Speaker 1: Hi, I'm Kristin Davis, and I want to know, are
Speaker 1: you a Charlotte? All right, you guys, we're already in it,
Speaker 1: but let me just form holy say, we're very excited
Speaker 1: today because we have Michael Yuri. I am the biggest fan,
Speaker 1: his biggest fan, ugly Betty. But we were also, I
Speaker 1: feel like working during that phase, though maybe not because
Speaker 1: you had pat the movies, Thank you so much, so
Speaker 1: I was not one hundred percent like I would see it,
Speaker 1: you know what I mean and think like, oh, how
Speaker 1: fresh and amazing and interesting and different, and then couldn't
Speaker 1: be a bigger fan of shrinking.
Speaker 2: I mean, I love.
Speaker 1: It so much from episode one through the last season
Speaker 1: and I'm just so happy it's going to continue because
Speaker 1: I was a little worried.
Speaker 3: Well, I know, it seemed and it hadn't.
Speaker 1: Bill said Bill Lawrence, the creator. Hadn't He said that
Speaker 1: it would only be three or two or whatever was three?
Speaker 4: Three?
Speaker 3: Like that was the idea was three, And that's what
Speaker 3: they told from the beginning.
Speaker 4: Oh no, I mean we didn't have like a guarantee
Speaker 4: for three or anything like that.
Speaker 2: But you knew it would only be like it would.
Speaker 3: Three.
Speaker 4: And then the first one be this, It's gonna be this,
Speaker 4: and then sometime during three we started to get the
Speaker 4: sense that like maybe there would be more. But it's
Speaker 4: kind of a it's a bit of so we've we're
Speaker 4: jumping in time.
Speaker 3: Two years.
Speaker 2: Well that's interesting, a little bit of a new story.
Speaker 3: It's a little bit of.
Speaker 1: A new cast members.
Speaker 4: There are like major not not new main cast. There
Speaker 4: are some new new new people, okay, and things are
Speaker 4: it's it's very different. Well, I don't know what I
Speaker 4: can I don't know. But the easy one is my
Speaker 4: baby is now a toddler.
Speaker 1: Fantastic, that one so quick, that went so quick, I.
Speaker 3: Know, show this is tough. That poor little acts got fired.
Speaker 1: Well, that little, tiny little baby doesn't know that they
Speaker 1: have fired, so it's all right. But that baby was cute.
Speaker 3: Oh beautiful, Yeah, oh my god.
Speaker 4: Yeah, And do you remember the episode where she's first
Speaker 4: born and we passed the baby down to Harrison and
Speaker 4: it's that beautiful, Oh my god, the baby and he
Speaker 4: goes he goes ride.
Speaker 3: And this guy like a single tear.
Speaker 1: I know that baby. How how that baby knew that
Speaker 1: something magical was happening. Yeah, when my daughter was one,
Speaker 1: I did The Best Man with James Earl Jones on Broadway,
Speaker 1: and she would come to the theater, especially if we
Speaker 1: had like double shows in between, and she would play
Speaker 1: in the dressing room with makeup brushes and whatnot, and
Speaker 1: we would always do a vocal warm up together and
Speaker 1: he would come yes, and he would come okay, like insane,
Speaker 1: you know what I mean. Like my whole thrill was
Speaker 1: just to be around him and watch him and like,
Speaker 1: you know, so up every every moment. So we'd be
Speaker 1: doing that, you know, you know, all the things and
Speaker 1: jim up exactly and he would shake. He would do
Speaker 1: like the physical warm ups and stuff. But he was older,
Speaker 1: you know.
Speaker 2: It's very impressive.
Speaker 3: He played the old president like the former president.
Speaker 1: Yes, so perfect, so perfect and amazing. Do you want
Speaker 1: to hear one more story before I connect.
Speaker 3: To your story?
Speaker 1: Okay, great.
Speaker 2: So one thing that he would do with that I
Speaker 2: found super interesting.
Speaker 1: They built a dressing room for him on the first
Speaker 1: floor so that he just could very easily come and go,
Speaker 1: and we would go in there to hang with him
Speaker 1: after the show, because like, whoever came would want to
Speaker 1: see him and it would be like a little social hour.
Speaker 1: But he was a little bit shy, you know, So
Speaker 1: he he loved to have us around and you know
Speaker 1: kind of like if he felt really comfortable he might
Speaker 1: tell stories and whatnot. But you know, he would take
Speaker 1: some getting getting warmed up or whatever with people.
Speaker 2: So we would go in there. It was really fun.
Speaker 1: He would write copious notes every performance about his own work,
Speaker 1: what he had tried and what had worked, versus what
Speaker 1: had not worked, versus like what he wanted to try tomorrow,
Speaker 1: like crazy things, and you just be like James, like
Speaker 1: what what I mean? He could just walk out there
Speaker 1: and do nothing and it would be amazing, you know
Speaker 1: what I mean, But like he would change it up
Speaker 1: like you never knew what was gonna happen. Oh my god. Yes,
Speaker 1: Like sometimes one time in particular, he just decided to
Speaker 1: just not go for the laughs, which he can do right,
Speaker 1: he's Digital Jones. So it was like a different show
Speaker 1: and all of us were just like what what what's happening?
Speaker 1: I mean not when he was on right, like John
Speaker 1: Staymils and I just did what we did. We weren't gonna,
Speaker 1: we weren't gonna we didn't have a lot else other
Speaker 1: than the last right, we were gonna go for the last,
Speaker 1: but James just decided one night that he didn't want
Speaker 1: the last, and I said to him, like why, like
Speaker 1: what happened? So I just wanted to do something different.
Speaker 1: I can't even go deep enough. I just thought, I
Speaker 1: just I think he felt like maybe it was too
Speaker 1: much laughing or you know, too going for the comic.
Speaker 4: You could probably get a laugh with like just anything again,
Speaker 4: totally like nothing.
Speaker 1: But then one time this was also interesting that I'm
Speaker 1: going to go back to what you said. He I
Speaker 1: had this line and now I can't remember what it was,
Speaker 1: but I played, you know, a southern wife, like a
Speaker 1: like a mover and a shaker wife, right like I
Speaker 1: was married to just Demos and I wanted him to
Speaker 1: be the nominee and blah blah blah blah, and like
Speaker 1: possibly an evil character, but of course I didn't play
Speaker 1: her as such, right, I just played that she loved
Speaker 1: her husband and she really wanted to succeed in whatever.
Speaker 3: Don't judge a characters, right.
Speaker 1: Right, right, So, but you could also see how both
Speaker 1: of us might have been slightly evil, but we weren't
Speaker 1: going to play it that way. And I had one
Speaker 1: line and it would always get a laugh, and I would.
Speaker 1: I think it was something I said jokes about, like
Speaker 1: sex and stuff, which you know, it was set in
Speaker 1: the sixties, right, so like it was some what I
Speaker 1: was like, you know, pushing the boundary or whatever, and
Speaker 1: I said something contraception, contraception, That's what it was. And
Speaker 1: I you know, I had my Southern accent, so it
Speaker 1: was kind of sing songy. And one day James Earl
Speaker 1: Jones had said something to the stage manager who would
Speaker 1: give us the notes as is normal, about that line,
Speaker 1: and the stage manager said to me, you know, maybe
Speaker 1: you want to try it without the sing song or whatever.
Speaker 1: And I was like, and then he said, well, it
Speaker 1: wasn't my suggestion. With James, I was like, what, oh God,
Speaker 1: so exactly right. And I mean I would hang with
Speaker 1: him backstage like for a long time and we would
Speaker 1: talk about all kinds of things, acting and not acting whatever,
Speaker 1: and my daughter and you know, adoption and all all
Speaker 1: different kinds of things. And he said, I said, James,
Speaker 1: why why do you want me to to do that too?
Speaker 1: What are you saying? You said, oh, sold that you
Speaker 1: could try it to And I was like, okay, well
Speaker 1: then no laugh, okay, no laughing all in my head, Michael,
Speaker 1: you understand. So then I felt really bad and I
Speaker 1: was like, James, I can't do it. I'm really sorry.
Speaker 1: I just got to do my thing because I'm not
Speaker 1: like you. I can't you know. Like he literally would
Speaker 1: just analyze like every intonation of his own performance.
Speaker 2: It was very, very fascinating.
Speaker 3: So how did he take you?
Speaker 1: He was like okay, Darling, Darling Shore Totally he was
Speaker 1: like okay, of course, you know. He was very very sweet,
Speaker 1: but he was also just like searching, you know, he
Speaker 1: was always searching for like what would be better.
Speaker 3: It was super lazy.
Speaker 1: So this is what I was gonna say about my daughter.
Speaker 1: So Gemma would come and we would when we went
Speaker 1: down to do the vocal warm up, it would be
Speaker 1: time for her to go, right because she was little,
Speaker 1: she had to go home and go to bed with
Speaker 1: the nanny and he would be there and he would
Speaker 1: always just be so fascinated with theirs. She was a
Speaker 1: very beautiful little baby, and he would want to hold her,
Speaker 1: and I would give her to him and she would
Speaker 1: just be like what is happening? Like you could just
Speaker 1: see her eyes because of the voice, right, because you
Speaker 1: can feel the voice right in his chest, you know,
Speaker 1: and she just looked slightly scared. She did not know
Speaker 1: he was Darth Vader. Bil later she'd be very scared
Speaker 1: of Darth Vader, right of course, right, she.
Speaker 2: Did not know that yet.
Speaker 1: She was one years old, yes, knows now knows now,
Speaker 1: but somehow something about animation. She never could relate to
Speaker 1: the fact that it was actors that she might have met,
Speaker 1: even if you tell her over and over again, she
Speaker 1: doesn't know for she She's fourteen now, so now she
Speaker 1: gets over.
Speaker 4: I thought animation they were just people like in costumes, Like,
Speaker 4: I didn't understand how that it's so confusing.
Speaker 1: For kids, right, but I mean it's also so magical
Speaker 1: for kids because they don't they don't have any you
Speaker 1: know whatever, preconceived notions. So anyway, I think she understood
Speaker 1: that someone really special was holding her, but she was
Speaker 1: also just.
Speaker 2: Slightly scared of the intensity, do you know what I mean?
Speaker 1: So I have really adorable pictures where he looks just
Speaker 1: so relaxed, like when you hold a baby and you're
Speaker 1: just so relaxed, you know, and she just looks like
Speaker 1: what it Oh, it's really cute, though.
Speaker 3: What does she think of that? Now? Does she I mean,
Speaker 3: she doesn't remember, but does she like she's amazed.
Speaker 2: I think she's amazed.
Speaker 3: So many people.
Speaker 1: She's met a.
Speaker 2: Lot of people.
Speaker 1: Yeah, I don't know that she even really I've really
Speaker 1: tried not to, you know, you know, they're like real
Speaker 1: people to her, right, So like Sarah and Cynthia, she
Speaker 1: knew them before she knew how we knew each other,
Speaker 1: you know what I'm saying. So we didn't talk about
Speaker 1: the other that much. The movie went back to work,
Speaker 1: and one time on the plane, I've told the story
Speaker 1: before on the podcast, but on the plane, one time
Speaker 1: she saw someone in front.
Speaker 2: Of her had the movie on.
Speaker 3: Oh my gosh.
Speaker 2: She was like six or seven, I feel like, and she.
Speaker 1: Was like, Mommy, that looks like you. And I'm like, yeah, eight,
Speaker 1: And I'm like, oh no, it's a weird way for
Speaker 1: her to see it.
Speaker 2: But like it was a movie and nothing, nothing crazy
Speaker 2: was going.
Speaker 1: To happen, you know what I mean.
Speaker 3: No nudy scenes, I don't think so.
Speaker 1: I don't think so, not that I can think of. No, No,
Speaker 1: because the movie, no, the movie is the marriage that
Speaker 1: doesn't happen, you know, the wedding that doesn't Yeah, that
Speaker 1: movie the first movie, the first movie and the second movie.
Speaker 1: I don't think there's any nude either because we're running around,
Speaker 1: you know, Morocco slash.
Speaker 2: Maybe maybe Kim is dude. I don't know.
Speaker 1: I don't think so, I don't know.
Speaker 2: Good questions, Michael.
Speaker 1: But anyway, it was the movies, yes, exactly exactly. But
Speaker 1: it was good because then I feel like it's a
Speaker 1: healthy way to go for the kids. That it's not
Speaker 1: so much about you know, fame or whatever. It's more
Speaker 1: about they're just people that.
Speaker 3: Are in our lives, Mommy's friends.
Speaker 2: Exactly exactly, which is great.
Speaker 4: So but that's how wild that you must have seen
Speaker 4: people watching you on planes before I have.
Speaker 1: I mean just I just flew back from Toronto and
Speaker 1: both Sex and the city and and just like that
Speaker 1: was on the plane and I was like, oh no,
Speaker 1: I have to like hide when I go to the bathroom.
Speaker 1: I mean, there's a good problem to have, of course,
Speaker 1: but like it was really early and I had gotten
Speaker 1: off work really late at night, and I was like,
Speaker 1: oh lord, this is when I'm not and you're trapped. Yeah,
Speaker 1: it's not great. What do you do?
Speaker 4: It's happened one time I was in like I was
Speaker 4: in this Christmas movie that had just come out, and
Speaker 4: it was Christmas time.
Speaker 3: I was traveling Christmas.
Speaker 4: It had just come out, and I was sitting in
Speaker 4: a like a lounge at the airport and my partner
Speaker 4: was across from me and he was like, oh, my god,
Speaker 4: turn around right, and somebody was watching it on their
Speaker 4: laptop right behind my God. And then I was at
Speaker 4: a restaurant in Palm Springs a few weeks ago and
Speaker 4: it was empty. It was just up us and one
Speaker 4: other table and they stood it talking about shrinking.
Speaker 2: Wow.
Speaker 1: Did they see you?
Speaker 3: No, they had no idea. It was anecdotal.
Speaker 4: It was they were a very serious conversation. I could
Speaker 4: tell there it was like a breakup or something. And
Speaker 4: they're like, maybe that part is shrinking. When they went
Speaker 4: boop the boop thing, and I was like.
Speaker 2: Oh my god, they're talking about Wow, that's me.
Speaker 3: And then Ryan was like, you gonna turn around.
Speaker 1: I was like, I was very serious, so embarrassing. But
Speaker 1: then also you feel like you have to hide sometimes
Speaker 1: I feel like I need to I need.
Speaker 3: To hide a little bit. And I'm sure this happens
Speaker 3: to you.
Speaker 4: Sometimes people People get very excited if they've like just
Speaker 4: seen you or like or like they think it's a
Speaker 4: really big deal that like I was just watching you totally,
Speaker 4: and I get that it's a big deal for them,
Speaker 4: but it's hard to like be excited, like sure, sure, sure,
Speaker 4: things that you can watch me are available at all times.
Speaker 3: Totally such a surprise to me.
Speaker 2: That's true, though.
Speaker 1: I also understand from the point of view of like
Speaker 1: the reality that it feels like these people are in
Speaker 1: your living room and or your bed, which is where
Speaker 1: I watch shrinking on my iPad, right, so it's very intimate.
Speaker 3: You know.
Speaker 1: I saw Harrison when Sara Jessica got her Lucile Ball
Speaker 1: of Work and Harrison was there with Kali Mirin, which
Speaker 1: was so great, you know, And when I had to
Speaker 1: go up and speak, I was like, Harrison's looking at me.
Speaker 1: Oh my god, it's just so much pressure. And now
Speaker 1: there's a room full of people look at me, right,
Speaker 1: but you can just see Harrison. He's just directly in
Speaker 1: front of you, and he's just looking at you, and
Speaker 1: it's just pressure, you know.
Speaker 2: And I know the man, but like it's pressure.
Speaker 1: Okay, you're scared, you know what I mean.
Speaker 2: You're like, he's looking I want to do.
Speaker 1: Really well, because Harrison's looking at me and Helen, like
Speaker 1: Helen and Harrison next to each other, literally just staring
Speaker 1: at me, right, So I'm like breathing. I'm breathing. And
Speaker 1: then we were kind of like sandwich together, people were
Speaker 1: mingling or whatever. And I had, you know, possibly the
Speaker 1: night before or two nights before, watched an episode of Shrinking.
Speaker 1: I feel like, you know, it does you feel very
Speaker 1: connected from that, and he's playing a character with Parkinson's.
Speaker 1: My father had Parkinson's really really severely for five years,
Speaker 1: I guess.
Speaker 2: Before he passed away. And it's so great.
Speaker 1: The storyline and what he's doing and the writing and
Speaker 1: you know, all of it is so great. And of
Speaker 1: course he's just great anyway, right, but it's just so
Speaker 1: great that that that that he's giving us this you
Speaker 1: don't say, so of course I felt I had to
Speaker 1: say something, and I think I might have said I
Speaker 1: just was watching, you know. So I also understand from
Speaker 1: a fan perspective, like it's weird because they're so alive.
Speaker 2: You you are so alive.
Speaker 3: I was literally just watching you. I mean, like, there
Speaker 3: you go. And I felt.
Speaker 1: That, right, it's weird. It's interesting.
Speaker 3: I know.
Speaker 4: I know, so you never I guess you never quite
Speaker 4: get over it. But I always feel like I want
Speaker 4: to give you know, when people come like strangers come up,
Speaker 4: I want to give them something like right, I want
Speaker 4: them to.
Speaker 2: Feel yes, you know, like, yes, that part's hard.
Speaker 3: That's hard. Yea, how I'm sorry that I.
Speaker 1: Write in that moment you don't know what to give them.
Speaker 4: Sometimes people are like just crazy, like you know, they're
Speaker 4: like I need this from you or I you know,
Speaker 4: that's that's hard.
Speaker 1: And I do think it's important to have, you know,
Speaker 1: some agency about it, you know, like you might be
Speaker 1: in a hurry, you might be you know, you're allowed to,
Speaker 1: you know, have those things like if I'm with the kids,
Speaker 1: I'm like, please, please do not ask me to stop
Speaker 1: for a picture, because I have to be with these kids.
Speaker 1: I can't be like sorry, kids, I gotta go over
Speaker 1: here and do this.
Speaker 2: I can't.
Speaker 1: I can't do it.
Speaker 2: I can't do it. I feel so bad about it though.
Speaker 3: Yeah, or I'm buying emodium, you know what.
Speaker 1: I yeah, I do regular life things. Yeah, it is hard.
Speaker 1: In pharmacies. I've had that as well. I was at
Speaker 1: a pharmacy in New York and I don't know what
Speaker 1: I was thinking because it was on the Upper east Side,
Speaker 1: but for whatever reason, that was where my doctor called
Speaker 1: it in and I'm I should never go to the
Speaker 1: Upper east Side, do you know what I'm saying? Ever,
Speaker 1: Like it's just bad, you know what I mean. So
Speaker 1: I'm standing there and it's taking a long time and
Speaker 1: people come in that place that literally I know from
Speaker 1: like thirty years ago, and I'm just dying. I wasn't
Speaker 1: getting the embarrassing. I was just like, this is like
Speaker 1: so personal and weird, and like people are talking to
Speaker 1: me about people from like thirty years ago, and I'm
Speaker 1: trying to remember who they're talking about, and I'm like,
Speaker 1: oh my god. And then people are recognizing us because
Speaker 1: we're talking and I'm just like dying and just.
Speaker 3: Like please God, are you you know out of here? Right?
Speaker 1: But what are you going to do? I mean, you
Speaker 1: don't want to It's hard because I think part of
Speaker 1: what's hard is that you don't want to disappoint people.
Speaker 4: Well exactly, yeah, you want to be everything they want
Speaker 4: from yes and more. They are genuinely happy, right, I
Speaker 4: see you, But it's.
Speaker 2: Hard to know how to be that in the moment
Speaker 2: in life.
Speaker 4: One time I was in New York and you know
Speaker 4: how my character on Shrinking says, everything goes my way?
Speaker 1: Yes, oh no.
Speaker 4: I was in New York and I was rushing. I
Speaker 4: was I was, oh, oh, I know what it was.
Speaker 4: I had to write an email. I didn't want to
Speaker 4: write oh. And I was on my way somewhere and
Speaker 4: I had ten minutes, and I was like, do it
Speaker 4: now or I should be thinking about all night. So
Speaker 4: I sat on a bench by the sid I was
Speaker 4: getting on the subway. I sat by on a bench by
Speaker 4: the subway. I was like, do it right now, write
Speaker 4: this email. And I'm writing the email and I'm I'm
Speaker 4: almost finished. I'm about to hit send. I'm starting to
Speaker 4: be relieved, and I get shit on by a bird
Speaker 4: that must have been dying because it was.
Speaker 3: The most like on my shirt.
Speaker 1: Oh my god.
Speaker 3: And I was like what I and what do I do?
Speaker 3: I didn't send it. I hadn't sent I'm covered in poop.
Speaker 4: And I would go to like an ice cream truck
Speaker 4: and I say, could you please give me I've just
Speaker 4: been shotn by a bird, because you please give me
Speaker 4: some napkins And they're like okay, here and the napkin, like,
Speaker 4: you know, like it must have been like a glob
Speaker 4: and it touched the napkin, it like got ten times low.
Speaker 3: It was disgusting, and so I had to go home.
Speaker 3: I was like, I have to go change.
Speaker 4: I can't possibly go out now, I have to go
Speaker 4: change emails not sent. And I'm walking home feeling just
Speaker 4: like New York has just really on me. Yeah, and
Speaker 4: somebody walks behind goes everything goes my way, you know what, Actually.
Speaker 1: That's kind of a door. That's true. All right, So
Speaker 1: my Hyundai hot take for all the glitters, I'm gonna
Speaker 1: have to say when Charlotte and Trey end up taking
Speaker 1: the picture for I think we call it house and Garden.
Speaker 2: In my mind it was town and country, but house
Speaker 2: and Garden.
Speaker 1: And Charlotte thinks the Tray's not gonna make it, and
Speaker 1: she's really sad, and she tells Mario, you know, it's
Speaker 1: just going to be me because we're splitting up, and
Speaker 1: then right at the last moment, Tray comes and then he.
Speaker 2: Poses for that picture. And I see that picture so.
Speaker 1: Often on Instagram, which is partly why I want to
Speaker 1: say that it's my my hot take moment. But also, Oh,
Speaker 1: it's just so sweet and so sad, And when I
Speaker 1: watched it again, I just really liked it.
Speaker 2: I kind of remembered it.
Speaker 1: But I hadn't really remembered it, so it was really
Speaker 1: interesting to me. I had forgotten this sadness. And obviously
Speaker 1: this is something that Charlotte's really wanted to have, this
Speaker 1: like kind of attention to her home that she's made,
Speaker 1: and then the fact that he does come because I
Speaker 1: think at heart Trays really a nice guy and a
Speaker 1: good guy, and it's really sad that they can't make
Speaker 1: it work. So I think that's going to be my
Speaker 1: hot take for all the Glitters, celebrating iconic moments, bold moves,
Speaker 1: and unforgettable style, just like Hyundai. Let me ask you
Speaker 1: this about your shrinking part. Did you know Bill before
Speaker 1: that's amazing? Did you feel that this part was written
Speaker 1: for you? Because it seems like it.
Speaker 3: Is that thank you, that's such a nice compliment.
Speaker 4: I didn't meet him until the read through what and
Speaker 4: I auditioned and.
Speaker 3: I felt really good about the like.
Speaker 4: This is great material, really good material. My audition was
Speaker 4: everything from the second episode. Oh and it was so good,
Speaker 4: so many different kinds of scenes, different levels.
Speaker 3: And I had read.
Speaker 4: The first episode and I was like, well, I didn't
Speaker 4: know Harrison wasn't it yet. But I was like, these
Speaker 4: characters are very nuanced, and my character doesn't really show
Speaker 4: up until the second episode. And it was like, if
Speaker 4: this is what the show is and this guy is
Speaker 4: going to be a lot of different things, but no,
Speaker 4: it's just really good writing and really actable, like really
Speaker 4: playable stuff. Yeah, for everyone know any of them. I
Speaker 4: had serious imposter syndrome because I didn't I hadn't met
Speaker 4: a single person. What. I made a tape, I sent
Speaker 4: it off, I put it out of my mind. I
Speaker 4: got good at that. I've gotten good at that. Like
Speaker 4: you make an audition take and you send it out
Speaker 4: and you just like sort of put it out of
Speaker 4: your mind. And weeks go by and I'm not I
Speaker 4: haven't thought about it. And my agents call and they're
Speaker 4: like we have They're like, let's get.
Speaker 3: On the phone. We have an update about drinking.
Speaker 4: And we hop on the phone and my agent says, well,
Speaker 4: we really thought this was going to go to a
Speaker 4: test deal and I was like, oh, so it's not happening.
Speaker 3: They're like, no, you got it. What stupid agents, but
Speaker 3: I had not met. I thought, at least they're going.
Speaker 4: To make me do a chemistry with Jason Siegel. I'm
Speaker 4: playing his best friend, or like meet Bill Lawrence and see.
Speaker 1: If I'm yeah, yeah, But maybe they had called around
Speaker 1: and checked up on you, you.
Speaker 4: Know, there was I found out later that there was
Speaker 4: a writer on the staff that I had worked with.
Speaker 4: Did turn out that and his name is Brian Same
Speaker 4: so I think they named.
Speaker 3: The character nice after him.
Speaker 1: Excellent, and so he.
Speaker 3: Must have vouched for me. But but I, you know,
Speaker 3: like I never I never acted with any of them.
Speaker 1: Or crazy on the Bill Lauren show. That's amazing. I
Speaker 1: love that.
Speaker 4: And then the first time read through, I I met
Speaker 4: the mall amazing. I didn't have any lines in the
Speaker 4: first episode. That was also like we did the first
Speaker 4: the table to the first episode, and I had nothing.
Speaker 4: I was up there with my little name tag, but
Speaker 4: I had nothing to say. We got to the part
Speaker 4: in the in the first episode. The only thing that
Speaker 4: I do is you see me from across the way
Speaker 4: and I'm pumping gas. Jimmy sees me and he's like,
Speaker 4: we got to get out of here. And he's with
Speaker 4: Luke Tenny's character Sean, and he's like, well, you hate
Speaker 4: that guy, and he's like, no, he's the best.
Speaker 3: And you don't know what's going on.
Speaker 4: You don't know what happens that you find out the
Speaker 4: next episode it ghosted, he goes because I was my
Speaker 4: energy was not what he wanted to be around after
Speaker 4: his wife died. So you're in the table read, and
Speaker 4: also Bill runs the table read and he's like, you know,
Speaker 4: everybody up here, so we're not gonna do introductions. We're
Speaker 4: just gonna get in there, we're gonna read. Let's go,
Speaker 4: and we just start reading. And I'm like, okay, well
Speaker 4: here I am. And you know, you know, like a
Speaker 4: table read, you just like want to score. Yes, you
Speaker 4: want to have your moment to like score.
Speaker 1: That's good that you want that. Different people come to
Speaker 1: table reads in different ways. I like that vibe. Yeah,
Speaker 1: Michael Patrick would appreciate that.
Speaker 4: Yeah, yeah, well well and also I've been in table
Speaker 4: reads where like people get fired, right, I've been in
Speaker 4: table reads where like your joke.
Speaker 3: Gets cut right, that's right.
Speaker 4: So I've like I've been in the theories where the
Speaker 4: writers are very upset after where it is because the
Speaker 4: jokes or whatever. So I was like, I don't want
Speaker 4: to score and I have nothing to do, oh because
Speaker 4: I have no lines. And Bill Lawrence we get to
Speaker 4: the part where they see Brian across the street and
Speaker 4: we get there and Bill's.
Speaker 3: Like, oh wait, I gotta stop, I gotta stop. Michael
Speaker 3: Urrey is in the show too. He's another series regularly.
Speaker 3: He doesn't have any lines in these, but he's here.
Speaker 3: This is so cool. You se him across the street.
Speaker 3: He's pumping gas and he like looks over at me
Speaker 3: and so I your dad. I stood up and oh
Speaker 3: my god, how Adora.
Speaker 1: I just mind guys, and I got to score and
Speaker 1: everyone laughed and it was that's cute.
Speaker 3: It was like the most generous thing he could have done.
Speaker 3: And I got, I got that's good.
Speaker 1: That's good.
Speaker 4: It was still I still had that like crazy imposter
Speaker 4: syndrome because I didn't, you know, the first episode took
Speaker 4: a while. It took a little while to find find
Speaker 4: the footing, and all I did was pump gass and
Speaker 4: I was like, I'm not even on this show.
Speaker 3: Did they make a mista.
Speaker 4: I kept thinking I'm going to show up on set
Speaker 4: and they're going to be like, wait, a minute. You're
Speaker 4: Andrew Reynolds.
Speaker 1: My goodness, that's funny.
Speaker 3: It's working out.
Speaker 1: It's working out great. You're so perfect, and I think
Speaker 1: everyone is perfect. I know it's Ted McGinley from class,
Speaker 1: like years and years and years ago. His wife Gigi
Speaker 1: was in class with me. So sweet, so so sweet.
Speaker 1: They're such a great couple, the best. I'm so happy,
Speaker 1: so so happy for him.
Speaker 3: And he is just driving.
Speaker 1: He's a dream. He's a dream. He's so great. Everyone,
Speaker 1: everyone is so great. Christa and I used to sit
Speaker 1: in auditions together, you know, like millions of years ago. Yeah, yeah, Yeah,
Speaker 1: she's amazing. She is amazing.
Speaker 3: And she's also the music supervi. I know.
Speaker 2: I love that so much.
Speaker 4: All Bill shows, she's a music she or her partner
Speaker 4: of the music supervisor.
Speaker 1: Very interesting, and.
Speaker 3: That's why they all have such cool music.
Speaker 2: Really cool music.
Speaker 1: Great stuff's always really good. It's really good. I love it.
Speaker 2: I'm just so happy you guys.
Speaker 1: Are not going to end, and I'm happy that you're
Speaker 1: coming back, and i account wait to see what you
Speaker 1: come back doing because I'm a big fan obviously. Now
Speaker 1: let's talk about Ugly Betty for a second. Oh my god,
Speaker 1: I had fully forgotten about Pat being on Ugly Betty.
Speaker 3: Yes, Pollo and Jackie, Polo.
Speaker 2: And Jackie, but what about Molly and Molly?
Speaker 1: Oh my god, I know we had them all everyone amazing.
Speaker 2: So that was almost directly when the show ended.
Speaker 4: Correct, It's like immediately, I feel like we started immediately.
Speaker 4: Oh wow, like we started that. We did the pilot
Speaker 4: in like March of six.
Speaker 1: Oh got it? So I think we ended No.
Speaker 3: Four Okay, so it was.
Speaker 4: Right after yeah, yeah, yeah, and we shot the pilot
Speaker 4: at you guys were a Silver Cup, right.
Speaker 2: Yeah, we were.
Speaker 3: We shot the pilot.
Speaker 1: Oh wow, we just went back there and shot one
Speaker 1: of our seasons there. The place is falling apart. I'm
Speaker 1: sure like they have done no work. It's just one there,
Speaker 1: one of the we shot one of the seasons. Yeah.
Speaker 1: We were at Steiner first and then Silver Cup and
Speaker 1: then we went to Waldorf. What's it called coffin Astoria
Speaker 1: around Yeah, you know, the the sound stages at that
Speaker 1: point post COVID, Like we're so booked and the prices
Speaker 1: would just go up and up, and we would always
Speaker 1: want to store our stuff and they would be like.
Speaker 2: Five million dollars.
Speaker 1: It was, you know it was just so much cast
Speaker 1: and we never knew exactly when we were going to
Speaker 1: come back, so that was part of it. But it
Speaker 1: was kind of fun to go to different places. We
Speaker 1: kept it lively, you know. But yeah, Silver Cup was
Speaker 1: a magical place in the day.
Speaker 4: Gosh, right there, off, I mean just like that neighborhood
Speaker 4: and yeah, water like that, and.
Speaker 3: Yeah we didn't we didn't get So we shot the
Speaker 3: pilot there and then they moved the whole show to
Speaker 3: La got it, and Pat was like going to La.
Speaker 3: Really she did. She didn't do the first two seasons.
Speaker 4: Oh, a great guy named Edward Castro designed them.
Speaker 1: But oh wait, I've met him.
Speaker 3: Yeah he's very good, very good.
Speaker 1: Okay, So she did the pilot exactly.
Speaker 4: She created the looks right and the aesthetic, especially for Betty,
Speaker 4: who was like literally she took the red glasses off
Speaker 4: of her face and put them on America fer era.
Speaker 3: Wow.
Speaker 1: I didn't know that.
Speaker 3: Yeah, that was literally very cool. In the in the
Speaker 3: there's a great story in the fitting, she's like, that
Speaker 3: is it's not there yet? What is he saying? And
Speaker 3: then she just like wait and wow, yeah it was
Speaker 3: really it was, it was it was wow.
Speaker 4: She was very exciting to be around. And and I
Speaker 4: will never forget my first time. I was like what.
Speaker 3: Because I was a child. I was twenty five.
Speaker 4: Wow, I hadn't done anything, and I'm going to her
Speaker 4: like studio where she's you.
Speaker 2: Did anyone warn you or tell you?
Speaker 1: Are you?
Speaker 2: Because I do think people think she's more normal than
Speaker 2: she is.
Speaker 4: She is.
Speaker 1: She is a one of a.
Speaker 3: Kind, totally one of a kind unicorn.
Speaker 4: Yes, and wonderful and we'll really bullet.
Speaker 3: She would advocate for my character.
Speaker 2: Oh, I know she has strong opinions about everything.
Speaker 1: She really wanted to direct sex and the city really,
Speaker 1: but then once she started talking about what she would
Speaker 1: do everyone, it would just be like, yeah, no, it's
Speaker 1: not going to happen.
Speaker 3: And then I want you here again.
Speaker 4: I'm younger and and Darren starter, Yeah I forgot about that. Yeah,
Speaker 4: and Jackie, Jackie really did younger and and Pat. Pat
Speaker 4: would come in and out, but Pat would go about
Speaker 4: she would I saw her like take Darren aside and
Speaker 4: be like more it should be on this more.
Speaker 2: Wow, so sweet.
Speaker 4: Going to my first fitting and I'm like what is it?
Speaker 4: And there's Molly with her Southern accent, so like delightful
Speaker 4: and eccentric and eye rolly, and Pat, Paula and Jackie
Speaker 4: weren't there yet.
Speaker 1: Okay.
Speaker 4: Pat was so weird smoking, putting cigarettes out on the table.
Speaker 1: Her evil dogs, Yeah, the dogs Sultana and yeah, those dogs.
Speaker 4: She want more hideous and evil than those dogs.
Speaker 1: But I know what you're saying. They they were unique too, yes, yes,
Speaker 1: And they would be just hiding under the table and
Speaker 1: you shouldn't go.
Speaker 3: Over there if they're shaky.
Speaker 1: Yeah, yeah, don't go over there.
Speaker 3: Don't go over there. Yeah. And then she would like
Speaker 3: put these things.
Speaker 4: I want to just stand there and she would put
Speaker 4: these combinations of clothes and then she'd put a thing
Speaker 4: around my neck and then she would come up and
Speaker 4: have a cigarette dangling and just like be breathing in
Speaker 4: my face, tying it around, and then it would like
Speaker 4: step away.
Speaker 3: And there was something definitely totally amazing. Also had just
Speaker 3: like hours.
Speaker 1: Of fittings, hours of fittings, and sometimes it's start at
Speaker 1: two am.
Speaker 2: I one time got in trouble.
Speaker 1: Like maybe second season, I want to say, because we
Speaker 1: were working just like horrific, horrific hours and everyone was like,
Speaker 1: don't Comeplaine, don't Complaine.
Speaker 2: You know, just be tough. And we were trying.
Speaker 1: I was trying, but it was hard, right, And we
Speaker 1: would see the sun rise like Thursday and Friday into Saturday, right,
Speaker 1: so the sun would rise on Saturday and we'd have
Speaker 1: to stop shooting. We wouldn't be done necessarily that we'd
Speaker 1: have to stop because the summer's rising. We were doing
Speaker 1: a night exterior and that was it, right, And then
Speaker 1: sometimes we'd even be on the stage till the sun rose,
Speaker 1: which made no sense, but that's how messed up we'd
Speaker 1: gotten during the week, right, And in the beginning, we
Speaker 1: had all those exterior night you know scenes whatever. And
Speaker 1: one time I wrapped it, I want to say two
Speaker 1: and they were like, you know, the ads are like.
Speaker 2: Now you're going to go to your fitting.
Speaker 1: I was like, yeah, no, come on guys, and they're like, what,
Speaker 1: you have a fitting? You have to go. And I'm like,
Speaker 1: but two am, we're starting at you because they would
Speaker 1: be five hours, right, So I'm like, it's it's two am.
Speaker 1: It's two it's two am. And I was tired enough
Speaker 1: that I like, you know, stuck to my guns or whatever,
Speaker 1: and I think it didn't happen. And then I was
Speaker 1: in the doghouse. Yeah, yeah, I got spoken to. I
Speaker 1: got spoken to. Yeah, I did. I need to go
Speaker 1: to a fitting and do not ever complain again basically
Speaker 1: yeah yeah yeah, not by Pat By you know, higher
Speaker 1: up than Pat Yeah yeah, yeah, like you know, the
Speaker 1: whole thing had to be I mean, they were very much.
Speaker 1: I also remember, did you ever meet Rebecca who was
Speaker 1: Pat's girlfriend and then wife. No, so Rebecca was around
Speaker 1: on the show, but then they split up and she left.
Speaker 1: But when they weren't getting along, if you went to
Speaker 1: a fitting, you know, you'd have like there'd be like
Speaker 1: thirty bags there or whatever, right, and they you know,
Speaker 1: they'd get the outfit in the shoes and whatever, and
Speaker 1: then they'd be like, oh the bag, you know. And
Speaker 1: so you'd stand there and they one would say, well,
Speaker 1: I want this back, and then the other would say,
Speaker 1: well I want that back. So you'd have to hold one,
Speaker 1: then you have to hold the other, and the you
Speaker 1: have to hold one and they have the other, and
Speaker 1: they would just argue and argue and are you And
Speaker 1: I was like, you guys need to go to therapy,
Speaker 1: like not be arguing over this bag, you know what
Speaker 1: I'm saying. Like they were breaking up, right, but it
Speaker 1: would be about the bag, right, so you just be
Speaker 1: there forever.
Speaker 2: They'd be like I.
Speaker 1: Like this one, I like that one, I like this one.
Speaker 3: I like that.
Speaker 2: You're like on and on and on and on and on,
Speaker 2: and you feel.
Speaker 1: Oh God, please let me go. But but on the
Speaker 1: other hand, it was part of it, you know, it
Speaker 1: was part of the whole show and the process, and
Speaker 1: no one, none of us had any illusions that it
Speaker 1: wasn't like tremendously important. You don't what I'm saying.
Speaker 3: I mean that that was that show was. I feel
Speaker 3: like there wasn't fashion on television before that.
Speaker 1: I agree, I agree, And I don't even know if
Speaker 1: there's fashion on television now. Sometimes sometimes I'm like, what
Speaker 1: are these people worrying? But whatever, that's me, that's me
Speaker 1: being whatever. I do think there's fashion. I mean, you know,
Speaker 1: I didn't watch the the JFK Junior thing because to me,
Speaker 1: it's like too soon.
Speaker 2: But you know there's there's fashion, right, Like.
Speaker 1: Yeah, Murphy understands fashion, I think, right, yeah, yeah.
Speaker 4: But that show, like it was the custums side fashion,
Speaker 4: but show your show introduced the idea of fashion two people. Yeah,
Speaker 4: Like I feel like it was the first time I
Speaker 4: understood that's a good point, Like, oh, that's a thing
Speaker 4: people do for.
Speaker 2: A living, for sure, and also a thing that you
Speaker 2: can do.
Speaker 1: I think that's what was nice about it was like
Speaker 1: the way Pat Emali and Sir Jessica approached it was
Speaker 1: make it your own, right, Like, yes, you're going to
Speaker 1: wear these tremendous things, but you're also going to mix
Speaker 1: them with things from the street, right, like that two
Speaker 1: two in the opening is five dollars, you know what
Speaker 1: I mean? And then like, hi, low was is it
Speaker 1: part of Pat's whole whole thing?
Speaker 2: Right?
Speaker 1: Not so much for Charlotte though, when I watched back episodes,
Speaker 1: I'm like, oh, yeah, that's like from the gap or whatever,
Speaker 1: you know what I mean, Like like you can't tell
Speaker 1: because the shoes that we're wearing with it or whatever,
Speaker 1: you know what I mean.
Speaker 2: But and the styling, right, But I think that.
Speaker 1: Was what made it approachable and acceptable, was like take it,
Speaker 1: make it your own. I feel like that was the important,
Speaker 1: important part of it.
Speaker 3: Did you know from the beginning that that's that the show? Like?
Speaker 4: Because I think about the the iconic opening credits where
Speaker 4: you know she's in the two two, and then even
Speaker 4: that it ends with that goofy face that she makes a.
Speaker 1: Pause.
Speaker 4: It's sort of like, oh, this isn't just like a
Speaker 4: perfect person she's going to be, and like like that
Speaker 4: from the beginning was like like, I guess my question
Speaker 4: is did the show know what it was from the
Speaker 4: very beginning?
Speaker 2: I mean I think in some ways yes, right, because
Speaker 2: you think about.
Speaker 1: Like the bus, you know, the bus goes by her
Speaker 1: and hits a mud puddle that splashes on her and
Speaker 1: has her face on there advertising the column with like
Speaker 1: graffiti on.
Speaker 3: There, right right right, So like from the beginning.
Speaker 1: Very clearly it's going to be it's going to be
Speaker 1: a world you've never seen. And I was aware when
Speaker 1: I read the script. I didn't know who Candice was.
Speaker 1: I had never read the column. I knew the paper,
Speaker 1: The Observer, but I didn't know her like she wasn't
Speaker 1: she didn't. I didn't focus on that world, you know. No.
Speaker 1: I grew up in South Carolina, but I went to Brutgers,
Speaker 1: and I lived in New York, and I lived in
Speaker 1: Hoboken whatever, and I was an actress, waitress, and then
Speaker 1: I moved to La where I started to do better.
Speaker 1: And then I got Sex and City and moved back
Speaker 1: back and forth, you know, back and forth like we
Speaker 1: all do, which is great obviously, but I knew it
Speaker 1: was like an unseen world, right, and a world that
Speaker 1: I wasn't part of. So I was thought it was
Speaker 1: impossibly glamorous and amazing and you know, like.
Speaker 2: Very impressive.
Speaker 1: And I fully had imposter syndrome, fully, fully fully because.
Speaker 2: I was, you know, not of that world.
Speaker 1: And even though Sarah feels like she wasn't of that world,
Speaker 1: but to me, she was very much an it girl,
Speaker 1: Sir Jessica herself, right, she now says, like, what are
Speaker 1: you saying?
Speaker 2: You know, but like, you know, like I remember seeing.
Speaker 3: She was the thing.
Speaker 1: Yes, yes, I mean she thinks of herself as being
Speaker 1: like a journeyman actor at that point, right, I think
Speaker 1: of her as being New York City a girl. But
Speaker 1: I also remember Pilot. I remember Papa Razzi taking a
Speaker 1: picture of her walking across the street. I was like,
Speaker 1: what is happening? Like I was just shooting here on
Speaker 1: like a sound stage, right, like I didn't know. I
Speaker 1: was like what, I had no idea what we were
Speaker 1: about to experience, you know WHOA many years later obviously,
Speaker 1: but I was like, oh, who is that, you know
Speaker 1: what I'm saying, and like she's so calm, you know,
Speaker 1: I was just like, what, what what is going on?
Speaker 1: But you know, a little did I know what we
Speaker 1: were about to experience, right, So I knew, But we really,
Speaker 1: really really thought it was going to be a small,
Speaker 1: kind of a cult following type of a show in
Speaker 1: the way that Larry Sanders was on HBO, because I
Speaker 1: had been almost the only show that I knew of
Speaker 1: that HBO had had, and we were fine with that.
Speaker 1: We were like, as long as enough people watch it
Speaker 1: that we.
Speaker 2: Get to keep doing it, then great.
Speaker 1: You know, we had no plan that it was going
Speaker 1: to be what it came came to be, which was amazing. Now,
Speaker 1: I do think that there so I think in some
Speaker 1: ways Darren had a really clear idea of doing something different, right,
Speaker 1: and he wanted to you know, it was Kandas's column,
Speaker 1: and he was going to like the first episodes are
Speaker 1: very very specifically pulled from the book, right, and they're dark.
Speaker 2: It is dark, you know, in the beginning, the.
Speaker 1: Men are awful, awful, And Candace came on the podcast
Speaker 1: and told me that, you know, guys, just used to
Speaker 1: come up to her parties and just tell her the stories,
Speaker 1: these horrible, disgusting stories, but like bragging to her about
Speaker 1: the stories. You know, she didn't even have to try
Speaker 1: to get them to tell her. They were just like
Speaker 1: willingly like And then I filmed the models and they
Speaker 1: didn't know I was filming them, like you know, like this, right, yeah,
Speaker 1: I mean especially back then.
Speaker 2: You know, like like I I feel like it's better now.
Speaker 4: I could be wrong, but I mean social media sort
Speaker 4: of holding people accountable in a way.
Speaker 1: Yeah, And I think it tells young women that you
Speaker 1: can do that, you know. I don't think it ever
Speaker 1: occurred to us, you know, Like in the episode where
Speaker 1: the guy films, it's Gabriel Mock playing this character, God
Speaker 1: bless him, and he is like awful, right, and he
Speaker 1: tells her like I'm going to show you my masterpiece,
Speaker 1: and she has to sit down and smoke a cigarette
Speaker 1: and watch these videos of him with as she says,
Speaker 1: all the girls from Vogue, all the girls from the
Speaker 1: ads in Vogue, and they don't know that they're being filmed, right,
Speaker 1: But it's his masterpiece that he's somehow going to show
Speaker 1: people at some point because it's his masterpiece. But also
Speaker 1: if she doesn't say.
Speaker 2: Like I need to call the cop.
Speaker 1: That's what's right, It doesn't even she's like ha ha ha,
Speaker 1: you know. And I said to Sarah Jessica, like, wasn't
Speaker 1: that awful and hard? And she said, well, first of all,
Speaker 1: there's nothing on the on the it's like old TVs. Right,
Speaker 1: So obviously they didn't have the footage, right, so she
Speaker 1: was just imagining things. And also Candice is very cool
Speaker 1: and not judgmental, right, that was kind of her like,
Speaker 1: I'm just going to hang like I'm one of the guys.
Speaker 1: I'm not going to judge them whatever, and so Sarah
Speaker 1: was trying to do that in a way. And then
Speaker 1: also but then later Samantha wants to go out with
Speaker 1: that guy and Carrie tells her like, no, no, no,
Speaker 1: you don't because he's got to try to film you.
Speaker 1: And Samantha's like, ah, I want to, and so she goes, right,
Speaker 1: but I mean Carrie does say no, no, no, he's
Speaker 1: you know, he's not great or whatever, but Samantha chooses
Speaker 1: to go.
Speaker 2: So it's interesting.
Speaker 1: But I think that you know, we were so used
Speaker 1: to that, you know, we were just used to just
Speaker 1: like it.
Speaker 3: That's the way it is. Yeah, well that's the different
Speaker 3: time thing that like, like people say it now they're like, well,
Speaker 3: there was a different time about things, but it was and.
Speaker 1: It really really was. But yet it still holds up
Speaker 1: and you can still watch it. And so sometimes they'll
Speaker 1: be like the chord phones, you know, we're on like
Speaker 1: the chord phones, and they'll be weird things like that,
Speaker 1: like anachronistic things, but otherwise, the relationship stuff, it still
Speaker 1: seems really relatable.
Speaker 4: Yeah, so I found what I find because I've been
Speaker 4: looking at I've been looking back thinking about us being
Speaker 4: here together, and there's a few times when I'm like, oh,
Speaker 4: they're not quite woken. You assume they like I remember
Speaker 4: them back then, they were the wokest, they have gay
Speaker 4: friends and like yeah, like all that stuff, but like
Speaker 4: now looking back, they're not.
Speaker 1: Sometimes sometimes will say something and you're like what, yeah,
Speaker 1: like what stood out to you?
Speaker 4: Well on the episode we're gonna talk about like some
Speaker 4: of the gay stuff is a little uh, you know,
Speaker 4: like it's.
Speaker 1: Just one, but it also was a very I.
Speaker 4: Don't want watch gay porn, I know, but she's like,
Speaker 4: of course, why would she? I mean she's never seen
Speaker 4: it before.
Speaker 1: I know. It's so funny that three of them are
Speaker 1: laughing about it because that was like never seen on television,
Speaker 1: totally never, never seen on television.
Speaker 3: There's an episode where she dates a bisexual.
Speaker 1: Oh yeah, yeah, yeah, that one does not and then
Speaker 1: she like, she's just like she's really upset about it.
Speaker 3: She's a cool party with all those cool people.
Speaker 1: You know where Moore said Is said, she's a kissore.
Speaker 3: And then she's like like, I'm not doing this anymore.
Speaker 1: And I was like, Carrie, I know, and that kid
Speaker 1: is like a puppy, That little kid like a puppy.
Speaker 1: I know.
Speaker 4: She's like, I know, I know how often she like
Speaker 4: the show ends with her leaving alone in the streets,
Speaker 4: like in the dark, in the streets of New York,
Speaker 4: And I'm.
Speaker 3: Like, what are you doing? You can't just leave and
Speaker 3: walk away?
Speaker 1: You mean because she's not safe? Yes, oh that's where
Speaker 1: never entered our minds. Yeah right, No, we just stomped
Speaker 1: all around. Yeah, like like you.
Speaker 3: Put her in a cap like like nobody walk her. No. No,
Speaker 3: In this episode, Murray Bartlett just let her go.
Speaker 1: I know, no, I know, I know. No, this is
Speaker 1: how it was because I had a restaurant job, my
Speaker 1: last restaurant job in New York. It was in Chelsea,
Speaker 1: and I had an apartment in grammar syyt Park area,
Speaker 1: not on the park, you know, like on Third Oven.
Speaker 2: And I wouldn't walk exactly.
Speaker 4: No.
Speaker 1: I actually bribed someone to get a key, which was cool,
Speaker 1: Which was cool. I paid for a key, and yeah,
Speaker 1: because that little park so special. Yeah yeah, yeah, yeah,
Speaker 1: but I didn't. I wasn't. I didn't officially get a key.
Speaker 1: I would walk home from my restaurant job at like
Speaker 1: one in the morning, and I would walk right by
Speaker 1: the Limelight, which was still a bar in.
Speaker 2: The good old days. I was sober, so I wouldn't
Speaker 2: go in, and I'd be like, wow, look at that.
Speaker 1: And I just keep walking. I would just walk up
Speaker 1: all the time. Well, we just ran all around.
Speaker 3: Yeah you know, I mean so did I right, But
Speaker 3: I'm a boy and.
Speaker 1: Like, no, I know, but it's different.
Speaker 4: Now, wild to look and be like whoa, that's I know,
Speaker 4: just tiny little carry walking into a dark down a
Speaker 4: dark street.
Speaker 1: Everything was so dark, so dark, yes, I know, but
Speaker 1: it really was. It really was. And we did like
Speaker 1: one time, she goes into this like downstairs bar. This
Speaker 1: doesn't look like a bar. It's like a weird room
Speaker 1: that looks like people should be just doing drugs or whatever.
Speaker 1: She just goes down there. It's really funny.
Speaker 2: I know, I don't think any of us did.
Speaker 3: I don't.
Speaker 1: I really don't remember fear in that way, like generalized,
Speaker 1: you know what I mean, Like I think we were
Speaker 1: just you know, like and then if you ever ask
Speaker 1: anybody from that time about like their subway stories, you know,
Speaker 1: everyone got exposed, you know, like that was just normal.
Speaker 2: You're like, okay, you know what I mean. It was interesting,
Speaker 2: it's interesting.
Speaker 1: So wait, let's discuss the episode and the gay part
Speaker 1: of the episode first, because when I watched it too,
Speaker 1: I was like, wow, this episode is like gay gay gay, yeah,
Speaker 1: and this is yeah, and we've now we're like doubling down.
Speaker 1: We're like, let's do it. And I love that And
Speaker 1: I'd forgotten everything that Murray Barlett did.
Speaker 3: And he's so great, it's so cute and wonderful.
Speaker 1: Oh my god, and he's a little bit of fait.
Speaker 3: I was like, I have to think twice, right, I
Speaker 3: feel like it's him.
Speaker 1: Well when he later it wasn't even it wasn't the
Speaker 1: white lotus. It was something else, and I was like,
Speaker 1: I know, I know him. You know there's things where
Speaker 1: you're like, I know I know that guy Michael looking
Speaker 1: looking yeah, yeah, he was like this Murray Barlett And
Speaker 1: I'm like, wait, what did he do? Right? He's so
Speaker 1: great and he's so beautiful, young and old, you know,
Speaker 1: but I don't know how we found him.
Speaker 2: Like I'm kind of interested. I want to hear that whole.
Speaker 1: I don't know how Michael Patrick found him, but he
Speaker 1: knew him, I think, And you know, he's great, but
Speaker 1: he's it's also kind of an interesting and weird part,
Speaker 1: you know, like to have because she's leaving Aiden at home.
Speaker 1: Aiden doesn't ever want to go out now, and he
Speaker 1: just wants to lay on the bed in his tidy whities.
Speaker 1: What the heck's fresh again?
Speaker 4: And she comes home in her cute white dress and
Speaker 4: he puts his greasy fried chicken fingers.
Speaker 1: This is little Hannah could think about so much.
Speaker 3: I was like, get off of him. You're wearing a
Speaker 3: pretty dress.
Speaker 1: I know, I know, well, this is what I was
Speaker 1: thinking during that scene. This is directed by Charles McDougall.
Speaker 1: Did you ever have Charles McDougall. Oh, he's incredible. He's
Speaker 1: just so visually beautiful and everything was beautiful in this episode.
Speaker 2: But when we cut back to Corbett.
Speaker 1: Laying on her bed with the kentuctive for Chicken, it
Speaker 1: didn't even enter my mind about the conductor Fred Chicken
Speaker 1: because I understand, I understand, but this is what got
Speaker 1: me distracted. Okay, you're gonna understand what I tell you.
Speaker 1: The camera is like below the foot of the bed
Speaker 1: and John is laying there with his leg spread in
Speaker 1: his tidy whities, and I'm like, what is going on?
Speaker 1: And it lasts so long. It lasts so long, and
Speaker 1: it was so distracting and weird and like it.
Speaker 2: I was just like, okay, I'm the only one who
Speaker 2: noticed this.
Speaker 3: Why you noticed?
Speaker 1: Okay? Great? I was just like, wait, who decided to
Speaker 1: do this? And I also felt like John was really
Speaker 1: leaning into like I'm a guy, Like I'm spread eagle
Speaker 1: on the bed, such a guy in this episode. He's
Speaker 1: very hot, he's very beautiful. His face is just so beautiful.
Speaker 1: But also, like the whole storyline also is just kind
Speaker 1: of weird, you know how, like he doesn't want to
Speaker 1: go out and his boxes are everywhere, And I mean
Speaker 1: I like that they're fighting because they've moved in together
Speaker 1: and it's like a new, you know, growth area for them.
Speaker 1: But then and then she goes out. But then also
Speaker 1: she's cheating on Stanford with Murray's character.
Speaker 3: It made me so sad. I know sees it happening twice.
Speaker 1: I know, I know. When I forgot that part, I
Speaker 1: was like, oh my god, there's Stanford paying more attention
Speaker 1: to him. And I was like, is she distracted by
Speaker 1: Murray because of the.
Speaker 3: Shoes, Like she wants the shoes.
Speaker 1: Or she wants to go to Brunglow eight or.
Speaker 4: I felt like a little bit like it was like
Speaker 4: that she was and it felt like she was kind
Speaker 4: of using him, and then she gets she gets upset
Speaker 4: up with him when when he's like looking but learning
Speaker 4: with the dude, you're using him.
Speaker 3: He's using you like you're you're using each other.
Speaker 4: I thought it was interesting, it was, But that was
Speaker 4: another thing that I had forgotten is these are flawed people.
Speaker 1: Sometimes they're jerks totally. And that's what's great because now
Speaker 1: I don't know that all the characters on TV have
Speaker 1: that freedom.
Speaker 3: No.
Speaker 1: I mean, your character, you're kind of a jerk sometimes.
Speaker 3: Yeah, it's great. Crazy narcissism.
Speaker 1: Yeah, it's great. But you guys make jokes about it, Yeah,
Speaker 1: which is great, Like you do it and then they
Speaker 1: make jokes about it, and then you're lovable anyway.
Speaker 2: It's fantastic.
Speaker 1: But I don't feel like there's that many characters that
Speaker 1: we could really point to. I mean, Jason Segall's character,
Speaker 1: he kind of has his flaws, but I think he's
Speaker 1: very understandable because his wife died, you know.
Speaker 4: Yes, and he his wife. He has a great reason.
Speaker 4: His wife died and he went and he spent a
Speaker 4: year at rock bottom, and now he's like putting himself
Speaker 4: back that like the show sort about him himself back together, right,
Speaker 4: And I mean like if you ask a real mental
Speaker 4: health professional, then they will tell him. They will tell
Speaker 4: you that he is a terrible therapist, right because he's.
Speaker 1: Oh for sure, that part's super fascinating. I forgot about
Speaker 1: that part. Yes, But also, isn't it based on that
Speaker 1: real therapist guy? Right? Very trippy? Right?
Speaker 2: That what's his name?
Speaker 3: Did it?
Speaker 1: Yes?
Speaker 2: Joan Hill did the documentary.
Speaker 3: About Harrison's based on that guy.
Speaker 2: Right, and who also has Parkinson has.
Speaker 4: Parkinson's right, and that, uh, and that his methods where
Speaker 4: he's he's I think his I think his big thing
Speaker 4: is he on the first day he's like I'm the
Speaker 4: boss now or something like that, which is kind of
Speaker 4: great when you think about like how we want our
Speaker 4: therapists to.
Speaker 1: You know, like we will I don't know, Well, I
Speaker 1: don't know, Michael. I find that scary.
Speaker 3: That the therapist would tell you what to do.
Speaker 4: Yes, don't you sometimes though think I want my therapist
Speaker 4: to tell me what to do and my friends to
Speaker 4: just listen.
Speaker 3: Yes, it's the opposite.
Speaker 1: No, it's a good point. Yeah, but that's a good point.
Speaker 4: To the extent that I mean, he's obviously like he's
Speaker 4: almost a bully.
Speaker 1: It seems like it's a little scary. It's so scary. Yeah,
Speaker 1: I would not respondible to that. I'd be scared, you know,
Speaker 1: to tell them stuff if they were just going to
Speaker 1: be like that's interesting, you know, you know what I mean,
Speaker 1: I'd be scared. I'm a good girl, right, so it
Speaker 1: would it would like play on that, you know, really
Speaker 1: am but like the Jew, So the Jimmy character is
Speaker 1: not based on a real real therapist.
Speaker 4: It's sort of they sort of I think there is
Speaker 4: a guy that he's sort of based on, but his
Speaker 4: methods that he kind of discovers organically.
Speaker 3: Yeah, in the first season are based on.
Speaker 1: Okay God because he has some crazy things he does, yes,
Speaker 1: which is interesting, but I'm very fascinating. Oh yeah yeah yeah.
Speaker 4: But like my therapist watched the show and I was like,
Speaker 4: what did you think. She was like, he is very unorthodox.
Speaker 1: And she had everything well no joke, yeah, no jokes.
Speaker 3: Everything was about him, and I was like, what about me?
Speaker 1: That's funny, that's good. I mean yeah, I mean the
Speaker 1: show is honestly open about that. They're like, I mean right, yeah.
Speaker 4: And our Yeah, I mean our show is like a
Speaker 4: about our flaws, about our flaws about which is great. Yeah,
Speaker 4: which is great. You're right that so many shows, especially comedies.
Speaker 1: Are people can't be complicated now, right, because everyone's like
Speaker 1: so quick to judge.
Speaker 2: I think it's partly that. I also think it's like whatever.
Speaker 1: Our business is going through, which is obviously big and
Speaker 1: weird and whatever. It's weird times. But I think that
Speaker 1: when because we were obviously wonderfully without social media, right, Yes,
Speaker 1: So there were the reviewers who were, you know, really
Speaker 1: really mad at us and you know whatever, they were
Speaker 1: like old white guys. Hmm.
Speaker 2: Yeah, they were like what is this? This is stupid,
Speaker 2: this is crazy.
Speaker 1: You know, we wouldn't want to date these girls like
Speaker 1: every bad thing you can imagine, you know what I'm saying.
Speaker 1: But they were like old white guys that were like
Speaker 1: in a little corner over here. It did hurt us,
Speaker 1: like it hurt our feelings or whatever, but on a
Speaker 1: certain level we knew that it didn't really matter.
Speaker 2: But now, you know, everyone.
Speaker 1: Is opinionated immediately, right, and the immediately voicing their opinions
Speaker 1: in real time basically. And I think that like, you know,
Speaker 1: the group thing, the group hate watch situation takes over
Speaker 1: and I think affects the choices that are made in
Speaker 1: our business, you know, And I think that's sad.
Speaker 4: I mean, you can, you can try, but like it's
Speaker 4: hard to not, especially with something that's ongoing, like exactly.
Speaker 1: Shows are the worst. Yeah, shows, even limited series you
Speaker 1: can kind of do because like whatever it's going to
Speaker 1: be over, you know what I'm saying, But ongoing shows
Speaker 1: where people need to invest in it as a fan.
Speaker 1: But yet it takes this turn where the hate watch
Speaker 1: takes over and then like the hate watch fans up everybody,
Speaker 1: like the negative is so much louder than the positive.
Speaker 4: You know, totally totally and we are. I mean, I
Speaker 4: don't know how much you look into Yeah I don't.
Speaker 4: I'm on social media, but I don't love it. And
Speaker 4: I and it's like I'm afraid. I'm always really afraid
Speaker 4: I'm going to see something.
Speaker 2: Yeah yeah, as well you should. You got to protect yourself.
Speaker 3: Yeah.
Speaker 1: Yeah, I've never seen anything bad about your show.
Speaker 4: I once saw somebody say something kind of negative about
Speaker 4: me about in the show, and I was like, oh
Speaker 4: my god, what if what if Apple sees this. Oh
Speaker 4: if they decide they're going to you know, like and
Speaker 4: and and I should just like not look like and
Speaker 4: also that person like you know, have no follower or whatever,
Speaker 4: like nobody nobody's I'm not going to see that.
Speaker 1: I was not going to care, but like that was
Speaker 1: what they did see it.
Speaker 4: That wasn't there was no social media back then and
Speaker 4: HBO especially then.
Speaker 3: Now still I mean, there's still like the best that
Speaker 3: they were. They were such punks, like punk rock, and
Speaker 3: they were doing.
Speaker 1: They're not punk rock anymore, no offense, casey, they're amazing,
Speaker 1: but they're not punk rock, right. I think it's changed, right,
Speaker 1: And it was prestige then, but I think there's a
Speaker 1: freedom to the prestige, do you know what I'm saying,
Speaker 1: Like where they could just be like, well, this is
Speaker 1: what we want to do, you know, and they didn't
Speaker 1: give notes like they were just like go do it.
Speaker 2: Yeah, and they were into it. They were like, yeah,
Speaker 2: lean into it, do it.
Speaker 3: So what was on It was Larry Sanders, was on.
Speaker 1: Larry's Sanders was on before US, six Street, on No.
Speaker 1: Six Fronds, after Baby, everything's after Sopranos. Same time, we've
Speaker 1: filmed their pilot like they filmed right after US because
Speaker 1: they had tried to make a deal because back then
Speaker 1: they would say like we're HBO. We can't pay your
Speaker 1: quotes because we're just a baby network. You know, it's
Speaker 1: funny now, right, it's funny now. And the time that
Speaker 1: that changed. I'll never forget this. You know how Vanity
Speaker 1: Fair does their power ranking thing in their power ranking,
Speaker 1: you know, I'm into the industry writer. I'm reading everything
Speaker 1: and I'm reading down from number one and I get
Speaker 1: to like number ten or something and it's HBO, Jeff Fucus,
Speaker 1: you know, who's in charge of Time Warner at that point,
Speaker 1: and maybe they quoted Chris, I can't remember, and they
Speaker 1: said something about how they had made a billion dollars
Speaker 1: that year. Was like, what, oh, really? Quote maybe we
Speaker 1: could get to little rays, you know, and you were
Speaker 1: like wait, because when we started, they were like, oh,
Speaker 1: we're not a network, We're not a real network. So
Speaker 1: they had gone to our crew after our show, which
Speaker 1: we filmed in the show in the city, of course,
Speaker 1: and then they said we want to make a double
Speaker 1: deal with the crew members where we'll hire you for
Speaker 1: more weeks or months and we'll just send you to
Speaker 1: New Jersey to do this show about mobsters in New Jersey.
Speaker 1: So our crew was all struggling with this decision, like,
Speaker 1: you know, I don't know do I want to go
Speaker 1: to New Jersey?
Speaker 2: Did your show about.
Speaker 1: The mob And we were like what, No, that sounds horrible,
Speaker 1: Like we didn't know. We hadn't read this Chris exactly.
Speaker 1: We really why don't you go to Jersey?
Speaker 3: I wanted to?
Speaker 1: And it was the Sopranos.
Speaker 3: So did your crew do both shows?
Speaker 1: Some of them tried, but then so we would be
Speaker 1: on and off, like we had this one ad Mark McGann,
Speaker 1: who did both. But then we started overlapping because once
Speaker 1: Stvid Chase, like they kind of pushed him to do
Speaker 1: the seasons on time, and he felt like he had
Speaker 1: not done his best writing, so he said, you're just
Speaker 1: going to have to wait for us.
Speaker 2: We're going to take our time.
Speaker 1: Whereas we went to work every February, like we started
Speaker 1: every February so that we could come on in June
Speaker 1: and be on in the summers. And we were doing
Speaker 1: like thirteen eighteen eighteen, like so many shows.
Speaker 3: You're still shooting when the show would be on TV.
Speaker 1: Yeah, yeah, yeah, we would start in February, we would
Speaker 1: work till about August or September, and then every year
Speaker 1: it got longer because we got more money, you know,
Speaker 1: for our overall budget, and sopranos would just come and
Speaker 1: go when they chose. So at a certain point it
Speaker 1: started overlapping. So then we couldn't have we didn't really
Speaker 1: have that many overlap people, but there weren't that many
Speaker 1: even really to begin with. You kind of had to
Speaker 1: choose your vibe, you know what I mean saying as
Speaker 1: a crew, remember, yeah, let's talk about what a time?
Speaker 1: What a time? I know, it's fun to talk about.
Speaker 1: This is why it's so much fun to have actors on.
Speaker 1: I haven't had an actor on in a while. It's
Speaker 1: really really wonderful. It's always my favorite thing, you know,
Speaker 1: because we always have always so many you know, what's
Speaker 1: it called connections?
Speaker 3: Yeah, and and and shoot in New York. It's just
Speaker 3: it's the best.
Speaker 4: Like when we moved and they moved Ugle Betty back
Speaker 4: to New York, we were on the streets. We were
Speaker 4: you know, like shut in Dumbo between all the bridges
Speaker 4: and shot.
Speaker 2: Have you been to Dumble lately?
Speaker 1: It's unrecognizable. I rented an airbnb for one month of
Speaker 1: like one of the seasons, and I thought I was
Speaker 1: picturing Dumbo, like back when she like we went to wait,
Speaker 1: does a shoe get stolen Dumbo?
Speaker 2: Something important happens in Dumbo?
Speaker 1: And it was like warehouses, right, I think it's going
Speaker 1: to be cool more houses.
Speaker 2: Oh my god.
Speaker 1: My airbnb was on the block that is the photo
Speaker 1: op block of the bridge. It is insane.
Speaker 3: Yeah, I have been there.
Speaker 4: I've I've seen that chaos where there are just people
Speaker 4: there all the time.
Speaker 1: I was on Washington, I was in the block and
Speaker 1: I had booked it and the lady and tell me, well,
Speaker 1: it was actually great. She gave me a little warning,
Speaker 1: as she said, I'd already paid, right, she goes, you
Speaker 1: know you might want to you mean, you know, you
Speaker 1: might want to go somewhere for the weekend. And I'm like,
Speaker 1: I might have been the fourth of July or something
Speaker 1: when I moved it with something. And I said, what
Speaker 1: do you mean. She goes, well, you know, gets kind
Speaker 1: of busy. And I'm like, really, well, what do you mean,
Speaker 1: is there like a festival or something. She's like, well,
Speaker 1: the block, you know, the block is just as popular
Speaker 1: block and there's a lot of Instagram people there.
Speaker 2: And I'm like, I don't understand what you're saying.
Speaker 1: Like I was so dense, right, and the window looked
Speaker 1: over that block of the cobblestone street, right and the
Speaker 1: entrance was right there.
Speaker 3: So that's a great spot.
Speaker 1: It's a great spot. It's a scary spot to live in.
Speaker 1: The neighborhood's trying to like organize against it. But what
Speaker 1: was great. No one looks at you because they're focused
Speaker 1: on taking their pictures. So interesting, so you can just
Speaker 1: people watch and sometimes on the weekend I would just
Speaker 1: look out my window. You'd see naked people. You would
Speaker 1: see people getting their bridle pictures taken, kin signera, you
Speaker 1: name it, they're there, you know what I mean, people
Speaker 1: painted like their body painted red, posing, you know, in
Speaker 1: front of the bridge, exactly all the things. It was
Speaker 1: really fascinating, and no one ever noticed me. My driver
Speaker 1: had a bit of a time picking me up, you
Speaker 1: know what I'm saying, because you couldn't really drive down
Speaker 1: the street, but he would just go down the block
Speaker 1: and I would just walk and no one noticed me.
Speaker 4: Carries Oh, I know I've stumbled before, and I'm like,
Speaker 4: what's happening right now.
Speaker 1: I also lived near there, and I would forget and
Speaker 1: I'd be like, but no one knows me there.
Speaker 2: But if they did notice me, it would have been bad.
Speaker 1: Right. But but we always joked that that's like the
Speaker 1: best block for Sara Juska to walk down because like
Speaker 1: they would never even think. And I also lived kind
Speaker 1: of near the Friends building. And the funny thing about
Speaker 1: the Friends buildings, they were literally never there.
Speaker 3: No right.
Speaker 1: I was like, you guys, there's nothing to do with
Speaker 1: friends there, But because it's in the like, they'd cut
Speaker 1: to it when they yeah, they're all there taking their pictures.
Speaker 1: I'm like, this is really funny and weird, isn't it.
Speaker 2: It's really funny and weird.
Speaker 3: I want you know, Baron Trall. Yeah, of course.
Speaker 4: It's like tough to get in. It's like it's like
Speaker 4: a you know, like a like a theater hangout where
Speaker 4: it's the best to take pictures.
Speaker 1: It's great.
Speaker 3: I swear to god.
Speaker 4: I was there one time and there was a booth
Speaker 4: of people who were on a Sex and the City tour.
Speaker 4: Because I was like, who cure these people? And the
Speaker 4: more I could like overhear, I was like, oh, they're on.
Speaker 2: Like I believe we did. I think we shot everywhere,
Speaker 2: you know what I mean.
Speaker 3: I think we did because I talked about it. Yeah.
Speaker 1: No, I think we might have filmed there because we
Speaker 1: all go there obviously, you know what I mean.
Speaker 3: I love it there. It's a great spot. Yeah.
Speaker 1: Let me ask you, is this bar that we go
Speaker 1: to in this episode all the twitters is that? Yeah?
Speaker 1: Is that real?
Speaker 3: Me?
Speaker 1: Neither? If it Israel, I don't think it exists any
Speaker 1: I think it might have been made up, you know
Speaker 1: what I mean?
Speaker 3: Yeah?
Speaker 1: Yeah, I don't know. What did you think when you
Speaker 1: watched that scene, did you think it was realistic?
Speaker 3: Oh? Yeah, okay, okay, So, I mean it's intense.
Speaker 4: It's so crazy, and I guess like it's so it's
Speaker 4: not shocking anymore.
Speaker 3: But it must have been crazy then.
Speaker 1: I mean for us, you know, we in our lives
Speaker 1: were exposed you know, to a lot of stuff, right right, right,
Speaker 1: these are our lives, right, you know what I'm saying.
Speaker 1: So for us, I think it was just really fun, right,
Speaker 1: I think it was fun and different. Yeah, yeah, yeah,
Speaker 1: I think it was fun to be you know, anytime
Speaker 1: you're doing those really big scenes, it's a little bit hard, right,
Speaker 1: But I think that because for us, like if we
Speaker 1: go to we would go to regular straight bars or
Speaker 1: whatever and get drunk. Our characters get drunk and have
Speaker 1: to dance. We'd always be so nervous about having to dance.
Speaker 1: We just had to respond to everybody, you know what
Speaker 1: I mean, And it was just all around us, you know.
Speaker 1: So it was really easy and and and such a
Speaker 1: good time in the same way that the characters would
Speaker 1: have a good time of like not having any pressure
Speaker 1: on them, you know, it felt the same as an actor,
Speaker 1: you don't know.
Speaker 3: And I'm sure that all those guys were just all
Speaker 3: over you.
Speaker 1: And no, they were like super polite there, thrilled to
Speaker 1: be there.
Speaker 4: I mean like just like yes, it's like it must
Speaker 4: have been the best night of their lives.
Speaker 1: We should try to find somebody.
Speaker 3: Mario remembers, Oh, we.
Speaker 1: Should ask Mario the next time we have Mario on
Speaker 1: write that down, Hannah, that's good, we should ask Mario he.
Speaker 3: Remembers what that was, because I'm sure like he was
Speaker 3: probably the liaison.
Speaker 1: I'm sure totally. Also Chris Payne Gilbert who plays Gordon
Speaker 1: the blonde guy, and then I saw him somewhere.
Speaker 2: We're trying to figure out where I want to get
Speaker 2: if we can catch up with him.
Speaker 1: He's really great.
Speaker 3: That's scene where you're dancing with the two of them.
Speaker 4: There's no lines, yeah, and you're just like watching them
Speaker 4: like get and then.
Speaker 1: You're and I'm like trying to dance my way out.
Speaker 1: I'm like, dn't trying to dance, trying to dance, and
Speaker 1: then I get to the girls and I'm like, who.
Speaker 3: That was really fun.
Speaker 1: It was really really fun. You guys, this is so
Speaker 1: much fun that we're going to have to have a
Speaker 1: part two, So join us later in the week on
Speaker 1: are You a Charlotte