WEBVTT - Should we all be eating fried chicken in bed?? with Michael Urie... (S4 E14 "All The Glitters") 

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<v Speaker 1>Hi, I'm Kristin Davis, and I want to know, are

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<v Speaker 1>you a Charlotte? All right, you guys, we're already in it,

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<v Speaker 1>but let me just form holy say, we're very excited

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<v Speaker 1>today because we have Michael Yuri. I am the biggest fan,

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<v Speaker 1>his biggest fan, ugly Betty. But we were also, I

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<v Speaker 1>feel like working during that phase, though maybe not because

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<v Speaker 1>you had pat the movies, Thank you so much, so

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<v Speaker 1>I was not one hundred percent like I would see it,

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<v Speaker 1>you know what I mean and think like, oh, how

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<v Speaker 1>fresh and amazing and interesting and different, and then couldn't

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<v Speaker 1>be a bigger fan of shrinking.

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<v Speaker 2>I mean, I love.

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<v Speaker 1>It so much from episode one through the last season

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<v Speaker 1>and I'm just so happy it's going to continue because

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<v Speaker 1>I was a little worried.

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<v Speaker 3>Well, I know, it seemed and it hadn't.

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<v Speaker 1>Bill said Bill Lawrence, the creator. Hadn't He said that

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<v Speaker 1>it would only be three or two or whatever was three?

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<v Speaker 4>Three?

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<v Speaker 3>Like that was the idea was three, And that's what

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<v Speaker 3>they told from the beginning.

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<v Speaker 4>Oh no, I mean we didn't have like a guarantee

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<v Speaker 4>for three or anything like that.

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<v Speaker 2>But you knew it would only be like it would.

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<v Speaker 3>Three.

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<v Speaker 4>And then the first one be this, It's gonna be this,

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<v Speaker 4>and then sometime during three we started to get the

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<v Speaker 4>sense that like maybe there would be more. But it's

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<v Speaker 4>kind of a it's a bit of so we've we're

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<v Speaker 4>jumping in time.

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<v Speaker 3>Two years.

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<v Speaker 2>Well that's interesting, a little bit of a new story.

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<v Speaker 3>It's a little bit of.

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<v Speaker 1>A new cast members.

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<v Speaker 4>There are like major not not new main cast. There

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<v Speaker 4>are some new new new people, okay, and things are

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<v Speaker 4>it's it's very different. Well, I don't know what I

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<v Speaker 4>can I don't know. But the easy one is my

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<v Speaker 4>baby is now a toddler.

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<v Speaker 1>Fantastic, that one so quick, that went so quick, I.

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<v Speaker 3>Know, show this is tough. That poor little acts got fired.

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<v Speaker 1>Well, that little, tiny little baby doesn't know that they

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<v Speaker 1>have fired, so it's all right. But that baby was cute.

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<v Speaker 3>Oh beautiful, Yeah, oh my god.

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<v Speaker 4>Yeah, And do you remember the episode where she's first

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<v Speaker 4>born and we passed the baby down to Harrison and

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<v Speaker 4>it's that beautiful, Oh my god, the baby and he

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<v Speaker 4>goes he goes ride.

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<v Speaker 3>And this guy like a single tear.

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<v Speaker 1>I know that baby. How how that baby knew that

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<v Speaker 1>something magical was happening. Yeah, when my daughter was one,

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<v Speaker 1>I did The Best Man with James Earl Jones on Broadway,

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<v Speaker 1>and she would come to the theater, especially if we

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<v Speaker 1>had like double shows in between, and she would play

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<v Speaker 1>in the dressing room with makeup brushes and whatnot, and

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<v Speaker 1>we would always do a vocal warm up together and

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<v Speaker 1>he would come yes, and he would come okay, like insane,

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<v Speaker 1>you know what I mean. Like my whole thrill was

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<v Speaker 1>just to be around him and watch him and like,

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<v Speaker 1>you know, so up every every moment. So we'd be

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<v Speaker 1>doing that, you know, you know, all the things and

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<v Speaker 1>jim up exactly and he would shake. He would do

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<v Speaker 1>like the physical warm ups and stuff. But he was older,

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<v Speaker 1>you know.

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<v Speaker 2>It's very impressive.

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<v Speaker 3>He played the old president like the former president.

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<v Speaker 1>Yes, so perfect, so perfect and amazing. Do you want

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<v Speaker 1>to hear one more story before I connect.

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<v Speaker 3>To your story?

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<v Speaker 1>Okay, great.

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<v Speaker 2>So one thing that he would do with that I

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<v Speaker 2>found super interesting.

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<v Speaker 1>They built a dressing room for him on the first

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<v Speaker 1>floor so that he just could very easily come and go,

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<v Speaker 1>and we would go in there to hang with him

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<v Speaker 1>after the show, because like, whoever came would want to

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<v Speaker 1>see him and it would be like a little social hour.

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<v Speaker 1>But he was a little bit shy, you know, So

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<v Speaker 1>he he loved to have us around and you know

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<v Speaker 1>kind of like if he felt really comfortable he might

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<v Speaker 1>tell stories and whatnot. But you know, he would take

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<v Speaker 1>some getting getting warmed up or whatever with people.

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<v Speaker 2>So we would go in there. It was really fun.

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<v Speaker 1>He would write copious notes every performance about his own work,

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<v Speaker 1>what he had tried and what had worked, versus what

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<v Speaker 1>had not worked, versus like what he wanted to try tomorrow,

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<v Speaker 1>like crazy things, and you just be like James, like

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<v Speaker 1>what what I mean? He could just walk out there

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<v Speaker 1>and do nothing and it would be amazing, you know

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<v Speaker 1>what I mean, But like he would change it up

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<v Speaker 1>like you never knew what was gonna happen. Oh my god. Yes,

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<v Speaker 1>Like sometimes one time in particular, he just decided to

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<v Speaker 1>just not go for the laughs, which he can do right,

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<v Speaker 1>he's Digital Jones. So it was like a different show

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<v Speaker 1>and all of us were just like what what what's happening?

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<v Speaker 1>I mean not when he was on right, like John

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<v Speaker 1>Staymils and I just did what we did. We weren't gonna,

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<v Speaker 1>we weren't gonna we didn't have a lot else other

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<v Speaker 1>than the last right, we were gonna go for the last,

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<v Speaker 1>but James just decided one night that he didn't want

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<v Speaker 1>the last, and I said to him, like why, like

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<v Speaker 1>what happened? So I just wanted to do something different.

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<v Speaker 1>I can't even go deep enough. I just thought, I

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<v Speaker 1>just I think he felt like maybe it was too

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<v Speaker 1>much laughing or you know, too going for the comic.

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<v Speaker 4>You could probably get a laugh with like just anything again,

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<v Speaker 4>totally like nothing.

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<v Speaker 1>But then one time this was also interesting that I'm

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<v Speaker 1>going to go back to what you said. He I

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<v Speaker 1>had this line and now I can't remember what it was,

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<v Speaker 1>but I played, you know, a southern wife, like a

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<v Speaker 1>like a mover and a shaker wife, right like I

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<v Speaker 1>was married to just Demos and I wanted him to

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<v Speaker 1>be the nominee and blah blah blah blah, and like

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<v Speaker 1>possibly an evil character, but of course I didn't play

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<v Speaker 1>her as such, right, I just played that she loved

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<v Speaker 1>her husband and she really wanted to succeed in whatever.

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<v Speaker 3>Don't judge a characters, right.

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<v Speaker 1>Right, right, So, but you could also see how both

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<v Speaker 1>of us might have been slightly evil, but we weren't

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<v Speaker 1>going to play it that way. And I had one

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<v Speaker 1>line and it would always get a laugh, and I would.

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<v Speaker 1>I think it was something I said jokes about, like

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<v Speaker 1>sex and stuff, which you know, it was set in

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<v Speaker 1>the sixties, right, so like it was some what I

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<v Speaker 1>was like, you know, pushing the boundary or whatever, and

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<v Speaker 1>I said something contraception, contraception, That's what it was. And

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<v Speaker 1>I you know, I had my Southern accent, so it

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<v Speaker 1>was kind of sing songy. And one day James Earl

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<v Speaker 1>Jones had said something to the stage manager who would

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<v Speaker 1>give us the notes as is normal, about that line,

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<v Speaker 1>and the stage manager said to me, you know, maybe

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<v Speaker 1>you want to try it without the sing song or whatever.

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<v Speaker 1>And I was like, and then he said, well, it

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<v Speaker 1>wasn't my suggestion. With James, I was like, what, oh God,

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<v Speaker 1>so exactly right. And I mean I would hang with

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<v Speaker 1>him backstage like for a long time and we would

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<v Speaker 1>talk about all kinds of things, acting and not acting whatever,

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<v Speaker 1>and my daughter and you know, adoption and all all

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<v Speaker 1>different kinds of things. And he said, I said, James,

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<v Speaker 1>why why do you want me to to do that too?

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<v Speaker 1>What are you saying? You said, oh, sold that you

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<v Speaker 1>could try it to And I was like, okay, well

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<v Speaker 1>then no laugh, okay, no laughing all in my head, Michael,

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<v Speaker 1>you understand. So then I felt really bad and I

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<v Speaker 1>was like, James, I can't do it. I'm really sorry.

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<v Speaker 1>I just got to do my thing because I'm not

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<v Speaker 1>like you. I can't you know. Like he literally would

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<v Speaker 1>just analyze like every intonation of his own performance.

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<v Speaker 2>It was very, very fascinating.

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<v Speaker 3>So how did he take you?

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<v Speaker 1>He was like okay, Darling, Darling Shore Totally he was

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<v Speaker 1>like okay, of course, you know. He was very very sweet,

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<v Speaker 1>but he was also just like searching, you know, he

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<v Speaker 1>was always searching for like what would be better.

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<v Speaker 3>It was super lazy.

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<v Speaker 1>So this is what I was gonna say about my daughter.

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<v Speaker 1>So Gemma would come and we would when we went

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<v Speaker 1>down to do the vocal warm up, it would be

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<v Speaker 1>time for her to go, right because she was little,

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<v Speaker 1>she had to go home and go to bed with

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<v Speaker 1>the nanny and he would be there and he would

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<v Speaker 1>always just be so fascinated with theirs. She was a

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<v Speaker 1>very beautiful little baby, and he would want to hold her,

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<v Speaker 1>and I would give her to him and she would

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<v Speaker 1>just be like what is happening? Like you could just

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<v Speaker 1>see her eyes because of the voice, right, because you

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<v Speaker 1>can feel the voice right in his chest, you know,

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<v Speaker 1>and she just looked slightly scared. She did not know

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<v Speaker 1>he was Darth Vader. Bil later she'd be very scared

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<v Speaker 1>of Darth Vader, right of course, right, she.

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<v Speaker 2>Did not know that yet.

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<v Speaker 1>She was one years old, yes, knows now knows now,

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<v Speaker 1>but somehow something about animation. She never could relate to

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<v Speaker 1>the fact that it was actors that she might have met,

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<v Speaker 1>even if you tell her over and over again, she

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<v Speaker 1>doesn't know for she She's fourteen now, so now she

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<v Speaker 1>gets over.

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<v Speaker 4>I thought animation they were just people like in costumes, Like,

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<v Speaker 4>I didn't understand how that it's so confusing.

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<v Speaker 1>For kids, right, but I mean it's also so magical

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<v Speaker 1>for kids because they don't they don't have any you

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<v Speaker 1>know whatever, preconceived notions. So anyway, I think she understood

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<v Speaker 1>that someone really special was holding her, but she was

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<v Speaker 1>also just.

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<v Speaker 2>Slightly scared of the intensity, do you know what I mean?

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<v Speaker 1>So I have really adorable pictures where he looks just

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<v Speaker 1>so relaxed, like when you hold a baby and you're

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<v Speaker 1>just so relaxed, you know, and she just looks like

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<v Speaker 1>what it Oh, it's really cute, though.

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<v Speaker 3>What does she think of that? Now? Does she I mean,

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<v Speaker 3>she doesn't remember, but does she like she's amazed.

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<v Speaker 2>I think she's amazed.

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<v Speaker 3>So many people.

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<v Speaker 1>She's met a.

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<v Speaker 2>Lot of people.

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<v Speaker 1>Yeah, I don't know that she even really I've really

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<v Speaker 1>tried not to, you know, you know, they're like real

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<v Speaker 1>people to her, right, So like Sarah and Cynthia, she

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<v Speaker 1>knew them before she knew how we knew each other,

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<v Speaker 1>you know what I'm saying. So we didn't talk about

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<v Speaker 1>the other that much. The movie went back to work,

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<v Speaker 1>and one time on the plane, I've told the story

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<v Speaker 1>before on the podcast, but on the plane, one time

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<v Speaker 1>she saw someone in front.

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<v Speaker 2>Of her had the movie on.

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<v Speaker 3>Oh my gosh.

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<v Speaker 2>She was like six or seven, I feel like, and she.

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<v Speaker 1>Was like, Mommy, that looks like you. And I'm like, yeah, eight,

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<v Speaker 1>And I'm like, oh no, it's a weird way for

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<v Speaker 1>her to see it.

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<v Speaker 2>But like it was a movie and nothing, nothing crazy

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<v Speaker 2>was going.

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<v Speaker 1>To happen, you know what I mean.

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<v Speaker 3>No nudy scenes, I don't think so.

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<v Speaker 1>I don't think so, not that I can think of. No, No,

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<v Speaker 1>because the movie, no, the movie is the marriage that

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<v Speaker 1>doesn't happen, you know, the wedding that doesn't Yeah, that

0:10:13.720 --> 0:10:16.199
<v Speaker 1>movie the first movie, the first movie and the second movie.

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<v Speaker 1>I don't think there's any nude either because we're running around,

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<v Speaker 1>you know, Morocco slash.

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<v Speaker 2>Maybe maybe Kim is dude. I don't know.

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<v Speaker 1>I don't think so, I don't know.

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<v Speaker 2>Good questions, Michael.

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<v Speaker 1>But anyway, it was the movies, yes, exactly exactly. But

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<v Speaker 1>it was good because then I feel like it's a

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<v Speaker 1>healthy way to go for the kids. That it's not

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<v Speaker 1>so much about you know, fame or whatever. It's more

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<v Speaker 1>about they're just people that.

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<v Speaker 3>Are in our lives, Mommy's friends.

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<v Speaker 2>Exactly exactly, which is great.

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<v Speaker 4>So but that's how wild that you must have seen

0:10:50.080 --> 0:10:52.760
<v Speaker 4>people watching you on planes before I have.

0:10:52.960 --> 0:10:55.080
<v Speaker 1>I mean just I just flew back from Toronto and

0:10:55.320 --> 0:10:57.720
<v Speaker 1>both Sex and the city and and just like that

0:10:58.240 --> 0:10:59.839
<v Speaker 1>was on the plane and I was like, oh no,

0:11:01.400 --> 0:11:03.480
<v Speaker 1>I have to like hide when I go to the bathroom.

0:11:04.040 --> 0:11:06.040
<v Speaker 1>I mean, there's a good problem to have, of course,

0:11:06.080 --> 0:11:08.440
<v Speaker 1>but like it was really early and I had gotten

0:11:08.640 --> 0:11:10.600
<v Speaker 1>off work really late at night, and I was like,

0:11:10.679 --> 0:11:14.959
<v Speaker 1>oh lord, this is when I'm not and you're trapped. Yeah,

0:11:15.080 --> 0:11:16.319
<v Speaker 1>it's not great. What do you do?

0:11:17.480 --> 0:11:21.880
<v Speaker 4>It's happened one time I was in like I was

0:11:21.920 --> 0:11:24.280
<v Speaker 4>in this Christmas movie that had just come out, and

0:11:24.320 --> 0:11:25.160
<v Speaker 4>it was Christmas time.

0:11:25.160 --> 0:11:26.240
<v Speaker 3>I was traveling Christmas.

0:11:26.360 --> 0:11:28.319
<v Speaker 4>It had just come out, and I was sitting in

0:11:28.400 --> 0:11:32.520
<v Speaker 4>a like a lounge at the airport and my partner

0:11:32.559 --> 0:11:34.160
<v Speaker 4>was across from me and he was like, oh, my god,

0:11:36.679 --> 0:11:38.200
<v Speaker 4>turn around right, and somebody was watching it on their

0:11:38.240 --> 0:11:42.199
<v Speaker 4>laptop right behind my God. And then I was at

0:11:42.440 --> 0:11:46.079
<v Speaker 4>a restaurant in Palm Springs a few weeks ago and

0:11:46.559 --> 0:11:48.920
<v Speaker 4>it was empty. It was just up us and one

0:11:48.960 --> 0:11:51.520
<v Speaker 4>other table and they stood it talking about shrinking.

0:11:52.040 --> 0:11:52.520
<v Speaker 2>Wow.

0:11:52.679 --> 0:11:53.400
<v Speaker 1>Did they see you?

0:11:53.440 --> 0:11:55.760
<v Speaker 3>No, they had no idea. It was anecdotal.

0:11:55.800 --> 0:11:58.959
<v Speaker 4>It was they were a very serious conversation. I could

0:11:59.000 --> 0:12:00.319
<v Speaker 4>tell there it was like a breakup or something. And

0:12:00.320 --> 0:12:02.240
<v Speaker 4>they're like, maybe that part is shrinking. When they went

0:12:02.320 --> 0:12:03.839
<v Speaker 4>boop the boop thing, and I was like.

0:12:03.760 --> 0:12:06.480
<v Speaker 2>Oh my god, they're talking about Wow, that's me.

0:12:06.800 --> 0:12:08.360
<v Speaker 3>And then Ryan was like, you gonna turn around.

0:12:08.400 --> 0:12:15.960
<v Speaker 1>I was like, I was very serious, so embarrassing. But

0:12:16.000 --> 0:12:17.800
<v Speaker 1>then also you feel like you have to hide sometimes

0:12:17.840 --> 0:12:19.400
<v Speaker 1>I feel like I need to I need.

0:12:19.280 --> 0:12:22.000
<v Speaker 3>To hide a little bit. And I'm sure this happens

0:12:22.000 --> 0:12:22.079
<v Speaker 3>to you.

0:12:22.200 --> 0:12:27.800
<v Speaker 4>Sometimes people People get very excited if they've like just

0:12:28.200 --> 0:12:31.000
<v Speaker 4>seen you or like or like they think it's a

0:12:31.000 --> 0:12:35.000
<v Speaker 4>really big deal that like I was just watching you totally,

0:12:35.760 --> 0:12:38.160
<v Speaker 4>and I get that it's a big deal for them,

0:12:38.240 --> 0:12:43.200
<v Speaker 4>but it's hard to like be excited, like sure, sure, sure,

0:12:43.400 --> 0:12:46.080
<v Speaker 4>things that you can watch me are available at all times.

0:12:46.120 --> 0:12:48.800
<v Speaker 3>Totally such a surprise to me.

0:12:49.320 --> 0:12:50.080
<v Speaker 2>That's true, though.

0:12:50.120 --> 0:12:55.560
<v Speaker 1>I also understand from the point of view of like

0:12:57.200 --> 0:13:00.920
<v Speaker 1>the reality that it feels like these people are in

0:13:00.960 --> 0:13:03.200
<v Speaker 1>your living room and or your bed, which is where

0:13:03.240 --> 0:13:06.680
<v Speaker 1>I watch shrinking on my iPad, right, so it's very intimate.

0:13:06.880 --> 0:13:07.120
<v Speaker 3>You know.

0:13:07.440 --> 0:13:11.920
<v Speaker 1>I saw Harrison when Sara Jessica got her Lucile Ball

0:13:11.960 --> 0:13:14.320
<v Speaker 1>of Work and Harrison was there with Kali Mirin, which

0:13:14.360 --> 0:13:16.240
<v Speaker 1>was so great, you know, And when I had to

0:13:16.240 --> 0:13:18.000
<v Speaker 1>go up and speak, I was like, Harrison's looking at me.

0:13:18.040 --> 0:13:20.200
<v Speaker 1>Oh my god, it's just so much pressure. And now

0:13:20.440 --> 0:13:21.960
<v Speaker 1>there's a room full of people look at me, right,

0:13:22.000 --> 0:13:23.960
<v Speaker 1>but you can just see Harrison. He's just directly in

0:13:23.960 --> 0:13:25.800
<v Speaker 1>front of you, and he's just looking at you, and

0:13:25.840 --> 0:13:26.880
<v Speaker 1>it's just pressure, you know.

0:13:26.960 --> 0:13:28.880
<v Speaker 2>And I know the man, but like it's pressure.

0:13:28.960 --> 0:13:30.800
<v Speaker 1>Okay, you're scared, you know what I mean.

0:13:30.840 --> 0:13:32.120
<v Speaker 2>You're like, he's looking I want to do.

0:13:32.120 --> 0:13:35.400
<v Speaker 1>Really well, because Harrison's looking at me and Helen, like

0:13:35.520 --> 0:13:39.080
<v Speaker 1>Helen and Harrison next to each other, literally just staring

0:13:39.080 --> 0:13:42.000
<v Speaker 1>at me, right, So I'm like breathing. I'm breathing. And

0:13:42.040 --> 0:13:44.920
<v Speaker 1>then we were kind of like sandwich together, people were

0:13:45.280 --> 0:13:48.360
<v Speaker 1>mingling or whatever. And I had, you know, possibly the

0:13:48.440 --> 0:13:51.640
<v Speaker 1>night before or two nights before, watched an episode of Shrinking.

0:13:51.679 --> 0:13:54.040
<v Speaker 1>I feel like, you know, it does you feel very

0:13:54.080 --> 0:13:57.320
<v Speaker 1>connected from that, and he's playing a character with Parkinson's.

0:13:57.320 --> 0:14:01.000
<v Speaker 1>My father had Parkinson's really really severely for five years,

0:14:01.000 --> 0:14:01.520
<v Speaker 1>I guess.

0:14:01.280 --> 0:14:04.040
<v Speaker 2>Before he passed away. And it's so great.

0:14:04.280 --> 0:14:07.160
<v Speaker 1>The storyline and what he's doing and the writing and

0:14:07.240 --> 0:14:08.480
<v Speaker 1>you know, all of it is so great. And of

0:14:08.559 --> 0:14:11.520
<v Speaker 1>course he's just great anyway, right, but it's just so

0:14:11.640 --> 0:14:15.160
<v Speaker 1>great that that that that he's giving us this you

0:14:15.200 --> 0:14:16.960
<v Speaker 1>don't say, so of course I felt I had to

0:14:16.960 --> 0:14:19.120
<v Speaker 1>say something, and I think I might have said I

0:14:19.200 --> 0:14:22.560
<v Speaker 1>just was watching, you know. So I also understand from

0:14:22.560 --> 0:14:26.720
<v Speaker 1>a fan perspective, like it's weird because they're so alive.

0:14:27.000 --> 0:14:28.840
<v Speaker 2>You you are so alive.

0:14:28.960 --> 0:14:31.160
<v Speaker 3>I was literally just watching you. I mean, like, there

0:14:31.200 --> 0:14:32.479
<v Speaker 3>you go. And I felt.

0:14:32.200 --> 0:14:37.160
<v Speaker 1>That, right, it's weird. It's interesting.

0:14:37.800 --> 0:14:38.040
<v Speaker 3>I know.

0:14:38.240 --> 0:14:39.880
<v Speaker 4>I know, so you never I guess you never quite

0:14:39.880 --> 0:14:42.080
<v Speaker 4>get over it. But I always feel like I want

0:14:42.080 --> 0:14:44.160
<v Speaker 4>to give you know, when people come like strangers come up,

0:14:44.200 --> 0:14:46.360
<v Speaker 4>I want to give them something like right, I want

0:14:46.360 --> 0:14:46.720
<v Speaker 4>them to.

0:14:46.680 --> 0:14:50.720
<v Speaker 2>Feel yes, you know, like, yes, that part's hard.

0:14:50.600 --> 0:14:54.000
<v Speaker 3>That's hard. Yea, how I'm sorry that I.

0:14:54.000 --> 0:14:56.320
<v Speaker 1>Write in that moment you don't know what to give them.

0:14:57.000 --> 0:14:59.880
<v Speaker 4>Sometimes people are like just crazy, like you know, they're

0:14:59.920 --> 0:15:02.160
<v Speaker 4>like I need this from you or I you know,

0:15:02.280 --> 0:15:03.400
<v Speaker 4>that's that's hard.

0:15:03.440 --> 0:15:07.120
<v Speaker 1>And I do think it's important to have, you know,

0:15:07.240 --> 0:15:10.200
<v Speaker 1>some agency about it, you know, like you might be

0:15:10.200 --> 0:15:12.640
<v Speaker 1>in a hurry, you might be you know, you're allowed to,

0:15:12.920 --> 0:15:14.640
<v Speaker 1>you know, have those things like if I'm with the kids,

0:15:14.680 --> 0:15:16.600
<v Speaker 1>I'm like, please, please do not ask me to stop

0:15:16.600 --> 0:15:18.720
<v Speaker 1>for a picture, because I have to be with these kids.

0:15:18.720 --> 0:15:21.200
<v Speaker 1>I can't be like sorry, kids, I gotta go over

0:15:21.200 --> 0:15:21.640
<v Speaker 1>here and do this.

0:15:21.680 --> 0:15:21.960
<v Speaker 2>I can't.

0:15:21.960 --> 0:15:22.440
<v Speaker 1>I can't do it.

0:15:22.480 --> 0:15:24.480
<v Speaker 2>I can't do it. I feel so bad about it though.

0:15:24.560 --> 0:15:27.720
<v Speaker 3>Yeah, or I'm buying emodium, you know what.

0:15:27.760 --> 0:15:31.280
<v Speaker 1>I yeah, I do regular life things. Yeah, it is hard.

0:15:31.280 --> 0:15:33.960
<v Speaker 1>In pharmacies. I've had that as well. I was at

0:15:33.960 --> 0:15:35.960
<v Speaker 1>a pharmacy in New York and I don't know what

0:15:36.080 --> 0:15:38.080
<v Speaker 1>I was thinking because it was on the Upper east Side,

0:15:38.200 --> 0:15:40.280
<v Speaker 1>but for whatever reason, that was where my doctor called

0:15:40.280 --> 0:15:42.480
<v Speaker 1>it in and I'm I should never go to the

0:15:42.560 --> 0:15:44.960
<v Speaker 1>Upper east Side, do you know what I'm saying? Ever,

0:15:45.280 --> 0:15:47.720
<v Speaker 1>Like it's just bad, you know what I mean. So

0:15:47.760 --> 0:15:51.200
<v Speaker 1>I'm standing there and it's taking a long time and

0:15:51.320 --> 0:15:54.320
<v Speaker 1>people come in that place that literally I know from

0:15:54.320 --> 0:15:57.000
<v Speaker 1>like thirty years ago, and I'm just dying. I wasn't

0:15:57.000 --> 0:15:58.760
<v Speaker 1>getting the embarrassing. I was just like, this is like

0:15:58.880 --> 0:16:02.480
<v Speaker 1>so personal and weird, and like people are talking to

0:16:02.520 --> 0:16:04.200
<v Speaker 1>me about people from like thirty years ago, and I'm

0:16:04.200 --> 0:16:05.760
<v Speaker 1>trying to remember who they're talking about, and I'm like,

0:16:05.800 --> 0:16:07.960
<v Speaker 1>oh my god. And then people are recognizing us because

0:16:07.960 --> 0:16:10.240
<v Speaker 1>we're talking and I'm just like dying and just.

0:16:10.120 --> 0:16:13.840
<v Speaker 3>Like please God, are you you know out of here? Right?

0:16:13.920 --> 0:16:15.280
<v Speaker 1>But what are you going to do? I mean, you

0:16:15.320 --> 0:16:17.680
<v Speaker 1>don't want to It's hard because I think part of

0:16:17.680 --> 0:16:20.480
<v Speaker 1>what's hard is that you don't want to disappoint people.

0:16:20.480 --> 0:16:23.760
<v Speaker 4>Well exactly, yeah, you want to be everything they want

0:16:23.960 --> 0:16:27.040
<v Speaker 4>from yes and more. They are genuinely happy, right, I

0:16:27.080 --> 0:16:28.080
<v Speaker 4>see you, But it's.

0:16:27.920 --> 0:16:30.680
<v Speaker 2>Hard to know how to be that in the moment

0:16:31.040 --> 0:16:32.000
<v Speaker 2>in life.

0:16:32.120 --> 0:16:35.240
<v Speaker 4>One time I was in New York and you know

0:16:35.320 --> 0:16:39.080
<v Speaker 4>how my character on Shrinking says, everything goes my way?

0:16:39.240 --> 0:16:41.240
<v Speaker 1>Yes, oh no.

0:16:43.480 --> 0:16:46.400
<v Speaker 4>I was in New York and I was rushing. I

0:16:46.480 --> 0:16:48.080
<v Speaker 4>was I was, oh, oh, I know what it was.

0:16:48.120 --> 0:16:50.120
<v Speaker 4>I had to write an email. I didn't want to

0:16:50.120 --> 0:16:54.400
<v Speaker 4>write oh. And I was on my way somewhere and

0:16:54.520 --> 0:16:56.040
<v Speaker 4>I had ten minutes, and I was like, do it

0:16:56.080 --> 0:16:57.600
<v Speaker 4>now or I should be thinking about all night. So

0:16:57.600 --> 0:16:59.320
<v Speaker 4>I sat on a bench by the sid I was

0:16:59.320 --> 0:17:01.320
<v Speaker 4>getting on the subway. I sat by on a bench by

0:17:01.320 --> 0:17:03.920
<v Speaker 4>the subway. I was like, do it right now, write

0:17:03.960 --> 0:17:07.800
<v Speaker 4>this email. And I'm writing the email and I'm I'm

0:17:07.880 --> 0:17:10.359
<v Speaker 4>almost finished. I'm about to hit send. I'm starting to

0:17:10.560 --> 0:17:14.159
<v Speaker 4>be relieved, and I get shit on by a bird

0:17:14.560 --> 0:17:17.240
<v Speaker 4>that must have been dying because it was.

0:17:17.200 --> 0:17:20.960
<v Speaker 3>The most like on my shirt.

0:17:21.040 --> 0:17:21.680
<v Speaker 1>Oh my god.

0:17:21.840 --> 0:17:25.120
<v Speaker 3>And I was like what I and what do I do?

0:17:26.720 --> 0:17:29.480
<v Speaker 3>I didn't send it. I hadn't sent I'm covered in poop.

0:17:29.640 --> 0:17:32.879
<v Speaker 4>And I would go to like an ice cream truck

0:17:33.280 --> 0:17:35.399
<v Speaker 4>and I say, could you please give me I've just

0:17:35.440 --> 0:17:37.240
<v Speaker 4>been shotn by a bird, because you please give me

0:17:37.240 --> 0:17:40.040
<v Speaker 4>some napkins And they're like okay, here and the napkin, like,

0:17:40.600 --> 0:17:42.760
<v Speaker 4>you know, like it must have been like a glob

0:17:43.080 --> 0:17:47.320
<v Speaker 4>and it touched the napkin, it like got ten times low.

0:17:47.560 --> 0:17:50.680
<v Speaker 3>It was disgusting, and so I had to go home.

0:17:50.920 --> 0:17:52.040
<v Speaker 3>I was like, I have to go change.

0:17:52.040 --> 0:17:54.320
<v Speaker 4>I can't possibly go out now, I have to go

0:17:54.440 --> 0:17:57.919
<v Speaker 4>change emails not sent. And I'm walking home feeling just

0:17:58.000 --> 0:18:01.920
<v Speaker 4>like New York has just really on me. Yeah, and

0:18:02.040 --> 0:18:11.520
<v Speaker 4>somebody walks behind goes everything goes my way, you know what, Actually.

0:18:12.680 --> 0:18:23.520
<v Speaker 1>That's kind of a door. That's true. All right, So

0:18:24.920 --> 0:18:28.119
<v Speaker 1>my Hyundai hot take for all the glitters, I'm gonna

0:18:28.160 --> 0:18:31.560
<v Speaker 1>have to say when Charlotte and Trey end up taking

0:18:31.600 --> 0:18:34.240
<v Speaker 1>the picture for I think we call it house and Garden.

0:18:35.000 --> 0:18:38.000
<v Speaker 2>In my mind it was town and country, but house

0:18:38.040 --> 0:18:38.480
<v Speaker 2>and Garden.

0:18:38.920 --> 0:18:41.600
<v Speaker 1>And Charlotte thinks the Tray's not gonna make it, and

0:18:41.600 --> 0:18:44.280
<v Speaker 1>she's really sad, and she tells Mario, you know, it's

0:18:44.320 --> 0:18:47.440
<v Speaker 1>just going to be me because we're splitting up, and

0:18:47.480 --> 0:18:50.359
<v Speaker 1>then right at the last moment, Tray comes and then he.

0:18:50.400 --> 0:18:53.600
<v Speaker 2>Poses for that picture. And I see that picture so.

0:18:53.760 --> 0:18:56.879
<v Speaker 1>Often on Instagram, which is partly why I want to

0:18:56.920 --> 0:19:00.119
<v Speaker 1>say that it's my my hot take moment. But also, Oh,

0:19:00.160 --> 0:19:03.720
<v Speaker 1>it's just so sweet and so sad, And when I

0:19:03.760 --> 0:19:06.360
<v Speaker 1>watched it again, I just really liked it.

0:19:07.080 --> 0:19:08.240
<v Speaker 2>I kind of remembered it.

0:19:08.200 --> 0:19:10.480
<v Speaker 1>But I hadn't really remembered it, so it was really

0:19:10.520 --> 0:19:14.280
<v Speaker 1>interesting to me. I had forgotten this sadness. And obviously

0:19:14.320 --> 0:19:16.800
<v Speaker 1>this is something that Charlotte's really wanted to have, this

0:19:16.920 --> 0:19:20.160
<v Speaker 1>like kind of attention to her home that she's made,

0:19:20.720 --> 0:19:22.560
<v Speaker 1>and then the fact that he does come because I

0:19:22.560 --> 0:19:24.720
<v Speaker 1>think at heart Trays really a nice guy and a

0:19:24.720 --> 0:19:27.280
<v Speaker 1>good guy, and it's really sad that they can't make

0:19:27.320 --> 0:19:29.919
<v Speaker 1>it work. So I think that's going to be my

0:19:29.960 --> 0:19:35.439
<v Speaker 1>hot take for all the Glitters, celebrating iconic moments, bold moves,

0:19:35.480 --> 0:19:42.359
<v Speaker 1>and unforgettable style, just like Hyundai. Let me ask you

0:19:42.400 --> 0:19:45.960
<v Speaker 1>this about your shrinking part. Did you know Bill before

0:19:46.760 --> 0:19:49.359
<v Speaker 1>that's amazing? Did you feel that this part was written

0:19:49.359 --> 0:19:50.840
<v Speaker 1>for you? Because it seems like it.

0:19:50.760 --> 0:19:54.280
<v Speaker 3>Is that thank you, that's such a nice compliment.

0:19:54.440 --> 0:20:00.080
<v Speaker 4>I didn't meet him until the read through what and

0:20:00.160 --> 0:20:02.800
<v Speaker 4>I auditioned and.

0:20:02.880 --> 0:20:05.520
<v Speaker 3>I felt really good about the like.

0:20:05.480 --> 0:20:08.840
<v Speaker 4>This is great material, really good material. My audition was

0:20:08.840 --> 0:20:13.160
<v Speaker 4>everything from the second episode. Oh and it was so good,

0:20:13.320 --> 0:20:15.879
<v Speaker 4>so many different kinds of scenes, different levels.

0:20:16.560 --> 0:20:19.480
<v Speaker 3>And I had read.

0:20:19.359 --> 0:20:21.200
<v Speaker 4>The first episode and I was like, well, I didn't

0:20:21.240 --> 0:20:23.600
<v Speaker 4>know Harrison wasn't it yet. But I was like, these

0:20:23.720 --> 0:20:27.320
<v Speaker 4>characters are very nuanced, and my character doesn't really show

0:20:27.400 --> 0:20:29.760
<v Speaker 4>up until the second episode. And it was like, if

0:20:29.800 --> 0:20:32.359
<v Speaker 4>this is what the show is and this guy is

0:20:32.400 --> 0:20:35.439
<v Speaker 4>going to be a lot of different things, but no,

0:20:36.359 --> 0:20:39.840
<v Speaker 4>it's just really good writing and really actable, like really

0:20:39.880 --> 0:20:43.720
<v Speaker 4>playable stuff. Yeah, for everyone know any of them. I

0:20:43.720 --> 0:20:47.280
<v Speaker 4>had serious imposter syndrome because I didn't I hadn't met

0:20:47.840 --> 0:20:51.120
<v Speaker 4>a single person. What. I made a tape, I sent

0:20:51.160 --> 0:20:53.720
<v Speaker 4>it off, I put it out of my mind. I

0:20:53.760 --> 0:20:55.280
<v Speaker 4>got good at that. I've gotten good at that. Like

0:20:55.320 --> 0:20:57.480
<v Speaker 4>you make an audition take and you send it out

0:20:57.640 --> 0:20:58.840
<v Speaker 4>and you just like sort of put it out of

0:20:58.880 --> 0:21:03.960
<v Speaker 4>your mind. And weeks go by and I'm not I

0:21:03.960 --> 0:21:06.320
<v Speaker 4>haven't thought about it. And my agents call and they're

0:21:06.359 --> 0:21:08.639
<v Speaker 4>like we have They're like, let's get.

0:21:08.480 --> 0:21:10.880
<v Speaker 3>On the phone. We have an update about drinking.

0:21:11.440 --> 0:21:14.720
<v Speaker 4>And we hop on the phone and my agent says, well,

0:21:14.720 --> 0:21:16.159
<v Speaker 4>we really thought this was going to go to a

0:21:16.200 --> 0:21:20.240
<v Speaker 4>test deal and I was like, oh, so it's not happening.

0:21:20.400 --> 0:21:26.240
<v Speaker 3>They're like, no, you got it. What stupid agents, but

0:21:26.400 --> 0:21:28.720
<v Speaker 3>I had not met. I thought, at least they're going.

0:21:28.640 --> 0:21:31.280
<v Speaker 4>To make me do a chemistry with Jason Siegel. I'm

0:21:31.280 --> 0:21:36.000
<v Speaker 4>playing his best friend, or like meet Bill Lawrence and see.

0:21:35.840 --> 0:21:39.480
<v Speaker 1>If I'm yeah, yeah, But maybe they had called around

0:21:39.520 --> 0:21:40.359
<v Speaker 1>and checked up on you, you.

0:21:40.359 --> 0:21:41.920
<v Speaker 4>Know, there was I found out later that there was

0:21:41.960 --> 0:21:43.760
<v Speaker 4>a writer on the staff that I had worked with.

0:21:44.880 --> 0:21:47.320
<v Speaker 4>Did turn out that and his name is Brian Same

0:21:47.520 --> 0:21:48.760
<v Speaker 4>so I think they named.

0:21:48.520 --> 0:21:50.360
<v Speaker 3>The character nice after him.

0:21:50.520 --> 0:21:51.680
<v Speaker 1>Excellent, and so he.

0:21:51.680 --> 0:21:57.000
<v Speaker 3>Must have vouched for me. But but I, you know,

0:21:57.160 --> 0:22:01.639
<v Speaker 3>like I never I never acted with any of them.

0:22:01.600 --> 0:22:04.800
<v Speaker 1>Or crazy on the Bill Lauren show. That's amazing. I

0:22:04.840 --> 0:22:05.199
<v Speaker 1>love that.

0:22:05.320 --> 0:22:07.240
<v Speaker 4>And then the first time read through, I I met

0:22:07.240 --> 0:22:09.920
<v Speaker 4>the mall amazing. I didn't have any lines in the

0:22:09.920 --> 0:22:13.400
<v Speaker 4>first episode. That was also like we did the first

0:22:13.640 --> 0:22:15.520
<v Speaker 4>the table to the first episode, and I had nothing.

0:22:15.640 --> 0:22:18.439
<v Speaker 4>I was up there with my little name tag, but

0:22:18.520 --> 0:22:21.160
<v Speaker 4>I had nothing to say. We got to the part

0:22:21.280 --> 0:22:23.280
<v Speaker 4>in the in the first episode. The only thing that

0:22:23.720 --> 0:22:25.800
<v Speaker 4>I do is you see me from across the way

0:22:25.960 --> 0:22:30.440
<v Speaker 4>and I'm pumping gas. Jimmy sees me and he's like,

0:22:30.480 --> 0:22:32.199
<v Speaker 4>we got to get out of here. And he's with

0:22:32.320 --> 0:22:34.920
<v Speaker 4>Luke Tenny's character Sean, and he's like, well, you hate

0:22:34.920 --> 0:22:36.680
<v Speaker 4>that guy, and he's like, no, he's the best.

0:22:37.080 --> 0:22:38.639
<v Speaker 3>And you don't know what's going on.

0:22:38.680 --> 0:22:40.840
<v Speaker 4>You don't know what happens that you find out the

0:22:40.880 --> 0:22:44.480
<v Speaker 4>next episode it ghosted, he goes because I was my

0:22:44.760 --> 0:22:47.840
<v Speaker 4>energy was not what he wanted to be around after

0:22:47.880 --> 0:22:52.080
<v Speaker 4>his wife died. So you're in the table read, and

0:22:52.119 --> 0:22:55.919
<v Speaker 4>also Bill runs the table read and he's like, you know,

0:22:55.960 --> 0:22:57.639
<v Speaker 4>everybody up here, so we're not gonna do introductions. We're

0:22:57.680 --> 0:22:58.960
<v Speaker 4>just gonna get in there, we're gonna read. Let's go,

0:22:59.080 --> 0:23:01.120
<v Speaker 4>and we just start reading. And I'm like, okay, well

0:23:01.160 --> 0:23:02.760
<v Speaker 4>here I am. And you know, you know, like a

0:23:02.800 --> 0:23:06.080
<v Speaker 4>table read, you just like want to score. Yes, you

0:23:06.119 --> 0:23:08.240
<v Speaker 4>want to have your moment to like score.

0:23:08.440 --> 0:23:11.520
<v Speaker 1>That's good that you want that. Different people come to

0:23:11.600 --> 0:23:15.280
<v Speaker 1>table reads in different ways. I like that vibe. Yeah,

0:23:15.520 --> 0:23:17.159
<v Speaker 1>Michael Patrick would appreciate that.

0:23:17.440 --> 0:23:21.320
<v Speaker 4>Yeah, yeah, well well and also I've been in table

0:23:21.359 --> 0:23:23.680
<v Speaker 4>reads where like people get fired, right, I've been in

0:23:23.760 --> 0:23:25.040
<v Speaker 4>table reads where like your joke.

0:23:24.920 --> 0:23:26.800
<v Speaker 3>Gets cut right, that's right.

0:23:27.040 --> 0:23:29.600
<v Speaker 4>So I've like I've been in the theories where the

0:23:29.640 --> 0:23:32.320
<v Speaker 4>writers are very upset after where it is because the

0:23:32.359 --> 0:23:34.360
<v Speaker 4>jokes or whatever. So I was like, I don't want

0:23:34.359 --> 0:23:36.400
<v Speaker 4>to score and I have nothing to do, oh because

0:23:36.440 --> 0:23:38.560
<v Speaker 4>I have no lines. And Bill Lawrence we get to

0:23:38.600 --> 0:23:41.760
<v Speaker 4>the part where they see Brian across the street and

0:23:41.880 --> 0:23:43.520
<v Speaker 4>we get there and Bill's.

0:23:43.200 --> 0:23:45.679
<v Speaker 3>Like, oh wait, I gotta stop, I gotta stop. Michael

0:23:45.760 --> 0:23:47.720
<v Speaker 3>Urrey is in the show too. He's another series regularly.

0:23:47.720 --> 0:23:48.959
<v Speaker 3>He doesn't have any lines in these, but he's here.

0:23:49.000 --> 0:23:51.800
<v Speaker 3>This is so cool. You se him across the street.

0:23:51.800 --> 0:23:55.040
<v Speaker 3>He's pumping gas and he like looks over at me

0:23:55.200 --> 0:23:58.600
<v Speaker 3>and so I your dad. I stood up and oh

0:23:58.680 --> 0:23:59.840
<v Speaker 3>my god, how Adora.

0:24:00.080 --> 0:24:01.920
<v Speaker 1>I just mind guys, and I got to score and

0:24:01.960 --> 0:24:03.600
<v Speaker 1>everyone laughed and it was that's cute.

0:24:03.640 --> 0:24:06.320
<v Speaker 3>It was like the most generous thing he could have done.

0:24:06.600 --> 0:24:08.840
<v Speaker 3>And I got, I got that's good.

0:24:08.960 --> 0:24:09.440
<v Speaker 1>That's good.

0:24:09.520 --> 0:24:12.520
<v Speaker 4>It was still I still had that like crazy imposter

0:24:12.640 --> 0:24:15.520
<v Speaker 4>syndrome because I didn't, you know, the first episode took

0:24:15.520 --> 0:24:17.200
<v Speaker 4>a while. It took a little while to find find

0:24:17.200 --> 0:24:20.879
<v Speaker 4>the footing, and all I did was pump gass and

0:24:20.920 --> 0:24:23.119
<v Speaker 4>I was like, I'm not even on this show.

0:24:23.400 --> 0:24:24.200
<v Speaker 3>Did they make a mista.

0:24:24.400 --> 0:24:26.120
<v Speaker 4>I kept thinking I'm going to show up on set

0:24:26.119 --> 0:24:27.480
<v Speaker 4>and they're going to be like, wait, a minute. You're

0:24:28.000 --> 0:24:28.800
<v Speaker 4>Andrew Reynolds.

0:24:29.320 --> 0:24:31.440
<v Speaker 1>My goodness, that's funny.

0:24:31.640 --> 0:24:32.760
<v Speaker 3>It's working out.

0:24:33.000 --> 0:24:36.240
<v Speaker 1>It's working out great. You're so perfect, and I think

0:24:36.320 --> 0:24:39.200
<v Speaker 1>everyone is perfect. I know it's Ted McGinley from class,

0:24:39.200 --> 0:24:41.840
<v Speaker 1>like years and years and years ago. His wife Gigi

0:24:41.920 --> 0:24:45.240
<v Speaker 1>was in class with me. So sweet, so so sweet.

0:24:45.240 --> 0:24:47.919
<v Speaker 1>They're such a great couple, the best. I'm so happy,

0:24:48.160 --> 0:24:49.360
<v Speaker 1>so so happy for him.

0:24:49.480 --> 0:24:51.000
<v Speaker 3>And he is just driving.

0:24:51.240 --> 0:24:54.200
<v Speaker 1>He's a dream. He's a dream. He's so great. Everyone,

0:24:54.280 --> 0:24:56.600
<v Speaker 1>everyone is so great. Christa and I used to sit

0:24:56.720 --> 0:25:03.119
<v Speaker 1>in auditions together, you know, like millions of years ago. Yeah, yeah, Yeah,

0:25:03.119 --> 0:25:04.760
<v Speaker 1>she's amazing. She is amazing.

0:25:05.040 --> 0:25:06.679
<v Speaker 3>And she's also the music supervi. I know.

0:25:06.880 --> 0:25:08.000
<v Speaker 2>I love that so much.

0:25:08.000 --> 0:25:10.680
<v Speaker 4>All Bill shows, she's a music she or her partner

0:25:10.720 --> 0:25:11.520
<v Speaker 4>of the music supervisor.

0:25:11.600 --> 0:25:12.360
<v Speaker 1>Very interesting, and.

0:25:12.280 --> 0:25:14.480
<v Speaker 3>That's why they all have such cool music.

0:25:14.320 --> 0:25:15.080
<v Speaker 2>Really cool music.

0:25:15.160 --> 0:25:17.840
<v Speaker 1>Great stuff's always really good. It's really good. I love it.

0:25:17.880 --> 0:25:19.000
<v Speaker 2>I'm just so happy you guys.

0:25:18.840 --> 0:25:20.800
<v Speaker 1>Are not going to end, and I'm happy that you're

0:25:20.840 --> 0:25:22.280
<v Speaker 1>coming back, and i account wait to see what you

0:25:22.359 --> 0:25:25.399
<v Speaker 1>come back doing because I'm a big fan obviously. Now

0:25:25.440 --> 0:25:27.600
<v Speaker 1>let's talk about Ugly Betty for a second. Oh my god,

0:25:27.640 --> 0:25:30.200
<v Speaker 1>I had fully forgotten about Pat being on Ugly Betty.

0:25:30.280 --> 0:25:32.840
<v Speaker 3>Yes, Pollo and Jackie, Polo.

0:25:32.640 --> 0:25:34.720
<v Speaker 2>And Jackie, but what about Molly and Molly?

0:25:34.840 --> 0:25:39.520
<v Speaker 1>Oh my god, I know we had them all everyone amazing.

0:25:39.600 --> 0:25:42.040
<v Speaker 2>So that was almost directly when the show ended.

0:25:42.080 --> 0:25:46.560
<v Speaker 4>Correct, It's like immediately, I feel like we started immediately.

0:25:46.720 --> 0:25:50.320
<v Speaker 4>Oh wow, like we started that. We did the pilot

0:25:50.520 --> 0:25:53.879
<v Speaker 4>in like March of six.

0:25:54.080 --> 0:25:55.760
<v Speaker 1>Oh got it? So I think we ended No.

0:25:55.920 --> 0:25:57.199
<v Speaker 3>Four Okay, so it was.

0:25:57.520 --> 0:26:02.360
<v Speaker 4>Right after yeah, yeah, yeah, and we shot the pilot

0:26:02.440 --> 0:26:04.400
<v Speaker 4>at you guys were a Silver Cup, right.

0:26:04.359 --> 0:26:04.840
<v Speaker 2>Yeah, we were.

0:26:04.920 --> 0:26:05.600
<v Speaker 3>We shot the pilot.

0:26:06.680 --> 0:26:08.280
<v Speaker 1>Oh wow, we just went back there and shot one

0:26:08.280 --> 0:26:10.680
<v Speaker 1>of our seasons there. The place is falling apart. I'm

0:26:10.760 --> 0:26:14.399
<v Speaker 1>sure like they have done no work. It's just one there,

0:26:14.680 --> 0:26:16.280
<v Speaker 1>one of the we shot one of the seasons. Yeah.

0:26:16.280 --> 0:26:19.040
<v Speaker 1>We were at Steiner first and then Silver Cup and

0:26:19.040 --> 0:26:22.160
<v Speaker 1>then we went to Waldorf. What's it called coffin Astoria

0:26:22.960 --> 0:26:26.200
<v Speaker 1>around Yeah, you know, the the sound stages at that

0:26:26.240 --> 0:26:30.160
<v Speaker 1>point post COVID, Like we're so booked and the prices

0:26:30.200 --> 0:26:31.840
<v Speaker 1>would just go up and up, and we would always

0:26:31.840 --> 0:26:33.520
<v Speaker 1>want to store our stuff and they would be like.

0:26:33.520 --> 0:26:34.520
<v Speaker 2>Five million dollars.

0:26:34.880 --> 0:26:36.720
<v Speaker 1>It was, you know it was just so much cast

0:26:36.760 --> 0:26:38.320
<v Speaker 1>and we never knew exactly when we were going to

0:26:38.400 --> 0:26:40.119
<v Speaker 1>come back, so that was part of it. But it

0:26:40.200 --> 0:26:41.760
<v Speaker 1>was kind of fun to go to different places. We

0:26:41.880 --> 0:26:44.240
<v Speaker 1>kept it lively, you know. But yeah, Silver Cup was

0:26:44.240 --> 0:26:45.560
<v Speaker 1>a magical place in the day.

0:26:45.920 --> 0:26:48.640
<v Speaker 4>Gosh, right there, off, I mean just like that neighborhood

0:26:48.720 --> 0:26:51.080
<v Speaker 4>and yeah, water like that, and.

0:26:51.280 --> 0:26:53.080
<v Speaker 3>Yeah we didn't we didn't get So we shot the

0:26:53.080 --> 0:26:55.159
<v Speaker 3>pilot there and then they moved the whole show to

0:26:55.359 --> 0:26:58.080
<v Speaker 3>La got it, and Pat was like going to La.

0:26:58.680 --> 0:27:02.320
<v Speaker 3>Really she did. She didn't do the first two seasons.

0:27:02.560 --> 0:27:06.520
<v Speaker 4>Oh, a great guy named Edward Castro designed them.

0:27:06.520 --> 0:27:07.840
<v Speaker 1>But oh wait, I've met him.

0:27:07.920 --> 0:27:09.760
<v Speaker 3>Yeah he's very good, very good.

0:27:09.840 --> 0:27:13.720
<v Speaker 1>Okay, So she did the pilot exactly.

0:27:13.840 --> 0:27:19.720
<v Speaker 4>She created the looks right and the aesthetic, especially for Betty,

0:27:19.920 --> 0:27:23.240
<v Speaker 4>who was like literally she took the red glasses off

0:27:23.240 --> 0:27:25.200
<v Speaker 4>of her face and put them on America fer era.

0:27:25.440 --> 0:27:26.120
<v Speaker 3>Wow.

0:27:26.359 --> 0:27:27.080
<v Speaker 1>I didn't know that.

0:27:27.240 --> 0:27:30.440
<v Speaker 3>Yeah, that was literally very cool. In the in the

0:27:30.720 --> 0:27:33.879
<v Speaker 3>there's a great story in the fitting, she's like, that

0:27:34.160 --> 0:27:36.439
<v Speaker 3>is it's not there yet? What is he saying? And

0:27:36.480 --> 0:27:41.639
<v Speaker 3>then she just like wait and wow, yeah it was

0:27:41.720 --> 0:27:44.000
<v Speaker 3>really it was, it was it was wow.

0:27:44.359 --> 0:27:48.560
<v Speaker 4>She was very exciting to be around. And and I

0:27:48.880 --> 0:27:51.480
<v Speaker 4>will never forget my first time. I was like what.

0:27:51.640 --> 0:27:54.080
<v Speaker 3>Because I was a child. I was twenty five.

0:27:54.240 --> 0:27:58.040
<v Speaker 4>Wow, I hadn't done anything, and I'm going to her

0:27:58.280 --> 0:28:00.280
<v Speaker 4>like studio where she's you.

0:28:00.240 --> 0:28:02.040
<v Speaker 2>Did anyone warn you or tell you?

0:28:02.040 --> 0:28:02.320
<v Speaker 1>Are you?

0:28:03.080 --> 0:28:05.720
<v Speaker 2>Because I do think people think she's more normal than

0:28:05.760 --> 0:28:06.080
<v Speaker 2>she is.

0:28:07.600 --> 0:28:07.959
<v Speaker 4>She is.

0:28:09.880 --> 0:28:10.800
<v Speaker 1>She is a one of a.

0:28:10.840 --> 0:28:13.440
<v Speaker 3>Kind, totally one of a kind unicorn.

0:28:13.680 --> 0:28:17.160
<v Speaker 4>Yes, and wonderful and we'll really bullet.

0:28:18.040 --> 0:28:19.680
<v Speaker 3>She would advocate for my character.

0:28:19.840 --> 0:28:21.919
<v Speaker 2>Oh, I know she has strong opinions about everything.

0:28:22.160 --> 0:28:24.600
<v Speaker 1>She really wanted to direct sex and the city really,

0:28:26.080 --> 0:28:28.040
<v Speaker 1>but then once she started talking about what she would

0:28:28.040 --> 0:28:29.880
<v Speaker 1>do everyone, it would just be like, yeah, no, it's

0:28:29.920 --> 0:28:30.680
<v Speaker 1>not going to happen.

0:28:32.600 --> 0:28:33.520
<v Speaker 3>And then I want you here again.

0:28:33.520 --> 0:28:38.000
<v Speaker 4>I'm younger and and Darren starter, Yeah I forgot about that. Yeah,

0:28:38.040 --> 0:28:42.320
<v Speaker 4>and Jackie, Jackie really did younger and and Pat. Pat

0:28:42.320 --> 0:28:44.720
<v Speaker 4>would come in and out, but Pat would go about

0:28:44.800 --> 0:28:46.960
<v Speaker 4>she would I saw her like take Darren aside and

0:28:46.960 --> 0:28:50.240
<v Speaker 4>be like more it should be on this more.

0:28:50.520 --> 0:28:53.040
<v Speaker 2>Wow, so sweet.

0:28:53.960 --> 0:28:57.040
<v Speaker 4>Going to my first fitting and I'm like what is it?

0:28:57.080 --> 0:29:01.600
<v Speaker 4>And there's Molly with her Southern accent, so like delightful

0:29:01.600 --> 0:29:05.360
<v Speaker 4>and eccentric and eye rolly, and Pat, Paula and Jackie

0:29:05.400 --> 0:29:06.080
<v Speaker 4>weren't there yet.

0:29:06.160 --> 0:29:06.520
<v Speaker 1>Okay.

0:29:07.000 --> 0:29:11.760
<v Speaker 4>Pat was so weird smoking, putting cigarettes out on the table.

0:29:12.320 --> 0:29:17.760
<v Speaker 1>Her evil dogs, Yeah, the dogs Sultana and yeah, those dogs.

0:29:17.760 --> 0:29:22.160
<v Speaker 4>She want more hideous and evil than those dogs.

0:29:22.200 --> 0:29:26.600
<v Speaker 1>But I know what you're saying. They they were unique too, yes, yes,

0:29:26.680 --> 0:29:28.760
<v Speaker 1>And they would be just hiding under the table and

0:29:28.760 --> 0:29:29.360
<v Speaker 1>you shouldn't go.

0:29:29.360 --> 0:29:30.440
<v Speaker 3>Over there if they're shaky.

0:29:30.760 --> 0:29:31.800
<v Speaker 1>Yeah, yeah, don't go over there.

0:29:31.880 --> 0:29:35.160
<v Speaker 3>Don't go over there. Yeah. And then she would like

0:29:35.720 --> 0:29:36.600
<v Speaker 3>put these things.

0:29:36.600 --> 0:29:38.320
<v Speaker 4>I want to just stand there and she would put

0:29:38.360 --> 0:29:41.640
<v Speaker 4>these combinations of clothes and then she'd put a thing

0:29:41.680 --> 0:29:43.760
<v Speaker 4>around my neck and then she would come up and

0:29:43.800 --> 0:29:46.160
<v Speaker 4>have a cigarette dangling and just like be breathing in

0:29:46.240 --> 0:29:50.520
<v Speaker 4>my face, tying it around, and then it would like

0:29:50.920 --> 0:29:51.400
<v Speaker 4>step away.

0:29:51.440 --> 0:29:55.360
<v Speaker 3>And there was something definitely totally amazing. Also had just

0:29:55.520 --> 0:29:57.480
<v Speaker 3>like hours.

0:29:57.080 --> 0:30:00.320
<v Speaker 1>Of fittings, hours of fittings, and sometimes it's start at

0:30:00.360 --> 0:30:01.000
<v Speaker 1>two am.

0:30:01.400 --> 0:30:03.120
<v Speaker 2>I one time got in trouble.

0:30:03.520 --> 0:30:07.920
<v Speaker 1>Like maybe second season, I want to say, because we

0:30:07.920 --> 0:30:11.600
<v Speaker 1>were working just like horrific, horrific hours and everyone was like,

0:30:11.640 --> 0:30:12.719
<v Speaker 1>don't Comeplaine, don't Complaine.

0:30:12.760 --> 0:30:14.760
<v Speaker 2>You know, just be tough. And we were trying.

0:30:14.800 --> 0:30:16.920
<v Speaker 1>I was trying, but it was hard, right, And we

0:30:16.960 --> 0:30:20.680
<v Speaker 1>would see the sun rise like Thursday and Friday into Saturday, right,

0:30:20.720 --> 0:30:22.280
<v Speaker 1>so the sun would rise on Saturday and we'd have

0:30:22.320 --> 0:30:24.640
<v Speaker 1>to stop shooting. We wouldn't be done necessarily that we'd

0:30:24.680 --> 0:30:27.640
<v Speaker 1>have to stop because the summer's rising. We were doing

0:30:27.680 --> 0:30:30.760
<v Speaker 1>a night exterior and that was it, right, And then

0:30:30.800 --> 0:30:34.440
<v Speaker 1>sometimes we'd even be on the stage till the sun rose,

0:30:34.600 --> 0:30:36.920
<v Speaker 1>which made no sense, but that's how messed up we'd

0:30:36.920 --> 0:30:39.360
<v Speaker 1>gotten during the week, right, And in the beginning, we

0:30:39.440 --> 0:30:42.640
<v Speaker 1>had all those exterior night you know scenes whatever. And

0:30:42.800 --> 0:30:46.080
<v Speaker 1>one time I wrapped it, I want to say two

0:30:46.400 --> 0:30:48.360
<v Speaker 1>and they were like, you know, the ads are like.

0:30:48.320 --> 0:30:49.440
<v Speaker 2>Now you're going to go to your fitting.

0:30:49.520 --> 0:30:52.240
<v Speaker 1>I was like, yeah, no, come on guys, and they're like, what,

0:30:52.440 --> 0:30:54.320
<v Speaker 1>you have a fitting? You have to go. And I'm like,

0:30:54.320 --> 0:30:58.080
<v Speaker 1>but two am, we're starting at you because they would

0:30:58.120 --> 0:31:00.640
<v Speaker 1>be five hours, right, So I'm like, it's it's two am.

0:31:01.160 --> 0:31:05.880
<v Speaker 1>It's two it's two am. And I was tired enough

0:31:05.920 --> 0:31:08.160
<v Speaker 1>that I like, you know, stuck to my guns or whatever,

0:31:08.600 --> 0:31:11.520
<v Speaker 1>and I think it didn't happen. And then I was

0:31:11.560 --> 0:31:15.280
<v Speaker 1>in the doghouse. Yeah, yeah, I got spoken to. I

0:31:15.280 --> 0:31:18.720
<v Speaker 1>got spoken to. Yeah, I did. I need to go

0:31:18.800 --> 0:31:21.400
<v Speaker 1>to a fitting and do not ever complain again basically

0:31:21.920 --> 0:31:24.960
<v Speaker 1>yeah yeah yeah, not by Pat By you know, higher

0:31:25.040 --> 0:31:27.360
<v Speaker 1>up than Pat Yeah yeah, yeah, like you know, the

0:31:27.360 --> 0:31:30.840
<v Speaker 1>whole thing had to be I mean, they were very much.

0:31:30.920 --> 0:31:33.920
<v Speaker 1>I also remember, did you ever meet Rebecca who was

0:31:34.000 --> 0:31:38.240
<v Speaker 1>Pat's girlfriend and then wife. No, so Rebecca was around

0:31:38.320 --> 0:31:40.560
<v Speaker 1>on the show, but then they split up and she left.

0:31:40.960 --> 0:31:43.160
<v Speaker 1>But when they weren't getting along, if you went to

0:31:43.240 --> 0:31:45.680
<v Speaker 1>a fitting, you know, you'd have like there'd be like

0:31:45.720 --> 0:31:47.840
<v Speaker 1>thirty bags there or whatever, right, and they you know,

0:31:47.840 --> 0:31:49.600
<v Speaker 1>they'd get the outfit in the shoes and whatever, and

0:31:49.600 --> 0:31:51.240
<v Speaker 1>then they'd be like, oh the bag, you know. And

0:31:51.280 --> 0:31:53.560
<v Speaker 1>so you'd stand there and they one would say, well,

0:31:53.600 --> 0:31:55.160
<v Speaker 1>I want this back, and then the other would say,

0:31:55.160 --> 0:31:57.000
<v Speaker 1>well I want that back. So you'd have to hold one,

0:31:57.160 --> 0:31:58.680
<v Speaker 1>then you have to hold the other, and the you

0:31:58.720 --> 0:32:00.880
<v Speaker 1>have to hold one and they have the other, and

0:32:00.920 --> 0:32:02.800
<v Speaker 1>they would just argue and argue and are you And

0:32:02.800 --> 0:32:04.440
<v Speaker 1>I was like, you guys need to go to therapy,

0:32:05.040 --> 0:32:06.760
<v Speaker 1>like not be arguing over this bag, you know what

0:32:06.800 --> 0:32:08.960
<v Speaker 1>I'm saying. Like they were breaking up, right, but it

0:32:08.960 --> 0:32:10.800
<v Speaker 1>would be about the bag, right, so you just be

0:32:10.880 --> 0:32:11.480
<v Speaker 1>there forever.

0:32:11.640 --> 0:32:12.560
<v Speaker 2>They'd be like I.

0:32:12.520 --> 0:32:14.640
<v Speaker 1>Like this one, I like that one, I like this one.

0:32:14.680 --> 0:32:15.120
<v Speaker 3>I like that.

0:32:15.240 --> 0:32:17.600
<v Speaker 2>You're like on and on and on and on and on,

0:32:17.840 --> 0:32:18.640
<v Speaker 2>and you feel.

0:32:18.400 --> 0:32:21.720
<v Speaker 1>Oh God, please let me go. But but on the

0:32:21.760 --> 0:32:23.480
<v Speaker 1>other hand, it was part of it, you know, it

0:32:23.560 --> 0:32:26.080
<v Speaker 1>was part of the whole show and the process, and

0:32:26.240 --> 0:32:30.000
<v Speaker 1>no one, none of us had any illusions that it

0:32:30.120 --> 0:32:33.240
<v Speaker 1>wasn't like tremendously important. You don't what I'm saying.

0:32:33.880 --> 0:32:40.120
<v Speaker 3>I mean that that was that show was. I feel

0:32:40.160 --> 0:32:42.520
<v Speaker 3>like there wasn't fashion on television before that.

0:32:42.720 --> 0:32:44.320
<v Speaker 1>I agree, I agree, And I don't even know if

0:32:44.320 --> 0:32:47.040
<v Speaker 1>there's fashion on television now. Sometimes sometimes I'm like, what

0:32:47.080 --> 0:32:49.320
<v Speaker 1>are these people worrying? But whatever, that's me, that's me

0:32:49.440 --> 0:32:51.880
<v Speaker 1>being whatever. I do think there's fashion. I mean, you know,

0:32:52.000 --> 0:32:55.840
<v Speaker 1>I didn't watch the the JFK Junior thing because to me,

0:32:56.000 --> 0:32:56.800
<v Speaker 1>it's like too soon.

0:32:57.160 --> 0:32:59.200
<v Speaker 2>But you know there's there's fashion, right, Like.

0:32:59.320 --> 0:33:03.360
<v Speaker 1>Yeah, Murphy understands fashion, I think, right, yeah, yeah.

0:33:03.080 --> 0:33:07.920
<v Speaker 4>But that show, like it was the custums side fashion,

0:33:07.920 --> 0:33:13.280
<v Speaker 4>but show your show introduced the idea of fashion two people. Yeah,

0:33:13.320 --> 0:33:15.120
<v Speaker 4>Like I feel like it was the first time I

0:33:15.440 --> 0:33:18.680
<v Speaker 4>understood that's a good point, Like, oh, that's a thing

0:33:18.760 --> 0:33:20.520
<v Speaker 4>people do for.

0:33:20.920 --> 0:33:23.080
<v Speaker 2>A living, for sure, and also a thing that you

0:33:23.120 --> 0:33:23.480
<v Speaker 2>can do.

0:33:23.560 --> 0:33:25.520
<v Speaker 1>I think that's what was nice about it was like

0:33:26.080 --> 0:33:30.040
<v Speaker 1>the way Pat Emali and Sir Jessica approached it was

0:33:30.160 --> 0:33:33.080
<v Speaker 1>make it your own, right, Like, yes, you're going to

0:33:33.160 --> 0:33:35.520
<v Speaker 1>wear these tremendous things, but you're also going to mix

0:33:35.560 --> 0:33:37.959
<v Speaker 1>them with things from the street, right, like that two

0:33:38.040 --> 0:33:40.120
<v Speaker 1>two in the opening is five dollars, you know what

0:33:40.160 --> 0:33:42.520
<v Speaker 1>I mean? And then like, hi, low was is it

0:33:42.640 --> 0:33:44.200
<v Speaker 1>part of Pat's whole whole thing?

0:33:44.280 --> 0:33:44.480
<v Speaker 2>Right?

0:33:44.840 --> 0:33:48.400
<v Speaker 1>Not so much for Charlotte though, when I watched back episodes,

0:33:48.400 --> 0:33:50.240
<v Speaker 1>I'm like, oh, yeah, that's like from the gap or whatever,

0:33:50.320 --> 0:33:52.840
<v Speaker 1>you know what I mean, Like like you can't tell

0:33:52.880 --> 0:33:54.800
<v Speaker 1>because the shoes that we're wearing with it or whatever,

0:33:54.920 --> 0:33:55.400
<v Speaker 1>you know what I mean.

0:33:55.960 --> 0:33:58.080
<v Speaker 2>But and the styling, right, But I think that.

0:33:58.200 --> 0:34:02.320
<v Speaker 1>Was what made it approachable and acceptable, was like take it,

0:34:02.400 --> 0:34:05.200
<v Speaker 1>make it your own. I feel like that was the important,

0:34:05.360 --> 0:34:10.200
<v Speaker 1>important part of it.

0:34:16.920 --> 0:34:20.200
<v Speaker 3>Did you know from the beginning that that's that the show? Like?

0:34:20.440 --> 0:34:24.240
<v Speaker 4>Because I think about the the iconic opening credits where

0:34:24.360 --> 0:34:26.560
<v Speaker 4>you know she's in the two two, and then even

0:34:26.600 --> 0:34:30.279
<v Speaker 4>that it ends with that goofy face that she makes a.

0:34:31.960 --> 0:34:32.240
<v Speaker 1>Pause.

0:34:32.280 --> 0:34:34.000
<v Speaker 4>It's sort of like, oh, this isn't just like a

0:34:34.040 --> 0:34:37.680
<v Speaker 4>perfect person she's going to be, and like like that

0:34:38.080 --> 0:34:42.080
<v Speaker 4>from the beginning was like like, I guess my question

0:34:42.200 --> 0:34:46.000
<v Speaker 4>is did the show know what it was from the

0:34:46.120 --> 0:34:46.760
<v Speaker 4>very beginning?

0:34:46.920 --> 0:34:49.080
<v Speaker 2>I mean I think in some ways yes, right, because

0:34:49.280 --> 0:34:50.160
<v Speaker 2>you think about.

0:34:49.880 --> 0:34:52.000
<v Speaker 1>Like the bus, you know, the bus goes by her

0:34:52.200 --> 0:34:54.880
<v Speaker 1>and hits a mud puddle that splashes on her and

0:34:54.920 --> 0:34:58.120
<v Speaker 1>has her face on there advertising the column with like

0:34:58.160 --> 0:34:58.879
<v Speaker 1>graffiti on.

0:34:58.840 --> 0:35:01.839
<v Speaker 3>There, right right right, So like from the beginning.

0:35:01.760 --> 0:35:04.400
<v Speaker 1>Very clearly it's going to be it's going to be

0:35:04.400 --> 0:35:06.839
<v Speaker 1>a world you've never seen. And I was aware when

0:35:06.840 --> 0:35:08.799
<v Speaker 1>I read the script. I didn't know who Candice was.

0:35:08.800 --> 0:35:10.520
<v Speaker 1>I had never read the column. I knew the paper,

0:35:10.600 --> 0:35:13.480
<v Speaker 1>The Observer, but I didn't know her like she wasn't

0:35:13.880 --> 0:35:18.560
<v Speaker 1>she didn't. I didn't focus on that world, you know. No.

0:35:18.600 --> 0:35:20.600
<v Speaker 1>I grew up in South Carolina, but I went to Brutgers,

0:35:20.600 --> 0:35:22.000
<v Speaker 1>and I lived in New York, and I lived in

0:35:22.040 --> 0:35:26.279
<v Speaker 1>Hoboken whatever, and I was an actress, waitress, and then

0:35:26.320 --> 0:35:28.319
<v Speaker 1>I moved to La where I started to do better.

0:35:28.360 --> 0:35:30.160
<v Speaker 1>And then I got Sex and City and moved back

0:35:30.200 --> 0:35:31.840
<v Speaker 1>back and forth, you know, back and forth like we

0:35:31.880 --> 0:35:35.000
<v Speaker 1>all do, which is great obviously, but I knew it

0:35:35.040 --> 0:35:39.279
<v Speaker 1>was like an unseen world, right, and a world that

0:35:39.360 --> 0:35:41.040
<v Speaker 1>I wasn't part of. So I was thought it was

0:35:41.120 --> 0:35:44.480
<v Speaker 1>impossibly glamorous and amazing and you know, like.

0:35:46.000 --> 0:35:46.719
<v Speaker 2>Very impressive.

0:35:46.719 --> 0:35:50.880
<v Speaker 1>And I fully had imposter syndrome, fully, fully fully because.

0:35:50.600 --> 0:35:53.200
<v Speaker 2>I was, you know, not of that world.

0:35:53.719 --> 0:35:56.600
<v Speaker 1>And even though Sarah feels like she wasn't of that world,

0:35:56.640 --> 0:35:58.759
<v Speaker 1>but to me, she was very much an it girl,

0:35:58.960 --> 0:36:02.719
<v Speaker 1>Sir Jessica herself, right, she now says, like, what are

0:36:02.719 --> 0:36:03.160
<v Speaker 1>you saying?

0:36:03.200 --> 0:36:06.000
<v Speaker 2>You know, but like, you know, like I remember seeing.

0:36:05.840 --> 0:36:06.480
<v Speaker 3>She was the thing.

0:36:06.800 --> 0:36:09.879
<v Speaker 1>Yes, yes, I mean she thinks of herself as being

0:36:09.960 --> 0:36:12.839
<v Speaker 1>like a journeyman actor at that point, right, I think

0:36:12.880 --> 0:36:14.920
<v Speaker 1>of her as being New York City a girl. But

0:36:15.040 --> 0:36:19.120
<v Speaker 1>I also remember Pilot. I remember Papa Razzi taking a

0:36:19.120 --> 0:36:20.839
<v Speaker 1>picture of her walking across the street. I was like,

0:36:20.960 --> 0:36:24.080
<v Speaker 1>what is happening? Like I was just shooting here on

0:36:24.120 --> 0:36:26.640
<v Speaker 1>like a sound stage, right, like I didn't know. I

0:36:26.680 --> 0:36:28.759
<v Speaker 1>was like what, I had no idea what we were

0:36:28.800 --> 0:36:32.200
<v Speaker 1>about to experience, you know WHOA many years later obviously,

0:36:32.200 --> 0:36:35.719
<v Speaker 1>but I was like, oh, who is that, you know

0:36:35.760 --> 0:36:38.400
<v Speaker 1>what I'm saying, and like she's so calm, you know,

0:36:38.440 --> 0:36:40.640
<v Speaker 1>I was just like, what, what what is going on?

0:36:42.120 --> 0:36:44.839
<v Speaker 1>But you know, a little did I know what we

0:36:44.840 --> 0:36:48.480
<v Speaker 1>were about to experience, right, So I knew, But we really,

0:36:48.520 --> 0:36:50.640
<v Speaker 1>really really thought it was going to be a small,

0:36:50.920 --> 0:36:53.480
<v Speaker 1>kind of a cult following type of a show in

0:36:53.520 --> 0:36:56.360
<v Speaker 1>the way that Larry Sanders was on HBO, because I

0:36:56.400 --> 0:36:58.960
<v Speaker 1>had been almost the only show that I knew of

0:36:58.960 --> 0:37:01.440
<v Speaker 1>that HBO had had, and we were fine with that.

0:37:01.480 --> 0:37:03.239
<v Speaker 1>We were like, as long as enough people watch it

0:37:03.239 --> 0:37:03.480
<v Speaker 1>that we.

0:37:03.520 --> 0:37:05.520
<v Speaker 2>Get to keep doing it, then great.

0:37:05.920 --> 0:37:09.279
<v Speaker 1>You know, we had no plan that it was going

0:37:09.360 --> 0:37:12.200
<v Speaker 1>to be what it came came to be, which was amazing. Now,

0:37:12.280 --> 0:37:14.160
<v Speaker 1>I do think that there so I think in some

0:37:14.200 --> 0:37:20.839
<v Speaker 1>ways Darren had a really clear idea of doing something different, right,

0:37:21.360 --> 0:37:24.080
<v Speaker 1>and he wanted to you know, it was Kandas's column,

0:37:24.200 --> 0:37:26.520
<v Speaker 1>and he was going to like the first episodes are

0:37:26.640 --> 0:37:32.160
<v Speaker 1>very very specifically pulled from the book, right, and they're dark.

0:37:32.400 --> 0:37:34.359
<v Speaker 2>It is dark, you know, in the beginning, the.

0:37:34.360 --> 0:37:37.800
<v Speaker 1>Men are awful, awful, And Candace came on the podcast

0:37:37.840 --> 0:37:39.759
<v Speaker 1>and told me that, you know, guys, just used to

0:37:39.840 --> 0:37:42.560
<v Speaker 1>come up to her parties and just tell her the stories,

0:37:42.960 --> 0:37:46.080
<v Speaker 1>these horrible, disgusting stories, but like bragging to her about

0:37:46.080 --> 0:37:48.040
<v Speaker 1>the stories. You know, she didn't even have to try

0:37:48.400 --> 0:37:50.160
<v Speaker 1>to get them to tell her. They were just like

0:37:50.239 --> 0:37:52.520
<v Speaker 1>willingly like And then I filmed the models and they

0:37:52.520 --> 0:37:57.319
<v Speaker 1>didn't know I was filming them, like you know, like this, right, yeah,

0:37:57.360 --> 0:37:58.800
<v Speaker 1>I mean especially back then.

0:37:58.800 --> 0:38:00.839
<v Speaker 2>You know, like like I I feel like it's better now.

0:38:00.880 --> 0:38:03.560
<v Speaker 4>I could be wrong, but I mean social media sort

0:38:03.560 --> 0:38:05.439
<v Speaker 4>of holding people accountable in a way.

0:38:05.520 --> 0:38:07.920
<v Speaker 1>Yeah, And I think it tells young women that you

0:38:08.080 --> 0:38:10.399
<v Speaker 1>can do that, you know. I don't think it ever

0:38:10.440 --> 0:38:13.000
<v Speaker 1>occurred to us, you know, Like in the episode where

0:38:13.040 --> 0:38:15.600
<v Speaker 1>the guy films, it's Gabriel Mock playing this character, God

0:38:15.640 --> 0:38:18.400
<v Speaker 1>bless him, and he is like awful, right, and he

0:38:18.440 --> 0:38:20.480
<v Speaker 1>tells her like I'm going to show you my masterpiece,

0:38:20.600 --> 0:38:22.480
<v Speaker 1>and she has to sit down and smoke a cigarette

0:38:22.760 --> 0:38:25.120
<v Speaker 1>and watch these videos of him with as she says,

0:38:25.160 --> 0:38:27.080
<v Speaker 1>all the girls from Vogue, all the girls from the

0:38:27.120 --> 0:38:30.080
<v Speaker 1>ads in Vogue, and they don't know that they're being filmed, right,

0:38:30.120 --> 0:38:32.160
<v Speaker 1>But it's his masterpiece that he's somehow going to show

0:38:32.160 --> 0:38:34.359
<v Speaker 1>people at some point because it's his masterpiece. But also

0:38:34.360 --> 0:38:35.320
<v Speaker 1>if she doesn't say.

0:38:35.120 --> 0:38:36.480
<v Speaker 2>Like I need to call the cop.

0:38:36.760 --> 0:38:40.080
<v Speaker 1>That's what's right, It doesn't even she's like ha ha ha,

0:38:40.560 --> 0:38:42.759
<v Speaker 1>you know. And I said to Sarah Jessica, like, wasn't

0:38:42.800 --> 0:38:44.600
<v Speaker 1>that awful and hard? And she said, well, first of all,

0:38:44.600 --> 0:38:47.399
<v Speaker 1>there's nothing on the on the it's like old TVs. Right,

0:38:47.440 --> 0:38:50.640
<v Speaker 1>So obviously they didn't have the footage, right, so she

0:38:50.800 --> 0:38:53.800
<v Speaker 1>was just imagining things. And also Candice is very cool

0:38:53.800 --> 0:38:56.400
<v Speaker 1>and not judgmental, right, that was kind of her like,

0:38:56.520 --> 0:38:58.680
<v Speaker 1>I'm just going to hang like I'm one of the guys.

0:38:58.800 --> 0:39:01.480
<v Speaker 1>I'm not going to judge them whatever, and so Sarah

0:39:01.520 --> 0:39:03.120
<v Speaker 1>was trying to do that in a way. And then

0:39:03.160 --> 0:39:05.440
<v Speaker 1>also but then later Samantha wants to go out with

0:39:05.440 --> 0:39:07.560
<v Speaker 1>that guy and Carrie tells her like, no, no, no,

0:39:07.600 --> 0:39:09.319
<v Speaker 1>you don't because he's got to try to film you.

0:39:09.480 --> 0:39:12.640
<v Speaker 1>And Samantha's like, ah, I want to, and so she goes, right,

0:39:12.840 --> 0:39:15.040
<v Speaker 1>but I mean Carrie does say no, no, no, he's

0:39:15.160 --> 0:39:18.400
<v Speaker 1>you know, he's not great or whatever, but Samantha chooses

0:39:18.440 --> 0:39:18.640
<v Speaker 1>to go.

0:39:18.680 --> 0:39:19.520
<v Speaker 2>So it's interesting.

0:39:19.560 --> 0:39:22.319
<v Speaker 1>But I think that you know, we were so used

0:39:22.320 --> 0:39:24.440
<v Speaker 1>to that, you know, we were just used to just

0:39:24.520 --> 0:39:24.880
<v Speaker 1>like it.

0:39:25.200 --> 0:39:27.480
<v Speaker 3>That's the way it is. Yeah, well that's the different

0:39:27.520 --> 0:39:31.080
<v Speaker 3>time thing that like, like people say it now they're like, well,

0:39:31.080 --> 0:39:34.239
<v Speaker 3>there was a different time about things, but it was and.

0:39:34.160 --> 0:39:37.279
<v Speaker 1>It really really was. But yet it still holds up

0:39:37.320 --> 0:39:39.680
<v Speaker 1>and you can still watch it. And so sometimes they'll

0:39:39.719 --> 0:39:41.680
<v Speaker 1>be like the chord phones, you know, we're on like

0:39:41.719 --> 0:39:44.040
<v Speaker 1>the chord phones, and they'll be weird things like that,

0:39:44.160 --> 0:39:48.799
<v Speaker 1>like anachronistic things, but otherwise, the relationship stuff, it still

0:39:48.840 --> 0:39:50.480
<v Speaker 1>seems really relatable.

0:39:50.600 --> 0:39:54.239
<v Speaker 4>Yeah, so I found what I find because I've been

0:39:54.239 --> 0:39:57.359
<v Speaker 4>looking at I've been looking back thinking about us being

0:39:57.400 --> 0:40:00.719
<v Speaker 4>here together, and there's a few times when I'm like, oh,

0:40:00.800 --> 0:40:06.560
<v Speaker 4>they're not quite woken. You assume they like I remember

0:40:06.640 --> 0:40:10.640
<v Speaker 4>them back then, they were the wokest, they have gay

0:40:10.640 --> 0:40:12.600
<v Speaker 4>friends and like yeah, like all that stuff, but like

0:40:12.640 --> 0:40:13.719
<v Speaker 4>now looking back, they're not.

0:40:15.120 --> 0:40:19.200
<v Speaker 1>Sometimes sometimes will say something and you're like what, yeah,

0:40:19.280 --> 0:40:20.200
<v Speaker 1>like what stood out to you?

0:40:20.920 --> 0:40:22.560
<v Speaker 4>Well on the episode we're gonna talk about like some

0:40:22.560 --> 0:40:25.000
<v Speaker 4>of the gay stuff is a little uh, you know,

0:40:25.040 --> 0:40:25.960
<v Speaker 4>like it's.

0:40:25.760 --> 0:40:29.319
<v Speaker 1>Just one, but it also was a very I.

0:40:29.320 --> 0:40:31.759
<v Speaker 4>Don't want watch gay porn, I know, but she's like,

0:40:31.840 --> 0:40:33.759
<v Speaker 4>of course, why would she? I mean she's never seen

0:40:33.760 --> 0:40:34.120
<v Speaker 4>it before.

0:40:34.160 --> 0:40:35.799
<v Speaker 1>I know. It's so funny that three of them are

0:40:35.880 --> 0:40:38.560
<v Speaker 1>laughing about it because that was like never seen on television,

0:40:38.800 --> 0:40:41.280
<v Speaker 1>totally never, never seen on television.

0:40:42.120 --> 0:40:45.239
<v Speaker 3>There's an episode where she dates a bisexual.

0:40:45.320 --> 0:40:47.960
<v Speaker 1>Oh yeah, yeah, yeah, that one does not and then

0:40:48.000 --> 0:40:51.759
<v Speaker 1>she like, she's just like she's really upset about it.

0:40:51.920 --> 0:40:54.000
<v Speaker 3>She's a cool party with all those cool people.

0:40:54.040 --> 0:40:58.800
<v Speaker 1>You know where Moore said Is said, she's a kissore.

0:40:59.520 --> 0:41:01.280
<v Speaker 3>And then she's like like, I'm not doing this anymore.

0:41:01.280 --> 0:41:03.719
<v Speaker 1>And I was like, Carrie, I know, and that kid

0:41:03.880 --> 0:41:07.680
<v Speaker 1>is like a puppy, That little kid like a puppy.

0:41:07.560 --> 0:41:08.200
<v Speaker 1>I know.

0:41:08.280 --> 0:41:12.200
<v Speaker 4>She's like, I know, I know how often she like

0:41:12.400 --> 0:41:16.240
<v Speaker 4>the show ends with her leaving alone in the streets,

0:41:16.280 --> 0:41:17.680
<v Speaker 4>like in the dark, in the streets of New York,

0:41:17.719 --> 0:41:18.480
<v Speaker 4>And I'm.

0:41:18.320 --> 0:41:21.000
<v Speaker 3>Like, what are you doing? You can't just leave and

0:41:21.040 --> 0:41:22.320
<v Speaker 3>walk away?

0:41:22.760 --> 0:41:25.719
<v Speaker 1>You mean because she's not safe? Yes, oh that's where

0:41:26.320 --> 0:41:29.360
<v Speaker 1>never entered our minds. Yeah right, No, we just stomped

0:41:29.400 --> 0:41:34.879
<v Speaker 1>all around. Yeah, like like you.

0:41:34.920 --> 0:41:38.480
<v Speaker 3>Put her in a cap like like nobody walk her. No. No,

0:41:38.840 --> 0:41:40.480
<v Speaker 3>In this episode, Murray Bartlett just let her go.

0:41:40.719 --> 0:41:43.120
<v Speaker 1>I know, no, I know, I know. No, this is

0:41:43.120 --> 0:41:45.880
<v Speaker 1>how it was because I had a restaurant job, my

0:41:46.000 --> 0:41:49.120
<v Speaker 1>last restaurant job in New York. It was in Chelsea,

0:41:49.520 --> 0:41:51.439
<v Speaker 1>and I had an apartment in grammar syyt Park area,

0:41:51.560 --> 0:41:54.240
<v Speaker 1>not on the park, you know, like on Third Oven.

0:41:54.440 --> 0:41:56.400
<v Speaker 2>And I wouldn't walk exactly.

0:41:56.760 --> 0:41:56.840
<v Speaker 4>No.

0:41:56.920 --> 0:41:59.399
<v Speaker 1>I actually bribed someone to get a key, which was cool,

0:41:59.400 --> 0:42:01.959
<v Speaker 1>Which was cool. I paid for a key, and yeah,

0:42:02.000 --> 0:42:04.640
<v Speaker 1>because that little park so special. Yeah yeah, yeah, yeah,

0:42:04.680 --> 0:42:07.880
<v Speaker 1>but I didn't. I wasn't. I didn't officially get a key.

0:42:08.239 --> 0:42:11.200
<v Speaker 1>I would walk home from my restaurant job at like

0:42:11.239 --> 0:42:13.040
<v Speaker 1>one in the morning, and I would walk right by

0:42:13.040 --> 0:42:15.560
<v Speaker 1>the Limelight, which was still a bar in.

0:42:15.520 --> 0:42:17.800
<v Speaker 2>The good old days. I was sober, so I wouldn't

0:42:17.800 --> 0:42:19.720
<v Speaker 2>go in, and I'd be like, wow, look at that.

0:42:19.880 --> 0:42:21.799
<v Speaker 1>And I just keep walking. I would just walk up

0:42:21.960 --> 0:42:24.480
<v Speaker 1>all the time. Well, we just ran all around.

0:42:24.760 --> 0:42:27.520
<v Speaker 3>Yeah you know, I mean so did I right, But

0:42:27.560 --> 0:42:28.600
<v Speaker 3>I'm a boy and.

0:42:28.680 --> 0:42:31.440
<v Speaker 1>Like, no, I know, but it's different.

0:42:31.160 --> 0:42:34.719
<v Speaker 4>Now, wild to look and be like whoa, that's I know,

0:42:34.920 --> 0:42:38.920
<v Speaker 4>just tiny little carry walking into a dark down a

0:42:39.000 --> 0:42:39.480
<v Speaker 4>dark street.

0:42:39.520 --> 0:42:43.719
<v Speaker 1>Everything was so dark, so dark, yes, I know, but

0:42:43.800 --> 0:42:46.239
<v Speaker 1>it really was. It really was. And we did like

0:42:46.280 --> 0:42:49.120
<v Speaker 1>one time, she goes into this like downstairs bar. This

0:42:49.200 --> 0:42:51.720
<v Speaker 1>doesn't look like a bar. It's like a weird room

0:42:51.800 --> 0:42:54.000
<v Speaker 1>that looks like people should be just doing drugs or whatever.

0:42:54.480 --> 0:42:57.440
<v Speaker 1>She just goes down there. It's really funny.

0:42:57.960 --> 0:42:59.520
<v Speaker 2>I know, I don't think any of us did.

0:42:59.600 --> 0:42:59.919
<v Speaker 3>I don't.

0:43:00.040 --> 0:43:05.839
<v Speaker 1>I really don't remember fear in that way, like generalized,

0:43:05.880 --> 0:43:07.759
<v Speaker 1>you know what I mean, Like I think we were

0:43:07.880 --> 0:43:10.359
<v Speaker 1>just you know, like and then if you ever ask

0:43:10.520 --> 0:43:13.080
<v Speaker 1>anybody from that time about like their subway stories, you know,

0:43:13.239 --> 0:43:17.200
<v Speaker 1>everyone got exposed, you know, like that was just normal.

0:43:17.280 --> 0:43:19.680
<v Speaker 2>You're like, okay, you know what I mean. It was interesting,

0:43:19.719 --> 0:43:20.240
<v Speaker 2>it's interesting.

0:43:20.239 --> 0:43:22.440
<v Speaker 1>So wait, let's discuss the episode and the gay part

0:43:22.480 --> 0:43:25.359
<v Speaker 1>of the episode first, because when I watched it too,

0:43:25.400 --> 0:43:29.279
<v Speaker 1>I was like, wow, this episode is like gay gay gay, yeah,

0:43:29.320 --> 0:43:31.959
<v Speaker 1>and this is yeah, and we've now we're like doubling down.

0:43:32.040 --> 0:43:34.520
<v Speaker 1>We're like, let's do it. And I love that And

0:43:34.719 --> 0:43:36.680
<v Speaker 1>I'd forgotten everything that Murray Barlett did.

0:43:36.680 --> 0:43:39.680
<v Speaker 3>And he's so great, it's so cute and wonderful.

0:43:39.719 --> 0:43:41.520
<v Speaker 1>Oh my god, and he's a little bit of fait.

0:43:41.840 --> 0:43:45.480
<v Speaker 3>I was like, I have to think twice, right, I

0:43:45.520 --> 0:43:46.359
<v Speaker 3>feel like it's him.

0:43:46.560 --> 0:43:49.840
<v Speaker 1>Well when he later it wasn't even it wasn't the

0:43:50.040 --> 0:43:51.799
<v Speaker 1>white lotus. It was something else, and I was like,

0:43:51.840 --> 0:43:53.680
<v Speaker 1>I know, I know him. You know there's things where

0:43:53.719 --> 0:43:56.880
<v Speaker 1>you're like, I know I know that guy Michael looking

0:43:57.120 --> 0:44:00.120
<v Speaker 1>looking yeah, yeah, he was like this Murray Barlett And

0:44:00.160 --> 0:44:03.680
<v Speaker 1>I'm like, wait, what did he do? Right? He's so

0:44:03.840 --> 0:44:06.960
<v Speaker 1>great and he's so beautiful, young and old, you know,

0:44:07.360 --> 0:44:08.799
<v Speaker 1>but I don't know how we found him.

0:44:08.800 --> 0:44:11.080
<v Speaker 2>Like I'm kind of interested. I want to hear that whole.

0:44:11.320 --> 0:44:13.799
<v Speaker 1>I don't know how Michael Patrick found him, but he

0:44:14.160 --> 0:44:16.920
<v Speaker 1>knew him, I think, And you know, he's great, but

0:44:16.960 --> 0:44:21.000
<v Speaker 1>he's it's also kind of an interesting and weird part,

0:44:21.480 --> 0:44:25.080
<v Speaker 1>you know, like to have because she's leaving Aiden at home.

0:44:25.320 --> 0:44:27.680
<v Speaker 1>Aiden doesn't ever want to go out now, and he

0:44:27.800 --> 0:44:30.400
<v Speaker 1>just wants to lay on the bed in his tidy whities.

0:44:30.480 --> 0:44:32.080
<v Speaker 1>What the heck's fresh again?

0:44:32.239 --> 0:44:34.759
<v Speaker 4>And she comes home in her cute white dress and

0:44:34.800 --> 0:44:36.800
<v Speaker 4>he puts his greasy fried chicken fingers.

0:44:37.120 --> 0:44:40.040
<v Speaker 1>This is little Hannah could think about so much.

0:44:40.719 --> 0:44:43.160
<v Speaker 3>I was like, get off of him. You're wearing a

0:44:43.200 --> 0:44:43.880
<v Speaker 3>pretty dress.

0:44:44.080 --> 0:44:46.480
<v Speaker 1>I know, I know, well, this is what I was

0:44:46.480 --> 0:44:49.840
<v Speaker 1>thinking during that scene. This is directed by Charles McDougall.

0:44:49.840 --> 0:44:52.560
<v Speaker 1>Did you ever have Charles McDougall. Oh, he's incredible. He's

0:44:52.640 --> 0:44:56.840
<v Speaker 1>just so visually beautiful and everything was beautiful in this episode.

0:44:56.880 --> 0:44:59.760
<v Speaker 2>But when we cut back to Corbett.

0:45:00.040 --> 0:45:02.719
<v Speaker 1>Laying on her bed with the kentuctive for Chicken, it

0:45:02.719 --> 0:45:05.200
<v Speaker 1>didn't even enter my mind about the conductor Fred Chicken

0:45:05.280 --> 0:45:09.359
<v Speaker 1>because I understand, I understand, but this is what got

0:45:09.360 --> 0:45:11.520
<v Speaker 1>me distracted. Okay, you're gonna understand what I tell you.

0:45:11.800 --> 0:45:14.279
<v Speaker 1>The camera is like below the foot of the bed

0:45:14.480 --> 0:45:17.239
<v Speaker 1>and John is laying there with his leg spread in

0:45:17.280 --> 0:45:22.040
<v Speaker 1>his tidy whities, and I'm like, what is going on?

0:45:22.160 --> 0:45:28.040
<v Speaker 1>And it lasts so long. It lasts so long, and

0:45:28.080 --> 0:45:33.920
<v Speaker 1>it was so distracting and weird and like it.

0:45:33.560 --> 0:45:37.120
<v Speaker 2>I was just like, okay, I'm the only one who

0:45:37.200 --> 0:45:37.600
<v Speaker 2>noticed this.

0:45:38.400 --> 0:45:39.640
<v Speaker 3>Why you noticed?

0:45:39.719 --> 0:45:43.759
<v Speaker 1>Okay? Great? I was just like, wait, who decided to

0:45:43.840 --> 0:45:46.439
<v Speaker 1>do this? And I also felt like John was really

0:45:46.560 --> 0:45:50.680
<v Speaker 1>leaning into like I'm a guy, Like I'm spread eagle

0:45:50.840 --> 0:45:55.040
<v Speaker 1>on the bed, such a guy in this episode. He's

0:45:55.200 --> 0:45:59.520
<v Speaker 1>very hot, he's very beautiful. His face is just so beautiful.

0:46:00.080 --> 0:46:03.400
<v Speaker 1>But also, like the whole storyline also is just kind

0:46:03.440 --> 0:46:05.520
<v Speaker 1>of weird, you know how, like he doesn't want to

0:46:05.560 --> 0:46:08.440
<v Speaker 1>go out and his boxes are everywhere, And I mean

0:46:08.480 --> 0:46:10.400
<v Speaker 1>I like that they're fighting because they've moved in together

0:46:10.440 --> 0:46:12.680
<v Speaker 1>and it's like a new, you know, growth area for them.

0:46:13.000 --> 0:46:15.120
<v Speaker 1>But then and then she goes out. But then also

0:46:15.160 --> 0:46:18.480
<v Speaker 1>she's cheating on Stanford with Murray's character.

0:46:19.120 --> 0:46:22.880
<v Speaker 3>It made me so sad. I know sees it happening twice.

0:46:23.200 --> 0:46:25.040
<v Speaker 1>I know, I know. When I forgot that part, I

0:46:25.080 --> 0:46:27.440
<v Speaker 1>was like, oh my god, there's Stanford paying more attention

0:46:27.520 --> 0:46:30.279
<v Speaker 1>to him. And I was like, is she distracted by

0:46:30.320 --> 0:46:31.120
<v Speaker 1>Murray because of the.

0:46:31.120 --> 0:46:35.160
<v Speaker 3>Shoes, Like she wants the shoes.

0:46:34.520 --> 0:46:36.480
<v Speaker 1>Or she wants to go to Brunglow eight or.

0:46:36.640 --> 0:46:38.640
<v Speaker 4>I felt like a little bit like it was like

0:46:38.719 --> 0:46:40.759
<v Speaker 4>that she was and it felt like she was kind

0:46:40.800 --> 0:46:43.640
<v Speaker 4>of using him, and then she gets she gets upset

0:46:43.719 --> 0:46:47.360
<v Speaker 4>up with him when when he's like looking but learning

0:46:47.360 --> 0:46:49.480
<v Speaker 4>with the dude, you're using him.

0:46:49.560 --> 0:46:51.560
<v Speaker 3>He's using you like you're you're using each other.

0:46:51.840 --> 0:46:55.120
<v Speaker 4>I thought it was interesting, it was, But that was

0:46:55.239 --> 0:46:59.480
<v Speaker 4>another thing that I had forgotten is these are flawed people.

0:47:00.160 --> 0:47:04.160
<v Speaker 1>Sometimes they're jerks totally. And that's what's great because now

0:47:04.280 --> 0:47:06.520
<v Speaker 1>I don't know that all the characters on TV have

0:47:06.600 --> 0:47:07.120
<v Speaker 1>that freedom.

0:47:07.280 --> 0:47:07.320
<v Speaker 3>No.

0:47:07.560 --> 0:47:09.520
<v Speaker 1>I mean, your character, you're kind of a jerk sometimes.

0:47:09.600 --> 0:47:12.200
<v Speaker 3>Yeah, it's great. Crazy narcissism.

0:47:12.320 --> 0:47:14.560
<v Speaker 1>Yeah, it's great. But you guys make jokes about it, Yeah,

0:47:14.640 --> 0:47:16.319
<v Speaker 1>which is great, Like you do it and then they

0:47:16.320 --> 0:47:18.280
<v Speaker 1>make jokes about it, and then you're lovable anyway.

0:47:18.600 --> 0:47:19.400
<v Speaker 2>It's fantastic.

0:47:19.600 --> 0:47:21.960
<v Speaker 1>But I don't feel like there's that many characters that

0:47:22.000 --> 0:47:26.200
<v Speaker 1>we could really point to. I mean, Jason Segall's character,

0:47:26.320 --> 0:47:28.080
<v Speaker 1>he kind of has his flaws, but I think he's

0:47:28.160 --> 0:47:30.239
<v Speaker 1>very understandable because his wife died, you know.

0:47:30.360 --> 0:47:33.160
<v Speaker 4>Yes, and he his wife. He has a great reason.

0:47:33.320 --> 0:47:36.239
<v Speaker 4>His wife died and he went and he spent a

0:47:36.320 --> 0:47:40.560
<v Speaker 4>year at rock bottom, and now he's like putting himself

0:47:40.560 --> 0:47:43.279
<v Speaker 4>back that like the show sort about him himself back together, right,

0:47:43.640 --> 0:47:46.160
<v Speaker 4>And I mean like if you ask a real mental

0:47:46.160 --> 0:47:48.920
<v Speaker 4>health professional, then they will tell him. They will tell

0:47:48.920 --> 0:47:52.080
<v Speaker 4>you that he is a terrible therapist, right because he's.

0:47:52.000 --> 0:47:55.439
<v Speaker 1>Oh for sure, that part's super fascinating. I forgot about

0:47:55.440 --> 0:47:58.120
<v Speaker 1>that part. Yes, But also, isn't it based on that

0:47:58.200 --> 0:48:01.400
<v Speaker 1>real therapist guy? Right? Very trippy? Right?

0:48:01.440 --> 0:48:02.960
<v Speaker 2>That what's his name?

0:48:03.120 --> 0:48:03.360
<v Speaker 3>Did it?

0:48:03.920 --> 0:48:04.080
<v Speaker 1>Yes?

0:48:04.160 --> 0:48:06.000
<v Speaker 2>Joan Hill did the documentary.

0:48:05.440 --> 0:48:07.360
<v Speaker 3>About Harrison's based on that guy.

0:48:07.400 --> 0:48:10.239
<v Speaker 2>Right, and who also has Parkinson has.

0:48:10.200 --> 0:48:15.879
<v Speaker 4>Parkinson's right, and that, uh, and that his methods where

0:48:15.880 --> 0:48:18.359
<v Speaker 4>he's he's I think his I think his big thing

0:48:18.480 --> 0:48:20.080
<v Speaker 4>is he on the first day he's like I'm the

0:48:20.080 --> 0:48:22.759
<v Speaker 4>boss now or something like that, which is kind of

0:48:22.760 --> 0:48:25.440
<v Speaker 4>great when you think about like how we want our

0:48:25.480 --> 0:48:26.359
<v Speaker 4>therapists to.

0:48:26.880 --> 0:48:28.759
<v Speaker 1>You know, like we will I don't know, Well, I

0:48:28.800 --> 0:48:31.160
<v Speaker 1>don't know, Michael. I find that scary.

0:48:30.920 --> 0:48:32.399
<v Speaker 3>That the therapist would tell you what to do.

0:48:32.600 --> 0:48:35.560
<v Speaker 4>Yes, don't you sometimes though think I want my therapist

0:48:35.680 --> 0:48:37.600
<v Speaker 4>to tell me what to do and my friends to

0:48:37.719 --> 0:48:38.200
<v Speaker 4>just listen.

0:48:38.560 --> 0:48:39.520
<v Speaker 3>Yes, it's the opposite.

0:48:39.600 --> 0:48:41.920
<v Speaker 1>No, it's a good point. Yeah, but that's a good point.

0:48:41.800 --> 0:48:44.319
<v Speaker 4>To the extent that I mean, he's obviously like he's

0:48:44.320 --> 0:48:45.040
<v Speaker 4>almost a bully.

0:48:45.560 --> 0:48:48.000
<v Speaker 1>It seems like it's a little scary. It's so scary. Yeah,

0:48:48.000 --> 0:48:50.560
<v Speaker 1>I would not respondible to that. I'd be scared, you know,

0:48:50.680 --> 0:48:52.719
<v Speaker 1>to tell them stuff if they were just going to

0:48:52.760 --> 0:48:55.000
<v Speaker 1>be like that's interesting, you know, you know what I mean,

0:48:55.080 --> 0:48:57.200
<v Speaker 1>I'd be scared. I'm a good girl, right, so it

0:48:57.200 --> 0:49:03.720
<v Speaker 1>would it would like play on that, you know, really

0:49:03.719 --> 0:49:06.440
<v Speaker 1>am but like the Jew, So the Jimmy character is

0:49:06.480 --> 0:49:08.320
<v Speaker 1>not based on a real real therapist.

0:49:08.680 --> 0:49:10.960
<v Speaker 4>It's sort of they sort of I think there is

0:49:11.000 --> 0:49:13.919
<v Speaker 4>a guy that he's sort of based on, but his

0:49:14.120 --> 0:49:17.520
<v Speaker 4>methods that he kind of discovers organically.

0:49:17.719 --> 0:49:21.240
<v Speaker 3>Yeah, in the first season are based on.

0:49:22.920 --> 0:49:25.840
<v Speaker 1>Okay God because he has some crazy things he does, yes,

0:49:25.960 --> 0:49:30.160
<v Speaker 1>which is interesting, but I'm very fascinating. Oh yeah yeah yeah.

0:49:30.280 --> 0:49:32.840
<v Speaker 4>But like my therapist watched the show and I was like,

0:49:32.880 --> 0:49:37.200
<v Speaker 4>what did you think. She was like, he is very unorthodox.

0:49:36.800 --> 0:49:40.640
<v Speaker 1>And she had everything well no joke, yeah, no jokes.

0:49:40.760 --> 0:49:42.840
<v Speaker 3>Everything was about him, and I was like, what about me?

0:49:47.440 --> 0:49:50.279
<v Speaker 1>That's funny, that's good. I mean yeah, I mean the

0:49:50.320 --> 0:49:56.200
<v Speaker 1>show is honestly open about that. They're like, I mean right, yeah.

0:49:56.520 --> 0:50:00.080
<v Speaker 4>And our Yeah, I mean our show is like a

0:50:00.080 --> 0:50:06.279
<v Speaker 4>about our flaws, about our flaws about which is great. Yeah,

0:50:06.320 --> 0:50:12.480
<v Speaker 4>which is great. You're right that so many shows, especially comedies.

0:50:12.880 --> 0:50:17.120
<v Speaker 1>Are people can't be complicated now, right, because everyone's like

0:50:17.360 --> 0:50:18.719
<v Speaker 1>so quick to judge.

0:50:18.960 --> 0:50:21.480
<v Speaker 2>I think it's partly that. I also think it's like whatever.

0:50:21.200 --> 0:50:25.040
<v Speaker 1>Our business is going through, which is obviously big and

0:50:25.080 --> 0:50:27.920
<v Speaker 1>weird and whatever. It's weird times. But I think that

0:50:28.080 --> 0:50:33.640
<v Speaker 1>when because we were obviously wonderfully without social media, right, Yes,

0:50:34.040 --> 0:50:37.480
<v Speaker 1>So there were the reviewers who were, you know, really

0:50:37.560 --> 0:50:40.640
<v Speaker 1>really mad at us and you know whatever, they were

0:50:40.640 --> 0:50:41.960
<v Speaker 1>like old white guys. Hmm.

0:50:42.120 --> 0:50:44.560
<v Speaker 2>Yeah, they were like what is this? This is stupid,

0:50:44.600 --> 0:50:45.440
<v Speaker 2>this is crazy.

0:50:46.280 --> 0:50:48.759
<v Speaker 1>You know, we wouldn't want to date these girls like

0:50:49.239 --> 0:50:51.600
<v Speaker 1>every bad thing you can imagine, you know what I'm saying.

0:50:51.640 --> 0:50:53.799
<v Speaker 1>But they were like old white guys that were like

0:50:53.880 --> 0:50:55.799
<v Speaker 1>in a little corner over here. It did hurt us,

0:50:55.960 --> 0:50:58.160
<v Speaker 1>like it hurt our feelings or whatever, but on a

0:50:58.239 --> 0:50:59.959
<v Speaker 1>certain level we knew that it didn't really matter.

0:51:00.400 --> 0:51:03.640
<v Speaker 2>But now, you know, everyone.

0:51:03.560 --> 0:51:09.840
<v Speaker 1>Is opinionated immediately, right, and the immediately voicing their opinions

0:51:09.880 --> 0:51:14.200
<v Speaker 1>in real time basically. And I think that like, you know,

0:51:14.280 --> 0:51:18.960
<v Speaker 1>the group thing, the group hate watch situation takes over

0:51:19.360 --> 0:51:23.319
<v Speaker 1>and I think affects the choices that are made in

0:51:23.360 --> 0:51:27.520
<v Speaker 1>our business, you know, And I think that's sad.

0:51:27.840 --> 0:51:30.200
<v Speaker 4>I mean, you can, you can try, but like it's

0:51:30.200 --> 0:51:34.480
<v Speaker 4>hard to not, especially with something that's ongoing, like exactly.

0:51:34.239 --> 0:51:36.880
<v Speaker 1>Shows are the worst. Yeah, shows, even limited series you

0:51:36.920 --> 0:51:38.719
<v Speaker 1>can kind of do because like whatever it's going to

0:51:38.760 --> 0:51:41.400
<v Speaker 1>be over, you know what I'm saying, But ongoing shows

0:51:41.440 --> 0:51:44.560
<v Speaker 1>where people need to invest in it as a fan.

0:51:45.120 --> 0:51:48.520
<v Speaker 1>But yet it takes this turn where the hate watch

0:51:48.600 --> 0:51:51.600
<v Speaker 1>takes over and then like the hate watch fans up everybody,

0:51:51.760 --> 0:51:54.520
<v Speaker 1>like the negative is so much louder than the positive.

0:51:54.200 --> 0:51:58.560
<v Speaker 4>You know, totally totally and we are. I mean, I

0:51:58.560 --> 0:52:01.120
<v Speaker 4>don't know how much you look into Yeah I don't.

0:52:01.160 --> 0:52:02.680
<v Speaker 4>I'm on social media, but I don't love it. And

0:52:02.760 --> 0:52:06.399
<v Speaker 4>I and it's like I'm afraid. I'm always really afraid

0:52:06.400 --> 0:52:07.280
<v Speaker 4>I'm going to see something.

0:52:07.920 --> 0:52:10.239
<v Speaker 2>Yeah yeah, as well you should. You got to protect yourself.

0:52:10.320 --> 0:52:10.480
<v Speaker 3>Yeah.

0:52:10.560 --> 0:52:12.440
<v Speaker 1>Yeah, I've never seen anything bad about your show.

0:52:14.200 --> 0:52:17.359
<v Speaker 4>I once saw somebody say something kind of negative about

0:52:17.800 --> 0:52:21.200
<v Speaker 4>me about in the show, and I was like, oh

0:52:21.239 --> 0:52:24.960
<v Speaker 4>my god, what if what if Apple sees this. Oh

0:52:25.000 --> 0:52:27.120
<v Speaker 4>if they decide they're going to you know, like and

0:52:27.120 --> 0:52:31.320
<v Speaker 4>and and I should just like not look like and

0:52:31.560 --> 0:52:35.640
<v Speaker 4>also that person like you know, have no follower or whatever,

0:52:35.680 --> 0:52:37.680
<v Speaker 4>like nobody nobody's I'm not going to see that.

0:52:38.040 --> 0:52:40.759
<v Speaker 1>I was not going to care, but like that was

0:52:40.760 --> 0:52:41.520
<v Speaker 1>what they did see it.

0:52:41.680 --> 0:52:44.440
<v Speaker 4>That wasn't there was no social media back then and

0:52:44.920 --> 0:52:46.839
<v Speaker 4>HBO especially then.

0:52:46.960 --> 0:52:49.520
<v Speaker 3>Now still I mean, there's still like the best that

0:52:49.840 --> 0:52:54.960
<v Speaker 3>they were. They were such punks, like punk rock, and

0:52:55.000 --> 0:52:55.800
<v Speaker 3>they were doing.

0:52:55.719 --> 0:52:58.920
<v Speaker 1>They're not punk rock anymore, no offense, casey, they're amazing,

0:52:59.040 --> 0:53:02.600
<v Speaker 1>but they're not punk rock, right. I think it's changed, right,

0:53:02.640 --> 0:53:04.759
<v Speaker 1>And it was prestige then, but I think there's a

0:53:04.800 --> 0:53:06.960
<v Speaker 1>freedom to the prestige, do you know what I'm saying,

0:53:07.520 --> 0:53:08.880
<v Speaker 1>Like where they could just be like, well, this is

0:53:08.880 --> 0:53:10.439
<v Speaker 1>what we want to do, you know, and they didn't

0:53:10.480 --> 0:53:13.319
<v Speaker 1>give notes like they were just like go do it.

0:53:14.520 --> 0:53:16.439
<v Speaker 2>Yeah, and they were into it. They were like, yeah,

0:53:16.560 --> 0:53:17.560
<v Speaker 2>lean into it, do it.

0:53:28.640 --> 0:53:31.400
<v Speaker 3>So what was on It was Larry Sanders, was on.

0:53:31.360 --> 0:53:35.160
<v Speaker 1>Larry's Sanders was on before US, six Street, on No.

0:53:35.280 --> 0:53:39.560
<v Speaker 1>Six Fronds, after Baby, everything's after Sopranos. Same time, we've

0:53:39.719 --> 0:53:42.760
<v Speaker 1>filmed their pilot like they filmed right after US because

0:53:42.800 --> 0:53:45.400
<v Speaker 1>they had tried to make a deal because back then

0:53:45.400 --> 0:53:47.440
<v Speaker 1>they would say like we're HBO. We can't pay your

0:53:47.520 --> 0:53:50.759
<v Speaker 1>quotes because we're just a baby network. You know, it's

0:53:50.800 --> 0:53:53.520
<v Speaker 1>funny now, right, it's funny now. And the time that

0:53:53.520 --> 0:53:55.560
<v Speaker 1>that changed. I'll never forget this. You know how Vanity

0:53:55.600 --> 0:53:59.080
<v Speaker 1>Fair does their power ranking thing in their power ranking,

0:54:00.239 --> 0:54:02.360
<v Speaker 1>you know, I'm into the industry writer. I'm reading everything

0:54:02.360 --> 0:54:04.520
<v Speaker 1>and I'm reading down from number one and I get

0:54:04.520 --> 0:54:07.560
<v Speaker 1>to like number ten or something and it's HBO, Jeff Fucus,

0:54:07.640 --> 0:54:10.040
<v Speaker 1>you know, who's in charge of Time Warner at that point,

0:54:10.120 --> 0:54:12.960
<v Speaker 1>and maybe they quoted Chris, I can't remember, and they

0:54:12.960 --> 0:54:15.520
<v Speaker 1>said something about how they had made a billion dollars

0:54:15.520 --> 0:54:22.319
<v Speaker 1>that year. Was like, what, oh, really? Quote maybe we

0:54:22.360 --> 0:54:25.319
<v Speaker 1>could get to little rays, you know, and you were

0:54:25.360 --> 0:54:27.440
<v Speaker 1>like wait, because when we started, they were like, oh,

0:54:27.560 --> 0:54:30.360
<v Speaker 1>we're not a network, We're not a real network. So

0:54:30.400 --> 0:54:32.520
<v Speaker 1>they had gone to our crew after our show, which

0:54:32.520 --> 0:54:34.160
<v Speaker 1>we filmed in the show in the city, of course,

0:54:34.160 --> 0:54:35.920
<v Speaker 1>and then they said we want to make a double

0:54:35.960 --> 0:54:38.960
<v Speaker 1>deal with the crew members where we'll hire you for

0:54:39.040 --> 0:54:41.960
<v Speaker 1>more weeks or months and we'll just send you to

0:54:42.040 --> 0:54:45.240
<v Speaker 1>New Jersey to do this show about mobsters in New Jersey.

0:54:45.520 --> 0:54:48.040
<v Speaker 1>So our crew was all struggling with this decision, like,

0:54:48.440 --> 0:54:49.719
<v Speaker 1>you know, I don't know do I want to go

0:54:49.800 --> 0:54:50.600
<v Speaker 1>to New Jersey?

0:54:50.640 --> 0:54:51.840
<v Speaker 2>Did your show about.

0:54:51.560 --> 0:54:56.280
<v Speaker 1>The mob And we were like what, No, that sounds horrible,

0:54:56.480 --> 0:54:59.320
<v Speaker 1>Like we didn't know. We hadn't read this Chris exactly.

0:54:59.640 --> 0:55:01.400
<v Speaker 1>We really why don't you go to Jersey?

0:55:02.040 --> 0:55:02.480
<v Speaker 3>I wanted to?

0:55:02.920 --> 0:55:04.040
<v Speaker 1>And it was the Sopranos.

0:55:04.080 --> 0:55:06.320
<v Speaker 3>So did your crew do both shows?

0:55:06.400 --> 0:55:08.400
<v Speaker 1>Some of them tried, but then so we would be

0:55:08.600 --> 0:55:10.880
<v Speaker 1>on and off, like we had this one ad Mark McGann,

0:55:10.880 --> 0:55:13.919
<v Speaker 1>who did both. But then we started overlapping because once

0:55:14.000 --> 0:55:16.480
<v Speaker 1>Stvid Chase, like they kind of pushed him to do

0:55:16.560 --> 0:55:19.040
<v Speaker 1>the seasons on time, and he felt like he had

0:55:19.560 --> 0:55:21.840
<v Speaker 1>not done his best writing, so he said, you're just

0:55:21.880 --> 0:55:22.879
<v Speaker 1>going to have to wait for us.

0:55:23.360 --> 0:55:24.319
<v Speaker 2>We're going to take our time.

0:55:24.480 --> 0:55:27.160
<v Speaker 1>Whereas we went to work every February, like we started

0:55:27.160 --> 0:55:29.120
<v Speaker 1>every February so that we could come on in June

0:55:29.400 --> 0:55:31.600
<v Speaker 1>and be on in the summers. And we were doing

0:55:31.760 --> 0:55:34.560
<v Speaker 1>like thirteen eighteen eighteen, like so many shows.

0:55:34.600 --> 0:55:36.440
<v Speaker 3>You're still shooting when the show would be on TV.

0:55:37.200 --> 0:55:39.319
<v Speaker 1>Yeah, yeah, yeah, we would start in February, we would

0:55:39.320 --> 0:55:41.640
<v Speaker 1>work till about August or September, and then every year

0:55:41.640 --> 0:55:43.440
<v Speaker 1>it got longer because we got more money, you know,

0:55:44.360 --> 0:55:48.799
<v Speaker 1>for our overall budget, and sopranos would just come and

0:55:48.840 --> 0:55:50.600
<v Speaker 1>go when they chose. So at a certain point it

0:55:50.640 --> 0:55:53.560
<v Speaker 1>started overlapping. So then we couldn't have we didn't really

0:55:53.560 --> 0:55:55.800
<v Speaker 1>have that many overlap people, but there weren't that many

0:55:55.920 --> 0:55:58.279
<v Speaker 1>even really to begin with. You kind of had to

0:55:58.360 --> 0:56:00.440
<v Speaker 1>choose your vibe, you know what I mean saying as

0:56:00.440 --> 0:56:03.759
<v Speaker 1>a crew, remember, yeah, let's talk about what a time?

0:56:03.800 --> 0:56:05.680
<v Speaker 1>What a time? I know, it's fun to talk about.

0:56:05.680 --> 0:56:07.120
<v Speaker 1>This is why it's so much fun to have actors on.

0:56:07.200 --> 0:56:08.640
<v Speaker 1>I haven't had an actor on in a while. It's

0:56:08.680 --> 0:56:12.120
<v Speaker 1>really really wonderful. It's always my favorite thing, you know,

0:56:12.120 --> 0:56:15.680
<v Speaker 1>because we always have always so many you know, what's

0:56:15.719 --> 0:56:16.480
<v Speaker 1>it called connections?

0:56:16.560 --> 0:56:19.880
<v Speaker 3>Yeah, and and and shoot in New York. It's just

0:56:20.120 --> 0:56:21.600
<v Speaker 3>it's the best.

0:56:22.280 --> 0:56:24.080
<v Speaker 4>Like when we moved and they moved Ugle Betty back

0:56:24.080 --> 0:56:25.640
<v Speaker 4>to New York, we were on the streets. We were

0:56:26.040 --> 0:56:29.560
<v Speaker 4>you know, like shut in Dumbo between all the bridges

0:56:29.600 --> 0:56:30.040
<v Speaker 4>and shot.

0:56:30.160 --> 0:56:31.400
<v Speaker 2>Have you been to Dumble lately?

0:56:31.880 --> 0:56:36.759
<v Speaker 1>It's unrecognizable. I rented an airbnb for one month of

0:56:36.800 --> 0:56:39.360
<v Speaker 1>like one of the seasons, and I thought I was

0:56:39.360 --> 0:56:44.200
<v Speaker 1>picturing Dumbo, like back when she like we went to wait,

0:56:44.320 --> 0:56:45.720
<v Speaker 1>does a shoe get stolen Dumbo?

0:56:45.800 --> 0:56:47.320
<v Speaker 2>Something important happens in Dumbo?

0:56:47.360 --> 0:56:49.640
<v Speaker 1>And it was like warehouses, right, I think it's going

0:56:49.680 --> 0:56:50.520
<v Speaker 1>to be cool more houses.

0:56:50.600 --> 0:56:51.240
<v Speaker 2>Oh my god.

0:56:51.480 --> 0:56:54.320
<v Speaker 1>My airbnb was on the block that is the photo

0:56:54.360 --> 0:56:58.759
<v Speaker 1>op block of the bridge. It is insane.

0:56:58.880 --> 0:56:59.759
<v Speaker 3>Yeah, I have been there.

0:56:59.760 --> 0:57:01.840
<v Speaker 4>I've I've seen that chaos where there are just people

0:57:01.840 --> 0:57:02.879
<v Speaker 4>there all the time.

0:57:02.960 --> 0:57:05.000
<v Speaker 1>I was on Washington, I was in the block and

0:57:05.040 --> 0:57:07.560
<v Speaker 1>I had booked it and the lady and tell me, well,

0:57:07.600 --> 0:57:09.520
<v Speaker 1>it was actually great. She gave me a little warning,

0:57:09.680 --> 0:57:13.520
<v Speaker 1>as she said, I'd already paid, right, she goes, you

0:57:13.560 --> 0:57:15.279
<v Speaker 1>know you might want to you mean, you know, you

0:57:15.360 --> 0:57:17.560
<v Speaker 1>might want to go somewhere for the weekend. And I'm like,

0:57:17.600 --> 0:57:19.000
<v Speaker 1>I might have been the fourth of July or something

0:57:19.000 --> 0:57:20.400
<v Speaker 1>when I moved it with something. And I said, what

0:57:20.440 --> 0:57:23.440
<v Speaker 1>do you mean. She goes, well, you know, gets kind

0:57:23.440 --> 0:57:25.200
<v Speaker 1>of busy. And I'm like, really, well, what do you mean,

0:57:25.240 --> 0:57:27.280
<v Speaker 1>is there like a festival or something. She's like, well,

0:57:27.680 --> 0:57:29.960
<v Speaker 1>the block, you know, the block is just as popular

0:57:30.000 --> 0:57:32.280
<v Speaker 1>block and there's a lot of Instagram people there.

0:57:32.280 --> 0:57:33.919
<v Speaker 2>And I'm like, I don't understand what you're saying.

0:57:33.960 --> 0:57:36.760
<v Speaker 1>Like I was so dense, right, and the window looked

0:57:36.840 --> 0:57:39.640
<v Speaker 1>over that block of the cobblestone street, right and the

0:57:39.920 --> 0:57:41.280
<v Speaker 1>entrance was right there.

0:57:41.720 --> 0:57:43.560
<v Speaker 3>So that's a great spot.

0:57:43.760 --> 0:57:45.640
<v Speaker 1>It's a great spot. It's a scary spot to live in.

0:57:45.680 --> 0:57:48.560
<v Speaker 1>The neighborhood's trying to like organize against it. But what

0:57:48.720 --> 0:57:51.600
<v Speaker 1>was great. No one looks at you because they're focused

0:57:51.640 --> 0:57:54.440
<v Speaker 1>on taking their pictures. So interesting, so you can just

0:57:54.480 --> 0:57:57.160
<v Speaker 1>people watch and sometimes on the weekend I would just

0:57:57.200 --> 0:57:59.760
<v Speaker 1>look out my window. You'd see naked people. You would

0:57:59.760 --> 0:58:04.040
<v Speaker 1>see people getting their bridle pictures taken, kin signera, you

0:58:04.240 --> 0:58:06.560
<v Speaker 1>name it, they're there, you know what I mean, people

0:58:06.640 --> 0:58:10.640
<v Speaker 1>painted like their body painted red, posing, you know, in

0:58:10.640 --> 0:58:13.560
<v Speaker 1>front of the bridge, exactly all the things. It was

0:58:13.600 --> 0:58:16.720
<v Speaker 1>really fascinating, and no one ever noticed me. My driver

0:58:16.840 --> 0:58:18.520
<v Speaker 1>had a bit of a time picking me up, you

0:58:18.560 --> 0:58:20.360
<v Speaker 1>know what I'm saying, because you couldn't really drive down

0:58:20.360 --> 0:58:21.800
<v Speaker 1>the street, but he would just go down the block

0:58:21.800 --> 0:58:23.880
<v Speaker 1>and I would just walk and no one noticed me.

0:58:24.560 --> 0:58:30.720
<v Speaker 4>Carries Oh, I know I've stumbled before, and I'm like,

0:58:30.760 --> 0:58:31.840
<v Speaker 4>what's happening right now.

0:58:31.840 --> 0:58:36.680
<v Speaker 1>I also lived near there, and I would forget and

0:58:36.720 --> 0:58:39.600
<v Speaker 1>I'd be like, but no one knows me there.

0:58:39.600 --> 0:58:41.160
<v Speaker 2>But if they did notice me, it would have been bad.

0:58:41.240 --> 0:58:44.320
<v Speaker 1>Right. But but we always joked that that's like the

0:58:44.360 --> 0:58:46.480
<v Speaker 1>best block for Sara Juska to walk down because like

0:58:46.680 --> 0:58:51.120
<v Speaker 1>they would never even think. And I also lived kind

0:58:51.120 --> 0:58:52.960
<v Speaker 1>of near the Friends building. And the funny thing about

0:58:52.960 --> 0:58:54.720
<v Speaker 1>the Friends buildings, they were literally never there.

0:58:54.840 --> 0:58:55.320
<v Speaker 3>No right.

0:58:55.520 --> 0:58:57.720
<v Speaker 1>I was like, you guys, there's nothing to do with

0:58:57.800 --> 0:59:01.040
<v Speaker 1>friends there, But because it's in the like, they'd cut

0:59:01.080 --> 0:59:05.800
<v Speaker 1>to it when they yeah, they're all there taking their pictures.

0:59:05.840 --> 0:59:09.400
<v Speaker 1>I'm like, this is really funny and weird, isn't it.

0:59:09.400 --> 0:59:10.760
<v Speaker 2>It's really funny and weird.

0:59:11.040 --> 0:59:14.440
<v Speaker 3>I want you know, Baron Trall. Yeah, of course.

0:59:15.240 --> 0:59:17.080
<v Speaker 4>It's like tough to get in. It's like it's like

0:59:17.120 --> 0:59:19.680
<v Speaker 4>a you know, like a like a theater hangout where

0:59:19.880 --> 0:59:21.400
<v Speaker 4>it's the best to take pictures.

0:59:22.320 --> 0:59:22.960
<v Speaker 1>It's great.

0:59:23.520 --> 0:59:24.240
<v Speaker 3>I swear to god.

0:59:24.280 --> 0:59:26.040
<v Speaker 4>I was there one time and there was a booth

0:59:26.440 --> 0:59:28.280
<v Speaker 4>of people who were on a Sex and the City tour.

0:59:31.320 --> 0:59:33.520
<v Speaker 4>Because I was like, who cure these people? And the

0:59:33.560 --> 0:59:35.840
<v Speaker 4>more I could like overhear, I was like, oh, they're on.

0:59:36.120 --> 0:59:40.560
<v Speaker 2>Like I believe we did. I think we shot everywhere,

0:59:40.840 --> 0:59:41.400
<v Speaker 2>you know what I mean.

0:59:41.480 --> 0:59:43.680
<v Speaker 3>I think we did because I talked about it. Yeah.

0:59:43.920 --> 0:59:46.000
<v Speaker 1>No, I think we might have filmed there because we

0:59:46.040 --> 0:59:47.880
<v Speaker 1>all go there obviously, you know what I mean.

0:59:48.320 --> 0:59:50.000
<v Speaker 3>I love it there. It's a great spot. Yeah.

0:59:50.360 --> 0:59:52.560
<v Speaker 1>Let me ask you, is this bar that we go

0:59:52.640 --> 0:59:55.680
<v Speaker 1>to in this episode all the twitters is that? Yeah?

0:59:55.880 --> 0:59:56.400
<v Speaker 1>Is that real?

0:59:57.040 --> 0:59:57.120
<v Speaker 3>Me?

0:59:57.280 --> 1:00:00.320
<v Speaker 1>Neither? If it Israel, I don't think it exists any

1:00:00.520 --> 1:00:02.440
<v Speaker 1>I think it might have been made up, you know

1:00:02.480 --> 1:00:02.880
<v Speaker 1>what I mean?

1:00:03.000 --> 1:00:03.520
<v Speaker 3>Yeah?

1:00:03.640 --> 1:00:05.680
<v Speaker 1>Yeah, I don't know. What did you think when you

1:00:05.680 --> 1:00:07.520
<v Speaker 1>watched that scene, did you think it was realistic?

1:00:07.720 --> 1:00:16.880
<v Speaker 3>Oh? Yeah, okay, okay, So, I mean it's intense.

1:00:16.680 --> 1:00:20.800
<v Speaker 4>It's so crazy, and I guess like it's so it's

1:00:20.840 --> 1:00:22.000
<v Speaker 4>not shocking anymore.

1:00:22.040 --> 1:00:23.680
<v Speaker 3>But it must have been crazy then.

1:00:24.120 --> 1:00:27.800
<v Speaker 1>I mean for us, you know, we in our lives

1:00:27.880 --> 1:00:30.760
<v Speaker 1>were exposed you know, to a lot of stuff, right right, right,

1:00:32.160 --> 1:00:34.240
<v Speaker 1>these are our lives, right, you know what I'm saying.

1:00:34.280 --> 1:00:37.040
<v Speaker 1>So for us, I think it was just really fun, right,

1:00:37.080 --> 1:00:40.600
<v Speaker 1>I think it was fun and different. Yeah, yeah, yeah,

1:00:40.640 --> 1:00:43.680
<v Speaker 1>I think it was fun to be you know, anytime

1:00:43.720 --> 1:00:46.840
<v Speaker 1>you're doing those really big scenes, it's a little bit hard, right,

1:00:47.240 --> 1:00:50.040
<v Speaker 1>But I think that because for us, like if we

1:00:50.080 --> 1:00:52.800
<v Speaker 1>go to we would go to regular straight bars or

1:00:52.840 --> 1:00:55.000
<v Speaker 1>whatever and get drunk. Our characters get drunk and have

1:00:55.000 --> 1:00:57.000
<v Speaker 1>to dance. We'd always be so nervous about having to dance.

1:00:57.160 --> 1:00:58.920
<v Speaker 1>We just had to respond to everybody, you know what

1:00:58.960 --> 1:01:00.960
<v Speaker 1>I mean, And it was just all around us, you know.

1:01:01.000 --> 1:01:03.920
<v Speaker 1>So it was really easy and and and such a

1:01:03.920 --> 1:01:05.919
<v Speaker 1>good time in the same way that the characters would

1:01:05.920 --> 1:01:08.440
<v Speaker 1>have a good time of like not having any pressure

1:01:08.440 --> 1:01:10.880
<v Speaker 1>on them, you know, it felt the same as an actor,

1:01:11.040 --> 1:01:11.400
<v Speaker 1>you don't know.

1:01:11.760 --> 1:01:13.720
<v Speaker 3>And I'm sure that all those guys were just all

1:01:13.840 --> 1:01:14.440
<v Speaker 3>over you.

1:01:14.400 --> 1:01:18.440
<v Speaker 1>And no, they were like super polite there, thrilled to

1:01:18.480 --> 1:01:18.800
<v Speaker 1>be there.

1:01:18.920 --> 1:01:21.040
<v Speaker 4>I mean like just like yes, it's like it must

1:01:21.040 --> 1:01:23.160
<v Speaker 4>have been the best night of their lives.

1:01:25.640 --> 1:01:26.920
<v Speaker 1>We should try to find somebody.

1:01:28.400 --> 1:01:30.200
<v Speaker 3>Mario remembers, Oh, we.

1:01:30.160 --> 1:01:32.440
<v Speaker 1>Should ask Mario the next time we have Mario on

1:01:32.480 --> 1:01:36.040
<v Speaker 1>write that down, Hannah, that's good, we should ask Mario he.

1:01:36.040 --> 1:01:38.520
<v Speaker 3>Remembers what that was, because I'm sure like he was

1:01:38.520 --> 1:01:39.520
<v Speaker 3>probably the liaison.

1:01:39.880 --> 1:01:44.200
<v Speaker 1>I'm sure totally. Also Chris Payne Gilbert who plays Gordon

1:01:44.280 --> 1:01:46.840
<v Speaker 1>the blonde guy, and then I saw him somewhere.

1:01:46.880 --> 1:01:48.760
<v Speaker 2>We're trying to figure out where I want to get

1:01:49.040 --> 1:01:50.120
<v Speaker 2>if we can catch up with him.

1:01:50.160 --> 1:01:50.840
<v Speaker 1>He's really great.

1:01:51.280 --> 1:01:53.880
<v Speaker 3>That's scene where you're dancing with the two of them.

1:01:54.280 --> 1:01:57.600
<v Speaker 4>There's no lines, yeah, and you're just like watching them

1:01:57.800 --> 1:01:59.919
<v Speaker 4>like get and then.

1:01:59.800 --> 1:02:04.800
<v Speaker 1>You're and I'm like trying to dance my way out.

1:02:04.960 --> 1:02:07.960
<v Speaker 1>I'm like, dn't trying to dance, trying to dance, and

1:02:08.000 --> 1:02:09.400
<v Speaker 1>then I get to the girls and I'm like, who.

1:02:11.280 --> 1:02:12.680
<v Speaker 3>That was really fun.

1:02:12.680 --> 1:02:14.920
<v Speaker 1>It was really really fun. You guys, this is so

1:02:15.000 --> 1:02:16.680
<v Speaker 1>much fun that we're going to have to have a

1:02:16.680 --> 1:02:18.840
<v Speaker 1>part two, So join us later in the week on

1:02:18.920 --> 1:02:22.680
<v Speaker 1>are You a Charlotte