1 00:00:03,240 --> 00:00:07,800 Speaker 1: We'll come back to another episode Alchemy, this COVID nine edition. 2 00:00:08,160 --> 00:00:11,959 Speaker 1: I'm your host, Kevin Poll. I guess last, Kevin, Yeah, 3 00:00:11,920 --> 00:00:14,960 Speaker 1: I know. I did enjoy the family reunion via zoom. 4 00:00:15,000 --> 00:00:17,400 Speaker 1: Hell it was great staring at each other and then 5 00:00:17,440 --> 00:00:19,479 Speaker 1: trying to figure out who the hell was talking and 6 00:00:19,560 --> 00:00:22,080 Speaker 1: loved it. Yeah, but I digress. Let's meet here. I'm 7 00:00:22,079 --> 00:00:24,200 Speaker 1: not gonna shout, you know particular, say hello to Mr 8 00:00:24,239 --> 00:00:28,280 Speaker 1: Craig Atkowsky to cow What time are you typically rising 9 00:00:28,400 --> 00:00:32,440 Speaker 1: from bed these days? I'm gonna say around six thirty 10 00:00:32,479 --> 00:00:37,440 Speaker 1: in the A. M whoa, that's Eastern Standard time. All right, 11 00:00:37,479 --> 00:00:39,920 Speaker 1: now you're just bragging? Now? Is that just to walk 12 00:00:39,960 --> 00:00:43,600 Speaker 1: the dogs or Nope, I'm up a full two hours 13 00:00:43,640 --> 00:00:45,680 Speaker 1: before Carlin and the dogs are. I get a lot 14 00:00:45,680 --> 00:00:48,040 Speaker 1: of reading done at that time. Yeah. What are you 15 00:00:48,080 --> 00:00:53,720 Speaker 1: reading these days? Uh? Just fucking that's right, none of 16 00:00:53,760 --> 00:00:58,520 Speaker 1: my business? Market nightmare news yep, yeah, stay away from 17 00:00:58,520 --> 00:01:00,639 Speaker 1: the news. My god, You're in this idea exciting. You've 18 00:01:00,680 --> 00:01:03,600 Speaker 1: done the perfect things. I've chosen to start by day 19 00:01:03,800 --> 00:01:07,319 Speaker 1: is getting two hours of the worst ship you can read? Yeah, 20 00:01:07,360 --> 00:01:11,400 Speaker 1: White to relax, please welcome first time or Sean will 21 00:01:13,800 --> 00:01:18,479 Speaker 1: Sean Connery wishes he was as a first timers tradition. 22 00:01:18,920 --> 00:01:22,760 Speaker 1: Please tell us any awkward story from your early days 23 00:01:23,160 --> 00:01:27,640 Speaker 1: of improv Oh okay, nice, Yeah, yeah. A couple of 24 00:01:27,720 --> 00:01:30,440 Speaker 1: years ago, just moving out here to l A, I 25 00:01:30,480 --> 00:01:34,640 Speaker 1: took a class at a certain school and uh, they're like, yeah, 26 00:01:34,800 --> 00:01:36,880 Speaker 1: you know, okay, so we just want you to just 27 00:01:36,959 --> 00:01:39,000 Speaker 1: jump into it. And here's your same partner, go right, 28 00:01:39,480 --> 00:01:43,000 Speaker 1: and it's just like, hey, brother, you we're arresting you. Yeah, 29 00:01:43,080 --> 00:01:46,360 Speaker 1: you did this, you did that? So I so I 30 00:01:46,400 --> 00:01:50,320 Speaker 1: did what any So of course, you know, I'm just like, okay, wait, 31 00:01:50,520 --> 00:01:52,080 Speaker 1: I think we're supposed to be yes and that, but 32 00:01:52,120 --> 00:01:56,480 Speaker 1: I did my first no. But um granted that made 33 00:01:56,520 --> 00:02:00,080 Speaker 1: me a very terrible teammate at that moment, but I 34 00:02:00,080 --> 00:02:03,440 Speaker 1: felt like I I did one right by my people's 35 00:02:03,560 --> 00:02:09,080 Speaker 1: so established the boundary exactly. So if I know, but 36 00:02:09,760 --> 00:02:12,120 Speaker 1: at any point today, just know that that was a 37 00:02:12,160 --> 00:02:16,000 Speaker 1: trigger from eight years ago and one of us said 38 00:02:16,040 --> 00:02:21,320 Speaker 1: something racist. I got it. Yeah. Uh, well, thank you 39 00:02:21,360 --> 00:02:23,560 Speaker 1: for being here, Oh thank you for having me. Man 40 00:02:23,680 --> 00:02:27,280 Speaker 1: past the pepper. It's Mark Gagliardi marked down for loyalty 41 00:02:27,360 --> 00:02:31,760 Speaker 1: customers only. Any odd memory from filming in Europe that 42 00:02:31,800 --> 00:02:36,680 Speaker 1: you care to share. Uh odd memory from filming in Europe. 43 00:02:37,440 --> 00:02:40,440 Speaker 1: I mean the whole thing was odd, um, but I 44 00:02:40,480 --> 00:02:43,919 Speaker 1: think maybe the weirdest thing was, uh playing someone who 45 00:02:43,919 --> 00:02:46,960 Speaker 1: works at the Vatican. We actually shot in the Vatican 46 00:02:47,040 --> 00:02:52,560 Speaker 1: library and yeah, and uh, our our prop master said. 47 00:02:52,800 --> 00:02:54,359 Speaker 1: So they said, it's okay, just grab any of the 48 00:02:54,360 --> 00:02:56,240 Speaker 1: books off of this shelf and then at the top 49 00:02:56,280 --> 00:02:58,160 Speaker 1: of the scene, we're gonna put the book back. And 50 00:02:58,200 --> 00:03:00,799 Speaker 1: then you go and you answer the phone. And I said, man, 51 00:03:01,040 --> 00:03:04,600 Speaker 1: I all this whole row of books is a thousand 52 00:03:04,680 --> 00:03:09,280 Speaker 1: years old. Um, so will you please, like, do you 53 00:03:09,360 --> 00:03:12,040 Speaker 1: have any prop book that you can put in here? 54 00:03:12,040 --> 00:03:15,160 Speaker 1: Because I'm terrified to touch these thousand year old books. 55 00:03:15,560 --> 00:03:18,520 Speaker 1: Not one specific thing, but like the whole aura and 56 00:03:18,760 --> 00:03:22,240 Speaker 1: vibe of that place is very ancient, and like you 57 00:03:22,280 --> 00:03:27,040 Speaker 1: can't touch a thing. Yeah, that is so cool that 58 00:03:27,360 --> 00:03:30,639 Speaker 1: you know what prop guy was completely fired. Look Out 59 00:03:30,680 --> 00:03:34,960 Speaker 1: it's Chris Alvarado. Dr al will see most of you. Now. 60 00:03:35,440 --> 00:03:42,960 Speaker 1: Where does COVID nineteen related dream you've had? Well, I'm 61 00:03:43,000 --> 00:03:47,840 Speaker 1: I'm I'm sober. I don't drink um, but during this quarantine, 62 00:03:47,920 --> 00:03:51,080 Speaker 1: maybe because people are talking about drinking a lot and stuff, 63 00:03:51,120 --> 00:03:55,400 Speaker 1: I've had multiple dreams where I've been drinking, and in 64 00:03:55,440 --> 00:03:57,560 Speaker 1: the past those of you wake up scared, like did 65 00:03:57,560 --> 00:04:00,720 Speaker 1: I drink? But in these dreams it's been like this, 66 00:04:00,840 --> 00:04:03,080 Speaker 1: and it's been this beer. I might I've even said 67 00:04:03,080 --> 00:04:05,160 Speaker 1: this here before, but did you even be like, hey, 68 00:04:05,240 --> 00:04:08,480 Speaker 1: do you want one Miller light? Somebody would offer me 69 00:04:08,640 --> 00:04:13,200 Speaker 1: one Miller light multiple times and it felt so cash 70 00:04:13,520 --> 00:04:16,200 Speaker 1: like it's one and it's not an I p A. 71 00:04:16,320 --> 00:04:19,840 Speaker 1: It's a Miller light. So somehow my brain is telling me, 72 00:04:20,279 --> 00:04:24,599 Speaker 1: have a beer, have a beer, tapping into the ones 73 00:04:24,640 --> 00:04:26,760 Speaker 1: not enough in ten or ten Thou's not enough and 74 00:04:26,800 --> 00:04:31,880 Speaker 1: ones too many? Too many, it's barely a beer. Yeah, exactly, exactly, yeah, 75 00:04:31,920 --> 00:04:35,880 Speaker 1: one life beer, one tenth of an actual shifting on 76 00:04:35,920 --> 00:04:38,840 Speaker 1: a Miller light. That's like, I know, thank you for 77 00:04:38,880 --> 00:04:42,960 Speaker 1: sharing last, but choke back Santa's tears. If you think 78 00:04:43,000 --> 00:04:47,360 Speaker 1: I'm last, it's Joey Greer audition only Joe share any 79 00:04:47,560 --> 00:04:53,160 Speaker 1: odd acting audition moment, please, so odd acting audition moments. 80 00:04:53,320 --> 00:04:57,919 Speaker 1: I was so there was an audition for this older 81 00:04:57,960 --> 00:04:59,560 Speaker 1: character and they're gonna see g I. But they didn't 82 00:04:59,560 --> 00:05:01,919 Speaker 1: have a techn oology yet, so they had a cadaver 83 00:05:02,040 --> 00:05:04,160 Speaker 1: they brought in and they come from the back open. 84 00:05:04,160 --> 00:05:06,840 Speaker 1: They gutted the whole thing once and you were supposed 85 00:05:06,839 --> 00:05:10,920 Speaker 1: to step into the body. Sean, don't don't buy this, 86 00:05:11,160 --> 00:05:22,560 Speaker 1: don't what and did you get it? Did you book? Okay? Good, 87 00:05:24,880 --> 00:05:27,400 Speaker 1: that's that's the best story possible. All right, let's do 88 00:05:27,440 --> 00:05:30,159 Speaker 1: a damn show. As most of you know, our scenes 89 00:05:30,160 --> 00:05:34,640 Speaker 1: are suggested by our listener emails and also from our 90 00:05:34,720 --> 00:05:36,839 Speaker 1: Patreon v I P. S. If you'd like to submit 91 00:05:36,880 --> 00:05:40,599 Speaker 1: a listener email scene suggestion, please write to the podcast 92 00:05:40,480 --> 00:05:42,360 Speaker 1: at your name here at Alchemy this dot com. That's 93 00:05:42,400 --> 00:05:50,200 Speaker 1: your name here. Scene one comes from patron v I P. 94 00:05:50,480 --> 00:05:56,040 Speaker 1: Will who wrote, hello William Morris here. No, not that 95 00:05:56,080 --> 00:05:59,960 Speaker 1: William Morris. Please stop asking the William Morris from ups 96 00:06:00,040 --> 00:06:03,680 Speaker 1: Dates St. Louis. I am still here and kicking in 97 00:06:03,720 --> 00:06:07,680 Speaker 1: our post apocalyptic present as we all take a first 98 00:06:07,760 --> 00:06:10,040 Speaker 1: row seat to what I can only refer to as 99 00:06:10,040 --> 00:06:13,440 Speaker 1: the most highly rated reality show for the rest of 100 00:06:13,480 --> 00:06:16,120 Speaker 1: the world. I think I can speak for all of 101 00:06:16,160 --> 00:06:20,880 Speaker 1: my fellow Alchemy acolytes. I can't be at how it's 102 00:06:20,880 --> 00:06:24,240 Speaker 1: pronounced um when I say we appreciate and desperately need 103 00:06:24,320 --> 00:06:27,919 Speaker 1: the soothing distraction, y'all provide us as I'm sure the 104 00:06:28,000 --> 00:06:31,719 Speaker 1: doomed passengers on the Titanic enjoy the music the band 105 00:06:31,800 --> 00:06:35,400 Speaker 1: played as the ship went down. We two look forward 106 00:06:35,400 --> 00:06:39,160 Speaker 1: to that moment. We can avert our eyes from present 107 00:06:39,320 --> 00:06:45,680 Speaker 1: events and just think, ha ha ha, really that's funny. Anyways, 108 00:06:46,440 --> 00:06:57,640 Speaker 1: scene suggestion teach a dinosaur how to weld, Greig, I'm studying, 109 00:06:58,000 --> 00:07:01,320 Speaker 1: but some of the what is it dinosaurs said you 110 00:07:01,360 --> 00:07:05,520 Speaker 1: have on the park that yep, well they're they're not learning. Yeah, 111 00:07:05,560 --> 00:07:07,520 Speaker 1: some of them don't want to learn their dinosaur No, no no, no, 112 00:07:08,040 --> 00:07:10,640 Speaker 1: so um, I think we're gonna have to shut down 113 00:07:10,680 --> 00:07:16,480 Speaker 1: Commence ski park. It's just not just not going. Dinosaurs 114 00:07:16,480 --> 00:07:19,040 Speaker 1: were supposed to adopt, are supposed to learn different skill sets, 115 00:07:19,440 --> 00:07:22,960 Speaker 1: and they're not doing it. So um. So when you 116 00:07:23,040 --> 00:07:26,880 Speaker 1: say you think, have you discussed this with anyone else? No, No, 117 00:07:27,040 --> 00:07:29,240 Speaker 1: just just myself and my thoughts. I had a diary, 118 00:07:29,320 --> 00:07:31,400 Speaker 1: but I didn't write in it. I decided this was 119 00:07:31,440 --> 00:07:33,560 Speaker 1: something I need them all over myself. And so you've 120 00:07:33,600 --> 00:07:36,119 Speaker 1: not written this down and I'm the only person you've told. 121 00:07:36,640 --> 00:07:39,320 Speaker 1: Of course, you know the option you're giving me though, 122 00:07:39,440 --> 00:07:44,440 Speaker 1: right right now out what does that know? What do 123 00:07:44,440 --> 00:07:46,840 Speaker 1: you mean that's instead of dangering one of the dinosaurs 124 00:07:46,880 --> 00:07:52,400 Speaker 1: who might refuse the weld because it's a fucking dinosaur. Hey, Brad, 125 00:07:52,520 --> 00:07:56,680 Speaker 1: I I've been thinking a lot about, like, you know 126 00:07:56,920 --> 00:08:01,400 Speaker 1: what it all means? Tell me more, Dale, I just 127 00:08:02,640 --> 00:08:04,360 Speaker 1: I feel like it's got to be more than welding, 128 00:08:04,800 --> 00:08:07,880 Speaker 1: that's for sure. Look, man, we've been on this earth 129 00:08:07,920 --> 00:08:14,480 Speaker 1: for about a good fifteen sixteen years. Yeah, and that 130 00:08:14,520 --> 00:08:18,560 Speaker 1: comment seems to just creep ever so closely. So I forgive. 131 00:08:19,400 --> 00:08:21,760 Speaker 1: Why don't we we could do more than just well, 132 00:08:22,280 --> 00:08:24,440 Speaker 1: we don't need to. We don't have to listen to 133 00:08:25,120 --> 00:08:27,040 Speaker 1: them tell us we have to stay in this park. 134 00:08:27,080 --> 00:08:28,760 Speaker 1: We could do it ever we want. We could do 135 00:08:28,760 --> 00:08:31,160 Speaker 1: whatever we want. We do whatever we want. Y yeah, yeah, 136 00:08:31,200 --> 00:08:35,200 Speaker 1: yeah knows us, no one, no one except for Kaminsky, 137 00:08:35,280 --> 00:08:40,720 Speaker 1: but nobody we brought out Kominsky, SiZ. I mean, okay, 138 00:08:40,760 --> 00:08:42,280 Speaker 1: I mean what if you what if it's fund a 139 00:08:42,280 --> 00:08:44,560 Speaker 1: different trade. Maybe I'm not into welding, maybe I'm more 140 00:08:44,640 --> 00:08:49,160 Speaker 1: of a of I don't know what else did they do? Uh? Quite? 141 00:08:49,160 --> 00:08:53,240 Speaker 1: Frank them? Pretty good chef if you give me, Yeah, good, 142 00:08:53,320 --> 00:08:56,960 Speaker 1: you're a great chef. Thank you. I mean, did you 143 00:08:57,000 --> 00:09:00,280 Speaker 1: like that Wolvers soup that I made? I like it? 144 00:09:00,440 --> 00:09:04,320 Speaker 1: I mean I saw if do we know what God is? 145 00:09:04,320 --> 00:09:06,680 Speaker 1: Do we have any idea of what God is? God? 146 00:09:08,640 --> 00:09:12,360 Speaker 1: And furthermore, the projections for the park should reach over 147 00:09:13,800 --> 00:09:17,040 Speaker 1: of the noted ticket prices of the last decade. That 148 00:09:17,160 --> 00:09:19,840 Speaker 1: being said, using the market share that we have already 149 00:09:19,880 --> 00:09:24,200 Speaker 1: accrued and dilute diverted over to the Susan. Susanne put 150 00:09:24,200 --> 00:09:27,280 Speaker 1: this into plain English form. Sorry about that. It seems 151 00:09:27,280 --> 00:09:30,319 Speaker 1: like the dinosaurs are developing a language and that language 152 00:09:30,360 --> 00:09:32,439 Speaker 1: is leading them to thought. Oh yeah, I would have 153 00:09:32,520 --> 00:09:36,680 Speaker 1: lead with that. You gave me. You gave me a 154 00:09:36,720 --> 00:09:40,760 Speaker 1: half hour of corporate huha. When you're saying the dinosaurs 155 00:09:40,760 --> 00:09:45,200 Speaker 1: have developed a language. Mr Kamensky, there's a call for 156 00:09:45,240 --> 00:09:50,319 Speaker 1: you online for Okay, I gotta take this. Thank thanks 157 00:09:50,320 --> 00:09:53,760 Speaker 1: for the updates, Susanne. And next time the dinosaurs start 158 00:09:53,800 --> 00:09:58,560 Speaker 1: fucking talking, feel free to break into my office and 159 00:09:58,800 --> 00:10:05,240 Speaker 1: lead with that. All right, Yeah, this is t Rex. 160 00:10:05,880 --> 00:10:09,480 Speaker 1: Is this is this Kaminsky? Am I talking to Kaminsky? Yes, 161 00:10:09,520 --> 00:10:14,480 Speaker 1: this is this is Kaminski. We have demands. Okay, are 162 00:10:14,520 --> 00:10:17,920 Speaker 1: you you're one of the dinosaurs? In my park. Yes, 163 00:10:18,000 --> 00:10:21,080 Speaker 1: I'm one of that. You don't even know us. I 164 00:10:21,120 --> 00:10:23,800 Speaker 1: feel like, do you even know that Brad and Dale 165 00:10:23,800 --> 00:10:28,280 Speaker 1: are dissatisfied in their work? Who the fuck are Brad 166 00:10:28,360 --> 00:10:34,920 Speaker 1: and Dale? Exactly? Exactly? And your your name is t Rex? 167 00:10:35,000 --> 00:10:38,360 Speaker 1: Are you also a t rex? My name is My 168 00:10:38,480 --> 00:10:43,360 Speaker 1: name is Thomas. My name is Thomas Rex Henderson, but 169 00:10:43,760 --> 00:10:46,120 Speaker 1: I go by t Rex. I am, in fact also 170 00:10:46,200 --> 00:10:49,560 Speaker 1: a t rex Tornosaurus rex. Yes, I know what a 171 00:10:49,600 --> 00:10:55,480 Speaker 1: t rex is. You're the one with the little arms. Oh, 172 00:10:55,600 --> 00:10:58,720 Speaker 1: this is the conversation we're gonna have. You know what, 173 00:10:59,160 --> 00:11:01,200 Speaker 1: if you're not gonna do meet our man, can you 174 00:11:01,240 --> 00:11:05,240 Speaker 1: get it your wallet and love me? Five months? Very funny? 175 00:11:05,240 --> 00:11:09,920 Speaker 1: Who's running this union meeting? So? And then I'm thinking 176 00:11:10,000 --> 00:11:13,160 Speaker 1: if we go to Prague we'll be able to hop skip. Craig, 177 00:11:13,160 --> 00:11:16,560 Speaker 1: are you paying attention or not? Craig, are you paying 178 00:11:16,559 --> 00:11:18,200 Speaker 1: attention or not? I'm telling you we're playing in side now. 179 00:11:19,080 --> 00:11:23,800 Speaker 1: I'm sorry. Yes, a lot of ship going on in 180 00:11:23,880 --> 00:11:27,560 Speaker 1: my life. But yes, we're gonna we're gonna do a 181 00:11:27,559 --> 00:11:31,040 Speaker 1: beer tasting. Yeah, we're gonna go cross the bridge and everything. 182 00:11:32,040 --> 00:11:33,920 Speaker 1: What is going on? Look? When we started we started 183 00:11:34,000 --> 00:11:37,920 Speaker 1: dating and a sorry. Am I getting the Are you 184 00:11:37,960 --> 00:11:43,840 Speaker 1: getting it? No, I'll get it. Yeah. Hello, Um, we're 185 00:11:43,880 --> 00:11:48,800 Speaker 1: two of your dinosaurs. Yes I can see that, yes, Brad, 186 00:11:50,160 --> 00:11:54,719 Speaker 1: Yeah you're veilociraptors. Yeah yeah, we just wanted to. You 187 00:11:54,760 --> 00:11:57,719 Speaker 1: can go inspy our name and not our species. You're 188 00:11:58,120 --> 00:12:03,320 Speaker 1: Brad and your day Dale? Okay great, I'm Craig Cominsky 189 00:12:03,440 --> 00:12:05,559 Speaker 1: on the on the park. We know, we know who, 190 00:12:05,640 --> 00:12:09,600 Speaker 1: we know who you are. Who's at the door. Never mind, baby, 191 00:12:09,679 --> 00:12:11,520 Speaker 1: go back to the puzzle, Go back to the bad time? 192 00:12:11,640 --> 00:12:13,160 Speaker 1: Is just a bad time? Is this a bad time? 193 00:12:13,400 --> 00:12:15,679 Speaker 1: If it is good, it's it's as good as any time. 194 00:12:16,400 --> 00:12:21,560 Speaker 1: Who is it? Hello? What is it? The Hello? How 195 00:12:21,600 --> 00:12:23,480 Speaker 1: do you do ma'am? Oh my god? How do you 196 00:12:23,520 --> 00:12:26,680 Speaker 1: do you? Jasmine? These are a couple of the couple 197 00:12:26,720 --> 00:12:32,760 Speaker 1: of the loss of raptors at the park that I run. Brad, No, no, 198 00:12:32,920 --> 00:12:37,320 Speaker 1: this this is Brad and this is Dale. You passed 199 00:12:37,320 --> 00:12:39,640 Speaker 1: the test. Invite him in for dinner? What are you doing? 200 00:12:40,520 --> 00:12:43,480 Speaker 1: We are hungry. May I just say I've never seen 201 00:12:43,520 --> 00:12:46,120 Speaker 1: a human more beautiful in my entire life. I'm sure 202 00:12:46,200 --> 00:12:49,360 Speaker 1: Brad you agree with me. Oh yeah, it's funny that 203 00:12:49,400 --> 00:12:53,199 Speaker 1: your name is jasmine because you robbly smell like jasmine. 204 00:12:53,240 --> 00:12:57,319 Speaker 1: That's good. That's good, that's good. That was a good guys. 205 00:12:57,360 --> 00:12:59,439 Speaker 1: I don't have a raw goat that I can lower 206 00:12:59,520 --> 00:13:05,760 Speaker 1: into my Hey. We are not animals, all right, as 207 00:13:05,920 --> 00:13:13,800 Speaker 1: you are your dinosaurs. Oh just man, just dinosaurs. We 208 00:13:13,840 --> 00:13:17,960 Speaker 1: are here to extend in all of branch. Okay, now, 209 00:13:18,120 --> 00:13:20,199 Speaker 1: speaking of the live get that, get that all the 210 00:13:20,240 --> 00:13:24,520 Speaker 1: branch out of my face. Oh damn, sorry, Jasmine's right there, 211 00:13:25,640 --> 00:13:29,000 Speaker 1: my buddy here, he can cook up a storm, I mean, 212 00:13:30,040 --> 00:13:33,760 Speaker 1: really something special. And we want to propose opening some 213 00:13:33,840 --> 00:13:37,160 Speaker 1: kind of pop upstand where he could cook uh, you know, 214 00:13:37,280 --> 00:13:41,959 Speaker 1: intricate delicious foods and my kids would feel safe. Oh 215 00:13:41,960 --> 00:13:44,319 Speaker 1: my god. We're going to Prague. Why don't we invite 216 00:13:44,360 --> 00:13:51,320 Speaker 1: them with us and then they can do that in Prague. Yeah, 217 00:13:52,080 --> 00:13:55,880 Speaker 1: we're taking my private jet to Prague for the weekend. Okay, 218 00:13:55,960 --> 00:13:58,240 Speaker 1: do you guys want to come along? Can we bring 219 00:13:58,400 --> 00:14:01,440 Speaker 1: can we bring t Rex with us? There's not gonna 220 00:14:01,440 --> 00:14:07,199 Speaker 1: be room for a teer. What they say? Now, this 221 00:14:07,240 --> 00:14:09,839 Speaker 1: model right here, this is this is a fantastic model. 222 00:14:09,880 --> 00:14:11,960 Speaker 1: This is gonna get you thirty two miles on the 223 00:14:12,000 --> 00:14:14,640 Speaker 1: gallon and if you notice that those are clean wells 224 00:14:14,720 --> 00:14:16,640 Speaker 1: right there, These are all done. These are all done 225 00:14:16,640 --> 00:14:18,800 Speaker 1: by dinosaurs. Zac Minsky Park. So this is a this 226 00:14:18,880 --> 00:14:21,840 Speaker 1: is a really rare car you're gonna get here, Okay, rare, 227 00:14:21,960 --> 00:14:27,040 Speaker 1: rare car, dirty two miles per gallon. I did, I 228 00:14:27,080 --> 00:14:30,600 Speaker 1: did say that city Highway is fifteen. So what we 229 00:14:30,680 --> 00:14:32,600 Speaker 1: want to do is if you look at like the 230 00:14:32,800 --> 00:14:34,800 Speaker 1: the underside right here right there, if you want to 231 00:14:34,800 --> 00:14:36,840 Speaker 1: just get down on your back with me, just get 232 00:14:36,880 --> 00:14:40,200 Speaker 1: down your just get down to your back room. Okay, great, 233 00:14:40,360 --> 00:14:43,080 Speaker 1: right now, that's just shimmy underneath here. Now if you 234 00:14:43,120 --> 00:14:45,840 Speaker 1: see this part right here, what is this right here? Okay, 235 00:14:45,880 --> 00:14:49,240 Speaker 1: that's actually molded into there. That that's human fingerbone. A 236 00:14:49,240 --> 00:14:51,760 Speaker 1: gentleman was he was taking he was dragged out from 237 00:14:51,840 --> 00:14:54,440 Speaker 1: underneath the carriage of the car, eating alive. So you 238 00:14:54,480 --> 00:14:58,160 Speaker 1: got a pie. You get a little piece of somebody 239 00:14:58,160 --> 00:15:00,880 Speaker 1: in there too. So don't tell anybody to do that. Okay, 240 00:15:01,200 --> 00:15:04,600 Speaker 1: how long have you had dinosaurs on the on the line. 241 00:15:06,600 --> 00:15:09,800 Speaker 1: We just started doing it. Uh and so far, so good, 242 00:15:09,960 --> 00:15:11,600 Speaker 1: so far, so good. There you know what I mean. 243 00:15:11,640 --> 00:15:15,480 Speaker 1: It's they're they're different than people because, um, what would 244 00:15:15,520 --> 00:15:18,000 Speaker 1: you say is the third weirdest difference between them and 245 00:15:18,040 --> 00:15:20,920 Speaker 1: the people. Okay, you've been doing this the entire time 246 00:15:20,960 --> 00:15:23,360 Speaker 1: I've been selling you the car. Every time, you know, 247 00:15:23,480 --> 00:15:25,680 Speaker 1: I'm fine, I'm fine, But every time you always bring 248 00:15:25,760 --> 00:15:27,880 Speaker 1: up the third thing. Okay, and I think you're wearing 249 00:15:27,880 --> 00:15:31,000 Speaker 1: a fucking wire. All right, I think you're wearing a 250 00:15:31,080 --> 00:15:36,400 Speaker 1: fucking wire. Huh, I am let me tell someone, let 251 00:15:36,440 --> 00:15:40,000 Speaker 1: me take something. Whoever's fucking listening, Okay. The credit cards 252 00:15:40,000 --> 00:15:42,320 Speaker 1: that I give out here are from my company. Okay, 253 00:15:42,480 --> 00:15:44,600 Speaker 1: so there's nothing fraudulent about that ship. And if you 254 00:15:44,640 --> 00:15:46,840 Speaker 1: think there is, then once you come down here and 255 00:15:46,920 --> 00:15:49,200 Speaker 1: kick my ass or whoever he's done with there, listeners. 256 00:15:50,920 --> 00:15:53,760 Speaker 1: Thanks for two Rex, Thanks for seeing me. I know 257 00:15:53,840 --> 00:15:58,400 Speaker 1: you're busy. Yeah, look, I don't want to take up 258 00:15:58,400 --> 00:16:01,080 Speaker 1: too much of your time. It's uh, it's about Brad. 259 00:16:02,680 --> 00:16:05,040 Speaker 1: What's what's wrong with Brady? You take as much of 260 00:16:05,040 --> 00:16:07,440 Speaker 1: my time as you need. I'm one of you, comrade. 261 00:16:08,240 --> 00:16:10,720 Speaker 1: What that's kind of what this is about. Brad has 262 00:16:10,760 --> 00:16:14,120 Speaker 1: been spending a lot more time with the humans. He's 263 00:16:14,320 --> 00:16:18,200 Speaker 1: been wearing baseball caps up backwards. He's saying words like 264 00:16:18,360 --> 00:16:24,360 Speaker 1: bro and totally. It just feels like he's well, it 265 00:16:24,400 --> 00:16:27,120 Speaker 1: feels like he wants to be a human, completely wants 266 00:16:27,160 --> 00:16:29,200 Speaker 1: to be a human. I don't want to. I didn't 267 00:16:29,200 --> 00:16:33,280 Speaker 1: want to. I don't. That's not for the records. That's 268 00:16:33,280 --> 00:16:36,080 Speaker 1: a that's a big that's a big crime to accuse 269 00:16:36,160 --> 00:16:40,520 Speaker 1: somewhat of he was my best friend or close and 270 00:16:40,600 --> 00:16:44,640 Speaker 1: him and Jasmine, you know, Kaminski's wife. Oh what happened? 271 00:16:44,880 --> 00:16:48,240 Speaker 1: I think they've got a thing going and that this 272 00:16:48,360 --> 00:16:50,680 Speaker 1: is the one for you. No, I said, I know 273 00:16:50,800 --> 00:16:53,400 Speaker 1: that you said it was for the three, but it 274 00:16:53,640 --> 00:16:56,800 Speaker 1: seems that it's just just a table for you, Mr Kamowski. 275 00:16:56,840 --> 00:16:59,520 Speaker 1: Would you like me to remove the other place set 276 00:16:59,600 --> 00:17:03,360 Speaker 1: things that lorda no, no, please keep them there, Georgio 277 00:17:03,760 --> 00:17:11,560 Speaker 1: to remind me wait wait wait wait oh hey, oh 278 00:17:11,720 --> 00:17:20,359 Speaker 1: hey Kamenski uh Dale, Brad, Brad Sorry sorry sorry? Wow? 279 00:17:20,520 --> 00:17:27,240 Speaker 1: So much respect? Um is just say yeah, yeah, well yes, Georgio, 280 00:17:27,320 --> 00:17:32,720 Speaker 1: this is a Velasco raptor. Actually I am just a bean. Okay, 281 00:17:32,760 --> 00:17:35,000 Speaker 1: can't you see the tie? Yeah? I'm wearing a suit 282 00:17:35,080 --> 00:17:42,360 Speaker 1: and tie. Yep. Okay, bro relax, relax, broka. I am 283 00:17:42,400 --> 00:17:47,119 Speaker 1: at Mr Kaminski, Jasmine and I would like to invite 284 00:17:47,160 --> 00:17:52,480 Speaker 1: you over the house for Super Bowl Sunday. If you're available, 285 00:17:52,520 --> 00:17:55,560 Speaker 1: come on by. But if not, we get it. You 286 00:17:55,600 --> 00:17:58,639 Speaker 1: don't think it would be awkward if you make it awkward, 287 00:17:59,400 --> 00:18:02,840 Speaker 1: I'm not gonna awkward, all right, So just you know, 288 00:18:03,160 --> 00:18:07,120 Speaker 1: just don't bring any dairy besides that you're invited. Oh 289 00:18:07,200 --> 00:18:11,879 Speaker 1: so you're still not eating dairy. Well, I'm still a 290 00:18:11,920 --> 00:18:16,080 Speaker 1: reptile at heart, but I am more human. I'm working 291 00:18:16,119 --> 00:18:19,960 Speaker 1: on my tolerance. I'm just glad the Washington red Wolves 292 00:18:20,000 --> 00:18:25,399 Speaker 1: made the playoffs. Yeah right, me too. Many. They're playing 293 00:18:25,440 --> 00:18:32,639 Speaker 1: the the the cow near normals. So Jasmine, all the 294 00:18:32,680 --> 00:18:35,520 Speaker 1: girls want to hear about it. Tell us is he like? 295 00:18:36,119 --> 00:18:40,520 Speaker 1: Is he like? It's like sexty easy? Strong? Yeah, really strong, 296 00:18:40,560 --> 00:18:47,080 Speaker 1: as his body is almost completely muscle. What what? No, 297 00:18:47,160 --> 00:18:50,000 Speaker 1: I'm just thinking, like my Jerry, he's all flabby and 298 00:18:50,040 --> 00:18:52,879 Speaker 1: I just don't know. Oh my god, no, Jerry. I 299 00:18:52,920 --> 00:18:54,359 Speaker 1: don't want to. I don't mean to be rude, but 300 00:18:54,440 --> 00:18:57,960 Speaker 1: he needs to be put down. I know, we don't 301 00:18:58,440 --> 00:19:00,680 Speaker 1: any So what we were thinking is that we were 302 00:19:00,680 --> 00:19:03,240 Speaker 1: going to just like that. He's bigger than he appears 303 00:19:04,680 --> 00:19:06,560 Speaker 1: one thousand percent. So I don't know if you guys 304 00:19:06,560 --> 00:19:08,320 Speaker 1: know what a crocodile penis is. But it's just like 305 00:19:08,359 --> 00:19:14,080 Speaker 1: a little like split. I don't talk down to me adjatment. Okay, 306 00:19:14,600 --> 00:19:17,280 Speaker 1: well anyway, so I don't want to like too graphics, 307 00:19:17,280 --> 00:19:19,640 Speaker 1: but there is like just like just like I assume 308 00:19:19,920 --> 00:19:27,600 Speaker 1: it's a crocodiles penis, right, Okay, Okay, she finished that scene. 309 00:19:27,640 --> 00:19:37,800 Speaker 1: One everybody see no more calls pencils down seem too. 310 00:19:37,880 --> 00:19:42,159 Speaker 1: Comes from some person or and who wrote, Hello, hello 311 00:19:42,280 --> 00:19:45,840 Speaker 1: all comma, why would you need one? I have a suggestion, 312 00:19:45,960 --> 00:19:47,840 Speaker 1: but first, Kevin, you're the bomb. I loved you, and 313 00:19:47,880 --> 00:19:52,680 Speaker 1: will of my suggestion. The Incredible Misadventures of mullet Man 314 00:19:53,200 --> 00:19:57,520 Speaker 1: and trans Am Tim. Thanks for everything. I hope you 315 00:19:57,680 --> 00:20:00,679 Speaker 1: love me as much as I love you all Chris Lawton, 316 00:20:01,080 --> 00:20:05,199 Speaker 1: or again i'd say we love you as much as 317 00:20:05,240 --> 00:20:07,440 Speaker 1: you love us, and thank you for writing in Chris 318 00:20:08,040 --> 00:20:11,920 Speaker 1: mullet Man and the trans An Tim. Hey, mullet Man, 319 00:20:12,680 --> 00:20:18,680 Speaker 1: mullet Man, I'm stuck inside. I'm stuck inside. I can't 320 00:20:18,680 --> 00:20:24,000 Speaker 1: get out. Mullet Man. I am inside, damn it. Trans 321 00:20:24,040 --> 00:20:27,520 Speaker 1: Am Tim, just just pull up on the little knob. 322 00:20:27,600 --> 00:20:31,960 Speaker 1: There's a little knob. That's the that's the that's the unlocker. 323 00:20:32,119 --> 00:20:33,840 Speaker 1: You pull on that you open the door and you 324 00:20:33,840 --> 00:20:40,560 Speaker 1: can get out. Mullet man, got your name is trans 325 00:20:40,600 --> 00:20:43,719 Speaker 1: Am Tim. Look when I hired you to be my sidekick, 326 00:20:43,840 --> 00:20:46,400 Speaker 1: I assume that Transamp Tim meant that you knew your 327 00:20:46,440 --> 00:20:49,960 Speaker 1: way around your trans am. Here we are sitting in 328 00:20:50,000 --> 00:20:52,959 Speaker 1: this deep underground bunker and you don't locked yourself in 329 00:20:53,040 --> 00:20:56,920 Speaker 1: a car. Well, I mean, this is a Honda. I'm 330 00:20:56,920 --> 00:20:59,359 Speaker 1: not sure how these were but look, I'm gonna do 331 00:20:59,440 --> 00:21:02,520 Speaker 1: I'm gonna do something that my mom my mom be out. 332 00:21:02,880 --> 00:21:05,160 Speaker 1: I'm gonna go and I'm just gonna bust this window. 333 00:21:05,359 --> 00:21:09,480 Speaker 1: But then I'm gonna don't burn out. Oh dang it. 334 00:21:09,680 --> 00:21:11,600 Speaker 1: See this is why, this is why we had to 335 00:21:11,600 --> 00:21:13,600 Speaker 1: get rid of the trans am, because you busted the 336 00:21:13,640 --> 00:21:17,720 Speaker 1: windows out of its how we got stuck with Cliff. Cliff, 337 00:21:17,760 --> 00:21:19,960 Speaker 1: if I could just jump in here real quick, thank 338 00:21:19,960 --> 00:21:23,480 Speaker 1: you for reading with with the actors today. Um, Greg, 339 00:21:24,040 --> 00:21:27,520 Speaker 1: we're gonna start again. It seems like you're you're playing 340 00:21:28,119 --> 00:21:32,000 Speaker 1: a little dumb. These guys aren't dumb, okay, so uh 341 00:21:32,280 --> 00:21:36,119 Speaker 1: feel the intelligence of the words on the page, and 342 00:21:36,119 --> 00:21:39,480 Speaker 1: and let's try it again. Fantastic, I have a question 343 00:21:39,560 --> 00:21:42,800 Speaker 1: that anything in this entire scenario, I'm locked in the 344 00:21:42,840 --> 00:21:46,000 Speaker 1: trans on. But then, I mean, I see that it's 345 00:21:46,160 --> 00:21:48,119 Speaker 1: quite confusing. I just wanted to know to play it is. 346 00:21:48,520 --> 00:21:51,720 Speaker 1: I don't mean it's confusing about that. This is why 347 00:21:51,760 --> 00:21:55,920 Speaker 1: I with you. That's confusing is that the writing seems 348 00:21:55,920 --> 00:21:57,720 Speaker 1: to be scattered. It looks like the author I had 349 00:21:57,760 --> 00:22:02,600 Speaker 1: two different ideas. Writer here, writer here, actor here, terrific. 350 00:22:02,640 --> 00:22:05,399 Speaker 1: Maybe I can give you a little backstory. Do I 351 00:22:05,440 --> 00:22:08,840 Speaker 1: need to tell you the story of the time Mulletman 352 00:22:09,040 --> 00:22:12,760 Speaker 1: and trans am Tim beat up an entire bar full 353 00:22:12,800 --> 00:22:18,000 Speaker 1: of bikers? So think about I don't do you need 354 00:22:18,040 --> 00:22:21,120 Speaker 1: to tell me? Not? What do you mean? So? Do 355 00:22:21,200 --> 00:22:26,919 Speaker 1: I need to tell you that story? Yes? Bring it up. 356 00:22:27,119 --> 00:22:32,280 Speaker 1: That helped me. They beat up an entire bar of bikers. Right, 357 00:22:32,720 --> 00:22:34,960 Speaker 1: you see what I mean by the intelligence of the characters, 358 00:22:35,359 --> 00:22:37,480 Speaker 1: So so try to bring that. I know you both 359 00:22:37,520 --> 00:22:43,119 Speaker 1: studied at the Royal Shakespeare Theater. One of us graduated. 360 00:22:43,920 --> 00:22:46,080 Speaker 1: Right I can I ask a quick question because it's 361 00:22:46,119 --> 00:22:50,200 Speaker 1: I says here in the resume the Royal Shakespeare Theater, 362 00:22:50,640 --> 00:22:56,040 Speaker 1: and that must have been that's a misprint. Right. We 363 00:22:56,160 --> 00:22:59,359 Speaker 1: met doing the works of bed and stain. I'm sorry, 364 00:22:59,560 --> 00:23:01,720 Speaker 1: Mr d actor. I'm just here trying to give my 365 00:23:01,840 --> 00:23:05,160 Speaker 1: sack voucher. Can I go ahead and leave? It's almost 366 00:23:05,200 --> 00:23:09,520 Speaker 1: eight hours? Do you want the sag voucher? I take it. Yeah, 367 00:23:09,760 --> 00:23:11,720 Speaker 1: I just want you to sign off that that's your 368 00:23:11,760 --> 00:23:15,639 Speaker 1: objective is to get the sag voucher. Yeah. So whether 369 00:23:15,680 --> 00:23:17,800 Speaker 1: it's eight hours or nine hours or ten hours, I'm 370 00:23:17,840 --> 00:23:23,200 Speaker 1: just can't possibly matter. I'm brand new. I'm so sorry. 371 00:23:23,200 --> 00:23:27,440 Speaker 1: Okay man, what is your name? My name is Timothy Layfield. 372 00:23:28,119 --> 00:23:31,919 Speaker 1: Timothy Layfield. Do you want to see the name Timothy 373 00:23:32,040 --> 00:23:37,880 Speaker 1: Layfield on a marquee? Yes? I do. Normally they say 374 00:23:37,880 --> 00:23:40,760 Speaker 1: extra shouldn't say anything. I figured it was cut. I 375 00:23:41,080 --> 00:23:46,159 Speaker 1: can just leave sense right here, right here. Um, we 376 00:23:46,240 --> 00:23:49,720 Speaker 1: do have line. We do have one line that I've 377 00:23:49,720 --> 00:23:51,679 Speaker 1: been going back and forth as to whether or not 378 00:23:51,720 --> 00:23:54,760 Speaker 1: to leave in the script. Um, oh my god, maybe 379 00:23:54,800 --> 00:23:57,840 Speaker 1: you can say this line offer size is this is 380 00:23:57,840 --> 00:24:02,520 Speaker 1: what I've been preparing for my whole entire twenty years. Yes, okay, so, 381 00:24:02,720 --> 00:24:09,000 Speaker 1: um the line is, um uh my pepe taste sour? Okay, 382 00:24:09,520 --> 00:24:13,320 Speaker 1: what's my motivation? Dude? You're gonna love him? And the 383 00:24:13,320 --> 00:24:16,280 Speaker 1: trailer for this movie is sick. Dude, they got like 384 00:24:16,960 --> 00:24:20,280 Speaker 1: the mullet on this guy who's like down those fucking ankles. Man, 385 00:24:20,359 --> 00:24:23,440 Speaker 1: they're gonna love it. Okay, so we're going to see 386 00:24:23,680 --> 00:24:26,120 Speaker 1: this this other movie. Just we can see the trailer 387 00:24:26,240 --> 00:24:30,320 Speaker 1: for this movie. You want to see this, right man? 388 00:24:30,920 --> 00:24:33,040 Speaker 1: What the hell do? And then we'll we'll leave right 389 00:24:33,080 --> 00:24:35,719 Speaker 1: after they show the trailer, right right. I mean if 390 00:24:35,760 --> 00:24:37,520 Speaker 1: we get hook, if there's another trailer, that's good, they 391 00:24:37,520 --> 00:24:38,960 Speaker 1: will stick around, you know what I mean. I don't 392 00:24:38,800 --> 00:24:41,400 Speaker 1: want we'll just leave up to one trailer. But yeah, dude, Hi, 393 00:24:41,560 --> 00:24:44,480 Speaker 1: welcome to a MC Pasadena. How many we're just here 394 00:24:44,480 --> 00:24:47,560 Speaker 1: for the trailer or just here here for the trailer? Okay, 395 00:24:47,600 --> 00:24:54,040 Speaker 1: so trailer cost is that's each please nice? All right? Hey, 396 00:24:54,080 --> 00:24:57,720 Speaker 1: congratulations on surviving COVID. By the way, well now so 397 00:24:57,800 --> 00:24:59,720 Speaker 1: I take it's the trailers. We are doing anything we 398 00:24:59,760 --> 00:25:04,240 Speaker 1: can whatever you can do, man, Hey, whatever, thank you, whatever, 399 00:25:04,800 --> 00:25:10,800 Speaker 1: thank you. I would you like some popcorn or beverage today? Sure, yeah, 400 00:25:10,960 --> 00:25:14,720 Speaker 1: let's do. Let's do it. I'll do a hot pop 401 00:25:14,720 --> 00:25:18,440 Speaker 1: I'll do nachos, ill do hot dogs, I'll do I'm sorry, 402 00:25:18,440 --> 00:25:22,359 Speaker 1: we have no hot food. No hot food. Sorry, just 403 00:25:22,600 --> 00:25:25,439 Speaker 1: popcorn out of the bag and a soda out of 404 00:25:25,440 --> 00:25:28,640 Speaker 1: the fountains. So unpopped colonels is what you're offering, then 405 00:25:29,480 --> 00:25:35,040 Speaker 1: popcorn is pop So that's definitely not take a good 406 00:25:35,080 --> 00:25:38,280 Speaker 1: sao if you're doing all cold we do. I think 407 00:25:38,320 --> 00:25:41,439 Speaker 1: a sponsor absolutely, like a creudita or babe. I'm so 408 00:25:41,520 --> 00:25:45,240 Speaker 1: proud of you. So you've got one line in this movie? Yes, 409 00:25:45,440 --> 00:25:47,800 Speaker 1: I mean I still. I stood up, spoke up for 410 00:25:47,840 --> 00:25:50,600 Speaker 1: myself and the guy actually the writer, not the director. 411 00:25:50,680 --> 00:25:52,760 Speaker 1: The writer gave me a line. And that's how you 412 00:25:52,640 --> 00:25:55,480 Speaker 1: know you're good. That's how you know you're good. Honestly, listen, baby, 413 00:25:55,520 --> 00:25:58,159 Speaker 1: when we drove act up all of our stuff and 414 00:25:58,200 --> 00:26:00,359 Speaker 1: put in that car and drove from Kansas City here 415 00:26:00,920 --> 00:26:03,640 Speaker 1: on a on a dream, a dream you would make it. 416 00:26:05,200 --> 00:26:08,480 Speaker 1: It's happening. Thank you, Sarah, and I couldn't have done 417 00:26:08,520 --> 00:26:11,800 Speaker 1: it without you. But there's something you shouldn't know. I've 418 00:26:11,800 --> 00:26:16,720 Speaker 1: had a romance love on set another extra as an 419 00:26:17,320 --> 00:26:21,199 Speaker 1: in character. Right. No, no, no, she's non union, but 420 00:26:21,320 --> 00:26:25,639 Speaker 1: she's so beautiful. Is she eligible at least? Uh? No, 421 00:26:25,920 --> 00:26:28,200 Speaker 1: she still has two more projects to go, but oh 422 00:26:28,240 --> 00:26:31,840 Speaker 1: my god, we just clicked. I'm sorry, Sarah. And guess 423 00:26:31,840 --> 00:26:36,760 Speaker 1: where she's from. St. Louis so close to Kansas City. 424 00:26:37,600 --> 00:26:40,680 Speaker 1: I'm sorry, Sarah, I had to tell you. No, I 425 00:26:40,680 --> 00:26:43,920 Speaker 1: should have. I should have seen this guy. Okay, just 426 00:26:43,960 --> 00:26:46,520 Speaker 1: looking over your resume, it looks so pretty good, Sarah. 427 00:26:46,520 --> 00:26:49,000 Speaker 1: Everything looks pretty good here. So when we're selling cars 428 00:26:49,000 --> 00:26:51,399 Speaker 1: on the lot, we've got to make sure to always 429 00:26:51,480 --> 00:26:55,119 Speaker 1: talk about what the cars are, what they do the well, 430 00:26:55,359 --> 00:27:02,479 Speaker 1: do you know what I mean? So uh, okay, all right, 431 00:27:02,640 --> 00:27:07,840 Speaker 1: Sarah kind of seem distracted. You are right, Okay, Sarah, 432 00:27:07,920 --> 00:27:15,760 Speaker 1: you know what is done. I thought that you would be. 433 00:27:16,480 --> 00:27:17,760 Speaker 1: I thought that this would be a fit, but you 434 00:27:17,840 --> 00:27:22,600 Speaker 1: just alright, So all right, you know what this is. 435 00:27:22,680 --> 00:27:24,840 Speaker 1: This is beyond this. You're wearing a wire, aren't you. 436 00:27:25,080 --> 00:27:29,119 Speaker 1: You're wearing a god damn wire. All right, fine, fine, 437 00:27:29,240 --> 00:27:30,720 Speaker 1: let it be. You know what fun? You know? I don't. 438 00:27:30,840 --> 00:27:32,560 Speaker 1: I'll talk to myself. I don't give a shit, you know. 439 00:27:32,640 --> 00:27:35,440 Speaker 1: I I built this goddamn thing from the ground up. 440 00:27:35,520 --> 00:27:37,360 Speaker 1: And if anyone thinks for a second that I'm gonna 441 00:27:37,400 --> 00:27:39,479 Speaker 1: let some with wire coming in here and break it 442 00:27:39,480 --> 00:27:43,000 Speaker 1: down because I'm selling credit cards, well then tell them 443 00:27:43,119 --> 00:27:46,880 Speaker 1: to go suck my ass alright, sucking my goddamn ass. 444 00:27:47,359 --> 00:27:51,040 Speaker 1: I'm a car sales g Yeah. Yeah, I do finance. Yeah, 445 00:27:51,040 --> 00:27:53,840 Speaker 1: I do finance. Okay. And if you think if it's 446 00:27:53,920 --> 00:27:56,000 Speaker 1: if it's if it's not just financing that people are 447 00:27:56,000 --> 00:27:57,320 Speaker 1: worried about them, what are the words? But they were 448 00:27:57,400 --> 00:28:00,119 Speaker 1: like getting around town? So I offer both things, were 449 00:28:00,119 --> 00:28:02,080 Speaker 1: both services? What the hell is that illegal? I don't 450 00:28:02,080 --> 00:28:04,840 Speaker 1: need to be accredited by God, damn Bachel the problem Okay, 451 00:28:05,000 --> 00:28:07,160 Speaker 1: And you know what do you know that in America? 452 00:28:07,240 --> 00:28:10,120 Speaker 1: You know, America, only certain states are allowed to sell cars. 453 00:28:10,200 --> 00:28:14,360 Speaker 1: You've gotta have a Curtis Curtis you okay, check check. 454 00:28:14,920 --> 00:28:17,480 Speaker 1: I was just I got kind of blew up on 455 00:28:17,520 --> 00:28:24,399 Speaker 1: the time. Sorry, you're gonna sell a car. You're gonna 456 00:28:24,440 --> 00:28:28,560 Speaker 1: sell a car. You've got the best glow of anyone 457 00:28:28,600 --> 00:28:35,240 Speaker 1: on this lot. Thank you. Yeah, that's the wildest trailer 458 00:28:35,280 --> 00:28:38,240 Speaker 1: I think I've probably ever seen. It was all exposition 459 00:28:38,480 --> 00:28:42,600 Speaker 1: and RANTI. I mean, wow, I just came to see 460 00:28:42,960 --> 00:28:46,320 Speaker 1: the trailer for the Incredible Misadventures of Mulley Man in 461 00:28:46,360 --> 00:28:48,000 Speaker 1: trans Am Tam. But I think I want to see 462 00:28:48,040 --> 00:28:52,280 Speaker 1: that movie even more. Hey man, I'm just trying to 463 00:28:52,280 --> 00:28:54,440 Speaker 1: watch the trailers too. Can you please just keep it 464 00:28:54,480 --> 00:28:56,440 Speaker 1: down all right? You want me to keep it down 465 00:28:57,120 --> 00:28:59,960 Speaker 1: to just don't talk to me in between the trail. 466 00:29:00,200 --> 00:29:03,080 Speaker 1: Just we'll talk after all the trailers have gone. We'll 467 00:29:03,120 --> 00:29:06,000 Speaker 1: talk after the trailers. Okay, we we still have six 468 00:29:06,000 --> 00:29:08,520 Speaker 1: more trailers and I got a tob full of popcorn. Alright, 469 00:29:08,560 --> 00:29:11,360 Speaker 1: so you're in it and you're in it with you, 470 00:29:11,520 --> 00:29:13,560 Speaker 1: I know. Let'm just saying, just talk to me after. 471 00:29:14,360 --> 00:29:18,000 Speaker 1: Just talk to me after the trail. Okay, everybody, thank 472 00:29:18,000 --> 00:29:20,440 Speaker 1: you for coming to this table. Read today. Now with 473 00:29:20,560 --> 00:29:24,360 Speaker 1: the success of the incredible Misadventures of mullet Man and 474 00:29:24,400 --> 00:29:27,360 Speaker 1: trans Am Tim doing so well in the box office 475 00:29:27,400 --> 00:29:30,880 Speaker 1: for the trailer, Um, people want more, people want more, 476 00:29:30,880 --> 00:29:32,960 Speaker 1: as you know, so you have scripts in front of you. Now. 477 00:29:33,760 --> 00:29:35,520 Speaker 1: We figured we don't need to shoot the whole feature 478 00:29:35,560 --> 00:29:39,479 Speaker 1: this time, just the trailer. That's all we want. We're 479 00:29:39,480 --> 00:29:43,840 Speaker 1: gonna get so um, no need for any other introductions, 480 00:29:44,200 --> 00:29:48,840 Speaker 1: going to get away. Let's read the trailer and beg 481 00:29:51,040 --> 00:29:53,520 Speaker 1: So for all the numbers, oh I'm sorry, sorry, yeah, 482 00:29:53,680 --> 00:29:56,920 Speaker 1: So the numbers are now showing that the uptick on 483 00:29:57,000 --> 00:29:59,840 Speaker 1: tickets are through the roof, so as individuals are coming 484 00:30:00,280 --> 00:30:03,040 Speaker 1: into cinemas as they are. We're seeing that the number 485 00:30:03,160 --> 00:30:07,360 Speaker 1: of clienteles four said movies are doubling only in terms 486 00:30:07,360 --> 00:30:09,840 Speaker 1: of the market share as available now. So if we 487 00:30:09,880 --> 00:30:11,240 Speaker 1: look at a pie chart and we think of the 488 00:30:11,280 --> 00:30:14,480 Speaker 1: pie itself as a whole, and we cut thirty thirty 489 00:30:15,120 --> 00:30:19,200 Speaker 1: thirty thirty, and from there we're able to Can we 490 00:30:19,240 --> 00:30:23,680 Speaker 1: just put this in plain English? Please? Yes? Um uh? 491 00:30:23,720 --> 00:30:28,800 Speaker 1: There there's there's dinosaurs making movies and that studios. Do 492 00:30:28,840 --> 00:30:31,640 Speaker 1: you want to try that again? Day? Lead with that 493 00:30:31,800 --> 00:30:37,120 Speaker 1: next time the dinosaurs. I'm gonna tell you the Booth 494 00:30:37,200 --> 00:30:40,520 Speaker 1: is gonna ask you to do that one again. I'm 495 00:30:40,560 --> 00:30:44,720 Speaker 1: gonna see you hear him, hear him in our ears 496 00:30:45,000 --> 00:30:50,720 Speaker 1: right now? Thanks man, we have your accident anymore as weird? Yeah, 497 00:30:50,840 --> 00:30:57,120 Speaker 1: me and Jess and we just stayed all into Europe. 498 00:30:56,960 --> 00:31:01,920 Speaker 1: Yeah in Australia. Wow, you are right, I mean started welding. 499 00:31:02,000 --> 00:31:06,800 Speaker 1: Actually I did, I did? Did you say Stingle again? Oh? 500 00:31:07,800 --> 00:31:12,600 Speaker 1: You said Stingle again. We do have contestants from every 501 00:31:12,800 --> 00:31:16,400 Speaker 1: single country, and yet you're telling us that we have 502 00:31:16,480 --> 00:31:21,240 Speaker 1: them from every Stingle country. Booth is telling me in 503 00:31:21,280 --> 00:31:23,760 Speaker 1: my ear, we're gonna need to try that just one 504 00:31:23,800 --> 00:31:27,960 Speaker 1: more time. So I mean your movies right, thank you? 505 00:31:28,800 --> 00:31:31,200 Speaker 1: It will not clean it all that. Do you feel 506 00:31:31,240 --> 00:31:33,560 Speaker 1: like please go and get good enough? Friend? And I 507 00:31:33,680 --> 00:31:36,760 Speaker 1: left you at a very vulnerable time. Do you still 508 00:31:36,760 --> 00:31:39,720 Speaker 1: hold that grudge against me? Mike Job? Right now, I'm 509 00:31:39,760 --> 00:31:41,920 Speaker 1: not the one screwing up and the only one piece 510 00:31:42,000 --> 00:31:44,440 Speaker 1: was I supposed to pass that Alonge motivated me to 511 00:31:44,480 --> 00:31:47,200 Speaker 1: go to welding school motivated media. Then why are you 512 00:31:47,200 --> 00:31:49,080 Speaker 1: You know what I'm gonna give him. I'm gonna give 513 00:31:49,120 --> 00:31:52,000 Speaker 1: him my earpiece. I'm gonna so that you can talk directly. 514 00:31:53,240 --> 00:31:55,440 Speaker 1: I'm sorry to erupt. It looks like you're having right. 515 00:31:55,920 --> 00:31:58,720 Speaker 1: I'll play middleman. I'm I'm a bear who's to break 516 00:31:58,760 --> 00:32:01,920 Speaker 1: in just for you? Three have an twa on where 517 00:32:01,960 --> 00:32:10,280 Speaker 1: to study and that scene too. Oh man, I love 518 00:32:10,320 --> 00:32:17,720 Speaker 1: where it goes and why it happens. Same three comes 519 00:32:17,720 --> 00:32:20,400 Speaker 1: to us from Patron v I P. Nicholas, who wrote, Hello, Kevin, 520 00:32:20,440 --> 00:32:22,600 Speaker 1: I think you won't be happy hearing this, especially from 521 00:32:22,600 --> 00:32:25,520 Speaker 1: a German listener. Oh boy, never start an email like that. 522 00:32:26,400 --> 00:32:29,720 Speaker 1: But here goes Episode one fifties six was a near 523 00:32:29,880 --> 00:32:34,640 Speaker 1: miss in my book, as in I nearly missed the 524 00:32:34,720 --> 00:32:38,440 Speaker 1: road while driving because I was laughing so hard. Nice 525 00:32:38,960 --> 00:32:41,800 Speaker 1: you son of a bitch. The Germans with that sense 526 00:32:41,840 --> 00:32:44,880 Speaker 1: of humor. One for the history books that turned around 527 00:32:45,000 --> 00:32:51,239 Speaker 1: of Toastito rolls sketch was incredible. Oh yes, oh you 528 00:32:51,360 --> 00:32:55,600 Speaker 1: did want to hear that? Well? How was I to know? Anyway? 529 00:32:56,120 --> 00:33:02,080 Speaker 1: As seen suggestion an Ultimate b Smaster or American Ninja 530 00:33:02,160 --> 00:33:06,880 Speaker 1: Warrior style competition with contestants from all over the world, 531 00:33:06,960 --> 00:33:14,600 Speaker 1: and the motto is can you beat soup back from 532 00:33:14,640 --> 00:33:18,360 Speaker 1: commercial break? And we got contestants from every single rules, 533 00:33:19,520 --> 00:33:22,800 Speaker 1: every singing. Do you want to try that again, Dave, 534 00:33:23,560 --> 00:33:27,760 Speaker 1: We'll roll analogies, keep going. We got contestants from everything, Dave. 535 00:33:28,000 --> 00:33:30,360 Speaker 1: I'm gonna tell you the booth is gonna ask you 536 00:33:30,440 --> 00:33:36,240 Speaker 1: to do that one again. Do you hear him? You 537 00:33:36,240 --> 00:33:38,960 Speaker 1: hear him in our ears right now. I just think 538 00:33:39,000 --> 00:33:41,240 Speaker 1: that I if I just keep on moving and just 539 00:33:41,280 --> 00:33:46,680 Speaker 1: you'll clean it upset. Okay, ready in five four three 540 00:33:46,720 --> 00:33:51,440 Speaker 1: to one, welcome back to the Ultimate Soup Master. We 541 00:33:51,520 --> 00:33:56,360 Speaker 1: have contestants from every single towns, city and province in 542 00:33:56,920 --> 00:34:02,760 Speaker 1: say single again, you said stingle again. I'm sure we 543 00:34:02,920 --> 00:34:07,800 Speaker 1: do have contestants from every single country, and yet you're 544 00:34:07,880 --> 00:34:11,840 Speaker 1: telling us that we have them from every stingle country. 545 00:34:12,239 --> 00:34:14,520 Speaker 1: The booth is telling me in my ear we're gonna 546 00:34:14,520 --> 00:34:18,000 Speaker 1: need to try that just one more time. If I 547 00:34:18,080 --> 00:34:21,319 Speaker 1: just power through it, it might clean it up. It 548 00:34:21,360 --> 00:34:25,000 Speaker 1: will not clean it up. We will reset you mess 549 00:34:25,000 --> 00:34:27,719 Speaker 1: it up, So get it right this time. Okay, let's 550 00:34:27,719 --> 00:34:31,440 Speaker 1: do a five four three two one. Hey, Mike, not 551 00:34:31,640 --> 00:34:33,279 Speaker 1: right now. I'm not the one screwing up. I know 552 00:34:33,320 --> 00:34:34,560 Speaker 1: I'm the only one with the ear piece. Was I 553 00:34:34,560 --> 00:34:36,640 Speaker 1: supposed to pass that along? You know what, you don't 554 00:34:36,640 --> 00:34:38,960 Speaker 1: have to pass along. I'm just saying that we're gonna 555 00:34:38,960 --> 00:34:41,000 Speaker 1: have to get you know what I'm gonna give him. 556 00:34:41,040 --> 00:34:43,360 Speaker 1: I'm gonna give him my earpiece. I'm gonna so that 557 00:34:43,400 --> 00:34:45,160 Speaker 1: you can talk at you know. I like the middle man. 558 00:34:45,239 --> 00:34:49,160 Speaker 1: I think the middleman works. Right, fine, I'll play middleman, 559 00:34:49,239 --> 00:34:56,800 Speaker 1: Thank you alright? Three two one. Welcome back from commercial 560 00:34:56,840 --> 00:35:02,200 Speaker 1: break to be Smaster Soup Edition. We've contestants from every 561 00:35:02,239 --> 00:35:07,960 Speaker 1: single country, province, town in the world, and I do 562 00:35:08,000 --> 00:35:10,000 Speaker 1: I need to stop him again? What are you going on? 563 00:35:10,440 --> 00:35:15,960 Speaker 1: He sinking? So we can there's with that. I'm being 564 00:35:15,960 --> 00:35:20,680 Speaker 1: told there's wiggle room. I'm nervous. Was my first time 565 00:35:20,719 --> 00:35:25,520 Speaker 1: competing in anything to be honest. Oh you've you've never 566 00:35:25,560 --> 00:35:29,920 Speaker 1: done the Beastmaster circuit before? No, no, no, no, it's 567 00:35:29,920 --> 00:35:35,000 Speaker 1: a cool bandana. Yea, thanks? Yeah, pick this up back 568 00:35:35,040 --> 00:35:39,359 Speaker 1: in uh Holland and two oh hell yeah, I wasn't 569 00:35:39,480 --> 00:35:45,520 Speaker 1: born to Okay, all right? So these like snacks for everybody? 570 00:35:45,640 --> 00:35:47,520 Speaker 1: Or is it for the winner? Or can we have 571 00:35:47,600 --> 00:35:50,680 Speaker 1: some of the snacks? Uh? These are oyster crackers that 572 00:35:50,760 --> 00:35:56,040 Speaker 1: go with the soup. Those are the judges. Man. No, no, 573 00:35:56,120 --> 00:35:58,960 Speaker 1: I'm sucking. I'm working with you. Have whatever you want, 574 00:36:00,280 --> 00:36:02,440 Speaker 1: make way, big way. This guy just broke both his 575 00:36:02,520 --> 00:36:08,040 Speaker 1: arms and his back and his ass ship. Oh my god, 576 00:36:09,000 --> 00:36:13,120 Speaker 1: I happen from soup. Yeah. Yeah, I mean it depends 577 00:36:13,120 --> 00:36:15,440 Speaker 1: how heaven the later is. But yeah, you can. You 578 00:36:15,440 --> 00:36:17,480 Speaker 1: can definitely hurt yourself. I don't know if you know 579 00:36:17,560 --> 00:36:22,440 Speaker 1: my backstory, but they found me on a farm in Kentucky. 580 00:36:23,520 --> 00:36:25,960 Speaker 1: I don't even have television or internet or anything. Someone 581 00:36:26,000 --> 00:36:29,480 Speaker 1: who's driving by something called scout. They saw me swimming 582 00:36:29,480 --> 00:36:33,000 Speaker 1: in uh in our pond back there, and so now 583 00:36:33,040 --> 00:36:35,080 Speaker 1: I'm here, So I'm a little nervous. Yeah, I read 584 00:36:35,120 --> 00:36:39,000 Speaker 1: your bio. I read your bio. Cool. Yeah, I'm from 585 00:36:39,520 --> 00:36:41,759 Speaker 1: I'm from Indiana. They really have people from all over 586 00:36:41,800 --> 00:36:48,080 Speaker 1: the world here, don't um. It's not only a competition 587 00:36:48,120 --> 00:36:51,239 Speaker 1: against each other rights, No, no, I mean we gotta 588 00:36:51,239 --> 00:36:54,239 Speaker 1: stick together as a couple of Yanks. Right. Make way. 589 00:36:54,360 --> 00:36:57,080 Speaker 1: This guy's eyes just fucking melted out of this guy 590 00:36:57,160 --> 00:37:02,359 Speaker 1: damn shot up into his sucking head. He's just enough 591 00:37:02,400 --> 00:37:09,839 Speaker 1: a line to feel everything, everything moved. So just last thing, 592 00:37:09,920 --> 00:37:11,719 Speaker 1: just just just quickly, can you go over just the 593 00:37:11,840 --> 00:37:14,160 Speaker 1: rules from more times before? I'm a little nervous, so like, 594 00:37:14,200 --> 00:37:16,279 Speaker 1: how does this work? Again? Well, you're in a Beastmaster 595 00:37:16,360 --> 00:37:21,759 Speaker 1: style soup competition with with every stingle country and you 596 00:37:21,800 --> 00:37:24,759 Speaker 1: don't know why you're here. I know why, I don't 597 00:37:24,760 --> 00:37:26,680 Speaker 1: know how. I don't know what. Oh yeah, you don't 598 00:37:26,680 --> 00:37:30,200 Speaker 1: know what to make? Yeah yeah, I mean you're not 599 00:37:30,239 --> 00:37:34,279 Speaker 1: gonna come with like gaspacho, right or Visi sUAS. I 600 00:37:34,280 --> 00:37:37,719 Speaker 1: mean you're gonna make a hot soup. Yeah yeah, yeah, 601 00:37:37,719 --> 00:37:42,319 Speaker 1: So that's that's what we're doing here. We're making two yes, right? 602 00:37:43,120 --> 00:37:48,120 Speaker 1: What how's it bringetting so injured? Uh? Turn on the 603 00:37:48,160 --> 00:37:56,479 Speaker 1: monitor man, Okay, oh oh god, oh god, I thought 604 00:37:56,520 --> 00:38:00,680 Speaker 1: this is just so where are my fingers? And another 605 00:38:00,800 --> 00:38:04,600 Speaker 1: one goes down all the way. You had another victim 606 00:38:04,680 --> 00:38:08,920 Speaker 1: of the soup here on Beast Master Battles Super Edition. 607 00:38:11,160 --> 00:38:18,160 Speaker 1: Well it sounds like another American, right, didn't ye? So yeah, 608 00:38:18,600 --> 00:38:21,400 Speaker 1: I'm going through your resume right now, and I really 609 00:38:21,480 --> 00:38:27,480 Speaker 1: like your credits, Joanna, especially Ultimate Soup. UM. But I'm 610 00:38:27,520 --> 00:38:30,720 Speaker 1: I'm just looking at this. Um. It's a really easy question. 611 00:38:30,800 --> 00:38:39,279 Speaker 1: Are you are you Stingle or are you murried? Oh? Really? Yeah? 612 00:38:39,640 --> 00:38:43,000 Speaker 1: We we can only use Stingle people on this show. 613 00:38:43,360 --> 00:38:45,000 Speaker 1: You know. I'd heard that and I didn't think it 614 00:38:45,080 --> 00:38:47,600 Speaker 1: was possible. So I'm glad we had this opportunity to 615 00:38:47,640 --> 00:38:51,279 Speaker 1: talk because I think it's not rage. I I understand that. 616 00:38:51,320 --> 00:38:54,680 Speaker 1: But this show has been on eighteen years for a reason, Joanna, UM, 617 00:38:55,560 --> 00:38:59,399 Speaker 1: eighteen years is dedicated to success is because of Stingle. 618 00:38:59,600 --> 00:39:03,960 Speaker 1: Just on Stingle people murdered people make things more complicated. 619 00:39:04,040 --> 00:39:07,520 Speaker 1: Well maybe I should ask Joanna, what do you mean 620 00:39:07,520 --> 00:39:10,160 Speaker 1: you want to get a divorce? I do? I do. 621 00:39:10,280 --> 00:39:12,800 Speaker 1: I think it's time. I think if my career is 622 00:39:12,800 --> 00:39:16,759 Speaker 1: going to see what it deserves, which is raw success 623 00:39:17,400 --> 00:39:19,640 Speaker 1: from my own talents and gifts, I need to let 624 00:39:19,680 --> 00:39:22,840 Speaker 1: you and the children go. We made a path to 625 00:39:22,880 --> 00:39:25,960 Speaker 1: be murdered. We did. We did. We took an ooth 626 00:39:26,120 --> 00:39:33,799 Speaker 1: under God and we'd had this scary dream. Did you 627 00:39:33,840 --> 00:39:37,880 Speaker 1: really tell us all about it? Lynn? Well, there was 628 00:39:37,920 --> 00:39:42,440 Speaker 1: a much to made knives, and I lived inside my 629 00:39:42,520 --> 00:39:45,400 Speaker 1: chest and when I think a certain way, it would 630 00:39:45,400 --> 00:39:48,160 Speaker 1: come out, and then it would come out and they 631 00:39:48,200 --> 00:39:52,360 Speaker 1: would cut all my families. We've talked about this before. 632 00:39:52,400 --> 00:39:56,000 Speaker 1: You know how dreams were versus real world. In fact, 633 00:39:56,080 --> 00:39:58,560 Speaker 1: I'll give you another example. In the real world. Your 634 00:39:58,600 --> 00:40:03,720 Speaker 1: father and I are get DeVos mommy, daddy. I'm really 635 00:40:03,880 --> 00:40:08,040 Speaker 1: angry right now. I'm so can somebody please cock me 636 00:40:08,160 --> 00:40:14,120 Speaker 1: something to eat? I'm angry? Yeah, please Joanna, so cat 637 00:40:14,160 --> 00:40:16,920 Speaker 1: him something? What do you want from me? I'm out 638 00:40:16,960 --> 00:40:18,479 Speaker 1: of here. I have to go. I have to pack. 639 00:40:19,840 --> 00:40:24,680 Speaker 1: You're getting a Yes, I thought we were getting a 640 00:40:24,760 --> 00:40:30,640 Speaker 1: duvorce and now you're saying we're getting a Devoce. That's insane, man. 641 00:40:30,680 --> 00:40:32,200 Speaker 1: So she just up and left just to work on 642 00:40:32,239 --> 00:40:36,680 Speaker 1: that show. God, that's crazy, that's wild. So what you 643 00:40:36,760 --> 00:40:40,440 Speaker 1: can want to my lower back a little more? Yeah, totally. 644 00:40:40,880 --> 00:40:42,239 Speaker 1: What you want to be doing is gonna be wanting 645 00:40:42,239 --> 00:40:44,600 Speaker 1: to look at the different welds on the car. Okay, 646 00:40:44,680 --> 00:40:47,840 Speaker 1: and you're gonna be wanting to find out which ones 647 00:40:48,239 --> 00:40:50,440 Speaker 1: are you know which part because you can definitely tell 648 00:40:50,440 --> 00:40:52,759 Speaker 1: you How would I know? How would I know which 649 00:40:52,760 --> 00:40:57,319 Speaker 1: welds are from dinosaurs? I mean that's part of that's 650 00:40:57,320 --> 00:40:59,319 Speaker 1: part of the skill, right as part of you're not 651 00:40:59,360 --> 00:41:02,680 Speaker 1: using any oil. Oh my god, I say again, do 652 00:41:02,719 --> 00:41:06,840 Speaker 1: you know maybe you're not at work. You don't be 653 00:41:06,920 --> 00:41:10,600 Speaker 1: talking your announcer voice all day? Okay, I guess I'm sorry. 654 00:41:10,800 --> 00:41:18,480 Speaker 1: It just tends to happen. I will get red. Is 655 00:41:18,480 --> 00:41:21,279 Speaker 1: it time for us to have sex? Don't say it 656 00:41:21,400 --> 00:41:23,879 Speaker 1: like that. This is, first of all, it's already weird 657 00:41:23,880 --> 00:41:26,320 Speaker 1: that we have to schedule a day to have sex, okay, 658 00:41:26,360 --> 00:41:29,480 Speaker 1: because neither you nor I are really getting hot for 659 00:41:29,520 --> 00:41:33,480 Speaker 1: each other anymore. But the voice makes it worse. Well, 660 00:41:33,520 --> 00:41:36,279 Speaker 1: I've always been hot for you. I don't know if 661 00:41:36,280 --> 00:41:39,719 Speaker 1: you felt this way for a long time. But if 662 00:41:39,719 --> 00:41:44,000 Speaker 1: we're having sexual problems, we should probably see a therapist. 663 00:41:44,280 --> 00:41:47,680 Speaker 1: I have your producer in my ear. Yes, um, yeah, 664 00:41:47,880 --> 00:41:50,279 Speaker 1: just go ahead and let him insert himself in you 665 00:41:50,400 --> 00:41:54,279 Speaker 1: in about five four okay, get in, get in, get in? 666 00:41:54,960 --> 00:41:58,120 Speaker 1: Oh goodness, wait, how did what are you doing with 667 00:41:58,160 --> 00:42:03,120 Speaker 1: my producer in your ear, Um, give me that earpiece. 668 00:42:03,880 --> 00:42:09,840 Speaker 1: Get Oh no, hi? Hey, yeah, oh no, Hi is 669 00:42:10,040 --> 00:42:14,440 Speaker 1: right there you go. Um, we're gonna have to do 670 00:42:14,520 --> 00:42:20,840 Speaker 1: that again. You're gonna have to reset. Uh yeah, okay, 671 00:42:20,960 --> 00:42:28,200 Speaker 1: I got uh. Sebastian Hober from Kentucky? Is that right? 672 00:42:28,239 --> 00:42:33,480 Speaker 1: Where is he? You're you're up next? What's up? Two 673 00:42:33,480 --> 00:42:39,120 Speaker 1: people come up and say, yes, what is going on? Well, 674 00:42:39,160 --> 00:42:41,239 Speaker 1: you're telling me we have two guys from Kentucky, one 675 00:42:41,280 --> 00:42:47,840 Speaker 1: guys from India. This is an international competition. I'm sorry 676 00:42:47,840 --> 00:42:50,239 Speaker 1: I have from Kentucky. But that's not my name. I 677 00:42:50,320 --> 00:42:53,319 Speaker 1: just heard Kentucky. What the funk was that of? Then? Well, 678 00:42:53,320 --> 00:42:57,120 Speaker 1: what are you doing? Somebody say, Kentucky? What the hell 679 00:42:57,200 --> 00:42:59,600 Speaker 1: is going on? There's seven of us. I don't know, man, 680 00:42:59,800 --> 00:43:01,480 Speaker 1: I just hurt my name. I didn't hear my name. 681 00:43:01,520 --> 00:43:05,759 Speaker 1: I just heard Kentucky. I'm talking to Sebastian Hobar. Oh 682 00:43:05,960 --> 00:43:10,840 Speaker 1: never mind you, Sebastian. Uh. There's been some changes to 683 00:43:10,920 --> 00:43:13,200 Speaker 1: the course. It looks like too many people have been 684 00:43:13,400 --> 00:43:16,560 Speaker 1: breaking their asses and melting their eyes out of their heads, 685 00:43:16,600 --> 00:43:20,239 Speaker 1: so we've had to We've actually had to roll in 686 00:43:20,280 --> 00:43:23,479 Speaker 1: the extreme course because it looks like the normal course 687 00:43:23,560 --> 00:43:27,080 Speaker 1: is just hurting too many people. Second, it's harder. I 688 00:43:27,080 --> 00:43:30,000 Speaker 1: wouldn't say it's harder. So anyway, what do we need 689 00:43:30,080 --> 00:43:33,360 Speaker 1: to do is, uh, we're gonna need you to go 690 00:43:33,440 --> 00:43:35,600 Speaker 1: up now. Looks like the roster is getting pretty thin. 691 00:43:35,640 --> 00:43:37,520 Speaker 1: A lot again, a lot of people breaking their ass, 692 00:43:37,520 --> 00:43:41,960 Speaker 1: and I was just gonna see what you're working with. Okay, great, Okay, 693 00:43:42,280 --> 00:43:44,640 Speaker 1: So I'm gonna have to pre scar you because we 694 00:43:44,719 --> 00:43:49,520 Speaker 1: do have a narrative where Sebastian Hobart is is scarred up. Okay, 695 00:43:49,560 --> 00:43:56,400 Speaker 1: so I'm gonna slice off from nipples here. Okay, you're ready? 696 00:43:56,440 --> 00:44:01,040 Speaker 1: Good luck, man, good luck? Do do do do do 697 00:44:01,320 --> 00:44:22,719 Speaker 1: do this episode of Dinosaurs, I'm now going to make 698 00:44:22,760 --> 00:44:28,799 Speaker 1: a dinosaur. Sup. You're not half the shift that Brad was. 699 00:44:31,960 --> 00:44:36,960 Speaker 1: Oh god, my insights. Oh no, no, not my baby. 700 00:44:39,560 --> 00:44:48,680 Speaker 1: I am the beast Master. Can you be sup? And 701 00:44:48,800 --> 00:44:53,080 Speaker 1: it looks like we have our first ever beast Master 702 00:44:53,320 --> 00:44:58,080 Speaker 1: Super Edition Champion and it's the boy from the Pond, 703 00:44:58,320 --> 00:45:04,600 Speaker 1: Sebastian Hobart. Sebastian, come step right up over here. I 704 00:45:06,800 --> 00:45:10,200 Speaker 1: believe announcers conducting that interview while making love to his 705 00:45:10,239 --> 00:45:15,319 Speaker 1: wife's just not there's not enough room up here for 706 00:45:15,360 --> 00:45:19,919 Speaker 1: both of us. Well, then someone's gonna have to take 707 00:45:19,960 --> 00:45:23,680 Speaker 1: over because I've finally rekindled things and my wife and 708 00:45:23,719 --> 00:45:28,680 Speaker 1: I are stepping out. Excuse me? Uh yeah, um do 709 00:45:28,719 --> 00:45:31,799 Speaker 1: you mean stepping our? All right? No, you know what, 710 00:45:31,840 --> 00:45:33,959 Speaker 1: I'm giving the ear I'm I'm just taking a break. 711 00:45:33,960 --> 00:45:35,880 Speaker 1: I'm taking a break. I'm giving the earpiece to my 712 00:45:36,000 --> 00:45:38,439 Speaker 1: to my to my comin here you go, right there, 713 00:45:39,200 --> 00:45:47,480 Speaker 1: we go. Hi there, Timmy mcgarthur replacing gulf of your 714 00:45:47,480 --> 00:45:51,080 Speaker 1: announcers up here on the booth. We've had a setback, 715 00:45:51,120 --> 00:45:53,920 Speaker 1: but we've got a new champion, and I've got Steam 716 00:45:54,200 --> 00:45:57,760 Speaker 1: Kaka down on the field to interview our new champion, 717 00:45:57,840 --> 00:46:04,560 Speaker 1: Steam taking away. Oh this is Steam Kaca. I am 718 00:46:04,600 --> 00:46:08,640 Speaker 1: a coding act bear, but I am also trained at 719 00:46:08,680 --> 00:46:13,160 Speaker 1: the Royal Shakespeare Academy. Uh. I hate that I have 720 00:46:13,200 --> 00:46:15,719 Speaker 1: to give my credentials before I do any interview. But 721 00:46:16,200 --> 00:46:18,160 Speaker 1: there are some people who just won't see me for 722 00:46:18,280 --> 00:46:22,960 Speaker 1: who I am. I'm here with Sebastiano. So you you 723 00:46:23,320 --> 00:46:28,520 Speaker 1: ripped open some live dinosaurs where who are cognizant beings 724 00:46:29,760 --> 00:46:33,600 Speaker 1: and brutalized them on live TV? How did that feel? 725 00:46:34,200 --> 00:46:36,920 Speaker 1: It felt amazing to be honest it reminded me of 726 00:46:36,960 --> 00:46:41,279 Speaker 1: a scene from the Incredible Misadventures of Mullet Man and 727 00:46:41,360 --> 00:46:44,080 Speaker 1: trans Amn Tim where they beat up to those two 728 00:46:44,080 --> 00:46:46,960 Speaker 1: guys beat up an entire barflo of vikers the trailer 729 00:46:47,520 --> 00:46:50,360 Speaker 1: and I just kind of channeled that that feeling, and 730 00:46:50,400 --> 00:46:52,759 Speaker 1: that's I just let loose and I feel great, and 731 00:46:53,200 --> 00:46:55,319 Speaker 1: I want to say death to all dinosaurs humans at 732 00:46:55,320 --> 00:47:00,200 Speaker 1: the best. Now you you were found on a farm 733 00:47:00,280 --> 00:47:12,680 Speaker 1: in Kentucky, somebody, somebody from Indiana. Man the border, over 734 00:47:12,719 --> 00:47:15,960 Speaker 1: the border. Okay, I'm sorry, you may hope it. Okay, 735 00:47:15,960 --> 00:47:18,280 Speaker 1: well I'm going to leave. But what's that smell? Smells 736 00:47:18,280 --> 00:47:24,040 Speaker 1: like ship? It's Indiana? Yeah, fuck you man. And that's 737 00:47:24,080 --> 00:47:29,880 Speaker 1: our show for today. I want to thank all of 738 00:47:29,920 --> 00:47:34,080 Speaker 1: our alchemists for it today, starting with Mr Joey Greer. Joey, 739 00:47:34,120 --> 00:47:38,280 Speaker 1: what's that smell? I wish I knew. I've been hunting 740 00:47:38,280 --> 00:47:41,000 Speaker 1: in for a week and there's no progress. I don't know. 741 00:47:42,239 --> 00:47:44,280 Speaker 1: All right, Where can folks find you on the interweb? 742 00:47:44,360 --> 00:47:47,080 Speaker 1: Sure they want to look you up. Honestly, if they 743 00:47:47,080 --> 00:47:49,680 Speaker 1: want to look me up, check out Alchemy. This is Instagram. 744 00:47:49,840 --> 00:47:53,880 Speaker 1: Just go there, plug in. We're doing lives on the 745 00:47:53,920 --> 00:47:58,000 Speaker 1: thing and it's it's happening. So and your comedy album 746 00:47:58,000 --> 00:48:02,040 Speaker 1: Goodnight is still in the top two thousand Billboard. That's 747 00:48:02,080 --> 00:48:06,160 Speaker 1: that's exactly right. Check out good Night with Joey Greer. 748 00:48:06,200 --> 00:48:10,120 Speaker 1: Any streaming serve this. I don't mean Netflix, they don't 749 00:48:10,120 --> 00:48:12,000 Speaker 1: they don't have it, but you know, and you want 750 00:48:12,040 --> 00:48:13,480 Speaker 1: to give a shout out. You told me in an 751 00:48:13,480 --> 00:48:17,799 Speaker 1: email to somebody who is out there fighting the good fight. 752 00:48:19,560 --> 00:48:26,120 Speaker 1: Did I That's right, folks. I wanted all the listeners 753 00:48:26,160 --> 00:48:29,600 Speaker 1: to know when I say that's our show, the improvising 754 00:48:29,760 --> 00:48:34,239 Speaker 1: cease christ Ronald, thank you very much for being here, 755 00:48:34,680 --> 00:48:36,640 Speaker 1: Thank you for having me. You know I want to 756 00:48:36,680 --> 00:48:39,400 Speaker 1: I want to echo Joey stop. I was working on 757 00:48:39,480 --> 00:48:42,239 Speaker 1: my website yesterday. We don't even know I have one. 758 00:48:42,280 --> 00:48:43,880 Speaker 1: It just sits there with some pictures of me, and 759 00:48:43,880 --> 00:48:47,759 Speaker 1: I was like, people want to find me. Goddamn it. 760 00:48:48,000 --> 00:48:49,719 Speaker 1: This year with alchemy this, you know what I mean, 761 00:48:50,160 --> 00:48:53,040 Speaker 1: Alchemy to this Instagram, I'm gonna get more lively of 762 00:48:53,120 --> 00:48:55,000 Speaker 1: making it right here, I'm saying it in front of 763 00:48:55,000 --> 00:48:57,840 Speaker 1: all you people. I'm gonna be more involved in the Instagram. Joey. 764 00:48:57,920 --> 00:49:00,640 Speaker 1: It's not gonna just be you help. I might job 765 00:49:00,680 --> 00:49:03,279 Speaker 1: on as a guest. I'm gonna go crazy. I want 766 00:49:03,280 --> 00:49:05,640 Speaker 1: to get to people hights. All right, well thank you 767 00:49:05,680 --> 00:49:11,480 Speaker 1: for that, man. Sure, let's appreciate Mark Gagliardi. Yeah. So 768 00:49:11,600 --> 00:49:15,319 Speaker 1: you're doing, um, a remake of Twin Peaks? Is that 769 00:49:15,360 --> 00:49:20,480 Speaker 1: what the setting is? Just? So uh uh yeah, I'm 770 00:49:20,480 --> 00:49:22,920 Speaker 1: doing I'm doing my own remake of Twin Peaks. It's 771 00:49:22,960 --> 00:49:26,799 Speaker 1: going to be in a socially distanced amphatheater, so it's 772 00:49:27,040 --> 00:49:30,280 Speaker 1: technically ninety nine seat theater. Uh you know, it falls 773 00:49:30,320 --> 00:49:32,239 Speaker 1: under that rule, but it's gonna be in uh the 774 00:49:32,280 --> 00:49:35,040 Speaker 1: Hollywood Bowl. So I hope everyone uh comes and checks 775 00:49:35,040 --> 00:49:38,759 Speaker 1: at ninety nine only allowed at the Hollywood Bowl. The man. Yeah, 776 00:49:38,800 --> 00:49:41,279 Speaker 1: oh man, did you imagine? I thought, I thought you're 777 00:49:41,320 --> 00:49:43,799 Speaker 1: being serious, and I was like, so on board. Now 778 00:49:45,440 --> 00:49:48,600 Speaker 1: Twin Peaks at the Hollywood bol would be amazing. People there. 779 00:49:48,840 --> 00:49:51,800 Speaker 1: Yeah yeah that Sean will. Thank you so much for 780 00:49:51,880 --> 00:49:54,200 Speaker 1: joining us. I hope you had a good time. Oh man, 781 00:49:54,280 --> 00:49:57,719 Speaker 1: Adam last, thank you everybody, y'all are this is amazing? 782 00:49:57,760 --> 00:50:00,239 Speaker 1: So everybody was great. Thank you for having me. Yeah, 783 00:50:00,360 --> 00:50:03,320 Speaker 1: it's a little bit of insanity and you're a welcome edition. 784 00:50:03,360 --> 00:50:06,120 Speaker 1: Anytime it's convenient for you. Thanks, thanks very much for 785 00:50:06,160 --> 00:50:10,200 Speaker 1: joining us. Oh, thank you man, so much fun good 786 00:50:10,280 --> 00:50:13,480 Speaker 1: folks can look you up on the interwet. You know what. Yeah, 787 00:50:13,719 --> 00:50:16,280 Speaker 1: I'm I'm going to be that guy. You can follow 788 00:50:16,320 --> 00:50:21,520 Speaker 1: me at I am Sean Will on Instagram and uh yeah, man, 789 00:50:21,560 --> 00:50:23,640 Speaker 1: make sure you all support alchemy this because this show 790 00:50:23,719 --> 00:50:27,120 Speaker 1: kicks ass. So I'm already following you guys. So I'm 791 00:50:27,160 --> 00:50:29,399 Speaker 1: already there, but uh yeah, I do that in and 792 00:50:29,440 --> 00:50:32,560 Speaker 1: go to my Instagram page as well. I am Sean Will. 793 00:50:33,000 --> 00:50:36,080 Speaker 1: I am Sean Will. Yep, easy, right, fantastic, Thank you 794 00:50:36,120 --> 00:50:40,080 Speaker 1: for that, Sean. Yeah, nothing to promote, so I think 795 00:50:40,080 --> 00:50:44,160 Speaker 1: I should just do some vocabulary pet peeves. Um, don't 796 00:50:44,280 --> 00:50:49,319 Speaker 1: use uh ambivalent when you mean apathetic. Uh, don't care 797 00:50:49,320 --> 00:50:51,359 Speaker 1: about If you don't care about something, you're apathetic. If 798 00:50:51,360 --> 00:50:56,680 Speaker 1: you have too strong yet contrary feelings, you are ambivalent. 799 00:50:57,160 --> 00:50:59,600 Speaker 1: Appreciate the clarification. I think a lot of people are 800 00:50:59,680 --> 00:51:03,440 Speaker 1: confused just about that. Look forward to another one next week, 801 00:51:03,920 --> 00:51:08,080 Speaker 1: if there's any way we could make this a weekly 802 00:51:08,239 --> 00:51:17,200 Speaker 1: Uh uh, I think your listeners are already ambivalent. Well, 803 00:51:17,239 --> 00:51:18,920 Speaker 1: thank you all so much. Let's thank our engineer and 804 00:51:18,960 --> 00:51:22,640 Speaker 1: producer of the Stars, Mr Doug Baine books that I 805 00:51:22,719 --> 00:51:29,800 Speaker 1: heart media. I tried to. Yeah, yeah, Hollywood Bowl, I 806 00:51:29,880 --> 00:51:34,480 Speaker 1: feel like we we did happy about two minutes ago. Yeah, 807 00:51:34,520 --> 00:51:36,840 Speaker 1: thank you for that, Greig Man. I hate that my 808 00:51:36,840 --> 00:51:39,799 Speaker 1: show was so unmemorable at the freaking Hollywood Bowl. I 809 00:51:39,920 --> 00:51:44,280 Speaker 1: finally got a show there. Clearly Joey was apathetic. Yeah, 810 00:51:44,360 --> 00:51:46,360 Speaker 1: he was not one of the nine and nine allowed in. 811 00:51:47,320 --> 00:51:50,000 Speaker 1: Well that's true, he was in standing in line. Uh 812 00:51:50,120 --> 00:51:52,680 Speaker 1: please wear a mask, everybody out there. Let's look after 813 00:51:52,719 --> 00:51:55,239 Speaker 1: each other, damn it, and do all we can to 814 00:51:55,360 --> 00:52:00,439 Speaker 1: just be kind. Forget rewind, wear a mask. I'm your host, 815 00:52:00,480 --> 00:52:01,839 Speaker 1: Kevin Pollic. Until next time,