v Speaker 1>down and make you watch Reservoir Dogs or something that

0:28:16.040 --> 0:28:19.000
<v Speaker 1>I've made him watch. I think The Howling Man and

0:28:19.080 --> 0:28:23.040
<v Speaker 1>The Midnight Sun because that's my second favorite. Justus test

0:28:23.080 --> 0:28:28.400
<v Speaker 1>on the middle of a date. Yeah, let's talk about

0:28:28.480 --> 0:28:33.600
<v Speaker 1>the monsters are doing. Maple Street one of the perfectly executed,

0:28:34.720 --> 0:28:40.760
<v Speaker 1>still extremely relevant commentary on mob mentality. You could watch

0:28:40.880 --> 0:28:46.560
<v Speaker 1>it tonight and it would still resonate today, probably even more. Uh,

0:28:47.200 --> 0:28:49.880
<v Speaker 1>with how humans treat each other, how quickly are to

0:28:49.960 --> 0:28:54.080
<v Speaker 1>point fingers and ruin people's lives. Um, And I just

0:28:54.120 --> 0:28:57.520
<v Speaker 1>want to read this quote from Rod Serline that's at

0:28:57.600 --> 0:29:00.880
<v Speaker 1>the very end of the episode. The tool of conquests

0:29:00.960 --> 0:29:04.720
<v Speaker 1>do not necessarily come with bombs and explosions and fallout.

0:29:04.880 --> 0:29:09.040
<v Speaker 1>There are weapons that are simply thoughts, attitudes, prejudices to

0:29:09.160 --> 0:29:12.120
<v Speaker 1>be found only in the minds of men. For the record,

0:29:12.200 --> 0:29:15.840
<v Speaker 1>prejudices can kill, and suspicion can destroy, and a thoughtless

0:29:15.960 --> 0:29:18.440
<v Speaker 1>fright and search for a scapegoat has a fallout all

0:29:18.520 --> 0:29:20.479
<v Speaker 1>of its own for the children, and the children yet

0:29:20.520 --> 0:29:23.240
<v Speaker 1>and unborn, and the pity of it is that these

0:29:23.320 --> 0:29:27.479
<v Speaker 1>things cannot be confined to the Twilight Zone. I've chills

0:29:28.240 --> 0:29:31.400
<v Speaker 1>and he was genius in every way, and especially like

0:29:31.600 --> 0:29:35.400
<v Speaker 1>this particular episode always feel like was one of the

0:29:35.480 --> 0:29:38.760
<v Speaker 1>biggest catalysts in terms of style that I see things

0:29:38.880 --> 0:29:41.280
<v Speaker 1>like in a lot of Stephen King stories, Like a

0:29:41.400 --> 0:29:43.240
<v Speaker 1>lot of the stories have always builds up in mobs

0:29:43.280 --> 0:29:45.560
<v Speaker 1>and everything like that, and it's always from something simple,

0:29:45.640 --> 0:29:48.760
<v Speaker 1>And that's exactly where this originated from. In this story,

0:29:48.800 --> 0:29:51.760
<v Speaker 1>where it was just an idea from a child, a

0:29:52.000 --> 0:29:57.480
<v Speaker 1>small fear, and that fear equals something else inside of adults,

0:29:57.680 --> 0:30:01.040
<v Speaker 1>they had the same level of like, oh, is this

0:30:01.200 --> 0:30:03.600
<v Speaker 1>the one where the kids afraid of a monster and

0:30:03.720 --> 0:30:07.040
<v Speaker 1>gets the whole town like kind of so what happens

0:30:07.080 --> 0:30:09.320
<v Speaker 1>and the monsters are doing Maple Street is the lights

0:30:09.400 --> 0:30:14.479
<v Speaker 1>go out on Maple Street and and everybody is kind

0:30:14.480 --> 0:30:16.120
<v Speaker 1>of like, why did the lights go out? But wait

0:30:16.160 --> 0:30:17.840
<v Speaker 1>a second, why is the light on in your house?

0:30:17.960 --> 0:30:19.560
<v Speaker 1>Or why is light on in his house? And so

0:30:19.600 --> 0:30:22.800
<v Speaker 1>they're all kind of like talking together, and the kid

0:30:23.040 --> 0:30:24.400
<v Speaker 1>and the story was like, oh, this is like in

0:30:24.480 --> 0:30:27.280
<v Speaker 1>my comic book when there where these monsters or aliens

0:30:27.360 --> 0:30:29.280
<v Speaker 1>or whatever he says, and they're like, how did the

0:30:29.400 --> 0:30:33.520
<v Speaker 1>kid know? Um? And so they end up really starting

0:30:33.640 --> 0:30:38.120
<v Speaker 1>to accuse each other of knowing why, like why is

0:30:38.120 --> 0:30:41.160
<v Speaker 1>it light going in your house? And and um, somebody

0:30:41.320 --> 0:30:43.960
<v Speaker 1>leaves to go and check and they see this person.

0:30:44.040 --> 0:30:46.640
<v Speaker 1>They start to get to this frantic part where they're

0:30:46.640 --> 0:30:49.000
<v Speaker 1>just blaming each other where the person starts to walk

0:30:49.080 --> 0:30:51.840
<v Speaker 1>back and and um, they can't see them in the darkness,

0:30:51.880 --> 0:30:57.680
<v Speaker 1>and they shoot them, and um, you pan out and

0:30:57.920 --> 0:31:02.479
<v Speaker 1>you see these two aliens watching and one of them

0:31:02.520 --> 0:31:04.400
<v Speaker 1>turns to the other and is like, so is this

0:31:04.760 --> 0:31:06.440
<v Speaker 1>how it is everywhere? He was like, yeah, you could

0:31:06.440 --> 0:31:10.920
<v Speaker 1>do this on any street. They'll just kill each other. Essentially. Wow,

0:31:11.200 --> 0:31:15.840
<v Speaker 1>that's yeah, perfect, And I feel like that is that's

0:31:15.880 --> 0:31:19.920
<v Speaker 1>such a commentary. Also, I feel like, um, so I

0:31:19.960 --> 0:31:21.720
<v Speaker 1>don't remember any of the deep ones. The one I

0:31:21.800 --> 0:31:24.360
<v Speaker 1>remember was where that guy wanted to I think he

0:31:24.920 --> 0:31:31.160
<v Speaker 1>like he wanted to go be bigger, remember that, Yeah,

0:31:31.200 --> 0:31:33.120
<v Speaker 1>and then everything starts bigger, and the twist is that

0:31:33.200 --> 0:31:36.120
<v Speaker 1>he was shrinking, Like that's the one I remember. That's

0:31:36.120 --> 0:31:39.480
<v Speaker 1>a that's a classic like surling thing. Um with the

0:31:39.720 --> 0:31:42.920
<v Speaker 1>Midnight Sun, which is one of my favorites, is that

0:31:43.000 --> 0:31:45.560
<v Speaker 1>they're moving closer to the sun, and that's also kind

0:31:45.600 --> 0:31:49.600
<v Speaker 1>of terrifying. It's like, um, them starting to get you know,

0:31:49.800 --> 0:31:53.160
<v Speaker 1>more more desperate, and then you wake up and they're

0:31:53.160 --> 0:31:57.400
<v Speaker 1>actually moving farther away. So that was his Yeah, he

0:31:57.640 --> 0:32:00.440
<v Speaker 1>had a lot of those twists in there. But um, yeah,

0:32:00.480 --> 0:32:02.479
<v Speaker 1>the Monsters are due on Maple Street. I actually had

0:32:02.560 --> 0:32:05.240
<v Speaker 1>to read that and uh, it was made into a

0:32:05.400 --> 0:32:08.600
<v Speaker 1>play and I read that in English class in high school.

0:32:09.880 --> 0:32:12.160
<v Speaker 1>But I feel like that's still relevant where people could

0:32:12.160 --> 0:32:14.720
<v Speaker 1>be watching. Us are watching, Americans are watching like, yeah,

0:32:14.720 --> 0:32:16.960
<v Speaker 1>they'll just destroy each other. You know, we don't even

0:32:17.000 --> 0:32:18.200
<v Speaker 1>have to really, we just have to like kind of

0:32:18.240 --> 0:32:20.680
<v Speaker 1>poke them a little bit. But it's also funny because

0:32:20.760 --> 0:32:24.240
<v Speaker 1>it was like it was the Aliens, like that kid

0:32:24.320 --> 0:32:27.160
<v Speaker 1>said it was the Aliens and yeah, it's like a

0:32:27.440 --> 0:32:30.280
<v Speaker 1>love layer. It was just like kind of a coincidence

0:32:30.400 --> 0:32:32.840
<v Speaker 1>or anything like that. But there's one thing I will

0:32:32.880 --> 0:32:35.280
<v Speaker 1>say about certainly that was really great in terms of,

0:32:36.200 --> 0:32:38.280
<v Speaker 1>like I think every writer can learn from him in

0:32:38.520 --> 0:32:41.880
<v Speaker 1>terms of this. When their budget dropped and CBS was like,

0:32:42.480 --> 0:32:43.880
<v Speaker 1>you're going to have to do this in like one

0:32:43.920 --> 0:32:46.480
<v Speaker 1>set in the studio, make all these outlandish episodes and

0:32:46.520 --> 0:32:48.800
<v Speaker 1>everything like that, the quality actually kind of went up,

0:32:49.520 --> 0:32:55.360
<v Speaker 1>and these isolated stories that were driving characters, like the

0:32:56.000 --> 0:32:58.200
<v Speaker 1>there's the one story I do not remember the title,

0:32:58.240 --> 0:33:03.320
<v Speaker 1>and anybody can direct me online. I got but there's

0:33:03.360 --> 0:33:06.640
<v Speaker 1>a lady who is constantly walking and running down a

0:33:06.720 --> 0:33:10.240
<v Speaker 1>corridor in hospital and every time she gets to the

0:33:10.360 --> 0:33:12.480
<v Speaker 1>end and there's a morgue there and there's a nurse,

0:33:12.760 --> 0:33:15.200
<v Speaker 1>and the nurse is just like room for one more.

0:33:15.960 --> 0:33:19.040
<v Speaker 1>And it's just this constant fear of dread and death

0:33:19.360 --> 0:33:22.400
<v Speaker 1>that and like he's so good at that, like a

0:33:22.800 --> 0:33:26.000
<v Speaker 1>regular just like jump scares weren't his thing, but dread,

0:33:26.560 --> 0:33:29.040
<v Speaker 1>just like mortality is going to catch up with you.

0:33:29.240 --> 0:33:31.920
<v Speaker 1>It's really great in terms of that. But that particular

0:33:32.000 --> 0:33:34.120
<v Speaker 1>story is so perfect in terms of like, if you

0:33:34.200 --> 0:33:36.400
<v Speaker 1>have a small space. You have a zero budget. This

0:33:36.560 --> 0:33:38.080
<v Speaker 1>is how you do it. You got really yeah, I

0:33:38.200 --> 0:33:42.560
<v Speaker 1>think so. In season two, due to budgetary constraints, Network

0:33:42.840 --> 0:33:45.760
<v Speaker 1>decided against Serling's wishes to cut costs by shooting some

0:33:45.880 --> 0:33:49.720
<v Speaker 1>episodes on videotape rather than film, and the requisite multi

0:33:49.800 --> 0:33:53.320
<v Speaker 1>camera set up of the videotape format precluded location shooting,

0:33:53.800 --> 0:33:57.400
<v Speaker 1>and that severely limited the scope of the storylines, and

0:33:57.680 --> 0:34:00.800
<v Speaker 1>the experiment was abandoned after just six episodes. Hdes and

0:34:00.960 --> 0:34:04.120
<v Speaker 1>I should say that the season one was thirty minutes long.

0:34:04.920 --> 0:34:08.360
<v Speaker 1>Season four, which was from two to sixty three, consists

0:34:08.400 --> 0:34:12.799
<v Speaker 1>of one hour episodes. They're kind of long. They're kind

0:34:12.840 --> 0:34:17.719
<v Speaker 1>of long. Actually did not want that at all. Yeah, yeah,

0:34:18.360 --> 0:34:21.160
<v Speaker 1>and then season five returned to the half hour format.

0:34:21.200 --> 0:34:23.960
<v Speaker 1>I would say one and two are my favorite seasons though,

0:34:24.280 --> 0:34:26.880
<v Speaker 1>But we'll get into more of the history as well

0:34:26.960 --> 0:34:29.960
<v Speaker 1>as the other Twilight Zone revivals in the future. One

0:34:30.480 --> 0:34:41.600
<v Speaker 1>right after this break and we're back talking more about

0:34:41.760 --> 0:34:48.160
<v Speaker 1>that was weird Europe. Yeah, I thought you were like

0:34:48.239 --> 0:34:53.239
<v Speaker 1>brew We are indeed back No no no, no, no

0:34:53.360 --> 0:34:56.160
<v Speaker 1>no no no no no no no talking about the

0:34:56.200 --> 0:34:58.680
<v Speaker 1>Twilight Zone. Um So I do want to say for

0:34:58.719 --> 0:35:01.520
<v Speaker 1>everyone that's mad about re boots or that we're doing

0:35:01.640 --> 0:35:04.920
<v Speaker 1>reboots now. I mean reboots have been around forever because

0:35:04.960 --> 0:35:08.400
<v Speaker 1>the Twilight Zone was rebooted in the eighties. Actually, the

0:35:08.480 --> 0:35:12.920
<v Speaker 1>first reboot ran on CBS UH in nineteen in the

0:35:13.040 --> 0:35:15.560
<v Speaker 1>nineteen eighties, and then the second ran on up N

0:35:16.560 --> 0:35:19.520
<v Speaker 1>from two thousand two to two thousand three. And now

0:35:19.600 --> 0:35:21.600
<v Speaker 1>we have a fourth one that will be on CBS

0:35:21.680 --> 0:35:25.880
<v Speaker 1>All Access from Jordan Peel, which we actually know some

0:35:25.920 --> 0:35:28.680
<v Speaker 1>of the writers on there. So did you, meloge you

0:35:28.719 --> 0:35:30.960
<v Speaker 1>watch any of those eighties ones or any of them

0:35:31.000 --> 0:35:34.120
<v Speaker 1>stand out for you? Yeah, seeing a few of the

0:35:34.200 --> 0:35:38.920
<v Speaker 1>eighties ones, um, like I believe recently we were speaking

0:35:38.920 --> 0:35:41.719
<v Speaker 1>about the Chameleon, and that one definitely stood out to me.

0:35:41.920 --> 0:35:45.759
<v Speaker 1>Uh in terms of kind of like strange structure, the

0:35:45.880 --> 0:35:49.360
<v Speaker 1>overall the just the alien transforming. It's different things, and

0:35:49.400 --> 0:35:52.000
<v Speaker 1>there's like a particular guy that's like chasing after the alien.

0:35:52.200 --> 0:35:55.279
<v Speaker 1>But yeah, like a lot of eighties ones. Uh, you're

0:35:55.400 --> 0:35:59.480
<v Speaker 1>very very very weird. Yes, yeah, no, no, I can

0:35:59.560 --> 0:36:02.759
<v Speaker 1>imagine because it was a wild time. Also, like when

0:36:02.840 --> 0:36:06.239
<v Speaker 1>you have like it's funny because I do think you

0:36:06.360 --> 0:36:09.400
<v Speaker 1>can reboot things that you know, maybe you weren't that

0:36:09.520 --> 0:36:12.520
<v Speaker 1>great or just kind of like left it open or

0:36:12.760 --> 0:36:15.800
<v Speaker 1>kind of have the person who helmed it take it

0:36:15.920 --> 0:36:19.600
<v Speaker 1>over Alah fury Road, you know. But when you have

0:36:19.719 --> 0:36:23.040
<v Speaker 1>something like Twilight Zone, which was this phenomenon that kind

0:36:23.080 --> 0:36:26.080
<v Speaker 1>of blew up to try and just simply rebooted, and

0:36:26.200 --> 0:36:28.520
<v Speaker 1>he and Sterling wasn't a part of it. He actually

0:36:28.640 --> 0:36:34.080
<v Speaker 1>sold his shares, uh, and CBS you know, kind of

0:36:34.239 --> 0:36:36.560
<v Speaker 1>did it and they actually stood to earn more. But

0:36:36.640 --> 0:36:39.439
<v Speaker 1>they were still kind of a little on the fence

0:36:39.480 --> 0:36:42.880
<v Speaker 1>about it, and it seemed like it did okay, like

0:36:43.440 --> 0:36:46.160
<v Speaker 1>it didn't have the same popularity, but there were some

0:36:46.320 --> 0:36:49.759
<v Speaker 1>episodes that were kind of like they're like the CBS

0:36:49.840 --> 0:36:53.279
<v Speaker 1>turned down Okay, So they turned down offers from the

0:36:53.360 --> 0:36:56.600
<v Speaker 1>original production team of Rod Sterling and Buck Hounton who

0:36:56.640 --> 0:36:59.480
<v Speaker 1>Buck work. They worked so closely together. I think he

0:36:59.600 --> 0:37:02.240
<v Speaker 1>worked on almost like every episode of the original Twilight

0:37:02.320 --> 0:37:04.480
<v Speaker 1>Zone because his name is all over it. I always

0:37:04.480 --> 0:37:06.840
<v Speaker 1>see his name every single time, um, at least in

0:37:06.880 --> 0:37:09.359
<v Speaker 1>a lot of the episodes that I watched. And they

0:37:09.440 --> 0:37:13.719
<v Speaker 1>also turned down from Francis Ford Coppola, So we could

0:37:13.719 --> 0:37:17.920
<v Speaker 1>have had a Twilight Zone from Francis Ford Coppola. I'm

0:37:18.160 --> 0:37:22.799
<v Speaker 1>curious of what that would have been. Now what's that discussion? Like? Yeah,

0:37:23.080 --> 0:37:27.200
<v Speaker 1>like what what does that take? Yeah? So they ended

0:37:27.280 --> 0:37:30.160
<v Speaker 1>up green lighting it in n under the supervision of

0:37:30.239 --> 0:37:34.520
<v Speaker 1>Carlos Singer, who was then the vice president of Drama Development. Um.

0:37:34.840 --> 0:37:38.160
<v Speaker 1>I wasn't a big fan of them, but you know

0:37:38.400 --> 0:37:41.560
<v Speaker 1>I there was also we have talked about Twilight Zone movie,

0:37:41.760 --> 0:37:45.040
<v Speaker 1>which I liked parts of it. Um so kind of

0:37:45.120 --> 0:37:47.520
<v Speaker 1>had a similar feel to me. Oh you liked it? Yeah,

0:37:47.800 --> 0:37:51.120
<v Speaker 1>actually love the Twilight Zone movie, but what was it?

0:37:51.680 --> 0:37:55.320
<v Speaker 1>I like the Spielberg chapter as well as I like

0:37:55.560 --> 0:38:01.240
<v Speaker 1>the revival of the ten thousand foot feet nightmare scenario,

0:38:01.520 --> 0:38:05.000
<v Speaker 1>which h it was a big improvement over the what

0:38:05.480 --> 0:38:08.640
<v Speaker 1>how dare you all right? If you're listening to this

0:38:09.239 --> 0:38:13.640
<v Speaker 1>Google image William Shatner Twilight Zone, every image you'll get

0:38:13.719 --> 0:38:17.279
<v Speaker 1>from that is hilarious of his reactions hamming it up

0:38:17.360 --> 0:38:20.520
<v Speaker 1>at like just um, the costume yet in the window,

0:38:21.120 --> 0:38:25.680
<v Speaker 1>it's so good. I'm sorry, don't know, speak your truth.

0:38:25.880 --> 0:38:27.879
<v Speaker 1>I'm sorry, I'm not trying. I'm not trying to hide

0:38:28.000 --> 0:38:33.759
<v Speaker 1>daggers at you. Um nightmare feet? Yes, is the infamous

0:38:34.200 --> 0:38:39.040
<v Speaker 1>William Shatner episode of the original Twilight Zone which chronicled

0:38:39.080 --> 0:38:42.640
<v Speaker 1>a man who was actually just done from being hospitalized

0:38:42.719 --> 0:38:45.520
<v Speaker 1>for a breakdown, So that that was also a part

0:38:45.560 --> 0:38:48.719
<v Speaker 1>of it. Also, could I just say so he was

0:38:48.840 --> 0:38:52.880
<v Speaker 1>he was completely terrified on this flight. Not only did

0:38:52.920 --> 0:38:55.799
<v Speaker 1>he see a yetty ish type of figure on the wing,

0:38:56.080 --> 0:39:01.279
<v Speaker 1>which inspired the very famous Jim Carrey um scene from

0:39:01.400 --> 0:39:05.280
<v Speaker 1>a Nature calls there's something on the wing. He doesn't

0:39:05.360 --> 0:39:07.160
<v Speaker 1>sound like that if you go back and watch it.

0:39:07.840 --> 0:39:11.200
<v Speaker 1>But um, what I was gonna say is also, hello,

0:39:11.800 --> 0:39:16.279
<v Speaker 1>flying back then, was terrified? He Okay, now you think like,

0:39:16.320 --> 0:39:20.080
<v Speaker 1>oh yeah, flying is terrifying for people. Now think back then, Okay,

0:39:20.239 --> 0:39:22.759
<v Speaker 1>it was. I mean, one, they could smoke, so that's cool,

0:39:22.800 --> 0:39:25.080
<v Speaker 1>But like also your playing can catch on fire. Um,

0:39:25.280 --> 0:39:27.120
<v Speaker 1>because they were smoking, I think in it, as they

0:39:27.160 --> 0:39:29.200
<v Speaker 1>were in all of these Um, this is not an

0:39:29.200 --> 0:39:31.440
<v Speaker 1>anti ps A for smoking. You can do whatever you

0:39:31.520 --> 0:39:33.520
<v Speaker 1>want with your body. I just think on a flight,

0:39:34.440 --> 0:39:38.960
<v Speaker 1>you know. Um yeah, yeah. So that was also a

0:39:39.000 --> 0:39:40.120
<v Speaker 1>part of it that I think a lot of people

0:39:40.160 --> 0:39:42.399
<v Speaker 1>forget is that this man was coming off of having

0:39:42.600 --> 0:39:45.400
<v Speaker 1>a breakdown, So it was did he actually see this

0:39:45.640 --> 0:39:48.239
<v Speaker 1>creature on the wing or wasn't in his head. So

0:39:48.960 --> 0:39:51.680
<v Speaker 1>but yes, speaking of the film, they did. So the

0:39:51.760 --> 0:39:55.960
<v Speaker 1>Twilight Zone movie came out in they did recreate that scene.

0:39:56.080 --> 0:39:59.319
<v Speaker 1>So it started. Dan Ackroyd, Albert Brooks, John Lithgow, Um,

0:39:59.560 --> 0:40:03.240
<v Speaker 1>the late Vickmorrow, and Scott Man. Cruther's John Lennons directed

0:40:03.280 --> 0:40:06.480
<v Speaker 1>the prologue and the first segment. Steven Spielberg directed the second,

0:40:06.600 --> 0:40:09.360
<v Speaker 1>Joe Dante the third, and George Miller directed the final segment,

0:40:09.440 --> 0:40:12.759
<v Speaker 1>which I didn't know. Um. Landis's episode became notorious for

0:40:12.920 --> 0:40:16.160
<v Speaker 1>a helicopter accident during filming that caused the death Tomorrow

0:40:16.320 --> 0:40:21.080
<v Speaker 1>and and two child actors. I just found out about.

0:40:21.160 --> 0:40:25.680
<v Speaker 1>I forgot about that. I was talking about that. Um. Yeah,

0:40:25.680 --> 0:40:30.960
<v Speaker 1>I guess we should move on, yeah, to the second revival,

0:40:31.280 --> 0:40:34.200
<v Speaker 1>because there was many more well before there. Before the

0:40:34.280 --> 0:40:40.160
<v Speaker 1>Second Revival, there was Rod Serling's Lost Classics, when uh,

0:40:40.880 --> 0:40:44.920
<v Speaker 1>basically Richard Matheson and Carold Sara Ling produced a an

0:40:44.960 --> 0:40:47.359
<v Speaker 1>outline for a two hour made for TV movie which

0:40:47.440 --> 0:40:51.960
<v Speaker 1>would feature you know, Matheson's adaptation of three yet unfilmed

0:40:52.040 --> 0:40:56.200
<v Speaker 1>Rod Serling. Short stories and outlines for the production were

0:40:56.719 --> 0:41:01.480
<v Speaker 1>rejected by CBS until early when Sterling's widow discovered a

0:41:01.560 --> 0:41:05.759
<v Speaker 1>complete shooting script for Where the Dead Are authored by

0:41:06.200 --> 0:41:10.120
<v Speaker 1>Sterling himself, and while rummaging, she found that while rummaging

0:41:10.200 --> 0:41:14.520
<v Speaker 1>through her garage, like He'll imagine just having like just scripts.

0:41:14.880 --> 0:41:19.279
<v Speaker 1>The man was a genius, Like man it is, I'm

0:41:19.360 --> 0:41:21.960
<v Speaker 1>angry and how good it was just constantly just like

0:41:22.120 --> 0:41:24.920
<v Speaker 1>I have an idea I can form. Also, like in

0:41:25.000 --> 0:41:27.839
<v Speaker 1>the digital age, that's never gonna happen unless I found

0:41:27.880 --> 0:41:33.120
<v Speaker 1>this random thumb drive they don't look at it, found

0:41:33.160 --> 0:41:37.400
<v Speaker 1>his very dropbox. Yeah. Yeah. So then there was a

0:41:37.440 --> 0:41:39.799
<v Speaker 1>second revival from two thousand two to two thousand three,

0:41:40.000 --> 0:41:41.680
<v Speaker 1>and that was on up N. It was hosted by

0:41:41.680 --> 0:41:44.719
<v Speaker 1>Force Whittaker. Actually do remember that one um it was

0:41:44.719 --> 0:41:49.440
<v Speaker 1>a one hour format where are you Giggily? Within two

0:41:49.520 --> 0:41:53.080
<v Speaker 1>half hour stories. It was canceled after one season. It's

0:41:53.120 --> 0:41:55.080
<v Speaker 1>Still a Good Life is a sequel to It's a

0:41:55.080 --> 0:41:57.600
<v Speaker 1>Good Life? Is that what you were talking about? Okay?

0:41:58.280 --> 0:42:00.560
<v Speaker 1>The Monsters are doing a Maple Street is an adaptation

0:42:00.760 --> 0:42:03.759
<v Speaker 1>of The Monsters are Doing Maple Street and I Have

0:42:03.840 --> 0:42:06.399
<v Speaker 1>the Beholders, the remake of an episode from Riginal series. Yeah,

0:42:06.440 --> 0:42:08.640
<v Speaker 1>so they had some of the same uh ones and

0:42:08.800 --> 0:42:11.279
<v Speaker 1>they had certain still credited as a writer as he

0:42:11.440 --> 0:42:13.320
<v Speaker 1>was because he came up with a lot of those concepts,

0:42:14.040 --> 0:42:15.719
<v Speaker 1>a lot of those stories. Actually, uh like what we

0:42:15.800 --> 0:42:20.560
<v Speaker 1>were saying, there's sequels to the original stories. Uh UM

0:42:20.800 --> 0:42:22.560
<v Speaker 1>let the audience decide if they lived up to him

0:42:22.680 --> 0:42:25.879
<v Speaker 1>or not. UM. In terms of it's still a good life, UM,

0:42:26.280 --> 0:42:30.200
<v Speaker 1>that one is incredibly dark where the like UM, we

0:42:30.320 --> 0:42:31.919
<v Speaker 1>we touched on a little bit where it's the little

0:42:31.960 --> 0:42:34.680
<v Speaker 1>boy who has the psychic ability where he is actually

0:42:34.760 --> 0:42:38.680
<v Speaker 1>reading people's minds and is actually judging if they are

0:42:38.719 --> 0:42:42.359
<v Speaker 1>having good thoughts or not, and it's of his own

0:42:42.400 --> 0:42:45.360
<v Speaker 1>accord of that. He's just like, I don't like what

0:42:45.440 --> 0:42:47.920
<v Speaker 1>you're thinking, and then he would point at someone and

0:42:47.920 --> 0:42:49.480
<v Speaker 1>they would end up in a cornfield. And that was

0:42:49.480 --> 0:42:52.520
<v Speaker 1>the original one. UM. In the sequel, he's actually a

0:42:52.560 --> 0:42:55.440
<v Speaker 1>full grown adult. He has a child. He is worse.

0:42:56.040 --> 0:42:59.600
<v Speaker 1>He has recreated ironically enough, this is if you could

0:42:59.760 --> 0:43:02.840
<v Speaker 1>find this on like YouTube or anything like that, go

0:43:03.040 --> 0:43:04.960
<v Speaker 1>for it. It's still a good life. He has created

0:43:05.160 --> 0:43:10.800
<v Speaker 1>basically a UM like Trump's America. Using psychic powers. He

0:43:10.920 --> 0:43:13.799
<v Speaker 1>decided like I don't like tall buildings, got rid of them.

0:43:13.920 --> 0:43:15.680
<v Speaker 1>I don't like cars, I don't I got rid of them,

0:43:16.160 --> 0:43:20.319
<v Speaker 1>and he's actually changed the world in a way where

0:43:20.440 --> 0:43:23.440
<v Speaker 1>he's just murdering things way worse than he was before.

0:43:23.640 --> 0:43:27.839
<v Speaker 1>And now he has a daughter with power stronger than his. Um.

0:43:28.320 --> 0:43:32.200
<v Speaker 1>It is a very strange watch. The ending is super

0:43:32.280 --> 0:43:37.359
<v Speaker 1>off putting. Um. The last line of dialogue, UM will

0:43:37.719 --> 0:43:42.320
<v Speaker 1>make you probably angry, and uh it is. It is

0:43:43.200 --> 0:43:45.160
<v Speaker 1>quite a thing to watch now, I'm gonna have to

0:43:45.239 --> 0:43:49.960
<v Speaker 1>watch that. And then um, the monsters are due on

0:43:50.120 --> 0:43:53.200
<v Speaker 1>Maple Street. The sequel for that, which is just the

0:43:53.360 --> 0:43:56.399
<v Speaker 1>monsters are on Maple I read it wrong, No, you're

0:43:56.840 --> 0:44:01.440
<v Speaker 1>that one right there is particularly Um I'll put like this,

0:44:01.719 --> 0:44:04.279
<v Speaker 1>if you remember what we just said about the plot

0:44:04.320 --> 0:44:11.120
<v Speaker 1>of that, imagine someone writing a sequel to that post like, well,

0:44:11.360 --> 0:44:15.120
<v Speaker 1>it's it's very much. Uh it's a mob that looks

0:44:15.239 --> 0:44:20.040
<v Speaker 1>very familiar, if you know what I mean. But yeah, no,

0:44:20.200 --> 0:44:25.000
<v Speaker 1>it's it's Uh. It is like interesting because like both

0:44:25.080 --> 0:44:29.240
<v Speaker 1>those things that were created sequels for it's funny because

0:44:29.600 --> 0:44:32.000
<v Speaker 1>you don't need the sequels. It seems like it's saying

0:44:32.160 --> 0:44:36.520
<v Speaker 1>the same thing, like there's no added context because the

0:44:36.760 --> 0:44:39.600
<v Speaker 1>thing that is being said in the original is just

0:44:40.520 --> 0:44:44.560
<v Speaker 1>all unique and the the other thing about that particular

0:44:44.760 --> 0:44:47.920
<v Speaker 1>run was listen, you can you can come at me

0:44:47.960 --> 0:44:51.280
<v Speaker 1>in my mentions if you like it. But there's episodes

0:44:51.400 --> 0:44:56.560
<v Speaker 1>that border on like unintentionally funny, like um, the I'll

0:44:56.600 --> 0:45:00.920
<v Speaker 1>share as a as a police officer episode where he's

0:45:00.960 --> 0:45:06.719
<v Speaker 1>fighting a ghost pill and uh that that leads to

0:45:06.800 --> 0:45:10.160
<v Speaker 1>a conclusion where you're just like, Okay, does that happened where?

0:45:10.360 --> 0:45:13.160
<v Speaker 1>And like it's very very early two thousand's filming, and

0:45:14.120 --> 0:45:16.600
<v Speaker 1>where it's like why is the trash kids c g

0:45:16.800 --> 0:45:22.879
<v Speaker 1>I in the background, the kind of have the technology

0:45:22.920 --> 0:45:24.520
<v Speaker 1>they're going to use it, like just do it. We've

0:45:24.560 --> 0:45:28.480
<v Speaker 1>got that upn money, you know. And then um, there's

0:45:29.000 --> 0:45:33.320
<v Speaker 1>oh man, it is classic the Katherine Heigel will she

0:45:33.520 --> 0:45:37.360
<v Speaker 1>kill Baby Hitler storyline? She just she goes back in time.

0:45:37.840 --> 0:45:44.600
<v Speaker 1>It's a question asked yes, and the ending to that like, uh,

0:45:45.400 --> 0:45:47.120
<v Speaker 1>like I just had to go for a walk because

0:45:47.160 --> 0:45:49.520
<v Speaker 1>of like it it's so ridiculous, Like I feel like

0:45:49.800 --> 0:45:53.560
<v Speaker 1>people are gonna watch this new reboot for a completely

0:45:53.600 --> 0:45:57.160
<v Speaker 1>different reason than they might go watch the original after

0:45:57.320 --> 0:45:59.040
<v Speaker 1>listening to that. The best part about it is that

0:45:59.120 --> 0:46:03.080
<v Speaker 1>you can't look up the things You've just got to watch. Yeah, Um,

0:46:03.320 --> 0:46:05.719
<v Speaker 1>I did want to talk about a couple of things.

0:46:06.120 --> 0:46:09.160
<v Speaker 1>So there was the twilight Zone game. In nineteen sixty four,

0:46:09.239 --> 0:46:12.239
<v Speaker 1>Ideal released a board game, the twilight Zone Game, at

0:46:12.280 --> 0:46:15.760
<v Speaker 1>the height of the show's popularity. That's kind of fascinating.

0:46:15.760 --> 0:46:18.160
<v Speaker 1>So the game consisted of a cardboard playing surface, four

0:46:18.280 --> 0:46:21.680
<v Speaker 1>colored plane, pieces of colored spinning wheel, and twelve door

0:46:21.920 --> 0:46:26.200
<v Speaker 1>playing cards. There was also very popular was the Twilight

0:46:26.320 --> 0:46:29.320
<v Speaker 1>Zone pinball game, which I love I always. I actually,

0:46:29.560 --> 0:46:33.120
<v Speaker 1>being the nerd that I am, was googling Twilight Zone

0:46:33.239 --> 0:46:35.840
<v Speaker 1>on eBay as you do when you're Danny Fernandez on

0:46:35.920 --> 0:46:39.279
<v Speaker 1>a Friday night, and I found somebody had like a

0:46:39.400 --> 0:46:43.280
<v Speaker 1>piece of the pinball uh game that has wrought Sterling

0:46:43.360 --> 0:46:45.120
<v Speaker 1>with like his arms crossed, and so I have that

0:46:45.600 --> 0:46:49.879
<v Speaker 1>framed on my WALLA. Yeah, it's also really cool. It's

0:46:49.920 --> 0:46:53.719
<v Speaker 1>really cool. And they're also comic books, which are this

0:46:53.920 --> 0:46:56.360
<v Speaker 1>is this is such an insight into my life. I

0:46:56.440 --> 0:46:58.719
<v Speaker 1>was gonna say comic books, which you can also find

0:46:58.760 --> 0:47:01.160
<v Speaker 1>on eBay. They're very chee. You can look up the

0:47:01.360 --> 0:47:05.080
<v Speaker 1>Twilight Zone comic books. They for me just make good art. Um.

0:47:05.280 --> 0:47:07.719
<v Speaker 1>I keep some of them intact, so don't freak out.

0:47:08.400 --> 0:47:12.759
<v Speaker 1>But they're also worth like five dollars um, so yeah,

0:47:12.920 --> 0:47:15.040
<v Speaker 1>you can. You can pick up some of the They

0:47:15.080 --> 0:47:18.239
<v Speaker 1>actually had different, um, different stories than than what was

0:47:18.320 --> 0:47:22.800
<v Speaker 1>just in the in the show. Have a favorite comics

0:47:23.000 --> 0:47:26.480
<v Speaker 1>out of the list, They're so absurd, like all of them.

0:47:26.520 --> 0:47:28.440
<v Speaker 1>I'm like, what is gonna look at as good now

0:47:28.520 --> 0:47:30.960
<v Speaker 1>that I'm thirty, because that's like my art. I'm like,

0:47:31.000 --> 0:47:33.040
<v Speaker 1>I needed to you know, be kind of nerdy but

0:47:33.120 --> 0:47:35.759
<v Speaker 1>also speak to me and be eloquent. And it's all

0:47:35.840 --> 0:47:38.840
<v Speaker 1>just like you know, some like tentacles coming out or something,

0:47:39.640 --> 0:47:43.200
<v Speaker 1>um or whatever, like they just like the old school

0:47:43.680 --> 0:47:46.800
<v Speaker 1>uh comics from the sixties, which they were, but but

0:47:46.920 --> 0:47:48.839
<v Speaker 1>a lot of them are kind of crazy looking. It's

0:47:48.880 --> 0:47:53.360
<v Speaker 1>like no budget restraints. Yeah yeah yeah. Uh. And I

0:47:53.480 --> 0:47:59.720
<v Speaker 1>think one of the most known attractions for the Twilight

0:47:59.840 --> 0:48:03.000
<v Speaker 1>Zone and outside of just the show itself, would be

0:48:03.160 --> 0:48:06.839
<v Speaker 1>the Twilight Zone Tower of Terror, which was a theme

0:48:06.920 --> 0:48:10.520
<v Speaker 1>park attraction based on the original Twilight Zone series designed

0:48:10.560 --> 0:48:14.400
<v Speaker 1>by the Walt Disney Imagineers, and the attraction is a

0:48:14.840 --> 0:48:19.080
<v Speaker 1>fixture at two It was at the Disney's Hollywood Studios Florida,

0:48:19.360 --> 0:48:23.440
<v Speaker 1>and uh and the Walt Disney Park in Paris and

0:48:23.920 --> 0:48:28.600
<v Speaker 1>UH there was one at Disney California Adventure, but it

0:48:28.719 --> 0:48:31.480
<v Speaker 1>has been altered to adopt a theme for the Guardians

0:48:31.520 --> 0:48:34.279
<v Speaker 1>of the Galaxy franchise, which I have yet to ride.

0:48:34.320 --> 0:48:38.080
<v Speaker 1>The Guardians of the Galaxy one. I was very line

0:48:38.120 --> 0:48:41.120
<v Speaker 1>over there. Yeah, I was very bummed from Missing Tower

0:48:41.239 --> 0:48:44.440
<v Speaker 1>Terror because it always had just the right level of

0:48:44.520 --> 0:48:48.080
<v Speaker 1>creepiness where even if you're even if you've written it

0:48:48.200 --> 0:48:53.200
<v Speaker 1>a million times, there's still like just this unexplainable creepiness

0:48:53.400 --> 0:48:57.480
<v Speaker 1>of being in that hotel room hearing Rod Serling tell

0:48:57.520 --> 0:49:01.120
<v Speaker 1>you the story of this elevator and you getting in

0:49:01.239 --> 0:49:05.000
<v Speaker 1>it and then seeing the ghost of everyone waving goodbye,

0:49:05.160 --> 0:49:07.919
<v Speaker 1>like they're like, you know the I remember the first

0:49:07.960 --> 0:49:10.480
<v Speaker 1>time I wrote it, it was like legitimately scary, and

0:49:10.520 --> 0:49:12.640
<v Speaker 1>then after it's not as scary, but there's still like

0:49:12.719 --> 0:49:15.360
<v Speaker 1>a level to it that has like that kind of

0:49:15.440 --> 0:49:18.000
<v Speaker 1>like in the same way that you some some twists

0:49:18.040 --> 0:49:21.040
<v Speaker 1>still get that like tingly feeling on you when you

0:49:21.120 --> 0:49:23.040
<v Speaker 1>think about it. I need to tell you something as

0:49:23.120 --> 0:49:25.640
<v Speaker 1>big of a Twilight Zone head. I can't say Twilight

0:49:25.719 --> 0:49:29.160
<v Speaker 1>Head because that's the wrong franchise. As big of a

0:49:29.239 --> 0:49:32.040
<v Speaker 1>Twilight Zone head as I am, uh and grew up

0:49:32.080 --> 0:49:37.840
<v Speaker 1>with I kind of like Bernstein. Bernstein retroactively remembered this

0:49:38.040 --> 0:49:42.800
<v Speaker 1>as an episode, and it wasn't. This was created for

0:49:43.840 --> 0:49:47.880
<v Speaker 1>this ride. This was not a real episode. Yeah, and

0:49:48.000 --> 0:49:49.800
<v Speaker 1>I know. I mean you can tell when you watch it,

0:49:49.920 --> 0:49:51.480
<v Speaker 1>when you're in the ride, you can tell. I, Oh no,

0:49:51.560 --> 0:49:53.640
<v Speaker 1>this was made from like, you know, more recent actors

0:49:53.719 --> 0:49:56.080
<v Speaker 1>or whatever. But I always just assume they're recreating it. No,

0:49:56.440 --> 0:49:59.560
<v Speaker 1>there was no Tower of Terror episode. And I don't

0:49:59.600 --> 0:50:01.720
<v Speaker 1>know why I forever because I was on a Twilight

0:50:01.800 --> 0:50:03.520
<v Speaker 1>Zone episode. I was on a like a podcast. We

0:50:03.680 --> 0:50:05.040
<v Speaker 1>were talking about it like a year or so ago.

0:50:05.719 --> 0:50:09.440
<v Speaker 1>Um and and uh, I was talking about the episode,

0:50:09.480 --> 0:50:12.800
<v Speaker 1>and then later nobody, by the way online corrected me.

0:50:12.920 --> 0:50:17.040
<v Speaker 1>So God blessed them or else nobody listened to that. Um.

0:50:17.719 --> 0:50:21.680
<v Speaker 1>But but later when I got home read, oh, um,

0:50:22.239 --> 0:50:25.000
<v Speaker 1>that wasn't a real episode. I never actually watched it,

0:50:25.440 --> 0:50:28.480
<v Speaker 1>And uh, well it feels so real when you're watching

0:50:30.360 --> 0:50:32.879
<v Speaker 1>this has to be based on an episode. No, yeah,

0:50:32.880 --> 0:50:34.920
<v Speaker 1>I remember seeing it and then the people like they

0:50:34.960 --> 0:50:40.160
<v Speaker 1>get stuck in both Nope. No, um, that's not at

0:50:40.200 --> 0:50:42.400
<v Speaker 1>all embarrassing. But what I do want to say is

0:50:42.560 --> 0:50:46.239
<v Speaker 1>the way that I was introduced to it, which I

0:50:46.280 --> 0:50:50.440
<v Speaker 1>think a lot of people around our age was the marathon,

0:50:50.600 --> 0:50:53.479
<v Speaker 1>the Twilight Zone Marathon. UM. So here's a little lore

0:50:53.760 --> 0:50:55.560
<v Speaker 1>on that as far as it being a history of

0:50:55.600 --> 0:50:58.000
<v Speaker 1>holiday tradition because it was only normally run as a

0:50:58.040 --> 0:51:01.040
<v Speaker 1>marathon during the holidays. UM. Still kind of so the

0:51:01.120 --> 0:51:05.480
<v Speaker 1>origins of the New Year's Eve Twilight Zone Marathon are

0:51:05.640 --> 0:51:10.080
<v Speaker 1>kind of unknown. No one knows which regional TV station

0:51:10.280 --> 0:51:14.759
<v Speaker 1>started syndicating the Twilight Zone reruns during that time, um,

0:51:15.200 --> 0:51:18.840
<v Speaker 1>or whether they began on New Year's at all. The

0:51:19.040 --> 0:51:21.000
<v Speaker 1>first one. So this is a quote from kt l

0:51:21.080 --> 0:51:25.640
<v Speaker 1>A program director Mark Sunnenberg UM and in article in

0:51:25.640 --> 0:51:27.239
<v Speaker 1>The l A Times, he said, the first one we

0:51:27.320 --> 0:51:31.160
<v Speaker 1>did was on Thanksgiving in nineteen eighty and so the

0:51:31.520 --> 0:51:35.960
<v Speaker 1>first Thanksgiving marathon was only eight hours long and received

0:51:36.000 --> 0:51:39.440
<v Speaker 1>a sixteen percent share. So that's kind of fascinating. So

0:51:40.200 --> 0:51:42.399
<v Speaker 1>the Twilight Zone Marathon that we all know and love

0:51:43.080 --> 0:51:46.520
<v Speaker 1>was actually a Thanksgiving marathon. Very fitting, I might say,

0:51:46.600 --> 0:51:51.480
<v Speaker 1>since you're around your family and it seems, yeah, that's

0:51:51.560 --> 0:51:55.600
<v Speaker 1>kind of like very Twilight zony depending on the relationships.

0:51:56.480 --> 0:51:59.880
<v Speaker 1>Man um has to be expected for one of dan

0:52:00.040 --> 0:52:05.879
<v Speaker 1>these favorite properties, we are running on time a little over.

0:52:06.600 --> 0:52:09.280
<v Speaker 1>I mean, I guess we know the future of Twilight

0:52:09.360 --> 0:52:13.000
<v Speaker 1>Zone technically because we know we have the Jordan Peel show. No,

0:52:13.160 --> 0:52:16.840
<v Speaker 1>but also if he um Leonardo DiCaprio, who were interested.

0:52:17.360 --> 0:52:18.799
<v Speaker 1>I don't know if you saw that in our notes,

0:52:19.040 --> 0:52:22.800
<v Speaker 1>Leonardo DiCaprio is interested and possibly doing a feature a

0:52:22.960 --> 0:52:25.800
<v Speaker 1>future film, which who knows if he's actually going to

0:52:25.880 --> 0:52:28.120
<v Speaker 1>do that now that Jordan Peel is going to be

0:52:28.320 --> 0:52:31.080
<v Speaker 1>and I think he's like, I'll step down, but it

0:52:31.120 --> 0:52:35.279
<v Speaker 1>would be interesting because on first thought I'd be like what,

0:52:35.800 --> 0:52:39.440
<v Speaker 1>But also seeing how like Leonardo or as I like

0:52:39.560 --> 0:52:43.279
<v Speaker 1>to call him, Leo Dio, is a huge, huge, huge

0:52:43.360 --> 0:52:48.920
<v Speaker 1>activists for like environmental stuff that I think it's that

0:52:49.040 --> 0:52:50.840
<v Speaker 1>type of brain that's going to be able to like

0:52:51.239 --> 0:52:54.319
<v Speaker 1>make that kind of like thing. But you can also

0:52:54.480 --> 0:52:57.440
<v Speaker 1>end up with the happening and we all know how

0:52:57.560 --> 0:53:01.279
<v Speaker 1>that went. Um. I enjoyed that film. You know what,

0:53:01.520 --> 0:53:04.480
<v Speaker 1>You're not the only person who told me that. I

0:53:05.040 --> 0:53:08.080
<v Speaker 1>actually never seen it. I asked to know, here's what

0:53:08.200 --> 0:53:10.359
<v Speaker 1>I do with a lot of m Night Shumlans films now,

0:53:11.040 --> 0:53:14.120
<v Speaker 1>I asked people with the twist start and it seems

0:53:14.480 --> 0:53:17.239
<v Speaker 1>wild now and the only one that I've heard and

0:53:17.320 --> 0:53:19.400
<v Speaker 1>been like, Okay, I have to see it is split

0:53:19.960 --> 0:53:23.359
<v Speaker 1>Like I was like, oh oh that's oh, I gotta

0:53:23.440 --> 0:53:28.040
<v Speaker 1>go every other one. I'm like, yeah, I'm good. I

0:53:28.200 --> 0:53:31.160
<v Speaker 1>think that's because like that triggles that that just triggers

0:53:31.280 --> 0:53:36.399
<v Speaker 1>the Marvel button. Man, I want that really to blow out,

0:53:36.600 --> 0:53:40.000
<v Speaker 1>Like I need that whole universe just well, yeah, I

0:53:40.080 --> 0:53:43.359
<v Speaker 1>need after credits for this next one. I'm coming out.

0:53:44.840 --> 0:53:47.239
<v Speaker 1>Um but yeah, if god, there's so much to cover.

0:53:47.360 --> 0:53:50.640
<v Speaker 1>We didn't tackle like most obviously we're not going to

0:53:50.680 --> 0:53:52.359
<v Speaker 1>go through all of the episodes, but even the most

0:53:52.520 --> 0:53:55.359
<v Speaker 1>iconic ones. Um, I think we named I would say

0:53:55.400 --> 0:53:57.440
<v Speaker 1>time Enough at Last is most people. A lot of

0:53:57.480 --> 0:53:59.279
<v Speaker 1>people say it's at least in their top five. It's

0:53:59.320 --> 0:54:01.680
<v Speaker 1>one of the most onnic Wares where he steps on

0:54:01.760 --> 0:54:04.120
<v Speaker 1>his glasses, which, by the way, um, I just want

0:54:04.120 --> 0:54:05.839
<v Speaker 1>to correct a couple of things here. Everyone who thinks

0:54:05.880 --> 0:54:08.200
<v Speaker 1>he's a librarian, he's not. He's a banker. Oh gosh,

0:54:08.239 --> 0:54:12.120
<v Speaker 1>I'm like, actually, people. But another thing is that he uh,

0:54:12.480 --> 0:54:16.040
<v Speaker 1>he just wants to read, and his wife is so

0:54:16.400 --> 0:54:19.799
<v Speaker 1>and everyone in his life is so like rude to him. Um,

0:54:19.920 --> 0:54:23.439
<v Speaker 1>and so they all die. Uh, and he's left alone

0:54:23.480 --> 0:54:25.440
<v Speaker 1>because he went into a vault. He's left alone and

0:54:26.800 --> 0:54:28.720
<v Speaker 1>to now he finally has time to read, he steps

0:54:28.760 --> 0:54:31.759
<v Speaker 1>on his glasses. That's the end. I don't understand why

0:54:31.840 --> 0:54:34.800
<v Speaker 1>that's everyone's favorite, because that man did not deserve that

0:54:34.920 --> 0:54:37.360
<v Speaker 1>to happen. Typically like look at you know, it's so

0:54:37.440 --> 0:54:38.960
<v Speaker 1>funny that everyone's like, yeah, and I love that. And

0:54:38.960 --> 0:54:40.520
<v Speaker 1>then he stepped on his glasses and he was like

0:54:40.719 --> 0:54:42.520
<v Speaker 1>then he didn't have any time, like you had all

0:54:42.560 --> 0:54:44.919
<v Speaker 1>this time, but he can't read. He was like, yeah

0:54:45.080 --> 0:54:48.439
<v Speaker 1>he was. He was bullied his whole life and then

0:54:48.840 --> 0:54:51.600
<v Speaker 1>this and he's the only man left alive. And then

0:54:51.640 --> 0:54:54.359
<v Speaker 1>he steps on his glass. Like it doesn't make sense.

0:54:54.440 --> 0:54:56.759
<v Speaker 1>I mean it does. I love you Rod Certling, but um,

0:54:56.920 --> 0:54:58.880
<v Speaker 1>it's funny to me that it's everyone's favorite when if

0:54:58.920 --> 0:55:01.040
<v Speaker 1>you actually think of it, he wasn't the one that

0:55:01.080 --> 0:55:04.480
<v Speaker 1>should have had that happen exactly. It's just like a

0:55:04.640 --> 0:55:07.719
<v Speaker 1>kind of Stopwatch has a similar theme, where um, the

0:55:08.280 --> 0:55:11.279
<v Speaker 1>ending has him breaking the stopwatch and the whole world

0:55:11.360 --> 0:55:13.839
<v Speaker 1>is frozen. He's just stuck it like that from here

0:55:13.880 --> 0:55:15.960
<v Speaker 1>on out. He previously had the ability to turn it

0:55:16.040 --> 0:55:18.800
<v Speaker 1>on and off. But the minute to stop Watch breaks,

0:55:19.719 --> 0:55:23.400
<v Speaker 1>he no longer is able to leave that universe. But

0:55:23.520 --> 0:55:25.600
<v Speaker 1>the bigger thing about that was that he was ribbing

0:55:25.640 --> 0:55:28.480
<v Speaker 1>a bank when it broke, so he totally deserved that.

0:55:28.520 --> 0:55:31.879
<v Speaker 1>It's happening some like these things did at morals. Yeah,

0:55:33.120 --> 0:55:35.400
<v Speaker 1>I mean, yeah, it's just so. But I guess what

0:55:35.800 --> 0:55:39.319
<v Speaker 1>is more of the commentary is how unfair life is. Yeah,

0:55:39.560 --> 0:55:42.040
<v Speaker 1>I think that's a commentary is even the good guy

0:55:42.080 --> 0:55:45.759
<v Speaker 1>in the situation is getting screwed over? Um? So, yeah,

0:55:45.800 --> 0:55:47.560
<v Speaker 1>we'll have to do another one of these where we

0:55:47.640 --> 0:55:50.120
<v Speaker 1>can actually tackle. Maybe we'll have someone on and we'll

0:55:50.160 --> 0:55:51.920
<v Speaker 1>kind of like debate and tackle some of our our

0:55:51.960 --> 0:55:54.480
<v Speaker 1>favorite episodes because there's so much to cover. I definitely

0:55:54.600 --> 0:55:58.279
<v Speaker 1>highly recommend the Twilight Zone companion. Um, there's just so

0:55:58.480 --> 0:56:02.759
<v Speaker 1>much lore in history, but about each of these episodes

0:56:02.800 --> 0:56:06.640
<v Speaker 1>and Rod Serling himself. Um yeah, but I think we

0:56:06.760 --> 0:56:10.000
<v Speaker 1>have to tap out. Yeah, we have to hit that

0:56:10.120 --> 0:56:12.840
<v Speaker 1>tap button. So where can people find you? Know? Um? So,

0:56:12.960 --> 0:56:15.479
<v Speaker 1>the funny thing about screenwriting is that you actually can't

0:56:15.520 --> 0:56:18.560
<v Speaker 1>say most of the things that you're working. So find

0:56:18.600 --> 0:56:20.719
<v Speaker 1>me at like a coffee shop on its doing big

0:56:20.800 --> 0:56:25.640
<v Speaker 1>things people bedlines and panicking American God. Season two is

0:56:26.000 --> 0:56:28.400
<v Speaker 1>going to be out next year, so yeah, I appreciate that,

0:56:28.680 --> 0:56:31.399
<v Speaker 1>and um yeah. Other than that, you can always find

0:56:31.440 --> 0:56:34.960
<v Speaker 1>me at on Twitter at mellow Marketer and uh, you

0:56:35.040 --> 0:56:37.040
<v Speaker 1>can find a lot of my work on the fanbros

0:56:37.080 --> 0:56:39.400
<v Speaker 1>dot com as well. Oh nice, nice and you know

0:56:39.560 --> 0:56:43.160
<v Speaker 1>me if you wid the way on Twitter and Instagram.

0:56:43.719 --> 0:56:45.400
<v Speaker 1>I have y n W I D i w e

0:56:45.560 --> 0:56:48.800
<v Speaker 1>if d's on Twitch, lots of hashtag nerd fam showing

0:56:48.920 --> 0:56:52.680
<v Speaker 1>up dropping them Twitch Prime sums. I gotta thank you

0:56:52.719 --> 0:56:55.759
<v Speaker 1>all for that, but keep listening. Also, we have a

0:56:55.840 --> 0:56:59.799
<v Speaker 1>discord now have the official discord which you just mind

0:57:00.120 --> 0:57:03.080
<v Speaker 1>court that I share with two other streamers, but we

0:57:03.160 --> 0:57:06.000
<v Speaker 1>have a nerdificent chat where you can chat it up.

0:57:06.440 --> 0:57:08.920
<v Speaker 1>I've had people come in the Twitch chat asked me

0:57:09.320 --> 0:57:12.399
<v Speaker 1>to reserve a spot, but you only talking in there.

0:57:13.400 --> 0:57:16.680
<v Speaker 1>Granted the last episode was just a movie that just

0:57:16.880 --> 0:57:20.280
<v Speaker 1>came out spoiler, so you can't talk. But I'll see

0:57:20.320 --> 0:57:22.960
<v Speaker 1>you in there after this episode. Tell us your favorite

0:57:23.000 --> 0:57:26.320
<v Speaker 1>Twilight Zone apps please. I'm so I'm gonna have to

0:57:26.360 --> 0:57:28.480
<v Speaker 1>like make uh yeah, I'll have to pop in there too,

0:57:28.680 --> 0:57:31.400
<v Speaker 1>or like I know, for Infinity War, we made um

0:57:31.560 --> 0:57:34.720
<v Speaker 1>on our notificent Twitter page. We made like a little

0:57:34.760 --> 0:57:36.360
<v Speaker 1>group chat for all of us to kick out on

0:57:36.440 --> 0:57:38.280
<v Speaker 1>Infinity War. So I might do that for twilight Zone

0:57:38.280 --> 0:57:42.160
<v Speaker 1>because it's just so much to cover. And also just yeah,

0:57:42.320 --> 0:57:44.520
<v Speaker 1>and and I guess we didn't. We didn't mention. I

0:57:44.600 --> 0:57:47.480
<v Speaker 1>was like, and it's an anthology, meaning we didn't. We

0:57:47.640 --> 0:57:50.320
<v Speaker 1>should have said that up top, meaning you can like

0:57:50.440 --> 0:57:53.800
<v Speaker 1>watch any episode and they're not um you know, you

0:57:53.800 --> 0:57:55.520
<v Speaker 1>don't have to watch them in order. What I was

0:57:55.560 --> 0:57:59.880
<v Speaker 1>gonna say is, Hi, I'm Danny Fernandez at um MS,

0:58:00.080 --> 0:58:03.200
<v Speaker 1>Danny Fernandez on all of the socials, and Iffie and

0:58:03.280 --> 0:58:06.760
<v Speaker 1>I will be together on a couple of panels. I think,

0:58:06.840 --> 0:58:08.640
<v Speaker 1>I know. At least we have a panel at four

0:58:08.760 --> 0:58:13.320
<v Speaker 1>pm Friday at as at a San Diego Comic Con,

0:58:14.280 --> 0:58:18.040
<v Speaker 1>which is this week. And check the Twitter because we're

0:58:18.080 --> 0:58:20.720
<v Speaker 1>both posting all of our our comic con panels. And

0:58:20.800 --> 0:58:23.280
<v Speaker 1>we have some cool merch now which you can get

0:58:23.320 --> 0:58:25.280
<v Speaker 1>at te Public and you can also find us at

0:58:25.360 --> 0:58:28.800
<v Speaker 1>comic con and we might give you a shirt yea yeah,

0:58:29.360 --> 0:58:33.760
<v Speaker 1>whild supplies last, and of course before we head out

0:58:33.800 --> 0:58:35.439
<v Speaker 1>of here, I want to shout out a couple of people.

0:58:35.440 --> 0:58:37.439
<v Speaker 1>I want to shout out super producer and a host

0:58:38.120 --> 0:58:41.160
<v Speaker 1>who has always uh elding our back. You know, Zach

0:58:41.240 --> 0:58:45.800
<v Speaker 1>McKeever in the booth and our researchers Eaves check coat

0:58:46.320 --> 0:58:50.520
<v Speaker 1>and Christopher Hasis. I don't know, we're not that close. Yeah,

0:58:50.560 --> 0:58:52.640
<v Speaker 1>I can't call it. Chris, I don't know. Maybe we are.

0:58:52.960 --> 0:58:55.880
<v Speaker 1>I'll email. All right, y'all, stay neary